Podcasts about legends

Legends & Listeners: Post Malone's Troll, Indispensable Hawkeyes, Big Ten Media Days Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1821, a little-known backwoods hunter named David Crockett won a seat in the Tennessee legislature, despite having little formal education and virtually no political experience beyond his gift for spinning a good story. It marked an unlikely turning point for a man who would become a symbol of the American frontier, which was then rapidly expanding as settlers pushed into land long inhabited by Indigenous peoples. Ultimately, Crockett's frontier persona would prove his greatest political asset, eventually carrying him all the way to Congress. But once there, he would break with his own party over Native removal, before heading to Texas for one final, fateful stand at the Alamo.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It's important to maintain that Final Girl Energy, gang. That's what all of these urban legends have been preparing you for! We learn why it's important to train kids young to spot ghosts, and why bringing your spooky partner home may lead to finding out you've got ghosts watching you at night!Content Warning: This episode contains conversations about or mentions of defecation, auditory hallucination, abusive relationships, death, physical harm, menstruation, and home invasion.Housekeeping- Books: Check out our previous book recommendations, guests' books, and more at spiritspodcast.com/books- Call to Action: Send in those urban legend emails!- Submit Your Urban Legends Audio: Call us! 617-420-2344Find Us Online- Website & Transcripts: spiritspodcast.com- Patreon: patreon.com/spiritspodcast- Merch: spiritspodcast.com/merch- Instagram: instagram.com/spiritspodcast- Bluesky: bsky.app/profile/spiritspodcast.com- Twitter: twitter.com/spiritspodcast- Tumblr: spiritspodcast.tumblr.comCast & Crew- Co-Hosts: Julia Schifini and Amanda McLoughlin- Editor: Bren Frederick- Music: Brandon Grugle, based on "Danger Storm" by Kevin MacLeod- Artwork: Allyson Wakeman- Multitude: multitude.productionsAbout UsSpirits is a boozy podcast about mythology, legends, and folklore. Every episode, co-hosts Julia and Amanda mix a drink and discuss a new story or character from a wide range of places, eras, and cultures. Learn brand-new stories and enjoy retellings of your favorite myths, served over ice every week, on Spirits.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

LUFISTOYouTube: @LuFistoOfficialFacebook: facebook.com/LuFistoInstagram: @LuFisto_arts_and_prowrestlingX: @LuFistoUpcoming documentary: lufistodoc.comJEFF LIPPMANYouTube: @GardenofThoughtpodFacebook: Jeffrey LippmanX: @Dos_EvilBecome a supporter of this podcast: https://www.spreaker.com/podcast/wrestling-soup--1425249/support.

Who were the Knights Templar, and why do they continue to inspire centuries of mystery, speculation, and legend? In this captivating episode of The ‘X' Zone, Rob McConnell welcomes historian and researcher Eugene Stovall to explore the enduring legacy of the Knights Templar. Dr. Stovall examines the historical origins of the medieval military order, its rise to prominence during the Crusades, and the circumstances surrounding its dramatic downfall. He also discusses the many legends that have grown around the Templars—including stories involving hidden treasures, sacred relics, secret knowledge, and alleged connections to later fraternal organizations—while distinguishing documented history from enduring folklore. Throughout the conversation, Rob and Dr. Stovall explore why the Knights Templar continue to capture the imagination of historians, authors, and conspiracy theorists alike. Listeners will gain a deeper appreciation for the historical evidence, the myths that have developed over time, and the cultural impact of one of history's most fascinating organizations. Whether you're interested in medieval history, the Crusades, religious orders, historical mysteries, or the legends surrounding the Knights Templar, this episode offers a balanced and engaging exploration of fact, tradition, and enduring intrigue.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-x-zone-radio-tv-show--1078348/support.Please note that all XZBN radio and/or television shows are Copyright © REL-MAR McConnell Meda Company, Niagara, Ontario, Canada – www.rel-mar.com. For more Episodes of this show and all shows produced, broadcasted and syndicated from REL-MAR McConell Media Company and The 'X' Zone Broadcast Network and the 'X' Zone TV Channell, visit www.xzbn.net. For programming, distribution, and syndication inquiries, email programming@xzbn.net.We are proud to announce the we have launched TWATNews.com, launched in August 2025.TWATNews.com is an independent online news platform dedicated to uncovering the truth about Donald Trump and his ongoing influence in politics, business, and society. Unlike mainstream outlets that often sanitize, soften, or ignore stories that challenge Trump and his allies, TWATNews digs deeper to deliver hard-hitting articles, investigative features, and sharp commentary that mainstream media won't touch.These are stories and articles that you will not read anywhere else.Our mission is simple: to expose corruption, lies, and authoritarian tendencies while giving voice to the perspectives and evidence that are often marginalized or buried by corporate-controlled media

Welcome to The Starting Zone Podcast, The World of Warcraft Podcast for New and Experienced Players! This week Spencer Downey and Jason Lucas discuss the 12.1 Mythic+ Dungeons Dev Blog, Hotfixes and everything going on around Azeroth! Episode #745: Dungeon Theory! What's New this Week in World of Warcraft! Weekly Event - Midnight Dungeon Event TURBULENT TIMEWAYS WEEK 4 - Classic Timewalking PvP Brawl - Deep Six Mythic+ Affixes: Voidbound Micro-Holiday: Auction House Dance Party - July 22nd Don't miss it Weekly Checklist World Boss - Nexus-Captain Leth'ir (Naigtal) Special Assignment World Quests Weekly from SIlvermoon, outside the Bank Dungeon weekly from Halduron World Events Saltheril's Soiree in Eversong Woods Abundance in all zones, with a rotating Abundant Harvest zone Legends of the Haranir in Harandor Stormarion Assault in Voidstorm Important Posts July's Trading Post Ignites a True-Blue Celebration Midnight Season 2 Mythic+ Dungeon Philosophy and Design Goals Midnight: Curse of Ula'tek PTR Development Notes Hotfixes and much more! You can find us on Discord at The Starting Zone or email us at TheStartingZone@Gmail.com Have you heard about our Patreon? It's a great way to support the show and goes towards making more content for you! Check it out here: https://www.patreon.com/thestartingzone Looking for to grab some great TSZ merch? Look no further than here! We've got the shirts, hoodies, mugs, pillows even stickers you want!

Want more exclusive content?! http://prometheuslens.supercast.com to sign up for the "All Access Pass" and get early access to episodes, private community, members only episodes, private Q & A's, and coming documentaries. We also have a $4 dollar a month package that gets you early access and an ad free listening experience!====================

This week on The Legends of the DCU Podcast! Drew Leiter and Cletus Jacobs review the Titans. Raven confronts and embraces her dark half to defeat Psycho-Pirate, reunite the Titans, and reveal that Deathstroke has been manipulating events from the shadows in Titans #21. Deathstroke has returned and is assembling a dangerous new team of […] The post Legends of the DCU Episode 14 (Legacy #453) – Titans: Bad Blood appeared first on The ESO Network.

Mammoth Cave Legends and StoriesBecome a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.

In this episode we discuss another classic album Stankonia by Outkast. Join Our Mail List forms.gle/4q5pT3GkWJ4czLZm7   Go Check out our Music Listen to WordPlay T. Jay's Music - https://youtube.com/@wordplaytjay  Listen to Icarus Gray's Music - https://youtube.com/@IcarusGray  Try our Sponsors Opus Clip - https://opus.pro/?via=wptj Ground News - 40% off - https://check.ground.news/wptj  SubmitHub - https://submithub.com/coupon/wordplaytjay Amazon Music Unlimited - https://tryamazonmusic.com/Qy5x96  Watch Us On YouTube: https://www.youtube.com/@NoRhymeorReasonPodcast  Follow Us on Social Media Follow Icarus Gray - https://instagram.com/icarus_gray   Follow WordPlay T. Jay - https://instagram.com/wordplaytjay 

GOATS: Legends of FaithRevisiting the Hall of Faith and the lives that still inspire us today.Every generation debates the GOATs—the greatest of all time. Greatest players. Greatest moments. Greatest legends. But Hebrews 11 introduces us to a different kind of GOAT: men and women remembered not for perfection, talent, or power, but for faith. This summer we're stepping into Scripture's Hall of Faith and revisiting the legends whose trust in God still speaks to us today.NEXT STEPS- Have you made a decision to follow Jesus? You may be wondering what's next on your journey. We want to help! Let us guide you to your next steps in your walk with Christ: https://atmosphere.church/new-to-faith•JOIN A LIFE GROUP- Find the community you've been looking for. Discover the prayer warriors waiting to stand with you. If you're interested in joining or starting a Life Group, visit https://atmosphere.church/life-groups•ABOUT ATMOSPHERE.CHURCH- Wherever you are in life, you have a purpose. Atmosphere.Church wants to help you find your next step. Our hope is that your journey will include joining us in-person at our location in Thousand Oaks, California or globally online at https://atmosphere.church/watch•For the best experience connecting with us, download the Atmosphere.Church app at https://qrco.de/atmosphere-ca

Physical Farewell: PlayStation's Disc Departure.  Connected Car Confusion: Stolen Vehicles, Smart Apps and Security Shortfalls.  Starter Success: Sourdough Sidekick Simplifies Slow Baking.  Wonka's Wired Whisper: AI Voice Sparks Vintage Vision vs Modern Misgivings.  Paywall Pushback: Premium Price for Practical AI.  Electric Evolution: BMW's Bold Battery Bet.  Ford's Flawed Formula: Why Human Know-How Beat Artificial Intelligence.  Sandy Swimming: Sandfish Science Steers Smarter Mars Rovers.  Apple Access Advantage: The Hidden Hack for a Happier Kids' Phone. 

