Optical disc format for the storage and playback of digital audio and other digital data
Join Michael Jr. , Pastor Kyle and special guest as they talk marriage and the best advices you the listener gave.Check Damion's Music https://soundcloud.com/damionwrightHave you left a question for Michael Jr.?Call 903-213-2019 and leave a question...just start with "Michael Jr. I Was Wondering..."Storytime with Michael Jr.Get ready to laugh and be encouraged! Spots are limited - join Michael Jr. as he shares impactful stories from his new book, Funny How Life Works.Get your access ticket here: https://funnyhowlifeworksbook.com/storytimeFree ChapterYou can download a free chapter from Michael Jr.'s new book here: michaeljr.com/chapter.Join Our Exclusive Community on Patreon: https://www.patreon.com/michaeljrWhen you become one of our patrons, or what we call an Opener, you are joining a strong and exclusive community who have early access to some really cool perks.Don't forget to leave a review! We really do read them. Your review could be featured in an episode and read by Michael Jr.As a thank you for listening, we want to hook you up with Michael Jr.'s comedy CD, Funny For a Reason at whatever price you want. Click the link, name your price, and keep laughing.Name Your Price CD: michaeljr.com/cdSupport the show (https://www.patreon.com/michaeljr)Support the show (https://www.patreon.com/michaeljr)
Abraham had children other than Isaac. And Jacob wasn't an only child, either. The point is that the "promises to Abraham" have never been traced by bloodline alone. Those blessings have always followed the channel of faith. Paul calls this branch, the "children of the promise." And then he shows that these faithful ones have also been chosen. He's laying the groundwork for a revelation of God's Master Plan for the Jews. Here's Part 2 of, The Word of God Does Not Fail. Jim's in Romans 9. Listen to Right Start Radio every Monday through Friday on WCVX 1160AM (Cincinnati, OH) at 9:30am, WHKC 91.5FM (Columbus, OH) at 5:00pm, WRFD 880AM (Columbus, OH) at 9:00am. Right Start can also be heard on One Christian Radio 107.7FM & 87.6FM in New Plymouth, New Zealand. You can purchase a copy of this message, unsegmented for broadcasting and in its entirety, for $7 on a single CD by calling +1 (800) 984-2313, and of course you can always listen online or download the message for free. RS10262021_0.mp3Scripture References: Romans 9:6-16
For Video Edition, Please Click and Subscribe Here: https://youtu.be/LW-JAVnn6ok www.michaelcolby.com MICHAEL COLBY is the librettist/lyricist of such musicals as CHARLOTTE SWEET (Drama Desk Award nomination), TALES OF TINSELTOWN (Jay Records) NORTH ATLANTIC (Show Business Award), SLAY IT WITH MUSIC (off-Broadway & London), and THEY CHOSE ME!, (originated at TADA!). Upcoming: LUDLOW LADD (December, Urban Stages) and DANGEROUS (March 2022). COSMIC CONNECTIONS: THE LYRICS OF MICHAEL COLBY, a MAC Award nominated show with Maureen Taylor, is due as a CD. Among those for whom Mr. Colby has written: Angela Lansbury, Linda Lavin, Tony Yazbeck, Andrea McArdle, Robert Cuccioli, Savion Glover, Susan Stroman, Cicely Tyson, and Michael Feinstein. A member of BMI, The Dramatist Guild, and TRU, Colby wrote the popular book, The Algonquin Kid. As a special Halloween treat, you can now reserve a visit to the magical, whimsical, mysterious world of MRS. McTHING. Tickets are on sale at this link ($50 general, $30 students): https://tadatheater.secure.force.com/Events/CnP_PaaS_EVT__ExternalRegistrationPage?event_id=a1g5c00000Aquk2AAB In 1954, Mary Chase wrote her most successful play outside of HARVEY, her Pulitzer Prize winner. Starring Helen Hayes, MRS. McTHING became the first Broadway play seen by countless children of that generation. Before she passed away, Mary bequeathed the musicalization rights to composer Jack Urbont (2-time Emmy winner and composer of MARVEL SUPERHEROES themes) and Michael Colby (me, a Drama Desk Award nominee).
Let people enjoy whatever candy they enjoy….even if it's poop - So, the Bengals are good now? Are the Chiefs bad now? - Fan gives Tom Brady his 600th TD ball back for next to nothing - Bob's candy power rankings - There's DEFINITELY going to be some ‘Kenny Cold Ones' shirts made after the Pitt win over Clemson - Ed Sheeran tests positive for COVID - Taylor Swift is starting to tease her ‘Red (Taylor's Version)' album - One of our listeners made a Shenderovich Twins Halloween costume AND they ended up showing up to her birthday party - Guy drives 7 counties to report that someone is spying on him through his CD player - HBO's Succession is getting to that ‘gotta watch it when it's on live' territory for shows - Ravens radio team had someone try to CLIMB in their booth during the game - ‘Sexy' Paw Patrol costumes exist
Music: ANSWERS by @khi.infinite Show notes: Lil Baby Usher + Open Face Blazers 1:00 / Birthday Behavior, Zai's Old Ass Cat + Short Lived Technology 4:33 / FYE still out here? + Curating you burnt CD 9:18 / RIP Colin Powell 18:00 / Condoleezza Rice, Critical Race Theory + California Ethnic Studies Graduation Requirement 19:07 / Dave Chappelle Backlash 29:47 / Pig Kidney Transplants + bacon prices? 38:39 / Alec Baldwin 43:11 / Trump to create his own social network 46:16 / Facebook Rebrand + Possible name change 48:29 / NYC subways testing non-toxic gas on population 50:41
Kimberly Brooks is a contemporary American artist and author. Kimberly integrates landscape, figuration and abstraction to address subjects of history, memory and identity. Her work has been exhibited and featured internationality.Kimberly received her bachelor's degree in literature from U.C. Berkeley, and was Valedictorian. She has taught art as a lecturer and adjunct faculty instructor, and was a featured speaker at TEDx Fullerton.In this episode, I talk with Kimberly about her work as an artist, author, and editor. We talk about how she uses ConvertKit to reach and grow her audience. We talk about what people can learn from fine art, and apply it to their newsletters. We also cover the path to becoming a successful creator, and much more.In this episode, you'll learn: The secret to achieving your breakthrough moment A job most creators should charge for, but rarely do What you should be doing instead of blogging Should you be posting on Instagram? Links & Resources Huffington Post ConvertKit Craft and Commerce Steve Jobs John Baldessari Adobe Photoshop Adobe Leonard Shlain Milton Glaser Macworld Walt Disney's Imagineering Warner Music Group Seth Godin Leonardo da Vinci Arianna Huffington Huffington Post: Fine Art Later Anderson Ranch Arts Center Otis College of Art and Design Kimberly Brooks's Links Find Kimberly on Instagram Kimberly's website Kimberly's Ted Talk Huffington Post article, “The Gap Logo, New Coke and the Legendary Walter Landor” Kimberly's book, The New Oil Painting Episode Transcript[00:00:00] Kimberly:The fundamental way to learn is, you imitate, assimilate, and then you can improvise with anything. You're going to be thwarted in the beginning many times, and you can't give up. You have to say, “Okay, well, I don't care if it sucks. I don't care if I'm going to fail. If I'm gonna fail, I'm gonna fail big. Let's just go on.”[00:00:29] Nathan:In this episode I talk to Kimberly Brooks. She is a fine artist. So, painting, she has all of her art in galleries, that whole world, which is super fascinating to me. She also plays in the creative world. Newsletters, podcasts, and interviews.She built the whole art editorial section of the Huffington Post. She built that to millions of readers. She's done all kinds of things in the design community from the early days. So, we riff on that; Mad Men-style ad agencies in the ‘80s and ‘90s. Some great stuff.Then she brings it all the way through to talking about what she does with ConvertKit. How she sets up her sequences, and everything else, and things that people can learn from fine art, and apply to their email newsletters and sequences.So, it's a fun episode. We have to do a part two, because we filled up all the time we had, and I think I only got through half my questions.So, anyway, I'm going to get out of the way and dive in. So, here we go.Kimberly, welcome to the show.[00:01:37] Kimberly:Thank you for having me, Nathan.[00:01:39] Nathan:There's so many things I to talk about, because you come to the creator world from a different perspective than I do, though we both share a love for Photoshop.[00:01:50] Kimberly:Oh, yeah.[00:01:51] Nathan:We'll start with where we met. It was at Craft and Commerce, some number of years ago.I can't even think. Three years ago? Four?[00:02:01] Kimberly:I think it was three years ago, and it was such a random whim. I don't even know how I ended up finding it. I fell in rabbit hole. And then I came upon ConvertKit.I was actively looking for a better way to send art show announcements. Because I'm a painter, I'm an artist.I just felt after my previous experiences, I knew how important having a subscriber-based service was. I don't want to get too nerdy, but I didn't really like the competitor who shall remain unnamed. But, I found you guys, and I started getting the advertisement for the conference, and it was in Boise, Idaho.And so I thought, I'll just go. It was like a Ted conference for really creative nerdy people like me, but it was exactly what I was wanting. It was about marketing, which is really such a weird word because it's really about sharing, and I loved the title.I loved everything about it. I met some of the people that I'm really, really close with now. Then the next year it was canceled because of the pandemic, but it was amazing, and I met you, actually.[00:03:28] Nathan:And, and we had a really fun conversation. one thing that I want to talk about, for you is the intersection between fine art, right. And painting and that world. And then now you're also in this world of being a writer and a creator in the sense, right. You you've been a writer and creative for a long time, but, but it's, it's like a different world of the selling things to your audience.And. Earning money directly in that way. And so I want, like, I want to hear that as you like weave in and out of these two worlds and then just your experience there.[00:04:02] Kimberly:Yeah, it's interesting. I, when I was in elementary school, we had a really competitive game of tetherball constantly going on on the playground. And it was just sort of that pole with a ball attached to a rope we would, people would line up and we would get it, and it was, see how many times, and it was just sort of like, it was very intense and I always felt like being an artist.Being an art to me was it was the pole, you know? So like my pole is art is making art and everything about what I do. I write about it. I interview people about it. I interview other artists about their work. I make paintings 90% of the time in my studio. Like, it's all about art, you know? So that's like the beginning.So I do see myself sashaying between different worlds. And I think everybody kind of does that. And then as the bicycle of technology was being built to use kind of like a vague reference to like Steve jobs is, you know, what happens if you put a man on a bicycle and you know, like how fast can he, as the bicycle was kind of entering our world, I thought, what if you kind of mixed art with the bicycle?You know, what, what happens if you, you know, Make an artist's website. So I was like one of the first people I knew that made an artist's website. And I remember, it was, I had, was having lunch with my mentor. Who's, the late John Baldessari. He was a great, great, great artist. And, he's famous for, you know, he burned all this stuff and graduate school and then became a conceptual painter, you know, very, you know, Howard work in, you know, conceptual anyway.So I brought my laptop to this Mexican restaurant in Venice, and I said, I wanted to show you something. I made a website and our studios were really near each other. And he said, Oh, I, I don't know if I would do that. If I were you, I was like, why not? He said, because you're, you'll piss off the dealers, the galleries, the galleries, you shouldn't be selling directly.It's going to take away from what their job is. You know, when you hang a show and you have art in the gallery, the gallery is selling the artist and it's their job, you know, and artists are supposed to be kind of this, you know, semi mute, black turtleneck wearing, you know, mysterious, mystical ShawMan goddess.I call it goddess on the hill. Like you're not supposed to really get in the way of what your artists about. And so I thought, oh gosh, you know, this is, and I had put the paintings for a show was about to have. And so I started making, so my postcard for that show had the name of the show and it had the name of the website, cause no galleries had website.Then this is in like the two thousands, you know, this is a long time ago. And I remember meeting people when I handed them a postcard. If like I felt comfortable with them, I would like secretly write a password so that they could see the website,[00:07:20] Nathan:Oh was you were, you had the website, but it was[00:07:24] Kimberly:Yeah. So I password protected it. I password protected it because John Baldessari told me that it's probably not a good idea to have a website.This is again, no artists ad website.[00:07:35] Nathan:How did the galleries and the community[00:07:37] Kimberly:The galleries didn't have websites either. And the galleries, I remember. They started it. Like some of them had websites, but it was super janky. It was like sometimes most of the time they did an, and it was just sort of this mysterious world that 99.9, nine, 9% of the public didn't understand.Doesn't understand it's better now. And you'd have to be walking down the street or you'd have to know somebody who knows somebody, you know, it's, it was just a different world then.[00:08:08] Nathan:But did any of those negative things come about? Like, did anyone look down on you on it for having a website and for[00:08:14] Kimberly:No, no, no. Eventually I just said, screw it. And I took the password off.And, interestingly, I don't want to date myself, but I think I already have, but the at the time flash was very. sexy. And it was like, and so artists would have, if they did have website, firstly, they would be horribly designed and they would have like a flash animation of a curtain opening and a door.And it was very like CD rom mentality. Like, you know, it was pre-internet thinking, you know, anyway, like I said, the big nerd here.[00:08:48] Nathan:Flash was big until 2000, like the iPhone 2007.[00:08:52] Kimberly:Until Steve jobs killed it, just took a knife. He took a sword and he just, during a keynote, just, you know,[00:09:01] Nathan:Yeah. Oh, and the two biggest reasons were, that the bandwidth of the phones couldn't handle it. And then also the battery life on the phones couldn't handle it.