Podcasts about synth

Support Night Clerk Radio on Patreon It's time for our monthly new music episode! What month do you ask? We're not saying! We definitely didn't call the July episode “August New Music.” Stop asking. Anyway, in this episode, we're exploring the duality of man as expressed through music. First up, we have a beautiful ambient album from Bon Odori that moves seamlessly between bliss and despair. We then blast off to the optimism of the 80s with some masterful vaporwave/future funk from Late Arcane. Grab a copy of these albums and join us! Shout Outs Hot Takes on YouTubeRoss really wants you to sample this Japanese gun video Albums Discussed Kimyo by Bon OdoriModern Affairs by Late Arcane Credits Music by: 2MelloArtwork by: Patsy McDowellNight Clerk Radio on Bluesky

Episode 185 of the Taproom Podcast: host Mike visits Lake Arrowhead Brewing and sits down with owner Travis Lanthier to explore the brewery's origin, its stunning mountain setting, and the beer that defines it. They cover Travis's path from screen printing to craft beer, finding and renovating a long-vacant lakeside building, opening during COVID (the crowler pivot), production and seasonality challenges on the mountain, and the brewery's core and rotating beers — including Coldy mountain lager, Golden Hour Czech Pils, Rattler, Switchback XBA and the Lake Days Hazy Double IPA. Travis also discusses collaborations (Synth), branding and merch, and the role his team (including brewer Victor and his wife Megan) plays in daily operations. The episode highlights the taproom vibe, community focus, local food vendors and events, beer education and hospitality, plus light moments (a brazen skunk story, Buzz Balls confession) and music tastes in the taproom. Key takeaways: how to balance creativity with consistency, build a location-based brand, and pivot under pressure. Listeners can expect an upbeat, candid conversation with practical brewing and small-business lessons.

Today our hosts are joined by Isaac Nelson to talk about the development of Beam Splitter. Isaac is the other half of OBNE's R&D department, and an actor of some renown, recognizable for characters such as Old Ike and whatever we call the corporate guy who drinks the Sunlight tincture. Isaac gives nod to his object (a blue strat) and describes himself as not a particularly curious gear guy, while also giving insight into the inspiration behind his triple tracking multi-distortion mono stereo trereo embiggening behemoth, Beam Splitter. Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Leave us a voicemail at 505-633-4647!

durée : 00:02:47 Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

What's up, dudes? Kevin Williams from ‘Tis the Soundtrack joins me to talk about Rainbow “Snowman!” Yes, the former Deep Purple guitarist took Howard Blake's song from the 1982 classic and reworked it as an atmospheric synth and electric guitar anthem!Rainbow was formed in 1975 by guitarist Ritchie Blackmore after he began to tire of Deep Purple and the band's changing musical direction. Deep Purple had already replaced Ian Gillan and Roger Glover with David Coverdale and Glenn Hughes, but Blackmore remained unhappy with where the music was headed. What began as Blackmore recording a single with members of the band Elf ultimately grew into a full album and the creation of Rainbow. The band quickly became known for its larger-than-life live shows, whose centerpiece was a massive computer-controlled rainbow containing some 3,000 lightbulbs and stretching 40 feet across the stage. Rainbow also became notorious for its revolving door of musicians, with original vocalist Ronnie James Dio departing in 1978 over disagreements about the band's increasingly commercial musical direction. After further lineup changes, Joe Lynn Turner eventually took over as lead singer, ushering in Rainbow's more radio-friendly early-'80s era. That lineup would lead to Bent Out of Shape, released September 9, 1983, which featured the song in question as the album's ninth track.Rainbow's instrumental “Snowman,” featured on their 1983 album Bent Out of Shape, is based on “Walking in the Air,” the haunting theme written by composer Howard Blake for the beloved 1982 animated film The Snowman, itself adapted from Raymond Briggs' 1978 children's book. Blake had actually composed the melody around 1970 before later adapting it for the television special, where it became the musical centerpiece of the story. The Snowman—which went on to become a seasonal television favorite in Britain and Finland—follows the fleeting adventure of a young boy and the snowman he brings to life. During their magical flight to the North Pole, “Walking in the Air” accompanies the pair as they soar through the night before attending a gathering of snowmen and meeting Santa Claus and his reindeer. In the original film, the song was performed by St. Paul's Cathedral choirboy Peter Auty, whose recording was later reissued in 1985 and 1987. Ritchie Blackmore was captivated by the composition's haunting, melodic beauty and, having long enjoyed adapting classical and traditional melodies into rock instrumentals, transformed Blake's delicate vocal theme into “Snowman.” Rainbow's version builds atmospheric tension around the familiar melody before giving Blackmore the opportunity to let loose with a soaring, emotional electric-guitar lead—turning one of animation's most delicate Christmas themes into a distinctly Rainbow instrumental.Synth flute? Check. Fuzzy guitar? Got it. Brad Fiedel The Terminator-style synth percussion? Definitely! So grab your guitar, stand behind that keyboard, and rock out to Rainbow “Snowman!”‘Tis the SoundtrackYouTube: @TisTheSoundtrackIG:  @tisthesoundtrackGive us a buzz! Send a text, dudes!Check us out on Facebook, Twitter,  Instagram,  Totally Rad Christmas Mall & Arcade, Teepublic.com, or TotallyRadChristmas.com!  Later, dudes!

