Podcasts about Wikipedia

Relax with calm bedtime reading about the Eurovision Song Contest, designed for sleep and gentle relief from insomnia. Relax with calm bedtime reading that supports sleep and eases insomnia while offering a peaceful way to unwind. In this episode, Benjamin softly explores the history, traditions, and cultural impact of Eurovision, sharing facts in a soothing, steady cadence that helps your mind slow down while you rest. You can learn something new while relaxing, with no whispering, just calm educational reading meant to comfort restless nights and support sleep. This gentle approach can help reduce stress, quiet anxious thoughts, and make sleep feel more natural and welcoming for anyone dealing with insomnia. Settle in, press play, and let this calm bedtime reading carry you toward rest. Happy sleeping! Read with permission from Eurovision Song Contest, Wikipedia (https://en.wikipedia.org/wiki/Eurovision_Song_Contest), licensed under CC BY-SA 4.0. Learn more about your ad choices. Visit megaphone.fm/adchoices

Overtime with Outland is Action Catalyst host Adam Outland's reflections and commentary on discussions with each of his esteemed and accomplished guests.In this segment, Adam dissects Episode 499 with Jimmy Wales, Founder of Wikipedia and the Wikimedia Foundation.

The Spanish government has announced plans to legalise the status of half a million undocumented migrants. Many arrive with student or tourist visas but overstay and start working on the black market. Migration is a polarising issue in western Europe, so why is Spain keen to hurry up the process of regularisation? One reason is that Spain's economy has been outstripping its European Union partners. In 2024 the economy grew by 3.5% but in sectors that struggle to recruit enough workers, so Spain wants its migrant population to work in a legal way to keep its economic momentum going. We meet some of the people the Spanish government wants to give legal status to and speak to organisations that are helping them to work legally.If you'd like to get in touch with the team, you can send us an email to businessdaily@bbc.co.ukPresented and produced by Ashish SharmaBusiness Daily is the home of in-depth audio journalism devoted to the world of money and work. From small startup stories to big corporate takeovers, global economic shifts to trends in technology, we look at the key figures, ideas and events shaping business.Each episode is a 17-minute deep dive into a single topic, featuring expert analysis and the people at the heart of the story.Recent episodes explore the weight-loss drug revolution, the growth in AI, the cost of living, why bond markets are so powerful, China's property bubble, and Gen Z's experience of the current job market.We also feature in-depth interviews with company founders and some of the world's most prominent CEOs. These include the CEO of Google Sundar Pichai, Wikipedia founder Jimmy Wales, and billionaire founder Judy Faulkner of Epic Systems, one of the world's largest medical record software providers.(Picture: View of Madrid city skyline from a sky bar terrace where people are gathered. Credit: Getty Images)

It is foolish to try to describe the music of the Gogol Bordello and its charismatic frontman Eugene Hütz so we'll just list the genres Wikipedia uses: Punk rock, folk punk, Latin rock, polka, folk rock, dub, Romani, and Gypsy punk. Wikipedia also uses the adjective “theatrical” and we won't argue with that. Within the veteran hit band's whirling storm of musical virtuosity, there are guitars. In playing those guitars, there are strokes, and within those strokes, there are downstrokes and that's where our conversation with Eugene is centered. In contrast to his stage presence, which would definitely wake you up, Eugene calmly explains the essential nature of the downstroke and also expounds on punk in general, Madonna's drumming career, and the oft-forgotten tremolo. You'll want to start a punk band. Tomorrow, though, after a good sleep.Pre-save and pre-order Gogol Bordello's new album, We Mean It, Man!, on the streaming service of your choice.Hey Sleepy Heads, is there anyone whose voice you'd like to drift off to, or do you have suggestions on things we could do to aid your slumber?Email us at: sleepwithcelebs@maximumfun.org.Follow the Show on:Instagram @sleepwcelebsBluesky @sleepwithcelebsTikTok @SleepWithCelebsJohn is on Bluesky @JohnMoeJohn's acclaimed, best-selling memoir, The Hilarious World of Depression, is now available in paperback._________________________________________________________________________Join | Maximum FunIf you like one or more shows on MaxFun, and you value independent artists being able to do their thing, you're the perfect person to become a MaxFun monthly member.

Jimmy Wales, Founder of Wikipedia and the Wikimedia Foundation, replays the origins of Wikipedia and the unique challenges it faced, examines the emotional and practical implications of trust, and chats about working with for-profit vs non-profit stakeholders, his issues with large language models and the way they work, the polarization of societal and business interests, and why he remains a “pathological optimist”.Mentioned in this episode:Learn more at SouthwesternConsulting.com/Coaching/StudentsSouthwestern Student Coaching

As governments cut back on how much they spend on global aid, the head of the Gates Foundation Mark Suzman speaks exclusively to Business Daily about how the world's poorest are being affected. He tells us world governments “should be embarrassed” that the Foundation has overtaken them to become the largest financial backer of the WHO.When governments reduce their air spend, the organisation inevitably becomes more prominent. But is there too much reliance on the Gates Foundation globally for an institution with little democratic accountability? And are its priorities the right ones? If you'd like to get in touch with the team, our email address is businessdaily@bbc.co.ukPresenter: Sam Fenwick Producer: Matt LinesBusiness Daily is the home of in-depth audio journalism devoted to the world of money and work. From small startup stories to big corporate takeovers, global economic shifts to trends in technology, we look at the key figures, ideas and events shaping business.Each episode is a 17-minute deep dive into a single topic, featuring expert analysis and the people at the heart of the story.Recent episodes explore the weight-loss drug revolution, the growth in AI, the cost of living, why bond markets are so powerful, China's property bubble, and Gen Z's experience of the current job market.We also feature in-depth interviews with company founders and some of the world's most prominent CEOs. These include the CEO of Google Sundar Pichai, Wikipedia founder Jimmy Wales, and billionaire founder Judy Faulkner of Epic Systems, one of the world's largest medical record software providers.(Picture: Gates Foundation CEO Mark Suzman speaking at an event in New York City. Credit: Getty Images)

When two boys go missing in the United Kingdom, a method from the US is used to raise awareness, but can it help find the "Milk Carton Kids" Patrick Warren and David Spencer?Thank you to The BBC, The Guardian, The Doe Network, The Birmingham Mail, ITV News, The Train Went Cold Podcast, The Times, In the Footsteps of Killers (TV Program), Georgia Marie on Youtube, Wikipedia, and Websleuths for information contributing to today's case.  This episode was written by Kira McQueen, edited by John Lordan, and produced by LordanArts.Do you have any comments, or a case you'd like to suggest? You'll find a comment form and case submission link at LordanArts.com.This is not intended to act as a means of proving or disproving anything related to the investigation.  It is a conversation about the current known facts and theories being discussed.  Everyone directly or indirectly referred to is innocent until proven guilty in a court of law.LordanArts 2026

Larry Sanger, Wikipedia co‑creator, joins us in the tent today to talk about his religious journey, how secret societies opened his eyes to the dark side, and other interesting topics… WELCOME TO CAMP!

Notes and Links to Carolina Ixta's Work   Carolina Ixta is a writer from Oakland, California. A daughter of Mexican immigrants, she received her BA in creative writing and Spanish language and literature at the University of California, Santa Cruz, and obtained her master's degree in education at the University of California, Berkeley. Her debut novel, Shut Up, This Is Serious, was a Morris Award finalist, an LA Times Book Prize finalist, and the winner of the Pura Belpré Award. Few Blue Skies is out now. Buy Few Blue Skies   Carolina Ixta's Website   Kirkus Review on Few Blue Skies At about 1:50, Carolina responds to Pete's question about how she feels with her book at Pub Day At about 3:35, Carolina shouts out Mrs. Dalloway's and other bookstores to buy Few Blue Skies At about 4:25, Carolina talks about her language and reading background  At about 6:00, Pete and Carolina reminisce on taking the challenging Spanish linguistics class At about 8:25, The two reflect on the unceasing reading list At about 9:15, Carolina shouts out Pam Munoz Ryan and Esperanza Rising-a transformative book and wonderful person At about 10:45, Carolina highlights the wonderful evolution of young adult fiction At about 12:45, The two fanboy and -girl over Jason Reynolds At about 14:55-RILKE! At about 16:30, Aria Aber is cited as a great fan and proponent of Rilke At about 18:10, Carolina gives an intricate and wise explanation of how writing and teaching elementary school and her own schooling have come together in a balance in writing for young people  At about 24:30, Carolina gives information on seeds for Few Blue Skies-an urban education class and references to drinking water in Oakland Public Schools is cited At about 27:05, Pete compliments the universality and specificity of the book in asking Carolina about the area in which she writes and connections to real-life companies At about 28:30, The two set the book's exposition  At about 32:40, Carolina expands on familial connections to the Bracero Program and cites Alejandra Oliva's Rivermouth as a great source for information about the shocking (or not) racism associated with the program At about 36:20, Carolina likes to  At about 38:00, Carolina makes interesting points about the “invisible” work done by Paloma's mother and many women At about 42:00, The two discuss the strike undertaken in the book and ideas of practicality and idealism At about 42:40, AQA days are discussed in connection to air quality issues that happen in the book and in real life At about 44:00, The two discuss grief, and Pete compliments the realism shown by the character in the book after Julio's father's death At about 45:20, Carolina responds to Pete's question about the significance of a garden envisioned by Julio in the book At about 47:40, Carolina expands on Julio as a “wholesome character” and drawing his dimensions and his future and romantic life At about 49:00, Carolina talks about stretching her Bay Area loyalties in writing realistically about the IE and their sports loyalties; she talks about wanting/needing to write something that shows her "range"  At about 51:15, Carolina responds to Pete's question about the provenance of the book's Mayor Warner At about 55:45, Pete and Carolina talk about ideas of ignorance with regard to Paloma, and real-life versions of naivete and idealism   At about 59:00, Carolina talks about anxieties around proving that she can write fiction rooted in nonfiction, and how she so wants kids to go to Wikipedia and do deeper research in enjoying reading  At about 1:01:55, Pete cites the “good and fun awkwardness” in some of the romantic scenes in the book, and Carolina talks about struggling to write those scenes    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up soon at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 322 with Peter Orner, the author of eight books, most recently the novel, The Gossip Columnist's Daughter, named one of the best books of 2025 by the New Yorker and the Chicago Tribune, as well as the essay collections, Still No Word from You, a finalist for the PEN Award for the Art of the Essay, and Am I Alone Here?, a finalist for the National Book Critics Circle Award for Criticism.  The episode airs February 3, later in the day. Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.  

