Podcasts about Seoul

Become a Client: https://nomadcapitalist.com/apply/ Get our free Weekly Rundown newsletter and be the first to hear about breaking news and offers: https://nomadcapitalist.com/email Join us for the next Nomad Capitalist Live event: https://nomadcapitalist.com/live/ This week on The Weekly Report! South Korea cracks down on foreign property buyers in Seoul. Oman relaunches its Golden Visa as part of Vision 2040. And in the UAE, 2,400+ creators land 10-year residencies through Dubai's new content visa program. Nomad Capitalist helps clients "go where you're treated best." We are the world's most sought-after firm for offshore tax planning, dual citizenship, international diversification, and asset protection. We use legal and ethical strategies and work exclusively with seven- and eight-figure entrepreneurs and investors. We create and execute holistic, multi-jurisdictional Plans that help clients keep more of their wealth, increase their personal freedom, and protect their families and wealth against threats in their home country. No other firm offers clients access to more potential options to relocate to, bank in, or become a citizen of. Because we do not focus only on one or a handful of countries, we can offer unbiased advice where others can't. Become Our Client: https://nomadcapitalist.com/apply/ Our Website: http://www.nomadcapitalist.com/ About Our Company: https://nomadcapitalist.com/about/ Buy Mr. Henderson's Book: https://nomadcapitalist.com/book/ Disclaimer: Neither Nomad Capitalist LTD nor its affiliates are licensed legal, financial, or tax advisors. All content published on YouTube and other platforms is intended solely for general informational and educational purposes and should not be construed as legal, tax, or financial advice. Nomad Capitalist does not offer or sell legal, financial, or tax advisory services. 

Christchurch indie band There's A Tuesday just returned from a 10-day residency in Seoul and bandmates Nat Hutton and Minnie Robberts tell us more. 

Today, we're taking you on a journey through one of the most fascinating and dynamic countries in the world—South Korea. From the bustling streets of Seoul to tranquil temples and breathtaking peaks, South Korea offers a rich tapestry of experiences that blend ancient history with cutting-edge pop culture. Whether you're a foodie eager to discover authentic Korean cuisine, a history buff fascinated by the deep past, or someone looking for spiritual enlightenment in the mountains, this episode has it all. Joining me today are David Mason, a renowned expert on Korean culture and spirituality; Joe McPherson, a food lover and founder of ZenKimchi; and James Jin, an incredible guide who knows how to craft the perfect Korean adventure. We'll explore everything from Korean spirituality to the latest in K-pop, share some unforgettable food moments, and uncover the real Korea, far beyond the typical tourist paths. Thank you to our sponsor for this episode, Luggage Forward. Looking to book a luxury hotel? Get special perks and support the podcast by booking here: https://www.virtuoso.com/advisor/sarahgroen/travel/luxury-hotels If you want our expert guidance and help planning a luxury trip with experiences you can't find online, tell us more here and we'll reach out: https://bellandblytravel.com/book-a-trip/ Learn more at www.luxtravelinsider.com   Connect with me on Social: Instagram LinkedIn  

In 2022, an estimated 258 million people in 58 countries experienced crisis-level acute hunger, according to the World Food Programme (WFP), the global humanitarian organization addressing food security. Russia's recent decision no longer to allow Ukraine to export tons of grain means more people are likely to go hungry. In response to the rising concern, Bishop David J. Malloy of Rockford, chairman of the United States Conference of Catholic Bishops' (USCCB) Committee on International Justice and Peace, called on global leaders to do more to ensure food security for all. Read Bishop Malloy's full statement. Pope Francis asked the 1.5 million young people who attended World Youth Day to take "what God has sown into your hearts" back to their home countries and build a joyful church that is open to all. Look back at the significant moments and messages of Pope Francis' Aug. 2-6 trip to Portugal. • Watch: Huge crowds gather for WYD vigil, papal Mass • Watch: U.S. pilgrims celebrate WYD The next WYD has been announced. Taking place in Seoul, South Korea, WYD 2027 will be the first to take place in on mainland Asia. Korea has a growing Catholic population of about 11 percent, or 6 million believers. Pope Francis has also announced the Jubilee of Youth in Rome 2025 for the interim. See you in Seoul in 2027!

【聊了什么The What】 这个夏天，我们无数次的跟人解释：Netflix的Kpop猎魔女团虽然设定听起来很扯，但真的是好看的。顶流女团的真实身份是猎魔人，而她们的竞争对手（非常工具人的）男团则是一群真正的恶魔，用歌声和粉丝量争夺人类灵魂。我们从这部作品聊开去，探讨它如何超越了新时代的迪士尼公主叙事，创造了一个有工作的、更具代入感的当代女性童年幻想的寄托：和最好的朋友住在一起，拥有穿不完的漂亮衣服，人生最大的困难是和朋友的互相不理解。在一定程度上，对小朋友可能有点太幼稚，但对疲惫的我们正中要害。同时我们也回顾了过去十年 K-Pop 的全球化，从 BTS 在疫情期间的爆红到 Blackpink 登上 Coachella 主舞台；好像体感上今年夏天真的不一样，他们说的“韩流闯美”或许真的来了？ This summer, we found ourselves repeatedly explaining to people: like, yes, Netflix's K-pop Demon Hunters sounds ridiculous on paper, you might even feel ridiculous watching the first 20 minutes — but it's actually really good. The setup? A top girl group is secretly made up of demon hunters, while their rivals—the boy band—are literal demons battling for human souls through their music and fandom numbers. We used this show as a jumping-off point to explore how it goes beyond the new-generation Disney princess narrative to create a more relatable modern female fantasy—one where you live with your best friends, have endless fabulous outfits, and your biggest challenge in life is misunderstandings between friends. It might feel childish to some, especially for kids, but for us—burned out adults—it hit the emotional sweet spot. We also looked back on a decade of K-pop global expansion, from BTS's meteoric rise during the pandemic to Blackpink headlining Coachella. This summer feels different. Maybe the “Korean Wave” going global is actually happening? 【时间轴 The When】 00:39 - 奇幻首尔里用歌声封印恶魔的猎魔女团HUNTRIX。 10:28 - 立体的女性友谊和工具人男团 18:35 - K-pop产业的理想化呈现 21:26 - 从《降世神通》到现在亚裔创作者主体性的增强 27:14 - 保护我们的童年幻想和天经地义的女性友谊 42:34 - Kpop在欧美市场主流化了吗？ 00:39 - HUNTRIX: A demon-hunting girl group sealing demons with songs in a fantastical Seoul 10:28 - Deep female friendships vs. the “utility tool” boy band 18:35 - The idealized portrayal of the K-pop industry 21:26 - From Avatar: The Last Airbender to the growing agency of Asian creators 27:14 - Protecting our childhood fantasies and the naturalness of female friendship 42:34 - Has K-pop gone mainstream in Western markets? 【拓展链接 The Links】 58 “BTS之父”套现4000亿：韩娱教父的资本骗局遭政治狙击 【疲惫红书 CyberRed】 除了播客以外，疲惫娇娃的几个女的在小红书上开了官方账号，我们会不定期发布【疲惫在读】、【疲惫在看】、【疲惫旅行】、【疲惫Vlog】等等更加轻盈、好玩、实验性质的内容。如果你想知道除了播客以外我们在关注什么，快来小红书评论区和我们互动。 Apart from the podcast, we have set up an official account on Xiaohongshu. We will periodically post content such as “CyberPink Reading,” “CyberPink Watching,” “CyberPink Traveling,” “CyberPink Vlog,” and more. Those are lighter, more fun and more experimental stuff about our lives. Leave us some comments on Xiaohongshu! 【买咖啡 Please Support Us】 如果喜欢这期节目并愿意想要给我们买杯咖啡： 海外用户：https://www.patreon.com/cyberpinkfm 海内用户：https://afdian.com/a/cyberpinkfm 商务合作邮箱：cyberpinkfm@gmail.com 商务合作微信：CyberPink2022 If you like our show and want to support us, please consider the following: Those Abroad: https://www.patreon.com/cyberpinkfm Those in China: https://afdian.com/a/cyberpinkfm Business Inquiries Email: cyberpinkfm@gmail.com Business Inquiries WeChat: CyberPink2022

Today, Jess, Les, and Bishop unpack South Korean President Lee's first visit to Washington and his meeting with President Trump. The two leaders struck a warm rapport, with Trump raising ideas about engagement with North Korea and Lee casting Trump as potential peacemaker on the peninsula. But as Seoul works to balance relations with both Washington and Beijing, Trump's out-of-the-box, business-style approach may add unpredictability to one of the world's most sensitive regions.Will Trump's style strengthen—or strain—the U.S.–South Korea alliance? Can engagement with Kim Jong Un move forward without a real strategy? Does Trump's deal-making style translate into real policy, or just make for good headlines?Check out these stories that helped shape our Fellows' discussion: https://apnews.com/video/trump-repeatedly-touts-great-relationship-with-north-korean-leader-kim-jong-un-da5084139a49459cb61f6dbe5567b13a https://www.washingtonpost.com/politics/2025/08/25/trump-south-korea-president-visit/ https://www.bbc.com/news/articles/cy5pdlgl64zo @NotTVJessJones@LesterMunson@BishopGarrisonLike what we're doing here? Be sure to rate, review, and subscribe. And don't forget to follow @faultlines_pod and @masonnatsec on Twitter!We are also on YouTube, and watch today's episode here: https://youtu.be/jLyczvHunH0 Hosted on Acast. See acast.com/privacy for more information.

In this episode of Where Brains Meet Beauty we meet Kevin Kim the Director of Beauty & Personal Care Investment Banking at Raymond James. His career journey didn't begin with balance sheets and deal rooms it began with medicine.As the oldest son of two psychiatrists, Kevin grew up assuming he'd follow in their footsteps. But by late high school, he realized his path needed to be his own. Drawn to a more global career, he pivoted from pre-med aspirations to business, ultimately landing in investment banking.His early years at Houlihan Lokey provided a crash course in analytics and resilience. But financial services M&A, mortgage servicing rights and insurance deals left him craving work that was more dynamic, more connected to culture. That pivot came when he joined boutique bank Financo in New York, where a chance partnership with beauty M&A legend Vinetta Coleridge introduced him to founder-led brands and the artistry of storytelling in finance.From helping Lily Gordon of First Aid Beauty raise early capital, to later selling the brand to P&G, Kevin learned that beauty transactions are never just about numbers, they're about people. Founders bring vision, quirks, and dreams to the table, and he leaned on skills inherited from his psychiatrist parents: listening deeply, decoding motivations, and helping brands show up as their best selves when it matters most.Today at Raymond James, Kevin has worked on more than 25 beauty deals, guiding brands through capital raises, acquisitions, and exits. He and his team specialize in founder-led businesses, translating brand “sparkle” into financial value while advising buyers on how to preserve the magic post-acquisition. His lens is global covering fragrance booms in Paris, K-beauty trends from Seoul, and indie darlings in Sephora aisles.His leadership style reflects the same ethos: hands-on, people-first, and rooted in immersion. New analysts join him on “Sephora field trips,” learning that to advise in beauty, you must love the category, feel the consumer pulse, and respect its nuances.For Kevin the real thrill isn't just closing a deal it's knowing that a beloved brand has a shot at its next chapter, that founder visions are honored, and that beauty continues to evolve as a global language.Thank you to our sponsor Beauty Connect - get 10% off tickets with code WBMB.

