Podcasts about Drumming

Welcome to Episode 211 of DRUM with Mike & Eddy! This week, we are looking back at the exact turning points that shaped our careers as professional drummers. We're skipping the "hustle culture" buzzwords and getting straight into the reality of what it actually takes to build a life around the kit.Here is what we get into this week:Grail Gear Guilt: Eddy scores a legendary pair of Joey Jordison sticks, and I break down why I couldn't resist dropping my own cash on a 1970s stop-sign badge Gretsch bop kit.The Return of NAMM: Why the drum industry is finally getting its pre-pandemic vibe back and the magic of experiencing gear in person.The Year That Changed Everything: We break down the specific years we had to go all-in. Eddy talks about his intense 2017–2018 transition, and I take it back to 2005–2006—late-night coding, the "two-shake rule" with Amber, and building a 99-cent online lesson site from the ground up.Staying Authentic: Why doubling down on real, honest connection is the only way forward in an AI-heavy world.Enjoy - Mike Jwww.mikeslessons.comSupport the show

Welcome back to Drummers on Drumming, a podcast powered by Big Fat Snare Drum. This is another segment of The Drum Panel featuring myself, Sarab Singh (MUNA), and Brendan Buckley (Shakira). In this episode, we talk about: Getting over the fear of recording at home and figuring out certain techniques later in your career Why some producers and artists choose emotional takes over technically perfect ones When quantizing, sample replacing, or comping starts to blur the line between your playing and studio editing The tension between technique and comfort—and why great technique doesn't always feel great What makes a groove feel “bad,” and how context, consistency, and taste shape that judgment --- Get Your Copy of the Drummers on Drumming Book Today!

Enjoy the calming sound of gentle rain falling steadily on a rooftop. Each drop creates a warm and rhythmic pattern that feels safe and comforting, like resting indoors during a quiet night storm. This peaceful rain ambience is perfect for sleep, deep focus, studying, or relaxation. Let the continuous rooftop rain mask distractions, slow your breathing, and carry you into a calm and restful state for a full two hours.Become a supporter of this podcast: https://www.spreaker.com/podcast/asmr-rain-recordings--5347561/support.Lose the AD intros by becoming a subscriber!https://www.spreaker.com/podcast/asmr-rain-recordings--5347561/support

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of cassette tape and digital audio tape recordings of Bayaka music and soundscapes made by ethnomusicologist Louis Sarno mainly in the Central African Republic (and the Republic of Congo) between 1986 and 2009.Recorded by Louis Sarno.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

Bayaka group water drumming, with rhythm changes.From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of cassette tape and digital audio tape recordings of Bayaka music and soundscapes made by ethnomusicologist Louis Sarno mainly in the Central African Republic (and the Republic of Congo) between 1986 and 2009.Recorded by Louis Sarno.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of reel-to-reel tape recordings of music and soundscapes made by ethnomusicologist Raymond Clausen mainly on the island of Malekula (Malampa Province) in Vanuatu between 1960 and 1979.Recorded by Raymond Ernst Clausen.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

I ended up listening to this recording a lot in my everyday life, just putting it on and going to work, walking around the city I live in, in idle moments between work. I didn't know an awful lot about Vanuatu, where the recordings were taken by Raymond Clausen in 1962. Having read the Pitt Rivers blog, I thought a lot about how people and societies move on and are changed, sometimes forcibly, by the world they inhabit, and importance of communication, across generations and across the world. Climate change and the threat of rising sea levels presents an existential, direct and profound threat to the lives of people across the global south, particularly islanders. The Vanuatan government has appealed to the world for help via the UN, which with the rise of the right and shattered consensus across the world is becoming increasingly toothless, but hope has to prevail. For the spoken text in this piece I used the information about the threat of climate change from the Permanent Mission of the Republic of Vanuatu to the United Nations over a sample of drumming at Wor Tamat, other electronic samples and guitar, with text read by Lizzie Lindsay.Drumming at Wor Tamat dancing ground reimagined by Dermot Fitzsimons.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

In this episode, we get into what it really takes to prepare to record, and why “jamming to a song” and tracking a song for an artist are two totally different worlds. Eddy shares how he practices and preps parts (often without writing anything down), why e-kits can be a secret weapon for learning technical material, and how to identify the non-negotiables in a drum part when a demo already has programmed drums.We also talk about fighting muscle memory, why simple pop parts can be harder than complex chops, the “less is more” mindset, listening back with ruthless honesty, and the ultimate litmus test: did your drumming make the song better, or did it pull the listener out of it? Plus: the courage to “dare to suck” during the process… because that's where the magic shows up.Enjoy - Mike JSupport the show

Originally from Fort Bragg, California, Zoltan Tobak started playing drums at an early age. After years of performing throughout California as well as attending the Musicians Institute in Los Angeles, he relocated to Nashville in 2014 to pursue music full time. Since 2016, Zoltan has been the live and studio drummer for Muscadine Bloodline, performing extensively and recording five full-length albums. Beyond touring, he stays active in the Nashville community, playing and recording across a range of projects. In this episode, Zoltan talks about:     Managing your social media presence     His unique name     His move from Northern California to Nashville TN     Taking a career growing gig vs taking a gig for money only     Drumming for Muscadine Bloodline     The power of space between notes     Filling in last minute on a major tour     Matt and Zoltan's shared love of Family Feud ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage

What is up? Welcome back to Drummers on Drumming, powered by Big Fat Snare Drum. I decided to move this episode toward the top of the feed and revisit it. Last weekend, Tim Very, the drummer for Manchester Orchestra, passed away. While we weren't super close, we stayed in touch over the years. He was kind enough to be part of my first book, and he also came on the podcast to do a Big Fat Five. That's what you're going to hear today. Going back and listening to this conversation was a real gift. Tim was such a creative drummer. Powerful, playful, and always deeply respectful of the song. He knew exactly where to sit in a part. You can hear how thoughtful he was, not just as a musician, but as a person. Quick heads up about the audio. He was calling in from the back of his tour bus over Zoom. The Wi-Fi was rough. There's some generator noise. The first half isn't perfect, but what he says is worth it. About halfway through, the connection dropped completely. And just to show you the kind of guy he was, he re-recorded his final three picks as voice notes and sent them to me so the episode could still come out on time. That's Tim. I first saw him live at The Fillmore in Philadelphia in 2018. I didn't buy a ticket. I was playing upstairs at The Foundry with my band. To get to our dressing room, we had to walk along a path overlooking the main room. Manchester Orchestra was sold out below us. It's either motivation or humiliation, depending on how your tour's going. But I remember watching him and thinking, this guy really understands how to serve a song. So with that said, this is Tim Very's Big Fat Five. The five records that helped shape his playing. I hope you enjoy it. And I hope it inspires you the way it inspired me revisiting it. TIM'S BIG FAT FIVE: - Artist - Foo Fighters  Album - The Colour and the Shape Release Year - 1997  Key Track - "Hey, Johnny Park!"  Drummer - Dave Grohl / William Goldsmith - Artist - AC/DC Album - Highway to Hell Release Year - 1979 Key Track - "Highway to Hell" Drummer - Phil Rudd - Artist - Wilco Album - A Ghost is Born Release Year - 2004 Key Track - "At Least That's What You Said" Drummer - Glenn Kotche - Artist - The Refused Album - The Shape of Punk To Come Release Year - 1998 Key Track - "The Deadly Rhythm" Drummer - David Sandström - Artist - Colour Revolt Album - Plunder, Beg, and Curse Release Year - 2008 Key Track - "Ageless Everytime" Drummer - Len Clark --- Get Your Copy of the Drummers on Drumming Book Today!

The Daily Quiz - General Knowledge Today's Questions: Question 1: According To The Christmas Song, How Many Drummers Drumming Were There? Question 2: Philippe Bourguignon left the chairmanship of Eurodisney to join which group of resorts? Question 3: What is the world's largest library, with over 115 million volumes on 532 miles of bookshelves? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to Drummers on Drumming, powered by Big Fat Snare Drum. This episode is a new installment of The Drum Panel, and it's Part One of Two diving into Chick Corea's Cheap But Good Advice For Playing Music in a Group. I'm joined by good friend of mine Rafa Vidal, who also plays with the band Almost Monday, who are currently killing it, and of course Eric Somers-Urrea is back on the panel. We start off reacting to a post from Tommy Igoe about drum education and who should really be setting the agenda in lessons. That opens the door to a bigger conversation about intention, listening, and what it actually means to function inside a band. From there, we break down the first six pieces of Chick's advice and what they look like in real life: Play only what you hear. If you don't hear anything, don't play anything. Don't let your fingers and limbs just wander—place them intentionally. Don't improvise endlessly—play something with intention, develop it or not, but then end off, take a break. Leave space—create space—intentionally create places where you don't play. Make your sound blend. Listen to your sound and adjust it to the rest of the band and the room. We also get into a Rafa's new endeavor called Touch Grooves. Check out more information on that HERE --- Get Your Copy of the Drummers on Drumming Book Today

Settle into deep rest with two hours of steady rain falling on a camping tent. The soft patter of droplets on fabric creates a calm and cozy soundscape that feels safe and warm. This gentle rain sound is ideal for sleeping, studying, meditation, or quiet focus. Let the natural rhythm of nighttime rain wash away stress, block distractions, and help your mind slow down. Perfect for fans of rain sounds, tent rain ambience, camping at night, and peaceful white noise for relaxation and concentration.Become a supporter of this podcast: https://www.spreaker.com/podcast/asmr-rain-recordings--5347561/support.Lose the AD intros by becoming a subscriber!https://www.spreaker.com/podcast/asmr-rain-recordings--5347561/support