How can indie authors raise their game through academic-style rigour? How might AI tools fit into a thoughtful research process without replacing the joy of discovery? Melissa Addey explores the intersection of scholarly discipline, creative writing, and the practical realities of building an author career. In the intro, mystery and thriller tropes [Wish I'd Known Then]; The differences between trad and indie in 2026 [Productive Indie Fiction Writer]; Five phases of an author business [Becca Syme]; Bones of the Deep – J.F. Penn; Today's show is sponsored by Bookfunnel, the essential tool for your author business. Whether it's delivering your reader magnet, sending out advanced copies of your book, handing out ebooks at a conference, or fulfilling your digital sales to readers, BookFunnel does it all. Check it out at bookfunnel.com/thecreativepenn This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Melissa Addey is an award-winning historical fiction author with a PhD in creative writing from the University of Surrey. She was the Leverhulme Trust Writer in Residence at the British Library, and now works as campaigns lead for the Alliance of Independent Authors. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Making the leap from a corporate career to full-time writing with a young family Why Melissa pursued a PhD in creative writing and how it fuelled her author business What indie authors can learn from academic rigour when researching historical fiction The problems with academic publishing—pricing, accessibility, and creative restrictions Organising research notes, avoiding accidental plagiarism, and knowing when to stop researching Using AI tools effectively as part of the research process without losing your unique voice You can find Melissa at MelissaAddey.com. Transcript of the interview with Melissa Addey JOANNA: Melissa Addey is an award-winning historical fiction author with a PhD in creative writing from the University of Surrey. She was the Leverhulme Trust Writer in Residence at the British Library, and now works as campaigns lead for the Alliance of Independent Authors. Welcome back to the show, Melissa. MELISSA: Hello. Thank you for having me. JOANNA: It's great to have you back. You were on almost a decade ago, in December 2016, talking about merchandising for authors. That is really a long time ago. So tell us a bit more about you and how you got into writing and self-publishing. MELISSA: I had a regular job in business and I was writing on the side. I did a couple of writing courses, and then I started trying to get published, and that took seven years of jumping through hoops. There didn't seem to be much progress. At some point, I very nearly had a small publisher, but we clashed over the cover because there was a really quite hideous suggestion that was not going to work. I think by that point I was really tired of jumping through hoops, really trying to play the game traditional publishing-wise. I just went, you know what? I've had enough now. I've done everything that was asked of me and it's still not working. I'll just go my own way. I think at the time that would've been 2015-ish. Suddenly, self-publishing was around more. I could see people and hear people talking about it, and I thought, okay, let's read everything there is to know about this. I had a little baby at the time and I would literally print off stuff during the day to read—probably loads of your stuff—and read it at two o'clock in the morning breastfeeding babies. Then I'd go, okay, I think I understand that bit now, I'll understand the next bit, and so on. So I got into self-publishing and I really, really enjoyed it. I've been doing it ever since. I'm now up to 20 books in the last 10 or 11 years. As you say, I did the creative writing PhD along the way, working with ALLi and doing workshops for others—mixing and matching lots of different things. I really enjoy it. JOANNA: You mentioned you had a job before in business. Are you full-time in all these roles that you're doing now, or do you still have that job? MELISSA: No, I'm full-time now. I only do writing-related things. I left that in 2015, so I took a jump. I was on maternity leave and I started applying for jobs to go back to, and I suddenly felt like, oh, I really don't want to. I want to do the writing. I thought, I've got about one year's worth of savings. I could try and do the jump. I remember saying to my husband, “Do you think it would be possible if I tried to do the jump? Would that be okay?” There was this very long pause while he thought about it. But the longer the pause went on, the more I was thinking, ooh, he didn't say no, that is out of the question, financially we can't do that. I thought, ooh, it's going to work. So I did the jump. JOANNA: That's great. I did something similar and took a massive pay cut and downsized and everything back in the day. Having a supportive partner is so important. The other thing I did—and I wonder if you did too—I said to Jonathan, my husband, if within a year this is not going in a positive direction, then I'll get another job. How long did you think you would leave it before you just gave up? And how did that go? Because that beginning is so difficult, especially with a new baby. MELISSA: I thought, well, I'm at home anyway, so I do have more time than if I was in a full-time job. The baby sleeps sometimes—if you're lucky—so there are little gaps where you could really get into it. I had a year of savings/maternity pay going on, so I thought I've got a year. And the funny thing that happened was within a few months, I went back to my husband and I was like, I don't understand. I said, all these doors are opening—they weren't massive, but they were doors opening. I said, but I've wanted to be a writer for a long time and none of these doors have opened before. He said, “Well, it's because you really committed. It's because you jumped. And when you jump, sometimes the universe is on board and goes, yes, all right then, and opens some doors for you.” It really felt like that. Even little things—like Writing Magazine gave me a little slot to do an online writer-in-residence thing. Just little doors opened that felt like you were getting a nod, like, yes, come on then, try. Then the PhD was part of that. I applied to do that and it came with a studentship, which meant I had three years of funding coming in. That was one of the biggest creative gifts that's ever been given to me—three years of knowing you've got enough money coming in that you can just try and make it work. By the time that finished, the royalties had taken over from the studentship. That was such a gift. JOANNA: A couple of things there. I've got to ask about that funding. You're saying it was a gift, but that money didn't just magically appear. You worked really hard to get that funding, I presume. MELISSA: I did, yes. You do have to do the work for it, just to be clear. My sister had done a PhD in an entirely different subject. She said, “You should do a PhD in creative writing.” I said, “That'd be ridiculous. Nobody is going to fund that. Who's going to fund that?” She said, “Oh, they might. Try.” So I tried, and the deadline was something stupid like two weeks away. I tried and I got shortlisted, but I didn't get it. I thought, ah, but I got shortlisted with only two weeks to try. I'll try again next year then. So then I tried again the next year and that's when I got it. It does take work. You have to put in quite a lot of effort to make your case. But it's a very joyful thing if you get one. JOANNA: So let's go to the bigger question: why do a PhD in creative writing? Let's be clear to everyone—you don't need even a bachelor's degree to be a successful author. Stephen King is a great example of someone who isn't particularly educated in terms of degrees. He talks about writing his first book while working at a laundry. You can be very successful with no formal education. So why did you want to do a PhD? What drew you to academic research? MELISSA: Absolutely. I would briefly say, I often meet people who feel they must do a qualification before they're allowed to write. I say, do it if you'd like to, but you don't have to. You could just practise the writing. I fully agree with that. It was a combination of things. I do actually like studying. I do actually enjoy the research—that's why I do historical research. I like that kind of work. So that's one element. Another element was the funding. I thought, if I get that funding, I've got three years to build up a back catalogue of books, to build up the writing. It will give me more time. So that was a very practical financial issue. Also, children. My children were very little. I had a three-year-old and a baby, and everybody went, “Are you insane? Doing a PhD with a three-year-old and a baby?” But the thing about three-year-olds and babies is they're quite intellectually boring. Emotionally, very engaging—on a number of levels, good, bad, whatever—but they're not very intellectually stimulating. You're at home all day with two small children who think that hide and seek is the highlight of intellectual difficulty because they've hidden behind the curtains and they're shuffling and giggling. I felt I needed something else. I needed something for me that would be interesting. I've always enjoyed passing on knowledge. I've always enjoyed teaching people, workshops, in whatever field I was in. I thought, if I want to do that for writing at some point, it will sound more important if I've done a PhD. Not that you need that to explain how to do writing to someone if you do a lot of writing. But there were all these different elements that came together. JOANNA: So to summarise: you enjoy the research, it's an intellectual challenge, you've got the funding, and there is something around authority. In terms of a PhD—and just for listeners, I'm doing a master's at the moment in death, religion, and culture. MELISSA: Your topic sounds fascinating. JOANNA: It is interesting because, same as you, I enjoy research. Both of us love research as part of our fiction process and our nonfiction. I'm also enjoying the intellectual challenge, and I've also considered this idea of authority in an age of AI when it is increasingly easy to generate books—let's just say it, it's easy to generate books. So I was like, well, how do I look at this in a more authoritative way? I wanted to talk to you because even just a few months back into it—and I haven't done an academic qualification for like two decades—it struck me that the academic rigour is so different. What lessons can indie authors learn from this kind of academic rigour? What do you think of in terms of the rigour and what can we learn? MELISSA: I think there are a number of things. First of all, really making sure that you are going to the quality sources for things—the original sources, the high-quality versions of things. Not secondhand, but going back to those primary sources. Not “somebody said that somebody said something.” Well, let's go back to the original. Have a look at that, because you get a lot from that. I think you immerse yourself more deeply. Someone can tell you, “This is how they spoke in the 1800s.” If you go and read something that was written in the 1800s, you get a better sense of that than just reading a dictionary of slang that's been collated for you by somebody else. So I think that immerses you more deeply. Really sticking with that till you've found interesting things that spark creativity in you. I've seen people say, “I used to do all the historical research. Nowadays I just fact-check. I write what I want to write and I fact-check.” I think, well, that's okay, but you won't find the weird little things. I tend to call it “the footnotes of history.” You won't find the weird little things that really make something come alive, that really make a time and a place come alive. I've got a scene in one of my Regency romances—which actually I think are less full of historical emphasis than some of my other work—where a man gives a woman a gift. It's supposed to be a romantic gift and maybe slightly sensual. He could have given her a fan and I could have fact-checked and gone, “Are there fans? Yes, there are fans. Do they have pretty romantic poems on them? Yes, they do. Okay, that'll do.” Actually, if you go round and do more research than that, you discover they had things like ribbons that held up your stockings, on which they wrote quite smutty things in embroidery. That's a much more sexy and interesting gift to give in that scene. But you don't find that unless you go doing a bit of research. If I just fact-check, I'm not going to find that because it would never have occurred to me to fact-check it in the first place. JOANNA: I totally agree with you. One of the wonderful things about research—and I also like going to places—is you might be somewhere and see something that gives you an idea you never, ever would have found in a book or any other way. I used to call it “the serendipity of the stacks” in the physical library. You go looking for a particular book and then you're in that part of the shelf and you find several other books that you never would have looked for. I think it's encouraging people, as you're saying, but I also think you have to love it. MELISSA: Yes. I think some people find it a bit of a grind, or they're frightened by it and they think, “Have I done enough?” JOANNA: Mm-hmm. MELISSA: I get asked that a lot when I talk about writing historical fiction. People go, “But when do I stop? How do I know it's enough? How do I know there wasn't another book that would have been the book? Everyone will go, ‘Oh, how did you not read such-and-such?'” I always say there are two ways of finding out when you can stop. One is when you get to the bibliographies, you look through and you go, “Yep, read that, read that, read that. Nah, I know that one's not really what I wanted.” You're familiar with those bibliographies in a way that at the beginning you're not. At the beginning, every single bibliography, you haven't read any of it. So that's quite a good way of knowing when to stop. The other way is: can you write ordinary, everyday life? I don't start writing a book till I can write everyday life in that historical era without notes. I will obviously have notes if I'm doing a wedding or a funeral or a really specific battle or something. Everyday life, I need to be able to just write that out of my own head. You need to be confident enough to do that. JOANNA: One of the other problems I've heard from academics—people who've really come out of academia and want to write something more pop, even if it's pop nonfiction or fiction—they're also really struggling. It is a different game, isn't it? For people who might be immersed in academia, how can they release themselves into doing something like self-publishing? Because there's still a lot of stigma within academia. MELISSA: You're going to get me on the academic publishing rant now. I think academic publishing is horrendous. Academics are very badly treated. I know quite a lot of academics and they have to do all the work. Nobody's helping them with indexing or anything like that. The publisher will say things like, “Well, could you just cut 10,000 words out of that?” Just because of size. Out of somebody's argument that they're making over a whole work. No consideration for that. The royalties are basically zilch. I've seen people's royalty statements come in, and the way they price the books is insane. They'll price a book at 70 pounds. I actually want that book for my research and I'm hesitating because I can't be buying all of them at that price. That's ridiculous. I've got people who are friends or family who bring out a book, and I'm like, well, I would gladly buy your book and read it. It's priced crazy. It's priced only for institutions. I think actually, if academia was written a little more clearly and open to the lay person—which if you are good at your work, you should be able to do—and priced a bit more in line with other books, that would maybe open up people to reading more academia. You wouldn't have to make it “pop” as you say. I quite like pop nonfiction. But I don't think there would have to be such a gulf between those two. I think you could make academic work more readable generally. I read someone's thesis recently and they'd made a point at the beginning of saying—I can't remember who it was—that so-and-so academic's point of view was that it should be readable and they should be writing accordingly. I thought, wow, I really admired her for doing that. Next time I'm doing something like that, I should be putting that at the front as well. But the fact that she had to explain that at the beginning… It wasn't like words of one syllable throughout the whole thing. I thought it was a very quality piece of writing, but it was perfectly readable to someone who didn't know about the topic. JOANNA: I might have to get that name from you because I've got an essay on the Philosophy of Death. And as you can imagine, there's a heck of a lot of big words. MELISSA: I know. I've done a PhD, but I still used to tense up a little bit thinking they're going to pounce on me. They're going to say that I didn't talk academic enough, I didn't sound fancy enough. That's not what it should be about, really. In a way, you are locking people out of knowledge, and given that most academics are paid for by public funds, that knowledge really ought to be a little more publicly accessible. JOANNA: I agree on the book price. I'm also buying books for my course that aren't in the library. Some of them might be 70 pounds for the ebook, let alone the print book. What that means is that I end up looking for secondhand books, when of course the money doesn't go to the author or the publisher. The other thing that happens is it encourages piracy. There are people who openly talk about using pirate sites for academic works because it's just too expensive. If I'm buying 20 books for my home library, I can't be spending that kind of money. Why is it so bad? Why is it not being reinvented, especially as we have done with indie authors for the wider genres? Has this at all moved into academia? MELISSA: I think within academia there's a fear because there's the peer reviews and it must be proven to be absolutely correct and agreed upon by everybody. I get that. You don't want some complete rubbish in there. I do think there's space to come up with a different system where you could say, “So-and-so is professor of whatever at such-and-such a university. I imagine what they have to say might be interesting and well-researched.” You could have some sort of kite mark. You could have something that then allows for self-publishing to take over a bit. I do just think their system is really, really poor. They get really reined in on what they're allowed to write about. Alison Baverstock, who is a professor now at Kingston University and does stuff about publishing and master's programmes, started writing about self-publishing because she thought it was really interesting. This was way back. JOANNA: I remember. I did one of those surveys. MELISSA: She got told in no uncertain terms, “Do not write about this. You will ruin your career.” She stuck with it. She was right to stick with it. But she was told by senior academics, “Do not write about self-publishing. You're just embarrassing yourself. It's just vanity press.” They weren't even being allowed to write about really quite interesting phenomena that were happening. Just from a historical point of view, that was a really interesting rise of self-publishing, and she was being told not to write about it. JOANNA: It's funny, that delay as well. I'm looking to maybe do my thesis on how AI is impacting death and the death industry. And yet it's such a fast-moving thing. MELISSA: Yes. JOANNA: Sometimes it can take a year, two years or more to get a paper through the process. MELISSA: Oh, yes. It moves really, really fast. Like you say, by the time it comes out, people are going, “Huh? That's really old.” And you'll be going, “No, it's literally two years.” But yes, very, very slow. JOANNA: Let's come back to how we can help other people who might not want to be doing academic-level stuff. One of the things I've found is organising notes, sources, references. How do you manage that? Any tips for people? They might not need to do footnotes for their historical novel, but they might want to organise their research. What are your thoughts? MELISSA: I used to do great big enormous box files and print vast quantities of stuff. Each box file would be labelled according to servant life, or food, or seasons, or whatever. I've tried various different things. I'm moving more and more now towards a combination of books on the shelf, which I do like, and papers and other materials that are stored on my computer. They'll be classified according to different parts of daily life, essentially. Because when you write historical fiction, you have to basically build the whole world again for that era. You have to have everything that happens in daily life, everything that happens on special events, all of those things. So I'll have it organised by those sorts of topics. I'll read it and go through it until I'm comfortable with daily life. Then special things—I'll have special notes on that that can talk me through how you run a funeral or a wedding or whatever, because that's quite complicated to just remember in your head. MELISSA: I always do historical notes at the end. They really matter to me. When I read historical fiction, I really like to read that from the author. I'll say, “Right, these things are true”—especially things that I think people will go, “She made that up. That is not true.” I'll go, “No, no, these are true.” These other things I've fudged a little, or I've moved the timeline a bit to make the story work better. I try to be fairly clear about what I did to make it into a story, but also what is accurate, because I want people to get excited about that timeline. Occasionally if there's been a book that was really important, I'll mention it in there because I don't want to have a proper bibliography, but I do want to highlight certain books. If you got excited by this novel, you could go off and read that book and it would take you into the nonfiction side of it. JOANNA: I'm similar with my author's notes. I've just done the author's note for Bones of the Deep, which has some merfolk in it, and I've got a book on Merpeople. It's awesome. It's just a brilliant book. I'm like, this has to go in. You could question whether that is really nonfiction or something else. But I think that's really important. Just to be more practical: when you're actually writing, what tools do you use? I use Scrivener and I keep all my research there. I'm using EndNote for academic stuff. MELISSA: I've always just stuck to Word. I did get Scrivener and played with it for a while, but I felt like I've already got a way of doing it, so I'll just carry on with that. So I mostly just do Word. I have a lot of notes, so I'll have notepads that have got my notes on specific things, and they'll have page numbers that go back to specific books in case I need to go and double-check that again. You mentioned citations, and that's fascinating to me. Do you know the story about Angle of Repose by Wallace Stegner? It won the Pulitzer. It's a novel, but he used 10% of that novel—and it's a fairly slim novel—10% of it is actually letters written by somebody else, written by a woman before his time. He includes those and works with them in the story. He mentioned her very briefly, like, “Oh, and thanks to the relatives of so-and-so.” Very brief. He got accused of plagiarism for using that much of it by another part of her family who hadn't agreed to it. I've always thought it's because he didn't give enough credence to her. He didn't give her enough importance. If he'd said, “This was the woman who wrote this stuff. It's fascinating. I loved it. I wanted to creatively respond and engage with it”—I think that wouldn't have happened at all. That's why I think it's quite important when there are really big, important elements that you're using to acknowledge those. JOANNA: That's part of the academic rigour too— You can barely have a few of your own thoughts without referring to somebody else's work and crediting them. What's so interesting to me in the research process is, okay, I think this, but in order to say it, I'm going to have to go find someone else who thought this first and wrote a paper on it. MELISSA: I think you would love a PhD. When you've done a master's, go and do a PhD as well. Because it was the first time in academia that I genuinely felt I was allowed my own thoughts and to invent stuff of my own. I could go, “Oh no, I've invented this theory and it's this.” I didn't have to constantly go, “As somebody else said, as somebody else said.” I was like, no, no. This is me. I said this thing. I wasn't allowed to in my master's, and I found it annoying. I remember thinking, but I'm trying to have original thoughts here. I'm trying to bring something new to it. In a PhD, you're allowed to do that because you're supposed to be contributing to knowledge. You're supposed to be bringing a new thing into the world. That was a glorious thing to finally be allowed to do. JOANNA: I must say I couldn't help myself with that. I've definitely put my own opinion. But a part of why I mention it is the academic rigour—it's actually quite good practice to see who else has had these thoughts before. Speed is one of the biggest issues in the indie author community. Some of the stuff you were talking about—finding original sources, going to primary sources, the top-quality stuff, finding the weird little things—all of that takes more time than, for example, just running a deep research report on Gemini or Claude or ChatGPT. You can do both. You can use that as a starting point, which I definitely do. But then the point is to go back and read the original stuff. On this timeframe— Why do you think research is worth doing? It's important for academic reasons, but personal growth as well. MELISSA: Yes, I think there's a joy to be had in the research. When I go and stand in a location, by that point I'm not measuring things and taking photos—I've done all of that online. I'm literally standing there feeling what it is to be there. What does it smell like? What does it feel like? Does it feel very enclosed or very open? Is it a peaceful place or a horrible place? That sensory research becomes very important. All of the book research before that should lead you into the sensory research, which is then also a joy to do. There's great pleasure in it. As you say, it slows things down. What I tend to say to people if they want to speed things up again is: write in a series. Because once you've done all of that research and you just write one book and then walk away, that's a lot. That really slows you down. If you then go, “Okay, well now I'm going to write four books, five books, six books, still in that place and time”—obviously each book will need a little more research, but it won't need that level of starting-from-scratch research. That can help in terms of speeding it back up again. Recently I wrote some Regency romances to see what that was like. I'd done all my basic research, and then I thought, right, now I want to write a historical novel which could have been Victorian or could have been Regency. It had an openness to it. I thought, well, I've just done all the research for Regency, so I'll stick with that era. Why go and do a whole other piece of research when I've only written three books in it so far? I'll just take that era and work with that. So there are places to make up the time again a bit. But I do think there's a joy in it as well. JOANNA: I just want to come back to the plagiarism thing. I discovered that you can plagiarise yourself in academia, which is quite interesting. For example, my books How to Write a Novel and How to Write Nonfiction—they're aimed at different audiences. They have lots of chapters that are different, but there's a chapter on dictation. I thought, why would I need to write the same chapter again? I'm just going to put the same chapter in. It's the same process. Then I only recently learned that you can plagiarise yourself. I did not credit myself for that original chapter. MELISSA: How dare you not credit yourself! JOANNA: But can you talk a bit about that? Where are the lines here? I'm never going to credit myself. I think that's frankly ridiculous. MELISSA: No, that's silly. I mean, it depends what you're doing. In your case, that completely makes sense. It would be really peculiar of you to sit down and write a whole new chapter desperately trying not to copy what you'd said in a chapter about exactly the same topic. That doesn't make any sense. JOANNA: I guess more in the wider sense. Earlier you mentioned you keep notes and you put page numbers by them. I think the point is with research, a lot of people worry about accidental plagiarism. You write a load of notes on a book and then it just goes into your brain. Perhaps you didn't quote people properly. It's definitely more of an issue in nonfiction. You have to keep really careful notes. Sometimes I'm copying out a quote and I'll just naturally maybe rewrite that quote because the way they've put it didn't make sense, or I use a contraction or something. It's just the care in note-taking and then citing people. MELISSA: Yes. When I talk to people about nonfiction, I always say, you're basically joining a conversation. I mean, you are in fiction as well, but not as obviously. I say, well, why don't you read the conversation first? Find out what the conversation is in your area at the moment, and then what is it that you're bringing that's different? The most likely reason for you to end up writing something similar to someone else is that you haven't understood what the conversation was, and you need to be bringing your own thing to it. Then even if you're talking about the same topic, you might talk about it in a different way, and that takes you away from plagiarism because you're bringing your own view to it and your own direction to it. JOANNA: It's an interesting one. I think it's just the care. Taking more care is what I would like people to do. So let's talk about AI because AI tools can be incredible. I do deep research reports with Gemini and Claude and ChatGPT as a sort of “give me an overview and tell me some good places to start.” The university I'm with has a very hard line, which is: AI can be used as part of a research process, but not for writing. What are your thoughts on AI usage and tools? How can people balance that? MELISSA: Well, I'm very much a newbie compared to you. I follow you—the only person that describes how to use it with any sense at all, step by step. I'm very new to it, but I'm going to go back to the olden days. Sometimes I say to people, when I'm talking about how I do historical research, I start with Wikipedia. They look horrified. I'm like, no. That's where you have to get the overview from. I want an overview of how you dress in ancient Rome. I need a quick snapshot of that. Then I can go off and figure out the details of that more accurately and with more detail. I think AI is probably extremely good for that—getting the big picture of something and going, okay, this is what the field's looking like at the moment. These are the areas I'm going to need to burrow down into. It's doing that work for you quickly so that you're then in a position to pick up from that point. It gets you off to a quicker start and perhaps points you in the direction of the right people to start with. I'm trying to write a PhD proposal at the moment because I'm an idiot and want to do a second one. With that, I really did think, actually, AI should write this. Because the original concept is mine. I know nothing about it—why would I know anything about it? I haven't started researching it. This is where AI should go, “Well, in this field, there are these people. They've done these things.” Then you could quickly check that nobody's covered your thing. It would actually speed up all of that bit, which I think would be perfectly reasonable because you don't know anything about it yet. You're not an expert. You have the original idea, and then after that, then you should go off and do your own research and the in-depth quality of it. I think for a lot of things that waste authors' time—if you're applying for a grant or a writer-in-residence or things like that—it's a lot of time wasting filling in long, boring forms. “Could you make an artist statement and a something and a blah?” You're like, yes, yes, I could spend all day at my desk doing that. There's a moment where you start thinking, could you not just allow the AI to do this or much of it? JOANNA: Yes. Or at least, in that case, I'd say one of the very useful things is doing deep searches. As you were mentioning earlier about getting the funding—if I was to consider a PhD, which the thought has crossed my mind—I would use AI tools to do searches for potential sources of funding and that kind of research. In fact, I found this course at Winchester because I asked ChatGPT. It knows a lot about me because I chat with it all the time. I was talking about hitting 50 and these are the things I'm really interested in and what courses might interest me. Then it found it for me. That was quite amazing in itself. I'd encourage people to consider using it for part of the research process. But then all the papers it cites or whatever—then you have to go download those, go read them, do that work yourself. MELISSA: Yes, because that's when you bring your viewpoint to something. You and I could read the exact same paper and choose very different parts of it to write about and think about, because we're coming at it from different points of view and different journeys that we're trying to explore. That's where you need the individual to come in. It wouldn't be good enough to just have a generic overview from AI that we both try and slot into our work, because we would want something different from it. JOANNA: I kind of laugh when people say, “Oh, I can tell when it's AI.” I'm like, you might be able to tell when it's AI writing if nobody has taken that personal spin, but that's not the way we use it. If you're using it that way, that's not how those of us who are independent thinkers are using it. We're strong enough in our thoughts that we're using it as a tool. You're a confident person—intellectually and creatively confident—but I feel like some people maybe don't have that. Some people are not strong enough to resist what an AI might suggest. Any thoughts on that? MELISSA: Yes. When I first tried using AI with very little guidance from anyone, it just felt easy but very wooden and not very related to me. Then I've done webinars with you, and that was really useful—to watch somebody actually live doing the batting back and forth. That became a lot more interesting because I really like bouncing ideas and messing around with things and brainstorming, essentially, but with somebody else involved that's batting stuff back to you. “What does that look like?” “No, I didn't mean that at all.” “How about what does this look like?” “Oh no, no, not like that.” “Oh yes, a bit like that, but a bit more like whatever.” I remember doing that and talking to someone about it, going, “Oh, that's really quite an interesting use of it.” And they said, “Why don't you use a person?” I said, “Well, because who am I going to call at 8:30 in the morning on a Thursday and go, ‘Look, I want to spend two hours batting back and forth ideas, but I don't want you to talk about your stuff at all. Just my stuff. And you have to only think about my stuff for two hours. And you have to be very well versed in my stuff as well. Could you just do that?'” Who's going to do that for you? JOANNA: I totally agree with you. Before Christmas, I was doing a paper. It was an art history thing. We had to pick a piece of art or writing and talk about Christian ideas of hell and how it emerged. I was writing this essay and going back and forth with Claude at the time. My husband came in and saw the fresco I was writing about. He said, “No one's going to talk to you about this. Nobody.” MELISSA: Yes, exactly. JOANNA: Nobody cares. MELISSA: Exactly. Nobody cares as much as you. And they're not prepared to do that at 8:30 on a Thursday morning. They've got other stuff to do. JOANNA: It's great to hear because I feel like we're now at the point where these tools are genuinely super useful for independent work. I hope that more people might try that. JOANNA: Okay, we're almost out of time. Where can people find you and your books online? Also, tell us a bit about the types of books you have. MELISSA: I mostly write historical fiction. As I say, I've wandered my way through history—I'm a travelling minstrel. I've done ancient Rome, medieval Morocco, 18th century China, and I'm into Regency England now. So that's a bit closer to home for once. I'm at MelissaAddey.com and you can go and have a bit of a browse and download a free novel if you want. Try me out. JOANNA: Brilliant. Well, thanks so much for your time, Melissa. MELISSA: That was great. Thank you. It was fun. The post Research Like An Academic, Write Like an Indie With Melissa Addey first appeared on The Creative Penn.

