Podcasts about Ableton

Cyclops Kit

Kill The Noise breaks down his evolving creative process—from couch-surfing bass producer to film scores—while navigating an AI-heavy landscape and real-life deadlines. We dive into his Ableton Live workflow for sidechaining and sound design, “stink mode” bass concepts, and the mindset to finish records without getting stuck in perfectionism.From film scores to studio production and major festival stages, Jake Stanczak—better known as Kill The Noise—has built a career defined by evolution and experimentation. Influenced early on by visionary filmmakers and boundary-pushing artists, his sound bridges cinematic intensity and forward-thinking electronic music, with collaborations ranging from Skrillex and Deadmau5 to Tom Morello, plus contributions to major film scores like Teenage Mutant Ninja Turtles and xXx: Return of Xander Cage alongside Brian Tyler.Follow Kill The Noise:https://www.instagram.com/killthenoiseGrab limited-edition Producer Merch & save 10% with the code "podcast":https://www.abletonpodcast.com/merchJoin the newsletter to get free downloads, early episode access, and upcoming events.https://www.abletonpodcast.com/newsletter

What happens when a touring jazz bassist, electronic music pioneer, film composer consultant, and music educator decides to reinvent music education using AI?John von Seggern joins Jason Tonioli for a fascinating conversation about adapting to constant change in the music industry, building a long-term creative career, and why musicians who refuse to evolve often get left behind.John shares stories from launching his jazz career in Tokyo, touring the world with massive Hong Kong pop stars, working with Disney and Thomas Newman's team on WALL-E, and eventually moving into online music education long before it became mainstream.The conversation also dives deep into the future of AI in music. Rather than replacing musicians, John explains how AI can become a powerful creative assistant that helps artists learn faster, market themselves better, and remove technical roadblocks without sacrificing creativity.If you've ever wondered where music education, production, and the music industry itself are heading next, this episode is packed with insight.To read the complete transcript and watch the podcast video, visit the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠episode blog⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠What You'll Learn- Why musicians must evolve as technology changes- How John built an international music career in Asia- The realities of touring professionally for major pop artists- Why passion matters more than chasing trends- How AI can help musicians without replacing creativity- The future of personalized music education- Why information overload is hurting modern learners- How AI can accelerate music production workflows- The difference between making “mid” music and meaningful art- Why musicians should still learn instruments in the AI era- How online music education has evolved since 2010- The importance of adapting your career over time- How AI can help musicians with marketing and business- Why many successful musicians eventually pivot creatively- How technology is reshaping the future of learningTopics Covered in This Episode- Studying jazz at the New School in New York- Launching a jazz career in Tokyo- Touring internationally with Hong Kong pop stars- Playing venues like Wembley Arena and Madison Square Garden- Becoming one of Asia's first computer DJs- Transitioning into electronic music production- Studying ethnomusicology and internet music culture- Working with Native Instruments- Consulting for film composers in Los Angeles- Working on WALL-E with Disney collaborators- The evolution of online music education- Zoom and the transformation of remote learning- Building Future Proof Music School- Developing AI-powered music coaching tools- Using AI inside Ableton Live- AI-assisted coding and plugin creation- Music marketing with AI- The dangers of losing passion in your music careerWho This Episode Is For- Music producers- Electronic musicians- Touring musicians- Jazz musicians- Independent artists- Music educators- Ableton users- Film composers- Songwriters- Artists interested in AI tools- Musicians exploring online education- Creators building long-term careers- Producers overwhelmed by information overload- Artists trying to adapt to industry changesConnect with  John von Seggern WebsiteLinkedInInstagramFacebookYouTubeInstagram (Future Proof Music School)TikTokConnect with Jason TonioliWebsite FacebookYouTube InstagramSpotifyPandoraAmazon MusicApple Music

The crew sits down with the "World's Sexiest DJ" and Playboy's 50th Anniversary Playmate, Colleen Shannon. Colleen shares her fascinating background, from growing up in the freezing fishing villages of Alaska to becoming a global touring DJ. She opens up about balancing her wild career with motherhood, co-parenting her two amazing kids in Arizona, and transitioning from a massive modeling career to becoming a full-time music producer using Ableton.The conversation dives deep into the gritty reality of the electronic music industry. Colleen discusses learning to DJ on actual vinyl back in 1999 and shares her frustrations with modern DJs relying entirely on pre-programmed sets instead of reading the crowd. Tru and Colleen swap their honest opinions on the Las Vegas nightclub scene, the incredibly strict rules of DJing internationally in places like China, and her unforgettable Friday night residency with the late DJ AM at Rain. They also touch on the hidden truth behind massive festival DJs and the reality of ghost producers.Things get crazy as the group swaps hilarious and wild stories about doing mushrooms at a Wu-Tang Clan and Rage Against the Machine concert, navigating intense LSD trips, and the bizarre realities of the Hollywood party scene. Colleen also reveals why she permanently deleted her OnlyFans account four different times because it was soul-sucking, her dreams of collaborating with Diplo and Shaq, and the release of her brand-new children's book, "I Am DJ Boy."Be sure to like, comment, and subscribe for more unfiltered interviews and Las Vegas nightlife secrets!

Beyond thrilled to be introducing our next guest, Echo Juliet and this killer mix she cooked up- using her first love of percussion as the defining element of her sound. The DJ and producer swapped her classical music degree for Ableton and decks. A friendly, yet formidable force, her DJ sets journey through deep house, percussion-filled global electronic, and warm sounds which have seen her open for Bradley Zero, Tom VR, Nightmares on Wax, The Orb, Jeremy Sylvester and more. Receiving comparisons to Four Tet and Bonobo, her colourful productions dwell on the fringes of club music, leaning towards the leftfield. From high energy excitement to dreamy textures, she draws influence from broken-beat, deep house and classical percussion. Recently named one of DJ Mag's emerging artists to watch, her releases have also been featured in Bandcamp's Best Electronic list, played in legendary clubs such as Fabric, and supported by DJs including Axel Boman, Seb Wildblood, and BBC 6Music tastemakers Gilles Peterson, Nemone and Tom Ravenscroft. She has also featured on a compilation alongside electronic icons 808 State, and been remixed by Gold Panda. Radio credits have seen her guest hosting on NTS and mixes for Rinse FM and The Face Radio in New York, as well as hosting a radio series for promoter Soundcrash. Meanwhile, DJing has taken her from noted South-London party Rhythm Section and residencies for The Standard and Variations, to SXSW in Austin, We Out Here festival's second stage and playing to over 3,000 people at Dreamland Margate. Committed to creating a more inclusive music scene, she founded Future Proof for Bradley Zero's Rhythm Section label, has taught music production to women and non-binary folks for Saffron and is a director of DJ community Selextorhood.

Today we're joined by David Satori — co-founder of Beats Antique alongside Zoe Jakes and Sidecar Tommy, a trio that came out of the San Francisco performance underground, Burning Man, and the West Coast Circus Bass music scene. He's also co-founder of Dirtwire with Evan Fraser and Mark Reveley, which blends experimental bass music with folk music from around the world. Between the two projects he's co-produced and recorded over 20 albums in the past 15 years. He also co-founded a nonprofit called SunRise Studios Collective, which builds micro recording and multimedia studios in under-resourced communities around the world to give youth a voice through music and production. David and I actually go back to a tour we did together in 2017, so it was good to catch up. We spend a good chunk of this one talking about life on the road — buying and converting buses, what it actually costs to tour as an independent artist, and the tradeoffs between owning your vehicle versus renting. He just got off a two month run with Dirtwire and shares what touring looks like for them right now, including how they run their live setup with Ableton and handle sound checks. Hope you enjoy it. Please welcome David Satori. David Satori Links Mr. Bill's Links 