What if rhythm is one of humanity's oldest medicines? In this illuminating episode of Dr. Lotte: Science with Soul, I sit down with renowned music therapist, author, and global rhythm leader Christine Stevens to explore how drumming and sound heal pain, regulate the nervous system, and awaken consciousness. Drawing from neuroscience, clinical research, ancient traditions, and Christine's work in war zones, hospitals, and trauma-affected communities, this conversation reveals why rhythm has always been central to healing — and why it's returning now. You'll hear live drum and flute demonstrations, learn how different drums affect the body and psyche, and discover how rhythm can support pain relief, addiction recovery, emotional regulation, and spiritual awakening. This episode is both grounding and expansive — a reminder that healing doesn't always begin with words. ✨ What You'll Learn in This Episode: ✦ Why drumming is one of the oldest healing tools in human history ✦ How rhythm affects pain, trauma, addiction & the nervous system ✦ What science reveals about group drumming and stress reduction ✦ The four main drums used for healing and their unique effects ✦ Why early musical exposure shapes neurological development ✦ The spiritual symbolism of drum and flute — earth and tree   If this episode resonated with you, please like, subscribe, and share it with someone who feels the call of rhythm and healing. Your support helps the show reach more hearts around the world.❤️   Thank you for being part of my conscious and curious community! ___   Break the Cycle: Free Kindraya™ Ancestral Healing Event  Struggling with patterns that keep repeating—emotionally, physically, or relationally? Join Dr. Lotte Valentin for a free online event on Sunday, February 8th and learn how the Kindraya™ method helps identify and release inherited patterns so real healing can begin.

What does it feel like to carry the legacy of rock royalty while forging your own path in the music world? Join host Buzz Knight as he takes you on a captivating journey in this episode of Taking a Walk. Buzz sits down with Zak Starkey, the son of legendary drummer Ringo Starr, who has carved out his own identity as a remarkable musician in his own right. Zak shares his early fascination with music and drumming, inspired not only by his father but also by his godfather, the iconic Keith Moon of The Who. This episode dives deep into Zak's musical journey, revealing how he honed his craft and built a reputation as a talented drummer through relentless dedication and hard work. As Zak Starkey reflects on his experiences performing with monumental bands like Oasis and The Who, he emphasizes the essential role of sound and rhythm in creating unforgettable music. Listeners will be treated to engaging anecdotes about his family’s rich musical legacy, the ever-evolving music industry, and the excitement surrounding his upcoming performance at the Gramercy Theater in New York City. This conversation highlights the importance of community in music, showcasing how it can unite people during challenging times. Throughout this episode of Taking a Walk, Zak Starkey expresses his profound passion for music and the adrenaline of performing live, while also candidly discussing the changes in the music landscape over the years. From classic rock history to the emergence of indie music, this episode offers a unique perspective on the music journey of a drummer who is not just living in the shadows of his famous family but stepping into the spotlight with his own artistic vision. Get ready for an inspiring episode filled with music history insights, storytelling in music, and the emotional healing through music that resonates with audiences everywhere. Whether you’re a fan of rock music, a follower of legendary musicians, or someone curious about the cultural impact of music, this episode is a must-listen. Join us as we explore the creative journeys of artists like Zak Starkey and celebrate the timeless nature of music in all its forms. Tune in to Taking a Walk and discover how music can inspire, connect, and heal. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Ben Koller is an Los Angeles based drummer who worked with bands like Converge, Mutoid Man, Killer Be Killed and All Pigs Must Die just to name a few. He is involved in the Heavy Music Collective a community of musicians and royalties professionals that are committed to getting money back to the bands. In this episode, Ben talks about: Managing the dichotomy between road life and home life The Heavy Music Collective - accessing your royalties!!! His first clinic in Costa Rica The supportive community within the hardcore scene Drumming for the legendary band Converge Drumming for band High On Fire Recording from home Surviving a bad car accident

This week, we talk about migraines, weather, dong, Liquid Death soda flavored sparkling water, investors suing Hasbro over Magic, I'm Chevy Chase and You're Not doc, Mel Brooks: The 99 Year Old Man! doc, Castle Grayskull inflatable, the QoftheW, and more!     Salty Merch: https://www.teepublic.com/user/saltylanguagepods Our Patreon: Patreon.com/saltylanguage   Subscribe / rate / review us on Apple Podcasts!   Links: 1. Investors suing Hasbro over Magic the Gathering https://www.ign.com/articles/lawsuit-claims-hasbro-misled-investors-regarding-sales-of-controversial-magic-the-gathering-anniversary-set?taid=6977d980b551f10001dd1be0 SUATMM: Castle Grayskull inflatable https://bleedingcool.com/collectibles/rubies-debuts-masters-of-the-universe-castle-grayskull-lawn-inflatable/ QoftheW:  What are you starting to love the older you get?   Visit us at: saltylanguage.com Apple Podcasts: https://podcasts.apple.com/us/podcast/salty-language/id454587072?mt=2 Spotify: https://open.spotify.com/show/3GnINOQglJq1jedh36ZjGC iHeart Radio: http://www.iheart.com/show/263-Salty-Language/ Google Play Music: https://play.google.com/music/listen#/ps/Ixozhhniffkdkgfp33brnqolvte Tony's YouTube channel: https://www.youtube.com/@allthebeers Bryan's YouTube channel: https://www.youtube.com/@IFinallyPlayed https://www.tiktok.com/@saltylanguage facebook.com/saltylanguage Discord:  https://discord.gg/NEr5Newk @salty_language / saltylanguage@gmail.com http://salty.libsyn.com/webpage  / http://www.youtube.com/user/SaltyLanguagePod Instagram/Threads: SaltyLanguage Reddit: r/saltylanguage Stitcher: https://www.stitcher.com/podcast/salty-language tangentboundnetwork.com Share with your friends!

Bronwyn shares a story of a somewhat unusual way of practicing drums; the team discuss the most recent media events, including IVF and barracks; film reviewer Flick Ford has seen Kleber Mendonça Filho's new film The Secret Agent; journalist Gideon Haigh comes in for a big chat about his live broadcast of his podcast Cricket Et AL at the Wheeler centre and Bronwyn has password trouble. With presenters Daniel Burt, Jas Moore & Bronwyn Kuss.Website: https://www.rrr.org.au/explore/programs/breakfasters/Facebook: https://www.facebook.com/Breakfasters3RRRFM/Instagram : https://www.instagram.com/breakfasters/

Welcome back to Big Fat Five, a segment of Drummers on Drumming, powered by Big Fat Snare Drum. This episode is a first for the show. For the first time ever, Big Fat Five has two hosts. I explain it more at the top of the episode, but today Eric Urrea is joining me as a co-host. Eric's someone I trust musically and personally, and having him in the room added a different kind of energy and flow that I really loved. It felt natural, and honestly, it raised the bar. Our guest today is Patch Mahoney. Patch and I share the same lockout facility, and I walk past his room all the time. I've wanted to have him on the show for a while, not just because he's a great drummer, but because he's genuinely one of the nicest dudes around. Patch plays with Hilary Duff, Bebe Rexha, and many more and has built a career rooted in taste, feel, and adaptability. We sat down and talked through the records that helped shape him into the drummer he is today, and along the way we got into things like practice habits, recording yourself, restraint, gospel influence, drum tones, and how a drummer's voice actually develops over time. And with that, here's Patch Mahoney's Big Fat Five. PATCH'S BIG FAT FIVE: - Artist – Tower Of Power Album – Tower Of Power Release Year – 1973 Key Track – “What Is Hip?” Drummer – David Garibaldi - Artist – Steely Dan Album – Aja Release Year – 1977 Key Track – “Aja” Drummer – Steve Gadd - Artist – Phoenix Album – Bankrupt! Release Year – 2013 Key Track – “Entertainment” Drummer – Thomas Hedlund - Artist – Young The Giant Album – Home Of The Strange Release Year – 2016 Key Track – “Titus Was Born” Drummer – Francois Comtois - Artist – Transformation Worship Album – Overflow: The Album (Live) Release Year – 2024 Key Track – “Impossible? (Nothing At All) – Live” Drummer – Tony Taylor - Honorable Mentions: Glory Sound Prep – Jon Bellion Random Access Memories – Daft Punk The Captain and Me – The Doobie Brothers --- Get Your Copy of the Drummers on Drumming Book Today