[00:09:10] Kimberly:Wasn't there another reason there was another technical reason that had to do with plays well with others. I can't remember exactly what it was,[00:09:20] Nathan:Yeah. I mean, it was a restricted technology. Like it was owned Macromedia. And so probably that apple was trying to do to get to play. And Adobe was playing hardball and apple was probably like, okay,[00:09:31] Kimberly:Yeah,[00:09:32] Nathan:You know, we'll play this[00:09:33] Kimberly:Yeah. It was, was, it was, it was just the evolution of, you know, of Photoshop and Adobe products. And so I grew up with Adobe. I learned I was an early adopter, always, you know, I just sort of like analogy. Yeah.[00:09:49] Nathan:I want to dive into all kinds of things. I want to talk about, more in the financial world and the business of that and everything else. But back and maybe start earlier in your career.[00:10:01] Kimberly:Than elementary school.[00:10:04] Nathan:I guess we didn't go to elementary school a little bit after elementary school. What what did the early days of your career look like[00:10:12] Kimberly:I was a, you know, I'm a first, or I guess I'm a second generation American, so, and I'm Jewish. So of course I was supposed to be a doctor. So my, we used to get, you can be anything you want just as long as you're a surgeon first. So I got the makings of a woman's surgeon and, you know, it was just like, as a book that was a book that I received many times in my middle school years.And then, you know, it was like, that's great, you're so talented. But you know, you really, you know, after you get out of medical school, you can, it was just sort of what you did in my family. And, and my father he was a well-known surgeon and he became an, I don't want to say artist. He became a writer, so he's a well-known writer.And he started writing. So he kind of became an artist before my eyes, you know, so as I was getting out, as I was graduating college, he published his first bestselling. That was just, and I would like sit at the book, you know, when he gave a lecture at an art gallery, because it was called art and physics.His name is Leonard Shlain so I would like sell, watch him, sell the books, you know, like give a lecture and then I would check out and I would get, take people's cash and then give them a book, you know, at the end of the lecture. And he used to tell me, he used to say, honey, you have to be shameless.You have to be willing to just talk in front of four people. It doesn't matter. You just need to do it. If it's just, it was just a big, it did. It made an imprint on me because I was watching him grow out of his own discomfort zone, which I still struggle with of talking to people like instead of through your paintings or, you know, talking to an audience saying being on video, it took me six months to figure out how to be on video, but I'm getting ahead of it.So you asked me like my CR about my career. So I was an English major. I went to an English, major architecture, minor at UC Berkeley. And at the time that I was graduating, painting was considered dead. And I know that that for artists today, they don't quite appreciate that. But after abstract expressionism, there was sort of this mood in the art world that everything had been done and like, forget about figuration was the last thing people wanted to see, you know, and I wanted to paint people.So I just figured, okay, I'm going to just do that on my own, but I'm going to, I love reading. I love writing. So I became an English major and I was valedictorian of, of the UC Berkeley English department. And so my first job, I wanted to combine my love for art and literature. So my first job was.Design. So my, so I, was mentored by a gentleman named Walter Lander, who is the founder of landlord associates. And he was sort of the west coast, Milton Glaser, Milton Glaser from a design point of view, like he was, he just recently passed in the last five or so years, but he like did the, I love New York, you know, like he's this famous, famous graphic designer because the field of graphic design is, is relatively new.It's relatively, it's like a century old, you know, like th the serious field of it. And Walter was a pioneer in it. And he did, you know, my first job was like working cause I, cause I minored in architecture was, helping design the shell oil, gas station, you know,So I was doing like architecture design, and then he asked me to write speeches.And so they had, their company was kind of designed like a brain. So they had like a language division and they had like the design division, like they did the loose soon milk and they were so famous then such leaders. They had 1800 people in offices all over the world and it was like a big deal. And they had an office on a ferry boat.So that was my first job out of college. I was a speech writer for Walter and I was in the, I was in the word department. Like I think I designed, I helped name, a cigarette, you know, like was just a weird, but it was fascinating, you know? And it was meeting fascinating people. The grateful dead would like come over on the boat after it was, it was, it was a wild time at, in San Francisco in the late eighties, early nineties.Totally wild. So, So I was like, so all the designers are starting to learn Photoshop. So there was this thing called Photoshop because they were doing everything by hand, you know? And then I was like, oh, so I got Photoshop 1.0, you know, and then I had th there was no layers. So you had to do everything in alpha channels.And it's interesting just to be a big nerd. Cause you're a designer too, right? I mean that's yeah. Yeah. So if you can try to imagine there was Photoshop without layers, it meant that you had to do everything inside the masking tool that's built in that nobody really uses or knows about now called alpha channels.So I had to create everything using masks, but it was very oddly more similar to what you did with your Exacto knife and ruler, know, I still think one of the biggest, the saddest things about Photoshop. I mean, I think everybody should know it, but it has some feature bloat, but I think it kind of buries the power of alpha channels.And I think that if people knew how to use it, it would like, it's like a little thing to know that would hugely leap them out of the more artificial aspects of doing those filters on things.[00:16:00] Nathan:Right.[00:16:01] Kimberly:Anyway, like I you have to be careful with me because I can go into real. I can crawl real deep into these nerdy things.But anyway,[00:16:08] Nathan:Are there other things from those early days of, of the graphic design art agency, like that kind of world, that you still take with you today[00:16:19] Kimberly:Thousands of Gillian percent. One of them is the four DS that every project is discover, design develop, deploy. And I know I lost that. I also saw that, like, if you could name it, you could charge it.[00:16:32] Nathan:Is there a story behind that? If you could name it, you could charge for it.[00:16:35] Kimberly:You know, you'd see these hundreds of thousands of million dollar contracts going out to these major people. And I used to have to help write the proposals and I would see how they would divide they'd phase out, like a lot of designers. Again, I don't, I hope we're so not too off topic, but a lot of designers will not charge for discovery.You know what I mean? Because they haven't named it. They didn't name it They'd Just be like, oh, let me Research all about your company. And then you're going to pay me to give you some designs, and then I'll give you the designs and then hopefully they're smarter. Anyway, like I said, big, big topic.[00:17:10] Nathan:Yeah. But think there are a lot of people listening who are in the either freelance or agency space and they, provide services to newsletters or creators or they're growing their own on the side. And I think it's a really important point that, if you're if you're structuring your proposals and all your interactions with clients around the deliverable, then you're failing to talk about a substantial portion of the work And probably the part of the work that differentiates you from the other freelancers who are just like, oh, you need a logo. And they dive like right into Photoshop or whatever tool. Whereas if you're good at what you do, you're probably taking a step back and looking at the whole landscape and spending probably more than half of your time in that Research discovery and learning stage rather than the deliverable stage.[00:17:56] Kimberly:It's actually the most important time intensive stage of any project. And so not just design. I mean, I think you saw my Ted talk, the creative process in eight stages. And I think I talked about how as an artist, I don't want to give anybody whiplash, but like you, as an artist, you have, a period of time where it's like a rest in music where you don't, you're not making work.It doesn't look like you're doing anything on the outside, but that's the most important part. And it's when. Gathering, but you're doing it in a subconscious, like in many different ways when I'm, when I'm making a painting, I'm having to listen a lot, you know, you have to listen and look and just inhale before you can exhale.So anyway, that, but I mean, we could, I think, I think we could do a whole hour on Landour. Cause that was just a, such an interesting, you know? And, and I was actually, I was actually there, I dunno. Well, you're, you probably weren't born, but there was a, Coke released a new design and they, they, and Landour was the leader of this new design.And I was like in the boardroom, in my. In pantyhose. Cause that's what we that's what, like you had aware that it was very far, it was like mad men. It was like mad men where like everybody smoked and the women were gorgeous and the men would like have these glass offices on the side of the boat. And they would like go in and light up a cigarette and call London, you know, like they were like, or Japan and, and they had, it was just extreme, chic, crazy environment, very male dominated.And I was like, I'll often the lone woman in a room, you know, but anyway, that's a separate side conversation and they were introducing the new Coke and it was a flop. It was like, it was like, there was a backlash against the new design because it had like big fat. It was like, whereas the old Coke kind of has that Victorian, which they still use now that, that very Sarah fee or Nate almost like your create above your head, but more, you know, whereas.Where the new version they were doing was super kind of chunky. It was like new Coke, you know, anyway. But, it was a wild experience. I wrote an essay about it and I'll, I'll give it to you if you, if[00:20:35] Nathan:Yeah, we'll put it the Shona[00:20:36] Kimberly:Yeah,[00:20:38] Nathan:On time on that.[00:20:39] Kimberly:Yeah, no, the whole, here's the thing. I wanted to be an artist, and a lot of times I believe a lot of, and I believe there's a lot of people who have an artist inside them and a lot of times they will, work in a field that brings them near art decisions to make themselves feel better.That they're not being an actual artist. And I was one of those people.[00:21:08] Nathan:Okay. So how did that play out for you of your you're close to the design and that sort of[00:21:14] Kimberly:I was like, yeah, it was, I couldn't be closer. I was like, I was like in, I was behind the curtain of Oz doing the, with the, with the best people and everything. Again, this is so long ago, but, but I felt like technology at the time, again, Photoshop was just starting. There was no whatever. I was like, you know, I needed, I need a break.I need to like push the table over. So I quit. I moved to Paris to paint for a year. I played piano in bars at night. That was like a whole other wild. We could do a whole show on that, but, you know, then I was like, well, I can't, I'm not going to be able to make a living doing this. Like I was painting, I was sitting at the sore bone and I was like, I had this little gig in this bar, but it was a couple of Franks and I wasn't legal in Paris.And I just had this big because of my literature background I have does such a, you know, I love you. I was so somewhat of afraid.[00:22:11] Nathan:So how old were you when you[00:22:14] Kimberly:I was in my early twenties.[00:22:16] Nathan:Okay. When you, quit and said it's time to do painting.[00:22:20] Kimberly:Yeah. I was like, it wasn't a straight line. And that's another thing. Like most artists don't like some artists grow up and everybody goes, oh, you're so talented.Which by the way, like hate that expression. I must like tell people, like don't ever tell people they're talented. Say you have great raw material, you know, just say, you know, just like great mom material, but like, you have to like do it for eight hours a day in order to like express something. Great. And then, then we'll talk about talent, but in any case, so some people have parents that say, you're honey, you're so talented.I want to send you to art school. I want to spend a couple hundred grand and I'm going to send you to art school. Undergrad, let's say a good, let's say a typical artist, a college education is this amount. And then I want you to get an MFA from Yale or the best school and have that checked off. And then I want you to go get in galleries and be an artist there's 0.01% of artists have that route.They have parents that say, we support this. This is good. This is a good plan. I would say that's like a very rarefied small group. Cause you have to have, well, there's so many things that need to happen in order to have that setup. Most people, most artists, even artists that I know, like one of my good friends Enrique he was a PA getting his PhD in physics read my dad's book, art and physics and decided he wanted to be a painter[00:23:49] Nathan:Okay,[00:23:50] Kimberly:So like, there's a whole bunch of artists that were doctors that were lawyer, you know, that, that, that they, they were catching the train of you know, the I'm a good student, I'm a diligent worker and they, they, you get routed onto a track and then you're on that track. And then suddenly you wake up at at 30 or whatever, and you say, you know, I'm here and I'm super successful, but this isn't necessarily really how I want to be spending my time.You know? I mean, th this is the conversation, right? You know, how do you, how do you decide and what you can want changes in your life? You know, but if you know what you're pull, the tether poll is like, if you know what, your deep inner core desires. are And, you know, and you, you have, you're remotely in touch with that and you, you need to go, you need to go towards that light.You need to go towards that center then everything will radiate out from you afterwards.[00:24:58] Nathan:Was there a catalyst that pushed you, you know, you were thinking about it, you're feeling this, but what was the thing that made you go like, all right, I'm[00:25:06] Kimberly:Well, okay. Like I said, we don't have enough time to get into all of this, but there were, I made three huge dramatic, you know what? I don't know. Maybe it's a Monty Python movie, I don't know. But like when you push the table over and you throw all the plates and you break everything, like you just come, it's not a reboot, it's way more violent than that.Just kind of like you take the tablecloth out and you just say I'm out of here. You know, I think I did that three times before I got closer to. You know what it is. And one of them was moving to LA after moving to Paris, I moved to New York and then, then I moved to LA and I was like, okay, this time is going to be it I'm being artist.Like, and you know, it's a couple of years later, it's after Paris. Like, you know, cause you have to get, you have to, I had to make money. You know, I had to make a, I had to have a job. And so I had to kind of like do, do design work and stuff like that. So when I moved to LA, my first, I went to a Mac conference, like it was like 60 booths.It was so small, like Mac was seen a teeny little thing and, and Microsoft was the big thing windows and,[00:26:18] Nathan:Yeah.