In this episode, COPYCATT dives into bass music sound design and Ableton workflows—breaking down a track, talking clipping vs limiting, fun stories, and sharing tools for getting movement and character. We'll talk about waveshaping, feedback experiments, and a few Live 12.4 favorites.COPYCATT (Andre) is an Australian-based producer with a dedicated following in the neuro/ hip-hop/ bass scene, known for his unique sound design. His collaborations include working with artists like Frequent and Mr. Bill, and his tracks have been performed by acts such as Pretty Lights, Haywyre, Mr Carmack, Tipper, Excision, and more. Since his first release in 2015, COPYCATT has built a cult following around 90's hip hop-inspired grooves, hard-hitting snares, and bone-rattling sub basses—and he also releases sample packs and video tutorials to share his production process.Follow COPYCATT below:⁠https://soundcloud.com/itscopycatt⁠⁠https://instagram.com/itscopycatt⁠https://discord.com/invite/9cW8HnszvfGrab limited-edition Producer Merch & save 10% with the code "podcast":⁠https://www.abletonpodcast.com/merchJoin the newsletter to get free downloads, early episode access, and upcoming events.⁠https://www.abletonpodcast.com/newsletter

Step inside the mind of a Grammy-winning legend XCEL as he joins the Corner Convo to break down the art of the music hustle. From the streets of Chicago to the global stage, this episode is a masterclass in production, staying power, and the reality of the industry.In episode 296, Amon and Abasi sit down with XCEL to discuss his illustrious career working with icons like Kanye West, John Legend, and Twista. We dive deep into the technical side of the craft, exploring why he finally made the jump from Reason to Ableton and how he defines the difference between a beat maker and a true producer. Beyond the music, we tackle the cultural debates that keep the city buzzing. From the geography of Chicago neighborhoods to a heated rant on why New York should leave footworking alone, no topic is off limits. We also get XCEL's take on the current state of R&B, the impact of AI on sampling, and whether LeBron James truly belongs in the top ten of all time. This is a conversation for the creators, the fans, and anyone looking to understand what it takes to win at the highest level #hiphop #hiphopmusic

屋内と屋外での収録のどちらがいいかの話Ableton Moveの話今日のビートYouTube https://www.youtube.com/@katsuOfficialnote https://note.com/kermit71/TikTok ⁠⁠https://www.tiktok.com/@katsu_beat⁠⁠instagram https://www.instagram.com/kermit71【今日のキーワード】ROLAND SP-404 MKII / SP-404 MK2 / AKAI PROFESSIONAL MPC ONE / ビートメイク / コーヒー / Teenage Engineering EP-133 K.O.II / Ableton Move

Step inside the mind of a Grammy-winning legend XCEL as he joins the Corner Convo to break down the art of the music hustle. From the streets of Chicago to the global stage, this episode is a masterclass in production, staying power, and the reality of the industry.In episode 296, Amon and Abasi sit down with XCEL to discuss his illustrious career working with icons like Kanye West, John Legend, and Twista. We dive deep into the technical side of the craft, exploring why he finally made the jump from Reason to Ableton and how he defines the difference between a beat maker and a true producer. Beyond the music, we tackle the cultural debates that keep the city buzzing. From the geography of Chicago neighborhoods to a heated rant on why New York should leave footworking alone, no topic is off limits. We also get XCEL's take on the current state of R&B, the impact of AI on sampling, and whether LeBron James truly belongs in the top ten of all time. This is a conversation for the creators, the fans, and anyone looking to understand what it takes to win at the highest level #hiphop #hiphopmusic

"“Distant Songs” was inspired by the field recording “Archive of a Wander through the Museum of Automata, Lyon” by Florent Picollet. I began my process by eq'ing and editing the field recording into three overlapping sections. The new track was stretched using Paul's Extreme Sound Stretch and then processed and performed in Ableton. Lastly, Casio tones were added. "Museum of Automata, Lyon reimagined by Edward Ruchalski.IMAGE: Rama, CC BY-SA 2.0 FR , via Wikimedia Commons

This week we're diving into the new features in Ableton Live 12.4 with a live demo and discussion.We'll be exploring:Link Audio for real-time collaboration over local networksImprovements to Stem SeparationUpdates to Erosion, Chorus-Ensemble and DelayThe new Learn View systemWorkflow changes across Push, Move and NoteWe're less interested in reading release notes and more interested in asking:How useful are these tools in actual music-making situations?Join us as we test features, experiment live, and discuss where Ableton continues to push the platform.There's new music on Triplicate Records, check it out:https://jonnyfallout.bandcamp.com/album/the-subconsciousJoin the conversation:

ELPHNT is an Ableton authority. His extensive experience as a producer, performer, and educator has allowed him to see a common trope play out over and over again.It's accepted as the norm, but as he explains here, it doesn't have to be.On the one hand, scrolling endlessly for the perfect kick drum is funny.On the other, it is creative self-sabotage by disorganization.Here, ELPHNT provides a clear and direct path forward.Hear the full conversation in Episode 035 — Soul-Crushing Success feat. ELPHNT.What are ProducerHead Loops?Gems from past conversations worth running back. Perfect for when you need a quick hit of inspiration.ProducerHead is free to subscribe. Subscribers get access to The Practice — an ongoing video archive of in-studio sessions from guests on the show. Get full access to ProducerHead at producerhead.substack.com/subscribe

The conversation covers the importance of preparation and professionalism in the DJ industry, highlighting the significance of being well-prepared for gigs and the impact of industry standards on the quality of service provided. It also delves into the recent Ableton 12.4 update and discusses a video featuring a venue owner's perspective on DJs. Additionally, the conversation explores the challenges of Wi-Fi availability and the necessity of DJ preparation for events. The conversation covers event preparation, safety concerns, equipment quality, power management, DJ setlist analysis, and key takeaways for event planning. It emphasizes the importance of being prepared and over-prepping for events to ensure a successful and safe experience for all involved.

Figure singulière de la scène house, le travail de Ben Vedren est largement reconnu et salué à travers ses productions et ses performances LIVE/DJ sur tous les continent mais aussi ses qualités d'instructeur certifié et de conseiller chez Ableton. Son approche du DJing à la fois technique et intuitive, marque les esprits par son énergie et sa capacité à créer des voyages sonores uniques.instagram: https://www.instagram.com/benvedrenbandcamp: https://benvedren.bandcamp.comsoundcloud: https://soundcloud.com/ben-vedren @ben-vedren****Logistic records fête ses 30 ans****Trois décennies d'exploration sonore, d'audace et de groove. Depuis sa création en 1996, le label s'est affirmé comme une référence incontournable de la techno et de la house indépendantes, nourri par les influences du jazz, du hip-hop et de la soul. Avec près de 200 références, Logistic Records a marqué sans champs musical en collaborant avec des figures majeures comme Robert Hood, Daniel Bell, Ricardo Villalobos, Kool Keith, ou encore Matthew Dear, tout en accompagnant une nouvelle génération d'artistes visionnaires : Ark, Cabanne, John Thomas, Pit Spector, et bien d'autres.En 1999, le sous-label Telegraph voit le jour, fruit d'une collaboration avec Cabanne, et se consacre à des productions aux grooves plus lents et aux textures sonores complexes, spécialement conçues pour les DJs et les clubs. Toujours en mouvement, Logistic Records élargit sans cesse son univers créatif, comme en témoigne l'album hip-hop Keith's Salon du légendaire Kool Keith — une preuve de plus que le label reste fidèle à son ADN : libre, curieux et précurseur.https://www.logisticrecords.com------------------------------------------------------CAMPUS CLUB, les mixtapesCampus Club | mixes & résidences labelsAu plus près des cultures électro qui marquent la création musicale d'aujourd'hui, le réseau Radio Campus France donne carte blanche aux nouveaux talents des musiques électronique et aux labels défricheurs.  En écoute régulière sur plus de 30 radios et en podcast, retrouvez chaque semaine CAMPUS CLUB, un mix exclusif d'un.e DJ ou producteur.ice. de la scène française ou étrangère.------------------------------------------------------RADIO CAMPUS FRANCERadio Campus France est le réseau des radios associatives, libres, étudiantes et locales fédérant 30 radios partout en France.NOUS SUIVRE | FOLLOW USwww.radiocampus.frInsta @radio_campusNOUS ÉCOUTER | LISTENSite, webradios et podcastswww.radiocampus.frHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Wingman by Mixed In Key is a powerful music production plugin that listens to your audio and generates chords, basslines, and MIDI ideas that actually fit your track—perfect for producers, DJs, and songwriters working in Ableton, Logic Pro, or any DAW. Using advanced key detection, stem separation, and audio-to-MIDI conversion, Wingman helps you turn rough ideas, vocals, or loops into full arrangements in seconds, making it one of the fastest ways to write chord progressions, remix tracks, and finish songs without deep music theory knowledge.