In this episode, I sit down with percussionist, composer, and author Russell Hartenberger for a deep and reflective conversation about sound, mentorship, history, and the long arc of a musical life. Russell's influence on percussion performance, composition, and pedagogy is immeasurable, and this conversation traces the remarkable path that led him from a childhood in Oklahoma to the center of some of the most important musical movements of the twentieth and twenty-first centuries.We begin with Russell's early years studying percussion with Alan Abel in Oklahoma City and how that formative mentorship shaped his relationship to sound, mechanics, and musical discipline. Russell shares stories about studying at the Curtis Institute of Music with Fred Hinger, including the now legendary focus on sound production and timpani tone that defined his approach to every percussion instrument. We talk about why timpani study is foundational for all percussionists and how concepts of weight, touch, and resonance translate across the entire percussion family.Russell reflects on graduating from Curtis during the height of the Vietnam War and on the sudden pivot in his life when an orchestral job offer was withdrawn because of the draft. He recounts his years performing with the United States Air Force Band in Washington, D.C., describing how military band life mirrored many aspects of orchestral performance while also providing structure during a turbulent moment in American history. We discuss the impact of performing military funerals at Arlington National Cemetery, the discipline of daily rehearsals, and how that period ultimately created space for further academic and artistic exploration.A pivotal chapter of the conversation centers on Russell's graduate studies at Wesleyan University and his introduction to ethnomusicology and non-Western musical traditions. Russell describes his early studies in African Drumming, tabla, and gamelan, and how these experiences fundamentally reshaped his musical worldview. This path led directly to his introduction to Steve Reich in 1971, where Russell became involved in the creation and early performances of Drumming. He offers a rare, firsthand account of learning Reich's music by rote, rehearsing as the piece was being written, and discovering the subtle rhythmic feel that would come to define the Reich ensemble's sound.We explore the formation of Nexus and how improvisation, global instrument collections, and collaboration shaped the ensemble's identity. Russell explains how Nexus and Reich's music intersected, how percussionists became central to rhythmic interpretation, and how early Nexus performances helped introduce Reich's music to a broader percussion community. He reflects on how later generations of performers have built upon that foundation, adapting the music to new contexts while maintaining its core integrity.The conversation turns deeply personal as Russell discusses his composition Requiem for Percussion and Voices. He shares the emotional and historical influences behind the work, including military funerals, childhood memories of church bells, and the symbolic role of percussion in mourning rituals. Russell explains how the piece came together organically, how its structure revealed itself through the writing process, and how adding voices expanded the work's emotional resonance.We close by discussing Russell's current life in retirement, his ongoing writing and scholarship, and his continued engagement with the percussion community through residencies, performances, and significant publications. Russell reflects on writing about Steve Reich's performance practice, the evolution of interpretation across generations, and the importance of documenting lived musical experience. This episode is a profound meditation on sound, time, mentorship, and legacy from one of percussion's most thoughtful and influential voices.Music from the Episode:The Desert Music (Steve Reich)One Last Bar, Then Joe Can Sing (Gavin Bryars)Music for Mallet Instruments, Voices, and Organ (Steve Reich)Requiem for Percussion and Voices (Russell Hartenberger)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

Eine Musik, die fast nur aus Rhythmus besteht und sich dazu scheinbar permanent wiederholt - Steve Reichs "Drumming" war etwas Neues für die Gäste der Londoner Premiere. Das Publikum liebte die Musik, das Establishment weniger.

Eine Musik, die fast nur aus Rhythmus besteht und sich dazu scheinbar permanent wiederholt - Steve Reichs "Drumming" war etwas Neues für die Gäste der Londoner Premiere. Das Publikum liebte die Musik, das Establishment weniger.

Sink into two hours of steady rain falling on a calm rooftop, creating a soft and rhythmic soundscape. Each raindrop taps and flows with natural consistency, perfect for deep sleep, focused study, or quiet concentration. Let the smooth roof rain ambience wash away distractions as the peaceful night atmosphere helps slow your thoughts and ease your mind. Ideal background sound for relaxation, meditation, reading, or falling asleep naturally.Become a supporter of this podcast: https://www.spreaker.com/podcast/asmr-rain-recordings--5347561/support.Lose the AD intros by becoming a subscriber!https://www.spreaker.com/podcast/asmr-rain-recordings--5347561/support