[00:26:19] Kimberly:And I made a business cards and I said, it said artist. And then when I, I walked, went to this conference and I was practically like often the only woman, you know, and I would say, yeah, I'm an artist.And I know. And so the first job I got was making the first CD rom for apple computer that they said distributed to every single apple. So they distributed over 2 million copies worldwide, and my name was on it. And that kind of, that was a huge breakthrough because suddenly I was being offered insane jobs.And next thing you know, I was anyway, like, I don't want to dwell on this because we haven't talked about newsletters yet.[00:27:01] Nathan:That is okay. that is okay. So you just made a leap from, I went to this conference to,[00:27:08] Kimberly:Yeah, by the way speaking, we started with going to a conference.Yeah.[00:27:12] Nathan:A big deal. We are we talking about that as well, but this leap from going to the conference to your work, being on the CD,[00:27:19] Kimberly:Well, so they were, it was like, again, I was on the bleeding edge. I could not explain to my father Who would come down and visit me. In the warehouse. I, it was, it was an artist and a coder who, but they had both met in art school and they brought me on to be the creative director.And it was like, it was almost no money at first. And then it became like a bigger thing and apple, the more that apple saw it, the more they were like, wow, this is really good. so then the next conference I went to was in San Francisco was Macworld and my art was everywhere, everywhere, and I got job offers from Imagineering. They wanted me to design why the Disney, they wanted to be the head. Of Warner music was doing a new interactive division and digital don't digital.I can't remember the names, but it was very, it was a very heady time. It was very, it was very fun. I felt like, wow, I found this place that has it's the intersection of art design, narrative and technology. And it was exactly where I want it to be. And that was just, that was sort of, and I set up an easel in my office, I had a lot of people working for me and it was just, it got very, it got very fancy, you know, and I, and I took a lot of, I took a lot of like what I knew at Landour to attach in this before email this before the internet.[00:28:45] Nathan:You're talking early nineties at this point,[00:28:48] Kimberly:Yeah. Like you no, like a mid yeah. Mid nineties, you know, 96, maybe. So, yeah. So I took a lot of my, knowledge that I gleaned from working at land or like the discover design develop, deploy to whip these engineers and designers into shape, you know? And anyway, I was still stalking what I really wanted to do, you know?[00:29:10] Nathan:Okay. So tell me more about the difference between what you wanted to do and what you were doing, because you just described your art being on everything.[00:29:17] Kimberly:No, no, no, actually, honestly, honestly like I would listen to like Liz fairs, exile in Guyville, as I drove downtown by the toy factory in downtown Los Angeles back and forth, like every day, like at these, I was a big album listener.And when I was designing, I would listen to full albums and I was just like, wow, this is it. I am so excited and energized and everything. then I started studying painting again. So I started so like I had taken a hiatus. And then I got into the, Otis, which is the art school here, You know, when you get professional, when you become a professional in anything, even being an artist, there's a, single-minded rigor focus and clarity. one brings their whole self to what they're doing, you know? And if you know that if If you've been successful in anything else or anything like that, you can, if you bring that to your art, there's literally nothing that can stop.You. You become a wire cutter. It's like, you're going to munch through like, I, you know, really understanding, painting in the deepest way possible. Like I was thinking if I can understand alpha channels, I can figure out how to tone a canvas. You know, just like I just, because painting is a technology, honestly.I took everything in my being to it. And that was like a third moment. Like that was like another moment I skipped some moments, but there was like where I was knocking at the door, knocking at the door. And then I knew that in my art would become the, that I had when I started painting in full force.Like not just having it in my office, but saying this is what I'm going to do. And I'm going to do it as so ferociously, like stand back, everybody, nothing is going to get in my way.[00:31:13] Nathan:So you were painting, I mean, you had is this like painting a few hours a week, a few hours a day, and then you dove into doing that, just like.[00:31:22] Kimberly:This is like 40 hours. I mean, I basically gave myself an assignment and my assignment was I was going to paint a hundred new. Because that's the hardest thing to do as a body. Cause you have to deal with the translucency of skin. And I could literally talk about painting all day, but you have to deal with light form and shadow and thinking in three dimensions and it creates it's.I don't want to knock marketing and technology and the stuff that you do, but painting is that most people do, but painting is a true, like you have to really, it's a very intellectual as well as mindful and spiritual, but it's a very, it's a very deep, deep, deep way to approach the world. And when you become a painter or you actually like listen to the little voice inside you that says that they want to learn this.It's a skill, it's a skill. And when you do that, your brain expands and your world expands and you see things differently. So it's a very transformative thing and it takes years. It takes years and years. So my assignment was I'm going to paint a hundred nudes and, and if I have like 10 good ones, I can have a show.[00:32:41] Nathan:So I want to tie that to maybe the experience that other creators listening would have, or anyone who's on the fence about getting started. Right. It might not be painting that they're trying to do, but they've had these fits and starts of like, I'm going to, learn to code, start a podcast, start a newsletter, any of these things, you know, learning to play an instrument, whatever it is.And then like start and it goes, maybe it goes well for a week or a month, or like what, what advice would you[00:33:11] Kimberly:Isn't there, isn't there like a guru isn't there like a guru in the subject that calls it, the. Who's that guy. Do you know what I'm talking about? Yeah. Somebody told me that, cause I was saying this to somebody and they were like, oh yeah, that's somebody's Seth, Godin's the dip. But yes. You know, when I was younger and all through all through my, you know, middle school and high school and college, I played piano quite seriously.I was a classical pianist and whenever I would learn a difficult piece, I would play it over and over and over again. And I would have to, like, I would start to suck. I would get better, but then I would start to suck and I'd have to walk away and then come back at it the next day before I would be able to play it perfectly.Like, I mean, you know,[00:34:01] Nathan:Yeah.[00:34:04] Kimberly:Learning an instrument actually teaches you this better than anything, because if you make a painting at first and it sucks, you can be easily thwarted, like a, you know, a drawing or whatever. But, but in order to like worry the bone of like how to get that legato, right. And that Greek piano concerto or something like you got to just sort of do it again and again, and again and again, you know, like it's, the fundamental way to learn is you, you imitate, assimilate, and then you can improvise.So you have to like, you play these pieces. And so with anything, you're going to be thwarted in the beginning many times and you can't give up, you have to say, okay, well, I don't care if it even sucks. I don't care if I'm going to fail. If I'm gonna fail, I'm gonna fail big. Like I'm[00:34:52] Nathan:Right[00:34:52] Kimberly:Go all out.Let's just go on.[00:34:54] Nathan:But that specific assignment that you gave yourself of painting 100 nudes, do you think that an assignment like that is a good way to go as a creator of saying this is the commitment that I'm going to make, I'm going to get to a hundred podcast episodes or I'm going to, I don't know, write a hundred blog posts, and then I can decide if this is something I actually want to pursue.[00:35:13] Kimberly:Absolutely. I think that when you make a commitment like that, to devote your energy into building a body of work of any kind in any media, you, your life will change everything. You are going to gain skills that involve every facet of that media. So like, if you're a podcaster and let's say you record in iMovie you're going to learn iMovie or whatever they, whatever they edit podcasts.In And, and I think if, you know, if Leonardo DaVinci were alive today, trusts me. He would know Photoshop He would know he would be all over this stuff, you know, he would love, he would love it in this nether world space, because there's, I'm, I'm going off topic a little bit because there's a little bit of a prejudice in the art world where people were thinking they were resisting the newer technological versions of artwork.But back to process, what you were saying is that if you do something in a committed way and you basically measure it and say, I'm going to do it until I get to this point, I think a hundred might be excessive, but you're going to get the hang of it.[00:36:28] Nathan:Yeah[00:36:28] Kimberly:I mean, I haven't mixed feelings though, about blogging cause I started a blog again, when I was, really getting into.Consuming. I mean, consuming isn't the right word. When I was throwing my entire body into the art world, one of the things that I did to expand my own knowledge was to write about other artists. And I think that's also something that's super unspoken, especially in the art world, because a lot of artists are just saying Me me me I want attention.I want to get people to focus on my show and my work, and I want a gallery and I want this and that. And I think one of the most important, aspects of breaking through to any next level of anything is generosity. Generosity of your attention to other people who are doing the same thing. And that for me, that general, I mean, I didn't think of this.This is red, this is a in retrospect, but at the time when I look back on it, I was airlifting artists that nobody had heard of and writing about them along with other big art, you know? And so I had a successful weekly column where I was keeping a blog again, this was before social media and that's how, and then the Huffington post came along and then I started publishing it, the, having a post.And that's how I said, I was asked by Arianna Huffington to be the, to found an art section. And so I was like, I was perfectly positioned because I was, I was a big nerd. I had had these other experiences. I was a full-on painter. I was having shows galleries the whole thing. And then she was building this incredible Site to celebrate bloggers. And I was one of the bloggers So I had to build an audience from zero to 10 million people within two years. I didn't have to that's what happened.[00:38:26] Nathan:Right.I have so many things that I want to ask about in this, one thing that I want to highlight that you talked about is as you're doing the painting, there's the side of it, of, Research where you're researching other painters, learning from them and all that. Most people keep that Research to themselves, right?That is not a public thing that happens. And I think a lot of the most successful creators that I see are the ones who do that recent. And, and share their notes and share that and work in public and do the interviews and all of that that you were doing. because it does a couple things. One people follow you, not only for your own work, but then also for your notes on other people.And then too, it's incredible for meeting people. Like when you do a profile, either if they're a, say an upcoming artist or someone who's established either way, they're going to be like, when you, you know, when you send them an email, they'll like respond and be interested and engaged. And, you know, I mean, that's a reason that I do this podcast is so that I can meet and hang out with people that I want to more aboutIt's amazing for network.[00:39:30] Kimberly:Yes. I think you're exactly spot on. This is no different than what I did with artists, this, except for I wasn't involving video, I was writing about it and interviewing them. You're right. You're absolutely right. I also think that you can get too carried away with that though. Like you have to be careful, you have to make sure that you're, you know, I can become easily like Clydesdale the horse.I'm like, well, that's another month and I have to do another,[00:39:57] Nathan:It becomes more important than the art, which was the[00:40:00] Kimberly:Well, yeah,[00:40:01] Nathan:It feels more time than[00:40:02] Kimberly:Yeah, yeah. Like, so eventually I had to leave, because it was just sort of eclipsing. It became so much bigger than everything else I was doing that I had to like go, okay, this isn't, you know, I've got a show coming up. I can't devote all this time and energy. And then of course, social media kind of made it all really different.[00:40:24] Nathan:Like in what way?[00:40:25] Kimberly:Well, because not only we could, you know, writing a really thoughtful piece about an artist and looking at their work and, you know, relating it with art history. And I also found that if I could relate it to like a contemporary event, like there was this one painter who painted battle scenes and we were just going to war with Iraq, I think, anyway, we were going to war somewhere.You know, it was a horrible time, but like, I would talk about going, you know, this contemporary news event. And I would link it with the artist who was painting these battle scenes. And then seeing that it went, go.[00:41:04] Nathan:Right.[00:41:04] Kimberly:Was another, that was another big learning lesson is like, if you put a number in a headline, like 10 things, you, you should tell, you know, 10 rules for your kids and screens, you know, then people would read that more.So I could see the analytics of what people clicked on. You know, that was like a interesting learning experience. But when social media happened, then suddenly you also had to tweet it. You had to post it on Facebook and then you had to tweet about it and then it just got to be social media. here's my take, if I could just say one thing, because I want to get it out there.I think social media is great for first impressions so that when people see you for the first time they're going to go that person's like a real artist or they're a real whatever, and they're legit. And they don't just have like three things that they've said about the subject. They've actually like, I trust that they've done some deep things.Like me painting a hundred nudes, you know, like this person knows how to paint.So I think social media, it's just so easy to get carried away. I hope one day it goes away. Is that terrible to say? I think emails should be everything. It should just go away.