Podcasts about Ableton

In this episode, Jason Huber from Cherub dives deep into the duo's 15-year journey—sharing how they built their sound, evolved their live show, and continue to innovate using Ableton Live. He talks about slimming down their touring rig, producing with modular synths, crafting custom effects with stock plugins, and how the band keeps everything stable even after hundreds of shows.Cherub is a well established electro-pop duo made up of Jordan Kelley and Jason Huber, known for their viral hit “Doses & Mimosas” and energetic, guitar-driven live shows. Since forming at Middle Tennessee State University, they've released multiple albums including Year of the Caprese, Bleed Gold, Piss Excellence, and their latest record Everything Changes and That's Okay. Blending funk, indie, and electronic vibes, Cherub remains a big name in the festival and touring scene.Follow Cherub Below: cherublamusica.com instagram.com/cherublamusicaSPONSORED BY BABY AUDIO:Tekno by Baby Audio – a new drum synthesizer plugin with 18 engines ranging from vintage machines to modern percussion. Generate unique, organic drums with its Humanize function or get instant inspiration using the preset randomizer.Currently on sale & free demo at: ⁠https://www.babyaud.io/tekno⁠Use code ABLETONPODCAST for an additional 15% off.Quickly grow your skills and learn with Abe, the Ableton AI Chatbot:https://www.abletonpodcast.com/ableton-chatbotJoin the newsletter to get free Ableton content + early episode access:https://www.abletonpodcast.com/newsletter

Watch on YouTubeIn this episode of the Worship Keys Podcast, we talk with Atreyu “Tre” Singleton—music director, Ableton-certified trainer, and worship leader. Tre shares how he builds worship patches in Omnisphere and Logic Pro, the power of layering sounds, and how AI is shaping the future of worship sound design. He also opens up about his devotional project, Memoirs of a Minstrel, his passion for mentoring young musicians, and why character offstage matters as much as skill onstage. Whether you're new to worship keys or a seasoned player, you'll find both practical tools and spiritual encouragement in this conversation.Atreyu Singleton Support the showThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

Mercury-nominated vocalist, composer and producer ESKA talks about her favourite studio gear and how her background as a live jazz musician shapes her approach to writing and recording.Chapters00:00 - Introduction01:30 - ESKA's Journey Into Music06:21 - Using Tech To Tell A Story14:23 - Approaching Each Track Individually16:35 - Developing A Sonic Identity20:18 - Live vs Studio Artist Methods26:59 - Solo Albums And Soundtracks31:47 - Exploration And Improvisation32:43 - Collaborating With Musicians 38:57 - Live Performances With Ableton#CamelCrusher #NeumannTLM103 #NeumannU87 #PrismLyra2 #AbletonLive Eska BiogESKA is a Mercury Award nominated singer, songwriter, composer and producer. Her music blends elements of folk, soul, psychedelia and electronica, shaped by years of live performance and a strong jazz influence. She has released acclaimed projects including her self-titled debut album ESKA and her more recent release, The Ordinary Life of a Magic Woman. Her work has received radio support from Gilles Peterson, Lauren Laverne and John Kennedy, and her debut EP was named one of Bandcamp's Best Releases of 2013.Alongside her solo career, ESKA has collaborated with artists such as Grace Jones, The Cinematic Orchestra, Zero 7, Bobby McFerrin, Esperanza Spalding, Shabaka Hutchings and Kae Tempest, and her credits include theatre and film scores as well as performances at major venues and festivals.https://www.eskaonline.com/https://www.instagram.com/eskaonline/https://www.facebook.com/eskaonline/Caro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Episode 365: DON DIABLO "The Visionary of Future House on Imposter Syndrome & Humanizing A.I." This week on @RoadPodcast, the crew sits down with future house pioneer @DonDiablo for a deep and personal conversation. At 01:55, Don talks about running on little sleep before his Pier 19 show and why NYC remains his biggest market. By 06:55, he explains why he avoids repeating sets, preferring Tomorrowland's smaller, darker stages over the main stage. At 12:20, Don reflects on his teenage years in the Dutch scene, from being taken advantage of as a young producer to being labeled a “weirdo” by peers. He admits that sometimes he hates being Don Diablo, finding true acceptance only through his fans. At 18:10, he recalls his production roots and the joy of creating purely for fun. By 24:55, the tone shifts as Don shares a powerful story about his father's illness, the lessons from their final conversations, and how this shaped his outlook on time, purpose, and music. He recalls writing songs like “The Artist Inside” as a tribute to his father, and performing it at his funeral, the most difficult moment of his career. At 37:55, Don speaks on the therapeutic nature of songwriting, before offering his perspective on AI at 44:01, viewing it not as a threat, but as a tool to make creativity even more human. Closing out at 1:01:44, Don dives into his Hexagon label, the video for “Anytime”, and the contracts he gave artists. At 1:05:01, he shouts out @BeatsourceOfficial, and at 1:18:45, leaves us with a quote to remember: “The devil works hard, but the DJ works harder.” This episode is sponsored by @SoundCollectiveNYC, an industry-leading music school, musical space and community located in downtown Manhattan for aspiring DJ's, Producers, Musicians and more. Take private Ableton lessons, practice DJ routines, experiment with different audio equipment and reserve studio spaces for just the day, maybe a week or sign up for their monthly membership. Check www.soundcollective.com for more info and try their Online Classes free for a month by entering the code “ROAD”. If you're in the New York area, visit them at 28 Broadway, New York, NY 10004 and tell them the Road Podcast sent you!! Try Beatsource for free: btsrc.dj/4jCkT1p Join DJcity for only $10: bit.ly/3EeCjAX

What are ProducerHead Loops?Gems from past conversations worth running back.Perfect for when you need a quick hit of inspiration.This Loop:In this ProducerHead Loops episode, Just Jared shares wisdom for producers at the starting gate, those who've just grabbed a Maschine, Ableton, or FL Studio and are wondering where do I even begin? He covers why tutorials give you the language to problem-solve, the importance of applying lessons as you learn them instead of stockpiling knowledge, how creating a clear project goal helps guide your learning, and why perfectionism is really procrastination. Jared reminds us that content and music don't need to be perfect, they need to be shared.From Episode: 004. The Shortcut Is The Work: The Truth About What's Blocking Your Progress. And, The Overlooked Component of Consistency.Connect with Toru:* Website: torubeat.com* Instagram: @torubeat* YouTube: @torubeat* Spotify: Toru* Apple Music: ToruSubscribe to ProducerHeadGet new episodes and Loops delivered straight to your inbox. Hit that subscribe button if you're not already part of the community.This episode was co-produced, engineered and edited by Matthew Diaz.From ProducerHead, this is Toru, and in a way, so are you. Peace. Get full access to ProducerHead at producerhead.substack.com/subscribe

Cardiff-based electronic pop artist Ani Glass (aka Ani Saunders) joins Graham Coath to talk craft, culture and the songs behind her much-anticipated second album Phantasmagoria (out 26 September). Singing in Welsh and Cornish, Ani shares how melody guides her writing, why she incorporates warmth into her electronic music with live bass and cello, and how influences ranging from Philip Glass to classic pop shape her sound.Expect a studio-side chat (Ableton, synths and the world's most fashionable glasses), thoughts on authenticity over virtuosity, and a candid take on language in music—why listeners connect with feeling first, words second. We also look back at her acclaimed self-produced debut Mirores (Welsh Album of the Year; Welsh Music Prize shortlist) and what's new this time around.Listen for:Writing via voice notes, then sculpting textures on synthsBalancing electronic sheen with an “organic” hug of harmony and depthWelsh/Cornish/English lyrics and audiences' openness to new soundsTour, records, and release-week realities (yes, lots of vinyl packing)Follow Ani, pre-order Phantasmagoria, and add her tracks to your playlist.