Baseball Legends Show: Guest 2016 World Series MVP Ben Zobrist

Missed this week's show? Don't worry—you can now listen again whenever and wherever you like! This week's Eurovision Showcase was packed with brand-new music, Eurovision legends and hidden gems from across the continent. ✨ On this episode: • Brand new music from The Fizz, as Cheryl Baker and Jay Aston return with the infectious A Crazy Shot in the Dark. • We hear the beautiful Greek-language version of Italy's Eurovision 2026 entry, Per Sempre Si, as Sal Da Vinci joins forces with Cyprus' Antigoni on Gia Panta Nai. • We celebrate Icelandic Eurovision history with the spectacular all-star recording of Lífið er lag, featuring an incredible line-up of Eurovision favourites spanning nearly four decades. • Rob's Random Request delivers another surprise! • Live & Kicking heads to Denmark. • The Best of the Rest uncovers another national final gem. • Plus listener requests from James in Worthing and Robert in Gothenburg, Sweden. Thank you for listening and for supporting The Eurovision Showcase on Forest FM. Don't forget—you can join us every Sunday at 5pm UK Time / 6pm CEST for more music, news, requests and everything Eurovision.

First: Check out Obyiscus Hobby and Gaming for the unboxing of Hexadome Legends. Then listen too Raymon and Kristian give their first Impressions of the game.

Kenny Wallace talks with Keinz Kunz & Flea Ruzic after they did test laps at the new Belle-Clair Speedway.#racing #dirtracing #kennywallace

Send us comments, suggestions and ideas here! In this week's episode we explore the many classical superstitions of sailors from all times and places. In the first half of the show we discuss cursed fruit, taunting the wind, the dangers of women, the rich cultural origins of the Klabautermann and  the devilish inspiration for Bram Stoker's Dracula. In the extended, underside of the episode we continue the discussion with Jonah's, the power of specific tattoos, traditional Greek water wenches and how to beguile the courteous Japanese sea giants. Thank you and enjoy the show! In this week's episode we discuss:The Flying DutchmanBananas and BonersWhistling Up a StormWomen On DeckFigureheadsThe Klabautermann, Kobold and Gremlins In the extended episode available at www.patreon.com/TheWholeRabbit we go further down the rabbit whirlpool to discuss:JonahTraditional Sailor Tattoos and their PowersSirens and ScyllaSea MonksUmibozuPirate Eye Patches This episode was written by Tim Hacker, Luke Madrid with some additions by Mari Sama and commentary by Heka Astra. Sources:Lieutenant Fletcher S. Bassett's 1885 work, LEGENDS and SUPERSTITIONS of the SEA AND OF SAILORS (In all Lands at all Times):https://dn790000.ca.archive.org/0/items/legendssuperstit00bass/legendssuperstit00bass.pdfGabaoolhttps://x.com/eternalclassic_/status/2077558076979241232?s=20Support the show

Would you choose one of the least expensive vehicles in the country for a road trip to Las Vegas? Host Jack Nerad did just that, taking the $25,000 small SUV on a 600-mile out-and-back in weather topping 100 degrees. What — is he nuts? Meanwhile, Co-Host Chris Teague gave himself a more reasonable assignment, reviewing the off-road-ready 2026 Subaru Outback Wilderness. Jack and Chris also discuss Europe's new mandatory driver-monitoring systems, progress on solid-state batteries, and Tesla's new (longer) three-row Model Y. Labor strife also hits the news in the form of Hyundai worker strikes and Volkswagen's restructuring setback. Plus, Britain's Goodwood car festival announces an American version.

Based on Nick Veltri's return appearance on In the Flamingo Lounge with Rockabilly Greg (recorded June 23, 2026 and broadcast July 18, 2026). Nick Veltri: Serving the Song For more than fifty years, bass player Nick Veltri has stood as one of the most respected, disciplined groove-makers in Western New York. Inducted into the Buffalo Music Hall of Fame in 1994, Veltri's reputation isn't built on flash or grandstanding, but on a deep, unshakeable devotion to a single musical truth: the song is king. The Spark of the Groove Nick's obsession with the instrument started early. As a nine-year-old kid walking to sax lessons at Art Kubera's music store, his eyes would lock onto the shiny new Fender basses hanging on the wall. The definitive "aha" moment came at the Erie County Fair when he saw a local group called The El Tempos performing in their sharp red blazers. Hearing the way the bass drove the crowd to dance, Nick knew exactly where his future lay. He never picked up a standard guitar; he was meant to play the bass. While his father bought him an off-brand electric rig around 1963, Nick also pursued formal training on the upright bass under the legendary Ted Mayer of the Buffalo Philharmonic Orchestra. Mayer's strict focus on bowing, precise finger position, and classical discipline laid a flawless technical foundation that Nick carried with him throughout his entire career. The Road, the Legends, and the "P-Bass" Tone Returning home from a military stint in the Marines (1969–1971), Nick jumped headfirst into the fertile Buffalo circuit. By 1973, he joined the nationally touring '50s showband Big Wheelie & the Hubcaps, kicking off an era of recording, traveling, and headlining major hometown venues like the historic Melody Fair. Over the decades, Nick became the go-to session and live player for the region's elite, backing keyboard icon Stan Szelest in Stan & the Ravens, anchoring Billy McEwen & the Soul Invaders, and performing with Barbara St. Clair & the Shadows. "I prefer a precision bass—the split pickup—and heavy-gauge flatwound strings. La Bella flatwounds... to me, that gets the sound that I have in my mind." — Nick Veltri Nick's signature tone relies heavily on a three-bass rotation of reissue Fenders: ·       A '58 Reissue Precision Bass: Beloved for its easy playability and classic, round sound. ·       A '54 Reissue Precision Bass: A primitive, punchy take on the earliest Fender designs. ·       A '62 Reissue Precision Bass: Bringing that classic '60s R&B soul warmth. His approach is strictly fingers—no picks—keeping him firmly locked into the pocket alongside legendary local drummers and horn sections. In the Studio and On Display Nick's musical fingerprint is etched onto nearly 100 recording projects—ranging from regional radio jingles (like "Milk for Health") to albums by Terry Buchwald, Doug Yeomans, Bob Faulk, and Pete Howard, as well as Lance Diamond's beloved Christmas record. He was also famous for a unique, heavily gigged 1959 Fender Precision bass featuring a rosewood fingerboard. Over decades of service, the instrument's failing finish became a canvas, completely covered in signatures of legendary musicians Nick crossed paths with. Featured in 20th Century Guitar magazine in the early 2000s, the historic bass was later displayed at the Buffalo Museum of Science and the Hard Rock Cafe before finding a home with a collector in the Netherlands. Keeping the Heritage Alive Beyond his legendary stage presence, Veltri has dedicated decades of his life to preservation. Following his 1994 Hall of Fame induction, he stepped into leadership roles, serving as the President of the Buffalo Music Hall of Fame starting in 2000, and helping organize historical exhibitions to honor the players who built the "Buffalo Sound." Whether he's co-writing tracks like "Put Out the Fire" on the Bandstand label, recording live original projects with writers like John Regis, or steering the rhythm section for his beloved bi-annual R&B Soul Revue alongside Sam Guarino, Nick Veltri remains the ultimate professional. To Nick, playing the bass has never been about self-promotion—it's about locking down the pocket and serving the music.  

Welcome back to MU! In our continuation of Emanuel Swedenborg's works, he claims that for years he spoke with spirits from Mercury, Jupiter, Mars, Saturn, Venus, the Moon, and even worlds beyond our solar system. We follow his incredible cosmic travelogue, exploring how each civilization lives, worships, and contributes its own unique role in what he called the "Universal Human"...his vision of a living, inhabited universe, unlike anything else written in the 18th century. Welcome to your Plus Extension and thank you for joining us on Plus+! Today we happen upon some freaky happenings on, in, and around the strange area of a ceremonial county in Northwest England known as Lancashire. The Woo Woo concentrated in the area was enough for Author Terrence W. Witaker to fill a book with. This charming 1980 release is populated with priest holes, stacks of murders and therefore stacks of ghosts, unscrupulous Boggarts and, of course, screaming skulls that come included with the purchase of your new manor. Other Planets by Emanuel Swedenborg(New Century Edition) PDF - Other Panets by Emanuel Swedenborg Lancashire's Ghosts and Legends by Terence W Whitaker Lancashire Ghosts, Folklore and Forteana Video - Lancashire Ghosts - Lancashire Ghosts Video - The Original RENAISSANCE ITALIAN BILL Weapon Examined LinksPlus+ ExtensionThe extension of the show is EXCLUSIVE to Plus+ Members. To join. click HERE.Links Learn more about your ad choices. Visit megaphone.fm/adchoices

I love houseplants, but I draw the line at these three. Find out which houseplants I really can't stand, and why! For full show notes visit https://www.janeperrone.com/on-the-ledge/houseplant-ick Support On The Ledge on Patreon: https://www.patreon.com/ontheledge  Check out The Atlas of Deadly Plants, Legends of the Leaf, my book on houseplants and my houseplant cards Houseplant Gardener in a Box here. Follow Jane Perrone on Instagram: https://www.instagram.com/j.l.perrone Follow Jane Perrone on TikTok: https://www.tiktok.com/@j.l.perrone  Join the Houseplant Fans of On The Ledge group on Facebook: https://www.facebook.com/groups/houseplantfans Want to ask me a question? Email ontheledgepodcast@gmail.com. The more information you can include, the better - pictures of your plant, details of your location and how long you have had the plant are always useful to help solve your issue!

LFG Season 3 Episode 10Hosts Lufisto and Jeff LaufmanOutraged over Apollo Crews situationCarly Bright injury and release discussedBraxton Cole works PhD book gimmickArlen Lewis lacks fire as babyfaceSerena Linton versus Zina Stirling critiquedTerry Taylor gives heel coaching tipsMain event tag match highly praisedHot tag and storytelling executed wellBubba Ray coaches tag team dynamicsWWE releases criticized as shortsightedFirst matches mixed second one strongFrustration with talent development decisionsBecome a supporter of this podcast: https://www.spreaker.com/podcast/wrestling-soup--1425249/support.