“Drum circles were created to build inclusivity, equity, and diversity.” In this episode, Nick speaks with Andrew Ecker to explore the cultural significance of drumming, particularly within indigenous communities, and highlights the historical context of drum circles as a means of fostering inclusivity and diversity and healing from trauma and addiction. What to listen for: Drumming and sound healing, overall, can positively impact our mental well-being The historical context of drumming reflects a blend of various cultural influences Drumming fosters community and shared experiences Addiction is based in shame and can often be spurred on by our early experiences Embracing our calling heals ourselves and others “All of us are connected to the earth. All of us are indigenous. All of us have the air, the water, the fire, and the earth flowing through us.” Identity goes deeper than culture or job titles; it's rooted in our relationship to the earth and life itself Separation from nature often fuels disconnection, anxiety, and burnout The elements are a reminder that we're not isolated individuals; we're part of a living system Reclaiming earth-based identity can be deeply grounding and healing “Do something for people — and you'll discover the truest truth of who you are.” Service often reveals purpose more clearly than self-reflection alone Helping others pulls us out of isolation and into meaningful connection You don't need to be “healed” or perfect to make a difference Showing up for others strengthens self-trust and self-worth About Andrew Ecker Andrew is a speaker, author, and creator of the Drumming Sounds Protocol, an evidence-based wellness intervention that blends ancient rhythm traditions with modern neuroscience to improve mental health, recovery, and community connection. With over 25 years of experience facilitating more than 5,000 drumming and sound-based programs, Andrew has worked with hospitals, treatment centers, universities, and tribal nations across the country. His book, The Sacred 7, explores identity, ancestry, and the transformative power of ceremony—a topic that resonates deeply with audiences seeking meaning, resilience, and personal empowerment. As a former youth outreach leader and recovery coach with over two decades in sobriety, Andrew brings a powerful, real-world perspective to conversations about trauma, healing, and spirituality. His ability to blend science, story, and spirit makes him a compelling guest for podcasts focused on wellness, recovery, leadership, and conscious living. https://www.drummingsounds.com https://www.linkedin.com/in/andrew-ecker-sacred7/ https://www.facebook.com/andrew.ecker1/ For our audience, please enjoy a free copy of Andrew's book, “The Sacred 7” — it's available for download at http://thesacredseven.com/ Resources: Interested in starting your own podcast or need help with one you already have? https://themindsetandselfmasteryshow.com/podcasting-services/ Thank you for listening! Please subscribe on iTunes and give us a 5-Star review! https://podcasts.apple.com/us/podcast/the-mindset-and-self-mastery-show/id1604262089 Listen to other episodes here: https://themindsetandselfmasteryshow.com/ Watch Clips and highlights: https://www.youtube.com/channel/UCk1tCM7KTe3hrq_-UAa6GHA Guest Inquiries right here: podcasts@themindsetandselfmasteryshow.com Your Friends at “The Mindset & Self-Mastery Show” Click Here To View The Episode Transcript Nick McGowan (00:02.959)Hello and welcome to the Mindset Self Mastery Show. I’m your host, Nick McGowan. Today on the show, we have Andrew Ecker. Andrew, what’s going on? Andrew Ecker (00:13.602)How’s it going, Nick? Nick McGowan (00:15.649)It’s good. I’m glad that you’re here. I’m excited for us to talk about music and drum circles and sound healing and all the things that relate to all of that. And we were gonna have a call maybe like a year and a half ago or so. And there’ve been some people that have like backed out of the show and I’ve been like, that’s fine. You can do whatever you want to do. But you were one of the people I was like, I hope he comes back. So I’m glad that you’re here. I’m glad that people are gonna be able to hear this conversation. And why don’t you get us started? Tell us what you do for a living and what’s one thing most people don’t know about you that’s maybe a little odd or bizarre. Andrew Ecker (00:48.769)Awesome. So before we do that, I’d like to just take a moment and honor myself in the space by introducing myself formally in traditional language of my ancestors. This is a language called Nde Baza, which basically means the people’s tongue. So Dago Tse, Tse Nde, Andirector Yenise, Adon Dae Nshinigye, Nde Nshe, Irish Pashachin, Nde Dasha Tshe, German Dasha Nali, Kote Goe Itshliye, Portland, Oregon, Enishe. Shama’e, Kathy Lindsay Woye, Shaza’e Del Eccorale. So my name is Andrew Eccor, my mother Kathy Lindsay, my father Del Eccor, my mother’s mother Elva Gallegos, Apache woman from New Mexico. She grew up in a little town called Capitan right outside the Mescalero reservation. Although my ancestral lines go back to the Madera Valley of Texas and Chihuahua, Mexico. The Apaches from this area are called La Pond Band Apache. My father’s mother Evelyn Beatty, an Irish woman from Pennsylvania. She actually was very proud that our ancestor William Beatty fought in the Revolutionary War to establish this country. So I do consider myself a son of the revolution on that side of my family. My mother’s father Leroy Lindsay, a Korean and Vietnam War veteran, and my father’s father Wayne Ecker, a World War II veteran. I have a daughter Bailey, son Peyton, a beloved fiancee named Monica. I was born in the ancestral land of the Multnomah Clackamas of Malamit in Portland, Oregon. although I currently reside in the ancestral land of the Akmal, Atom, the Peaposh and the Hohokam in Phoenix, Arizona. And very grateful to be here with you. So the thing that I do primarily is I work in healthcare and I’m a drum circle facilitator and sound medicine practitioner and also a peer support specialist, recovery coach. Most of the work that I do is in variety of different healthcare settings. So everything from psychiatric lockdowns to memory care, skilled nursing, prisons, jails, drug and alcohol treatment facilities, I facilitated about 5,000 wellness-based events with a protocol I’ve developed called Drumming Sounds. So Drumming Sounds is a step-by-step process of creating outcomes that are wellness-based. So reducing stress, increasing immunity, lowering blood pressure, Andrew Ecker (03:13.865)helping people connect through music and really creating a safe, sacred space for people to come into group drumming. So group drumming is a really powerful wellness intervention and so it’s a small group of studies done on it and it’s pretty amazing what the science community has found. So yeah, so that’s what I do and also do some coaching stuff, of course, help people out. Something unique about me, that a lot of people don’t know. You know, I grew up in a home where both my parents were addicted to drugs and my mom died of a cocaine overdose and my father died of cirrhosis of liver caused by hepatitis C. So growing up in that environment, I was around a lot of really intense experiences. And I think something that a lot of people don’t know about me is that because of that, My relationship with PTSD as a child was something really intense and my first suicide attempt I was seven years old. I remember attempting to hang myself at seven and thankfully, you know, I didn’t succeed. But from the time of that first attempt till really probably my late 20s, I was dealing with suicidal ideation and a severe relationship to other mental health concerns, including situational schizophrenia, depression, anxiety. These are all things I live in relationship with today. Nick McGowan (05:01.261)So, where do I go from here? know, way to drop everything on us. I first off want to thank you and appreciate how you started this and being able to show back to your ancestors and being able to talk from your original language. I think we can sometimes forget about where we come from. Our genetics do not. our generational trauma does not. There’s so many things that, like you dealt with so much with your parents. I’m sure we could just tackle through all of that, but what your parents dealt with, that then they transferred along to you and what their parents dealt with, et cetera, et cetera, and how all of that was tossed to us. Most people I don’t think really think about that because they just think, well, my parents are assholes, so I’m trying to do better or whatever. It’s like, well, let’s actually take steps back generations before that. and before that, before that. And I think we can sometimes also forget about where you actually came from. Like you rattled off a lot of family members. And as I was thinking about it, I was like, I’m making me, I maybe go like two layers deep. People beyond that, I don’t really know. And I don’t really know if they’re still around or what the hell’s going on or whatever, because of the way that I was raised. And it’s interesting to think about how we should. actually get back to more community-based things, but there’s a lot of unlearning to do with all of that. And I’ve read through the stuff you’ve sent. I’ve seen the different things you’ve done. I’ve known about you for a little bit, but I wouldn’t have even been able to know about the things that you’ve just rattled off. And really, mean, shit, where do you want to start with this? and thinking about from a mental health and a mindset and overall transformation, self mastery. I’m not trying to just throw out buzzwords, but like there are categorical things we can talk about here, you know? Andrew Ecker (06:59.456)Yeah. Andrew Ecker (07:03.264)Yeah, for sure. And that’s really why I’d like to share that traditional introduction because it does give us an opportunity to understand what healthy communities have looked at as self-identity, really the foundation of creating a healthy person. We’re talking about tens of thousands of years of this idea that we are our parents, we are our grandparents, we are from someplace and we live someplace. You know, these principles of self-identity. And just like you were sharing, know, remembering that is very important because we live in a time where our earth-based identity has been systematically erased from our mindset. And this is done through systematic organization of space, you know, ideas like the patriarchy, manoralism and feudalism. You know, these really predominant institutions systematically created a separation from us being our family and being from the earth. Yet all of us are connected to the earth. All of us are indigenous. All of us have the air, the water, the fire, the earth flowing through us. And the more that we can remember that, the more that we can validate that we are valuable just as a person. The contemporary culture has created this idea that we’re a job. And that’s our identity, that’s our value. And that idea was really created around feudalism and manalism historically because these were the only… Well, everyone in those systems was a job-based identity other than the landlords. And the landlords were the ones who were able to have an earth-based identity. If you weren’t have land and land title, You were a smith, a parson, a knight, a sewer, all of these behavioral based ideas of identity. And as we begin to really look at these constructs, you can see that the devaluing of the human condition is a purposeful and an intentional plot to really create what we’re faced with today. And what we’re faced with today is a lot of people Andrew Ecker (09:26.423)wandering around feeling valueless, hopeless, and really in a condition that promotes the use of destructive behaviors such as substances. know, myself, growing up in an environment where I remember the D.A.R.E. program coming into my school, and you know, during D.A.R.E., a lot of people don’t remember, but the D.A.R.E. police were getting children to turn in their parents for using cannabis. and for using substances. And I remember my mom was really scared that this was going to happen. So she kind of cornered me one day and said to me, you know, if they come into your school, you can’t tell them that we use this. And it was really weird to me, because like those were the best times I remember. You know, my job as a little boy was to clean the stems and the seeds out of the cannabis. You know, back when cannabis had stems and seeds. You know, and people rolled a joint. It wasn’t a free roll. You know, but my family used to sit around and smoke and that was when they were social. You know, nobody was drunk fighting. Nobody was in the bathroom or in the bedroom with the door shut. You know, doing intravenous drugs, they were social. And I just couldn’t understand that as a kid. But yet I remember them coming into my school and they had flags and Nick McGowan (10:24.073)You Andrew Ecker (10:51.996)guns and these were great big intimidating police officers. And I remember my heart racing and my palms getting sweaty. And thankfully they didn’t interrogate me. But what they did was they said to this group of children, if you have one drug addict parent, you’re 50 % more likely to become a drug addict. Now I’m not saying that they did this intentionally to give children this idea that they’re genetically flawed. They were trying to impart to these kids. that, you know, don’t use drugs. That’s what, you know, is the big thing. You know, just say no, all this stuff. But what it did for me is it told me, well, 50 and 50, that’s 100. That must be who I am. And this was the first time in my life that anyone told me I was genetically flawed. You know, and the extension of eugenics isn’t something that is merely a part of, you know, the Nazi regime. Nick McGowan (11:35.326)Hmm. Andrew Ecker (11:47.256)You know, eugenics enters into childhood ideas in these sorts of systematic ways. You know, now, you know, fast forward, we’ve come to a place of understanding that it’s not just eugenics, but it’s epigenetics and really looking at how we can create environments that create successful human beings. And that’s what I’m able to do with the drum circle. You know, the drum circle is really an environment that creates a healthy human being. as to where the destructive forces of incarceration, imprisonment and devaluing people because they have a mental health concern created those behaviors that were a part of my parents’ lives and unfortunately a part of my life. know, it wasn’t that moment that I became a drug addict when the Derikoff said that to me. But later on, as I would grow older, that seed started to take root. And when I was a teenager, I ended up in the spoon with my dad, meaning I was using heroin with my father. You know, my mom used to use me to shoplift. I was in and out of drug houses. I mean, it was, I was exposed to things as a little boy that only makes sense today in my path of service. You know, as I’ve learned to manage these things and as I’ve learned to show up and help people reconnect to who they are, it’s all made perfect sense to me. But as a little boy, man, I didn’t know what was going on. I didn’t know how to deal with it. I just wanted the pain to end. know, and, you know, thankfully I found heroin because heroin helped me through my suicidal ideation. Because I don’t know if I would be alive today if it wasn’t for heroin. You know, things got real bad for me when I was, you know, 17, 18 years old. Nick McGowan (13:41.68)I gotta be honest, I never thought I would hear anybody else say that thankfully I had heroin because that changed things. I overdosed on heroin when I was 19. And the people that were there in the room, I’m