Podcasts about ableton push

Jxmie Blake is a genre-blending artist, producer, and educator whose work fuses jazz, soul, hip hop, pop, and electronic music into a bold and expressive signature sound. Known for his innovative approach to Ableton Push as a chromatic instrument, Jxmie is a multi-talented creator with a deep background in audio engineering, songwriting, and sound design. With degrees from Berklee College of Music and a client list including Ableton, Red Bull, and Ludacris, he's quickly becoming a leading voice in modern music education and performance. In this conversation, Jxmie and I dive into the creative mindset—how breaking the rules, following sparks of inspiration, and simplifying your workflow can lead to unexpected breakthroughs. We explore the power of limitations, the importance of finishing ideas (even imperfect ones), and how developing a strong relationship with your tools—like Push—can unlock musical freedom. It's an honest look at the balance between discipline and play, structure and spontaneity, and why sometimes the best thing you can do is stop overthinking and just make something. Listen on Apple, Spotify, YouTube Takeaways: Push as a Chromatic Instrument – Jxmie breaks down how Push can function like a guitar fretboard, opening up intuitive, expressive playing that bridges the gap between traditional instruments and digital music-making. Creative Freedom Through Limitations – Embracing limited gear or working with only stock tools can actually foster more creativity and deeper exploration. Breaking the Rules Is the Point – Jxmie encourages musicians to intentionally break conventions—whether it's stacking effects, pushing gear beyond intended use, or warping samples into unrecognizable textures. Music as Self-Expression – The ultimate goal isn't perfection, but expressing what's inside you—your mood, your perspective, your story. Reckless Experimentation Leads to Inspiration – Playing without a specific goal, just to see what happens, often leads to surprising and exciting results. Gear Doesn't Make the Artist – Even basic tools like GarageBand or stock Ableton devices can be powerful when fully understood and creatively applied. Teaching as Empowerment – Through his work at 1500 Sound Academy and his online courses, Jxmie focuses on empowering students to unlock their own creative voices, regardless of background or skill level. Creative Blocks Are Often Internal – As we gain technical skills, creative challenges become more mental and emotional—expectations, self-judgment, and overthinking can block our flow. Start with Play, Not Pressure – Some of the best creative moments happen when you approach music playfully, without the weight of needing to make something great. The Process Is the Product – Whether it's creating sounds, building devices, or finishing songs, the act of exploring, tweaking, and iterating is as valuable as the final result. Links: Jxmie's Website and Push Classes - https://jxmieblake.sellfy.store Jxmie's Free Ableton Live Packs - https://jxmieblake.sellfy.store/packs-2/ Jxmie's YouTube - https://www.youtube.com/@jxmieblake Jxmie's Instagram - https://www.instagram.com/jxmieblake/ 1500 Sound Academy - https://1500soundacademy.com/ Brian Funk Website - https://brianfunk.com Music Production Club - https://brianfunk.com/mpc  5-Minute Music Producer - https://brianfunk.com/book Intro Music Made with 16-Bit Ableton Live Pack - https://brianfunk.com/blog/16-bit Music Production Podcast - https://brianfunk.com/podcast Save 25% on Ableton Live Packs at my store with the code: PODCAST - https://brianfunk.com/store This episode was edited by Animus Invidious of PerforModule - https://performodule.com/ Thank you for listening.  Please review the Music Production Podcast on your favorite podcast provider! And don't forget to visit my site https://BrianFunk.com for music production tutorials, videos, and sound packs. Brian Funk  

"Even something as simple as a lava lamp can transform your creative space and unlock new ideas." - jacuzzi jeffersonThe Artist Behind the SoundMeet jacuzzi jefferson – not your average music producer.The Brooklyn-based creative force has carved a unique path where education meets sonic innovation. His distinctive blend of alternative hip-hop, electronic house, and lo-fi boom-bap hasn't just captivated listeners – it's earned him partnerships with industry giants like Harman Kardon & BMW.When he's not crafting beats, jacuzzi shapes the next generation of producers as a professor of Digital Music at Hostos Community College (CUNY). His engineering credits read like a who's who of the music industry: 50 Cent, Melanie Fiona, Juelz Santana, and Trey Songs.Crafting the Perfect Creative EnvironmentIn Part 2 of our conversation, jacuzzi opens up about the intimate details of his creative process – from his essential tools to the seemingly small touches that transform his workspace.

"This composition emerged from a spirit of playful experimentation and improvisation. Our approach was rooted in letting the original recording of children playing guide us. Rather than overthinking or imposing a rigid structure, we listened to the recording and responded to it.  "This process of listening, layering, and building encouraged a playful connection to the sounds, embodying the joy and creativity of play itself. Using the Ableton Push, we sequenced the recording. We also layered additional elements, including synthesized sounds to add depth." Playground in Palma reimagined by Coriolis & Weightless Origin.

Send us a textIn a world that's always online, how do we stay true to ourselves as artists? This week on Girls Twiddling Knobs, we tackle this question with the fiercely original electronic music producer Maria Uzor.Growing up as a Black artist in a predominantly White area of the UK, Maria often felt like an outsider. But she turned that feeling into a sound that's bold, raw, and unmistakably hers. Join us as we explore how Maria channels her unique experiences into a blend of basement grittiness and cosmic vision.In this episode, you'll discover:✨ How Maria creates from an authentic place despite social media pressures

Welcome back to Transmissions—far out conversations for far out times. This week, we're joined by synthesist Jill Fraser. She's lived a remarkable life in music: mentored by Morton Subotnick, she went on work in film and television, with projects like 1974's sci-fi fantasy Zardoz and Paul Schrader's 1979 film Hardcore to her name, in addition to a litany of commercials featuring her inventive sound design. In the '80s, she found herself on the outskirts of LA's thriving punk scene, and now, she's released a new album, Earthly Pleasures, on the storied Drag City label. A science fiction saga in sonic form, it finds Fraser working with tools like her 1978 Serge Modular, Prism Modular and Ableton Push 3 to reconfigure, expand, and transmute revival hymns of the 19th and early 20th centuries, asking the question: what might this music sound like to some extraterrestrial or robotic intelligence countless years in the future? In this thoughtful conversation with host Jason P. Woodbury, Fraser opens up about her working relationship with composer Jack Nitzsche, her excitement about AI technology, and how the sci-fi trappings of Earthly Pleasures belie reflections about art, family, spirituality, and mortality. What did Jill think the first time she say Sean Connery's infamous Zardoz costume, close your eyes and drop into this transmission to find out. Aquarium Drunkard is supported by our subscribers. Head over and peruse our site, where you'll find nearly 20 years worth of playlists, recommendations, reviews, interviews, podcasts, essays, and more. Subscribe at Aquarium Drunkard.  Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/aquariumdrunkard

Corey Baker is a multi-instrumentalist, producer, and Ableton Certified Trainer. Corey made a huge impact on the electronic music scene and toured the world as Kill Paris. He shares his workflow and techniques in his tutorials and courses, and hosts a weekly sample flip challenge. I spoke with Corey about his music, educational community, and production techniques. We discussed some of the newer features in Ableton Live 12.1, as well as the process of learning complex software to create music. Corey shared how being discovered by Skrillex on SoundCloud changed the course of his career. This episode is sponsored by Baby Audio, makers of incredible music software. Use the code MPP15 to save 15%! https://babyaud.io  Listen on Apple, Spotify, YouTube Takeaways: The early days of using Ableton Live involved a supportive community and tutorials helped in the learning process. Transitioning from hardware to digital plugins allowed for more flexibility and experimentation in music production. The MIDI tools and scale awareness in Ableton Live 12 provide a user-friendly way to explore music theory and create musical compositions. Balancing technical knowledge with creative exploration is important in music production Breaking the rules and trying new things can lead to unique and interesting results. The standalone version of Ableton Push has improved workflow and allows for a more immersive and enjoyable music-making experience. Reacting and responding to what you are creating in the moment is important for staying in a creative flow. Simplifying your setup and focusing on using default Ableton devices can help avoid getting caught up in technical details and allow for a more fluid creative process. Challenging oneself and embracing the struggle in the creative process leads to a deeper sense of satisfaction and connection with the music. The energy and process put into creating music can be felt by the listener, even if it's not consciously recognized. Bringing energy and enthusiasm to live performances is crucial for creating a great show and engaging the audience. Creating a comfortable and engaging atmosphere can help build a connection between the performer and the audience. Playing for smaller venues allows for more eye contact and a sense of community, while larger crowds can create a domino effect of energy. How platforms like SoundCloud and YouTube have played a significant role in the success of many musicians, providing opportunities for exposure and collaboration. Gamification and metrics in music production can provide valuable feedback and motivation for producers. Links: Corey's Site - https://funthingsfunlife.com Corey's Intro to Ableton Live Course - https://corey-baker.mykajabi.com/offers/YjH3Muz2/checkout Corey's Instagram - https://www.instagram.com/coreybakercoreybaker Corey's Clubhouse on Discord - https://discord.com/invite/PJtmtk5ydg Links to Corey's Work and Music - https://funthingsfunlife.com/links Making Music by Dennis DeSantis PDF - https://cdn-resources.ableton.com/resources/uploads/makingmusic/MakingMusic_DennisDeSantis.pdf Brian Funk Website - https://brianfunk.com Music Production Club - https://brianfunk.com/mpc  5-Minute Music Producer - https://brianfunk.com/book Intro Music Made with 16-Bit Ableton Live Pack - https://brianfunk.com/blog/16-bit Music Production Podcast - https://brianfunk.com/podcast Save 25% on Ableton Live Packs at my store with the code: PODCAST - https://brianfunk.com/store This episode was edited by Animus Invidious of PerforModule - https://performodule.com/ Thank you for listening.  Please review the Music Production Podcast on your favorite podcast provider! And don't forget to visit my site https://BrianFunk.com for music production tutorials, videos, and sound packs. Brian Funk  

