Podcasts about Ableton

Joel “Jay-Ray” Anderson is a drummer that was recently touring with The Wiz.I caught up with him mid-tour. We talked about growing up in a musical family in Fort Lauderdale, learning drums from YouTube and his oldest brother, coming up through the Dillard High School drumline, studying music at Broward College and Florida Memorial University, landing his first tour (Pretty Woman) the week after graduation, and transitioning to The Wiz through a network built one relationship at a time. We got into gospel drumming history, drumline battles, a month spent touring Japan, and why networking, not just chops, is what actually opens doors.Jay-Ray comes from a house full of musicians. His father plays guitar and sings; his oldest brother plays drums and keys; another brother sings, plays drums, and plays saxophone; and a third brother plays bass, guitar, and keys while producing. Jay-Ray's own introduction to the drums came at six years old, when his oldest brother sat him down in front of a kit for the first time. By twelve, he had his own Sonor drum set, a gift from that same brother, and was already teaching himself by copying drumming videos on YouTube.Jay-Ray attended Dillard Center for the Arts, where he played in two jazz bands, marched snare in the wind orchestra and drumline, and got pulled onto snare drum as a freshman after impressing section leader Javon with a string of paradiddles. He talks about the discipline instilled by band directors Christopher Dorsey and Dr. Sheldon McClain, learning traditional grip for the first time, and the intensity of real drumline battles.Jay-Ray studied at Broward College (Associate's in Music Performance) before transferring to Florida Memorial University for his bachelor's degree, where he played under percussion director Taurus Lovely, a 25-year Broadway touring veteran (including Tina Turner: The Musical) who would later become the person who got Jay-Ray his first tour. Jay-Ray's first trip to New York came in 2018, when Dillard's jazz band won the Essentially Ellington competition at Jazz at Lincoln Center, the same trip where he first saw a Broadway show, Ain't Too Proud.The day after Jay-Ray graduated from Florida Memorial in May 2023, Taurus Lovely called with an audition opportunity for the Pretty Woman national tour. Jay-Ray recorded four songs from the show, landed the gig, and was in rehearsals in Syracuse, New York within months. He talks candidly about the learning curve of running click tracks and Ableton on the road, getting walked through the system by original drummer Kevin Maynard, and the parts of touring nobody warns you about, like setting up and breaking down your own kit on travel days. Over roughly two years with the show, he toured extensively across the U.S. and spent a month performing in Japan (Shinjuku, Tachikawa, Kyoto, and Osaka).Jay-Ray's move to The Wiz came through his network: Sammy Merandino and Quentin “Q” Robinson recommended him, and MD Michael Aarons brought him in. Jay-Ray left Pretty Woman in Wichita and, within a week, was in New York starting rehearsals, spending his off-hours studying original drummer Trevor Holder's book and comparing the Broadway cast recording to the touring arrangement. He also shares how he first met Q Robinson years earlier, showing up at Hamilton's closing show in Fort Lauderdale just to introduce himself.Asked what he'd tell a high school or college drummer chasing a career like his, Jay-Ray's answer is simple: networking. Every opportunity in his career, from Pretty Woman to The Wiz to this very podcast episode, traces back to a relationship someone else made on his behalf.Where to Find Jay-Ray* Instagram & TikTok: @jay.ray04* Facebook: Joel Anderson* Email: joel.r.anderson04@gmail.comResources * Free: How to Land a Broadway Gig Roadmap — subscribe to Broadway Drumming 101 (free or paid) and grab it at broadwayboundbook.com/roadmap* The Broadway Sub Playbook ($7.99) — available at signaturebrandworks.com* Broadway Drumming 101 merch (backpacks, tees, hats, mugs, and more) — signaturebrandworks.com* Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career by Clayton Craddock — out nowClayton Craddock was most recently the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Dennis DeSantis is a composer, percussionist, sound designer, author, and educator. He is a professor of Music and Technology at Eastman School of Music at the University of Rochester, where he is developing an all new BM in Music Creation and Technology. Dennis worked as Head of Music Learning at Ableton, and wrote Making Music 74 Creative Strategies for Electronic Music Producers.  Dennis and I spoke in depth about his work at Eastman School of Music. We shared thoughts on finishing projects and overcoming creative challenges. Dennis reflected on his work at Ableton and how it has prepared him for his newest chapter in cutting edge music education. Listen on Apple, Spotify, YouTube Links: Dennis's Website - https://dennisdesantis.com University of Rochester's Music Creation and Technology Program - https://www.esm.rochester.edu/go/soundarts/music-technology/ Making Music 74 Creative Strategies for Electronic Music Producters by Dennis DeSantis - https://makingmusic.ableton.com Learning Music - https://learningmusic.ableton.com Learning Synths - https://learningsynths.ableton.com Dennis's Max for Live Devices - https://dennisdesantis.com/max-for-live-devices Brian Funk Website - https://brianfunk.com Music Production Club - https://brianfunk.com/mpc  5-Minute Music Producer - https://brianfunk.com/book Intro Music Made with 16-Bit Ableton Live Pack - https://brianfunk.com/blog/16-bit Music Production Podcast - https://brianfunk.com/podcast Save 25% on Ableton Live Packs at my store with the code: PODCAST - https://brianfunk.com/store This episode was edited by Animus Invidious of PerforModule - https://performodule.com/ Thank you for listening.  Please review the Music Production Podcast on your favorite podcast provider! And don't forget to visit my site https://BrianFunk.com for music production tutorials, videos, and sound packs. Brian Funk

