Podcasts about Frankenstein

Today on New Movie Monday Griffey and Heath witness the rebirth of The Bride! They discuss the livewire performances from Bale and Buckley, if the film's stylistic decisions help or hamper the narrative, and how this films adds to the long legacy of Mary Shelly and the Frankenstein stories. Brining people back from the dead is messy business but did this film find more than a primal scream?  Synopsis: In 1930s Chicago, Frankenstein asks Dr. Euphronius to help create a companion. They give life to a murdered woman as the Bride, sparking romance, police interest, and radical social change. Starring: Jessie Buckley, Christian Bale, Annette Bening, Jake Gyllenhaal Written and Directed by Maggie Gyllenhall Help us make our first feature length Messed Up Movie: https://www.indiegogo.com/projects/mr-creamjean-s-hidey-hole-horror-comedy-movie#/  Support the show on the Patreon: https://www.patreon.com/c/messedupmoviespod  

Frankenstein 1931 Part 4

This week's movie feature is The Bride! directed by Maggie Gyllenhaal and stars Jessie Buckley, Christian Bale, Peter Sarsgaard. Annette Bening, Penelope Cruz, Jake Gyllenhaal, and more. It's a new take on The Bride of Frankenstein. You can also hear about the return of Monarch: Legacy of Monsters featuring some King Kong action. There's also more Wonder Man and Hijack along with the latest comic books, news and information on the Black Mirror comics from Twisted Comics and the new Kickstarter for the second volume featuring the San Junipero episode. More information HERE. 00:00:00 - 00:04:38 Intro  00:04:38 - 00:15:11 Black Mirror Kickstarter Comic 00:15:11 - 00:24:57 News 00:24:57 - 00:42:34 Comics 00:42:34 - 01:12:41 Wonder Man E106 01:12:41 - 01:45:23 Hijack E207 01:45:23 - 02:23:40 Monarch: Legacy of Monsters E201 02:23:40 - 02:38:54 The Bride! 02:38:54 - 02:44:06 Outro You can support the show at Patreon.com/GManFromHeck (and get access to the weekly bonus podcast) or at ko-fi.com/GManFromHeck.

Welcome once again to the official Talking Pictures TV podcast, the podcast that is dedicated to the nations favourite archive TV and movie channel.  As usual we have enlisted the help of you, the viewers and once again, you have come up trumps with sending in your thoughts and your reviews of what is coming up on the channel over the next three weeks.  In this month's episode we have duchesses, Dracula and a disaster movie. Frankenstein , fraudulent seances and fearless giant killers. We are also joined by our friends from the Reel Britannia podcast with their favourites from all the cracking movies and tv shows coming up in March.

Our exploration of Frankenstein on film takes us into the depths of the anime version, Kyoufu Densetsu Kaiki! Frankenstein (AKA The Monster of Frankenstein), which is also the MARVEL Comics version of Frankenstein!

En el episodio de esta semana celebramos el centenario del nacimiento de uno de los actores más importantes de la historia del cine español como fue Paco Rabal. Burt Lancaster y el silencioso Nick Cravat mezclan aventura, humor y acrobacias en “El temible burlón” la película de aventuras de esta semana. El estreno de “La novia”, remake con bastantes variaciones del clásico “La novia de Frankenstein”, además de la reci ente película de Guillermo del Toro, han vuelto a poner de actualidad a este monstruo, uno de los personajes de ficción más veces llevado al cine. Le damos un repaso a su historia y a sus numerosas películas. Además charlamos con la directora Marina Serese sky, jugamos a las películas y acabamos con una canción de Oscar.

. Descubre cómo la colosal erupción del volcán Tambora en Indonesia sumió al mundo entero en una crisis de frío, oscuridad y hambruna al cubrir la estratosfera con un velo de aerosoles de ácido sulfúrico . Pero de esta pesadilla climática no solo surgieron catástrofes; también brotó la luz de la innovación y el arte . Acompáñanos a las tormentosas orillas del lago Lemán en Suiza, donde el clima extremo obligó a un grupo de brillantes y escandalosos jóvenes —entre ellos Mary Shelley, Lord Byron y John Polidori— a confinarse en la mítica Villa Diodati . Sumérgete en este encierro lleno de egos desmedidos, debates sobre el galvanismo y un histórico desafío literario que culminó con la creación de dos iconos inmortales del terror moderno: Frankenstein y el arquetipo del vampiro aristócrata,

Michelle Langstone looks at three films making waves internationally, including The Bride, Maggie Gyllenhaal's punk inspired retelling of the Bride of Frankenstein story, South Korean director Park Chan-wook's dark satire No Other Choice, and the Cannes Grand Prix winning drama Sentimental Value from Norwegian director Joachim Trier.Sentimental Value Trailerhttps://www.youtube.com/watch?v=lKbcKQN5YrwThe Bride Trailerhttps://www.youtube.com/watch?v=IhgcUArO3UoNo Other Choice Trailerhttps://www.youtube.com/watch?v=HKZpuG_ezvYGo to this episode on rnz.co.nz for more details

La presencia iberoamericana en los Oscar de 2026 no es muy numerosa pero sí potente por sus nominaciones.La española 'Sirat', de Oliver Laxe, tiene dos nominaciones: Mejor Película Internacional y Mejor sonido. La brasileña 'El agente secreto', de Kleber Mendonça Filho, cuatro: Mejor Película, Mejor Actor (Wagner Moura), Mejor Casting para Gabriel Domingues, y Mejor Película Internacional. 'Frankenstein', del mexicano Guillermo del Toro, nueve, incluidas Mejor Película, Guion y Actor de Reparto (Jacob Elordi); y el puertorriqueño Benicio del Toro está nominado a Mejor Actor de Reparto por 'Una Batalla tras Otra'.Escuchar audio

It's an absolutely packed episode a week away from the Oscars. We're playing some catch-up with nominees and we've got one monster of a new release. Here's what we have for you: THE BRIDE! That exclamation point says it all. Writer-director Maggie Gyllenhaal's wild and bold update of "The Bride of Frankenstein" mixes tones and genres in a way that's dividing critics (including us). Jessie Buckley and Christian Bale co-star. In theaters. THE VOICE OF HIND RAJAB. The last of the five nominees in the best international feature category for us to discuss here. Tunisian filmmaker Kaouther Ben Hania mixes the real-life audio of a 5-year-old Palestinian trapped in a car in Gaza with actors playing the emergency operators on the other end of the line. We don't agree on this film, either, but it has moved many audiences deeply. Available for online rental. THE PERFECT NEIGHBOR. Nominated for best documentary feature, this Netflix film is composed entirely of deputies' body cam footage of a neighborhood where a deadly shooting ripped the multicultural community apart. We think this is the front-runner for the Academy Award, if only because it's probably the one most people saw (plus, it's great). Streaming now. MR. NOBODY AGAINST PUTIN. Russian school teacher Pavel Talankin bravely documents Putin's propagandist efforts to indoctrinate young minds at the start of the Ukraine invasion. You come to really care about him and the kids in his care, particularly the teens who are facing an uncertain future. This is also up for the best documentary feature Oscar. Available for online rental. MOVIE NEWS LIVE! Another busy week between early reactions to "The Bride!", HBO Max and Paramount + merging into one streaming platform, Daryl Hannah's op-ed about how she's portrayed in Ryan Murphy's "Love Story," the "Little House on the Prairie" reboot, and Catherine O'Hara's posthumous Actor Award. Join us here on Fridays at Noon Pacific. Thanks for being here! Make sure to join us Tuesday at Noon Pacific for our Oscar predictions livestream with Glenn Whipp from the LA Times: https://youtube.com/live/PTrb9bx-d4E?feature=share  

For this week's main podcast review, Katie Johnson, Ema Sasic, Nadia Dalimonte, Megan Lachinski, and Sara Clements join me to discuss the latest film from Maggie Gyllenhaal, "The Bride!" starring Jessie Buckley, Christian Bale, Peter Sarsgaard, Annette Bening, Jake Gyllenhaal, and Penélope Cruz. Drawing inspiration from the 1935 film "Bride of Frankenstein," which was based on Mary Shelley's 1818 novel "Frankenstein," the film is a reimagining of Shelley's characters set in 1936 that spans many genres and takes a pro-feminist approach. What did we think of it, though? Tune in as we discuss the story, performances, makeup work, visual aesthetic, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Amanda of Swell Entertainment returns to review Maggie Gyllenhaal's The Bride! We discuss Lead Actress favorite, Jessie Buckley and whether she will Norbit her Oscar chances, and we also dive into the Frankenstein lore and what this film adds to the legacy. NON-SPOILER REVIEW OF THE BRIDE! Our Frankenstein Fandom & Expectations - 2:37 Our Thoughts on Maggie Gyllenhaal & Her Influences - 10:30 Review of the performances - 20:42 Review of the production values - 26:09 Oscar Lens - 31:08 SPOILER REVIEW OF THE BRIDE! - 31:48 The Spirit of Shelley - 32:36 Views on Sex, Gangsters & Oscar Voting - 40:21 Let's Talk About Frank - 48:55 Let's Talk About Frankie & The Bride - 54:54 Superfluous Plots, But Themes That Land - 59:25 Finale & Mid-Credits Scene Thoughts - 1:06:00 Grades - 1:11:25 OUTRO: We discuss her upcoming coverage of Formula 1 and her next trip to Japan to visit the Miyazaki Museum! So make sure to follow Amanda on YouTube and social media. Swell Entertainment on YouTube https://www.youtube.com/@SwellEntertainment https://beacons.ai/swellentertainment Girly Pop Go for all her F1 Coverage https://www.youtube.com/@GirlyPopGo https://www.tiktok.com/@girlypopgoxo And here's all our links at Mike, Mike and Oscar https://linktr.ee/mikemikeandoscar

As Oscar night draws near, Below the Line turns to one of the most emotionally powerful — and hotly debated — categories of the year: the Academy Award for Best Original Score. In Episode 11 of our 2026 Oscar series, Skid is joined by returning panelists Chris Molanphy, Louis Weeks, and Jennie Armon to break down the five nominees recognized at the 98th Academy Awards: Bagonia, Frankenstein, Hamnet, One Battle After Another, and Sinners. With just over a week until the ceremony on March 15, the conversation balances prediction, perspective, and deep craft analysis — examining not only who might win, but what each score is attempting to accomplish. The discussion covers: Jerskin Fendrix's anarchic, genre-bending approach to Bagonia — and whether creative “broken communication” can be a feature rather than a flaw Alexandre Desplat's lush, violin-forward score for Frankenstein and what makes it feel both classical and quietly subversive Max Richter's restrained work on Hamnet, including the complicated legacy of “On the Nature of Daylight” and how previously composed music intersects with Oscar eligibility Johnny Greenwood's immersive, pulse-driven soundscape for One Battle After Another — and why some scores only reveal their full power in context with picture Ludwig Göransson's sweeping, thesis-driven score for Sinners, a front-runner that uses music not just to support story, but to make an argument of its own Along the way, the panel debates what the Academy tends to reward in this category: traditional orchestral craftsmanship, avant-garde experimentation, cultural resonance, or sheer emotional impact. They also spotlight overlooked scores from the year and reflect on how film music continues to evolve — especially as composers move fluidly between pop, concert, and cinematic worlds. As the 98th Academy Awards approach, this episode offers both a critical deep dive and a celebration of how music shapes the movies we love.

