Podcasts about Norse

Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Substackhttps://substack.com/@theoccultrejects?r=7auau0&utm_campaign=profile&utm_medium=profile-pageCash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsBibliographyAguilar, L. A., et al. “Total Solar Eclipse Triggers Dawn Behavior in Birds.” Science, 2025. Used for the updated science support showing that the April 8, 2024 total eclipse altered North American bird behavior, including dawn-like vocal responses.Britannica. “9 Celestial Omens.” Used for the Thales / Battle of the Eclipse tradition and the broader theme of celestial events being interpreted as historical omens.Britannica. “Apopis.” Used for Apep/Apopis as the serpent enemy of Re/Ra, the demon of chaos, and the force outside the ordered cosmos.Britannica. “Eclipse — Medieval European.” Used for medieval eclipse records, especially the 733 CE annular eclipse described as a “black and horrid shield.”Britannica. “Hindu Calendar.” Used for Hindu sacred timing, lunar-solar calendrical structure, and the religious context that helps explain eclipse observance as ritually serious time.Britannica. “Ma'at.” Used for Ma'at as truth, justice, balance, and cosmic order in ancient Egyptian religion.Britannica. “Navagraha.” Used for Rahu and Ketu as eclipse-associated shadow planets and lunar-node powers in Indian astral religion.Britannica. “Samudra Manthana / Churning of the Ocean of Milk.” Used for the mythic background of devas, asuras, amrita, Vishnu, Mohini, Rahu, and Ketu.Britannica. “Solar Eclipse.” Used for basic solar-eclipse definition and the Moon's shadow crossing Earth.Britannica. “The Sun Was Eaten: 6 Ways Cultures Have Explained Eclipses.” Used for comparative eclipse mythology, especially devourer myths, Chinese dragon traditions, Rahu, and Batammaliba reconciliation themes.Britannica. “What Causes Lunar and Solar Eclipses?” Used for clear basic mechanics of lunar and solar eclipses.CDLI / Cuneiform Digital Library Initiative. “Solar Omens of Enūma Anu Enlil: Tablets 23 (24)–29 (30).” Used for bibliographic information on van Soldt's edition of the solar omen tablets.European Space Agency. “27 August.” Used for the 413 BCE lunar eclipse during the Athenian retreat from Syracuse and Nicias' delay.Exploratorium. “Eclipse Stories from Around the World.” Used for global comparative eclipse stories, including Norse wolves, Batammaliba reconciliation, and other recurring mythic patterns.Foundation for the Preservation of the Mahayana Tradition. “Practice During Solar and Lunar Eclipses.” Used for Tibetan Buddhist practice advice, merit multiplication, and eclipse as intensified sacred time.Izzuddin, Ahmad, Mohamad A. Imroni, Ali Imron, and Mahsun. “Cultural Myth of Eclipse in a Central Javanese Village: Between Islamic Identity and Local Tradition.” HTS Teologiese Studies/Theological Studies, 2022. Used for Batara Kala, eclipse devouring myths in Java, pregnancy/livestock concerns, and living village practice.NASA. “Why Do Eclipses Happen?” NASA Science. Used for solar and lunar eclipse geometry, alignment, lunar nodes, and the reason eclipses do not occur every month.NASA Space Place. “Lunar Eclipses and Solar Eclipses.” Used for simple public-facing explanations of solar and lunar eclipse mechanics.National Folk Museum of Korea. “Solar and Lunar Eclipse / Ilsik, Wolsik.” Used for Bulgae, the Korean fire dogs from the Dark World who cause eclipses by biting the Sun and Moon.NOAA NESDIS. “NOAA Satellites View Total Solar Eclipse.” Used for environmental effects during totality, including temperature drops, changes in local air circulation, cloud behavior, and animal confusion.Rochester, University of. “Surprising Facts and Beliefs About Eclipses During Medieval and Renaissance Times.” Used for the point that medieval astronomers understood eclipse prediction while still interpreting eclipses as morally or religiously serious.Sefaria. Sukkah 29a. Used for rabbinic material treating eclipses as ominous signs.Sunnah.com. Sahih al-Bukhari, Book 16, “Eclipses.” Used for the hadith that the Sun and Moon do not eclipse because of the life or death of any person and that the correct response is prayer and invocation.The Metropolitan Museum of Art. “The Solar Eclipse and the Substitute King.” Used for Mesopotamian eclipse omens, danger to the king, priestly divination, substitute kingship, and the šar pūḫi ritual.U.S. Fish & Wildlife Service. “Wildlife Behavior and a Solar Eclipse.” Used for darkening skies, cooling temperatures, and wildlife shifting toward nighttime routines.University of Pittsburgh World History Center. Lilly Taylor, “Solar Eclipses and World History.” Used for the Batammaliba tradition of making peace and ending disputes during eclipse.van Soldt, Wilfred H. Solar Omens of Enūma Anu Enlil: Tablets 23 (24)–29 (30). Leiden: Nederlands Historisch-Archaeologisch Instituut te Istanbul, 1995. Used for Mesopotamian solar omen literature and the textual archive of unusual solar phenomena.This keeps Part 1 sourced without dragging Part 2's Mesoamerica, Andes, North American Indigenous, Australian, Arctic, Pacific, colonial, and modern eclipse-pilgrimage sources into the wrong half.Also want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. A

Welcome to Day 2891 of Wisdom-Trek, and thank you for joining me. This is Guthrie Chamberlain, Your Guide to Wisdom – Theology Thursday – When Myth Remembers: The Case for the Supernatural in History. Wisdom-Trek Podcast Script - Day 2891 Welcome to Wisdom-Trek with Gramps!   I am Guthrie Chamberlain, and we are on Day 2891 of our Trek.   The Purpose of Wisdom-Trek is to create a legacy of wisdom, to seek out discernment and insights, and to boldly grow where few have chosen to grow before. Our current series of Theology Thursday lessons is written by theologian and teacher John Daniels. I have found that his lessons are short, easy to understand, doctrinally sound, and applicable to all who desire to learn more of God's Word. John's lessons can be found on his website   theologyinfive.com.   Today's lesson is titled:  When Myth Remembers: The Case for the Supernatural in History. Modern thinking often treats myths as primitive fiction, old stories made up to explain what ancient people didn't understand. This is a shallow and deeply flawed view. A myth, in its original form, was never just a tale. It was a framework for understanding reality. Myths carried the collective memory, theology, morality, and worldview of a people group. They encoded truth, not always literal in every detail, but meaningful, historical, and often rooted in real events, places, and supernatural encounters. To dismiss myths because they involve divine beings or miracles is to miss their purpose. Ancient people did not separate the sacred from the secular. Their myths reflected how they understood the world and how they encountered powers beyond it. The first segment is: Historical Memory Preserved in Myth Some myths are poetic versions of real events. The story of the Trojan War, once thought to be legend, gained new weight when archaeological discoveries confirmed the existence of a city that fits Homer's description of Troy. Likewise, while the legends of King Arthur are wrapped in fantasy, they are likely based on a real post-Roman warlord who resisted Saxon invaders. Even in Scripture, the events that modern critics label “mythic” often show clear signs of historical anchoring. The global flood, the destruction of Sodom, the Tower of Babel, and the conquest of Canaan are presented not as metaphors but as real acts of God in human history. These accounts, though cosmic in scope, are rooted in geography, time, and national memory. The second segment is: Myth as Cultural Lens Myths also reveal what mattered most to a people. Norse mythology, shaped by harsh winters and unrelenting violence, emphasizes cold, fate, and struggle. Mesopotamian myths center on divine kingship and cycles of fertility, reflecting the importance of rivers, temples, and crops. These stories do not just preserve events; they preserve the lens through which cultures viewed divine activity. In the Bible, this same pattern holds. Its creation narrative, flood story, and judgments are not recycled myths but deliberate responses to the surrounding pagan world. Scripture confronts and corrects the worldview embedded in other myths. It does not borrow their gods. It defeats them. The third segment is: The Modern Turn Against the Supernatural The rejection of mythic material as a source of truth is not ancient. It is modern. It was not the biblical writers or the early Church who dismissed the supernatural. That rejection began in earnest during the eighteenth and nineteenth centuries, when Western intellectual culture began shifting under the influence of the Enlightenment. The Enlightenment exalted reason, skepticism, and empirical science. Thinkers like David Hume and Immanuel Kant argued that miracles violated the laws of nature and were therefore unreliable as historical events. Supernatural claims were relegated to the realm of fiction or psychological projection. This created a new definition of truth, one that excluded divine intervention, spiritual beings, and cosmic conflict. In the nineteenth century, these assumptions were applied to the Bible through the historical-critical method. Scholars such as Julius Wellhausen dissected Scripture not as divine revelation but as a collection of evolving mythologies shaped by human communities. The creation narrative, the flood, the Tower of Babel, and the miracles of Jesus were no longer treated as actual events but as religious poetry or borrowed legends. In this model, myth was not something to be trusted. It was something to be deconstructed. Even movements that sought to preserve the value of myth, such as Romanticism, did so by redefining it. Myths were not allowed to speak about divine realities. Instead, they were reduced to metaphors for the human condition. Their theological and historical weight was stripped away in favor of psychological interpretation. The fourth segment is: Augustine's Overcorrection: From Mysticism to Minimalism But the groundwork for this modern rejection of mythic material was laid even earlier. Augustine of Hippo, one of the most influential theologians in Christian history, had once been deeply involved in Manichaeism, a mystical cult that emphasized a cosmic struggle between light and darkness. After leaving the cult and converting to Christianity, Augustine understandably sought to distance himself from the elaborate supernatural systems he had once embraced. However, in doing so, he overcorrected. He rejected many established supernatural interpretations of Scripture, favoring more allegorical and philosophical approaches. Influenced by Neoplatonism, Augustine prioritized abstract spiritual realities over tangible supernatural beings. He reinterpreted Genesis 6, for example, not as a rebellion of divine beings, but as a moral tale about the intermarriage of the godly and ungodly. Though Augustine never denied God's power or the reality of miracles, his discomfort with mythic material and his desire for theological respectability led him to downplay or spiritualize the cosmic conflict found in much of the Bible. His influence steered much of Western theology away from the ancient worldview that accepted divine councils, rebellious spirits, and supernatural intervention as real components of history. This theological shift made it easier for Enlightenment thinkers to later dismiss myth outright. The supernatural had already been contained and abstracted. In many ways, the modern rejection of myth did not begin with science. It began with Augustine's reaction against his own past. The fifth segment is: The Myth That Was True and the Myths That Remembered Not all myths are lies. Many are distorted memories of real events, echoes of a spiritual history that the nations once knew but later twisted. The flood, the divine rebellion, the rise of giants, the war among the gods, these appear in cultures across the globe not because they were invented out of thin air, but because they preserve fragments of true events. The nations remembered the rebellion of the sons of God, but they passed it down in corrupted form. They remembered divine judgments, but attached them to false deities. Their stories are not false because they are myth. They are flawed because they lost the context of Yahweh's supremacy. In the twentieth century, this idea was captured powerfully in a conversation between J.R.R. Tolkien and C.S. Lewis. At the time, Lewis still considered myths to be beautiful lies, moving, meaningful, but ultimately untrue. Tolkien challenged that view. He explained that myths resonate because they point to something real. Humanity tells stories of gods and sacrifice and resurrection because it dimly remembers. Made in the image of a Creator who speaks through story, we carry within us a longing for the true version of the story all nations once knew. Tolkien told Lewis, “The story of Christ is a myth working on us in the same way as the others, but with this tremendous difference: it really happened.” The point was not that the other myths were worthless, but that they were shadows. The gospel is the fulfillment of what all the others pointed toward. It is not myth in the modern sense of fiction, but myth in the ancient sense of divine reality revealed in story. Where the nations preserved pieces of divine truth wrapped in confusion, Scripture restores the original pattern. Where paganism elevates rebel gods and obscures justice, the Bible reorients the mythic structure around Yahweh, the Most High. It does not erase the mythic imagination. It redeems it. The sixth segment  is: Yahweh Is Not Bound by the System He Created A major reason people reject mythic material is the presence of supernatural events. Miracles, divine appearances, and acts of judgment are written off as fabrications because they do not conform to natural law. But that objection is built on a misunderstanding of who Yahweh is. If we believe that Yahweh is...