Every collector has cards they understand immediately.Then there are the cards that take years to appreciate.Pack and Brett explore why some football cards become hobby staples while others never seem to catch on. They discuss the history behind PMGs, why Tom Brady continues to separate himself from every other retired player, and what international NFL legends deserve more attention.They also dive into vintage football cards, linebacker legends, recent Card Ladder sales, and answer listener questions that challenge how collectors think about value and hobby history.Topics include:• Building an all-time international football card starting lineup• Why PMGs still divide collectors• Is Tom Brady in a league of his own?• Vintage football cards worth knowing• The latest market sales• Listener mailbag and collecting philosophyCheck out Card Ladder the official data partner of Stacking SlabsFollow The Football Card Podcast on Instagram for memes and stuff.Get your free copy of Collecting For Keeps: Finding Meaning In A Hobby Built On HypeGet exclusive content, promote your cards, and connect with other collectors who listen to the pod today by joining the Patreon: Join Stacking Slabs Podcast PatreonSign up for Hobby Jobs and The Weekly Rip for freeFollow Stacking Slabs: | Twitter | Instagram | Facebook | TiktokFollow Pack: | Instagram ★ Support this podcast on Patreon ★

Ahead of Tomorrow Night's Brawlers Brawl, Rumble Chats with MMA Legends Gary “Big Daddy” Goodridge, “The Hammer” Mark Coleman, and “The Predator” Don Frye

The Podcast: The Outdated Wrestling Hour With Bob Smith podcast – now heading into its fourth year – offers veteran fans (as well as curious younger ones) a chance to reminisce about classic mat action from years gone by. The show is hosted by Smith, the former managing editor of Pro Wrestling Illustrated magazine who also enjoyed a long history with other famous mat titles. Co-host Joe Puccio (GenerationXWire.com) offers a younger perspective on old wrestling before the duo ushers in guests from throughout the professional mat landscape.The Topic: It's a “look back with fondness” once again as The Outdated Wrestling Hour welcomes back co-host Joe Puccio for a discussion on wrestling's toughest stars – the grapplers who were not only outrageously fierce inside the ring, but who proved they could be every bit as rugged outside of it as well. From world-traveling superstars to leathery veterans who stayed in one organization for the majority of their careers, these were truly wrestlers who could take it as well as they could dish it out. Who did Smith and Puccio choose as their choice as the toughest? You'll have to listen to The Outdated Wrestling Hour to find out!Support the showContact us at outdatedwrestling@gmail.com!

French Legends React To World Cup Exit - DanTalksFootball

Curved Toplines and Hearts of Gold: Tarwathie Dandie Dinmont Terriers Veteran breeder Kay Simpson of Tarwathie Dandies shares the precise combination of physical structure and gentle disposition that defines this rare, historic breed: Dandie Dinmont Terrier Diaries are part of the Pure Dog Talk Clubhouse ... Shining a Spotlight on the Legends, History and Future of the Breed [caption id="attachment_16846" align="alignleft" width="300"] Several of Kay's recent Dandies.[/caption] Temperament First and Foremost:In a group known for fiery attitudes, the Dandie Dinmont stands out as a uniquelylaid-back, non-aggressive terrier. Kay ranks temperament as the absolutenumber one priorityin her breeding program.The Defining Head:Widely regarded as a "head breed," a correct Dandie must feature alarge, perfectly proportioned headwith expressive eyes, specific ear placement and strong jaw.The Curvaceous Topline:Unlike a flat-backed dachshund, a true Dandie requires adistinctive curved toplinerising from the shoulders, arching over the loins, and dropping gently to the tail. This curve is structurally vital to prevent back issues, according to Kay.Turned-Out Front Legs:In Kay's telling, true Dandies do not have perfectly straight front legs. Theirfront legs must be slightly turned outto allow them to push dirt to the side rather than under their bellies when going to ground.The "Tarwathie" Backstory:The mythical kennel name was chosen by Kay's late husband. He discovered it in a document describing amythical location on the outskirts of Scotland, right off the island. Because the place was entirely mythical, they knewno other breeder would ever have it, making it the perfect unique identity for their line.Strategic Breeding for Fertility:While the typical Dandie Dinmont litter is a small three to four puppies, Kay actively fought the breed's declining numbers byfavoring and selecting highly fertile bitch lines. Rather than spending time on bitches that only produced one or two puppies, she bred prolific mothers who consistently deliveredlitters of five to seven puppies. This strategic focus on maternal fertility has successfully helped to increase the breed's population and public visibility.

Chad Leistikow and Scott Dochterman break down everything they learned from Iowa football media availability and Iowa basketball workouts. The guys discuss the quarterback battle between Hank Brown and Jeremy Hecklinski, why Tony Diaz could transform Tim Lester's offense, and their early impressions of Ben McCollum's rebuilt Hawkeye basketball roster.

I've got some big news - Follow your dream has just released its 800th episode! That's right, 800 episodes in just under 5 1/2 years. And on top of that, we're about to hit 5 million total downloads. How about that! What started out as a pandemic-era podcast with no audience and no guests has now morphed into a global arts platform featuring guests from over 40 countries and including musicians, actors, authors, directors, photographers, poets, and other creatives. I'm pleased to say that the podcast has been ranked in the top 1% in the world for quite some time. In the last year I've added four new pillars of content to Follow Your Dream in addition to interviews: they are Special Collections, Reflections, Legends, and most recently, Essays. These 5 pillars have taken Follow Your Dream well beyond the scope of any other show out there. In fact, I just read an industry statistic which said that of the 4.7 million podcasts in existence, only 4%, or about 180,000, have published at least 10 episodes and publish weekly. This gives you an idea of the staying power and magnitude of Follow Your Dream in comparison to all the others. As usual, I want to thank you for listening to the show. I appreciate your loyalty and all the testimonials from so many of my artist guests.  Keep on rockin! And we'll see you in the next 800 episodes.      

