Podcasts about Frankenstein

BONUS cross pod w/ our pals at Tender Subject This week on Tender Subject, we are joined by comedian Jake Flores and writer J †Johnson to talk Frankenstein. We dissect the book and the 2025 film through queer and Marxist theory and get into why the film often let us down. Media referenced: Frankenstein by Mary Shelley Skin Shows: Gothic Horror and the Technology of Monsters by J Halberstam Capitalism: A Horror Story by Jon Greenaway J †Johnson is the co-editor of Cul de Sac of Blood, a horror poetics journal and the author of two books with Punctum Books. Their forthcoming book, Janky Materiality will also be published by Punctum. Kayte is also a co-host on Fangs for the Memories and makes art here.

Federico analiza con Rosana Laviada, Marhuenda e Ignacia de Pano la estrategia de Sánchez ante la sensación de colapso.

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Jeromy Johnson, from Slutty Grace Podcast, partners with RGWT Podcast to host David Artman and Jason Clark. The fella's explore Christian universalism not as a fashionable doctrine or theological loophole, but as a coherent, compelling way of seeing God—one that only makes sense if Jesus truly reveals a God whose love is measureless, non-violent, and relentlessly restorative. They push back on dualism, punishment frameworks, and the “ticking clock” gospel (say the prayer before you die or you're done), and instead explore union, consent, and restoration—a God who doesn't “look away,” whose justice flows through love, and whose “aeonian” correction is about healing, not revenge. Along the way: early church fathers, time and eternity, “Dr. Evil vs Dr. Frankenstein” theology, parking-lot faith conversations, and a stunning story about meeting God at rock bottom—and wondering if that God is “allowed in church.”For more content like this, go to:https://afamilystory.org/Please rate, review, share, and SUBSCRIBE!Podcast intro and outro music by Wilde AssemblyJOIN our RGWT Subscriber-Based Community:https://afamilystory.audiencetap.com/qc/wU0gQoHxDxJoin A Family Story's Mailing Listhttps://landing.mailerlite.com/webforms/landing/e2f4i4Join the Rethinking God with Tacos Facebook Group at:https://www.facebook.com/groups/godandtacosFollow Rethinking God with Tacos on Instagram at:https://www.instagram.com/rethinkinggodwithtacos/Follow Jason's personal Facebook page at:https://www.facebook.com/afamilystory.org/Follow Jason on Instagram at:https://www.instagram.com/jasonclarkis/ Follow Jason on X at: https://x.com/jasonclarkis Send a donation!!https://app.moonclerk.com/pay/36393kxxeh8

About This Episode: 2025 Top 10 Films - Ep 380: New Year, New Normies, Last Year's Best of Lists! We count down our Top 10 Films of 2025, the movies that lived rent-free in our heads long after the credits rolled. We're breaking down what made 2025 such a memorable year at the movies, and it's certainly not the other theater goers that keep us showing up to the theater. Grab some popcorn and argue along with our hot takes and last ditch efforts at recommending hidden gems. Agree with us? Probably not—and that's half the fun! Somehow heartbreak feels good in a Normie like this. @Normies_Like_Us https://www.instagram.com/normies_like_us/ @jacob https://www.instagram.com/_j__a___c___o__b_/ @Mike_Has_Insta https://www.instagram.com/mike_has_insta/ https://letterboxd.com/BabblingBrooksy/ https://letterboxd.com/hobbes72/ https://letterboxd.com/mikejromans/

MUSICMaynard James Keenan, the lead vocalist of Tool, A Perfect Circle, and Puscifer, expressed on Steve-O's podcast that he now considers the song "4°" from Tool's 1993 album "Undertow" to be "stupid" due to its lyrics. https://loudwire.com/maynard-james-keenan-tool-song-stupid/ The Eagles' album "Their Greatest Hits 1971-1975" has become the first to achieve quadruple diamond certification from the RIAA, indicating over 40 million units sold. https://www.the-independent.com/arts-entertainment/music/news/the-eagles-greatest-hits-album-b2905358.html Metallica have teamed up with Dr. Martens for a new line of shoes. The 1460 boot uses artwork from the band's 1988 Damaged Justice tour and the 1461 shoe features artwork from the 1986 Damage Inc. tour. Both go on sale January 29th. TVFormer Real Housewife Bethenny Frankel has stage 2 kidney disease. According to Page Six, https://pagesix.com/2026/01/22/celebrity-news/bethenny-frankel-announces-stage-2-kidney-disease-diagnosis/ Gwyneth Paltrow recently shared her strategies for managing anxiety during an Instagram AMA (Ask Me Anything). https://people.com/gwyneth-paltrow-gives-her-advice-for-managing-anxiety-shouting-at-the-bushes-it-helps-11890157 AND FINALLYNominations for the 98th Academy Awards are out!Actors Danielle Brooks and Lewis Pullman revealed the nominees. Sinners received 16 nominations; a record-breaking nomination count for the most in Academy Awards history. The supernatural thriller received nominations for best picture; director (Ryan Coogler); actor (Michael B. Jordan); supporting actress (Wunmi Mosaku); actor in a supporting role (Delroy Lindo); and original screenplay. Timothée Chalamet is 30 years and 26 days old, Chalamet just became the youngest male actor to receive three Oscar nominations since Marlon Brando, who achieved this feat at age 29 in 1954. Steven Spielberg has broken his own record for the most Oscar nominations as a producer, bringing his total to 14 with the nomination for Best Picture for the film "Hamnet." One Battle After Another received 13 nods, including Best Picture.The Snubs:The Cold Shoulder: The Biggest Snubs of the 2026 Oscar NominationsThe Wicked Witch of the West... Gone?The biggest shocker of the morning has to be the complete erasure of Wicked: For Good. Just last year, the first installment picked up 10 nominations. This year? Zero. Zilch.Ariana Grande and Cynthia Erivo, who were both nominated for the first film, were completely shut out of the acting categories. Even the music branch turned its back on the franchise, ignoring the two new songs written specifically for the film. It seems the magic ran out for the sequel.Paul Mescal's Shakespearean TragedyIf you were betting on Paul Mescal picking up a nomination for playing William Shakespeare in Hamnet, you lost money today. While the film itself did well—and his co-star Jessie Buckley secured a nomination—Mescal was noticeably absent from the list. It's a tough break for an actor who has been a darling of the awards circuit lately.The Strange Case of Chase InfinitiHere is a genuine head-scratcher: One Battle After Another is a massive favorite, racking up 13 nominations. Yet, its breakout lead actress, Chase Infiniti, didn't make the cut. Some insiders think her limited screen time (she's in the movie for about 30 minutes) might have hurt her chances, but considering she's the heart of the film, her absence in the Best Actress category is glaring.Guillermo del Toro Gets the "Argo" TreatmentThe Academy clearly loved Netflix's Frankenstein—it scored nine nominations, including Best Picture. But they apparently didn't love Guillermo del Toro quite enough to give him a Best Director nod. The Directors branch is notoriously finicky, and this year, they left the beloved filmmaker off the list.Blockbuster FatigueAvatar: Fire and Ash failed to secure a Best Picture nomination, a category the previous two films sailed into easily. It seems voters might finally be feeling some Pandora fatigue.Star Power Didn't Save ThemBeing an A-lister didn't help anyone this morning.George Clooney & Adam Sandler: Their film Jay Kelly was completely shut out. Usually, a Noah Baumbach movie is catnip for voters, but this one came up empty.Dwayne "The Rock" Johnson: Despite a serious campaign for his dramatic turn in The Smashing Machine, he couldn't crack the lineup.Jennifer Lawrence: She gave a ferocious performance in Die My Love, but the film was likely too gritty and indie for the broader voting body.The show, hosted by Conan O'Brien, airs live on ABC on March 15th. Here are the nominees:Best PictureBugoniaF1FrankensteinHamnetMarty SupremeOne Battle After AnotherThe Secret AgentSentimental ValueSinnersTrain DreamsBest DirectorChloé Zhao - HamnetJosh Safdie - Marty SupremePaul Thomas Anderson - One Battle After AnotherJoachim Trier - Sentimental ValueRyan Coogler - SinnersBest ActorTimothée Chalamet - Marty SupremeLeonardo DiCaprio - One Battle After AnotherEthan Hawke - Blue MoonMichael B. Jordan - SinnersWagner Moura - The Secret AgentBest ActressJessie Buckley - HamnetRose Byrne - If I Had Legs I'd Kick YouKate Hudson - Song Sung BlueRenate Reinsve - Sentimental ValueEmma Stone - BugoniaBest Supporting ActorBenicio del Toro - One Battle After AnotherJacob Elordi - FrankensteinDelroy Lindo - SinnersSean Penn - One Battle After AnotherStellan Skarsgård - Sentimental ValueBest Supporting ActressElle Fanning - Sentimental ValueInga Ibsdotter Lilleaas - Sentimental ValueAmy Madigan - WeaponsWunmi Mosaku - SinnersTeyana Taylor - One Battle After AnotherAND THAT IS YOUR CRAP ON CELEBRITIES!

It's our first episode of the year, and with it, our yearly look back at the past year in film! From Sinners to One Battle After Another, Frankenstein to If I Had Legs I'd Kick You, and so many more 2025 films! Plus our favorite new to us movies that we watched for this show in the past year! If you have any questions/comments/suggestions for the show, follow us on twitter @TheMixedReviews, like us on Facebook, e-mail us at reviewsmixed@gmail.com, visit our  Instagram or  TikTok for extra content, become a patron on our Patreon, or stop by our shop and pick up some podcast merchandise! Don't forget to subscribe to us on  iTunes, Spotify, Podchaser, Audible, or wherever you get podcasts! All clips are used under Fair Use and belong to their respective copyright owners.

Send us a textA ten-year-old girl asks her podcasting neighbors to kill the monster she believes ate her entire family. To protect her, they'll need to battle an onslaught of listeners and each other while accepting the fact that one of them is an actual monster. On Episode 704 of Trick or Treat Radio our feature presentation is the fantasy horror film Dust Bunny from director Bryan Fuller! We also talk about; the rise of horror during award season, our coming attraction reaction for the new Masters of the Universe trailer, and attempt to determine the difference between fantasy and reality. So grab your covers, pull them up tight, make sure to feed the monster under your bed, and strap on for the world's most dangerous podcast!Stuff we talk about: The Year in Horror, K-Pop Demon Hunters, Bugonia, Frankenstein, Aliens, Misery, Silence of the Lambs, Sinners, Weapons, The Ugly Stepsister, Academy Award Nominations, The Comedy of Terrors, The Thing Without a Face, A Stranger is Watching, Burned at the Stake, The Greasy Strangler, Summer of 84, RKSS, Legion, Charman, Friday the 13th, Saw 2, Feast, Fortitude, Linda Blair, Chained Heat, Red Heat, Carrie, Deep Evil, Hollow Man 2, Beyond Evil, Hysterical, The Lost Empire, After Darkness, Succubus, Bill Bixby, Bad Blood, The Faculty, Alfred Hitchcock Presents, The Manitou, Donkey Punch, Robert E. Howard, The Cabinet of Dr. Caligari, Mad Love, Phantom Creeps, Peter Jackson, The Muppets meet The Feebles, Dead Alive, Bad Taste, The Man That Laughs, Masters of the Universe, Bobby “The Brain” He-Man, Shelby Oaks, The House on Haunted Grounds, Retro Ridoctopus, Hart Foundation, Tango and Cash, Mockingbird Lane, Fisher Price “My First Horror Film”, Bryan Fuller, Dust Bunny, Mads Mikkelsen, Sophie Sloan, David Dastmalchian, Sigourney Weaver, impish and whimsical, Leon the Professional, City of Lost Children, Tigers Are Not Afraid, Samurai Jack, Hannibal, Delicatessen, The Take That I Took, Christmas on Eternia, The First Depression, Too Many Zoltans, Well Hungarian, My Beard is Shakespeare, and Amuse-Douche.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

This week, The Good, The Bad, and The Sequel takes on one of the greatest sequels ever made — Bride of Frankenstein — and we're joined by a very special guest, Antonia Carlotta, whose family history is deeply connected to Universal and the classic monster era itself.Bride of Frankenstein isn't just a sequel — it's a landmark in film history. Bigger, stranger, funnier, and more emotional than the original, it helped define what sequels could be while cementing Universal Monsters as true pop culture icons.We dig into it all, including:⚡ Why Bride of Frankenstein is often considered superior to the original

Released in 1932, The Old Dark House is one of the earliest and most influential horror films of the Universal era, directed by Frankenstein filmmaker James Whale. Starring Boris Karloff, Gloria Stuart, Melvyn Douglas, and Charles Laughton, this eerie gothic tale blends macabre humor, atmospheric terror, and unforgettable performances. In this review and discussion, Chris and Gerry explore The Old Dark House as both a horror classic and a proto-dark comedy, examining its themes, visual style, and place in the early sound-era cinema. We'll also discuss James Whale's directing, the film's cult reputation, and why it still resonates with classic horror fans today.