[00:42:14] Nathan:I don't think it's terrible to say at all. You have something in your Ted talk. you talked about like the compulsion to paint being taken away by your smartphone and these distractions, And I'd love for you to talk about that because I think there's so many things of like, if I'm on Twitter or checking my email, or even interacting with the ConvertKit team 2,700 times a day, you know, it makes it so much harder as a creator.And so I like, I just want to hear more of your experience there.[00:42:45] Kimberly:Well, I mean, in order to even get into my zone mentally to paint, I have to like have at least 90 minutes where I haven't spoken with anybody. Like I just need to kind of like clear it. Like I need to, I mean, I can be in it and I've got all these, you know, because people everybody's different. Some people like beginnings, some people like middles, other people's like ends.So you have to get in touch with which person you are, you know? So I, I love middles and beginning. I actually like all of them, but like, I'm better at certain things. So whenever I go into the studio, I have to start in paintings that are in the middle, that many going on at once. so you have to get in touch with like what time of day you're best at.And I always begin things at the end of the day when I'm already like nice and a well-oiled machine, well-oiled creating Machine.I never begin things in the morning. I always begin. at the end of the day, I never begin paintings in the morning. I was beginning, you know, I mean, I, I'm not, I know I'm not answering your question.Your question is, compartmentalizing your time to protect it away from social media. I teach a master class and I teach a Masterclass with artists who are building their first body of work, or they, they want to build a body of work in the masterclass.I make them take an oath an Instagram oath Instagram is it's so draining psychologically, emotionally, mentally, and the effort that you put into it that you really have to like commit and, and, and artists feel pressure to post their progress and post once a day and stuff like that.And the truth is, that algorithm, the algorithm is so fraught right now because you really only see the last 20 people that you liked more often than not. And you're not, it it's just, it's not healthy. It's not healthy for a visual artist Because you'll be on it. You check it like a diabetic checking their insulin level.It's just like, oh, did it get enough? Likes all that. It's like, Ugh. So I use, later to post once a week because I don't really want to deal with it. So I'll do like four months at a time. But if like I have a museum show opening up on Saturday, so I have to make a post this week. And so that that's like in my brain, oh God, I got to make a post this week.And when my book was coming out, like that's a whole other topic about promote, you know, how to tell people and that a book is coming out. yeah. So I just kind of look at it like, you know, kind of like a creative sinkhole,[00:45:15] Nathan:Yeah. And so it[00:45:15] Kimberly:So it[00:45:15] Nathan:Makes sense to avoid it. I think we hear that advice from a lot of talented creators and it's easy to be like, yeah. Yeah. But I can, I'm the person who can sit down and write with a moment's notice, you know? And then you you get totally stuck on writer's block or whatever thing, because you're like, you actually didn't create that space.And, like you talked about in the Ted talk of that time to like daydream and to actually be there, present with yourself and your thoughts.[00:45:42] Kimberly:Yeah, it's true. I mean, there's this thing in neuroscience called empathetic mirroring. Do you know about[00:45:48] Nathan:I don't know.[00:45:49] Kimberly:It's this, it's like when you see somebody, for example, write on a chalkboard, the neurons in your brain, I'm not going to say this. Right? So if a neuroscientist says I'm like slightly wrong, but like, it, it, it has this effect where you feel like you're doing it, you know, like, and it's, that's why people love to watch people write things.That's why a chalkboard is an excellent device for, I actually have a chalkboard in my office because I started to. Take videos of me make with my talking points of me writing it on a chalkboard, because even though it's considered like, you know, yesteryear technology, it actually helps people receive the information better to see it written[00:46:34] Nathan:Rather than being next[00:46:36] Kimberly:Rather than just show a PowerPoint slide.Yeah. And so this, the act of seeing it rhythm, but so if, if you think about the power of empathetic mirroring, that's going on in your brain, when you look at something happening, think about how much it can pollute your brain. If you're watching a stream of all these things happening in your Instagram feed or your Facebook feed, it's like dangerous.Like you have to be protective of what is going inside your mind. It's that they say like garbage in, garbage out, you know,[00:47:04] Nathan:I want to hear about you getting into the world of, of like teaching classes and that side of it, and then you have a book as well. There's a lot.[00:47:12] Kimberly:Oh yes. So I have this book,[00:47:15] Nathan:There[00:47:15] Kimberly:So, you know, around a decade into, you know, being a serious painter, I started to feel bad from the fumes because painting isn't really taught the way other things are taught. Painting is sort of like, there's, there's been this somewhat mystical, you know, here's a bunch of art supplies go to the art store and then let's see what you come up with.And then the, the, the classes tend to be more about critiques, about what you've done versus about,[00:47:45] Nathan:How do something.[00:47:46] Kimberly:About the, the true, true granular house, you know, the, how, like the basics, like things that you should know. And, so I started to get sick and I happened to be the arts editor at the time of the Huffington post.And I reached out to, and blogging was a very interesting, it was around 2004 or five, I think. Maybe, maybe it was a little bit later, but it was an interesting time because other people were thinking what I was thinking and I could see it in search for it. Whereas I couldn't, I couldn't have done that a decade earlier.And so I would reach out to leaders in the field, scientists, whatnot, to write about this topic of safety, you know, like that. And, but then when I read and I had, by the way, been consuming, Disneyland books, everything about painting, and I just saw this huge gaping hole of knowledge of how. Communicated. So I started writing this book all about painting and the book that I ended up publishing with Chronicle books is just one small piece of it because it was kind of too big.It was like James Joyce's Ulysses, you know, it was like a tone. It was like a Magnum Opus. and it's one of the key things that people don't realize is that you don't need to use solvent's P many people believe that you need to have like an open can of turpentine or some kind of solvent to dip your brush and defend the oil paint.So it's like super basic and most people when they go to the art store, and this is just my short, my short, skinny on the book. As most people, when they go to the art store, it would be like only buying canned or prepackaged. They don't know what's in it, you know, they don't know like that you don't need all those things.Like, but if you were like learning how to cook, you would know the difference between a garlic and a shallot and when to use canola oil or olive oil extra-virgin, you know, so I wanted to create, to start a book called the Y that was like Strunk and White's elements of style, but for oil paintings. So that's like the famous book that most writers use and just sort of shows you.And it's funny, actually, it's like a great book. So I wrote that book and that's called the new oil painting and it's published by Chronicle and it came out in June and it's like staying at the top, like five books of oil painting, which is great, you know? So I'm very excited about that. But in any way, in that journey of writing the book, the book, the book deal I got was two years ago.It was like a while ago. And so Susan. Did that I thought, you know, I would be a fool to not have a class that went with the book. So to the summer of 2019, I had, I had like four solo exhibitions in a row and I thought, okay, I'm going to devote six months and I'm going to record videos and I'm going to do that.You know? So I created this class that I wish that I had, and it was way bigger than the book. It was like everything I've ever thought about oil painting and that's called oil painting, fluency and flow. And, so yeah, so I launched a class, so the classes are out there[00:50:52] Nathan:Are the classes something that, you know, you're teaching in an online course? Are you there in person or through a partnership with.[00:50:58] Kimberly:So once I, once I learned about. That you can oil paint anywhere like you, Nathan tomorrow could decide, you know what? I w I've got an artist in me. I want to, I want to learn how to paint and you could set it up next year, you know, like in a little side table next to your computer, and there would be no fumes, no nothing.And it's much better for the environment it's not made out of plastic. It's like, you know, you could do it. So I wanted to get the word out. And, so my first class is, and so I was started teaching at major institutions. So the Anderson ranch in Colorado and the Otis where I actually took lessons, I taught there.And then, I just thought to myself, you know, this is highly inefficient because I have to like schlep over there and go there for, you know, hours at a time. And I could reach so many more people if I recorded. Instruction. And so I made these recordings, that's a hybrid of recordings and live sessions and critiques.And I have, you know, I have about 78 students right now. They're from all over the world and it's like the boast enriching wonderful, fabulous thing I've ever done[00:52:08] Nathan:Yeah.[00:52:09] Kimberly:To being an artist, you know,[00:52:11] Nathan:And so how does that interact with the newsletter that you have?[00:52:14] Kimberly:Well, I mean, so all of my experience, just as an artist has taught me that you, your value that you bring to any situation is the people that you can tell about what you do. It's like a tree falls in the forest. Nobody knows you're having a show. You know, you can't just rely on your art dealer.And the The dynamic has changed where. People don't have one, rarely do people have one gallery that represents them. And then they've got a bunch of satellite galleries. So you kind of have to be a little bit more entrepreneurial as an artist. And so you need to gather an email list. And so I stopped blogging and instead I have a newsletter because I want, you know, and I I have a narrative of stories that I tell about creativity about, about like I'll crawl deeply inside the making of a single painting of mine, or maybe another one.And I, and each email I send out, I spend a lot of time on, and it's like a work of art by itself because it's, again, it may be a different thing. a newsletter may be slightly different than a blog, but it's still words and image and it's just how. It's like another work of art, it's another work of art.And I love, using ConvertKit. I mean, I really, really do I tell people about it. I tell people about it all the time, because I think it's, it's the first software I've encountered that, allows you to very easily create a sequence. And, you know, you can I tell people, I say like, if you want to think about it, you could unspool Tolstoy's war and peace.If you wanted, like you could, every week you could give like a little section and you can start at the beginning and it takes the pressure off needing to constantly have every email be a first impression. So you can really get, let people to get, to know you in a much deeper, more personal way, because you create a sequence of letters to them that[00:54:23] Nathan:Right[00:54:24] Kimberly:Over time.[00:54:24] Nathan:Well, I think that's a really important point about starting at the beginning, because when you're sending these one-off emails to your newsletter, you don't know where people are joining. Some people for years and other people that is the very first thing. And so every time I find myself adding these caveats are like, Hey, if you're new here, you know, any of those things and with a, an email sequence, you know, the automated series, it starts at the beginning every time and it works people through it.And so I've had that. I've had so much fun creating those because you can chip away at them. Like I have one that I'm kind of writing now on, I guess it's on personal finance, you know? And it's just things that I wish that I had known as like, Moderately successful creator. Like, Hey, you're now earning a full-time living, what what's next?And so I can just write about that when I feel like it and add to this, that's now like 10 or 12 emails long.[00:55:20] Kimberly:And what's your frequent.[00:55:22] Nathan:That one I said to every week, but if I don't write for it, everyone just kind of pulls up at the end and weights, you know, for the next email. So it's 10 emails And then I add to it. And so like last week I didn't add a new one. And so now there's like a hundred people that are all the way at the end and they didn't get an email last week,[00:55:41] Kimberly:Yeah, no, I have that situation. I have a two year sequence[00:55:45] Nathan:Oh, wow.[00:55:45] Kimberly:I mean, I know like I sound, I probably seem super extroverted and voluble and everything like that, but like, I, I, it's very difficult for me to sell. It's very, it's very not. It's not cool for an artist to be. So like, I mean, it's just hard.It's also just hard for me. It's my personality. Like I even posting on Instagram is like a stressful thing for me. It's like, did I get everything that, you know, like I just, it's just not, I'm not one of those people that just casually throw stuff out there. I just, I'm very thoughtful and I want it, you know, it to be meaningful.And, but anyway, I was having trouble announcing that a workshop was over. Like serious trouble. Like I would put it off and I'd say, I can't do it. I can't press the send button. Like I just, even though you have the schedule feature on the broadcast, I was like, I can't do it. I can't do it. And you know, I, I can't remember the name of the marketing guru who was, have the five day sequence or, you know, basically a launch sequence is a series of emails where you first email is all about it.The second email might address one's reservations about it. The third Emile email might be testimonials. And then the fourth and fifth email are like last chance to get it. Like that to me is like, I would rather have needle eyes surgery than do that, you know, so I built it in, so I basically have the sequence where every quarter there's a launch sequence.Is that crazy[00:57:13] Nathan:No, it's fantastic[00:57:14] Kimberly:Because then, so, so that way, like I can just set it and forget it, like back to the Crock-Pot thinking like, you know, like, you know, just set it and forget it. You're going to sign up. You're going to get an announcement for a walk shop, a workshop a couple months after you've gotten to know me.