thankful that they wanted to save their own lives and one person like beat the shit out of me so I threw everything up. But I remember walking home smoking a cigarette after that being like, what the fuck just happened? All right. And looking up being like, all right, I guess there’s some reason why I’m here. And I think back to that. But that wasn’t like that one moment, just like the moment that you were talking about or any of those other little moments were just a bag of moments in a sense. All these things, like even as a little kid, you don’t really know. Like, and I totally understand where you’re coming from with the parents hanging around, smoking joints, all of that. I was in parts of some of that. My mom and dad were never together and it was like totally separate ways of being and all of that. living in and out of bars, basically, like being the kid eating a maraschino cherries and all that shit, and everyone just smoking cigarettes like a pack at a time and out around your face. There are people that don’t understand those things. Even like the dare stuff. I’ve had conversations with people kind of recently, like within the past handful of months, where some people were like, dare scared the shit out of me. And I didn’t want to touch like caffeine or anything else. Other people were like, I learned there were drugs out there. So was like, great, can I have some? And then other people went through stuff like you where they’re like, well, you’re telling me this is how it is. I think it’s interesting how we can suspect that, let’s just say, dare wasn’t trying to brainwash. know, let’s just say that their thing was like, we want to help and we want to make sure that you have the statistics. But these are also adults that are like, well, 50 % of you become addicts. So why don’t we just tell the kids that you take it as one way. Some other kid takes it a different way. And there’s no repercussion to that at all to then like, that wasn’t a thing that you then brought up the next day in school. It like, know what? Yesterday, I learned this thing and now I feel like the rest of my life is gonna change. That just started to grow bit by bit by bit. And then you already had the genes of being addicted. Nick McGowan (16:02.023)I know I have to come back to some fucking question basically. And my question at all times with that sort of stuff is like, how do we stop that from happening? Because even with the DARE stuff, it’s like, yeah, cool, thanks. Now I know there are other drugs out there and also know what the end is and I’ll fall back to marijuana because like, why the fuck? It’s a fucking plan. But all things in moderation and like all those different aspects to it. But what do we do? You know, like you move to music. And as a musician and creative myself, I moved toward that too, but I often think of the times of smoking a joint and playing music and like those are happy moments. but to some people that might be destructive and all of that, but you moved closer into music. So I think music sometimes can be part of our addiction, you know, like I’m addicted to sound. but being able to turn that into a healing thing. So I don’t want to just jump past everything you went through. Andrew Ecker (16:57.041)Thank Nick McGowan (16:59.844)with your parents because that made you who you are. But being able to look back at some of those moments to go, now with the work that you do, the way that you were raised, what are some of those bridge points that you can look at and go, man, I was really looking for community. I was looking for ways to do this and do that. You know what I mean? Andrew Ecker (17:18.16)Yeah, exactly. I really believe that all addiction for me is based around relationship and filling the void of the absence of relationship with the substance. And I remember the first time that this really happened to me, me and my mom were out shoplifting all day. I was just a little guy. I was, you know, probably eight, nine, I don’t know, somewhere around there. I remember being all bundled up and maybe even younger. I was you know, elementary school age. And she takes me to the park and she left me there at the park with a bucket of chicken. And I remember her saying, I’ll be right back and her driving off and me eating that chicken to fill the void and the fear of my mom not coming back for me. Being left at the park and knowing in my childhood mind that she was going to a dope house and there could have been something that happened. It was just the anxiety of that entire situation I was feeling with the warmth of that chicken. And then later on, you know, as I started to grow in my own personal self mastery, I started to look back at the patterns of loneliness and grief and isolation and how every time that I found myself using, really, it was that idea. It was about creating camaraderie at first, community. finding a judgment free zone. You know, I grew up being bounced around family member to family member. So definitely had home insecurity and really wasn’t, you know, in a place where I felt like I had a home. So I didn’t feel that sense of security that maybe most people grow up with. So when I found the security of friends that would accept me, you know, just if I got high with them, that’s all I needed. It wasn’t like I needed to be smart, it wasn’t like I needed to be funny, it wasn’t like I needed to be athletic, you know, it wasn’t like I needed to be a great musician, any of those things. I just needed to show up and get high and you know and have money to get high or be able to hustle and that was really my first support system was the community of people that I was using with and what happens for most people that are in the struggle of substance use disorder Andrew Ecker (19:43.015)is that they focus on what not to do. And they never really understand what the drugs and alcohol gave to them. You know, asking myself, what was it that heroin gave to me? What was it that alcohol gave to me? And how can I effectively create a way of meeting that need? Because we all have human needs. Every single one of us is going through something. And you know, it’s a lot easier when we go through it together and building that foundation of community. is so important in me being able to have functional behaviors today. So I’m constantly evolving in the way that I’m able to show up in community. I have my drum circle community. I have the people that I serve in the institutions and healthcare and the schools. And then I also have other activities like doing poetry or playing pickleball, going to the gym. You know, these are ways that I definitely look at creating community where I’m at. There was a time when church was a really big part of my life. You know, now I go to sweat lodge and I have a spiritual community there. Uh, you know, I’m not opposed to going to meetings, but I, know, I don’t go to a lot now, but definitely going to 12 step meetings and all of these things are a great way that we can build a supportive community. And when you ask, you know, Like when we think about children that have been affected by the mental health crisis, you know, how do we help them navigate? How do we help the youth navigate? And I think it’s really about creating a fortified sense of community. And, you know, when we think about drumming, oftentimes we go to this idea that drumming is this exclusive experience for indigenous communities, that it’s something that really is ceremonial and ritualistic and yes there is definitely ritual and ceremony but drum circles began as creating a culture of inclusivity, equity and really diversity because the drum circle of North America originated in the 1700s in New Orleans and under French colonial occupation Native Americans, Africans, Europeans, people from all over the world Andrew Ecker (22:09.146)were able to gather with the common language of group drumming. And that group drumming created a foundation for jazz, blues, R &B, gospel, and eventually rock and roll. So when I go in and I facilitate a drum circle, it’s from the American experience of group drumming that has always been about creating a culture of diversity, has always been about creating a space of connection. through diverse groups. And when we have that sacred space, we can know that something good is gonna happen. And we as Americans, we don’t know that the only truly American instrument is the drum kit. The jazz drum kit is really the only truly American instrument. So we have this vast history of drumming together that is hundreds of years old, literally as old as the concept of of America, yet for some reason this sort of stuff isn’t taught in school. And it’s not taught to us about the richness of creating a culture of diversity, of inclusion, of equity, and what the brilliance of that looks like in an artistic sense. And I think today we’re threatened by a voice that is coming from a group of people that says that diversity, inclusion, and equity is something to fear. And I’m like people, that’s the very greatest gifts that we’ve given to the world has come from us coming together as a people. And it feels good. You know, it feels good to give yourself an opportunity to be around people in an activity that you normally wouldn’t be around. And I think that that’s the power of our journey and the wellness and the brilliance of our community. Nick McGowan (23:58.594)Hmm. Andrew Ecker (24:04.405)And when we can get back to teaching each other that, when we can get back to fortifying the space of that concept of what that America looks like, we’ll have the brilliance of being the shining city on the hillside that calls the weary, that calls the hurting, that calls the desperate. And you know, the struggle that my parents went through, the pain that they were going through, and the ostracization of being criminalized for having a mental health issue. You know, that’s what this country has done very effectively. You know, 90 % of people in our prison system have a mental health issue. And that is sad that we have done this to the most vulnerable people in our population. And we have more people in prison than any industrialized nation in the world. But if you counted the people that were in psychiatric lockdowns, memory care, skilled nursing, and other forms of institutionalization, that number would be astronomical. And these are the people that I have spent the past 20 years working with, helping, desperately giving to, because in that space, I feel fulfilled as a human being, but I also get to see some of the most brilliant experiences and miraculous experiences in my life, Nick. I mean, we’ll go into these memory care facilities where we have late stage Alzheimer’s patients that are nonverbal and we’ll set the drum down in front of them. The nurses sometimes will come over and say, they won’t play, don’t even bother. I mean, this is our healthcare workers and we’ll say, no, just keep it there. And next thing you know, you see them tapping their foot. And before you know it, they’re playing and they’re singing and You know, it’s just miraculous to know that the tens of thousands of years of evidence-based practice of utilizing group drumming has not been wasted and that it’s still relevant to the healthcare conversation and it still is meaningful and it still helps people. Nick McGowan (26:15.97)Why don’t see how it can’t not continue that way, you know? Like, I think everybody that will listen to this will have heard at least one time, music is the universal language. And for us to be able to actually feel music, there are people that don’t really understand music. They don’t feel it the same way musicians do, let’s say. Like there are sometimes I’ll share things with people and I’m like, listen to how this happens with this and my God. then it just does things to you. You feel that at different times. Other people don’t know that. That’s just not part of their being. Yet still, they can feel the frequencies. If we really break it down into quantum level, we are all waves and frequencies anyway. And all of this ties into everything. man, I’m sitting here like I got chills even as you’re talking about, because I’m visualizing that older person who the healthcare workers are basically like, we see them every day. They don’t do anything because we also don’t do anything different. Andrew Ecker (26:48.163)yes. Nick McGowan (27:15.083)And we’re kind of jaded and overworked and fuck, I could really use a vacation. Like they have their own problems. And then they’re just like, no, don’t worry about them. They’re not going to do it. But that frequency will still get in there. So I could imagine it’s got to be a, that’s probably one of those things like drum circles per se is one of those things that people probably won’t go to on the top list of 30 things that they’re going to do to work on themselves at first. You know, so even Like if somebody were to say, you’re having these problems, you have some addiction, you have anything and they go, well, go to a drum circle. I would imagine most people would look at somebody like a dog would like, what the fuck does that, what do you mean? so what would you say to those people that haven’t even thought of that? This is one of those things where like, wow, I’ve talked to somebody, I went to a doctor and I’m doing these and we’re doing blah, blah, blah. What advice do you give to those people that this has been one of those things that. was probably not even deep, deep in their mind, even as a musician, to think about how drum circles and drumming could help them. Andrew Ecker (28:19.943)Well, I definitely feel that a lot of that has been because of the cultural stereotypes about drumming and this idea of, you know, the witch doctor or voodoo or, you know, something along these lines. you know, it just is, it’s crazy to really unpack when you have communities that have thrived with a relationship to the earth, lived functionally for tens of thousands of years. And at the heart of those communities, is group drumming, dancing and singing. I mean, this is literally the oldest wellness based event that we have as human beings. And somehow, you know, through the lens of religion and not even really, I would say because I was a pastor for three and half years that I can tell you that there’s a lot of reference in the Bible even of sound medicine. I mean, David, you know, played the leader for Saul who had like mental health concerns. And it’s, mean, there’s references to the women of Israel coming out playing the drum. So it isn’t like an educated Judeo-Christian bias. It’s an uneducated Judeo-Christian bias that creates this narrative that, those brown and black people are the people, those savages, that drum. And it’s really unfortunate because even Nick McGowan (29:21.642)Mm-hmm. Andrew Ecker (29:48.061)in the very progressive world of integrative medicine, there still is a void around drumming. I am a presenter at some of the most prestigious healthcare conferences in the United States. And I remember confronting a doctor that was talking about mindfulness and he had, he was a keynote and he had this tree of mindfulness and all of these branches led to different aspects of mindfulness. One of them, of course, went to yoga, Tai Chi, but there wasn’t a branch that went to drumming and dance. And I confronted him in front of the entire group of doctors, 500 doctors. And I said, why isn’t there a branch to drumming? And he was very apologetic. And he said, there needs to be a branch on that tree to drumming. And I said, yes, we’re working on making that happen. But it is overlooked. Nick McGowan (30:37.513)Hmm. Andrew Ecker (30:46.148)And you know, I can tell you that I am a part of a community of people that have the more that they drum, they may have come to a drum circle and