Orestes Gómez nos cuenta cómo es realmente vivir de la música profesional. Hablamos sobre el trabajo de un músico de sesión, las giras, la Orquesta Sinfónica, el papel de las redes sociales, producir música, viajar con instrumentos y la disciplina que hay detrás de cada show. Además, conversamos sobre la evolución de los bateristas en Venezuela, su experiencia siendo imagen de Ableton y el lanzamiento de su nuevo disco.

Hitlist Bangers #21 w/City Props/KEMILA guest mix Show: Hitlist Bangers

Episode 386: DJ SHARAD "The Evolution of South Asian Sound in Hip-Hop" In this episode of the ROAD Podcast, we're joined by the founder of @DJUSAEvents, a memeber of the world famous @HeavyHitter's Crew, Queen's very own @DJSharad! The episode kicks off with Sharad reflecting on growing up in Queens and Long Island, and discovering Hip Hop (01:12). He details his entry into DJing and bootlegging Kid Capri mixtapes (03:55) The crew examines 1990s NYC club dynamics, venue segregation, and how early Bhangra parties often ended in lost bookings (22:50). Sharad explores building his fanbase, @PanjabiMC, and South Asian influence in Hip Hop, before breaking down the term "Desi," 2000s @Timbaland/@JustBlaze production, and representation vs. appropriation (33:36). The crew discusses Bollywood's global reach, @NAS and @RocNation investing in India, and key leaders like @DiljitDosanjh and @VivianAkaDivine (42:20). Sharad then covers making money handing out mixtapes at party doors (43:01), founding DJ USA, focusing on audiences over peer approval (52:05), and partnering with @FatFingaz (01:01:20). Finally, he touches on joining @TheHeavyHitters, earning co-signs from legends like @BoogieBlind (1:20:15), working with Clark Kent and top brands (1:20:01), and scaling down post-COVID (01:33:01). This episode is sponsored by @SoundCollectiveNYC, an industry-leading music school, musical space and community located in downtown Manhattan for aspiring DJ's, Producers, Musicians and more. Take private Ableton lessons, practice DJ routines, experiment with different audio equipment and reserve studio spaces for just the day, maybe a week or sign up for their monthly membership. Check www.soundcollective.com for more info and try their Online Classes free for a month by entering the code “ROAD”. If you're in the New York area, visit them at 28 Broadway, New York, NY 10004 and tell them the Road Podcast sent you!! Try Beatport for free: tinyurl.com/yc8da2pz Join DJcity for only $10: bit.ly/3EeCjAX

KSHMR returns to The XLNT Show for a deep conversation about creativity, burnout, reinvention, and what it takes to keep making meaningful music after years in the industry.He breaks down the three-year process behind Sounds of KSHMR Vol. 5, from recording live musicians and building custom sample-organizing software to managing thousands of sounds without sacrificing quality. KSHMR also opens up about losing his connection with music, feeling like an imitation of his former self, and how exploring new interests—including stand-up comedy and coding his own creative tools—helped bring that inspiration back to life.They discuss:The making of Sounds of KSHMR Vol. 5Building custom tools with Claude for Ableton, Dropbox, and sample organizationBurnout, identity, and losing confidence in your creative instinctsWhy chasing virality can disconnect artists from the magic of musicHis journey from Bay Area rap and The Cataracs to global EDM successThe unexpected creation of “Like a G6” and why simple ideas can become timelessLearning to provide value before asking successful artists for opportunitiesWhy honesty, accountability, and following through matter in music and lifeHis upcoming ethnic deep-house project and live orchestral showThis episode is an honest look at what happens after success—when the habits that built your career stop feeling fulfilling, and you have to rediscover what made you love creating in the first place.