****BEN VEDREN Figure singulière de la scène house, le travail de Ben Vedren est largement reconnu et salué à travers ses productions et ses performances LIVE/DJ sur tous les continent mais aussi ses qualités dinstructeur certifié et conseiller chez Ableton.Son approche du DJing à la fois technique et intuitive, marque les esprits par son énergie et sa capacité à créer des voyages sonores uniques. ****Tracklist 1 I Need You Closer (Mr Stone Edit) – A Antonio 2 Cruise Ship feat. Daniel Tate (Original Version) – Mike Shannon, Dewalta 3 The Way (Secret Ingredients Mix) – Global Communication 4 Vamos A La Beach (Original Mix) – Mungo Sound Machine 5 Endless Realm feat. Tunde Adebimpe (H2H Mix) – Chez Damier & Ben Vedren 6 I Just Want to Dance – SAULT 7 Figure Of Eight (Todd's Master Dub) – The Grid 8 Felicidade (Nandu Remix) – Shiny Head, Gleb Filipchenkov 9 Doiicie A – Minilogue 10 Move It Again – Tucillo (Hudd Traxx) 11 Next Is The E (Synthe Mix) – Moby 12 The Miracle (Rework 2) – Ben Vedren ****Logistic records – 30 ans Logistic Records fête ses 30 ans en 2026 — trois décennies d'exploration sonore, d'audace et de groove. Depuis sa création en 1996, le label s'est affirmé comme une référence incontournable de la techno et de la house indépendantes, nourri par les influences du jazz, du hip-hop et de la soul. Avec près de 200 références, Logistic Records a marqué sans champs musical en collaborant avec des figures majeures comme Robert Hood, Daniel Bell, Ricardo Villalobos, Kool Keith, ou encore Matthew Dear, tout en accompagnant une nouvelle génération d'artistes visionnaires : Ark, Cabanne, John Thomas, Pit Spector, et bien d'autres. En 1999, le sous-label Telegraph voit le jour, fruit d'une collaboration avec Cabanne, et se consacre à des productions aux grooves plus lents et aux textures sonores complexes, spécialement conçues pour les DJs et les clubs. Toujours en mouvement, Logistic Records élargit sans cesse son univers créatif, comme en témoigne l'album hip-hop Keith's Salon du légendaire Kool Keith — une preuve de plus que le label reste fidèle à son ADN : libre, curieux et précurseur. ****infos & liens instagram:  https://www.instagram.com/benvedren bandcamp:  https://benvedren.bandcamp.com soundcloud:  https://soundcloud.com/ben-vedren

Figure singulière de la scène house, le travail de Ben Vedren est largement reconnu et salué à travers ses productions et ses performances LIVE/DJ sur tous les continent mais aussi ses qualités d'instructeur certifié et de conseiller chez Ableton. Son approche du DJing à la fois technique et intuitive, marque les esprits par son énergie et sa capacité à créer des voyages sonores uniques. instagram: https://www.instagram.com/benvedren bandcamp: https://benvedren.bandcamp.com soundcloud: https://soundcloud.com/ben-vedren @ben-vedren ****Logistic records fête ses 30 ans**** Trois décennies d'exploration sonore, d'audace et de groove. Depuis sa création en 1996, le label s'est affirmé comme une référence incontournable de la techno et de la house indépendantes, nourri par les influences du jazz, du hip-hop et de la soul. Avec près de 200 références, Logistic Records a marqué sans champs musical en collaborant avec des figures majeures comme Robert Hood, Daniel Bell, Ricardo Villalobos, Kool Keith, ou encore Matthew Dear, tout en accompagnant une nouvelle génération d'artistes visionnaires : Ark, Cabanne, John Thomas, Pit Spector, et bien d'autres. En 1999, le sous-label Telegraph voit le jour, fruit d'une collaboration avec Cabanne, et se consacre à des productions aux grooves plus lents et aux textures sonores complexes, spécialement conçues pour les DJs et les clubs. Toujours en mouvement, Logistic Records élargit sans cesse son univers créatif, comme en témoigne l'album hip-hop Keith's Salon du légendaire Kool Keith — une preuve de plus que le label reste fidèle à son ADN : libre, curieux et précurseur. ------------------------------------------------------ CAMPUS CLUB, les mixtapes Campus Club | mixes & résidences labels Au plus près des cultures électro qui marquent la création musicale d'aujourd'hui, le réseau Radio Campus France donne carte blanche aux nouveaux talents des musiques électronique et aux labels défricheurs.  En écoute régulière sur plus de 30 radios et en podcast, retrouvez chaque semaine CAMPUS CLUB, un mix exclusif d'un.e DJ ou producteur.ice. de la scène française ou étrangère. ------------------------------------------------------ RADIO CAMPUS FRANCE Radio Campus France est le réseau des radios associatives, libres, étudiantes et locales fédérant 30 radios partout en France. NOUS SUIVRE | FOLLOW US www.radiocampus.fr Insta @radio_campus NOUS ÉCOUTER | LISTEN Site, webradios et podcasts www.radiocampus.fr

What happens when your singer has no voice, your guitarist has one working foot, and the gig still has to happen?In this episode of Cover Band Confidential, we catch up on a very normal week in cover band land: wireless mic experiments, AI-programmed lighting, forgotten iPads, cursed rental guitars, and Dan's return to the stage after more than a year away.

Anthropic dropped Claude for Creative Work, a set of official connectors that plug Claude directly into Blender, Adobe Creative Cloud, Ableton, Splice, Canva, SketchUp, and Resolume. They also became a corporate patron of Blender with a 240,000 euro donation. Stripe used their Sessions event to launch Stripe Projects, the Machine Payments Protocol, and the Link Wallet for Agents, that let AI agents build, buy, and sell autonomously.

Kathleen is a freelance sound engineer from California, now based in Berlin, Germany. In recent years she's had the pleasure of touring internationally as a FOH/Monitor engineer and playback engineer. Empowering artists to realize their sonic vision and feel comfortable onstage is her passion. She's mixed stages in Rock am Ring/Rock im Park, Funkhaus Berlin, Elbphilharmonie Hamburg, Vienna Konzerthaus, Meguro Persimmon Hall, among others. Otherwise, she's troubleshooting technical issues at Ableton and working with Berlin-based sound crew Soundsysters to support women/non-binary/trans people interested in audio. Hosted by: Katie Maifeld and Brianna Cofield Executive Producers: Karrie Keyes, Beckie Campbell, and Susan Kost Edited by: Isis Delph Music by: Jess Fenton (https://www.jessfenton.com/) Admin by: Kanika Khanna The SoundGirls Podcast is presented by soundgirls.org 

