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Our late in the run At Eye Level correspondent from Scotland regularly brought up, as a sort of bemused reality check, the fact that his grandmother's milkman was none other than Sean Connery. A prophet has no honor in his own country... Supposedly an amateur bodybuilder (though you'd probably never know it from what we see on celluloid) and ex-Royal Navy man, Connery was a milkman both as a youth and an adult, a truck driver, a grave digger, an artist's model and a laborer. But that all changed. Turning down all manner of blue collar jobs and manual labor (supposedly even a shot at being a pro footballer), he made a crucial right turn into acting...and give or take ten years working his way through inconsequential bit parts in westerns, Disney pictures and such, the rest is history. Because in 1962, he took on the role of Ian Fleming's superspy James Bond, one rejiggered to the fantasies and hopes of its day, all tech gadgets and Cold War gravitas kneaded into a pulp action adventure series unlike any other...but which spawned literal hundreds of imitators globally, most notably the krimis, Edgar Wallace and Mabuse films and Jerry Cotton series out of Germany and ridiculous numbers of Italian, French, British and Spanish Eurospy pictures. Hell, even washed up crooners like Dean Martin and tongue in cheek types like Tony Randall and the James Coburn In Like Flint series got in on the act, domestically... Tonight, we're going to tackle some of the notable films he's been front and center for, from poorly sung Irishmen chasing leprechauns to taut thrillers, from bizarre Eurowesterns and gritty, soul searching 70's cop dramas to weird allegories about sex and society, lousy disaster films, midgets, monks, evil knights, badly Russian accented sub commanders, awkward Alan Moore adaptations...even Indiana Jones' father! We've taken on his more famous series twice over, but this is virgin territory... So stay tuned as we tackle the (non-Bond) films of Sean Connery, only here on Weird Scenes! Week 62: Sean Connery - Beyond Bond https://weirdscenes1.wordpress.com/https://www.facebook.com/WeirdScenes1https://twitter.com/WeirdScenes1 (@weirdscenes1)https://thirdeyecinema.podbean.com/ https://itunes.apple.com/us/podcast/third-eye-cinema-weird-scenes-inside-the-goldmine-podcast/id553402044
Groomed as a potential leading man and heartthrob for the Hollywood studio system of the 1950s, George Nader went from a debut in an acknowledged camp classic (Robot Monster) through roles alongside the likes of Tony Curtis, Maureen O’Hara, Esther Williams, Hedy Lamarr and John Saxon, eventually winding up in the career-defining role of FBI G-man Jerry Cotton in an unforgettable series of two fisted German action films that drew equally from the Bondian excess of the Eurospy craze and the wild and wooly vibe of the Edgar Wallace krimi. With their gritty vibe, surprising stunt sequences and dark undertones, these 8 films even seemed to draw from the contemporaneous NYC sexploiter, while bearing enough lineage with the Wallace (and arguably, Mabuse) films (whose recurrent director Harald Reinl helmed three entries, and whose go-to composer Peter Thomas composed the films’ jaunty theme and provided most of their scoring) to elevate the second tier Hollywood expat to the second most popular film star in Germany! Join us as we return from a long hiatus to zcover these highly entertaining films, as we discuss the “first gay action hero”, George Nader and the Jerry Cotton series! Week 44: The First Gay Action Hero? George Nader and the films of Jerry Cotton https://weirdscenes1.wordpress.com/ https://www.facebook.com/WeirdScenes1 https://twitter.com/WeirdScenes1 (@weirdscenes1)
In the wake of the surprising worldwide success of the James Bond films, moviemakers around the globe raced to put forth their own homegrown versions of M16's favorite son. Occasionally utilizing pre-existing detective/spy stories (Belgium's Francis Coplan, Germany's Rolf Torring) but more often creating their own from scratch, directors from such nations as Italy, Spain, Germany and France in particular would release a flurry of pictures revolving around such recurring characters as OSS 117, Kommissar X, Agent X 1-7, Jerry Cotton and even Lemmy Caution. We've already addressed many British TV spy series, Germany's Edgar Wallace (and Dr. Mabuse) krimis and James Bond himself...join us this week as we take on the rest of the Eurospy canon, only here on Weird Scenes Inside the Goldmine! Week 41 Spies, Thighs and Private Eyes: Eurospy cinema
This week, we'll be talking Bond and other spies! In the earliest days of the Cold War, unlikely monikered producer Albert R. "Cubby" Broccoli and his partner Harry Saltzman tapped into some very variant elements of the late 50's/early 60's zeitgeist and created the defining example of a martini-sipping, jet setting lounge lizard fantasy of an international spy. Simultaneously able to work contemporary political tropes of anti-Communism and the hip, swinging macho dream of every potbellied suburban overlord, their version of Ian Fleming's 007 overtook the original and spawned a literal army of filmic and televised knockoffs, from the successful (Jerry Cotton and the Eurospy craze, John Steed, Jason King, Adam Adamant, Alexander Mundy, Simon Templar, James West and Artemus Gordon, the I.M.F.) to the strangely popular and comic oriented but failed (Man From Uncle, Get Smart, I Spy). Join us as we separate the wheat from the chaff, only here on Weird Scenes Inside the Goldmine! Week 13 Shaken...not stirred Your hosts "Doc" Savage and Louis Paul www.facebook.com/WeirdScenes1