On this week's Lang Fairy Tales episode we have another triple-bill - though these ones are all slightly wonky...We begin with Rapunzel, a tale with its roots in ancient Persian mythology, although what the Langs do with it leaves a little to be desired!Next up it's The Nettle Spinner, another Charles Deulin legend out of Flanders which seems to speak to the power of the Protestant work ethic in the face of villainy!Last then comes Farmer Weatherbeard, a story drawn from Norse mythology that gets completely muddled in translation, missing the point of the original and focusing not on the apprentice who undoes his master, but on the apprentice's father, who has very little to recommend him as a protagonist...Collectively, it makes for an episode of slightly broken stories - and, in turn, some really interesting chats about them which we hope you enjoy!Speak to you again on Saturday for our Essex-themed Three Ravens Live Show from Great Dunmow BookFest and, as soon as it's not too hot to sit and record it, our Patreon Exclusive episode for June all about The History and Folklore of Boardgames!If you are unfamiliar with the Lang Fairy Tales, these seminal collections were assembled between 1889 and 1913 by a married couple, folklorists and translators Nora and Andrew Lang, with most of the work done to compile them completed by Nora, also known as Leonora Blanche Alleyne.Assembled and published in 12 colour-coded "Fairy Books," the corpus the Langs put together included 798 fairy tales from across cultures, many of which had never before been translated into English.They were amongst the most influential books of their time, changing the course of children's literature - although they're hardly just for children, and often deal with quite challenging concepts.Today, purchasing a complete set of the Lang Fairy Books in good condition costs over £4,000 ($5,000+).Thankfully, the collections are all out of copyright, meaning that we can now tell these stories, in podcast form, many for the first time, and share them with a global audience, for free.Our plan is to release the stories between main series of Three Ravens, performing them straight (though with plenty of silly voices) letting the tales speak for themselves in all their madcap, sharp-edged, often quite bizarre glory.The only edits we have made are to amend some culturally-insensitive epithets, which typically pertain to ethnicity, with any such edits made by Eleanor Conlon.Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?REGISTER FOR THE TALES OF SOUTHERN ENGLAND TOURVisit our website Join our Patreon Social media channels and sponsors Hosted on Acast. See acast.com/privacy for more information.

Narrator: Thomas Jones

In the frozen forests of the far north, a greedy fur trapper learns that something has been feeding on his catch — a beast that gorges until its body swells tight as a drum, squeezes itself empty between two trees, and then returns to feed again, and again, and again, until nothing is left.   #Gulon #FreakyFolklore #NorseLegend #ScandinavianFolklore #Wolverine #OlausMagnus   CONTENT WARNING This episode of Freaky Folklore contains disturbing content including graphic violence, gore, body horror, animal death, descriptions of evisceration and consumption, and the death of a human character. Listener discretion is strongly advised.   EXPLORE MORE SPINE-CHILLING CONTENT: Freaky Folklore: https://www.eeriecast.com/podcasts/freaky-folklore Carman's Crypt (Original Horror): https://www.carman-carrion.com/ Deadly Intent (True Crime): https://www.carman-carrion.com/ Destination Terror: https://www.eeriecast.com/podcasts/destination-terror ________________________________________ SUPPORT THE SHOW: Buy Me a Coffee: https://buymeacoffee.com/carmancarrion ________________________________________ CONNECT WITH CARMAN: Website: https://www.carman-carrion.com/ YouTube: https://www.youtube.com/@CarmanCarrion Twitter/X: https://x.com/CarmanCarrion Instagram: //https://www.instagram.com/carmancarrion/ ________________________________________ SUBSCRIBE & REVIEW: Spotify: https://open.spotify.com/show/0uiX155WEJnN7QVRfo3aQY iTunes: https://podcasts.apple.com/us/podcast/freaky-folklore/id1550361184 Your support helps bring you more terrifying tales. ________________________________________ DISCOVER MORE HORROR: http://eeriecast.com/ https://www.carman-carrion.com/ ________________________________________ MUSIC CREDITS: Music and sound effects provided by: Epidemic Sound Learn more about your ad choices. Visit podcastchoices.com/adchoices

North America was forged from the experiences of millions of Indigenous women and men as well as Europeans and Africans. Contested Continent, the first volume of the Oxford History of the United States series, is a far-ranging history of North America concentrating on the period from c. A.D. 1000 to 1680—from the arrival of Norse explorers to an explosion of revolts that underlined the stubborn struggle to master the continent some two centuries after Columbus's landfall. This history spans the continent from the North Atlantic to the West Indies and includes the entire Atlantic basin. Peter Mancall and David Kennedy emphasize the experiences of diverse peoples while, at the same time, telling a new story about the origins of major aspects of American culture. They illuminate the rise of a booming trans-Atlantic economy based on the extraction of abundant American natural resources; the central role that European migrants and their descendants played in the enslavement of Africans and the displacement of Indigenous peoples; and the spread of self-governing polities where many enjoyed religious freedom. None of these developments was inevitable. Conflicts broke out frequently as different peoples battled over precious resources. Europeans' appetites for material gain and expanding Christendom brought horrific consequences for those brutalized, enslaved, and vulnerable to infectious diseases. Join us to hear Mancall and Kennedy present their sweeping history of developments crucial to the eventual founding of the United States, underscoring the titanic struggles between the peoples who had populated the Americas for centuries and the migrants from the Old World who initiated changes that created a New World that offered boundless opportunities for some and crushed the aspirations of others. A Humanities Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums. Organizer: George Hammond  Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailArchaeologists in Scotland just unearthed a 1,100 year old Norse drinking hall on Orkney, complete with stone benches, sea views, and possibly the personal watering hole of a legendary Viking chieftain. Meanwhile, in Wisconsin, Minocqua Brewing Co. just had $25,000 worth of beer seized by state officials in a tax dispute the brewery's outspoken owner claims is political payback from the governor, and now there's a lawsuit to match.On the science side, a new study throws a wrench into "gluten-free" beer claims, revealing some labeled options in Germany still carry detectable gluten residue that standard tests miss entirely. That's bad news if you're brewing or buying gluten-free and assuming zero risk.Then we head to Boston, where Scottish World Cup fans have reportedly drained planes, bars, and entire beer store fridges dry ahead of their opener against Haiti. Sam Adams needed an emergency resupply to keep up.Plus: Tilray's plans to pour SweetWater, 10 Barrel, Terrapin, and other craft brands through BrewDog's UK taps, and the most baffling beer collab of the year: Heinz and Heineken's official six pack featuring five beers and one bottle of ketchup. We rank it against our own dream pairings (a PBR Pickle Pack, anyone?).Thanks for listening to Beer Guys Radio!  Your hosts are Tim Dennis and Brian Hewitt with producer Nate "Mo' Mic Nate" Ellingson and occasional appearances from Becky Smalls.Subscribe to Beer Guys Radio on your favorite app: Apple Podcasts | Google Podcasts | Spotify | Stitcher  | RSSFollow Beer Guys Radio: Facebook | Instagram | Twitter | YouTube If you enjoy the show we'd appreciate your support on Patreon.  Patrons get cool perks like early, commercial-free episodes, swag, access to our exclusive Discord server, and more!