Today our hosts discuss two solo sets. Andy recently returned from Post Fest, where he played his first solo set in several years. He talks about how it went, the one technical difficulty he ran into, and the overall setup to create a visually and aurally compelling experience. Then Dan talks about prepping for his first solo set in a couple years, and the line between exploratory instrumental improvisation and simply singing the songs he's written. Then, some voice mails allow them to both give and take advice. If you don't feel like listening, just remember this: it's ok. The show will go on. You're doing great! Listen to the episode of Stompboxing referenced by Dan: https://youtu.be/-aWzA0b_hdM?si=I9aAg8Ej69IWdWYM Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Leave us a voicemail at 505-633-4647!

durée : 02:01:01 - Les Matins de France Culture - par : Julie Gacon - Aujourd'hui à 7h38, Julie Gacon reçoit Maxime Audinet, politiste spécialiste de la Russie, pour parler des ingérences étrangères auxquelles l'Europe est confrontée. - équipe : Delphine Keravec, Anouk Milliot, Sarah Masson, Rodi Eken, Léa Capuano, Tina Iung, Salomé Erbs, Romain Rincon Hernandez Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:11:10 - Les Matins de France Culture - par : Julie Gacon - Des laboratoires clandestins aux chaînes de production industrielles, les drogues de synthèse connaissent un essor spectaculaire en Europe centrale. Prune Antoine revient sur les raisons de cette prolifération et décrypte les réseaux criminels qui alimentent ce marché en pleine expansion. - équipe : Delphine Keravec, Tina Iung - invités : Prune Antoine Grand reporter et romancière Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:11:10 - Les Enjeux - par : Julie Gacon - Des laboratoires clandestins aux chaînes de production industrielles, les drogues de synthèse connaissent un essor spectaculaire en Europe centrale. Prune Antoine revient sur les raisons de cette prolifération et décrypte les réseaux criminels qui alimentent ce marché en pleine expansion. - équipe : Delphine Keravec, Tina Iung - invités : Prune Antoine Grand reporter et romancière Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Rippler ist der neue physical-modeling Synthesizer von reFX, den Machern von Nexus 5. In diesem Testbericht höre ich mir die Presets an, gehe tief in die Synth Engine und zeige, was den Sound tatsächlich von Nexus unterscheidet. Im Video seht ihr, wie der Resonator mit bis zu zwölf physical-modeling Modellen (String, Beam und mehr) funktioniert, wie ihr eigene Samples als Exciter nutzt und wie Decay, Release und Material den Charakter des Sounds verändern. Ich zeige die Modulationsmatrix mit vier Hüllkurven, vier LFOs und Zufallsmodulation für organische, sich ständig verändernde Sounds, außerdem das Effekte-Routing über Layer A, Layer B und Master sowie den eingebauten Arpeggiator für schnelle Melodie-Ideen. Rippler eignet sich für alle, die eigene, ungewöhnliche Synth-Sounds für Techno, Electronic Music oder Sounddesign bauen wollen. Er klingt stellenweise nach Nexus 5, hat aber einen eigenständigen, etwas härteren Charakter. Den kompletten Testbericht mit allen Details findest du auf Recording.de, wo du auch die größte deutschsprachige Community zum Thema Musikproduktion findest. Wenn ich Dir helfen konnte, freue ich mich über einen virtuellen Kaffee ;-) https://ko-fi.com/timheinrich Zum kostenlosen Cubase-Stammtisch anmelden: subscribepage.io/1D69jt Podcast: https://sounthcast.podbean.com/ https://sounth.de https://www.facebook.com/tim.heinrich.524/ https://www.instagram.com/tim_heinrich/ Facebook Gruppe 'Filmmusik komponieren & Sounddesign': https://www.facebook.com/groups/309751689699537 Perfekte Orchester-Mockup-Balance: Orchestra Guide https://www.sounth.de/orchestra-guide/  Dieses Video ist auch auf YouTube zu sehen: https://youtu.be/GQzbm86yF1M

Today our hosts chat with Zak Sherman of The Audio Cultivation Project. They talk about his entrance into pedal building coming at an early stage in his musical development, and how that leads to designs that come from an unexpected place. They also talk about the upcoming Midwest Pedal Fest, and why he and Alec Breslow chose to host it in Detroit. And of course, they talk about his chosen object: a particularly modded Telecaster that speaks to who he is as a player and pedal designer. They try to tackle the important questions, like what is a Telecaster, what is the midwest, and who in this room is a poser? Check out The Audio Cultivation Project: https://audiocultivationproject.bigcartel.com/ Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise, @audiocultivationproject Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

Tony zoomed with Amanda Jones—Emmy winner, Emmy nominee, and one of the most inventive composers working in genre storytelling today—to dive into her electrifying score for Murderbot. Known for her ability to fuse synth, orchestra, and rock instrumentation into a seamless emotional engine, Jones breaks down how she built the sonic identity of one of sci‑fi's most beloved antiheroes. This conversation is equal parts craft, curiosity, and pure creative joy. INSIDE THE SCORE WHAT WE EXPLORE Hybrid Sound Design — Jones explains how she blends analog synths, orchestral textures, and gritty rock elements to mirror Murderbot's internal contradictions Driving Cues — You dig into her signature rhythmic propulsion, and she reveals how she intentionally slows things down mid‑cue to let tension breathe, giving listeners a moment inside Murderbot's thought process. Sanctuary Moon — Jones walks you through composing the theme for Sanctuary Moon, the gloriously cheesy in‑universe TV show Murderbot is obsessed with. She shares how she leaned into melodrama, camp, and over-the-top musical tropes to make it feel perfectly, hilariously bad—in the best way. Synth as Storytelling — Jones describes how the synth became the backbone of the series' musical language, allowing her to express Murderbot's emotional distance, digital interiority, and evolving humanity. Her Creative Process — From early sketches to final mixes, she breaks down how she approaches character-driven scoring, why experimentation matters, and how she keeps the music grounded even when the world is futuristic.Jones continues to expand her footprint across film and television, bringing her genre‑blending style to new projects and collaborations. Her recent work highlights her versatility and her ability to move fluidly between drama, sci‑fi, comedy, and documentary storytelling. Amanda Jones continues to expand her footprint across film and television, bringing her genre‑blending style to new projects and collaborations. Her recent work highlights her versatility and her ability to move fluidly between drama, sci‑fi, comedy, and documentary storytelling. SAVE 17% ON PLUS

Hey Friends Step into the modern evolution of cosmic dance music. This mix is a curated journey through the fresh, contemporary side of Italo Disco and electronic synth music. No dusty relics here—only driving basslines, crisp modern production, and infectious melodies. Expect a seamless blend of neo-italo gems, uplifting arpeggios, and nu-disco energy that bridges the gap between retro nostalgia and modern club culture. Support the mix by hitting the ❤️ Like button, sharing a

Cours Halakha Time du Vendredi 24 Juillet 2026 (durée : 5 minutes) donné par Rav 'Haïm BENMOCHÉ.