This episode we are taking a quick break from our overall story of Uno no Sarara (aka Jito Tenno) and we are focusing on Ise Shrine and Amaterasu, the Sun Goddess. There is a lot, for a bit more, check out our podcast blogpost at:  https://sengokudaimyo.com/podcast/episode-153   Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua, and this is Episode 153:  Ise and the Sun Goddess.   In the newly built hall of the Fujiwara Palace, the nobles of the court were gathered for a grand banquet.  Snow-white walls were off-set by bright crimson pillars and trim, highlighted by bright green windows.   The nobles themselves were a rainbow of colors, arranged as they were by rank.   At the head of it all, on a dais, sat the Queen herself, Uno no Sarara.  However, the attention was no longer on her.  Instead, it was on another figure, standing in front of the assembled audience.  A quiet spread throughout the hall, the court listening as Hieda no Are began to tell the story of the Sun Goddess in the Plain of High Heaven.  They listened to the story of her and Susano'o, and of the backward flayed horse.  They heard the tale of the Heavenly Rock Cave, and of all that came after, including the sending of the August Grandchild, Ninigi.  They listened to the story—the story of Yamato.   Last episode, we talked in more detail about Uno No Sarara—starting from her early years as the daughter of Naka no Ohoe, granddaughter of Soga no Kurayamada, and child-bride to her uncle, Ohoama.  I'll admit we didn't look too hard at that last bit, and I don't have enough information to confirm what exactly "marriage" entailed in that context, but it is still something that I find tremendously creepy and, unfortunately, anything but unique.  So I'm not going to dive too much further into it right now but… ew. We talked about how she gave birth to her son, Kusakabe, in Kyushu, during the war on the continent, and how she eventually left for Yoshino with her husband when he retired from court, presumably to outsmart his court rivals, who were positioning him to be taken out.  She also is said to have played a part in the planning and execution of the resulting Jinshin no Ran, later helping her husband govern the realm.  And now, she was on the throne, overseeing the completion of many of the projects started in the reign of her husband.  This included the completion of the Kiyomihara code, the Fujiwara palace, and the support given to the institution of Ise Grand Shrine. This episode, I want to dive into that last topic: the emphasis in Uno no Sarara's reign on  Ise Shrine and its focus, the Great God, Amaterasu no Ohokami.  Although the Chronicles talk about Amaterasu as one of the founding deities of the Yamato royal line, there is plenty of evidence that this story was grafted into the tales at a later date, and that worship of Amaterasu, at least as anything more than a minor deity, likely also started relatively late.  Some have even suggested that Ise Shrine itself wasn't even built until the late 7th century.  So, all of this focus on Ise and Amaterasu appears to be part of the larger effort to structure the physical, cultural, and spiritual landscape of the new Yamato state. Last episode we mentioned how, according to the Nihon Shoki,   Ohoama turned to worship towards Ise.  Well, specifically, he worshipped Amaterasu Ohokami.  So let's take a moment and talk about what we know of the history of this Great God of Heavenly Brightness. Unfortunately, most of that history is based on what we know of the kami from works like the Nihon Shoki, the Kojiki, and the Sendai Kuji Hongi, all of which came out in the 8th century or so.  As such, it can be hard to know what things were actually like, earlier on, as opposed to what was added or removed later. Much of what I'm going to be talking about, today, I'm going to be pulling from a book written in 2017 by Mark Teeuvwen [Tayvin?] and John Breen titled "A Social History of the Ise Shrines", as well as Michael Como's work "Weaving and Binding: Immigrant Gods and Female Immortals in Ancient Japan", published in 2009, along with other sources.  In their book, Breen and Teeuwen point out that for those who do not take the events of the Nihon Shoki and Kojiki at face value, there are two primary theories for the origin of the worship of Amaterasu: an early theory and  a late theory.  The early theory places the development of the worship of Amaterasu in the 5th and 6th centuries, during the reigns of such figures as Wakatakeru no Ohokimi, aka Yuuryaku Tennou.  The Late Theory places the development in the 7th century, largely at the feet of such figures as Ohoama and Uno no Sarara herself.  We'll take a look at the evidence and see what it says. I would note that compared to the official history, both of these would be very late theories.  According to Ise Grand Shrine even today, Amaterasu arrived in Ise in the 26th year of Ikume Iribiko, aka Suinin Tennou, as stated in the Nihon Shoki, which corresponds to 4 BCE if you take the dating of the Nihon Shoki to be accurate. Of course, we've already spent plenty of time talking about the problems with the Nihon Shoki prior to the 6th century CE, as well as how the political nature of the text affected what it contained. So to kick things off, let's address the biggest question of all: why don't we believe that Amaterasu no Ohokami was always the primary deity of the pantheon of Yamato, at the very least, if not all of the Wa people of the archipelago?  After all, isn't she a sun goddess, and isn't sun worship fairly well documented among the ancient Japanese?  Just take a look at words like "Hiko" and "Hime", referring to rulers as sun man and sun woman.  Also note that early on, worship seems to have centered around places such as mountaintops, which focused worship towards the sky and the highest point.  In fact, as wet rice paddy agriculture became the dominant economic factor driving the engine of the archipelago in the Yayoi and early kofun period, early shrines were very likely about bringing the spirit of the mountain from the mountaintop and giving them a home amongst the rice fields.. And then we have the stories.  Don't the ancient stories all tell about Amaterasu as the ruler of Takama no Hara, the Heavenly Plain?  And isn't it her grandchild that then descends to the earth to pacify the Land of the Reed Plains—aka the Japanese archipelago? Well let's take a look at those same stories, which we've covered in earlier episodes of the podcast.  The first deities mentioned in the Chronicles are deities like Ama no Minaka Nushi, Lord of the August Middle of Heaven; Takami Musubi, High August Growth; and Kami Musubi, Divine August Growth.  There are other deities, like Kuni Toko Tachi, but they are barely mentioned again. Later we get Izanagi and Izanami, the masculine and feminine, who create the world and give birth to numerous deities from that point on.  Among the children of Izanagi are said to be Amaterasu, Tsukiyomi, and Susano'o.  Amaterasu, Heaven's Brightness, represents the sun while Tsukiyomi represents the dark of the moon.  Susano'o is then the god of the storms and seas, and was sent to the Nether Land, the Ne no Kuni. Right away we see that there are numerous different stories listed in the Nihon Shoki for just about everything.  Only the Kojiki gives everything as a single, coherent narrative, but surely the readers in the 8th century would have known some of these other stories, and thus the Nihon Shoki gives the alternates as well. Now the main narrative of the Kojiki and the Nihon Shoki tells us that Ama-terasu no Oho-kami was born to rule over everything.  In the Nihon Shoki, Izanagi and Izanami specifically mention that divine destiny in Amaterasu's creation—although actually, in that part of the text, the deity they are creating is named Oho-hiru-me no Muchi; the Great Sun Female Holder.  And in the next entry they call Amaterasu: Ama-terasu Oho-hiru-me.  Tsukiyomi, the deity of the moon, is made to be her consort, and they are supposedly sent to rule the plain of Heaven, Takama no Hara. The problem is that there are other entries that suggest that Takama no Hara already had a ruler:  Taka-mi-Musubi.  Reading the sections on Taka-mi-Musubi, we see a deity who is said to have produced 1500 children, himself—no mention of Izanagi and Izanami.  Some of his children are mentioned as Omohi-kane:  the Thought-Combining deity, and Sukuna-bikona: the Little-Prince-Named deity. Amatsu Hiko Hiko Ho Ninigi no Mikoto, the August Heavenly Prince, Prince Ho-ninigi, is not just a grandson of Amaterasu no Ohokami, but also a grandchild of Taka-mi Musubi.  In at least one story, Takami Musubi is the one who wants Ninigi no Mikoto to become the ruler of the Central Land of the Reed Plains.  Towards that end, he gathers the various kami and chooses someone to go down and prepare the way—Ama-ho-hi no Mikoto—who was to quote-unquote "expel and subdue" the evil gods of that land.  We covered this story in episode 21 and 22.  When that doesn't work, he gathers them again, sending others to try and do the same.  Eventually he sends Takemikazuchi and Futsunushi down.  All of this sounds like Taka-mi Musubi, whose name appears to refer to being the "high" deity, was the one in charge. In addition, we have the court ritual from sources like the Engi Shiki, which illustrates the deities that were invoked for the protection of the palace and the royal family.  These were:  Kami-musubi, Takami-musubi, Iku-musubi, Taru-musubi, Tamatsume-musubi, Oomiya-no-me, Oomiketsu-no-kami and Kotoshironushi.  One might notice a lot of the "musubi" names among the deities, and a distinct lack of appeal to Amaterasu.  If Amaterasu were the central deity and ancestral deity of the royal family, why is she not invoked in the rituals of the court itself? The thought, here, is that these rituals are likely much older than the worship of Amaterasu, and while Amaterasu would come to prominence in the stories that the court would tell, it was much more difficult for them to rearrange the traditional rituals to put her front and center.  Those rituals were maintained by ritualist families like the Nakatomi, and they weren't likely to change the rituals willy-nilly, even for a sovereign.  That was playing with supernatural fire, after all—if you changed the rituals, would they still even be effective?  Granted, rituals do change, so it isn't a perfect argument; perhaps it was just not considered to be important enough to make the change since it was not something that anyone except the court ritualists needed to worry themselves over.  Either way, it appears that we do have a list of deities that may have been the deities of the ruling elite prior to the rise of Amaterasu and Ise shrine more generally. We have a few other clues of what was going on in the narrative.  For instance, we see the story from the reign of Mimaki Iribiko, aka Sujin Tennou, also called the First Sovereign of Yamato, despite the legendary figures inserted prior to his reign.  It is in this chapter that we see a note that Ama-terasu no Oho-kami and Yamato no Oho-kuni-dama, which is to say the Spirit of the Country of Yamato, were both worshipped together in the hall—that is in the royal palace itself.  And yet apparently Mimaki Iribiko feared these deities residing with him in the palace, and he had their worship moved to locations outside of the palace.  Amaterasu's worship was given to Toyosuki-iri-bime, one of Mimaki Iribiko's daughters, and established in the district of Shiki, in Yamato.  Yamato no Ohokunidama, on the other hand, was given over to Nunaki-iri-bime no Mikoto, another daughter through a different wife. but we are told that she was lean, and her hair was falling out, and so she couldn't perform the rites.  Turning our attention back to Ama-terasu—in the reign of Ikume-Iribiko, aka Suinin Tennou, son and heir of Mimaki Iribiko, the worship of Ama-terasu would pass from Mimaki Iribiko's daughter, Nunaki Iri Bime to Ikume Iribiko's daughter, Yamato Hime.  She would move the worship site from Shiki to Uda, in the shadow of Mt. Miwa, and then proceed over to the upper banks, or Kawakami, of Isuzu, in the district of Watarai.  Here, in one of the alternate stories about this episode, we get the Great God of Yamato—Ohoyamato no Ohokami—speaking through a medium to warn the sovereign that he had better be careful.  Mimaki Iribiko had not been quite thorough enough in his worship, so he had not had a long life, and if Ikume Iribiko didn't do the same, he would suffer a similar fate. And so, in a record eerily similar to what we see in the previous reign, the worship of the "Great God of Yamato", the Oho-Yamato no Oho-kami, is given to Nunaki-waka-hime—as opposed to Nunaki-Iri-bime—who also fails in the task because of her emaciated body.  This also introduces Fukayu nushi, an ancestor of the Nakatomi, who was the one who divined what should be done. There is so much to unpack in these stories.  For one, the kami bring power, but also danger.  One can try to placate the kami, but it isn't like a ritual will always work, and the story is of the sovereign being actively afraid of what they might do, so they were removed from the palace.  Then there is the fact that we see two seemingly similar names—Ohoyamato no Ohokami and Yamato no Kunidama both seem like we are talking about the same spirit of Yamato, though some would point out that one is the spirit of the country and one is the great kami of the country, so, clearly different. Both are also being given to someone named "Nunaki—something-something—Hime", and in both cases Nunaki seems to fail in her task because she is apparently not hot enough for the kami.  She's described as too thin and emaciated or balding.  We aren't given the lineage of Nunaki Waka Hime, but Nunaki Iri Bime is connected with the land of Owari.  Nunaki Iri-bime is said to be the daughter of Mimaki Iribiko and Ohoama Hime, ancestor of the Owari no Muraji.  Owari was the land that supported Ohoama during the Jinshin no Ran. Finally, in both cases, we see the worship of the spirit of Yamato being given over to someone name "Nagochi", later identified as Nagochi no Sukune, ancestor of the Yamato no Atahe. One more note—closely on the heels of moving these two kami out of the palace, we see that the court brings in the worship of Oho-mono-nushi, the god of Mt. Miwa, under Ohotataneko, the ancestor of the Miwa clan. So the stories here account for Ama-terasu being moved to Watarai and why she isn't worshipped in the palace.  