SHOW SCHEDULE  8-25-25 Good evening. The show begins in Seoul, where the new President Lee Jae-myung has directed raids on churches and US military sites according to POTUS. 1927 VENEZUELA CABINET First Hour 9:00-9:15 ROK: President Lee Jae-myung in the Oval Office. @GordonGChang, Gatestone, Newsweek, The Hill 9:15-9:30 PRC: Guangdong Province in shadow. @GordonGChang, Gatestone, Newsweek, The Hill 9:30-9:45 Pakistan: Meets Bangladesh. Husain Haqqani, Hudson 9:45-10:00 Pakistan: Favored by POTUS. Husain Haqqani, Hudson Second Hour 10:00-10:15 Israel: Gaza propaganda and the final assault. Malcolm Hoenlein @Conf_of_Pres @MHoenlein1 @ThadMcCotter @TheAmGreatness 10:15-10:30 Armenia: Railroad to Baku. Malcolm Hoenlein @Conf_of_Pres @MHoenlein1 10:30-10:45 PRC not welcome in Kyiv. Victoria Coates, Heritage, @GordonGChang, Gatestone, Newsweek, The Hill 10:45-11:00 EU: Tariffs and morale. Theresa Fallon, Brussels. @GordonGChang, Gatestone, Newsweek, The Hill Third Hour 11:00-11:15 Syria: At the UNGA. Ahmad Sharawi, FDD 11:15-11:30 Syria: And Israel accommodations. Ahmad Sharawi, FDD 11:30-11:45 #NewWorldReport: US flotilla off Venezuela. Joseph Humire @JMHumire @SecureFreeSoc. Ernesto Araujo, former Foreign Minister Republic of Brazil. #NewWorldReportHumire. Alejandro Pena Esclusa, Venezuelan writer and geopolitical commentator. 11:45-12:00 #NewWorldReport: Bolsonaro and lawfare. Joseph Humire @JMHumire @SecureFreeSoc. Ernesto Araujo, former Foreign Minister Republic of Brazil. #NewWorldReportHumire. Alejandro Pena Esclusa, Venezuelan writer and geopolitical commentator. Fourth Hour 12:00-12:15 Iran: And Afghanistan. Jonathan Sayeh, FDD 12:15-12:30 Iran and YEMEN. Jonathan Sayeh, FDD 12:30-12:45 India: Trump fences with Modi. Josh Rogin, WaPo 12:45-1:00 AM India: Trump fences with Modi. Josh Rogin, WaPo continued

South Korean shipyards are busier than they’ve been in years. Seoul and Washington are working to finalize a new trade deal that will include a $150 billion commitment to help stimulate the US shipbuilding industry. On today’s Big Take Asia Podcast, host K. Oanh Ha talks to Bloomberg’s Weilun Soon about whether the US-South Korea shipbuilding alliance could help President Trump achieve his US shipbuilding dreams, what South Korea stands to gain from the investment – and if it will be enough to disrupt China’s maritime dominance. Read more: South Korea’s $150 Billion Bet on Trump’s Shipbuilding Dream See omnystudio.com/listener for privacy information.

Maddie & Christina are here to review Our Unwritten Seoul! Maddie FINALLY decided to watch this amazing drama, and Christina couldn't be more thrilled. This drama is definitely “Christina-coded” and could be her drama of the year. WHAT?!Our Unwritten Seoul is about two twins, Mi-Ji & Mi-Jae (Park Bo-young – Strong Woman Do Bong Soon, Daily Dose of Sunshine), who are complete opposites. Mi-Jae works a finance job in Seoul, while Mi-Ji continues to live in their farming hometown, helping her family and doing a myriad of jobs. Both women are in a rut and need time apart from their current situations, so they end up switching places temporarily.In this review, the ladies talk about how beautiful the writing is, how amazing the women characters are, and how the two male leads (Jinyoung – GOT7, Yumi's Cells & Ryu Kyung-soo – Itaewon Class) are some of the BIGGEST GREEN FLAGS in the history of green flags. This drama pulls at your heartstrings and teaches you that everyone needs help through life — and that it's never too late to start again.“Yesterday is over. Tomorrow is yet to come. Today is yet unknown. Let's go!” - Yu Mi-Ji ❤️Our Unwritten Seoul is a 12 episode drama available on Netflix......If you're new to YA GIRL, we're so glad you're here!! I truly hope you enjoy listening to this podcast! …..Also, check out our sister-pod - THE KDROP: A KPop Podcast - if that's your thing. https://www.instagram.com/the.kdrop_kpop_pod/ ….. Before you do anything else, FOLLOW YA GIRL ON INSTAGRAM! For real, please come and say hey to us over the socials! @yagirl_kdrama pod (⁠⁠https://www.instagram.com/yagirl_kdramapod?igsh=OGQ5ZDc2ODk2ZA%3D%3D&utm_source=qr⁠⁠)….And Christina just started an exclusive BTS instagram, so give that a follow!   https://www.instagram.com/bts_express_the.kdrop?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw== … Finally, jump on  YA GIRL's Discord!! It's where all the friends of YA GIRL gather and talk about hot Korean men. You really don't wanna miss it. ⁠⁠ https://discord.gg/rFmEgTJpJ8

How does artmaking connect us with greater intelligence?How does one overcome creative blocks?What is the role of paying attention in the collective healing?In this fireside chat, intuitive tarot reader and therapist Mallory Dowd joined me to talk about The Artist's Way, a text written by Julia Cameron that we both love and revisit often.We discussed:

Welcome to Season 5, Episode 34! Before reading Table for 51, we had no idea what a “Friendship Expert” was. After meeting Shari Leid for this episode's conversation, we think everyone could use a Friendship Expert! Her newest book, Table for 51, shares her journey on the 50 States Project, where she committed to having a meal and conversation with one woman in every state. The book is a combination of memoir, self-help manual, and journey of inspiration. She learned about belonging and identity. Shari was born in Seoul, South Korea and adopted by a Japanese American couple after she was found abandoned in a box. She's a former litigator who is now a Friendship Expert, public speaker, and writer. After she left her career in litigation, she founded a professional mindset coaching business called An Imperfectly Perfect Life, LLC. Her business serves clients in those tricky middle age years, helping them create the life of their dreams. In addition to Table for 51, she has written The Friendship Series which includes The 50/50 Friendship Flow, Make Your Mess Your Message, and Ask Yourself This, which included a 60-day journaling challenge.  In our conversation, we talk about her career, what motivated her to go on the 50 States Project, how she organized Table for 51, her advice for people struggling with feelings of belonging, and so much more. To learn more about what Shari does, you can get Table for 51 or any of her other books, visit her site, follow her on instagram, join her Facebook group Flip the Box, listen to her podcast, or watch her YouTube channel.  If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com.

President Donald Trump hosted South Korean President Lee Jae Myung in Washington for their first summit on Monday. Lee's visit follows a recent trade deal that lowered U.S. tariffs on South Korean goods. Experts say the talks will likely focus on trade and military ties, with Washington pressing Seoul to pay more toward the cost of American forces stationed on the Korean peninsula.President Donald Trump signed two executive orders on Monday aimed at eliminating cashless bail, along with another order adding specialized law enforcement units to executive agencies in Washington. The executive orders came two weeks after Trump's federal takeover of Washington's Metropolitan Police Department and his activation of the National Guard in the city to fight crime.

Trump Mulls Sending National Guard to Baltimore; Trump to Host South Korean President Lee Jae Myung | NTD Good MorningPresident Donald Trump says he may send National Guard troops to Baltimore, calling the city a “crime disaster.” However, Maryland's governor has urged him to walk its streets before sending in troops. Meanwhile, Vice President JD Vance defended the federal takeover of the District of Columbia's police force, crediting it for a steep drop in crime. Trump is also pressing Sen. Chuck Grassley (R-Iowa) to end the Senate's ‘blue slip' tradition, which is stalling his judicial nominees.Trump is hosting South Korean President Lee Jae Myung in Washington on Monday for their first summit. Talks are expected to center on trade and defense costs after Seoul agreed to boost its military contribution by more than eight percent. The leaders will also discuss nuclear issues, with South Korea's foreign minister saying the country may seek U.S. approval to reprocess or enrich its own nuclear material for industrial purposes.Kilmar Abrego Garcia, the Salvadoran man at the center of a high-profile deportation case, reported to an ICE field office early on Monday with a number of supporters. He's expected to be interviewed by immigration authorities on Monday after being released from a Tennessee jail on Friday. His defense attorneys said the United States is seeking to deport Garcia to Uganda unless he accepts a plea deal that would facilitate his deportation to Costa Rica.

A UN-backed body has confirmed a famine in Gaza City after twenty-two months of conflict and warned it could spread to other parts of the territory by the end of September. The UN says it's been caused by Israel's systematic obstruction of aid deliveries. Israel has denied there is a famine. Also: WHO warns of risks of extreme heat in the workplace, and crypto scam fugitive caught after littering in Seoul.

Living with an autoimmune condition can make exercise feel overwhelming—but the right Pilates workout for beginners can actually bring relief and healing. In this empowering interview, Pilates instructor Rachel Robertson explains how gentle, beginner-friendly Pilates supports women with autoimmune conditions by improving core stability, calming the nervous system, and reducing joint stress—without pushing your body into burnout. We cover: Why a pilates workout for beginners is one of the safest and most effective ways to start moving with autoimmunity How breath, alignment, and gentle core work reduce pain and inflammation. Practical modifications for days of fatigue, flares, or joint instability Mat vs. reformer Pilates for autoimmune bodies—and how to start at home.  Using Pilates to regulate the nervous system and increase energy naturally Creating a sustainable weekly movement plan that works with your healing journey.  Timestamps 00:00 Rachel's journey & beginner Pilates philosophy 06:15 Why Pilates is ideal for autoimmune beginners 14:20 Gentle core work without triggering symptoms 21:05 Modifications for joint issues & flare days 29:40 Breathwork for stress and pain relief 36:10 Building a safe weekly routine 42:55 Quick at-home beginner sequence (guided) 49:00 Listener Q&A + resources Try This Beginner Sequence (no equipment needed): Seated diaphragmatic breathing – 2 minutes Pelvic clocks – 6 each direction Heel slides – 8 per side Supported bridge with breath – 6 slow reps Mermaid stretch – 3 each side For over a decade, Rachel Robertson has helped others overcome physical limitations by blending the science of kinesiology with the artistry of Pilates. Specializing in injury recovery, she bridges the gap between rehabilitation and a confident return to movement—whether for work, play, or athletic performance. Rachel earned her Kinesiology degree from the University of Western Ontario in 2009 and quickly immersed herself in the Pilates world. She is a recognized member of the British Columbia Association of Kinesiologists (BCAK). With an athletic background in figure skating and competitive coaching, Rachel's passion for movement extends beyond the studio. She represented Team Canada at the World Kettlebell Championships in 2015 and 2017, earning two gold medals in Seoul. Her achievements led to recognition as Nanaimo's Female Athlete of the Year in 2018 and a finalist for Vancouver Island's Top 20 Under 40 Business and Community Awards. In addition to her athletic accomplishments, Rachel has spent the past five years organizing Fitness in the Park, a Rotary-led community event promoting health and fitness, which was named Kinesiology Event of the Year in 2023. Today, Rachel continues to empower individuals through Pilates, personal training, and intentional movement, helping them rebuild strength, confidence, and trust in their bodies. She also educates fellow kinesiologists through webinars and workshops, equipping them with the tools to support others in their recovery and movement journeys. YouTube - Online Library of Mat Pilates Workouts: https://www.youtube.com/playlist?list=PLHLQU2Z6w_-C3FyRf7d9yi8wb3d5tdI5L https://returntoform.ca/- Rachel's website http://autoimmunerehab.com- website for this podcast.  

