Podcasts about samulnori

- Thành phố cổ Hegra ở Ả-rập Xê-út - “người em song sinh” của kỳ quan thế giới Petra của Jordan.- Hàn Quốc lưu giữ nghệ thuật dân vũ nhạc Samulnori truyền thống. --- Support this podcast: https://podcasters.spotify.com/pod/show/vov1sukien/support

¿Sabías que en Corea existe una celebración similar al Día de Muertos? Aquí te platicamos todo lo que debes saber sobre el Chuseok. Contamos con la participación especial de Miguel Suárez del canal de YouTube 'Miguel imnida', quien desde Corea del Sur nos comparte como vive esta celebración. #HablemosSobreChuseok

How can you possibly express the feeling of rain through music? The traditional Korean Samulnori group, U-so will show you! Learn about one of Korea’s deep rooted cultural traditions while you study Korean with the subtitles on this video. You can find the full performance from this video here: https://www.youtube.com/watch?v=t1U4Qg-EEd0 If you enjoyed U-so’s performance, check out more of their work and subscribe here: https://www.youtube.com/user/wavehsh What did you think of Samulnori? Have you heard Gugak before? What traditional music does your country have?If you enjoyed this video, and if you have suggestions for new videos, please let us know down in the comments! Happy studying~

Episode 18 Interview with Keith Howard This interview is with Professor Keith Howard, SOAS Professor and Ethnomusicologist. In this interview we talk about his interest in Korea, the music, his travels and how he came in contact Korean traditional music and the group SamulNori. He also takes us a step further about the genre samulnori, Read more..

The second in our two-part series featuring composers and performers from Seoul, South Korea. Hosted by Seth Boustead Produced by Jesse McQuarters Eunwa Lee: Roadsound (excerpt) Sun-in Jung, piano Shinuh Lee: Chorale Fantasy No. 3 Hyojung Huh, piano Dong-Il Sheen: Fantasy on a Korean Fisherman's Song for Korean traditional ensemble, violin, cello and piano Ensemble/Dong-il Sheen Cheonwook Kim: Descent into the Bottomless Abyss Ki Chung Bae, piano; Ji Eun Han, cello Hyukjin Shin: Night Flight (excerpt) Jae-Lin Park, violin; Song Hee Yang, clarinet; Yeonjin Kim, cello; Sunah Lee, piano Uzong Choe: Piano Prelude No. 8 Sooyeon Lim, piano Jun-il Kang: Concerto for Samulnori and Orchestra, Madang (playground) I Suwon Philharmonic Orchestra/Chi-yong Chung; Kim Duk Soo Samulnori

The name of the group is deceptively simple: Samul (“four objects”) + Nori (“folk entertainment”) = SamulNori. Nathan Hesselink‘s new book traces the transformations of this complex contemporary Korean drumming ensemble from its first concert in a cramped Seoul basement in 1978 through the 1990s, by which time they had... Learn more about your ad choices. Visit megaphone.fm/adchoices

The name of the group is deceptively simple: Samul (“four objects”) + Nori (“folk entertainment”) = SamulNori. Nathan Hesselink‘s new book traces the transformations of this complex contemporary Korean drumming ensemble from its first concert in a cramped Seoul basement in 1978 through the 1990s, by which time they had become a prominent media presence in Korea and abroad. SamulNori: Contemporary Korean Drumming and the Rebirth of Itinerant Performance Culture (University of Chicago Press, 2012) introduces readers and listeners to the wider history of Korean percussion music. Hesselink locates the roots of SamulNori in itinerant performance culture in Korea, focusing in particular on the namsadang wandering minstrels and their acrobatics, puppetry, and other performing arts in what reads as a wonderful contribution to the broader history of movement and itinerancy in world history. (Fans of the film The King and the Clown [Wang ui namja, 2005] will recognize this category of namsadang performers!) A CD is included with the book, allowing readers to listen in on some of the major SamulNori works in Hesselink’s account. (My particular favorites were the songs produced by the collaboration between SamulNori and the Euro-American jazz quartet Red Sun.) Readers who are already acquainted with traditional Korean percussion will find much of interest in this history, and others will find a new world of music to explore. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

The name of the group is deceptively simple: Samul (“four objects”) + Nori (“folk entertainment”) = SamulNori. Nathan Hesselink‘s new book traces the transformations of this complex contemporary Korean drumming ensemble from its first concert in a cramped Seoul basement in 1978 through the 1990s, by which time they had become a prominent media presence in Korea and abroad. SamulNori: Contemporary Korean Drumming and the Rebirth of Itinerant Performance Culture (University of Chicago Press, 2012) introduces readers and listeners to the wider history of Korean percussion music. Hesselink locates the roots of SamulNori in itinerant performance culture in Korea, focusing in particular on the namsadang wandering minstrels and their acrobatics, puppetry, and other performing arts in what reads as a wonderful contribution to the broader history of movement and itinerancy in world history. (Fans of the film The King and the Clown [Wang ui namja, 2005] will recognize this category of namsadang performers!) A CD is included with the book, allowing readers to listen in on some of the major SamulNori works in Hesselink’s account. (My particular favorites were the songs produced by the collaboration between SamulNori and the Euro-American jazz quartet Red Sun.) Readers who are already acquainted with traditional Korean percussion will find much of interest in this history, and others will find a new world of music to explore. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

사물놀이(Samulnori) is a genre of traditional percussion music originating in Korea. The word 사물 means "four objects" and 놀이 means "play" 사물놀이 is always performed with four traditional Korean musical instruments. (Wikipedia) Let's get straightforward. I'd say "사물놀이" is "haveing fun, rock'n roll" with four instruments. You got it? If you see the video below you mgiht see how much they enjoy themselves during whole performance.