It also places Oho-mono-nushi at the center of worship in Yamato.  Oho-mono-nushi and Miwa continue to dominate the narrative from here on out, with a few notable exceptions, such as with Okinaga Tarashi Hime, aka Jingu Tennou and her mythical conquest of the Korean peninsula.  I'm sure that had no political implications at all given everything that had happened with Baekje, Silla, and the Tang dynasty in the latter half of the 7th century.  Other than scenes like that, however, the Miwa clan and worship of the Miwa deity appear frequently in the narrative.  It is clear that Mt. Miwa, and its deity, were important, and when Breen and Teeuwen hypothesize that when Naka no Ohoe, which is to say Tenji Tennou, took the drastic step of moving the capital up to Ohotsu, in the land of Afumi, he also brought the Miwa deity with him.  Those Afumi court rituals were conducted under the auspices of the Nakatomi, and particularly the auspices of Nakatomi no Kane, who would become one of the chief opponents of Ohoama during the Jinshin no Ran in 672.  After that conflict, Ohoama and his wife, Uno no Sarara, were building new traditions using Ise and constructing new legends.  Legends that would be under their control and influence and which would further bolster their rule from the city that they had designed to fit inside of this newly constructed cosmological framework. And yet this also brings up what seems like an obvious question.  If Ise Shrine and the worship of Amaterasu were so central to Ohoama and Uno's plans, then why would they put it so far away?  Proponents of the "early" theory of the development of Amaterasu and Ise Shrine suggest that the answer lies in the text of the Chronicles.  That there is some truth to the idea that there was worship in Yamato and that, for various reasons, it moved out to Watarai district early on and developed into Ise Shrine.  Those who hold to the "late" theory of development see all of those stories as later inserts meant to explain away why Ise Shrine was so far away—and perhaps why Amaterasu was not included in the cool-kami club of court ritual.   Teeuwen and Breen mention a few of the theories, from Naoki Koujiro stressing Ise as a strategic gateway between Yamato and Eastern Japan to Tanaka Takashi proposing that the movement of Amaterasu to Ise is actually a stand-in for one or more military campaigns to that area to bring it under Yamato control. And before we move too much further in the narrative, let's talk about how Ise is physically and geographically situated.  Ise is part of modern Mie prefecture, on the eastern edge of the Ki peninsula.  It is at the southern end of a series of adjoining alluvial plains that follow the coastline north to the modern prefectures of Aichi and Gifu—the ancient provinces of Owari and Mino.  The capital of Ise Province used to be in Suzuka, near the the two Tsubaki shrines which both lay claim to the title of Ise no Ichinomiya, the First shrine of the land of Ise, and the pass that served as one of three major routes from eastern Japan into the Home Provinces and beyond.  This puts Ise about as far away as you can get from the capital of the province without going over the mountains, themselves.  It also puts it a good deal south of most major travel routes.  If you are going to Ise shrine then it is pretty clear you were going to Ise shrine, as there isn't a lot of evidence for anything else in the area. The Shrine itself is actually made up of two primary shrine complexes.  There is the Naiku, the inner shrine, and the Geku, or outer shrine.  The Naiku, or inner shrine, is probably the area most people think about.  It is at the foot of the mountains where the Shimamichi River joins the Isuzu River and both flow out of the mountains.  The Naiku contains the shrine to Amaterasu no Ohokami, and is famous for its layout, where there are actually two shrine enclosures, one next to the other.  The main shrine is then rebuilt in the empty enclosure every 20 years, at which point the worship is moved to the new shrine, the old shrine is torn down, and the cycle is started once again. The Outer Shrine, or Geku, is further north, and probably not as well known to foreigners.  The Geku is said to enshrine the spirit of Toyouke-bime, a kami dedicated to food.  According to the traditions of the Geku itself, Toyouke-bime was enshrined in the Geku at the command of Wakatakiru no Ohokimi, aka Yuuryaku Tennou, based on a dream. Regarding the history of why the Shrines—both Inner and Outer—are located here, archaeological evidence doesn't give us a lot to suggest that these might be the case.  Despite the presence of the Miya River near Ise Shrine, we haven't found evidence of a large harbor or port, like we might expect if it was the jumping off point for crossing Ise Bay—or even the center of another large polity.  Instead, the areas to the north—around Fujikata and Matokata inlets, for instance—show much more evidence of occupation and, presumably, use.  Heck, the modern district of Fujikata is in the town of "Tsu", which literally means "port".  And the capital area of Suzuaka and the Ichinomiya of Tsubaki Grand Shrine is even farther north, still.  So who, if anybody, was living down in the area of Ise Shrine?  If we look at the progression of tomb mounds in the area in previous centuries, we see that they start in the Matokata region in the 5th century and work their way down towards the south, with late 5th century tombs found in the district of Taki, the district bordering on Watarai and modern Ise City to the northwest.  It is also where you can find the Saikuu, the site of the old purification palace for the Shrine Princesses.  Grave goods seem to show close ties with Yamato, in the Nara basin.  While the tombs expanded to the south through the 5th century, they appear to have stopped altogether in the 6th century—or at least we haven't found any.  This may indicate that the political situation had changed and there was no group in the area that could organize the labor for such an undertaking.  Whether that was because Yamato was taking it as corvee labor or just that population had dwindled due to war, famine, or something else, I don't know that we could say. Around the year 600, at the opening of the 7th century, we do see a large grave mound erected in the core area of what would later become Ise Shrine, on the east side of the Miya River, overlooking what would become the Geku, the Outer Shrine of the Ise complex.  For those who aren't aware, Ise Grand Shrine is a large complex of shrines, and it is divided into two main areas.  The "inner shrine", or Naiku, is where most people go, and it is the site of the famous shrine building that is supposed to be rebuilt every 20 years.  The Geku is the "outer shrine" complex, technically dedicated to Toyouke hime, a kami of agriculture.  The kofun overlooking the outer shrine is known as the Takakurayama kofun.  This is a round kofun, about 35 to 40 meters in diameter, with a horizontal stone chamber.  It is the largest in the Ise region.  It has been mentioned in records going back to at least the Kamakura era, and even though most of the grave goods are gone, there is evidence that it was richly appointed.  Given its shape and location, there were even those in later centuries who connected it with the Heavenly Rock Cave in which Amaterasu hid according to the ancient stories. The fact that there was nothing around this area and suddenly we see a giant tomb mound is pretty puzzling.  Why was it built here?  Is it connected to the founding of the Outer Shrine in some way, or is that just coincidental?  Teeuwen and Breen point out that it is pretty rare for a large tomb mound to be build in the precincts of an active shrine, which suggests that whatever was happening there, that area was not part of the shrine grounds.  That said, I have to wonder if the ritual worship at the kofun might not have later been transformed or coopted into something else.  There also is no other indication that the Outer Shrine area was used for ritual purposes any earlier than the kofun would have been built.  In contrast, around the Inner Shrine area, several kilometers away, there are caches of beads dated to the 5th, 6th, and 7th centuries in a small valley where a brook runs down from Mt. Asama, not too far from the current shrine complex.  Teeuwen and Breen suggest that this may relate to the "upper reaches of the Isuzu River", mentioned in the Chronicles, and that it may have had to do with rituals related to water supply—hence being found at the point where the water was coming down from the mountains.  And yet, despite these finds, there really aren't any large scale archaeological remains that have been discovered east of the Miya river, though there are modest signs of dwelling and habitation, and some minor burials mounds. Compare this to Tsubaki shrine, the home of Saruta Hiko no Kami, and the main shrine of Ise, situated in the ancient capital of Ise no Kuni.  Downstream from there are numerous tomb mounds and indications of habitation.  So this was probably the center for early sun worship in the region. Teeuwen and Breen conclude that all of this indicates that the region of Taki and areas east of the Miya river were probably more of an outpost—no major powerful chieftains or large polity had set up in the region.  In the late 6th century, some power had to move in to build Takakurayama kofun, but that was an outlier.  Maybe this area just largely fell under Yamato hegemony.  And perhaps that was the key.  Perhaps initially this wasn't a place to center power and authority, but rather it was more like a prison.  It was a place far away from the court, where a deity that was more of a threat could be kept away from the palace and the sovereign.  Perhaps Amaterasu, or whoever the kami was at the time, was placed out here because of the threat they posed, much as the Chronicle seems to suggest—just not necessarily at the time that is suggested. One of the aspects of the mythmaking that we see in the Chronicles appears to be the stress on the Amatsu kami and Kunitsu Kami—the Heavenly deities and the Earthly deities.  The Heavenly deities are those in Takama no Hara, and they are the progenitors of the royal line.  On the other hand are the earthly kami, the Kunitsu Kami, those dwelling on the earthly plane.  In the stories that were recorded in the Nihon Shoki, before the August Grandchild of Takami Musubi and Ama Terasu descended to take control of the Central Land of the Reed Plain, they sent down heavenly kami as warriors to subdue the earthly kami.  On the one hand, this may have been driven by some kind of deep memory of early conquests of the archipelago by various forces.  However, these legends also served another purpose, in that they set up the royal family's right to rule, and appear to establish a de facto hierarchy between those families descended from the Heavenly Kami and those descended from the earthly Kami. Another thing that Teeuwen and Breen point out and that is that Amaterasu is not necessarily a female deity, to start with.  In fact, Amaterasu was probably easily overlain atop the worship of Oho-mono-nushi of Mt. Miwa, at least early on.  To that point, they note stories where Oho-mono-nushi and other deities were commonly depicted as arrows, snakes, or similarly phallic imagery finding or even penetrating women who were thought to have a connection with them.   This suggests a context of these priestesses being married to the kami, and even fits in with early descriptions of individuals like the famous Queen Himiko being a spiritual leader as well as a political one.  If the original Amaterasu was conceived of as a male deity, then this could also explain the tradition of the Saigu, the consecrated shrine princess.  We only see a few royal princesses designated to the position up to this point in the narrative, and, beyond Tokosuki Iri bime and Yamato hime, we don't necessarily learn much more.  One wonders if there weren't other royal princesses likewise sent elsewhere to serve other deities.  We know about Nunaki Iri Hime, and presumably Nunaki Waka Hime.  There was also Yamato Totohi Momoso Hime, who was married to Oho-mono-nushi.  Presumably there were others who just never ended up in the stories that were passed down. The idea of a kami taking a "wife" and connecting that to the idea of women holding these priestly positions seems to fall in line with much of what we see, though, as I said, we only hear occasionally about the appointment of royal princesses to the position until the reign of Ohoama.  That's when we see specifics about appointments, the purification palace in Hase, and other arrangements.  It makes you wonder more than a little bit if Royal Princess Ohoku was, perhaps, the first royal princess to actually be appointed.  It would have been easy enough to add in previous "shrine princesses" into the lineage, especially far enough back that nobody could really fact check it.  We also see Royal Princess Taki journey to Ise with her companions, Princess Yamashiro no Hime and Lady Ishikawa. It is intriguing that this practice was temporarily interrupted during the reign of Uno no Sarara, as I mentioned last episode.  Could this have something to do with a female ruler on the throne and a corresponding lack of urgency about having a female representative at Ise? And in stories about Amaterasu, she is frequently shown with certain masculine qualities.  When she confronts her younger brother, Susano'wo, she is concerned that he might try to take her authority from her, so she meets him decked out in armor, her hair tied up in a typical male fashion, with a bow, ready for a fight.  It would be just as easy to imagine that Amaterasu and Susano'wo were brothers, contending over rulership.  Add to all of that the idea that kami were often personifications of various natural phenomena or ideas, and Japanese is not a naturally gendered language, and there are those that believe that the stories of Amaterasu were not necessarily about a female deity in the beginning, but a male deity, similar to Ohomono Nushi and others, who then took on a feminine persona.  On the other hand there are passages in the old stories recounted in the Chronicles that clearly make Amaterasu out to be a woman. To start with the activities she is associated with, such as weaving, are often associated with women as something they do in the home.  This is a tradition carried over from the continent, along with silk and the techniques to weave it.  