In this episode Jesse Terry shares his experiences leading Ableton's team in designing Push and the APC40. Dan and Jesse also discuss the process of designing Push, new and potential features to come, Jesse's favorite gear and Live devices, his music projects, and more.  Jesse Terry joined Ableton in 2005 working in artist and partner relations, which led him to help design the first dedicated Ableton controller, the APC40 (made in collaboration with Akai Professional). Since that time he built up a hardware team at Ableton focused on making Ableton Push and looking towards the future of hardware at Ableton. His work at Ableton includes looking into sustainability, manufacturing and user experience – but his main focus is making the product he uses every day better for the variety of users who have adopted it. He is a multi-instrumentalist and student of many kinds of music; in his free time he plays guitar, bass and keys and produces electronic and hip-hop under the alias Jethroe and with his band Countach. Jesse currently lives in Philadelphia. Sponsored By Baby Audio: Baby Audio creates incredible instruments and effects plugins. They released a big update to the cult classic BA-1 synth that includes an all-new, separate effects strip plugin based on its 80s-inspired effects section. Current owners get a free upgrade, or grab a limited-time 51% off their website right now. Go to:  ⁠⁠https://link.babyaud.io/AMP⁠⁠ Get an additional 15% off with code: AMP15 Follow Jesse Terry: www.instagram.com/jessewterry⁠⁠ www.jethroe.bandcamp.com⁠  ⁠ www.twitter.com/jethroemusic⁠⁠ YouTube Join the newsletter to get free downloads + early episode access: ⁠⁠⁠⁠www.liveproducersonline.com/newsletter⁠

In epischer Herr der Ringe Streifen Breite, streifen unsere drei kühnen Probe Podcast Recken wieder Musikerthemen wie die neue Ableton Live 12 Version und Ableton Push 3, „der Gerät“, das neue Moog Gerät, und Herrn Notstroms Frühlingsmusikinstrumente-fasten aka Anti-GAS. Was das Ganze mit Klaus Kinski und Megatron zu tun hat, erfährt der geneigte Zuhörer in über 180 Minuten von NRWision gelobtem Spitzen Podcasting. Viel Vergnügen

Manudigital, Activiste du reggae music depuis 25 ans, Manudigital est riddim maker, producteur, sélecteur et surtout multi-instrumentiste. A son actif : deux albums, une pléiade d'EP et la sortie de son troisième album, Step Up, ce 17 novembre. Sa basse, son Casio MT-40, son Ableton Push et son séquenceur MPC Touch ont accompagné en studio, sur scène et à travers le monde une multitude d'artistes hexagonaux et internationaux tels que Tonton David, Daddy Nuttea, Brahim, Fefe Typical, Big Red, Pupajim, Biga Ranx, Beenie Man, Bounty Killer, Alborosie, Yami Bolo, Sizzla, Jah Mason, Skarra Mucci, General Levy, Turbulence, Bushman, Lt Stitchie, Papa Michigan, Chezidek ou encore Queen Omega.

For this edition of The Bunker Podcast we're releasing @otodojo's live set from their album release party at The Bunker in April. artist video explanation accompaniment: youtu.be/h-xMUetPiTg?si=9qj-4DNHj2dHUBtT artist statement: In February 2023 I focused on developing a new live set for my debut with @thebunkerny for an album release, named one of the best releases of 2023 by @mixmag-1. I trained the set with performances at Bossa Nova Civic Club with Perfect Party Look Book and at Forest City Lodge with Microtones in Ithaca. Maybe describing this can help you process some live set ideas. My previous approach to delivering this material live (originally at The Long Count Cycle, then at Technically Yeah) was using stems as a bedrock and improvisation on top. Even though this worked fine, it got a bit stale for me and I wanted to be as satisfied as a listener when a groove sets in. So I decided to go fully based on MIDI information and instruments, with an added challenge that my CPU can't take too much of a load, so I needed to make sure I disabled certain instruments before bringing others in. A disclaimer is that I am not fully endorsing all of the equipment in this list, there are some caveats that I'm happy to discuss. In Ableton I created custom instruments through stock plugins like operator, collision, wavetable - these instruments are divided into ones I cycle through and ones that are constant throughout the set. The constant ones exist in instrument racks and are freely interchangeable through chains - all of the parameters are mapped to the same knobs on my Novation Launch Control XL enabling me to wash through several instruments running varying sounds. I also have stored macro variations for those instruments in case I need some sound immediately without menu diving (like 1/16 note hi hats). The cycled instruments instruments are mostly from my tracks in Amphibious / Aural Spirits that are all controlled by four channels on my Xone K1. Initially I tried using Tip by K-Devices and Map-8 to disable a swath of devices (thanks One Child Policy for the tip!). Yet I found that the CPU load was comparable with just leaving the devices on and simply stopping clips. This made for a much better workflow. I slowly progress through the cycled instruments while improvising with the constant instruments and the main drums / accenting discussed below. My iPad is running Werkbench by Karl Scholz @karlalamusic, a sequencer sampler app that can easily form interesting polyrhythms and is great for anything sample-related, like live accenting, bass lines, drums, etc. For the main drums I didn't want to be too focused on sequencing as it takes up a lot of time, so I just wanted to scroll through patterns that I generate beforehand. I opted to use a modified version of Instant Haus by @alexkid which stores drum patterns for four-five instruments. Modifying this was a bit challenging as it is difficult to determine what kind of patterns I think can stay interesting over an hour time period. This is playing Smackos 808 Simulator by @legowelt-official as well as other custom drum instruments. For acid lines I am using a Roland TB03 on lend from Indy Nyles and sequencing the 303 with Sting by Iftah Gabbai as well as his Microtuner device coupled with note echos (I believe this is the most CPU intensive part of the set).I am using Ableton Push as a means to do miscellaneous control and Jaw Harp / Mic for some added organic-ness. I am running all of this through an Apollo Twin Duo and Allen & Heath Xone 96 at the club.

Will Kuhn and David MacDonald return to discuss Logic and Final Cut for iPad, the Ableton Push 3, Apple's World Wide Developer Conference, and the Apple Vision Pro. Robby struggles with his internet connection. In the Patreon feed: Zelda Talk. Subscribe to the Blog… RSS | Email Newsletter Subscribe to the Podcast in… Apple Podcasts | Overcast | Castro | Spotify | RSS Support Music Ed Tech Talk Become a Patron! Buy me a coffee Thanks to my sponsors this month, Scale Exercise Play-Along Tracks. Show Notes: Berklee Connect 2023 MOLA Berlin 2023 Push 3 Half Notes: A comparison of tablet music reader technology experiences - Scoring Notes The best iPad score reader for most people 2023 update - Scoring Notes Final Cut for iPad Logic Pro for iPad Dorico 5 WWDC 2023 iOS 17 Preview iPadOS 17 Preview macOS Sonoma Preview watchOS 10 Preview Apple Vision Pro Wine Whisky John Gruber the Talk Show: Live from WWDC 2023 App of the Week: Robby - Sequel Will - Whiskey David - Newzik Album of the Week: Robby - KNOWER FOREVER Will - [1000 Gecs](https://music.youtube.com/playlist?list=OLAK5uy_kmoCFzuKniN8yTiL701Ardjwq7oMkvnz8 David - WDR Big Band on YouTube Where to Find Us: Robby - Blog | Book Will  David  Art by Ryan Bailey. Please don't forget to rate the show and share it with others!