In 2023, the United Kingdom hosted the world's first major international summit on the risks of advanced artificial intelligence. That Bletchley Park gathering kicked off a series of high-profile summits — in Seoul in 2024, in Paris earlier this year, and with India set to host the next in 2026. But here's the big question: are these summits actually building the guardrails the world needs to keep AI safe — or are they falling short? My guest today, Robert F. Trager, says the answer depends on whether this summit series is reformed. Trager is Co-Director of the Oxford Martin AI Governance Initiative, which recently published a roadmap for how the AI Summit Series can live up to its potential. We dig into those recommendations, and we also take stock of what these summits have accomplished so far — and what's at stake if they fail. This episode was supported through a grant from the Tarbell Center for AI Journalism Report mentioned: The Future of the AI Summit Series

Victor Davis Hanson puts the summit in historical perspective and compares Trump's diplomacy to past U.S. presidents on today's episode of “Victor Davis Hanson: In His Own Words.” “ It begs the question, do you have any collective memory? The Ukraine war started when Vladimir Putin invaded the Crimea and Donbas under the presidency of Barack Obama. Remember the hot mic in Seoul, where he said, 'Tell Vladimir that if he gives me space for my last election, I'll be flexible on missile defense'? Do you remember that? He also invaded, as you remember, in Joe Biden's tenure. He tried to take Kyiv. He didn't during Donald Trump's four years. “ All I'm asking them is, please give us an alternative strategy. How long do you wanna fight? Who is gonna fight? How many deaths, wounded are you willing to incur to push Vladimir Putin all the way back to where he was prior to the invasion of 2014, when Barack Obama allowed him to come in? Just a question.”

Teresita Fernández talks to Ben Luke about her influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped her life and work. Fernández, born in 1968 in Miami, Florida, is, in the broadest sense, a landscape artist. But her work across three decades has been a rigorous consideration and poetic probing of the nature of landscape. Fundamentally a sculptor, she not only explores landscapes as visual phenomena, but uses the substances found within them to sculpt with—from graphite to iron ore, gold and pyrite. So they are her subject and her material. Beginning with profound research, Teresita reflects on land in relation to geography and geology, but also as a cultural space, with intimate connection to people and communities. Inevitably, then, this is a study of power, in which the history and violence of colonisation looms large. But the landscape is also a metaphor, for the territories within us. And in her works, whether they are vast sculptural or ceramic reliefs, room-scale installations or reflective canopies covering huge areas of public space, the viewer navigates this productive tension between the objective and subjective. She discusses the early significance of Wilfredo Lam, and his influence on her major public sculpture Fata Morgana (2015). She also reflects on her admiration for artists whose writings are central to their practice, including Eva Hesse and Jack Whitten, and her deep engagement and critical response to Robert Smithson. She talks about her pivotal experiences in Japan and the influence of historic Asian art on her thinking. She talks about her friendship with and admiration for Cecilia Vicuña and the importance of the writings of José Martí and Sylvia Wynter, among others. Plus, she gives insight into her life in the studio and answers our usual questions, including the ultimate: what is art for?Teresita Fernández: Liquid Horizon, Lehmann Maupin, Seoul, 27 August-25 October; Teresita Fernández/Robert Smithson, Radius Books, published 16 October, $60, £42.99 (hb). Hosted on Acast. See acast.com/privacy for more information.

Monologue:Sexy or Not?Breast Milk Ice Cream$25K Checks for Flood VictimsGerrymandering or Just Leading?Paralympics History and FactsGuests:At just 15, Izzy Crew is making history as Dripping Springs High School's first wheelchair athlete and a record-breaking competitor on the track. A national record holder in the U17 1500m and 5000m, she's medaled at state, earned bronze at USA Track & Field Nationals, and raced internationally against Paralympians—all while being an honor student, singer-songwriter, and seasoned multi-sport athlete with a 2nd-degree black belt. Whether she's dominating in competition, writing music, or charming animals (and beating her brothers at arm wrestling), Izzy is proving there's no limit to what she can achieve.Saúl Mendoza is a legendary Mexican wheelchair racer who competed in both the Olympic and Paralympic Games. He earned six Paralympic medals, multiple marathon titles, and made history by winning gold in the 1500m wheelchair demonstration event at the 2000 Olympics. Known for his speed, resilience, and decades-long career from Seoul 1988 to London 2012, Mendoza is celebrated as one of Mexico's most accomplished Paralympic athletes.Based in Dripping Springs, Steve Mallett and Michelle Lewis invite you into their world of engaging conversations with guests who bring fresh ideas, humor, and wisdom to the table. They dive into everything from life's absurdities to community quirks, adding their signature twist of small-town charm and bold candor. Think of them as the funny neighbors with the best stories, the ones who always tell it like it is. With a healthy dose of Hill Country spirit, they explore local gossip and topics that connect us all—proving you don't need to be famous to be extraordinary; you just need a microphone and the courage to share your voice. Every episode is a mix of laughter, insight, and connection, making this podcast one you won't want to miss! Send us a textSupport the showSPONSORS: The Real Estate Pro's at The Mallett Integrity Team. Call-512-627-7018 Serving all of Central Texas since 2003. "Real Estate Done Right" SouthStar Bank a tradition of full-service community banking for over 100 years. Your neighborhood Bank. www.southstarbank.com The Deep Eddy Vodka Tasting Room is in the Texas Hill Country just outside Austin, TX. The venue welcomes over 75,000 visitors annually and sits within the former bottling plant. Family Friendly Fun in the Hill Country! events@deepeddyvodka.com Jovie Belterra-Nestled within the Belterra community, discover your path to joy and wellness at the exquisite 55+ apartment community. Follow us, leave a review, TELL A FRIEND!AppleInstagramWebsitemallettandmichelle@gmai...

Sofie Pavitt's pivot from a 15-year career as a fashion designer to becoming NYC's Acne Whisperer was in the works well before her official career change. While she was traveling to Seoul for her fashion job, she was introduced to innovative skincare products and treatments. This exposure planted a seed that would eventually lead her onto the shelves of every Sephora in the U.S.After spending a year becoming a certified facialist while working full-time, Sofie left her career in fashion to do facials for her friends and industry contacts. As her client list grew, she created space for them in Sofie Pavitt Studio. In our conversation, she details why her studio is not a spa and how working with clients helps her make the most effective acne-treating products. Sofie's career journey is a testament to not being afraid of pursuing new dreams.Tune in as we discuss:Why she works a weekly shift at a dermatologist's officeHer take on popular ingredients like mandelic and hypochlorous acid The rules for popping pimples at homeWhat she hopes her entrepreneurial journey teaches her childrenWhy her brand had to be her namesakeRate, Subscribe & Review the Podcast on Apple Join the Naked Beauty Community on IG: @nakedbeautyplanet Check out nakedbeautypodcast.com for all previous episodes & search episodes by topicShop My Favorite Products & Pod Discounts on my ShopMyShelfStay in touch with me: @brookedevardFollow Sofie @sofiepavittProducts Mentioned: Ultra Violette Supreme SkinDr. Idriss Major Fade Disco Block iS Clinical Extreme Protect Ciele blush & PROTECT, tint & PROTECTDr. Jart Premium BB Tinted MoisturizerTower28 Powder BlushFara Homidi Essential Lip CompactVIOLETTE_FR Bisou BalmCrown Affair Finishing Hair Gel, Dry ShampooRŌZ Milk Hair SerumDanessa Myricks Colorfix Stix Hosted on Acast. See acast.com/privacy for more information.

Hosted by Andrew Quinn and Darren Mooney, this week with special guests Conor Murphy and Natasha Waugh, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. This August, we are taking a look at the films on the Irish Leaving Certificate Curriculum. This week, Celine Song's Past Lives. Nora Moon was just twelve years old when her family emigrated from South Korea to Canada. Moving to New York to pursue a career as a writer, Nora tries her best to stay in contact with her childhood friend Hae Sung, who remained in Seoul. Time passes and the pair drift out of contact. Years later, Hae Sung reaches out to let Nora know that he will be visiting New York, causing Nora to confront and re-evaluate many of her life choices. At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

Actor Sean Dulake is part of the stellar cast of Amazon Prime's new Butterfly series, an espionage thriller set in Seoul, ROK, starring and executive produced by Daniel Dae Kim. What's unique about this spy show is that it revolves around the dynamics between a father and daughter, and a mother and son. Which of course, makes an already immensely complicated situation even more convoluted. As a hapa Korean American (from Arcadia, CA), Sean is also the co-founder of the highly successful Third Culture Content production company.

In this episode of the Braun Performance & Rehab Podcast, Dan is joined by Lee Applequist to discuss his journey and lessons as a clinician, including opportunities he has explored and created, obstacles he has overcome, the development of ownership and accountability as a clinician, and more. Lee was born in Seoul, South Korea and came to America when he was 10 months old and grew up in Pennsylvania and Tennessee. His inspiration to have a career in professional sports originated in his youth when he witnessed how athletes on the Philadelphia professional sports teams were evaluated on the field/court and successfully returned to play from injury. Upon finishing high school, he started at the community college, prior to earning a Bachelors in Athletic Training from East Stroudsburg University (2012) and a Doctorate in Physical Therapy from Utica College (2016). Lee has practiced in a variety of settings; including the NBA/NBA G-League, Division 1 College Athletics, Military, and physical therapy clinics treating sports and general orthopaedic cases. In addition he has completed internships with Team USA Athletics and the NFL. Throughout his career, Lee has worked as a physical therapist, athletic trainer, and strength and conditioning coach. In addition he has pursued professional development coursework to advance his expertise and expand the clinical skillset. Though he has been blessed over the years, Lee has never forgotten his roots, sacrifices, and the journey to become the man he is today. For more on Lee be sure to follow @leeapplequist3*SEASON 6 of the Braun Performance & Rehab Podcast is brought to you by Isophit. For more on Isophit, please check out isophit.com and @isophit -BE SURE to use coupon code BraunPR25% to save 25% on your Isophit order!**Season 6 of the Braun Performance & Rehab Podcast is also brought to you by Firefly Recovery, the official recovery provider for Braun Performance & Rehab. For more on Firefly, please check out https://www.recoveryfirefly.com/ or email jake@recoveryfirefly.com***This episode is also powered by Dr. Ray Gorman, founder of Engage Movement. Learn how to boost your income without relying on sessions. Get a free training on the blended practice model by following @raygormandpt on Instagram. DM my name “Dan” to @raygormandpt on Instagram and receive your free breakdown on the model.Episode Affiliates:MoboBoard: BRAWNBODY10 saves 10% at checkout!AliRx: DBraunRx = 20% off at checkout! https://alirx.health/MedBridge: https://www.medbridgeeducation.com/brawn-body-training or Coupon Code "BRAWN" for 40% off your annual subscription!CTM Band: https://ctm.band/collections/ctm-band coupon code "BRAWN10" = 10% off!Ice shaker affiliate link: https://www.iceshaker.com?sca_ref=1520881.zOJLysQzKeMake sure you SHARE this episode with a friend who could benefit from the information we shared!Check out everything Dan is up to by clicking here: https://linktr.ee/braun_prLiked this episode? Leave a 5-star review on your favorite podcast platform

Caught between economic opportunity and security imperatives, South Korea finds itself navigating one of Asia's most complex relationships with China. Seoul has constantly sought to calibrate the management of economic gains and security concerns, but growing U.S.-China competition complicates its options. South Korea must consider its trade and investment partnership with China, political pressure from Beijing, stability on the Korean Peninsula, regional tensions, alliance commitments with Washington, and the demands of its population. In this episode, host Ian Chong and his guest speakers from Korea explore the intricate dance of diplomacy, economics, politics, and strategy that defines Korea-China relations today. Sung Eun Kim is Associate Professor in the Department of Political Science and International Relations at Korea University. She is also a visiting scholar at the Harvard-Yenching Institute, 2024-25. Injoo Sohn is Professor from the Department of Political Science and International Relations at Seoul National University (SNU). He is also the Deputy Director of the SNU Institute of Future Strategy and the Chair of the institute's Global Korea Cluster.