In the lands where silk production started, there are silkworm goddesses and the gendered nature of silk production and weaving appears to have come over to Japan as well.  There is also the fact that Amaterasu is said to have another name:  Oho-hiru-me no muchi.  In this case, it would seem to mean something like Great Noontime Female Possessor.  And in the weaving hall it is sometimes Amaterasu that is weaving and sometimes Waka Hirume.  "Hirume" certainly feels like a feminine name. There is the distinct possibility that the stories of Amaterasu as recorded were actually about two or more different kami, so Amaterasu and Ohohirume could have been separate deities having to do with the sun that were rolled into a single kami.  As mentioned before, it is also possible that Amaterasu ended up with some stolen valor taken from the other Ise deity worshiped at Tsubaki, Saruta-hiko no Kami.   Teeuwen and Breen also note that the name "Amaterasu" is hardly unique, noting at least ten other shrines with a kami called "Amateru" or "Amaterasu", mostly in Yamato, but some as far away as Kyushu and Tsushima.  Nine of those shrines were dedicated to Ame no Hoakari, an ancestor deity of the Owari lineage who was also closely tied to metalworking.  It is worth remembering that it was Owari who helped support Ohoama during the Jinshin no Ran, and who may have even fostered Ohoama for a while when he was just a young prince.  All that to say there may have been several different traditions that were all contributing different elements to the story. And then there is the connection between Amaterasu and Uno no Sarara. Herman Ooms, in his book: "Imperial Politics and Sybmolics in Ancient Japan", notes the similarities between Amaterasu and Uno no Sarara, talking about the differences between the Kojiki and the Nihon Shoki, both of which had events that mirrored Uno no Sarara's own life.  According to Ooms, "The Kojiki's Amaterasu is a transparent double of the female tennou Jitou".  He points out that Uno no Sarara, besides her posthumous title of Jitou Tennou, also had a title making reference to Takamanohara:  Takama no Hara Hirono no Hime—the Princess High-Heaven-Plain.  But beyond that, we also see other linkages between the stories.  For instance, it isn't Amaterasu's son, Ame no Oshihomimi who is given the realm, but rather her grandchild, Ninigi.  This parallels the way that Uno no Sarara's son, Kusakabe, didn't ascend to the throne, but instead Uno no Sarara was holding the seat for his son, her grandson.  So one sees how Uno no Sarara could be seen as Amaterasu, and her grandson, Prince Karu, could be seen as Ninigi, the August grandchild.  Teeuwen and Breen also note that during this same time, we see the rise of a new institution: the Jingikan.  Again, we touched on this last episode, so just a quick recap:  The Jingikan was a government organization set up specifically to oversee the shrines, rituals, ceremonies, and other such things pertaining to the kami matters.  It does not appear in the initial stand-up of the new, bureaucratic government, wherein is created the bureaus, ministries, or departments, depending on your chosen vernacular, which make up the Dajokan, the Great Council of State.  Instead, the Jingikan is a separate organization, specifically organized around kami matters. The term "Jingi" is also a shorthand for "Ama-tsu-kami, Kuni-tsu-kami", or the kami of Heaven and the Kami of the earth.  "Ama-tsu-kami", meaning Kami of Heaven, was written with two characters meaning "Heaven" and "Kami", pronounced "Tenjin".  "Kuni-tsu-kami", or the Kami of the Earth, was written as "Earth" and "Earth Spirit", which was then pronounced "Chigi".  By taking the last character of each compound Tenjin-Chigi becomes just Jingi, for short.  Throughout the Chronicles, this term, "Jingi" is thrown around when they want to quickly note all the kami, together, though sometimes it is fully written out as "Tenjin Chigi", as well.  Interestingly, "Tenjin" or "Ama tsu Kami", sometimes appears alone, especially in the chapters on the Age of the Gods.  However, "Chigi" seems to only be used in the whole phrase.  There are a few instances, however, of "Chijin" being used, but they are few. That said, the term "Jingikan", also read as "Kami Tsukasa" or even "Kan Zukasa",  doesn't appear until 690, in the reign of Uno no Sarara.  This probably means that it was part of the reforms encompassed by the Kiyomihara codes.  The head of the Jingikan is known as the Jingihaku or "Kan-zukasa no Kami".  This term actually shows up well in advance of the Jingikan itself, initially referring to an unnamed official or officials in charge of kami worship at the court.  Nakatomi no Kamatari is said to have been offered the position in the first reign of Takara, aka Kougyoku Tennou, though the first confirmed individual appears to be Nakatomi no Ohoshima, during the reign of Uno no Sarara. This appears to be a distinctly Yamato invention in the bureaucratic system.  It leverages the language and structure of the Tang dynasty, but in its own way.  There was a Tang department of shrines, but it was described differently, as befits a different spiritual environment focused on ancestor worship and Confucian and Taoist ideas.  The Jingikan system  seems to have been a deliberate re-organization of the indigenous kami worship, incorporating what was probably traditional roles into the new bureaucratic system.  In so doing, however, it also gave the court greater control, and given that this was happening at the same time as the establishment of various stories and myths around Ise and the foundation more generally, it appears to be part of a concerted and deliberate effort to construct a new narrative. All of this points to them architecting much of what was going on, from the stories to the landscape.  Ohoama likely built the inner shrine as we know it.  If it really was an obscure, out-of-the-way shrine, perhaps that also meant that there weren't any other powerful court factions that were enhanced by it.  And then, over time, the Ise shrine and the deity there could be better incorporated into the overall myths and stories that surrounded the formation of Yamato.  A new Yamato, one that would soon enough be referring to itself as the origin of the Sun:  Nippon, a name often attributed to Ohoama and Uno no Sarara, though not found in the record of their reigns in the Chronicles. Another aspect to all of this, however, is what happened immediately after Uno no Sarara's reign, and into the 8th and early 9th centuries.  In the 8th century—the Nara period—Buddhism started to merge with a lot of the local practices.  This was not uncommon.  Buddhism had been born in a land with myriad deities and styles of worship, and it had the means to incorporate local deities into its cosmological worldview.  Kami were just other beings, stuck in the cycle of rebirth, who, as sentient beings, could equally benefit from the Buddha's teachings.  They became guardians of Buddhist institutions, and the lines between shrines and temples were often blurred.  At the same time, kami worship was also taking on various concepts from continental worship, such that even today we find a lot of what we might consider Taoist practices influencing Shinto worship. Had this continued, worship of the kami may have been completely subsumed into the Buddhist ritual practices, but there were areas where kami worship remained distinct.  One of these was at Ise. Early on, there was an attempt to build a temple at Ise, but it didn't last long.  The temple was eventually moved out of the shrine complex, and then eventually it was removed altogether.  Later writings from the Shrine would include certain Buddhist terms among the things that were taboo within the shrine grounds, considering Buddhism as something of a corrupting or polluting influence.  Shrine Princeses, during their tenure, had to devote themselves to the kami, and though they might retire as nuns, later in life, during their appointment they were to be free of any Buddhist influences.  In many ways this would make Ise a prime example of what would eventually be termed "Shinto", which gave it, and the worship of Amaterasu, a certain pride of place.  Of course, it didn't hurt that it was also intertwined with the State and the founding myths of the nation.  As such, Ise Shrine and its worship would become a template for many others to follow, helping to shape what we know as "Shinto" today. There are still a lot of questions.  We don't exactly know what Uno no Sarara did on her trip to Ise Shrine, and we don't know how things surrounding the worship at Ise and of Amaterasu herself changed in the intervening years between when these events happened and when, about two to three decades later, the Chronicles were finalized and published.  Certainly some of this seems tied to the Fujiwara capital, which was no longer populated at that point, the move to Heijo-kyo, in Nara, occurring between 708 and 710, two years before the Kojiki and a decade before the Nihon Shoki would come out.  And yet, the three sacred mountains that were incorporated into the plan of the Fujiwara Capital, Mt. Kagu, Mt. Miminashi, and Mt. Unebi, seem to continue to be important.  This is especially true of  Mt. Kagu, whose heavenly counterpart, Ame no Kaguyama—literally Heavenly Mt. Kagu— continues to play a major role in the stories surrounding Amaterasu and the Heavenly Rock Cave.  In addition,Mt. Unebi is closely tied to the story of Iware-biko, aka Jimmu, conquering and settling the land—perhaps to draw attention away from the stories about Mimaki and Ikume iribiko, aka Sujin and Suinin, who were both associated more with Mt. Mimoro, aka Mt. Miwa.  So even though the physical presence was moved, by that point we know that foundation of many of these stories were likely laid down around the time that the Fujiwara capital was in operation.  What does seem clear is that, just as there were clear efforts to set up the new State government, including the new capital, the court were also taking control of other levers of power and influence.  We previously talked about how they had created National Temples and included government positions to oversee Buddhist affairs more generally.  With Ise and the creation of the Jingikan, it appears as though that trend continued with the traditional kami worship. Many of the elite families still had connections to their own shrines, with their own kami.  Through the stories collected and written down—with a few editorial additions to help place them in an approved context—they were able to construct a narrative from separate or divergent traditions.  These traditions had already accreted to themselves various stories and culture-ways, some of them with clear links to the continent and others with overlapping portfolios.  The kami, and the ability to intercede with them for their blessings or to avert their wrath, were a form of power that was being structured for the purpose of supporting the new State.  A state now under the control of one Uno no Sarara. And we don't exactly have to wonder about this… the preface of the Kojiki all but says it.  They put the words in the mouth of Ohoama, or, as they call him, the Sovereign of the Kiyomihara Palace.  But the words are pretty clear: "I hear that the Imperial Records and Ancient Writing handed down by the various houses have come to differ from the truth and that many false hoods have been added to them. If these errors are not remedied at this time, their meaning will be lost before many years have passed. This is the framework of the state, the great foundation of the imperial influence. Therefore, recording the Imperial Records and examining the Old Writings, discarding the mistaken and establishing the true, I desire to hand them on to later generations." With that, 28 year old Hieda no Are was given the command to learn all the stories and presumably to recite them for the court.  And several decades later, Oho no Yasumaro was given the task to take Are's stories and write them down.  I imagine that Hieda no Are, or perhaps someone else who had learned the stories well enough, would be called into court or banquets to present some of the stories, or would be asked questions if there was any need for precedence.  Thus creating a single source for truth, according to the administration.  At the same time, the court had a problem.  They couldn't control all of the sources of written material, with all of the various contradictions, so we also would eventually get the more comprehensive—but also less narratively direct—Nihon Shoki as well.  After all, the game of propaganda was being played at many levels, and while the royal household had their motivations—primarily to support the legitimacy of their claim to power and the system within which that claim was validated— other families wanted to ensure that they were properly recorded as having connections to traditional nexuses of power—be that the ancient kami of Heaven or Earth, or their relationship to the royal family.  This is because precedence was important, even as new traditions were being created.  Like the way that the Mononobe and the Nakatomi played important roles in Uno no Sarara's ascension ceremony despite the actual individuals using new or different names, like Isonokami or Fujiwara.  See Episode 151 for the explanation, there.  And new traditions were much easier to justify if you could connect them with older traditions—whether those older traditions were truly ancient or newly made inventions. And all of this suggests that this was not an accident and it wasn't simply being imposed from the top down.  One could be charitable and suggest that those involved felt that this got them closest to what the truth actually was, given that they had now been inculcated in a new worldview and they were trying to view the ancient stories through the interpretive lens of that worldview.  On the other hand, they were ultimately doing it to structure power and authority that favored them and the government they had created.  A government that they hoped would outlast them, and be passed on to their descendants. Next episode, we will continue our discussion of Uno no Sarara's life and reign and the incredible steps she took to ensure that her line would continue to rule Yamato for decades. Until then if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website,  SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