¡La alfombra roja se despliega y los Monjes Fanáticos se ponen de gala! En este episodio especial, nos sumergimos de lleno en la edición 98 de los Premios Oscar. Analizamos la intensa batalla por la estatuilla dorada en un año donde el cine de autor y las superproducciones chocan como nunca.¿Qué encontrarás en este capítulo?El fenómeno de "Sinners": Analizamos las impresionantes 16 nominaciones de la obra de Ryan Coogler, que ha hecho historia este año.Duelo de Titanes: ¿Podrá Paul Thomas Anderson finalmente llevarse el premio gordo con "One Battle After Another" o será el año de la redención para Guillermo del Toro y su oscura versión de "Frankenstein"?Protagonistas de Lujo: Debatimos sobre las actuaciones que nos volaron la cabeza: desde el carisma de Timothée Chalamet en "Marty Supreme" y el regreso triunfal de Leonardo DiCaprio, hasta la fuerza de Jessie Buckley en "Hamnet" y la siempre sorprendente Emma Stone en "Bugonia".La Quiniela de los Monjes: Nuestras apuestas personales (y las que dictan la lógica). ¿Habrá sorpresas con cintas como "Sentimental Value" o "F1"?El Rincón del Hater: Esas nominaciones que simplemente no entendemos y los grandes olvidados de la Academia.Prepara tu café (o tus palomitas), ajusta tus auriculares y acompáñanos a decidir quién merece llevarse el Oscar a casa."Porque en el cine, como en este podcast, ¡el fanatismo es ley!"

Send us a text about your favourite films relating to the episode.Wow films are getting crazy with there ideas and concepts these days and I'm totally here for it. What if we put Frankensteins monster and his new bride and stick them in nineteen thirties Chicago in Bonnie and Clyde style mash up.  So yes, this week on the podcast as the second Frankenstein film in the form of The Bride is coming out, we are focusing our attention on, you guessed it Frankenstein Films. Joining me this week is the perfect guest, the monster expert that is Parker from Dissect That Film.Warning we will be talking SPOILERSMy guest is going first on this one and it going for the Mel Brooks classic, the hilarious Young Frankenstein. On this one we talk about how relentless the jokes are, be it one liners or sight gags, they just keep coming. We talk about how Mel Brooks still manages to keep some of the classic horror elements of this story in the film. Plus we talk about the nearly every line in the film. IMDB page    Dissect That Film LintreeFVF Social linkstwitterinstagramTikTokAs ever please enjoy.     Support the show

Send us a text about your favourite films relating to the episode.Wow films are getting crazy with there ideas and concepts these days and I'm totally here for it. What if we put Frankensteins monster and his new bride and stick them in nineteen thirties Chicago in Bonnie and Clyde style mash up.  So yes, this week on the podcast as the second Frankenstein film in the form of The Bride is coming out, we are focusing our attention on, you guessed it Frankenstein Films. Joining me this week is the perfect guest, the monster expert that is Parker from Dissect That Film.Warning we will be talking SPOILERSMartin's turn for Part 2 and is going for the film that Guillermo del Toro fans having been waiting a very long time for, his passion project Frankenstein. On this one we talk about how the amazing production design to the sets and the small details. We talk about the interesting relationship Frankenstein has with the creature and Elizabeth especially. We talk about how gorey and violent the film can as well. Plus we talk about vegetables and toilets. IMDB page     Dissect That Film LintreeFVF Social linkstwitterinstagramTikTokAs ever please enjoy.     Support the show

Sergio Pérez y Alma Espinosa hablan de ¡La novia! Entrevistas con equipos El mago del Kremlin, Pillion, Hoppers, El último vikingo y Aves de corral.

En el podcast de esta semana celebramos los 50 años de "Taxi driver", todo un clásico del cine que definió una década, una generación y representó un nuevo espíritu cinematográfico basado en la autenticidad y en el desencanto de una condición humana a la deriva. Con Mary Carmen Rodríguez (también editora del podcast) hablamos de Maggie Gyllenhaal a raíz de "¡La novia!", su segunda película como directora que supone una arriesgada y libre versión del mito de "La novia de Frankenstein". El programa se completa con La Música Clásica De Nuestro Tiempo de Iker González Urresti con su habitual repaso a las bandas sonoras nominadas al Oscar 2026 y también tenemos espacio para resumir lo que nos depararon los Goya 2026 con el triunfo de "Los domingos" coronando una excelente cosecha de cine español. ¡Muchas gracias por escucharnos!

Travis Hopson reviews Maggie Gyllenhaal's THE BRIDE! starring Jessie Buckley, Christian Bale, Annette Bening, Penelope Cruz, and Peter Sarsgaard!A lonely Frankenstein (Bale) travels to 1930s Chicago to ask groundbreaking scientist Dr. Euphronious (five-time Oscar nominee Annette Bening) to create a companion for him. The two revive a murdered young woman and The Bride (Buckley) is born. What ensues is beyond what either of them imagined: Murder! Possession! A wild and radical cultural movement! And outlaw lovers in a wild and combustible romance!THE BRIDE! is open in theaters now.All of this and more can be found at www.punchdrunkcritics.com!Subscribe to Punch Drunk Critics on YouTube:    / @punchdrunkcritics1  Follow Punch Drunk Critics on Twitter:   / pdcmovies  Follow Punch Drunk Critics on Facebook:   / pdcmovies  You can also subscribe to our podcast Cinema Royale anywhere you get your podcasts!#theBride #ChristianBale #JessieBuckley

The Bride! goes way beyond a simple tale of literature's most famous reanimated corpses. Directed by Maggie Gyllenhaal and starring Jessie Buckley and Christian Bale, the film is a wild take on the bride of Frankenstein's monster. It follows her origin story, her relationship with the big lug himself, and her pursuit of her own distinct identity. Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopcultureTo manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Sarah and Vinnie feel like it's been a long time since we did a Tik Tok dance. ‘Hoppers' is out this weekend. There's another Frankenstein movie to watch! It's time to learn Jessie Buckley's name. ‘Hamnet' is now streaming on Peacock. Morgan Freeman lends his voice to a new dinosaur documentary. Harry Styles' new album is here. ‘The Boys' 5th and final season premiers April 8th. Savannah Guthrie does plan to return to the today show. Science news! The moon is safe from an asteroid. Chimpanzees love crystals, but they're skanks for bananas. Plus, some news about Uranus and Hootie & the Blowfish.

Hour 1: The police dispatch call from Britney Spears' DUI was released, and an unknown substance was found in her vehicle. Some of Hollywood's greatest treasures are hiding in a salt mine. Remember THAT scene from Ace Ventura? You can buy it! Vinnie is jazzed about his kids' teachers. Could this be the answer to Daylight Savings Time? GenZ is changing Happy Hour. PSA: Nicotine is addictive. Hour 2: It's time for Bad Advice! Today, a listener dealing with grief and another one who is stuck in the friendzone. Girl Scouts are capitalizing on the legalization of the devil's lettuce. Vinnie wonders “Is it wrong?” No, it's women in business. Plus, United is putting its foot down about playing your device out loud, and a Santa Cruz restaurant is under fire for their AI logo. (51:44) Hour 3: Sarah and Vinnie feel like it's been a long time since we did a Tik Tok dance. ‘Hoppers' is out this weekend. There's another Frankenstein movie to watch! It's time to learn Jessie Buckley's name. ‘Hamnet' is now streaming on Peacock. Morgan Freeman lends his voice to a new dinosaur documentary. Harry Styles' new album is here. ‘The Boys' 5th and final season premiers April 8th. Savannah Guthrie does plan to return to the today show. Science news! The moon is safe from an asteroid. Chimpanzees love crystals, but they're skanks for bananas. Plus, some news about Uranus and Hootie & the Blowfish. (1:35:01) Hour 4: Sarah is telling us about new music this weekend, from across the genres. Justin Timberlake's lawyers have temporarily stopped the footage from his DUI arrest from being public. Sarah and Vinnie has feelings about whether it should be released at all. Bob compares JT to the SF Hazie's fight that went viral in December. Creators are posing as health inspectors to secretly expose restaurants. Wendy's is hiring a Chief Tasting Officer. Plus, How Old Is That Guy?! (2:16:42)

In a little over a week the 98th Academy Awards will take place in Los Angeles. Many of the categories are looking like a toss up but it will be a shock if the Best Leading Actress goes to anyone other than Jessie Buckley for her devastating performance in Hamnet. Having just won variations of best leading lady at the Critics Choice Awards, the SAG Actor Awards, the BAFTAs, and the Golden Globes, Buckley is on a roll. Earlier in the week, Buckley sat down with guest hosts Taylor Antrim and Marley Marius ahead of today's theatrical release of The Bride! In creating this retelling of the Bride of Frankenstein, Buckley spoke about the challenge of finding her character. “It was such a huge undertaking to really create three individual personalities and metabolize them and have them be in conversation with myself.” The film was also incredibly physical and required that she learn tap and gaga dancing for the role. Buckley had worked previously with Maggie Gyllenhaal in The Lost Daughter, who she described as one of the most important women in her life. “Maggie has a real vision and there's so much intention behind what she's trying to say with her stories and why she's choosing to tell a story at all,” Buckley told The Run-Through, “I think what she asks all of her actors and herself is to ask the question that's gonna challenge you.”With her daughter on the road with her for this press tour, Buckley toggles quickly between “changing a nappy” and putting a red carpet dress on. The combination of being thrust into the spotlight and being a new mother has changed her relationship with fashion. Now working with stylist to the stars Danielle Goldberg, she feels empowered to let herself feel seen in her changing body. “Right at the beginning she was like, I just wanna see you. And I felt like I could breathe for the first time.” Also on the episode, The Run-Through gets an exclusive behind-the-scenes pass at the Rick Owens and Isabel Marant shows. Between getting their makeup done and getting their clothes on, Alex Consani and Mona Touggard chat about how they make time to read despite the chaos that happens backstage. Plus, Rick Owens himself reveals the inspiration by his collection.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

The Bride! is a 2026 American Gothic romance film written and directed by Maggie Gyllenhaal. It stars Jessie Buckley and Christian Bale alongside Peter Sarsgaard, Annette Bening, Jake Gyllenhaal and Penélope Cruz. The film draws inspiration from the 1935 film Bride of Frankenstein, which was based on Mary Shelley's 1818 novel Frankenstein. In 1930s Chicago, groundbreaking scientist Dr. Euphronious brings a murdered young woman back to life to be a companion for Frankenstein's monster. What happens next is beyond what either of them could ever have imagined.Hosted on Ausha. See ausha.co/privacy-policy for more information.