If you enjoy this episode, we're sure you will enjoy more content like this on The Occult Rejects.  In fact, we have curated playlists on occult topics like grimoires, esoteric concepts and phenomena, occult history, analyzing true crime and cults with an occult lens, Para politics, and occultism in music. Whether you enjoy consuming your content visually or via audio, we've got you covered - and it will always be provided free of charge.  So, if you enjoy what we do and want to support our work of providing accessible, free content on various platforms, please consider making a donation to the links provided below.  Thank you and enjoy the episode!Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Cash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsCore historical / comparative sourcesEncyclopaedia Britannica. “moon worship.” Good for the broad comparative frame: lunar symbolism, death-rebirth, hunting vs. agrarian patterns, and why the moon is sometimes male and sometimes female.Encyclopaedia Britannica. “The moon,” in Nature Worship: Celestial Phenomena as Objects of Worship or Veneration. Good for lunar phases, magical timing, menstruation/tides, dangerous dark days, eclipse anxiety, and symbolic variation.Encyclopaedia Britannica. “Celestial phenomena as objects of worship or veneration,” in Nature Worship. Useful for the broader claim that many hunting and gathering societies, and some pastoral and royal cultures, conceived the moon as male.MesopotamiaOracc / Ancient Mesopotamian Gods and Goddesses. “Nanna-Suen.” Best core reference for the identity, names, and cultic status of the Mesopotamian moon god.Encyclopaedia Britannica. “Sin.” Best quick reference for Nanna/Sin as moon god, his bull symbolism, Ur, fertility functions, and Nabonidus.Encyclopaedia Britannica. “Enheduanna.” Useful if you want to reference the priestly/literary world attached to the cult of Nanna at Ur.EgyptEncyclopaedia Britannica. “Khonsu.” Strong for Khonsu as youth, moon god, Pyramid Text background, and Karnak.Encyclopaedia Britannica. “Thoth.” Strong for Thoth as moon god of reckoning, learning, writing, and later Hermetic importance.The Metropolitan Museum of Art. Collections and bulletin material on Iah / Osiris-Iah and Egyptian lunar symbolism. Best for the more specialized lunar material beyond Khonsu and Thoth.Levant / Anatolia / Near EastEncyclopaedia Britannica. “Yarikh.” Best starting point for the Ugaritic / West Semitic moon god and the Nikkal marriage material.Encyclopaedia Britannica. “Kushukh.” Best for the Hurrian moon god, oath function, iconography, and Hittite adoption.Encyclopaedia Britannica. “Religions of the Hittites, Hattians, and Hurrians,” in Anatolian religion. Best broad source for Arma and the Hittite/Luwian/Hurrian lunar world.Encyclopaedia Britannica. “Men.” Best source for the later Anatolian moon god, iconography, and possible tie to Mao.ArabiaEncyclopaedia Britannica. “Arabian religion.” Good for the broad astral background of pre-Islamic Arabian religion.Encyclopaedia Britannica. “Pre-Islamic deities,” in Arabian religion. Essential for Wadd, ʿAmm, Ḥawl, and for correcting outdated claims about Almaqah and Syn.India and IranEncyclopaedia Britannica. “navagraha.” Good for Chandra/Soma in astrology and lived Hindu cosmology.Encyclopaedia Britannica. “nakshatra.” Best for lunar mansions, lunar months, and Chandra's mythic/calendar role.Encyclopaedia Britannica. “soma.” Essential for Soma as sacred drink and later lunar identification.Encyclopaedia Iranica. “Māh Yašt.” Best specialist source for the Iranian moon, lunar phases, and the “seed of the Bull” symbolism.Northern / Eastern EuropeBritannica Kids / Students. “Sól and Máni.” Good clean source for the Norse sibling pair and the male moon.Encyclopaedia Britannica. “Mēness.” Best source for the Baltic moon god, renewal, prayer, and agricultural strength.Encyclopaedia Britannica. “Slavic religion: Folk conceptions.” Essential for the masculine Slavic moon, kinship language, and lunar veneration.JapanEncyclopaedia Britannica. “Tsukiyomi.” Best short source for Tsukuyomi as moon god.Encyclopaedia Britannica. “Izanagi.” Useful for the birth of Tsukuyomi from purification and the Shintō context.Encyclopaedia Britannica. “Ukemochi no Kami.” Best source for the separation myth involving Tsukuyomi and Amaterasu.Indigenous / circumpolar traditionsEncyclopaedia Britannica. “Oral literatures,” in Mythologies of the Indigenous Peoples of the Americas. Best broad source for the Arctic male moon pursuing his sister the sun.Encyclopedia.com. “Igaluk.” Useful specialist entry for the Inuit moon god story.MesoamericaEncyclopaedia Britannica. “Aztec religion.” Best for the Teotihuacán fire myth and Tecciztécatl becoming the moon.Susan Milbrath. “The Moon in Meso-America.” Oxford Research Encyclopedia of Planetary Science (2020). Best specialist source for masculine moon material in Central Mexico and broader lunar roles in Mesoamerica.Qabalah / Jewish mysticism / occult sourcesHistorical Jewish mysticismEncyclopaedia Britannica. “sefirot.” Best concise source for the sefirot, including Yesod as “foundation.”Encyclopaedia Britannica. “Jewish mysticism,” in Judaism. Good for the broader Kabbalistic context.My Jewish Learning. “What Are the Sefirot?” Good readable support source for explaining sefirot on air.Western esoteric / occult QabalahDion Fortune. The Mystical Qabalah. Weiser, 2000. Strongest single occult source for Yesod as astral foundation, imaginal reservoir, and “treasure house of images” current.Aleister Crowley. 777 and Other Qabalistic Writings of Aleister Crowley. Weiser, 1986. Best for formal occult correspondences, including the Yesod-Moon scheme.Aleister Crowley. Magick Without Tears. New Falcon, 1991. Useful for Crowley's practical Qabalistic framing.Lon Milo DuQuette. The Chicken Qabalah of Rabbi Lamed Ben Clifford. Weiser, 2001. Good modern, readable summary of Yesod in Western occult terms.Israel Regardie. The Tree of Life: A Study in Magic. Weiser, 1972. Strong for Golden Dawn style Yesod/astral-plane framing.Gareth Knight. A Practical Guide to Qabalistic Symbolism. Weiser, 2001. Very useful for Yesod symbolism and the broader Tree of Life structure.Science / symbolism supportNASA Science. “Moon Phases.” Best source for the simple but important physical point that moonlight is reflected sunlight.NASA Science. “Eclipses.” Useful if you want a clean science-side reference when talking about eclipses before contrasting that with mythic fear and ritual response.Also want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. A