[00:57:30] Nathan:Do you think that, well actually I guess really quick, the thing that I love about that is you can be completely immersed in your painting, right? And there you are selling a workshop and you're like, you don't, you have to think about it or know about it. Cause you did that work once and now you've finished a whole day of, of painting.Start something new at the end of the day. Cause that's the way that you roll. And then also you can say like finish up and check those sales and check that engagement. See, oh, people.[00:57:58] Kimberly:Yyeah, yeah. I mean, it's, it's just, it's I think people before they're going to buy anything, need to feel. Most people need to feel, you know, a level of comfort about what that person is about. so, you know, I haven't touched you tube. I haven't really, I honestly, I haven't made, I haven't made a huge effort because I've had the book coming out and I F I ha I had a big exhibition in June because, I designed a series of, excuse me.I designed, I painted a series of abstract paintings, for the cover of the book, because I wanted the cover, the book to be stellar and represent like a specified stroke, like hanging in air, like, to just convey the idea of painting and not be like a landscape, because for some crazy reason, if you, if you look up oil, painting, all the books, About oil painting are so poorly designed.It's like, it's strange because you would think people who are artists would care about design, but it's like pink pallet, Tino, bold 14 point font over like a green sunset. it's[00:59:07] Nathan:Yeah, well, design and painting are not necessarily the same thing you happen to come from a world where you have a lot of this. Even those two worlds have intertwined for you a lot over your career. So it makes sense to[00:59:18] Kimberly:Yes, but, but when, when, but if you get, but the painting books, like if you see a PA a painting book that has like a landscape on it, what if you don't like the landscape or they all have a landscape, or it has like the, the, you know, a face that's loosely drawn with, you know, painted with turbine, you know, Alla prima anyway.I've had so many exhibitions and like, I have a, I have a show coming up on Saturday and I've got to tell people about it. So like, I have to be, I'm already out there as an artist. So I have two different sequences and newsletters. I've got like a workshops for people who express interest in a workshop within the main newsletter.Like if, if, like, I'll say like I have this one great newsletter where the subject line is, who is this gorgeous woman? And then I show a picture cause they used to paint these beautiful renditions of the faces of the Egyptian mummies inside the sarcophagus, like beyond gorgeous. Like if you looked it up, you'd say, oh my God, this most beautiful painting I've ever seen.And it looks a lot like Francesco Clemente, which is an artist that like paint uses the same aspect ratio. It's like, you sort of go, oh, that's where that guy got that idea, you know? But. I'll talk about the pigments and that they used to, like, they used to burn mummies and then take the ashes and make a pigment called mummy brown.I know that sounds really kind of gross, but like, but, but they that's what they did. And I I'll say like, if this interests you, you might be interested in like a workshop. then if they say yes, then they'll go into my workshop sequence and they'll get notified when I open them.[01:01:00] Nathan:Are there other things that you do with email and with your newsletter[01:01:04] Kimberly:Yeah. Like I, like, I really want, I really want people to easily update their preferences. So I created a jot form like that simple select, you know, check box check if you're no longer interested in, workshops. No problem. Let me know. And I don't get enough work. Ominous, but hopefully, hopefully you'll put that feature in soon.[01:01:30] Nathan:We're actually working on building that feature now. So,[01:01:33] Kimberly:Are you kidding? When does it come out[01:01:34] Nathan:It's one of those asking where the paintings are done. It'll be done when it's done.[01:01:40] Kimberly:The other thing that I do is I really think gifts are important. And I think the marketer, the marketing community is really cheesy about it. Like they always do like outtakes from friends for reaction shots.And it's just so horrible, but I mean, it's just corny and you know who I'm talking about, but, you know, anyway, a gift is a beautiful thing because it's a movie that plays automatically and it doesn't have sound and. it can be so beautiful and subtle, you know, so every time I make a news that I usually have like an, it's like a work of art to me, you know?And sometimes if I want to emphasize a word, I'll paint a picture of that word and I'll integrate it in it. So like I really spend, I really love making them special. Yeah. I have one about the creative process and about not, not the Ted talk that you saw, but like I have one that's on the lead up to talking about the masterclass.Where it's called the curse of perfection. And I show, I talk about how, when I was a kid, my mother used to always like, she would sometimes wear like super smudge makeup and it was psych, it was called the smoky eye. I mean, they still do it now, but now the beauty people make it super specific, but then it was not that it was a little bit more like, woo.And I found a beautiful GIF of like a smokey eye, like slowly opening and closing. And I then go off on this whole subject about how, you know, it's as a painter, you have to let go of that, of the chains of perfection. You have to let it go in order to.[01:03:22] Nathan:Yeah. Well, I love that you're taking a medium that you know, of email or gifts or any of these things that a lot of people use in one way. And you're bringing those styles in that like class and sophistication and really just the level of effort. I think a lot of people are like hearing. Oh, I'm supposed to have, images or gifts.I'm supposed to be funny. And so they just look for something and slap it in there. And there's a level of effort that's not happening there, but because you're doing these automated sequences and you know that if you put this effort into it, it will last and work for you for years, then it's worth it.You can do a custom painted, you know, word or something like that to illustrate a point.[01:04:04] Kimberly:I mean, I have the luxury of having hundreds of paintings, and pieces of paintings, and video of—there's nothing sexier and more beautiful than watching somebody mix paint. There's literally nothing more gorgeous than that—So, I'm lucky.And I understand that other creators have to find other things, but there's a way to do things that have like a metaphorical—I here's what I would say. I would recommend that people seek to enhance their ability to think in metaphor when they write.So if they're gonna talk about a subject, and they're talking about a roadblock, instead of drawing a boulder on a road, find some other image or GIF. I use a lot of GIFs from ballet. You can find beautiful GIFs just by searching “Swan Lake” GIF, and it implies a physical movement.It goes back into that empathetic mirroring, where you feel that your own body is doing these movements that are surrounding this idea. It's not directly about what you're talking about, but it's like a little bit to the left, or it's just kind of a metaphorical version of it. It creates the space in between what you're literally saying, and what you're actually seeing that ignites the imagination and the view.[01:05:35] Nathan:Yeah. I love that. Just putting that extra bit of effort into defining the thing that's adjacent, rather than blatantly the first thing that came to mind. I think that makes a huge difference.[01:05:46] Kimberly:Yeah,[01:05:46] Nathan:We need to do a part two, because I have like 25 more questions to ask you, and we're out of time.[01:05:52] Kimberly:I'm in. I'm in.[01:05:54] Nathan:This has been amazing. Where should people go to subscribe to the newsletter?[01:05:58] Kimberly:They should go to KimberlyBrooks.com. The newsletter's right there in the footer and on the top. I really love communicating this way, and it's been an honor to be on this podcast, because I really love the product you've created. I really couldn't do it without you—without ConvertKit.So, I just, I'm such a fan, and I'm an evangelist, so kudos to you.[01:06:19] Nathan:Wow, thank you.Well, we're exci
In our attempt to make Alistair's recent sermons available as quickly as possible, the audio and video of the sermon are often posted before other supplementary elements. Please check back later this week for the finalized sermon title, description, topics, and transcript. Additionally, the sermon typically will be available on CD and DVD by Thursday morning. Bible passages: 2 Samuel 17:1-14
In our attempt to make Alistair's recent sermons available as quickly as possible, the audio and video of the sermon are often posted before other supplementary elements. Please check back later this week for the finalized sermon title, description, topics, and transcript. Additionally, the sermon typically will be available on CD and DVD by Thursday morning. Bible passages: 2 Samuel 17:15-29
Man's problem is sin. Redemption through Jesus is the solution. But is there a problem with the solution? Christ didn't just come to die for our sins, and rise again - He came, He died, He rose according to the Scriptures. But those same Scriptures make promises to Israel that can't be fulfilled if they reject Him. That's the challenge Paul is so masterfully addressing in Romans 9. The questions are: Who is a Jew, really? and, What did God promise, really? Listen to Right Start Radio every Monday through Friday on WCVX 1160AM (Cincinnati, OH) at 9:30am, WHKC 91.5FM (Columbus, OH) at 5:00pm, WRFD 880AM (Columbus, OH) at 9:00am. Right Start can also be heard on One Christian Radio 107.7FM & 87.6FM in New Plymouth, New Zealand. You can purchase a copy of this message, unsegmented for broadcasting and in its entirety, for $7 on a single CD by calling +1 (800) 984-2313, and of course you can always listen online or download the message for free. RS10252021_0.mp3Scripture References: Romans 9:6-16
Writing with someone who has passed on, recording and releasing hard copy CD's and records as an independent artist are just some of the interesting topics we discuss in this featured episode with Natalie Nicole Gilbert. (Los Angeles, CA - September 1, 2021) The road to recovery is rarely straightforward, and is sometimes arduous and hard-fought. Los Angeles-based producer, vocalist, and songwriter Natalie Nicole Gilbert uncovers songs of honesty, vulnerability and resilience in her latest album, Recovery. This genre-bending artist reveals a music project born out of Gilbert's own personal experiences with physical recovery and trauma, reflecting on the universality of the process of recovery as everyone faces change and loss. The 12-track album consists of eight covers and four original songs by the artist. Featured on the album are GRAMMY-nominated singer/songwriter/arranger Jarrett Johnson (Michael Bublé, David Foster, Alicia Keys) and songwriter David Blair (The Voice, Germany). Produced and engineered by Latin-GRAMMY nominee Robert Eibach, Gilbert's Recovery album is available now on Spotify and all other music-streaming and download platforms. The album is currently being considered for a GRAMMY in the Pop Vocal Album category. Connect with Natalie: Website Facebook Instagram Twitter Spotify YouTube
What could protect Ben at 65 mph, in the dark, on a snowmobile that was headed into hundreds of trees? Share Your Story If you have a Touched by Heaven moment that you would like to share, please leave us a note. Our listeners look forward to hearing about life-changing encounters and miraculous stories every week. Stay Informed Trapper sends out a weekly email. If you're not receiving it, click here to get the bonus stories and other interesting content that will further fortify your faith. Stay informed. Become a Patron We pray that our listeners and followers benefit from our podcasts and programs and develop a deeper personal relationship with God. We thank you for supporting our efforts and helping to cover the costs by being a Patron and getting lots of fun extras. Please go to https://patreon.com/bfl to check out the details. More About Trapper Jack Trapper has CD's and Downloads of his talks available for you to listen to and share. Click here to download, or order your CD now! Check out and subscribe to his new Men's Morning Light live-stream every Wednesday morning, or view the recording at your convenience on YouTube or FaceBook. Men's Morning Light is now also available as a Podcast. Go to Men's Morning Light to subscribe or search on your favorite podcast app. To book Trapper for speaking engagements and more, visit us at TrapperJackSpeaks.com We're praying for you and ask that you pray for us!
I’m sure that all Ledge fans could have predicted this week’s episode. With today’s release of the 40th anniversary deluxe edition of the very first Replacements album, Sorry Ma, Forgot To Take Out The Trash, it was pretty obvious that there would be a deep dive into this box set. The great news is that this box does not disappoint. Besides a desperately needed remaster of the orginal album, this 4 CD/1 LP set includes 67 previously unreleased tracks. There’s home demos, basement recordings, studio outtakes, and the band’s earliest professionally recorded show. How could I not make this the main reason of the show? But there’s much more. With this being reissue and box set season, I go through a number of other similar releases. Yet I also have some harsh words for a couple of them. There’s also an opportunity for listeners to compare two versions of the same Heartbreakers song. Is the newly discovered “master” of L.A.M.F.’s “Born to Lose” actually better than the “restored” version from the 2012 remix? Let me know what you think. I would love it if every listener bought at least one record I played on either of these shows. These great artists […]
Question: Were you a KLEPTO KID? Tell us about the things that you used to steal when you were younger. (eg. Dave went to jail for trying to shoplift 2 CD's...and didn't got to jail for stealing a bunch of other stuff. Show Features: Blooper Reel, Beer For Breakfast Brought To You By Speedee Mart, and Fast Food Freakouts Socials: @DaveandMahoney Voice Mail: 833-Yo-Dummy https://www.twitch.tv/daveandmahoney Additional Content: daveandmahoney.com See omnystudio.com/listener for privacy information.
