Podcasts about irishmen

Friends of the Rosary,Today, March 17, the Catholic Church celebrates the Memorial Day of St. Patrick, an influential saint of the fifth century who brought Christianity to the little country of Ireland.The feast is celebrated in Ireland and among the Irish diaspora as a religious and cultural holiday. In the Catholic Church in Ireland, it is both a solemnity and a holy day of obligation.This day is not about leprechauns, shamrocks, and green beer but honoring and praying to St. Patrick.After fifteen centuries, St. Patrick remains the great bishop all Irishmen venerate as their father in the Faith.Ave Maria!Jesus, I Trust In You!Come, Holy Spirit, come!To Jesus through Mary!+ Mikel Amigot | RosaryNetwork.com, New YorkEnhance your faith with the new Holy Rosary University app:Apple iOS | New! Android Google Play• ⁠March 17, 2025, Today's Rosary on YouTube | Daily broadcast at 7:30 pm ET

March 14, 1991. The Birmingham Six have been in prison for 16 years. Each of these six Irishmen was found guilty of 21 counts of murder back in 1975 – held responsible for bombs detonated at two popular pubs in Birmingham, England. They were accused of being part of an IRA terror campaign, but have maintained their innocence since the moment they were arrested. It turns out... they were telling the truth. Today, the Birmingham Six will be set free. How were they imprisoned for a crime they never committed? And why have the actual bombers never been brought to justice? Special thanks to Ed Barlow, producer at the BBC and creator of the podcast series In Detail: The Pub Bombings.  To stay updated: historythisweekpodcast.com To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Ireland may have been England's first colony but, by the 17th century, Irishmen were carving out their own imperial legacies in India. Gerald Aungier, an ambitious East India Company official, saw Bombay as a new frontier for plantation and trade. Drawing from his family's plantation experience in Ireland, he laid the foundations for the establishment of the legal and economic framework that would define colonial rule in India for centuries. A hundred years later, John Nicholson, an Ulster-born soldier, became a symbol of British military might - and brutality. Known for his extreme violence during the 1857 uprising, Nicholson led savage campaigns against Indian rebels, earning both devotion from his men and horror from his enemies. His actions, once celebrated in Britain, are now remembered as some of the worst atrocities of colonial rule. At the height of the Raj, another Irishman, Lord Dufferin, presided over India as Viceroy. Deeply aware of Ireland's own history under British rule, he feared that Indian nationalism would follow the same path as Ireland's Home Rule movement. So, how did these Irishmen shape the empire that once subjugated their own people? Listen as William and Anita are once again joined by Professor Jane Ohlmeyer, author of Making Empire: Ireland, Imperialism and the Early Modern World, to uncover the contradictions of Irish imperial history. _____________ Empire UK Live Tour: The Booze & Brews live show is going on a UK tour! William and Anita will be discussing the extraordinary history of ordinary drinks such as tea, Indian Pale Ale and gin & tonic, highlighting how interconnected our drinks cabinets are with the British Empire. Tickets are on sale NOW head to aegp.uk/EmpireLive2025 to buy yours.  Empire Club: Become a member of the Empire Club to receive early access to miniseries, ad-free listening, early access to live show tickets, bonus episodes, book discounts, and a weekly newsletter! Head to empirepoduk.com to sign up. Email: empire@goalhanger.com Instagram: @empirepoduk  Blue Sky: @empirepoduk  X: @empirepoduk goalhanger.com Assistant Producer: Becki Hills Producer: Anouska Lewis Senior Producer: Callum Hill Learn more about your ad choices. Visit podcastchoices.com/adchoices

After Romania, one night in Rome.By FinalStand. Listen to the Podcast at Explicit Novels.When our ancestor committed the first murder, was it rage, or fear that drove them to the deed?(Evening near the Metropole, Roma, Italia)"I think you've done well," Riki congratulated me as she terminated her phone call. Word had come down that her replacement was on the way. Our profile had been updated back at State and they clearly wanted to bring in the 'real professionals'. There also had been a miscommunication. I was far too stressed to be reasonable now.Some undeserving smuck was about to be at the receiving end of my wrath for no better reason than I was at my limit of accepting any further alterations to my life. In hindsight, I was being totally irrational. At that moment in time, I didn't care whose day I was ruining. Sometimes I can be a jerk and an idiot at the same time.The US State Department apparently thought I couldn't dictate who was, or wasn't, a member of 'Unit L', we now had our own designation within Javiera's expanding task-force. The government had a random name generator for this shit and we got the letter 'L'. Maybe that device didn't think we were going to last long enough to matter. Anyway, I took the phone and hit redial. Riki gave me an 'I'm puzzled' look."Who am I talking to?" I inquired."Ms, who are you?" he demanded, since my caller ID said Riki and, unless I used my high, squeaky voice, I obviously sounded like a guy."I'm Cáel Nyilas. Who is this?" I replied."I'm Bill A. Miller, Director of the U.S. Diplomatic Security Service. What seems to be the problem, Mr. Nyilas?" He was rather uptight about the call-back."Since we are working together, why don't you call me Cáel?" I politely requested. "I'll call you Willy.""My name is Bill, but you can call me Director Miller," he corrected me. "The reason for your call is?""It is Willy, or Dick; your choice," I countered. "I don't call my boss 'Director' and I worship the ground she walks on. You are not even in her league. Also, I've had bad experiences with guys named Bill which are too painful to explain right now."That was true. One was friend taking a shower and leaving me alone with his mother. The other was early on in my career when I confused a girl named Bonnie with her real name 'Bill'. I was my own personal 'The Crying Game'. I didn't handle that episode well."Besides, I didn't call to discuss name-calling. I want to know how many agents work for you.""What does that have to do with anything?" he grumbled."You are quick with the questions while painfully bereft of answers," I snorted. "Don't make me Google this too.""Over two thousand," he stopped being a total ass. "Is there anything else I can tell you that Miss Martin should have been able to tell you?" Ooops, Back to being an ass."Riki's being physically restrained from taking her phone back by some of my educationally-challenged, illegal alien, unskilled labor force of questionable loyalty," I outrageously lied. It was an odious habit of mine that I'd cultivated vigorously over the past few weeks. "Two thousand humans, thanks. Is Riki's replacement a guy, or a girl? Wait, who cares? Just send their picture and I'll let you know where to send their replacement.""Are you threatening my people?" he simmered."No. That would make me an uncooperative and nefarious nuisance," I evaded. "Of course, when a person sticks their hand into a functioning garbage disposal, you don't blame the device. You blame the moron who stuck their hand in." From the perspective of our relationship, I was the garbage disposal."That definitely sounds like a threat," he responded. He was going to stick his hand in anyway."Your inability to comprehend the nuances possible with the English language is not why I called and not something I feel I can educate you about, given my current time constraints. Just have one of your insipid flunkies send me the picture. I need to purchase duct tape and an out-of-the-way storage space," I informed him."By the way, in the spirit of legal chicanery, could you tell me how long it will take for Riki Martin's name to come back up in the rotation? Let's figure 36 hours between each hot-shot leaving DC and their eventual inability to return phone calls," I wanted to make sure he knew I was taunting his pompous self. (Me being pompous and unhelpful didn't cross my mind at that moment.)"Let me make myself clear, Mr. Nyilas," he repeated. "Not only can you not dictate terms to the US government, you are not even the team's designated leader." I wasn't? Fuck him. I had tons of useless members of the Alphabet Mafia in front of my name, all loudly proclaiming my numerous accolades.Of everyone on the team, I had the most: NOHIO (Number One House Ishara Official), HCIESI-NDI, (Havenstone Commercial Investments Executive Services' Intern -- New Directive Initiative, I didn't make that one up, I swear), MEH (Magyarorszag es Erdely Hercege) and UHAUL (Unpaid Honcho Assigned to Unit L). I liked that last one, so that was how I was going to sign off on all my reports now."First off, I AM in charge, Willy. Without me, there is no Unit L. I quit, and then what? In case you missed it, I can't be drafted or threatened by you. If you think you can replace me, please do so right now and let me get back to my life -- you know, the thing that actually puts money in my pocket.Besides, I am not refusing to take anyone you see fit to put on MY team. I'm just not going to tell you where I'm going to take them to. I suspect they are adults and can find their way home, eventually, Willy.""Mr. Nyilas, you are an unbelievably fortunate amateur and novice intellectual in a situation that demands experience and professionalism. It is time for you to step back and let the people who know what they are doing take over. Just play your part and we'll make sure you get due credit for following orders and behaving," he unleashed his fair-smelling bile."I am following your orders; your procedures dictate that a member of the State Department will be on this team," I kept my calm. "As one of the people who actually has experience with this situation, I'm letting you know how things work in the field. Every person you send will be misplaced, thus you will have to send someone else. Alerting you to the need to stay on top of your job -- sending someone else -- sounds to me like common sense advice in this circumstance.""That is not going to happen, Nyilas. If something happens, " he got out."Willy, duct tape is plentiful and cheap. Kidnapping -- thus hostage keeping -- is virtually a religion in Southern Italy. And though I am already wired into the local criminal underground, I'm just not going to be able to help you, or them. I'll make up some implausible excuses as the need arises. So now you know the score. The next move is yours," I smiled."The next words out of your mouth had better be 'I'll behave', or the State Department will revoke your passport and have stern words with the Republic of Ireland over your diplomatic status," Willy warned me."I'll behave," I fibbed. Riki snatched the phone out of my hand."Sir -- Director Miller, I want you to know I had nothing to do with Mr. Nyilas' tirade," Riki apologized. "He stole my phone.""I did." and "oww!" I hollered in the background. "She ground her heel into my instep. the fiery little minx." I was propping up her excuse because I owed her for verbally taking a dump on her boss, the ass-heap back in Romania. Riki punched me."Ms. Martin, do we need to reconsider your employment, or can we rely on you to re-organize Unit L before Ms. McCauley (her replacement) arrives?" Willy lectured."Director Miller, ""Call him Big Willy," I whispered to her. "He loves that 'Big Willy' style."This time she hit me in the thigh. My ballistic vest had gotten in the way of her first hit, but she was a quick learner."How can you know a song from 1997, yet not know that Russia invaded Georgia in 2008?" Riki put her hand over the phone and hissed at me."Ah," Pamela teased. "Somebody is a Will Smith fan." Riki looked away.I wasn't sure what to make of the Will Smith -- Ricky Martin combo forming in my mind. Will was one of my manly icons. Hey, he was a stud, scored numerous hotties in his film career and married Jada Pinkett Smith. What's not to love? Growing up, I wanted to be like Will Smith. When/if I ever finished growing up, I wanted to be like George Clooney."Director Miller," Riki tried again. "He's lying. From my personal observations and with supporting personality profiles provided by other members of the task force, I can guarantee you that Mr. Nyilas is unreliable and untrustworthy. Sir, I've watched Romani males hide their wallets and their daughters when he walks by." Okay, wasn't that last bit a lie?"that last bit a lie?es hide their wallets and their daughters when he walks by. provided by other members However, unless she has been cross-trained as a waitress at a gang-affiliated nightclub, a day-care worker for the criminally insane, plus consistently wins at Texas hold 'em, she's going to be out of her element here.""No sir, but Mr. Nyilas likes me, I'm not sure why," she glared at me. I poked her in the boob to help clarify the matter. Riki slapped my hand. Virginia punched me in the shoulder. I decided to poke Virginia in her ballistic-covered breast, hoping she was jealous for the attention. I was wrong. They both hit me again.Had this been sexual harassment, they would have hated this job and despised me. Since this was me being my painfully childish self, well, I was still annoying, but also adorable. Put it this way: if a woman could not only pepper spray a man making cat-calls at her, and was even encouraged to do so, wouldn't that de-stress the situation?"Director Miller, I don't want to stay on this assignment, yet I'd be remiss if I didn't explain some of the numerous pitfalls of working with Unit L. Every one of them is comfortable being a walking arsenal. I'm on my way to have a ballistic vest tailored for me because I'm the only one in the unit without one. I have no doubt that any of them could kill me with their bare hands in less than 5 seconds if they so desired," she explained."You would think they would want a more effective combatant with them," Miller grew icy, suspecting duplicity on Riki's part -- moron. She looked at me over the phone."Sir, I think they like me because I know I don't belong in a firefight. They can count on me to cower behind cover while the bullets are flying. That allows the rest to kill unimpeded by having to keep an eye on me," she said.Pause."One of them did show me how to recognize and start various grenades. She said if I was ever the last one alive, it would give me 'options'."Pause."Ms. Martin, don't cancel your flight back to DC yet. I'm going to give Ms. Castello a call to see what her assessment of the situation is," Willy allowed. "Good-bye.""I can't believe I talked him into making me stay with you people," Riki moaned.Our little caravan was slowing to a stop outside the Metropole Hotel. It was Hana's choice for a Roman meeting location. A restaurant and a hotel room, all in one location. Rachel and Wiesława were ahead of us, checking things out. Hana had informed us that the Illuminati had two people watching her. This was going to be my last bit of time with Rachel for a while.(Meanwhile, Back At The Ranch, )Two new members of House Ishara were on their way to Rome. They'd be joined by two members of the House Guard of Andraste from Britain. The two Isharans were the first members of the House Guard of Ishara in over a thousand years. I didn't expect them to be the martial equals of Rachel, or Charlotte. Not yet. And anyway, that didn't matter. What mattered to me was that they'd volunteered for the task and Buffy felt they were the best we had.Another nomadic pack of House Hylonome Amazons had taken in the traumatized Zola. She had to stay in Romanian until the authorities finished up her part of the investigation. A mixed group from House Živa and Ishara (led by Helena) would handle security for Professor Loma, his family and the Lovasz sisters during their trip to New York.Aliz, his wife, was officially in House Ishara's custody. That was my best play at making sure she avoided summary justice for her 'betrayal' of House Hylonome. The whole group would be handed over to House Epona as soon as the Romanians cleared them for foreign travel. It helped my case that Aliz appreciated my warnings about the danger that both families were in from House Illuyankamunus.The occult nitpicking that allowed me to leverage this maneuver was accomplished by me doing yet another rarely done feat. In the name of Alkonyka Lovasz, House Ishara was sponsoring a new Amazon house. I could testify to the existence and matronage of the Goddess SzélAnya (without her permission), which was one of the stepping stones for acceptance.Vincent was going to stay in Germany for two days, then he was off to his home and daughters in Arlington Virginia, with a long convalescence and a rumored promotion. Mona and Tiger Lily were already on their way to New York as honor guard for Charlotte's body, courtesy of the US Air Force. The Amazons needed the USAF to do it because that was the only way we could get the Romanians to release her body.The Hylonome dead, they would be buried in a private plot after all the autopsies were done. I was absolutely sure the Hylonome would steal the bodies in due time and give them a 'proper' burial. Of the Mycenaeans, Red and one of his buddies still remained at large. Of Ajax's half-brother, Teucer, and the other previously wounded Greek warrior, there was no sign. Kwen and the other POWs remained in Romania to face a laundry list of charges. Her fate was unknown to me.My bodyguard was reduced, yet no one minded. The twin reasoning was that the Black Hand in Italy would provide some protection for me. The other was that I was in the birthplace of the Condottieri. Selena's sources strongly suspected that their HQ was close to Rome itself. I could have had more security by recruiting among the 'natives'.Various sources, some inside Italy, had suggested that the Carabinieri, Italy's military police force, had 'offered' to provide some protection. That was prompted by events surrounding my visits to Budapest  and  Mindszent, Hungary and the 'action' south of Miercurea Ciuc, Romania (no one wanted to call it a battle, even though the fight involved over 1000 Romanian Land Forces troops and half a squadron of the Romanian Air Force).My refusal of the offer caused a 'disruption'. This was a polite way of saying the Italians did not want me to enter their country. I wasn't being a jerk this time. Selena and Aunt Briana were both of the opinion that the Condo's recruited heavily from European military and paramilitary units -- particularly Western Europe. And that not all their 'new hires' had left active duty either.A peculiar circumstance then developed. The pretext for denying me entry was undercut by Hungary and Romania erasing me from their official investigation. I wasn't a threat (despite the burnt landscape and tombstones sprouting up in my wake.) Romania didn't want me to stay, Hungary decided they didn't want me back -- at the moment -- and the US/UK/Ireland were telling the Italians that I was a peach, or whatever implied that in diplomatic speech.There was a compromise finally reached by Riki and shadow forces that I couldn't put names to. I could come to Italy as long as my itinerary was relayed to Carabinieri. We could keep our side arms in holsters and our big guns as long as they weren't on our persons. I could go around without a Carabinieri bodyguard as long as I ignored them floating around me at a discreet distance. A liaison officer would meet me at the hotel to maintain the illusion that I was just a paranoid tourist.Delilah had to touch base with the British again, probably for the same reasons that the US wanted to replace Riki. While both Delilah and Chaz were military and seconded to MI-6, they weren't considered Intelligence Experts by the people at the helm. For that matter, they weren't even sure how Delilah had ended up at my side, killing multi-national terrorists in three separate countries inside of one month. That was very cinematic, not realistic. The idea of governments with shadow operatives 'sanctioning' people was not something that anyone in the 'know' wanted to talk about.Whether it was before the media, a US Senate Select Committee on Intelligence, the United States House Permanent Select Committee on Intelligence, or a UK Parliamentary Foreign Affairs Select Committee this wasn't what these Department Heads wanted to discuss. Less anyone forget, my Congress and my President didn't, umm, get along.In my favor, I was an orphan from New Hampshire, both my US Senators were women and I'd worked on their campaigns or dated some of their volunteers. It might do me some good to call Dr. Kimberly Geisler at Bolingbrook to see what she could do politically. All that could wait.(Finishing Up)Selena Jovanović had the first of our two dark blue Alfa Romeo 159s, the one that disgorged Rachel and Wiesława. She, Saku and Odette would circle the block in case there was any trouble. Pamela had the driver's seat in my car. No one wanted me or Odette to drive because we didn't understand urban Italian street etiquette. It was Virginia, me and Riki in the backseat with Chaz up front with Pamela.Rachel gave the preliminary order to disembark. That meant the lobby was partially clear -- there were armed types about that seemed to be either Carabinieri, or understandable private security. Rome wasn't as dangerous as Mexico City (kidnap-wise), but events in London, Budapest and the Hungarian and Romanian countryside were putting people on edge. And those with enough money could buy some emotional comfort in the form of armed private contractors.Chaz took his H and K UMP-45, stock folded, out of the bag at his feet and secured it inside the right-side of his jacket. Three spare clips went inside a harness on his left. It was dreamlike as Virginia and I went through a similar, less heavily armed process. For FBI Girl, it was a 'carry-on' with flash-bang, concussion and smoke grenades, plus a few extra clips/mags for everyone.For me, it was a tomahawk, a second Gloc-22 and a bullet for everyone in the hotel, if that became necessary. As the car came to a stop in front of the main doors, I worked my way over Riki so that I would be the second person to exit the car. Chaz would be the first. Virginia got out on her side. Pamela would stay at the wheel -- Riki had an appointment with a tailor to keep.I felt it then, that sympathetic spiritual harmony I was one-third of. I looked up into the 'clear' Rome night. There she was, Bellatrix, the Amazon star in the Constellation of Orion. According to the Egyptian Rite, the Weave of Fate was nearly invisible by day, but by night, you could make out its strands in the motion of the stars. That was not something Alal had ever truly mastered. Still,I had a new phone since the charred remains of my old one were in some evidence locker in Budapest by now. That didn't mean I wanted to use it. I was getting squirrely about people I didn't want finding me, finding me. Chaz was in the lead, I was in the middle and Virginia covered my back. Rachel caught sight of us, gave a quick nod, and then she and Wiesława went for the elevators.Rachel would want to check out Hana's room before I got there -- if I got there. I called Odette."Hey Babe," Odette beamed excitement my way. She was in Rome and we had a guaranteed 24 hour layover. For a girl who thought her great adventure in life was going to end up being a high school trip to Philadelphia to see the Liberty Bell, she was in Nirvana."Hey to you too, Odette. I need a favor," I began."Sure," she chirped."In five minutes from, right now make sure Sakuniyas comes to see me and Hana in the restaurant by herself," I requested. Odette hesitated, taking in her knowledge of 'Cáel-speak'."No problemo Jeffe," she answered. She knew I was in some undefined trouble. We both knew that her body language would convey that unease to Saku, which was what I needed. See, I had a plan. I tapped Chaz, slowing him and thus allowing Virginia to bunch up with us."Do either one of you remember the movie 