The first book-length study on mythology reception in video games, Characters and Characterization in Mythological Video Games (Bloomsbury, 2026) examines how video games characterize mythological characters from the perspectives of classical reception and game studies. Characters are vital to most stories, and many video games. They allow us to enter the fiction of a game, and facilitate our embodiment in the game world. Over time, what are initially blank slates transform into fictional existents with well-developed personalities and goals. In this context, narratology uses the term 'characterization' to refer to how character traits are ascribed to the entities we call 'characters'. How does characterization operate in games? How do players impact this process? How is mythology transformed by video games? What can games 'do' that other media cannot? After establishing a theoretical framework, this book moves to six case studies that each analyze mythological characters in a particular game: Smite, Assassin's Creed Odyssey, Immortals Fenyx Rising, God of War, Theseus and Asgard's Wrath 2. The scope of these studies is diverse, incorporating examples from mainstream, indie and virtual reality gaming. While the book's main focus lies with Greco-Roman mythology, it also includes games with Norse and Egyptian settings, or with playable characters from a wide range of international mythological traditions. Through these case studies, Alexander Vandewalle leads his readers to an understanding of different modalities or 'languages' of mythology reception in games. He argues for a striking diversity in mythological games and their characters, and illuminates how the relationship between games and antiquity is fundamentally one of continuous dialogue and play. Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master's degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal TITEL kulturmagazin for the game section and is editor of the weekly game research newsletter Game Studies Watchlist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The first book-length study on mythology reception in video games, Characters and Characterization in Mythological Video Games (Bloomsbury, 2026) examines how video games characterize mythological characters from the perspectives of classical reception and game studies. Characters are vital to most stories, and many video games. They allow us to enter the fiction of a game, and facilitate our embodiment in the game world. Over time, what are initially blank slates transform into fictional existents with well-developed personalities and goals. In this context, narratology uses the term 'characterization' to refer to how character traits are ascribed to the entities we call 'characters'. How does characterization operate in games? How do players impact this process? How is mythology transformed by video games? What can games 'do' that other media cannot? After establishing a theoretical framework, this book moves to six case studies that each analyze mythological characters in a particular game: Smite, Assassin's Creed Odyssey, Immortals Fenyx Rising, God of War, Theseus and Asgard's Wrath 2. The scope of these studies is diverse, incorporating examples from mainstream, indie and virtual reality gaming. While the book's main focus lies with Greco-Roman mythology, it also includes games with Norse and Egyptian settings, or with playable characters from a wide range of international mythological traditions. Through these case studies, Alexander Vandewalle leads his readers to an understanding of different modalities or 'languages' of mythology reception in games. He argues for a striking diversity in mythological games and their characters, and illuminates how the relationship between games and antiquity is fundamentally one of continuous dialogue and play. Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master's degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal TITEL kulturmagazin for the game section and is editor of the weekly game research newsletter Game Studies Watchlist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The first book-length study on mythology reception in video games, Characters and Characterization in Mythological Video Games (Bloomsbury, 2026) examines how video games characterize mythological characters from the perspectives of classical reception and game studies. Characters are vital to most stories, and many video games. They allow us to enter the fiction of a game, and facilitate our embodiment in the game world. Over time, what are initially blank slates transform into fictional existents with well-developed personalities and goals. In this context, narratology uses the term 'characterization' to refer to how character traits are ascribed to the entities we call 'characters'. How does characterization operate in games? How do players impact this process? How is mythology transformed by video games? What can games 'do' that other media cannot? After establishing a theoretical framework, this book moves to six case studies that each analyze mythological characters in a particular game: Smite, Assassin's Creed Odyssey, Immortals Fenyx Rising, God of War, Theseus and Asgard's Wrath 2. The scope of these studies is diverse, incorporating examples from mainstream, indie and virtual reality gaming. While the book's main focus lies with Greco-Roman mythology, it also includes games with Norse and Egyptian settings, or with playable characters from a wide range of international mythological traditions. Through these case studies, Alexander Vandewalle leads his readers to an understanding of different modalities or 'languages' of mythology reception in games. He argues for a striking diversity in mythological games and their characters, and illuminates how the relationship between games and antiquity is fundamentally one of continuous dialogue and play. Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master's degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal TITEL kulturmagazin for the game section and is editor of the weekly game research newsletter Game Studies Watchlist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The first book-length study on mythology reception in video games, Characters and Characterization in Mythological Video Games (Bloomsbury, 2026) examines how video games characterize mythological characters from the perspectives of classical reception and game studies. Characters are vital to most stories, and many video games. They allow us to enter the fiction of a game, and facilitate our embodiment in the game world. Over time, what are initially blank slates transform into fictional existents with well-developed personalities and goals. In this context, narratology uses the term 'characterization' to refer to how character traits are ascribed to the entities we call 'characters'. How does characterization operate in games? How do players impact this process? How is mythology transformed by video games? What can games 'do' that other media cannot? After establishing a theoretical framework, this book moves to six case studies that each analyze mythological characters in a particular game: Smite, Assassin's Creed Odyssey, Immortals Fenyx Rising, God of War, Theseus and Asgard's Wrath 2. The scope of these studies is diverse, incorporating examples from mainstream, indie and virtual reality gaming. While the book's main focus lies with Greco-Roman mythology, it also includes games with Norse and Egyptian settings, or with playable characters from a wide range of international mythological traditions. Through these case studies, Alexander Vandewalle leads his readers to an understanding of different modalities or 'languages' of mythology reception in games. He argues for a striking diversity in mythological games and their characters, and illuminates how the relationship between games and antiquity is fundamentally one of continuous dialogue and play. Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master's degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal TITEL kulturmagazin for the game section and is editor of the weekly game research newsletter Game Studies Watchlist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The Story That Beats Coronation Street (But Divides the Hosts) Stephen Wyatt returns after Paradise Towers to deliver a circus-themed finale to Season 25. Expanded from three parts to four at John Nathan Turner's request, this story follows the Doctor and Ace arriving at the psychic circus on the planet Seganax—except Ace hates circuses, and the Doctor seems unusually fascinated by performance, danger, and magic. It wins over behind-the-sofa panelists and pulls the highest ratings of McCoy's entire run (beating Coronation Street for the first time), yet one host finds it compelling while the other considers it nearly unwatchable. What makes the difference? Production Under Impossible Circumstances The asbestos discovery that plagued Silver Nemesis forced this finale into a makeshift tent rigged in the parking lot. The budget is visibly exhausted by this point, yet the production team managed to secure Jeffrey Durham (The Great Soprendo) as the first magic consultant since 1977 to coach McCoy in juggling. The explosion sequence near McCoy was supposed to be blown air with added effects—until last-minute testing showed it looked unconvincing, so they switched to live pyrotechnics without telling the lead actor. He didn't blink on set because he believed there wouldn't be a retake. The Doctor's Behavior: A Fundamental Divide One host sees a character temporarily set aside his usual competence for story purposes. The other sees the Doctor acting like a completely different person—gullible, clumsy, silly, and uncharacteristically unable to read situations. The proactive crime-fighter from Remembrance and The Happiness Patrol has vanished, replaced by someone who falls into obvious traps and does pratfalls. McCoy's physical comedy training makes the juggling work, but does the writing serve the character he's been becoming over the last three stories? The Satire Cuts Both Ways Whiz Kid represents fandom—earnest, excited, devoted to the circus's history. His reward is a cruel, unnecessary death played as harsh comedy. What's the point of making fun of fans, especially when the message seems to be that fans should be punished for their devotion? Meanwhile, the real family in the audience—who turn out to be the Gods of Ragnarok—are abstract divine beings demanding entertainment. Who is the story really criticizing? A Pantheon Problem The Gods of Ragnarok are named after Norse mythology's apocalypse, yet they look almost Egyptian with their eye-based design. They get referenced later in New Who (specifically with the Fifteenth Doctor), which raises the question: did this story earn that future callback, or does the massive concept introduced in Part Four feel tacked on? What does naming them after Ragnarok actually accomplish? Character Choices Captain Cook is largely despised—a manipulative bore whose presence never makes sense. Mags is the victim of a rushed werewolf transformation that doesn't commit to either wolf or cat form. Kingpin is confusingly established as the former circus leader, but the revelation lands without impact. Bellboy's name suggests something, but what? The food cart lady exists to expose hippies. Meanwhile, the Chief Clown—sinister, physically controlled, genuinely threatening—stands out as the most interesting antagonist, but even he doesn't quite fit the larger story. Does a Four-Part Circus Need to Be This Long? The production feels stretched, relying on repetitive moments (running through quarries, hiding in tents, escaping robots) that feel interchangeable by Part Three. Could this have been told in three parts? Would removing redundant sequences have tightened the narrative? Does the extended runtime serve the story, or does it expose the thinness of the plot? Production Highlights: Music: First original song for Doctor Who since The Gunfighters (1966). Performed by Rico Ross, who played Private Frost in Aliens. Magic Consultant: Jeffrey Durham (The Great Soprendo)—first since Talons of Weng Chiang (1977) Guest Star: Jessica Martin (Mags) returns to the role in Big Finish and will later play Queen Elizabeth in Voyage of the Damned Ratings: 5.0–5.3–4.8–6.6 (the finale pulls the highest numbers of McCoy's entire run) Coming Up Next: Friday (Patreon): Doctor Who: The Ultimate Adventure (1989 stage production with John Pertwee—the clearest footage available on YouTube). Following Wednesday (Main Feed): Colin Baker retrospective (hiatus episode). Jim's Links: Big Top Tales Anthology - https://www.amazon.com/Big-Top-Tales-Nicholas-Ahlhelm/dp/1522700226 Pulp Fest Convention - http://www.pulpfest.com/ Hashtags: #DoctorWho #GreatestShowInTheGalaxy #Season25Finale #SylvesterMcCoy #SophieAldred #CircusStory #GodsOfRagnarok #StephenWyatt #ClassicWho #HostDisagreement #DoctorWhoPodcast

Our summer world tour continues — and for Stop 2, we're trading the warm Caribbean rhythms of Puerto Rico for something entirely different: the misty fjords, ancient forests, and hauntingly beautiful folk music of Norway. In this episode, we explore Norway's deep folk music roots, from the Norse storytelling tradition to the extraordinary sound of the Hardanger fiddle — an instrument that doesn't just play a melody but seems to fill the air around it. We also talk about the athletic halling dance, the improvised poetry of the stev, and how composer Edvard Grieg (the very first composer we ever featured on this podcast, back in Episode 2) deliberately wove Norwegian folk traditions into classical music that eventually reached concert halls around the world. Norway's folk music survived centuries of foreign rule because ordinary people held onto it tightly. That's a story worth hearing. What We Cover in This Episode Norway's geography and why the landscape shaped its music The Norse people, the Vikings, and the rich storytelling tradition behind Norwegian folk music How folk music became an act of cultural survival during centuries of Danish and Swedish rule The Hardanger fiddle — what makes it unlike almost any other instrument in the world (hint: it has strings you never touch) Dance forms of Norwegian folk music: the springar and the halling The stev — improvised sung poetry, and how it connects to the décima tradition we heard in Puerto Rico Edvard Grieg and how he translated Norwegian folk music into classical compositions heard around the world How Norwegian folk traditions are being carried forward by younger musicians today Free Downloads for This Episode

