Podcasts about Hell

Darkness Radio presents Supernatural News/Parashare: Alien Bets and Godly Threats Edition w/Mallie Fox ! This Week, Well, it had to happen... Avi Loeb has accepted a skeptic's $1,000 wager over alien visitation by 2030! The World's Smartest Man says he knows the chilling truth behind what happens when we die... A forbidden book omitted from the Bible reveals that Jesus wasn't such a good kid, in fact, he was quite vengeful!  We have details! And, A Little House on the Prairie cast member talks about how she helped Jim Morrison flee police! Dan Farah claims that US Nuclear testing was a secret attempt to disable UFO's ! Watch his appearance on The Joe Rogan Experience here:  https://www.unexplained-mysteries.com/news/392546/dan-farah-us-nuclear-testing-was-secret-attempt-to-disable-ufos# The Vampire Squid from Hell has Arrived!! See what it looks like here: https://www.unexplained-mysteries.com/news/392603/scientists-sequence-genome-of-the-elusive-vampire-squid-from-hell# Become part of a once in a lifetime movement... Join the paranormal community, along with Jason Hawes in helping Andrea Perron preserve the "Conjuring House" from the auction block and potentially falling into a developer's hands, or the hands of someone who won't appreciate it's history.  To read more about their history, their goals, and to donate to the cause, click on the GoFundMe link:  https://www.gofundme.com/f/the-conjuring-house Check out all things Mallie here:  https://www.paranormalgirl.com/ Mallie has been spreading her wings and featured as a researcher and talking head on Strange Evidence on the Science Channel!  You can stream it on demand on Discovery + or on Max!  Get Max here:   https://bit.ly/469lcZH Make sure you update your Darkness Radio Apple Apps! and subscribe to the Darkness Radio You Tube page:  https://www.youtube.com/@DRTimDennis There are new and different (and really cool) items all the time in the Darkness Radio Online store at our website! . check out the Darkness Radio Store!   https://www.darknessradioshow.com/store/ #paranormal  #supernatural  #paranormalpodcasts  #darknessradio  #timdennis #malliefox #paranormalgirl #strangeevidence #supernaturalnews  #parashare  #ghosts  #spirits   #hauntings #hauntedhouses #haunteddolls #demons #supernaturalsex #deliverances #exorcisms #paranormalinvestigation #ghosthunters  #Psychics  #tarot  #ouija    #Aliens  #UFO #UAP #Extraterrestrials #alienhumanhybrid #alienabduction #alienimplant #Alienspaceships  #disclosure #shadowpeople #AATIP #DIA #Cryptids #Cryptozoology #bigfoot #sasquatch #yeti  #abominablesnowman #ogopogo #lochnessmonster #chupacabra #beastofbrayroad #mothman  #artificialintelligence #AI  #NASA  #CIA #FBI #conspiracytheory #neardeatheexperience 

It's winter, which means that it's time to get cozy, build a blanket nest on the couch, and read a million books one right after the other in the great tradition of our ancient forbears. Today, we're talking about series that deliver one banger after another and, yes, that also bang. We'll talk historicals, contemporaries, and of course, the paranormal series that started it all for us. Don't forget--you can buy the Fated Mates Best of 2025 Book Pack from our friends at Pocket Books Shop in Lancaster, PA, and get eight of the books on the list! Scoundrel Take Me Away and Lazarus, Home from War (independently published) are not in the box. As always, you can add additional romances, or one of Sarah's books to your box. If you want other people to discuss great romance series, maybe you want to join our Patreon? You get an extra monthly episode from us and access to the incredible readers and brilliant people on the Fated Mates Discord! Support us and learn more at fatedmates.net/patreon. You can also ask for it as a gift, or give it as one at fatedmates.net/gift.Our next read along will be KJ Charles's The Magpie Lord. Get it at Amazon, Barnes & Noble, Kobo, Apple Books or wherever you get your books.NotesGo to Sarah's site to sign up for her newsletter. Apparently, it's going to be a snowy winter because of squirrels, the Farmer's Almanac is over, and social media is ruining your life and your brain, or maybe it's just your whole damn phone. Heated Rivalry, baby. Also this fall, the CW has unveiled a bunch of movies based on Harlequin books, including Savvy Sheldon Feels Good as Hell, Mason Deaver's YA romance I Wish You All the Best and in January we get Season 4 of Bridgerton, and Netflix's adaptation of Emily Henry's People We...

Many are called but few are chosen. Gomer and Dave discuss the Parable of the Wedding Feast and invite us to reflect on these important questions: Am I in the kingdom? And if so, am I wearing the right garments? We want to hear from you! Email us at eksb@ascensionpress.com with your questions/comments Don't forget to text “EKSB” to 33-777 to get the shownotes right to your inbox! You can also find the full shownotes at www.ascensionpress.com/EveryKneeShallBow

In this episode, Anthony and Joe deliver a sharp, humorous, and unfiltered review of WWE's latest programming, focusing on the fallout from War Games and the current state of Monday Night Raw. They debate the quality of the pay-per-view, critique WWE's creative direction and booking—especially the use of gimmick matches and the influence of agents and writers—and discuss the ongoing storylines involving Jay Uso, Roman Reigns, and the Bloodline. The hosts also spotlight the women's division, particularly the evolving dynamic between Maxine Dupree and Natalya, and praise standout performances like Gunther's match with Solo Sikoa. Throughout, they mix wrestling insight with fan perspective, touch on the live event experience and ticket prices, and offer forward-looking thoughts on WWE's future, all while keeping the conversation lively and engaging.00:06 – The challenge of grading multi-person matches01:10 – Cage match gimmicks and creative frustrations05:31 – Blame game: creative, agents, and match quality06:10 – Extended intro and transition to Raw review06:10 – Jay Uso's storyline and emotional promo18:11 – Roman Reigns, Bloodline, and the future of the faction22:55 – Under Armour ad parody and Maxine Dupree's storyline30:33 – Natty as a mentor and women's division storytelling36:00 – Maxine Dupree's character direction and limitations54:00 – WWE's use of veteran talent01:01:50 – Raw's “epic” billing and show structure critique01:20:00 – Main event: Women's tag match and aftermath01:28:36 – Closing thoughts, Gunther praise, and sign-offBecome a supporter of this podcast: https://www.spreaker.com/podcast/wrestling-soup--1425249/support.

Welcome to the Grace in Focus podcast. Today, Bob Wilkin and Philippe Sterling are focusing on a description of Hell (as it is popularly referred to), Hades and Sheol as Jesus spoke about, and The Lake ofFire as it is in the book of The Revelation. This is one episode in the current series about

“We can do this the easy way…” Our rebels, and their allies, continue to fight for their lives against the devilish minions of House Thrune! Support us on Patreon to access our actual play of the Tyrant's Grasp Adventure Path and other content: https://www.patreon.com/FindthePath Cast Rick Sandidge is Gamemaster and Host Heather Allen plays Cesare [...] The post Hell's Rebels Episode 139: Ruby Massacre Part 4 appeared first on Find the Path Ventures.

Send us a textAn elderly, grieving widower, with the help of a friend, searches for an image of his late wife in The Cloud so he can sing his beloved a Heavenly Merry Christmas greeting.Bernadette Armstrong directs a cast that includes Christine Uhebe as Sandra and Daamen Krall as Harry.S.J. Roth is the playwright. Based in Santa Monica, he received an MFA from Carnegie Mellon University. His previous plays include Sutton, Ben and Augie, Hell and Back, Losin' It, Blind Kisses, Venice Love, Bonnie's Wanted Man, and more.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...

We live in a world today that is spiritually dark. The Gospel of Jesus Christ has been watered down, to where people can live comfortably in their sin, while the stay on the road to the devils Hell. Todays episode looks at the spirit of the Nicolaitans, something God states He hates. Don't fall for this wrong and false teachings.

Halle and Alison head to Hell's Kitchen to see what the "doctor" is up to as they ruin Frankenhooker. Learn more about your ad choices. Visit megaphone.fm/adchoices

How are there so many threads in this crazy campaign? What inspired this version of Hell? Are carrots good vegetables or not? All that and more on this Afterparty!We're playing Masks for this campaign! You can access a running list of all the NPCs from Campaign 4 here.Sponsors- Uncommon Goods, where you can get 15% off at uncommongoods.com/jointhepartyFind Us Online- website: https://jointhepartypod.com- patreon: https://patreon.com/jointhepartypod- instagram: https://instagram.com/jointhepartypod- twitter: https://twitter.com/jointhepartypod- tumblr: https://jointhepartypod.tumblr.com- facebook: https://facebook.com/jointhepartypod- merch & music: http://jointhepartypod.com/merchCast & Crew- Game Master, Co-Producer: Eric Silver- Co-Host, Co-Producer, Sound Designer, Composer (Connor Lyons): Brandon Grugle- Co-Host, Co-Producer, Editor (Shelley Craft): Julia Schifini- Co-Host, Co-Producer (Rowan Rosen): Amanda McLoughlin- Artwork: Allyson Wakeman- Multitude: https://multitude.productionsAbout UsJoin the Party is an actual play podcast with tangible worlds, genre-pushing storytelling, and collaborators who make each other laugh each week. We welcome everyone to the table, from longtime players to folks who've never touched a roleplaying game before. Hop into our current campaign: the drama and excitement of a superhero high school! Or marathon our completed stories: Campaign 3 for a pirate story set in a world of plant- and bug-folk, the Camp-Paign for a MOTW game set in a weird summer camp, Campaign 2 for a modern superhero game, and Campaign 1 for a high fantasy story. And once a month we release the Afterparty, where we answer your questions about the show and how we play the game. New episodes every Tuesday.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The day before Thanksgiving was the real celebration for an American family living in the occupied West Bank. Mohammed Ibrahim was released after nearly 10 months in an Israeli prison. The 16-year-old was arrested in February for allegedly throwing stones at Israeli vehicles. His family was unable to speak with or see him for his entire detention. Amna Nawaz spoke with Mohammed and his father. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

The All Advice Show kicks off with Anonymous, who had a lot going on for Thanksgiving this year, like hooking up in the bathroom, a near dead grandma, and a marriage proposal nobody was expecting Headlines

The All Advice Show continues with Gary, who's girl asked him to do something he's not comfortable with but more importantly, he can't figure out why she even wants to do that TO him

What's up, witches and bitches!