South Korean President Lee Jae-myung has vowed measures to reduce tensions and restore trust with North Korea. He said Seoul will respect existing inter-Korean agreements, vowing to take proactive and gradual steps to restore the September 19 military agreement.

In this episode, Stephan Livera and Calvin talk about Utreexo. They discuss the latest updates, including the publication of three BIPs related to Utreexo, which aim to improve the efficiency of Bitcoin nodes. The conversation covers the mechanics of Utreexo, including its accumulator structure and the concept of a Merkle forest. They also explore different types of nodes, such as compact state nodes and bridge nodes, and how these innovations can enhance user experience and participation in Bitcoin. Additionally, they touch on the growing Bitcoin community in Korea and the potential for future developments in the Utreexo space.Takeaways

Sonny days are here again! Travis, Darren, and Vince are here to break down everything you need to know about this weekend's cross-country match up against New England, what LAFC needs to do to get a better playoff seed, and we finally figure out why Darren doesn't visit home more. Plus, we talk to Deech from Tigers Supporters Group about what it's like in Korea Town since Son's arrival and how new fans can get involved in the club. And hey, the podcast went viral in Asia! Live show in Seoul???Join our Patreon and help us keep making this show.Merch and more at HappyFootSadFootPod.comYouTube: @happyfootsadfoot Twitter: @HaFoSaFoInstagram: @happyfootsadfootTikTok: @happyfootsadfoot Hosted on Acast. See acast.com/privacy for more information.

Send us a textShawn and Joe guide you through 11 of Seoul's eeriest locations—from the pressure-draining crossroads at Sejong Intersection to the ginkgo-guarded spirits of Marronnier Park. Along the way you'll encounter singing servants of a Japanese collaborator, phantom beggars at Jongmyo Park, wailing soldiers outside the university morgue, and more. Get your map ready, because these spots are the stuff of nightmares.https://patreon.com/darksideofseoulTop Tier PatronsAngel EarlJoel BonominiDevon HiphnerGabi PalominoSteve MarshEva SikoraRon ChangMitchy BrewerHunter WinterCecilia Löfgren DumasAshley WrightGeorge IrionKwang Ja MoonEdward BradfordBoram YoonChad Struhs Korea's #1 ghost and dark history walking tour. Book at DarkSideOfSeoul.com Get your comic at DarkSideOfSeoul.comSupport the showJoin our Patreon to get more stuff https://patreon.com/darksideofseoul Book a tour of The Dark Side of Seoul Ghost Walk at https://darksideofseoul.com Pitch your idea here. https://www.darksideofseoul.com/expats-of-the-wild-east/ Credits Produced by Joe McPherson and Shawn Morrissey Music by Soraksan Top tier Patrons Angel EarlJoel BonominiDevon HiphnerGabi PalominoSteve MarshEva SikoraRon ChangMackenzie MooreHunter WinterCecilia Löfgren DumasJosephine RydbergDevin BuchananAshley WrightGeorge Irion Facebook Page | Instagram

Join The Fangirls as they discuss one of the best dramas of the year. Access this Patreon VIP episode HEREYou can also find us on Twitter, BlueSky, and Facebook.Click HERE for our show notes. Hosted on Acast. See acast.com/privacy for more information.

Beloved English classics scholar Dame Mary Beard offers wisdom on how to tackle the vast collection of the British Museum, and ponders the ethics and responsibility of retaining the cultural antiquities of other lands. Then a cartoonist shares his love of museums and how they transform us by illustrating memorable moments at his favorites across North America. And a Korean American travel writer explains why Seoul is an ideal introduction to traveling in Asia, and recommends a relaxing island counterpoint to the bustling, 24-hour capital. For more information on Travel with Rick Steves - including episode descriptions, program archives and related details - visit www.ricksteves.com.

Volodymyr Zelensky has ruled out surrendering Ukrainian land to Russia, as Donald Trump and Vladimir Putin prepare to meet next week. In a video address, President Zelensky said any decisions taken without Ukraine would be -- as he put it -- dead decisions. Mr Trump has talked of Russia and Ukraine swapping territory. Several Ukrainian civilians have been killed during another night of aerial attacks by Russia. Also in the programme: Protecting Sudan's archaeological sites; Seoul 'convenience stores' fighting isolation; and we will hear from a survivor of the nuclear bomb attack on Nagasaki that ended World War Two.(Photo: President Zelensky. Credit: Getty Images)

So modern und technologieverliebt Korea auch ist – es gibt eine andere, stille Seite. Eine Welt voller Rituale, Aberglaube und spiritueller Zeichen, erzählt Andreas Heuberger, Head of Administration des Europäischen Auswärtigen Dienstes in Seoul. Gestaltung: Alexandra Mantler – Eine Eigenproduktion des ORF, gesendet in Ö1 am 09.08. 2025

Am Tag des Tests steht das ganze Land still: Flugzeuge dürfen beim Hörverstehen weder starten noch landen. Firmen und Börse öffnen später, um Platz in den öffentlichen Verkehrsmitteln zu schaffen, damit alle rechtzeitig zu den Prüfungen kommen, erzählt Andreas Heuberger, Head of Administration des Europäischen Auswärtigen Dienstes in Seoul. Gestaltung: Alexandra Mantler – Eine Eigenproduktion des ORF, gesendet in Ö1 am 08.08. 2025