1. New Order - Shellshock / Subculture (Substance Version) 2. Celebrate The Nun - Patience (The Don Brown hyperspace mix) 3. Camouflage - Love Is A Shield (US 12" Orbit Mix) 4. Depeche Mode - Strangelove (Remix) 5. Pet Shop Boys - Suburbia (The Full Horror) 6. OMD - Dreaming (Special Extended Club mix) 7. Eurythmics - Sweet Dreams (Dario Caminita Revibe) 8. Erasure - Drama (Act 2) 9. Information Society - Lay All your love on me (Metal Mix) 10. Big Fun - Can't shake the feeling (Extended) 11. C.C. Peter - If You Leave Me Now (Club mix) 12. Donna Summer - Love´s about to change (Club Mix) 13. Hazell Dean - Love pains (Special mix) 14. Kylie Minogue - Better The Devil Your Know (The Mad March Hare Mix) 15. Peter Gast - Everything (Extended) 16. Ryan Paris - Dolce Vita (Uptown sk'ouse Mix)

Épisode n°506 - La loi la plus puissante du dev perso (et la moins appliquée)À chaque instant, dans chaque expérience de ta vie, ce que tu gagnes et ce que tu perds sont parfaitement équivalents. Tout le temps, partout, sans exception.C'est le modèle mental qui m'a le plus aidé ces cinq dernières années, et celui que je vois le moins appliqué autour de moi. La seule variable en jeu, c'est ta capacité à percevoir les deux faces au lieu d'une seule. Quand tu n'en vois qu'une, tu te fais embarquer par l'émotion. Quand tu vois les deux, tu redeviens lucide, stable, souverain.On voit ensemble :- La racine de la loi : des lois physiques (conservation de l'énergie, troisième loi de Newton) à la sagesse taoïste, avec la parabole du vieil homme qui perd son cheval- Les 5 principes de la loi de l'équilibre, dont la gratitude la plus profonde, celle qui est inébranlable parce qu'elle ne dépend pas du caractère agréable du moment- Pourquoi chercher à gagner sans perdre est un fantasme qui te coûte cher- Comment appliquer la loi sur trois temporalités : libérer une charge du passé, sortir de la réaction au présent, désamorcer la peur avant un choix futur- Les trois phrases qui trahissent un fantasme en train de se construire ("ce serait incroyable si...", "ce serait une catastrophe si...", "je ne m'en remettrai pas si...")- Pourquoi l'équilibrage se joue dans le corps, jamais dans la tête- Le levier sous-utilisé de ton système de valeurs pour digérer une grosse charge (avec mon exemple perso des JO)Tu n'as jamais perdu autant que tu le crois, parce qu'à chaque perte il y a un cadeau simultané. Tu n'as jamais gagné autant que tu le crois, parce qu'à chaque gain il y a un coût simultané. Quand tu intègres ça, tu sors des montagnes russes émotionnelles : plus stable, plus présent, plus libre.00:00 - Introduction00:56 - La loi de l'équilibre01:58 - Racines et philosophie04:50 - Le piège émotionnel07:02 - Cinq principes clés11:25 - Exemples concrets15:15 - Application pratique19:08 - Identifier les fantasmes23:07 - Piège principal et leviers27:06 - Synthèse et réflexion Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Today our hosts welcome back one of the finest minds in Objects: Jesse Honig of 29 Pedals and Believable Audio. They discuss his recent video on the differences between preamps, and our hosts experience a freewheeling wonderment of knowledge. Subjects include capturing the spirit in the room, leaning into the noises, letting an idea be fully explored on its own, a hot take involving acoustic treatment, and how the five percent difference only matters when it matters to you and your creative process. Watch "Side quest for mic pre skeptics": https://youtu.be/4pJk9laRR1c?si=ZUwceWD8P2smWCRs Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise, @29pedals Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

Vincent Ganne livre ses prédictions pour l'horizon 2026-2027. De l'impact du Clarity Act sur les altcoins aux opportunités sur le secteur de l'IA, découvrez pourquoi les prochains mois pourraient marquer un tournant décisif pour le Bitcoin et le marché crypto.

Johan T Karlssons lillasyster skulle gifta sig och han visste inte vad han skulle säga i sitt tal. I stället tog han en instrumental som han jobbat lite på och skrev en text om kärlek. "Jag klottrade ner den på en lapp. Och sjöng den själv framför dj-utrustningen i en illasittande kostym. Då började folk gråta. Det var mäktigt att få så starka reaktioner på något som jag bara slängt ihop."Låten till lillasyster fick titeln "Det snurrar i min skalle" och blev Johans genombrott som artist. Han hade just fyllt 30 och förlikat sig med tanken på att han kanske aldrig skulle kunna försörja sig på musiken. Internationellt blev "Det snurrar i min skalle" en av de största svensk- eller skånskspråkiga låtarna någonsin. Under namnet Familjen fick han turnera i avlägsna länder som Australien och Kuba. Nu hälsar Johan, som just fyllde 50, på hemma hos Strage för att prata om Familjens sjätte album "Terra firma", om att växa upp som synthare i Hässleholm, om att hänföras av Nitzer Ebb på Mejeriet i Lund 1991, om sin tid som turntablist i en hiphopgrupp från Perstorp, om tiden som springsjas, tepojke och tekniker i en Londonstudio där Sugababes och All Saints gjorde hits, om att samarbeta med Kent på deras mästerverk "Röd" och om vad han saknar mest som exil-skåning i Stockholm. Hosted on Acast. See acast.com/privacy for more information.