Over the weekend I took a solo hike up a mountain and impressed the hell out of myself. This episode is inspired by that hike, as well as two outdoorsy writers who have some really powerful things to share about having fun… even when we're not.If you value this show, please do consider supporting my work on Patreon. It's just $5 AUD a month and it makes a big difference to me. Here is the link: https://www.patreon.com/AmyMcDonaldREFERENCES:Sharwood, Anthony (2020) From Snow to Ash, Hachette, Sydney‘The Fun Scale', https://kellycordes.com/2009/11/02/the-fun-scale/ accessed 2.12.25

with Donna Blevins: The 'Mind Shift Mechanic' who invests in 'winning properties' from PokerDon't waste golden nuggets! Get ahead of the 97% with this episode***Know what Type of Business suits you first at https://quiz.franchisewithbob.com/rg - and COPY THE RIGHT BUSINESS FOR YOU!***WHO IS AXEL?  A business consultant. A real estate investor. A mentor. Avid Tesla fan & investor. AI in the Age of Abundance thought leader. His wife's gardener.

The day before Thanksgiving was the real celebration for an American family living in the occupied West Bank. Mohammed Ibrahim was released after nearly 10 months in an Israeli prison. The 16-year-old was arrested in February for allegedly throwing stones at Israeli vehicles. His family was unable to speak with or see him for his entire detention. Amna Nawaz spoke with Mohammed and his father. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

Dick Cheney died four weeks ago, but his dark legacy lives on—quite literally—at Guantanamo Bay. The human rights lawyer Joshua Colangelo-Bryan was among the first attorneys to enter the notorious prison in 2004, and what he found there shattered every official justification for its existence. The “worst of the worst”? Most detainees were never even accused of acting against America. Many were simply sold to the Americans for bounties. The sophisticated interrogation program? Techniques copied from Chinese and Soviet methods designed to extract false confessions, not intelligence. In his new book Through the Gates of Hell, Colangelo-Bryan tells the story of his unlikely friendship with Jaber Mohammed, a Bahraini detainee who spent years in captivity for the crime of being an Arab man in the wrong place (Afghanistan) at the wrong time (post 9/11). Released without apology or compensation—just a form asking him not to “rejoin” organizations he'd never belonged to—Jaber now lives in Saudi Arabia with four children, focusing less on bitterness and more on those rare moments when American guards showed him unexpected kindness. As the Trump administration revives the “worst of the worst” rhetoric against immigrants and once again sends people to Guantanamo, Colangelo-Bryan's account is a warning from recent history: demonize a racial or religious group, and you will inevitably destroy innocent lives. The gates of hell have once again been opened. Will they ever be closed? This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

The Reality of Hell and Heaven by NoLimits Church - Sunday Messages

In dieser Episode spreche ich über die Bücher, die ich im Lesemonat November 2025 gelesen habe: „Bei Sonnenaufgang“ aus der „Inspector Gamache“-Reihe von Louise Penny „Twelve Months of Romance. 12 Monate. 12 Autor:innen. 12 Geschichten.“ von Kathinka Engel, Dominik Gaida, Basma Hallak, Franzi Kopka, Ivy Leagh, Kira Mohn, Kristina Moninger, Marie Niehoff, Anya Omah, Gabriella Santos de Lima, Antonia Wesseling, Alicia Zett „If you fly too far“ und „If you stay too long“ aus der „Resort Pureza“-Reihe von Tine Nell* „Anatomy“ aus der „Anatomy“-Dilogie von Dana Schwartz „Finde den Mörder | Die Blumen von Elysium“ von Antony Johnston* „Evermind“ von Melissa C. Hill „For whom the belle tolls“ aus der „Hell's Belles“-Reihe von Jaysea Lynn* „Grand Hotel Avalon“ von Maggie Stiefvater* „Single all the way“ von Stefanie Hasse und Stella Tack Insgesamt: 4.520 Seiten/Minuten 10 Titel (3 Bücher, 7 Hörbücher, 0 eBooks) Lesevorhaben: * 0 Titel aus „12 für 2025“ * 1 Reihe (weiter)gelesen * 0 Titel SuB-Senioren Aktuelle SuB-Höhe: Bücher: 142 Hörbücher: 69 eBooks: 80 *291 Was habt ihr im Lesemonat November gelesen und gehört? Und seid ihr schon in Weihnachtsstimmung? Eure Ilana *Das Buch wurde mir als Rezensionsexemplar vom Verlag oder dem Autor/der Autorin zur Verfügung gestellt. Ich benutze Affiliate Links von Amazon.de, d.h. ich erhalte eine Provision, wenn ihr sie klickt und Produkte bestellt. Näheres siehe “Impressum und Rechtliches“.

A Media1 interjút készített Galambos Mártonnal, a Forbes Magyarország vezérigazgatójával a 2019-től egészen mostanáig húzódó Hell–Forbes per néhány héttel ezelőtti lezárásáról. A beszélgetésben szó esett a jogvita hátteréről, a per alakulásáról, a felek közti konfliktus okairól, a jogi döntések jelentőségéről és a történet legfontosabb tanulságairól. Galambos Márton arról is beszélt, mit jelent mindez a magyar ... Olvass tovább A Galambos Márton (Forbes) a Hell–Forbes per tanulságairól – Media1 Podcast bejegyzés először vipcast.hu powered by Media1-én jelent meg.

"The help of forgiveness" series continues today, as Pastor Al Dagel moves us closer to understanding the benefits of forgiveness.

When an unhinged Dark Web addict finally steals the cursed Passport to Hell, the photo inside begins erasing its last owner—so it can claim him next. Fuel your nightmares with NoSleep Coffee — fresh, same-day roasted beans shipped right to your door. Use code NOSLEEP20 for 20% off your first order: https://nosleepcoffee.com Author: Jake Bible For more terrifying stories from this author, check out his latest release – All The Monsters: Ten NoSleep Stories, Volume One: ⁠https://www.amazon.com/dp/B0FY438TSV⁠ * * * CONTENT DISCLAIMER: This podcast contains explicit content not limited to intense themes, strong language, and depictions of violence intended for adults. Parental guidance is strongly advised for children under the age of 18. Listener discretion is advised. #creepypasta #horrorstories #drnosleeppodcast #scarystories Learn more about your ad choices. Visit megaphone.fm/adchoices

The devil isn't afraid of passive, comfortable Christians—but he absolutely fears believers who know their authority! If you want to be a real threat to hell, it's time to break free from weak, religious thinking and step into the bold, unshakable faith that God has called you to walk in!   Podcast Episode 1949: Are You a Threat to Hell? How to Become an Unshakable Christian | don't miss this! Listen to more episodes of the Lance Wallnau Show at lancewallnau.com/podcast

When hell hits your home it is shocking how fast the enemy tries to turn pain into defeat. I open up the real spiritual battle that happens behind closed doors when life collapses and you feel like you are barely holding on. You are going to see how God strengthens ordinary believers right in the middle of the storm and why the moment that looks like the end is often the one that announces your promotion. By the time we are done you will feel equipped to stand your ground with authority, clarity, and unshakable confidence no matter what the enemy sends against you.   Podcast Episode 1954: How to Stand Firm When Hell Hits Your Home | don't miss this! Listen to more episodes of the Lance Wallnau Show at lancewallnau.com/podcast