As the U.S. and Israel continue to strike new targets throughout Iran, China, an ally of Iran, is calling for peace talks. China is the largest importer of energy in the world and buys nearly all of Iran's sanctioned oil. Anna Coren reports on the global impacts of the war. Becky Lloyd, a neighbor and friend of Kouri Richins, who is accused of fatally poisoning her husband in 2022, testified at her trial on Thursday about conversations they had about Richins' marriage. Lloyd said Richins' told her, "In many ways it would be better if he [Richins' husband], if he were dead" in a serious tone. Richins denies killing her husband and has pleaded not guilty to charges. Britney Spears is out of police custody after she was arrested Wednesday in California on suspicion of driving while intoxicated. A representative for Spears said this "was an unfortunate incident that is completely inexcusable," adding, "Britney is going to take the right steps and comply with the law." The most recent government data shows nearly 28% of Americans live alone. The number has risen for decades, especially for older generations. Ash-har Quraishi shows simple tools that can provide extra security and protection for your aging loved ones. Oscar nominee Maggie Gyllenhaal speaks about reimagining "Bride of Frankenstein" to create her new gothic thriller "The Bride!" which she wrote, produced and directed. The star-studded cast includes Jessie Buckley, Christian Bale and her brother, Jake Gyllenhaal. UFC reporter Megan Olivi speaks with "CBS Mornings" about how UFC is celebrating female athletes with its "Breaking Barriers" initiative and previews UFC 326 as Max Holloway takes on Charles Oliveira. Team USA's Dani Aravich is competing in two separate events at the Paralympics. Her journey to the Games has inspired her to bring more awareness to the Paralympics and encourage the next generation of athletes. Kelly O'Grady reports To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This week Dave checked out Maggie Gyllenhaal's latest film as writer-director, THE BRIDE! (1:42), a reimagining of Mary Shelley's "Frankenstein" novel and its various film iterations. Starring Jessie Buckley as The Bride (exclamation point) and Christian Bale as The Monster, it's a roller coaster ride that doesn't have either the thrills or chills one may expect, and its stale plotting can't prop up its more ambitious social commentary. And because there was no critics' screening for SCREAM 7 (14:07), Evan and Dave hit the local multiplexes to see it. Is it the shitshow everyone seems to think, or is it better than that? Take a listen to find out! Over on Patreon, we talk about the 2007 action film SHOOT 'EM UP.

Hollywood's Biggest Night is almost upon us, and 1-Week Rental is gonna help you get ready by discussing the movies nominated for the biggest awards. In this, the first of our two-part series previewing the awards, Matt talks to his friends about six films: Frankenstein, If I Had Legs I'd Kick You, KPop: Demon Hunters, One Battle After Another, Train Dreams, and Weapons. Next week (March 13, 2026): Part 2 of our Oscars special continues reviewing huge Oscar movies! The week after that (March 20, 2026): Nothing But Trouble, where Dan Ackroyd plays a judge with a penis for a nose, and also a big diaper baby.    Time stamps: 00:01:40 — KPop: Demon Hunters (with Neophyte Reviews) 00:16:00 — Train Dreams (with Drewbie Doobie's Movies) 00:32:40 — If I Had Legs I'd Kick You (with Austin Proctor) 01:00:35 — Weapons (with Smash Trivia John) 01:27:27 — Frankenstein (with Spooky T & HFK) 01:45:45 — One Battle After Another (with Wade Hymel)   Follow Neophyte Reviews! TikTok: @neophyte_reviews Instagram: @neophyte_reviews YouTube: @neophyte_reviews   Follow Drewbie Doobie's Movies! Boiling Cactus Productions TikTok: @drewbiedoobiemovies Instagram: @drewbiedoobiemovies   Follow Austin Proctor! Listen to Frightmares on Apple Podcast (https://bit.ly/4nvmSGe) or Spotify (https://bit.ly/4nVvx4D) TikTok: @frightmarespodcast Instagram: @frightmarespodcast   Follow Smash Trivia John! Listen to Smash Trivia Presents: The Gamma Analysis on Apple Podcast (https://apple.co/4le1kgT) or Spotify (https://bit.ly/4lFpXmh)  TikTok: @SmashTrivia  Instagram: @smashtriviajohn YouTube: @smashtrivia3273   Follow Spooky T & HFK! Elevated Cryptid Productions Spooky T on TikTok: @tieracolette HFK on TikTok: @HFK48   Follow Wade Hymel! Listen to PodJob: A James Bond Podcast on Apple Podcast (https://bit.ly/4jRL2K1) or Spotify (https://bit.ly/4a8jM6E) Dash Rip Rock's new album, A Song In Everyone (https://bit.ly/4q3gdDO) A Song In Everyone on vinyl (https://bit.ly/4r5ds5F) Wade's solo album, Who Said That? (https://bit.ly/3LPUNf3) Lilli Lewis (https://bit.ly/3NylTIj) Incubators (https://bit.ly/3LOeuUv) Rural Route Nine (https://bit.ly/45ny1Ss)     Artwork by Laci Roth.   Check out Laci's coloring videos on YouTube! https://www.youtube.com/channel/UC-kKLhWb2g0bKA-RrvvLh0Q/  Matt has a monthly spin-off podcast covering the James Bond films! Check out PodJob: A James Bond Podcast on Apple Podcast (https://bit.ly/4jRL2K1), Spotify (https://bit.ly/4a8jM6E), and YouTube (https://youtube.com/@podjob007).   Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC).   Songs by Rural Route Nine in this episode: "Winston-Salem" - https://youtu.be/-acMutUf8IM "Snake Drama" - https://youtu.be/xrzz8_2Mqkg "The Bible Towers of Bluebonnet" - https://youtu.be/k7wlxTGGEIQ    Follow the show!  Twitter: @1weekrental | @MattStokes9 | @LRothConcepts Facebook: @1weekrental Instagram: @1weekrental TikTok: @1weekrental | @mattstokes9 Letterboxd: @loadbearinglaci | @mattstokes9 Bluesky: @1weekrental.bsky.social   1-Week Rental used to be Load Bearing Beams.

In this episode, Pake and Daphne discuss Frankenstein written and directed by Guillermo del Toro and released on October 17, 2025.Send us your thoughts via text message.Website: http://www.runforyourlivespodcast.comEmail: runforyourlivespodcast@gmail.comFacebook: https://www.facebook.com/runforyourlivespodcastTwitter: https://www.twitter.com/rfylpodcastInstagram: https://www.instagram.com/runforyourlivespodcastYoutube: https://www.youtube.com/@runforyourlivespodcastRFYL Spotify Music Playlist: https://open.spotify.com/playlist/71Bsx083ldVuGwSgJKKEwr?si=0yB3Zq4iTeaMU_cBk6yAlw