It's always a pleasure to talk boxing with today's guest, Mick Conlan - and the response we get everytime we have him on, shows that listeners relish these appearances as well. There's so much to talk about in Irish boxing. We've recently experienced utter tragedy with the untimely passing of Galway warrior John Cooney following a battle in Belfast, the first fatality in an Irish ring for nearly 60 years. That, and the death of jockey Michael O'Sullivan, is another reminder of the commitment these sportsmen and women give to their craft. From daily battles with the scales, to performing in high-pressure situations where one wrong move can result in catastrophe, boxers and jockeys have much in common and their willingness to sacrifice for our entertainment must never be overlooked. Yet racing goes on, Cheltenham is coming, and boxing continues apace as well, and will do as long as men and women are called to the ring. Today's guest knows all about that call. After stepping away for all of 2024, he returns on March 7 in Brighton with a new training and promotional team behind him. The featherweight talks about the Last Dance, why he'll be watching the Eubank-McKenna main event through his fingers, the dirty boxing business, going his own way by managing himself and his new coach, Grant Smith, who in 2006 was hit by a 56-tonne tram going 28mph – and lived to tell the tale. Conlan also discusses his fighters Dean Walsh (who's in action in Mick's new home from home of Sheffield on March 1) and Kevin Cronin (who's taking on Emmet Brennan in Mick's old stomping ground, Madison Square Garden, a fortnight later) as well as those he's no longer managing, like Lewis Crocker and Pierce O'Leary (who both have huge outings in the pipeline, Crocker v Paddy Donovan on March 1 and Big Bang with a potential Dublin homecoming in April). Plus we couldn't go without talking about two upcoming world title fights for Irishmen, involving two of his past opponents – TJ Doheny v Nick Ball on March 15 and Anto Cacace v Leigh Wood on May 10. Hosted on Acast. See acast.com/privacy for more information.

Send us a textThis episode was a whirlwind of chaotic energy fueled by cold brew, deep thoughts on dicks, and unsolicited introspection. Bobby and Jim discuss everything from waking up at ungodly hours, Botox touch-ups, and the undeniable power of bulge bands. There's talk of mysterious Irishmen, deep-seated bisexuality panic, and how Gen Z is dismantling the big dick industrial complex. The boys take a detour into a philosophical breakdown of averages (which nearly breaks Bobby's brain), get deep into Trump voters realizing they've been conned, and unpack why someone always has a bottle of lube at the ready.Somewhere along the way, Jim relives his DC trauma of watching Beaches next to a grieving classmate, Bobby gets manhandled in a Chicago bar bathroom, and they both theorize that being blind might make sex infinitely better. Also, a local takedown segment hilariously roasts a couple with too much sniffies exposure, and they contemplate why straight frat guys invented butt chugging. It all ends with Bobby questioning if he should go into politics and a serious, yet unserious, conversation about how tech bros like Elon Musk are destroying the world.Most Inappropriate MomentsThe boy pussy moan during straight sex.A man being “helped” to pee by an overly supportive stranger.A deep discussion about how straight frat boys invented butt chugging.The full forensic analysis of dried cum stains on various clothing items.Monkeypox paranoia spiraling into full-body checks.A local couple exposed for their public sniffies profiles.The realization that half of men have a dick under 5.5 inches.A therapy session gaslighting a man into believing he isn't sick.Someone carrying pre-lubed pockets “just in case.”The math breakdown of how dick size averages really work.Frat boys nervously explaining why butt chugging isn't gay.A man getting Botox while wearing a suspiciously stained hoodie.Straight men admitting they've thought about the other side.Airport passengers losing their minds over flight delays.A guy jerking off in a car with emergency lube on standby.Support the showAs always you can write us at nowellpodcast@gmail.com or call us at ‪(614) 721-5336‬ and tell us your Not Wells of the week InstagramTwitterBobby's Only FansHelp us continue to grow and create amazing content, like a live tour or just help fund some new headphones when needed. Any help is appreacited. https://www.buzzsprout.com/510487/subscribe#gaypodcast #podcast #gay #lgbtq #queerpodcast #lgbt #lgbtpodcast #lgbtqpodcast #gaypodcaster #queer#instagay #podcasts #podcasting #gaylife #pride #lesbian #bhfyp #gaycomedy #comedypodcast #comedy #nyc #614 #shesnotdoingsowell #wiltonmanor #notwell

Chris Mullin has lived a life less ordinary. He was a fearless investigative journalist who became a Labour MP determined to speak, not just truth to power, but to go in search of the truth, however uncomfortable it was. In the second part of his chat with Joe and Dion, Chris explains how the establishment were forced to confront a reality they had tried to suppress once the Guildford Four were released in 1989. Two years later the Birmingham Six were free. If the death penalty had still been in operation they would have been hanged as many other innocents were. The man who was described by The Sun as a “mouthpiece for IRA sympathisers”, explains how his doggedness helped transform the British legal system. He talks about A Very British Coup, his novel which predicted the future, as well as his friendship with Tony Benn. Chris served as a minister under Tony Blair and he talks about how a messianic fever took hold in Blair leading to the disaster that was the invasion of Iraq.Free State with Joe Brolly and Dion Fanning is a Gold Hat Production in association with SwanMcG.For more on Free State: https://freestatepodcast.com/ Hosted on Acast. See acast.com/privacy for more information.

I tell jokes because I remember a time in my life when I crowded into a booth at a bar with eight other guys and some guys leaning over us and we told jokes and now I don't see people doing that anymore. It's a guy responsibility — women are worriers, men are kidders — and I remember one afternoon, over rounds of beer and bumps, that we told 75 different How Many Whatsis Does It Take To Change A Light Bulb jokes — we kept a list (Irishmen, therapists, optimists, agnostics, Russians, English majors) and all of them were reasonably funny. No more.So naturally I wonder if AA and rehab and treatment centers are responsible for the disappearance of the joke circle, and instead of pickles walking into a bar, we have a circle of men on folding chairs talking about their emotionally distant fathers who failed to validate them. So a man talked about his father who was a magician who cut people in half. “Did he work in a carnival or circus?” “No, he worked from home. I have a half-brother and a half-sister.” This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit garrisonkeillor.substack.com/subscribe

One of the greatest Irishmen to play the great game of AFL and Geelong premiership player, Zach Tuohy, joins us to chat the ups and downs of AFL, glorious moustaches, Geelong, Carlton and so much more. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

How did three Irishmen who emigrated to Australia in the mid-1800s become a part of one of the deadliest attacks on police in the 19th century?

Clodagh Finn and John Morgan have produced an important history of the involvement of Irishmen and women in the anti-fascist movements of the Second World War. One of the most extraordinary stories they have uncovered is Catherine Crean, a woman in her sixties originally from Dublin's Moore Street. She would give everything in defence of democracy and in opposition to Hitlerism. The Irish in the Resistance is out now (Gill Books.)