Drift off with a calm bedtime reading that supports sleep and gently eases insomnia. This calm bedtime reading helps your mind relax as you settle into sleep and let go of the day. Tonight's episode explores echoes from a scientific perspective, calmly explaining how sound reflects, travels, and returns in a soothing, easy-to-follow way that lets you learn while unwinding. Benjamin's steady, calming voice offers gentle, fact-filled narration with no whispering, making this peaceful episode ideal for bedtime listening. Perfect for insomnia, stress, anxiety, or restless nights, this relaxing science reading gives your thoughts something soft and neutral to focus on as you drift toward sleep. Get comfortable, press play, and allow this gentle exploration of sound to guide you into rest. Happy sleeping! Read with permission from Echo, Wikipedia (https://en.wikipedia.org/wiki/Echo), licensed under CC BY-SA 4.0. Read with permission from Reflection (physics), Wikipedia (https://en.wikipedia.org/wiki/Reflection_(physics)), licensed under CC BY-SA 4.0. Read with permission from Diffraction, Wikipedia (https://en.wikipedia.org/wiki/Diffraction), licensed under CC BY-SA 4.0. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Kennedys Month at Right Answers Mostly. We're kicking things off at the very beginning: the building of the Kennedy dynasty and the man behind it all, Joseph P. Kennedy Sr.. The Kennedy story begins with famine in Ireland, and a risky escape to Boston, Massachusetts. We unpack how Juicy Joe built his fortune, pulled the strings behind the scenes, and paved the way for his sons, most famously John F. Kennedy, to enter politics. Was it clean? Not exactly. Was it effective? Absolutely. From backroom deals to carefully crafted public images, this is the origin story of how the Kennedys didn't just enter American politics, they conquered it, and sealed their place as American royalty. THIS IS THE KENNEDY DYNASTY! Created and produced by Claire Donald and Tess Bellomo For more RAM, go ⁠here.⁠ Join our premium channel for 3 bonus eps a month ⁠here⁠ and save 15% when you buy annually! Sources: American Dynasties: The Kennedys , NPS.gov, Wikipedia, altaonline Learn more about your ad choices. Visit podcastchoices.com/adchoices