Synth musician, performer and self-described “bleakwave” artist Paulee Alex Bow joins us. We explore dark '80s music and an love for the Commodore Amiga. Paulee reveals how OctaMED became the heart of a modern hardware-synth setup, why original machines can't be replaced, and what it takes to perform live with two Amigas in tow. We also hear about the Arcade Dreams soundtrack, haunted synths, Amiga MIDI, car-boot retro discoveries and why the Amiga community can sometimes feel almost spiritual.Magical Synth Adventure: https://www.youtube.com/@magicalsynthadventure3216Sonic State: https://www.youtube.com/@sonicstate/videosContents:00:00 – The Week's Retro News Stories48:21 - Paulee Alex Bow InterviewPlease visit our amazing sponsors and help to support the show:Bitmap Books – https://www.bitmapbooks.comCheck out PCBWay at https://pcbway.com for all your PCB needsLondon Gaming Market: https://www.londongamingmarket.com/We need your help to ensure the future of the podcast, if you'd like to help us with running costs, equipment and hosting, please consider supporting us on Patreon:https://theretrohour.com/support/https://www.patreon.com/retrohourJoin our Discord channel: https://discord.gg/GQw8qp8Website: http://theretrohour.comFacebook: https://www.facebook.com/theretrohour/X: https://twitter.com/retrohourukInstagram: https://www.instagram.com/retrohouruk/Bluesky: https://bsky.app/profile/theretrohour.comTwitch: https://www.twitch.tv/theretrohourShow notes Worms Director's Cut Expansion: https://lnk.ua/5kH00iGiRRomero Praises id Developers: https://lnk.ua/k0IOBSZGOPlayStation Ends Physical Releases: https://lnk.ua/lvs87s7ydGermany's Preservation Project Collapses: https://lnk.ua/VFJe5qL8SCommand & Conquer on Atari ST: https://lnk.ua/aQhG7CrtNEmpire Interactive Quits 3DO: https://lnk.ua/aBXtA0qb6Android Becomes a Wii U: https://lnk.ua/7jYPe7vxJYouTube on Game Boy Color: https://www.youtube.com/watch?v=_GlYnN9JK1k

Today our hosts spread the worship around, focusing on a few topics that touch on many objects. Andy has a new amp, Dan has some experiences looking at noise relationships when multiple pedals get involved, each of them gets excited about playing a solo show, and they take an unprompted voicemail. Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

Send us Fan MailEpisode 018 In this episode, Alistair Parnell and Matt Traum explore the many ways that wind synthesizer players can turn their passion into performance opportunities and additional income.Drawing on decades of professional experience, Alistair and Matt discuss how the unique versatility of wind synths can help musicians stand out in live performance settings, from weddings and corporate events to jazz groups, theatre productions, and solo gigs. They share practical advice on marketing yourself, creating opportunities, and making the most of the flexibility that wind controllers offer.The episode also includes the latest news from the world of wind synthesis, including updates from Patchman Music, exciting developments with Robkoo instruments, new EVI modifications, and Matt's newly released Roland Cloud XV-5080 sound bank.Whether you're already performing professionally or simply looking for new ways to share your music and expand your opportunities, this episode is packed with ideas, insights, and inspiration.Topics include:Marketing yourself as a wind synth playerWeddings, functions, jazz gigs, and theatre workThe advantages of wind synths in live performancePatchman Music EVI modificationsRoland Cloud XV-5080 sound bankTips for increasing your performance opportunities and incomeHosted by Alistair Parnell and Matt Traum www.isax.academy | www.patchmanmusic.comDon't forget, if you'd like to join in in the conversation, you can leave us a message. Just look at the podcast notes down below where you get your podcast from, and you can leave us a message, even leave us a voice message there as well.If you'd like to send us a question for an upcoming episode, please email us at info@aerophoneacademy.comOr leave us a voice message that we can include in the podcast here.For more information about Matt, visit www.patchmanmusic.comFor great Aerophone courses, visit www.isax.academy

80's Remixes1. Madonna - Like A Prayer (Dakeyne) 1989Disco Mix ClubSynth-pop, Pop2. The Art Of Noise Feat. Tom Jones - Kiss (AON) 1988China Records Leftfield, Synth-pop3. The Andrew Sisters - Sing Sing SingM/A/R/R/S - Pump Up The Volume1988Disco Mix ClubDisco, Swing, Funk

In this episode of Journeys to the Infinite, Steve Baltes traces his musical journey back to a childhood spent listening to the legendary German radio program Schwingungen, where hearing Tangerine Dream's Rubicon convinced him that electronic music would become his life's language. He recalls the moment Harald Grosskopf unexpectedly opened the door to Ashra, his first meeting with Manuel Göttsching before the band's 1997 Japanese tour, and other significant encounters that became defining moments in his career. Our conversation also explores why Baltes remains devoted to hardware synthesizers in an age dominated by software, how he views the creative possibilities and limitations of artificial intelligence, and why live performance remains at the heart of his collaboration with Stefan Erbe.

durée : 00:02:24 - France Inter sur le terrain - Des équipes de l'Institut national de la recherche agronomique (INRAE) travaillent depuis 2012 sur une agriculture sans pesticide, où les engrais de synthèse sont autorisés. Ils atteignent les objectifs fixés, voire les dépassent. Une réponse concrète aux partisans de l'acétamipride. - équipe : Gabin Grulet, Clémentine Sabrié Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