//The Wire//2230Z August 21, 2024////ROUTINE////BLUF: MIDDLE EAST PEACE TALKS CONTINUE TENUOUSLY. U.K. UNREST REMAINS AMID CRACKDOWNS. HOUTHI ATTACKS CONTINUE IN RED SEA.// -----BEGIN TEARLINE------International Events-United Kingdom: Overnight a man murdered a woman and three children by burning them alive in their home in Bradford. The man was arrested at the scene.Yesterday, a delivery driver was stabbed to death in Leeds after trying to stop his van from being stolen. His body was found beside the road by a passerby, and he later died at a local hospital.Around the nation demonstrations against the regime continue despite heavy-handed responses by authorities.Ireland: Another migrant center in Dublin was burned down by local Irishmen overnight. No arrests have been made regarding this arson incident.Germany: Yesterday a man was executed in the central train station in Frankfurt, with the assailant approaching the victim and shooting him in the back of the head with a pistol in the main hall of the station. Local reports indicate both the victim and perpetrator are of Turkish descent/nationality.Red Sea/HOA: Houthi attacks continue as before. Yesterday two ships were attacked in typical fashion by Houthi forces, with varying success. The M/V SUNION was reportedly struck by two Houthi missiles, with the crew abandoning ship due to uncontrolled fires onboard the vessel.Middle East: Iranian statements and actions over the past few days have indicated that Iran's much-awaited response to Israel's attack weeks ago likely has been postponed. Low-level exercises and routine Iranian military activity has been observed, along with Iranian statements that indicate that no major military action will take place for the time being, at least while the peace talks are ongoing.-----END TEARLINE-----Analyst Comments: Iranian officials, like much of the Middle East, tend to use extremely passive language, never speaking directly about anything. As such, Iranian officials at varying levels have made small statements over the past few days suggesting that “patience” is needed, that the response may take “a long time”, or other extremely passive statements. This language is probably the most direct way that Iran will communicate that they don't intend to do anything for now.Regarding the peace talks, very little information has leaked out so far to indicate how the situation is developing. Various American statements have suggested the talks remain positive and hopeful. However, these statements remain dubious considering the reality of the situation. Yesterday US SECSTATE Blinken left Egypt abruptly, suggesting that things are not going so well. This is exemplified by a continuation of routine combat actions by Hamas, Hezbollah, and Israel (mostly comprising of limited strikes or harassing rocket attacks), further indicating that no side is as serious about peace as the United States would have everyone believe.In the United Kingdom, the arrest, conviction, and sentencing of anti-migration demonstrators has already gone beyond the pale of civilized society, into the utterly absurd. Yesterday, a man was sentenced in Bristol to almost two years in prison for shouting at a police dog and making allegedly racist remarks. Others have been arrested, convicted, and sentenced in quick succession to many years in prison for ridiculously low-level offenses that would not even be a crime in traditionally western societies. As such, British authorities would do well to observe the stakes that they themselves are raising; when low-level crimes are treated more seriously than capital crimes, common sense would dictate that the latter will become more preferrable to the former.Analyst: S2A1//END REPORT//

It's not surprising to hear Richie Blacker share his appreciation for fellow Irishmen and old-school revivalists Bicep. Just as they draw from scene originators like Orbital, Richie imbues his productions with the spirit of mid-90s open-field raves and Ibiza-flavored piano house. This sound resonates with notable DJs like Sasha and Skream, who have both signed him to their labels, Last Night On Earth and Of Unsound Mind. With his Mess Express label and regular radio plays on Radio 1 and other stations across Europe, he shows no signs of slowing down. Featuring tracks from Sasha, Tinlicker, Gui Boratto, and Johannes Brecht, this is an enthralling two hour ride through Balearica, Afro house, and contemporary prog - currated by one of Ireland's best. @richie-blacker-fuel

Terrorists, anarchists and Irishmen! Government surveillance transitions from the masses to subversive individuals. Learn more about your ad choices. Visit megaphone.fm/adchoices

Andreas and Kel discuss Conor McGregor's injury, the new UFC 303 card and UFC's ability to pivot on the drop of a dime. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Joey's celebrate 50 episodes. You an alley kinda guy? Holy Wave's got some shows coming up. Joey's got a tour coming up. Y'all ever see Robert Deniro's shoes in The Irishmen? Joey knows some shit about helium. There's something about eating a chocolate rabbits ears. Joey loves popcorn. Have you ever been too embarrassed to call for help? The Joey's answer two questions from their fans. Joey hates Fleet Foxes. WWJDD? Email your “what to do?” scenario to joeydivisionpodcast@gmail.com

WAKE gets musical! We welcome our first guest, musical genius Meg Logue, who has arranged and performed potentially the most melodious cover ever of The Ballad of Persse O'Reilly. We discuss gravelly voiced Irishmen, German opera, singing at wakes, and agree that we'd all like a sip of whatever Poolbeg's on. This week's readers: Meg Logue, Toby Malone Progress: 47 pages complete, 581 pages to go; 7.4% read. For early drops, community and show notes, join us at our free Patreon, at ⁠⁠⁠⁠⁠patreon.com/wakepod⁠⁠⁠⁠⁠. We welcome comments from everyone: even, nay, especially, the dreaded purists. Come and "um actually" us!

2 + Hours of Drama on a FridayFirst a look at this day in History.Then This is Your FBI, originally broadcast May 31, 1946, 78 years ago, The Slaugherhouse Swindlers.  A couple of scammers con vulnerable ranchers out of their cattle and sell them to a black market slaughterhouse. Followed by Suspense, originally broadcast May 31, 1959, 65 years ago, The Man Who Would Be King starring Dan o'Herlihy. The famous Kipling story about the two Irishmen who rule a kingdom of savages as their gods. Then Let George Do It starring Bob Bailey and Frances Robinson,  originally broadcast May 31, 1948, 76 years ago, The Island in the Lake.   George visits the Shelby Friendship Club for a clue to the missing Mrs. Angela Phillistin, a lady with a past from exclusive Tuxedo Lake. Followed by Dragnet starring Jack Webb, originally broadcast May 31, 1951, 73 years ago, The Big Bindle. Sergeant Friday pretends that he's from Phoenix. He goes undercover to crack a narcotics ring operating out of one of the nicest hotels in Los Angeles. Finally Claudia, originally broadcast May 31, 1948, 76 years ago, Lunch with Victoria Manners.  Claudia insists that David have a good lunch.  So he has lunch with Victoria Manners.  Thanks to Richard for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCivil defense info mentioned on the show can be found here: http://www.civildefensemuseum.com/docs.html

The United Irishmen, a revolutionary republican organization inspired by Wolfe Tone, saw Irish Protestants join with the Catholic majority to achieve Irish independence and establish a ...

Alex is in Frisco, TX, home of the PGA of America HQ, the Dallas Cowboys HQ, the Westin Stonebriar, and this year's PGA Professional Championship. Alex shares what's making Frisco so awesome, thanks to our friends at Visit Frisco (2:09).Josh Dill, the Director of Sports and Events for Visit Frisco, chats with Alex about what makes Frisco so special and how they work with the entire Dallas-Fort Worth area to attract every sport imaginable. Plus, Josh shares his favorite hangouts and BBQ in Frisco (7:28).The PGA Tour's team golf event, the Zurich Classic, was for the Irishmen as the Ryder Cup pairing of McIlroy and Lowry took the win in Rory's first appearance in New Orleans (24:03).The LPGA this week was void of Nelly Korda, so Hannah Green took the opportunity to win her second consecutive JM Eagle LA Championship, her second win of the season (25:37).LIV Adelaide was for the home team as Cam Smith's Rippers took the first team playoff victory in LIV history. But it was the party hole on 13 that took headlines when a full water bottle hit a caddy in the back of the head (26:33).While Alex is in Frisco, Michael just got back from Atlanta where he marveled at the new PuttShack mini golf, watched his wife's film at the Atlanta Film Festival, and enjoyed the impressive Ponce City Market (28:45).The PGA Tour now heads to McKinney, TX, just down the road from Frisco, for the CJ CUP Byron Nelson, that includes a quiet field but a final opportunity to get into the next Signature Event (33:32).The playoffs in the NBA and NHL roll on, as Alex is still confident in the Boston teams chances (37:47).The NFL Draft had some exciting first round picks, but Alex is not happy with the Patriots choices, while Michael's Giants are all-in on Daniel Jones (40:40).As the guys #AlwaysEndWithFood, Alex is enjoying everything Frisco has to offer, including its tacos, while Michael ate well in Atlanta, including 100-layer donuts and scrumptious pastries (44:24). Support our friends!Save 10% on a Phone Caddy, Swing Aide Tumbler, and everything else with promo code COURSEOFLIFE at DesertFoxGolf.comUse our special link - https://zen.ai/thecourseoflife - to save 30% off your first month of any Zencastr paid plan. Listen + Love + Subscribe: https://podfollow.com/1437411449Support the First Tee - Greater Austin: https://bit.ly/3n09U4IJoin us on Facebook: http://bit.ly/2NpEIKJFollow us on Instagram: https://bit.ly/2QJhZLQWatch us on YouTube: http://bit.ly/3qvq4Dt

This is episode 168 and the world by the middle of the 19th Century was shifting gear, changing rapidly. Southern Africa was caught in the currents of world history and within a few years with the discovery of Diamonds, was going to be very much in the current of world economics. Not that the Cape had not been crucial since the days of the Dutch East India Company, the VOR. As you heard last episode, the British government has fallen, Robert Peel had resigned on 19 June 1846, in the wake of political divisions that followed the repeal of the Corn Laws. The imposition of import duties on foreign corn had been attacked for making bread expensive. And yet, the Laws were more than a concession to farmers and landowners — they were also the symbol of a barrier against free trade. Ah yes, the logic and philosophy of lassaiz faire capitalism. The repeal of these laws and the change going on must not be underestimated. We forget these things, so long ago, at our peril. For we have similar debates going on today, globally. In 1846, the repeal of the laws took place in the midst of the great Irish Famine, which led to so many Irishmen and women fleeing their homeland for America — where they changed that country forever too. While the financiers muttered about all the advantages of free trade, they of course made sure to leave out one country in their calculations. India. This was always the exception. Still, the financiers were pontificating about how the empire itself was sort of redundant, and as everyone glanced around for the good and the bad, many found themselves wondering about southern Africa. This region assumed a pivotal role inside British politics, as it was going to do for the next 150 years. You see, the whole of South Africa was the embodiment of wasteful expenditure without a discernable return on commercial investment. It was a total liability except for the Cape of Good Hope with its strategically important naval base which allowed the British to cover the South Atlantic and the approaches to the Indian Ocean. Into the political breach strode a man who arrived with Lord John Russell's administration, and he was the third Earl Grey, who took over from William Gladstone as Secretary of State for War and the Colonies. Grey was a free trader, imbued with the spirit of the elixhir of cash, the medicine of dosh, and imperial matters were the third Earl Grey's passionate interest. He was a technocrat with a mission, and wrote a book where he pointed out that the great object of possessing colonies was to also possess a monopoly over the commerce. Grey turned his gaze to Sir Peregrine Maitland. The governor was 70, and the stress of the Seventh Frontier War had turned him into an octagenarian. A younger man was needed. Someone who could sign up young amaXhosa and turned them into Sepoys, and they'd police their own people. This is where another colonial springs into our view, a man who was called a violent-tempered martinet, greedy and ambitious. Sir Henry Pottinger. He'd spent most of his life in the East, and had just retired as the first Governor of Hong Kong. He'd secured Britain's commerce with that vast country called China, and when he sailed home in 1846, he'd been received as a hero. He'd been given a handsome pension for life and was telling all and sundry he hoped to become the governor of Bombay, which we now call Mumbai. The last thing he wanted was to be sent to South Africa. So when Grey met with Sir Henry, the latter bluntly refused the Cape Governorship. Eventually, Grey was forced to cough up a vast salary of ten thousand pounds a year and promised that the Cape Town post was temporary. Pottinger was to last ten months in South Africa. It's thought too that his governoship, which was often like a hurricane of unsparing ill-will and excoriation, was also the most significant of the first half of the 19th Century.

Shane Brennan was joined by one of the leading Irishmen in NFL analysis and friend of the pod, PFF Lead NFL Analyst Sam Monson, to break down some of the key storylines of next week's draft, including: Jayden Daniels doubts Whether the Patriots will trade out of 3 Will the Bills be a team which is aggressive. You can follow Sam on X @PFF_Sam Our friends at QuinnBet have great odds on the NFL Draft, amazing Acca Bonuses, Acca Insurance & many other daily specials. Find out more at QuinnBet.com/promotions or use the LINK provided. Remember its 18+ T&Cs Apply - Always Gamble Responsibly.

 How We Seeez It! Episode 224:  Road House (2024)   “I just slapped you. Are you all right?”. That is how I kind of felt after this movie. If you are into fast fighting action and a hopped up smiling little Irishmen, this movie could be for you. But if you want a story that makes sense and good character growth, or even just likable. It might not be for you. The original Road House was not highly praised originally but became a cult classic. Is that what is in store for this Road House? Have a listen to see how we seeez it, and of course, we made some cocktails for this episode.          As always, mix a drink, have a listen, and let us know what you think. Or if there is something you watched that we might enjoy or a can't miss series. Also please rate and review show on all your favorite podcast apps.    Show links. https://linktr.ee/HWSI https://www.facebook.com/HWSI.podcast  https://www.instagram.com/hwsi.podcast/  You can also email the Podcast at the.HWSI.podcast@gmail.com

Myles Dungan presents the story of the two Irish engineers who changed the history of California, by bringing water to LA and San Francisco - allowing the cities to grow.

 Top of the morning to ya, as we like to say (confession, we never say this) as The Deucecast Movie Show celebrates both St Patrick's Day as well as Cillian Murphy's recent Oscar win -- which leads to Mikey, Dave, and #XlessDrEarl all giving the Top Five Irish Performances...   First up, a return to some of the familiar games, including Rotten Tomatoes, a little Potpourri edition this time, as well as random chatter leading up to the Top Five. The Top Five this week is a discussion about not only best Irish actors and their performances, but those of Irish decent and ties - from a fave young ingenue who everyone loves (and is the only female to win TWO Deucie awards) to a classic star from a few generations ago, and a superstar that everyone knows to some that only have a few under their belt. And then... the quick revelation of the upcoming Summer Series. We hope it's your favorite, actually.