Text the Show⭐️ Affiliate item of the week: Duracell Tri-Power Rechareable Emergency Lantern 3000 Lumens with QI Charging:  https://amzn.to/4xpENnfNo guest tonight so we will be going on a few journey's with you all back in time and looking ahead to a future that is taking shape right in front of us today. Join us live in the chats, phone line will be open for you to call in 248-238-8155.The story of the "Angel's Glow" is one of the most fascinating legends to come out of the Battle of Shiloh during the American Civil War.The Berserkers (Old Norse: berserkir) were legendary Norse warriors who were said to enter a battle frenzy so intense that they seemed almost superhuman. Their reputation was so powerful that the English word "berserk" comes directly from them.What if the world ended... and nobody noticed? What if history changed, but only some people remembered the way it used to be? SUPPORTBuy Me A Coffee http://buymeacoffee.com/DangerousinfopodcastSubscribeStar http://bit.ly/42Y0qM8Super Chat Tip https://bit.ly/42W7iZHBuzzsprout https://bit.ly/3m50hFTPaypal http://bit.ly/3Gv3ZjpPatreon http://bit.ly/3G3SMART is the acronym that was created by technocrats that have setup the "internet of things" that will eventually enslave humanity to their needs. Support the showLeave Voicemail: https://www.speakpipe.com/DangerousInfoWebsite https://www.dangerousinfopodcast.com/Discord chatroom: https://discord.gg/8feGHQQmwgEmail the show dangerousinfopodcast@protonmail.comJoin mailing list http://bit.ly/3Kku5YtWatch LiveYouTube https://www.youtube.com/@DANGEROUSINFOPODCASTRumble https://bit.ly/4q1Mg7Z Twitch https://www.twitch.tv/dangerousinfopodcastPilled.net https://pilled.net/profile/144176  Facebook: https://www.facebook.com/DangerousInfoPodcast/SocialsInstagram https://www.instagram.com/dangerousinfo/TwitterX https://twitter.com/jaymz_jesseYouTube https://bit.ly/436VExnFacebook https://bit.ly/4gZbjVa

Send us Fan MailIn this week's episode we discussed the stories of giants throughout history. From the Nephilim of ancient texts to the giants of Norse, Greek, and Indigenous traditions examining what these larger-than-life figures reveal about the people who imagined them and why their legends continue to endure. From towering gods and fearsome monsters to legendary races said to have walked the earth, giants appear in myths, religions, and folklore across nearly every culture.Our Links:Retrospect

Aww Yeah!! Today we venture deep into the dark Scandinavian wilderness to explore 2017's The Ritual, the chilling folk-horror film that transforms grief, guilt, and friendship into something truly terrifying. We break down the story of four friends whose hiking trip through a remote forest becomes a nightmare filled with unsettling symbols, ancient legends, and an unseen presence stalking them from the shadows. Join Alec and Guests Stevie Caruso & Mike Molino as we discuss the film's atmospheric tension, its exploration of trauma and survivor's guilt, and the unique blend of psychological horror and Norse mythology that sets it apart from conventional monster movies. We'll also examine the creature design, the film's haunting visuals, and why The Ritual has become a modern cult favorite among horror fans. Whether you're a longtime horror enthusiast or discovering this eerie tale for the first time, this episode takes you beyond the trees and into the heart of one of the most memorable horror films of the last decade.TikTok: https://www.tiktok.com/@wheel.of.horror7?is_from_webapp=1&sender_device=pcYouTube: https://www.youtube.com/@wheelofhorrorpodcast1802/videosApple Podcast: https://podcasts.apple.com/us/podcast/wheel-of-horror/id1534102813Spotify: https://open.spotify.com/show/3HnyAISG8Z8hvMFdSG60tE?si=9b785cf21c7f46a3Instagram: https://www.instagram.com/wheel_of_horror/Twitter/X: https://twitter.com/HorrorWheel

Archaeologists have uncovered the oldest runestone ever found—predating the Viking era by centuries. This Norwegian archaeological discovery may have been part of a much larger monument and includes what could be the first known female rune inscriber. Learn how this groundbreaking find could change what we know about ancient Norse artifacts and early European history. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of The Moon in Carolina, host Shelby Bundy explores the mythology of the sun — the deities across world traditions who were understood to carry the light, fight for it, and in some cases withdraw it entirely. We look at Ra, the Egyptian sun god who sailed his barque through the underworld each night and battled the serpent Apophis before every dawn could come. At the Greek figures of Helios and Apollo, who represent two very different ideas about what the sun actually means. And at Amaterasu, the Japanese sun goddess whose retreat into a cave plunged the world into darkness — and what it took to bring her back. We also look at the tradition that tends to get overlooked: the feminine sun, and the Norse, Celtic, and Baltic goddesses who held the light before the solar mythology we inherited took its current shape. 

DOWNLOAD THE DV RADIO APP ON ANDROID RIGHT NOW!!   The latest BARRACKS TALK podcast episode is waiting, press 'play' now!   In this week's episode of BARRACKS TALK from DV Radio: The DV Radio Crew sets sails with a primarily Veteran Crew who is trading sanity for oars to sail a 50-foot reproduction Viking longship from Denmark to Pensacola to reclaim North Atlantic history. This episode of BARRACKS TALK dives into the gritty reality of navigating an engineless wooden vessel through the Great Lakes and down the Mississippi using "rowing beasts" and 8th-century technology. It is a masterclass in "embracing the suck" to prove that the Norse reached North America first; complete with elk-skin blankets and an eventual "booze cruise" twist. #DVRadio #BARRACKSTALK #Vikings #VeteranMade #HistoryUncovered #LongshipVoyage #NorseHistory #SailingLife #VeteranOwned #Vinland #AtlanticCrossing #MarineVeterans #NavyVeterans #Shipbuilding #EmbraceTheSuck #VikingShip #Expedition - LINKS MENTIONED Vinland Ferth:: https://vinlandferth.com/ - Grab Your DV Radio Merch! https://bit.ly/DVR-StreamLabs-Merch - Respawn Finance + Free Budgeting App https://respawnfinance.com/ - Star Spangled Brewing Co. [THE OFFICIAL BEER OF DV RADIO] https://www.starspangledbrewingco.com/ - Hard Of Hearing, Deaf, or Have Other Hearing Issues? READ THE TRANSCRIPT! https://dvradio.net/accessibility - Hope For 22 A Day [Pin-Ups For the 22 A Day] https://hopefor22aday.org/ - Liberty Risk Podcast [Brothers Like None Other] https://beacons.ai/libertyriskpodcast - INERT Mugs [OFFICIAL SPONSOR] www.inertmugs.com - Laugh It Off [The Comedy Wing of DV Radio] https://www.laughitoff.org/ - Want To Sponsor DV Radio? No pricing model beats DV Radio when it comes to sponsorship. https://bit.ly/SponsorDVRadio DV Radio on Rumble https://rumble.com/c/DVRadio DV Radio on twitch.tv https://www.twitch.tv/dvradio - [NOTE: Click these links!] ---------- DV Farm Septic System Fundraiser https://donorbox.org/dv-farm-septic-system ---------- Parental Control Apps https://bit.ly/ChildSafeInternet ---------- Backpacks For Life https://backpacksforlife.org/ ---------- Wah-Tie Woodturning https://wahtiewoodturning.com/ ---------- Backpacks For Life Fundraiser https://ko-fi.com/dvradio/goal?g=1 ---------- Edited by Munkee Bawlz Media https://www.munkeebawlzmedia.com/ ---------- Are you a Veteran Owned Business? Have unique, handmade items that we can buy and review on a show? Contact us, show us what you have, and we'll (at least Bo) will spend up to $50 per month and speak openly about your product(s)!! ---------- Find Out More About Betsy Ross At Her Website https://bit.ly/Fight-With-Betsy-Ross ---------- *Got an idea for BARRACKS TALK or any other show? Want to be a guest? Then please feel free to contact us by sending an email to info[at]dvradio.net or oink[at]dvradio.net.* ---------- **LINKS TO CHECK OUT** EVERYTHING DYSFUNCTIONAL VETERANS https://whereisdv.carrd.co  ---------- DV RADIO PARTNERS, SPONSORS, and AFFILIATES https://dvr-listen-support.carrd.co