Jala is joined by Moxie (The Level) and new guest Ryn (Neon Pantheon) to discuss Guillermo del Toro's 2025 movie, Frankenstein. This episode covers production, artistry, characters and design. Mentioned During the Episode: Dolls of the main cast, part 1 Dolls of the main cast, part 2 The National Wallace Monument Crucifixion (Corpus Hypercubus) by Salvador Dalí Saint Bartholomew Flayed Shattered Reminiscence, Jala's game Related Episode: Jala-chan's Place Ep 87: Frankenstein (Novel) - Jala and Dave Jackson discuss the original novel as well as the life and times of author Mary Shelley. Music: Opening: “Frankenstein” by Alexandre Desplat featuring Eldbjørg Hemsing Ending: “Victor & Elizabeth” by Alexandre Desplat featuring Eldbjørg Hemsing Articles & Resources Frankenstein: Written and Directed by Guillermo del Toro by Sheila O'Malley LA Times Interview Collider Interview Take a Look Interview CBS Sunday Morning Interview Marvelous Videos Netflix Deep Dive Check out the Swag Shop to share your love with the world! Support this show via Ko-fi! Just like Patreon, there are subscription tiers (with bonus content!) in addition to the ability to drop us a one-time donation. Every little bit helps us put out better quality content and keep the lights on, and gets a shout out in a future episode. Check out ko-fi.com/fireheartmedia for the details! Don't forget to rate & review us on your podcasting platform of choice~ Jala Prendes Bluesky - @jalachan Bluesky - @fireheartmedia The Level Twitch Moxie The Level Ryn Bluesky Neon PantheonSpecial Guests: Moxie and Ryn.

We're previewing the main Oscars categories and nominees for 2026.

If there's one recurring theme each year, it's to expect the unexpected. "Sinners" earned a record 16 nominations for the 98th Academy Awards. And then there was the blockbuster "Wicked: For Good," which was shut out. It was a day of extremes and surprises when the Oscar nominations came out on Thursday. In this week's episode, co-hosts Bruce Miller and Terry Lipshetz talk about the biggest snubs and which films could dominate when statuettes are handed out on Sunday, March 15. And we wrap the show with the new "Game of Thrones" spinoff series on HBA, "A Knight of the Seven Kingdoms." Complete list of 2026 Oscar nominees Best picture: "Bugonia," "F1," "Frankenstein," "Hamnet," "Marty Supreme," "One Battle After Another," "The Secret Agent," "Sentimental Value," "Sinners," "Train Dreams." Lead actress: Jessie Buckley, "Hamnet;" Rose Byrne, "If I Had Legs I'd Kick You;" Renate Reinsve, "Sentimental Value;" Emma Stone, "Bugonia;" Kate Hudson, "Song Sung Blue." Lead actor: Timothée Chalamet, "Marty Supreme;" Leonardo DiCaprio, "One Battle After Another;" Ethan Hawke, "Blue Moon;" Michael B. Jordan, "Sinners;" Wagner Moura, "The Secret Agent." Supporting actress: Elle Fanning, "Sentimental Value;" Inga Ibsdotter LilIeaas, "Sentimental Value;" Amy Madigan, "Weapons;" Wunmi Mosaku, "Sinners;" Teyana Taylor, "One Battle After Another." Supporting actor: Jacob Elordi, "Frankenstein;" Sean Penn, "One Battle After Another;" Stellan Skarsgård, "Sentimental Value;" Benicio del Toro, "One Battle After Another;" Delroy Lindo, "Sinners." Director: Paul Thomas Anderson, "One Battle After Another;" Ryan Coogler, "Sinners;" Chloé Zhao, "Hamnet;" Josh Safdie, "Marty Supreme;" Joachim Trier, "Sentimental Value." Original song: "Golden" from "KPop Demon Hunters," "Train Dreams" from "Train Dreams," "Dear Me" from "Diane Warren: Relentless," "I Lied To You" from "Sinners," "Sweet Dreams Of Joy" from "Viva Verdi!" Original score: "Bugonia," Jerskin Fendrix; "Frankenstein," Alexandre Desplat; "Hamnet," Max Richter; "One Battle After Another," Jonny Greenwood; "Sinners," Ludwig Göransson. Animated film: "Arco," "Elio," "KPop Demon Hunters," "Little Amélie or the Character of Rain," "Zootopia 2." International film: "The Secret Agent," Brazil; "It Was Just an Accident," France; "Sentimental Value," Norway; "Sirât," Spain; "The Voice of Hind Rajab," Tunisia. Documentary feature: "The Perfect Neighbor," "The Alabama Solution," "Come See Me in the Good Light," "Cutting Through Rocks," "Mr. Nobody Against Putin." Casting: "Hamnet," "Marty Supreme," "One Battle After Another," "The Secret Agent," "Sinners." Best sound: "F1," "Frankenstein," "One Battle after Another," "Sinners," "Sirāt." Cinematography: "Frankenstein," "Marty Supreme," "One Battle After Another," "Sinners," "Train Dreams." Original screenplay: "Blue Moon," Robert Kaplow; "It Was Just an Accident," Jafar Panahi, with script collaborators Nader Saïvar, Shadmehr Rastin, Mehdi Mahmoudian; "Marty Supreme," Ronald Bronstein and Josh Safdie; "Sentimental Value," Eskil Vogt and Joachim Trier; "Sinners," Ryan Coogler. Adapted screenplay: "Bugonia," Will Tracy; "Frankenstein," Guillermo del Toro; "Hamnet," Chloé Zhao and Maggie O'Farrell; "One Battle After Another," Paul Thomas Anderson; "Train Dreams," Clint Bailey and Greg Kwedar. Live action short film: "Butcher's Stain," "A Friend of Dorothy," "Jane Austen's Period Drama," "The Singers," "Two People Exchanging Saliva." Animated short film: "Butterfly," "Forevergreen," "The Girl Who Cried Pearls," "Retirement Plan," "The Three Sisters." Documentary short film: "All the Empty Rooms," "Armed Only with a Camera: The Life and Death of Brent Renaud," "Children No More: Were and Are Gone," "The Devil Is Busy," "Perfectly a Strangeness." Visual effects: "Avatar: Fire and Ash," "F1," "Jurassic World Rebirth," "The Lost Bus," "Sinners." Production design: "Frankenstein," "Hamnet," "Marty Supreme," "One Battle After Another," "Sinners." Film editing: "F1," "Marty Supreme," "One Battle After Another," "Sentimental Value," "Sinners." Makeup and hairstyling: "Frankenstein," "Kokuho," "Sinners," "The Smashing Machine," "The Ugly Stepsister." Costume design: "Avatar: Fire and Ash," "Frankenstein," "Hamnet," "Marty Supreme," "Sinners." About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is the retired editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY

Send us a textWoHos!Chrissy Champagne, host of the podcast, Residue, joined us and brought along one doozy of a film.We watching DON'T GO TO SLEEP, a 1982 made-for-tv horror movie starring Valerine Harper and Dennis Weaver. It is full of 80's fun.Please follow Chrissy and check out her podcast. Here is her Instagram!Next up on the main show, Mac and I discuss Guillermo del Toro's FRANKENSTEIN as well as Hammer Horror's first horror film in color, the amazing THE CURSE OF FRANKENSTEIN from 1957.Thanks, as always, for your support. It means the World of Horror™ to us, truly.Remember, WoHos, we love you, and DON'T go into the basement! Gerry Entriken: WoHo Outro ThemeSupport the showOpening Theme "Bucket" by Gerry EntrikenClosing Theme "Mop" by Gerry Entriken Interstitial Musicalso by Gerry Entriken. We love you, Gerry!Subscribe to the Podcast for a Special shout-out!World of Horror's InstagramMom's InstagramMac's InstagramDonate to Translifeline

In today's #MikeJonesMinuteCon, Hitman will have cross-progression on all platforms and Frankenstein meets a few new friends!See omnystudio.com/listener for privacy information.

It's time for another horror top tier legend. It's the good stuff, right - Possession? Also, it's time to chat with Phantom Pink . So let's blend the two together and see what Frankenstein addled creation we can construct.PHANTOM PINK

Dicen que dos cabezas piensan mejor que una, pero en la industria del automóvil, a veces dos cabezas solo sirven para darse cabezazos. Existen frases muy manidas como “la unión hace la fuerza”, pero la historia nos demuestra que, en ocasiones, ocurre justo lo contrario: la unión no suma, resta. Hoy analizamos 10 ejemplos de colaboraciones fallidas, "Frankensteins" mecánicos y millones de euros tirados a la basura en proyectos que nunca debieron existir. 1. Cisitalia-Porsche Type 360 (1947): La genialidad maldita Esta historia comienza en una cárcel francesa, donde Ferdinand Porsche y Anton Piëch estaban presos tras la guerra. Piero Dusio, fundador de Cisitalia, pagó una fortuna por un diseño de Porsche para financiar su fianza. El resultado fue el Type 360, una locura técnica adelantada 20 años a su tiempo: motor central de 12 cilindros, doble compresor y tracción total conectable. 2. Maserati Quattroporte II (1974): La limusina lenta Bajo el paraguas de Citroën, Maserati intentó crear una berlina de lujo. El error fue partir del chasis del Citroën SM y usar su motor V6 de tracción delantera. El resultado fue una herejía: un Maserati de tracción delantera con menos de 200 CV para mover dos toneladas. Era lento y complicadísimo de reparar. Tras la quiebra de Citroën, Peugeot mandó destruir casi todas las unidades. Solo sobrevivieron 13. 3. Saab-Lancia 600 (1980): El vikingo friolero Saab necesitaba un coche nuevo y Lancia tenía el Delta. Decidieron vender el Delta en Suecia con el logo de Saab, prometiendo "temperamento latino y calidad sueca". Fue un desastre. El acero italiano de la época se oxidaba con la sal de las carreteras suecas y la calefacción no estaba pensada para el clima ártico. Además, la electrónica italiana enloquecía con la humedad escandinava. Casi arruina la reputación de Saab. 4. Alfa Romeo Arna (1983): El mundo al revés La lógica dictaba unir la fiabilidad japonesa con el diseño italiano. Pero hicieron lo contrario: usaron la carrocería del soso Nissan Cherry y le metieron la mecánica y electrónica caprichosa del Alfasud. Para colmo, las carrocerías se fabricaban en Japón y se enviaban a Nápoles para ser ensambladas por mano de obra sin experiencia. El coche era feo y se rompía constantemente. 5. Cadillac Allanté (1987): El puente aéreo más caro GM quería un rival para el Mercedes SL y contrató a Pininfarina. El problema fue logístico: Pininfarina fabricaba las carrocerías en Turín y las enviaban a Detroit en aviones Boeing 747 modificados (56 carrocerías por vuelo). Esta locura, conocida como el "Puente Aéreo Allanté", encareció el coche hasta los 54.000 dólares. Aunque no era mal coche, el Mercedes llegaba en barco, era mejor y más barato. 6. Chrysler TC by Maserati (1989): Un pacto de amigos Lee Iacocca y Alejandro de Tomaso decidieron colaborar. Usaron la plataforma del humilde Dodge Daytona, enviaron las piezas a Milán y Maserati las ensambló con cuero caro. El resultado costaba 33.000 dólares pero parecía un Chrysler LeBaron de 12.000. Fue un fracaso económico monumental que costó a Chrysler más de 600 millones de dólares. 7. Honda Crossroad (1993): Cuando Honda pierde aceite En plena fiebre SUV, Honda no tenía un todoterreno. Su solución fue traer el Land Rover Discovery, ponerle la "H" de Honda y llamarlo Crossroad. No cambiaron nada más. El choque cultural fue brutal: los clientes japoneses, acostumbrados a la fiabilidad absoluta, se encontraron con un coche inglés que dejaba manchas de aceite y tenía fallos eléctricos. Honda tuvo que recomprarlos y pedir perdón. 8. Cadillac Catera (1997): El pato que hacía Zig Cadillac intentó rejuvenecer su imagen importando el Opel Omega alemán a EE. UU. El coche no estaba mal, pero el marketing fue atroz. Usaron el eslogan "The Caddy that Zigs" y una mascota: un pato de dibujos animados. Nadie entendió qué hacía un Opel con un pato en un concesionario de lujo. Además, sufría problemas de fiabilidad y sobrepeso. 9. Aston Martin Cygnet (2011): La trampa legal Para cumplir con las normativas de emisiones europeas, Aston Martin cogió el pequeño Toyota iQ, le puso una parrilla propia, forró el interior de cuero y lo vendió por casi 40.000 euros (el triple que el Toyota). Mecánicamente era idéntico (98 CV). Fue una maniobra cínica para bajar la media de emisiones de la marca, aunque hoy son piezas de colección por su rareza. 10. Mercedes-Benz Clase X (2017): La estrella estrellada Mercedes quiso entrar en el mercado de las Pick-up usando la base de la Nissan Navara. Le cambiaron el frontal y el interior, pero la gente se dio cuenta de que era una Nissan con sobreprecio. Nadie quiso pagar el "impuesto de la estrella" por una herramienta de trabajo japonesa disfrazada. La producción se canceló apenas dos años después de su lanzamiento.

LexG reviews Avatar: Fire and Ash, Guillermo Del Toro's Frankenstein, Primate, Anaconda 2025, Five Nights at Freddy's 2, and a pair of recent streaming docs on comedy legends Eddie Murphy and Chevy Chase.