It would be funny if we had a guy called Meatball on the show. Hey Meatball…what are you doin? Meatball, how was your weekend? Meatball, what the HELL do you think about that? Oh Meatball. But, we don't have that. And that is why the show sucks. Speaking of which, on today's show, we have two projects about hooters but kind of from the opposite end of the spectrum, and some dumb crap you'd get someone you don't like that much for Christmas. Which is coming up, by the way! Maybe they'd like a Gift subscription to YKS Premium instead, which is now available at Patreon.com/yourkickstartersucks/gift. Or maybe they are a Scrooge! And they deserve PAIN! Music for YKS is courtesy of Howell Dawdy, Craig Dickman, Mr. Baloney, and Mark Brendle. Additional research by Zeke Golvin. YKS is edited by Producer Dan. Social Media by Maddalena Alvarez.Executive Producer Tim Faust (@crulge)Simply having a wonderful podcast time! Over on YKS Premium, there's so much waiting under the Podcast Tree for you. Bonus episodes every week…and best of all, no coal! HAHaHA! Follow us on Instagram: @YKSPod, TikTok: YourKickstarterSucks and subscribe to our YouTube channel for more video stuff! EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/yks Try it risk-free now with a 30-day money-back guarantee!Wow, 2025 is lit!! Gift subscriptions to YKS Premium are now available at Patreon.com/yourkickstartersucks/giftSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This episode originally aired 12/18/22. To cover "The Holiday," Ryan Sichelstiel (@rysic) signs up to do a house swap of his own, but finds he'll be staying in Hell as he spends the hour with a flu-ridden Chelsea and Donny, who are hopped up on NyQuil and hot toddies, respectively. White Lotus-inspired fan theories, fat holes, Viagra sponsorships, and Imogeon Heap sing-a-longs are brought up in the duo's sickness-induced haze. Also, Donny may be the main character of his life, but that main character turns out to be a sociopath when he shares his favorite (made up) celebrity conspiracy theory. Last, the Cuties submit the craziest things they've done for love. To access AD FREE versions of our episodes, as well as bonus episodes and uncut audio and video,⁠ subscribe to our Patreon!⁠  If today's episode makes you laugh or scream, please do us a favor and rate our show 5 STARS on⁠ Apple⁠ or⁠ Spotify⁠ This is the easiest way for us to grow our community! Get your Cutie ⁠MERCH!⁠ We're on YOUTUBE! Be sure to⁠ subscribe⁠ so you don't miss a second of our hijinx - now on video! Follow Us on Social Media! TikTok: ⁠cuteonepodcast⁠ Chelsea:⁠ @ohnochels⁠ Donny:⁠ @realdonnywood Learn more about your ad choices. Visit megaphone.fm/adchoices

Michael Cohen reacts to Trump's disastrous Thanksgiving weekend, where everything seemed to go wrong, and he lashed out at both domestic and foreign targets. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textPeaches drops a fresh Daily Drop packed with real military updates, Special Warfare insight, and a full tour through what's happening across the DoD. From Army sensor tests in Europe to Marine fast-rope drills in the Caribbean, this episode hits every corner of the force. Peaches breaks down why attributes matter in Special Warfare selection, how every exercise ties directly to the job, and why candidates must show raw potential—not just speed on a run. He also dives into tank gunnery in Bulgaria, airborne night navigation, Navy refueling ops, Coast Guard rescues, Space Force silence, and a Silver Star story that actually deserves attention. Plus: the mystery of submarine navigation, political noise in the defense world, and why getting your news from credible sources matters more than ever.⏱️ TIMESTAMPS00:00 Daily Drop kickoff 00:40 What “attributes-based selection” really means 01:30 OTS updates and performance breakthroughs 02:55 Army sensor testing in Germany 03:40 Abrams gunnery in Bulgaria 04:25 Airborne night nav at Fort Bragg 05:10 Navy aerial refueling recap 06:00 Seahawk rescue training in Hawaii 07:15 Quantum navigation breakthroughs 08:30 Submarine navigation curiosity 09:40 Carrier flight ops in the Caribbean 10:20 Marine fast-rope readiness 11:10 Silver Star ceremony highlights 12:40 Coast Guard rescue and port response 13:30 DoD investigations and legal updates 14:30 POTUS message on lawful orders 15:30 Wrap-up and final thoughts

