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Composer's Notes: Music Concrete improvisation performed on Push 2 using mysterious shortwave radio signals from the cold war era. Producer's Notes: Samples are manipulated and performed as musical objects using Ableton Simpler, and Granulator II. Credits: Music Copyright 2020 Mark Subscribe to Podcast: Any Podcatcher: https://feeds.soundcloud.com/users/soundcloud:users:17182/sounds.rss Apple Podcasts: https://podcasts.apple.com/us/podcast/sonic-encounters-soundscapes-from-the-sounds-around-us/id1005123672 Follow and listen on Soundcloud: https://soundcloud.com/markmosher/sets/sonic-encounters-soundscapes-podcast More Info: https://SonicEncounters.com/podcast
Story: A dreamy cinematic ambient song to accompany your time mirror viewing sessions. Composer's Notes: This song was inspired by sci-fi movies, tv series, and books that explore peering into the multiverse and time-travel. The title was inspired by the Outer Limits episode "Demon with the Glass Hand". Producer's Notes: This song was produced in three sessions: Session 1: I composed 4 layers off-grid varying between even and odd bar lengths ranging from 4-9 bars performing on Ableton Push 2. The interplay of these even and odd lengths results in melodies and motifs that round-robin in interesting ways and often result in call and response. I improvised a lead melody line with all these layers in motion performing on keys. You hear this melody in the final piece starting around 1m9s. The notes in the bell sound throughout are triggered using varying levels of probabilities to add variety throughout the piece. Session 2: I did a real-time mix down and arrangement session using Ableton Push 2 to perform with these "musical objects" to turn them into this song. Session 3: I did a mastering session doing some lite editing of all the automation for synth parameters and volumes. I added and additional automation envelope to the bells layer at the end of the piece to introduce increasing pitch randomization to the granular synth engine to cause the bells to drift to become more dissonant. Credits: Music Copyright 2020 Mark Subscribe to Podcast: Any Podcatcher: https://feeds.soundcloud.com/users/soundcloud:users:17182/sounds.rss Apple Podcasts: https://podcasts.apple.com/us/podcast/sonic-encounters-soundscapes-from-the-sounds-around-us/id1005123672 Follow and listen on Soundcloud: https://soundcloud.com/markmosher/sets/sonic-encounters-soundscapes-podcast More Info: https://SonicEncounters.com/podcast
Composer's Notes: Inspired by a photo of a gossamer web taken with a macro lens in my front yard, I wrote a song about a spider. Be the spider. Producer's Notes; I used FM, analog modeled, and granular synthesis. I incorporated a field recording from of a drunk crowd singing in an underground tunnel on the way to the next train out in the London Tube at 1 AM on New Years 2018. Credits: Music and Cover Copyright 2020 Mark Subscribe to Podcast: Any Podcatcher: https://feeds.soundcloud.com/users/soundcloud:users:17182/sounds.rss Apple Podcasts: https://podcasts.apple.com/us/podcast/sonic-encounters-soundscapes-from-the-sounds-around-us/id1005123672 Follow and listen on Soundcloud: https://soundcloud.com/markmosher/sets/sonic-encounters-soundscapes-podcast More Info: https://SonicEncounters.com/podcast
Story: Quite some time ago an alien child instantiated our reality using some silly game they found on their parent's hand-me-down computer. As time went on they noticed the rainforests were being destroyed for a variety of reasons which would soon end the simulation. The child was quite attached to some of the people in the simulation and of course didn't want to have restart the simulation all over again from beginning. So, without their parent's permission, the child opted to buy the in-app purchase to heal the rainforests by turning back the rainforest clocks. Play now continues. Subscribe: Links to subscribe in Apple Podcasts or your fav podcatcher here SonicEncounters.com Composer Notes: Improvised using original field recordings as sources from Australia including the city of Melbourne, and The Healesville Sanctuary (https://www.zoo.org.au/healesville/). Cover Art Notes: I manipulated a photo I took while walking to through the rainforest of Great Otway National Park on the way to Henderson Falls. Some of the trees are estimated to be over 200 years old. Credits: Story, Music, Cover Art by Mark Mosher Copyright Mark Mosher 2019 My artist site is here MarkMosherMusic.com
Story: It appears the menu has changed. Please Press 3. Subscribe: Links to subscribe in Apple Podcasts or your fav podcatcher here http://SonicEncounters.com Composer Notes: I thought I'd kick off this season with something more experimental with lots of extreme tempo changes ranging from 80 BPM - 764 BPM. Enjoy. Music, voice, lyrics, cover art by Mark Mosher Copyright Mark Mosher 2019 My artist site is here http://MarkMosherMusic.com
"Of Snow and Light" is episode 8 of the Sonic Encounters podcast season 2. It's an original soundscape featuring some warm classic synth sounds and pads. Photo is from a very unique skiing experience I had at Copper Mountain Colorado where I got to ski at night in a snow storm with only a headlamp and ambient light. Music and cover art by Mark Mosher Copyright Mark Mosher 2019 http://SonicEncounters.com http://MarkMosherMusic.com
Mark Mosher is a Synthesist, Composer, Performer, Founder of the Rocky Mountain Synthesizer Meetup, and hosts the Sonic Encounters Podcast. He has run his music production blog, Modulate This! (now merged with his MarkMosherMusic.com website) for about 15 years. Mark plays in a number of ensembles and has produced music and visuals for the stage, planetariums, and picture. Mark and I had an excellent conversation about his work as a synthesist, composer, and live performer. We discussed his musical workflows and use of visuals in his performances. Mark also deconstructs and takes us behind the creative process of his newest single "Disconnected." This episode is loaded with both practical and philosophical wisdom from Mark's diverse and extensive experience as an artist. Listen on iTunes or Stitcher or Google Play Show Notes: Artist Site – http://MarkMosherMusic.com Podcast – http://SonicEncounters.com Rocky Mountain Synthesizer Meetup – http://RockyMountainSynth.com Beat Cypher Event – https://www.facebook.com/groups/1980133178941598 Disconnected” Single – https://markmoshermusic.com/2019/01/21/new-single-disconnected-spotify-itunes-amazon-googleplay-bandcamp/ “Swarm of the Nanobots” – Sonic Encounters episode with emulation of a Dewanatron Swarmatron using an Octatrack –https://markmoshermusic.com/2016/02/27/011-swarm-of-the-nanobots/ Interactive visuals gallery with Resolume – https://markmoshermusic.com/interactive-visuals/ Mark Mosher Guest Solo Performance – Boulder Laptop Orchestra Event at CU Atlas Institute – https://youtu.be/ScpItttfGlY Mountain Skies, Asheville, NC - http://spaceformusic.net/mountainskies/ Carbon Dioxide Ensemble with Tom and Victoria Lundy – http://CarbonDioxideEnsemble.com | Video (no)poem duo with Darwin Grosse – https://nopoem.net/ A.I. Winter duo with Michael O’Bannon – http://aiwinter.net Glenn Main - http://ghmain.no/ Norway’s got talent clip
https://SonicEncounters.com Podcast S01:EP01. In a deep dark corner of universe, ancient bureaucrats monitor and nudge the machinery that controls the decay of the all things. Sometimes they dance. Welcome to the Department of Entropy. Credits: Music, Story and Cover Art by Mark Mosher © 2018 Mark J. Mosher SonicEncounters.com NewEcho.com