Reposted from Still Slaying: A Buffy-verse podcast which you can find at Still Slaying: a Buffy-verse podcast | Podcastica. Fun, in-depth talk about great TV. "Talk later. Stealthy escape now." The Scooby Duo, Penny and Kara get political discussing this landmark episode and its themes of bigotry, anarchy and identity. The conversation stretches and bends to include moon phases, bi-erasure, coming out, words, Bigotry, Oz love, fatphobia, Guillermo del Toro's Frankenstein, mature and healthy breakups, Anarchism, great on-screen villains, fantasy casting for Iceman in the MCU, leather pants and coats, and the Breakfast of Champions.  Next time we'll be talking about Angel Season 1, Episode 18 “Five by Five.” Keep Slaying! News Links/Referenced Links Original Episode Promo: https://www.youtube.com/watch —---------------------------------------- Viewing Order Buffy 4x19 - New Moon Rising Angel 1x18 - Five by Five (1/2) Angel 1x19 - Sanctuary (2/2) Buffy 4x20 - The Yoko Factor (1/2) Buffy 4x21 - Primeval (2/2) Buffy 4x22 - Restless Angel 1x20 - War Zone Angel 1x21 - Blind Date Angel 1x22 - To Shanshu in LA Join the conversation! You can email or send a voice message to stillslayingfeedback@gmail.com, or join us at facebook.com/groups/podcastica and Still Slaying A Buffy-verse Podcast where we put up comment posts for each episode we cover.  Follow us on Instagram Still Slaying: a Buffyverse Podcast from Podcastica Network (@stillslayingcast) • Instagram photos and videos Join the Zedhead community - https://www.patreon.com/jasoncabassi Theme Music:℗ CC-BY 2020 Quesbe | Lucie G. MorillonGoopsy | Drum and Bass | Free CC-BY Music By Quesbe is licensed under a Creative Commons License. #smashthepatriarchy #slaythepatriarchy #feminism #patriarchy #sarahmichellegellar #marcblucas #buffy #buffyverse #buffyrewatch #alisonhannigan #amberbenson #anthonystewarthead #sunnydale #hellmouth #buffthevampireslayer #jamesmarsters #sethgreen Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello! Our Oscar Series for this year continues with another Best Picture frontrunner--Guillermo del Toro's Frankenstein. It's a visionary adaptation of Mary Shelley's classic fantasy novel. The film features a top-notch cast, including Oscar Isaac as the titular doctor. We have strong opinions, even if they don't match the raves we had for last week's film. Enjoy!

Movies are back, baby! In this episode, Shelby and Laura countdown their favorite movies from 2025. Spoiler alert -- One Battle After Another was their top movie. We highlight some dishonorable mentions like Materialists and After The Hunt, share some titles that just missed our lists, like Frankenstein and Train Dreams, and countdown a surprising list of movies ranging from Cannes Film Festival winners like It Was Just An Accident to awards contenders like Sinners. You definitely want to tune it to see what made our Best Movies of 2025 lists.Interested in more movie reviews? Check out our podcast episodes on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠American Fiction⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Barbie⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cannes Film Festival 2024⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Challengers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Deadpool & Wolverine⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Furiosa: A Mad Max Saga⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠Gladiator II Ft. Queens Podcast⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠Inside Out 2 ft. Nikki Meadows⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Joker: Folie a Deux⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Killers of the Flower Moon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Madame Web ft. Mitch Broadwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Mean Girls (2024)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Oppenheimer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Past Lives Ft. Toya From Harlem⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Poor Things⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Fall Guy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Oscars 2024⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠We Live In Time⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠Wicked Ft. Sisters and the Stars⁠⁠⁠⁠⁠⁠⁠⁠⁠.To stay up to date on all things SWW:- Follow @SistersWhoWatch on all social media channels (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)- Subscribe to our ⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ channel - Check out our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and fill out the contact information formWhat should we watch next? Email us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sisterswhowatch@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or DM us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with your suggestions.Thank you for listening and we appreciate your support! Please rate, subscribe, download, share, and leave us a review :)

— You durn foolWaves of hot lava washed down my throat, past my lungs, and hit my stomach like an acid avalanche.By day, Nick Sipe works as a mild-mannered IT manager for a Fortune 150 company. By night, he mostly recovers from the workday, but occasionally finds time to write. He enjoys writing Twilight Zone-style short stories, mostly horror and light sci-fi. Nick is currently shopping his debut novel, “Midnight Springs,” to literary agents. “Midnight Springs” is the first in a planned horror-Western series that sends classic monsters (think Frankenstein, Van Helsing, the Wolfman) to the Wild West to tangle with their American counterparts (think witches, the Headless Horseman, the Wendigo). Nick live in Gastonia, North Carolina. He is a member of Charlotte Writers Club.

Mary Shelley's Frankenstein continues to captivate audiences centuries after its publication, but not all adaptations emphasize the same ethical questions. Matthew and returning guest AK dive into both the original novel and Guillermo del Toro's recent film adaptation—not to catalog their differences, but to explore how each medium handles the story's core moral dilemmas and which approach proves more compelling.How Does the Film Emphasize “The Other” Differently?While both the book and film explore themes of parentage, responsibility, and scientific hubris, they emphasize different ethical questions. AK notes that the novel places stronger emphasis on the responsibilities of individuals in medicine and parenting, particularly through the lens of abandonment. The film, however, foregrounds questions about the grotesque other, the monstrous other, and how appearance shapes moral judgment. The visual decisions in del Toro's adaptation—juxtaposing the creature against beautiful backdrops that shift with emotional moments—underscore this emphasis.How Does the Shift from Abandonment to Abuse Change Victor's Responsibility?One of the most striking differences between the book and film lies in Victor Frankenstein's initial interaction with his creation. In Shelley's novel, Victor creates the monster, goes to bed, wakes up, and immediately flees—abandoning the creature with almost no interaction. Del Toro's film takes a dramatically different approach: Victor spends considerable time with the creature, engaging with it in ways impossible in the book. This changes the fundamental ethical question. Does Victor bear responsibility for abandonment and neglect, or for intentional, directed abuse? The film's choice to show an extended period of interaction—where Victor treats the creature as an object rather than a being—shifts the moral weight of his culpability.Why Does the Composite Body Matter More Now Than Ever?Victor's method of selecting “optimal” body parts from different corpses to create his creature resonates uncomfortably with contemporary debates about human enhancement and biotechnology. The discussion explores how Victor's approach—viewing the creature as an optimization project rather than a living being—connects to modern questions about CRISPR, genetic modification, and who decides what constitutes an “optimal” human body. These questions inevitably involve ableism and the commodification of bodies. The film's emphasis on Victor literally selecting bodies at prisons raises urgent parallels to current concerns: Who becomes test subjects for experimental procedures like Neuralink? Are they being viewed as humans or as subjects for experimentation?Other Topics Covered:Why the novel's nested narrative structure (stories within stories) creates a unique moral complexityHow both works explore humanity's relationship to nature, science, and the line between achievement and hubrisThe challenge of adapting works from different historical contexts when what counted as scientific hubris has radically changedThe concept of viewing people as player characters (with their own interiority) versus non-player characters (existing only to advance your plot)Why Frankenstein's relevance grows as biotechnology makes questions of life preservation more immediateThe conversation reveals how both Shelley's novel and del Toro's film use the Frankenstein story to explore timeless questions through different emphases—one focusing on neglect and parental failure, the other on abuse and the othering of those who don't meet conventional standards of beauty or normalcy. **************************************************************************This episode is a production of Superhero Ethics, a The Ethical Panda Podcast and part of the TruStory FM Entertainment Podcast Network. Check our our website to find out more about this and our sister podcast Star Wars Generations.We want to hear from you! You can keep up with our latest news, and send us feedback, questions, or comments via social media or email.Email: Matthew@TheEthicalPanda.comFacebook: TheEthicalPandaInstagram: TheEthicalPandaPodcastsTwitter: EthicalPanda77Or you can join jump into the Star Wars Generations and Superhero Ethics channels on the TruStory FM Discord.Want to get access to even more content while supporting the podcast? Become a member! For $5 a month, or $55 a year you get access to bonus episodes and bonus content at the end of most episodes. Sign up on the podcast's main page. You can even give membership as a gift!You can also support our podcasts through our sponsors:Purchase a lightsaber from Level Up Sabers run by friend of the podcast Neighborhood Master AlanUse Audible for audiobooks. Sign up for a one year membership or gift one through this link.Purchase any media discussed this week through our sponsored links.

It's... alive! On the highly anticipated season six premiere of The Art of Costume Podcast, we are joined by costume designer Kate Hawley to break down the visionary world of Guillermo del Toro's Frankenstein.In this in-depth conversation, Kate takes us through the film's striking visual language, from the haunting use of the color red and painterly inspirations from Caravaggio, to the creation of the nightmarish angel and the unforgettable collaboration with Tiffany & Co. Kate also discusses working with the cast, designing for Frankenstein's Creature, and how kitty litter may have played a far more surprising role in this film than anyone would expect.It's a chilling, richly artistic dive into one of the year's most captivating films, and a thrilling way to kick off a brand new season of The Art of Costume Podcast.

I don't know why we do it. Mike and Colin clearly cannot be trusted. Yet here we are. You guys wanna see a dead body? Wanna bring it back to life? We tried. John tried. I tried. Come beat this dead horse with us. Or beat whatever you can get your hands on. No, not like that.

It's... alive! On the highly anticipated season six premiere of The Art of Costume Podcast, we are joined by costume designer Kate Hawley to break down the visionary world of Guillermo del Toro's Frankenstein.In this in-depth conversation, Kate takes us through the film's striking visual language, from the haunting use of the color red and painterly inspirations from Caravaggio, to the creation of the nightmarish angel and the unforgettable collaboration with Tiffany & Co. Kate also discusses working with the cast, designing for Frankenstein's Creature, and how kitty litter may have played a far more surprising role in this film than anyone would expect.It's a chilling, richly artistic dive into one of the year's most captivating films, and a thrilling way to kick off a brand new season of The Art of Costume Podcast.

We're joined by Becky D'Anna, co-host of Sony Pictures Official podcast, Director's Take, for a special jam packed year in review episode! Together, we each share our personal Top 10 Best Films and Top 10 Worst Films of 2025. It's less a debate and more a celebration (and respectful roast) of the year in cinema—comparing notes on horror standouts, unexpected gems, and the films that missed the mark. We dive deep into films like Zach Cregger's Weapons, Ryan Coogler's Sinners, Guillermo del Toro's Frankenstein, Yorgos Lanthimos's Bugonia, Mike Flanagan's Life of Chuck, Alex Garland's 28 Years Later, Paul Thomas Anderson's One Battle After Another, and Steven Soderbergh's Presence. Plus, we break down the disappointments, including the Snow White live-action remake, War of the Worlds, and Final Destination: Bloodlines. 