Why do some romance authors build decades-long careers while others vanish after one breakout book? What really separates a throwaway pen name and rapid release strategy from a legacy brand and a body of work you're proud of? How can you diversify with trad, indie, non-fiction, and Kickstarter without burning out—or selling out your creative freedom? With Jennifer Probst. In the intro, digital ebook signing [BookFunnel]; how to check terms and conditions; Business for Authors 2026 webinars; Music industry and AI music [BBC; The New Publishing Standard]; The Golden Age of Weird. This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jennifer Probst is a New York Times, USA Today, and Wall Street Journal bestselling author of over 60 books across different kinds of romance as well as non-fiction for writers. Her latest book is Write Free. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights, and the full transcript is below. Show Notes How Jennifer started writing at age 12, fell in love with romance, and persisted through decades of rejection A breakout success — and what happened when it moved to a traditional publisher Traditional vs indie publishing, diversification, and building a long-term, legacy-focused writing career Rapid-release pen names vs slow-burn author brands, and why Jennifer chooses quality and longevity Inspirational non-fiction for writers (Write Naked, Write True, Write Free) Using Kickstarter for special editions, re-releases, courses, and what she's learned from both successes and mistakes – plus what “writing free” really means in practice How can you ‘write free'? You can find Jennifer at JenniferProbst.com. Transcript of interview with Jennifer Probst Jo: Jennifer Probst is a New York Times, USA Today, and Wall Street Journal bestselling author of over 60 books across different kinds of romance as well as non-fiction for writers. Her latest book is Write Free. So welcome, Jennifer. Jennifer: Thanks so much, Joanna. I am kind of fangirling. I'm really excited to be on The Creative Penn podcast. It's kind of a bucket list. Jo: Aw, that's exciting. I reached out to you after your recent Kickstarter, and we are going to come back to that in a minute. First up, take us back in time. Tell us a bit more about how you got into writing and publishing. Jennifer: This one is easy for me. I am one of those rarities. I think that I knew when I was seven that I was going to write. I just didn't know what I was going to write. At 12 years old, and now this will kind of date me in dinosaur era here, there was no internet, no information on how to be a writer, no connections out there. The only game in town was Writer's Digest. I would go to my library and pore over Writer's Digest to learn how to be a writer. At 12 years old, all I knew was, “Oh, if I want to be a famous writer, I have to write a book.” So I literally sat down at 12 and wrote my first young adult romance. Of course, I was the star, as we all are when we're young, and I have not stopped since. I always knew, since my dad came home from a library with a box of romance novels and got in trouble with my mum and said, basically, “She's reading everything anyway, just let her read these,” I was gone. From that moment on, I knew that my entire life was going to be about that. So for me, it wasn't the writing. I have written non-stop since I was 12 years old. For me, it was more about making this a career where I can make money, because I think there was a good 30 years where I wrote without a penny to my name. So it was more of a different journey for me. It was more about trying to find my way in the writing world, where everybody said it should be just a hobby, and I believed that it should be something more. Jo: I was literally just going back in my head there to the library I used to go to on my way home from school. Similar, probably early teens, maybe age 14. Going to that section and… I think it was Shirley Conran. Was that Lace? Yes, Lace books. That's literally how we all learned about sex back in the day. Jennifer: All from books. You didn't need parents, you didn't need friends. Amazing. Jo: Oh, those were the days. That must have been the eighties, right? Jennifer: It was the eighties. Yes. Seventies, eighties, but mostly right around in the eighties. Oh, it was so… Jo: I got lost about then because I was reminiscing. I was also the same one in the library, and people didn't really see what you were reading in the corner of the library. So I think that's quite funny. Tell us how you got into being an indie. Jennifer: What had happened is I had this manuscript and it had been shopped around New York for agents and for a bunch of publishers. I kept getting the same exact thing: “I love your voice.” I mean, Joanna, when you talk about papering your wall with rejections, I lived that. The only thing I can say is that when I got my first rejection, I looked at it as a rite of passage that created me as a writer, rather than taking the perspective that it meant I failed. To me, perspective is a really big thing in this career, how you look at things. So that really helped me. But after you get like 75 of them, you're like, “I don't know how much longer I can take of this.” What happened is, it was an interesting story, because I had gone to an RWA conference and I had shopped this everywhere, this book that I just kept coming back to. I kept saying, “I feel like this book could be big.” There was an indie publisher there. They had just started out, it was an indie publisher called Entangled. A lot of my friends were like, “What about Entangled? Why don't you try more digital things or more indie publishers coming up rather than the big traditional ones?” Lo and behold, I sent it out. They loved the book. They decided, in February of 2012, to launch it. It was their big debut. They were kind of competing with Harlequin, but it was going to be a new digital line. It was this new cutting-edge thing. The book went crazy. It went viral. The book was called The Marriage Bargain, and it put me on the map. All of a sudden I was inundated with agents, and the traditional publishers came knocking and they wanted to buy the series. It was everywhere. Then it hit USA Today, and then it spent 26 weeks on The New York Times. Everybody was like, “Wow, you're this overnight sensation.” And I'm like, “Not really!” That was kind of my leeway into everything. We ended up selling that series to Simon & Schuster because that was the smart move for then, because it kind of blew up and an indie publisher at that time knew it was a lot to take on. From then on, my goal was always to do both: to have a traditional contract, to work with indie publishers, and to do my own self-pub. I felt, even back then, the more diversified I am, the more control I have. If one bucket goes bad, I have two other buckets. Jo: Yes, I mean, I always say multiple streams of income. It's so surprising to me that people think that whatever it is that hits big is going to continue. So you obviously experienced there a massive high point, but it doesn't continue. You had all those weeks that were amazing, but then it drops off, right? Jennifer: Oh my goodness, yes. Great story about what happened. So 26 weeks on The New York Times, and it was selling like hotcakes. Then Simon & Schuster took it over and they bumped the price to their usual ebook price, which was, what, $12.99 or something? So it's going from $2.99. The day that they did it, I slid off all the bestseller lists. They were gone, and I lost a lot of control too. With indies, you have a little bit more control. But again, that kind of funnels me into a completely different kind of setup. Traditional is very different from indie. What you touched on, I think, is the biggest thing in the industry right now. When things are hot, it feels like forever. I learned a valuable lesson: it doesn't continue. It just doesn't. Maybe someone like Danielle Steel or some of the other big ones never had to pivot, but I feel like in romance it's very fluid. You have genres hitting big, you have niches hitting big, authors hitting big. Yes, I see some of them stay. I see Emily Henry still staying—maybe that will never pause—but I think for the majority, they find themselves saying, “Okay, that's done now. What's next?” It can either hit or not hit. Does that make sense to you? Do you feel the same? Jo: Yes, and I guess it's not just about the book. It's more about the tactic. You mentioned genres, and they do switch a lot in romance, a lot faster than other genres. In terms of how we do marketing… Now, as we record this, TikTok is still a thing, and we can see maybe generative AI search coming on the horizon and agentic buying. A decade ago it might have been different, more Facebook ads or whatever. Then before that it might have been something else. So there's always things changing along the way. Jennifer: Yes, there definitely is. It is a very oversaturated market. They talk about, I don't know, 2010 to 2016 maybe, as the gold rush, because that was where you could make a lot of money as an indie. Then we saw the total fallout of so many different things. I feel like I've gone through so many ups and downs in the industry. I do love it because the longer you're around, the more you learn how to pivot. If you want this career, you learn how to write differently or do whatever you need to do to keep going, in different aspects, with the changes. To me, that makes the industry exciting. Again, perspective is a big thing. But I have had to take a year to kind of rebuild when I was out of contract with a lot of things. I've had to say, “Okay, what do you see on the horizon now? Where is the new foundation? Where do you wanna restart?” Sometimes it takes a year or two of, “Maybe I won't be making big income and I cut back,” but then you're back in it, because it takes a while to write a few new books, or write under a pen name, or however you want to pivot your way back into the industry. Or, like you were saying, diversifying. I did a lot of non-fiction stuff because that's a big calling for me, so I put that into the primary for a while. I think it's important for authors to maybe not just have one thing. When that one thing goes away, you're scrambling. It's good to have a couple of different things like, “Well, okay, this genre is dead or this thing is dead or this isn't making money. Let me go to this for a little while until I see new things on the horizon.” Jo: Yes. There's a couple of things I want to come back to. You mentioned a pen name there, and one of the things I'm seeing a lot right now—I mean, it's always gone on, but it seems to be on overdrive—is people doing rapid-release, throwaway pen names. So there's a new sub-genre, they write the books really fast, they put them up under whatever pen name, and then when that goes away, they ditch that pen name altogether. Versus growing a name brand more slowly, like I think you and I have done. Under my J.F. Penn fiction brand, I put lots of different sub-genres. What are your thoughts on this throwaway pen name versus growing a name brand more slowly? Jennifer: Well, okay, the first thing I'm goign to say is: if that lights people up, if you love the idea of rapid release and just kind of shedding your skin and going on to the next one, I say go for it. As long as you're not pumping it out with AI so it's a complete AI book, but that's a different topic. I'm not saying using AI tools; I mean a completely AI-written book. That's the difference. If we're talking about an author going in and, every four weeks, writing a book and stuff like that, I do eventually think that anything in life that disturbs you, you're going to burn out eventually. That is a limited-time kind of thing, I believe. I don't know how long you can keep doing that and create decent enough books or make a living on it. But again, I really try not to judge, because I am very open to: if that gives you joy and that's working and it brings your family money, go for it. I have always wanted to be a writer for the long term. I want my work to be my legacy. I don't just pump out books. Every single book is my history. It's a marking of what I thought, what I put out in the world, what my beliefs are, what my story is. It marks different things, and I'm very proud of that. So I want a legacy of quality. As I got older, in my twenties and thirties, I was able to write books a lot faster. Then I had a family with two kids and I had to slow down a little bit. I also think life sometimes drives your career, and that's okay. If you're taking care of a sick parent or there's illness or whatever, maybe you need to slow down. I like the idea of a long-term backlist supporting me when I need to take a back seat and not do frontlist things. So that's how I feel. I will always say: choose a long, organic-growth type of career that will be there for you, where your backlist can support you. I also don't want to trash people who do it differently. If that is how you can do it, if you can write a book in a month and keep doing it and keep it quality, go for it. Jo: I do have the word “legacy” on my board next to me, but I also have “create a body of work I'm proud of.” I have that next to me, and I have “Have you made art today?” So I think about these things too. As you say, people feel differently about work, and I will do other work to make faster cash rather than do that with books. But as we said, that's all good. Interestingly, you mentioned non-fiction there. Write Free is your latest one, but you've got some other writing books. So maybe— Talk about the difference between non-fiction book income and marketing compared to fiction, and why you added that in. Jennifer: Yes, it's completely different. I mean, it's two new dinosaurs. I came to writing non-fiction in a very strange way. Literally, I woke up on New Year's Day and I was on a romance book deadline. I could not do it. I'll tell you, my brain was filled with passages of teaching writing, of things I wanted to share in my writing career. Because again, I've been writing since I was 12, I've been a non-stop writer for over 30 years. I got to my computer and I wrote like three chapters of Write Naked (which was the first book). It was just pouring out of me. So I contacted my agent and I said, “Look, I don't know, this is what I want to do. I want to write this non-fiction book.” She's like, “What are you talking about? You're a romance author. You're on a romance deadline. What do you want me to do with this?” She was so confused. I said, “Yes, how do you write a non-fiction book proposal?” And she was just like, “This is not good, Jen. What are you doing?” Anyway, the funny story was, she said, “Just send me chapters.” I mean, God bless her, she's this wonderful agent, but I know she didn't get it. So I sent her like four chapters of what I was writing and she called me. I'll never forget it. She called me on the phone and she goes, “This is some of the best stuff I have ever read in my life. It's raw and it's truthful, and we've got to find a publisher for this.” And I was like, “Yay.” What happened was, I believe this was one of the most beautiful full circles in my life: Writer's Digest actually made me an offer. It was not about the money. I found that non-fiction for me had a much lower advance and a different type of sales. For me, when I was a kid, that is exactly what I was reading in the library, Writer's Digest. I would save my allowance to get the magazine. I would say to myself, “One day, maybe I will have a book with Writer's Digest.” So for me, it was one of the biggest full-circle moments. I will never forget it. Being published by them was amazing. Then I thought I was one-and-done, but the book just completely touched so many writers. I have never gotten so many emails: “Thank you for saying the truth,” or “Thank you for being vulnerable.” Right before it published, I had a panic attack. I told my husband, “Now everybody's going to know that I am a mess and I'm not fabulous and the world is going to know my craziness.” By being vulnerable about the career, and also that it was specifically for romance authors, it caused a bond. I think it caused some trust. I had been writing about writing for years. After that, I thought it was one-and-done. Then two or three years later I was like, “No, I have more to say.” So I leaned into my non-fiction. It also gives my fiction brain a rest, because when you're doing non-fiction, you're using a different part of your brain. It's a way for me to cleanse my palate. I gather more experiences about what I want to share, and then that goes into the next book. Jo: Yes, I also use the phrase “palate cleanser” for non-fiction versus fiction. I feel like you write one and then you feel like, “Oh, I really need to write the other now.” Jennifer: Yes! Isn't it wonderful? I love that. I love having the two brains and just giving one a break and totally leaning into it. Again, it's another way of income. It's another way. I also believe that this industry has given me so much that it is automatic that I want to give back. I just want to give as much as possible back because I'm so passionate about writing and the industry field. Jo: Well, interestingly though, Writer's Digest—the publisher who published that magazine and other things—went bankrupt in 2019. You've been in publishing a long time. It is not uncommon for publishers to go out of business or to get bought. Things happen with publishers, right? Jennifer: Yes. Jo: So what then happened? Jennifer: So Penguin Random House bought it. All the Writer's Digest authors did not know what they were going to do. Then Penguin Random House bought it and kept Writer's Digest completely separate, as an imprint under the umbrella. So Writer's Digest really hasn't changed. They still have the magazine, they still have