Happy Saint Patrick's Day to my fellow Irishmen! Here's a treat! https://www.instagram.com/pandasdenpodcast/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/radiopandabear/message Support this podcast: https://podcasters.spotify.com/pod/show/radiopandabear/support

She sneezes one, she sneezes twice, she'll be me bride when she sneezes thrice! Hello Lasses and Lads! Happy St. Patrick's Day! What do two Irishmen and one German have it common on this blessed day? We have all taken time out of our extremely busy schedules to talk about Oscar Award Winning movie Leprechaun 2 - that's what! The Leprechaun is back with three goals - Count his gold; Create an Irish bloodbath; and find a bride. Your luck has just run out...again...

Eleanor Crooks, the Press Association's tennis correspondent, joins James Gray and Calvin Betton (with George temporarily unavailable). They discussed... Andy Murray's first win of 2024 before losing to Jakub Mensik - and then coming back next week and beating Denis Shapovalov. Is this still the game for him? Has he only got a few months left? Ivo Karlovic has finally confirmed his retirement after years out of the game. Was he really just an enormous server and nothing else? What other athletes's freakish size has made them a spectacle to watch? Anna Kalinskaya beat Jelena Ostapenko, Coco Gauff and Iga Swiatek consecutively to reach the Dubai final. Is she another woman we are going to have to consider in the melting pot of women's tennis? And speaking of, Calvin defends his take on Azarenka-Ostapenko handshake-gate PLUS Wildcards for Irishmen in Dubai, Cam Norrie's struggles in South America and paying $150,000 for a private lesson with Carlos Alcaraz Learn more about your ad choices. Visit podcastchoices.com/adchoices

Eleanor Crooks, the Press Association's tennis correspondent, joins James Gray and Calvin Betton (with George temporarily unavailable). They discussed... Andy Murray's first win of 2024 before losing to Jakub Mensik - and then coming back next week and beating Denis Shapovalov. Is this still the game for him? Has he only got a few months left? Ivo Karlovic has finally confirmed his retirement after years out of the game. Was he really just an enormous server and nothing else? What other athletes's freakish size has made them a spectacle to watch? Anna Kalinskaya beat Jelena Ostapenko, Coco Gauff and Iga Swiatek consecutively to reach the Dubai final. Is she another woman we are going to have to consider in the melting pot of women's tennis? And speaking of, Calvin defends his take on Azarenka-Ostapenko handshake-gate PLUS Wildcards for Irishmen in Dubai, Cam Norrie's struggles in South America and paying $150,000 for a private lesson with Carlos Alcaraz Learn more about your ad choices. Visit podcastchoices.com/adchoices

Growing up near Dublin, Mick discovered a love for LUFC through his dad and enhanced by Irishmen, Gary Kelly and Ian Harte.  Through all the ups and downs, Mick knows it's hope that kills you in the end... yet still chooses hope! MOT!

In this episode, from the Dublin Festival of History 2023, Fergus Whelan remembers the revolutionary and poet Dr William Drennan (1754-1820). Dr Drennan, a onetime elder of the Dublin Unitarian Church congregation, was born the son of a unitarian minister and made his life's work the building of ‘a Brotherhood of Affection to Break Down the Brazen Walls of Separation' which had been erected between ‘Irishmen by Distinctions of Rank, Property and Religious Persuasion'.Fergus Whelan is the author of ‘May Tyrants Tremble'.This episode was recorded at the Dublin Unitarian Church, on September 28, 2023.The Dublin Festival of History is brought to you by Dublin City Council, and organised by Dublin City Libraries, in partnership with Dublin City Council Culture Company. Hosted on Acast. See acast.com/privacy for more information.