Plus the Keybird Instruments X1

Guests Gaz Williams - Producer, bassplayer, music technologist Paulee Bow Magical Synth Adventurer Youtube video version: https://youtube.com/live/LhwGOJFXjoI For preshow and Ad free version and much more: Patreon.com/sonicstate The Future of Mastering is Ozone 10 - Master Assistant - match your mix to a reference file, Stabilizer - clarity with intelligent adaptive mastering EQ, Impact Module - micro dynamics adjustments to enhance the rhythmic content   Head over to iZotope.com  now to get a 7-day free trial and save with the code SONIC10   Babyaudio.com  - save 15% on any purchases of their range of creative effect plugins, including the brand new BA-01 Synth,  designed to add color and depth to your mixes. When checking out, use the code ST2023 00:00:13 SHOW START 00:09:31 Ableton Push 3 00:27:18 AD: iZotope OZone 10 00:28:24 Akai MPC X 00:32:02 Teenage Engineering TP7 00:36:51 NOPIA Chord Generator 00:45:02 AD: Baby Audio - Save 15% With ST2023 Code 00:48:02 Aquatic Borealis asks via - [youtube] - QQ Thoughts on Deluge going open source? 00:53:12 mrgum6y asks via - [youtube] - QQ What do you think about apple releasing Logic Pro for the ipad 01:00:41 nickhowesuk asks via - [twitch] - QQ what's the panel's take on the legal take down of the LLM generated Weeknd/Drake tune and the potential for more legal action on AI music (and how they're already using it) Where to Watch/Listen - We now stream the live show to Youtube Live,  Facebook Live as well as at  Sonicstate.com/live every Weds at 4pm UK time- please do join in. Preshow available on Twitch. You can also download the audio version from RSS FEED 

噂になっていたSONYのVLOGCAMの一号機・ZV-1 の後継 ZV-1 IIが発表されました。あれこれレビュー動画を見た感想 / SP-404 MkIIをポチったらタッチの差で売り切れた話 / AmazonでMPC Oneが79800円で売っている話 / Ableton Push 3登場！！ / Logic Proで頑張る --- Send in a voice message: https://podcasters.spotify.com/pod/show/katsushi-machida/message

EN: Cyberian Relic has been producing electronic music for over 5 years. Also, you can find his tracks under the pseudonym Noise Code. From favorite genres: house, dnb, ambient, techno, breaks. Notable releases: 1) Raw Russians on the Russian Underground Sadness compilation with the track "4am" (house). 2) Mixcult on two Figure Dubs compilations with Radmir Wayne (dubtechno). 3) Clipp Art in collaboration with XO-5 on the EP "Loveless" (house). Plans for the future: to make and release music more often. Equipment: Ableton live DAW, Ableton Push. RU: Cyberian Relic занимается созданием электронной музыки более 5 лет. Раньше писал под псевдонимом Noise Code. Из любимых жанров: хаус, днб, эмбиент, техно, брейкс. Видные релизы: 1) Raw Russians в сборнике Russian Underground Sadness с треком 4am (house). 2) Mixcult в двух сборниках Figure Dubs совместно с Radmir Wayne (dubtechno). 3) Clipp Art в коллаборации с XO-5 в EP "Loveless" (house). Планы на будущее: почаще делать и выпускать музыку Оборудование: DAW Ableton live, контроллер Ableton push SC: @cyberian_relic --- This mis is a part of our weekly

On Episode 078, today's guest hails from Connecticut currently residing in Brooklyn, New York. He's a Beatmaker, Audio Engineer, Live Performer, Entrepreneur and graduate of the Full Sail Academy. Please welcome Wrex Mason to the show. Enjoy!During this episode chopped it up about his signature moniker, musical upbringings/inspirations, taught music producing using Music Generator by his cousin Mario aka Max Rice. Being exposed to the 1 of 4 Pillars of Hip-Hop at an early age (Emceeing). Wrex Mason named his Greatest Album of All Time "The 18th Letter" by Rakim (released in 1996 by Universal Records). He names his Beatmaker/Music Producer Superheros (DJ Premier, 9th Wonder, Roy Ayers, J Dilla, George Duke, Tomida, John Coltrane, Easy Mo Bee, RZA, Battle Cat, Alchemist, Pete Rock, Tokimonsta, Ras G, Samiyam, Georgia Ann Muldrow, Animas, Daringer, Pierre Born, and AFTA-1. He creates his music using music production equipment (Ableton Push 2 and Roland's SP404 MKII). He talks about the highly acclaimed "Raw Randos Vol. 1-5" albums and a highly slept on collaboration album called POWER BLACK! which featured some heavy hitters in the beat-scene (eu-IV, Kaelin Ellis, Kilamanzego, Tek.Lun, Nothin Neue and more). He talked about me making it through dark times to see brighter days in 2020 and 2021 with music. He describes what the local Beat-Scene looks like from his perspective with performances with Donut Lounge.  Wrex Mason left crazy jewels and inspiring words for Beatmakers and detailed what's in store for 2023.Wrex Mason's Recommendations:1. Look up your favorite Beatmaker/Music Producer Interview or Beatmaking Videos2. Questloves Supreme Podcast3. The Rec Show Podcast (

I have the opportunity to sit down with bassist, vocalist, and producer Robert Trusko and talk about his life in music from his upbringing of playing trumpet and bass to his experience in school furthering his musical education to be a better communicator and leaning into Jazz and improvisation to expand his ideas of how to create and honor music. He opens up about being from Philadelphia and his experiences playing music and being embraced by a musical community with grace or brutal truth, we chat about his move to Dallas and witnessing and learning from groups like Snarky Puppy and The Funky Knuckles, and more."As a composer, bassist, and producer, Robert's main focus is creating music that is both artful and accessible.In addition to original music, Robert plays electric bass, Ableton Push, and double bass in a wide variety of genres including Jazz Fusion, Gospel, Hip-hop, R&B, Classical, and South Indian classical music. He also has completed successful work as a songwriter, engineer, arranger, and producer.Through his musicianship, Robert has been able to perform across the world. Robert has been privileged to perform with Grammy-Award-Winning-Artist Robert “Sput” Searight, Grammy-Award-Winning-Artist RC Williams, Cleon Edwards (Erykah Badu), Dwayne “MonoNeon” Thomas Jr., N'Dambi, Jaguar Wright (The Roots, Jay-Z), N'Dambi, Doug Wimbish (Living Colour, Sugar Hill Records, Lauryn Hill), Black Ice (Def Poetry Jam), Danny Gotlieb (Pat Metheny), and Eric McFadden (Parliament Funkadelic). Robert has also completed successful work as a film composer, songwriter, engineer, arranger, and producer."Make sure to follow him @rtrusko on Instagram and check out his website truskomusic.com for future show dates and more!

What do you think happens when a Teenage Engineering OP-Z and OP-1 expert get together? Well, for episode 57 of Khordmaster Keys, , I had the awesome opportunity to chat with Enoxz. Oh, and I am releasing this episode on his BIRTHDAY! In today's episode, we talk about our musical background and style, and go into detail on why we enjoy Teenage Engineering's products so much. This conversation was such a vibe and I hope you guys enjoy it as much as we did! **CHAPTERS** 0:00 - Intro 2:31 - What makes Teenage Engineering products so special? 3:34 - Donald Glover (Childish Gambino) uses the OP-1 4:39 - OP-Z and OP-1 workflow insight 15:37 - What makes Koala Sampler so special? 20:40 - What makes Ableton Push 2 such a great controller? 19:52 - What is live performing like as a producer? 28:55 - How to use TikTok as a music producer 29:52 - What crafting an album is like as a producer 32:25 - Does everyone who makes music, love their music? 39:17- Enoxz musical goals 45:38 - Every opportunity is not the right opportunity 46:07 - What are beat packs and why you should care 49:11 - Closing Check out Enoxz on Instagram (@e.noxz) to find out more. Subscribe now to be updated on my latest videos: https://tinyurl.com/1x2ivyqf Follow Me Here

Dana Fakhoury (aka Earlybird) is an incredible up & coming Artist and Music Producer who was recently a Resident Performer at Dubai's Expo 2020. I came across a couple of her tracks and was blown away not only with her style of music, but also with her masterful ability to play the guitar and the Ableton Push in a live setting (despite her hand injuries, which also led her to double down on her music passion). In this episode, Dana debuts her newest track 'Traveler', which was inspired by one of her mom's favorite old Arabic songs and by her own journey as a musician. Watch her live performance and the full episode on this link: https://www.youtube.com/watch?v=zvf3xNriBMU Follow 'Earlybird' on all socials and music streaming platforms here: https://linktr.ee/earlybird

Today's episode in an interview with Beat Maker and Push Master JNTHN Stein! Jonathan's Channel: https://www.youtube.com/user/jnthnstein Download the new sample pack 'SPACE' here: https://gumroad.com/taetro?recommended_by=search TAETRO is live on YouTube every Tuesday, Thursday, and Saturday. ►FOLLOW TAETRO: YouTube: http://bit.ly/1MREZn4 Instagram: instagram.com/taetro/ Facebook: facebook.com/taetromusic Twitter: twitter.com/nicktaetro ------------------

DJLab & Brooklyn Digital Conservatory orgullosamente presentan los Proyectos Finales de Graduación del Curso Certificado de Producción Musical con Ableton Live. El Proyecto Final es un release EP de género libre producido y mezclado por cada estudiante durante el proceso del Curso. Todos los Tracks fueron escritos, producidos y mezclados por Alejandro Leal. "El proyecto está basado, en su mayor parte, en la experimentación del uso de los sintetizadores para crear sonidos. Su alma sonora nace del oscilador que, como parte inicial, funciona para elaborar características básicas del uso de los synths que se entremezclan con el aprendizaje de formar/alterar/modular el sonido del oscilador y diseñar sonidos envolventes. La síntesis de modulación de frecuencias abarcó gran parte del proyecto, ya que a la hora de utilizar determinados recursos sonoros junto con las técnicas de estudio y trabajo, se logró concretar el objetivo de la FM Synthesis. Al lado de esta práctica, el proyecto se mezcla con 'beats' utilizando Ableton Push. Es un proyecto corto, pero sólido. El sonido no es algo que se pueda tener como propiedad, aquellos creadores del sonido son solo instrumentos por medio de los cuales éste se manifiesta.” Más sobre Atma: Soundcloud: www.soundcloud.com/alejandro-leal-986052431 Instagram: www.instagram.com/atma.victu/ Más información sobre el Curso Certificado de Producción Musical con Ableton: www.djlabcr.com/educacion/cursos/produccion