books. So it ended up being okay. But what I did do is—because I sold Write Naked and I have no regrets about that, it was the best thing for me to do, to go that route—the second and the third books were self-published. I decided I'm going to self-publish. That way I have the rights for audio, I have the rights for myself, I can do a whole bunch of different things. So Write True, the second one, was self-published. Writers Inspiring Writers I paired up with somebody, so we self-published that. And Write Free, my newest one, is self-published. So I've decided to go that route now with my non-fiction. Jo: Well, as I said, I noticed your Kickstarter. I don't write romance, so I'm not really in that community. I had kind of heard your name before, but then I bought the book and joined the Kickstarter. Then I discovered that you've been doing so much and I was like, “Oh, how, why haven't we connected before?” It's very cool. So tell us about the Kickstarters you've done and what you know, because you've done, I think, a fiction one as well. What are your thoughts and tips around Kickstarter? Jennifer: Yes. When I was taking that year, I found myself kind of… let's just say fired from a lot of different publishers at the time. That was okay because I had contracts that ran out, and when I looked to see, “Okay, do we want to go back?” it just wasn't looking good. I was like, “Well, I don't want to spend a year if I'm not gonna be making the money anyway.” So I looked at the landscape and I said, “It's time to really pull in and do a lot more things on my own, but I've got to build foundations.” Kickstarter was one of them. I took a course with Russell Nohelty and Monica Leonelle. They did a big course for Kickstarter, and they were really the ones going around to all the conferences and basically saying, “Hey guys, you're missing out on a lot of publishing opportunities here,” because Kickstarter publishing was getting good. I took the course because I like to dive into things, but I also want to know the foundation of it. I want to know what I'm doing. I'm not one to just wing it when it comes to tech. So what happened is, the first one, I had rights coming back from a book. After 10 years, my rights came back. It was an older book and I said, “You know what? I am going to dip my foot in and see what kind of base I can grow there. What can I do?” I was going to get a new cover, add new scenes, re-release it anyway, right? So I said, “Let's do a Kickstarter for it, because then I can get paid for all of that work.” It worked out so fantastically. It made just enough for my goal. I knew I didn't want to make a killing; I knew I wanted to make a fund. I made my $5,000, which I thought was wonderful, and I was able to re-release it with a new cover, a large print hardback, and I added some scenes. I did a 10-year anniversary re-release for my fans. So I made it very fan-friendly, grew my audience, and I was like, “This was great.” The next year, I did something completely different. I was doing Kindle Vella back in the day. That was where you dropped a chapter at a time. I said, “I want to do this completely different kind of thing.” It was very not my brand at all. It was very reality TV-ish: young college students living in the city, very sexy, very angsty, love triangles, messy—everything I was not known for. Again, I was like, “I'm not doing a pen name because this is just me,” and I funnelled my audience. I said, “What I'm going to do is I'm going to start doing a chapter a week through Kindle Vella and make money there. Then when it's done, I'm going to bundle it all up and make a book out of it.” So I did a year of Kindle Vella. It was the best decision I made because I just did two chapters a week, which I was able to do. By one year I had like 180,000 words. I had two to three books in there. I did it as a hardback deluxe—the only place you could get it in print. Then Vella closed, or at least it went way down. So I was like, “Great, I'm going to do this Kickstarter for this entire new thing.” I partnered with a company that helps with special editions, because that was a whole other… oh Joanna, that was a whole other thing you have to go into. Getting the books, getting the art, getting the swag. I felt like I needed some help for that. Again, I went in, I funded. I did not make a killing on that, but that was okay. I learned some things that I would have changed with my Kickstarter and I also built a new audience for that. I had a lot of extra books that I then sold in my store, and it was another place to make money. The third Kickstarter I used specifically because I had always wanted to do a writing course. I go all over the world, I do keynotes, I do workshops, I've done books, and I wanted to reach new writers, but I don't travel a lot anymore. So I came up with the concept that I was going to do my very first course, and it was going to be very personal, kind of like me talking to them almost like in a keynote, like you're in a room with me. I gathered a whole bunch of stuff and I used Kickstarter to help me A) fund it and B) make myself do it, because it was two years in the making and I always had, “Oh, I've got this other thing to do,” you know how we do that, right? We have big projects. So I used Kickstarter as a deadline and I decided to launch it in the summer. In addition to that, I took years of my posts from all over. I copied and pasted, did new posts, and I created Write Free, which was a very personal, essay-driven book. I took it all together. I took a couple of months to do this, filmed the course, and the Kickstarter did better than I had ever imagined. I got quadruple what I wanted, and it literally financed all the video editing, the books, everything that I needed, plus extra. I feel like I'm growing in Kickstarter. I hope I'm not ranting. I'm trying to go over things that can help people. Jo: Oh no, that is super useful. Jennifer: So you don't have to go all in and say, “If it doesn't fund it's over,” or “I need to make $20,000.” There are people making so much money, and there are people that will do a project a year or two projects a year and just get enough to fund a new thing that they want to do. So that's how I've done it. Jo: I've done quite a few now, and my non-fiction ones have been a lot bigger—I have a big audience there—and my fiction have been all over the place. What I like about Kickstarter is that you can do these different things. We can do these special editions. I've just done a sprayed-edge short story collection. Short story collections are not the biggest genre. Jennifer: Yes. I love short stories too. I've always wanted to do an anthology of all my short stories. Jo: There you go. Jennifer: Yes, I love that for your Kickstarter. Love it. Jo: When I turned 50 earlier this year, I realised the thing that isn't in print is my short stories. They are out there digitally, and that's why I wanted to do it. I feel like Kickstarter is a really good way to do these creative projects. As you say, you don't have to make a ton of money, but at the end of the day, the definition of success for us, I think for both of us, is just being able to continue doing this, right? Jennifer: Absolutely. This is funding a creative full-time career, and every single thing that you do with your content is like a funnel. The more funnels that you have, the bigger your base. Especially if you love it. It would be different if I was struggling and thinking, “Do I get an editor job?” I would hate being an editor. But if you look at something else like, “Oh yes, I could do this and that would light me up, like doing a course—wow, that sounds amazing,” then that's different. It's kind of finding your alternates that also light you up. Jo: Hmm. So were there any mistakes in your Kickstarters that you think are worth sharing? In case people are thinking about it. Jennifer: Oh my God, yes. So many. One big thing was that I felt like I was a failure if I didn't make a certain amount of money because my name is pretty well known. It's not like I'm brand new and looking. One of the big things was that I could not understand and I felt like I was banging my head against the wall about why my newsletter subscribers wouldn't support the Kickstarter. I'm like, “Why aren't you doing this? I'm supposed to have thousands of people that just back.” Your expectations can really mess with you. Then I started to learn, “Oh my God, my newsletter audience wants nothing to do with my Kickstarter.” Maybe I had a handful. So then I learned that I needed longer tails, like putting it up for pre-order way ahead of time, and also that you can't just announce it in your newsletter and feel like everybody's going to go there. You need to find your streams, your Kickstarter audience, which includes ads. I had never done ads either and I didn't know how to do that, so I did that all wrong. I joined the Facebook group for Kickstarter authors. I didn't do that for the first one and then I learned about it. You share backer updates, so every time you go into your audience with a backer update, there's this whole community where you can share with like-minded people with their projects, and you post it under your updates. It does cross-networking and sharing with a lot of authors in their newsletters. For the Write Free one, I leaned into my networking a lot, using my connections. I used other authors' newsletters and people in the industry to share my Kickstarter. That was better for me than just relying on my own fanbase. So definitely more networking, more sharing, getting it out on different platforms rather than just doing your own narrow channel. Because a lot of the time, you think your audience will follow you into certain things and they don't, and that needs to be okay. The other thing was the time and the backend. I think a lot of authors can get super excited about swag. I love that, but I learned that I could have pulled back a little bit and been smarter with my financials. I did things I was passionate about, but I probably spent much more money on swag than I needed to. So looking at different aspects to make it more efficient. I think each time you do one, you learn what works best. As usual, I try to be patient with myself. I don't get mad at myself for trying things and failing. I think failing is spectacular because I learn something. I know: do I want to do this again? Do I want to do it differently? If we weren't so afraid of failingqu “in public”, I think we would do more things. I'm not saying I never think, “Oh my God, that was so embarrassing, I barely funded and this person is getting a hundred thousand.” We're human. We compare. I have my own reset that I do, but I really try to say, “But no, for me, maybe I'll do this, and if it doesn't work, that's okay.” Jo: I really like that you shared about the email list there because I feel like too many people have spent years driving people to Kindle or KU, and they have built an email list of readers who like a particular format at a particular price. Then we are saying, “Oh, now come over here and buy a beautiful hardback that's like ten times the price.” And we're surprised when nobody does it. Is that what happened? Jennifer: Exactly. Also, that list was for a non-fiction project. So I had to funnel where my writers were in my newsletter, and I have mostly readers. So I was like, “Okay…” But I think you're exactly right. First of all, it's the platform. When you ask anybody to go off a platform, whether it's buy direct at your Shopify store or go to Kickstarter, you are going to lose the majority right there. People are like, “No, I want to click a button from your newsletter and go to a site that I know.” So you've got that, and you've got to train them. That can take some time. Then you've got this project where people are like, “I don't understand.” Even my mum was like, “I would love to support you, honey, but what the heck is this? Where's the buy button and where's my book?” My women's fiction books tend to have some older readers who are like, “Hell no, I don't know what this is.” So you have to know your audience. If it's not translating, train them. I did a couple of videos where I said, “Look, I want to show you how easy this is,” and I showed them directly how to go in and how to back. I did that with Kindle Vella too. I did a video from my newsletter and on social: “Hey, do you not know how to read this chapter? Here's how.” Sometimes there's a barrier. Like you said, Joanna, if I have a majority that just want sexy contemporary, and I'm dropping angsty, cheating, forbidden love, they're like, “Oh no, that's not for me.” So you have to know whether there's a crossover. I go into my business with that already baked into my expectations. I don't go in thinking I'm going to make a killing. Then I'm more surprised when it does well, and then I can build it. Jo: Yes, exactly. Also if you are, like both of us, writing across genres, then you are always going to split your audience. People do not necessarily buy everything because they have their preferences. So I think that's great. Now we are almost out of time, but this latest book is Write Free. I wondered if you would maybe say— What does Write Free mean to you, and what might it help the listeners with? Jennifer: Write Free is an extremely personal book for me, and the title was really important because it goes with Write Naked, Write True, and Write Free. These are the ways that I believe a writer should always show up to the page. Freedom is being able to write your truth in whatever day that is. You're going to be a different writer when you're young and maybe hormonal and passionate and having love affairs. You're going to write differently when you're a mum with kids in nappies. You're going to write differently when you are maybe in your forties and you're killing your career. Your perspective changes, your life changes. Write Free is literally a collection of essays all through my 30 years of life. It's very personal. There are essays like, “I'm writing my 53rd book right now,” and essays like, “My kids are in front of SpongeBob and I'm trying to write right now,” and “I got another rejection letter and I don't know how to survive.” It is literally an imprint of essays that you can dip in and dip out of. It's easy, short, inspirational, and it's just me showing up for my writing life. That's what I wish for everybody: that they can show up for their writing life in the best way that they can at the time, because that changes all the time. Jo: We can say “write free” because we've got a lot of experience at writing. I feel like when I started writing—I was an IT consultant—I literally couldn't write anything creative. I didn't believe I could. There'll be people listening who are just like, “Well, Jennifer, I can't write free. I'm not free. My mind is shackled by all these expectations and everything.” How can they release that and aim for more freedom? Jennifer: I love that question so much. The thing is, I've spent so many years working on that part. That doesn't come overnight. I think sometimes when you have more clarification of, “Okay, this is really limiting me,” then when you can see where something is limiting you, at least you can look for answers. My answers came in the form of meditation. Meditation is a very big thing in my life. Changing my perspective. Learning life mottos to help me deal with those kinds of limitations. Learning that when I write a sex scene, I can't care about my elderly aunt who tells my mother, “Dear God, she ruined the family name.” It is your responsibility to figure out where these limitations are, and then slowly see how you can remove them. I've been in therapy. I have read hundreds of self-help books. I take meditation courses. I take workshop courses. I've done CliftonStrengths with Becca Syme. I don't even know if that's therapy, but it feels like therapy to me as a writer. Knowing my personality traits. I've done Enneagram work with Claire Taylor, which has been huge. The more you know yourself and how your brain is showing up for yourself, the more you can grab tools to use. I wish I could say, “Yes, if everybody meditates 30 minutes a day, you're going to have all blocks removed,” but it's so personal that it's a trick question. If everybody started today and said, “Where is my biggest limitation?” and be real with yourself, there are answers out there. You just have to go slowly and find them, and then the writing more free will come. I hope that wasn't one of those woo-woo answers, but I really do believe it. Jo: I agree. It just takes time. Like our writing career, it just takes time. Keep working on it, keep writing. Jennifer: Yes. And bravery, right? A lot of bravery. Just show up for yourself however you can. If “write free” feels too big, journal for yourself and put it in a locked drawer. Any kind of writing, I think, is therapeutic too. Jo: Brilliant. So where can people find you and your books and everything you do online? Jennifer: The best place to go is my website. I treat it like my home. It's www.JenniferProbst.com. There is so much on it. Not just books, not just free content and free stories. There's an entire section just for writers. There are videos on there. There are a lot of resources. I keep it up to date and it is the place where you can find me. Of course I'm everywhere on social media as Author Jennifer Probst. You can find me anywhere. I always tell everybody: I answer my messages, I answer my emails. That is really important to me. So if you heard this podcast and you want to reach out on anything, please do. I will answer. Jo: Fantastic. Well, thanks so much for your time, Jennifer. That was great. Jennifer: Thanks for having me, Joanna.The post Writing Free: Romance Author Jennifer Probst On A Long-Term Author Career first appeared on The Creative Penn.