Great marketing does not start with your product. It starts with your customer. In this conversation, I speak with marketing strategist Scott Hornstein about why storytelling, customer research, and trust are the real drivers behind successful brands. Scott shares lessons from decades in marketing, including his work with IBM and major technology launches, and explains how companies often fail when they focus on themselves instead of the people they serve. You will hear how listening to the voice of the customer can reshape messaging, build trust, and unlock growth. Scott also reflects on entrepreneurship, resilience, family, and the mindset required to get back up after setbacks. I believe you will find this conversation both practical and encouraging as you think about how relationships and trust shape business success. Highlights: · Creativity in Queens – Scott reflects on how music and culture shaped his early creativity.04:10 · From Literature to Marketing – His love of books leads him toward storytelling and marketing.12:57 · Learning to Experiment – A mentor teaches the value of trying ideas and learning from failure.20:46 · The Customer as the Hero – Scott explains why marketing must center on the customer.31:48 · Customer Insight Drives Messaging – Research helps reshape a company's message and market entry.41:23 · Resilience Through Setbacks – Scott reflects on perseverance in life and business.50:59 Top of Form Bottom of Form About the Guest: I currently live in Reston VA, my wife and I having moved there to be close to our 2 daughters and our 2 granddaughters. I am an independent business consultant specializing in storytelling – which embraces marketing, research, and content. Family is the most important thing in my life and it has taught me that lasting relationships, business and personal, are steeped in empathy and commitment. I was born in Manhattan on July 25, 1950. My parents soon moved the family to the up-and-coming borough of Queens. I attended the public schools in and around Forest Hills.  Writing was always my goal. I graduated NYU as an English major.  Upon graduation I traveled, then pursued my (naïve) dream of living as an artist – as a writer, an actor, and a musician. I wrote plays for the brand-new cable industry, wrote for a movie-making magazine, was in several off-off Broadway plays, worked as a pick-up musician. I helped in the office for a former professor to earn subway money. Got tired of starving to death. Took a job with CBS in the Broadcast Center, pulling together the Daily Log for the local station. Then, got hired to answer Bill Paley's mail. Then, I was hired as a marketing manager for Columbia House where I got some of the best advice – keep going. I met this guy from my neighborhood while commuting to my job in Manhattan. Turns our he worked for Y&R and said they were looking for someone. I interviewed and jumped over to agency-side work as an Account Executive, then Account Supervisor, then, going back to my roots, copywriter and eventually Creative Director. The entrepreneurial life has been a roller coaster, but I have been blessed to work with some brilliant people in marketing and sales, and some great companies. It allowed me to understand how I can really help my customers become successful in the long-term. Ways to connect with Scott**:** LinkedIn Medium www.hornsteinassociates.com About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Well, hi everyone, and welcome once again to another episode of unstoppable mindset today. Our guest is Scott Hornstein, although when he came into the Zoom Room, I said, is it Hornstein or Hornstein? And of course, he also understood, because we're both of the same age, and are both fans of Young Frankenstein, who always said that his name was really pronounced Frankenstein. But you know, you have to have to know Gene Wilder for that. But anyway, if you haven't seen that movie, you got to see it. Mel Brooks at his best, but Scott is a marketing person and specializes a lot in storytelling, which fascinates me a lot, because I am a firm believer in storytelling, and I know we're going to have a lot of fun talking about that today. So Scott, I want to welcome you to unstoppable mindset. We're really glad you're here. Scott Hornstein  02:20 Thank you so much, Michael. I have to start by saying I have great respect for your work, and this is really quite a privilege for me. Thank you very much. Michael Hingson  02:32 Well, thank you. You're a long way from where you were born, in New York, in Manhattan. Now you're in Reston, Virginia, but that's okay. Well, you're not that far. It's just a short train ride, a few hours. Scott Hornstein  02:41 I That's true. That's true, although with that particular train, you can never be sure exactly how long it's going to be good Michael Hingson  02:52 point, yeah, yeah, good point. It is one of the things one has to deal with. But that's okay. But, you know, I've taken that train many times, and I've taken the the Metro liner as well, and also just the regular train. And I like the trains. I enjoy the train. I wish we had more of them out here. Scott Hornstein  03:15 I do too. I when it a long time ago in business, when I had a client here in DC, and I was living in Connecticut, I started taking the train, and it was so superior to flying. Oh yeah. And then recently I was, as I was mentioning to you, I was in Germany and taking the trains there is just wonderful. It's so superior. Michael Hingson  03:47 Yeah, I wish we would have more of them out here. If I, for example, want to take a train to San Francisco from where I live in Victorville, the only way I can do it is to take a train at roughly four in the morning to Los Angeles and then transfer on a train to go to San Francisco, which is no fun. I'll fly because it's it's kind of crazy, but I like the trains, and wish we wish we had more of them all over, and wish more people would use them. It's a lot better than driving, and it's a lot more pleasant. When I lived in the east, there were any number of times that I knew people who would travel from like Bucks County in Pennsylvania to New York Wall Street people, and they would go two, two and a half hours on the train every day and back again. And they formed discussion groups or other sorts of things. They they made it a part of their regular day, and it was there was nothing to them to do that. Scott Hornstein  04:54 And to them, I say, God bless. I am not in love with commuting, right? Yeah. Michael Hingson  05:00 Well, I understand that. I appreciate that, but they, they did well with it, and so good for them, or, as I would say in Australia, good on them. But you know, well, why don't we start tell us a little bit about you, maybe growing up in the early Scott and all that stuff. Let's start with that, sure. Scott Hornstein  05:21 First one brief aside about Young Frankenstein when I was living in Connecticut, I would go to the theater in Stanford, and for one performance, my tickets were at the will call, so I went up to the ticket booth, gave them my name, and the woman be on the other side of the iron bars keeps throwing her head to the side, wanting me to look over to my left, and I finally look over to my left, and there's Gene Wilder. Oh my gosh. What an enormously tall individual, very gracious, very nice. In any case, yes, Michael Hingson  06:06 with him, did you? Did you talk with Scott Hornstein  06:09 him just for a moment, just for a moment, you know, just Mr. Wilder, how nice to meet you. And he said a couple of nice things. And that was about it. Still, we all went to see the to see the show. Still, it was quite a thrill for me. What show I do not. Oh, that was, oh, no, excuse me. That was the the madness of King Charles, madness of King George. King George. But he was quite mad, and the play is excellent, excellent. Well, anyway, in any case, I grew I was born in Manhattan. I spent the first couple of years of life on the west side. I don't remember much of that. But my parents quickly moved us out to Queens, which at that point was rather undeveloped. You could get a lot more for your money, and we have lived in an apartment building. And around our apartment building was nothing but empty lots. It was just not developed yet. But it was a great place to grow up because the there was so much going on in those years and so much so much music that was going on. The first recollection I have, in light of all the talk about vaccines and healthcare and all of this is I really remember that polio was a real thing there, and I remember kids with the braces on their legs. And I remember that when one of my friends got chicken pox, that the mothers would get us all together and have a play date so that we got chicken pox too. Okay, but it was, Michael Hingson  08:20 I'm sorry, remember, I remember getting the polio vaccinations, even starting in kindergarten, Scott Hornstein  08:24 yes, yes. And it was such a remarkable thing at that time. We all thought it was like a miracle. And, and Jonas Salk, I mean, he was like, such a hero, yeah. The other thing, so I, we were out in Queens, in an area that's the larger area is called Forest Hills, and it was, it was a great place, because the the whole museum, whole music scene was just exploding. So I'm moving on until my junior high school and high school years, and it was just all over the place. Yes, we were playing in bands, but also there were these wonderful venues to go to. And there was the subway. If my parents only knew where I really was, we would get on the subway, go down in the village, go to all the cafe bar Gertie spoke city, all these places to hear the this wonderful mind changing music. And by mind changing, I don't mean drugs. I mean mind changing that it was, it was just everything in life. Michael Hingson  09:57 And there's nothing like hearing a lot. Music, Scott Hornstein  10:01 even to this day, it's my very, very favorite thing to do. Yeah, and so many musicians and artists came out of that area. I not being one of them. But it was so exciting. Michael Hingson  10:27 I remember when we lived in New Jersey, and I would commute into New York. I heard, for example, even then, and it was in like 96 to beginning of 2002 Woody Allen on Monday night would play his clarinet somewhere. And less, less, Paul was still doing music and playing music at the meridian ballroom. And you can even take your guitar in and he would sign it for you Scott Hornstein  10:55 the it was Joe's Pub. Woody Allen would right. And I went there a couple of times to see him. Of course, it was so pricey that we had to kind of sneak in have one beer, yeah, Michael Hingson  11:16 but still, it was worth doing. Scott Hornstein  11:19 And then they Yeah, and they were great clubs. I think that was, there's certainly the blue note for jazz that I went to a lot. And then there in Times Square, there was iridium, which was where I was able to see Les Paul, right? And many of those greats. Michael Hingson  11:42 Yeah, I never did get to go and get my guitar signed, and now it's too late. But oh, well, do you play? I play at it more than anything else. My father, I think, even before the war, before World War Two, or somewhere around there anyway, he traded something and got a Martin grand concert guitar. Oh, still, I still have it. That's wonderful. What a wonderful sound it is. Scott Hornstein  12:15 What a wonderful story. Yes, I play as well. I And growing up very early on, I decided I wanted to be Ricky Nelson. Oh, there you go. But I quickly learned that I was not going to be Ricky Nelson. However, the guy that was standing behind him playing guitar, now that might be something that I could do. So yes, so I picked it up, and I played in all the bands and then, which quickly taught me that I was not cut out for rock and roll, that I wasn't very good at it, but it led me into many other avenues of music, certainly listening, certainly being part of that scene, I'd go see friends of mine who could play well rock and roll and And that was so exciting for me. And then I, I played in pickup bands through college. So on a weekend night there would be a wedding, Bar Mitzvah, and this guy, I forget his name, piano player, he he got all the gigs and Howie was the first choice for guitar, and if Howie wasn't available, they'd call me. Michael Hingson  13:47 There you go, hey. So second choice is better than no choice. Absolutely. Scott Hornstein  13:54 I i enjoyed it thoroughly and that they paid me money to do this. There you go, right, inconceivable to me. Michael Hingson  14:05 So what did you major in in college? Scott Hornstein  14:10 Well, I started off majoring in biology, and there you go. And why I chose biology is is a mystery to this day, it didn't last long. I cycled through a number of things, and I graduated with a degree in literature, in English, particularly American literature, which is not quite the same as learning a trade. But you know it, it was consistent with with who I was at that time. I was the guy who, if he went out the door, would have two books with him, just in case I finished one. I didn't want to be left at sea, so a voracious reader couldn't stay away from the theater. So it was very consistent with who I was and and it was good for me, because I think through things like like literature and fiction and biography, you learn so much about the world, about how different people are confronted with challenges, how they process their lives, how they overcome these challenges or not or not, it just exposes you to so much. Michael Hingson  15:49 Yeah, and so I'll bet you had some challenges finding some sort of real, permanent job after getting a degree in English? Scott Hornstein  16:03 Yes, I did. But when I got out the idea of it didn't cross my mind that people actually would not earn a great living by being just an artist. What did I want to do? I wanted to write. I wanted to be involved in music. I wanted to act. I did all these things until the point when I got thoroughly fed up with being poor, with not having a dime in my pocket. Ever starving to death is, is sort of what you would call it. Yeah, yeah. You know, I did. I have modest success. Yes, I was able to keep myself off the streets, but no, it was no way for a career. It was no way to even be able to afford your own apartment, for gosh sakes. So I from there i i had done a lot of promotion for the different things that I was involved in, trying to get audiences, trying to get awareness of what I was doing, and that led me to have some contacts inside of CBS. And when I started looking for a job, I started talking to these folks, and they offered me a job. So here I was, and actually gainfully employed. Michael Hingson  17:44 What was the job? Well, I Scott Hornstein  17:47 was sort of a gopher for my first job. Mostly what I did was type, but I do have one good story for you. So I was down in the depths of the CBS Broadcast Center, which is all the way on the west side of 5017 and it's an old milk factory, so which they had converted to broadcast purposes. And so there were long holes, and the halls would always slope down. And there was one day where I was late for a meeting, and I came running down the halls, and there are always these swinging doors, I guess, for in case there's a fire or something, and I'm bursting through the doors, and I go running, and I burst through the next set of doors, and I'm running, and I burst through the next set of doors, and I knock this guy right on his bum. I pick him up, I dust him off. I say, I am so sorry. He says, Don't worry about a thing. It's all fine. I continue running. A friend of mine grabs me and says, Did you see Paul Newman? Michael Hingson  19:10 There you are. Scott Hornstein  19:12 So I have the unique entry on my resume of knocking Paul Newman to the ground. Michael Hingson  19:22 I Well, at least he was civil and nice about it. Scott Hornstein  19:26 He was very nice about it, though. Yeah, so I worked there and then through my writing, because I was writing for a film magazine at night, which, of course, didn't pay a cent, not a cent, but I got to go to all the premiers, and I got to meet all the people and interview all the people so whatever. So through that, I was able to go over to the main building and answer letters for Bill Paley, who was the. Michael Hingson  20:00 Chairman, Chairman, I said, Yes, right, Scott Hornstein  20:02 and it was my job to explain to everybody why Mr. Paley, I never called him, Bill, never, nobody, no, no, why he was right and they were wrong. That was my job, and that I did that for a little while, I can honestly say that I enjoyed having money in my pocket, but that was not the most fulfilling of jobs, and from there, I was able to go over and get my first marketing position, working for the Columbia record and tape Club, which was part of CBS Records at that time. And when I Ben or Dover was the president of Columbia House at that time, and when he made me the offer, he gave me one of the great life lessons that I've I've ever had. And he said, Scott, if you sit in your office and you do exactly what I ask you to do, and you do it on time, and you do it perfectly, we are not going to get along. But if you are out there and you're trying this and you're trying that, and this works, and that doesn't work, but you get up and you keep trying, we're going to be fast friends. Interesting. Yeah, yeah. That's something that has stayed with me my whole life. One of the great pieces of advice that I've ever gotten, Michael Hingson  21:57 well the for me, what's fascinating about it is thinking about how many people would really do that and allow that to happen, but it's really what more people should be doing. I've I've always maintained that the biggest problem with bosses is that they boss people around too much, rather than encouraging them and helping them and using their own talents to help people be more creative. When I hire sales people, the first thing I always told them was, well, the second thing because the first thing I always told them was, you need to understand right up front if you're going to sell here, you have to learn to turn perceived liabilities into assets. And that's got a story behind it. But the second thing that I always talked about was my job isn't to boss you around. I hired you because you convinced me that you're supposed to be able to do the job, and we'll see how that goes. But you should be able to but my job is to work with you to figure out how I can use my talents to help you and to enhance what you do to make you more successful. And the people who got that did really well, because we usually did things differently, and we both learned how to figure out and actually figure out how to work with each other and be very successful. But the people who didn't get it and wouldn't try that, generally, weren't all that successful. Scott Hornstein  23:26 Not terribly surprised, sir. You know, I think that people miss the the humanity of all this. And that if we bring our respective strengths and work together, that it's going to be a more complete and more successful whole than if I try and dominate you and tell you what to do, right, just that hasn't been a successful formula for me. I have never done well with people who tried to tell me exactly what to do, which is probably why I went out on my own. Probably why, in the greater scheme of things that I I did well, working for people from Columbia House. I met this guy on the train, and we got friendly, and he said he worked for an advertising agency, and they were looking for somebody would I be interested in interviewing? And this was with the young and Rubicon. And I did get the job, and I did work my way up to an account supervisor. And then i i said, i. Hate this, and I went back to be a copywriter and worked my way up to be a creative director. But, you know, I went on my own on January 1 of 86 and it was like a liberation for me, because at that point there was a new a new president of the division that I worked for, and he was not a nurturing individual. He was more of the dominant kind of you'll do what I tell you to do. Didn't sit well with me at all, and I had the opportunity to go on my own. So I I packed up my dolls and dishes, and I walked in on January 2, and I said, Bill, I quit. Michael Hingson  26:02 There you go. Was it hard for you to do that? Scott Hornstein  26:11 You know, at that point? So I here I am. I'm a creative director. I got the office on Madison Avenue, and I'm doing freelance all over the place, not only because it was extra money, but because it was it was fueling my creativity. It was giving me something back. It was fun. And I really like to have fun. I have so much fun working with people and that interaction that that humanity, the spark of humanity. So I was doing a lot of freelance, and I wrote this proposal for this one design group who was near where I was living at that time, and it got sold. So they said, Do you want to you want to work on it? And at that point in my life, I didn't have any responsibilities. I had a studio apartment there that was real cheap. And I said, If I don't try this now, yeah, I don't think I'll ever try it. So that's what I did. I quit, and I walked out the door into the great unknown, Michael Hingson  27:39 and the entrepreneurial spirit took over. Scott Hornstein  27:43 It did, and it worked well for about six, seven months, and then we got to the summertime, and I couldn't get arrested for a while. But you know, you have to take it one day at a time. And I figured, all right, well, let's just be open and network and see what's going on. It's not the time to quit. It's not the time to go back and get a job. And I was fortunate in that I was sitting at the desk one day, and this one guy called me, and I had met him before his folks ran one of the biggest, or actually the biggest, telemarketing agency in New York at that time, and I had met, met this fellow, and he said, I got this project. I've been asking around for creative source, and three people gave me your name. So I figured, well, let's go talk. And that turned into a very, very good situation for me, it gave me a lot of responsibility and a lot of leeway to take all the things that I had learned and put them in service of my client and I had a ball. I loved it. The only thing I didn't love was the and I did love this for a while was the constant travel. Now, everybody doesn't travel, and they're all sitting