The Super Nintendo and Super Famicom have some of the greatest games ever made. But what sort of output did the system have in its twilight years? Today on XVGM Radio, Mike and Ed look at the late life cycle of the Super Nintendo/Super Famicom from 1996 and beyond, official releases only (No homebrew/indie stuff here!) to showcase some quality music from the system's end of the road era. From 1996 to 2000, we're spotlighting the hits, misses and risks the console took to continue improving upon its sound. In this episode you can hear all about Tamogotchi poop patterns, Zelda clones, CDs as weapons and of course…going to the west blowhole forest. Don't miss this future classic episode of XVGM Radio! We'd love to hear what you thought about these games and the tracks we've picked! What was your favorite track? Shoot us an email at XVGMRadio@gmail.com or join in on the discussion at: https://www.facebook.com/groups/XVGMradio Also, we have a Discord Channel! Join us and chat about the show, share a random or obscure VGM song you love, or just chit chat with Mike and Justin about tacos! Join for free here: https://discord.gg/zWxDYfn Special thanks to Scott McElhone for their Patreon pick, and as always, thanks to all of our wonderful Patrons: Scott McElhone, Ryan McPherson, Cam Werme, Rayjkayj, Chris Murray, Claire Myers, Brad Austin, Nick Davis, Red Hua, & Kitty Sparks. Become a Patron, get cool rewards, and more at http://www.Patreon.com/XVGMRadio Check out all episodes of XVGM Radio on www.youtube.com/dongled for another more visual format! Our Instagram, and BlueSky are great ways to interact with us! Find us on there under our handle @XVGMRadio If you're an Apple Podcasts listener, please consider leaving a rating and a review to let us know how we're doing! It also helps with getting the show to show up when others are searching for VGM! TRACK LISTING: Intro – Columns (SFC – 1999) “Versus Mode Credits” Hikoshi Hashimoto 1 – Marvelous: Mouhitotsu no Takarajima (SFC – 1996) “The Blue Ones' Nest” Yuichi Ozaki 2 – Star Ocean (SFC – 1996) “Tense Atmosphere” Motoi Sakuraba 3 – Tamagotchi Town (SFC – 1999) “Track 7” Unknown Composer 4 – Mohawk & Headphone Jack (SNES – 1996) “Psychic Brain” Byte Size Sound, Michael Cihak, Matt Scott 5 – Solid Runner (SFC – 1997) “Residential Streets” Mitsuhito Tanaka (John Pee), Toshiaki Sakoda, Pure Sound 6 – Metal Slader Glory: Director's Cut (SFC – 2000) “Combat” Takane Ohkubo 7 – Realm (SNES – 1996) “Flying Battleship” Unknown Composer 8 – Maui Mallard (SNES – 1996) “Sacrifice of Maui” Patrick J. Collins, Michael Giacchino 9 – Patreon Pick – Scott McElhone : Lost Vikings 2: Norse by Norsewest (SNES – 1997) “Apocalyptic Future” Glenn Stafford 10 – Power Piggs of the Dark Age (SNES – 1996) “West Blowhole Forest” Marc Baril

Mandag 8 juni spiller vi inn ukens episode der vi skal innom noen som kjøper fly, noen som returnerer fly og konkurshjørnet er åpent. Velkommen ombord på flight 389!Ulykkesflight 389 - United Air Lines 389AKTUELT:IndiGo returnerer én 787 til NorseNorwegian kjøper nok en 737-800SAS skal være nært en deal om nye langdistanseflyIcelandair leaser inn en A320 ...samtidig som det er konflikter med crewTrafikktall Avinor uke 23SAS' åpningstur til Mumbai gikk ikke helt etter planenLibanon har fått sin andre internasjonale flyplassAirbus A350-1000ULR første flightFrankrike kjøper flere DHC-515Phillipine Airlines inn i oneworldKonkurshjørnet: European Cargo

Our second episode on the Odinic path takes us to Rune Hjarnø Rasmussen, founder of Nordic Animism and initiate to Odin in the Candomblé tradition. We speak to him about his initiation to a Norse god in an Afro-Brazilian syncretistic context, about the nature of initation in general, and how the Odinic qualities of speaking something into being and insisting on the right story are crucial counterweights to our hypermodernistic and overly representational times.What is a right story? What is a wrong story? Can you destroy the sacred by making it too seen? Too available? Join us as we explore these themes guided by the guardian of knowledge.RUNE HJARNØ RASMUSSEN LINKhttps://nordicanimism.com/PODCAST LINKS https://www.intheborderlands.com/ https://www.patreon.com/IntheBorderlands https://www.facebook.com/intheborderlands https://www.instagram.com/intheborderlands_podcast/ EMAIL contact@intheborderlands.com TORGRIM LINKS https://www.brittle.one/ https://www.facebook.com/kloverknekten https://www.instagram.com/kloverknekten/ MIKAEL LINKS https://smarturl.it/inanna https://www.facebook.com/mikael.oberg.performance.storyteller https://www.instagram.com/mikaelobergstoryteller/REFERENCESCandombléhttps://en.wikipedia.org/wiki/Candombl%C3%A9Vodouhttps://en.wikipedia.org/wiki/Haitian_VodouSanteríahttps://en.wikipedia.org/wiki/Santer%C3%ADaOshoshihttps://en.wikipedia.org/wiki/OshosiUllrhttps://en.wikipedia.org/wiki/UllrYorubahttps://en.wikipedia.org/wiki/Yoruba_religionHávamálhttps://en.wikipedia.org/wiki/H%C3%A1vam%C3%A1lDonna Harawayhttps://en.wikipedia.org/wiki/Donna_HarawayTyson Yunkaportahttps://www.youtube.com/watch?v=3Kb7EWX80FoRight Story, Wrong Story by Tyson Yunkaportahttps://www.goodreads.com/en/book/show/199122606-right-story-wrong-storyAtlantishttps://en.wikipedia.org/wiki/AtlantisGotlandhttps://en.wikipedia.org/wiki/GotlandThe Matrixhttps://en.wikipedia.org/wiki/The_MatrixBlack Pantherhttps://en.wikipedia.org/wiki/Black_Panther_(film)Gangs of New Yorkhttps://en.wikipedia.org/wiki/Gangs_of_New_YorkDunehttps://en.wikipedia.org/wiki/Dune_(franchise)Jötunnhttps://en.wikipedia.org/wiki/J%C3%B6tunnKalevalahttps://en.wikipedia.org/wiki/KalevalaRagnarökhttps://en.wikipedia.org/wiki/Ragnar%C3%B6kRagnarok tv serieshttps://en.wikipedia.org/wiki/Ragnarok_(TV_series)Sophie Strandhttps://sophiestrand.com/Wendigohttps://sv.wikipedia.org/wiki/Wendigo

Welcome back to True Crime Tuesdays on Fearsome Fiction. Today we're going deep into one of the most haunting and complicated criminal cases in recent American history—the Delphi murders. It started on a cold February afternoon in 2017 in the small town of Delphi, Indiana. Two best friends, thirteen-year-old Abby Williams and fourteen-year-old Libby German, went for a walk on a popular hiking trail near an old railroad trestle. They never came home. What followed was five years of anguish, dead ends, a viral piece of evidence the whole country watched, and then—finally—an arrest. But the story doesn't end there. Not by a long shot. This one has everything: a small-town mystery, a killer hiding in plain sight, jailhouse confessions, Norse paganism, and an appeal that's heading into court next year. Let's get into it.

It's always an honor when Angel Millar materializes at the Virtual Alexandria, this time to discuss his new book, Supernatural Woman and the Male Initiate. He'll explore the “magical woman” archetype, examining how beings such as muses, goddesses, and sorceresses serve as vital bridges to the divine and the unconscious. We'll investigate how ecstatic states, dream encounters, and sexual mysticism have historically acted as catalysts for profound personal initiation and spiritual transformation. By tracing these themes through ancient Norse sagas, Greek philosophy, and medieval legends, the series reveals how a bond with the supernatural can awaken a person's latent creative genius. Get the book: https://amzn.to/4uVkfkA More on Angel: https://angelmillar.com/ Get The Occult Elvis: https://amzn.to/4jnTjE4 Virtual Alexandria Academy: https://thegodabovegod.com/virtual-alexandria-academy/ Gnostic Tarot Readings: https://thegodabovegod.com/gnostic-tarot-reading/ The Gnostic Tarot: https://www.makeplayingcards.com/sell/synkrasis Homepage: https://thegodabovegod.com/ Patreon: https://www.patreon.com/aeonbyte AB Prime: https://thegodabovegod.com/members/subscription-levels/ Voice Over services: https://thegodabovegod.com/voice-talent/ Support with donation: https://buy.stripe.com/00g16Q8RK8D93mw288 Merch store: https://aeonbyte.creator-spring.com/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Send us Fan MailWe're honored to have Eivind Roald, CEO of Norse Atlantic Airways, on the show today. Eivind talks about how he came into aviation from IT, left, but then was drawn back in. He was a VP for SAS before his aviation journey brought him to Norse Atlantic. We discuss Norse's history and challenges and Eivind shares his ideas for how Norse grows, going forward, as well as the possiblity of a merger or acquisition. We finish with Eivind talking about his favorite destinations around the world and in Norway. Join the Network!Links from this episode:Norse Atlantic AirwaysLofoten Norwayhttps://www.nexttripnetwork.com/