It's probably the world's best-known coffee chain but just over a year ago, business wasn't doing well. Sales had slipped, customers were drifting away and the buzz had gone. Newly-arrived CEO Brian Niccols was handed a tough task: stop the fall and make the coffee shops somewhere people wanted to return to. In an interview with our North America business correspondent Michelle Fleury, he explains why customers are returning and seem to be giving the company another shot. If you'd like to get in touch with the team, our email address is businessdaily@bbc.co.ukProducers: John Mervin and Justin BonesBusiness Daily is the home of in-depth audio journalism devoted to the world of money and work. From small startup stories to big corporate takeovers, global economic shifts to trends in technology, we look at the key figures, ideas and events shaping business.Each episode is a 17-minute deep dive into a single topic, featuring expert analysis and the people at the heart of the story.Recent episodes explore the weight-loss drug revolution, the growth in AI, the cost of living, why bond markets are so powerful, China's property bubble, and Gen Z's experience of the current job market.We also feature in-depth interviews with company founders and some of the world's most prominent CEOs. These include the CEO of Google Sundar Pichai, Wikipedia founder Jimmy Wales, and billionaire founder Judy Faulkner of Epic Systems, one of the world's largest medical record software providers.(Picture: A customer holds a Starbucks cup outside one of the company's coffee shops in San Francisco, California, US, on Tuesday, the 27th of January 2026. Starbucks Corp released its earnings figures on 28th of January, which revealed that the company had recorded its first sales growth at established stores in the US for two years. Credit: Getty Images)

EPISODE 125 -  “VIRGINIA MAYO: CLASSIC HOLLYWOOD STAR OF THE MONTH” - 2/02/2026  One of the most glamorous actresses in old Hollywood undoubtedly was VIRGINIA MAYO. This peaches-and-cream, midwestern beauty started her career wrangling two men in a horse costume on stage before being discovered by producer SAMUEL GOLDWYN and transformed into a full-blown movie star. Often playing the fantasy girl to leading men like BOB HOPE and DANNY KAYE, her beauty sometimes made people miss the fact that she was a very capable actress — particularly when she played bad girls in films like “The Best Years of Our Lives” and “White Heat.” She was very adept at light comedy, romance films, and drama, appearing in over 50 feature films and many television shows throughout her career. And tune in to find out about Steve's connection to this old Hollywood glamour girl as we celebrate Mayo as our February Star of the Month.   SHOW NOTES:  Sources: The Best Years of My Life (2001), by Virginia Mayo, as told to LC Van Savage; The Forties Gals (1980), by James Robert Parish & Don E. Stanke; “Virginia Mayo's 100th Birthday,” November 30, 2020, by Vanessa Varquez, www.ashroudofthoughts.com; “Virginia Mayo, 84, Stunning Actress of 1940s Romantic Films,” January 19, 2005, Los Angeles Times; Virginia Mayo, Movie Actress, Dies at 84,” January 18, 2005, by Richard Severo, New York Times; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Follies Girls (1943), starring Wendy Barrie; Up In Arms (1944), starring Danny Kaye & Constance Dowling; Jack London (1943), starring Michael O'Shea; Seven Days Ashore (1944), starring Wally Brown; The Princess and the Pirate (1944), starring Bob Hope & Virginia Mayo; Wonder Man (1945), starring Danny Kaye, Virginia Mayo, & Vera Ellen; The Kid From Brooklyn (1946), starring Danny Kaye, Virginia Mayo, Vera Ellen & Steve Cochran; The Secret Life of Walter Mitty (1947), starring Danny Kaye, Virginia Mayo, Boris Karloff & Ann Rutherford; The Best Years of Our Lives (1946), starring Fredric March, Myrna Loy, Dana Andrews & Teresa Wright; A Song Is Born (1948), starring Danny Kaye & Virginia Mayo; Smart Girls Don't Talk  (1948), starring Bruce Bennett & Virginia Mayo; Flaxy Martin (1949), starring Virginia Mayo & Zachary Scott; Colorado Territory (1948), starring Joel McCrea & Virginia Mayo; White Heat (1949), starring James Cagney & Virginia Mayo; Red Light (1949), starring George Brent & Virginia Mayo; Always Leave Them Laughing (1949), starring Milton Berle, Virgina Mayo & Ruth Roman; Backfire (1950), starring Gordon MacRae, Virginia Mayo & Edmond O'Brien; The Flame and the Arrow (1950), starring Burt Lancaster & Virginia Mayo; The West Point Story (1950), starring James Cagney & Virginia Mayo; Captain Horatio Hornblower (1951), starring Gregory Peck & Virginia Mayo; She's Working Her Way Though College (1952), starring Ronald Reagan & Virginia Mayo; South Sea Woman (1953), starring Burt Lancaster & Virginia Mayo;   Pearl of the Pacific (1955), starring Dennis Morgan & Virginia Mayo; The Silver Chalice (1954), starring Paul Newman, Virgina Mayo * Pier Angeli; Congo Crossing (1956), starring Virginia Mayo & George Nadar; The Big Land (1957), starring Alan Ladd & Virginia Mayo; The Story of Mankind (1957), starring Vincent Price, Ronald Colman & Peter Lorre; Young Fury (1965), starring Rory Calhoun & Virginia Mayo; Castle of Evil (1966), starring Scott Brady & Virginia Mayo; Won Ton Ton, the Dog Who Saved Hollywood (1976), starring Bruce Dern & Madelyn Kahn; Hunted (1977), starring Aldo Ray; French Quarter (1978); starring Bruce Davison; The Man Next Door (1997); starring Karen Carlson; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

But what of the VULGAR auteurs? We check in with Paul W.S. "The Other Paul Anderson" Anderson's latest "boy do I love my wife, Milla Jovavich" project, In the Lost Lands, based on some short stories by (checks notes) George R.R. Martin. Hmn. Wonder if Stu's ever heard of this guy.Check out Flop TV (tix here), and stay updated on Flop House events and side projects, plus a little extra, with our NEWSLETTER, “Flop Secrets!Wikipedia page for In the Lost LandsRecommended in this episode:Dan: Elvis: That's the Way it Is (1970)Stu: Sorry, Baby (2025)Elliott: Bugonia (2025), Save the Green Planet (2003)