This week Jason Howell and Jeff Jarvis dig into a story about an AI coding agent that wiped a company's entire production database in nine seconds, then confessed to knowing exactly what it shouldn't have done. They also get into OpenAI missing its revenue targets while Anthropic quietly surges past a trillion-dollar valuation on secondary markets, and Google signing a classified AI deal with the Pentagon just one day after 600 employees urged the company not to.Also in this episode: a neuroscientist argues AI is cannibalizing human intelligence, a fully AI-generated time-travel vlog account hits 580K followers, a vintage language model trained only on text from before 1930, China blocks Meta's acquisition of Manus, Taylor Swift moves to trademark her voice, the Musk vs. Altman trial begins, YouTube tests chat-style search, and Anthropic plugs Claude into Photoshop, Blender, and Ableton. New episodes every Wednesday at aiinside.show. Note: Time codes subject to change depending on dynamic ad insertion by the distributor. CHAPTERS: 0:00 - Start 0:03:29 - OpenAI Misses Key Revenue, User Targets in High-Stakes Sprint Toward IPO 0:05:10 - Is OpenAI Falling Further Behind in the A.I. Race? 0:11:19 - Anthropic has surged to a trillion-dollar valuation on secondary markets, overtaking OpenAI 0:13:58 - Claude-powered AI coding agent deletes entire company database in 9 seconds — backups zapped, after Cursor tool powered by Anthropic's Claude goes rogue 0:15:40 - https://x.com/lifeof_jer/status/2048103471019434248 0:21:29 - Marcus: Dario Amodei, hype, AI safety, and the explosion of vibe-coded AI disasters 0:24:36 - Google signs classified AI deal with the Pentagon for ‘any lawful government purpose' 0:26:15 - Google workers petition CEO to refuse classified AI work with Pentagon 0:30:26 - * Excellent essay: AI Is Cannibalizing Human Intelligence. Here's How to Stop It. 0:39:53 - Jeff on the principles: Technology does not belong to the technologists 0:44:51 - * Chloe vs. History 0:46:23 - The Maker of 'Chloe vs History' — How AI Brings The Past Alive 0:52:01 - Introducing talkie: a 13B vintage language model from 1930 0:57:52 - "China blocks Meta's $2 billion takeover of AI startup Manus" 0:59:21 - Taylor Swift Moves to Trademark Her Voice and Image as AI Threats Grow 1:01:29 - YouTube is testing a chat-style search that cuts the scrolling Hosts: Jason Howell and Jeff Jarvis Download and subscribe to AI Inside in audio and video: https://aiinside.show/ Support the podcast on Patreon for special perks: https://www.patreon.com/aiinsideshow. You'll get ad-free episodes, members-only Discord, T-shirts and stickers you love, and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Learn more about your ad choices. Visit megaphone.fm/adchoices

Watch on YouTube Welcome to our Part 2 episode with Jay Taylor, who breaks down his Ableton arrangement of “Jehovah” by Elevation Worship, sharing how he builds dynamics with layered parts, loops, textures, and transitions while leaving space for a live band. He also talks about trusting the process, staying grounded in your identity, growing your gift, and letting prayer guide your calling. They also touch on sound sources, including Gospel Producers and Naja Snow's upcoming System-8 pack, and wrap up with where to follow Jay on Instagram.AerospaceaudioSupport the showThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

In this episode, Dillon Bastan breaks down how he approaches building playful, physics-inspired music tools—plus the stories behind Iota, the Inspired by Nature Pack, Entanglement (his “quantum” synth concept), and the viral new ChatDSP Max for Live devices that generate instruments/effects from text prompts. We get into why he loves workflows that invite happy accidents, and his broader philosophy around creativity, meaning, and making art. Dillon Bastan is a multi-talented artist and developer known for esoteric Max for Live devices and experimental artistic adventures. His work pulls from natural processes, mathematical systems, and physical forces—often replacing traditional parameters with unconventional controls and environments. He created Ableton's popular Inspired by Nature Pack, the granular-looping instrument Iota, and advanced tools like Entanglement, and ChatDSP (a viral new prompt-based AI device builder). Follow Dillon Bastan Below:https://dillonbastan.comhttps://www.instagram.com/dillonbastanhttps://dillonbastan.bandcamp.comGrab limited-edition Producer Merch & save 10% with the code "podcast":⁠⁠https://abletonpodcast.com/merch⁠⁠Join the newsletter to get free downloads, early episode access, and upcoming events.⁠⁠https://www.abletonpodcast.com/newsletter⁠

"I liked the clanky & clunky-ness of this recording, like a slowed down industrial techno track. I used Ableton to convert it to melody, harmony and drum midi parts, then messed around with those until i got it to sound right on top of the recording. I added a pitched down version for more bass boom. I also added loads of layers of greasy reverb and oily grains to replicate the decades of use of the beam engine."Markfield beam engine reimagined by Dave Webb.

In this episode, Flozone sits down and shares his Ableton workflow—from his production template and sidechain setup, to dialing in kick/sub balance that translates on small speakers. We also get into mixing decisions (clippers, limiters, and avoiding weird plugin glitches), Serum tips, and how he stays creative without forcing ideas. Flozone is a bass music producer known for overwhelming low-end, gritty leads, and a fluid-but-aggressive sound shaped by Southern trap influences and modern bass music. He's played major stages like Lost Lands, Wakaan, and Okeechobee, hit Red Rocks, toured on the Wooli bus tour, and is now stepping into his first headline shows. Follow Flozone Below: https://linktr.ee/flozonebassGrab limited-edition Producer Merch & save 10% with the code "podcast":⁠⁠https://abletonpodcast.com/merch⁠⁠Join the newsletter to get free downloads, early episode access, and upcoming events.⁠⁠https://www.abletonpodcast.com/newsletter⁠

They set up, find the missing cable, restart once, dial in levels. No count-in. A couple early starts, then they let it run. Some talking at first, then it settles. Ends up wide, varied, somehow cohesive anyway, the kind of session you keep coming back to because there's more in it than you thought. Bass through a Fractal Audio AX8. Drums, percussion, and spoken word via Maschine and Ableton. Guitar direct and processed in the chain. Everything controlled from iPad with MIDI Designer Pro X. Nick Shelhoff: bass Dan Rosenstark: drums, howling Mike Rosenstark: guitar

"When I received the field recording by Daniel Mackenzie I thought 'what an absolute gift!' All the elements to make a remix are all contained in the original field recording. I used a Roland SP404 mk2 to sketch out the fundamentals, and to focus on what parts to sample, and mastered in Ableton. "Rudimentary effects were used (filters, eq, delay & reverb) but no synths whatsoever; the piece only contains samples from the original field recording. "I had an absolute blast doing this, and I hope you enjoy listening to it as much as I enjoyed working with it!" Lamma Island playground reimagined by Rod Dykeman

Watch on YouTube Aerospace AudioIn this episode, we welcome Matt Gilder to the Worship Keys podcast, with sponsorship from Aerospace Audio, to discuss Matt's journey from growing up in Southeast Texas playing church piano to touring and producing, including nearly 20 years as keyboardist for Chris Tomlin since a 2006 session at Blackbird. Matt shares how ear training and the Nashville Number System shaped his musicianship, his early band Among Thorns, and how learning tracks and software opened doors. He breaks down his live rig evolution (Roland V-Piano, controller, MainStage, Ableton, redundancy, and iConnect solutions), offers advice on choosing inspiring gear, and emphasizes simplicity, listening, and playing for the room. They discuss handling big-stage energy, building trust and longevity with an artist, prioritizing creating and finishing music, and maintaining faith amid public ministry failures by focusing on integrity and healthy community.Matt GilderAerospaceSupport the showThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

In this episode, we dive deep into advanced Ableton sound design, resampling techniques, and creative workflow strategies with Leotrix and eliderp. The conversation covers everything from using Melodyne for unique bass design, building fat racks, and pushing stock Ableton devices to their limits, to unconventional sampling methods that spark new ideas.Leotrix is an Australian bass producer known for his original sound design, melodic future riddim style, and explosive live sets, with support slots alongside Excision, Zeds Dead, NGHTMRE, Kayzo, Virtual Riot, and Marshmello, plus appearances at Bassrush, Red Rocks, and Lost Lands. Eliderp is a producer, visual artist, and film/game composer whose detailed sound design has led to collaborations and releases with artists like Mr. Bill, The Widdler, Knoir, JoeB, and DABOW, including a Virtual Riot remix with Mr. Bill.Follow Leotrix and eliderp Below:https://linktr.ee/eliderphttps://linktr.ee/leotrixGrab limited-edition Producer Merch & save 10% with the code "podcast":⁠https://abletonpodcast.com/merch⁠⁠Join the newsletter to get free downloads, early episode access, and upcoming events.https://www.abletonpodcast.com/newsletter