What if the most transformative thing you can do for your writing craft and author business is to face what you fear? How can you can find gold in your Shadow in the year ahead? In this episode, I share chapters from Writing the Shadow: Turn Your Inner Darkness Into Words. In the intro, curated book boxes from Bridgerton's Julia Quinn; Google's agentic shopping, and powering Apple's Siri; ChatGPT Ads; and Claude CoWork. Balancing Certainty and Uncertainty [MoonShots with Tony Robbins]; and three trends for authors with me and Orna Ross [Self-Publishing with ALLi Podcast]; plus, Bones of the Deep, Business for Authors, and Indie Author Lab. This show is supported by my Patrons. Join my Community at Patreon.com/thecreativepenn  Joanna Penn writes non-fiction for authors and is an award-winning, New York Times and USA Today bestselling author of thrillers, dark fantasy, and memoir as J.F. Penn. She's also an award-winning podcaster, creative entrepreneur, and international professional speaker. What is the Shadow? The ‘creative wound' and the Shadow in writing The Shadow in traditional publishing The Shadow in self-publishing or being an indie author The Shadow in work The Shadow in money You can find Writing the Shadow in all formats on all stores, as well as special edition, workbook and bundles at www.TheCreativePenn.com/shadowbook Writing the Shadow: Turn Your Inner Darkness Into Words The following chapters are excerpted from Writing the Shadow: Turn Your Inner Darkness Into Words by Joanna Penn. Introduction. What is the Shadow? “How can I be substantial if I do not cast a shadow? I must have a dark side also if I am to be whole.” —C.G. Jung, Modern Man in Search of a Soul We all have a Shadow side and it is the work of a lifetime to recognise what lies within and spin that base material into gold. Think of it as a seedling in a little pot that you're given when you're young. It's a bit misshapen and weird, not something you would display in your living room, so you place it in a dark corner of the basement. You don't look at it for years. You almost forget about it. Then one day you notice tendrils of something wild poking up through the floorboards. They're ugly and don't fit with your Scandi-minimalist interior design. You chop the tendrils away and pour weedkiller on what's left, trying to hide the fact that they were ever there. But the creeping stems keep coming. At some point, you know you have to go down there and face the wild thing your seedling has become. When you eventually pluck up enough courage to go down into the basement, you discover that the plant has wound its roots deep into the foundations of your home. Its vines weave in and out of the cracks in the walls, and it has beautiful flowers and strange fruit. It holds your world together. Perhaps you don't need to destroy the wild tendrils. Perhaps you can let them wind up into the light and allow their rich beauty to weave through your home. It will change the look you have so carefully cultivated, but maybe that's just what the place needs. The Shadow in psychology Carl Gustav Jung was a Swiss psychologist and the founder of analytical psychology. He described the Shadow as an unconscious aspect of the human personality, those parts of us that don't match up to what is expected of us by family and society, or to our own ideals. The Shadow is not necessarily evil or illegal or immoral, although of course it can be. It's also not necessarily caused by trauma, abuse, or any other severely damaging event, although again, it can be. It depends on the individual. What is in your Shadow is based on your life and your experiences, as well as your culture and society, so it will be different for everyone. Psychologist Connie Zweig, in The Inner Work of Age, explains, “The Shadow is that part of us that lies beneath or behind the light of awareness. It contains our rejected, unacceptable traits and feelings. It contains our hidden gifts and talents that have remained unexpressed or unlived. As Jung put it, the essence of the Shadow is pure gold.” To further illustrate the concept, Robert Bly, in A Little Book on the Human Shadow,uses the following metaphor: “When we are young, we carry behind us an invisible bag, into which we stuff any feelings, thoughts, or behaviours that bring disapproval or loss of love—anger, tears, neediness, laziness. By the time we go to school, our bags are already a mile long. In high school, our peer groups pressure us to stuff the bags with even more—individuality, sexuality, spontaneity, different opinions. We spend our life until we're twenty deciding which parts of ourselves to put into the bag and we spend the rest of our lives trying to get them out again.” As authors, we can use what's in the ‘bag' to enrich our writing — but only if we can access it. My intention with this book is to help you venture into your Shadow and bring some of what's hidden into the light and into your words. I'll reveal aspects of my Shadow in these pages but ultimately, this book is about you. Your Shadow is unique. There may be elements we share, but much will be different. Each chapter has questions for you to consider that may help you explore at least the edges of your Shadow, but it's not easy. As Jung said, “One does not become enlightened by imagining figures of light, but by making the darkness conscious. The latter procedure, however, is disagreeable and therefore not popular.” But take heart, Creative. You don't need courage when things are easy. You need it when you know what you face will be difficult, but you do it anyway. We are authors. We know how to do hard things. We turn ideas into books. We manifest thoughts into ink on paper. We change lives with our writing. First, our own, then other people's. It's worth the effort to delve into Shadow, so I hope you will join me on the journey. The creative wound and the Shadow in writing “Whatever pain you can't get rid of, make it your creative offering.” —Susan Cain, Bittersweet  The more we long for something, the more extreme our desire, the more likely it is to have a Shadow side. For those of us who love books, the author life may well be a long-held dream and thus, it is filled with Shadow. Books have long been objects of desire, power, and authority. They hold a mythic status in our lives. We escaped into stories as children; we studied books at school and college; we read them now for escape and entertainment, education and inspiration. We collect beautiful books to put on our shelves. We go to them for solace and answers to the deepest questions of life. Writers are similarly held in high esteem. They shape culture, win literary prizes, give important speeches, and are quoted in the mainstream media. Their books are on the shelves in libraries and bookstores. Writers are revered, held up as rare, talented creatures made separate from us by their brilliance and insight. For bibliophile children, books were everything and to write one was a cherished dream. To become an author? Well, that would mean we might be someone special, someone worthy. Perhaps when you were young, you thought the dream of being a writer was possible — then you told someone about it. That's probably when you heard the first criticism of such a ridiculous idea, the first laughter, the first dismissal. So you abandoned the dream, pushed the idea of being a writer into the Shadow, and got on with your life. Or if it wasn't then, it came later, when you actually put pen to paper and someone — a parent, teacher, partner, or friend, perhaps even a literary agent or publisher, someone whose opinion you valued — told you it was worthless. Here are some things you might have heard: Writing is a hobby. Get a real job. You're not good enough. You don't have any writing talent. You don't have enough education. You don't know what you're doing. Your writing is derivative / unoriginal / boring / useless / doesn't make sense. The genre you write in is dead / worthless / unacceptable / morally wrong / frivolous / useless.  Who do you think you are? No one would want to read what you write. You can't even use proper grammar, so how could you write a whole book? You're wasting your time. You'll never make it as a writer. You shouldn't write those things (or even think about those things). Why don't you write something nice? Insert other derogatory comment here! Mark Pierce describes the effect of this experience in his book The Creative Wound, which “occurs when an event, or someone's actions or words, pierce you, causing a kind of rift in your soul. A comment—even offhand and unintentional—is enough to cause one.” He goes on to say that such words can inflict “damage to the core of who we are as creators. It is an attack on our artistic identity, resulting in us believing that whatever we make is somehow tainted or invalid, because shame has convinced us there is something intrinsically tainted or invalid about ourselves.” As adults, we might brush off such wounds, belittling them as unimportant in the grand scheme of things. We might even find ourselves saying the same words to other people. After all, it's easier to criticise than to create. But if you picture your younger self, bright eyed as you lose yourself in your favourite book, perhaps you might catch a glimpse of what you longed for before your dreams were dashed on the rocks of other people's reality. As Mark Pierce goes on to say, “A Creative Wound has the power to delay our pursuits—sometimes for years—and it can even derail our lives completely… Anything that makes us feel ashamed of ourselves or our work can render us incapable of the self-expression we yearn for.” This is certainly what happened to me, and it took decades to unwind. Your creative wounds will differ to mine but perhaps my experience will help you explore your own. To be clear, your Shadow may not reside in elements of horror as mine do, but hopefully you can use my example to consider where your creative wounds might lie. “You shouldn't write things like that.” It happened at secondary school around 1986 or 1987, so I would have been around eleven or twelve years old. English was one of my favourite subjects and the room we had our lessons in looked out onto a vibrant garden. I loved going to that class because it was all about books, and they were always my favourite things. One day, we were asked to write a story. I can't remember the specifics of what the teacher asked us to write, but I fictionalised a recurring nightmare. I stood in a dark room. On one side, my mum and my brother, Rod, were tied up next to a cauldron of boiling oil, ready to be thrown in. On the other side, my dad and my little sister, Lucy, were threatened with decapitation by men with machetes. I had to choose who would die. I always woke up, my heart pounding, before I had to choose. Looking back now, it clearly represented an internal conflict about having to pick sides between the two halves of my family. Not an unexpected issue from a child of divorce. Perhaps these days, I might have been sent to the school counsellor, but it was the eighties and I don't think we even had such a thing. Even so, the meaning of the story isn't the point. It was the reaction to it that left scars. “You shouldn't write things like that,” my teacher said, and I still remember her look of disappointment, even disgust. Certainly judgment. She said my writing was too dark. It wasn't a proper story. It wasn't appropriate for the class. As if horrible things never happened in stories — or in life. As if literature could not include dark tales. As if the only acceptable writing was the kind she approved of. We were taught The Prime of Miss Jean Brodie that year, which says a lot about the type of writing considered appropriate. Or perhaps the issue stemmed from the school motto, “So hateth she derknesse,” from Chaucer's The Legend of Good Women: “For fear of night, so she hates the darkness.” I had won a scholarship to a private girls' school, and their mission was to turn us all into proper young ladies. Horror was never on the curriculum. Perhaps if my teacher had encouraged me to write my darkness back then, my nightmares would have dissolved on the page. Perhaps if we had studied Mary Shelley's Frankenstein, or H.P. Lovecraft stories, or Bram Stoker's Dracula, I could have embraced the darker side of literature earlier in my life. My need to push darker thoughts into my Shadow was compounded by my (wonderful) mum's best intentions. We were brought up on the principles of The Power of Positive Thinking by Norman Vincent Peale and she tried to shield me and my brother from anything harmful or horrible. We weren't allowed to watch TV much, and even the British school drama Grange Hill was deemed inappropriate. So much of what I've achieved is because my mum instilled in me a “can do” attitude that anything is possible. I'm so grateful to her for that. (I love you, Mum!) But all that happy positivity, my desire to please her, to be a good girl, to make my teachers proud, and to be acceptable to society, meant that I pushed my darker thoughts into Shadow. They were inappropriate. They were taboo. They must be repressed, kept secret, and I must be outwardly happy and positive at all times. You cannot hold back the darkness “The night is dark and full of terrors.” —George R.R. Martin, A Storm of Swords It turned out that horror was on the curriculum, much of it in the form of educational films we watched during lessons. In English Literature, we watched Romeo drink poison and Juliet stab herself in Zeffirelli's Romeo and Juliet. In Religious Studies, we watched Jesus beaten, tortured, and crucified in The Greatest Story Ever Told, and learned of the variety of gruesome ways that Christian saints were martyred. In Classical Civilisation, we watched gladiators slaughter each other in Spartacus. In Sex Education at the peak of the AIDS crisis in the mid-'80s, we were told of the many ways we could get infected and die. In History, we studied the Holocaust with images of skeletal bodies thrown into mass graves, medical experiments on humans, and grainy videos of marching soldiers giving the Nazi salute. One of my first overseas school field trips was to the World War I battlegrounds of Flanders Fields in Belgium, where we studied the inhuman conditions of the trenches, walked through mass graves, and read war poetry by candlelight. As John McCrae wrote: We are the Dead. Short days agoWe lived, felt dawn, saw sunset glow,Loved and were loved, and now we lie, In Flanders fields. Did the teachers not realise how deeply a sensitive teenager might feel the darkness of that place? Or have I always been unusual in that places of blood echo deep inside me? And the horrors kept coming. We lived in Bristol, England back then and I learned at school how the city had been part of the slave trade, its wealth built on the backs of people stolen from their homes, sold, and worked to death in the colonies. I had been at school for a year in Malawi, Africa and imagined the Black people I knew drowning, being beaten, and dying on those ships. In my teenage years, the news was filled with ethnic cleansing, mass rape, and massacres during the Balkan wars, and images of bodies hacked apart during the Rwandan genocide. Evil committed by humans against other humans was not a historical aberration. I'm lucky and I certainly acknowledge my privilege. Nothing terrible or horrifying has happened to me — but bad things certainly happen to others. I wasn't bullied or abused. I wasn't raped or beaten or tortured. But you don't have to go through things to be afraid of them, and for your imagination to conjure the possibility of them. My mum doesn't read my fiction now as it gives her nightmares (Sorry, Mum!). I know she worries that somehow she's responsible for my darkness, but I've had a safe and (mostly) happy life, for which I'm truly grateful. But the world is not an entirely safe and happy place, and for a sensitive child with a vivid imagination, the world is dark and scary. It can be brutal and violent, and bad things happen, even to good people. No parent can shield their child from the reality of the world. They can only help them do their best to live in it, develop resilience, and find ways to deal with whatever comes. Story has always been a way that humans have used to learn how to live and deal with difficult times. The best authors, the ones that readers adore and can't get enough of, write their darkness into story to channel their experience, and help others who fear the same. In an interview on writing the Shadow on The Creative Penn Podcast, Michaelbrent Collings shared how he incorporated a personally devastating experience into his writing:  “My wife and I lost a child years back, and that became the root of one of my most terrifying books, Apparition. It's not terrifying because it's the greatest book of all time, but just the concept that there's this thing out there… like a demon, and it consumes the blood and fear of the children, and then it withdraws and consumes the madness of the parents… I wrote that in large measure as a way of working through what I was experiencing.” I've learned much from Michaelbrent. I've read many of his (excellent) books and he's been on my podcast multiple times talking about his depression and mental health issues, as well as difficulties in his author career. Writing darkness is not in Michaelbrent's Shadow and only he can say what lies there for him. But from his example, and from that of other authors, I too learned how to write my Shadow into my books. Twenty-three years after that English lesson, in November 2009, I did NaNoWriMo, National Novel Writing Month, and wrote five thousand words of what eventually became Stone of Fire, my first novel. In the initial chapter, I burned a nun alive on the ghats of Varanasi on the banks of the Ganges River. I had watched the bodies burn by night on pyres from a boat bobbing in the current a few years before, and the image was still crystal clear in my mind. The only way to deal with how it made me feel about death was to write about it — and since then, I've never stopped writing. Returning to the nightmare from my school days, I've never had to choose between the two halves of my family, but the threat of losing them remains a theme in my fiction. In my ARKANE thriller series, Morgan Sierra will do anything to save her sister and her niece. Their safety drives her to continue to fight against evil. Our deepest fears emerge in our writing, and that's the safest place for them. I wish I'd been taught how to turn my nightmares into words back at school, but at least now I've learned to write my Shadow onto the page. I wish the same for you. The Shadow in traditional publishing If becoming an author is your dream, then publishing a book is deeply entwined with that. But as Mark Pierce says in The Creative Wound, “We feel pain the most where it matters the most… Desire highlights whatever we consider to be truly significant.” There is a lot of desire around publishing for those of us who love books! It can give you: Validation that your writing is good enough Status and credibility Acceptance by an industry held in esteem  The potential of financial reward and critical acclaim Support from a team of professionals who know how to make fantastic books A sense of belonging to an elite community Pride in achieving a long-held goal, resulting in a confidence boost and self-esteem Although not guaranteed, traditional publishing can give you all these things and more, but as with everything, there is a potential Shadow side. Denying it risks the potential of being disillusioned, disappointed, and even damaged. But remember, forewarned is forearmed, as the saying goes. Preparation can help you avoid potential issues and help you feel less alone if you encounter them. The myth of success… and the reality of experience There is a pervasive myth of success in the traditional publishing industry, perpetuated by media reporting on brand name and breakout authors, those few outliers whose experience is almost impossible to replicate. Because of such examples, many new traditionally published authors think that their first book will hit the top of the bestseller charts or win an award, as well as make them a million dollars — or at least a big chunk of cash. They will be able to leave their job, write in a beautiful house overlooking the ocean, and swan around the world attending conferences, while writing more bestselling books. It will be a charmed life. But that is not the reality. Perhaps it never was. Even so, the life of a traditionally published author represents a mythic career with the truth hidden behind a veil of obscurity. In April 2023, The Bookseller in the UK reported that “more than half of authors (54%) responding to a survey on their experiences of publishing their debut book have said the process negatively affected their mental health. Though views were mixed, just 22%… described a positive experience overall… Among the majority who said they had a negative experience of debut publication, anxiety, stress, depression and ‘lowered' self-esteem were cited, with lack of support, guidance or clear and professional communication from their publisher among the factors that contributed.” Many authors who have negative experiences around publishing will push them into the Shadow with denial or self-blame, preferring to keep the dream alive. They won't talk about things in public as this may negatively affect their careers, but private discussions are often held in the corners of writing conferences or social media groups online. Some of the issues are as follows: Repeated rejection by agents and publishers may lead to the author thinking they are not good enough as a writer, which can lead to feeling unworthy as a person. If an author gets a deal, the amount of advance and the name and status of the publisher compared to others create a hierarchy that impacts self-esteem. A deal for a book may be much lower than an author might have been expecting, with low or no advance, and the resulting experience with the publisher beneath expectations. The launch process may be disappointing, and the book may appear without fanfare, with few sales and no bestseller chart position. In The Bookseller report, one author described her launch day as “a total wasteland… You have expectations about what publication day will be like, but in reality, nothing really happens.” The book may receive negative reviews by critics or readers or more publicly on social media, which can make an author feel attacked. The book might not sell as well as expected, and the author may feel like it's their fault. Commercial success can sometimes feel tied to self-worth and an author can't help but compare their sales to others, with resulting embarrassment or shame. The communication from the publisher may be less than expected. One author in The Bookseller report said, “I was shocked by the lack of clarity and shared information and the cynicism that underlies the superficial charm of this industry.” There is often more of a focus on debut authors in publishing houses, so those who have been writing and publishing in the midlist for years can feel ignored and undervalued. In The Bookseller report, 48 percent of authors reported “their publisher supported them for less than a year,” with one saying, “I got no support and felt like a commodity, like the team had moved on completely to the next book.” If an author is not successful enough, the next deal may be lower than the last, less effort is made with marketing, and they may be let go. In The Bookseller report, “six authors—debut and otherwise—cited being dropped by their publisher, some with no explanation.” Even if everything goes well and an author is considered successful by others, they may experience imposter syndrome, feeling like a fraud when speaking at conferences or doing book signings. And the list goes on … All these things can lead to feelings of shame, inadequacy, and embarrassment; loss of status in the eyes of peers; and a sense of failure if a publishing career is not successful enough. The author feels like it's their fault, like they weren't good enough — although, of course, the reality is that the conditions were not right at the time. A failure of a book is not a failure of the person, but it can certainly feel like it! When you acknowledge the Shadow, it loses its power Despite all the potential negatives of