Myles Garrett had a good night at the ESPY's, NEXT Round estimates what the NIL value would be for CFB legends (where is JFF), and which one QB would you take for CFB Natty.

✏️Gaṅgâdhara's astrologer dad has some bad news for his boy: he's going to die.Well, first he'll spend a decade in prison, and then die. Then things will get better? It's the story of the Soothsayer's Son.

This Week Grace and Mamrie discuss going on tour, gym anniversaries, heartburn, the infamous poop lettuce, soundbaths, their tablesetting load in, love island, threesomes and farting in public. Save 25% on your first month at Ritual.com/GETWEIRD. Make your summer wardrobe feel easier. Go to Quince.com/tmgw for free shipping on your order and 365-day returns. Now available in Canada, too. Let Rocket Money help you reach your financial goals faster. Join at RocketMoney.com/TMGW. Taking care of your health just got easier – start here with Zocdoc: https://zocdoc.com/WEIRD #sponsored Learn more about your ad choices. Visit megaphone.fm/adchoices

We are joined by storyteller, author, and researcher, Chinenye Egbuna Ikwuemesi to talk about African intellectual history, colonial historiography, and the Yoruba creation story. Learn how Obatala broke the world, and then brought it back together again and became the patron of disability. Content Warning: This episode contains conversations about or mentions of racism, enslavement, surgery, death in childbirth, colonialism, and ableism. GuestChinenye Egbuna Ikwuemesi is a Nigerian-British author, researcher, and strategy advisor with twenty years of enterprise technology transformation experience across financial services and insurance. She is the founder of the Afrodeities Institute CIC and Afrodeities Press.Housekeeping- Books: Check out our previous book recommendations, guests' books, and more at spiritspodcast.com/books- Call to Action: Send in those urban legend emails!- Submit Your Urban Legends Audio: Call us! 617-420-2344Find Us Online- Website & Transcripts: spiritspodcast.com- Patreon: patreon.com/spiritspodcast- Merch: spiritspodcast.com/merch- Instagram: instagram.com/spiritspodcast- Bluesky: bsky.app/profile/spiritspodcast.com- Twitter: twitter.com/spiritspodcast- Tumblr: spiritspodcast.tumblr.comCast & Crew- Co-Hosts: Julia Schifini and Amanda McLoughlin- Editor: Bren Frederick- Music: Brandon Grugle, based on "Danger Storm" by Kevin MacLeod- Artwork: Allyson Wakeman- Multitude: multitude.productionsAbout UsSpirits is a boozy podcast about mythology, legends, and folklore. Every episode, co-hosts Julia and Amanda mix a drink and discuss a new story or character from a wide range of places, eras, and cultures. Learn brand-new stories and enjoy retellings of your favorite myths, served over ice every week, on Spirits.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

André Tchelistcheff is a wine legend, especially in American wine. A winemaker, viticulturist and teacher, Tchelistcheff raised the standards for California wine, making it possible for it to become a force in the modern wine world. André Tchelistcheff. Photo: UC Davis Library A lifetime learner, Tchelistcheff said his highest and best title would be "permanent student of the university of California" because he never thought he knew everything about wine and always wanted to discover new ways of doing things. Tchelistcheff's philosophy on wine aligns with that of most of the listeners in this community... "Wine is an intellectual beverage. It does not have the toxicity of liquor. Taken in moderation, it opens the mind. I have seen an introvert, after two glasses of wine, open like a flower." Source: https://byrdvineyard.com/andre-the-voice-of-wine/   In the show, I go over André Tchelistcheff's life and all the contributions he made to first Napa, then wider California, and then to Washington State wine and beyond. A gentle, funny, kind, and giving mentor and teacher, the Maestro is definitely someone you should know about in the wine world.   Enjoy the wonderful story of this great man's life!   Full show notes and all back episodes are on Patreon. Join the community today! www.patreon.com/winefornormalpeople _______________________________________________________________ CHECK OUT MY NEW SPONSOR!!!  This show is brought to you by my NEW exclusive sponsor, Grapes the Wine Company – an actual brick and mortar store located in White Plains, New York that has been recognized by the Wall Street Journal as one of the most influential wine retailers in America. It is a store owned by my friend Daniel Posner, who has been on the show! When I was looking for a new sponsor, I wanted a small retailer who had the flexibility, contacts,  and know-how to get us the wines that we really want. I'm so thrilled that Daniel is now a part of our Wine For Normal People community and I hope you will support him by going to https://www.grapesthewineco.com/       

Don't just lurk, join our Discord and Patreon Treat yourself or a loved one! TokyoTreat & Sakuraco make the perfect gift for any occasion. Use code "JORYJO" for $5 off your first #TokyoTreat box through my link: https://team.tokyotreat.com/watchingonepiece and #Sakuraco box: https://team.sakura.co/watchingonepiece Join our Discord: http://discord.gg/WSv2KW34rk This episode came out early for our Patrons! Thank you for supporting on Patreon! We Are! on Bluesky https://bsky.app/profile/wearewatchingop.bsky.social

The Boys try to beat the heat with a special mid-season visit from Krampus.   Starring Cale Evans, and Jacob Brayton. Music by Josh Brayton. The Podcast From Hell is a fully improvised comedy podcast featuring creatures from the worlds of Mythology, Lore, Legends, and the minds of North Carolina's okayest improvisors.

This week, a man who was literally adopted into a pro-wrestling legacy, and would go on to create a lasting impact that still gets celebrated today. Though a despicable character, "The Million Dollar Man," Ted DiBiase lived a complicated life and worked to find his own identity in the wrestling world. Through the invention of a multi-millionaire character, DiBiase's life and career would change drastically and create memories for fans around the world. While never officially a WWF Champion, Ted DiBiase was a top performer who elevated some of the biggest stars in history, as well as himself. This week, Stefan Bennett, joined by Mike McGuire, go through some of the life and times of Ted DiBiase, and share some personal stories of encounters and affiliates of the man who insists that "EVERYBODY'S GOT A PRICE!"

In this episode we discuss various Legends, NXT Superstars, and other SummerSlam news tidbits, other stars returning to wrestling from injury or absence, a WWE Superstar confirms their divorce, we react to WWE Netflix Raw, and the rest of the day's news and rumors! Please support our sponsors: 3WA Wrestling www.worldwidewrestlingalliance... Beezle Games - Sketchy People www.thegamecrafter.com Fro Life Educational Planning www.frolifeplanning.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/fro-wrestling-podcast--2103073/support.

Welcome to The Starting Zone Podcast, The World of Warcraft Podcast for New and Experienced Players! This week Spencer Downey and Jason Lucas discuss the 12.1 Quality of life blog, The upcoming Classic UI updates, Linking WoW with Discord? Current Hotfixes and everything going on around Azeroth! Episode #744: Quality of life incoming! What's New this Week in World of Warcraft! Weekly Event - Delves Bonus Event Weekly Event - Pet Battle Bonus Event TURBULENT TIMEWAYS WEEK 3 - Shadowlands Timewalking PvP Brawl - Deep Six Mythic+ Affixes: Pulsar Don't miss it Weekly Checklist World Boss - Nexus-Captain Leth'ir (Naigtal) Special Assignment World Quests Weekly from SIlvermoon, outside the Bank Dungeon weekly from Halduron World Events Saltheril's Soiree in Eversong Woods Abundance in all zones, with a rotating Abundant Harvest zone Legends of the Haranir in Harandor Stormarion Assault in Voidstorm Important Posts July's Trading Post Ignites a True-Blue Celebration Item Levels Increasing in Midnight Season 2 User Interface Updates in Classic Quality-of-Life Improvements Coming in Curse of Ula'tek Link Your Battle.net Account to Discord in the Curse of Ula'tek Content Update Midnight: Curse of Ula'tek PTR Development Notes Hotfixes and much more! You can find us on Discord at The Starting Zone or email us at TheStartingZone@Gmail.com Have you heard about our Patreon? It's a great way to support the show and goes towards making more content for you! Check it out here: https://www.patreon.com/thestartingzone Looking for to grab some great TSZ merch? Look no further than here! We've got the shirts, hoodies, mugs, pillows even stickers you want!