DJLab & Brooklyn Digital Conservatory orgullosamente presentan los Proyectos Finales de Graduación del Curso Certificado de Producción Musical con Ableton Live. El Proyecto Final es un release EP de género libre producido y mezclado por cada estudiante durante el proceso del Curso. Todos los Tracks fueron escritos, producidos y mezclados por Alejandro Leal. "El proyecto está basado, en su mayor parte, en la experimentación del uso de los sintetizadores para crear sonidos. Su alma sonora nace del oscilador que, como parte inicial, funciona para elaborar características básicas del uso de los synths que se entremezclan con el aprendizaje de formar/alterar/modular el sonido del oscilador y diseñar sonidos envolventes. La síntesis de modulación de frecuencias abarcó gran parte del proyecto, ya que a la hora de utilizar determinados recursos sonoros junto con las técnicas de estudio y trabajo, se logró concretar el objetivo de la FM Synthesis. Al lado de esta práctica, el proyecto se mezcla con 'beats' utilizando Ableton Push. Es un proyecto corto, pero sólido. El sonido no es algo que se pueda tener como propiedad, aquellos creadores del sonido son solo instrumentos por medio de los cuales éste se manifiesta.” Más sobre Atma: Soundcloud: www.soundcloud.com/alejandro-leal-986052431 Instagram: www.instagram.com/atma.victu/ Más información sobre el Curso Certificado de Producción Musical con Ableton: www.djlabcr.com/educacion/cursos/produccion

DJLab & Brooklyn Digital Conservatory orgullosamente presentan los Proyectos Finales de Graduación del Curso Certificado de Producción Musical con Ableton Live. El Proyecto Final es un release EP de género libre producido y mezclado por cada estudiante durante el proceso del Curso. Todos los Tracks fueron escritos, producidos y mezclados por Alejandro Leal. "El proyecto está basado, en su mayor parte, en la experimentación del uso de los sintetizadores para crear sonidos. Su alma sonora nace del oscilador que, como parte inicial, funciona para elaborar características básicas del uso de los synths que se entremezclan con el aprendizaje de formar/alterar/modular el sonido del oscilador y diseñar sonidos envolventes. La síntesis de modulación de frecuencias abarcó gran parte del proyecto, ya que a la hora de utilizar determinados recursos sonoros junto con las técnicas de estudio y trabajo, se logró concretar el objetivo de la FM Synthesis. Al lado de esta práctica, el proyecto se mezcla con 'beats' utilizando Ableton Push. Es un proyecto corto, pero sólido. El sonido no es algo que se pueda tener como propiedad, aquellos creadores del sonido son solo instrumentos por medio de los cuales éste se manifiesta.” Más sobre Atma: Soundcloud: www.soundcloud.com/alejandro-leal-986052431 Instagram: www.instagram.com/atma.victu/ Más información sobre el Curso Certificado de Producción Musical con Ableton: www.djlabcr.com/educacion/cursos/produccion

DJLab & Brooklyn Digital Conservatory orgullosamente presentan los Proyectos Finales de Graduación del Curso Certificado de Producción Musical con Ableton Live. El Proyecto Final es un release EP de género libre producido y mezclado por cada estudiante durante el proceso del Curso. Todos los Tracks fueron escritos, producidos y mezclados por Alejandro Leal. "El proyecto está basado, en su mayor parte, en la experimentación del uso de los sintetizadores para crear sonidos. Su alma sonora nace del oscilador que, como parte inicial, funciona para elaborar características básicas del uso de los synths que se entremezclan con el aprendizaje de formar/alterar/modular el sonido del oscilador y diseñar sonidos envolventes. La síntesis de modulación de frecuencias abarcó gran parte del proyecto, ya que a la hora de utilizar determinados recursos sonoros junto con las técnicas de estudio y trabajo, se logró concretar el objetivo de la FM Synthesis. Al lado de esta práctica, el proyecto se mezcla con 'beats' utilizando Ableton Push. Es un proyecto corto, pero sólido. El sonido no es algo que se pueda tener como propiedad, aquellos creadores del sonido son solo instrumentos por medio de los cuales éste se manifiesta.” Más sobre Atma: Soundcloud: www.soundcloud.com/alejandro-leal-986052431 Instagram: www.instagram.com/atma.victu/ Más información sobre el Curso Certificado de Producción Musical con Ableton: www.djlabcr.com/educacion/cursos/produccion

DJLab & Brooklyn Digital Conservatory orgullosamente presentan los Proyectos Finales de Graduación del Curso Certificado de Producción Musical con Ableton Live. El Proyecto Final es un release EP de género libre producido y mezclado por cada estudiante durante el proceso del Curso. Todos los Tracks fueron escritos, producidos y mezclados por Alejandro Leal. "El proyecto está basado, en su mayor parte, en la experimentación del uso de los sintetizadores para crear sonidos. Su alma sonora nace del oscilador que, como parte inicial, funciona para elaborar características básicas del uso de los synths que se entremezclan con el aprendizaje de formar/alterar/modular el sonido del oscilador y diseñar sonidos envolventes. La síntesis de modulación de frecuencias abarcó gran parte del proyecto, ya que a la hora de utilizar determinados recursos sonoros junto con las técnicas de estudio y trabajo, se logró concretar el objetivo de la FM Synthesis. Al lado de esta práctica, el proyecto se mezcla con 'beats' utilizando Ableton Push. Es un proyecto corto, pero sólido. El sonido no es algo que se pueda tener como propiedad, aquellos creadores del sonido son solo instrumentos por medio de los cuales éste se manifiesta.” Más sobre Atma: Soundcloud: www.soundcloud.com/alejandro-leal-986052431 Instagram: www.instagram.com/atma.victu/ Más información sobre el Curso Certificado de Producción Musical con Ableton: www.djlabcr.com/educacion/cursos/produccion

"For me, there is a strong connection between music and images." - DeLaurentisIn this episode of MFM Speaks Out, Dawoud Kringle interviews Cecile DeLaurentis, commonly known as DeLaurentis. DeLaurentis is a French innovative electronic musician and producer. She studied music at the Perpignan Conservatory and at the University of Mirail in Jazz Musicology in Toulouse. Her work has been described as electro-cinematic music and stands out from most other electronic music artists as having an emotional and beautiful quality. She developed a unique style and technique for performance and voice manipulation with innovative use of Ableton software and hardware. The topics discussed included her early training and interest in electronic music, her upcoming album, UNICA, her approach songwriting and production, her use of Ableton Push as a MIDI controller, her approach to music video production, her personal theories on the relationship between organic and synthetic music, the inclusion of AI in the music creation process, her interpretations of the works of Satie, Ravel, and Saint-Saëns, her approach to the business side of music as a self-contained artist, the music scene in Paris and how the COVID-19 pandemic affected the music scene in Paris and the rest of Europe, and her thoughts about the upsurge in music activism and musicians fighting for their rights.Visit DeLaurentis at https://delaurentismusic.com/The following music featured in this episode are:Opening track: "Life" by DeLaurentisMiddle track: "Silent Home" by DeLaurentisEnding track: "Ravel's Bolero" by DeLaurentis

Story: A dreamy cinematic ambient song to accompany your time mirror viewing sessions. Composer's Notes: This song was inspired by sci-fi movies, tv series, and books that explore peering into the multiverse and time-travel. The title was inspired by the Outer Limits episode "Demon with the Glass Hand". Producer's Notes: This song was produced in three sessions: Session 1: I composed 4 layers off-grid varying  between even and odd bar lengths ranging from 4-9 bars performing on Ableton Push 2. The interplay of these even and odd lengths results in melodies and motifs that round-robin in interesting ways and often result in call and response. I improvised a lead melody line with all these layers in motion performing on keys. You hear this melody in the final piece starting around 1m9s. The notes in the bell sound throughout are triggered using varying levels of probabilities to add variety throughout the piece. Session 2: I did a real-time mix down and arrangement session using Ableton Push 2 to perform with these "musical objects" to turn them into this song. Session 3: I did a mastering session doing some lite editing of all the automation for synth parameters and volumes. I added and additional automation envelope to the bells layer at the end of the piece to introduce increasing pitch randomization to the granular synth engine to cause the bells to drift to become more dissonant. Credits: Music Copyright 2020 Mark Subscribe to Podcast: Any Podcatcher: https://feeds.soundcloud.com/users/soundcloud:users:17182/sounds.rss Apple Podcasts: https://podcasts.apple.com/us/podcast/sonic-encounters-soundscapes-from-the-sounds-around-us/id1005123672 Follow and listen on Soundcloud: https://soundcloud.com/markmosher/sets/sonic-encounters-soundscapes-podcast More Info: https://SonicEncounters.com/podcast