On this week's episode, Maeng Hyo-shim, a young woman who fled North Korea in 2018, joins the podcast to share her experiences of state discrimination, systemic neglect and a violent attack against her disabled mother which led her family to escape the DPRK. Born in Hyesan in 2001, Maeng shares her memories of life growing up under the Kim regime, where people with disabilities were routinely excluded from society and punished for being unable to work in state-run enterprises. She reflects on the hardships her family faced due to her mother's condition, how her parents met and raised her despite overwhelming odds. Maeng Hyo-shim was born in Hyesan, a city on North Korea's northern border with China, in the years after the devastating famine of the 1990s. In 2018, she fled North Korea with her parents after a violent incident against her mother who has a disability and the regime's refusal to deliver justice. She now lives in South Korea and works to raise awareness about human rights issues in North Korea, testifying publicly under her real name — including at the United Nations High Commission on Human Rights in Seoul in June this year. About the podcast: The North Korea News Podcast is a weekly podcast hosted by Jacco Zwetsloot exclusively for NK News, covering all things DPRK — from news to extended interviews with leading experts and analysts in the field, along with insight from our very own journalists. NK News subscribers can listen to this and other exclusive episodes from their preferred podcast player by accessing the private podcast feed. For more detailed instructions, please see the step-by-step guide at nknews.org/private-feed.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. On tonight's edition of Obbligato on APEX Express, which focuses on AAPI artists, musicians, and composers in the classical music world, host Isabel Li is joined by LA based performer and composer Richard An, who plays and creates new avant-garde music, usually with the ensemble House on Fire, and his music has been performed by the LA Phil and the Calder Quartet to name a few. Join us in our conversation, exploring the possibilities of avant-garde music, raising questions regarding Asian identities in the classical music world, and Richard's insights on art making during a time when Trump's cuts to the NEA are affecting artists and institutions nationwide. Featured Music: Sonatrinas: https://richardan.bandcamp.com/album/sonatrinas i got the electroshock blues: https://rasprecords.bandcamp.com/album/i-got-the-electroshock-blues   RICHARD AN (b.1995) is a performer and composer, born and raised in Los Angeles. Richard plays new music – usually with House on Fire – co-founded the tiny backpack new music series, and has performed with Monday Evening Concerts' Echoi Ensemble, Piano Spheres, The Industry and on Bang on a Can's LOUD Weekend. Richard plays piano and percussion, and has been known to sing, conduct, and teach. Richard's music has been performed by the Los Angeles Philharmonic Orchestra, Calder Quartet, HOCKET, C3LA, and more. His music has been released on CMNTX Records. Richard has a BM in Composition from USC and an MFA from CalArts. He is on faculty at the Pasadena Waldorf School, Glendale Community College and Harvard-Westlake. He plays taiko and tabla, and makes YouTube videos. Learn more about Richard's work on his website: https://richardanmusic.com/ Richard's social media: https://www.instagram.com/richardanmusic/ If you are in LA and want hear Richard's work, he's playing with House on Fire at the Sierra Madre Playhouse on August 17! https://www.sierramadreplayhouse.org/event/richardan2025   Transcript Opening: [00:00:00] APEX Express. Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the APEX Express. 00:00:46 Isabel Li Good evening and welcome back to a new episode of Apex Express on KPFA, 94.1 FM. We are bringing you an Asian and Asian American view from the Bay and around the world. I'm your host, Isabel Li, and tonight is a new edition of Obbligato, which explores AAPI identities and classical music. Tonight I'm joined by LA based performer and composer Richard An, who plays and creates new avant-garde music, usually with the ensemble House on Fire, and his music has been performed by the LA Phil and the Calder Quartet to name a few. Join us in our conversation, exploring the possibilities of avant-garde music, raising questions regarding Asian identities in the classical music world, and Richard's insights on art making during a time when Trump's cuts to the NEA are affecting artists and institutions nationwide. 00:01:41 Isabel Li Welcome to the show. Welcome to APEX Express, Richard. My first question for you is how do you identify and what communities would you say that you're a part of? 00:01:50 Richard An My name is Richard An I use he/him pronouns and I'm a second generation Korean American. My parents are both Korean. My dad came from Busan, which is a large city in South Korea, and my mom was born in Seoul and then moved to South America and then made her way up to Los Angeles where they met. And as for identity, like, I think Korean American would be the most accurate one. This is and I think an ever evolving part of first of all my identity and the way that it intersects with my practice and also I think that's the case with many Asian American artists, I mean artists from immigrant families, you know, the the matter of your identity, especially if you feel more distanced from it for one reason or another, is like an unsolved question for everyone like there is no one answer. That works for people and that's a thing that me people like myself I think will be exploring for our entire lives. When I introduce myself to people, I say that I'm a classical musician. And at the very core of it, that is true. That's not a lie. And I am, you know, a part of the classical music community in Los Angeles. But as time goes on, I have noticed and realized. That I tend to align myself more with like the avant-garde and experimental contemporary music communities of Los Angeles, which has certainly an overlap with the classical community, both in practice and historically, but yeah, I I would say those are the sort of two biggest ones, classical musicians and experimental avant-garde, contemporary musicians, whatever label you want to use for that. 00:03:47 Isabel Li Yeah. Some of our listeners might not know what avant-garde music entails. Can you — how would you describe avant-garde music to someone who might not be as familiar with this particular movement? 00:03:57 Richard An Yeah. So avant-garde music, a sort of flippant and joking way to to talk about it is ugly music or music. You know, my dad, for example, wouldn't like, but I think. It's music that either interfaces with elements or confronts facets or issues in music that aren't typical of other kinds of music. The music that you might hear that is labeled of on guard might be noisy or dissonant or uncomfortable, or any kind of, you know, adjectives that are synonyms for noisy or ugly, but I have come to love that kind of music, you know 1. Because of the the kind of questions that they might ask about our perceptions of music and two, because I guess one way to put it is that to be a classical musician, you need to be in a practice room for many hours a day for many years and go to what is unfortunately a college, which is usually very expensive and I guess for lack of a better term, paywalled for like you need to have the kind of resources that allow you to attend a four year undergrad and then a two year masters and then a three-year doctorate. But avant-garde music, contemporary music, experimental music doesn't necessitate that kind of thing. Often those musicians do have a background that gives them some amount of, you know, virtuosity or facility in an instrument. But like some of the best experimental musicians. Alive and some of the best ones that I know have no, like extensive training in a particular instrument and some may not have a degree in music at all. And that's one thing that I in like that separates it from classical music is that. 00:05:44 Richard An Classical music can be, unfortunately a little bit exclusionary. I don't think by any one specific design, but the fact that you need so many hours and very specific instructions from a mentor that necessitate that kind of relationship. But experimental music, I think does a little bit better job of diversifying or making it feel more equitable. 00:06:12 Isabel Li That's a great point, actually. One of my questions following up with that was what do you think is possible with this genre, which you kind of mentioned earlier with perhaps how this genre makes classical music a little bit more equitable for those who are interested in this field. In your experience, composing, what do you think makes the genre special, and how do you go about it? 00:06:35 Richard An One thing that I've noticed about being involved in the sort of contemporary experimental avant-garde music sphere is that it makes me a better listener, and I think other people who attend these concerts will agree. Like for example a large part of this kind of music is drone or repetition or, you know, like long spans of unchanging sound. And if the the sound that is being produced at face value is not changing, well then what do you notice about it? What do you grab on to and one of the most, I think, gratifying experiences is listening deeper and realizing that, ohh, even though you know for example this piano playing two notes for 30 minutes might not like the instructions will say to do the same thing for 30 minutes, but your experience as a human being will certainly change over those 30 minutes, even if the the notes are not like you will notice the slight fluctuations in the way that someone is playing, you will notice the beating patterns in the pitches on an instrument that may not be perfectly in tune, you will note other ambient sounds, you will note like you will notice so much more about the world when you are confronted with the kind of music that you know. You can say it forces you to listen to these sounds but also invites you to listen to these things. And I think that's really, really special. That's not to say that that can't happen with other kinds of music. Or even with classical music. Surely you know there are many, many ways to listen to everything. But I've noticed this within myself. When I listen to long, repetitive drone based music that it really opens my ears and makes me a more active participant as a listener. 00:08:30 Isabel Li It's a great point actually. Part of my work– because I studied music, history and theory in college– was how music can engage various listeners to participate. Have you composed anything that perhaps engages the listener in this more of a participatory setting? 00:08:47 Richard An Yeah. So I guess in order the some of the stuff that I've done to engage the audience, I guess both literally, and maybe more figuratively is, I wrote a piece last year for the Dog Star festival, which is a a contemporary and experimental music festival that is actually happening right now, at the time of this recording. It's a multi week long festival that focuses on music of this type that was founded by people in the sort of CalArts music world. But I wrote a piece for that last year for three melodicas, which are these basically toy instruments that look like keyboards, but you blow into them and you blowing air through these makes the sound happen. It's basically like if you cross a harmonica and a piano together. But I I wrote a piece for three of these, playing essentially the same notes. And because these instruments are pretty cheap, and they're often considered toys or, you know, instruments for children, they're not tuned to the exact way that, like a piano or a vibraphone or an expensive instrument might be. But I wanted to use that for my advantage. For example, if I play an F# on one melodica the same F# on another melodica will not be exactly the same and playing those two pitches together will produce what's known as a a beat or beat frequency. Which is, you know, a complicated, you know, mathematic physics thing, but basically 2 notes that are really, really close, but not quite together will create a kind of third rhythm because the the pitches are so close. Like, for example, if if I play an A at 4:40 and another A at 441, you will notice that difference of 1 Hertz inside of your ears. And that's a really cool phenomenon that happens explicitly because you were there listening to the piece. They don't happen necessarily, you know, like in, in recorded formats like, it's a very difficult thing to capture unless you are in the room with these instruments. And the fact that we had this audience of, let's say, 40 people meant that all forty of these people were experiencing these beat frequencies and another really cool factor of this is depending on where you are located in the room. With the way that the beats will sound in your ears are different and purely by the fact of acoustics like a wave bouncing off of the wall over on your left, will feel really different if you are closer or further from that wall. So not only do the audiences ears themselves, you know, invite these this this participation, but the pure physicality of each listener means that they will have a very slightly different experience of what the piece is, and again like this will happen in any concert. If you're at a classical show, if you're at a rock show if, if you're further from the stage, if you're further to the left or right, you will get a slightly different position in the stereo field that the musicians are playing in, but pieces like what I wrote and many others that exist emphasize this kind of like acoustic phenomena. That is really, really fascinating to listen to. 00:12:23 Isabel Li That's fascinating. And to get a sense of Richard's work, we'll be hearing coming up next. The short excerpt from his album Sonatrinas. This is the duo excerpt performed by Wells Leng, Katie Aikam, Kevin Good and composer Richard An himself. [COMP MUSIC: Sonatrinas (Excerpt: Duo)] 00:17:38 Richard An And so the back story for this piece is this was written for one of my recitals at CalArts. I was planning on playing this piece by Michael Gordon called Sonatra, which is a really, really beautiful and difficult piece for solo piano that I gave myself as an assignment, which I was not able to do with the amount of time. And, you know, like I just didn't give myself enough time to do this thing, so I still had this program of several pieces written with the idea of having this Michael Gordon Sonatra in the middle, but now that that sort of middle part was gone, there was a bunch of pieces about a piece that didn't exist. So in order to fill that hole, I wrote this piece called Sonatrinas which is a cheeky nod to the Michael Gordon Sonatra, but also to the fact that each part of this is kind of a diminutive Sonata form. Everything has a sort of ABA– here's some idea. Here's a different idea, and now we go back to that first idea. Every single part of this has a little bit of that in it. 00:18:51 Isabel Li Yeah, that's fascinating. Even the name itself reminds me of Sonata form in classical music, where it's kind of like an ABA section. As you sort of talked about earlier. And it's really cool that you're adapting this in a more avant-garde context. This is a reminder you're listening to Apex Express. Today we are interviewing composer and musician Richard An. 00:19:12 Isabel Li I think the general question that I have next is can you tell me a bit about what drew you to music and how you got your start in music, how you got introduced to it and what things have inspired you over the years? 00:19:24 Richard An Yeah. So a real quick sort of, I guess, history of my involvement with music is that I started piano lessons when I was pretty young, either three or four years old. I continued that until I was 12 or 13. I decided I really wanted to become a musician. I started taking composition lessons with this composer, AJ McCaffrey, who is really responsible for a lot of what I know and my successes, if you can call it that. He got me into a lot of the music that I am into now and set the foundation for what I would study and what I would write he was one of the instructors for this program called the LA Phil Composer Fellowship program, which back when I was a participant from 2011 to 2013, was a program hosted by the Los Angeles Philharmonic that took 4 high school age students every two years. And you know, they they taught us, you know, everything. How a young composer needs to know how instruments work, how to write a score, how to talk to musicians, how to do everything that a that a composer needs to learn how to do and at the end of this program, after the two years the young composers write a piece for the at the LA Philharmonic. So I was extremely lucky that by the age of 17 I was able to write a piece for orchestra and get that played and not just any orchestra, with the Los Angeles Philharmonic, you know, undisputedly one of the best orchestras in the world. Right. And then after that I I went to USC for my undergrad and then went to CalArts for my masters. And then here we are now. And that those are sort of the like, you know if someone writes a biography about me, that's what we'll be, you know, involved in the thing. But I really started to develop my love for music in my freshman and sophomore year. In high school I I started to get into more and more modern composers. I started to get into more and more noisy things and a lot of this coincided actually with the passing of my mother. She died when I was 14 and you know that in any human the death of a parent will cause you to reevaluate and rethink aspects of your life. Things that you thought were certainties will not be there anymore. So for me, I stopped taking piano lessons and I sort of went headfirst into composition and which is why my degrees are specifically in composition and not piano. Had my mother's passing not happened, you know, who knows what I would be doing now? Maybe I'm not a composer at all. Maybe I'm not into avant-garde music at all, but because things happen the way that they did, I suddenly took a quick turn into avant-garde music and my involvement there only grew more and more and more. Until you know where I am today, I'm almost 30 years old, so I've been listening to and a participant of this music for maybe 15 years or so and I'm quite happy. 00:22:43 Isabel Li That's awesome to hear. 00:22:45 Isabel Li And perhaps a testament to Richard one's very versatile compositional style and avant-garde music coming up next are three pieces from his album i got the electroshock blues. There are five pieces in the album in total, but we will be hearing three of them. The first one called “feeling, scared today,” the second one, “pink pill,” and the fifth one, “la la.” [COMP MUSIC: i got the electroshock blues: 1. “feeling, scared today”, 2. “pink pill”, 3. “la la”.] 00:36:41 Richard An Earlier last year, I released a collection of live recordings under the title of I got the Electroshock Blues. Electroshock Blues is a song by the band Eels I encountered at a pivotal moment in my life. This was right around the time that my mother passed and this record and this song is heavily centered in grief. The main musician in the Eels, Mark Oliver Everett, was dealing with the passing of multiple family members and people who were close to him so it hit me in just the right way at just the right time. And because of that, this song specifically has stayed with me for many, many years. I found myself coming back to the contents of this song as I was composing and all the pieces on this album, of which there are 5 heavily take material from this song, whether that's words, chords, the melody. I really, you know, take it apart, dissect it and use those as ingredients in the pieces that I have written here and all of these are live recordings except for the first piece which was recorded in my studio. I just sort of overdubbed the parts myself, and there are credits in the liner notes for this album, but I just want to say that. The first piece which is called “feeling, scared today,” was originally written for the Hockett piano duo, which is a duo comprised of Thomas Kotcheff and Sarah Gibson. Sarah Gibson was a really close friend of mine who passed away last year and now this piece which in some way came out of a feeling of grief now has renewed meaning and another facet or aspect of this piece is centered in grief now. Because this was dedicated to Thomas and Sarah. Yeah. So these pieces are all derived from this one song. 00:38:57 Isabel Li That's a beautiful response. Thank you so much. Kind of following along your background and how you got to where you are. How do you think your identity has informed your work as a composer and musician? And this could be– you can interpret this in any way that you wish. 00:39:11 Richard An Yeah, this is a really interesting question. The question of how my identity interfaces with my music. In my art, particularly because no person's answer is quite the same, and I don't necessarily have this figured out either. So for a little bit of I guess for a little bit of context on me, I'm second generation Korean American, but I've never been to Korea and I never went to Korean school. My parents never really emphasize that part of my education. You could call it assimilation. You can call it whatever, but I think they valued other aspects of my growth than my explicit tie to Koreanness or, you know my specific identity as a Korean or Korean American, and because of that, I've always felt a little bit awkwardly distanced from that part of my identity, which is something that I will never be completely rid of. So in in a world and the field where whiteness is sort of the default part you know, particularly because you know, classical music does come from Europe, you know, for hundreds of years, like all of the development in this particular kind of music did happen in a place where everyone was white. So because of that background of where I come from and where my musical activity comes from, whiteness has been the default and still feels like it is. So me looking the way that I do as, an obvious not white person, as a person of color will always have a little bit of an outsider status to the thing. And with that comes the question of what are you bringing to classical music? What do you bring to the kind of music that you're creating? Like for example, the most I think the most well known East Asian composers are people like Toru Takemitsu or Tan Dun, people who will interface with their Asianness, in many different ways, but that often involves bringing, for example, a Japanese scale into your classical composition, or bringing a Japanese instrument into your classical composition. Those are, you know, examples of of of pieces by Toru Takemitsu, and other, you know, very successful. Asian American composers now may do similarly. Texu Kim is maybe someone who can also give insight into this, but nothing about me feels explicitly Korean, maybe besides the way that I look. And besides, the way that I grew up a little bit like I've never been to Korea. What right does that give me as a Korean, to for example, use a Korean instrument or use a Korean scale? I've never studied that music. I've never studied that culture. I in in some arguments I would be guilty of cultural appropriation, because I, you know, have not done the work to study and to properly represent. And for example, like Pansori, if I were to use that in any of my music. 00:42:46 Richard An But then the the the difficult question is well, then who does have the right? Does being Korean give me all the license that I need to incorporate aspects of my identity? And if I am not Korean, does that, does that bar my access to that kind of music forever? Another way of looking at this is, I've studied North Indian Classical Hindustani music for a while. I've played tabla and and studied that music at CalArts and I really, really love playing tabla. It's it doesn't make its way into my composition so much, but it is certainly a big part of my musicianship and who I am and, like, but am I barred from using ideas or aspects of that music and culture and my music because simply for the fact that I am not Indian? Many musicians would say no. Of course you've done your homework, you've done your research. You're doing due diligence. You're you're representing it properly. And many people who study this music will say music cannot go forward if it's not like the innervated and continued and studied by people like me who are not explicitly South Asian or Indian. That's an example of the flip side of this of me using or representing the music from a culture that I am not a part of, but again, am I really Korean? I've never been there. I wasn't born there. I speak the language conversationally. But this is an extremely long winded way of saying that I feel a tenuous connection to my Korean this my Korean American identity that hasn't been solved, that isn't solved and probably will never be completely solved. But I think that's exciting. I think that's an evolving aspect of my music and will continue to be that way as long as I continue to be involved in music and as as long as I continue to write. 00:45:05 Isabel Li Yeah, absolutely. That's a wonderful response. Actually. I was, as I was studying different types of world music and learning how people kind of borrow from different cultures. There is this always, this kind of question like ohh, like which types of musical elements from which cultures can I incorporate and obviously the aspects of personal identity definitely play into that a little bit. And part of my senior thesis in college was studying AAPI artists in classical music, and specifically that there are a lot of Asian-identifying musicians in the classical music world. But as you kind of mentioned earlier, I think classical music is very much still like grounded in whiteness and has this kind of air of elitism to it just because of its roots. How do you think this kind of identity intersects with the classical music world? And forgive me if you've already kind of talked about it before, but it's an interesting juxtaposition between like, for example, musicians who identify as AAPI or Asian in this kind of genre that is very– it's very associated with whiteness. Could you kind of talk about the dynamics of how these two aspects of like culture kind of interplay with one another? 00:46:26 Richard An Yeah, absolutely. So, you know, there are ways that I personally feel like I intersect with classical music with reference to my identity, and that also plays with the sort of cultural expectations, like there are stereotypes of Asian musicians, of Asian classical musicians. But there are not necessarily the same the same kind of stereotypes with white classical musicians. A very dominant like stereotype that you'll run into is the young Asian prodigy who practices 10 hours a day and may therefore be labeled as mechanical or unfeeling or, you know, are involved in in this a lot. So much so to the fact to the to the point where to excel an Asian American classical musician or as an Asian classical musician, in general, seems to always carry that stereotype. Like you know, Seong-Jin Cho's success as a pianist may not necessarily be attributed to his musicianship or his skill as a pianist. Because he is an Asian person, an Asian guy. Like how much of his success is because of the perceived tiger mom-ness that he might have existed under? How much of it is attributed to the same type of stereotypes that are labeled like that that label the five year old pianist on YouTube that that is clearly better than I am? Like some of these stereotypes help and some of these don't, but the I think it's undeniable that they exist in a way that doesn't in a way that doesn't carry for white people in the classical music sphere. And I think part of that is that classical music is still rooted in its Eurological identity. I think I'm using that correctly. That's an idea from George Lewis. Eurological versus Afrological. The context that I'm using Eurological right now is specifically in reference to George Lewis, who is a composer, trombonist, and musicologist who, I think coined the two terms to differentiate the roots of different styles of music, and you know, I haven't read enough to confidently say, but classical music is Eurological by example and like jazz would be Afrological by an example and the contexts in which they develop and exist and grew up are fundamentally different, which is what makes them different from each other. And again like this needs a little bit more research on my part. 00:49:23 Richard An Yeah, and because the classical music is so rooted in this thing, I don't believe that the stereotypes that exist for Asian classical musicians exist for white people. And I think that is something that will naturally dissipate with time, like after another 100 years of Asians, and, you know, people of color in, you know, every country in the world, with their continued involvement and innova otypes will disappear like this. You know, it may require certain concerted efforts from certain people, but I do believe that after a while these things will not exist. They'll sort of equalize right in the same way. That the divisions that we make between a Russian pianist and a French pianist and a German pianist, though you know people still do study those things like those aren't really dividing lines quite as strong as an Asian composer or an Indian composer might be. 00:50:27 Isabel Li Thank you for that perspective. I think it's, I think these are conversations that people don't kind of bring up as much in the classical music world and it's great that, you know, we're kind of thinking about these and probably possibly like opening some conversations up to our listeners hopefully. And so my next kind of pivot here is as you know with our current administration, Trump has canceled millions of dollars in National Endowment of the Arts grants, and it's been affecting arts organizations all over the nation. And I was kind of wondering, have you been affected by these cuts to arts programs and what kinds of advice would give upcoming musicians or composers in this era? 00:51:07 Richard An Yeah, that's a yeah, that's a big thing. And like, you know, changing day by day, right. So the Trump administration's effects on my life as a musician is simultaneously huge and also not really that much. So in one way these grant cuts have not affected my personal musical life because I haven't ever received a government grant for any of my arts making. So in one way like my life is the same, but in many, many, many other ways it has changed. Like I am involved with and I work with concert series and organizations and nonprofits that do rely on NEA funding and other government arts based funding. And if they have less money to fund their next season, that means certain projects have to be cut. That means certain musicians have to be paid less. That means certain programs have to change, especially if these funding cuts are aimed towards DEI or quote and quote, woke programming like that is, you know this that will by design disproportionately affect people of color in this field, which already you know, like is in a Eurocentric urological tradition like this is already something that people of color don't have a head start in if the funding cuts are aimed at certain types of programming that will disadvantage already disadvantaged groups of people, well then I don't know, that's even–we're starting even later than other people might be, and you know, like, if a musicians, if a person's reaction to this is despair, I think that's reasonable. I think that is an absolutely, like that's an appropriate reaction to what is fundamentally an attack on your voice as an artist. But I I have for as long as I can, you know, I have always worked under the impression that I will have to do the thing myself, and that's in the piece of advice that I give for a lot of people. You shouldn't necessarily wait for this ensemble to come pick you to play or or to to, you know, commission you to write a piece if you want to write the piece, you should do it and figure out how to put it on yourself. If you want to perform you know music by a certain composer, you should do it and then figure out how to do it yourself. That certainly comes from a place of privilege, like I can do this because I have enough work as a musician to be able to pay for the the passion projects it comes from a place of privilege, because I live in Los Angeles and the resources and musicians and other people who I would like to collaborate with live here, so you know, completely acknowledging and understanding that I I do believe that it's better to ask for forgiveness than to ask for permission. I think if you're a young musician and are feeling some despair about these funding cuts and you know the many, many, many other transgressions against humanity by this current administration. 00:54:38 Richard An I recommend you just go out and do it yourself. You find your people, you find your community, you pull favors, you work long nights and you do it and the reward will firstly be the good you're putting out into the world and then the the art you're making. But also this will be paid in kind by the community you're building, the musicians you're working with. And the the connections you make like you know I I have, I am currently conducting this interview from a studio space that I am renting out in Pasadena that I have built over the last two years that I do all of my rehearsals and my performances in, and that I, you know, host rehearsals and performances for other people, and this cannot happen and could not have happened without the goodwill and help and contribution from other people. When I say go out and do it yourself, I'm not saying that you as a human being are alone. I'm saying you don't need to wait for institutional approval or permission to go out and do these things. Get your friends and do them themselves. And my optimistic belief is that the support and the work will follow. 00:55:53 Isabel Li Richard, thank you so much for sharing your perspectives and your voice on this show today. And thank you to our many listeners of KPFA on tonight's episode of Obbligato on Apex Express. Which focuses on the AAPI community of the classical music world. There were some inspirational words on arts and arts making by Richard An musician and composer based in Los Angeles. 00:56:18 Isabel Li Please check our website kpfa.org to find out more about Richard An and his work as well as the state of the arts during this period of funding cuts. 00:56:29 Isabel Li We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world, your voices and your art are important. 00:56:41 Isabel Li APEX Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Jalena Keane-Lee, Miko Lee, Preeti Mangala Shekar and Swati Rayasam. Tonight's show was produced by Isabel Li. Have a great evening. The post APEX Express – 8.7.25 – Obbligato with Richard An appeared first on KPFA.