Can you really build your own recording studio gear and make it sound amazing? Mitch Rose from Audio Boys says yes—and shows you how. From hand-built microphones to creating reverb chambers in your home, we dive into the heart of DIY recording and why it's the most creative path to finding your signature sound.   Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Mitch Rose, a recording and mixing engineer from Newcastle, Australia. Mitch is passionate about all things DIY—building his own mics, preamps, EQs, compressors, and even studio furniture and acoustic treatment for home studio spaces. He's been teaching music and audio production for over a decade at technical colleges across Australia, covering everything from recording and live sound to composing in Ableton. Mitch is also a multi-instrumentalist who plays drums, guitar, bass, and all kinds of percussion—especially the Cajon. These days, he spends most of his time recording and mixing other artists from his DIY home studio, and sharing what he learns online. He runs a popular YouTube channel called The DIY Recording Studio, where he teaches other producers and engineers how to start their own DIY studio journey—with hands-on build tutorials for companies like MicParts, DIYRE, CAPI, and Sound Skulptor. Mitch recently flew to the US for NAMM 2025 to work with Z&H Designs and connect with artists, producers, and creators from around the world where I got to shoot a couple of fun videos with him at the booth. Thank you to Nick at Panorama Mastering for the introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/59vJxA8aupW03dSSZDfHyc?si=i77sfgsvTyaSLNvRiwqd-Q If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/524

This week Adam and Dan catch up on gigs, gear, and the weird life of being a musician. Check out the highlights below and jump to what interests you!

Welcome Athens, GA native Jordan Arnold! Jordan is the current drummer for rising country artist Noah Hicks. Jordan shares his journey into his passion for music and the drums, starting from his early days inspired by Def Leppard, to his special relationship with his father both on and off the stage. Jordan stresses the value of important relationships within the music industry and shares insights and fun stories from life-long mentors and drumming legends Rich Redmond and Gregg Bissonette.Jordan takes us through life on the road with Noah, including automating an entire set in Ableton, to how to be nimble and cope with high-pressure situations. We delve into Jordan's brief stint teching for drummer and close friend Eric Pritchard (Megan Moroney), how to pull off the perfect stick tricks, and ways you can become both a great player and a great hang! We hope you enjoy. Chapters:0:00 Intro1:56 Welcome, Jordan! 3:06 Father-Son Musical Bond 5:54 Balancing Multiple Gigs 10:11 Ableton and Automation 15:51 Drum Box (Sponsor) 16:33 Noah Hicks & Career Trajectory 29:50 Mentor Rich Redmond 36:48 Low Boy Beaters (Sponsor) 37:29 Gregg Bissonette & Dixon Drums 41:51 Broadway Gig Adventures 48:12 Dixon Drums & Gear Talk56:06 Networking vs Making Friends in Nashville 1:00:30 Teching for Eric Pritchard, Drum Tuning Insights 1:07:41 Drum Supply (Sponsor) 1:08:42 Dream Gigs and Def Leppard 1:13:02 Memorable Gigs and Stories from Tour 1:22:45 Playing for the Military and Secret Service 1:31:28 Groove MPL (Sponsor) 1:32:39 Wrap-Up Questions 1:41:29 OutroThank you to our Episode Sponsors:Drum Boxhttps://drumbox.spaceDrum Supplyhttps://www.drumsupply.comLow Boy Beatershttps://lowboybeaters.comGroove MPLhttps://www.groovempl.comConnect with Jordan:Instagram: https://www.instagram.com/jordanthedrummerwbYouTube: https://www.youtube.com/@JordanArnoldOfficialTikTok: https://www.tiktok.com/@jordanthedrummerwbMusic Featured in this Episode:"Dirt On It" - Noah Hicks"Country Tonight" - Noah HicksSupport the showConnect with us:WebsiteInstagramTikTokYouTubeFacebookRecorded at Garden Groove Recording Space, Nashville, TNPodcast Artwork: GENUINE CREATIVE ART ⓒ 2025 Nashville Drummers Podcast, LLC

睡眠導入剤の話AbletonとMPCの話今日のビートYouTube https://www.youtube.com/@katsuOfficialnote https://note.com/kermit71/TikTok ⁠⁠https://www.tiktok.com/@katsu_beat⁠⁠instagram https://www.instagram.com/kermit71【今日のキーワード】ROLAND SP-404 MKII / SP-404 MK2 / AKAI PROFESSIONAL MPC ONE / ビートメイク / コーヒー / Teenage Engineering EP-133 K.O.II / Ableton Move

千円ぐらいのものだけど悩んでて買えないものの話Ableton Moveの話今日のビートYouTube https://www.youtube.com/@katsuOfficialnote https://note.com/kermit71/TikTok ⁠⁠https://www.tiktok.com/@katsu_beat⁠⁠instagram https://www.instagram.com/kermit71【今日のキーワード】ROLAND SP-404 MKII / SP-404 MK2 / AKAI PROFESSIONAL MPC ONE / ビートメイク / コーヒー / Teenage Engineering EP-133 K.O.II / Ableton Move

Episode 364: DJ TRAUMA "From ATL to Dave Chappelle, Navigating the Celebrity DJ Scene" This week on @RoadPodcast, the crew sits down with @DJTrauma to reflect on his journey from New York to Atlanta and beyond. At (00:55), Trauma recalls growing up in Manhattan and how his DJ name came from a friend's little brother. By (04:30), he's reminiscing about partying in the Meatpacking District and what it meant to be “outside.” He explains what it means to be a “vibe DJ” (07:15). He compares the craft of DJing to stand-up comedy (10:35). Trauma then shares how a free event unexpectedly led him to working with @DaveChappelle (12:52), and a relationship that grew into legendary gigs like First Avenue in Minneapolis and Radio City Music Hall in NYC (15:56). The conversation dives into Trauma's reputation as “Chappelle's DJ” (30:01), @PhifeForever performing at his 21st birthday, and the rise of Atlanta's unified scene with @Outkast, @GoodieMob, and @JermaineDupri (34:40). He speaks on the epic Freaknik parties (45:55), the power of ATL DJs (1:03:40), and throwing LA house parties where @mr_Camron once performed in his living room (1:20:20). Trauma also reflects on early trips to Africa, how Chappelle's Retreat and Summer Camp shaped his career (1:35:01), and why soulful events like Soul in the Horn keep him grounded in the music that matters. This episode is sponsored by @SoundCollectiveNYC, an industry-leading music school, musical space and community located in downtown Manhattan for aspiring DJ's, Producers, Musicians and more. Take private Ableton lessons, practice DJ routines, experiment with different audio equipment and reserve studio spaces for just the day, maybe a week or sign up for their monthly membership. Check www.soundcollective.com for more info and try their Online Classes free for a month by entering the code “ROAD”. If you're in the New York area, visit them at 28 Broadway, New York, NY 10004 and tell them the Road Podcast sent you!! Try Beatsource for free: btsrc.dj/4jCkT1p Join DJcity for only $10: bit.ly/3EeCjAX

Watch on YouTubeCarson is joined again by Anaji Powell, a worship keys player, MD, and creative behind powerful sound design. Fresh off last week's episode with his wife Kaci, Anaji now gives a full breakdown of his worship keys rig, from the Nord Stage 4 and Ableton to TouchOSC and live looping. He shares how sound design isn't about showing off, but about serving the moment, supporting pastors like a movie score, and pointing people to Jesus. Anaji also highlights the value of patience, practice, and mastering your instrument before adding advanced gear. Whether you're just starting on keys or already leading as an MD, this episode is filled with insight and inspiration. Don't miss out—hit play and share with your worship team. You won't want to miss this!Anaji PowellSupport the showThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