In this week's episode of Being Bookish, I'm digging into the layers of The Ever King, the 2023 fantasy novel by LJ Andrews that made the transition from indie favourite to traditional publication in 2025. While there's plenty of talk online about the relationships and the sea fae romance elements in this book, I'm much more interested in pulling apart the high-seas intrigue and evaluating the genuine mystery at the heart of the story. I'll be exploring how the character dynamics, the pirate sub-plot, and the Norse-inspired mythology connections hold up. As all my episodes are always spoiler-free, I have taken the time to really look at the story, looking critically at how the book fits into the dark fantasy/romantasy genre. I am going so far as to ask the big question...is this really dark fantasy? Whether you're a fan of Viking folklore retellings or you're looking to see how a character-driven story handles these specific tropes, I've got plenty of personal feelings to share on where this book might fit on your fantasy reading list. It's a deep dive into a possibly dark world, so grab yourself a cuppa and let's get into the sea fae secrets together. I'm really looking forward to sharing my honest thoughts with you. Episode Links Blood of Hercules Review of When Gracie Met the Grump by Mariana Zapata The Stephen King Thing - Cujo Audio | Video

Episode 100 is here.For this milestone episode of Co-op Chronicles, Blacklabel and Geisha dive into one of gaming's most iconic franchises: God of War.From the brutal Greek era to the emotional Norse saga, God of War has evolved from a series built on rage, revenge, and chaos into one about grief, fatherhood, legacy, and whether someone like Kratos can actually become better.We talk about why Kratos became one of gaming's most recognizable characters, how the 2018 reboot changed everything, why Ragnarok pushed his story even further, and why Geisha connects with the series as a fan.Then we get into the current conversation around God of War: Laufey, the newly revealed PS5 entry focused on Faye/Laufey, Kratos' wife and Atreus' mother. PlayStation's official reveal describes Faye waking in the Everywhen, the afterlife of the gods, and fighting to protect the plans she left behind for Kratos and Atreus. Deborah Ann Woll is also returning as Faye, with no release date confirmed yet. And of course, we talk about the backlash.Is a Faye-focused God of War a bold new chapter? Is it a risk? Or is the internet doing what it always does and turning change into ragebait before the game even releases?This episode is about God of War's legacy, its evolution, and why fans fear change in the franchises they love most.Follow Co-op Chronicles everywhere:Spotify https://open.spotify.com/show/5SdKUmrjtUOB5y32Nd3gFeApple Podcasts https://podcasts.apple.com/us/podcast/co-op-chronicles/id1745794642YouTube https://www.youtube.com/@Co-op-ChroniclesInstagram https://www.instagram.com/co_op_chroniclesTikTok https://www.tiktok.com/@co_op_chroniclesLinktree https://linktr.ee/CoOpChronicles

Two listeners. Two encounters that span entire lifetimes. And something that's been watching their families long before they were born.Fran has seen it eleven times: a figure at a distance, always her height, always in her clothes, always moving toward an appointment she doesn't know about yet. Always between mid-afternoon and dusk. And the way her mother went quiet when she first described it as a child says Fran isn't the only one who's seen it.Then Hugo watches a shape move across the night sky with a wrongness physics can't explain and knows, in his chest, that he's seen it before. Months later he finds his late grandmother's unsent letter from the 1960s. Same shape. Same wrongness. And the exact word he'd reached for: acknowledged.No bangs. No shadows. Just the sense of being recognised by something that's known your bloodline for generations.Producer Dom unpacks the dark folklore: the Scottish co-walker that wears your face like camouflage, the Norse fylgja that goes ahead so you follow, and the watchers said to track chosen families across centuries.What happens when the thing following you isn't yours and was invited in long before you were born?A Create Podcast Hosted on Acast. See acast.com/privacy for more information.

This week on PREVIOUSLY ON… Rosie is joined by producers Aaron and Abu to discuss the latest stumble in the Avengers: Doomsday marketing rollout: the underwhelming Dom Latveria Coffee pop-up at SXSW London and the Russo brothers' comments at an AGBO panel later that evening. Next, they discuss the shocking news that The Mandalorian and Grogu suffered a massive second-weekend drop off at the box office, while Obsession and Backrooms continue to dominate and break records. Then they turn to the gaming side of things and break down two of the biggest gameplay reveals from Sony's State of Play, Insomniac's Wolverine and God of War: Laufey, the surprise third installment in the Norse saga. Follow Jason: IG & Bluesky Follow Rosie: IG & Letterboxd Follow X-Ray Vision on Instagram Join the X-Ray Vision DiscordSee omnystudio.com/listener for privacy information.

When many of us think of runes, we may imagine Viking letters carved into stone or tools used for divination. I know I did. Welcome back to the Conscious Diva podcast. I'm Tatyanna. Today, we're exploring the ancient landscape of symbols and mythology in The Futhark Rune Mysteries by Judith Dillon. In this episode, Judith invites us to consider the possibility that the Norse runes, known as the Futhark, may have much older roots than many people assume, tracing symbolic connections through ancient cultures, including Phoenician alphabets, and even Egyptian hieroglyphs. Rather than presenting runes simply as tools for divination, Judith explores them as part of an ancient mystery tradition, carrying hidden teachings about transformation, initiation, and human evolution.The Elder Futhark consists of 24 runes divided into three groups called Aettir, meaning families. Many interpret these three rune families as stages of the human journey: moving from survival and identity, through challenge and transformation, and ultimately toward wisdom, spiritual integration, and deeper understanding.So today, we'll explore this ancient communication tool and the symbolic nature of runes.And if you enjoy these conversations exploring spirituality, sacred traditions, consciousness, and personal transformation, I'd love for you to follow my podcast, leave a review, and share this episode. You can also subscribe over on YouTube and follow me on Instagram at the Conscious Diva. Thank you so much for listening. ABOUT JUDITH:Judith Dillon has a degree in Near Eastern languages and anthropology from the University of California, Berkeley. Familiar with many traditions, she has studied the relationships between early alphabets and Mystery Traditions for more than 40 years.https://www.innertraditions.com/author/judith-dillonThe Conscious Diva Podcast wouldn't be possible without your support! A massive THANK YOU for listening. If you'd like to further support my podcast, you can:​SUBSCRIBE in your favorite podcast player or YouTube.​FOLLOW me @The_Conscious_Diva on Instagram. ​BOOK a session with Tatyanna.​SIGN-UP to receive emails at www.tatyannawright.com

EDIT: the audio was fixed from first publish, sorry! way too long lolWe are back, baby! Back and not taking a break for a bit so buckle up, it's monster hunting time! If Bigfoot is the best at hide-and-seek, who or what else is out there, unseen and secreted away, underground, in a cave, out of sight? Tons of things, it turns out!Intro chat includes horror movies portraying podcasters, why passkeys/passwords are the worst and technology sucks, and other random thoughts, then we dive into Greek Myth! Ever heard of the Minotaur? And are mazes like labyrinths, could you have a corn labyrinth??Next it's on to some Norse lore, and the landvaettir land spirits that live in Iceland mostly. They guard the land and live in it too. To top it off, the Tatzelwurm! this mountain dragon dude has many names but only 2 little legs and big eyes! Like a Toothless, he kinda sounds cute, no? You can catch a peek if you are in the Alps, so bring your skis to see this mystical cryptid! Thanks for listening and tune in next time for true crime-pranks and petty hoaxes!Darkcast Promo of the Week: Conspiring to Argue

David Linder is a Swiss author and falconer who has studied the runes and Norse mythology extensively with a focus on practical applications.  His new book, Advanced Rune Magic (2026), has been described as:  "a valuable addition--with insight into tradition as well as innovative creativity that gives the reader new perspectives on the runes.  The book is rooted in historical runology and highlights esoteric aspects of the medieval rune poems, while being at the same time applicable to contemporary practitioners."  Edren Thorsson has also described the book as "a mythic travelogue through the mysteries of the runes. Anyone who seeks to travel these roads and rivers at the highest levels will find these pages as a useful guide and companion. To further connect with David, please see:  https://livingrunes.ch/. Or email him at david@livingrunes.ch This podcast is available on your favorite podcast platform, or here:  https://endoftheroad.libsyn.com/episode-346-david-linder-advanced-rune-magic-the-greater-mysteries-of-nordic-spirituality Have a blessed weekend!

If we put aside concepts, we really don't know what a tree is. It's a mystery of creation. The tree of life is a universal archetypal symbol. African, Celtic, Norse, and Cabala trees of life are discussed. Trees are a portal into appreciation of life and nature. Walking in a forest, we can feel sacred space. The decimation of trees and forests is also heartbreaking. It's important to connect to and respect all beings, including trees. The three parts of a tree—roots, trunk and branches, and crown—are considered metaphorically. Our roots, including belief systems we've inherited, are useful to revisit. Gender, cultural, historical, and familial roots sometimes need pruning. Trees have interconnected root systems and are not separate from other trees. We grow together and absorb from others. The heartwood near the center of the trunk is analogous to the stored wisdom we gather through experience. The lifeblood of the tree moves to and from the leaves. Every tree has a pattern which can be seen in its rings. We all have patterning and go through cycles as trees do. Being aware of our patterns opens us to the call of our heart. Individuation, a term used by Jung, is an ordeal of growth. There is stability in the trunk and effortless expansiveness in the branches. The crown produces shade, berries, seeds, and fruits which are shared. We can honor our outpouring and what we affect in the world. Seeds contain a legacy, the thing that comes next. The fruit of life is about realizing our immortality. The seed is perfect, despite a tree's twistedness due to environmental conditions. Creativity is a way to take refuge in our being. The practice of praise counterbalances hatred and polarization. Mary Angelon Young is an author and workshop leader with a background in Jungian psychology. Regina Sara Ryan, who was the editor of Hohm Press for 35 years, is an author, workshop leader, and retreat guide.