Click the post for details on this episode! Welcome back to Open House! Randy Seidman here, with another two hours of the grooviest beats. I had an amazing first time playing in Tokyo at Zero last weekend, and a triumphant return to Seoul after 12 years, for two incredible events. Big thank you to everyone who made it out! The rest of the summer is stacked with upcoming shows at Baccarat in Bangkok, Sound in LA, as well Seattle, Denver, Dubai, Istanbul, and more. Today's episode is a special one, with some of my top tunes in the first hour, followed by an exclusive session with the quickly rising star out of Bangkok, JXNIXR. You can grab all past episodes and track lists from openhousepodcast.com, Soundcloud, or wherever you like to download your favorite podcasts. For now, turn it up. Randy Seidman's Website Randy Seidman's SoundCloud Randy Seidman's Beatport Randy Seidman's Spotify Randy Seidman's Facebook Randy Seidman's Twitter Randy Seidman's Track List: 01. Bob Angetti - Nothing Special (Extended Mix) [ChillNova] 02. Louis Botella - Vulu Dansé (Extended Mix) [Sirup Music] 03. SHADU - Ahora (Extended Mix) [Shadu] 04. Nick Mac - Afro Jack (Original Mix) [Gathering Music] 05. Sonickraft - Be Better (Original Mix) [Dear Deer] 06. Antoine Clamaran Feat. Rose - Missing (Extended Mix) [Tumbata Records] 07. Wakyin, Ronis Goliath, and bees & honey - Ice 2 Water (Extended Mix) [Bamboo] 08. Sidekick - Deep Fear (Glauko & Neil Amarey Afro Extended Remix) [Netswork Records] 09. Maigual Abaze - Zulu (Extended Mix) [Sirup Music] 10. Indifferent Guy, Monomax - Chayeh (Extended Mix) [Indifferent Music] 11. Stefy De Cicco x Paakman - Rakata (Extended) [ID] 12. KILIMANJARO x Jazzy x Jayda G - No Bad Vibes (Original Mix) [CHAOS] 13. Klangkarussell, GIVVEN, Senes - Sun Went Down, Sky Went Dark (Extended Mix) [Bias Beach Records] 14. &Me Ft. John Summit - The Rapture Pt.III x Where You Are (AAFROWAVES Mashup) [ID] I hope you enjoyed the first hour with some of my top recent tunes. Up next is a special exclusive session with the rising Bangkok based talent, JXNIXR. I met this young star when he opened for me at the legendary Bangkok techno club, Mustache, and was immediately drawn to his quality song selection and technical mixing. Since then he has made regular appearances at the city's best venues, and has produced amazing music which is finding its way into the crates of top DJs. Today he is here just for you. For the next hour, JXNIXR is in the mix. JXNIXR's Instagram JXNIXR's Track List: 01. 1&friends, CIZA, Thukuthela - Isaka (6am) &friends Mix - In Beirut (Extended) [LVRN Records] 02. Meliora - PENDIENTE A MI (Extended Mix) [AFRODITE] 03. Jorja Smith - Feelings (David Mackay Remix) [ID] 04. Adam Port, Stryv, Malachiii - Positions (Extended) [Interscope] 05. ANOTR - RELAX MY EYES (Mr. Moudz Afro Edit) [NO ART] 06. Yamil - Craftman (Original Mix) [Pieces of Life] 07. Rona Ray, Antdot, Miguel Ante, Bakka (BR) - Inner Wars (feat. Rona Ray) (Original Mix) [Dawn Patrol Records] 08. Malumz on Decks, Mpho.Wav - Teka (Maz (BR) Remix) [Dawn Patrol Records] 09. Marino Canal, Kotiēr - Shadow (Original Mix) [Siamese] 10. DOSAMIS - We Were High (Original Mix) [MoBlack Records] 11. Curol - Oxum (Sone. Remix) [Nature Recordings] 12. JUNO (DE) - Heat (Original Mix) [Magnifik Music] 13. Nosi - So Good (Extended Mix) [Disorder] Randy Seidman · Open House 246 w/Randy Seidman + JXNIXR [Aug. 2025]