In this episode, INZO and Blookah dive deep into their collaborative process behind their album Nexum, sharing how they blend analog synths and sound design. They open up about their collaboration process, favorite synths (hardware and software), drum programming, and their nuanced approach to layering and mixing textures in Ableton Live.INZO is a genre-bending producer and DJ from Chicago, now based in Denver, best known for his viral track “Overthinker,” which has surpassed 50 million streams. He's headlined major venues like Red Rocks, and festivals like Bass Canyon and Wakaan, collaborated with LSDREAM and Blookah, and continues to push sonic boundaries with every release.Blookah is a Chicago and Denver-based producer, multi-instrumentalist, and beat maker known for blending future bass, funk, hip hop, and neo-soul into lush, feel-good soundscapes. A longtime collaborator with INZO, Blookah's music is rooted in live instrumentation, rich sound design, and groove-heavy production, showcased in their joint album Nexum and his solo releases on labels like Lowly, Wakaan, and SSKWAN.Follow Local Void Label & Remix Contest: https://linktr.ee/localvoidrecordsINZO:https://www.instagram.com/inzomusic/https://inzomusic.com/Blookah:https://www.instagram.com/blookah/https://blookah.comSPONSORED BY BABY AUDIO:Tekno by Baby Audio – a new drum synthesizer plugin with 18 engines ranging from vintage machines to modern percussion. Generate unique, organic drums with its Humanize function or get instant inspiration using the preset randomizer.Currently on sale & free demo at: https://babyaud.io/teknoUse code ABLETONPODCAST for an additional 15% off.Quickly grow your skills and learn with Abe, the Ableton AI Chatbot:⁠https://www.abletonpodcast.com/ableton-chatbot⁠Join the newsletter to get free Ableton content + early episode access:⁠https://www.abletonpodcast.com/newsletter⁠

Nck Name is a Canadian actor, musician, and producer whose grounded performances and creative range have positioned him as an exciting talent to watch. Nck takes a major leap forward in his acting career as a key cast member in Adulthood, a comic neo-noir from actor-director Alex Winter (Bill & Ted, Zappa). The film made its world premiere at the 2025 Toronto International Film Festival and features an ensemble cast led by Kaya Scodelario (Skins, Crawl) and Josh Gad (Frozen, The Book of Mormon).  Nck's onscreen credits span a wide range of genres and platforms. His television work includes appearances in Star Trek: Discovery, Netflix's The Madness, Brilliant Minds, Fellow Travellers, Murdoch Mysteries, Mayday, and the Emmy Award-winning  Odd Squad on Nickelodeon. His film roles include A Mother's Lie, I Won't Let You Go,  and Love & The Radio Star. His first lead performance, playing Michael Jackson in the U.S. networkdocu-drama Broke and Famous. What makes Nck's career especially distinctive is his equally accomplished background in music and sound. Before stepping fully into the world of acting, he enjoyed a successful run as a touring and studio musician, playing thousands of live shows across North America. He is known for his experimental live-looping performances using Ableton and multiple instruments, bringing music production into dynamic, layered stage experiences.    Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

Kevin and Casey enter the forest of We Tigers to figure out if Animal Collective is genius, nonsense, or a group of toddlers let loose with Ableton. Kevin feels nostalgic for North Brooklyn noise rock, Casey hears a haunted ice cream truck, and together they ask: are we hearing art… or just being chased by experimental zoo animals?See omnystudio.com/listener for privacy information.

2001年911から24年経った話Ableton Moveとかの話今日のビートYouTube https://www.youtube.com/@katsuOfficialnote https://note.com/kermit71/TikTok ⁠⁠https://www.tiktok.com/@katsu_beat⁠⁠instagram https://www.instagram.com/kermit71【今日のキーワード】ROLAND SP-404 MKII / SP-404 MK2 / AKAI PROFESSIONAL MPC ONE / ビートメイク / コーヒー / Teenage Engineering EP-133 K.O.II / Ableton Move

With the summer festival season drifting into memory, it feels like the right moment to linger on one of the most thoughtfully shaped events in recent years. The Mostra Festival unfolded over the Easter weekend across two Barcelona locations, and what set it apart wasn't just the programming, but the curation - a balance of trust, patience, and precision. The first two days leaned toward the ambient and the experimental, tipping into rhythm as the nights wore on. Yet the real magic of that opening stretch lay in the beatless hours. Friday in particular offered a moment that still reverberates among Mostra regulars and beyond: Robert Henke's performance of Dust. If there is any place in the world designed for such a work, Mostra provided the perfect frame. For one afternoon, Henke held the crowd in complete attention and reverence, something essential for any artist, but especially for one whose work is as delicate, shifting, and expansive as Dust. For many of us, Robert Henke, Monolake to longtime listeners, has been a constant presence in the background of our musical lives. His records shaped taste, his performances redefined how electronic music could be experienced live, and his role as co-creator of Ableton changed the very tools we use to make and share sound. Few artists can claim such a dual legacy: architect of both the music and the machinery. Whether in moments of joy or frustration, whether in the studio or on the dancefloor, it's impossible to imagine modern electronic music without his fingerprints on it. Henke embodies the link between technological innovation and artistic expression, and his influence runs deeper than most of us can trace. Dust is perhaps the clearest expression of that link. Powered by a custom granular synthesis engine, it reduces sound to particles, field recordings, analog tones, machine hiss, bells, and waves, then disperses them into clouds that evolve in real time. The result is less like a composition and more like a living organism: fragile, unpredictable, always becoming something new. At Mostra, this unfolding took shape in late afternoon, after Patrick Russell's set had sharpened the air with its own restraint. Henke stepped in with a 360-degree surround system that transformed the floor of Fabra i Coats into a resonant body. The sound was cosmic and liquid, grainy and immense, stretching outward until it seemed to erase the horizon. Every surface in the space shimmered with detail, as if the air itself had been tuned. What made it remarkable was how fragile it all felt. Nothing was forced; every movement seemed to arise on its own, like dust caught in late-afternoon sunlight. Yet the immersion was total. People surrendered, leaning into the space as if trying to hold onto something that could never be held. For that hour, Mostra wasn't a festival anymore. It was a room of people floating together in a world made entirely of sound, knowing it would never happen in quite the same way again. https://soundcloud.com/monolake https://www.instagram.com/studio.robert.henke/ www.mostra.barcelona www.instagram.com/mostrabcn/ @mostrabcn Write up by @gilleswasserman Follow us on social media: @itsdelayed linktr.ee/delayed www.delayed.nyc www.facebook.com/itsdelayed www.instagram.com/_____delayed www.youtube.com/@_____delayed Contact us: info@delayed.nyc

Hakkımda:⁠⁠⁠⁠⁠⁠⁠https://bio.link/harunaksaya⁠⁠⁠⁠⁠⁠⁠Kullandığım Ekipmanlar:Kamera : IPhone SE 2020Mikrofon: Shure SM7DB - Scarlet Işık: Godox SL60W, Godox CL10 AmbiyansKayıt: Macbook Air M2 Düzenleme: Imovie, Ableton

In this episode, AHEE shares his creative process, sound design insights, Serum tips, and how he's evolved his mixing templates. He opens up about AI tools in production, songwriting techniques that elevate a track beyond “weird sounds,” and balancing his passion for education with a hectic tour life. AHEE is a bass music producer known for his intricate sound design, high-energy tracks, and educational YouTube tutorials, which recently hit over 2.5 million views. With releases on Bassrush, Wakaan, Subsidia, and more, he's supported by heavyweights like Excision and Subtronics. Beyond the stage, he's become a mentor to thousands of producers through his Ableton racks, tutorials, and sound packs.Follow AHEE:https://www.instagram.com/iamaheehttps://gumroad.com/aheehttps://soundcloud.com/aheehttps://www.youtube.com/channel/UCNNFPGqrCztLAlfTKIJ1uKQVisit Ableton's U.S. headquarters November 9th, 2025 for a live podcast & private networking experience:https://www.abletonpodcast.com/sunday-abletonevent-2025Quickly grow your skills and learn with Abe, the Ableton AI Chatbot:https://www.abletonpodcast.com/ableton-chatbotJoin the newsletter to get free Ableton content + early episode access:⁠⁠⁠https://www.abletonpodcast.com/newsletter

This weeks episode the boys talk about the new Ableton Stems. They rant about stuff, they discuss new iphones and apple auto mix. Lastly they talk about the importance of Meta Verification Whether you're a seasoned DJ or just starting out, this episode offers valuable insights and a few laughs along the way. Tune in for a mix of practical advice and entertaining anecdotes! 0:00 - Intro 2:14 - Rant 8:47 - News 19:06 - Social Media Hot Topic