Change of plans. You're chillaxing with your favorite part-time friends on The World's First Quantimino™ Powered Podcast recorded in the Beaded Curtain District especially for you and everyone you know. Double X Quantimino. Zero spending days are a myth. Band logos. The new Batman movie: The Batman 2019 film Lighthouse Chilledcow lo-fi hip hop on vinyl Bomb Queen Perspectives: Taking a shit on the clock Burrito updated his 6-disc CD changer. Let's taco bout it. Thursday - Full Collapse Strung Out - An American Paradox Coheed and Cambria - Good Apollo I'm Burning Star IV: Part 2: No World For Tomorrow Rage Against the Machine - The Battle of Los Angeles Gorillaz - Demon Days The Mars Volta - Deloused in the Comatorium Arthur the Arbiter: Sandwich shop drive-thru This Is The Newz. Man orders 100 tacos on first date, asks woman to pay for them Man plunges nine stories from NJ high-rise, lands on BMW — and survives UK Man Wears Fatsuit, Disguises Himself as a Black Woman Before Carrying Out Acid Attack on Ex-Girlfriend Burrito's Nippon Newz. Cup Noodle now has cute cats and judgmental foxes waiting underneath its lids Honda releases official doggy wheel accessories, Shiba Inu shift selectors for your car Food delivery service's payment processing error allows some people to eat for free…for 3 years Furious train otaku in Japan confront foreign bicyclist after he gets in the way of their cameras Kadokawa president apologizes and takes pay cut for his comments about censoring manga More Newz. Shoppers are shocked after learning 'correct' way to pronounce 'IKEA' Banksy artwork that was shredded after auction sells for 20 times its pre-shredded price What I Had For Lunch Unhealthy snacks Deepfake Sponsors: Julio Tejas, Booba Gettz The Crazy One, Thicccum Farmz.
Mixdoctor is an alias of British DJ/producer Les Adams. Died: September 2nd 2019 of a heart attack. Enjoy: Rene & Angela – I'll Be Good Rene & Angela – Save Your Love (Rap) Princess – Say I'm Your No. 1 Collage – Romeo Where's Juliet? Strafe – React Jazzy Jeff – Mix So I Can Go Crazy Howard Johnson– Stand Up Total Contrast – Takes A Little Time (Remix) Colonel Abrams – Trapped British remix service, and holding company. "Disco Mix Club" started as a remix service from the UK which still exists, founded by Tony Prince. DMC started first in February 1983 with cassettes, then in July 1984 they left the cassettes, instead issuing on vinyl. There were one or more records with mixes and one or more records with previews. Now the main issues are on CD. In 1986 they started a DJ mixing contest which is still held every year. NOTE: Concerning the monthly DJ-only remix service issues: From 1990 to 1998 the US branch of DMC issued individual issues or sets that had some different track listings than the UK DMC releases due to licensing issues. Since 2010, DMC started re-pressing older Commercial Collection on CD-R's instead of the original silver CD's. And since 2014 all releases appear on CD-R. DMC also runs magazines "Mixmag" in the UK, and "Mixer" in the US.
we talk about the newest edition of the Forbes 400--the richest evil bastards on the planet.(fyi the Forbes 400 does NOT include home addresses, which seems shortsighted imho)if you dig this episode, please consider giving us a little scratch on Patreon at www.patreon.com/futureleft. or leave us a review or retweet it or something like that. burn it on to a CD and give it to your uncle if you're into that, just help us get the word out!
Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 800 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more Derek Thompson is a senior editor at The Atlantic magazine and a weekly news analyst for NPR's "Here and Now." We talked about his latest pieces at The Atlantic. He was born in McLean, Va., in 1986, and he graduated from Northwestern University, in 2008, with a triple major in journalism, political science, and legal studies. In 2015, he wrote the cover story "A World Without Work" about the future of jobs and technology. "Hit Makers," his first book on the secret histories of pop culture hits and the science of popularity, came out in February 2017. He has appeared on Forbes' "30 Under 30" list and Time's "140 Best Twitter Feeds." I always love talking to him. The Great Resignation Is Accelerating A lasting effect of this pandemic will be a revolution in worker expectations. America Is Running Out of Everything ---------------------------------------------- Christian Finnegan is an American stand-up comedian, writer and actor based in New York City. BUY HIS NEW ALBUM--- "Show Your Work: Live at QED" Finnegan is perhaps best known as one of the original panelists on VH1's Best Week Ever and as Chad, the only white roommate in the “Mad Real World” sketch on Comedy Central's Chappelle's Show. Additional television appearances as himself or performing stand up have included “Conan”, “The Late Late Show with Craig Ferguson”, "Would You Rather...with Graham Norton", “Good Afternoon America” and multiple times on The Today Show and Countdown with Keith Olbermann, and on History's I Love the 1880s. He hosted TV Land's game show "Game Time". As an actor, Finnegan portrayed the supporting role of "Carl" in the film Eden Court, a ticket agent in "Knight and Day" and several guest roles including a talk show host on "The Good Wife". In October 2006, Finnegan's debut stand up comedy CD titled Two For Flinching was released by Comedy Central Records, with a follow-up national tour of college campuses from January to April 2007. “Au Contraire!” was released by Warner Bros. Records in 2009. His third special "The Fun Part" was filmed at the Wilbur Theatre in Boston on April 4, 2013 and debuted on Netflix on April 15, 2014. Check out all things Jon Carroll Follow and Support Pete Coe Pete on YouTube Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page
Paul administers a paternity test. Well, you say that Abraham is your father - and I know you believe that - but let's just find out for sure, shall we? In Romans, Paul makes the same argument that Jesus had made: that it's your nature, not your DNA, that tells us where you came from, and who you belong to. And the Apostle shows us how to read the test results; how to tell the true sons, from the false. Here's Jim with the finale of his sermon, Jews Who Are Not Israelites. And again we're in Romans 9. Listen to Right Start Radio every Monday through Friday on WCVX 1160AM (Cincinnati, OH) at 9:30am, WHKC 91.5FM (Columbus, OH) at 5:00pm, WRFD 880AM (Columbus, OH) at 9:00am. Right Start can also be heard on One Christian Radio 107.7FM & 87.6FM in New Plymouth, New Zealand. You can purchase a copy of this message, unsegmented for broadcasting and in its entirety, for $7 on a single CD by calling +1 (800) 984-2313, and of course you can always listen online or download the message for free. RS10222021_0.mp3Scripture References: Romans 9:3-8
* Judges: In the book of Judges we can see the first 300 years of the history of Israel, from the time of the death of Joshua to the time of Samuel the last of the Judges. Available on MP3-CD or download. Today's Resource: Please consider one of our monthly subscriptions that will not only help support BEL, but they also promote better understanding of the Bible and will equip you to be a better witness to those around you. BEL SUBSCRIPTIONS Monthly Audio & Video Downloads: Now you can subscribe to monthly sermons, Bible studies or topical videos in download form. Monthly Sermons: Enjoy all of Bob's sermons from the month on Sermon Video DVDs, great also to watch with the family. Or, get these on Sermon Audio CDs which are standard audio Compact Discs that will play on any CD player including the one in your car. Or get them on a single Sermon MP3-CD which will play on an MP3 player, in a DVD player, or in your computer.Monthly Bible Studies: Enjoy the Scriptures with Bob's Monthly Bible Study DVDs, great too for a small group Bible study. Or get these teachings on a single Monthly Bible Study Audio MP3- CD which will play on an MP3 player, in a DVD player, or in your computer.Monthly Topical Videos: Coming to your mailbox, you'll get a Monthly Topical DVD to enjoy one of Bob's great videos specially selected to be entertaining and to teach about life from a biblical worldview.Monthly Best of Bob Shows: Every month our crew selects the eight best BEL shows of the month and for the folks who might have missed some of them, we mail them out on the Best of Bob MP3-CD.Monthly BEL TV Classics: Enjoy Bob Enyart's timeless, popular TV show delivered to your home on the Monthly BEL TV Classics DVDs with great audio and video clarity thanks to our state-of-the-art mastering from the studio-quality Sony beta tapes to DVD!Monthly Donation: For folks who just want to make sure that Bob Enyart Live stays on the air, please consider making a pledge in the form of a Monthly Donation.
Planet Q Productions was created in 2006 by music producer Quincin "Que" Williams when at the time only a handful of recording artist have been known to write songs about the future, but no one ever put two and two together like Quincin Williams did and completely merged them together until now. One day Quincin Williams was looking at the cover of a Neptunes album which Featured Pharrell Williams, and Chad Hugo as members of StarTrak, and at the same time listening to a Nas song called "A New World", and a new idea was born called Futuristic Hip Hop. Hear the Album that blasted Quincin "Que" Williams music career off and quietly made his Album Platinum Status. These are songs he wrote from 2001 till the destruction of Hurricane Katrina in 2005. What made the Album so successful is he used his 18 Wheeler to sell copies of his own CD's at all Truck Stops he visited throughout the United States. The entire Album was written, arranged, and produced by him, Now That's Futuristic!!! https://www.planetqproductions.com/
Johnny Lynch AKA Pictish Trail joins us this week from the Isle of Eigg to share his Personal Beatles. We chat about his formative Brit Pop years, his first exposure to The Beatles in second hand CD shops in America, and how he set up is record label, Lost Map. Johnny's critically acclaimed latest album as Pictish Trail, Thumb World, is available now on Fire Records.We also have an extended chat about the upcoming Get Back films on Disney+. See acast.com/privacy for privacy and opt-out information.
This is a special double feature of my guest Linda Samuels, professional organizer. After appearing in Episode 44 to share her thoughts about how to handle clutter and how to create spaces that feel right, Linda and I worked together during three virtual organizing sessions to address the clutter and organizational needs within my home. This second episode is a review of what transpired and the important lessons I learned from Linda about handling clutter, organizing for success, and living well.You're going to hear not only my “a-ha” moments, but you're also going to get a sense of what it is like to work with a professional organizer too. Linda's style of coaching is both warm and highly effective...so listen in to our conversation to join in.Linda Samuels, CPO-CD®, CVPO™, is a compassionate, enthusiastic Professional Organizer and Coach, founder of Oh, So Organized!, Professional Organizer Advisor for Executive Mom Nest, and blogger on organizing and life balance. In addition to offering virtual organizing to clients worldwide, Linda presents workshops, writes, and mentors other Professional Organizers. Media features include WNYC's All of It, The New York Times, The Wall Street Journal, HuffPost, Westchester Magazine, and Entrepreneur.com. Linda lives with her husband between two rivers 30 miles north of New York City, in a small, colorful home with a purple front door. They are empty-nesters as their children are in the world living their adult lives.Timestamps: [14:26] The first lesson: Get your thinking in order to avoid overwhelm[17:24] The second lesson: Be aware of your ways of being and your energy as you organize[19:19] How Linda listens for what her clients need and wish for[20:37] The third lesson: Consider what you really want to have happen[21:41] Why clutter often leads to feelings of paralysis and procrastination__________________________________________________________For more information on the Make Time for Success podcast, visit:https://www.maketimeforsuccesspodcast.comConnect with Us!Dr. Christine Li -Website: https://www.procrastinationcoach.comFacebook: https://www.facebook.com/groups/procrastinationcoachInstagram: https://www.instagram.com/procrastinationcoach/Linda Samuels -Website: https://www.ohsoorganized.com/Instagram: https://www.instagram.com/lindasamuels/Facebook: https://www.facebook.com/ohsoorganizedlindasamuels/LinkedIn: https://www.linkedin.com/in/ohsoorganized/Note: To get access to my free workbook Cut the Clutter based on the work I was able to do in my sessions with Linda Samuels, go to https://www.maketimeforsuccesspodcast.com/clutter
Are the Jews really that special? Here's the rub: How can God's promises stand, after Israel has rejected the Promised One? To feel the weight of this difficulty, we have to appreciate the privileges that come with being an Israelite. Back in Romans 3 Paul asked, "What advantage, then, has the Jew?" He answered, "Much in every way!" but didn't give us a list. Here in Romans 9 is the list. Jim will pray, then launch his new sermon, Jews Who Are Not Israelites. Listen to Right Start Radio every Monday through Friday on WCVX 1160AM (Cincinnati, OH) at 9:30am, WHKC 91.5FM (Columbus, OH) at 5:00pm, WRFD 880AM (Columbus, OH) at 9:00am. Right Start can also be heard on One Christian Radio 107.7FM & 87.6FM in New Plymouth, New Zealand. You can purchase a copy of this message, unsegmented for broadcasting and in its entirety, for $7 on a single CD by calling +1 (800) 984-2313, and of course you can always listen online or download the message for free. RS10212021_0.mp3Scripture References: Romans 9:3-8
On the episode, Genevieve Going returns to discuss her new EP, Very Merry, dropping November 12, Disney Junior Ready for Preschool, Halloween, TikTok, and more! Genevieve's career has grown and is now reaching a second generation of fans. Combined views of content featuring Genevieve on Youtube has surpassed 250 Million views. In 2017 & 2019 she earned GRAMMY Nominations for her work writing Children's Music, and in 2018 she earned a GRAMMY Nomination as a recording artist in the Children's Music Category. Beginning her career in R&B and Hip-Hop in the San Francisco Bay Area, it was voiceover work that ultimately led her to the path of Children's Entertainment. Choo Choo Soul was originally crafted as an audio CD by video game developer Greg Johnson as he was working with Genevieve on the game "ToeJam & Earl III, Mission to Earth." The Choo Choo Soul brand was acquired by Disney in 2005, when they created new music videos to air on their morning programming block. Fans worldwide loved the funky, fun authentic music and Genevieve's soulful voice. After 4 seasons of original music and Disney Classics, a Parents Choice Award and 14+ years of touring, Choo Choo Soul has become an iconic brand within the Family Music industry. Genevieve's voice can be heard on various Disney songs, including the popular new "Ready for Preschool" and "Disney Junior Music Nursery Rhyme" series for which she also writes and produces. Disney English, a Walt Disney Publishing venture in China, also utilizes over 100 songs and recordings that Genevieve wrote and produced for the curriculum. Genevieve narrates stories for the Princess.Disney.com website as well as voicing games and apps with Hello Kitty, George Lucas Company and more. Her work with Fisher-Price on the re-branding of the Little People toy line brought Genevieve into a new arena of her field; bringing her voice to toys and commercials! Presented by DillosDizResort.com - Patreon Memberships Available Beginning at $1! Dillo's Diz. 55 Gerard St. #987. Huntington, NY 11743 Theme composed by Matt Harvey. Intro and Outro performed by Lindsay Zaroogian. The @DillosDiz Fact Checker IS Mel Dale. Feedspot's Top 25 Siblings Podcasts You Must Follow AND Top 90 Disney Podcasts You Must Follow. ONE STOP SHOP ALL THE @DillosDiz LINKS! Order your copy of Amy Ratcliffe's latest offerings, The Art of Star Wars: Galaxy's Edge and A Kid's Guide to Fandom. DIllo's Diz Resort Guests: Theme Park Rob, Long Island Frank from The Magical Hour Podcast, Schmelty, The Cretin's Guild, Nathaniel Hardy, Dr. Val of #FigmentsInTime, The Disney Bucket List Family, Lee Taylor, Shannon Bohn, The Morning Monorail Podcast, Allison Quinn, Michael Matande, Lexi Andrea, Adam Elmers, Adventures with Stephers Question or Comment? We LOVE interacting with listeners! FOLLOW Dillo's Diz on TWITTER: https://twitter.com/dillosdiz FOLLOW Dillo's Diz on INSTAGRAM: https://www.instagram.com/dillosdiz/ SUBSCRIBE to Dillo's Diz on YOUTUBE: https://www.youtube.com/dillosdiz LIKE Dillo's Diz on FACEBOOK: https://www.facebook.com/DillosDiz/ Check outDestinations with Character Travel Blogs, Archives, and Throwbacks at DillosDiz.com. E-Mail Dillo's Diz at DillosDiz@gmail.com!