En esta nueva emisión de El Inodoro de Cristal invitamos al pianista y compositor Andrés Marino para hablar sobre su nuevo disco "Deconstruir un piano". Sumate a esta charla donde hablamos sobre su aproximación al piano a través del Ableton Push, su trabajo como productor musical, el dúo junto a Lucia Boffo y sus proyectos de electrónica experimental. Pasen y conozcan más sobre este músico inquieto que lucha contra el encasillamiento y rompe moldes en busca de nuevas formas para su propia música. --- Send in a voice message: https://anchor.fm/el-inodoro-de-cristal/message

Show Notes: edmprod.com/129 This week, pluko sat down to chat on the EDM Prodcast. Pluko is a talented producer with releases on labels like Foreign Family Collective and Future Classic, and he's released official remixes for artists like Tycho and Odesza. We start with pluko's background, looking at his ambitious start to producing music in middle school. He discusses how he developed his skills early on, leading him to start touring by the age of 17. In terms of growing his project, Pluko really emphasizes the importance of marketing yourself early on, believing it to be just as important as the music itself. He also discusses how to know when to sign to a label, what the relationship with his management is like, how to forge your own path in music (and life). On the production side, we discuss pluko's mindset towards creating music that helps him generate a ton of ideas. If you're short on musical ideas or consistently run into writer's block, pluko offers his best advice on how to stay creatively inspired. Later on, we also discuss his favorite analog synths, how he uses the Ableton Push, and his approach to creative resampling. Connect with pluko: Soundcloud: https://soundcloud.com/plukomusic Facebook: https://www.facebook.com/plukomusic Twitter: https://twitter.com/pluko Instagram: https://www.instagram.com/pluko/ Spotify: https://open.spotify.com/artist/01qbSocTDAe2DmKayS89A5

Recorded in Kunstraum, London - this week's episode features various bass instruments played by Tom Caton, along with electronic loops and finger-drumming by Ableton certified trainer, Thomas Glendinning on the Ableton Push 2 controller. Debuting Auki's newest jam, Inspiriodical and turning the Westminster chimes into a cantus firmus bassline, Episode 9 pushes Auki's unique gamified music improvisation from, in this case, the basin of the Thames to the pinnacle of the Shard, because it's in London.

Multi-instrumentalist musician Anthony Thogmartin of Papadosio [band], EarthCry [solo project], and Seed to Stage [music production tutorials] joins us for the first time since Episode 10 to talk about navigating the exponentially expanding body of human knowledge, how interfacing with different media technologies yields new minds and selves at the intersection, and the profound creative evolution he and his band have undergone by embracing tools like Ableton Live. For the ten-plus years I’ve known him, Anthony’s optimism and enthusiasm have inspired me to seize the day and strive for new horizons, and whether or not you make music I have no doubt this conversation will inspire you as well.Future Fossils Podcast is entirely listener-supported. Support the show on Patreon for more inspiring extras than you probably have time for.Buy any of the books we mention in this episode through my Amazon Shop and I’ll receive a tiny kickback at no extra cost to you.Mentioned:Ishi Crew, Complexity Explorers Facebook Group, Scott E. Page, Mirta Galesic, SpaceWeather.com, Neal.Fun/deep-sea, Caitlin McShea, InterPlanetaryFest.org, Sam Brouse, Korg Minilogue, Ableton Push, Meow Wolf, Jessica Flack, The Art of Learning by Josh Waitzkin, Darwin’s Pharmacy by Richard Doyle, Gary Weber, Erik Davis, A Cyborg Manifesto by Donna Haraway, The Shallows by Nicholas Carr, Plato, Thoth, Technopoly by Neil Postman, America Before by Graham Hancock, Wile E. Coyote, Star Trek, Google Translate, Ableton Live, Bitwig, Microdose VR, Android Jones, Anson Phong, Sennheiser, Magic Leap, David Block, Phaedroid, Glitch Mob, Mi.Mu gloves, Oculus Quest, Google Duo, Burning Man, Sweet Melis, The Glass Cage by Nicholas CarrDiscussed:The value of long-form media and the conversation as ways of deepening our engagement with an accelerating world.Neurodiversity and the “social molecule,” and how being different together is good for all of us.“The only reason we [human beings] made it is because we’re good at talking to each other.”Our understanding of the planet is not just expanding outward, but also inward…not just into the vastness of space but deeper into the oceans and crust and into inner space.The more attention you pour into things, the more finely differentiated they become, and things get bigger on the inside than they are on the outside. Earthcry’s concept album Identity Mitosis and its multimedia storytelling about a conversation between AI and Gaia long after the extinction of humankind.What does the future look like without us?Living at the bottleneck between the complexity of the micro and the macro.The self as a plural ecosystem and the conscience as the voice of various unconscious neural motifs erupting into consciousness.Awakening as the abandoning of episodic autobiographic memory and the vice grip of the default mode network.The egoic self as a kind of electrical phenomenon, and possibly a kind of auxiliary or emergency preservation mode (not our natural state of balanced health).Metabolic ontology and the possibility of reality itself changing with the states of the extended body-mind in psychogenic networks.The cybernetic self and how performing music is also being a part of the music technology ecosystem.The dependency of thought on the mediation of technology…handwriting vs. typing, etc., and how different selves emerge in different contexts.Polarization and our refusal to understand one another.Generation gaps in technological fluency.Is the Universal Translator not RUNNING Starfleet?Letting Ableton Live take over Papadosio.YouTube vs. Instagram.Moore's Law and miniaturization in music performance, and moving with the current of technological evolution rather than against it.Michael’s open call to developers to help us create software for controlling music and visuals simultaneously with a gestural interface in virtual reality……and Anthony’s disclaimers about why this hasn’t happened yet.Augmented reality versus virtual reality and how evolution is co-evolving with the human body and mind (not just people adapting to technology).What matters depends on the scale at which you’re paying attention.Future Fossils Theme Music:“God Detector” by Evan “Skytree” Snyder feat. Michael Garfield See acast.com/privacy for privacy and opt-out information.

=== PREVIEW OF FIRST PART OF A NEW SONG === No mixing or mastering done yet Amin 102 Bpm This sound like something that could be played in a movie sound track to me. Played on my Ableton Push 2. Lead: Found this great flute instrument in Roland SRX Orchestra. Bass: Made it in Analog synth (Ableton Live) Chords: Intrepid Rhodes preset in Electric synth (Ableton Live)

Exclusive interview with @junkypalms 👉 http://phuturistic.blue/z/junky-palms-phuturistic-bluez-podcast-episode-6 🎥 YouTube HD Version: https://youtu.be/Yld1_0XsVdM Junky Palms, the enigmatic producer is a respected figure within the Future/Dark Garage matrix. With its nocturnal beautification—offbeat 2-step rhythms and warped vocal samples that navigate rhythmic obstacles. The essential imageries are all there, but within the palms (pun intended) of this maestro, each tune has its own distinct raison d'être. The audacity to dare.  ▼ Tracklist: 01. Pale Outsider - Blight 02. Junky Palms - Nobody Sees 03. EWPVTH - Astral 04. Джанки Палмс - Вавилон [unreleased] 05. Orlogin - Exit Left 06. Джанки Палмс - Сука-Любовь [unreleased] 07. EWPVTH - Memoir 08. Niels Binias & Astuko - Dismantle 09. Greencyde - Feel (with B.o.O.m) 10. Orlogin - Anymore 11. O & N - Run ( Junky Palms Remix ) 12. Levity Point - Moon fiction [unreleased] 13. Saturat - Does No Translate 14. Levity Point - Complex substance [unreleased] 15. Junky Palms - Hospital 16. Pale Outsider - Disparity 17. Pale Outsider - Ridden 18. Lore - Lillies 19. Lore - Cult 20. EWPVTH - The Cradle Of The Desert 21. Pale Outsider - Hiding 22. Saturat - Girlfog 23. Saturat x Junky Palms - To Be [unreleased] 24. Thèmemoir x Junky Palms - Sensational Love 🎧 Equipment used: Ableton Live 10 and Ableton Push --- http://phuturistic.blue/z

For the first episode of Ethno Moon, we are pleased to have the excellent producer T-PUSE ! T-Puse is an Electronic-Acoustic project based in Tel-Aviv. He is focusing on Ethnic music from Balkan to Middle Eastern and everything in between. Since he started his project his music spreader quickly around the world and became demanded by high profile labels such as Lump, Pipe & Pochet, Cafe De Anatolia, 2030, Lokd and the list goes on. , T-Puse is also known by his live shows where he is performing with he's Saz, Organ, and Ableton Push, making every set an unknown journey. 2020 is going to be a big year with alot (!) of planned releases so stay tuned xx Follow T-PUSE Soundcloud: https://soundcloud.com/tpusemusic https://www.facebook.com/tpusemusic https://www.instagram.com/tpuse_/ Follow Deep House Moon: www.facebook.com/deephousemoon www.instagram.com/deephousemoon_official/