been drinking and smoking. But by the time, you know, a couple of years go by and they get around people like myself that are completely abstinent from substance use and I’m drumming and having a great time and dancing, the more that they start to question, well, do I really need this? And then it’s just Nick McGowan (31:13.566)Hmm. Andrew Ecker (31:13.911)a matter of them just being in that environment. And I have friends come up to me and say, Hey, you know what? I didn’t tell anybody about this, but I haven’t drank in, you know, six months. And I’m like, right on, you know, and friends come up and say, I haven’t smoked in a year and I just kind of went away because drumming as well as you know, Nick, music gives us that feeling of community connection. I mean, there is no deeper connection. that you can experience, then when you hit a note or when you play a rhythm and everybody ends together and nobody said stop, or the thing just fades away into the brilliance of the experience and you’re just like, holy crap. This, mean, as a musician, and if you talk to musicians, they can tell you precisely when that happened in their life, because it’s one of those memories. Nick McGowan (31:51.954)Mm-hmm. Andrew Ecker (32:09.966)that is embedded into you on a cellular level. It is literally like you’re touching God. I mean, it is so powerful. And every person, we have communities where that was literally the entire community experience. I was fortunate enough to go to the bottom of the Grand Canyon and meet with the Havasupai. And I did three suicide prevention programs down there. This is the most remote Native American tribe in the continental United States. Nick McGowan (32:13.95)Mm-hmm. Nick McGowan (32:26.279)you Andrew Ecker (32:39.159)There’s no roads to their nation. There’s no airstrips. It’s only horseback helicopter or foot. That’s the only way you can get down there. And I met with an elder named Tiny Haunan. And Tiny was playing the drum and singing. And he said, when I was a little boy, we used to drum, dance and sing for a week straight. He said the people would fall asleep on the ground, wake up, start singing and dancing again. And they would drum literally for an entire week. Now the frequency of that, the cellular alliance, the reconfiguration of the energetic meridians in the body, like there is no place for depression in that environment. There’s no place for anxiety in that environment. I mean, you’re literally rewiring your nervous system and coming into our harmonic connection with the earth. And this is really what it means to be an earthling. You know, the music that we play, Nick McGowan (33:21.758)you Andrew Ecker (33:38.14)is something that we practice to play at the level that we can play at. But everybody knows that there’s a point where the instrument is playing you. And when you’re in that mystery, man, when you are in that mystery, like every single person deserves to experience that in their lives. Every single person deserves to be in the brilliance of that experience because it solves the issues, man. It solves it. Nick McGowan (33:50.055)Mm-hmm. Andrew Ecker (34:06.196)And when you taste that, you’re hungry for it forever. And I’ll go to, you know, like I facilitate drum circles and that really doesn’t happen in a drum circle. But a taste of that does happen. Like a place of connection to the feeling of support and the intricacy of music and even the freedom that you can experience in that space, it will happen. And You know, it does take a level of mastery to experience the depths of that. And hopefully people will be able to go on their journey with music to that place. like that is, dude, I mean, there’s nothing better than that right there. I mean, if you could take and put that into a bottle, people would spend their lives wanting to… And that’s why musicians do what they do, They will… Nick McGowan (35:02.119)Mm-hmm. Andrew Ecker (35:02.624)They will literally sleep on the couch of their best friend to go experience that. They will literally not go to work to go experience that. They will do whatever they possibly can to experience that. you know, unfortunately, in a world that doesn’t value music like our ancestors did, you know, for tens of thousands of years, and even today, you know, you go to India, they have ceremonies that are a month. where it’s just people drumming, dancing and singing for a month straight. You you go to Hopi right here in the United States on the Hopi reservation. They’re doing that same idea because the practice of living in integration with the earth promotes the quality of the earthling condition. So where you’re not worried, you go sleep in a mud house rather than go try to make a billion dollars so that you have a big old fancy house. if you get that experience of community. You know, and that experience of community solves everything, man. And we got to get it in our schools. We got to get it in our our our health care facilities. We’re trying our best. We train 350 people now in the drumming sounds protocol. We’re out there doing it every day, you know, and just trying to live our best lives. So is it the solution? I think that we have, like I said, thousands, literally people, thousands of years. Nick McGowan (36:17.638)Hmm. Andrew Ecker (36:30.459)of evidence-based practice out there. Like, wake up, people, wake up. Like, yeah, we need drumming. You know? Nick McGowan (36:39.836)Yeah, I mean, even just the community level of that, but the music and the frequency level of all of it and everything that ties into it. I love the work that you’re doing. I really do. I think it’s crazy that the arts and music especially is being taken out of different schools and everything’s being really like commodified almost, even when you think of music. For the most part, pop music. It’s an ABA, CAB sort of situation. It’s the same thing. There was even a thing like 10, 15 years ago where somebody played a Nickelback song forward and layered over another Nickelback song backwards and it was the same. And it was like, that is crazy. But that’s what is being pushed to us instead of feeling through all of this and allowing yourself to actually get into it. I’m really glad that you got to the point where you were saying that the music is playing you. Because any musician that’s really been in, I don’t know, in any sort of jam session or in a live band or something, even if you’ve remotely tasted that little bit, you know that that’s a real thing. And that’s a whole different level. And you’re right, that is divine. Like you are literally in it. I’d played guitar in worship bands for the better part of a decade. And if it weren’t for music, I wouldn’t have been there. Andrew Ecker (37:54.712)Dude, it’s fast, yeah. Andrew Ecker (38:03.5)Yeah. Nick McGowan (38:03.961)I wouldn’t have ended up having a relationship with God. And I also now at this point, no, he’s not some bearded dude on a fucking chair somewhere. Like it’s much bigger than that. But being able to feel that, like there are things where you couldn’t manufacture this feeling. So I’m glad he pointed out, like if we could bottle it, that would be great. But at the same time, the rest of the world is trying to bottle fucking everything else. So I’m glad that we can’t because you need to experience that, you know? Andrew Ecker (38:12.974)Yeah Andrew Ecker (38:20.322)Yeah. Andrew Ecker (38:28.202)I know, I know. You do, Nick McGowan (38:33.743)What a cool thing, man. And I really love the work that you’re doing. I appreciate you being on with us today. For the people that are on their path towards self-mastery, what’s your advice to those people that are walking toward that? Andrew Ecker (38:45.772)You know, I think first just be gentle with yourself and just understand that, you know, loving yourself is the simplest thing. I was doing my best and you know, we man, life is rough, man. I mean, we, we lose people. go through all kinds of stuff and people used to tell me all the time, you know, Andrew, you need to love yourself, especially when I was little, you know, they would tell me this and I, I’d be like, you know, I felt like I was doing something wrong, you know, like What does that mean? And you know, it really is as simple as just saying, I was doing my best through everything, you know, through the alcoholism, through the drugs, but look at what’s going on in your life. And if it isn’t working for you, change, you know, like don’t be stuck in a pattern that is something destructive. You know, being in a place where you can manage your thoughts is a very important aspect to living your successful life. allowing for the thoughts that don’t serve you to simply fade away and sometimes to be confrontational with those thoughts. You know, I remember reading God is love and I thought if I just focus on love, maybe all these thoughts of suicide would would leave me. So every time any anxiety came into my life, I would just simply start screaming love in my mind and take control of my mind. You know, sometimes we just have to overpower those thoughts that aren’t serving us. And, you know, I think that for me, the greatest act of my own self mastery is the place of service. Being of service to others has brought me to a place where I feel the best, Andrew. And sometimes, you know, showing up isn’t easy. Sometimes it’s hard, but I think about the people that I drum with in the institutions and You know, just to give everybody a really brief story before we kind of close this up. For 10 years, I went to this skilled nursing hospital. And for 10 years, this man would come out and he was in a bed and his hands were atrophied. And I’d have to pry his fingers open and put a maraca in his hand. And he would shake the maraca and say, Hallelujah, Hallelujah. You know, and he had this great big smile on his face. Andrew Ecker (41:11.164)And this man’s name that I’m mentioning today is Vance Gribbins. And one day I came to the hospital and I said, Where’s my buddy Vance? And they told me he went home to heaven. I was like, good for him. You know, I said, How long did he live in this hospital? I’ve been coming here for 10 years. And they said he lived in that hospital for 28 years. And for 28 years, man, he lived in a body that that he couldn’t feed himself, you know, and 28 years he was in a hospital bed. But every single time he had an opportunity to show up for drum circle or sing along or balloon toss or bingo, he was there. And you know, today we have people that have everything in their lives. They have money, they have beautiful homes, cars, all this stuff. And to get them to go out to, you know, an art display or to go and show up at an open mic or a drum circle. You know, it’s like the end of the world. They would rather sit in front of their TV and watch Judge Judy need potato chips. And I’m just calling people on their bullshit. You know, if we want to have a good world, we got to get out of our house. We got to connect with our neighbors. We got to say hi to people. We can’t just look down at our phone every time we see a homeless person and try to escape eye contact. You know, we need to engage with people and be the brilliance that we are. You know, the medicine that you have inside of you is a medicine that we need as a community. And that’s what this world needs right now. We need love. We need togetherness. You know, I stopped giving money to people when they would ask me for money on the street. But I immediately will say to a person, hey, can I pray for you? You know, and sometimes people will say, you know, hell no, I don’t want that. And sometimes people will say, you know what? I appreciate that. Please pray for me. And I remember one time me and Monica were in my my fiancee. We were in Salt Lake. And this guy had chains, gold chains on and he just put out a joint. I could tell he smelled like cannabis and everything. He’s like, hey, man, you got any money? I was like, no, but I could say a prayer for you. And I’m saying a prayer for this guy. And he’s like, that’s the good shit. That’s what he was saying. And you just never know how you’re going to impact somebody’s life if you make yourself available. So Nick McGowan (43:34.615)Yeah. Andrew Ecker (43:35.493)You know, want to be in the place of self mastery, be available for community. You know, get out there and do something that is just to be available. Volunteer, you know, go show up at the homeless shelter. Develop a podcast that’s giving to the community. Do something for people. You know, do something for people. And you know, you’re to find the truest truth of the truth that you are. And you’re going to make a difference in the lives of people. Nick McGowan (44:02.656)It’s hard to not clap right now and like really fucking root, you know what I mean? So thank you, dude. I appreciate that. I’ve been refraining back from the like, fuck yeah, yeah. You know, so I really appreciate it. And how that was also one of those. and by the way, one more fucking thing. Here it is. Man, that’s awesome. I think there are small things that we can do. Andrew Ecker (44:13.013)Yeah! Andrew Ecker (44:23.581)Yeah. Nick McGowan (44:32.002)to really help us be able to start down that path? Because you’re talking about a lot of things and to some people, and I try to break stuff down to like, what could anybody be thinking about being super analytical or whatever of like, man, that’s a lot of shit. And there’s like a lot of things that are going on. I’m having really hard time with this one little thing in my life right now. So taking those smaller steps, like even saying get out and do community, do community in the way that feels right for you to do. Like there are people that will go to church on Sunday and that’s my community time. And as soon as they walk out, they’re yelling at their kids, they’re hating on everybody. it’s like, you’re not really doing community at that point. And community can look different to everybody. And sometimes it’s just showing up literally in the neighborhood. And like you’re saying, and dude, I think we all do it. There are people around, look down at your phone. I do that at times where I’m lost in my own head and I’m thinking about things. I’m just… going through my phone, because I’m like, don’t want to have an interaction with somebody else. And as soon as I’m aware of that, I’m like, fucking, I gotta put my phone away. Hi, you know, like, just taking that step to get out there a little bit. You obviously love what you’re doing. And this is part of your calling and a deep purpose of yours. And I think the big thing for all of us to be able to take away from that is whatever that looks like for us, just lean into it. Just get into it a little bit more and enjoy that. And I… I love that you were talking about the amount of music and the things that go into that, like the feelings that we can get from all of that and how that opens people that haven’t been open for years and years and sometimes decades. So, Andrew, I appreciate you being on here. It’s been a pleasure having you on, man. I really appreciate it. Before I let you go, where can people find you and where can they connect with you? Andrew Ecker (46:16.065)so yeah, drumming sounds is pretty much the easiest way there. you know, if you Google drumming sounds, it’ll pull me up, but I’d like to give everybody a free copy of my book based on the traditional introduction of my ancestors, but applicable to any sort of person. it’s just a system of self identity and you can get that at the sacred seven.com. It’ll also put you into my email list and you can find out events we’re doing music festivals, trainings, drum circles, all that stuff. Nick McGowan (46:51.511)Again, man, it’s been pleasure having you on. Thank you for your time. Andrew Ecker (46:54.273)Thank you, Nick.