In this episode, we discuss clever splits for shaping husbandry behaviors, the importance of checking for human readiness, reinforcement strategies for husbandry, what even is husbandry, how important mechanics are, good training techniques for increasing criteria no matter what behavior you are training, and setting your dog up to volunteer for eye drops. For full show notes, visit: www.hannahbranigan.dog/podcast/147 This podcast is supported by Zero to CD: hannahbranigan.dog/z2cd/
Today acclaimed singer-songwriter and fellow podcaster (The Working Songwriter) Joe Pug joins me for an unexpected choice of favorite album - Weezer's classic 1996 LP 'Pinkerton'. We talk about the seeming dissonance between Pinkerton and Joe's own music, discovering the album as a 12 year old and why you are more open to change in music at that age, how the CD age dictated listening habits, how the lyrics have aged, why he would be wary of collaborating with Rivers Cuomo, why supergroups are overrated, Rivers' strange relationship with this record and why young people can make sophisticated music.
What does it take to go from a no name band to a “legend”? You probably won't find out in this episode. But you will hear about the Bards new CD, catch up on how Dragon Con and Gen Con went. Learn about Andrew's promise to release two new CDs before the end of the year. And why Marc's calendar is even more full than usual. Best of all, join our Nagians Only Club on Patreon and you will get new music every month. It's all on the Brobdingnagian Bards Podcast #66. WHAT'S NEW BROBDINGNAGIAN BARDS NEWS Bards Ludicrous Drive Returns Another Faire To Remember Busking at Gen Con Dragon Con. What we remember? Update to Patreon. New song every month. --- ANDREW MCKEE NEWS Everything Is Filk Podcast 2 New CDs project SHOWS NOV-DEC: Louisiana Renaissance Festival, Hammond, LA --- MARC GUNN NEWS Pub Songs & Stories now out weekly. Check out How Dragon Con Saved Irish Music. Firefly Drinking Songs Livestream on Oct 21 at 8 PM SHOWS OCT 1: Ironshield Brewing, Lawrenceville, GA @ 7:00 – 10:00 PM. OCT 2: Fire Maker Brewing Co., Atlanta, GA @ 6-9 PM OCT 3: Grant Park Farmer's Market, Atlanta, GA @ 9 AM - Noon OCT 7: Browncoat Drinking Songs on Coffee with The Celtfather @ Noon OCT 7: Virginia Highlands Farmer's Market, Atlanta, GA @ 5-7 PM OCT 15-17: Multiverse, Atlanta, GA OCT 21: Coffee Classics: Geek & Celtic Requests on Coffee with The Celtfather @ Noon OCT 21: Firefly Drinking Songs on Celtfather Live on Bandcamp @ 8-9 PM OCT 28: Boo! Scary Halloween Songs on Coffee with The Celtfather @ Noon OCT 30: The Lost Druid, Avondale Estates, GA @ 6:30-9 PM If you have questions, comments, or thoughts, please post them in the comments section. We would love to hear from you! Visit our website at thebards.net. #brobdingnagianbards #musicallegends #ludicrous
Requests and Concert Tracks Start Name Artist Album Year Comments Love Is Where You Find It Tom Hazleton The Alabama Wurlitzer At Its Best [Prestige 86-106] 1986 4-22 Wurlitzer, Alabama Theatre, Birmingham, AL; Crawford Special, expanded to 4-29 3:59 Love Letters Steve Schlesing Paramount 450 2021 Paramount 450 8:14 Ben Hur Chariot Race March Chris Elliott That's Entertainment [CPE 102-CD] 1990 4-48 Wurlitzer, Wilcox Residence, Gig Harbor, Seattle, WA; ex Ramish Theatre, LA (some ranks from Million Dollar Wurlitzer) 11:43 The Night Is Young And You're So Beautiful Dan Bellomy Concert: Keystone Oaks High School 1990-01-20 1990 3-19 Wurlitzer, Keystone Oaks High School, Dormont, PA 16:14 Hey, Look Me Over Dolton McAlpin Concert: 12 June 1982 1982 3-8 Robert Morton, Saenger Center, Hattiesburg MS 18:22 My Buddy Lyn Larsen Vintage Classics Vol 1 - Presenting Lyn Larsen [Musical Contrasts CD] 1965 3-27 Wurlitzer, Kearns/Carson Residence, Hollywood, CA 22:34 Copenhagen - You've Taken My Heart Bobby Pagan Cinema Organ Encores Vol 73 [Deroy 1238] 1975 4-19 Compton Noterman, Dreamland Cinema, Margate; (8 Compton 11 Noterman) Installed 1935; Public concert August 31, 1975 25:25 If He Walked Into My Life Simon Gledhill Concert: Troxy, Stepney 2020-01-04 2020 4-25 Wurlitzer, Troxy Theatre, Stepney, London; recorded by Damon Cox, Southern District Secretary, COS; Recording Equipment: Sontronics STC-1S into Zoom F8 31:53 Kismet selection - first 6 mins Walt Strony Concert: Troxy, Stepney 2019-01-05 2019 4-25 Wurlitzer, Troxy Theatre, Stepney, London; recorded by Damon Cox, Southern District Secretary, COS; Recording Equipment: 2x Sontronics STC-1S & 1x Rhode NT-1A into Zoom F8 38:37 The Place Where Lost Things Go Aaron Hawthorne Concert: S.C.O.T. Soiree 5 - 2020-10-24 2020 3-12 Wurlizter, Victoria Hall, Saltaire, Yorkshire 44:37 On A Wonderful Day Like Today Matthew Fisher Concert: Tennessee Theatre, Knoxville 2020-09-07 2020 3-17 Wurlitzer, Tennessee Theatre, Knoxville, TN 47:48 Crazy World Freddie Brabson Concert: Tennessee Theatre, Knoxville 2020-05-04 2020 3-17 Wurlitzer, Tennessee Theatre, Knoxville, TN 51:09 At Sundown Nick Renkosik Concert: Sanfilippo Halloween 2020-10-30 2020 5-85 Wurlitzer, Grand Salon, Sanfilippo Residence, Barrington, IL 53:52 Workin' My Way Back To You Justin LaVoie Concert: Fox Theatre, St. Louis 2017 2017 4-36 Wurlitzer, Fox Theatre, St. Louis, MO; concert August 13, 2017 57:04 Give Me The Simple Life Alex Jones Orpheum Memphis Jam 2021 3-13 Wurlitzer, Orpheum Theatre, Memphis, TN (2700 seats, 1928); rebuilt by Jeff Weiler Associates
Muah-ha-ha, listeners! It's time once again for us to put away our D&D stuff, turn down the lights, put on a spooky sound effects CD, and play some Call of Cthulhu! In this thrilling tale of terror set in 1940's Spooky Chicago, four employees of a local landmark find themselves cornered by a group of mysterious soldiers with unfamiliar insignias on their uniforms and malicious intent for the hapless helpers. Will they be able to escape the clutches of Col. Verok and his men, or will the square-jawed jarhead take more from them than just an artifact from the museum's collection? Find out in this exciting part one, filled with ghosts, guns, liquor and Home Alone style traps! In this episode Flynn just wants to get coffee May sips some Ol' Man Meat Whiskey Daphne is bamboozled by handsomeness And Mordecai is the self-proclaimed fan favorite
Subscribe/Follow Michelle McKinney Hammond:YouTube - http://bit.ly/2EqUor5Facebook - http://bit.ly/2Fkzg7rInstagram - http://bit.ly/2AL2f0CTwitter - http://bit.ly/2mk59VBAmazon - http://amzn.to/2FmHmfMWebsite - http://www.michellehammond.com/SHOP MMH MERCH: https://teespring.com/stores/mmh-merchAs a bestselling author, speaker, singer/songwriter and television presenter, Michelle has authored over 40 books (selling over two million copies worldwide), including best-selling titles The Diva Principle, Sassy, Single and Satisfied, 101 Ways to Get and Keep His Attention, and Secrets of an Irresistible Woman. A gifted vocalist, Michelle has recorded four solo CD's, It's Amazing, Let's Go In, Come Let Us Worship, and With Love. She co-hosted the Emmy Award-winning television talk show Aspiring Women for ten years and compliment 3D Woman for two years. She presently resides in Ghana, West Africa where she is the visionary for a music ministry called Relevance. They have released three Albums FOREVER, THE GREATEST GIFT AND FOR LOVE SAKE.Support the show (https://www.patreon.com/michellemckinneyhammond)
“Getting great at one thing opens doors for everything else.” Kyle Wilson is an amazing example of this for sure!! I met him on Clubhouse a few months ago and was so moved by him and his wisdom that I invited him to speak to my Unstoppable Life Mastermind group and now so honored to introduce him to you. I have been so impressed with his book publishing skills, his amazing network, his professionalism, his resilience, and his kindness. But what I am most excited about!!!!! Well.....we co-authored a book that JUST hit bookshelves yesterday called Persistence, Pivots and Game Changers, Turning Challenges Into Opportunities. I am honored to be a part of this book, along with others such as Phil Collen, Glenn Morshower, Kevin Eastman, and Marques Ogden with a forward by Brian Tracy. I would love if you helped this book fly off bookshelves because 100% of book profits go to the charity Win This Fight, which fights to end human trafficking. Plus, this book will positively impact YOUR own personal development and growth. And if that isn't enough to make you grab the book, then we have included $500.00 of amazing gifts during the launch week. So after you grab the book, please send an email to firstname.lastname@example.org with your Amazon order number, book quantity, and your comments and testimonials so we can send you $500.00 worth of gifts as a special thank you and also fight the war against human trafficking. Okay, okay, I am excited about this new book but let me tell you why I am excited to share Kyle with you!! He is the founder of Jim Rohn International, YourSuccessStore.com, LessonsFromNetwork.com and KyleWilson.com He's worked with the top names in the personal development industry including his 18 year biz partner, friend and mentor Jim Rohn, as well as Og Mandino, Brian Tracy, Les Brown, Darren Hardy, Robin Sharma and many others. Kyle is the author of "52 Lessons I Learned from Jim Rohn and Other Great Legends I Promoted!" AND partnered with Mark Victor Hansen and Jack Canfield on "Chicken Soup for the Entrepreneur's Soul." Kyle has filled huge seminar rooms, launched and published multiple personal development publications with over a million subscribers and has produced/published over 100+ hours of DVD and CD programs. Kyle sold his companies in 2007 and became a Mr Mom for 7 years. He now does high-end coaching & consulting, hosts the Kyle Wilson Inner Circle Mastermind and has helped over 200 people became #1 Best Selling Published Authors, hitting multiple #1 Best Selling books. Brian Tracy said Kyle has made him Millions of dollars, Darren Hardy says Kyle is his Go To person for any marketing solution and Jim Rohn said Kyle is his trusted partner and friend. In this episode, Kyle and I talk about the process of writing collaboration books, how he got into self-development early on, and what kind of success habits it takes to become a super achiever. And let me tell you, Kyle is definitely a self development super achiever!! Here's what you will learn: How to get started in the personal development space (1:31) The power of mentors along the way (9:27) How trust and motivation builds leaders in a company (19:42) How to get started in writing or collaborating on a book (25:39) The benefits of self publishing your book (34:19) What masterminds are and how they work (42:31) Screenshot your favorite part and post to your IG story and tag me @amberlylagomotivation and @kylewilsonjimrohn so we can see and repost to our stories! Still reading but didn't grab the book? No worries! I got you! Here is the link to grab it on Amazon. Everyone involved has put a lot of work, energy, and passion into making sure this book and the lessons inside it will make a positive difference and ripple in the world! We are honored that you are taking the time to read and help start that ripple!!! Join me along with other world-class mentors in North Carolina, in person or virtually, and get UNSTOPPABLE MOMENTUM in a high-octane experience!! I will be sharing how to harness the power within you along with Tom Bilyeu, Lisa Bilyeu, Anthony Trucks, Mel Abraham and so many more!!! Grab your ticket now! Follow Kyle: Facebook Instagram Twitter Website Mentioned in this episode: Jim Rohn Brian Tracy Les Brown Success Habits of Super Achievers If you are ready to leave your mark by discovering your message and sharing it with the world, you've come to the right place!! Let's work together to build your influence, your impact, and your income! Join the tribe you have been waiting for to activate your highest potential and live the life you deserve! Another Your Unstoppable Life Mastermind is starting soon!!! Early bird countdown starts now! JOIN NOW and let us know you are ready for greatness! Read the "True Grit and Grace" book here and learn how you can turn tragedy into triumph! Thank you for joining us on the True, Grit, & Grace Podcast! If you find value in today's episode, don't forget to share the show with your friends and tap that subscribe button so you don't miss an episode! You can also head over to amberlylago.com to join my newsletter and access free downloadable resources that can help you elevate your life, business, and relationships! Want to see the behind the scenes and keep the conversation going? Head over to Instagram @amberlylagomotivation! Audible @True-Grit-and-Grace-Audiobook Website @amberlylago.com Instagram @amberlylagomotivation Facebook @AmberlyLagoSpeaker
YO! We are back and have we got a killer one for you this week. We sat with 3/4 of the band CIV to talk about their debut LP "Set Your Goals" which was released by Lava/Atlantic Records on CD and cassette BUT on vinyl via Revelation Records so it gets its own episode! Don't wait one minute more, listen now!