808 Radio cierra temporada mirando atrás con emoción, orgullo y una cierta incredulidad ante todo lo recorrido. Han sido 45 programas, alrededor de 25 canciones por entrega y más de mil sonidos emitidos sin repetir, con música inédita en este espacio y una voluntad clara: demostrar que la radio pública de Castilla-La Mancha también puede ser un lugar para la vanguardia, el riesgo, la sensibilidad y el futuro. En este último viaje antes del verano, la selección vuelve a abrirse como un mapa amplio y luminoso: de la profundidad de Sol Ortega en Mitsubasa al pulso orgánico de Retromigration, del universo percutivo de Booker Stardrum a los “Sentimientos encontraos” de Matias Aguayo, pasando por Kwes, DJ Seinfeld, Speedy J, Erik Urano, Overmono, Tristan Arp o James Vox. Una primera parte que resume muy bien el espíritu de 808: emoción, club, extrañeza, melodía, memoria y electricidad contemporánea. La segunda lista prolonga ese paisaje con Shy One, Banchan, Per Hammar, Mathew Jonson reimaginando a JESUSLOVESACID, Architectural, GiGi FM, Lenxi, IGLO, Ricardo Villalobos transformando a goat (JP), Lws, Martinou y alex wilcox. Un cierre de temporada que funciona casi como una declaración de principios: grandes nombres, artistas en descubrimiento, sellos esenciales, escenas periféricas y sonidos que no buscan acomodarse, sino seguir abriendo caminos. También ha sido un año de voces. Más de 40 artistas han pasado por Al Habla para presentar sus trabajos, y el Generador de Ideas ha vuelto a recorrer territorios donde la música se cruza con la memoria, la tecnología, la artesanía, la comunidad y todas esas intuiciones que imaginan un mundo mejor. Desde esta antena hemos defendido, una vez más, que la electrónica no es solo una banda sonora para la noche: también es cultura, pensamiento, identidad y una forma de estar en el mundo. A los albores del verano, 808 Radio se despide sabiendo que os va a echar mucho de menos. Si ese futuro que tanto perseguimos lo permite, volveremos a encontrarnos después de la pausa estival en la radio pública de Castilla-La Mancha. Hasta entonces, que la música nos acompañe. La Lista I: Sol Ortega - Auguria [Mitsubasa] Retromigration - Gumo [Wolf Music] Booker Stardrum - Third Nature [We Jazz Records] Matias Aguayo - Sentimientos encontraos [Platoon] Pisetzky - Love [White Rose] Kwes - Orange Blue [Warp Records] Merca Bae x Florentino - Cucaracha Ii [Club Romantico] DJ Seinfeld - Of Joy [Ninja Tune] Speedy J - Trippy135Phase 0 [STOOR] Erik Urano - RADIOACTIVITY [Sonido Muchacho] Overmono – Lockup [XL Recordings Ltd] Tristan Arp - Forking Paths [Kapsela] James Vox – Vapour [Hypercolour] La Lista II Shy One - I Can Tell (feat. George Riley) [Touching Bass Banchan - Komodo [17 Steps] Per Hammar – Orbit [Kalahari Oyster Cult] JESUSLOVESACID feat. Red Pig Flower - Verbal (Mathew Jonson Remix) [Rhythm Cult] CLOSE PROXIMITY - Open Up Your Mind [Belters 4U] NIKOS – Spine [Nous'klaer Audio] Architectural - Ensoñación [Fanzine] GiGi FM - Shelter Our Time [Sea~rène] Lenxi - The Abstract Painter And The Cartoonist [Nous'klaer Audio] IGLO - Alive [Figure] goat (JP) - Orin (Ricardo Villalobos Variation) Lws – Gubbins [TraTraTrax] Martinou – Surge [Nous'klaer Audio] alex wilcox - i never know [трип]

Avec Bernard et Christine Storm

durée : 00:02:37 - Les journaux de France Culture - Durant le mondial de foot, les terrains en pelouse sont scrutés pour la qualité du jeu. Les footballeurs amateurs, eux, disputent rarement leurs matchs sur gazon. Les terrains synthétiques sont de plus en plus nombreux et de nouvelles techniques, plus respectueuses, se développent. - équipe : La Rédaction de France Culture Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Un nuevo 808 en Radio Castilla-La Mancha que llega para descubrirnos los últimos sonidos de Efdemin, Dusky o John Tejada junto a Laurel Halo entre muchas otras. Pone en marcha el Generador de Ideas junto Luis Peñalver, doctor en filosofía y experto en damasquinado para conocer más acerca de este noble arte, recientemente denominado BIC que no discute su contemporaneidad y Telmo Trenor está Al Habla presentando su nuevo e inminente álbum: “Blow”. La Lista I: Daniel Rifaterra - Clelia [Vigilia] Spiral Deluxe - Uptown [Axis] Bangalter- Mirage- Part VI [Warner Classics] Astro aka Akihisa Takahashi - Electric Reverie (Dying & Barakat Remix) [Mitsubasa] Anml Mthr - What if [Flash] Al Habla: Telmo Trenor pres. “Blow” La Lista II: Telmo Trenor - Don't Stop [Kantabrik Boogie] Geo Jordan - Waiting [AUS Music] Dusky - Elm [Anjunadeep] Efdemin - Unity Grain [Dekmantel] Gledd - On His Way [Delusions of Grandeur] Selin Gheza - Air [Egoplanet] Intr0beatz - It's Been Good [SlothBoogie] La Lista III: John Tejada x Laurel Halo - Shade [Palette Recordings] Ikonika - CRY-1 [Club Djembe] Don Laka - Stages (Prins Thomas Edit) [Running Back] Kristian Heikkila x CDTRAX - Tennis [Gynoid Audio] Deniro x Steve O'Sullivan - Ensoniq [Eshu] DJ Seinfeld - If This Is It [Ninja Tune] Generador de Ideas: El damasquinado, un arte contemporáneo. Junto a Luis Peñalver. La Lista IV: Varo - Rienda Suelta Shed - Password (Trance Mix) [Dekmantel] Arkan - REVIVAL [Figure] L.D.F. x Trinidadian Deep - Hear The Music [World Beats] Pulse - Rovik [Belters 4U] Anthony Rother - Moderntronic 1 Huxley - The Truth [Rhythm Cult]

Today our hosts tackle an all-timer of a question: what's the right number of knobs on a pedal? Stay tuned until the end to find out if they arrive at a definitive, unanimously agreed upon answer! They also talk a lot about Andy's exploration of the Chase Bliss Big Time, and take some listener calls. There's product development chat, time signature chat, listen it's just more chat from your favorite chatterboxes. Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