Welcome Arizona native, Mace Santa Maria! We cover Mace's move from Phoenix to Nashville four years ago, following a formative year at the Liverpool Institute for Performing Arts. She discusses learning the drums at age 10, major influences like the Jonas Brothers' drummer Jack Lawless (whom she recently met), and how Broadway demands fast adaptation through cues, band-specific arrangements, and on-the-fly decisions. Mace breaks down her unique Pelican-case rig, Nashville do's and don'ts, and opportunities for live streaming and subscription-based content. She details touring with indie-pop artists Brooke Alexx, 76th Street, and Tornsey, building Ableton show transitions, maintaining health and alone time on the road to avoid burnout, and the importance of LGBTQ+ community and representation in her career. We hope you enjoy!Chapters:0:00 Intro1:53 Welcome, Mace! 4:31 Broadway Connections 6:48 What's for Breakfast? 9:52 From Phoenix to Nashville 12:48 Early Drumming Roots 16:21 Meeting A Childhood Hero 19:35 Broadway Survival Skills 28:49 Rezo Custom Drum Heads (Sponsor) 29:53 Broadway Rig Rundown 37:35 TikTok vs Instagram 42:07 Drum Box (Sponsor) 42:49 Queer Pop Tour Scene 53:50 Ableton Show Builds 56:29 Staying Healthy On Tour 1:01:24 Birthday Plans 1:03:55 Low Boy Beaters (Sponsor) 1:04:37 Pizza/Candy Debate 1:10:54 Drum Supply (Sponsor) 1:11:52 Tour Highlights and Burnout 1:16:57 Music City Audiology 1:17:39 Charting and Music Education 1:29:09 Groove MPL (Sponsor) 1:30:20 Home Studio and Iron Maiden Mic 1:35:05 Tattoos and Hobbies 1:41:09 OutroThank you to our Episode Sponsors:Rezo Custom Drum Headshttps://rezoheads.comDrum Boxhttps://drumbox.spaceDrum Supplyhttps://www.drumsupply.comLow Boy Beatershttps://lowboybeaters.comMusic City Audiologyhttps://www.musiccityaudiology.comConnect with Mace:Instagram: https://www.instagram.com/santamariuhhhYouTube: https://www.youtube.com/@santamariuhhhTikTok: https://www.tiktok.com/@santamariuhhhMusic Featured in this Episode:"She's My Handsome" - 76th StreetSupport the showConnect with us:WebsiteInstagramTikTokYouTubeFacebookRecorded at Garden Groove Recording Space, Nashville, TNPodcast Artwork: GENUINE CREATIVE ART ⓒ 2026 Nashville Drummers Podcast, LLC