Christianity is built on a Jewish foundation, and we're comfortable with that - as history. But what about the future? The coming Kingdom might be more Jewish than you imagine. At the very least, we can say that the descendants of Abraham, Isaac and Jacob have a bright future, and that God will not erase their distinctiveness. Jim begins Part 3 of his sermon, Paul's Personal Heartache with a quote from Dr. Alva J. McClain. Listen to Right Start Radio every Monday through Friday on WCVX 1160AM (Cincinnati, OH) at 9:30am, WHKC 91.5FM (Columbus, OH) at 5:00pm, WRFD 880AM (Columbus, OH) at 9:00am. Right Start can also be heard on One Christian Radio 107.7FM & 87.6FM in New Plymouth, New Zealand. You can purchase a copy of this message, unsegmented for broadcasting and in its entirety, for $7 on a single CD by calling +1 (800) 984-2313, and of course you can always listen online or download the message for free. RS10202021_0.mp3Scripture References: Romans 9:1-3
October 19th 2021 - All of Tuesday's show in one complete podcast. Tony went thru Jackie's CD collection. We have a letter from a dad for the Mommy Squad, Our first winner for You Shop With Our Money! Plus the Dish and more
*** This special episode is dedicated in loving memory to Chick Corea My Special Guest is Multi GRAMMY® winning pianist/singer/composer Eliane Elias. The NEW Album is MIRROR MIRROR Featuring Chick Corea & Chucho Valdés. Born in São Paulo, Brazil, Eliane began her classical piano studies at age seven and at twelve was transcribing solos from the great jazz masters. Eliane's illustrious career includes nearly 30 recordings, over 2.3 million albums sold, nine total GRAMMY and Latin GRAMMY nominations, a GRAMMY win for Best Latin Jazz Album (Made in Brazil, 2016) and a Latin GRAMMY win for Best Latin Jazz/Jazz Album (Dance of Time, 2017). MIRROR MIRROR marks the classically trained pianist's first piano-only recording since 1995's Solos and Duets, a set of piano solos and six duets with pianist Herbie Hancock. Working with the two incredible icons, Chick Corea & Chucho Valdés was a rare opportunity to record in a two-piano setting, something she hasn't done in many years. By 15, Eliane was teaching piano and improvisation at one of Brazil's most prestigious schools of music. Her performing career began just two years later. Eliane's first official album under her own name, Illusions, featured Stanley Clarke, Steve Gadd, Lenny White, Eddie Gomez and Toots Thielemans and hit #1 on the Radio & Records Contemporary Jazz chart. Voted Best New Talent in the Jazziz magazine critics' poll in 1988, Eliane is a four-time Gold Disc Award recipient, a three-time Best Vocal Album winner in Japan and winner of the 2018 Edison Lifetime Achievement Award in Holland. Her 2019 album Love Stories, as most of her previous releases, hit #1 on the jazz charts worldwide. ELIANE ELIAS - The NEW Album is MIRROR MIRROR Featuring Chick Corea & Chucho Valdés The CD is available for STREAMING NOW and will be available on CD & VINYL NOV 12, 2021 On The Web - www.elianeelias.com Instagram: @elianeeliasofficial YouTube: Eliane Elias Official Spotify: Eliane Elias
We are #BottomlessTruth with CD and Juice...The funniest podcast you've never heard of!! NOW ON YOUTUBE!! - www.youtube.com/watch?v=IRLdg6QYofM It's a classic CD and Juice episode. This week, we discuss CD's trip to Columbia, Juice's trip to DR, CD's upcoming wedding and The Agenda!!! Feels good to be back. Enjoy. HIT THAT HEART AND LEAVE 5 STARS!! TELL A FRIEND!! audibletrial.com/bottomlesstruth Where to Listen: thebottomlesstruth.com iTunes - goo.gl/HWZuoO Google Play - goo.gl/sSBUbb Sound Cloud - goo.gl/HQT3nf Stitcher - goo.gl/MvdMxJ Contact Us: Email - email@example.com @BottomlessTruth - goo.gl/d2EXJ0 @TheTruthByCD - goo.gl/Gw8FU6 @JuiceWitDaTruth - goo.gl/HHCA0x #love #life #podin #motivate #happiness #happy #podcast #inspire #trust #motivation #inspiration #quotes #quote #thoughtoftheday #tbt #relationship #lifestyle #lifehacks #fitfam #youtube #comedy #funnyordie #funny #loyalty #entrepreneurship #entrepreneurs #business #podcastsincolor #mcm #PUSHLifeDaily
Join Michael Jr. , Pastor Kyle and Damion as they talk about life choices and the importance of telling yourself the truthCheck Damion's Music https://soundcloud.com/damionwrightHave you left a question for Michael Jr. and Tech Guy Nick?Call 903-213-2019 and leave a question...just start with Michael Jr. I Was Wondering.Storytime with Michael Jr.Get ready to laugh and be encouraged! Spots are limited - join Michael Jr. as he shares impactful stories from his new book, Funny How Life Works.Get your access ticket here: https://funnyhowlifeworksbook.com/storytimeFree ChapterYou can download a free chapter from Michael Jr.'s new book here: michaeljr.com/chapter.Join Our Exclusive Community on Patreon: https://www.patreon.com/michaeljrWhen you become one of our patrons, or what we call an Opener, you are joining a strong and exclusive community who have early access to some really cool perks.Don't forget to leave a review! We really do read them. Your review could be featured in an episode and read by Michael Jr.As a thank you for listening, we want to hook you up with Michael Jr.'s comedy CD, Funny For a Reason at whatever price you want. Click the link, name your price, and keep laughing.Name Your Price CD: michaeljr.com/cdSupport the show (https://www.patreon.com/michaeljr)Support the show (https://www.patreon.com/michaeljr)
How can I successfully operate properties in C/D areas? Connect with Mark and Tom: StraightUpChicagoInvestor.com Email the Show: StraightUpChicagoInvestor@gmail.com Guest: Jared Kott of Marblestone Properties ----------------- Production House: Flint Stone Media Copyright of Straight Up Chicago Investor 2021.
Has God painted Himself into a corner? If God's plan is to bring many people into His kingdom through the Messiah... Who comes through Israel... what happens when Israel de-certifies the Savior? "Nope, not this One!" It doesn't embarrass the Almighty, or even catch Him by surprise, but it does demand some explanation. We've come to that explanation in the book of Romans. First, Pastor Jim will give us some historical background, to start Part 2 of his message, Paul's Personal Heartache. Listen to Right Start Radio every Monday through Friday on WCVX 1160AM (Cincinnati, OH) at 9:30am, WHKC 91.5FM (Columbus, OH) at 5:00pm, WRFD 880AM (Columbus, OH) at 9:00am. Right Start can also be heard on One Christian Radio 107.7FM & 87.6FM in New Plymouth, New Zealand. You can purchase a copy of this message, unsegmented for broadcasting and in its entirety, for $7 on a single CD by calling +1 (800) 984-2313, and of course you can always listen online or download the message for free. RS10192021_0.mp3Scripture References: Romans 9:1-3
Take control of celiac disease (CD) with gastroenterologist, Dr. Amy Oxentenko (Chair of Medicine at Mayo Clinic AZ, @AmyOxentenkoMD). Learn how to recognize both classic and non-classical features of CD and understand diagnostic testing, management and proper follow-up for patients. Claim free CME for this episode at curbsiders.vcuhealth.org! Episodes | Subscribe | Spotify | Swag! | Top Picks | Mailing List | firstname.lastname@example.org | Free CME! Credits Production and Script: Matthew Watto MD, FACP Production, Show Notes and Infographics: Edison Jyang Cover Art: Kate Grant MBChB, MRCGP, DipGUMed Hosts: Matthew Watto MD, FACP; Paul Williams MD, FACP; Beth Garbitelli Reviewer: Emi Okamoto MD Editor: Matthew Watto MD (written materials); Clair Morgan of nodderly.com Guest: Amy Oxentenko MD, FACG Sponsor: ACP's National Internal Medicine Day Help the American College of Physicians celebrate National Internal Medicine Day on October 28th. Visit https://www.acponline.org/NIMD2021 to learn how you can show your internal medicine pride. Be sure to tag @ACPInternists and use the hashtag #NationalInternalMedicineDay. Sponsor: Grammarly Get 20% off Grammarly Premium by signing up at Grammarly.com/CURB CME Partner: VCU Health CE The Curbsiders are partnering with VCU Health Continuing Education to offer FREE continuing education credits for physicians and other healthcare professionals. Visit curbsiders.vcuhealth.org and search for this episode to claim credit. Show Segments Intro, disclaimer, guest bio Guest one-liner, Picks of the Week Case from Kashlak; Definitions Workup for a typical celiac patient Nonclassical features of CD When to do a small bowel biopsy Management of CD Considerations for atypical celiac patient and differentials Non-celiac gluten sensitivity Outro Links Crucial Conversations (book) Gluten-free flour (flour) Pie crust recipe (recipe) What Remains of Edith Finch (game) Doughboys (podcast)