Jared and Mike sit down for a rare same-room recording session to unpack the awkward and unpleasant year that was 2025 and review the glimmers of hope sprinkled along the way. Join them for a trip down memory lane as they revisit the stories we wish we could forget. Big Guy Vance Meme Pants OK. Six seven?(Stay tuned for news about the shirts.)Use the code "STRANGE20" for a discount when you preorder Mike's book at this link: "Strange People on the Hill: How Extremism Tore Apart a Small American Town"Support the show on Patreon and get weekly bonus episodes: https://patreon.com/PostingThroughIt

On this episode of The AIE Podcast… We have floor tanking and other WoW noobs… um, news Happy Lifeday, AIE December, where the attendance is optional and the fun is mandatory LOTRO brings YULE Kingdoms of Harad And, join us for our last show of the year All that and more coming up right now… Podcast Audio Raw Video http://youtu.be/TZ8A0NVJjUM Open Welcome to episode #440 of the podcast celebrating you, the Alea Iacta Est gaming community, the die has been podcast. This is Tetsemi: To my left is Mewkow: – (catch phrase here). And to my right is Mkallah: (hey guys, there is leftover caramel apple pie in the guild kitchen). This week, we have a wrap up of what is going on for December in AIE and gaming in general. Ok, we'll be digging into what we have been up to shortly, but first, let's cover this week's news… AIE News Community Mandatory Fun Nights Where the fun is mandatory but the attendance is not. Sunday – Destiny 2 8:30 pm Eastern Monday – GW2 9:30 pm Eastern Monday – STO 10:00 pm Eastern Tuesday – SWTOR 9:00 pm Eastern Wednesday – HFO Mythic+ Mayhem (WoW) 8:00 pm Eastern Friday – ESO 9:00 pm Eastern Saturday – LotRO 8:30 pm Eastern Saturday – FFXIV (Maps) 9:30 pm Eastern Saturday – Noob Raid (WoW) 11:00 pm Eastern Streaming and Guild Podcast News We have a ton of AIE member podcasts! Want to know where to find them? Look no further than here- New Overlords Podcast (Max and Sema) https://www.newoverlords.com Boards and Swords (Chris and Philip) https://boardsandswords.com/blog?category=Boards%20%26%20Swords Dr. Gameology ( Dr. Daniel Kaufmann ) https://drgameology.com/ STO – Fleet Action Report (Grebog and Nikodas) https://www.youtube.com/@fleetactionreport A Podcast Reborn: A FFXIV Community Podcast (Brandon aka Old Man Franks, Meagan, and Rho) – NSFL https://www.bonusroll.gg/directory/a-podcast-reborn/ WoW Noob Raid is on winter break until January 3, 2026 so Dankinia can get a bit of relief from the horrible jokes the group likes to torment her with. During 2025, Dankinia demonstrated her floor tanking abilities 172 times. While she is out, Celindre will be leading Noob Raid – After Dark during the normal 11pm EST time slot each Saturday. In WoW, Midnight – the next expansion – has a release date of March 2nd with the pre-patch release on Jan 13. Anyone with an Epic Edition pre-order will have early access – expected Feb 27 according to WoWHead. Players with early access will also be able to use the new Player Housing feature as of Dec 2. This will be a bit complicated for AIE and our co-guilds, which are one of several ways to join “neighborhoods” for player housing. Every player’s Warband gets two houses – one Horde and one Alliance, but any alt can access either home. There will be open neighborhoods that are server wide, and Guilds can create private neighborhoods open to anyone in that guild. Groups of friends (such as Raid Teams) can also create charters for their own neighborhoods. We will have neighb orhoods for all the co-guilds (probably) but haven’t assigned which officer will be assigned to which yet. Currently, in addition to the Legion Remix event (speed leveling/transmog/mounts etc), the WoW Anniversary is active in Retail WoW, with a rep & xp boost. Visiting the Anniversary Celebration at the Caverns of Time will provide an additional buff. Rep is good – because it’s one of the ways to obtain decor for Player Housing. SWTOR SWTOR will see a holiday release of update 7.8 entitled “Pursuit of Ruin”. It will include a new story chapter, a new type of Dynamic Encounter, and a new stronghold (player housing). That’s not to mention Life Day festivities, with the snow balls and the wookiee hugging. Also, for the first year ever, we will be trying out a new guild event during the evenings between Christmas and New Years. Stay tuned to discord for more info on that! ESO MFN in ESO generally takes the month of December off, but expect to find a couple of people hanging out at the normal time on Friday nights though the holidays. Attendance will be sporadic but feel free to reach out if anyone would like company while running the holiday events in game. FFXIV Patch 7.4 comes December 16th. Main Scenario – Into the Mist Raid Dungeon – The Arcadion: Heavyweight Division Variant Dungeon – The Merchant’s Tale New Dungeon – Mistwake New Trial – Hell on Rails New Unreal Trial – Tsukuyomi’s Pain (Unreal) New Frontline Campaign – Worqor Chirteh Weapon Enhancement Quests – Phantom Weapons Inconceivably Further Hildibrand Adventures Manderville Gold Saucer GATE – Air Force One (The Cieldalaes) Cosmic Exploration: Oizys and Tool Enhancement Quests – Cosmic Tools Strategy Board – Raid explanations but better Glamour Update – Unlocked all types! New Theme Settings – Clear Green and Clear White Mac support (Ventura ends Jan 27, Tahoe now supported) Save 50% on Collector's Edition Digital Upgrades Until December 7 New ridiculous hotpot mount (It flies) And irregular tomestones are active now until 7.4 is live. Fanfest is happening where Blizzcon is normally, April 24/25th. Cookbook #2 is out! LOTRO New expansion “Kingdoms of Harad” as of right now is scheduled to be released on December 3rd. The instance cluster for the expansion is expected to be delayed, which means this gives a chance to level up to the new level cap and get a group together and look at it as a kinship. Also looking forward to the Yule Festival that starts on December 11th. Join us as we look to have fun in Frostbluff as well as protecting it in “The Battle of Frostbluff”. STO Yes, it’s true, Cryptic studios has once again been sold. However, this is not a time for doom and gloom. The new owners have no intentions of sunsetting STO. In fact, STO has simply returned to its original owners who want to see the game succeed. There are ongoing sales in both the Zen Store and Mudd’s Market. Some of these are as high as 50% off! Lifetime Subscriptions are 33% off until Dec 14th Q’s Winter Wonderland will be returning on Dec 9th. While we don’t have any specific details on what the rewards will be this year, it’s sure to be something you don’t want to miss! And with that, let's get to what we have been doing in and out of the game! And, Mkallah has a question for everyone! GAME NEWS Okay, friends! What geeky thing are you planning to give for the holidays, and are there any geeky gifts you hope to receive? CLOSE And that's our show for tonight. While the chatroom begins suggesting show titles, we want to thank us, for joining us. If you have a question or comment about our show, you can email us at podcast@aie-guild.org You can find us on the AIE Discord and BlueSky https://bsky.app/profile/aiepodcast.bsky.social. We record live with video once a month on Sunday at 8pm Eastern/5pm Pacific. You can join the chatroom and play along with us on our website at https://aie-guild.org/podcast-live-stream/ and look for the link to our discord server at https://aie-guild.org. And for past episodes, you can see them on our Youtube channel, https://www.youtube.com/c/TheAIEPodcast ! Our theme was composed by the amazing Andrew Allen, follow him at @keyswithsoul! And now it's time to play all of the great AIE member segments we received this week, including… We will see you all in January of 2026!. So until then, AIE… – This is Tetsemi – This is Mewkow – This is Mkallah And this has been… The AIE Podcast.