Join the Inner Circle.  Crazy Crew, it's time to level up. Get closer to the show, unlock exclusive content, and stay connected with us beyond the mic. Tap in below: - Join On YouTube Memberships: https://wesoundcrazy.ffm.to/youtubemembers - Join On Patreon: https://wesoundcrazy.ffm.to/patreon - Subscribe to Email & SMS: https://wesoundcrazy.ffm.to/jointhewesoundcrazy-emailandsms Listen on your favorite podcast service: https://pods.to/wesoundcrazy Stream songs from the episode on our official We Sound Crazy playlists: https://lnkfi.re/8I8Drkfz We Sound Crazy pulls back the curtain for a true architect of pop and R&B, welcoming the legendary songwriter and producer Brian Alexander Morgan to the studio. From his early roots learning the emotional language of music in a Wichita church to shaping the sonic texture of an entire era, Morgan's vulnerability and innovative genius defined the soundtrack of the 1990s. In a masterclass of music history, he sits down with the crew to trace a brilliant lineage of vocal royalty, revealing how a lifelong passion for sonics and direct-to-consumer artistry keeps him entirely locked into the future of music. Listeners will get an exclusive, behind-the-scenes look at the serendipitous moments that birthed some of the culture's most iconic records. Morgan unpacks the "vocal royalty" chain reaction that shaped his career that began with his childhood admiration for Martha Wash, and unexpectedly bridged into collaborations with Layla Hathaway, Brandy, and ultimately, SWV. He shares the untold history of "Weak," including how member Coco initially hated the song so much she hid in a bathroom, and clears up decades of internet rumors regarding the poetic, metaphorical inspiration behind the timeless masterpiece "Rain." Beyond the 90s nostalgia, Morgan reflects on the evolution of the music industry and discusses his unwavering success in a fragmented market. He lays out his receipts, detailing his contributions to modern hits by artists like Drake, Khalid, and Nas, while showcasing his unique ability to flip classic breakbeats with new tools like Ableton and Splice. Seamlessly blending his rich past with upcoming ventures, including his new project BREW (Bams Rare Exclusive Unreleased) and his work with rising star Nefertiti Avani, Morgan proves why his catalog continues to be sampled, covered, and revered across generations. We Sound Crazy is your backstage pass to all things music and culture. Special thanks to our We Sound Crazy team!  Director: Malachi Fuller Director of Photography: Neither Camera Op: Andrew Meyers, Derek Reed, Malachi Fuller, Neither Gaffer: Tyler Holmes Set Design: Gina Dorsey Producer/A2: Jerel Duren Editor: Hyyer Creative Producer:  Lamont Baldwin, Aaron Walton Show Producer/Sound Mixer: Michael "Roux" Johnson Remixer: Anthony Falcone Assistant: Brittany Guydon Talent Producer: Micha "ML6" Logan Photography: Kirk McClain   PA: Keylon Hall, Jonaye Anderson, Ryan Lee Thank you to all of our listeners and watchers! Special thanks to Brian Alexander Morgan! Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast. Follow We Sound Crazy on Social Media:  ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite #WeSoundCrazy #BrianAlexanderMorgan Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, What So Not shares his creative process behind evolving his sound over the years, balancing artistry with strategy, and building records inside Ableton Live. We dive into his production workflow, sound design techniques, touring, AI in music, collaborating with vocalists, mixing on the road, and hear breakdowns from his upcoming projects.What So Not is an Australian electronic music producer and performer recognized as one of the defining architects behind the rise of cinematic trap and forward-thinking bass music. His production style has helped shape modern music through collaborations with Skrillex, RL Grime, Oliver Tree, Killer Mike, Toto, and Daniel Johns. With over 1.3 billion global streams across records like High You Are, Jaguar, Gemini, and Be Ok Again, he's entering a new chapter with his forthcoming project I SAW A TRAP DJ AND IT CHANGED MY BIO CHEMISTRY.Follow What So Not:https://www.instagram.com/whatsonothttps://drop.cobrand.com/d/WhatSoNot/ISATDJSponsored by DistroKid:This episode is supported by DistroKid, which lets you upload once, get your tracks on all major platforms, and keep 100% of your streaming earnings. Their new DistroKid Direct feature also turns your artwork into print‑on‑demand merch like t‑shirts, mugs, and totes with no inventory to manage. Learn more below:⁠https://tr.ee/distrokid-abletonGrab limited-edition Producer Merch & save 10% with the code "podcast":⁠⁠https://www.abletonpodcast.com/merch⁠⁠Join the newsletter to get free downloads, early episode access, and upcoming events:⁠⁠⁠https://www.abletonpodcast.com/newsletter

The Rich Redmond Show returns from hiatus with viral Nashville drummer Ethan Harp.From Santa Barbara to Lower Broadway, Ethan breaks down how he went from garage bands to grinding 3-a-day sets, touring with Taylor Acorn, building Skylines & Satellites, and accidentally blowing up the internet with a single “bonk” in Immigrant Song. Rich and Jim go deep on social media strategy, drum gear, Ableton, mental health, and building a long-term career in today's music world.Chapters:0:00 Intro – The Rich Redmond Show is back1:00 Meet Ethan Harp: Santa Barbara to Nashville, sushi with Rich, early advice4:20 Why Broadway is a “blue collar” training ground for drummers7:40 Skylines & Satellites lineup and original releases9:50 Songbooks, setlists, and keeping a pop-punk/metal set alive on Broadway11:35 Drumio, Stuart Copeland challenge, and how they produce so much content16:10 Metalcore, grindcore, and the Cookie Monster vocals discussion17:45 Doing country gigs while staying in the rock and metal world19:50 Nashville vs Texas touring and how big some of these markets really are21:05 Flying nonstop, “sky waitresses,” and road life rituals28:55 How to actually get into Broadway: sitting in, slow season, and not being a pest33:15 The “How To Get Fired” Immigrant Song bonk that went viral34:50 How Ethan films gigs (Zoom, livestream screen records) and edits in iMovie/Reels41:50 First big click/live track gig with Ben Gallagher and learning Ableton in a week45:45 Crack vs thud: snare sounds, heads, dampening, and Broadway volume hacks52:00 Dream kits, Danny Carey, mandala pads, and hybrid setups57:15 Groceries, inflation, and musician shopping strategy: Walmart, Publix, Whole Foods1:00:40 Pessimism, therapy, SSRIs, and deliberately choosing positive habits1:05:45 Non-music friends, walks, and not spiraling alone1:15:25 H Audio studio, drum sample philosophy, and future recording plans1:25:10 Rich's closing thoughts on Ethan's path and the new seasonLinks:The Rich Redmond Show site:therichredmanshow.comRich Redmond:richredmond.comPodcast production:itsyourshow.coDrum-tensive study with Rich:drumtensive.comFollow Ethan Harp:Search “Ethan Harp Drums” on YouTube and Instagram