This is a conversation with former mobster now mafia historian Louis Ferrante about his intriguing new book BORGATA: RISE OF EMPIRE. The former “chop shop” small time thug now erudite Ferrante is like a cross between Sonny Corleone & Niall Ferguson. Essential viewing/listening. Transcript below.AK (00:18): Hello everybody. It is Tuesday, January the second, 2024. We're in a new year, but old themes. Last year we did several shows on the Mafia, one with the historian Paul Moses on the what he calls, at least the true story of the immigrant cops who fought the rise of the Mafiaa. He had a new book out called Appropriately Enough, the Italian Squad, another with an interesting writer, Matt Beck, the Life We Choose about a series of conversations he had with a Mafiaa member called William Big Belly Delia. He talked about not just Donald Trump and Michael Jackson, but also Jimmy Hoffer, and we're going one better in 2024 rather than writing or talking to people who have spoken to people in the Mafiaa. We have a man, Louis Ferrante, who once upon a time was a member of the Mafia. And since become a very successful writer, the author of many books, bestselling books, including particular Mob Rules, what the Mafia Can Teach the Legitimate Businessman. It was a huge hit. And he has a new book out. It's a history of the Mafia, the Borgata Trilogy, volume one, rise of Empire. It came out in November of last year in the uk, and it's out this week in the US. Louis Ferrante is joining us from his home in Sarasota on the Gulf Coast of Florida. Louis, before we went live, you told me it's very nice in Florida.Louis Ferrante (02:01): Florida's beautiful, the Sunshine State, a lot of sun. I need sun. I grew up in New York, and the winters are dark and dreary, and London's a beautiful place too. I like the people in London, but once again, the weather's not the best part.AK (02:17): Dreary. Yeah, I'm talking to actually from California. So Louis, when you fly out and you get on a plane, you happen to sit next to someone and you get into conversation and they ask you what career you have or had, what would you say?Louis Ferrante (02:31): I'd tell 'em a hijacker if I'm on a plane.AK (02:36): And what do they do?Louis Ferrante (02:38): They look for the attendant or they go to the bathroom? No, I mean, I was a truck hijacker, a little different from a plain hijacker, but I tell them I'm a writer and a television host, which is the truth. I'm a bestselling author. My books have been translated into 2020 languages, and I hosted a show for Discovery Channel.AK (03:04): It's a good trade being a writer. But did you always intend to be one, or how did you go from being, as you say, a truck hijacker, someone who knows the Mafia, the American Mafia to actually writing about it.Louis Ferrante (03:21): I faced the rest of my life in prison, and I was lucky to get out of it with a 13 year sentence. I was represented at the time by the civil rights attorney, William Kunstler, who was very instrumental in, yeah, he helped Martin Luther King, Malcolm X. He went in to negotiate with the convicts during the Attica riots, and he defended me, and I was able to get a plea of 13 years without cooperating against anyone, and I didn't have to go to trial and possibly get the rest of my life sentenced to rest of my life in prison. And while I was there, I started to think through my life and eventually I picked up my first book, fell in Love with books, became an avid reader, and at some point or another I was reading a book a day, and that's what made my time go. And I started to teach myself how to write by reading all the great authors and taking notes as to how Leo Tolstoy begins and ends a chapter, how Dostoevsky Begins and Ends a plot, how Charlotte Bronte introduces a character, et cetera, et cetera. And that's how I taught myself how to write. And by the time I came home from prison, I was ready to be a writer. And my last book, Mob Rules was an international bestseller in 20 languages. And my current book will hopefully get picked up in a lot of languages as well. And it's a trilogy.AK (04:42): Yeah, it's already been picked up by the Germans. You imply that in prison, you were a meticulous reader. Is meticulousness something that's prized within the mafia? Was that one of your skills?Louis Ferrante (05:00): Skills? Yeah, I mean, I was a heist guy. I ran a crew of heist guys, heist and hijackings, and you need to know what you're doing and everything's, you got to cross your T's and dot your i's make sure that everybody knows their role. Make sure that you need a well-oiled machine when you're going to do a heist or a hijack in one mistake. And everybody's lives are at stake, including innocent people. Something I might regret now, but something that was just a fact then. But we wanted to get away with it. We wanted the money. I wasn't thinking about people's lives back then. I was thinking about money and we wanted to get away with it, and you need to know what you're doing and everybody needs to know what they're doing. And I was a big planner. I would make drawings, I would go over everything with everyone. I would do mock runs to the highway to make sure we had an escape route, a backup escape route. I made sure we had backup guys in place. I never just pulled the trigger too fast. At one point, I was picked up by the feds in California where you are. We were in San Francisco and we were looking to hit an armored car, and the feds swooped in on us and grabbed us the day before we were going to hit that armored car. And it was a crucial thing. I was one guy short, and the reason why we waited was I was waiting for an extra guy to come from New York so that he could make sure we had enough guys on the heist. But yeah, so I guess I was meticulous in that sense. I was ignorant and naive in a million other ways, but I was meticulous in that sense.AK (06:27): Yeah, you should come back, Louis. It's much easier to do your heist these days. I don't know if there are any police left in South Africa. Yeah,Louis Ferrante (06:34): I don't know if anyone would care anymore.AK (06:36): Yeah, you'd probably be encouraged. Lots of films and books about how young kids get into the mafia. There's The Godfather, of course, & the Irishmen. How did you get into it?Louis Ferrante (06:48):  If you start committing big enough crimes, they'll find you. And that's what happens. Once I started hijacking trucks, I ran an auto crime, a chop shop. I supplied car parts to auto collision shops for a long time when I was a kid, stole cars, chopped them up and sold them to a shop. That little operation started out with just a few car thieves, me and my friends, and eventually grew into, as I said, a chop shop. And then at some point, once we started hijacking,AK (07:18): What is a chop shop?Louis Ferrante (07:22): Chop shop is you have a shop where you steal a car, you get an order from a collision shop. So a collision shop, for example, has, let's say they got a Mercedes and they got to spend $30,000 in parts because it's a hundred thousand dollars car and the car's wrecked, so they need 30,000 in parts. They might tell us, look, we'll give you five grand, can you get us all the parts? And then they'll put the stolen parts on the customer's car and sell them back the repaired car. So we would get paid then to go out, steal the car, try to get the same color so they wouldn't even have to paint it, but if you had to, you paint it. It's not always easy to match colors, but we would steal the car, chop it up, give them the parts they needed, and then dump the skeleton somewhere in the beginning we dumped it in the woods. And then at some point or another, we started renting. Back then you could lease a building under a phony name and then just abandon the building when you were done with it. I don't think you could get away with that. Nowadays there's too many identifications and stuff required, and people are hip at things like that, but back then you could even fly. When I told you I went to California to knock off an armor car, we flew under different names. Pre 9/11, you just booked an airline ticket under any name. I just picked the name out of the phone book. Just get on a plane.AK (08:35): Those were the days. You mentioned your bestselling book, Mob Rules, what the Mafia can Teach the Legitimate Businessman. There's a sort of cliche, Louis, I'm sure you've heard it a thousand times, that had you been born into the New York or Boston upper classes, you would've ended up at Harvard Business School and made a million dollars that way, is what you were doing. Is that a form of innovation and in some ways equivalent to what kids are taught at Stanford or Harvard Business School these days to think and be meticulous and accomplish what they set out to do?Louis Ferrante (09:19): Yeah, I don't know if they're taught any more to think. I don't know what an Ivy League upbringing is like, so it would be unimaginable for me to even,AK (09:33): But you've met those types.Louis Ferrante (09:36): Oh, all day long. Yeah, all day long. Some of them can't tie their shoes. I mean, just can't fix a flat. I was with a doctor once who got a flat and didn't know what to do, had no idea where the jack was, where to even begin. If I wasn't with him, he would've sat on the side of the road probably for the rest of his life until he died of starvation. So yeah, I would rather grow up and have to learn how to do things yourself.AK (10:01): Where did you grow up? What town?Louis Ferrante (10:03): In Queens? Yeah. I grew up in Queens and one of the five boroughs in New York, lower New York. The lower borough.AK (10:08): Yeah. My son lives there now.Louis Ferrante (10:10): Does he really? What part?AK (10:13): On the border with Brooklyn.Louis Ferrante (10:17): Oh, okay. They're building it up. It's probably up.AK (10:20): Yeah. It's much more fashionable now than it, I'm sure it used to be.Louis Ferrante (10:23): Yeah. I mean, I was in a lower income section of Queens, middle to lower income, so it wasn't all that, but a lot of people now, they've bought up a lot of big real estate in Brooklyn, and I guess they're moving to Queens now too.AK (10:37): Did your family know what you were doing? How old were you when you started your chop shop?Louis Ferrante (10:42): I was in high school when I was running the chop shop, so I kept it from them as best I can. I remember the first time I came home with a tagged car. A tagged car would be if, let's say I bought a wrecked vehicle, let's say a wrecked Cadillac, and I bought the completely, it was totaled out. So you pick up the wreck for a couple hundred bucks. Nobody wants it, but it's got a clean title. If you have a clean title, you don't have to go to motor vehicle and go through an inspection at that time. I don't know if things have changed. Now, this is many years ago. So if you bought a wrecked car, you had a clean title, you could then go out and steal a car, pop a couple of the tags off, for example, the VIN number in the dashboard, pop that tag off, put it on your stolen car, and then drive that as if it's yours. If you get pulled over by a cop, usually the cops just checked the dashboard tag. They never went through the rest of the car unless it was auto crime, which was something different. They'd have to be looking for you. So I came home with a beautiful brand new El Dorado, and I remember my mother was heartbroken. She came out on the porch and looked at it and said, you're killing me. You're breaking my heart.AK (11:48): Right, because she knew what you were doing.Louis Ferrante (11:50): Yeah, of course. How would I afford that car? I didn't have a job. So I tried to tell her that my friend who I work at the Body shop for part-time, he gave me the car and he's going to let me pay it off, but she wasn't buying it. She came from a family who was crooked, although she was law abiding. She was hip to the streets in a way, and she knew something was wrong. And she said, you're breaking my heart. And I never forgot that I did break her heart. She eventually died in my arms. And when I was young, she died at 47. I was 19, turning 20, and I went off the deep end after that. But to this day, I regret that she had to go through that and no, did I admit it to her? No. Did I tell her? But she, no, she knew she was hip.AK (12:33): Louis, talk to me about why you've written this history. Is it bound up with your own history? I mean, much of this history, this first volume is set in the 19th, late 19th, early 20th century when of course you weren't around. But is this a very personal narrative or have you tried to step back and write about the history of the mafia as an objective historian?Louis Ferrante (13:18): Both. And so first answer, I'll answer that question and tell you how the book came about. I do try to be as objective as possible. I don't want anybody to believe that I'm inserting myself where I don't belong. I want to tell a real history. And Publishers Weekly gave me a rave review saying that I did not rest on my own experiences alone.AK (13:40): You didn't threaten them, did you?Louis Ferrante (13:42): No, I did not. No, I didn't hang anybody out of a window or anything. No. And then handed them a pen and said, you know what to do? No, I didn't. Basically, they just said it was Well-researched all my notes. My source notes are in the back years, years reading articles, books. But what I was able to bring to the table from my own insights was I have an extra sense that most people wouldn't have. Being I was a criminal when I read something, I know if it was true or if it wasn't. I know if the writer has been, they don't, usually a writer wouldn't intentionally mislead the reader, but sometimes writers themselves are misled and they may get information, and because they don't know the world or the culture, the subculture, they write the wrong story. And a lot of times I'd be in jail when I was reading history, biographies, science philosophy. I would hear other guys, mob guys reading mob books, and you would hear a lot of guys blurting out b******t never happened, who wrote this crap? And when I finally started to do my own research, I realized that I came across a lot of things that were untrue, and I was able to decipher that stuff for the reader, which I think is interesting. I debunked a lot of old mafia myths that have been around for decades about leading Mafia figures. And I would explain to the reader, this is why it could have never happened. I don't want the reader to just take my word. I want the reader to have confidence in me as a writer to know that this is why this could never have happened. So time and again, I do that. To go back to your original question is where the book came from, how it came about. It wasn't something I really thought about. I was invited to Mob Rules, as we mentioned, was an international bestseller. And I was invited to Sicily by the German media conglomerate at Axel Springer, and it was a retreat for editors in Argento, Sicily. And I was seated next to an older man who happened to be there, and his name was George. And him and I hit it off. He was in his nineties, but a very young nineties, sharp as nails. And we talked all evening, and at the end of the evening, he said, I would like to publish the next book. And it turned out to be Lord George Denfeld, one of the biggest of the 20th century. And the next day we had lunch in Argento overlooking the ruins with Lord George and his charming wife, lady Annabelle. And Lady Annabelle had some priceless input as well, which persuaded me to write the book, what turned down to morphed into a trilogy. Originally, I was contracted to write a book, but I said, you can't squeeze all this into a book. There's too much here. It has to be stretched out. And I probably could have wrote 10 volumes, but I ended up writing a trilogy, and that's how the book came about. Lord George, as I understand it, he had a reputation of connecting writers with subjects, and I was the last one he had personally did that with before he unfortunately passed away.AK (16:39): Louis, if you were to write a history of the Mafia itself, would that begin in Sicily? There's a very strong Sicilian quality, but the mafia existed throughout Italy, of course. Is there something about the Sicilian Mafiaa and the history of the American mafia that are inseparable?Louis Ferrante (18:23): There is, as I pointed out in the early chapters of the book, I dug deep into how the mafia was formed inside the Sicilian womb, and it did indeed start in Sicily and then spread throughout the peninsula up and down the peninsula of Italy. But it was born in Sicily, and it had a lot to do with socioeconomic reasons, culture, family tradition, as I point out all these things in the book. And there was also, I point out a strong Arab influence in Western Sicily, which is interesting because Sicily was invaded by so many different people's over the course of centuries, whether it be the Spanish, the French, the Austrians, and the Arabs at some point. So the Arabs had a strong, I believe, where it developed in Western Sicily for the most part, in places like Palermo and Argento and Casa Lama del Gulfo, there was a strong Arab influence there, which is still present, still prevalent in a lot of places in the architecture and stuff, in words, in people's names, et cetera. So I was able to trace the history deep into Sicily and how it started in America was during the Southern Italian mass exodus wave into the United States after slavery was abolished in the United States in the 1860s. That came on around the same time when the unification of Italy occurred in Europe. And Sicilians were not happy with the unification of Italy being sort of absorbed by Italy proper. And they felt like a lot of Sicilians felt like it was just the newest conqueror, the newest ruler, no different from the bans in France or whoever else was there. So they were like, Hey, you know what? We're not happy with this. And there was a lot of poverty. And when America abolished slavery, we needed labor. We needed cheap labor quick because we no longer had slave labor in the United States. And at that point, we started looking around and there were plenty of poor people in Europe, and we invited them, and they came here in droves, and the mafia rode in on those boats. A lot of them, and I go to detail, I go very, very close detail throughout the early chapters of how exactly that happened. And I'm also very, very careful to point out that most Italian-Americans came here to work hard and to make a new life for themselves and their children and grandchildren, and had nothing to do with the mafia and never committed crimes. But the unfortunate circumstance, the unfortunate byproduct of that mass immigrant wave was the Italian criminals that came with them. A lot of them were fugitives from justice in Sicily, and they planted new flags here in American cities throughout the country, in metropolitan areas. At one point or another. There were just as many Mafia families as there were metropolitan areas across the United States. There was one in every metropolitan area, and then the strongest one survived and went on sort of like Arnold Toby's Darwinian theory of how empires are built, the strong survive. It was the same thing with a lot of these.AK (21:27): Why was it that the Mafia, that the Sicilian Mafia became so dominant, and there were many immigrants from Naples and other parts of mainland southern Italy. What is it about the Southern Sicilian, and is it different in its principles organization, morality or lack of morality from the Neapolitan Mafia, for example?Louis Ferrante (21:51): Yeah. Well, the Neapolitan Mafia was the Kimora. I had done a documentary for the History Channel about them very different from the Italian Sicilian, the Sicilian Mafia in Sicily. A lot of these other mafias from Calabria, from Naples, and even there were a few in northern Italy, very weak. None of them had that sort of Sicilian, the Sicilians. They had something very special on that island. It was an island different throughout up and down the peninsula of Italy. You had city states throughout the Renaissance and stuff. So they were all very, I'm still asked, her father was from Naples, and her mother was from Sicily. So I have two grandparents on my mother's side from Naples and Sicily. And my father's, both parents were from Bari, all from southern Italy. But I'm still asked by people who are Italian American, where are you from? And they sort of connect with you a lot faster if you're from the same place they were from. So you can only imagine back then how territorial Italy was and how people really responded to people like themselves. So at that time, Sicily was an island away from even all those city states, and they were really, really isolated, and they really, really relied on themselves. And throughout history, there were always weak central governments in Sicily, no matter who ruled Sicily, they really never cared about the Sicilian people and implementing any positive changes, whether social changes or institutional changes. They just wanted to pretty much rape Sicily of whatever agrarian products they could get off the island. So most of the time, the Sicilian people relied on themselves, and that went a lot into it as well. And it was a patriarchal society, which in some cases comes from the Arab influence in Sicily.AK (23:33): Are you presenting then the Sicilian Mafia as a resistance, organizational resistance to colonialism of one kind?Louis Ferrante (23:41): Believe it or not, at one point they were. Now, I know that they evolved or devolved extremely quickly into something much more treacherous and less upstanding than that. But I do make the argument that in the very beginning, they were indeed just that in my book, even the word I trace, for the first time, people were, historians were sort of in agreement that it came from an Arabic word, but they threw out a half a dozen different Arabic words that it might've come from one meaning a cave dweller, another one meaning a proud horse, and all kinds of different words from the Arabic language, I was able to trace the word mafia. Those of us in the West who are familiar with the siege of Khartoum, where the Victorian general Gordo, the British General Gordo,, was sent to sort of hold off against the Muslim guy who sort took control and launched this rebellion and said, I am the sort of the prophet. I am the prophet incarnate. And he was sort of like a rebellious character against the status quo all throughout the world, throughout the east and the Middle East. And in this particular case, when the Arabs were pushed into the western region of Sicily, after the unification