Julie Covello, aka DJ Shakey, is a DJ, producer, performer, and founder of Warper Party. It's hard to overstate how important Julie's role in the shaping of live electronic music has been. Warper Party is a monthly live electronic music event that has been running since 2005. So much of what modern live electronic music has become has roots in the community Julie has helped build.  In this episode of the podcast, Julie talks about the early days of Warper Party and how community has helped her and the scene in general grow and develop. We learn about the days of modding MIDI controllers into creative live performance tools and how the live electronic music scene has changed over the years.  Listen on iTunes or Stitcher or Google Play or Spotify; watch on YouTube Show Notes: DJ Shakey Instagram Warper Party Instagram Shakey's Record Fair Instagram Empire Breaks NYC Instagram The Plaster Cramp Instagram Warper Party Radio Extravaganza Matt Moldover - Father of Controllerism DJ Tech Tools - Founded by Ean Golden Dan Freeman - creator of Ableton Push "key-tar," Blinky. Mojo Video Tech - The Art of Projection Mapping, Brooklyn. Improbable Confetti - The Plaster Cramp Radio Show. Ill Gates - Creator of the Producer's Dojo. Chill-struments - Ableton Live Pack made with the OP-1. Save 25% on Ableton Live Packs at the My Store with the code: PODCAST Thank you for listening. Please consider giving the Music Production Podcast a review on your favorite podcast provider. And don’t forget to visit my site BrianFunk.com for music production tutorials, videos, and sound packs. Brian Funk

Drew Vespers is a musician, producer, and founder of Warp Academy, an Ableton Certified Trainer Center in Canada. Warp Academy is one of the leading producers of high quality online music production education. His tutorials have helped thousands of musicians (including myself!) grow and develop into successful artists. Drew's music combines elements of rock, jazz, hip hop, and electronic bass music, and been released on a variety of record labels.  I really enjoyed talking with Drew about his work, Warp Academy, and how he manages to stay so productive and focused. This conversation covers a lot. We cover advanced mixing techniques, which has become a passion of Drews. There's also quite a lot along the lines of getting and staying productive. Drew shares practical tips on health and mindfulness, as well as many resources and books that have helped him keep his attention on his work. Listen on iTunes or Stitcher or Google Play or Spotify; watch on YouTube Show Notes: Warp Academy - Ableton Certified Trainer center Drew founded. Vespers - Drew's personal work as an artist and teacher. YouTube - Subscribe to Warp Academy for tons of tutorials. Nexus - Facebook Group for producers to share knowledge and ideas. The Mod Method - Drew's video course designed to give the tools and inspiration to create music you can be proud of. Ableton Push 2 Jumpstart - Ableton Push 2 video course I made with Warp Academy. 5 Focus and Productivity Hacks - Drew shares some tips on getting work done. Book Recommendations: Stealing Fire Optimum Nutrition for the Mind Deep Work The Power of Full Engagement App Recommendations: Freedom - Block the internet and apps for focus. Self Control - free alternative to Freedom that I'm experimenting with. Vitamin R - Productivity app. Free Downloads: Mixing Template - Drew's Mix Template for Ableton Live Song Structure and Energy Heat Maps - Derived from the MOD Method video course. Save 25% on Ableton Live Packs at the My Store with the code: PODCAST Thank you for listening. Please consider giving the Music Production Podcast a review on your favorite podcast provider. And don’t forget to visit my site BrianFunk.com for music production tutorials, videos, and sound packs. Brian Funk  

Discussed: guitars new and old, moist and scatterwound pickups, Fender Chicago Special guitars at CME, inductance vs. impedance, hating/loving on Strats, Shelby’s gear story, and the history of self-expression in America.Further: How Paul Bigsby got ripped off, Michael Scott Paper Company, Ableton Push 2, J.Rockett Archer klone, barfing on chorus pedals, the glory of harmonic tremolo, being haunted by the POG, dual John Mayer Dumble rigs, the signature Collings Julian Lage masterpiece, the future of the gear community, and the genius of Paul Reed Smith.Bon Iver is #chorus pedals. Fight me.

Om Shownotes ser konstiga ut så finns de på webben här också: https://www.enlitenpoddomit.se/e/en-liten-podd-om-it-avsnitt-226  Avsnitt 226 spelades in den 11:e augusti och eftersom David spelar live på Nytorgsfesten/Sthlm Hippie Market på fredag så handlar dagens avsnitt om:     FEEDBACK OCH BACKLOG * Johan äter skitlite mat, Mats spelar tv-spel och är våldsam, Björn jobbar på en söndag och David har några semesterdagar kvar * Amazon lär polisen hur en dörrklocka fungerar * BONUS: Johan har lyssnat på ett poddavsnitt * Microsoft lyssnar på Skype-samtal * Metro läggs ned och Viralgranskaren försvinner   MICROSOFT * Hacka Windows 10 med hjälp av drivrutiner * Microsoft och Samsung samarbetar * Microsoft vill göra portabel spelenhet   APPLE * Konsumenter behöver inte betala Kina-tull * FaceID och TouchID på ny iPhone * Fossil-klocka kan nu svara på samtal på iPhone * Folk kan hacka din FaceID när du sover   GOOGLE * Pixel 4 och 4XL med 90Hz-skärm * Google Podcast i Google Search   RUBRIK PÅ NÄSTA GREJ!!  * Lite genmodifikation och så   LÄNKAR TILL DAVIDS MUSIK * Spotify / Deezer * iTunes / Bandcamp / Google   SHUT UP AND TAKE MY MONEY: * Mats: Walkie-Talkie när han leker AirSoft * David: Mer tid för att förbereda den kommande spelningen, och har skaffade nyss en Ableton Push 2 * Johan: En Fossil-klocka    EGNA LÄNKAR * En Liten Podd Om IT på webben * En Liten Podd Om IT på Facebook     LÄNKAR TILL VART MAN HITTAR PODDEN FÖR ATT LYSSNA: * Apple Podcaster (iTunes) * Overcast * Acast * Spotify * Stitcher   LÄNK TILL DISCORD DÄR MAN HITTAR LIVE STREAM + CHATT https://discord.gg/gfKnEGQ   (tack för att du har läst hela vägen hit, du får veckans guldstjärna!)

Ivan Reese guest hosts. I've been intimidated by Jack Rusher from the first blush. I mean, he's wearing a high-collared fur coat and black sunglasses in his Twitter pic, and his bio includes "Bell Labs Researcher". So when tasked with choosing a subject for my first interview, I immediately reached out to him, leaning in to my nervousness. His reply included the detail that he's "generally hostile to the form" of podcasting. Terrifying. When we talked, it was about Lisp — several flavours of Scheme and Racket, Common Lisp, Lisp machines, Black, Clojure, parens of all stripes. It was also about aesthetics, and graphic design, the relative ignorance of typical programming tools to the capability of the visual cortex, and how to better tap it. This podcast's streak of discussions about Coq, miniKanren, TLA+, and Alloy continues, with the addition of QuickCheck and the like. Jack presents his work on a literate editor for Clojure called Maria.cloud, an environment that makes a number of unusual and interesting choices both in the design and implementation, reaching for an ideal blend of features that afford both instant beginner enthusiasm and unrestricted expert use. We pay our respects to the phenomenal red carpet that video games roll out to new players, inviting them in to the model and mechanics of the game with an apparent ease and apt ability that should be the envy of programming toolsmiths like us. The show ends with Jack sharing an excellent collection of plugs, ranging from academic papers by the relatively obscure Stéphane Conversy, to the aesthetically-lush programming tools pouring out of Hundredrabbits's Devine Lu Linvega. I am no longer terrified of Jack's persona. Rather, I am now humbled by his towering expertise and the wildly varied accomplishments of his career, and it was a thrill to get to tour them in this interview. Best quote of the show: "A kind of grotesque capitulation to sameness." Damn, Jack! Links Jack Rusher is our esteemed guest. He is on Twitter, Instagram, and SoundCloud. Applied Science is his consultancy, and Maria.cloud is their beautifully designed literate Clojure editor. Ivan Reese hosts. He's on Twitter, works on educational media, is making a visual programming tool, and plays 100 instruments — badly. He started life with HyperCard and now loves Max/MSP. Repl.it is our Sponsor. Email jobs@repl.it if you'd like to work on the future of coding. Complex Event Processing is a bit of technology Jack helped commercialize. ClojureVerse is where a discussion of Luna led to the Visual Programming Codex, based on the History of Lisp Parens by Shaun Lebron. QuickCheck, miniKanren, Datalog, Black Scheme, and Oleg Kiselyov are touched on. Out of the Tar Pit has its mandatory mention, and then Chez Scheme saves the day. I wanted to link to the Maru project but the author, Ian Piumata's website seems to be down and I could find no other canonical reference. There's some discussion on Hacker News and such. If you know of a good link, I'd love a PR. Scheme Bricks and Media Molecule's Dreams are interesting touchstones on the road to future visual programming languages. Ivan has an affinity for Pure Data and Max/MSP and vvvv. When talking about tools for beginners versus experts, Rich Hickey's Design, Composition, and Performance is invoked — and poor Shostakovich. Jack's main is Maria.cloud, named in honour of Maria Montessori. SICP gets a nod. Maria has proven useful at Clojure Bridge. Matt Hubert [Twitter] created the Cells abstraction that Maria was eventually built atop — it's similar to ObservableHQ. Video games like Steel Battalion, The Witness, and Dead Space have strong opinions about how much, or how little, visual interface to expose to the player. Complex 3D tools like Maya and 3D Studio Max are GUI inspirations for Ivan, where Jack and Matt prefer simplicity, so much so that Matt wrote When I Sit Down At My Editor, I Feel Relaxed. Dave Liepmann is the third leg of the stool in Applied Science, Jack's consultancy. Maria originally had a deployment feature like Glitch. There's a great talk about Maria by the Applied Science trio, containing a mini-talk called Maria for experts by Jack. Pharo is an inspiring modern Smalltalk. Fructure is a wildly cool new structured editor, and its designer Andrew Blinn is fantastic on Twitter. Extempore and Temporal Recursion by Andrew Sorensen offer some interesting foundations for future visual programming tools. Sonic Pi and Overtone are lovely audio tools by Sam Aaron, widely praised and deservedly so, and everyone should back Sam's Patreon. A visual perception account of programming languages: finding the natural science in the art and Unifying Textual and Visual: A Theoretical Account of the Visual Perception of Programming Languages are obscure but beautiful papers by Stéphane Conversy. Aesthetic Programming is one of Ivan's favourites, and the author Paul Fishwick just so happened to teach Jack's graphics programming class at Uni. Orca is a mind-bending textual-visual-musical hybrid programming tool by Hundredrabbits, who are Devine Lu Linvega and Rekka Bell. Notwithstanding that they live on a sailboat(!), they do an amazing job of presenting their work and everyone in our community should take stock of how they accomplish that. Ableton Push and Ableton Live are practically state-issued music tools in Berlin. (Not to mention — Ivan edited this podcast in Live, natch.) thi.ng and @thi.ng/umbrella are Jurassic-scale libraries by Karsten Schmidt, who wrote blog posts about Clojure's Reducers in TypeScript. Finally, Nextjournal are doing great work with their multi-lingual online scientific notebook environment. The transcript for this episode was sponsored by Repl.it and can be found at https://futureofcoding.org/episodes/041#full-transcript