This week we play MORK BORG! Three Kings wandering the desert are shown the sign of The Messiah born in the city of Bethlehem. The only thing stopping them from meeting the future king? The Angels of Hell itself.This week's cast:Danny Da Storytella as MelchiorGM Justin as Balthazar KitRole as CasparYou can purchase Mork Borg right here!Music and SFX by Epidemic Sound

Finally reaching Paxoria, 'The Brekkus Club' gets the chance to explore their very first celestial city. This episode contains Adult content and listener discretion is advisedDon't forget that you can support the show on Patreon Our Patreon is packed with a whole world of bonus content including our brand new side campaign Flabbergasted, exclusive episode debriefs, and a treasure trove of side quest stories from the Hell or High Rollers universe.Cast IncludesGM - @DaveHearn2Ghoul - @EllieMorrisGrot - @AdamMeggidoCornelius Oakstaff - @HenryShieldsFingers - @ChrisLeaskSocialsFollow us on Twitter @hellorhighpodFollow us on Instagram @hellorhighrollersWebsite www.hellorhighrollers.comProductionTheme song by Max Runham Max Runham SpotifyAdditional sound editing by David McSparronProducer @GarethTempestGet in contact with us hellorhighrollerspodcast@gmail.comAdditional music and SFX from epidemic sound and sound stripe libraries.This podcast is hosted on Acast. See https://acast.com/privacy-policy for more information. Hosted on Acast. See acast.com/privacy for more information.

Dans les années 1920, Hollywood est encore un Far West artistique et économique. Les studios naissent, meurent, se restructurent, et la Warner Bros… vacille. À cette époque, les frères Warner – Harry, Albert, Sam et Jack – tentent désespérément de s'imposer dans un marché saturé. Leurs productions coûtent cher, rapportent peu, et l'entreprise file tout droit vers la faillite. Et pourtant, leur sauveur n'est ni un producteur visionnaire, ni une star glamour… mais un chien. Un berger allemand nommé Rintintin.Tout commence en 1918, dans les ruines d'un village français ravagé par la Première Guerre mondiale. Un soldat américain du nom de Lee Duncan découvre une femelle berger allemand et ses chiots abandonnés dans un chenil bombardé. Il sauve deux petits, les ramène aux États-Unis, et en dresse un : Rintintin. Très vite, Duncan réalise que le chien a un talent exceptionnel. Il est agile, obéissant, expressif. Et surtout, incroyablement photogénique.En 1922, Hollywood apprend son nom. Rintintin décroche un rôle dans The Man from Hell's River, et c'est un triomphe. Le public, encore marqué par la guerre, se passionne pour ce chien héroïque, symbole de loyauté et de bravoure. Les producteurs de Warner Bros, eux, voient surtout une aubaine.La Warner, à l'époque, est au bord du gouffre. Elle n'a pas les moyens de rivaliser avec les géants comme Paramount ou MGM. Mais elle peut miser sur un phénomène. Rintintin devient donc la star du studio. Entre 1923 et 1930, il tourne près de trente films et remplit les salles à un niveau inattendu. On raconte qu'à certains moments, ses films rapportent jusqu'à la moitié des revenus annuels de la Warner. On le surnomme même « la saucisse à quatre pattes qui nourrit les frères Warner ».Ce succès permet au studio de survivre, puis d'investir dans ce qui deviendra son grand coup stratégique : le cinéma parlant. Sans l'argent généré par Rintintin, la Warner n'aurait probablement pas eu les moyens de produire The Jazz Singer en 1927, le premier film parlant à succès, celui qui transforme l'industrie et propulse le studio au premier rang d'Hollywood.Ainsi, l'histoire est simple mais incroyable : sans un chiot sauvé des décombres de la Grande Guerre, la Warner Bros n'aurait peut-être jamais existé telle que nous la connaissons. Rintintin n'est pas seulement un chien célèbre ; il est littéralement l'un des fondateurs involontaires du cinéma moderne.Un chien a sauvé la Warner… et, d'une certaine façon, l'histoire d'Hollywood tout entière. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

I had Shelby Jacobson on to discuss the 1992 movie 'Wayne's World'. Hell yeah.

Daisy and Lehmo are back and start the show with the All Sports Report as McLaren bungle an almost guaranteed win for Oscar Piastri in Qatar. We want you to pump yourself up with Monday Brag Artist, we announce the winner of our Australian Open Pro-Am competition, and Greg Rust is on the line to discuss what went wrong for McLaren at the Qatar GP, and the controversial finish to the Supercars Championship Grand Final in Adelaide. Off the back off the opening of Melbourne's Metro Tunnel, Lehmo delivers his top 5 tunnels of all time, then Daisy details how he got sucked in to the Black Friday sales. 2010 Australian Open Golf Champion Geoff Ogilvy calls in from Royal Melbourne ahead of this weekend's tournament, and he has some advice for Lehmo for Wednesday's pro-am. Finally, we ask Rush Hour Family member Sarah what she's having for dinner.See omnystudio.com/listener for privacy information.

A Utah father who was stranded on a mountainside with his three young children during a storm is now facing child torture and aggravated child abuse charges. The indictment reveals shocking evidence, including a video where his 8-year-old daughter asks, "Are we going to freeze to death, daddy?" Micah Smith, is accused of ignoring warnings, being ill-prepared, and abandoning his children before rescuers arrived. Utah criminal defense attorney Skye Lazaro joins Law&Crime's Jesse Weber to break down the horrifying details and legal implications of the "hike from hell."PLEASE SUPPORT THE SHOW: Join CROWDHEALTH and say goodbye to insurance headaches. Use code SIDEBAR to get your first 3 months for only $99/month at https://joincrowdhealth.com HOST:Jesse Weber: https://twitter.com/jessecordweberLAW&CRIME SIDEBAR PRODUCTION:YouTube Management - Bobby SzokeVideo Editing - Michael Deininger, Christina O'Shea, Alex Ciccarone, & Jay CruzScript Writing & Producing - Savannah Williamson & Juliana BattagliaGuest Booking - Alyssa Fisher & Diane KayeSocial Media Management - Vanessa BeinSTAY UP-TO-DATE WITH THE LAW&CRIME NETWORK:Watch Law&Crime Network on YouTubeTV: https://bit.ly/3td2e3yWhere To Watch Law&Crime Network: https://bit.ly/3akxLK5Sign Up For Law&Crime's Daily Newsletter: https://bit.ly/LawandCrimeNewsletterRead Fascinating Articles From Law&Crime Network: https://bit.ly/3td2IqoLAW&CRIME NETWORK SOCIAL MEDIA:Instagram: https://www.instagram.com/lawandcrime/Twitter: https://twitter.com/LawCrimeNetworkFacebook: https://www.facebook.com/lawandcrimeTwitch: https://www.twitch.tv/lawandcrimenetworkTikTok: https://www.tiktok.com/@lawandcrimeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Green Day, Parker Mac, Lit cred

Spencer & Steve kick off Devil's Den with one of the biggest stories in the history of Hell's Kitchen - Frank Miller's The Man Without Fear. They talked about gritty take on DD's origins, break down the major characters, highlight the raw artwork of John Romita Jr, and explore the story's influence on other media.Follow us at https://bio.link/rebelnerdradio