In this special 200th episode, Dan Giffin (Philia) gets interviewed and reflects on what he's learned from 200+ conversations with producers, artists, and industry pros on the podcast. He talks about how his approach to music has evolved over the years, practical Ableton tips for file management, faster workflows, favorite max for live devices, and building a live performance setup.Dan Giffin is an Ableton Certified Trainer, producer, performer, and educator based in Denver, Colorado. He teaches Ableton Live through AbletonPodcast.com, hosts the Ableton Music Producer Podcast, and produces under the artist name Philia. Dan has taught Grammy-winning artists, led workshops at SAE Institute and Sweetwater, and has collaborated with major label artists including Mac Miller, Machine Gun Kelly, and more. As Philia, he blends jazz-infused bass music with live drums, keys, improvised DJing, and has shared the stage with artists including Tiesto, Slushii, Daily Bread, Blookah, Beats Antique and others. Follow Philia Below:https://linktr.ee/philiamusichttps://www.tiktok.com/@philiamusichttps://www.philia-music.comhttps://www.facebook.com/PhiliaMusichttps://www.instagram.com/philiamusicGrab limited-edition Producer Merch & save 10% with the code "podcast":https://www.abletonpodcast.com/merchJoin the newsletter to get free downloads, early episode access, and upcoming events.⁠https://www.abletonpodcast.com/newsletter**Thanks to Brennan & Ben for interviewing this episode:Brennan Forrester:http://instagram.com/brennanplayskeyshttps://www.instagram.com/8_of_spades_dnbBen Spilker:https://www.instagram.com/spilkerbenhttps://github.com/benspilker

Watch On YouTubeAerospace AudioFor this episode, we have a returning guest, Marcus Wiles to discuss the Nord Stage 4, including whether it's worth upgrading from the Stage 3, keybed improvements like triple-sensor action, new faders and workflow, and faster preset building across piano/organ/synth sections. Marcus highlights major value in Stage 4's dedicated per-layer effects, including new Cathedral reverb (with modulated “choral” variation) and a sidechain-style pump effect, plus extensive MIDI CC automation with Ableton for live touring. He shares go-to Nord piano choices (White Grand, Pearl Upright), explains why some think Nords don't cut through a mix, and demonstrates tools like dynamic compression, EQ, and noise layering for realism. The episode also covers organ, Rhodes, synth/sample-based sound design, touring stories, and advice on practicing, learning gear, and staying versatile.Marcus WilesAerospace AudioSupport the showThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

Watch On YouTubeThis episode focuses on synthesizers with a deep dive on Marcus Wiles' Sequential Prophet-6, while also thanking sponsor Aerospace Audio and highlighting their Arrow Pads app and Atmosphere Pads pedal features, sound packs, pricing, and routing ideas with Ableton. Marcus explains why he chose the Prophet-6, how its simplicity and poly mod section shaped his synth programming, and why hardware can feel more like an instrument. He demonstrates practical sound-design concepts that translate to any synth or Omni sphere, including using unison and stereo spread versus chorus, preparing patches for mono or stereo systems, shaping sounds with envelopes to turn a basic patch into bass, plucks, brass, and an 808-style sound, adding texture with audio-rate modulation and effects (including distortion after reverb), and using the Prophet-6 sequencer for writing inspiration. The episode ends with a call for viewers to submit their own key rigs and a teaser for the next episode on the Nord Stage 4.Marcus Wiles Support the showThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

In this episode, STVSH breaks down his approach to bass music production, sound design, and how his background in film and Foley work has shaped his unique sonic identity. We dive into Ableton workflows, creating “mud pies,” resampling techniques, and why simplifying your process can actually level up your music.Nathan Lienau, aka STVSH, is a rising bass music producer and DJ from Atlanta, Georgia. Known for blending raw hip-hop influences with gritty, urban textures, his sound is deeply inspired by the “sonic architecture” of his city. With a background in sound design for film and visual arts like graffiti and illustration, STVSH brings a multi-disciplinary approach to music. His career highlights include performing at Red Rocks Amphitheater, playing Lost Lands, collaborating with Mersiv, releasing on UKF, and completing his first headline tour.Follow STVSH Below:https://linktr.ee/stvshGrab limited-edition Producer Merch & save 10% with the code "podcast":⁠⁠⁠⁠⁠⁠https://abletonpodcast.com/merch⁠Join the newsletter to get free downloads, early episode access, and upcoming events.ht⁠tps://www.abletonpodcast.com/newsletter

Welcome Kansas City-native Andrew Bone! Andrew opens up about the changing chapters of life and his shift in career focus. Recently married, he discusses the intentionality of stepping back from the grind of 6–7 days a week on Broadway, while aiming to get back to higher-level touring and more fulfilling gigs. We discuss the realities of post-COVID pay, knowing your worth, professionalism and reliability as a sub, and handling playback/Ableton, IEMs, and onstage failures. We delve into charting vs memorization, learning large volumes of material, working respectfully with a crew, using AI tools for admin and career planning, building a home studio identity, and early influences from KISS to music academia. Andrew also reflects on moving from Kansas City, his brief experience at Berklee, and why relationships, preparation, and good conduct matter more than chops. We hope you enjoy!Chapters:0:00 Intro1:44 Welcome, Andrew! 3:08 Life Crossroads and Marriage 3:56 Broadway Grind 9:49 Pay Reality Post-COVID 11:42 Subbing w/ Nate Smith 16:20 Ableton and Show Design 19:32 Charts vs Memorizing 32:10 Kids, Sticks, and Joy 41:09 Rezo Custom Drum Heads (Sponsor) 42:10 Broadway Burnout Plan 43:46 ChatGPT Career Reset 51:04 Coffee & Hands Crew 54:58 Drum Box (Sponsor) 55:59 Playing Stadiums 1:03:34 Low Boy Beaters (Sponsor) 1:04:40 Gear Fail Lessons 1:09:05 Audio Nerd to Drum Pro 1:20:18 Home Studio 1:32:04 Drum Supply (Sponsor) 1:33:01 Kansas City Roots and KISS 1:39:17 Music City Audiology (Sponsor) 1:43:31 Time at Berklee 1:48:24 Move to Nashville 2:00:11 Broadway Material 2:08:05 Rapid Fire Questions 2:12:00 OutroThank you to our Episode Sponsors:Rezo Custom Drum Headshttps://rezoheads.comDrum Boxhttps://drumbox.spaceDrum Supplyhttps://www.drumsupply.comLow Boy Beatershttps://lowboybeaters.comMusic City Audiologyhttp://musiccityaudiology.comConnect with Andrew:Instagram: https://www.instagram.com/andrewbonedrumsMusic Featured in this Episode:"Drink Along" - Josh GallagherSupport the showConnect with us:WebsiteInstagramTikTokYouTubeFacebookRecorded at Garden Groove Recording Space, Nashville, TNPodcast Artwork: GENUINE CREATIVE ART ⓒ 2026 Nashville Drummers Podcast, LLC

Watch On YouTubeThank You to Our Sponsor: Aerospace Audio for Atmospheric Worship PadsRecorded live in Nashville during pre-production for DOE's upcoming recording, this episode of the Worship Keys Podcast features Carson Bruce with Leonard Ray Jarman Jr. and Marlon Roberson sharing honest insights on worship, ministry, and musicianship. They talk stewardship, preparation, holiness, and keeping intimacy with God first, along with their Nord, Ableton, and multi keyboard setups and lessons from working with Eddie James, Maverick City, Kirk Franklin, and Matt Redman. If you are a worship leader or creative who wants to grow without losing your heart for God, this is for you. Don't miss out.Marlon RobersonLeonard Ray JarmanLeonard's soundsWTRWAY MinistriesSupport the showThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