Sat 6/1/19 Cazal Organism Show 224 It was years ago when we had the young 16 year old, Cazal on the show so we definitely had to invite him back on! The LA native and producer gave us a showcase like no other, displaying his mind-bending skills on his Ableton Push 2. A lot of new material on the way from this young and talented producer. Featuring new music from Vulture Street Tape Gang, Stimulator Jones, 14KT, NOBL, Noya Rao, Ëlē & more! Get in the Circle. Feel the Soul. 1st Segment - DJ Mza 01 Alfa Mist - Naiyti 02 NOBL - Alone 03 Vulture Street Tape Gang - House Is Falling Down feat. Ha Na 04 Noya Rao - Away 05 14KT - Down The Street From Peace 06 Ëlē - Way of the Walk (ft. lojii) 07 Sup Nasa - Plant patience ft. Gianluca Aceto 08 saib. - Rainforest 09 Aru-2 - Dwell 2nd Segment - Remi Oz Interview 10 Cazal Organism - MarlboroReds (mndsgn - "camelblues" remix) 11 Stimulator Jones - Dungeon Master 12 Potatohead People - Change Of Heart (Instrumental) 13 Rejoicer - Heavy Smoke feat. iogi 14 Louis Baker - The People 15 Oddisee - Beach Dr. 16 Melodiesinfonie - Words feat.Junes 17 Jordan Rakei - Say Something 18 Vulture Street Tape Gang - Mumblin 19 Dead Horse Beats - Home Days 20 Rosie Turton - Butterfly 21 Flying Lotus - Spontaneous Feat. Little Dragon 22 Stimulator Jones - Spirit 23 Ruby Rushton - One Mo Dram 24 saib. - Whale Call 3rd Segment - Cazal Beat Set *apologies but we lost the interview :( Hosted by: DJ Mza & Crew www.soulcircleradio.com Every Sat 12-2p PST Past shows: @soulcircleradio Follow us on Instagram: instagram.com/soulcircelradio This show is FOR PROMOTIONAL USE ONLY. We do not own or claim to own the rights to these tracks. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."

Eshan Khadaroo has performed with Grammy award winning artists such as Cirque Du Soleil, Blue Man Group, Imogen Heap, and many more. In recent years, Eshan has been releasing some of the finest tutorials and video courses for Ableton Push under the name Push4Life. Eshan just released a new video course called Getting to Know (and love) Chromatic Mode on Ableton Push 2. Eshan is offering listeners of this podcast access to the first set of tutorials in the new course for free at: http://push4life.eu/afrodjmac I had a great conversation with Eshan. We discussed his new course, the state of electronic musical instruments, and finding balance as an artist and working musician. Eshan's work is backed by philosophic thinking that guides him from project to project, and he shares those perspectives with us in this episode. Listen on iTunes or Stitcher or Google Play or Spotify; watch on YouTube Show Notes: Push4Life - Stay up to date with Eshan's work. Getting to Know (and LOVE) Chromatic mode - An introduction to Ableton Push 2 Chromatic Mode, utilizing Bach's Prelude 01 in C Major. Free Samples of Chromatic Mode - Eshan is graciously offering listeners of this podcast free access to the first few tutorials. YouTube - a wealth of tutorials and videos by Eshan. 5 Things Every Ableton Push 2 Beginner Should Know - Eshan's first Push tutorial, which went viral. Music Sound and Silence - Eshan's podcast. JNTHN Stein on Muisic, Sound, and Silence DiViNCi on Music, Sound, and Silence Push4Life on the Music Production Podcast - my first conversation with Eshan. DiViNCi on the Music Production Podcast Huston Singletary on the Music Production Podcast Claire Marie Lim on the Music Production Podcast Session Drumming - Eshan's work as a session drummer. Melodics Course - Check out Eshan's finger drumming course on Melodics. Fugue Machine - iOS app for writing Fugues. Mad Zach - Multi-talented finger drummer and sound pack designer. Thank you for listening. Please consider giving the Music Production Podcast a review on your favorite podcast provider. And don’t forget to visit my site AfroDJMac.com for music production tutorials, videos, and sound packs. Brian Funk AfroDJMac

Show Notes: edmprod.com/96 Get a free month of samples from Splice Sounds by visiting splice.com/edmprod-create and using the promo code “EDMPROD”. In this episode, I sit down with JNTHN STEIN. He's a fantastic producer who you may know from his Ableton Push 2 videos. We chat about his background, crowdfunding a recording studio with half of the the Grammy award winning duo Brasstracks, linking up with Team Supreme, as well being featuring in the Ableton Push 2 launch. We also chat about how he connects the emotional and technical sides of music, a concept that is sure to open your eyes about the songwriting process. Connect: @jnthnstein

Ableton Push, Cohesive Arrangement and mixing in ProTools with Fytch Patreon: m.me/itdbtd?ref=btd_Patreon Artist Suggestions: m.me/itdbtd?ref=BTDsuggestion Private lessons: m.me/itdbtd?ref=privatelesssons Free Consultation: m.me/itdbtd?ref=fmlu In The DAW Playlist: tinyurl.com/instagramitdplaylist Behind The DAW Playlist: tinyurl.com/btdinstagram You can contact me at Wyatt@behindthedaw.net

In this episode, Eshan chats with ableton PUSH poet and multi-instrumentalist genius JNTHN STEIN. Subscribe to the show to get future shows instantly!  For show notes and relevant links and resources, please visit http://musicsoundsandsilence.com/008/ . Learn music composition and production with Eshan aka PUSH4life using the ableton PUSH 2 over at http://push4life.eu/premium-content.

One of the most interesting meetups I've ever attended was the Rocky Mountain Synth Meetup, led by Mark Mosher. Mark started this as an outgrowth of his own desire to meet people, but it has expanded into one of the most active synthesizer-based meetups in the world - and is now a must-visit for anyone that likes (as Mark states) "drinking with a synthesizer problem". From its humble beginnings in the basement of a Louisville CO restaurant to the huge launch party for the Ableton Push 2 release, the meetup has gone through a number of changes - some of which would hamstring a lesser meetup. Venue changes, personality riffs, people moving in and out of the area; the RMSM has continued to expand, and is healthier than ever. Mark has provided the following information for us to share: Meetup Summary The Rocky Mountain Synthesizer Meetup - founded in 2012 - is the home of 480+ Denver Front Range synth geeks who share their passion for synths, build their network, get inspired, get hands-on with gear, tell people about projects and find collaborators. It is synth technology agnostic and features broad variety of rotating presentation topics and experiences each meetup - most presentations given by members themselves. The after-meetup features a performance by a meetup member.   Landing Page:  http://www.RockyMountainSynth.com Meetup Page: http://www.meetup.com/Rocky-Mountain-Synth/ Facebook: https://www.facebook.com/RockyMountainSynth/ Twitter: https://twitter.com/rockymtnsynth    Referenced in Show  Laurie Anderson - New York's School of Visual Arts 2012 Commencement. Tom Hodgkinson mentioned around 17:25 - 5. Commencement Speaker's Address: Laurie Anderson Tom Hodgkinson's "The Freedom Manifesto" - https://www.amazon.com/dp/B00C2C8XUS/ Logo by http://www.Cuttlefisharts.com   Related Mindmaps Meetup 411 - https://www.mindmeister.com/270324871/the-rocky-mountain-synthesizer-meetup-411-established-june-2014 How to start a synth meetup - https://www.mindmeister.com/276513397/how-to-start-a-synth-meetup   My Links  Links to Mark Mosher's Art, Blog, Podcast, and event schedule - http://www.MarkMosherMusic.com Many thanks to Mark for his openness about the meetup. I hope you'll consider doing one for your community!!! Enjoy!