traditional publishing, if you know what could happen, you can mitigate them. You can prepare yourself for various scenarios and protect yourself from potential fall-out. It's clear from The Bookseller report that too many authors have unrealistic expectations of the industry. But publishers are businesses, not charities. It's not their job to make you feel good as an author. It's their job to sell books and pay you. The best thing they can do is to continue to be a viable business so they can keep putting books on the shelves and keep paying authors, staff, and company shareholders. When you license your creative work to a publisher, you're giving up control of your intellectual property in exchange for money and status. Bring your fears and issues out of the Shadow, acknowledge them, and deal with them early, so they do not get pushed down and re-emerge later in blame and bitterness. Educate yourself on the business of publishing. Be clear on what you want to achieve with any deal. Empower yourself as an author, take responsibility for your career, and you will have a much better experience. The Shadow in self-publishing or being an indie author Self-publishing, or being an independent (indie) author, can be a fantastic, pro-active choice for getting your book into the world. Holding your first book in your hand and saying “I made this” is pretty exciting, and even after more than forty books, I still get excited about seeing ideas in my head turn into a physical product in the world. Self-publishing can give an author: Creative control over what to write, editorial and cover design choices, when and how often to publish, and how to market Empowerment over your author career and the ability to make choices that impact success without asking for permission Ownership and control of intellectual property assets, resulting in increased opportunity around licensing and new markets Independence and the potential for recurring income for the long term Autonomy and flexibility around timelines, publishing options, and the ability to easily pivot into new genres and business models Validation based on positive reader reviews and money earned Personal growth and learning through the acquisition of new skills, resulting in a boost in confidence and self-esteem A sense of belonging to an active and vibrant community of indie authors around the world Being an indie author can give you all this and more, but once again, there is a Shadow side and preparation can help you navigate potential issues. The myth of success… and the reality of experience As with traditional publishing, the indie author world has perpetuated a myth of success in the example of the breakout indie author like E.L. James with Fifty Shades of Grey, Hugh Howey with Wool, or Andy Weir with The Martian. The emphasis on financial success is also fuelled online by authors who share screenshots showing six-figure months or seven-figure years, without sharing marketing costs and other outgoings, or the amount of time spent on the business. Yes, these can inspire some, but it can also make others feel inadequate and potentially lead to bad choices about how to publish and market based on comparison. The indie author world is full of just as much ego and a desire for status and money as traditional publishing. This is not a surprise! Most authors, regardless of publishing choices, are a mix of massive ego and chronic self-doubt. We are human, so the same issues will re-occur. A different publishing method doesn't cure all ills. Some of the issues are as follows: You learn everything you need to know about writing and editing, only to find that you need to learn a whole new set of skills in order to self-publish and market your book. This can take a lot of time and effort you did not expect, and things change all the time so you have to keep learning. Being in control of every aspect of the publishing process, from writing to cover design to marketing, can be overwhelming, leading to indecision, perfectionism, stress, and even burnout as you try to do all the things. You try to find people to help, but building your team is a challenge, and working with others has its own difficulties. People say negative things about self-publishing that may arouse feelings of embarrassment or shame. These might be little niggles, but they needle you, nonetheless. You wonder whether you made the right choice. You struggle with self-doubt and if you go to an event with traditional published authors, you compare yourself to them and feel like an imposter. Are you good enough to be an author if a traditional publisher hasn't chosen you? Is it just vanity to self-publish? Are your books unworthy? Even though you worked with a professional editor, you still get one-star reviews and you hate criticism from readers. You wonder whether you're wasting your time. You might be ripped off by an author services company who promise the world, only to leave you with a pile of printed books in your garage and no way to sell them. When you finally publish your book, it languishes at the bottom of the charts while other authors hit the top of the list over and over, raking in the cash while you are left out of pocket. You don't admit to over-spending on marketing as it makes you ashamed. You resist book marketing and make critical comments about writers who embrace it. You believe that quality rises to the top and if a book is good enough, people will buy it anyway. This can lead to disappointment and disillusionment when you launch your book and it doesn't sell many copies because nobody knows about it. You try to do what everyone advises, but you still can't make decent money as an author. You're jealous of other authors' success and put it down to them ‘selling out' or writing things you can't or ‘using AI' or ‘using a ghostwriter' or having a specific business model you consider impossible to replicate. And the list goes on… When you acknowledge the Shadow, it loses its power Being in control of your books and your author career is a double-edged sword. Traditionally published authors can criticise their publishers or agents or the marketing team or the bookstores or the media, but indie authors have to take responsibility for it all. Sure, we can blame ‘the algorithms' or social media platforms, or criticise other authors for having more experience or more money to invest in marketing, or attribute their success to writing in a more popular genre — but we also know there are always people who do well regardless of the challenges. Once more, we're back to acknowledging and integrating the Shadow side of our choices. We are flawed humans. There will always be good times and bad, and difficulties to offset the high points. This too shall pass, as the old saying goes. I know that being an indie author has plenty of Shadow. I've been doing this since 2008 and despite the hard times, I'm still here. I'm still writing. I'm still publishing. This life is not for everyone, but it's my choice. You must make yours. The Shadow in work You work hard. You make a living. Nothing wrong with that attitude, right? It's what we're taught from an early age and, like so much of life, it's not a problem until it goes to extremes. Not achieving what you want to? Work harder. Can't get ahead? Work harder. Not making a good enough living? Work harder. People who don't work hard are lazy. They don't deserve handouts or benefits. People who don't work hard aren't useful, so they are not valued members of our culture and community. But what about the old or the sick, the mentally ill, or those with disabilities? What about children? What about the unemployed? The under-employed? What about those who are — or will be — displaced by technology, those called “the useless class” by historian Yuval Noah Harari in his book Homo Deus? What if we become one of these in the future? Who am I if I cannot work? The Shadow side of my attitude to work became clear when I caught COVID in the summer of 2021. I was the sickest I'd ever been. I spent two weeks in bed unable to even think properly, and six weeks after that, I was barely able to work more than an hour a day before lying in the dark and waiting for my energy to return. I was limited in what I could do for another six months after that. At times, I wondered if I would ever get better. Jonathan kept urging me to be patient and rest. But I don't know how to rest. I know how to work and how to sleep. I can do ‘active rest,' which usually involves walking a long way or traveling somewhere interesting, but those require a stronger mind and body than I had during those months. It struck me that even if I recovered from the virus, I had glimpsed my future self. One day, I will be weak in body and mind. If I'm lucky, that will be many years away and hopefully for a short time before I die — but it will happen. I am an animal. I will die. My body and mind will pass on and I will be no more. Before then I will be weak. Before then, I will be useless. Before then, I will be a burden. I will not be able to work… But who am I if I cannot work? What is the point of me? I can't answer these questions right now, because although I recognise them as part of my Shadow, I've not progressed far enough to have dealt with them entirely. My months of COVID gave me some much-needed empathy for those who cannot work, even if they want to. We need to reframe what work is as a society, and value humans for different things, especially as technology changes what work even means. That starts with each of us. “Illness, affliction of body and soul, can be life-altering. It has the potential to reveal the most fundamental conflict of the human condition: the tension between our infinite, glorious dreams and desires and our limited, vulnerable, decaying physicality.” —Connie Zweig, The Inner Work of Age: Shifting from Role to Soul The Shadow in money In the Greek myth, King Midas was a wealthy ruler who loved gold above all else. His palace was adorned with golden sculptures and furniture, and he took immense pleasure in his riches. Yet, despite his vast wealth, he yearned for more. After doing a favour for Dionysus, the god of wine and revelry, Midas was granted a single wish. Intoxicated by greed, he wished that everything he touched would turn to gold — and it was so. At first, it was a lot of fun. Midas turned everything else in his palace to gold, even the trees and stones of his estate. After a morning of turning things to gold, he fancied a spot of lunch. But when he tried to eat, the food and drink turned to gold in his mouth. He became thirsty and hungry — and increasingly desperate. As he sat in despair on his golden throne, his beloved young daughter ran to comfort him. For a moment, he forgot his wish — and as she wrapped her arms around him and kissed his cheek, she turned into a golden statue, frozen in precious metal. King Midas cried out to the gods to forgive him, to reverse the wish. He renounced his greed and gave away all his wealth, and his daughter was returned to life. The moral of the story: Wealth and greed are bad. In Charles Dickens's A Christmas Carol, Ebenezer Scrooge is described as a “squeezing, wrenching, grasping, scraping, clutching, covetous, old sinner.” He's wealthy but does not share, considering Christmas spending to be frivolous and giving to charity to be worthless. He's saved by a confrontation with his lonely future and becomes a generous man and benefactor of the poor. Wealth is good if you share it with others. The gospel of Matthew, chapter 25: 14-30, tells the parable of the bags of gold, in which a rich man goes on a journey and entrusts his servants with varying amounts of gold. On his return, the servants who multiplied the gold through their efforts and investments are rewarded, while the one who merely returned the gold with no interest is punished: “For whoever has will be given more, and they will have an abundance. Whoever does not have, even what they have will be taken from them.” Making money is good, making more money is even better. If you can't make any money, you don't deserve to have any. Within the same gospel, in Matthew 19:24, Jesus encounters a wealthy man and tells him to sell all his possessions and give the money to the poor, which the man is unable to do. Jesus says, “It is easier for a camel to go through the eye of a needle than for someone who is rich to enter the kingdom of God.” Wealth is bad. Give it all away and you'll go to heaven. With all these contradictory messages, no wonder we're so conflicted about money! How do you think and feel about money? While money is mostly tied to our work, it's far more than just a transactional object for most people. It's loaded with complex symbolism and judgment handed down by family, religion, and culture. You are likely to find elements of Shadow by examining your attitudes around money. Consider which of the following statements resonate with you or write your own. Money stresses me out. I don't want to talk about it or think about it. Some people hoard money, so there is inequality. Rich people are bad and we should take away their wealth and give it to the poor.  I can never make enough money to pay the bills, or to give my family what I want to provide. Money doesn't grow on trees.  It's wasteful to spend money as you might need it later, so I'm frugal and don't spend money unless absolutely necessary. It is better and more ethical to be poor than to be rich. I want more money. I read books and watch TV shows about rich people because I want to live like that. Sometimes I spend too much on things for a glimpse of what that might be like.  I buy lottery tickets and dream of winning all that money.  I'm jealous of people who have money. I want more of it and I resent those who have it. I'm no good with money. I don't like to look at my bank statement or credit card statement. I live off my overdraft and I'm in debt. I will never earn enough to get out of debt and start saving, so I don't think too much about it. I don't know enough about money. Talking about it makes me feel stupid, so I just ignore it. People like me aren't educated about money.  I need to make more money. If I can make lots of money, then people will look up to me. If I make lots of money, I will be secure, nothing can touch me, I will be safe.  I never want to be poor. I would be ashamed to be poor. I will never go on benefits. My net worth is my self worth. Money is good. We have the best standard of living in history because of the increase in wealth over time. Even the richest kings of the past didn't have what many middle-class people have today in terms of access to food, water, technology, healthcare, education, and more. The richest people give the most money to the poor through taxation and charity, as well as through building companies that employ people and invent new things. The very richest give away much of their fortunes. They provide far more benefit to the world than the poor.  I love money. Money loves me. Money comes easily and quickly to me. I attract money in multiple streams of income. It flows to me in so many ways. I spend money. I invest money. I give money. I'm happy and grateful for all that I receive. The Shadow around money for authors in particular Many writers and other creatives have issues around money and wealth. How often have you heard the following, and which do you agree with? You can't make money with your writing. You'll be a poor author in a garret, a starving artist.  You can't write ‘good quality' books and make money. If you make money writing, you're a hack, you're selling out. You are less worthy than someone who writes only for the Muse. Your books are commercial, not artistic. If you spend money on marketing, then your books are clearly not good enough to sell on their own. My agent / publisher / accountant / partner deals with the money side. I like to focus on the creative side of things. My money story Note: This is not financial or investment advice. Please talk to a professional about your situation. I've had money issues over the years — haven't we all! But I have been through a (long) process to bring money out of my Shadow and into the light. There will always be more to discover, but hopefully my money story will help you, or at least give you an opportunity to reflect. Like most people, I didn't grow up with a lot of money. My parents started out as teachers, but later my mum — who I lived with, along with my brother — became a change management consultant, moving to the USA and earning a lot more. I'm grateful that she moved into business because her example changed the way I saw money and provided some valuable lessons. (1) You can change your circumstances by learning more and then applying that to leverage opportunity into a new job or career Mum taught English at a school in Bristol when we moved back from Malawi, Africa, in the mid '80s but I remember how stressful it was for her, and how little money she made. She wanted a better future for us all, so she took a year out to do a master's degree in management. In the same way, when I wanted to change careers and leave consulting to become an author, I spent time and money learning about the writing craft and the business of publishing. I still invest a considerable chunk on continuous learning, as this industry changes all the time. (2) You might have to downsize in order to leap forward The year my mum did her degree, we lived in the attic of another family's house; we ate a lot of one-pot casserole and our treat was having a Yorkie bar on the walk back from the museum. We wore hand-me-down clothes, and I remember one day at school when another girl said I was wearing her dress. I denied it, of course, but there in back of the dress was her name tag. I still remember her name and I can still feel that flush of shame and embarrassment. I was determined to never feel like that again. But what I didn't realize at the time was that I was also learning the power of downsizing. Mum got her degree and then a new job in management in Bristol. She bought a house, and we settled for a few years. I had lots of different jobs as a teenager. My favourite was working in the delicatessen because we got a free lunch made from delicious produce. After I finished A-levels, I went to the University of Oxford, and my mum and brother moved to the USA for further opportunities. I've downsized multiple times over the years, taking a step back in order to take a step forward. The biggest was in 2010 when I decided to leave consulting. Jonathan and I sold our three-bedroom house and investments in Brisbane, Australia, and rented a one-bedroom flat in London, so we could be debt-free and live on less while I built up a new career. It was a decade before we bought another house. (3) Comparison can be deadly: there will always be people with more money than you Oxford was an education in many ways and relevant to this chapter is how much I didn't know about things people with money took for granted. I learned about formal hall and wine pairings, and how to make a perfect gin and tonic. I ate smoked salmon for the first time. I learned how to fit in with people who had a lot more money than I did, and I definitely wanted to have money of my own to play with. (4) Income is not wealth You can earn lots but have nothing to show for it after years of working. I learned this in my first few years of IT consulting after university. I earned a great salary and then went contracting, earning even more money at a daily rate. I had a wonderful time. I traveled, ate and drank and generally made merry, but I always had to go back to the day job when the money ran out. I couldn't work out how I could ever stop this cycle. Then I read Rich Dad, Poor Dad by Robert Kiyosaki, a book I still recommend, especially if you're from a family that values academic over financial education. I learned how to escape the rat race by building and/or accumulating assets that pay even when you're not working. It was a revelation! The ‘poor dad' in the book is a university professor. He knows so much about so many things, but he ends up poor as he did not educate himself about money. The ‘rich dad' has little formal education, but he knows about money and wealth because he learned about it, as we can do at any stage in our lives. (5) Not all investments suit every person, so find the right one for you Once I discovered the world of investing, I read all the books and did courses and in-person events. I joined communities and I up-skilled big time. Of course, I made mistakes and learned lots along the way. I tried property investing and renovated a couple of houses for rental (with more practical partners and skilled contractors). But while I could see that property investing might work for some people, I did not care enough about the details to make it work for me, and it was certainly not passive income. I tried other things. My first husband was a boat skipper and scuba diving instructor, so we started a charter. With the variable costs of fuel, the vagaries of New Zealand weather — and our divorce — it didn't last long! From all these experiments, I learned I wanted to run a business, but it needed to be online and not based on a physical location, physical premises, or other people. That was 2006, around the time that blogging started taking off and it became possible to make a living online. I could see the potential and a year later, the iPhone and the Amazon Kindle launched, which became the basis of my business as an author. (6) Boring, automatic saving and investing works best Between 2007 and 2011, I contracted in Australia, where they have compulsory superannuation contributions, meaning you have to save and invest a percentage of your salary or self-employed income. I'd never done that before, because I didn't understand it. I'd ploughed all my excess income into property or the business instead. But in Australia I didn't notice the money going out because it was automatic. I chose a particular fund and it auto-invested every month. The pot grew pretty fast since I didn't touch it, and years later, it's still growing. I discovered the power of compound interest and time in the market, both of which are super boring. This type of investing is not a get rich quick scheme. It's a slow process of automatically putting money into boring investments and doing that month in, month out, year in, year out, automatically for decades while you get on with your life. I still do this. I earn money as an author entrepreneur and I put a percentage of that into boring investments automatically every month. I also have a small amount which is for fun and higher risk investments, but mostly I'm a conservative, risk-averse investor planning ahead for the future. This is not financial advice, so I'm not giving any specifics. I have a list of recommended money books at www.TheCreativePenn.com/moneybooks if you want to learn more. Learning from the Shadow When I look back, my Shadow side around money eventually drove me to learn more and resulted in a better outcome (so far!). I was ashamed of being poor when I had to wear hand-me-down clothes at school. That drove a fear of not having any money, which partially explains my workaholism. I was embarrassed at Oxford because I didn't know how to behave in certain settings, and I wanted to be like the rich people I saw there. I spent too much money in my early years as a consultant because I wanted to experience a “rich” life and didn't understand saving and investing would lead to better things in the future. I invested too much in the wrong things because I didn't know myself well enough and I was trying to get rich quick so I could leave my job and ‘be happy.' But eventually, I discovered that I could grow my net worth with boring, long-term investments while doing a job I loved as an author entrepreneur. My only regret is that I didn't discover this earlier and put a percentage of my income into investments as soon as I started work. It took several decades to get started, but at least I did (eventually) start. My money story isn't over yet, and I keep learning new things, but hopefully my experience will help you reflect on your own and avoid the issue if it's still in Shadow. These chapters are excerpted from Writing the Shadow: Turn Your Inner Darkness Into Words by Joanna Penn  The post Writing The Shadow: The Creative Wound, Publishing, And Money, With Joanna Penn first appeared on The Creative Penn.