in their rooms at home, looking at screens. But that was that was a great opportunity for me to to spread my wings and to take and I learned so much one of the. Initial assignments I had was for IBM and IBM at that time was, was Mount Olympus. Oh my gosh, working for IBM, and I worked in tandem with this research group. We were all working on the introduction of the IBM ThinkPad and what these folks, they had a methodology they called voice of customer research, which was a qualitative research we're talking to decision makers from a carefully prepared Interview Guide to come up with the attitudes, the insights that we could put together to to come up with a solution. And I was fascinated by this of how to tap into what what the customer really wants by talking to the customer. How unusual. Michael Hingson  31:16 What a concept. Oh yeah. I mean Scott Hornstein  31:19 then and now, it's still the operative phrase of this would be a wonderful business, business, if it wasn't for all those annoying customers and and this just turned that on its head. That's another thing that I learned that has stayed with me through my entire career, is that for the the storytelling, and what I mean by storytelling is, is two things. Is, first, you know all your stories are going to come from what you consider to be your brand, but if you're not developing your brand according to the wants, the needs, the desires, the expressed future state that your Customers want, then then you're wide of the mark. So I was able to bring this in, and I think do a much better job for my customers. Now, the way that relates into storytelling is that you're you're able to take what you do and put it into the story of how your customer succeeds with the hero in the hero's journey, is Michael Hingson  32:55 your customer, your customer? Why do you think that is such a successful tactic to use, Scott Hornstein  33:02 because everybody else is completely enamored of themselves. When other companies craft their their brand, it's mostly because why they think they are special and what their vision tells them is their future. And quite frankly, most customers really don't care when, when a new customer first confronts you and your brand. They ask three questions, who are you? Why should I care? And what's in it for me? And if you can't answer those, if the story that you tell whether complete or in fragments or in in different parts according to where they are on their consideration journey. It doesn't resonate. It doesn't resonate. Hey, I have the best technology out there. I have brilliant people working on this technology. And guess what? Your technology? Somebody will eat your technology in 18 months, and I don't care, I want to know. What does it do for me? Michael Hingson  34:28 Yeah, as opposed to saying, After asking enough questions, I have technology that will solve this problem that you have identified. Let me tell you about it. Is that okay? Exactly? Scott Hornstein  34:44 Yeah, exactly. And as odd as it sounds, that helps you to stand out in the field, in a crowded Michael Hingson  34:55 field, it does, but it's also all about the. Relating to the customer and getting the customer to establish a rapport and relating to you. And when you, as you pointed out, make it about the customer, and you talk in such a way that clearly, you're demonstrating you're interested in the customer and what they want they're going to relate to you. Scott Hornstein  35:24 There's two, two things in there that, well, there's a million things in there that are particularly true. And the first is not only recognizing and and internalizing the goals of your client, but also opening yourself up and saying, these are people. These are humans. And the other real distinguishing fact that a lot of people don't either realize or embrace is that in business to business, and I've spent most of my life in business to business, it's all personal. It's all about personal connections. It's all about trust. And call me crazy, but I am not going to trust a machine. I will have confidence in technology, but my trust is going to be placed in the human through this, one anecdote that that is has really impressed me is that I was doing one of these interviews once, and I was talking to the CEO of of this company. And I said, Well, you know, I of course, I'm working for company A and you've been a client for a long time. What's, what's the greatest benefit that you get from this company? And without hesitation, he said, our salesman. Our salesman is part of our team. He understands who we are, he knows what we need, and he goes and he gets it. So that kind of that, to me, has always been a touchstone on things. Michael Hingson  37:43 Well, the fact that the salesman earned that reputation, and the President was willing to acknowledge it is really important and crucial. Scott Hornstein  37:56 And within that, I would say the very important word that you used is earn. You need to earn that trust. Sure it doesn't come just because you have brilliant technology. It's all people. It's all personal, all people. Michael Hingson  38:20 And that's success, the successful sales people are people who understand and work to earn trust. Scott Hornstein  38:32 Well said, and I think that particularly in this age of accelerating remoteness, that this concept of earning the trust and the person to person becomes a compelling competitive differentiator. And I think that that telling the story of of how you make your customers successful, of the role you play, of where you're going, this allows you to bridge some of those troubled waters to people who are sitting remote. It helps you to open your ears you know where you're going, so you can listen, yeah, Michael Hingson  39:40 well, and that's an extremely important thing to to keep in mind and to continue to hone, because bottom line is, it's all about, as I said, trust, and it certainly is about earning, and that isn't something you. First, it's something that you understand. Scott Hornstein  40:04 It's a gift that can only be bestowed on your customer. You can want it, but they're the only ones who can give you. Your brand is the meal you prepare. You but your reputation is the review, right? So, yeah, you gotta earn that trust. Michael Hingson  40:32 So how long so you you own your own company? How long has the company been in existence? Scott Hornstein  40:40 I Well, let's see. I went on my own on January 1 in 1986 and I am still without visible means of support. Michael Hingson  40:58 Well, there you go, same company all along, huh? Scott Hornstein  41:03 I Yeah, you know, do different work with different people, sure, but yes, it's still me. Michael Hingson  41:13 It's still, do you actually have a company and a name or anything like that? Scott Hornstein  41:17 I did. I did for a long time. I operated under Hornstein associates, okay, and recently I have dropped that and I just work as myself. I think that I had employees, then I had expandable, retractable resources then, and I'm not so interested in doing that right now. I am interested in working as and I love working as part of a team. Collaboration is my middle name. I might not have put that on my resume, but yeah, and I'm just, I'm really just interested in being me these days. Michael Hingson  42:13 That's fair. There's nothing wrong with that. No, well, in your current role, what do you think is the greatest contribution you've made to your clients, and I'd love an example, a story about that. Scott Hornstein  42:28 I would love to tell you a story. Oh, good. So one of my clients is a manufacturer. And they manufacture of all things, barcode scanners, as you would use in a warehouse and in a warehouse, absolutely everything, including the employees, has a barcode. Theirs is different than the the ones that you would normally see, the ones that like have a pistol grip. These are, these are new. It's new technology. They're ergonomically designed. They sit on the back of your hand. They're lightweight. They have more capabilities. They're faster and more accurate. Well, that sounds like sliced bread. However, they had a big problem in that all the scanners in all the warehouses come from the titans of the universe, the Motorola's, the great big names and these great, you know the old saying of Nobody ever got fired for buying IBM. Well, you know, if they need more scanners. Why would they go elsewhere? They just go back and get the same thing. So the the big problem is, is how to penetrate this market? And we did it. I worked with them in a number of ways. The first way was to conduct interviews, qualitative interviews, with the executive team, to come up with their their brand. What did they think? What did they think that was most important? And they said, clearly, the productivity gains, not only is this faster, not only can we prove that this is faster, but the the technology is so advanced that now we can also give you. Information from the shop floor. Well, then we talked to their their partners, who were already selling things into these warehouses. And we talked to a number of companies that were within their ICP, their ideal customer profile, I think that's very important to be prospecting with the folks who can make best use of your products and services. And what we found is that it wasn't just the productivity, it was that we solved other problems as well, and without going heavily into it, we solved the a big safety problem. We made the shop floor more secure and safer for the workers. So we changed the message from Warehouse productivity to the warehouse floor of making each employee safer, able to contribute more and able to have a better satisfaction, and that we were able to roll out into a into great messaging. The initial campaign was solely focused on the workers, and our offer was We challenge you to a scan off our scanners, against yours, your employees, your products, your warehouse. Let's have a head to head competition, because we then knew from these interviews, from working with the partners, that once these employees got the ergonomic the lightweight, ergonomic scanners on their hands, and realized how much faster They were, and how much safer that they were, that they would be our champions. And in fact, that's what, what happened. I can go deeper into the story, but it it became a story. Instead of coming in and just saying, boost your productivity, it's the scanners work for your your overall productivity. It helps you to keep your customers satisfied, your workers, one of the big problems that they're having is maintaining a stable and experienced workforce, this changed the characteristic of the shop floor, and it changed the character, how the employees themselves described their work environment. So we were able to take that and weave a story that went from one end of the warehouse to the other with benefits for everybody in between. So you said, What is the the one you said, the greatest benefit, I would say the contribution that I'm most proud of, it's that it's to recast the brand, the messaging, in the form, in the shape of the customer, of what they need, of helping them to achieve the future state that they want. And I'm sorry for a long winded answer, Michael Hingson  49:10 yes, that's okay. Not a not a problem. So let me what would you say are the two or three major accomplishments or achievements in your career, and what did they teach you? Scott Hornstein  49:26 Well, you know, I think the the achievements in my career, well, the first one I would mention was incorporating that, that voice of customer research, bringing the customer to the planning table, letting the executives, the sales people, the marketers, unite around, how does the customer express their hopes, their dreams, their challenges? I would say the second. Uh, is this idea of taking all of the content of all of the messaging and and unifying it? Some people call it a pillar view. I call it storytelling, of relaying these things so that you are giving your prospects and your customers the information that they need when they need it, at the specific point in their consideration journey, when this is most important, and it might be that a research report for a prospect that talks about some of the challenges in the marketplace and what's being done, it might be as simple for a customer as a as a video on how do you do this? You know, how do you screw in a light bulb? Oh, here it is. Everybody's used to that. The the third thing, and, and this is something, forgive me, for which I am, I am very proud, is that now I take this experience and this expertise, and through the organization called score, I'm able to give this back to people who are are trying to make their way as entrepreneurs Michael Hingson  51:35 through the Small Business Administration. And score, yes, Scott Hornstein  51:40 very proud of that. I get so much for from that. Michael Hingson  51:46 Well, what would you say are maybe the two or three major achievements for you in life, and what did you learn? Or what did they teach you? Or are they the same Scott Hornstein  51:57 I did? Well, I would say they're they're the same, and yet they're a little bit different. The first one is, is that it's only very few people who lead the charmed life where they are never knocked down. I'm not one of those people, and I've been knocked down several times, both professionally and personally, and to get back up, I to have that, and you will forgive me if I borrow a phrase that indomitable spirit that says, no, sorry, I'm getting back up again. And I can do this. And it may not be comfortable and it may not be easy, but I can do this. So there was that I think that having kids and then grandkids has taught me an awful lot about about interpersonal relationships, about the fact that there isn't anything more important than family, not by a long shot, and from these different things. I mean, certainly, as you I was, I didn't have the same experience, but 911 affected me deeply, deeply and and then it quite frankly, there was 2008 when I saw my my business and my finances sort of twirl up into the sky like like the Wizard of Oz, like that house in the beginning, Michael Hingson  54:09 but still, Scott Hornstein  54:16 And I persevere, yeah. So I think that that perseverance, that that focus on on family, on humanity. And I would say there's one other thing in there, is that. And this is a hard one. Observation is that I can't do anything about yesterday, and tomorrow is beyond my reach, so I I have to take Michael Hingson  54:56 today, but you can certainly use yesterday. As a learning experience, Scott Hornstein  55:01 I am the sum of all my parts, absolutely, but my focus isn't today, and using everything that I've learned certainly. You know, I got tongue tied there for just a minute. Michael Hingson  55:19 I hear you, though, when did you get married? Scott Hornstein  55:25 I got married in 87 I I met my wife commuting on the train to New York. Michael Hingson  55:35 So you had actually made the decision to could to quit and so on, before you met and married her. Scott Hornstein  55:43 No, no, I was, I was I met her while I still had a job in advertising. That's why I was commuting to New York. And you know, in the morning there was a bunch of us. We'd hold seats for each other and just camaraderie, yeah, you know, have our coffee. Did she? Did she work? She did she did she was she joined the group because she knew she had just gotten a job in New York. And of course, for those who don't know New York? When I say New York, I mean Manhattan, the city. Nobody thinks of any of the boroughs Michael Hingson  56:27 as part of New York. Scott Hornstein  56:31 And yeah, I and one day gone in, she fell asleep on my shoulder, and the rest is history. There you go. Michael Hingson  56:41 What So, what did she think when you quit and went completely out on your own? Scott Hornstein  56:48 I you know, I never specifically asked her, but I would think that she would have thought that maybe I was not as solid, maybe not as much marriage material, maybe a little bit of a risk taker. I did not see it as as taking a risk, though, at that time, but it was actually great for us, just great for us. And yeah, met there, and then I quit. Shortly thereafter, she was still commuting. And then things started to just take off, yeah, yeah, both for my career and for the relationship, yeah. Michael Hingson  57:51 And again, the rest of course, as they say, is history. Scott Hornstein  57:56 It is. And here I am now in Reston, Virginia, and we moved to Reston because both daughters are in close proximity, and my two grandchildren. And you know, am I still confronted with the knock downs and the and the get up again. Yeah, the marketplace is very crazy today. The big companies are doing great, the mid size companies, which is my Market, and it's by choice, because I like dealing with senior management. I like dealing with the people who make the decisions, who if we decide something's going to happen, it happens and and you can see the impact on the culture, on on the finances, on the customer base. These guys are it's tough out there right now. Let me say that it's it's tough to know which way to go. This doesn't seem to be anything that's sure at the moment. Michael Hingson  59:11 Yeah, it's definitely a challenging world and and then the government isn't necessarily helping that a lot either. But again, resilience is an important thing, and the fact is that we all need to learn that we can survive and surmount whatever comes along. Scott Hornstein  59:33 And let me just throw in AI that is a big disruptor at the moment that nobody actually knows Michael Hingson  59:43 what to do with it. I think people have various ideas there. There are a lot of different people with a lot of different ideas. And AI can be a very powerful tool to help but it is a tool. It is not an end all. Um. Yeah, and well said, I think that, you know, even I, when I first heard about AI, I heard people complaining about how students were writing their papers using AI, and you couldn't tell and almost immediately I realized, and thought, so what the trick is, what are you going to do about it. And what I've what I've said many times to teachers, is let students use AI if that's what they're going to use to write their papers, and then they turn them in. And what you do is you take one period, and you call each student up and you say, All right, I've read your paper. I have it here. I want you now to defend your paper, and you have one minute, you're going to find out very quickly who really knows what they're talking about. Scott Hornstein  1:00:47 That, in fact, is brilliant. Michael Hingson  1:00:49 I think it's a very I think it's a very powerful tool. I use AI in writing, but I use it in that. I will use it, I will I will ask it questions and get ideas, and I'll ask other questions and get other ideas, and then I will put them together, however, because I know that I can write better than AI can write, and maybe the time will come when it'll mimic me pretty well, but still, I can write better than AI can write, but AI's got a lot more resources to come up with ideas. Scott Hornstein  1:01:21 It does. It does. And with that, it's a fantastic tool. The differentiator, as I see it, for most of my stuff, is that AI has read about all this stuff, but I've lived it, so I'm going to trust me at the end, Michael Hingson  1:01:45 and when I talk about surviving the World Trade Center and teaching people what I learned that helped me in the World Trade Center, I point out most people, if there's an emergency, read signs and they're told go this way to escape or to get out or do this or do that, but there's still signs, and they don't know anything. I don't read signs, needless to say, and what I did was spent a fair amount of time truly learning all I could about the World Trade Center where things were, what the emergency evacuation procedures were what would happen in an emergency and so on. And so for me, it was knowledge and not just relying on a sign. And so when September 11 happened, a mindset kicked in, and we talked about that in my my latest book, live like a guide dog. But that's what it's about, is it's all about knowledge and truly having that information, and that's what you can trust. Scott Hornstein  1:02:48 I'll give you a big amen on that one. Michael Hingson  1:02:52 Well, this has been a lot of fun to do. We've been Can you believe we've been doing this an hour? My gosh, time, I know having fun. Scott Hornstein  1:03:03 It's fun. And I would say again, in closing, I just have enormous respect for what you've accomplished, what you've done. This is been a great privilege for me. I thank you very much. Michael Hingson  1:03:19 Well, it's been an honor for me, and I really value all the comments, the advice, the thoughts that you've shared, and hopefully people will take them to heart. And I would say to all of you out there, if you'd like to reach out to Scott, how do they do that? Well, there you go. See, just, just type, well, right? Scott Hornstein  1:03:42 That's it. If you, if you sent an email to Scott dot Hornstein at Gmail, you'll get me. Michael Hingson  1:03:56 And Hornstein is spelled Scott Hornstein  1:03:58 H, O, R, N, S, T, E, I, Michael Hingson  1:04:03 N, and again, it's scott.hornstein@gmail.com Scott Hornstein  1:04:09 that's that's the deal. There you go. Well, find me on LinkedIn. You can find me on medium. I'm all over the place. Michael Hingson  1:04:18 There you are. Well, I hope people will reach out, because I think you will enhance anything that they're doing, and certainly trust is a big part of it, and you earn it, which is great. So thank you for being here, and I want to thank all of you for listening and watching us wherever you are. Please give us a five star review and a rating and but definitely give us a review as well. We appreciate that. If you know anyone else who ought to be a guest, Scott, you as well. We're always looking for more people to have on, so please introduce us and Scott. If you want to come on again, we can talk about that too. That'd be kind of fun. But I want to thank what I want to thank you again for being here. This has been fun, and I appreciate you being here with us today and and so thank you very much for doing it. Scott Hornstein  1:05:07 My all the pleasure is all mine. Michael Hingson  1:05:14 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