Join Lia Riley and her guest Un as they reflect on their summer journeys through Korea, sharing the quiet moments and unexpected discoveries that made their trips memorable. From BTS concerts, to witnessing a Squid Game parade in Seoul to wandering through Jeonju's peaceful hanok villages, they talk about the experiences that lingered long after they returned home. Along the way, they'll share their most useful travel tips—the practical advice that comes from actually being there, making wrong turns, and finding those perfect hidden spots. Whether it's navigating Seoul's neighborhoods, connecting with locals, or enjoying happenstance moments, hopefully listeners will glean some insight on their own future travelsReady to download your first audiobook? Don't forget to click HERE for your free Audible trial.*Audible is a sponsor of Afternoona Delight Podcast*Are your family and friends sick of you talking about K-drama? We get it...and have an answer. Join our AfterNoona Delight Patreon and find community among folks who get your obsession. And check out www.afternoonadelight.com for more episodes, book recs and social media goodness. And don't forget about the newest member of our network: Afternoona Asks where diaspora Asians living in the West find ways to reconnect to Asian culture via Asian/KDramas.Last but CERTAINLY not least....love BTS? Or curious what all the fuss is about? Check out our sister pod Afternoona Army for "thinky, thirsty and over thirty" takes on Bangtan life. ★ Support this podcast on Patreon ★

In this episode of The Big Impression, Kelly breaks down how Diageo is turning tequila into a global cultural force. One standout example: a six-city collaboration with DJ and fashion icon Peggy Gou that combined out-of-home, merch drops, pop-up events and hyperlocal storytelling. From a Hong Kong hot pot party to a Milan piazza activation, every detail was designed to blur the line between brand and experience.  Episode TranscriptPlease note, this transcript  may contain minor inconsistencies compared to the episode audio. Damian Fowler (00:00):I'm Damian Fowler.Ilyse Liffreing (00:01):And I'm Ilyse Liffreing.Damian Fowler (00:02):And welcome to this edition of The Big Impression.Ilyse Liffreing (00:08):Today we're talking about how one of the fastest growing categories in the spirits industry, tequila and mezcal, is being shaped by culture, identity, and global consumer trends.Damian Fowler (00:20):Our guest is Sophie Kelly, SVP of Global Tequila and Mezcal Categories. At Diageo, she's leading the strategy behind some of the world's most iconic tequila brands, helping Diageo navigate its growth, changing cultural expectations, and the new ways consumers connect with celebration.Ilyse Liffreing (00:39):We'll talk about how Diageo is bouncing global scale with local storytelling, and in short, how tequila has become a cultural force beyond just the shot glass.Damian Fowler (00:50):So let's get into it.Ilyse Liffreing (00:51):Diageo is no stranger to bold campaigns and really intersecting in today's culture. How does your latest work in the tequila and mezcal category continue that legacy? And with your latest campaigns, what was one core story or rather insight that you're trying to bring to life?Sophie Kelly (01:13):Our moment of consumption is normally when people are out socializing, trying to have the best times of their lives or celebrate a major moment in their life. So think birthdays, weddings,Ilyse Liffreing (01:25):Or even here atSophie Kelly (01:26):Can, even here at can, right festivals. So what is really important for us as we build our brands and think about how we go to market is that we are creating experiences for consumers to participate in. I think some of my favorite stuff across the category is on Don Julio. I mean, we launched a brand new product, 1942 Manys, which was a 50 ml supposed to allow people to access the luxury of 1942 at a better price point in a fun format. And we did that in the Oscars, right? But the most recent one, which I just adore and am still obsessed with and is still going, would be our cultural global collaboration with Peggy Goo. She is a number one DJ globally. She's also an icon in the fashion world, and she creates a load of fashion jewelry. We discovered her in Southeast Asia and she was a massive fan of 1942.(02:32):As marketers, we just started to ride along with her and gift her and be a part of her experience. So we approached her and said, any interest in creating a 1942 special limited edition with us? And she was blown away. She was like, yes, but can I design the product? Can I design the experience? Can it be global? Can it travel? Can it be teased? We said yes to all of the above. So we started off in Miami where we had an intimate party, but that intimate party probably had influences at it that had over a hundred thousand followers on Instagram. So we started to tease the collaboration, which was called the 1942 goo. And that's a really important element because we changed the logo of 1942 to be 1942 goo. We teased the campaign with outdoor and these events and we went from Miami to New York, to London to Milan and then to Seoul and then to Hong Kong. New York had a pop-up souvenir store in a car park. When we went to Milan, we did it in a piazza. When we went to London, we did it differently. When we were in Hong Kong, we did a hot pot pop-up. One of the most special parts of the experience was in Seoul, right in her home neighborhood and right next to where she was going to perform. And that was already up six weeks before it came. So we are teasing the drum roll in and the desire for people to be a part of this limited experience.Ilyse Liffreing (04:12):Now, I know you're talking a lot about out of home, but what were some of the other marketing channels that you leaned into for this campaign?Sophie Kelly (04:18):Everything in the popup was consumable or was collectible. So whether it was the key chains, whether it was the hats, whether it was her specifically designed scars, consumers could collect it, they could create content on it and they could share it broader. So then what started to happen was they were creating their own content. She was creating her own content and influencers within her sphere were creating their own content. And then there was the tease that we were moving to a new city. So that was creating a hype in that. So when you think about channel mix, it was digital, it was static, it was experiences, real life experiences, and most importantly, actions doing something, not just talking about it and then providing people with beautiful little artifacts that they could collect from the experiences to participate and create around.Damian Fowler (05:18):We want to get to what your takeaways are in a minute, but before that, I want to ask you, it is interesting when you watch the kind of trajectory of different spirits, it seems like tequila's having a serious moment right now. I mean, for example, in New York, just the other week I ordered a mezcal Negroni, it wasSophie Kelly (05:39):Amazing. 800 new craft brands have been launched into tequila in the last, I dunno, two years.Ilyse Liffreing (05:47):Wow, that is a lot.Sophie Kelly (05:47):So we are seeing a boom in tequila in the same way we saw in North American whiskeys in bourbon in the last five, six years and as a global business unit that I represent. So you are running the gamut of understanding the benefit of the experience of tequila, which is high-end tequilas that are incredibly versatile, that are suitable for multiple occasions and multiple drinks in a culture like the US to teaching people that tequila is no longer that bad shot you had in college. How do you educate? How do you train, how do you get these drinks into culture so that people choose them? Well, you got to have strong brands. You got to have the love of the bartender and the on-premise and you create the biggest rituals there beyond anywhere else, and they travel into the home and then you've got to pick up how consumers are interacting, right? So I'll give you a fun one. For example, we were in the ski fields and we observed that people were taking hot chocolates in shot glasses and then they were tipping the mini that I gave you, the 1942 mini into the top of the shot glass, and that was a serve. So we took that and we scaled it across the ski resorts, right? So from simple mixed drinks to sipping age liquids to fun novel rituals in clubs is how you really fuel what's going on.Damian Fowler (07:19):In terms of takeaways, do you have any kind of data points that show the growth and interest in this category?Sophie Kelly (07:26):It's the fastest growing spirits segment in the category right now and is forecasted to be that way for the next five years. So if you've got spirits running at about three or 4%, you've got tequila running at about six to 11%, which is kind of amazing. It's also very specific on its development. So if you look at the US, it's more developed. You look at Mexico, it's very developed and the rest of the world it's between five and 15% penetration. Give you a fun fact like whiskey and vodka is up around 36, 42 depending on the market. Yeah, too many people associated tequila with college shots. That is not the experience of tequila. It is playing across high energy. It's in the club, it's with the VIPs, it's with the celebrities, but it's also playing in casual connect moments and simple mixed drinks. So you're able to get into cocktail culture as well as simple mixed drinks. So I think that's a lot of the key to the growth we're seeing and just the versatility and the taste profiles.Damian Fowler (08:36):Now that the campaign's out there, you did hit on some of these obviously, but are there key signals and metrics that you look to on your dashboard? As it were,Sophie Kelly (08:45):Our consumers had watched over 190 days of content. We got up to 9 billion impressions, which is pretty extraordinary. And what I'd say is lots of chat about AI and is it going to take over. I think the beautiful combination of cultural collaboration with talent, the right kind of elements in the experience to create talkability and then utilizing tech from a generate insights about the communities and how we're going to combine them and what they need in the experience to also distribution, right? Taking the influencer content, taking the bartender content, taking the experience content and amplifying that out to further bigger audience was critical on distribution.Ilyse Liffreing (09:34):Sophie, can you tell me whether there is a market or a moment that delivered the most surprising engagement or maybe taught you something new out of this whole campaign?Sophie Kelly (09:46):One of the most surprising stats was just how many hours of content our consumers consumed on the campaign because it was so engaging, right? The other thing I'd say is as she traveled, she went into global duty free, she signed bottles, she met consumers, and that exploded as well. So I think one of the surprising things for us was this relationship started in Singapore and then we cultivated it and then we were able to scale it globally, but also make it extremely local to that market.Ilyse Liffreing (10:30):So Sophie, from your perspective, and here's your big impression here, how are those broader cultural shifts really influencing the way Diageo approaches brand building in the tequila and mescal space?Sophie Kelly (10:46):You must create experiences that allow what we like to talk about, which is accessible luxury for people to engage in. So when you think about this, we created the baby mini Peggy Goo bottles, which are 50 ml bottles, and you can access the taste of the experience. I mean, I think formatting is a really simple way of doing it. I think inviting people in to experiences at multiple layers and letting them access a world that they may have sought was out of reach is super important when you're creating experiences. And then I think giving them little artifacts from that to carry through that represent that something special that represents the experience they were able to engage in. IDamian Fowler (11:36):Want to ask you, this is a very important question. What new drinks around tequila are available now? Are you seeing pop up?Sophie Kelly (11:43):I think you said it, the Negroni, the espresso martini. We're even doing old fashions with tequila, and that is a real result of, versus people thinking about tequila as just blanco or mixed in a margarita. We have this huge explosion in aged tequilas, which are really sourcing from whiskey moments and rituals as well as kind of the versatility of tequila.Ilyse Liffreing (12:14):So Sophie, you've worked across several iconic brands. What's one lesson about cultural storytelling that stayed consistent throughout your career?Sophie Kelly (12:22):Work with people who love your brand. Listen to what's happening with your brand and culture, and then add to that, enhance the experience. Don't interrupt it and don't make it up and don't play where you don't have a right to play. Is there aIlyse Liffreing (12:37):Non Spirits brand that you admire right now for the way it connects with people emotionally or culturally?Sophie Kelly (12:45):Labubu. Have you seen these things? Oh yes. Yeah, they are little kind of monster icons that everybody is hanging off their bags. I just love it.Damian Fowler (12:53):A final question I think is what's your favorite drink?Sophie Kelly (13:00):You know what? I am a Don Julio or a Casamigos Reposado on rocks with a slice of orange. I love my 1942, but so they're mine.Damian Fowler (13:16):And that's it for this edition of The Big Impression.Ilyse Liffreing (13:18):This show is produced by Molten Hart. Our theme is by love and caliber, and our associate producer is Sydney Cairns.Damian Fowler (13:25):And remember,Sophie Kelly (13:27):Work with people who love your brand. Listen to what's happening with your branding culture, and then add to that, enhance the experience. Don't interrupt it and don't make it up and don't play where you don't have a right to play.Damian Fowler (13:41):I'm Damian and I'm Ilyse, and we'llSophie Kelly (13:43):See you next time. 