This week the Betches read an actually cool book about Norse mythology and Ragnarok! Kristin has no idea what she asked the girls to read, but we're on the adventure together! Find out more of what we're up to by following us on our social media and join our Discord!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Gwyn and Ode talk about magical Marie Condo-ing.

Two listeners.Two encounters with the dead that refused to stay buried.And one terrifying thread connecting them both.Harrison doesn't scare easily, six years of night shifts, no startle reflex. So why did standing at the mouth of a 5,000-year-old burial mound leave him certain that something deep in the dark had turned to face him… and was waiting to see what he'd do?Then Miriam takes us inside Harvard's Peabody Museum at 2am. A man pulled from the earth outside Ur a century ago. Catalogued. Displayed. Waiting. And one night, something stepped to her shoulder and made it clear it had known her all along.No bangs. No shadows. Just the unbearable sense of being assessed by something with all the time in the world.Producer Dom unpacks the dark folklore beneath it all: the Norse mound-dweller fed by a thousand years of fear, the Mesopotamian eṭemmu taking inventory of the living, and the chilling idea that for the trapped dead, time doesn't pass… it compresses.What happens when something that's waited a hundred years finally decides you're worth knowing?A Create Podcast Hosted on Acast. See acast.com/privacy for more information.

Narrator: Thomas Jones

In this episode, I talk with author and researcher Judith Dillon to explore her latest book, Futhark Rune Mysteries: Origins of Magic and Divination in the Primal Alphabet. Judith brings more than 40 years of study into the relationship between early alphabets, Mystery Traditions, language, and sacred symbolism.Together, we explore the hidden lineage of the runes, tracing their possible journey from Egyptian hieroglyphs through Phoenician and Semitic writing systems into northern Europe. Judith reveals the runes not just as letters carved into stone or wood, but as magical symbols, spiritual portals, and initiatory tools connected to divination, myth, transformation, and the deeper architecture of reality.We also dive into Norse sagas, runic poems, the Egyptian Book of the Dead, and the ancient understanding of passage through life, death, and the afterlife. At the heart of this conversation is the mystery of language itself: the idea that alphabets may have been far more than practical systems of communication, carrying encoded wisdom, ritual power, and secret knowledge about the soul's journey and its return to the light.This conversation opens a doorway into the living power of symbols and the ancient belief that language itself could shape reality. It is a journey through history, mythology, magic, and the sacred codes hidden within humanity's earliest alphabets. An incredible episode... Drop in!https://berkeley.academia.edu/JudithDillonJudith Dillon Bio:Judith Dillon is an author and researcher whose work explores the relationship between ancient alphabets, sacred symbolism, runes, oghams, Hebrew, Phoenician, and the Western Mystery Traditions. She holds a degree in Near Eastern languages and anthropology from the University of California, Berkeley, and has spent more than 40 years studying the hidden spiritual and esoteric dimensions of early writing systems. She is the author of Alphabets and the Mystery Traditions and Futhark Rune Mysteries: Origins of Magic and Divination in the Primal Alphabet. Hosted on Acast. See acast.com/privacy for more information.

At long last, we return . . . to the prophecy about the cousins Steinólf and Arngrím. Oddbjörg. What could possibly break the bond of these BFFs? Hopefully Arngrím's wife can make some sense of their little feud and help heal the fracture in their relationship. Speaking of fractures, this is the episode where things really pop off between Glúm and the men of Espihóll and we begin rushing headlong toward the climax and conclusion of this saga. Here's a little map of the region to help you make sense of the major locations featured in this episode. Along the way, we talk about the sudden appearance of a skytningr (an inn or tavern) in the saga and fall into a discussion of how exactly that word works in the contexts of Víga-Glúm's saga, with special reference once again to Jesus Fernando Guerrero Rodriguez's dissertation Old Norse Drinking Culture. Rodriguez, Jesús Fernando Guerrero. Old Norse Drinking Culture. PhD Dissertation. University of York, 2007. Check out the oldest surviving manuscript copy of Víga-Glúms saga on handrit.is. There's also stuff here for fans of dream interpretation and even Norse mythology, specifically Thor's battle with Hrungnir the jötunn. Thor and Hrungnir by Carl Emil Doepler Listen and let us know what you think on our various socials: Sagathingpodcast on Facebook Sagathingpodcast on Instagram Sagathingpodcast on Bluesky Saga Thing's unofficial official Discord Music Credits Intro Music - "Prelude and Action" by Kevin MacLeod Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Poetry Music - "Dark Times" by Kevin MacLeod Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Outro Music - "Stormfront" by Kevin MacLeod Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Gwyn and Ode talk about Scott Cunningham's work and legacy in the pagan community.

The conclusion of the Viking Age is often associated with the pivotal year 1066, marked by the death of Harald Hardrada at the Battle of Stamford Bridge. Hardrada was a legendary King of Norway who had lived an extraordinary life, serving as an imperial bodyguard in the Byzantine capital of Constantinople where he was rewarded with gold or "embers of the hands." He sought to reclaim the English throne, which had previously been held by King Canute during the era of the North Sea Empire that united England, Denmark, and parts of Norway. While 1066 is a convenient historical bookmark, Barraclough argues it is an Anglo-centric view that ignores the persistence of Norse culture in other regions like Greenland or Russia. The era also featured figures like Harald Bluetooth, who famously claimed to have converted the Danes to Christianity and whose runic initials now serve as the symbol for modern Bluetooth technology. Another symbolic ending occurred much later in 1263 at the Battle of Largs, where King Haakonof Norway faced off against King Alexander III of Scotland. Although the battle was inconclusive, Haakon'ssubsequent death in Orkney led to the Western Isles being ceded to Scotland, marking the end of significant Norwegian political control in the region. 7/81630

Eleanor Barraclough explores the hidden histories of the Viking Age by focusing on the real lives of Norse individuals through everyday objects rather than modern myths. A primary example is a 1200 AD runic message discovered on a sliver of wood in Bergen, Norway, from a woman named Gytha who writes "Gytha says that you should go home" to her husband while he was drinking in a tavern. While Gytha's message is clear, her husband's attempt at a response on the other side is completely unintelligible, likely due to his inebriated state. These spiky runes were often carved into hard surfaces like wood, stone, or even bone to serve as private, personal communications. Barraclough, who has a background in Old Norse language and literature, derived the title of her book, "Embers of the Hands," from an Old Norse kenning for gold which she repurposed to symbolize precious human stories found in historical ephemera. The Viking Age itself is traditionally marked by the shocking 793 AD raid on the rich monastery at Lindisfarne, also known as Holy Island, which sent terror-filled shockwaves across Europe. This era is characterized by a vast diaspora reaching from Arctic Scandinavia to the North Atlantic and eastward down Eurasian waterways to the Islamic Caliphate. 1/81600 SCANDANAVIA

Norse mythology and belief systems were largely recorded by Christian authors in the 13th century, creating a significant historical gap that requires careful interpretation. The primary source for these myths is Snorri Sturluson, an Icelandic poet and politician who wrote the Prose Edda as a handbook to help poets access ancestral stories. These myths describe a world born from the meeting of fire in Muspelheim and ice in Niflheim within the eternal void of Ginnungagap. Life began with the primordial giant Ymir, whose body parts eventually formed the sky, earth, and sea. The mythology also predicts a dramatic conclusion at Ragnarok, the twilight of the gods, where the world is destroyed by fire and the giant Surtr. A chilling detail from these accounts describes the trickster Loki arriving at the end of the world in a ship called Naglfar, which was constructed from the fingernails of the dead. To prevent this ship from being completed quickly, the Norse were traditionally advised to trim the nails of the deceased before burial. Snorri Sturluson, who preserved these incredible tales, met a violent end himself; he was murdered in his basement on the orders of the Norwegian king during a period of bloody civil war in Iceland. 5/81600 Norse mythology and belief systems were largely recorded by Christian authors in the 13th century, creating a significant historical gap that requires careful interpretation. The primary source for these myths is Snorri Sturluson, an Icelandic poet and politician who wrote the Prose Edda as a handbook to help poets access ancestral stories. These myths describe a world born from the meeting of fire in Muspelheim and ice in Niflheim within the eternal void of Ginnungagap. Life began with the primordial giant Ymir, whose body parts eventually formed the sky, earth, and sea. The mythology also predicts a dramatic conclusion at Ragnarok, the twilight of the gods, where the world is destroyed by fire and the giant Surtr. A chilling detail from these accounts describes the trickster Loki arriving at the end of the world in a ship called Naglfar, which was constructed from the fingernails of the dead. To prevent this ship from being completed quickly, the Norse were traditionally advised to trim the nails of the deceased before burial. Snorri Sturluson, who preserved these incredible tales, met a violent end himself; he was murdered in his basement on the orders of the Norwegian king during a period of bloody civil war in Iceland. 5/8