Grab your giant hole in the floor and your crimes against nature, because we're diving into Guillermo Del Toro's 2025 gothic sci-fi epic, Frankenstein! Along the way, we discuss the awesomeness of practical sets, the flaws in Victorian tower design, and the way colors tell a story -- especially when it's RED! Head to our PATREON for video episodes, ad-free episodes, and more!

Oh, Frankenstein, be not equitable to every other, and trample upon me alone, to whom thy justice, and even thy clemency and affection, is most due. Remember, that I am thy creature; I ought to be thy Adam; but I am rather the fallen angel, whom thou drivest from joy for no misdeed. Everywhere I see bliss, from which I alone am irrevocably excluded. I was benevolent and good; misery made me a fiend.

This week on the Video Store Podcast I am recommending four sequels that understood what they were doing. Not every follow up needs to top the original. Sometimes the smarter move is to change perspective, lean into experience, or admit that the audience already knows the rules. These films take different approaches, but all of them show intent rather than obligation.Bride of Frankenstein (1935)James Whale treats the sequel as a chance to reshape the story rather than extend it. The film is openly stylized, emotionally direct, and comfortable mixing humor with unease. Elsa Lanchester appearing as both Mary Shelley and the Bride signals how self aware the film is from the start. At just over an hour it wastes nothing, and every choice feels deliberate. Universal horror rarely let directors put this much personality on screen, which makes it stand out even now.Psycho II (1983)Instead of chasing shock, this film focuses on Norman Bates after years of confinement. Anthony Perkins plays him with restraint and patience, letting the tension come from uncertainty rather than spectacle. The movie also knows the audience brings baggage with them, and it uses that knowledge carefully. Released at a time when many horror sequels went broader, this one went inward.The Color of Money (1986)Paul Newman returns to Fast Eddie Felson as someone shaped by time and compromise. Martin Scorsese treats The Hustler as history, not a template to be copied. The film is about pride, mentorship, and what it means to keep competing when winning is no longer simple. Newman earned his Oscar here, and it feels tied to the character's accumulated weight rather than a single performance beat.Gremlins 2 The New Batch (1990)Joe Dante uses the sequel to tear the whole idea apart. The film is packed with effects, jokes, and commentary, and it never pauses to justify itself. It openly mocks sequels, corporate culture, and even the audience's expectations. The commitment is total, and that confidence is why it works.These four films do not share a tone, a genre, or a strategy. What they share is clarity. Each one knows why it exists and what it wants to explore next. That is what makes them worth renting again, not as curiosities, but as examples of sequels that made real successful choices.Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

...we Tossed our way into oblivion with the exciting new show Pluribus in this one.Hello audient!The new show Pluribus comes at us with all the niceties, trappings and plot pitfalls  to be found in our rot-attacked brains. While the first Season leaves many more questions than answers, leaving large holes in the logic and the story, it makes for a perfect Tossers episode; a real conceptual skeet-shooting playground.Pluribus deals with an alien(?) hive mind that has taken over every person on Earth except for very few who had an "incompatible" genetic material. The fact that this hive speaks and behaves in an almost one-to-one parody on the "personality" of ChatGPT in our increasingly compartmentalized realities and interactions with one-another (like in Social Media) makes the connection to AI-related issues almost inescapable.We'll mention here just one particularly interesting toss we cam across, concerning the 'body' (the 'animal' part of Aristotle's famous definition of the "Human" as 'a talking animal'). It juts out of the narrative like a sore thumb, like an unmourned loss: what does it mean for the main protagonist to "fall in love" with a body from the hive mind? How does a hive mind approach real issues of attachment, like pain and discord, as they arise through the "affair" with the protagonist? What is the role - within our attachments - of the body's memories, its unique history, when it is "pluribussed" like that?This also connected to a recurring theme in the Tossers' arsenal, the ethical imperative we inherited from our Derrida(ddy), the one we express as "Never let the dead bury the dead." As the bodies of the entire world's population become an indistinct mass grave, a Frankenstein-monster-cum-Turing-machine, it becomes both overly relevant and no longer relevant: when the dead are recycled into food for the "hive-people" and yet you can fall in love with a person whose body is completely controlled by the "everyone" of the hive, including going and sleeping with another "survivor" (of the assimilation) while expressing love to our protagonist.Confused? We hope so. But it is a rather productive confusion, we believe, in our day and age. Rather appropriately, all Stars made an appearance here in one way or another.The rest will be told to our one, loyal (and virtual!) audient, and her flaming lips...

I denne episoden fortsetter jeg utforskningen av kunstig intelligens i psykisk helse – ikke som teknologi, men som et nytt speil for menneskets indre liv.Hva skjer når vi begynner å snakke med maskiner om frykt, skam, drømmer og identitet? Kan AI bidra til å utvide vårt mentale rom – eller risikerer vi å gjøre oss selv smalere?Jeg deler både mine faglige refleksjoner og mine personlige ambivalenser rundt BeBalanced.ai – en AI-veileder og et mentalt treningsstudio bygget på hele SinnSyn-universet og over 20 års klinisk erfaring. Et prosjekt som både gir meg håp og gjør meg urolig: en slags digital kloning av meg selv, sluppet løs i møte med andres sårbarhet.Dette er en episode om terapi, teknologi og hva det vil si å forstå seg selv i en digital tidsalder.Vil du ha mer psykologi og flere dypdykk i menneskets sjelsliv?Vil du har en praksis for selvutvikling og hjelp til å dykke ned i ditt eget indre liv?Da kan BeBalanced.ai være noe for deg! Hosted on Acast. See acast.com/privacy for more information.

This week, in the first episode of the 10th season of P&P, we dive head first into the Best Picture Nominees for 2025. The first film up for discussion is Guillermo Del Toro's Frankenstein (2025); and waiting patiently in the on-deck circle is Paul Thomas Anderson's One Battle After Another (2025). Next Show's Films:Leo's Pick: Hamnet (2025)Tom's Pick:  Sinners (2025) 

¡Llegamos, todxs llegamos!

This week, we're diving into not one but two weird animal stories, as well as chemtrails, a scientist dubbed doctor Frankenstein, a man wreaking havoc with a sword and how to become a real-life storm-chaser. Featuring segments from the Dave Glover Show out of KMOX in St. Louis, WWJ Newsradio in Detroit, the Scoot Show and the Tommy Tucker shows out of WWL in New Orleans, the Dana & Parks Show out of KMBZ in Kansas City and KNX News out of Los Angeles.

This week, we're diving into not one but two weird animal stories, as well as chemtrails, a scientist dubbed doctor Frankenstein, a man wreaking havoc with a sword and how to become a real-life storm-chaser. Featuring segments from the Dave Glover Show out of KMOX in St. Louis, WWJ Newsradio in Detroit, the Scoot Show and the Tommy Tucker shows out of WWL in New Orleans, the Dana & Parks Show out of KMBZ in Kansas City and KNX News out of Los Angeles.