Originally posted December 2021In this episode of Broadway Drumming 101, I sit down with Dena Tauriello, the drummer for Little Shop of Horrors at the Westside Theatre. From her first sparkle kit inspired by Karen Carpenter to a career that's taken her from rock arenas to Broadway pits, Dena shares a powerful story about perseverance, adaptability, and passion.Dena spent nearly two decades with the all-female rock band Antigone Rising, logging more than 260 shows a year, signing with Lava/Atlantic Records, and sharing bills with bands like Aerosmith, the Rolling Stones, and The Bangles. Along the way, she learned the grind of life on the road, the frustration of being pigeonholed as “girl music,” and the discipline that comes from playing night after night. Those experiences became the foundation for her eventual move to Broadway.Her first Broadway chair came in Head Over Heels, the Go-Go's jukebox musical that featured an all-female band. From there, Dena's career expanded into multiple productions, including Kristin Chenoweth: For the Girls, The Cher Show (as a sub), Magic Mike the Musical (Broadway Lab), and her current run in Little Shop of Horrors. She also subs on Hamilton, Six, and at the origial run of Beetlejuice.In our conversation, Dena opens up about the realities of the pit:* Why no two shows are ever the same and why you can never “phone it in”* The discipline it takes to stay fully present eight times a week* How playing in Antigone Rising prepared her for the demands of Broadway* What she looks for when hiring subs and why paying it forward matters* The role of Ableton, click tracks, and sound cues in modern Broadway drumming* Her full gear setup: Pearl drums, Zildjian cymbals, Evans heads, Promark sticks, and custom in-ears* Why she always keeps charts in front of her—even after memorizing the showDena also talks about the surreal moment of playing on stage with the Go-Go's, interviewing Gina Schock for Modern Drummer, and what it feels like to see the Head Over Heels Playbill now preserved in the Rock & Roll Hall of Fame.This is a conversation filled with honesty, humor, and hard-won lessons for any drummer dreaming of breaking into Broadway—or simply learning how to thrive in the unpredictable world of live performance.For more about Dena: https://www.denatauriello.comClayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.comThis Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Watch on YouTube!In this episode of the Worship Keys Podcast, Music Director Andrés Páez from Abundant Church in El Paso, Texas, shares his inspiring journey from growing up in a small church in Spain to leading modern worship with excellence. He recounts his moves from Spain to Denmark, then to Florida, and finally settling in Texas, where he honed his skills with Ableton Live and developed an efficient workflow for organizing worship sessions. Andrés offers practical advice for music directors, insights on keys sound design and VST selection, and tips for balancing keys playing, running tracks, and directing a band. He also encourages beginner players with heartfelt reminders that growth takes time, and walks viewers through his Ableton setup for today's worship environment.Andrés PáezAndrés Páez Ableton TemplateSupport the podcast with a small monthly donation! Support the showThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

Welcome back to *When Words Fail Music Speaks Podcast that battles depression with the healing power of music. In today's episode we're joined by rising indie rocker‑pop‑punk talent Zack King (yes, the one whose TikTok magic you love, now making waves with his own music).We kick off with a quick word from our sponsor, BetterHelp, reminding listeners that affordable, flexible online therapy is just a click away—plus a special 10 % discount for our audience.From there, host James “the professional handicapped” Cox dives into Zack's personal journey: why escaping Minnesota's bleak, long winters for Los Angeles's perpetual sunshine transformed his mental health, how a loyal dog and daily walks became his daily dose of vitamin D, and why that sunny vibe now powers his new album Text‑Way‑Into‑Your‑Heart (dropping September 12).Zack breaks down his genre‑spanning sound—rock, pop, and punk rolled into a fresh pop‑punk hybrid—while sharing his biggest musical influences, from Matchbox 20 to Paramore, and the role of writing, therapy, and honest lyricism in navigating anxiety, depression, and suicidal thoughts.We also explore the modern music‑maker's toolkit: Zack's love‑hate relationship with AI, his DIY production experiments in Ableton, the grind of being an independent artist (merch, gigs, social media, and the relentless hustle of juggling day jobs), and why he's staying indie for now.Fans will hear Zack's favorite cover stories, his hot‑take on music legends (Creed over Nickelback, Metallica over Megadeth), and a rapid‑fire round of “hardest questions” that reveal his guilty‑pleasure tracks and secret inspirations.Finally, Zack teases upcoming tour plans on the West Coast, new merch drops, and where listeners can find his music, TikTok, Instagram, and more.Tune in for a raw, authentic conversation about creativity, mental health, and the relentless pursuit of a song that truly resonates—because when words fail, music speaks.

Dorico and Ableton updates, Big Tech Keynotes, and new automation workflows.   Show Notes and Links • Dorico 6 release announcement • Dorico 6 Scoring Notes post • Lamy pens • MuseClass Shuttering It's Service • SmartMusic • Sam Altman and Jony Ive AI device project • Childhood's End (book) • FoodNoms app • Google I/O 2025 • Sky App • Becca Stevens • I'm With Her – See You Around • Bon Iver – i,i • Hvalfugl – En Dag | Oktober EP • More like K-BOP, amirite? by David MacDonald • E-40 – Tiny Desk Concert     Subscribe to the Blog   RSS | Email Newsletter   Subscribe to the Podcast in…   Apple Podcasts | Overcast | Castro | Spotify | RSS   Support Music Ed Tech Talk   Become a Patron!   Where to Find Us • Robby - robbyburns.com • Will - willkuhn.com   Please don't forget to rate the show and share it with others!

Mark Williams is a veteran that has paid his dues over more than two decades on the scene as a DJ and producer. Since the 80s, when he started his career at UK hot spots like the Ministry of Sound and Final Frontier, he has been laying the groundwork for his future success. His production work has also gained him acclaim the world over and he has released a staggering catalogue of quality tracks on some of the most respected techno labels in the world including: Tortured, Dark House, Pure Plastic, Phont, Primate, and Carl Cox's Ultimate Trax imprint, to name a few. In addition to releasing on other labels, Mark also has his own imprints: Artificial Vinyl, Real Sessions, Macumba and Real Vinyl. Mark has also gained worldwide recognition with his skilful and distinctive DJing style. Mixing tribal, tech house and techno on three decks and CDJs, his rocking performances have helped him to develop a strong fan base and facilitated gigs in places like Spain, Turkey, Slovenia, Japan, Brazil, Colombia, Macedonia, and Sweden. His first major tour was in 1998 when Mark was asked to join Carl Cox on his “World Wide Ultimatum Tour.” In 2000, Mark became a resident at a club night called “Damage” in Dublin and later that year he supported Billy Nasty on his “Torture Chamber World Tour.” 2003 found Mark on his first “Ingoma Tour” with Ben Sims which culminated in a now legendary party at the Loft Club, Barcelona, the weekend of Sonar. In 2004, Mark and Ben set out for another tour to promote Mark's debut album, “A Point in Time” on Ingoma. 2005 was another banner year, with Mark playing at clubs, parties and festivals around the world including a set for more than 40,000 people at the Monegros Festival in Spain. 2005 also saw Mark bringing his sound to radio. The “Concept Show” (www.conceptshow.com) is a monthly broadcast that Mark co-hosts with Macedonian DJ Goran Kan. Some of the past guests have been Mark Broom, Paul Mac, Ben Sims, Cari Lekebusch, Oscar Mulero and DJ Bone. From the studio to the DJ booth, Mark Williams is one of the brightest stars in the world of techno and his list of accomplishments is impressive and ever growing. In 2007, Mark has teamed up with Paul Mac to provide a new way of presenting his music using a combination of three turntables, 2 CDJs and a laptop running Ableton. Sou Tai are intending to fuse their customary sounds to create something new and fresh. The addition of Ableton to the standard setup enables the use of custom edits of classics and to be able to drop all manner of surprises into the mix. Mark has also found time to create a masterpiece of an album that expresses all the sides of his musicality. His love for tribal, Detroit techno and house music shines through in his album “You can't hide what you truly feel” (out later this year) for the label Subject Detroit. So far Mark has soared to new heights, with Sou Tai closing the Awakenings party in Holland to outstanding reactions from the crowds. With Sou Tai riding high the pair have had some superb gigs such as the one at Spanish super club Fabrik, and Mark has now found himself back playing in much loved Japan Tracklist via -Spotify: bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/   Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer   Keep up with SLAM: https://fanlink.tv/Slam  Keep up with Soma Records: https://linktr.ee/somarecords    For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