The Legends of the Wild Turkey and the Imperial Eagle Guest: Stephen Moss Book Title: Ten Birds That Changed the World Stephen Moss discusses the wild turkey, a bird rediscovered by Europeans in the Americas that was vital to the survival of the pilgrims. Moss argues that the turkey's plumpness and taste led to its domestication from a single line in southern Mexico, where it was originally worshipped by Central American civilizations. Interestingly, its name stems from 16th-century confusion where exotic items were often attributed to Turkish merchants. Beyond the turkey, the conversation explores the symbolic power of the eagle. While the turkey is a "smart" bird favored by Benjamin Franklin, the eagle became a definitive symbol of predatory power for the Romans and later the Nazis, who famously altered its depiction to look toward Russia. Despite the eagle's associations with conquest, it remains a pervasive symbol of American authority on the Great Seal and currency. (1)1838 CORMORANTS

This week, we peer into the grand, interlocking mosaic of our craft to ask two defining questions: what is the true active duty of a mason in a world pulled apart by extremes? And are we merely playing dress up in our modern lodges, or are we actively repeating the sacred initiations of the ancient Egyptians, the Mithraic priests, and the Eleusinian mystics? All this and more. Stay tuned! Links: The New SUBSTACK!http://www.wcypodcast.substack.com The Secretary Box Teaser:wcypodcast.com/secretary-box Skull and Crown Ltd.: www.skullandcrownltd.com Craftsman+ FB Group: https://www.facebook.com/groups/craftsmanplus/ WCY Podcast YouTube Channel:https://www.youtube.com/c/WhenceCameYou Our Patreon:www.patreon.com/wcypodcast Support the show!: https://wcypodcast.com/support-the-show Get some swag!https://wcypodcast.com/the-shop Get the book!http://a.co/5rtYr2r

Hosts Nate Wilcox and Justin Bankston take it back to Tejas for the final installment of the first series of "We Dig Rock Docs" with a discussion of Les Blanks' classic 1976 film Chula Fronteras. This episode originally dropped in 2022. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

The smell of high-octane fuel, the echoes of flat-sixes down the Mulsanne Straight, and the absolute pinnacle of historic motorsport. Welcome to our Le Mans Classic 2026 Special!In this very special episode of 9WERKS Radio, we pack our bags and head across the Channel to the legendary Circuit de la Sarthe. We had the immense privilege of embedded access with the team at Paragon Porsche to follow a truly thrilling campaign: Mark Sumpter piloting his iconic, fire-breathing Porsche 993 GT2 Evo to a spectacular class victory. We take you behind the pit wall to experience the tension, the strategy, and the raw emotion of winning at Le Mans.But the track action didn't stop there. The 2026 event delivered an absolute sensory overload of motorsport royalty. We get up close and personal with the ultimate legends of endurance racing, tracking the sights and sounds of the homologation-special Porsche and McLaren GT1s, screaming 993 and 964 RSRs, and the legendary water-cooled 996 GT3 RS and Cup cars. Plus, we look back at the thunderous Group C era, the iconic 917s, and the modern-classic monsters of LMP1.Whether you were there trackside or want to live the weekend vicariously through us, grab your headphones, turn up the volume, and join us for the ultimate celebration of Porsche motorsport heritage.Available now on Spotify, Apple Podcasts, and YouTube.LINKS & RESOURCESSupport Our Partners & Sponsors:Shorade UK (Official Partner): As 9WERKS' premier body repair partner and an official Porsche Recommended Repairer, Shorade sets the absolute industry standard for factory-perfect structural repair, paintwork, and detailing. Entrust your pride and joy to the true experts: Visit Shorade UKHeritage Parts Centre: In a market that deeply rewards condition and authenticity, keeping your Porsche mechanically flawless is paramount. From service essentials to deep restoration components, Heritage is the enthusiast's choice. Get 10% off your next order with code '9WERKS10' at checkout! Visit Heritage Parts CentreShop & Join the 9WERKS Community:9WERKS Shop: Upgrade your wardrobe and garage space with our curated collection of premium apparel, accessories, and enthusiast goods: Browse the 9WERKS ShopThe 9WERKS Collective: Access our dedicated discussion forum, exclusive member events, and community benefits: Join Here9WERKS Marketplace: Find verified community and specialist listings to buy or sell your next Porsche: Explore the MarketplaceOfficial Website: 9werks.co.ukFollow Us on Instagram: @9.werks / @9werks_lee / @993AndySupport the show

Episode 252 of the GAHHDcast welcomes one of underground hip hop's most respected groups as Natural Elements joins Burnz, VSOP, and MaxLo for an in-depth conversation about their incredible journey.In Part 1 of this exclusive interview, the group takes us back to the very beginning, discussing how Natural Elements came together, the chemistry between its members, and the New York hip hop scene that shaped their sound. From their earliest influences to building a reputation as one of the most lyrical crews of their era, this episode explores the foundation that would eventually make them underground legends.The conversation follows the group's story through approximately 1998, touching on their earliest recordings, memorable performances, the relationships they built throughout the culture, and the challenges they faced while navigating one of hip hop's most competitive eras. Along the way, they share behind-the-scenes stories and historical insight that fans have rarely had the opportunity to hear firsthand.With so much history still left to cover, this is only the beginning. Part 2 continues the story as Natural Elements discusses the next chapter of their career and everything that followed.Natural Elements interview, Natural Elements podcast, GAHHDcast Natural Elements, underground hip hop interview, New York hip hop history, 90s hip hop documentary, East Coast rap interview, lyrical hip hop podcast, Natural Elements history, underground rap legends#GAHHDcast#Episode252#NaturalElements#HipHopHistory#UndergroundHipHop#BoomBap#NewYorkHipHop#HipHopPodcast#EastCoastHipHop#LyricalHipHopNatural Elements interview, Natural Elements podcast, GAHHDcast Natural Elements, underground hip hop interview, New York hip hop history, 90s hip hop documentary, East Coast rap interview, lyrical hip hop podcast, Natural Elements history, underground rap legends

Chad Leistikow and Scott Dochterman take Legends & Listeners on the road to The Other Place in Cedar Falls for a live show featuring Detroit Lions All-Pro linebacker Jack Campbell and former Hawkeye and NFL offensive lineman Ike Boettger. The guys also discuss Jamie Pollard's retirement, the future of Iowa's NIL efforts after Swarm winds down, and what it all means for Hawkeye athletics.

The Best of Tim Conway Jr. Hour 1 (7.10) Buckle up for a can't-miss "best of" lineup packed with the segments you love most. First, radio heavyweights Bill Handel and Paul Corvino stop by to spill the latest on their shows and unpack some unforgettable memories from behind the mic. Then things get out of this world as Dr. Edwin Krupp, Director of the Griffith Observatory, joins Tim to dive deep into the vast, mind-bending, never-ending mystery of space. And of course, Tim being Tim, he fires off rapid-fire questions like a curious 7th grader who just discovered the universe. The conversation levels up as we make the case for being the smartest beings in the entire Milky Way galaxy and break down the wild way light actually reaches Earth. Finally, Dr. Krupp tackles the question everyone keeps asking: why is going back to the moon suddenly so hard? It's the perfect mix of laughs, legends, and next-level science.Hit play, then play it again.#TimConwayJr #BestOf #BillHandel #PaulCorvino #DrKrupp #GriffithObservatory #SpaceTalk #MilkyWay #MoonMission #RadioLegends #PodcastClips #ViralPodcast #MustListen #SpaceScience #TrendingNow #AstronomySee omnystudio.com/listener for privacy information.

This episode is a gem from the On The Ledge archive, first published during the Covid era as you'll see from the introduction. Want to give your houseplants a staycation outside? Here are my top tips on what you can put outside, what to watch for and what to do if you don't have any outside space. Plus I answer a question about moss poles and we hear from listener Sophie from Wales. For full show notes, visit https://www.janeperrone.com/on-the-ledge/moving-houseplants-outside-summer Support On The Ledge on Patreon: https://www.patreon.com/ontheledge  Check out The Atlas of Deadly Plants, Legends of the Leaf, my book on houseplants and my houseplant cards Houseplant Gardener in a Box here. Follow Jane Perrone on Instagram: https://www.instagram.com/j.l.perrone Follow Jane Perrone on TikTok: https://www.tiktok.com/@j.l.perrone 

After four years of fighting, the war in the northern colonies settles into a stalemate. It rages in the southern colonies, but the American southern army suffers the worst calamities of the war. An army of frontiersmen known as the Overmountain Men deliver a spark of hope for the American cause at the Battle of Kings Mountain. Then, an American column led by Brigadier General Daniel Morgan stuns a British column at the Battle of Cowpens. The Americans finally gain the momentum, and they ride it to an historic conclusion. Join Black Barrel+ for ad-free episodes and bingeable seasons: blackbarrel.supportingcast.fm/join Apple users join Black Barrel+ for ad-free episodes, bingeable seasons and bonus episodes. Click the Black Barrel+ banner on Apple to get started with a 3-day free trial. On YouTube, subscribe to LEGENDS+ for ad-free episodes and bingeable seasons: hit “Join” on the Legends YouTube homepage. Learn more about your ad choices. Visit megaphone.fm/adchoices

Vacation recaps (00:00-26:31). Our trip to London + Harry Styles concert review (27:41-50:17). Taylor Swift & Travis Kelce get married at Madison Square Garden (51:38-1:23:25). Summer House casting updates (1:23:26-1:26:00). Ariana Grande and ex Ricky Alvarez hanging out (1:26:01-1:28:50). Weekly Watch Report: Regretting You (1:29:49-1:32:16). RHORI + Next Gen NYC (1:32:17-1:34:26). Love Island USA (1:34:27-1:47:26). Love Island UK (1:47:27-1:48:42). Noah's WWR: Noah Kahan: Out of Body, Legends, Life, Larry and the Pursuit of Unhappiness, The Bear, Mad Men, House of the Dragon, Power Ballad (1:50:03-2:01:17). CITO LINKS > barstool.link/chicks-in-the-office.You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/chicks-in-the-office