Episode Highlights (with Timestamps)00:00 – Cold open & introClassic BLC intro voices, goofy movie-style quotes, and the announcement that this is episode 215 of the Black Lincoln Collective Podcast.00:01:05 – “Christmas Bloopers 8” & LaserDisc nonsenseThey joke about a fake Christmas blooper reel coming out on LaserDisc in 2026 and clown on themselves for having a ridiculous back catalog.00:03:00 – “The stars are moving!” – Starlink storyOne of the guys tells a story about his cousin freaking out because the stars are “moving,” only for it to turn out to be a long train of Starlink satellites crossing the sky.00:04:30 – Explaining Starlink & space trainsThey break down what Starlink looks like from the ground, how fast it seems to move, and how easy it would be to mistake it for alien activity if you didn't know better.00:05:35 – Kids & the end of the worldHis 8-year-old declares it's the end of the world, and the crew riffs on how calm adults pretend to be while secretly just thinking about turkey.00:06:50 – “It's Christmas time, guys”The gang hard-pivots from turkey to Christmas, joking about killing the Thanksgiving turkey and moving on to Christmas geese, dolphins, and holiday mascots.00:06:55 – Return of the Christmas dolphin “Porpoisee”They bring back the bit about “Porpoisee the Christmas dolphin/reporter,” teasing that he's supposed to come on the show to suggest holiday gifts.00:07:50 – What do you really want for Christmas?The hosts admit nobody's actually going to buy them what they want, leading to a “big bag of…” joke and some delightfully inappropriate laughter.00:08:45 – Satan shows up for ChristmasSatan (a recurring character/voice) crashes the episode, promising to bring “peace around the world” in his own very questionable way.00:09:50 – Evil gift ideas for everyoneSatan begins listing gifts “for everyone” that are really just elaborate pranks, insults, or emotional traps disguised as presents.00:10:35 – The ring box fake-outHe pitches the cruel idea of giving a woman a fancy ring-sized box with absolutely nothing in it—one of the most evil prank gifts they discuss.00:11:45 – DNA tests & awkward family revealsMore “gifts” like surprise DNA tests to make sure someone's really a citizen or a funnel labeled “My First Love,” leaning hard into chaotic evil humor.00:15:00 – Batteries with no toy / toy with no batteriesThe group riffs on giving someone a vibrator with no batteries or a big pack of batteries with nothing to use them in, escalating into jumper cables and ridiculous visual gags.00:18:55 – Decorating Hell for the holidaysSatan describes decorating Hell with “jingle balls,” streamers, and popcorn strings made the most annoying way possible, turning Christmas décor into punishment.00:19:58 – Favorite Christmas carol & Carole BaskinWhen asked about his favorite carol, Satan names “that bitch Carole Baskin,” then they spin off into jokes about metal vs traditional Christmas music.00:20:40 – Trans-Siberian Orchestra = Devil's Christmas bandThey declare Trans-Siberian Orchestra to be the official soundtrack of Christmas in Hell and joke about their tour being orchestrated by Satan.00:24:00 – Phones, temptation & modern “sins”Satan points out that everyone's scrolling through “ass and titties” on their phone, arguing that basically everyone is low-key working for him.00:28:45 – Back from break: holidays vs burnoutAfter a break, they talk about getting burned out on holiday vibes, why Thanksgiving deserves respect, and how they personally ramp into Christmas season.00:30:10 – Variety's Top 100 Comedy MoviesThe crew introduces Variety's list of the “100 Greatest Comedy Films of All Time” and sets the rules: they won't cover all 100, but they'll argue about the top picks.00:31:00 – Guessing & reacting to the top 10They try to guess the top entries and discover films like Groundhog Day, Young Frankenstein, Fargo, Duck Soup, and Monty Python and the Holy Grail in the upper rankings.00:36:00 – Mockumentaries & Waiting for GuffmanThey talk about the era of mockumentaries, mention Waiting for Guffman, and debate whether it belongs that high on a greatest-comedies list compared to things like Best in Show.00:37:20 – Chaplin, The Great Dictator & classic comedyCharlie Chaplin's The Great Dictator comes up, leading to quick talk about his style and how older films stack up against modern comedy.00:38:05 – #1 greatest comedy: The Naked GunThey reveal Variety's number one pick, The Naked Gun, and compare it to Airplane!, arguing which Zucker-style absurd comedy really deserves the crown.00:39:00 – Where's Airplane!? & other snubsThe guys complain about Airplane! coming in way too low on the list and mention other favorites and holiday comedies that didn't get the respect they deserve. #blcpodcast #podcastingforthepeople #funny #podcast #greenvillesc #scpodcast #yeahthatgreenville Listen at: https://americasfavoritepodcast.com Tweet the Show: https://twitter.com/blcworld Follow us on Facebook: https://www.facebook.com/blcpodcast/ Check us out on Instagram: https://www.instagram.com/blcpodcast/ Buy Fred and Allan Beer: https://www.patreon.com/blcworld

On this Monday Morning Koolaid Packet, the Detroit Koolaid Cast talk all things Detroit Lions. DRINK IT INNNNNNNNNNNNNNNNNN!#DetroitKoolaidCast #Lions #Podcast #OnePride@DerekOkrie & @ChopsInTheD on TwitterPodcast Platforms:Apple PodcastsGoogle PodcastsSpotifyBreakerCastboxGoogle Play MusicAnchorOvercastPocket CastsPodBeanRadioPublicStitcherDetroit Koolaid Cast Listener Line 989-272-3484. Please call or text and leave us a message!!Please SUBSCRIBE and leave us a review on iTunes.GO LIONS!!

Academic, critic, and prolific podcaster Cameron Kunzelman joins for a far-ranging discussion about how climate fiction, science fiction, and personal and political connections to the environment intersect. Bonus hog sighting. Podcasts, reviews, interviews, essays, and more at the Ancillary Review of Books. Please consider supporting ARB’s Patreon! Guest: Cameron Kunzelman Title: Venomous Lumpsucker by Ned Beauman Host:Jake Casella Brookins Music byGiselle Gabrielle Garcia Artwork byRob Patterson Opening poem by Bhartṛhari, translated by John Brough Transcribers: Kate Dollarhyde and John WM Thompson References: Ranged Touch podcasts The World is Born From Zero & Everything is Permitted Sean McTiernan’s SFUltra (Sean was the guest for our Dreams of Amputation episode) From Hell by Alan Moore & Eddie Campbell Steve Moore's Somnium Mark Fisher's Capitalist Realism Christopher Brown's A Natural History of Empty Lots Bill Bryson Abigail Nussbaum Vajra Chandrasekera's Rakesfall Michael Crichton Donna J. Haraway’s Staying With The Trouble Kim Stanley Robinson’s The Ministry for the Future & Aurora (episode on the latter with Hilary Strang) Neal Stephenson's Termination Shock, Seveneves, & Anathem Emily St. John Mandel’s Station Eleven Nicholas Meyer’s film The Day After Nevil Shute's On the Beach Adam McKay’s film Don't Look Up Timothy Morton’s Hyperobjects Trinitite Edward Abbey’s The Monkey Wrench Gang Bruce Sterling, William Gibson, Pat Cadigan “30-50 Feral Hogs” Clock of the Long Now Walt Whitman’s Leaves of Grass John Christopher’s The Death of Grass / No Blade of Grass Benjamín Schultz-Figueroa Describe World Flannery O'Connor Deep ecology Arne Næss Ted Kaczynski #NoDAPL (Dakota Access Pipeline) Bruce Sterling's Islands in the Net Patrick Wright’s The Village That Died For England Centralia coal-seam fire in Pennsylvania Keiichiro Toyama’s Silent Hill & Christophe Gans’ film adaptation Cameron's Bluesky The Assassin's Creed franchise Immanuel Velikovsky Erich von Däniken’s Chariots of the Gods

Musicians recount the strange and unexpected story behind the making of your favorite albums. Tom Petty came up in the swamps of Florida playing tiny clubs and sock hops before heading to LA and making his fortune. The boys talk about perfect background vocals, questionable key choices, and the scrappy rock band era of a generational artist.Join us on Patreon to continue the conversation and access 45+ bonus shows!https://www.patreon.com/1001AlbumComplaintsJoin our Mailing List here: https://linktr.ee/1001albumcomplaintsEmail us your complaints (or questions / comments) at 1001AlbumComplaints@gmail.comListen to our episode companion playlist (compilation of the songs we referenced on this episode) here:https://open.spotify.com/playlist/0rgtSiOUkPuMwK6UDK0Keb?si=453a2862e46a4a4eListen to Tom Petty and the Heartbreakers here:https://open.spotify.com/album/0JBy4lxBlQIxMZ8qPMIJER?si=O6CHcKguTdC_1WhThhbhewIntro music: When the Walls Fell by The Beverly CrushersOutro music: After the Afterlife by MEGAFollow our Spotify Playlist of music produced directly by us. Listen and complain at homeFollow us on instagram @thechopunlimited AND @1001AlbumComplaintsWe have 1001 Merch! Support us by buying some.US Merch StoreUK Merch StoreNext week's album: Meatloaf - Bat Out of Hell

During the 4pm hour of today's show Chuck & Chernoff talked about Kirby Smart, Raheem Morris, head coaches, the ACC, Conference Championship weekend, Lane Kiffin, LSU, Ole Miss, the College Football Playoff and just how good of a run this Georgia senior class has had before talking about the head coaching changes in the SEC. See omnystudio.com/listener for privacy information.

Paul talks to Jerrica and Sean about conditions in Glanmoy in Mayfield Hosted on Acast. See acast.com/privacy for more information.

Send us a textIn this episode of The Avram Davidson Universe Podcast, Virgil & Bob try to figure out what the HELL is going on in “The Church of Saint Satan and Pandaemons,” originally published in Fantastic (December 1975) and later collected in The Enquiries of Doctor Eszterhazy and The Adventures of Doctor Eszterhazy.This one left them baffled, amused, and occasionally questioning their own sanity. Please comment — they need help!

Lane Kiffin has left a playoff-bound Ole Miss team to become the next head coach at rival LSU. Defensive coordinator Pete Golding, the highest-paid coordinator in the SEC, takes over as the 40th head coach in school history. He'll guide the 11-1 Rebels into the College Football Playoff. The Rebels are positioned to host a first-round game in Oxford.Ben Garrett of the Ole Miss Spirit/On3 and Sudu Upadhyay went live amidst Sunday's chaos, including on-the-scene reporting from Spirit contributor Brad Logan on the ground. Join the Ole Miss Spirit for $1 today: (https://www.on3.com/teams/ole-miss-rebels/)Our Sponsors:* Check out FRE and use my code LISTEN20 for a great deal: https://frepouch.com* Check out Underdog Fantasy and use my code CHAMPIONS for a great deal: https://underdogfantasy.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Vampires from our world are now in Hell. Clearly they are going to be helpful, or not