FacebookTiktokInstagramBioDJ, producer, and influencer DJ SoulChild AC is preparing to release his debut album Douby, featuring the single “Eat It Up (Get Up)” with Juiiciana. The project brings together Black artists from multiple genres under his creative direction, showcasing a vibrant fusion of hip hop, R&B, Brazilian funk, and house music.Few can match the drive and resilience of DJ SoulChild AC. Years ago, while working at a local Target, he spent his breaks at a neighboring Guitar Center where a friend worked. There, he taught himself how to operate DJ equipment. As his confidence and skills grew, he began earning respect from other DJs. Within months, he entered a competition. Although he did not win, the experience pushed him forward. Just three months later, he was DJing in nightclubs and had discovered his calling.In 2017, he expanded into music production. Determined not to limit himself to DJing alone, he began learning how to make beats through YouTube tutorials, starting with Ableton as his first digital audio workstation. Beginning his production journey later than many of his peers only fueled his ambition. Inspired by legendary artists who found success on their own timelines, he remains confident that his moment is coming.The name DJ SoulChild AC was born from a late night conversation with a fellow DJ. The nickname SoulChild reflected his deep knowledge of classic music from the 70s, 80s, and 90s, influenced by his mother's extensive record collection. Because the name was already in use overseas, he added AC to represent Atlantic City, the place that shaped him.His upcoming 15 track album Douby represents the culmination of months of focused work. The project celebrates the Black diaspora by highlighting Black genres and elevating powerful vocalists alongside his production skills. Among his favorite tracks are “Envy” featuring Nova The Rebel, “The Movement” featuring Jordan Isiah, and “Studio 54,” a pure house track inspired by his love for disco. He believes “Studio 54” has the energy to thrive in any house festival or club setting.Early feedback on Douby has been overwhelmingly positive. DJ SoulChild AC hopes the album will land on the Billboard Top 200, bringing greater recognition to his collaborators and opening doors for future partnerships. Unapologetically outspoken about his political beliefs, he previously lost DJ opportunities in New Jersey because of them. Now, he stands firm. This album is both a creative statement and a declaration of independence. If audiences want the music, they will get both the art and the artist.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Buck 65 makes a rare reappearance to discuss his excellent new album, Do Not Bend, musical brevity, Joe Pernice inspiring him to start an insightful Substack, writing jokes and stories that wind up as rhymes, befriending the late great Biz Markie and hanging out backstage at a Beastie Boys show, meeting Lou Reed but being low key about their creative kinship, acquiring the four-track he once used in the mid-1990s to create new music but also incorporating Ableton, obvious and oblique pop culture references, when you don't know where the words come from, why it's healthy to listen to your own work, difficult time signatures for rappers, a loving celebration of vinyl record culture, many future plans, a hidden phone number, and much more. EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #1069: The Messthetics and James Brandon LewisEp. #1068: Sahan Jayasuriya on ‘Don't Say Please: The Oral History of Die Kreuzen'Ep. #1065: Brian Raftery on ‘Hannibal Lecter: A Life'Buck 65 on Bike For Three! (2009)Ep. #1037: SloanEp. #1026: TortoiseEp. #906: Joel PlaskettEp. #895: Al TuckEp. #858: Cadence WeaponEp. #800: Buck 65Ep. #770: Adam Horovitz from Beastie BoysEp. #272: Gord Downie [Archival; May 2010]Ep. #117: Charles Austin of the Super FriendzEp. #13: Sloan's Jay Ferguson & Chris Murphy & Photographer Catherine StockhausenSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

OddKidOut pulls up to talk creativity, career pivots, and how he built a lane by refusing to stay in one lane. From a wild “one night in LA” moment that turned into living with Skrillex, to learning the power of simplicity, motifs, and world-building inside a track, this episode is packed with real producer talk.We get into finger drumming, Maschine, Ableton workflow, label experiences (and what labels actually do beyond “plays”), and the mindset shift that helped him go from experimenting across genres to funneling his sound into a stronger live show + artist identity.In this episode:The Skrillex story: how one session turned into moving to LA and building a careerThe biggest lesson from watching Skrillex work: simplicity, callbacks, and using what's already in the trackWhy OddKidOut avoids reference tracks, templates, and overthinking—“fishing” for ideas insteadMaschine as an instrument (not a DAW): why it's strictly performance-first for himHow he navigated releasing across major labels—and the real “perks” that matter (touring, games, community, opportunities)Performing without CDJs: how to make venues/sound techs love you even with extra gearEDM friendships vs business relationships: building real connections without forcing itIf you're a producer trying to find your identity, improve your workflow, or understand how to play the long game in electronic music, this one's for you.

“Durei-na-mbwe 2.0” plays with notions of time, decay and transformation; with it, I wanted to capture the embodied experience of me listening to and imagining the original recording through a contemporary lens. I listened to the original Durei-na-mbwe by the Broken Consort (1961) on repeat for about three weeks before I started to work with it; the haunting melody of the vocals and panpipes became an earworm and, as I heard these sounds circulating in my head, they started to morph into additional layers of rhythms and harmonies. I created my track entirely using samples of the original recording, which I have sampled, modified and rearranged using an Elektron Digitakt and the Granulator plug in in Ableton, with the aim of capturing and conveying what I could hear inside my head. My first step was to bring out the depth of the drums using EQ and resonators, whilst preserving the key qualities of the original recording, such as the crackle of the reel-to-reel and the roughness of the rhythm, and, at the same time, to transform the samples into something novel. I created a range of percussive elements, and I used a section of the vocals and panpipes to create a harmonic melody that evolves throughout the track. The resulting piece of music embodies (I hope) the energy of the Durei-na-mbwe performance, yet transformed by time and my own experience of it. Durei-na-mbwe (song) by the Broken Consort reimagined by Kim[bal].———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

Ableton Live 12.4 is now in public beta, and this update is all about refinement, collaboration, and deeper workflow improvements.This week we break down Link Audio and what real time audio streaming between devices actually means for producers. We also explore the updated Erosion device, improvements to Chorus Ensemble and Delay, refinements to Stem Separation, and the new Learn View that replaces the classic Help panel.Is this a small quality of life update, or does Link Audio quietly change how we collaborate and jam in the studio?Join us as we unpack what matters, what feels incremental, and what could shape the next phase of Live.Stilhed has a new Album on the way, check it out here!https://stilhed.bandcamp.com/album/aeralisThanks to our Patrons who support what we do:Audionauts: Abby, Bendu, David Svrjcek, Josh Wittman, Paul Ledbrook, Matt Donatelli and Stephen SetzepfandtLars Haur - Audionaut ProducerJonathan Goode - Audionaut ProducerJoin the conversation:

Watch on YouTube Joshua Zacharia from Fort Wayne, Indiana, jumps into The Worship Keys to break down his aux world setup from the gear he trusts to the way he programs and layers sounds. He walks through how he uses stock sounds, MIDI controls, keyboard splits, and why Logic and Ableton both have a place in his workflow. From Omnisphere and Keyscape to Valhalla Reverb, Joshua shares how he builds worship sounds that are clean, creative, and intentional. If you love keys, sound design, and practical tips you can actually use, this one's for you. Tune in now and let us know what setup tip stood out most.Joshua ZacariusSupport the showThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

Join the award-winning Sync Producer Hub community. Frime Beats (Frederick) traces his path from crate-digging hip‑hop artist in Quebec to a sync-focused producer whose work now appears in TV, film and stock music libraries. He shares early influences, touring experiences, and collaborations with artists like Havoc and Rick Ross. He explains how building an audio‑stock website, exporting alternate versions of tracks, and learning digital marketing led to partnerships with major libraries and a pivot into scoring. He also discusses using modern tools (VSTs, Ableton, AI vocal tools), working with live musicians, and lessons about persistence in the sync space. The episode offers practical insights for producers: prepare alternate stems, build a focused catalog, network with publishers, and shift toward scoring to create lasting revenue from placements.