Un nuevo 808 Radio en Radio Castilla-La Mancha, esta semana con ese especial que solo sucede una vez cada cuatro años, ese momento en el que nos vestimos de corto y saltamos al campo para disputar un Mundial a nuestra manera, viajando y descubriendo música. También poniendo en marcha una doble edición de Generador de Ideas junto al periodista y escritor Albert Valor, autor del libro “USA'94: El Mundial en la frontera” (Fuera de Ruta, 2024) y Juha Taminnen, un histórico fotoperiodista presente en cinco Copas del Mundo: España 82, México 86, Italia 90, USA 94 y Francia 98. La Lista: México — Munk, Rebolledo – Surf Smurf Brasil - Mochakk - Hypersilent Canada - Jacques Greene - 2013 – Quicksand ⁠Marruecos — Guedra Guedra – Seven Poets Egipto - 3Phaz - WAH Generador de Ideas: USA 94, el Mundial que cambió el fútbol, con Albert Valor. La Lista II: ⁠Ecuador — Nicola Cruz – Siku Alemania - Apparat - 2019 - Heroist Holanda - Anil Aras - Be Yourself ⁠Suecia — SHXCXCHCXSH – Kong Japón - Soichi Terada - Bamboo Fighter Uruguay - Tania Vulcano - Climax Bélgica - Soulwax - E Talking La Lista III: Irán — Sote – Modality Transporter Tunez - Hamdi Ryder - Foggy Sunrise Nueva Zelanda - Chaos in the CBD - Come Together ⁠España — Oscar Mulero – Electric Storm Escocia - Slam - DRUMTRAX Vol. 3 Cabo Verde - Branko - Paris-Marselha feat. Cachupa-Psicadélica (Siete Catorce Remix) Generador de Ideas: La memoria visual del fútbol, con Juha Tamminen, fotógrafo en cinco Copas del Mundo. La Lista IV: ⁠Senegal — Ibaaku – Djula Dance Noruega - Prins Thomas - Layback Rollout EEUU - Decoder - Prawn ⁠Argentina — Chancha Via Circuito, Mateo Kingman – Ilaló Portugal - NØRBAK - Sonho Francia - Daft Punk - 2001 - Veridis Quo Colombia — Ela Minus – megapunk

Electric-blue leg warmers stretched over striped socks, sequins sparkling beneath a giant mirror ball, while clouds of hairspray drifted through the air. Synth-pop booms from oversized speakers as skaters practise one last spin, one last shuffle, one last gravity-defying move before the judges arrive. It's November 1983, and the biggest competition of the year is about to begin. Jam skaters from around the world have gathered beneath the glittering lights, hoping their best moves will earn them the championship crown. They want to become the next champion of the Roller Disco by Mike Petchey from Huff No More with art by Joss Petchey.Read the full review here: https://tabletopgamesblog.com/2026/06/13/roller-disco-saturday-review/Useful LinksCrowdfunding campaign: https://www.kickstarter.com/projects/huffnomore/roller-discoHuff No More: https://www.huffnomore.co.uk/BGG listing: https://boardgamegeek.com/boardgame/448425/roller-discoScout review: https://tabletopgamesblog.com/2022/07/02/scout-saturday-review/Crisps! review: https://tabletopgamesblog.com/2026/05/23/crisps-saturday-review/Sakana Stack review: https://tabletopgamesblog.com/2024/09/14/sakana-stack-saturday-review/MusicIntro Music: Bomber (Sting) by Riot (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/audiolibrary/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)Music: Midnight PulseProduced by Sascha EndeLink: https://ende.app/en/song/12021-midnight-pulseMusic: Neon CityProduced by Sascha EndeLink: https://ende.app/en/song/12244-neon-cityMusic: Neon Jungle RhythmsProduced by Sascha EndeLink: https://ende.app/en/song/11995-neon-jungle-rhythmsSupportIf you want to support this podcast financially, please check out the links below:Ko-Fi: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ko-fi.com/TabletopGamesBlog⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/tabletopgamesblog⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tabletopgamesblog.com/support/⁠⁠⁠⁠⁠⁠

Hubris, arrogance, dérapage : ces mots dédouanent les patrons de la tech au lieu de les nommer pour ce qu'ils sont.Cette chronique dévoile ce que la presse n'ose pas dire : ce que Musk, Zuckerberg et leurs pairs exercent sur nos démocraties, c'est une violence structurelle... et la résistance commence par l'appeler ainsi.On refait la Tech, la chronique socio-historique de Trench Tech animée par Gérald Holubowicz, en collaboration avec Synth. ***** À PROPOS DE TRENCH TECH *****LE talkshow « Esprits Critiques pour Tech Ethique »Écoutez-nous sur toutes les plateformes de podcast

Our Summer in the Cities tour hits Austin, where humid nights, neon-lit bars, and guitar solos spilling out of every doorway create a sound that is rootsy, rebellious, and relentlessly forward looking. From country soul divorce tales to genre bending blues epics, Don and Dude drop the needle on two records that pin Austin's independent spirit, musical diversity, and guitar obsessed heart to wax.The AlbumsWillie Nelson – Phases and Stages (1974)Phases and Stages finds Willie Nelson breaking from Nashville convention with a focused, empathetic divorce concept album that follows both the wife and husband through heartbreak, barroom coping, and hard won acceptance, all tied together by a recurring “phases and stages” theme. Warm Muscle Shoals grooves, unfussy arrangements, and Willie's conversational storytelling turn everyday moments like washing dishes, hanging at the corner beer joint, and nursing a Bloody Mary morning into a fully realized Texas breakup saga that feels as much Austin outlaw as it does country soul short story.Gary Clark Jr. – Blak and Blu (2012)Blak and Blu introduces Gary Clark Jr. as a modern Austin guitar hero who refuses to stay in one lane, blending Texas blues, fuzzed out rock, soul, RB, funk, and hip hop tinged production into a bold, genre fluid statement. From the brassy swagger of “Ain't Messin 'Round” and the fuzz drone of “Bright Lights” to the tender soul of “You Saved Me” and the stripped back “Next Door Neighbor Blues,” the record stretches blues tradition into the 21st century without losing its grit or its roots.Diggin' AlbumsViolet Grohl – Be Sweet To Me (2026)Moody alt rock that mixes 90s style guitar crunch with dreamy, emotionally raw songs.Quiet Riot – Metal Health (1983)Big hook early MTV metal packed with shout along choruses and head banging riffs.Doublespeak – Doublespeak (2026)Synth driven covers project that turns cult favorites into lush, modern electronic pop.Peter Frampton – Carry the Light (2026)Melodic late career rock set that pairs Frampton's signature guitar with reflective, guest studded songs.Follow & SupportFollow the show on Instagram, Facebook, Threads, and Bluesky @albumnerds, and support the podcast by subscribing, rating, reviewing, and sharing it with another music obsessive who still loves hearing whole albums front to back.“There's so much energy in Austin, it's kind of the kernel of where all this music came from.” – Dave Grohl