In this episode, SHIMA shares her journey from performing in a famous J-pop group at a young age, to producing bass-heavy tracks and playing major festivals like Coachella and Electric Forest. She dives into her unique production workflows using Ableton Live, favorite devices like Drum Rack, Bouncy Notes, and Resonators, and overcoming mixing issues. SHIMA also talks about her experience interning at Splice, helping build AI-powered sample tagging features.SHIMA is a genre-blending producer, vocalist, and DJ with roots in both Tokyo and the U.S. After launching her career in a major J-pop girl group, she pivoted to producing her own bass-driven electronic music, pulling inspiration from indie, trap, and experimental scenes. With a background in computer engineering and a DIY production ethos, SHIMA brings both technical precision and creative edge to her sound. Her performances include major festivals like Coachella and Electric Forest, and her track “Karma” gained momentum after being played by Zeds Dead at Red Rocks. SHIMA is currently gearing up to release her debut album this fall.Follow SHIMA:https://www.instagram.com/shimamusichttps://x.com/ShimaBanana7https://soundcloud.com/shimamusicofficialQuickly grow your skills and learn with Abe, the Ableton AI Chatbot:⁠⁠https://www.liveproducersonline.com/ableton-chatbot⁠⁠Join the newsletter to get free Ableton content + early episode access:⁠⁠⁠⁠⁠https://www.liveproducersonline.com/newsletter⁠⁠

Don't miss the 2025 Ultimate Ableton Weekend Retreat, happening November 7–9 at Ableton's U.S. headquarters in Pasadena, CA. Learn about the stacked lineup of presenters, exclusive tours, hands-on studio sessions, and how to grab your ticket before they sell out. Full weekend passes and Sunday-only tickets are limited for a personalized experience. Learn more and secure a ticket: ⁠https://www.abletonpodcast.com/register2025See you there!

Episode SummaryWill AI replace developers? In this episode, Snyk CTO Danny Allan chats with Michael Grinich, the founder and CEO of WorkOS, about the evolving landscape of software development in the age of AI. Michael shares a fascinating analogy, comparing the shift in software engineering to the historical evolution of music, from every family having a piano to the modern era of digital creation with tools like GarageBand. They explore the concept of "vibe coding," the future of development frameworks, and how lessons from the browser wars—specifically the advent of sandboxing—can inform how we build secure AI-driven applications.Show NotesIn this episode, Danny Allan, CTO at Snyk, is joined by Michael Grinich, Founder and CEO of WorkOS, to explore the profound impact of AI on the world of software development. Michael discusses WorkOS's mission to enhance developer joy by providing robust, enterprise-ready features like authentication, user management, and security, allowing developers to remain in a creative flow state. The conversation kicks off with the provocative question of whether AI will replace developers. Michael offers a compelling analogy, comparing the current shift to the historical evolution of music, from a time when a piano was a household staple to the modern era where tools like GarageBand and Ableton have democratized music creation. He argues that while the role of a software engineer will fundamentally change, it won't disappear; rather, it will enable more people to create software in entirely new ways.The discussion then moves into the practical and security implications of this new paradigm, including the concept of "vibe coding," where applications can be generated on the fly based on a user's description. Michael cautions that you can't "vibe code" your security infrastructure, drawing a parallel to the early, vulnerable days of web browsers before sandboxing became a standard. He predicts that a similar evolution is necessary for the AI world, requiring new frameworks with tightly defined security boundaries to contain potentially buggy, AI-generated code.Looking to the future, Michael shares his optimism for the emergence of open standards in the AI space, highlighting the collaborative development around the Model Context Protocol (MCP) by companies like Anthropic, OpenAI, Cloudflare, and Microsoft. He believes this trend toward openness, much like the open standards of the web (HTML, HTTP), will prevent a winner-take-all scenario and foster a more innovative and accessible ecosystem. The episode wraps up with a look at the incredible energy in the developer community and how the challenge of the next decade will be distributing this powerful new technology to every industry in a safe, secure, and trustworthy manner.LinksWorkOS - Your app, enterprise readyWorkOS on YouTubeMITMCP Night 2025Snyk - The Developer Security Company Follow UsOur WebsiteOur LinkedIn

In this episode of Music Is My Business, Clint shares wins from the Sync Producer Hub community and answers live viewer questions about managing workload, following up with libraries, breaking through creative blocks, and the role of AI in sync licensing. He also discusses building a consistent track output system, pitching effectively, and staying top-of-mind with publishers. If you're working to grow your catalog, maintain industry relationships, and adapt to changes in the sync world, this episode is packed with insights you can use. Tips for turning down work while maintaining relationships   How to handle a library that goes radio silent when and how to follow up   Logic Pro project file sizes vs. Ableton why they differ and how to manage space   How many tracks to send to increase your chances with a library   Do production libraries plan to use more AI music and phase out human producers?  Have you had overlaps on SoundExchange with publishers?   Does signing a Schedule A with a library like Tune Edge usually lead to placements?   How to break writer's block as a producer   If I'm emailing five libraries a day, when should I slow down outreach?   Licensing tracks before sending them to a library how it works   Are there staff producer opportunities for someone proficient in Logic Pro?   Join Sync Producer Hub – https://www.syncproducerhub.com

Episode 362: RASHAD SMITH (Pt.2): "Bad Boy's First Hitman & His Fallout With Biggie" In Part 2 of our deep dive with legendary producer @Rashad_Ringo_Smith, the @RoadPodcast crew uncovers even more behind-the-scenes stories that shaped the sound of hip-hop and R&B.Rashad kicks things off by breaking down the making of the iconic “One More Chance” and its different versions (00:01), before opening up about the intense, high-stakes creative process at Bad Boy Records under the direction of @Diddy (09:01). He reveals how the classic “Bad Boy” sound came together — especially the blend of vocal powerhouses @theRealFaithEvans and @theRealMaryJBlige, which helped redefine R&B (20:03).He shares the wild backstory behind LL Cool J's “Doin It” — a track originally made for Biggie — and the behind-the-scenes fallout with Puff and B.I.G. when it landed elsewhere (27:21). The crew dives into LL's catalog and legacy (50:34), before Rashad reflects on his creative connection with @QTipTheAbstract and his work with A Tribe Called Quest (54:22).Wrapping things up, Rashad talks about collaborating with @Nas and @50cent, and reflects on the moment that stands out most in his legendary career (1:30:01). This episode is sponsored by @SoundCollectiveNYC, an industry-leading music school, musical space and community located in downtown Manhattan for aspiring DJ's, Producers, Musicians and more. Take private Ableton lessons, practice DJ routines, experiment with different audio equipment and reserve studio spaces for just the day, maybe a week or sign up for their monthly membership. Check www.soundcollective.com for more info and try their Online Classes free for a month by entering the code “ROAD”. If you're in the New York area, visit them at 28 Broadway, New York, NY 10004 and tell them the Road Podcast sent you!! Try Beatsource for free: btsrc.dj/4jCkT1p Join DJcity for only $10: bit.ly/3EeCjAX

Will Rees – Ableton Live 12 Trance Template (138 BPM | Uplifting / High Energy) Buy here - https://payhip.com/b/SkP1Q This is a full uplifting trance template I've built in Ableton Live 12 Suite, using only stock plugins — no third-party VSTs. The track sits at 138 BPM and captures that high-energy, peak-time sound I'm known for — driving basslines, euphoric leads, tight percussion, and spacious atmospheres. It's fully arranged and mixed, with a complete mastering chain included so you can hear it at full power straight out of the box. I've made heavy use of Ableton's built-in synths like: Wavetable – for the main lead, pads, and textures Operator – for bass and supporting synth layers Analog, Sampler, and Drum Rack – all dialled in to give you that polished trance sound Mastering Chain (All Stock Plugins): EQ Eight – for shaping and cleaning the mix Glue Compressor – for tight dynamics Saturator – to add a bit of edge and colour Limiter – for loudness control Perfect for: Learning how to structure and arrange a full trance track Understanding how to mix and master using only stock tools Sparking new ideas or building your own track from a pro-level foundation While weekly releases of third-party plugins can be very useful, over my years of teaching, I've found that as we chase the next best thing, truly understanding how stock plugins work—and using them to their full potential—can be just as effective. This solid foundation becomes especially valuable when you later work with third-party plugins. Everything is labelled clearly, and I've kept the session clean so you can follow along easily. Whether you're just starting out or want to dive into how I work inside Ableton, this should give you loads of insight. Also, you'll also find the fully mastered WAV in the folder—feel free to include it in your sets! This project is intended for educational purposes only. Commercial release or distribution of this track is strictly prohibited. Unauthorized will result in legal action.