This week, we're diving into not one but two weird animal stories, as well as chemtrails, a scientist dubbed doctor Frankenstein, a man wreaking havoc with a sword and how to become a real-life storm-chaser. Featuring segments from the Dave Glover Show out of KMOX in St. Louis, WWJ Newsradio in Detroit, the Scoot Show and the Tommy Tucker shows out of WWL in New Orleans, the Dana & Parks Show out of KMBZ in Kansas City and KNX News out of Los Angeles.

This week, we're diving into not one but two weird animal stories, as well as chemtrails, a scientist dubbed doctor Frankenstein, a man wreaking havoc with a sword and how to become a real-life storm-chaser. Featuring segments from the Dave Glover Show out of KMOX in St. Louis, WWJ Newsradio in Detroit, the Scoot Show and the Tommy Tucker shows out of WWL in New Orleans, the Dana & Parks Show out of KMBZ in Kansas City and KNX News out of Los Angeles.

This week, we're diving into not one but two weird animal stories, as well as chemtrails, a scientist dubbed doctor Frankenstein, a man wreaking havoc with a sword and how to become a real-life storm-chaser. Featuring segments from the Dave Glover Show out of KMOX in St. Louis, WWJ Newsradio in Detroit, the Scoot Show and the Tommy Tucker shows out of WWL in New Orleans, the Dana & Parks Show out of KMBZ in Kansas City and KNX News out of Los Angeles.

This week, we're diving into not one but two weird animal stories, as well as chemtrails, a scientist dubbed doctor Frankenstein, a man wreaking havoc with a sword and how to become a real-life storm-chaser. Featuring segments from the Dave Glover Show out of KMOX in St. Louis, WWJ Newsradio in Detroit, the Scoot Show and the Tommy Tucker shows out of WWL in New Orleans, the Dana & Parks Show out of KMBZ in Kansas City and KNX News out of Los Angeles.

This week it's part 2 of 9 of our Oscars catch-up series as we take a look at Guillermo del Toro's 2025 adaptation Frankenstein. Then Scott and Matt briefly discuss the shake up in leadership over at Lucasfilm.  Next week: Oscars catch-up continues with Train Dreams  Support us on Patreon: https://www.patreon.com/doofmedia Follow us on Twitter: @doofmedia See all of our podcasts and more at doofmedia.com!

Send us a textA group of friends join a game show in which contestants, allowed to flee anywhere in the world, are pursued by "podcasters" hired to kill them with their brand of off-beat humor. On Episode 703 of Trick or Treat Radio our feature film discussion is The Running Man (2025) from director Edgar Wright! We also revisit MZ's hatred of Stephen Spielberg, our coming attractions segment has us reacting to the trailers for the films; Undertone, and The Dreadful, and we get a horrifying glimpse into our very near socio-political future. So grab as many costume changes as you can fit in your bag, bury all your new dollars in your backyard, and strap on for the world's most dangerous podcast!Stuff we talk about: Remembering Heather O'Rourke, Poltergeist, She Was Here, you can learn from Spielberg without becoming Spielberg, Disclosure Day, Duel, Sugarland Express, E.T., Brian Paulin, Amistad, Treejumpers, Catch Me If You Can, Bela Tarr, The Fatal Hour, Return of the Living Dead II, In Dreams, Virus, Jesus Christ Vampire Hunter, Rats, Vampire Boulevard, Asylum, Butcher House, Ghost Hunters, Army of the Dead, The Book of Eli, Intruders, Ari Aster, Robert Zemeckis, Hostel, Chad Lowe, The Others, Mario Van Peebles, Cape Fear, The Accident, George “Funky” Brown, Andrea Martin, Black Christmas, Cannibal Girls, Richard Franklin, Pet Sematary 2, The Devil's Daughter, Jaws 2, Dube dube doo he did Jaws 2, Billy the Kid vs. Dracula, The Old Dark House, The Bride of Frankenstein, London After Midnight, Dr. Jekyll and Mr. Hyde, Beau is Afraid, Joaquim the African Dream, RIP T.K. Carter, The Thing, Punky Brewster, RIP Marcus Gilbert, Grateful Dead, RIP Bob Weir, Barry Sobel, The Milwaukee Dream, Slick, Pontypool, Stanley Kubrick, The Dreadful, Onibaba, Undertone, A24, Orson Swells, Katy O'Brian, The Running Man, Arnold Schwarzenegger, Yaphet Kotto, Edgar Wright, Last Night in Soho, sidekick prepper, Baby Driver, Ant-Man, The Cornetto Trilogy, Katy O'Brian, Martin Herlihy, Please Don't Destroy, William H. Macy, FreeVee, Stephen King, Richard Bachman, Shock Treatment, The Long Walk, Michael Cera, Scott Pilgrim vs. The World, Sinners, Series 7: The Contenders, Dust Bunny, Mockingbird Lane, American Gods, Hannibal, Bryan Fuller, David Dastmalchian, Late Night With the Devil, Flay or Filet, BMX Bandits, Controlling the Orswellian Narrative, Edgar Played it Wright, Even Satan Has a Podcast.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Cosa vedere sui canali televisivi SBS? Ecco i nostri consigli per la settimana dal 16 al 23 gennaio. Come sempre, se siete in Australia potete rivedere tutto ciò che segue e molto altro su SBS On Demand.

This week, we're diving into not one but two weird animal stories, as well as chemtrails, a scientist dubbed doctor Frankenstein, a man wreaking havoc with a sword and how to become a real-life storm-chaser. Featuring segments from the Dave Glover Show out of KMOX in St. Louis, WWJ Newsradio in Detroit, the Scoot Show and the Tommy Tucker shows out of WWL in New Orleans, the Dana & Parks Show out of KMBZ in Kansas City and KNX News out of Los Angeles.