of Italy, the modest regime was known as the Media, which was one letter away from Mafia. So I left it, look, I'm not an etymologist, but I left it to future historians to debate this. And I make a cogent argument that this is where it came from, my quote, encyclopedia Britannica. I quote people who were on the scene at the time, I quote history books, et cetera, to make this argument. And I do believe it came from that particular word.AK (25:29): As I said, Louis, we've done lots of shows on the mafia infiltration, the response of the police, but is the reason why the Mafia became so powerful and perhaps remained so powerful in the United States because it's a country with a tradition of weak central government, of federal government, of government that isn't for the most part, very effective or efficient. So in other words, was there something, and you have to be careful using this word as a historian, but was there a degree of inevitability about the mafia's rise to power in late 19th century America?Louis Ferrante (26:12): It's a great question, and the answer is yes. There was a Sicilian mobster, and I don't recall his name, but he said, why in the world can anybody think why? When Sicilians left Sicily for New life in America, and a lot of them landed in South America, central America, a lot of them landed in North Africa. They went everywhere. Sicilians were scattered everywhere. But why only in America did the American Mafia, did the Mafia really take root as it did? And that goes to our system, which is we have always had a very corrupt system. And I traced that it was very easily manipulated by mobsters who really learned how to bribe politicians and law enforcement officials during prohibition. And that was a prime time because during prohibition, which took place the roaring twenties into 1930, we had people in America who wanted to drink and were told by their government, you're not allowed. And so the people as a whole didn't agree with this. So they were really, really suddenly the mafiaa who wanted to provide them with liquor, with alcohol and supplying the demand for alcohol weren't seen as these animals anymore. These killers, these beat bad guys, they were all of a sudden these romantic sexy figures who were giving the United States, the people of the country, alcohol when they desperately wanted it. And that's when the mafia began to corrupt a lot of politicians and political machines. And the influence ran throughout law enforcement agencies and that deep influence they had during prohibition, basically, once prohibition was repealed and Americans could drink again, the mafia kept a lot of those deep corrupt alliances that they had made, and they moved on to use them for gambling and stuff, to open up casinos, to have a casino, to have a casino. So a lot of why the mafia was able to prosper here in America had a lot to do with the easily corruptible local governments. And at that point, there wasn't an overarching federal government who could come in and say, Hey, you've been all corrupted. We'll take over from here. We know you're all bought and paid for by the Mafiaa here in your local town. So here the federal government's going to move in with j Edgar Hoover's, FBI, et cetera, et cetera. That didn't happen.AK (28:44): Yeah. And of course, j Edgar Hoover's, FBI began in some ways as a response, not always a particularly effective one to prohibition. To what extent the book covers legendary figures and legendary mafia figures like Lucky Luciano & many others. To what extent do these kind of guys capture the spirit of a violent independent 19th century America?Louis Ferrante (29:16): They do and don't. By the time we get to Luciano and Genovese and Costello, they're sort of this newer generation of American mobsters. So the first generation with these sort of old mustache, peats, grease balls, all the derogatory names that they were called in this country, they were sort of like off the boat, Italians. That was the first generation. Then there was the second generation that were more American, and they weren't as clannish as the Sicilians were. They understood that if they were going to prosper in America, they needed to form these diverse relationships with Jews, with blacks, with Irish. They needed to really, if they were going to get somewhere, they basically came up with the plan that they were going to, Hey, we're going to keep this thing of ours, this thing of ours, this our thing, La Cosa Nostra. We're going to keep that to ourselves.Nobody's allowed entry into this secret organization that we have, but let's deal with everyone. We're not going to get anywhere if we stay to ourselves. And they made alliances with everyone across the country. And that was the key. And that was sort of like that second generation, even though Costello and Luciano came to the country when they were eight or nine years old, they may as well have been born here. They were just as good as Americans, just as good as American born citizens. They were a second generation of this. And they did away with the old ones, the old clannish Mafiosos, who felt like, no, we have to defend ourselves. We have to stick with ourselves. We have to continue to live amongst ourselves, and we can't trust the Irish. We can't trust the blacks or the Jews. This second generation of Italian-Americans said, no, we can trust them and we're going to, and we're going to deal with them.And for example, Frank Costello not only partnered with a million Jews in business, but he married a Jew. So he had a Jewish family. And at one point or another, Al Capone in Chicago, his guy Jake, greasy Thumb Gik was his best friend. He was a Jew. And when somebody had bragged that he made this little Jew greasy thumbs wine, Capone was beside himself, and he went looking for the guy, and he unloaded a revolver in his face and murdered him because Capone wasn't going to allow that to happen. He says, Jew or Italian, it doesn't matter if you're my friend, I protect you, I defend you. So these relationships really started by that sort of next generation of Italian American mobsters. And by my generation, I mean, I had a hijacking heist crew. The two of the toughest guys in my crew were Jews, and they were treated the same as any other Italian. We were all from the same neighborhood. We all grew.AK (31:50): It extend to race as well? I mean, in The Godfather, we all remember the explicit racism of many of the fictional figures were black Americans, African-Americans, were they as welcome as Jewish Americans?Louis Ferrante (32:08): Yes. Now, even in my time you had at one time, I said, for example, mobsters weren't going to go, oh, that African American owes me money. Let's go over there and pay him a visit. Obviously, the lingo would be that N owes me money. Let's go over there and pay him a visit. And the N would refer to us as a grease ball or whop a Guinea. So the words that we used back then would be considered racist today. But were we racist? And what were the Italians or the blacks racist against each other? Absolutely not. The only color we all saw was green. And that was it. And I point out in my book, they made a strong alliance, Lucky Luciano Luciano did with Bumpy Johnson. Bumpy Johnson, when they took over the policy racket in Harlem, they needed to smooth things over with the blacks because the black was a huge population in Harlem blacks. So Luciano struck a deal with Bumpy Johnson, where Bumpy Johnson was going to pretty much handle any black problems in Harlem and deal directly with Luciano. And bumpy Johnson's wife wrote a memoir years later that praised Luciano and said that him and my husband were best friends. And it was a real legitimate friendship. It wasn't just business. They had a real friendship. So all that racism they try to make, that's all television now because it sells. But for the most part, yeah, the talk, you told jokes about each other. You called each other what would be considered horrible names now, but were we really racist toward each other? Absolutely not. People will say Italians. And the Mafia hated gays. The Genovese family ran all the gay clubs in Greenwich Village. They controlled all the gay clubs.AK (33:53): How about women? We did a show last year on female drug gang leaders in Latin America. There aren't that many women in your narrative, are there?Louis Ferrante (34:03): No. I mean, if you want to say misogynistic, then I have to agree. Yeah. Not racist, but misogynistic. The Italian, theAK (34:09):Women in all the movies, the women are at home cooking the past, and the men are out killing each otherLouis Ferrante (34:14): Yeah, go home and cook. No Italian man wants his wife buttoned into his business. So I have to concede that point. I won't give in on racism because it wasn't there. But I will give in on misogynistic outlook toward women.AK (34:27): And I don't necessarily mean that critically. One way. The other narrative, Louis, which of course is most clearly articulated in the Godfather, the movies, the Godfather, maybe even Godfather three, is that the mafia began in a sort of communal way, reasonably decently, even if there was a great deal of violence, and it went really badly wrong with drugs. And of course, that was the foundation of the narrative in The Godfather, the cause of all the bloodshed. Is there any truth in that? There is tell you that veto Corleone in the Godfather wasn't a bad guy, and then it all went wrong when his family got in the drug business.Louis Ferrante (35:07): Yes, there definitely is a direct correlation between the movie and real life and the movie, whether Putto, I believe Mario Puzo, who was the author that they based the movie on, but either Puzo or Francis Ford Coppola adopted it from a real life story, which was Frank Costello. Frank Costello was the acting boss when Lucky Luciano went to jail and then was deported. And when Costello was boss, he was dead set against drugs. He did not want his Borgata dealing drugs because he felt that he had all these big political leaders in Tammany Hall who did everything that they could do for the mob to keep them out of jail, to help them with things. They had judges, they put judges in. They chose the head of Tammany, who in turn helped choose the mayor of New York slash the governor. And then obviously through the governor, Franklin Delano Roosevelt started out in New York and ended up being the president. So it's no telling how high you could go. Well, Costello said, if we continue to deal drugs, these political alliances are going to run away from us. They're not going to, this is something the American people do not like. They're fine with alcohol. They wanted alcohol. We gave it to them. They're fine with gambling. If the United States prohibits gambling and we allow them to gamble, that's fine. The people have no problem with that. They feel like we're providing them with a desire that they have. Even Luciano ran a chain of bordellos. That's an ointment for the hard up. That's fine. But obviously it's human slavery.AK (36:40): can I quote you on that ointment for the hard up?Louis Ferrante (36:44): Well, that's what, yeah, it basically was. It was like an outlet for social frustration maybe. Obviously. Obviously it's woman trafficking. It's disgusting. However, however, Luciano really didn't have a direct connection to it, but it was taking place, but it wasn't thought of by the American people, I should say, as the worst thing in the world.AK (37:10): I mean, the way the Godfather presents it is that this was the argument I think Sonny Cordone made with his father is that if we don't do it, someone else will. There's going to be other groups who do it. Was there any truth to that?Louis Ferrante (37:24): Yes. Yes. And everyone uses that argument today. There are still mobsters who sell drugs and say, if I don't do it, somebody else will. Somebody's got to do it. And me, myself, I never went near drugs. I had an uncle who was a drug addict. He was a heroin addict. And my mother from when me and my sister were little kids, she would beg us, please don't ever do drugs. Please don't ever do drugs. Don't put us through this hell that your uncle put us through. And we never did. I never did it, and I wouldn't sell it. I wouldn't call that curse down upon another person's family. I was dead set against it, but some people did. I knew people who sold drugs. I was in jail with a million different people who sold drugs. I don't think a lot of them sat down and really, really thought deeply about the consequences that could have with regard to mothers crying for the rest of their lives. And some kid dropped dead on his bed because he OD'ed or some, yeah, IAK: Excuse the Dimwittedness of this one. Louis, you've mentioned the word “Borgata” a couple of times. You might define it. Why did you title your book “Borgata”?Louis Ferrante (38:37): Borgata is what we called a crime family is the Borgata or the Broga, we would say, and it's a slang for a crime family. We wouldn't say we belong to a crime family. We wouldn't say we belong to the Mafiaa. We would say, I'm in so-and-So's Borgata or Borgata, and a Borgata. In the Italian definition of the word, it stems from the Latin burial. It's sort of like a poorer neighborhood of Italians would be a Borgata. A poorer community of Italians would be considered a Borgata. And that became, somehow, it became the name of a crime family, which is a little bit of a community. And obviously they don't start off super well off, or they wouldn't be committing crimes. People typically aren't born into wealth and commit crimes. So whoever the name came to mean, a crime family, that's what it means. And nobody had ever used it for a book before. So I figured, what the hell? It's perfect. So I went with the Borgata trilogy.AK (39:32): Well, I hope in this trilogy we're going to get to have you on at least two more shows for volume two and three. You end in the sixties, of course, in The Godfather, there were a wonderful moment in Godfather two, filmed in Cuba. Cuba was central. You make Cuba an important place in this narrative. Why'd you end in the sixties? Did something happen? Did something profoundly change?Louis Ferrante (39:58): Yes. There's a major shift that occurs in 1960 from the beginning of Borgata volume one until the end of Borgata volume one, there really isn't any concerted effort to destroy the Mafia. Thomas Dewey, who went on to become the Governor of New York and eventually ran as the Republican candidate for President against FDR, he did take a shot at locking up some gangsters in New York, but there was never really a concerted effort by the institutions of law enforcement to go after the mob. When Bobby Kennedy, when John f Kennedy's elected president in 1960, or begins his term in 1960, he appoints Bobby Kennedy, his younger brother, the Attorney General of the United States. And Bobby always had a thing against the mafia. He had started out in the McClellan Committee where he went after Jimmy Hoffa, and he went after other gangsters and called them to testify. And he was incensed that they took the Fifth Amendment all the time, and he didn't like that they would hide behind the Fifth, how dare them. And he swore he would go after them one day. And when John F. Kennedy becomes president, and Bobby is appointed Attorney General of the United States, he now suddenly has all of the Justice Department's, 30,000 employees under his control, treasury, I-R-S-I-N-S-F-B-I, et cetera, et cetera.AK (41:18): Although Bobby Kennedy used to call j Edgar Hoover, j Edna Hoover. He never seemed to listen very much to what Bobby Kennedy said.Louis Ferrante (41:27): No, he demeaned Hoover to, I mean, beyond what we would even consider. I mean, our standards today, forget it. They'd cancel Bobby Kennedy in a minute. But he was horrible to Hoover. And Hoover hated him. But Hoover did not. Hoover was dragged into the fight kicking and screaming. Hoover knew that if you made a concerted effort to destroy the mob, a lot of those mobsters, their backgrounds led to Congress led to congressmen, politicians, senator,AK (42:00): And of course, Hoover wonderful new biography, Al Prize winning biography. I'm sure you've read it. He was more interested, I think, in racial divisions in America. He might've been slightly sympathetic to the Mafia because they were white.Louis Ferrante (42:15): Yeah, I mean, he probably was at some point or another, he used the Mafiaa to uncover, I don't know if you're familiar with when those three civil rights workers were killed down in Mississippi.  Johnson put tremendous pressure on Hoover to crack the case, and Hoover probably got dragged into the fray kicking and screaming. I'm sure he didn't want to go after that. He was not deferential to blacks at all, Hoover. But he knew that that's what Johnson wanted. And the public wanted to know who these people were that killed these three civil rights workers, two whites and one black. And Hoover called one of his FBI informants down south and told them, here's the KK guy. The agents told, not Hoover himself, but Hoover's agents told this mob guy, here's the KKK guy. We believe the KKK guy we believe had something to do with it. You could beat it out of him if you want. Go for it. And this guy did. And then they dug up the bodies and they cracked the case. But Hoover, Hoover didn't like Italians, but he didn't go after them. And of course he didn't like blacks. Hoover was old school, very conservative in his views. Yeah. I mean, he was a man of his own time, but he was only concerned with groups trying to advocate the destruction of the United States. He was big on communists. He did not like communists Obviously, blacks and Italians weren't trying to overthrow the United States, but groups for the most part, like communist groups…AK (43:50): Right. His obsession with anti-Communist. And finally, Louis ending in the sixties, of course, in the sixties, America descended into a great deal of political violence, and particularly the assassinations of John F. Kennedy, of Bobby Kennedy, of Martin Luther King, many others. Lots of stories. And I'm sure you covered this in the book about Mafia involvement in one kind of assassination or another in the sixties, is in an odd ironic way at the end of this first volume, did America and the mafia kind of come together? Are they increasingly inseparable in the 1960s in the public use of violence of one kind or another?Louis Ferrante (44:31): That's a great question. I guess they've always remained, there's some sort of inseparability between them. But yeah, America became a very violent place.AK (44:44): Always was, but politically much more violent in the sixties.Louis Ferrante (44:48): Correct. I mean, we didn't have assassinations like we did. There's still a song. I heard it the other day. Where's my old friend, Johnny Martin, Luther King, John and Bobby, they died. Where are they? I forget the lyrics of the song, but it was made on the heels of that violence, and it still plays on the radio today. Where's my old friend Johnny? I think it is. But yeah, I mean, America became a violent place. I do believe that the mafia had something to do directly with John f Kennedy's. I present tremendous evidence in volume two of the Borgata Trilogy, trilogy. They had something to, andAK (45:24): That book's not out yet, right? Louis?Louis Ferrante (45:25): It's not out yet. But they did have something to do with his murder. And I also believe at some point or another, I intend to write a book about the Mafia's involvement with Martin Luther King's murder as well. I do believe there was a mafia informant who had something to do with Martin Luther King's murder as well. And I think if Hoover's hands aren't dirty in each of those cases, he definitely had his head in the sand and he heard things that he chose to ignore. And I think that that was the type of person, Hoover was where if I want a certain outcome and I just didn't see it or didn't hear it, it's like if you have a neighbor whose dog's been crapping on your lawn for the last 10 years, and then somebody beats up the neighbor, maybe you didn't see it. Maybe you looked the other way when it happened. I don't know. Maybe you get the outcome you wanted. So that could be what happened with Hoover.AK (46:19): Final question. I got to ask you this. We will get more next time you come on the show with volume two, talking about JFK and all that. What about you grew up in Queens? What about, you know who, I'm not sure if you've ever met him or come across him, but there's a mafia quality in the way, maybe a wannabe mafiaa quality to your fellow queens in New Yorker?Louis Ferrante (46:43): I never met him. I will say a lot of people have accused him of his construction business and the buildings that went up in New York having some type of mafia involvement. But I will say this, I know for a fact all of the buildings that went up in New York had some sort of mafia involvement. So you couldn't operate as a building developer in New York, especially back then, without having to deal with the mafia controlled unions without having to deal with the mafia controlled construction companies without having to deal with the mafia controlled concrete companies. There was something the mafia had, which was called the Concrete Club. And any bid over a million dollars, which would be any bid for a skyscraper, was controlled by the mafia. They let any bids under a million, they let them go, but anything over a million, they wanted to control. My friend, my former friend, I haven't seen him in years, I did time with him also. Tommy Rizzo supplied the rebar for the Trade Center. He was a Colombo gangster, Colombo family mobster. The guy who was supposed to fireproof the supports in the trade center was a Gambino family mobster. And the Port Authority cleared him of any wrongdoing when the towers fell. But I mean, these are mobsters who have all these contracts in New York and all these building developers to some extent have to deal with them. Now, usually there's a GC on the job, a general contractor, and at some point or another way below, someone like him or someone like somebody, his associates in that industry, somewhere down there, there's someone dealing with the cash envelopes under the table and stuff. But I don't think it ever rises to the height of himself or people like him in the developing industry. I think they're much bigger. They go to the parties. If he has a flamboyant nature, that's a completely different thing. But I mean, as far as incriminating something that he may have done incriminating, I don't believe so. I believe it was done lower, much lower than him. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