SayWhat?! and Adriance dive into the creation of their new duo project Missing Reflections, blending soul-drenched samples, golden-era hip hop, and distorted basslines. We talk sample chopping with Serato Sample, unquantized drums, max for live devices, mixing tools, and creating nostalgic, imperfect grooves.Adriance – With recent highlights like Pretty Lights' Yawn Dawn Silent Disco 2025 and upcoming shows with Kapatian, Adriance has racked up 25k SoundCloud plays in 4 months and dropped 15 tracks this year. He's also launched the Missing Reflections Patreon, pushing boundaries between lofi and experimental bass.SayWhat?! – Known for his shows, performing trumpet, and collaborations with Jason Leech, Sunsquabi members, and more, SayWhat?! dives into his live rig, production mindset, and how reuniting with Adriance sparked a more vulnerable creative approach.Follow & support Missing Reflections:⁠⁠https://www.instagram.com/missingreflections⁠⁠https://linktr.ee/saywhatstudiohttps://linktr.ee/AdrianceQuickly grow your skills and learn with Abe, the Ableton AI Chatbot:⁠⁠https://www.liveproducersonline.com/ableton-chatbot⁠⁠Join the newsletter to get free Ableton content + early episode access:⁠⁠⁠⁠⁠https://www.liveproducersonline.com/newsletter⁠⁠

Episode 362: RASHAD SMITH (Pt.1): The Mystery Beatmaker for Rakim, Uptown Records & Busta Rhymes This week on @RoadPodcast, the crew sits down for Part 1 of an epic two-part conversation with legendary producer @Rashad_Ringo_Smith — the mastermind behind tracks for @TheNotoriousBIG, @BustaRhymes, @JayZ, @Beyonce, @TheGodRakim, and more. You may not know his name, but you definitely know his sound. Rashad kicks things off by reflecting on his early days as a DJ, his childhood nicknames, and the powerful influence his mother had on his musical journey (00:11). He shares his deep love for jazz and reveals how he flipped the same sample two different ways for Busta Rhymes' “Woo Hah” and its remix featuring @OlDirtyBastardLegacy (08:55). He breaks down the art of crate digging with iconic producers, the origins of the “pause tape,” and how it became the foundation for early production before DAWs (18:01). Rashad dives deep into the making of “Woo Hah,” seeing the Hype Williams-directed video for the first time, and Spike Lee's unexpected interest in using the track for Clockers (38:01). From crafting “Don't Sweat the Technique” to the murky politics of credit in the industry (58:10), Rashad opens up about why he calls himself “The Muted Drum” — a nod to his role as one of the most “unknown, known” producers in hip-hop (1:11:04). He also shares stories from his time at Uptown Records, working with a young @Diddy, and the moment he invented the producer tag (1:31:01), before diving into the rise of Bad Boy Records and the complicated dynamics behind the scenes (1:55:01). The episode wraps with Rashad reflecting on the making of the classic Notorious B.I.G. track “One More Time” (2:10:33). Don't miss Part 2, where Rashad speaks on more of his iconic tracks and tells unforgettable stories. This episode is sponsored by @SoundCollectiveNYC, an industry-leading music school, musical space and community located in downtown Manhattan for aspiring DJ's, Producers, Musicians and more. Take private Ableton lessons, practice DJ routines, experiment with different audio equipment and reserve studio spaces for just the day, maybe a week or sign up for their monthly membership. Check www.soundcollective.com for more info and try their Online Classes free for a month by entering the code “ROAD”. If you're in the New York area, visit them at 28 Broadway, New York, NY 10004 and tell them the Road Podcast sent you!! Try Beatsource for free: btsrc.dj/4jCkT1p Join DJcity for only $10: bit.ly/3EeCjAX

In this episode, we hear from Christian Kleine aka Max4Cats who's been on the Ableton team for 24 years, since version 0.9 ! Christian is known for his groundbreaking Max4Live devices, as well as many of the integral elements within Ableton Live, and the softwares overall development. Max4Live was built into Ableton Live in 2009, and we discuss how this came about, was implemented, and how it's still being developed - including the amazing new RNBO add-on.    Max4Live is a platform which gives users the ability to create their own plugins directly within Ableton - implemented in collaboration with Max MSP's creators Cycling '74. A gigantic resource of devices can be found on Max4Live.com. We discuss his superb devices as Max4Cats, including the OSCiLLOT Modular Synthesizer, BENGAL the Semi-Modular FM Synthesizer System, and how he recreated the EMS Synthi A model in SynthieCat. Christian also shares his love for unique hardware synths which he releases music with today.    http://maxforcats.com/ https://maxforlive.com https://christiankleine.bandcamp.com/   BONUS: Get 15% off ANY device in midierror's Max4Live store using the code MIDIERRORSONICSTATE15   This is series 2, episode 9 and there are 50 previous episodes available now featuring Fatboy Slim, CJ Bolland, Andrew Huang, Tim Exile, High Contrast, Mylar Melodies, Infected Mushroom, DJ Rap, John Grant and many more. Available on Soundcloud, Spotify, Apple Music and Bandcamp.  See the full list of episodes at: sonicstate.com/midierrormeets

Welcome 3lska to the series and to the state. Originally hailing from Chicago and just moved to Hamilton MT this week! This is a mix of all original tracks produced this year on Ableton using MIDI gear and a Korg MicroKorg. Organic House, Tech House, Deep House, Breaks all inspired by floating in rivers with my ears below the water, watching the birds and clouds above. - 3lska -

Andrew develops some of the world's most advanced analog modelling audio algorithms, releasing these as plugins through his own company Cytomic, and licensing technology to industry leading developers like Ableton (Live, Move, Push), and Xfer Records (Serum). Andrew Simper Links Mr Bill Links Summary In this conversation, Bill Day and Andy Simper delve into the intricacies of audio programming, DSP algorithms, and the evolution of music production tools. They discuss the challenges faced in hardware development, the early days of VST plugins, and the impact of the Glue compressor on Ableton's EQ8. The conversation also explores the technicalities of filters, the transition from bi-quad to state variable filters, and the nuances of summing engines in audio quality. Throughout, they emphasize the importance of efficiency in DSP and the future of audio processing. Chapters 00:00 Introduction and Background 06:02 Early Days of Audio Programming 11:56 The Glue Compressor and Its Impact 18:01 The Transition to Better Algorithms 23:55 The Future of Audio Processing 30:33 Understanding Audio Summing and Its Implications 36:06 The Complexity of DSP Equations 41:18 Optimizing CPU Usage in Audio Plugins 52:12 Challenges in Audio Feature Extraction 59:17 The Complexity of Circuit Simulation 01:06:18 Modeling Analog Gear: The Importance of Realism 01:11:39 Criteria for Meaningful Emulation vs. Mimicry 01:20:40 Imagining Unlimited Computational Power in DSP 01:25:42 Unsolved Problems in Digital Signal Processing  