Whose Frankenstein is it anyway? Who cares! Live, laugh, love.Who's responsible for this?Director: Guillermo deal TotoroWriters: Guillermo del Toro, Mary Shelley Stars: Oscar Isaac, Jacob Elordi, Mia Goth, Christoph WalzRecommendations: Greg - The Anatomy Lesson, Bernard Rose's Frankenstein, Birth/RebirthEmily - Cabinet of Curiosities, Ex-MachinaJeremy - Ex-Machina, Poor Things, Saltburn, One Battle After Another, JOIN JEREMY'S ZOOP CAMPAIGN AND HELP MAKE GREAT COMICS! https://zoop.gg/c/slayTake our listener survey: http://bit.ly/progressivelyhorrified-surveySign up to support Progressively Horrified on Patreon for as little as $5 a month and get bonus episodes! https://www.patreon.com/c/progressivelyhorrified Hosted on Acast. See acast.com/privacy for more information.

No deja de ser curioso que los dos estrenos comerciales más potentes de Hollywood esta nueva temporada sean de Warner -a la espera de su venta ahora Paramount-, los firmen mujeres y reinterpreten historias clásicas. La actriz Maggie Gyllenhaal ofrece una película punk y feminista sobre la novia de Frankenstein con Jessie Buckley, Christian Bale y nuestra Penélope Cruz. En este episodio la analizamos y, además, tenemos muchos estrenos calientes, como los moteros gais de 'Pillion', y otros debuts interesantes como 'La sombra de mi padre'. También está ya en cines la nueva apuesta de Pixar y el drama político 'El mago del Kremlin', con Jude Law como Vladimir Putin. En televisión, nueva ronda de estrenos para empezar el mes de marzo.