It's NYE and we're joined by Snatchgame's main guitarista, Ghislane McDonald.She fills us in on a trip to Portugal where "she saw Swans, and they were wank".We also discuss New Year traditions, Portugese beverages and thrifty Irishmen.

This Week's Panel - Big Ell, KooshMoose, FuFuCuddilyPoof, Matrarch This Week's Discussion - It's time for the question(s) of the week!  QuestionS of the Week! - Black Friday Deal! Two questions for the price of one!  Vulgar Lego — What are you thankful for? Northern Lass — What is the best Xbox game played with family or friends during the holidays and why? (If picking Jackbox, please provide games within Jackbox that the family seems to enjoy!) Also, if your family plays board games, maybe throw out some ideas there too! Show Discussion: Happy Thanksgiving season to everybody! We totally don't start the show talking about Thanksgiving food. Not. At. All. Koosh dived into the new Game Pass title, the climbing adventure game, Jusant! We welcome back Matrarch to the panel! She has been playing a long RPG! Has this been a nice change of pace? Find out on Achievement Hunting 101! Games Mentioned: Kooshmoose - Jusant Matrarch - World of Final Fantasy Maxima [2:12 AM] happy Thanksgiving Kenny   The Master Raters return with what they believe are some good 4 star games.  Games featuring wisecracking Irishmen, talking corn, toilets that face each other and death being spanked. You know, good ones. Trust us.  We're the Master Raters.   AH101 Podcast Show Links - https://tinyurl.com/AH101Links Year of the Veiner spreadsheet - https://docs.google.com/spreadsheets/d/1VkAvMjmVmXLjRWS61eoMimaoovUz7fr7uPsD6DQPIz4/edit?usp=sharing Intro music provided by Exe the Hero. Check out his band Window of Opportunity on Facebook and YouTube

What would you do if your family had lived on the same land for 900+ years in the most beautiful area of Ireland, have a history of bootlegging then going legit, and a passion for action?  You start a whiskey brand, that's what, and you name it for Daniel O'Connell, your ancestor and one of the most famous Irishmen to ever live.  Sir Maurice O'Connell is the man behind Wayward Irish Spirits and The Liberator, a new Irish whiskey brand named for his noted forebear. He is humble, genuine, and quietly putting out one of the best new Irish whiskies I've had in quite some time.  Whether it's history or just damn good whiskey, you'll find what you want in this fantastic, Emerald Isle-filled episode of the Whiskey Ring Podcast.  ______________________________________________________ Before we jump into the interview just a few quick notes: Ad-free listening is now available to $5/month patrons and above! Sign up or raise your pledge at the link below.  The first three WRP barrel picks are in! The Jack Daniel's Barrel Proof Ryes are SOLD OUT, and the Barrell Rye Finished in Armagnac Casks is now live! Patreon members get an exclusive discount for the Jack Daniel's barrels and free shipping for the Barrell pick - now's the time to up that subscription or join the Patreon if you haven't already! Our Spirits of French Lick barrel pick is done! I won't spoil the surprise, only saying it is one of only 9 or 10 barrels ever made of this whiskey (and ours will be the first to come out!) $25 members get the chance to join me on picks: one of your fellow Patreon members joined me in Lynchburg, one was on the Spirits of French Lick team, and I'll be picking one or more for the KO pick once samples come in! There are now two more spots open in the Barrel Club and 10 spots open at the $15 level for those who want to experience more of the whiskies I get to try every month (or every other month).  Join the Patreon now for early access to the barrels! If you haven't joined the Patreon community yet, please consider doing so! Only 2 Spots Remain in the Barrel Club. The $5 tier has access to the Patreon-only segment called “Under the Influencer”, where some of your favorite YouTubers/Instagrammers/Podcasters and more join me to talk whiskey, life, and influencing. This tier will also have priority access to upcoming barrel picks and shortly will have access to ad-free episodes.  The $15 tier takes second access to the $25 tier with 10 spots divided into two: 5 for people who want to receive samples every other month, and 5 for people who want to receive them every month but in smaller numbers.  The $25 tier - for people who really want to propel the pod and website forward - will have the same benefits as the $5 tier plus right of first refusal to join me on future barrel picks, access to bottles I'm sent to taste and review, and more. Only 2 spots remain!  You can still support for as little as $1 a month if you'd like to stay up to date with these changes and news about what we've got coming up.  Finally, please do like and subscribe on Apple Podcasts, Spotify, or wherever you're listening - it really helps the Whiskey Ring Podcast move up the rankings.  If you haven't yet, please follow Whiskey in my Wedding Ring and the Whiskey Ring Podcast on Instagram, Facebook and Twitter, and subscribe to the newsletter on the website.  Wayward Irish Spirits Wayward Irish Spirits Website Wayward Irish Spirits Instagram Wayward Irish Spirits Facebook Wayward Irish Spirits Twitter/X Thanks to our Lead Sponsor, Black Button Distillery  Black Button Distilling Website Black Button Distilling on Facebook Black Button Distilling on Instagram Thanks to our Presenting Sponsor, ImpEx Beverages https://impexbev.com ImpEx on Instagram ImpEx on Facebook ImpEx on Twitter

This section of Mulligan Stew is particularly wild, featuring a western populated by Irishmen speaking in bad accents (and worse accents in The Club Zap), a long rambling set of hypotheticals about why the police haven't arrived to find Ned's body (spoiler: Halpin hasn't called them), a drunken baseball game featuring famous authors and famous brands of booze, and the mathematical answer to the question "how much wood could a woodchuck chuck if a woodchuck could chuck wood?"(A: 0, 1/2, or 1 cord). This week's music is "Box Scores" by The Baseball Project. You can find all previous seasons of TMR on our YouTube channel and you can support us at Patreon and get bonus content before anyone else, along with other rewards, the opportunity to easily communicate with the hosts, etc. And please rate us—wherever you get your podcasts! Tune in next week for "The Sweat of Love," which will cover up to page 261 (new edition; 221 in the older ones). Follow Open Letter, Two Month Review, Chad Post, and Brian Wood for random thoughts and information about upcoming guests.

This section of Mulligan Stew is particularly wild, featuring a western populated by Irishmen speaking in bad accents (and worse accents in The Club Zap), a long rambling set of hypotheticals about why the police haven't arrived to find Ned's body (spoiler: Halpin hasn't called them), a drunken baseball game featuring famous authors and famous brands of booze, and the mathematical answer to the question "how much wood could a woodchuck chuck if a woodchuck could chuck wood?"(A: 0, 1/2, or 1 cord).  This week's music is "Box Scores" by The Baseball Project. You can find all previous seasons of TMR on our YouTube channel and you can support us at Patreon and get bonus content before anyone else, along with other rewards, the opportunity to easily communicate with the hosts, etc. And please rate us—wherever you get your podcasts! Tune in next week for "The Sweat of Love," which will cover up to page 261 (new edition; 221 in the older ones). Follow Open Letter, Two Month Review, Chad Post, and Brian Wood for random thoughts and information about upcoming guests.  

Ep. 626: Learning in Public! Book talk begins @ 19:23 It's chapter 25! Aptly named Porthos as it obviously stars none other than... D'Artagnan (at least a good portion of it is about Porthos). Heather's suibstack  The play about Irishmen, Protestants, and Catholics - I looked everywhere with every search term I could think of along these lines: In my notes, the play I referenced was EITHER Brendan Beehan's “The Hostage” (or maybe “A Borsten Boy” OR “A run of bad luck” which appears to be a scene from Jame's Plunkett's play “The Risen People” featuring the best character name EVER: Rashers Tierney. I was unable to find a copy of any of these works online, so if you have a copy of any of them…let me know! CraftLit's socials: Find everything here:  Join the newsletter:   Podcast site:  Twitter: @CraftLit Facebook: Facebook group:  Pinterest:  Youtube:   Support the show links: Subscribe to the Premium feed (on the app) here: or on Patreon: (same price, $5/month) Feedback: You can ask your questions, make comments, and let us know what you do when you listen to CraftLit! Let your voice be heard. • Download the FREE CraftLit App for  or  (you can call or email feedback straight from within the app) • Call 1-206-350-1642 • Email: heather@craftlit.com • Use our ! FOR FB EVENT TUES Please Register here to get the meeting link for the FREE weekly chat: FOR FB EVENT THURS Please Register here to get the meeting link for the FREE ongoing weekly chat: 

This episode looks at the strange behaviour of Captain William O'Shea, the husband of Katharine. She was in one of the great love relationships of their time, with Charles Stewart Parnell. O'Shea wanted to get back into parliament and Parnell, to indulge Katharine, perhaps even to deflect O'Shea's hostility if not blackmail, went to great lengths to make sure he did. And yet, once he had, O'Shea stood down again within just four months. Next the episode turns to Salisbury, then heading his second government. He decided to fill the recently vacated post of Chief Secretary of Ireland by appointing his nephew Arthur Balfour to it. This is strictly nepotism, since the Latin word nepos means nephew, but to everyone's surprise, the appointment worked well for Salisbury. Balfour revealed a steeliness no one suspected in him and found the way to impose on Ireland just what Salisbury had called ‘resolute government'. That's a euphemism for something pretty repressive. At the same time, he set out to address Irish grievances over landholding and over agricultural incomes, pursuing a strategy he called ‘killing Home Rule with kindness'. Together with the repression, that worked, and broke the latest wave of unrest. Still, it's pretty clear that it wasn't his kindness that Irishmen focused on most. No, it was the stick, not the carrot, that won him his new nickname: Bloody Balfour. Illustration: Arthur Balfour by Eveleen Myers (née Tennant), circa 1890. National Portrait Gallery P144 Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License.

The first American railroads were built with the blood, tears and sweat of Irish immigrants.  An estimated 50,000 died in the process.  In the 3-mph world of 1832, 57 fresh-off-the-boat Irishmen were hired by their countryman Philip Duffy.  They were taken to live in a shantytown and work at mile 59 of the Philadelphia and Columbia Railroad, which is now part of SEPTA's R5 Main Line.  Cholera arrived a short time later and within a few weeks all of Duffy's workers were dead and secretly buried near the Main Line, although ghostly sightings were reported by locals.  180 years later, through the tenacity of two brothers, some of their remains were recovered and identified and relocated to a plot near the gate at Laurel Hill West.  Some of the recovered skulls showed evidence of severe trauma.  What happened to the Duffy's Cut 57? 

A storyteller, editor, actor that has starred in The Irishmen & series; The Offer as Mario Puzo.The moment he knew he wanted to be an actor, the attraction to comedy that leads to a story about filming a scene in “The Duece.” How he was casted to play “Tony Jack” Giacalone for the movie, The Irishmen. He tells what it was like acting with Al Pacino, Robert DeNiro and directed by Martin Scorsese.Playing Mario Puzo in The Offer, picking the iconic glasses, how he related to Mario, and the gangsters from his own life that Puzo wasn't a fan of. Amounts of pasta he consumed on set, connecting with Dan Fogler who played Francis Ford Coppola, and story being on set filming the Marlon Brando scene that was the best day for Patrick on set. Did he learn anything about The Godfather from filming the series? Going from acting next to Al Pacino to being in a series with an actor portraying him. His life as an editor in Ghost Adventures, his short film Roscoe, which is a true story, and being a storyteller. Follow his Instagram that includes remake 80's music videos.  Patrick Gallo Links:Official Website:  https://chubstock.wixsite.com/patrickgalloactorFollow on IG: https://www.instagram.com/chubomatic/?hl=enWatch The Offer on Paramount +: https://www.paramountplus.com/shows/the-offer/ Before the Lights Links:A Heartbeat & A Guitar: Johnny Cash & the Making of Bitter Tear Docuseries: https://www.beforethelightspod.com/docuseries/bitter-tearsHire Tommy to Speak: https://www.beforethelightspod.com/public-speakingBecome a BTL Member: https://www.beforethelightspod.com/supportBefore the Lights Website: https://www.beforethelightspod.com/Get Tommy a Glass of Vino: https://www.buymeacoffee.com/beforethelightsSeven Minerals: https:https://www.sevenminerals.com/ Support the showFollow the show on Instagram: https://www.instagram.com/beforethelightspodcast/Follow the show on Face Book: https://www.facebook.com/beforethelightspodcast/Follow the show on Tik Tok: https://www.tiktok.com/@beforethelightspodcast?lang=enFollow Tommy on Face Book: https://www.facebook.com/tcanale3Rate & Review: https://podcasts.apple.com/us/podcast/before-the-lights/id1501245041Email the host: beforethelightspod@gmail.com

Black preacher mess! Bud Light VP pics. I disavow beer! Anti-Catholic DOJ! Trump likes Newsom! Tucker critics on the right! The Hake Report, Thursday, April 13, 2023 AD TIME STAMPS * 0:00:00 Phony black preacher Justin Pearson RETURNS* 0:08:25 Topics: Bud Light VP, Beer, Garland, Trump, Newsom, Tucker* 0:10:19 Hey, guys! Polyester in my Joshua Tree tee!* 0:13:11 REAGAN, TN: Anger in the Bible, father-in-law, wife's grandma* 0:25:15 Paula White speaks in tongues (Trump spiritual advisor)* 0:26:40 Alissa Heinerscheid, nee Gordon, her mama, husband, kids* 0:31:29 Bud Light top execs "unaware" of trans partnership?* 0:34:38 Seth Weathers Ultra Right Beer ad (bleeped/censored)* 0:38:25 JOSH: Words: "based," "simp," anger, 2A…* 0:47:52 Supers: black theology, funny censorship, Confederates* 0:53:54 Merrick Garland vs Josh Hawley: DOJ anti-Catholic bias* 0:59:40 "What's in a Name" - Petra (1990, Beyond Belief)* 1:04:32 ART: Salem witch trials coming back? Pendulum swinging right!* 1:16:24 Trump likes CA Gov Gavin Newsom* 1:21:58 Tucker Carlson criticism: F— "white leaders"!* 1:38:38 Supers: Ukraine war, Tucker hate, God commands men, not women* 1:43:20 STEVE, NY: People aren't evil, Satan is. Kinks "Lola" trans song!* 1:54:09 Biden talks up Irishmen, gets barked at by dog!* 1:56:17 "Matilda the Gorilla" - Mary Rice Hopkins (1991, 15 Singable Songs)BLOG https://www.thehakereport.com/blog/2023/4/13/the-hake-report-thu-4-13-23 PODCAST: SUBSTACKThe Hake Report LIVE M-F 9-11 AM PT (12-2 ET) Call-in 1-888-775-3773 thehakereport.com VIDEO  YouTube  |  Rumble*  |  BitChute  |  Facebook  |  Twitter  |  Odysee*  |  DLive  PODCAST  Apple  |  Spotify  |  Castbox  |  Podcast Addict  |  Pocket Casts  |  Substack  (RSS)  *SUPER CHATS on asterisked platforms, or  Ko-fi  |  BuyMeACoffee  |  Streamlabs  SUPPORT / EXCLUSIVES  Substack  |  SubscribeStar  |  Locals  ||  SHOP  Teespring  SEE ALSO  Hake News on The JLP Show  |  Appearances elsewhere (other shows, etc.) Get full access to HAKE at thehakereport.substack.com/subscribe

We have a very special guest: Patrick Gallo! You can find him acting in The Offer, The Irishmen, When They See Us and many more critically acclaimed shows and movies. He tells us his first hand experience being a patient.