Welcome back to Drummers on Drumming ... a podcast powered by Big Fat Snare Drum. This week's Drum Panel features myself (Ben Hilzinger) alongside Eric Urrea (Marina City) and Gunnar Olsen (Puscifer) aka **The Dream Team** We talk about: The specific tools we each use to stay on top of gigs, holds, and payments The not-so-obvious challenges of over-scheduling and saying “yes” to everything Gunnar's hot take on whether live percussionists should be allowed cymbals How double-drummer bands actually work, including famous examples and personal wish lists The real anxieties and logistics behind committing to tours vs. staying available for “dream” gigs or family Practical advice for 22-year-old drummers moving to new cities—and why being physically local still matters for working players Social media as a calling card: when it helps, when it's oversaturated, and how to post for the gigs you want --- Get Your Copy of the Drummers on Drumming Book Today

The crew of the Ghost of Winter plans their next moves now that they have awoken the Leviathans Atropos and Lákhesis, while their pilots try to navigate their new relationships to the machines. A routine refueling stop on Uranus turns deadly when the crew discovers an abandoned fuel station and an ominous drumming from deep within the mists of the gas giant...

Rob Hirst, the former drummer for the band Midnight Oil has died at age 70. In 2018 Sarah sat down with Rob for a wide-ranging conversation about music, nature and reconnecting with family (R)

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Guest: Elena Bonomo, drummer for SIX. Originally released January 14, 2022.This is one of those conversations that still holds up years later.In this episode, Elena Bonomo talks through what it actually looks like to build a career in theater music from the ground up. Elena shares how early musical experiences with her family shaped her connection to music, why drums always felt like fun instead of work, and how getting her first drum set set everything in motion.We also talk about her early pit experiences, reading music at a young age, and how playing school musicals laid the foundation for what she does now. She breaks down her time at Berklee, why versatility mattered to her more than locking into one lane, and how musical theater work at school mirrored the real expectations of Broadway life.Elena also gets honest about touring right after school, making very little money, and learning the realities of life on the road. From there, she talks about cruise ship work, adaptability, and how every gig, even the unglamorous ones, added tools to her toolbox.If you're trying to understand how Broadway careers are actually built over time, this episode is full of perspective that's still relevant today.https://www.elenabonomo.comThis Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.If you want to go deeper into this world, Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career, is available now on Amazon.com.If you'd like a signed copy by Clayton, along with Broadway Drumming 101 merchandise, head to signaturebrandworks.com.The book lays out the mindset, preparation, relationships, money realities, and long-term thinking behind real theater careers.Clayton Craddock is the drummer for the upcoming Broadway musical Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

As Phil Collins turns 75, broadcasting [and fellow drumming] legend Marty Whelan reflects on his life and musical career: spanning Phil Collins' Genesis years from, to going solo and his current health struggles. Marty explains why playing drums on ‘In The Air Tonight' with the RTÉ Concert Orchestra in 2024 was one of Marty's career highlights.

Welcome back to Drummers on Drumming ... a podcast powered by Big Fat Snare Drum This week's Drum Panel has me joined by Mark Stepro and Kris Mazzarisi for a wide-ranging conversation about what happens when gigs fall through, routines get shaken, and you're forced to rethink how you want to work and live as a drummer. In this episode, we talk about: How to respond when a major gig disappears Why direct, personal outreach still beats mass posts Aging, touring, and shifting priorities Social media's role vs real relationships Practicing vs working, and why confusing them stalls growth Tracking progress without over-measuring Onstage anxiety, depersonalization, and mental spirals Balancing family, business, touring, and sanity Letting go of shame around how your brain works Building a career that isn't dependent on constant touring --- Get Your Copy of the Drummers on Drumming Book Today

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In this episode, Scott sits down with Bob Bartlett—insurance agency owner, community leader, and part-time rock band drummer—to talk about leadership, culture, service, and the art of being different in a crowded, commoditized industry. Bob shares how getting laid off pushed him into entrepreneurship, how he grew a thriving agency in Barre, Vermont during COVID, and why real conversations will always beat 1-800 numbers.The episode dives into what it means to build trust in a small town, how to recruit with purpose, and why values like honesty, balance, and community aren't just buzzwords—they're a business model. From hosting pumpkin giveaways to playing drums at weddings, Bob shows up fully as himself and inspires his team to do the same.

Amy MacIver, in for CapeTalk’s Sara-Jayne Makwala King, is joined on Weekend Breakfast by Roy Prinsloo, Cape Metro Marching Band Association Chairperson, and two Lavender Hill High pupils: Logan Carla Soewater and Quadisiyah Moses. Weekend Breakfast with Sara-Jayne Makwala King is the weekend breakfast show on CapeTalk. This 3-hour morning programme is the perfect (and perky!) way to kickstart your weekend. Author and journalist Sara-Jayne Makwala-King spends 3 hours interviewing a variety of guests about all things cultural and entertaining. The team keeps an eye on weekend news stories, but the focus remains on relaxation and restoration. Favourites include the weekly wellness check-in on Saturdays at 7:35 am and heartfelt chats during the Sunday 9 am profile interview. Listen live on Primedia+ Saturdays and Sundays between 07:00 and 10:00 am (SA Time) to Weekend Breakfast with Sara-Jayne Makwala-King broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show, go to https://buff.ly/AgPbZi9 or find all the catch-up podcasts here https://buff.ly/j1EhEkZ Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Andrew Mueller unpacks the news this week, including Trump’s attempts to claim Greenland, the new “depression meal” recommended by the US government and the K-pop jam between the leaders of South Korea and Japan.See omnystudio.com/listener for privacy information.

Book your 2026 Astrological reading now:  www.jilljardineastrology.com Buy Jill's Book, Sacred Sound Formulas to Awaken the Modern Mind:  www.jilljardine.com Listeners are guided through an energy activation alchemical journey with the Shamanic drum.  Find a comfortable place to sit or lie down for 15 minutes to receive this healing transmission. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Welcome back to Drummers on Drumming, powered by Big Fat Snare Drum. This week's Drum Panel features me, Ben Hilzinger, alongside George Martinez (aka @skinnygeorge) and Eric Urrea from Marina City. We talk honestly about rejection, identity, and what actually gets built in the moments when things don't go your way. In this episode, we talk about: Rejection as a mirror, not a verdict, and how quickly one “no” can distort your self-image The danger of ruminating on tiny moments, and how over-analyzing the past steals energy from the present Why authenticity matters more than perfection, and how trying to manage how others see you leads to bad fits The hidden value of “failed” prep, and how deep study always compounds even when the gig disappears The emotional difference between ego pain and income fear, and how each one shapes your reactions Balancing confidence and self-doubt, and why artists need both to stay sharp and grounded How unclear communication creates unnecessary emotional weight, and what that reveals about professional culture Why creative freedom often shows up disguised as disappointment New Year's intentions around health, connection, communication, and long-term sustainability Letting go of shame around how you work, and learning to build systems that actually fit you --- Get Your Copy of the Drummers on Drumming Book Today

Happy Monday, EVERYONE! This week, Eddy and I are geeking out on one of our favorite topics: drum fills. But we aren't just talking about the fastest or choppiest fills; we're talking about the ones that involve PRO-level choices. We break down some absolute genius moments from Aaron Sterling, The RH Factor, Paramore, and Mark Guiliana to figure out exactly why those specific choices elevated the music so perfectly.We also decided to put ourselves in the hot seat. We each brought in a track from our own discographies. Eddy with a Busted track and me with a vintage Simon Says track, to analyze our own decision-making processes in the studio. We realized that whether it's a simple snare hit or a complex linear chop, the best drum fills are rarely about the drumming; they're about the choices. Hope you guys enjoy this deep dive!Enjoy - Mike JSupport the show

Welcome back to Drummers on Drumming, powered by Big Fat Snare Drum. Happy New Year. This week's Drum Panel features me, Ben Hilzinger, alongside George Martinez (aka @skinnygeorge) and Eric Urrea from Marina City. In this episode, we talk about: Burnout as a signal, not a failure, and how to tell when you actually need to step back The success trap of linking worth to being busy, and how scarcity thinking keeps you stuck Dependability, kindness, and the invisible parts of your reputation that shape your career Grace under pressure, and what tech failures and bad shows reveal about who you are on stage Confidence without arrogance, and how to take your craft seriously without taking yourself too seriously --- Get Your Copy of the Drummers on Drumming Book Today!