I first got to know Jesse Terry during a trip to Berlin, and we've remained in contact ever since. The product 'owner' for the Ableton Push, he has been involved with hardware controller design and development since the Akai APC controllers. So when I got a chance to chat with him about his method - and interests - it seemed like a natural fit. Jesse has a long background with 'knob-ful' designs (he's an old-time analog head, like me) as well as 'pad-ful' designs (he and I also share a background with MPC devices), so he was probably an obvious choice for working on the Push controller. However, it is his attention to detail and tireless search for perfection that helps push the envelope of what we consider 'state of the art' controller systems. If that sounds like a sales pitch for Jesse - well, I'm sorry. But I really like Jesse's work a lot, and his willingness to talk about the fun and the pain in creating the Push and Push 2 controllers might help you understand why I feel that way. Enjoy!

Ideas al aire es un podcast en el que hablamos sobre Creatividad, Tecnología y Crecimiento Personal fomentando la curiosidad de por vida y el desarrollo de tu potencial creativo. Conducido por Thomas Lasch Invitado: Mao Siller Música de Intro y Outro Otis McDonald Artista Joe Bagale YouTube Audio Library https://www.youtube.com/watch?v=qBvMfVemGjY Bishop https://soundcloud.com/bishopupg Ableton Live https://www.ableton.com/en/live/ Ableton Push 2 https://www.ableton.com/en/push/ ACPad https://www.youtube.com/watch?v=eJFfnTkyj-g http://store.acpad.com/products/acpad Jamstik http://jamstik.com https://www.youtube.com/watch?v=D5Dy8ZXg5V8 Universitat Pompeu Fabra Music and Sound Computing https://www.upf.edu/postgrau/en/music-mastering/presentacio/#.Vnw7LISLicw Netive Instruments http://www.native-instruments.com/es/ Cubase http://www.steinberg.net/en/products/cubase/start.htm Mr Bill https://www.youtube.com/user/MrBillsTunes Mark Ronson https://es.wikipedia.org/wiki/Mark_Ronson Battles https://es.wikipedia.org/wiki/Battles Tim Exile https://soundcloud.com/timexile https://www.youtube.com/watch?v=d8w6q4JCRjA CC BY-NC-ND: Este podcast puede ser distribuido libremente siempre y cuando sea atribuido a Thomas Lasch con un enlace directo a http://www.thomaslasch.com No se permite crear obras derivadas ni usar este material para fines comerciales sin el consentimiento por escrito de Thomas Lasch. Para mayor información sobre la licencia completa visita el sitio: http://creativecommons.org/licenses/by-nc-nd/4.0/legalcode

Ideas al aire es un podcast en el que hablamos sobre Creatividad, Tecnología y Crecimiento Personal fomentando la curiosidad de por vida y el desarrollo de tu potencial creativo.Conducido por Thomas LaschInvitado: Mao SillerMúsica de Intro y OutroOtis McDonaldArtista Joe BagaleYouTube Audio Libraryhttps://www.youtube.com/watch?v=qBvMfVemGjYBishophttps://soundcloud.com/bishopupgAbleton Livehttps://www.ableton.com/en/live/Ableton Push 2https://www.ableton.com/en/push/ACPadhttps://www.youtube.com/watch?v=eJFfnTkyj-ghttp://store.acpad.com/products/acpadJamstikhttp://jamstik.comhttps://www.youtube.com/watch?v=D5Dy8ZXg5V8Universitat Pompeu FabraMusic and Sound Computinghttps://www.upf.edu/postgrau/en/music-mastering/presentacio/#.Vnw7LISLicwNetive Instrumentshttp://www.native-instruments.com/es/Cubasehttp://www.steinberg.net/en/products/cubase/start.htmMr Billhttps://www.youtube.com/user/MrBillsTunesMark Ronsonhttps://es.wikipedia.org/wiki/Mark_RonsonBattleshttps://es.wikipedia.org/wiki/BattlesTim Exilehttps://soundcloud.com/timexilehttps://www.youtube.com/watch?v=d8w6q4JCRjACC BY-NC-ND:Este podcast puede ser distribuido libremente siempre y cuando sea atribuido a Thomas Lasch con un enlace directo a http://www.thomaslasch.com No se permite crear obras derivadas ni usar este material para fines comerciales sin el consentimiento por escrito de Thomas Lasch. Para mayor información sobre la licencia completa visita el sitio: http://creativecommons.org/licenses/by-nc-nd/4.0/legalcode

Covering the basics, this episode includes... • A Competition to Win a Focusrite Scarlett Studio and Novation Launchkey Mini • An Introduction to Ableton Live • A Guide to Audio Interfaces • A Jam with Ableton Push and NI Maschine - featuring Tim Kroker • An Interview with UK Producer/DJ Meat Katie

Hello and welcome to episode 23. Our guest for today is @Ntogn (Entheogen). “An entheogen is a psychoactive substance used in a religious, shamanic, or spiritual context” This is mix is and entheogen for the mind. -Who you look up to?- I look up to creative, independent and forgiving people. Those who let their passions guide their life and shine on those who dare not. -Why techno?- I think it is because of the ritualistic elements in it. It is hard, repetitive and thus also a powerful tool for trance and to me it has become some sort of modern electronic shamanism. It is serious. It speaks and bends the mind. -What is a good techno party for you?- Anarchy. -How is your playing style?- I think my way of performing may rise some controversy among some colleagues as I prepare my sets for days. Sometimes a full week! People keep talking about feeling the vibe and choosing your tracks on the spot (which of course can be good!). But I believe in Creating a vibe and an optimal musical experience. So I choose my tracks with a lot of care and try to make it as pleasant and coherent a journey as possible. I like ranging my sets from deep to hard, dark to light and back and pick up the pace from maybe 100-110 bpm to end it in a ecstatic 135-140 beats per minute. Yin & Yang. This is an amazing experience, for me at least! Hehe. More technically I use Ableton Live for flexibility, controlled with a Ableton Push and a Allen & Heath Xone:K2 MIDI-controller. It takes a lot more preparation, but when you have everything laid out it is great! You can throw in compressors, all sorts of VST's and whatever you want on the fly and prepare loops so you can switch kicks, percussions, FX and do this kind of semi-Live thing. Truly awesome! -How did you fall in love with the genre?- It has grown since I started to DJ about seven years ago. Since then I have been listening to electronic music constantly and my taste has evolved. Today I indulge myself in deep, dark, atmospheric, hypnotic, pshychedelic, ritualistic and intelligent sounding techno. Which will be the foundation of the label I will be launching sometime next year: Hypnus Track list 01. Periskop - Polar 1. I 02. Blackfilm - Eastern 03. Abdulla Rashim - Endasilasie 3 04. Silent Servant - The Self 05. HanChi - TBA 06. Svreca - Jade (Orphx Remix) 07. (In the background) Ventress - Untitled B2 08. The End of All Existence - The End of All Existence 09. Amlin - Uncertainty (Acronym Remix) 10. Voices from the Lake - Drop 2 11. Rödhåd - Entering 101 12. Ntogn - Lapse 13. Svreca - Hagagatan (Rödhåd Remix) 14. Shifted - Sektor D 15. Voices from the Lake - Drop 4 16. Shifted - Out of Tune 17. Blackfilm - Mahabharata mnmt.no https://www.facebook.com/hypnus.records https://www.facebook.com/ntogn.official http://www.beatport.com/artist/ntogn/356410

Not much on the agenda this week apart from a bit of good old NAMM speculation and chit chat. We talk about the Moog Sub Phatty (07:57), Ableton Push will be on display for the time (18:00)Mark brings out his Yamaha EZ-EG MIDI guitar (27:59) and Gaz promises to eat his Monotron (maybe) when we talk of something new from Korg (32:03). Avid are also apparently cooking something up too (39:00),which leads to a discussion of working remotely and also off the grid - with a great working method from Gaz to jam freestyle using Cubase (49:47) . Dave has a hunch that Spectrasonics are up to something too

Not much on the agenda this week apart from a bit of good old NAMM speculation and chit chat. We talk about the Moog Sub Phatty (07:57), Ableton Push will be on display for the time (18:00)Mark brings out his Yamaha EZ-EG MIDI guitar (27:59) and Gaz promises to eat his Monotron (maybe) when we talk of something new from Korg (32:03). Avid are also apparently cooking something up too (39:00),which leads to a discussion of working remotely and also off the grid - with a great working method from Gaz to jam freestyle using Cubase (49:47) . Dave has a hunch that Spectrasonics are up to something too