Stubbs joins the other two true Irishmen for a very fi-diddly-ine St. Paddy's podcast.  A few talking topics may or may not have been covered, but what really sticks out here is the original irish music.   "Tough to enjoy!" one particularly forgiving listener opined.  There is also a dramatic poetry reading, and a ton of spot-on, non-offensive irish broguery.  Happy St. Paddy's from everyone here at the podcast!

Want to talk like an authentic Irishmen this Saint Patrick's Day? Here's some Irish slang you can use to sound like an Irish local while you drink!

In this week's episode Patrick and Greg talk about exploratory structural equation modeling (ESEM), a technique drawing upon the strengths of exploratory and confirmatory factor analysis methods and able to be embedded within structural equation models. Along the way they also mention crab vs. crabs, Most Dangerous Catch, Next Day Blinds, smash-and-grab, sharp pencils, opening the barn doors, stinking badges, all hat and no cattle, control issues, quieting the Irishmen, oxymorons, selling factor analysis on Ebay, living with mom or dad, going higgly-piggly, and treats for the mole. Stay in contact with Quantitude! Twitter: @quantitudepod Web page: quantitudepod.org Merch: redbubble.com

The departure of the Irish from Ireland in the 1800s had some tragic consequences. Jamie Haeuser's songs “Men of New Basin Canal” and “Bridget's Prayer” dig into that. So we're gonna dig into the songs and the album How America Saved Irish Music. Great news about my next album, Come Adventure With Me. Bandcamp now playlists. And learning to say no. This is Sci Fi Pub Songs & Stories #266. 0:30 - Marc Gunn “Old Dun Cow” from St Patrick's Day 4:35 - WELCOME TO SCI FI PUB SONGS & STORIES This is the audio edition of my newsletter as well as the liner notes for the songs I record so that you can enjoy my music even more! And who am I? I am Marc Gunn. I'm a rhythm and folk Celtic musician living in Atlanta, Georgia. I play traditional Irish and Scottish drinking songs. But I'm also a songwriter. I write songs inspired by Celtic culture as well as songs inspired by pop culture, things like Lord of the Rings, Firefly, Star Wars, Star Trek, Doctor Who and more. That's the reason one brewery I play called my music Sci F'Irish music. It's also why this is Sci Fi Pub Songs & Stories. WHAT'S NEW St Patrick's Day music on Irish & Celtic Music Podcast 6:08 - UPCOMING SHOWS MAR 10: Tucker Brewing Company, Tucker, Ga @ 6:30-9:30 PM MAR 11: Pontoon Brewing, Tucker, Ga @ 3-6 PM MAR 15: St Patrick's Day Concert on Bandcamp @ 7 PM EST MAR 18: Pontoon Brewing, Sandy Springs, GA @ 12-3 PM MAR 18: Ironshield Brewing, Lawrenceville, GA @ 7-10 PM JUN 3-10: Celtic Invasion Vacations, County Mayo, Ireland 9:34 - Lauren Oxford “What Rings True” from Lauren Oxford 14:40 - IF YOU'RE WAITING TO COME ADVENTURE WITH ME… Then you don't have too much longer to wait. Well, assuming you were part of the Kickstarter. My engineer, Mitchell, sent me three songs last week. I listened to each of them while I was getting my car emissions tested. We spent the rest of the morning emailing and forth with mixes and edits. I love the result, and those are the final tracks for the album. I should have a track listing soon. I want to make sure we nail down the last of those songs. But I greenlighted Mitchell to start creating a song order so I could start listening. The other thing I finally did was come up with a couple Album Pin designs thanks to Miranda. I ran a poll on Patreon between two different designs: one a dragon and one a compass. It was a tight poll. They both are pretty fantastic. But as they say in Highlander: there can be only one! That's actually not at all true. I can do more. But for the Kickstarter, I went with the Compass design that reads: “Never Stop Adventuring”. I'll send that to the printers as soon as I have a track listing. Finally, I'm still on target for sending out the digital album to everyone on Kickstarter on March 17. Here's hoping! 21:10 - Marc Gunn “Whiskey in the Jar feat. Andrew McKee, The Irish Bard” from St Patrick's Day 24:26 - DOWNLOAD MY FREE EP You can download all of my songs in this show. Just send me an email.  pubsong@celtfather You will get an auto responder with a link to download this month's album. You can also subscribe to the podcast if you're not already subscribed. It's quick and easy. While you're emailing me to get your free EP, let me know what you're doing while listening to this episode. 25:00 - STORY OF MEN OF NEW BASIN CANAL I was living in New Orleans in 2009 when I got a phone call from Jamie Haeuser. She was driving back from an Irish session in NOLA to her home in Robert, Louisiana across the causeway. She told me she had written lyrics for two songs. She asked if I'd set them to music. Of course, without hesitation, I said, “Yes! What are they about?” She then told me how the Causeway she was driving across had once been the New Basin Canal. It was a shipping canal from Lake Pontchartrain through swamp to booming uptown part of New Orleans. Work on the canal began in 1832. Almost immediately, they ran to problems. Yellow fever ravaged the workers. It was deemed too costly to use slaves to build the canal. So instead, the Irish immigrants were hired to build it. Many people don't realize that New Orleans was one of the top immigration points for the Irish behind New York and Boston. As a result, it's estimated that between 500-30,000 Irishmen died digging the New Basin Canal. No one knows for sure the exact number. Wikipedia suggests 8000 might be a more accurate number. But holy crap! But even a popular number of 8000 people dying to dig this canal is insane? So Jamie decided to write a song called “Men of New Basin Canal” to share their story. 26:43 - Marc Gunn & Jamie Haeuser “Men of New Basin Canal” from How America Saved Irish Music Here, we came to find a bit of land Land our fathers never had No land we found but only death From fever, the yellow jack The yellow jack, one day you're up The next you're in the grave A grave they call New Basin Canal For us six miles of pain * Heave ho, boyo, it's dig and death Heave ho, God help us all O‘Hanlan was the first to fall Then down went Mike O'Shea The boss called up and down the line For men to bear away The men who fell, hundreds a day Shook like a Mayo gale Too few there were to dig the trench Too few to bear away. Why is it Erin's sons are called When slaves they cannot spare When earth and water must be moved To make the rich man's share From lake to river to move the goods That make the rich men more Down we fall time and again And none to hear our prayer But we will rise, somehow, sometime To rule those who rule us We'll fight to o'ercome the loss Of thousands of Ireland's best We will be known as men who died Will live to make our mark The men of New Basin Canal Known as New Orleans own It's a powerful story. It had me mesmerized imagining the almost shanty style of work to dig the canal. So when I came up with the melody and chorus, that's the rhythm that I picked. Especially with her “Heave ho, boy”. It just screamed sea shanty. Later, Jamie and I recorded the song for our CD, How America Saved Irish Music. The one little thing I had to add to it was a crash symbol. You see, I have long thought this was a great sing and interact along. In particular, I always imagined clapping like this. Heave ho, boyo, it's dig and death [clap, clap] Heave ho, God help us all It gives it a great energy. But for the recording, I didn't want clapping. I wanted that crash symbol much like the one used in the song “Zombie” by The Cranberries. Jamie didn't stop at one song though. She also wrote “Bridget's Prayer.” It's basically the same story but it's from the perspective of women who watched their men die digging the canal. The ones buried them. It's another great song. Oh, Michael, please don't go today You're shakin' like a leaf We will make do, o stor, maron We will make do somehow I've washing in, I can do more Just don't go back, I pray It's death my darlin' one, I know It's death in that new canal I pray, in holy Bridget's name I pray, God help us all My babies need their father here My babies need you so Please don't go back, I know that you Will fall if go you do I can find work, I'll sew and wash ‘Till bloody my fingers are Just don't go back, oh, stor maron It's death in that new canal Oh, Michael love, I cannot live Without you, dearest heart Find other work, I care not what Find anything but that I cannot stand to see you fall Like our friends before have done Too many widows made too young It's death in that new canal A big thanks to TJ Barrens, our sound engineer, Doctor Sick, who provided fiddle and mandolin, and Katie Haeuser who shared some amazing background vocals for the album. 29:52 - INTERVIEW WITH JAMIE HAEUSER 49:27 - Marc Gunn & Jamie Haeuser “Bridget's Prayer” from How America Saved Irish Music 51:31 - JOIN THE CLUB The show is brought to you by my Gunn Runners on Patreon. If you enjoy this podcast or my music, please join the Club. Every week, you get bonus podcasts, downloadable songs, printed sheet music, blogs, or stories from the road. Plus, you get weekly access to my Coffee with The Celtfather video concerts. Sign up for as little as $5 per month and save 15% with an annual membership. Thanks to my newest Gunn Runners on Patreon: Alice M, Karla Ad, Triskele, Ayden B 52:25 - SAYING NO, EVEN IF IT'S INCLUDED Inara asked me to fill her juice bottle up to a certain line. No higher! I asked her why. She said it was because if she drinks more than that, then she'll get filled up and not be hungry for breakfast. I was blown away that at age 8, she already knows her limits. I might've learned that by 48… She also knew that it was too tempting if I gave her more than her limit. She might end up drinking it. Seth Godin wrote a blog recently about saying no, even if it's included. He concludes that “No might be better than free.” I've come to appreciate saying, “No,” a little bit more recently. I do it on those rare times I go eat fast food. “Do you want the meal?”. No. Not really. Thanks. But I'm also thinking of it in terms of environmentalism. The Album Pin printer I use, GS-JJ, automatically put each album pin in plastic when it is shipped. I really don't want those little pieces of plastic that encase each pin. It just occurred to me today, I can say, no. I can ask them to not put them in there. I bring canvas tote bags to the grocery store so I can bag the groceries myself and not take another plastic bag home with me. When I choose fruit and vegetables, I pick the ones that aren't in plastic bags. I get a little grossed out by putting them on the scanner. But then I wash them when I get home. I don't need more stuff in my life. If I buy it, it needs a reason to stick around. Sometimes that can be for pure enjoyment. Sometimes it's like you want to archive something you love, like many of you do with CDs or USBs. But most of the time it's gotta be something practical. So I do my best to say no. Obviously, I'm. not perfect. I don't do all of these things every time. But as long as I'm learning to say no to excess more than I say yes, I'll call that a win! What about you? What do you say “no” to? 1:00:57 - Brobdingnagian Bards “The Orange and The Green” from Brobdingnagian Fairy Tales We talk about AI on the next Brobdingnagian Bards Podcast. 1:03:22 - BANDCAMP APP NOW HAS PLAYLISTS One of the big reasons I started selling my music through Bandcamp was because of their app. Yes. You can download music as MP3s or whatever lossless format you prefer, but you can also stream the music through their app. But up until now, I could only listen to one album at a time from one artist at a time. No longer! You can now create your own playlists with music that you own. So if you've been buying my music on Bandcamp these past few years, head on over. Make your own playlist. Buy some merch while you're there. The full store opens up on Wednesday. And this Friday, March 3 is Bandcamp Friday, Bandcamp waives all of their fees. So I earn a little bit more from each purchase. It's prolly a good time to pick up some USBs to archive your music! Or get a ticket to my St Patrick's Day concert. If you love this episode, then take a screenshot on your phone. Post it on social media. And tag @celtfather. Tell me what you like about this episode and what you'd like to hear in the future. 1:06:02 - Marc Gunn “Tae the Begging” from St Patrick's Day 1:10:20 - CREDITS Thanks for listening to Sci Fi Pub Songs & Stories. The show is brought to you by my Gunn Runners on Patreon. Every week, you'll get a new podcast or song or video or video concert. You'll also save 25% off all my merch in my store. The show was edited by Mitchell Petersen with graphics by Miranda Nelson Designs. You can subscribe and listen to the show wherever you find podcasts. Sign up to my mailing list to read the show notes for this episode and find out where I'm performing. And of course, please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. Have fun and sing along at www.pubsong.com! #pubstories #stpatricksday #irishdisaspora

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Martin McDonagh's THE BANSHEES OF INISHERIN reunites the writer-director with Colin Farrell and Brendan Gleeson, stars of his debut film IN BRUGES, for another tale of a platonic breakup between wordy Irishmen, in a very different but equally picturesque setting. This week we're joined by critic Siddhant Adlakha to head back to Belgium circa 2008 and examine how IN BRUGES engages with its titular city on a dramatic, comedic, and thematic level, how McDonagh blends theatrical and cinematic languages, and what gets revealed and obscured in the film's many meandering, profane exchanges. Plus, with various interpretations of TÁR rolling in since our last episode, we take up one listener's reading of what the film shows us, and what it leaves out. Please share your comments, thoughts, and questions about IN BRUGES, BANSHEES OF INISHERIN, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Outro music: “On Raglan Road,” by The Dubliners Learn more about your ad choices. Visit megaphone.fm/adchoices

EXPLICIT Language warning! Lots of F-bombs in this one. The boys of Monster Fuzz Podcast are back! David, Rob, and Eamonn discuss stories and topics of Halloween, including favorite films, costumes, and near-deadly experiences. Rob and Eamonn bring favorite films and TV shows to talk about, while David tries to pick a favorite. The boys also discuss scary life moments and costumes. Flora shares a couple of harrowing experiences from his childhood as well as his most embarrassing costume choice ever. It's a fun, light-hearted and relaxed conversation between Irishmen (well, one quarter Irish for Flora)! Make sure to give them some love wherever you listen to Blurry Photos! Find Monster Fuzz here!