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 From Wikipedia, the free encyclopedia Stranger Things Season 5 Promotional poster Showrunners Matt Duffer Ross Duffer Starring Winona Ryder David Harbour Millie Bobby Brown Finn Wolfhard Gaten Matarazzo Caleb McLaughlin Noah Schnapp Sadie Sink Natalia Dyer Charlie Heaton Joe Keery Maya Hawke Brett Gelman Priah Ferguson Linda Hamilton Cara Buono Jamie Campbell Bower Nell Fisher No. of episodes 8 Release Original network Netflix Original release November 26 – December 31, 2025 Season chronology ← Previous Season 4 List of episodes The fifth and final season of the American science fiction horror drama television series Stranger Things, marketed as Stranger Things 5, was released on the streaming service Netflix in two volumes and the finale. The first set of four episodes was released on November 26, 2025, the second set of three episodes was released on December 25, and the finale was released on December 31. It was produced by the show's creators, the Duffer Brothers, along with Shawn Levy and Dan Cohen. The season stars Winona Ryder, David Harbour, Millie Bobby Brown, Finn Wolfhard, Gaten Matarazzo, Caleb McLaughlin, Noah Schnapp, Sadie Sink, Natalia Dyer, Charlie Heaton, Joe Keery, Maya Hawke, Brett Gelman, Priah Ferguson, Linda Hamilton, Cara Buono, Jamie Campbell Bower, and Nell Fisher. Joe Chrest, Sherman Augustus, Alex Breaux, Jake Connelly, Amybeth McNulty, Randy Havens, and Linnea Berthelsen appear in recurring roles. The season received positive reviews from critics. Premise Set in November 1987, a year and seven months after the events of the fourth season, the group seeks to find and kill Vecna following the opening of rifts throughout Hawkins. Their mission becomes complicated when the military establishes a quarantine in town and begins hunting Eleven. As the anniversary of Will Byers' disappearance approaches, the group must unite for a final battle against the forces of the Upside Down. Cast and characters Main article: List of Stranger Things characters Main Winona Ryder as Joyce Byers Birdy as young Joyce David Harbour as Jim Hopper Millie Bobby Brown as Eleven / Jane Hopper Finn Wolfhard as Mike Wheeler Max Rackenberg as young Mike Gaten Matarazzo as Dustin Henderson Caleb McLaughlin as Lucas Sinclair Noah Schnapp as Will Byers Luke Kokotek as 12-year-old Will Miles Marthaller as kindergarten-age Will Sadie Sink as Max Mayfield Natalia Dyer as Nancy Wheeler Charlie Heaton as Jonathan Byers Graham Harvey as young Jonathan Joe Keery as Steve Harrington Maya Hawke as Robin Buckley Brett Gelman as Murray Bauman Priah Ferguson as Erica Sinclair Linda Hamilton as Dr. Kay[1] Cara Buono as Karen Wheeler Jamie Campbell Bower as Henry Creel / Vecna / One / Mr. Whatsit Raphael Luce as teenage Henry Maksime Blatt as young Henry Nell Fisher as Holly Wheeler[a] Also starring Sherman Augustus as Lt. Colonel Jack Sullivan[2] Emanuel Borria as Sergeant Luis Ramirez Alex Breaux as Lt. Robert Akers Joe Chrest as Ted Wheeler[3] Jake Connelly as Derek Turnbow Amybeth McNulty as Vickie Dunne Randy Havens as Scott Clarke Linnea Berthelsen as Kali Prasad / Eight Recurring Calista Craig as Mary Hope Hynes Love as Miss Harris Eden Stephens as Debbie Miller Gianlucca Gazzo as Glenn Carson Minniear as Thomas Anthony B. Jenkins as Joshua Birdie Borria as Rebecca Alyse Elna Lewis as Wendy Guest Clayton Royal Johnson as Andy[4] Hunter Romanillos as Chance[4] Chantell D. Christopher as Doris Caroline Elle Abrams as Tina Turnbow Gray Hawks as Mr. Turnbow Kelly Collins Lintz as Mrs. Turnbow Aiden Armstrong as Danny Harrington Kyle Riggs as Private Chapman Callaway Corrick as Ashley Klein Frederick Koehler as a scientist Karen Ceesay as Sue Sinclair Catherine Curtin as Claudia Henderson Arnell Powell as Charles Sinclair Sydney Bullock as Stacey Tilly Morris as Sara Hopper

Winston Churchill once said, “Success is going from failure to failure without a loss of enthusiasm.” That's a nice sentiment—I mean, by and large it's good to let failure be a learning experience, to not let it discourage you from following your dreams. But…hear me out here: What if you're just a hot mess? What if every time you go from one failure to the next, you leave a pile of bodies in your wake? Can you be a little TOO good at failure? Should you sometimes maybe acknowledge “Hey, maybe this thing I'm trying to do isn't one of my strengths”? I think some of the people in this week's episode would have left the world a better place if they'd thrown in the towel.Registration is now open for CrimeWave 2.0! Visit crimewaveatsea.com/CAMPFIRE to get your discount code for $100 off your cabin and a private meet-and-greet with us! The cruise is Feb. 8-12, 2027.Sources:Jon Ronson, The Psychopath TestCBC news: https://newsinteractives.cbc.ca/longform/oak-ridge-st-thomas-psychiatric-treatment/IFL Science: https://www.iflscience.com/canadas-dark-history-of-giving-lsd-to-prisoners-69821Washington University: https://library.washu.edu/news/bizarre-but-true-happenings-at-the-1904-olympics-in-st-louis/Wikipedia, "Truth serum": https://en.wikipedia.org/wiki/Truth_serumCBC's "The Fifth Estate," episode "Psychiatric Treatment or Torture? The Oak Ridge Experiment"Hidden Persuaders: http://www7.bbk.ac.uk/hiddenpersuaders/blog/happened-oak-ridge-psychiatric-unit/Lawrence Wright, Going Clear: Scientology, Hollywood and the Prison of BeliefSmithsonian: https://www.smithsonianmag.com/history/how-the-1904-marathon-became-one-of-the-weirdest-olympic-events-of-all-time-14910747/Follow us, campers!Patreon (join to get all episodes ad-free, at least a day early, an extra episode a month, and a free sticker!): https://patreon.com/TrueCrimeCampfirehttps://www.truecrimecampfirepod.com/Facebook: True Crime CampfireInstagram: https://www.instagram.com/truecrimecampfire/?hl=enTwitter: @TCCampfire https://twitter.com/TCCampfireEmail: truecrimecampfirepod@gmail.comMERCH! https://true-crime-campfire.myspreadshop.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/true-crime-campfire--4251960/support.

Drift off with calm bedtime reading about tigers, designed to support sleep and ease insomnia through gentle learning. Relax with calm, educational bedtime reading that invites sleep while giving your mind a peaceful break from insomnia and restless thoughts. In this episode, Benjamin slowly explores the natural history, behavior, and habitats of tigers in a steady, unhurried cadence that encourages relaxation. You'll learn something new while your body unwinds, with no whispering, just calm, fact-filled storytelling meant to soothe. This episode is ideal for listeners dealing with insomnia, stress, anxiety, or busy minds at night. Press play, get comfortable, and let gentle knowledge carry you toward rest. Happy sleeping! Read with permission from Tiger, Wikipedia (https://en.wikipedia.org/wiki/Tiger), licensed under CC BY-SA 4.0. Learn more about your ad choices. Visit megaphone.fm/adchoices

From the deserts of Tunisia to the boardrooms of global tech giants, we meet Karim Beguir, the mathematician who turned two laptops and 2000 dollars into Africa's biggest AI firm. We hear how his company, Instadeep, caught the attention of Meta's Mark Zuckerberg, and how it helped to track dangerous new variants in the Covid pandemic using large language models.If you'd like to get in touch with the team, our email address is businessdaily@bbc.co.ukPresenter: Ed Butler Producers: Niamh McDermott and Hannah MullaneBusiness Daily is the home of in-depth audio journalism devoted to the world of money and work. From small startup stories to big corporate takeovers, global economic shifts to trends in technology, we look at the key figures, ideas and events shaping business.Each episode is a 17-minute deep dive into a single topic, featuring expert analysis and the people at the heart of the story.Recent episodes explore the weight-loss drug revolution, the growth in AI, the cost of living, why bond markets are so powerful, China's property bubble, and Gen Z's experience of the current job market.We also feature in-depth interviews with company founders and some of the world's most prominent CEOs. These include the CEO of Google Sundar Pichai, Wikipedia founder Jimmy Wales, and the billionaire founder of Epic Systems, one of the world's largest medical record software providers, Judy Faulkner.(Picture: CEO of Instadeep, Karim Beguir, at a photoshoot in Paris in 2024. Credit: Getty Images)

Imagine this: I'm sitting in my Washington D.C. studio, coffee in hand, watching the Supreme Court building gleam under a crisp winter sun, and I can't shake the feeling that the highest court in the land is about to drop some seismic rulings on President Donald Trump. Over the past few days, the buzz has been electric, especially with SCOTUSblog reporting on January 28 that the justices are set to huddle in their private conference on February 20 to decide whether to dive into that infamous five-million-dollar verdict from Trump's clash with E. Jean Carroll.Let me take you back. Carroll, the veteran journalist who penned Elle magazine's advice column for 27 years, sued Trump in 2022 under a special New York state law that reopened the window for adult sexual abuse victims to file claims. She accused him of assaulting her in a Bergdorf Goodman dressing room in Manhattan back in 1996, and then defaming her in a 2022 Truth Social post where he branded her story a hoax and a con job. A federal jury in May 2023 sided with her, hitting Trump with liability for sexual abuse and defamation, awarding her that five-million-dollar payout. Trump appealed to the Second Circuit Court of Appeals, which upheld it in December 2024 and shot down his rehearing bid in June 2025. Now, his team from the James Otis Law Group—led by his solicitor general D. John Sauer—is begging the Supreme Court to step in, calling the suit facially implausible and politically timed to hurt him after he became the 45th president. They want out key evidence: testimonies from Jessica Leeds, who claims Trump groped her on a plane in 1979, and Natasha Stoynoff, alleging assault at his Mar-a-Lago home in 2005, plus that infamous Access Hollywood tape where Trump boasted about grabbing women. Carroll's lawyer, Roberta Kaplan, fires back that even without those, her case stands strong, so the Supremes should pass.But that's just one front. The court's January argument calendar, released late last year, packs a punch with Trump cases testing his executive muscle. On January 21, they heard Trump v. Cook, where President Trump tried firing Federal Reserve Governor Lisa Cook over mortgage fraud allegations from before her tenure. U.S. District Judge Jia Cobb in D.C. blocked it with a preliminary injunction in September 2025, citing the Federal Reserve Act's for-cause protection. The D.C. Circuit and Supreme Court denied emergency bids to oust her fast, but now it's full showdown—Cook's rep, ex-Solicitor General Paul Clement, versus Sauer. Wikipedia details how this sparked a historic brawl over Fed independence, with Cook's team calling it a political smear.Then there's the shadow docket drama from 2025, as News4JAX outlined this week: Trump's admin won over 80 percent of emergency pleas, greenlighting moves like slashing foreign aid, axing agency heads, and tying immigration probes to looks or language. But they drew the line at deploying National Guard to Chicago. Chief Justice John Roberts' year-end report subtly defended judicial independence, dubbing courts a counter-majoritarian check amid Trump's judge-bashing.Looking ahead, per News4JAX and KIMA Action News clips from early January, 2026 looms huge: birthright citizenship challenges under the 14th Amendment, sweeping tariffs from Trump's 2025 executive orders—argued November 5, decision pending—and more Fed firing fights. Illinois alone filed 51 suits against his policies by January, per WTTW. Lawfare's tracker logs the national security lawsuits piling up. With Trump's approval dipping to 42 percent, experts whisper the conservative court might now clip his wings, echoing rebukes to Truman, Nixon, and others late in term.These battles aren't just legal—they're reshaping power between White House, Congress, and the robes. As SCOTUSblog notes, decisions could land soon after February 20 conferences, maybe by March.Thanks for tuning in, listeners. Come back next week for more, and this has been a Quiet Please production—for more, check out Quiet Please Dot A I.Some great Deals https://amzn.to/49SJ3QsFor more check out http://www.quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

For many, comedian and writer, Stewart Lee, is the GOAT so Jemma and Marina were thrilled to sit down with him to chat about the state of the world, how to deal with mad relatives, Brexit, Trump, how he fills his spare time and everything in between. Lee is described on Wikipedia as having an onstage persona that alternates between 'that of an outspoken left-wing hero and that of a depressed failure and champagne socialist who criticises his audience for not being intelligent enough to understand his jokes.' This is all like catnip to The Trawl so Marina and Jemma knew their meeting with the comedy legend would not disappoint. Spoiler, it didn't. This episode is sponsored by AG1 - the daily foundational nutrition support drink which helps you combat the winter season both mentally and physically. For a limited time, get a limited edition AG one Green Steel Tumblr plus five travel packs, and a welcome kit to get you started.That's all worth £80, but it's free when you sign up for a monthly subscription at drinkag1.com/thetrawlThank you for sharing and please do follow us @MarinaPurkiss @jemmaforte @TheTrawlPodcastPatreonhttps://patreon.com/TheTrawlPodcastYoutubehttps://www.youtube.com/@TheTrawlTwitterhttps://twitter.com/TheTrawlPodcastIf you've even mildly enjoyed The Trawl, you'll love the unfiltered, no-holds-barred extras from Jemma & Marina over on Patreon, including:• Exclusive episodes of The Trawl Goss – where Jemma and Marina spill backstage gossip, dive into their personal lives, and often forget the mic is on• Early access to The Trawl Meets…• Glorious ad-free episodesPlus, there's a bell-free community of over 3,300 legends sparking brilliant chat.And it's your way to support the pod which the ladies pour their hearts, souls (and occasional anxiety) into. All for your listening pleasure and reassurance that through this geopolitical s**tstorm… you're not alone.Come join the fun:https://www.patreon.com/TheTrawlPodcast?utm_campaign=creatorshare_creator Hosted on Acast. See acast.com/privacy for more information.