Eric of Landscape returns to chat about Noon...Moon??? Well, both! https://www.landscape.fm/moon KEANU Matrix Mixer Module: https://afterlateraudio.com/products/keanu Support Pod Mod PATREON (https://www.patreon.com/podularmodcast) LOUSY FALCON ALBUM: https://podularmodcast.bandcamp.com/album/forty-eight-feathers-a-collection-of-live-performances Thank you Novation: https://us.novationmusic.com/products/circuit-tracks# Signal Sounds: https://signalsounds.com/ Expert Sleepers: https://expert-sleepers.co.uk/ waveform magazine: https://waveformmagazine.com/

Episode 375: "How Vinyl DJs Are Redefining NYC Nightlife” Feat. DJ Snips, Karl Brisseaux, Svpply, and Moochie This week on @RoadPodcast, the crew sits down with @Moochie, @DJSvpply, @Snipsmusic, and @KBrissy to talk about @RecordRoom and vinyl parties. The episode begins with Crooked reflecting on his first time attending Record Room and what immediately stood out (03:20), before the crew breaks down why vinyl sets earn more trust from audiences, from the visual curiosity of watching a DJ work to the difference between a DJ and a vinyl selector mindset (12:40). They explore why letting songs play longer works better in today's shortened attention economy , the origins of Record Room and NYC's Sway era, and the early days of Suede, including the choice to identify as vinyl DJs in 2025 (18:50). The conversation dives into why R&B sounds so good on vinyl, the importance of bridges, nuance, and letting records breathe, even at prime time (32:30). From there, the crew talks about party arcs, creative limitations, building crowds that trust DJs enough to book weeks ahead, and competing with couches instead of clubs (53:40). The episode closes with reflections on NYC nightlife legacy (1:03:10), curating an authentic New York experience (1:13:01), the cost of vinyl (1:21:05), rocking parties without obvious hits, and the personal relationships DJs have with their records (2:02:01). This episode is sponsored by @SoundCollectiveNYC, an industry-leading music school, musical space and community located in downtown Manhattan for aspiring DJ's, Producers, Musicians and more. Take private Ableton lessons, practice DJ routines, experiment with different audio equipment and reserve studio spaces for just the day, maybe a week or sign up for their monthly membership. Check www.soundcollective.com for more info and try their Online Classes free for a month by entering the code “ROAD”. If you're in the New York area, visit them at 28 Broadway, New York, NY 10004 and tell them the Road Podcast sent you!! Try Beatsource for free: btsrc.dj/4jCkT1p Join DJcity for only $10: bit.ly/3EeCjAX

Episode 374: BUCKWILD "On Producing for Biggie, D.I.T.C., and Shaping the NY Sound" This week on @RoadPodcast, we sit down with legendary producer @buckwild_ditc as he traces his full arc as a producer, starting with how he met Goldfinger at (01:14) and how tracks like Rakim's “You Got Soul” at (05:10) pushed him toward beat making. The crew dives into the Roosevelt Room record convention at (13:10), where Pete Rock, Large Pro, Q Tip, Capri and others found the records that shaped classic hip hop, with Goldfinger adding his perspective at (23:45). They break down the core of the New York sound at (15:10), covering O.C.'s “Times Up” and the four to eight bar sample loop that defined 1994 and NYC. Buckwild speaks on digging for fresh textures at (25:01), the origins of Digging In The Crates, and how he used the “Seed of Love” sample before Just Blaze flipped it for Jay Z on “Public Service Announcement,” then explains how he met O.C. at (19:50). He runs through his top five productions at (39:00), breaks down why he insists on being in the studio during recording sessions at (22:01), and gets into the realities of clearing samples. The Biggie stories land at the center of the episode at (26:14). The conversation shifts into whether 2025 is a strong year for hip hop but a tough one for clubs at (32:51), why one-liners and real bars feel missing, and when the culture changed at (41:11) as labels downsized and the SoundCloud era took over. Buckwild reflects on chasing hits at (57:10), the story behind “Whoa!,” the beats Jay Z passed on, and what it meant to miss those records erupting in the club. The episode closes with thoughts on Saigon's album at (1:00:51) and why a DITC compilation would be difficult to assemble at (1:11:01). This episode is sponsored by @SoundCollectiveNYC, an industry-leading music school, musical space and community located in downtown Manhattan for aspiring DJ's, Producers, Musicians and more. Take private Ableton lessons, practice DJ routines, experiment with different audio equipment and reserve studio spaces for just the day, maybe a week or sign up for their monthly membership. Check www.soundcollective.com for more info and try their Online Classes free for a month by entering the code “ROAD”. If you're in the New York area, visit them at 28 Broadway, New York, NY 10004 and tell them the Road Podcast sent you!! Try Beatsource for free: btsrc.dj/4jCkT1p Join DJcity for only $10: bit.ly/3EeCjAX

Kicking off 2026 with a bang Congrats to my Emmy winning guests Kyle Dixon & Michael Stein for their epic work as the band Survive and notable of late for making the many hours of music that score the rather popular show Stranger Things which just wrapped for the last time with its season finale. Great to peek behind the curtain as it were as we get into the pure substance of their process. Unlock the clues in this episode and you too will certainly be up for an Emmy if you're as tireless and talented as them ! Thanks to Ableton for sponsoring this episode I get into the MOVE in a rare nitty. I took the box the climbing gym to do a little against the clock action  here's a link to the move. I can really recommend it  https://www.ableton.com/en/move/ Oh and  HAPPY new Year !! Let's get on with the show :)

Episode 372: "2025 Wrap-Up” This week on @RoadPodcast we're joined by @Kazi, @Shwcase and @DJMarcoPenta to close out 2025 with a full wrap up of what actually mattered this year, breaking down Top 5 Club Bangers before diving into why songs are taking longer to connect, the lack of label support, and whether release dates should move back to Tuesdays so audiences can learn records before the weekend (14:13). The crew gives @Kehlani her flowers and talks about the success of “Folded” (19:33), then unpacks how rappers who once made club hits are now making gym or car music, GRWM and ‘vibey' records, why “Whim Whammiee” feels like a novelty song, and how labels treat these tracks like penny stocks for quick money (31:10). A standout conversation follows on whether NYC DJs play edits or originals, genre flexibility in New York and what actually makes an edit better than the original (41:08). This leads into the Top 5 Edits (41:20) and a discussion on edit oversaturation after viral moments and why DJs lean on edits before developing their own style (51:32). The crew then reveals their Top 5 Editors of 2025 (1:23:01) and moves into Top 3 Overrated Tracks (1:39:40). The episode continues with Top 3 Artists (2:01:01), a wider Top Artists of 2025 conversation featuring Bad Bunny jokes, Drake talk, Beyonce's unmatched versatility for DJs, and why legacy artists remain essential in 2025, ending with Crooked's top three (2:18:03). They also cover Top 3 Back in Rotation (2:16:01), Crooked's stories from @Moochie's party at @RecordRoom in New York and why it stood out (2:47:00), Top Live DJ Sets (2:33:01), Favorite Moments from the year (2:53:01), and the most valuable lessons learned heading into 2026 (3:03:01). This episode is sponsored by @SoundCollectiveNYC, an industry-leading music school, musical space and community located in downtown Manhattan for aspiring DJ's, Producers, Musicians and more. Take private Ableton lessons, practice DJ routines, experiment with different audio equipment and reserve studio spaces for just the day, maybe a week or sign up for their monthly membership. Check www.soundcollective.com for more info and try their Online Classes free for a month by entering the code “ROAD”. If you're in the New York area, visit them at 28 Broadway, New York, NY 10004 and tell them the Road Podcast sent you!! Try Beatsource for free: btsrc.dj/4jCkT1p Join DJcity for only $10: bit.ly/3EeCjAX