In this episode, Helmuts Bems, CEO of Sonarworks, shares deep insights into the company's journey, the science of calibration, and how AI is reshaping the future of music production. We explore the evolution of studio environments, the shift toward minimal hardware, and the integration of AI tools in creative workflows.Helmuts Bems co-founded Sonarworks in 2012 and has grown it into a global leader in sound calibration technologies, used in over 170 countries by Grammy-winning engineers and producers. Under his leadership, the company has expanded from high-end studio solutions to consumer-level products, and more recently, Voice AI tools. He brings a visionary perspective on the future of audio, technology, and human creativity.Follow Sonarworks:https://www.sonarworks.comInstagram: @soundidcreators Facebook: @soundidcreators LinkedIN: @SonarworksYoutube: @SoundIDCreatorsQuickly grow your skills and learn with Abe, the Ableton AI Chatbot:⁠⁠https://www.liveproducersonline.com/ableton-chatbot⁠⁠Join the newsletter to get free Ableton content + early episode access:⁠⁠⁠⁠⁠https://www.liveproducersonline.com/newsletter⁠⁠

Episode 360: BOBBITO GARCIA "B-Ball, Hip-Hop & Sneakers — Where the Love Still Lives?" This week on @RoadPodcast, the crew sits down with the legendary @KoolBobbLove a.k.a. Bobbito Garcia — DJ, author, and cultural icon. At 00:55, Bobbito breaks down the inspiration behind his new book “Bobbito's Book of B-Ball Bong Bong!”, touching on caregiving, basketball, and his writing process. He and @DJcrooked reminisce about growing up in the same building (11:45), and at (18:45), he shares his thoughts on Rap vs. Hip-Hop, giving today's scene a “under 5” rating. At (22:55), he reflects on his lifelong love for Hip-Hop, sneakers, basketball, and DJing. He opens up about stepping back from performing live (37:55) and honors his father's legacy and roots in Puerto Rican pro basketball (49:01). Crooked reflects on Bobbito always staying ahead of the curve (57:01) before Bobbito closes with the Road Podcast 10 at 1:05:01. This episode is sponsored by @SoundCollectiveNYC, an industry-leading music school, musical space and community located in downtown Manhattan for aspiring DJ's, Producers, Musicians and more. Take private Ableton lessons, practice DJ routines, experiment with different audio equipment and reserve studio spaces for just the day, maybe a week or sign up for their monthly membership. Check www.soundcollective.com for more info and try their Online Classes free for a month by entering the code “ROAD”. If you're in the New York area, visit them at 28 Broadway, New York, NY 10004 and tell them the Road Podcast sent you!! Try Beatsource for free: https://btsrc.dj/4jCkT1p Join DJcity for only $10: https://bit.ly/3EeCjAX

Watch on YouTubeIn this episode of The Worship Keys, Carson Bruce chats with Evan Fernald from The Belonging Co. about all things tracks in worship. Whether you're new to using tracks or looking to level up your setup, this conversation dives into the heart behind it all—how to keep worship spontaneous and structured. Evan breaks down his process for running tracks with flexibility, training your team, setting up gear, and navigating live worship without missing a beat. Plus, get a behind-the-scenes look at his Ableton Live session layout and real-world tips for integrating tracks into your service with confidence.Evan FernaldAbleton Session Templates & Touch OSC FilesThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

In this episode, Collin Burdick (Big Nut Chuck / Kyral x Banko) shares sound design workflows, producer practices to consider, and more. Dan and Collin also explore music royalties and publishing rights, mixing & mastering techniques, sidechaining tips, and insights for DIY artists.Big Nut Chuck is a Denver-based producer known for his intricate bass-driven sound design. Formerly half of the duo Kyral x Banko, he's performed at major festivals across the U.S. and released music on several labels including Wakaan. A classically trained saxophonist and clarinetist, Collin blends technical know-how with playful branding—centered around squirrels, creating a memorable artist brand.Follow Big Nut Chuck:https://www.instagram.com/bignutchuckhttps://www.tiktok.com/@bignutchuckbeats Quickly grow your skills and learn with Abe, the Ableton AI Chatbot:⁠⁠https://www.liveproducersonline.com/ableton-chatbot⁠⁠Join the newsletter to get free Ableton content + early episode access:⁠⁠⁠⁠⁠https://www.liveproducersonline.com/newsletter⁠⁠

Episode 359: BRAD LEBEAU "From the Early Days of Disco to a Record Promo Dynasty" This week on @RoadPodcast, the crew sits down with legendary music marketer, DJ, and founder of @promotion1983, Brad LeBeau, for an unfiltered conversation on the evolution of dance music, the hustle behind hit records, and the personal cost of chasing legacy in the industry. With his company “PRO MOTION” celebrating 42 years at the forefront of record promotion, Brad reflects on the moments that defined his journey. Brad opens up about his early DJ days, sharing how his father's advice shaped his outlook (4:42), and how substance use became a short-lived fix for performance anxiety (08:33). He reflects on his time at Discoteca magazine and witnessing the birth of disco in America (21:01), before diving into his first major solo promotion: @Afrika_Bambaataa_Official and Soulsonic Force's “Planet Rock” (23:01). He breaks down his philosophy on record promotion, working with @DianaRoss in 2017 (49:11), and his brief but dramatic collaboration with @LouieVega on an official Diana Ross remix—and their eventual falling out (1:13:34). Brad shares his thoughts on streaming vs. selling singles (1:34:01), the devaluation of music through price drops, theft, and convenience (1:45:15), and his continued love for the craft despite industry changes. He also recounts working with Gloria Estefan and the little-known backstory of Gloria Gaynor's “I Will Survive” (2:13:01). The episode wraps with a deep dive into DJ edit culture, the economics of remixes, and the growing disconnect between record labels and working DJs (2:23:01). This episode is sponsored by @SoundCollectiveNYC, an industry-leading music school, musical space and community located in downtown Manhattan for aspiring DJ's, Producers, Musicians and more. Take private Ableton lessons, practice DJ routines, experiment with different audio equipment and reserve studio spaces for just the day, maybe a week or sign up for their monthly membership. Check www.soundcollective.com for more info and try their Online Classes free for a month by entering the code “ROAD”. If you're in the New York area, visit them at 28 Broadway, New York, NY 10004 and tell them the Road Podcast sent you!! Try Beatsource for free: https://btsrc.dj/4jCkT1p Join DJcity for only $10: https://bit.ly/3EeCjAX

Joining us on the show this week is musician and educator, Anthony Thogmartin (@earthcrymusic). Most known for his work in the American livetronic band, Papadosio, and his side project Earthcry. Anthony is also the founder of the online education platform Seed To Stage, where he teaches a global community how to produce music using the Ableton software. In this conversation, we explore the interconnected nature of the polycrisis that our shared world is facing. With topics ranging from A.I technology, world economic systems, and utilizing art to create lasting change; we delicately weave a thread through many of the day's issues as well as their respective antidotes. Oh yeah, and we talk about Papadosio and their impending hiatus. If you want to stay plugged in with Anthony's work moving forward, head on over to seedtostage.com. Show Topics - Is The World Too Dangerous for Our Children? - Is A.I Good or Bad? - Seeing Complexity as a Superpower - Being Comfortable with Unsureness - Moving Beyond Black and White Thinking - The Main Issue of the U.S is an Economic One - New Ways of Organizing - Seed to Stage/ Earthcry - Papadosio Hiatus - Effects of Lacking Capital - Getting Activated

This week on @RoadPodcast, the crew chops it up with UK DJ and producer @snipsmusic, founder of London's legendary “Living Proof” party. Snips breaks down how he got his name (01:41), his early love for house music, and the influence of UK genres like Lovers Rock, Jungle, and Drum & Bass. He shares wild stories from the London scene — including the time they accidentally booked a fake MF DOOM — and reflects on the rise and fall of “Living Proof” (12:30). The crew delves into the evolution of UK hip-hop, the legacy of @timwestwoodtv, and iconic UK shows featuring @jayz and @bustarhymes (24:10). Snips also discusses the beauty of vinyl culture (34:01) and the politics of equipment snobbery — from USB sticks to Serato (52:19). Things heat up during a fiery debate on NY hip-hop elitism, @souljaboy, and the future of DJ tech (1:19:30). Later, Snips critiques NYC's current house scene, the optics of “diversity” in nightlife, and why he focused on building a community in Brooklyn (1:31:04). The episode wraps with sharp takes on @50cent, @jarule, the divide between mainstream and underground rap, and one last rant about his Twitter beef with @Nelly (2:03:10). This episode is sponsored by @SoundCollectiveNYC, an industry-leading music school, musical space and community located in downtown Manhattan for aspiring DJ's, Producers, Musicians and more. Take private Ableton lessons, practice DJ routines, experiment with different audio equipment and reserve studio spaces for just the day, maybe a week or sign up for their monthly membership. Check www.soundcollective.com for more info and try their Online Classes free for a month by entering the code “ROAD”. If you're in the New York area, visit them at 28 Broadway, New York, NY 10004 and tell them the Road Podcast sent you!! Try Beatsource for free: https://btsrc.dj/4jCkT1p Join DJcity for only $10: https://bit.ly/3EeCjAX