Can AI stay open, ethical, and for the people? Mozilla's president joins the show to reveal their game plan—and $650 million war chest—for taking on Big Tech's monoculture with a "Rebel Alliance" approach to AI. State of Mozilla 2025/26 Codeless: From idea to software - Anil Dash Clawdbot is the new AI techies are buzzing about — and it's renewing interest in the Mac Mini Qwen3-TTS Demo - a Hugging Face Space by Qwen I Let AI Analyze My Davos Reporting Trip. Here's What It Missed Dario Amodei — The Adolescence of Technology Proof of Corn Trump admin reportedly plans to use AI to write federal regulations Wikipedia volunteers spent years cataloging AI tells. Now there's a plugin to avoid them. China Lagging in AI Is a 'Fairy Tale,' Mistral CEO Says How Playing Pokémon Became the Ultimate Test of AI's Intelligence Sir Demis Hassabis becomes the latest to say that ChatGPT is a dead-end and that we must turn our focus to world models Claude's new constitution "Infinite Jest" Has Turned Thirty. Have We Forgotten How to Read It? Sony's TV business is being taken over by TCL Hosts: Leo Laporte, Jeff Jarvis, and Paris Martineau Guest: Mark Surman Download or subscribe to Intelligent Machines at https://twit.tv/shows/intelligent-machines. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit Sponsor: trustedtech.team/intelligent365

00:00 - Intro 00:24 - Part 1. The visible layer 03:52 - Part 2. The hidden layer 07:46 - Part 3. The engine room Tools: Protect yourself online with NordVPN: https://www.nordvpn.com/alux Get a free audiobook when you sign up: https://www.alux.com/freebook Start an online store today: https://www.alux.com/sell Sell an online course: https://try.thinkific.com/f5rt2qpvbfokAlux.com is the largest community of luxury & fine living enthusiasts in the world. We are the #1 online resource for ranking the most expensive things in the world and frequently referenced in publications such as Forbes, USA Today, Wikipedia and many more, as the GO-TO destination for luxury content! Our website: https://www.alux.com is the largest social network for people who are passionate about LUXURY! Join today! SUBSCRIBE so you never miss another episode: https://goo.gl/KPRQT8 -- To see how rich is your favorite celebrity go to: https://www.alux.com/networth/ -- For businesses inquiries we're available at: https://www.alux.com/contact/

We lift the curtain on how everyone from toothpaste brands to the United Nations is using science to influence your choices in ways you're probably not aware of. Behavioural science has even made its way into TV drama. How does it work? And why is it so effective?If you'd like to get in touch with the team, our email address is businessdaily@bbc.co.ukPresented and produced by Rowan BridgeBusiness Daily is the home of in-depth audio journalism devoted to the world of money and work. From small startup stories to big corporate takeovers, global economic shifts to trends in technology, we look at the key figures, ideas and events shaping business.Each episode is a 17-minute deep dive into a single topic, featuring expert analysis and the people at the heart of the story. Recent episodes explore the weight-loss drug revolution, the growth in AI, the cost of living, why bond markets are so powerful, China's property bubble, and Gen Z's experience of the current job market. We also speak to some of the world's most influential business leaders. These interviews include the CEO of Google Sundar Pichai, Wikipedia founder Jimmy Wales, and the billionaire founder of Epic Systems, one of the world's largest medical record software providers, Judy Faulkner. (Picture: The hand of a woman about to cause a chain reaction by pushing over a domino. Credit: Getty Images)

Can AI stay open, ethical, and for the people? Mozilla's president joins the show to reveal their game plan—and $650 million war chest—for taking on Big Tech's monoculture with a "Rebel Alliance" approach to AI. State of Mozilla 2025/26 Codeless: From idea to software - Anil Dash Clawdbot is the new AI techies are buzzing about — and it's renewing interest in the Mac Mini Qwen3-TTS Demo - a Hugging Face Space by Qwen I Let AI Analyze My Davos Reporting Trip. Here's What It Missed Dario Amodei — The Adolescence of Technology Proof of Corn Trump admin reportedly plans to use AI to write federal regulations Wikipedia volunteers spent years cataloging AI tells. Now there's a plugin to avoid them. China Lagging in AI Is a 'Fairy Tale,' Mistral CEO Says How Playing Pokémon Became the Ultimate Test of AI's Intelligence Sir Demis Hassabis becomes the latest to say that ChatGPT is a dead-end and that we must turn our focus to world models Claude's new constitution "Infinite Jest" Has Turned Thirty. Have We Forgotten How to Read It? Sony's TV business is being taken over by TCL Hosts: Leo Laporte, Jeff Jarvis, and Paris Martineau Guest: Mark Surman Download or subscribe to Intelligent Machines at https://twit.tv/shows/intelligent-machines. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit Sponsor: trustedtech.team/intelligent365

Can AI stay open, ethical, and for the people? Mozilla's president joins the show to reveal their game plan—and $650 million war chest—for taking on Big Tech's monoculture with a "Rebel Alliance" approach to AI. State of Mozilla 2025/26 Codeless: From idea to software - Anil Dash Clawdbot is the new AI techies are buzzing about — and it's renewing interest in the Mac Mini Qwen3-TTS Demo - a Hugging Face Space by Qwen I Let AI Analyze My Davos Reporting Trip. Here's What It Missed Dario Amodei — The Adolescence of Technology Proof of Corn Trump admin reportedly plans to use AI to write federal regulations Wikipedia volunteers spent years cataloging AI tells. Now there's a plugin to avoid them. China Lagging in AI Is a 'Fairy Tale,' Mistral CEO Says How Playing Pokémon Became the Ultimate Test of AI's Intelligence Sir Demis Hassabis becomes the latest to say that ChatGPT is a dead-end and that we must turn our focus to world models Claude's new constitution "Infinite Jest" Has Turned Thirty. Have We Forgotten How to Read It? Sony's TV business is being taken over by TCL Hosts: Leo Laporte, Jeff Jarvis, and Paris Martineau Guest: Mark Surman Download or subscribe to Intelligent Machines at https://twit.tv/shows/intelligent-machines. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit Sponsor: trustedtech.team/intelligent365

Can AI stay open, ethical, and for the people? Mozilla's president joins the show to reveal their game plan—and $650 million war chest—for taking on Big Tech's monoculture with a "Rebel Alliance" approach to AI. State of Mozilla 2025/26 Codeless: From idea to software - Anil Dash Clawdbot is the new AI techies are buzzing about — and it's renewing interest in the Mac Mini Qwen3-TTS Demo - a Hugging Face Space by Qwen I Let AI Analyze My Davos Reporting Trip. Here's What It Missed Dario Amodei — The Adolescence of Technology Proof of Corn Trump admin reportedly plans to use AI to write federal regulations Wikipedia volunteers spent years cataloging AI tells. Now there's a plugin to avoid them. China Lagging in AI Is a 'Fairy Tale,' Mistral CEO Says How Playing Pokémon Became the Ultimate Test of AI's Intelligence Sir Demis Hassabis becomes the latest to say that ChatGPT is a dead-end and that we must turn our focus to world models Claude's new constitution "Infinite Jest" Has Turned Thirty. Have We Forgotten How to Read It? Sony's TV business is being taken over by TCL Hosts: Leo Laporte, Jeff Jarvis, and Paris Martineau Guest: Mark Surman Download or subscribe to Intelligent Machines at https://twit.tv/shows/intelligent-machines. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit Sponsor: trustedtech.team/intelligent365

Can AI stay open, ethical, and for the people? Mozilla's president joins the show to reveal their game plan—and $650 million war chest—for taking on Big Tech's monoculture with a "Rebel Alliance" approach to AI. State of Mozilla 2025/26 Codeless: From idea to software - Anil Dash Clawdbot is the new AI techies are buzzing about — and it's renewing interest in the Mac Mini Qwen3-TTS Demo - a Hugging Face Space by Qwen I Let AI Analyze My Davos Reporting Trip. Here's What It Missed Dario Amodei — The Adolescence of Technology Proof of Corn Trump admin reportedly plans to use AI to write federal regulations Wikipedia volunteers spent years cataloging AI tells. Now there's a plugin to avoid them. China Lagging in AI Is a 'Fairy Tale,' Mistral CEO Says How Playing Pokémon Became the Ultimate Test of AI's Intelligence Sir Demis Hassabis becomes the latest to say that ChatGPT is a dead-end and that we must turn our focus to world models Claude's new constitution "Infinite Jest" Has Turned Thirty. Have We Forgotten How to Read It? Sony's TV business is being taken over by TCL Hosts: Leo Laporte, Jeff Jarvis, and Paris Martineau Guest: Mark Surman Download or subscribe to Intelligent Machines at https://twit.tv/shows/intelligent-machines. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit Sponsor: trustedtech.team/intelligent365

Drift off with calm bedtime reading about statistics, designed to ease you into sleep while gently supporting those with insomnia. This calm bedtime reading continues with simple ideas from statistics, offering a peaceful path toward sleep and comfort for restless minds and insomnia as you settle in for the night. In this episode, you'll explore the basics of statistics—patterns, averages, probability, and how we make sense of data—while learning something new as your body and mind relax. Benjamin reads in a steady, reassuring cadence that's intentionally not whispered, just calm, fact-filled education meant to soothe, helping ease stress, quiet anxiety, and make sleeplessness feel less overwhelming. Press play, get comfortable, and allow yourself to drift off naturally. Happy sleeping! Read with permission from Statistics, Wikipedia (https://en.wikipedia.org/wiki/Statistics), licensed under CC BY-SA 4.0. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mike Evans and Brandon Stokley without Mark Schlereth kick off the third hour with Stoke telling everybody about Mrs. S getting on his case about his waistline. Fox Sports’ Lead College Football Analyst, Joel Klatt, hops on the line to give his take on the 4th & 1 call, the assistant coach firings, and the Hall of Fame voting. Mike updates Stoke on the Wikipedia vandal before they unpack their interview with Joel Klatt, his take on the assistant coaches in particular. The guys wrap up the third hour disputing a report about the coaching cycle relative to Sean Payton’s play calling duties.  