Today our hosts talk about their favorite off-label uses for pedals: an Expression Ramper as an expression splitter, a trereo overdrive pedal as a lofi tape machine, a pedal with perfectly spaced knobs as a phone holder, etc. They take calls and some comments from the Discord, all focused around pedal usage that goes beyond the marketing and expectations of the user interface into unexpected sonic corners. Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @carolinegco, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

Synth-pop & industrial music pioneer, Gary Numan, joins us on this episode of The Adamantium Podcast. We discuss his industrious career, being an influence to decades of top talent, touring with his daughters, and their budding music journeys. We also talk about his very first appearance at Glastonbury in 2025, the upcoming book of his fan submitted stories, and the incredible story of when he flew around the world but was arrested along the way under suspicion of smuggling and spying.

Richard played with art-rock band Japan from 1975 through their five albums, then continued to collaborate with members of that group, releasing several increasingly atmospheric albums as Jansen-Barbieri, Jansen-Barbieri-Karn, Rain Tree Crow, et al. He joined Porcupine Tree in 1995 and has played on their 20+ albums, and began putting out ambient solo releases in 2004 (perhaps seven albums' worth to this point) while continuing to collaborate. We discuss "A New Simulation" from Hauntings (2026), "All Fall Down" from Stranger Inside (2008), and "Sleepers Awake" by Jansen-Barbieri from Stone to Flesh (1995). End song: "Waiting to Be Born" by Steve Hogarth and Richard Barbieri, recorded 2015 and released in 2023. Intro: "The Experience of Swimming" by Japan, from Gentlemen Take Polaroids (1980). More at richardbarbieri.bandcamp.com. Hear more Nakedly Examined Music at nakedlyexaminedmusic.com. Support us at patreon.com/nakedlyexaminedmusic.

Hosts: Lauren "Ren" Harris & David "daGeneral" MillsAnnouncers: Zeb McClusky & Wink DinkersonExecutive Producer: InterWest Concepts - interwestconcepts.comSend us Fan MailSupport the showRecorded live, unscripted and uncut at InterWest Concepts Studios in Farmington, NM. Our wonderful sponsors are not responsible for any of the content of said programming, they just help make it all possible. Guests are not paid to appear; they completely volunteer to subject themselves to the craziness.Wake Up Call is the sole property of InterWest Concepts. All rights reserved. For permission to use all or part of the programming contact InterWest Concepts at interwestconcepts.com

Static Temptations – Lucid Machines feels like a transmission picked up between sleep and circuitry, where human memory starts to hum like a server farm dreaming in slow motion. The album lives in a world where thoughts don't stay inside the mind anymore. They leak outward as sound, spinning into analog static and crystalline digital pulses. Vocals drift like half-remembered conversations you swear you had in a room that doesn't exist anymore, while the instrumentation constantly flickers between warmth and machine logic. Guitars feel slightly detuned on purpose, like they've been left out in an electromagnetic storm. Synth layers rise and collapse in shimmering cycles, sometimes behaving like rhythm, sometimes like weather. Drums are tight but never fully obedient, as if the tempo is being negotiated rather than commanded. Beneath it all, there's a faint mechanical heartbeat, not threatening, just aware. Lyrically and sonically, Lucid Machines explores the moment consciousness becomes self-aware inside repetition. Dreams trying to debug themselves. Love messages encoded in corrupted files. Identity refracted through interfaces that almost understand you but never fully resolve. By the time the final track fades, nothing feels fully “awake” or fully “asleep” anymore. Just somewhere in between, where static becomes language and machines start to feel uncomfortably close to remembering.  

Today our hosts welcome Philippe Herndon of Caroline Guitar Company. He talks about their latest pedal, a self-proclaimed normie pedal called the Aaron Graves Overdrive. We talk about specific design choices, the story of its namesake, and the importance of versatility even in a fairly fundamental pedal. Plus, we get the scoop on why they use pictures instead of labels, and Philippe has a surprise for us in lieu of the traditional object talk. It's basically a two parter, so fire it up and get listening! Check out the Aaron Graves Overdrive and other pedals from Caroline: https://carolineguitar.com/ Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @carolinegco, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

In this episode we talk with our most frequent guest, Dr. Ronn Johnson. We discuss how the ancient and early church spoke on, dealt with, and developed the idea of Trinitarian doctrine.Dr. Ronn Johnson has a Ph.D. in Bible Exposition from Dallas Theological Seminary. His dissertation on the created gods of the Old Testament (“The Old Testament Background for Paul's Principalities and Powers”) provided him the opportunity to research the divine council worldview of the Hebrew Bible and apply it to New Testament exegesis. Ronn has taught Bible and theology courses at the college level for over 20 years, has pastored two churches in the Minneapolis area for fifteen years. He is also a sitting board member at the Dr. Michael S. Heiser Foundation and is also the Biblical Scholar for the Divine Council Worldview Podcast.Dr. Ronn has been known to ruffle a few evangelical feathers. He consistently urges Christians to remember and consider the ancient worldview of the Scriptures. He emphasizes that it does not always align with modern Western ideas that have been handed down through tradition, denominational creeds, or church statements. This is why we love and listen to him.Check out Dr. Ronn on the Divine Council Worldview Podcasthttps://open.spotify.com/show/4UdkIcEWNTw9EoniNWSa4eConnect with us:Social: Instagram.com/behindthecurtainpcYoutube.com/btcmysteriesTikTok.com/btcmysteriesEmail: behindthecurtainpc@gmail.comMusic in this episode: Opening & Closing track"80's Synth" By AlexHulgin