In this episode, Mux Mool discusses the evolution of sampling from vinyl digging to digital libraries, shares his take on AI in music, details his Ableton Live workflow and live setup—plus offers career advice for producers.Brian Lindgren, aka Mux Mool, is an American electronic producer and visual artist known for his funky, bass glitch hop. A longtime Ableton user since version 4, Brian came up with early tracks featured on iTunes' best-of lists and releases on Adult Swim. He's performed on Conan O'Brien, joined Pretty Lights on tour in 2015–2016, co-founded Super Best Records, and continues to innovate while being based in Denver, Colorado.Follow Mux Mool Below:https://www.instagram.com/muxmoolhttps://www.facebook.com/muxmool SPONSORED BY MAGIC MIND:Magic Mind is a productivity drink. It gives you all the mental clarity and focus you need without the unhealthy effects like other energy products. One shot gives you the perfect combo of nootropics, adaptogens, and functional mushrooms in a high quality drink.Use code ABLETONPODCAST60 for 60% off your Magic Mind subscription:https://www.magicmind.com/abletonpodcast60Quickly grow your skills and learn with Abe, the Ableton AI Chatbot:⁠⁠https://www.liveproducersonline.com/ableton-chatbot⁠⁠Join the newsletter to get free Ableton content + early episode access:⁠⁠⁠⁠⁠https://www.liveproducersonline.com/newsletter⁠⁠

When we last heard from Rachika Nayar, she was creating warped textures from her guitar and the software program called Ableton. Our introduction to Nina Keith came from her 2019 album Maranasati 19111, an eerie album of electroacoustic chamber music. After fan-girling each other's music online, the two composer/musicians have now joined forces for a new project called Disiniblud. Their fantastical wordless conversations graze freely from post-rock, glitchy indie electronica, neo-classical, and pop – “all resulting in a work that suggests sweeping transformation can come from embracing old wounds with childlike wonder”, (album liner notes on Bandcamp.) Disiniblud plays new music from their 2025 self-titled debut album, in-studio.

Episode 357: CLUB 1BD "The Viral Apartment Party That Took Over Your Feed" This week, we're joined by @ItsDavidTheDJ and @ArtyFurtado—the creator and curator behind the viral sensation @Club1BD. We kick things off with the origin story of Club 1BD and how it all began with a breakout viral moment (00:55). David shares his journey from wedding DJ to internet phenomenon, and how a chance meeting with Arty at NYU sparked their creative partnership (12:01). They speak on challenges of copyright and how it shapes monetization strategies (22:01), followed by a discussion about the criticism surrounding crowd reactions (40:50). They open up about collaborating with guest DJs, expanding the party beyond NYC, and the distinct visual editing style of @BestOfVoguee—all while honoring the deep influence of Black and Queer culture (48:01). At (1:11:01), we talk about why a great mix alone isn't enough in today's landscape—you need standout videography to cut through the noise. The crew reflects their mission to spotlight women DJs while challenging the stigma around using controllers in DJ culture (1:30:01). Lastly, Arty sharing insights on his company, @FurtadoGlobal, and how it's pushing the boundaries of event innovation in NYC and beyond (1:39:30). This episode is sponsored by @SoundCollectiveNYC, an industry-leading music school, musical space and community located in downtown Manhattan for aspiring DJ's, Producers, Musicians and more. Take private Ableton lessons, practice DJ routines, experiment with different audio equipment and reserve studio spaces for just the day, maybe a week or sign up for their monthly membership. Check www.soundcollective.com for more info and try their Online Classes free for a month by entering the code “ROAD”. If you're in the New York area, visit them at 28 Broadway, New York, NY 10004 and tell them the Road Podcast sent you!! Try Beatsource for free: https://btsrc.dj/4jCkT1p Join DJcity for only $10: https://bit.ly/3EeCjAX

Episode 355: INDO WAREHOUSE “Bringing South Asia To Coachella, and Creating A New Genre ‘IndoHouse'” In this episode, DJ Crooked sits down with @Indo.Warehouse founders @KunalMerchant and @KahaniMusic to talk about the rise of Indo-House — a genre fusing South Asian musical heritage with house and dance music. What started as a passion project has grown into a global movement, with Indo Warehouse delivering immersive live shows at iconic venues like @Coachella and @BrooklynMirage, and soon, the @F1 Grand Prix in Singapore. Kahani and Kunal share their paths into music (01:15), the moment their creative partnership began (20:43), and how they've navigated the tension between cultural authenticity and mainstream appeal (33:10). They discuss building the Indo Warehouse brand while juggling day jobs (46:01), nurturing their audience's understanding of the genre (1:00:31), and signing with @UnitedTalent to expand their global reach (1:16:20). We also reflect on their game-changing Coachella performance (1:46:20) and close with a conversation about Indo-House's broader cultural impact — from music to fashion and beyond (1:50:01). Be sure to stay tuned to the R.O.A.D. Patreon for a special Indo-house edit pack curated by Indo Warehouse. This episode is sponsored by @SoundCollectiveNYC, an industry-leading music school, musical space and community located in downtown Manhattan for aspiring DJ's, Producers, Musicians and more. Take private Ableton lessons, practice DJ routines, experiment with different audio equipment and reserve studio spaces for just the day, maybe a week or sign up for their monthly membership. Check www.soundcollective.com for more info and try their Online Classes free for a month by entering the code “ROAD”. If you're in the New York area, visit them at 28 Broadway, New York, NY 10004 and tell them the Road Podcast sent you!! Try Beatsource for free: https://btsrc.dj/4jCkT1p Join DJcity for only $10: https://bit.ly/3EeCjAX

Episode 353: THE CAPTAINS OF INDUSTRY “The ‘Club Yacht Rock' Mixshow” On this week's episode of the @RoadPodcast, the crew is joined by @TheCapts to discuss their new radio show on @SiriusXM's Yacht Rock channel (1:07). They dive into why they chose Yacht Rock, citing its unique vibe and @Questlove's take on it as “the best sitting down dancing music” (10:05), and introduce a star-studded guest DJ lineup including @DJAngieVee, @DJExcel, @Fashen, @DJGoldfingerNYC, @Monalisa7872, @DJJazzyJeff, @MyFavoriteDJ @IAmMarkRonson, @DJRobLV, @DJRizNYC, @MrSonnyJames, @StevenHartkaMusic, and @ZTrip (13:50). They break down their top Yacht Rock tracks (19:40)and discuss the evolution from Season 1 to Season 2 of their show (31:01).. The episode also features a candid discussion on the relevance of DJ agencies today (1:07:20), the emergence of “Detroit-style” LA (1:15:10) and exclusive membership clubs (1:24:50). This episode is sponsored by @SoundCollectiveNYC, an industry-leading music school, musical space and community located in downtown Manhattan for aspiring DJ's, Producers, Musicians and more. Take private Ableton lessons, practice DJ routines, experiment with different audio equipment and reserve studio spaces for just the day, maybe a week or sign up for their monthly membership. Check www.soundcollective.com for more info and try their Online Classes free for a month by entering the code “ROAD”. If you're in the New York area, visit them at 28 Broadway, New York, NY 10004 and tell them the Road Podcast sent you!! Try Beatsource for free: https://btsrc.dj/4jCkT1p Join DJcity for only $10: https://bit.ly/3EeCjAX