Frankenstein 1931 Part 3

What's Up Cinemaniacs! Join Cinemania World Members Duane and Josie as they review The Bride! Yes, another Frankenstein/Bride of Frankenstein is here but this time under the writing and directors helm of Maggie Gyllenhaal! The Bride stars Jessie Buckley and Christian Bale as both the bride of Frankenstein and Frankenstein! Find what the team thought of the film! Join us and make sure you like and subscribe! Follow us: Website Facebook Twitter Instagram Apple Podcasts Spotify Google Podcasts Stitcher Castbox Blubrry Amazon Music TuneIn Audible Follow Duane - Twitter Instagram Letterboxd Follow Josie (Film Posers) - Twitter Film Posers Cinemania World Merch: Teepublic

La pantalla grande de la 29 edición del Festival de Málaga se encendía para dar su pistoletazo de salida y recibir Calle Málaga, la película inaugural del certamen y la tercera dirigida por Maryam Touzani. Con ella charlamos de esta cinta que respira verdad, que habla de segundas oportunidades. A la cartelera y a De película llega la ópera prima de Rubén Pérez Barrena, Caminando con el diablo protagonizada por Tamar novas, Un thriller rural protagonizado por Tamar Novas y Marina Salas. Sobre el dolor, la culpa y la irrupción del otro en nuestros miedos charlamos con su director, Rubén Pérez Barrena, Tamar Novas y el director de fotografía Javier Salmones.José Fernández nos trae lo que está por venir, Una familia, la película con la que Ricardo Gómez debuta en el largo. El cine Internacional es protagonista en la cartelera con la película ¡La novia!, de la actriz y directora Maggie Gyllenhaal, una reinterpretación oscura y apasionada del mito de Frankenstein, y El último vikingo de Anders de Thomas Jensen, al que podéis escuchar esta madrugada comentándonos esta película que tiene los ingredientes necesarios para gustar, un exconvicto, Un hermano enfermo y Un botín escondido. Nos detenemos en América Hispana. El Legado de las olas, repasamos el resto de la cartelera y Pedro Calvo nos acerca dos series: Un hombre mejor, que ya se puede ver en Filmin y Portobello en HBO Max.Escuchar audio

Film critic Dominic Corry joins Jesse to review: The Bride! Tenor - My Name Is Pati Charli XCX movie The Moment

Sergio Pérez habla de ¡La Novia!, El mago del Kremlin, Hoppers, Pillion, Aves de corral, América Hispana. El legado de las olas, El último vikingo...

Manche Menschen sind über 80 und scheinen trotzdem kaum abzubauen. Was steckt hinter diesen sogenannten Super-Agern? In dieser Folge sprechen wir darüber, was ihr Gehirn besonders macht: über den Hippocampus, über neu entstehende Neuronen im Alter und über die überraschenden Unterschiede. Außerdem geht es um neue Ideen aus der Stammzellforschung und um Eiweiße im Blut, die Hinweise darauf geben könnten, warum manche Menschen geistig so lange fit bleiben. Es geht um Frankenstein, Seepferdchen und die Frage wer von uns beiden hier der Super-Ager ist. 0:15 Was sind Super-Ager 01:27 Doppelte Neuronen 02:36 Der Hippocampus 07:20 Junge Zellen 09:54 Eiweiß-Konstellation

Welcome back to The Kristian Harloff Show, your daily source for the biggest movie news, TV updates, and pop culture discussions! On today's episode, Kristian Harloff breaks down the biggest headlines in entertainment—from DC Studios and HBO to major upcoming films hitting theaters in 2026. First up, the LANTERNS trailer has finally dropped, giving fans their first look at the upcoming HBO Max DC series featuring Hal Jordan and John Stewart. The grounded tone and detective-style story have sparked mixed reactions online, with some fans loving the gritty approach while others question the direction of the DCU. Is the reaction justified, or are fans overreacting to an early teaser? The series is expected to arrive on HBO and HBO Max in 2026 and will follow the two Green Lanterns investigating a mysterious murder tied to the larger DC Universe. Next, we discuss the fascinating production detail behind Project Hail Mary, the upcoming sci-fi film starring Ryan Gosling. According to the filmmakers, the movie was shot without using a single green screen, with massive practical sets built to create the spacecraft environment. This ambitious approach could give the film a more realistic look compared to typical CGI-heavy space movies. We also talk about The Bride!, the new monster film inspired by Bride of Frankenstein, which is receiving very mixed early reviews from critics. Is this a bold reinterpretation of a classic horror story, or another divisive remake? Finally, there's an update on DC projects Man of Tomorrow and The Batman Part II, as reported shooting start dates give fans a timeline for when production could begin. However, if you were hoping for a crossover between the two worlds, the current reports suggest you shouldn't count on it. Join Kristian as he breaks down all of today's stories, reacts to the latest trailers, and gives his take on where the future of DC, sci-fi films, and major studio releases might be headed. Subscribe to The Kristian Harloff Show for daily movie news, trailer reactions, and deep dives into Marvel, DC, Star Wars, and everything happening in Hollywood. SPONSOR: RUGIET:  For a limited time only, head to https://www.Rugiet.com/KRISTIAN to get 15% off your order.

Bob's Movie Club presents: Frankenstein (2025). Who is the real monster in this story? Because it certainly isn't Jacob Elordi in his bandage booty shorts. Sarah, Vinnie, and Bob discuss the movie and share listener thoughts. Does it count as a sandcastle if it has scaffolding? Is Vinnie harboring a childhood crush in his dreams?

Hour 1: Bob's Movie Club presents: Frankenstein (2025). Who is the real monster in this story? Because it certainly isn't Jacob Elordi in his bandage booty shorts. Sarah, Vinnie, and Bob discuss the movie and share listener thoughts. Does it count as a sandcastle if it has scaffolding? Is Vinnie harboring a childhood crush in his dreams? Hour 2: Britney Spears has been arrested for a DUI. A disgusting Survivor first happened on last night's episode. Rob bought Maura a Birkin bag! An update on the bay area woman who was throwing parties for underaged kids. Sitting next to your partner on a flight means someone needs to be in the middle seat. Is this necessary, or should we be getting a seat divorce? (52:09) Hour 3: Let us solve your problems! Email us at badadvice973@gmail.com You can expect a Rob Reiner tribute at the Oscars. Will Barbra Streisand be included?? The Beckhams wished Brooklyn a happy birthday. The inspiration for Jurassic Park is in the Epstein files, but he says it's all about his dino chicken project! A Game of Thrones movie is in the works! Prince Andrew is being evicted. Should Meghan Markle move in? Bridgerton Part 2 is here. Vinnie is remembering his futon days. Here are things that make millennials feel like they've made it. Vinnie gives us a lesson on Irish good byes. (1:31:56) Hour 4: Size matters… but not that much. Need Friday plans? Brandy Carlisle is playing the Chase Center tomorrow night! Nashville is getting a Sphere! What's going on with SF's mini spheres? Lil Uzi Vert is having issues with their insurance due to the diamond in their forehead. Check Sarah and Vinnie out on YouTube! Vinnie's telling us what's going on in the Bay Area, including Hype Con and Granny Con this weekend. 3D printed homes are here. Well, they're in Yuba County. Plus, When Did That Happen? (2:17:55)

Bob's Movie Club presents: Frankenstein (2025). Guillermo Del Toro's take on the iconic story starring Oscar Isaac, Jacob Elordi, and Mia Goth. Who is the real monster in this story? Because it certainly isn't Jacob Elordi in his bandage booty shorts. Sarah, Vinnie, and Bob discuss the movie and share listener thoughts.

THE BRIDE! hits theaters this week, so we wanted to enjoy the original 1935 film THE BRIDE OF FRANKENSTEIN in anticipation of the upcoming adaptation. Zach and Danny sit down to watch and yap (it's meaningful yapping, so it's ok) over James Whale's classic story of outsiders looking for acceptance in a cruel, cruel world. Enjoy this intro to our PATREON EXCLUSIVE commentary on THE BRIDE OF FRANKENSTEIN, and join for only $3/month at patreon.com/howimetyourmonster for the full episode! Subscribe on Apple Podcasts, Spotify, and YouTubeFor bonus content and commentaries, check out our PatreonFollow the show on Instagram, TikTok, and FacebookWant to support the show and save 20% on Fangoria? Visit Fangoria and enter PROMO CODE: HOWIMETYOURMONSTER at checkout!Looking for How I Met Your Monster merch? Check out TeePublic for shirts, stickers, mugs, and more!Questions and comments: howimetyourmonsterpodcast@gmail.com

Put on your sparkliest dress, dear listener: it's time once again for OSCARMANIA! This week, we dip into some of the Best Picture nominees: BUGONIA, F1, FRANKENSTEIN, HAMNET and MARTY SUPREME! linktr.ee/swimfans patreon.com/swimfans Theme by Padlock: http://padlock.bandcamp.com/

Joel Murphy and Lars Periwinkle are once again joined by Molly Regan to break down the 2026 Academy Awards. They go through all 10 Best Picture nominees and share their thoughts on Best Actor/Actress, Best Director and Best Short Films. So listen along, prepare for the show and get upset along with the gang when Michael B. Jordan inevitably loses to Timothée Chalamet. Intro Music: “Giddy Up” by Tahuna Breaks Hobo Radio is presented by HoboTrashcan.com and is a part of the Peak Sloth Podcast Network. Hear more shows at PeakSloth.com.

Writer Rebecca Stott and Telegraph film critic Robbie Collin join Tom to discuss The Bride! Maggie Gyllenhaal's film about the bride of Frankenstein, starring Jessie Buckley and Christian Bale.They also talk about the novel Bad Fiction by Rebecca Sarah Ley which is based around a creative writing course and relationships with the lauded course leader.There's going to be a new BBC TV documentary about reading and they want your stories about the book that changed your life. Maybe a book bought you love, transformed health or happiness or even saved a life? If you would like to tell your story please email: Reading@blinkfilmsuk.comArtistic director Seán Doran talks about a new Northern Literary Lands initiative, celebrating the literary legacy of eleven border counties in Ireland. With the new Samuel Beckett Biennale, several festivals and nine cross-border literary travel paths, the area is applying to become the world's first UNESCO Region of Literature. The German film Sound of Falling is the final item being reviewed. The award-winning film explores a home over a century which is haunted by family secrets.Presenter: Tom Sutcliffe Producer: Claire Bartleet

This Super Saturday almost knocked us out, but we've got a super-sized episode covering SIX national finals: Lithuania's Eurovizija.LT, Norway's Melodi Grand Prix, Finland's UMK, Serbia's Pesma za Evroviziju, Germany's Das Deutsche Finale, and of course, Italy's Sanremo. It's a lot of show to get through, but we've got six new winning songs, including one that feels like it could... go... all... the... way! Jeremy demands a moratorium on dessert songs, Dimitry is ready to rise up, and Oscar refuses to be screeched at by old Italian men. Watch Lithuania's Eurovizija.LT on YouTube: https://www.youtube.com/live/WHdHpo6BcTw Watch Norway's Melodi Grand Prix on NRK's website: https://tv.nrk.no/serie/melodi-grand-prix-tv/sesong/2026/episode/IUFF25000026 Watch Finland's UMK with English commentary on YLE's website: https://areena.yle.fi/1-77200079 Watch Serbia's Pesma za Evroviziju on YouTube: https://www.youtube.com/live/rligiLSQfUg Watch Germany's Das Deutsche Finale on YouTube: https://www.youtube.com/watch?v=yAGgHF8NqwM Watch the performances from Night One of Italy's Sanremo on YouTube: https://www.youtube.com/watch?v=YaRwQe9Q0dg&list=PLb_Qew9DujkgbCkDTnpKE0438t857DaPY This week's companion playlist: https://open.spotify.com/playlist/0FWPKP7Fjy3sCNh2LzyMUW The Eurovangelists are Jeremy Bent, Oscar Montoya and Dimitry Pompée.The theme was arranged and recorded by Cody McCorry and Faye Fadem, and the logo was designed by Tom Deja.Production support for this show was provided by the Maximum Fun network.The show is edited by Jeremy Bent with audio mixing help was courtesy of Shane O'Connell.Find Eurovangelists on social media as @eurovangelists on Instagram and @eurovangelists.com on Bluesky, or send us an email at eurovangelists@gmail.com. Head to https://maxfunstore.com/collections/eurovangelists for Eurovangelists merch. Also follow the Eurovangelists account on Spotify and check out our playlists of Eurovision hits, competitors in upcoming national finals, and companion playlists to every single episode, including this one!