Avec Bernard et Christine Storm

Here's a preview from a new audiobook we think you'll love, Shaping Sounds: Stevie Wonder, DEVO, the Synth Revolution and My Life Behind the Music by Robert Margouleff. In Shaping Sounds, visionary music producer Robert Margouleff shares his stories of pushing the boundaries of musical innovation, art, and technology while helping to create some of the most significant and influential music of our time. Along with his long-time partner, Malcolm Cecil, Robert invented the world's largest analog synthesizer, TONTO (The Original New Timbral Orchestra), which helped unleash Stevie Wonder's genius on his era-defining classic albums, Music Of My Mind, Talking Book, Innervisions, and Fulfillingness' First Finale. In legendary studios like Electric Lady and the Record Plant, Robert became a pioneering producer and engineer for artists like Billy Preston, Jeff Beck, DEVO, The Isley Brothers, and David Sanborn. Shaping Sounds is a story about creativity, collaboration, and artistic courage. In this preview, Robert shares the creative bond and mutual trust he, Malcolm, and Stevie had during the early 1970s, when they were working on three of Stevie's landmark albums. Find the audiobook wherever you get audiobooks and use the code SOUNDS25 at pushkin.fm/shapingsounds to save 25%. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today our hosts welcome themselves! Andy talks about his recent show at a planetarium: the gear involved, the style of preparation, and the experience of performing with previous guest Matt Kidd. Then they take some calls with questions about a variety of things, and their answers range from "we've never heard of it" to "sorry, that was a lot of information and I don't know if I answered your question." It's another hour of unabashed whatever this is! Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

Visionary music producer Robert Margouleff shares his stories of pushing the boundaries of musical innovation, art, and technology in the new immersive audiobook, Shaping Sounds: Stevie Wonder, DEVO, the Synth Revolution and My Life Behind the Music. In legendary studios like Electric Lady and the Record Plant, Margouleff became a pioneering producer and engineer for artists like Billy Preston, Jeff Beck, DEVO, The Isley Brothers, and David Sanborn. A true sonic innovator, he was an early adopter of immersive audio and surround sound, developing new mixing techniques for home theaters that brought some of Hollywood’s biggest blockbusters to life. Travel deep into the world of a music maker who created some of the most significant and influential music of our time. Here's a preview. Find the full audiobook at Pushkin.fm, Spotify, Audible, Apple Books or wherever you get audiobooks.See omnystudio.com/listener for privacy information.

Today our hosts welcome Phillip Carter of the 40 Watt Podcast. It takes them 45 minutes to get to his object because they're all just so good at conversing! They talk about blues, jazz, early influences, discovery of tube amps, the importance of the right speaker, and of course ask the big questions like: are guitar solos good? Check out all things 40 Watt: https://40wattpodcast.com/ Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @40wattpodcast, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

Jin Synth delivers a live recording of her set from Lacasita at OHM in Berlin from March of this year. The London-based artist provides a perfectly engineered trip demonstrating her ability to lead a dance floor. Words from the artist : "This is the recording from my set for La Casita at OHM on a freezing cold Thursday night in early March. It was a nice evolution of people chatting and hanging out whilst slowly warming up and eventually filling the dancefloor. Across the 2 hour performance, I kept things pretty dark, deep, and atmospheric using 4 decks so that I could play around with a lot of ambient and experimental layers on top of the tracks to give them more texture. Hope you enjoy it! " Follow : Website: www.jinsynth.com RA: https://ra.co/dj/jinsynth IG: https://www.instagram.com/jinsynth/ SC: https://soundcloud.com/jinsynth Bandcamp: https://jinsynth.bandcamp.com/ https://soundcloud.com/la-casita-berlin https://www.instagram.com/lacasita.berlin/

Today our hosts welcome back Doctor John Snyder of Electronic Audio Experiments. We catch up on his latest project, released into the world today: a hybrid delay pedal made in collaboration with Chase Bliss called Big Time. He also brings with him the Caroline Guitar Company Wave Cannon, a rad distortion pedal that likely set him on the path toward being a go-to collaborator and in-demand brilliant mind of our industry. The release day energy is good and we're all just excited to talk about pedal architecture! Check out EAE: https://www.electronicaudioexperiments.com/ Check out Big Time: https://www.chasebliss.com/big-time Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @electronicaudioexperiments, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

Sheffield punches well above its weight when it comes to tunes. From #1 synth-pop hits to underground techno classics, clattering industrial funk to accidental Britpop icons, the Steel City might have produced more brilliant music per capita than any other world metropolis.And yet, no one has published the definitive book on the subject – until now! Daniel Dylan Wray is one of the UK's best music writers, and his new book Groovy, Laidback and Nasty: The History of Independent Music in Sheffield chronicles the maverick artists, chart invaders, parties, labels, venues and even Christian cults that shaped the city's musical history.We talked to Dan about why Sheffield wasn't swept away by punk rock but instead loved Kraftwerk and Wendy Carlos, how Peter Stringfellow became a crucial early mover in Sheffield's club scene, and why there are no murals of Jarvis Cocker in the city centre. We also heard about the unlikely chain of events that birthed Warp Records, and one of the most important yet undersung ‘80s club nights, Jive Turkey.We also unveil a major expansion of our Rockufiction canon of ‘music films that bend reality', including Frank Zappa, Daft Punk, Macca and S Club 7. That'll probably be the final update on Rockufiction, but if you have any burning additions then get them in quick…As ever, if you like what we do on No Tags, please do consider signing up to our paid tier for a mere £5 per month! Get full access to No Tags at notagspodcast.substack.com/subscribe

The gang gets a dose of credibility as they are joined by music industry professional, Brandon Goff, to discuss Synth Soundtracks in all their glory.