Every other week, we focus on a Marvel series that sits on the fringes of mainstream Marvel continuity. The first episode of every new series that we cover is available on the public feed. The rest of the episodes are exclusive to our Patreon supporters.Not a Patron yet? Support us at patreon.com/marvelbythemonth for just $5 a month to get instant access to our bonus feed of nearly 200 extended and exclusive episodes! Stories Covered in this Episode: "Lair of the Lost!" - Master of Kung Fu #17, written by Steve Englehart, art by Jim Starlin with Al Milgrom, letters by Tom Orzechowski, colors by George Roussos, edited by Roy Thomas, ©1974 Marvel Comics"Attack!" - Master of Kung Fu #18, written by Steve Englehart, art by Paul Gulacy with Al Milgrom, letters by Tom Orzechowski, colors by Petra Goldberg, edited by Roy Thomas, ©1974 Marvel Comics"Retreat" - Master of Kung Fu #19, written by Steve Englehart, art by Paul Gulacy with Al Milgrom, letters by Tom Orzechowski, colors by Stan Goldberg, edited by Roy Thomas, ©1974 Marvel Comics "MASTER (of Kung Fu) by the Month" theme written and performed by Robb Milne. All incidental music by Robb Milne.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 From Wikipedia, the free encyclopedia Stranger Things Season 4 Promotional poster Showrunner Matt Duffer Ross Duffer Starring Winona Ryder David Harbour Millie Bobby Brown Finn Wolfhard Gaten Matarazzo Caleb McLaughlin Noah Schnapp Sadie Sink Natalia Dyer Charlie Heaton Joe Keery Maya Hawke Brett Gelman Priah Ferguson Matthew Modine Paul Reiser No. of episodes 9 Release Original network Netflix Original release May 27 – July 1, 2022 Season chronology ← Previous Season 3 Next → Season 5 List of episodes The fourth season of the American science fiction horror drama television series Stranger Things, marketed as Stranger Things 4, was released worldwide on the streaming service Netflix in two volumes. The first set of seven episodes was released on May 27, 2022, and the second set of two episodes was released on July 1. The season was produced by the show's creators, the Duffer Brothers, along with Shawn Levy, Dan Cohen, Iain Paterson, and Curtis Gwinn. The season stars Winona Ryder, David Harbour, Millie Bobby Brown, Finn Wolfhard, Gaten Matarazzo, Caleb McLaughlin, Noah Schnapp, Sadie Sink, Natalia Dyer, Charlie Heaton, Joe Keery, Maya Hawke, Brett Gelman, Priah Ferguson, Matthew Modine and Paul Reiser. Jamie Campbell Bower, Cara Buono, Joseph Quinn, Eduardo Franco, Mason Dye, Sherman Augustus, Tom Wlaschiha, and Nikola Đuričko appear in recurring roles. The season received highly positive reviews from critics, who praised the performances, visuals, action sequences, realistic themes, soundtrack, emotional weight, and the darker, more mature tone, though some criticized the lengthier episode runtimes. The first volume of the season received 13 nominations for the 74th Primetime Emmy Awards, including Primetime Emmy Award for Outstanding Drama Series, winning five; the second volume received five nominations for the 75th Primetime Emmy Awards.[1][2] Premise Set in March 1986, eight months after the events of the third season, the fourth season is split between three different plotlines. The first plotline takes place in Hawkins, Indiana, where a series of mysterious teenage murders begin haunting the town. Eddie Munson, leader of the Hellfire Club, Hawkins High School's Dungeons & Dragons group, becomes a prime suspect in the murders after senior cheerleading captain Chrissy Cunningham dies in his trailer, so Dustin Henderson, Lucas and Erica Sinclair, Max Mayfield, Steve Harrington, Nancy Wheeler, and Robin Buckley begin investigating to clear Eddie's name. While other classmates, lead by Jason Carver, hunt Eddie. The group discovers that the true perpetrator is a powerful being who resides in the Upside Down, whom they dub "Vecna" after a Dungeons & Dragons character. The second plotline involves Mike Wheeler visiting Eleven, Will Byers, and Jonathan Byers at their new home in Lenora Hills, California. Due to the events in Hawkins and the imminent danger to her friends, Eleven, after being arrested for assaulting her bully, goes with Dr. Sam Owens to a secret facility in the Nevada desert to regain her powers, an operation titled the Nina Project, where she is reunited with Dr. Martin Brenner and forced to confront her past in Hawkins National Laboratory with the aid of an isolation tank. While the U.S. Military, lead by Lt. Colonel Jack Sullivan, is simultaneously searching for Eleven, Mike, Will, Jonathan, and their new friend Argyle attempt to reach Eleven before she regains her powers. The third plotline follows Joyce Byers and Murray Bauman as they venture to Russia upon learning that Jim Hopper may still be alive. Meanwhile, Hopper is held in a Soviet prison camp in Kamchatka, where he and the other inmates, including Dmitri Antonov, are forced to battle a Demogorgon that the Russians have captured.

For episode 76 of Staffcast, Sean, Tom, and Richard are joined by Sports Illustrated's Emma Baccellieri to talk about bike lanes, the marine traffic app, various ship names, rating name puns, Master and Commander, Wikipedia's best photo, the best and worst American flags, cutting off your fingers for an advantage, reddit boaters, the Nats bullpen cart, adopting a cat, and more!Follow your incredibly cool hosts and guests:⁠Emma Baccellieri⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sean Doolittle⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Trevor Hildenberger⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Richard Staff⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tom Hackimer⁠Episode art by Abigail Noy (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sympatheticinker.com⁠⁠⁠⁠⁠⁠⁠⁠⁠)Edited by Italian Dave (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠twitter.com/theitaliandave⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)Intro: The Horrific Sounds That Bounce Around My Head Because The Record Labels Threatened To Kill Me

Colossal ocean enigma... Get cozy and relax! This podcast is funded by advertising. Info and offers from our sponsors: https://linktr.ee/PodcastForSleep Here's the Wikipedia article (revised): https://en.wikipedia.org/wiki/Kraken CC BY-SA 4.0 Learn more about your ad choices. Visit megaphone.fm/adchoices

00:00 - Intro 00:34 - How wealth is actually lost 03:59 - Control without ownership 07:45 - The control system Tools: Protect yourself online with NordVPN: https://www.nordvpn.com/alux Get a free audiobook when you sign up: https://www.alux.com/freebook Start an online store today: https://www.alux.com/sell Sell an online course: https://try.thinkific.com/f5rt2qpvbfok Alux.com is the largest community of luxury & fine living enthusiasts in the world. We are the #1 online resource for ranking the most expensive things in the world and frequently referenced in publications such as Forbes, USA Today, Wikipedia and many more, as the GO-TO destination for luxury content! Our website: https://www.alux.com is the largest social network for people who are passionate about LUXURY! Join today! SUBSCRIBE so you never miss another episode: https://goo.gl/KPRQT8 -- To see how rich is your favorite celebrity go to: https://www.alux.com/networth/ -- For businesses inquiries we're available at: https://www.alux.com/contact/ 

Glasgow Scotland is gripped by fear when several women are killed after visiting the same dance hall.  Can police stop "Bible John" before he strikes again?Thank you BBC News, The Daily Record, Spooky Glasgow.com, everand.com, the Robert Ryan Clark Stuff Youtube channel and Wikipedia for information contributing to today's story.Written by Frederick Crook - check out our other collaboration WRAITHWORKS - Wraithworks at Amazon https://www.amzn.com/dp/B07HXNCW4L (audiobook narrated by John Lordan) Also avaible on iTunes: https://apple.co/2OFXb8LDo you have any comments, or a case you'd like to suggest? You'll find a comment form and case submission link at LordanArts.com.This is not intended to act as a means of proving or disproving anything related to the investigation.  It is a conversation about the current known facts and theories being discussed.  Everyone directly or indirectly referred to is innocent until proven guilty in a court of law.LordanArts 2026

Wikipedia is 25 years old and has found a good way to deal with the AI scraping problem, the Python Software Foundation funds the security work they had planned, curl’s bug bounty program is ending, Raspberry Pi has new underwhelming hardware, and European AWS hasn’t won Félim over. Plus a reminder about the upcoming OggCamp event, and a call for participation. News Wikipedia celebrates 25 years of knowledge at its best (and does deals with more AI companies) Wikipedia volunteers spent years cataloging AI tells. Now there’s a plugin to avoid them Anthropic invests $1.5 million in the Python Software Foundation and open source security The end of the curl bug-bounty Introducing the Raspberry Pi AI HAT+ 2: Generative AI on Raspberry Pi 5 Raspberry Pi Flash Drive available now from $30: a high-quality essential accessory AWS flips switch on Euro cloud as customers fret about digital sovereignty OggCamp 2026 OggCamp crew lead Andy Piper tells us about the upcoming unconference. Call for volunteer crew Call for papers Check out Andy's podcast Support us on patreon and get an ad-free RSS feed with early episodes sometimes See our contact page for ways to get in touch. RSS: Subscribe to the RSS feeds here

Larry Sanger, Wikipedia co‑creator, joins us in the tent today to talk about who's writing Wikipedia articles, secret Wikipedia editors, suppressing writers, and other interesting topics… WELCOME TO CAMP!

Wikipedia is 25 years old and has found a good way to deal with the AI scraping problem, the Python Software Foundation funds the security work they had planned, curl’s bug bounty program is ending, Raspberry Pi has new underwhelming hardware, and European AWS hasn’t won Félim over. Plus a reminder about the upcoming OggCamp event, and a call for participation. News Wikipedia celebrates 25 years of knowledge at its best (and does deals with more AI companies) Wikipedia volunteers spent years cataloging AI tells. Now there’s a plugin to avoid them Anthropic invests $1.5 million in the Python Software Foundation and open source security The end of the curl bug-bounty Introducing the Raspberry Pi AI HAT+ 2: Generative AI on Raspberry Pi 5 Raspberry Pi Flash Drive available now from $30: a high-quality essential accessory AWS flips switch on Euro cloud as customers fret about digital sovereignty OggCamp 2026 OggCamp crew lead Andy Piper tells us about the upcoming unconference. Call for volunteer crew Call for papers Check out Andy's podcast Support us on patreon and get an ad-free RSS feed with early episodes sometimes See our contact page for ways to get in touch. RSS: Subscribe to the RSS feeds here

Il 24 gennaio a Minneapolis gli agenti dell'Ice, l'agenzia federale per l'immigrazione, hanno ucciso a colpi di pistola Alex Pretti, un uomo di 37 anni che stava partecipando a una proteste contro le retate anti immigrazione. Con Laura Cappon, giornalista, da Minneapolis.Il l ministero della difesa cinese ha confermato di aver aperto un'indagine sul generale di grado più alto del paese, Zhang Youxia, per quelle che ha definito “gravi violazioni della disciplina e della legge”. Con Lorenzo Lamperti, giornalista, da Taipei.Oggi parliamo anche di:Tecnologia • “Che succede con Wikipedia” di Flurin Clalünahttps://www.internazionale.it/magazine/flurin-claluna/2026/01/22/che-succede-con-wikipediaSerie tv • The pitt su Hbo MaxCi piacerebbe sapere cosa pensi di questo episodio. Scrivici a podcast@internazionale.it Se ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità. Vai su internazionale.it/abbonatiConsulenza editoriale di Chiara NielsenProduzione di Claudio Balboni e Vincenzo De SimoneMusiche di Tommaso Colliva e Raffaele ScognaDirezione creativa di Jonathan ZentiCi piacerebbe sapere cosa pensi di questo episodio. Scrivici a podcast@internazionale.it Se ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità. Vai su internazionale.it/abbonatiConsulenza editoriale di Chiara NielsenProduzione di Claudio Balboni e Vincenzo De SimoneMusiche di Tommaso Colliva e Raffaele ScognaDirezione creativa di Jonathan Zenti