Every year, Eddy and I do a Christmas episode, but this one turned into something way bigger than we expected. We ended up going deep on what we're calling our grail gear. The sticks, cymbals, snares, and full drum kits that shaped us, inspired us, and flat-out made us fall in love with the drums in the first place. From Joey Jordison's blood-red sticks and Dave Weckl hero worship, to wild discontinued cymbals, one-of-a-kind snares, and the drum kits that literally made us want to play, this episode is pure nostalgia mixed with real perspective on how gear influences creativity.Along the way, we talk about why change feels uncomfortable (even when it's good), how our brains resist new ideas, and why, when it's healthy, obsession often pushes us to practice more, play more, and grow. This episode is for anyone who remembers staring at drum catalogs, trusting the drum shop guy, saving every dollar, and dreaming big. It's a Christmas special, a gear episode, and a reminder of why we started doing this in the first place. A Merry Happy Christmas to you all - Mike JSupport the show

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Welcome Nashville newcomer Tim Carman! An international touring musician, session drummer, educator, and five-time published author, Tim currently records and tours extensively with Parlor Greens—a soul-jazz trio consisting of Tim on drums, Jimmy James on guitar, and Adam Scone on organ—and Canyon Lights, a garage rock group formed with singer/guitarist Pat Faherty, formerly the lead singer of GA-20. Tim also leads two of his own projects: Tim Carman & The Street 45s — a world-groove inspired funk band—and the Tim Carman Trio—a vintage organ jazz trio (à la Jimmy Smith) nominated for “Jazz Act of the Year” in 2022, 2023, and 2024 by the Boston Music Awards.In this episode, we dive deep into Tim's diverse musical upbringing in Boston, his approach to absorbing musical vocabulary and the importance of studying music history, and his time spent in LA, Denver, and the eventual move to Nashville. We discuss how he manages multiple original projects, work-life balance, his joy for hockey, and his approach to networking, social media, and landing endorsements. We hope you enjoy! Chapters:0:00 Intro 1:43 Nashville's Best Chicken 9:19 Tim's Education Books 17:45 Boston Punk Upbringing 22:48 Drum Box (Sponsor) 23:31 Hockey Crossovers 28:31 Parlor Greens Formation 30:44 Fuji Rock Festival in Japan 32:11 Balancing Multiple Projects 33:12 Switching Between Genres 35:16 Work-Life Balance 37:22 Low Boy Beaters (Sponsor) 38:04 Nashville's Scene 41:02 Punk Rock Influences 47:43 Networking and Opportunities 58:14 Drum Supply (Sponsor) 59:14 Social Media for Musicians 1:05:25 Memorable Concerts 1:09:29 Bucket List Venues 1:14:04 Groove MPL (Sponsor) 1:15:16 Endorsements and Gear Talk 1:23:17 Music City Audiology (Sponsor) 1:24:12 Closing Questions 1:29:43 OutroThank you to our Episode Sponsors:Drum Boxhttps://drumbox.spaceDrum Supplyhttps://www.drumsupply.comLow Boy Beatershttps://lowboybeaters.comGroove MPLhttps://www.groovempl.comMusic City Audiologyhttps://www.musiccityaudiology.comConnect with Tim:Instagram: https://www.instagram.com/tcarmandrumsWebsite: https://timcarmandrums.comMusic Featured in this Episode:"West Memphis" - Parlor Greens"Let Me In" - Canyon LightsSupport the showConnect with us:WebsiteInstagramTikTokYouTubeFacebookRecorded at Garden Groove Recording Space, Nashville, TNPodcast Artwork: GENUINE CREATIVE ART ⓒ 2025 Nashville Drummers Podcast, LLC

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Episode #403 of BGMania: A Video Game Music Podcast. Today on the show, Bryan and Bedroth are celebrating Christmas with a fun theme that turned out to be incredibly hard for the guys in a lot of ways. We're focusing on the popular traditional Christmas Carol, "The Twelve Days of Christmas", and using the lyrics from the song to guide our selections for each of the main twelve tracks making up a majority of the episode. Bookending all of that, we have two versions of the actual song from two very different games. We hope everyone out there has a safe and fantastic Holiday! Email the show at bgmaniapodcast@gmail.com with requests for upcoming episodes, questions, feedback, comments, concerns, or any other thoughts you'd like to share! Special thanks to our Executive Producers: Jexak, Xancu, Jeff & Mike. EPISODE PLAYLIST AND CREDITS 12 Days of Christmas from Dead Rising 4 [Frederic Austin/Oleksa Lozowchuk feat. Kami Ward, 2016] Tree of Savior -Piano- from Tree of Savior [Sevin, 2016] Turtle Cook from The Last Campfire [Paul Weir, 2020] The French Alps from Asterix: The Gallic War [Dave Boardman & Doug Boyes, 1999] The Silver and Gold Birds from Another Code: Recollection [Satoshi Okubo, Rei Kondoh & Haruno Ito, 2024] Thousand Thousand Layer Golden Orb of Jubilation from Anodyne 2: Return to Dust [Melos Han-Tani, 2019] Geese Lake from The Forest [Gabe Castro, 2018] Symphony Of The Swans from Air Twister [Aldous Byron Valensia Clarkson, 2022] Halls Balls -Milking the Pigs- from The Simpsons: Hit & Run [Marc Baril, Allan Levy & Jeff Tymoschuk, 2003] The Dancing City of Farnsport from Chained Echoes [Eddie Marianukroh, 2022] Facing the Ten Lords from Sword Art Online: Last Recollection [Ryouhei Fujieda, 2023] Pipers at the Faire from Dragonvale [Aubrey Hodges, 2011] Flippers Are Great for Drumming from TAGAP 4 [Petja Heiskanen, 2022] Twelve Days of Christmas from Do Not Feed the Monkeys 2099 [Frederic Austin/Unknown, 2023] LINKS Patreon: https://patreon.com/bgmania Website: https://bgmania.podbean.com/ Discord: https://discord.gg/cC73Heu Facebook: BGManiaPodcast X: BGManiaPodcast Instagram: BGManiaPodcast TikTok: BGManiaPodcast YouTube: BGManiaPodcast Twitch: BGManiaPodcast PODCAST NETWORK Very Good Music: A VGM Podcast Listening Religiously

What makes the drumming community so special? In this episode, Eddy and I sit down with our good friend Kim Lee from Music Workshop in Bath, England, to talk about building communities—and why drummers seem to do it better than anyone else.We share stories about our first music communities, from my early days printing Simon Says merch on thrift store shirts to Eddy's touring experiences and Kim's unexpected journey through rave culture. We get into why shared struggles bond us more than shared wins, and how the best communities aren't built on purpose—they happen when you genuinely care about making people feel less alone.If you've ever felt like an outcast but found your people through drumming, this conversation is for you. Plus, we somehow manage to talk about eggs, sweets, and why there's no UK Saxophone Show, yet :)Support this podcasthttps://www.patreon.com/drumwithmikeandeddySupport the show

Support this podcasthttps://www.patreon.com/drumwithmikeandeddyIn episode 205, Eddy and I chat about our experiences with private lessons, both as students and as teachers. We discuss the importance of teaching drums not as a means to showcase what students can'tt do, but rather to identify and address the barriers preventing them from achieving their drumming goals. We throw a tad bit of shade at the rare instance when teachers try to establish dominance by showcasing their skills, and instead advocate for a more empowering approach that focuses on student needs and growth. Basically, don't be a jerk. LOL. We hope you enjoy this episode!Mike & EddySupport the show

Welcome back to Drummers on Drumming, powered by Big Fat Snare Drum. This week features another batch of my favorite clips over the past year. Let me know if you agreeeee. --- Get Your Copy of the Drummers on Drumming Book Today!

The subject line read only: “Come in. Immediately.”

In this episode, Kelly Jean explores the sacred rhythm of Reiki Drumming — a practice that unites sound, vibration, and universal life force energy to restore balance and peace within.Across cultures and centuries, drumming has been used in ceremonies, meditation, and healing rituals. Its steady rhythm mirrors the heartbeat — the pulse of life — grounding us in the present moment. When combined with Reiki, this timeless rhythm transforms into a channel for divine healing and renewal.Kelly explains how Reiki Drumming entrains the brain into calm, meditative states, clears stagnant energy, and fills the space with light and harmony. Each beat becomes a prayer — a vibration of intention that bridges the physical and spiritual worlds.At The Peace Room, Reiki Drumming is woven into workshops, Reiki Spa Days, and individual sessions, offering clients a deeply grounding and heart-centered experience. Whether through gentle meditative rhythms or powerful emotional releases, Reiki Drumming reminds us that we can always return to center — to the still point within.Listeners are invited to imagine the heartbeat of the drum resonating in their chest and breathe — releasing what no longer serves them with each exhale, returning to balance with every beat.Key ThemesThe universal rhythm of healing through soundThe union of Reiki energy and drumming vibrationGrounding, balance, and release through rhythmCreating sacred space and intention through soundFinding peace in the steady pulse of the momentLearn more about upcoming experiences at www.thepeaceroom.loveJoin us again whenever you need 5 Minutes of Peace.

Support this podcasthttps://www.patreon.com/drumwithmikeandeddyIn this episode, Eddy and I explore the complex relationship between effort and reward in creative endeavors and where routine fits into it all. We chat about the emotional struggles artists face when their hard work does not yield the recognition or success they expected. Basically, you'll hear us, in real time, struggle with what it's like to care deeply about our craft while facing the reality of unpredictable rewards.- Mike JSupport the show