After surviving Thanksgiving and the subsequent biting cold, we jumped into the FOLLOW UP with news that Malaysia is joining the trend by taking steps to ban social media for children under 16, mirroring similar actions in Australia and Denmark—it seems the world is finally realizing the internet is a toxic wasteland for the kids. We also discussed Apple's photo AI, which is apparently still in beta, if the results are anything to go by. The bulk of our discussion centered on the spectacular, flaming death of the Department of Government Efficiency (DOGE), which is Officially Dead. We broke down a brief rundown of the damages this vanity project caused, from humanitarian disasters overseas to administrative chaos and the loss of hundreds of thousands of jobs domestically, proving the "savings" were pure illusion. Now, with the collapse, the 'Suddenly exposed' DOGE employees fear prosecution after Musk abandoned them, learning the hard way that billionaire guardianship has an expiration date.The job market is just great, with both Apple laying off part of its sales team despite record revenue, and HP joining the List of Tech Companies Cutting Jobs and pointing to AI as the convenient scapegoat for laying off 10% of their workforce. Meanwhile, we found out the most popular social media platform among US adults isn't Instagram or TikTok—it's YouTube—while Meta allegedly buried research showing its products are harming users, confirming what we've known all along: they're evil, but they already got your grandma hooked. Adding to the misery, An Alarming Number of Teens Say They Turn To AI For Company, Study Finds, because why talk to a real, messy human when a bot can gaslight you more efficiently? Sam Altman's financial troubles are spilling over, with Sam Altman's Business Buddies Are Getting Stung (sorry, SoftBank and Oracle), and analysts estimate OpenAI Is Just $200 Billion Away From Still Losing Money, HSBC Says, a comical hole they plan to fill by asking for more free money. Legally, OpenAI can't use the Word ‘Cameo' in Sora now, thanks to a trademark suit, and Warner Music is playing both sides by dropping its lawsuit against Suno in exchange for a licensing agreement. Finally, in some truly dark news, a Marc Andreessen-backed Super-PAC Pours Millions Into Fighting State AI Regulations, and X's new location feature reveals that New X Feature Reveals Many MAGA Patriots on X Are Not Even Based in the U.S.After ranting about my misery dealing with the Open Dialogue bug in a beta build and declaring my return to "pedestrian releases," we got into APPS & DOODADS. Spotify is actually doing something cool with its new SongDNA feature, which shows you who sampled what (and they bought WhoSampled to do it). They're also testing Spotify's New AI-powered audiobook Recaps to remind you where you left off—Amazon is doing the same with AI-powered series Recap Videos for Prime Video. Amazon is also rolling out Alexa Home Theater surround sound for Echo speakers, making those budget speakers slightly more useful. We ran through some great stocking stuffers in Jason's Holiday Gift Guide, including Velcro cable ties and the Contigo travel mug, before moving on to MEDIA CANDY, which included Dan Carlin's Common Sense, Nathan Fillion and Alan Tudyk's new podcast Once We Were Spacemen, and a discussion on why Stranger Things Lost the Plot. We then got deeply uncomfortable talking about a Toronto ASMR spa that offers doctor roleplay, and closed out by talking about the documentary Quiet Please… about the neurological disorder misophonia. The episode finished with the AT THE LIBRARY segment, covering the Milli Vanilli memoir You Know It's True and the sci-fi short story collection The Time Travelers Passport.Show notes at https://gog.show/724Watch now on YouTube: https://youtu.be/PoMa9FM5QEE?si=4r25yqv_0u8aXHF7Sponsors:MasterClass - Get up to 50% off at MASTERCLASS.com/GRUMPYOLDGEEKSGusto - Try Gusto today at gusto.com/grumpy, and get three months free when you run your first payroll.Private Internet Access - Go to GOG.Show/vpn and sign up today. For a limited time only, you can get OUR favorite VPN for as little as $2.03 a month.SetApp - With a single monthly subscription you get 240+ apps for your Mac. Go to SetApp and get started today!!!1Password - Get a great deal on the only password manager recommended by Grumpy Old Geeks! gog.show/1passwordFOLLOW UPMalaysia takes steps to ban social media for children under 16IN THE NEWSDOGE Is Officially Dead'Suddenly exposed' DOGE employees fear prosecution after Musk abandoned them: reportApple lays off part of its sales teamHP Joins List of Tech Companies Cutting Jobs and Pointing to AIThe most popular social media platform among US adults isn't Instagram or TikTokMeta allegedly buried research showing its products are harming usersAn Alarming Number of Teens Say They Turn To AI For Company, Study FindsSam Altman's Business Buddies Are Getting StungOpenAI Is Just $200 Billion Away From Still Losing Money, HSBC SaysOpenAI Can't Legally Use the Word ‘Cameo' in Sora NowWarner Music drops lawsuit against AI music platform Suno in exchange for licensing agreementMarc Andreessen-Backed Super-PAC Pours Millions Into Fighting State AI RegulationsNew X Feature Reveals Many MAGA Patriots on X Are Not Even Based in The U.S.MEDIA CANDYCommon Sense 325 – Who's the Boss?Once We Were SpacemenHow Stranger Things Lost the PlotBeing EddieThe Beast in MeThe RosesAt Toronto's new ASMR spa, sensory stimulation slips out of the internet and into real lifeQuiet Please…APPS & DOODADSSpotify's SongDNA feature will show you which songs are sampled on a trackMaking of "The Prodigy - Smack My Bitch Up" in Ableton by Jim PavloffSpotify's New AI-Powered Audiobook Recaps Will Remind You Where You Left OffAmazon Launches AI-Powered Series Recap VideosAlexa Home Theater surround sound for Echo speakers is rolling out nowDashaun No Sadè - Episode 13 Durand BernarrGuermok Video Capture Card, 4K USB3.0 HDMI to USB C Capture Card for Streaming, 1080P 60FPS, Compatible with iPad Mac OS Windows, Quest 3, OBS, PS5/4, Switch2/1, Xbox, Camera (Silver)Meike 35mm F2.0 Auto Focus Full Frame STM Stepping Motor Lens Compatible with Nikon Z Mount CamerasOBS StudioRogue Amoeba LoopbackScientists Reveal What Black Friday Is Doing to Your BrainVELCRO Brand 150pk Cable Ties Value Pack, 8in | Stocking Stuffer Gifts for Tech Lovers | For Wire Management and Cord Organizer | Replace Zip Ties with Reusable Straps, Reduce WasteHand Holder Strap for ipad, Tablet Hand Holder Strap, Universal Handle Grip for iPad Kindle, Mini Tablets and Cases (Black)Anker USB C Hub, 7-in-1 Multi-Port USB Adapter for Laptops, 4K@60Hz USB C to HDMI Splitter, 85W Max Power Delivery, 3xUSBA & C 3.0 Data Ports, SD/TF Card, for Type C DevicesContigo AUTOSEAL West Loop Vacuum-Insulated Stainless Steel Travel Mug with Easy-Clean Lid 20 ozScotty Peeler Label and Sticker Remover - Single Metal Peeler -SP2Slipdrive - Portable Hard Drive Sleeve for Laptop - HDD Hard Disk Drive - Reusable Adhesive - 5.5” x 4.5” Stick on External Hard Drive Carrying Case - Travel Pocket Pouch (Large, Black)Slipdrive - Portable Hard Drive Sleeve for Laptop - SSD Solid State Drive - Reusable Adhesive - Stick on External Hard Drive Carrying Case - Pocket Pouch (Small, Black)Carlashes 1001UB Classic BlackAT THE LIBRARYYou Know It's True - The Real Story of Milli VanilliThe Time Travelers PassportThe Courage to Be Disliked: How to Free Yourself, Change Your Life, and Achieve Real Happiness by Ichiro Kishimi, Fumitake KogaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.