The Disney movies I grew up with made it easy for a kid like me to recognize good vs. evil. We knew, walking in the door, that goodness would prevail, because it must. The alternative is nothing less than the end of civilization as we know it. Goodness was personified by the beautiful princess, whose purity of heart drew the forest creatures and eventually, a handsome prince. Their union was a symbol of harmony, stability, and happy endings.Evil was embodied in the wicked queen, who was jealous of the princess's purity, so much so that she couldn't rest until the princess was obliterated. Somehow, the villains never know their demise is a certainty because goodness must prevail. Some might say that is what happened to the MAGA movement, one bright sunny day in Utah, when a psycho killer avenging the crippling despair of his transgender furry lover took aim and shot the handsome prince, killing him within minutes. Since then, MAGA has struggled to hold onto the coalition Charlie built, the support for the president he helped elect, and to protect the beautiful princess from the evil forces that threaten to destroy her, Turning Point, and MAGA.Candace Owens might think she's the hero of this story. She's written herself in after she was left on the cutting room floor. She's amassed an audience of dimwitted women and a weaponized army of international bad actors hoping to infiltrate the US and use Candace to shape public opinion. A growing portion of her audience, as with many influencers on the Right now, is comprised of people convinced that Jews are behind every evil thing that ever happens, has ever happened or will ever happen, and in Candace Owens, they've found their princess. Candace is the only one who sees the truth!Candace is an instrument of God!Candace will make sure justice is served!How good it must feel for someone who's always been a whole lotta charisma with no real place to land. She tried out many different masks over time, moving through political parties and various ideologies until finally landing the role of a lifetime: mean girl with a microphone. After being booted out of the Daily Wire, her gossipy YouTube channel would take her into the wet, slimy corners of culture and politics, and her audience would lap it up. But she would hit paydirt when she decided to run with the idea that Brigitte Macron was really a man.Cruelty sells online, and Becoming Brigitte was a huge hit. Getting slapped with a massive lawsuit by the Macrons only seemed to make her more popular. By the end of that mess, everyone knew her name.So then what? Back to Blake Lively and Diddy's Freak-Offs? Not for our Disney villain. She needed something as big, if not bigger. What could really dig into the tender spots and manifest itself as emotional terrorism in the same way? Who is as protected a target? Social media amplifies the ugliness inside of us all. The algorithms do the rest. The Left has been unleashing levels of dehumanization and bullying at Erika Kirk since the day Charlie died. Why her? Who knows. They hated him and were happy he was dead. They wanted to see his widow suffer, especially because she's a pretty blonde. All the while, Candace, who'd been sidelined from Charlie's life, didn't attend his wedding to Erika, so the story goes, and was pushed out of TPUSA and not present at the memorial, saw that Erika was suddenly a subject both too hot to touch and impossible to ignore. And yeah, a pretty blonde.And so, just as the evil Queen in Snow White can't stand it any longer and sends a huntsman to kill what torments her, Candace finally pulled the lever, especially after Erika Kirk told her to stop, in an interview with the very Jewish Bari Weiss, no less.So many women, and even some men, wanted to see our princess fall, and Candace was more than happy to serve it up fresh and hot. The Disney PrincessCharlie Kirk's marriage to Erika was always met with the refrain, “she's out of his league.” Charlie got lucky and found himself a true beauty. Half Syrian/Lebanese and half Swedish. Erika Kirk looks like no one else. With cascading platinum locks and sparkling blue eyes, she was Charlie's dream girl. How did he ever get so lucky? He saw her, knew he wanted her, and he said to her, “I don't want to hire you. I want to date you,” so goes the famous story of how they met.Candace is pretty, but she's not that pretty. Few women are. Candace had to develop other skills that pretty girls usually don't have to worry about. Candace is better on camera than Erika. She is better at performing and at storytelling. Erika is still slightly awkward and hasn't yet found her voice. She's trying under enormous pressure and undeserved scrutiny to keep Turning Point alive and make Charlie's dreams come true. Not to mention caring for two small children and an ailing mother. But it's Erika's beauty, especially her leaning into her half-Swedish identity, that seems to drive Candace into fits of despair and jealousy. What else could explain it? Candace admits she wasn't the kind of kid that people sought out to be in beauty pageants. “I was funny looking,” she says. “I had an underbite.”And therein lies the tragedy of Candace Owens. She has an abundance of charisma and is a gifted storyteller. But none of that gave her the happy ending she wanted because it was never about the handsome prince. She wanted power, influence, all eyes on her. And that has taken her down a dark path.A Disney VillainHer slice and dice this time would be called The Bride of Charlie, like the Bride of Frankenstein (get it, FrankenSTEIN?), with Charlie as the hapless creature, and Erika built just for him and used as bait to lure him into a trap that would eventually get him killed. The views were up in the millions as Candace's audience spread the lies and rumors far and wide on social media. Her idiot followers pretended like there was something to the story when it was obvious they just needed another woman to hurl into the public arena, our modern-day Colosseum. Why? Because they're bored, they're stupid, and they don't know what else to do with their time.Her “investigative series” is a whole lotta nothing. It is petty and dumb, revealing that Candace just wants to be back in the movie and keeps writing herself back into the script.“He was like a little brother to me,” she has said. No one would treat their little brother this way. She brags about encouraging Charlie to date women and pushing him toward Erika. All the while suggesting she was more important to Charlie, to Turning Point, to the entire world than Erika ever could be. Pick MELook at METalk about MENot her.But not even Charlie is as important as the bigger conspiracy that Israel killed him. Candace repurposed Charlie's corpse as proof of her delusional fantasies that Israel would even bother. She has invented a version of Charlie that never existed and used him as a prop to push insane levels of Jew hate not seen for a long time in media, if ever, not counting Nazi Germany.It wouldn't be until the US and Israel bombed Iran that it would all come together for her in a nice, neat package. They needed Charlie out of the way so they could start this war. Whatever is happening now, courtesy of algorithms and anonymous users driving influencers farther to the Right, Robert Malone warns that we're seeing the kind of hate we haven't seen since World War II, the last Fourth Turning. And So Shines a Good Deed in a Weary WorldCalling out Candace Owens is dangerous. Once she makes you a target, her minions will attack like the flying monkeys in The Wizard of Oz. Some people on the Right do have the courage not so much to attack Candace, although plenty have, but to stand up for Erika. One such person is the Daily Wire's Matt Walsh, who dedicated an entire show to exposing just how ridiculous The Bride of Charlie actually is, and none of it is evidence of any crime. It's not true, Matt says, and so it's wrong. But for someone like him, who mostly exists in the Tucker Carlson lane, to do so was brave.The whole video is worth watching, and you can find it here. Here is how he opens it:Candace might be playing with fire like Alex Jones did when he was hit with a billion-dollar lawsuit after Sandy Hook. Candace is slippery in the things she says, always careful to add “in my imagination” or “this is speculation.” But she has done visible harm to Erika Kirk's reputation, the very definition of defamation. She's also made the children of Charlie Kirk have to grow up with these lies, this unfair albatross that will haunt them forever. How could anyone who calls themselves a friend of Charlie do that?So that's all the more reason I was moved by Matt Walsh's willingness to go there. He didn't attack her, and he could have. He didn't destroy her, and he could have. He tried to appeal to the better angels of her nature, but the thing is, I don't think she has any. Matt was a very good friend of Charlie Kirk, and this is what friends do. They don't pillage the corpse for clicks and views. They don't bully, harass, and smear the widow and endanger the lives of their children. They don't try to dismantle the movement Charlie built. Candace was no friend to Charlie Kirk.But Matt was. If I had to guess, I'd say he made a silent promise to his good friend that he would step up and provide support and be a kind of guardian angel for Erika and their two kids. His monologue is so good, so well written, so moving it should have been more of a reason for others to do the same. But the content churn won't allow it. It's onto the next thing.Matt's monologue makes me think Charlie Kirk was right in how he chose his closest friends. If it's true that he had parted ways with Candace Owens before his death, that speaks volumes. If his legacy is to be handed over to anyone, let it be to those who cared about him, so they care about Erika. Those seeking to destroy the ones Charlie loved the most should be kept far, far away. But all you have to do is listen to Charlie's voice, to his children, and to Erika to find solid ground. This is real. That other stuff isn't. Charlie Kirk is missed because, like Scott Adams and even the podcast America This Week, he had a calming effect on the spiraling craziness. His words echo from beyond the grave to shame the pretenders like Candace, who can never be like Charlie. In the end, it would turn out that Candace's object of scorn wasn't Erika at all. It was Charlie. She could never be him. She would never be loved like that. She will never lead a movement like he did. She will never change the world. She will always be on the outside, her face pressed against the glass, screaming into the void.Candace cast herself as the villain in our Disney movie. And if her rise has been fascinating to watch, her fall will be spectacular. If, for no other reason, goodness must prevail. // This is a public episode. 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To access the entire conversation, all of our bonus content and more become a supporter at www.patreon.com/thiswreckageThe boys are back to discuss the latest war in West Asia. How should socialists view this recent outbreak of violence? What role does Zionism have in US foreign policy? Is the tail wagging the dog or has Dr Frankenstein lost control of his creation?In the fun half we discuss American Bundism and its failure, what role artificial intelligence is playing in the imperial military, and how the US military has entered such dire straights.

This Postmodern Realities episode is a conversation with JOURNAL author Cole Burgett about his article, “Come On, Get Happy: A Cultural Reflection on Apple TV's Pluribus'”. .This is also part of Cole's ongoing column, Cultural Apologetics.   Please enjoy this Streaming Series Cultural Commentary.[Editor's Note: This review contains spoilers for Pluribus.] https://www.equip.org/articles/come-on-get-happy-a-cultural-reflection-on-apple-tvs-pluribus/One way you can support our online articles and podcasts is by leaving us a tip. A tip is just a small amount, like $3, $5, or $10, which is the cost of a latte, lunch out, or coffee drink. To leave a tip, click here.Related podcasts and articles by this author:Episode 479: The God Who Looks Back: A Review of ‘Avatar: Fire and Ash'“The God Who Looks Back: A Review of ‘Avatar: Fire and Ash‘”. Episode 472: The Man and the Monster: A Review of Guillermo del Toro's Frankenstein The Man and the Monster: A Review of Guillermo del Toro's ‘Frankenstein'.Episode 466: All's Well That Ends Well: A Review of ‘The Conjuring: Last Rites'All's Well That Ends Well: A Review of ‘The Conjuring: Last Rites'Don't miss an episode; please subscribe to the Postmodern Realities podcast wherever you get your favorite podcasts. Please help spread the word about Postmodern Realities by giving us a rating and review when you subscribe to the podcast. The more ratings and reviews we have, the more new listeners can discover our content.