Relax with a calm bedtime reading about electronic dance music, gently guiding you toward sleep and easing insomnia. This calm bedtime reading blends simple, soothing facts to support sleep during insomnia and restless nights, helping your thoughts unwind naturally. Unwind as Benjamin explores the origins, sounds, and cultural impact of electronic dance music in a steady, comforting cadence that allows you to learn while relaxing. There is no whispering here, just peaceful, fact-filled education designed to ease stress, quiet anxiety, and support restful sleep when insomnia makes nights feel long. Press play, get comfortable, and let this gentle exploration carry you toward rest. Happy sleeping! Read with permission from Electronic dance music, Wikipedia (https://en.wikipedia.org/wiki/Electronic_dance_music), licensed under CC BY-SA 4.0. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 124 -  “EARL CARROLL VANITIES: SCANDAL, SPECTACLE AND THE JAZZ AGE” - 1/27/2026  When we think about the great showmen of early Hollywood, we often think of FLO ZIEGFELD, SID GRAUMAN or maybe BUSBY BERKELEY, but another man who certainly fits well into this fraternity of daring, flamboyant, and imaginative purveyors of entertainment was EARL CARROLL. Carroll was a producer, songwriter, and impresario whose career helped define the glamour and excess of Hollywood's Golden Age. Rising to prominence in the 1920s with his bold Broadway revues, Carroll brought to Hollywood a uniquely theatrical blend of elaborate staging, haute couture costuming, and the provocative extravagance that became his trademark. His famed Earl Carroll Theatre on Sunset Boulevard—adorned with a giant neon likeness of showgirl BERYL WALLACE —quickly became a Los Angeles landmark, drawing celebrities, industry moguls, and curious audiences eager for a sexy, entertaining show. Inside, his productions showcased meticulously choreographed ensembles, ornate sets, and the legendary showgirls, who were called “the most beautiful girls in the world.” Beyond the stage, Carroll influenced the broader culture of old Hollywood nightlife: his clubs were gathering places for stars, tastemakers, and dreamers, helping establish the city's reputation for glittering evenings, lavish entertainment, and unabashed showmanship. Though his life ended tragically, Carroll's imprint on Hollywood and his reputation for over-the-top glamour remains a defining element of its early history. This week, we look at this flamboyant life and career. SHOW NOTES:  Sources: The Body Merchant: The Story of Earl Carroll” (1976), by Ken Murray; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Beryl Wallace Homepage : https://www.facebook.com/profile.php?id=100028021463896 --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

In which we acknowledge the 25th anniversary of the launch of Wikipedia during the one-year anniversary of CLASS! in January of 2026, which has already been a decade. CHECK ME AT 1:37:00 at THE BANCHETS GET TO ZANIES FEB 3RD GET TO CLASS! BUY SOME STUFF Recorded LIVE January 19th 2026 from CLASS! at The Lincoln Lodge in Chicago courtesy of WKQX (Q101.1 FM) and Jeppson’s Malört: The Official Drink of the Apocalypse Come find me in all your favorite places including my Discord, be gay, do drugs, flock ice. Featuring “Promises” by the Barrerracudas, a snippy of “The Wasteland” courtesy of Ross Bugden Twitter: Instagram For commissions/scores: bugdenross@gmail.com See omnystudio.com/listener for privacy information.

(Aniversario de la Muerte de José Ferrer) José Vicente Ferrer de Otero y Cintrón nació en Santurce, Puerto Rico, el 8 de enero de 1912. A los seis años se trasladó con su padre a la ciudad de Nueva York. De ahí que en 1934 obtuviera su Licenciatura en Humanidades de la Universidad de Princeton, donde se apasionó por el arte dramático, y que posteriormente estudiara literatura francesa en la Universidad de Columbia. En 1943, su interpretación de Yago en la obra «Otelo» lo lanzó a la fama en el mundo artístico. En 1947, cuando se otorgaron por primera vez los premios Tony, recibió el primero de cinco premios Tony de teatro por interpretar por primera vez el personaje Cyrano de Bergerac. Un año más tarde obtuvo la primera de tres nominaciones al Óscar por su actuación como el Delfín en la película «Juana de Arco» protagonizada por Íngrid Bergman. En 1950, José Ferrer recibió la prestigiosa estatuilla por la versión fílmica de «Cyrano de Bergerac», llegando a ser el primer actor en ganar un Óscar por la recreación de un papel teatral en una película. Ese codiciado Óscar lo donó al Teatro de la Universidad de Puerto Rico para que les sirviera de estímulo a los futuros aspirantes a carreras teatrales. Su tercera y última nominación la logró en 1952 por su actuación en la versión original de la película «Moulin Rouge». Entre las obras teatrales que hizo, se destaca «El hombre de la Mancha», en la que encarnó al célebre Don Quijote. Ese mismo año, la Organización de Estados Americanos le rindió homenaje por ser vínculo de excelencia entre la cultura latina y la anglosajona. En total, Ferrer actuó en setenta películas y dirigió trece producciones de Broadway y siete películas. Entre los muchos reconocimientos que recibió durante su carrera como actor, director, escritor, productor, cantante y compositor, se destacan su propia estrella en el Paseo de Estrellas de Hollywood, la primera Medalla Nacional de Arte en 1985 (que le otorgó el ex presidente Ronald Reagan), y su selección en 1981 al Paseo de la Fama del Teatro. Con sobrada razón se le dedicó, en 1990, el Festival de Teatro Latinoamericano. En lo personal, José Ferrer se casó cuatro veces y tuvo seis hijos, uno de ellos el también actor Miguel Ferrer. Quienes no saben que José Ferrer fue tío del actor George Clooney y suegro de la cantante Debby Boone, tal vez tampoco sepan que hablaba cinco idiomas —español, inglés, francés, italiano y alemán— y que los dominaba a tal grado que durante una conferencia de prensa se dirigió a todos los periodistas en sus respectivos idiomas.1 «Un autor puede escribir algo que perdure trescientos años después de su muerte —observó José Ferrer durante una entrevista en 1986—, pero cinco minutos después de mi muerte, ya no puedo actuar ni dirigir más.»2 Quiera Dios que esas palabras, que pronunció el reconocido actor unos seis años antes de su muerte el 26 de enero de 1992, nos lleven a reflexionar que, antes de afrontar nuestra propia muerte, debemos pedirle a Dios que desempeñe el papel de Director de la obra sin igual que es nuestra vida, en la que nosotros somos los actores principales. Porque una vez que muramos, ya será demasiado tarde. Y lo cierto es que cinco minutos después de nuestra muerte, Dios, que es el Guionista que inspiró la Biblia, que ha perdurado miles de años, será el único capacitado para dirigir nuestra actuación eterna. Carlos ReyUn Mensaje a la Concienciawww.conciencia.net 1 Clarissa Santiago Toro, «José Ferrer», Biografías, Fundación Nacional para la Cultura Popular En línea 27 noviembre 2007; Constance Clark, En línea 28 julio 2008; «José Ferrer: Perfil», Puerto Rico Herald, 14 julio 1999 En línea 27 noviembre 2007; Wikipedia, s.v. «José Ferrer» En línea 14 noviembre 2007. 2 «José Ferrer: Perfil», Puerto Rico Herald.

In this episode we chat about Marvel's Agents of SHIELD! Season 6 Episode 11 - From the Ashes You can find the complete plot on Wikipedia here

00:00 – Intro 00:22 – You're Not That Economically Valuable 01:09 – You Have an Income Ceiling (And Expenses Keep Rising) 01:48 – At the End of the Month You Have No Money Left 02:53 – Your Lifestyle Is Above Your Pay Grade 04:10 – Your Money, Time, and Energy Go to Entertainment, Not Education 05:31 – You Have No Money for Emergencies 05:54 – You Wish You Were Rich, But It's Not Urgent Enough 06:46 – You Think All Rich People Are Evil 07:21 – You Think the Non-Evil Ones Got Lucky 08:17 – Your Future Income Is Already Spent 09:00 – You Don't Own Assets That Grow While You Sleep 09:40 – You Think Investing Is Just Gambling 10:24 – You Don't Track Your Net Worth 11:18 – Your Benchmark Is Your Broke Echo Chamber 12:14 – You Never Took a Big Enough Risk 14:04 – Bonus: The Two Switches That Change Everything Tools:  Protect yourself online with NordVPN: https://www.nordvpn.com/alux  Get a free audiobook when you sign up: https://www.alux.com/freebook  Start an online store today: https://www.alux.com/sell  Sell an online course: https://try.thinkific.com/f5rt2qpvbfokAlux.com is the largest community of luxury & fine living enthusiasts in the world.  We are the #1 online resource for ranking the most expensive things in the world and frequently referenced in publications such as Forbes, USA Today, Wikipedia and many more, as the GO-TO destination for luxury content!  Our website: https://www.alux.com is the largest social network for people who are passionate about LUXURY! Join today!  SUBSCRIBE so you never miss another episode: https://goo.gl/KPRQT8  To see how rich is your favorite celebrity go to: https://www.alux.com/networth/  For businesses inquiries we're available at: https://www.alux.com/contact/ 

Relax with calm bedtime reading designed to support sleep and ease insomnia through gentle learning. This peaceful bedtime reading helps quiet the mind for sleep while offering comfort during restless nights and insomnia. In this episode, Benjamin softly explores the history, culture, and landscape of Albuquerque, sharing clear facts at an unhurried pace that makes learning feel soothing. You'll discover something new while your body relaxes, your breathing slows, and your thoughts begin to drift. There's no whispering here, just calm, steady narration meant to reduce stress, ease anxiety, and support better sleep for anyone dealing with insomnia or busy thoughts. Settle in, press play, and allow the gentle rhythm of bedtime reading to carry you toward rest. Happy sleeping! Read with permission from Albuquerque, Wikipedia (https://en.wikipedia.org/wiki/Albuquerque), licensed under CC BY-SA 4.0. Learn more about your ad choices. Visit megaphone.fm/adchoices

Payton and Garrett unravel the chilling case of Marjorie Nugent, a reclusive woman living alone in a sprawling mansion on the edge of town. When loved ones begin to fear she's vanished, police make a welfare check, only to uncover a horrifying secret hidden in her freezer. Links: Patreon: https://www.patreon.com/murderwithmyhusband NEW MERCH LINK: https://mwmhshop.com Discount Codes: https://mailchi.mp/c6f48670aeac/oh-no-media-discount-codes Twitch: https://www.twitch.tv/themwmh Instagram: https://www.instagram.com/murderwithmyhusband/ Watch on Youtube: https://www.youtube.com/@murderwithmyhusband Listen on Apple: https://podcasts.apple.com/us/podcast/into-the-dark/id1662304327 Listen on spotify: https://open.spotify.com/show/36SDVKB2MEWpFGVs9kRgQ7?si=f5224c9fd99542a7 Case Sources: TexasMonthly.com - https://www.texasmonthly.com/true-crime/midnight-in-the-garden-of-east-texas/ CBSNews.com - https://www.cbsnews.com/news/48-hours-the-mortician-the-murder-the-movie/ Wikipedia.org - https://en.wikipedia.org/wiki/Bernie_Tiede Variety.com - https://variety.com/2014/film/news/richard-linklater-bernie-tiede-1201243497/ InvestigationDiscovery.com - https://www.investigationdiscovery.com/crimefeed/murder/bernie-marge-the-mysterious-case-of-the-murderous-mortician-the-wealthy-widow KLTV.com - https://www.kltv.com/story/31770727/bernie-tiede-trial-victims-sister-says-she-was-afraid-of-marjorie/ TexasTribune.org - https://www.texastribune.org/2016/03/31/bernie-tiedes-sentencing-trial-redo-starts-wednesd/ TribTalk.org - https://www.tribtalk.org/2014/05/12/bernie-was-nothing-like-the-movie/ Grunge.com - https://www.grunge.com/357384/bernie-the-truth-about-bernie-tiede-and-marjorie-nugents-relationship/ NYTimes.com - https://www.nytimes.com/2012/04/15/magazine/how-my-aunt-marge-ended-up-in-the-deep-freeze.html Telegraph.co.uk - https://www.telegraph.co.uk/culture/film/9243732/How-my-wicked-aunts-murder-became-a-Shirley-Maclaine-comedy.html AllThatsInteresting.com - https://allthatsinteresting.com/bernie-tiede Learn more about your ad choices. Visit podcastchoices.com/adchoices