Patrick opens with the breaking news that World Youth Day 2027 will take place in South Korea, sparking conversation about the unique meaning of this event for young Catholics. Taking questions live, Patrick answers everything from defending religious images using scripture to clarifying rules about holy water bottles, marriage, and what it really means to follow Church teaching in daily life. The episode is peppered with Patrick’s spontaneous humor and real-life stories, making faith topics vivid, even as he tackles serious theological and practical concerns. 2027 World Youth Day to be in Seoul (01:07) John - My friend is a non-Catholic Christian and says things like worshiping statues and Mary being a mom is not in the Bible. How do I tell him in a loving way that what he is saying is wrong? (10:51) Jerry - The Old Testament says that a Messiah must come. Where is that first mentioned in the bible? (23:40) Dylan (email) - I feel like I’m not going to Heaven. Anna - How do you store Holy Water and can I recycle old Holy Water containers? (36:10) Nolan - Does the altering state of caffeine negatively affect how we can be receptive for Mass? (47:08) Carolyn - Can I get an annulment without getting a legal divorce? (49:12)

BTS is BACK. Join the Afternoona Army as we dive into the whirlwind that was June—from the emotional highs of Festa and military releases to the Hope on the Stage Encore "Hipples" and the pure joy of Run Jin. Some of your hosts were actually in Korea during all the chaos, so get ready for behind-the-scenes stories, real-time reactions, and all the feelings that came with witnessing this incredible month unfold. Whether you were following along from afar or living it up in Seoul, we're breaking down every moment that reminded us why we fell in love with these seven members in the first place.Afternoona Army is on PATREON!Join The BTS Buzz and get access to Afternoona Army's exclusive DISCORD channel, get shout outs on-air in podcast, and receive invitations to quarterly live support groups. Questions? Email afternoonaarmy@gmail.com for more information.Are your family and friends sick of you talking about K-drama? We get it...and have an answer. Check out our sister pod www.afternoonadelight.com for more episodes, book recs and social media goodness. And don't forget about the newest members of our network: Afternoona Asks where diaspora Asians living in the West find ways to reconnect to Asian culture via Asian/KDramas.Want to find more great BTS content? Head over to Afternoona Army for "thinky, thirsty and over thirty" takes on Bangtan life and links to our social media.

Join us for our second episode of season 2 with Shannon Bae. Shannon is a long-time friend, fellow Korean adoptee community activist and organizer, and mother of two amazing kids. This intimate conversation took place in Seoul in the summer of 2023 during the International Korean Adoptee Association's 6th Korea Gathering. In our shared ancestral land, Shannon generously shares about her decision to not explicitly share her adoption story with her children at this point in their development, and her juxtaposing experiences giving birth in Korea and the United States while continuing to cultivate a deeper relationship with her birth mother. Shannon also discusses her children's experiences moving back and forth between Korea and the United States, raising them bilingual, and why she doesn't view translating for adoptee reunions as work.  Shannon Bae BioCo-Hosts: Nari Baker & Robyn ParkMusic: Mike Marlatt & Paul GulledgeAudio Production: Augustina Moore & Adrien Prevosthttps://august222222.comArtwork: Dalhe KimListen on: iTunes & SpotifyInstagram: @laboroflovepodcastSupport via Venmo: @laboroflovepodcast

In 2008, a fatal stabbing at a Seoul bus terminal should have been an open-and-shut case, as the victim identified her killer with her dying breath. Instead, investigators were led on a wild chase through the city's subway lines before their suspect vanished completely. For seventeen years, Hwang Ju-yeon has remained Korea's most-wanted fugitive.Find our merch here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://koreantruecrime-shop.fourthwall.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our discord today!⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠If you enjoy Korean True Crime, please rate, follow, and send feedback! It helps me continue to improve the show. If you'd like to support the show or find show sources for free,⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠join Korean True Crime on Patreon.⁠ ⁠

Host Ricky Sacks is joined by Richard Cracknell, Jaon McGovern and Marlon as our visit to Asia ended in in a 1-1 draw with Newcastle United on an emotional evening for skipper Heung-Min Son, appearing in his hometown just a day after announcing his intention to leave the Club. Following Thursday's defeat of Arsenal in Hong Kong, we rounded off this year's pre-season tour with a competitive clash against the Magpies in Seoul, South Korea, with Brennan Johnson's early goal cancelled out by Harvey Barnes in the Coupang Play Series. Following his announcement on Saturday, Son was selected to start by new Head Coach Thomas Frank and wore the armband at a venue he knows so well as captain of his country, with his substitution from the pitch in the 64th minute a poignant moment. Unfortunately though, James Maddison left the pitch on a stretcher in the closing stages after pulling up with no-one around him, clearly in distress. Spurs also announced the signing of João Palhinha on loan from FC Bayern, subject to international clearance and work permit. The 30-year-old Portugal international joins the Club on loan until the end of the 2025/26 season with an option to make the move permanent next summer. Independent Multi-Award Winning Tottenham Hotspur Fan Channel (Podcast) providing instant post-match analysis and previews to every single Spurs match along with a range of former players, managers & special guests. Whilst watching our content we would greatly appreciate if you can LIKE the video and SUBSCRIBE to the channel, along with leaving a COMMENT below. Nominate Last Word On Spurs for Best Podcast - Premier League at the

The FC crew is joined by Alex Kirkland to react to Barcelona's 7-3 preseason win over FC Seoul and discuss what kind of season to expect from Lamine Yamal. Then, the guys discuss Saúl's comments on João Félix's work ethic and Atlético Madrid's expectations. Plus, a look at Manchester United's 4-1 over Bournemouth and Spurs' 1-0 win over Arsenal as João Palhinha is linked with a move to Tottenham. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The flurry of summitry in 2018-19 between North Korean leader Kim Jong Un, U.S. President Donald Trump and South Korean President Moon Jae-in inspired hopes for a breakthrough on resolving a decades-old conflict, only for talks to collapse without any progress on the DPRK nuclear issue. This week, historian John Delury returns to the podcast to revisit that heady time on the Korean Peninsula and explore what Seoul's new President Lee Jae-myung might do to revive Trump-Kim diplomacy. He explains why Russia-DPRK ties ensure that another round of engagement won't look like the last and examines how China's ties with the South impact its approach to the North. He also talks about Kim Jong Un's desire to be a “developmental dictator,” the potential impact of the U.S. bombing of Iran on efforts to entice Pyongyang to negotiations and why there is no military solution to the North Korea problem. John Delury is a historian of modern China and an expert on U.S.-China relations and Korean Peninsula affairs. The author of “Agents of Subversion,” he previously served as a professor of Chinese studies at Yonsei University in Seoul and most recently taught at the American Academy in Rome, Luiss University and John Cabot University. About the podcast: The North Korea News Podcast is a weekly podcast hosted by Jacco Zwetsloot exclusively for NK News, covering all things DPRK — from news to extended interviews with leading experts and analysts in the field, along with insight from our very own journalists. NK News subscribers can listen to this and other exclusive episodes from their preferred podcast player by accessing the private podcast feed. For more detailed instructions, please see the step-by-step guide at nknews.org/private-feed.

North Korea broke its relative silence about the new South Korean administration of Lee Jae-myung on Monday, with the DPRK leader's sister Kim Yo Jong dismissing the president's peace overtures and attacking Seoul's alliance with the U.S. NK News Lead Correspondent Shreyas Reddy joins the podcast to discuss why North Korea's proverbial “bad cop” suddenly weighed in on inter-Korean ties and what Pyongyang actually wants from Seoul. He also talks about new U.S. sanctions against a DPRK company and three North Koreans for their role in remote IT worker schemes, as well as a surprise visit to Pyongyang by a global baseball chief. About the podcast: The North Korea News Podcast is a weekly podcast hosted by Jacco Zwetsloot exclusively for NK News, covering all things DPRK — from news to extended interviews with leading experts and analysts in the field, along with insight from our very own journalists.

Over the weekend, South Korea announced it would end private adoptions in the country. This comes after an investigation found human rights abuses by international adoption agencies. Some babies had been taken without their birth parents' knowledge or consent. Records were falsified. Identities were swapped. Babies were stolen.Host Elahe Izadi speaks with Seoul-based reporter Kelly Kasulis Cho about how adoption fraud occurred for decades in South Korea. We also hear from a man who is now on a quest to find his biological family. Today's show was produced by Tadeo Ruiz Sandoval. It was edited by Maggie Penman and mixed by Rennie Svirnovskiy with help from Sam Bair. Thanks to Bart Schaneman.Subscribe to The Washington Post here.