Brea and Mallory discuss their most anticipated books for the start of 2026! Plus, they talk to Danika Ellis from Book Riot about their 2026 Read Harder Challenge! Email us at readingglassespodcast at gmail dot com!Reading Glasses MerchRecommendations StoreThe Reading Glasses Book!Sponsors -Apron Notebookswww.apronnotebooks.comCODE: GLASSESGreenChefwww.greenchef.com/GLASSESGRAZACODE: GLASSESGRAZALinks -Reading Glasses Facebook GroupReading Glasses Goodreads GroupWish ListNewsletterLibro.fmTo join our Discord channel, email us proof of your Reading-Glasses-supporting Maximum Fun membership!www.maximumfun.org/join2026 Read HarderThe LesbraryDanika EllisRead Harder Newsletter Books Mentioned -Bright Young Women by Jessica KnollLove in Exile by Shon FayeJoy to the Girls by Rachael Lippincott and Alyson DerrickReally Cute People by Markus Harwood JonesLu and Ren's Guide to Geozoology by Angela HsiehJanuaryCall Me Ishmaelle by Xiaolu GuoLiterary fiction, feminist retelling of Moby DickThe Hitch by Sara LevineMagical realism, funny, woman trying to help nephew who is possessed by a dead corgiIs This a Cry for Help? by Emily AustinLiterary fiction, queer, lesbian, librarians fighting book bannersIf I Ruled the World by Amy DuboisLiterary fiction, late 1990s, hip hop, magazine industryScavengers by Kathleen BolandLiterary fiction, dysfunctional mother-daughter team looking for buried treasureThe Charmed Library by Jennifer MoormanMagical realism, books about books, small town, librarian protagonist, book magicThe Jills by Karen ParkmanThriller, Buffalo Bills cheerleader solving the murder of a fellow cheerleadersThe Unwritten Rules of Magic by Harper RossFantasy, magic typewriter, grief, three generations of women, family historyDandelion is Dead by Rosie StoreyContemporary romance, woman sets up a date on her dead sister's dating appThe Future Saints by Ashley WinsteadLiterary fiction, music executive trying to bring band back from the brink, sisters, friendshipLost Lambs by Madeline CashLiterary fiction, humor, family dysfunctionThe Old Fire by Elisa ShuaLiterary fiction, translated, family drama in a crumbling house in the French countrysideSheer by Vanessa LawrenceLiterary fiction, beauty industry, female mogul, secrets, queerHow to Commit a Postcolonial Murder by Nina McConigleyLiterary, historical, 1980s, murder mystery, Indian-American tween protagonist who murders her uncle but she blames it on the BritishThe Seven Daughters of Dupree by Nikesha Elise WilliamsLiterary, multi-generational epic family saga, secretsThe Last of Earth by Deepa AnapparaHistorical, 1800s Tibet, journey, Indian schoolteacher spying for the empire, English lady explorer disguising herself as a manThe Bookbinder's Secret by A.D. BellHistorical fiction, thriller, bookbinder finds confession hidden in a burned book and hunts a story of murder and loveWomen of a Promiscuous Nature by Donna EverhartHistorical fiction, 1940s North Carolina, a young woman subjected to involuntary medical treatment fights backMeet the Newmans by Jennifer NivenHistorical fiction, behind the scenes drama on a 1960s family sitcomNowhere Burning by Catriona WardHorror, Peter Pan inspired, gothic, two fleeing siblings find sanctuary at mysterious ranchDefinitely Maybe Not a Detective by Sarah FoxMystery, romcom, woman's fake detective agency accidentally hired to solve a real murderCross Your Heart and Hope He Dies by Jenny Elder MokeMystery, romcom, rich people behaving badlyAll the Little Houses by May CobbThriller, 1980s Texas, mean girls and mean moms, family secretMy Husband's Wife by Alice FeeneyThriller, mind-bending psychological marriage mysteryThe Storm by Rachel HawkinsThriller, Alabama, hurricane, old hotel, gothic, old murderMissing Sam by Thrity UmrigarThriller, queer, lesbian, missing wife, suburban dreadHumboldt Cut by Allison MickHorror, eco-horror, northern California, dark humor, bark monstersHollow by Celina MyersHorror, paranormal romance, romantasy, vampires, found familyOn Sundays She Picked Flowers by Yah Yah ScholfieldHorror, southern gothic, Georgia, ghosts, haintsA Box Full of Darkness by Simone St. JamesHorror, siblings returning to childhood home after being called by dead brotherThis House Will Feed by Maria TureaudHistorical horror, 1840s Ireland, haunted house, gothic, suspenseNine Goblins: A Tale of Low Fantasy and High Mischief by T. KingfisherYA fantasy, novella, humor, band of hapless goblins on a questA Midnight Pastry Shop Called Hwawoldang by Lee Onhwa, translated by Slin JungFantasy, Korean, cozy, woman who inherits magical bakeryThe Poet Empress by Shen TaoRomantasy, epic fantasy, historical, hot evil prince, poetry magicThrough Gates of Garnet and Gold by Seanan McQuireNext Wayward Children bookWe Who Have No Gods by Liza AndersonRomantasy, witches, gothic, dark academia, magic academy, secret societiesGraceless Heart by Isabel IbañezRomantasy, historical, renaissance Italy, competition hosted by secret immortal familyThe Wolf and His King by Finn LongmanQueer retelling of Bisclavret the werewolf, historical, 12 century, court intrigueA Vow in Vengeance by Jaclyn RodriquezRomantasy, tarot, magic, dark academia, enemies to lovers, forced proximityThe Book of Blood and Roses by Annie SummerleeRomantasy, sapphic, paranormal, vampires, mysterious universityThe Elsewhere Express by Samantha Sotta YambaoCozy fantasy, train that takes you to your life's purposeTwo Left Feet by Kallie EmblidgeQueer romance, MLM, contemporary sports romance, British premier league footballMost Eligible by Isabelle EngelContemporary romance, journalist sneaks onto a reality TV dating showThe Shop on Hidden Lane by Jayne Ann KrentzParanormal romance, romantic suspense, psychic dangers, warring paranormal familiesGreta Gets the Girl by Melissa MarrContemporary sapphic romance, forbidden romance, publishingThe Lust Crusade by Jo SeguraContemporary romance, librarian and archaeologist fake dating, Greek mythologyLast First Kiss by Julian WintersQueer romance, contemporary, MLM, second chance, rom comAin't Nobody's Fool: The Life and Times of Dolly Parton by Martha AckmannNonfictionThe Royal Insider: My Life with the Queen, the King, and Princess Diana by Paul BurrellNonfiction, memoirFly, Wild Swans: My Mother, Myself, and China by Jung ChangNonfiction, memoir, three generations of womenThe Flower Bearers by Rachel Eliza GriffithsNonfiction, memoir, grief, death of a sister, friendship, marriageBlood Bible: An American History by DaMaris HillNonfiction, history, racism, slave trade history, national identity, personal identityWinter: The Story of a Season by Val McDermidCreative nonfiction, history of winter community events, ScotlandWhen Trees Testify: Science, Wisdom, History, and America's Black Botanical Legacy by Beronda L. MontgomeryNonfiction, history of Black botany through seven treesHalf His Age by Jennette McCurdyLiterary fiction, drama, age gap romance,Catch Her if You Can by Tessa BaileyRomance, contemporary, sports, baseball, marriage of convenienceVigil by George SaundersLiterary fiction, magical realism, eco-drama, dying oil CEOFruit of the Flesh by I.V. OpheliaHistorical fantasy, gothic romance, marriage of convenience, dark appetitesThe Bones Beneath My Skin by T.J. KluneQueer thriller, MLM, 1990s, gay couple helping little girl with powersFootball by Chuck KlostermanNonfiction about footballCry Havoc by Rebecca WaitHistorical mystery, 1980s failing English boarding school, dark academia, funny, strange contagion among studentsHemlock by Melissa FalivenoLiterary, gothic, queer, woman investigating mother's disappearenceFebruaryLaws of Love and Logic by Debra CurtisLiterary fiction, love triangle - first love vs devoted husbandOne of Us by Elizabeth DayLiterary thriller, drama between old friends and wealth, murderEverything Lost Returns by Sarah DometLiterary fiction, historical, twin timelines, 1910s and 1980s, friendshipWhere the Wildflowers Grow by Terah Shelton HarrisLiterary fiction, fugitive hides out at rural Alabama flower farm, found familyBad Asians by Lillian LiLiterary fiction, friend group sagaI Hope You Find What You're Looking For by Bsrat MezghebeLiterary fiction, historical, 1990s Washington DC, Ethiopian immigrant communityThis Book Made Me Think of You by Libby PageLiterary fiction, woman receives books recommended by her dead husbandRoyal Spin by Robin Benway and Omid ScobieLiterary fiction, workplace drama inside Buckingham PalaceSuperfan by Jenny Tinghui ZhangLiterary fiction, popstar and his superfan collide, fandom, lonelinessBelgrave Road: A Love Story by Manish ChauhanLiterary fiction, two young immigrants in a forbidden romanceThis is Not About Us by Allegra GoodmanLiterary fiction, funny, multi generational family drama, griefRebel English Academy by Hanif MohammedLiterary fiction, Pakistan, political power, language, friendshipThe Secret of Snow by Tina Harnesk, translated by Alice MenziesLiterary fiction, elderly couple crosses paths with two twentysomethings and discovers surprising shared historyThe Renovation by Kenan OrhanLiterary fiction, woman discovers her bathroom has been remodeled into a prison cellMessenger Cat Cafe by Nagi Shimeno, translated by M. JeanMagical realism, cozy, cat in the afterlife who must deliver 5 messages to people on earth before he can see his beloved owner againA Crown of Stars by Shana AbéHistorical fiction, retelling of the last days of the LusitaniaThe Fourth Princess by Janie ChangHistorical fiction, gothic, 1910s Shanghai, crumbling mansion, secretsCleopatra by Saara El-ArifiHistorical fiction, retelling of Cleopatra's life from her POVBook of Forbidden Words by Louise FeinHistorical fiction, 1500s Paris, 1950s NYC, book banning, inspired by Voynich manuscriptThe Pohaku by Jasmi ‘Iolani HakesHistorical fiction, generations of women tasked with protecting Hawaiian historyA Slow and Secret Poison by Carmella LowkisHistorical Gothic thriller, 1900s England, young gardener at lush manor falls for her mysterious bossMurder Will Out by Jennifer BreedloveMystery, gothic, Maine, heartwarmingI'm Not the Only Murderer in My Retirement Home by Fergus CraigMystery, recently released from prison serial killer moves into retirement home when a murder happens and she has to prove she didn't do itDirty Metal by Allison LaMotheHistorical mystery, 1990s NYC, reporter investigating two huge storiesWolf Hour by Jo Nesbø, translated by Robert FergusonThriller, Minnesota, true crime, serial killer, secretsThe Final Problem by Arturo Perez-Reverte, translated by Frances RiddleHistorical mystery, locked room, 1960s Greek island resort, washed up actor turned detectiveHer Last Breath by Taylor AdamsThriller, two friends go on a cave expedition and one gets murdered!!!Murder Mindfully by Karsten Dusse, translated by Florian DuijsensThriller, lawyer finds peace through mindfulness and will do anything to protect it, even murderPinky Swear by Danielle GirardThriller, an expecting mother whose surrogate disappears days before birthThe Girls Before by Kate Alice MarshallThriller, search and rescue expert looking for missing womanPaper Cut by Rachel TaffThriller, woman infamous for escaping a cult as a teen has secrets that come back to haunt herMaria the Wanted by V. CastroHorror, thriller, newly turned vampire in Mexico is on the runDead First by Johnny ComptonHorror, private investigator hired by mysterious billionaire to find out why he can't dieShe Made Herself a Monster by Anna KovatchevaHorror, gothic thriller, 1800s Bulgaria, fake vampire slayer joins forces with teen to make a monsterThe Body by Bethany C MorrowHorror, woman must survive bizarre attacks on her failing marriageDollface by Lindy RyanHorror, serial killer, 1990s, Barbie meets ScreamThe Glowing Hours by Leila SiddiquiHorror, gothic, retelling of the fabled summer Mary Shelley wrote Frankenstein, as told by her Indian housemaid, Mehrunissa “Mehr” BegumWeavingshaw by Heba Al-WasityFantasy, gothic, young woman who can see the dead strikes a deal with a mysterious and ruthless merchant to save her brother's lifeAfter the Fall by Edward AshtonSci fi, buddy comedy, alien invasion, humans as petsThe Fox Hunt by Caitlin BreezeFantasy, boarding school, secret society, girl transforms into magical beastOperation Bounce House by Matt DinnimanFantasy, a man must fight for his planet when gamers from Earth attempt to remotely annihilate itSing the Night by Megan Jauregui EcclesFantasy, inspired by Phantom of the Opera, musical magician competitionThe Hospital at the End of the World by Justin C. KeySci fi, near future where AI runs the world, medical student unravels family secretsThe Forest on the Edge of Time by Jasmin KirkbrideSci fi, Future of Another Timeline meets The Bone Clocks, time travel, cli-fiNightshade and Oak by Molly O'NeillFantasy, Iron Age goddess must grapple with becoming human, historical, magicThe Astral Library by Kate QuinnFantasy, book about books, magic books that are portals to worldsThe Iron Garden Sutra by A.D. SuiSci fi, locked room murder mystery, monk and researchers trapped on a spaceshipThe Obake Code by Makana YamamotoSci fi, caper, hacker forced by gangsters to take down crooked politicianThe Daughter Who Remains by Nnedi OkoraforSci fi, She Who Knows book 3Wicked Onyx by Debbie CassidyRomantasy, magical academy, girl must unravel dark family secrets, make alliances, and get revengeAgnes Auburt's Mystical Cat Shelter by Heather FawcettRomantasy, gentle fantasy, woman running cat rescue in 1920s Montreal and a grouchy charming magician who helps save her shelterHalf City by Kate GoldenRomantasy, young demon hunter enrolls in Harker Academy for Deviant DefenseThe Legend of the Nine-Tailed Fox by Katrina KwanRomantasy, a nine-tailed fox and the hunter who captured her are banished to the underworld togetherThe Lies that Summon the Night by Tessonaja OdetteRomantasy, world where making art is illegal, revenge, sexy monster hunterCrown of War and Shadow by J.R. WardRomantasy, fated mated, magic, hot mercenary, only one bed, touch her and dieThrone of Nightmares by Kerri ManiscaloRomantasy, librarian, dangerous book magic, perilous questThe Ballad of Fallen Dragons by Sarah A. ParkerMoonfall, book 2Dawn of the North by Demi WintersAshen, book 3The Heir and the Spare by Harper L. WoodsA Of Flesh and Bone novellaBrawler by Lauren GroffLiterary fiction, short storiesKin by Tayari JonesLiterary fiction, lifelong female friendship in the American SouthLove and Other Brain Experiments by Hannah BrohmContemporary romance, academic rivals to lovers, two neuroscientists fake datingInsignificant Others by Sarah JioSci fi romance, woman stuck in time loop of one day relationships with past boyfriendsSkate It Till You Make It by Rufaro Faither MazaruaContemporary sports romance, female hockey player, fake dating, rom-comThe Ex-Perimento by Maria J MorilloContemporary romance, woman enlists her favorite musician to win her ex back, rom-com, VenezuelaTwo Can Play by Ali HazelwoodContemporary romance, novella, enemies to loves, world of video gamesGet Over It, April Evans by Ashely Herring BlakeContemporary romance, sapphic, lake town resortAnd Now, Back to You by B.K. BorisonContemporary romance, competing meteorologists, opposites attractIn Her Spotlight by Amy SpaldingContemporary romance, sapphic, second chance, film industryA Hymn to Life by Gisele PelicotNonfiction, memoirThe Company of Owls by Polly AtkinMemoir, chronic illness, owlsBernie for Burlington: The Rise of the People's Politician by Dan ChiassonNonfiction, biographyStarry and Restless: Three Women Who Changed Work, Writing, and the World by Julia CookeNonfiction, biography of three groundbreaking female journalistsThe Last Kings of Hollywood: Coppola, Lucas, Spielberg—and the Battle for the Soul of American Cinema by Paul FisherBiographyLeaving Home: A Memoir in Full Colour by Mark HaddonMemoir of the author who wrote The Curious Incident of the Dog in the Night TimeUnread: A Memoir of Learning (and Loving) To Read on TikTok by Oliver JamesMemoir about learning how to read as an adultNonviolent: A Memoir of Resistance, Agitation, and Love by James Lawson Jr & Emily YellinNonfiction, posthumous memoir of Rev. James Lawson Jr, a principal architect of a nonviolent resistance movementWe the Women: The Hidden Heroes Who Shaped America by Norah O'DonnellNonfiction, history I Told You So!: Scientists Who Were Ridiculed, Exiled, and Imprisoned for Being Right by Matt KaplanNonfiction, science, historyA World Appear: A Journey into Consciousness by Michael PollanNonfiction, scienceThe Price of Mercy: Unfair Trials, a Violent System, and a Public Defender's Search for Justice in America by Emily Galvin AlmanzaNonfictionThe People Can Fly: American Promise, Black Prodigies, and the Greatest Miracle of All Time by Joshua BennettNonfictionCitizenship: Notes on an American Myth by Daisy HernándezNonfictionFear and Fury: Bernie Goetz, the Reagan '80s, and the Rebirth of White Rage by Heather Ann ThompsonNonfictionOn Morrison by Namwali SerpellNonfiction, dive into work of Toni Morrison 

John Harbaugh picked the Giants, what does that say about the Titans? We build a Frankenstein's monster coaching candidate based on the most important traits: CEO ability, scheme, hiring staff, in-game management, culture and leadership building. Then we guess at the finalists and preview the weekend of playoff football. Plus, can Miami upset Indiana? Braden Gall and Nick Suss talk Titans and SEC football. Watch the show ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. SinkersBeverages.com ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join The In Crowd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ today! Shotgun Willie's BBQ: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get the best brisket in Nashville!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ All music by MoonTaxi.com. Be sure to subscribe to PaulKuharsky.com and The Tennessean.com

JLB breaks down Guillermo Del Toro's Frankenstein and all of the lore and misunderstandings surrounding it! Follow That Was Pretty Scary on Instagram and TikTokFollow Jon Lee Brody on Instagram Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

GORGEOUS GUILLERMO is the topic of this episode. Alaina wrote a new book and everyone should check it out. In the meantime... let's talk about a giant monster that ash and alaina both want to do vile things to. SICK. TWISTED. DISGUSTING. But... gorgeous Guillermo forever.1 NEXT EPISODE ➟ TBA PATREON (BONUS EPISODES, VIDEO CONTENT, AND MORE!) ➟ https://patreon.com/screampodcast SCREAM! SOCIALS: Instagram ➟ https://z-p42.www.instagram.com/screampodcast/ Facebook ➟ https://www.facebook.com/thescreampod/?ref=py_c HORRORMOVIEREQUESTS@YAHOO.COM SCREAMPODCAST@YAHOO.COM HORROR SOUP SOCIALS: Instagram ➟ https://www.instagram.com/horrorsoup/?hl=en YOUTUBE ➟ https://www.youtube.com/c/HorrorSoup LETTERBOXD (MOVIE REVIEW APP) ➟ https://letterboxd.com/horrorsoupcaleb/ ~Music Credits~ ETHAN HURT – WWW.ETHANHURT.COM KYLE HERMAN - @iamkyleherman on Instagram Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

It's road trip time! Charming beach cottages, lively reunions, and a whole lot of sleeping in boats are just a tidbit of what's in store for Vic.This reading of Mary Shelley's Frankenstein has been sleepified as much as possible, but there are unavoidable references to the Big Farm, religion, and mental health. These topics may not be sleepy for all listeners.This episode originally aired on Sleep With Me Plus. If you'd like to hear more bonus episodes (and get episodes without ads), you can start a free trial at sleepwithmepodcast.com/plusGet your Sleep With Me SleepPhones. Use "sleepwithme" for $5 off!!Are you looking for Story Only versions or two more nights of Sleep With Me a week? Then check out Bedtime Stories from Sleep With MeLearn more about producer Russell aka Rusty Biscuit at russellsperberg.com and @BabyTeethLA on IG.Show Artwork by Emily TatGoing through a hard time? You can find support at the Crisis Textline and see more global helplines here.HELIX SLEEP - Take the 2-minute sleep quiz and they'll match you to a customized mattress that'll give you the best sleep of your life. Visit helixsleep.com/sleep and get a special deal exclusive for SWM listeners!ZOCDOC - With Zocdoc, you can search for local doctors who take your insurance, read verified patient reviews and book an appointment, in-person or video chat. Download the Zocdoc app to sign-up for FREE at zocdoc.com/sleepEVERYDAY DOSE - Everyday Dose combines high quality coffee with powerful ingredients like Lion's Mane and Chaga, collagen protein, and nootropics to fuel your brain, boost focus, and give you clean, sustained energy all day long. Head to EverydayDose.com/SLEEP for 61% off your first Coffee+ Starter Kit, a free A2 Probiotic Creamer, and over $100 in free gifts.PROGRESSIVE - With the Name Your Price tool, you tell Progressive how much you want to pay for car insurance, and they'll show you coverage options that fit your budget. Get your quote today at progressive.com Learn about your ad choices: dovetail.prx.org/ad-choices