Ireen Amnes is a multifaceted artist, producer, and DJ recognized for her contributions to the techno and experimental music scenes. She began her musical journey as a singer and instrumentalist in metal bands before transitioning into electronic music In 2015, Ireen founded Under My Feet., a London-based collective and label that has become a hub for provocative exhibitions and showcases blending power electronics with experimental sounds. A decade later, she launched REVERSE at Säule Berghain, a party series dedicated to amplifying women, trans, and non-binary artists and creating uncompromised space for expression within the underground techno scene. Ireen bridges the worlds of experimental, electronic, and techno music as a versatile artist and resident DJ at the iconic Tresor Berlin. Alongside her musical career, Ireen is actively involved in education. With support from organizations such as Polyphase and Subverted, and funding from the Berlin Music Board, she has conducted Ableton workshops specifically designed for women and non-binary individuals, empowering underrepresented communities in electronic music. Her educational initiatives have also extended to institutions like Berklee College of Music and Ramp Music Academy. DJ, producer and composer Chloe Lula is known for her deep, atmospheric and hypnotic sound. Originally trained as a classical cellist, Chloe left the conservatory at 18 when she discovered electronic music, moving to Berlin shortly thereafter to immerse herself in the city's blossoming techno scene. The confluence of these worlds has forged her textural approach to techno and inspired her to return to her instrument. Today, she uses the cello to write full-length ambient, electroacoustic live shows as well as deconstructed tones and timbres that help form the unique character of her releases for the dance floor. Chloe is a resident at Tresor and has played widely across Asia, India, Europe, and North and South America. She has released on Tresor, Mord, Blueprint, Non Series and her own label, Syntax Records. As a composer, she has scored for theater and TV, and her debut instrumental full-length ‘Oneiris' came out on James Ginzburg's Subtext label in November 2024, which she currently tours as a live AV show. Beyond the studio, Chloe curates, hosts and produces interviews for Resident Advisor, and programs the publication's talk programming and workshops at festivals like Atonal, Nuits Sonores, Dekmantel, Unsound, Rewire and many more. Ireen Amnes IG: https://www.instagram.com/ireenamnes/ Chloe Lula IG: https://www.instagram.com/chloe.lula Tracklist via -Spotify: bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/   Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer   Keep up with SLAM: https://fanlink.tv/Slam  Keep up with Soma Records: https://linktr.ee/somarecords    For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

Ben Wood sits down with Rich Redmond and producer Jim McCarthy for a fast-moving conversation about music, business, and building a life in Music City. Ben shares how a Green Day concert lit the spark, why he drove 7 hours to study with Rich in LA, and how that conversation pushed him to choose Nashville over Los Angeles.They break down the origin story of Music Lab Nashville, including buying an existing school, taking on serious debt during the pandemic, and growing it to 15 teachers and 200+ students. Ben talks teaching philosophy, Ableton and tracks, being an asset to artists, and what it really takes to move from “local guy” to touring drummer.Along the way they riff on Calypso Café, MySpace days, cruises, hockey, Legos, horror movies, Annika Niles with Rush, Aaron Spears, Stuart Copeland's one‑man show, and why more female drummers should move to Nashville right now.Drop a comment if you've ever thought about moving to Nashville for music or if you've taken lessons at Music Lab Nashville.Timed highlights:00:00 Produced by ItsYourShow.co and why Ben brings more than just drumming01:20 Organic food, Calypso Café, and Nashville musician culture05:30 Meeting Jim at Calypso to talk voiceover and MySpace throwbacks06:40 Introducing Ben Wood: Sacramento roots, LA lesson, and move to Nashville08:15 Screamo band tours, record deal at 18, and falling in love with teaching17:20 Mike Johnston's Drum Lab, Serge Lysack, and the Sacramento drum scene22:20 Pandemic wipeout and the “I'm going all‑in” moment for Music Lab Nashville25:55 Absorbing Jan Williams School clients and staff; rebuilding the business model29:40 Year‑3 turning point, signing a 10‑year lease, and reaching profitability32:30 Culture at Music Lab: all ages, all styles, all abilities39:10 Just Jane, CMA Fest, and getting gigs through hockey and community43:40 Female drummers, Annika with Rush, and the open lane in Nashville48:30 Hockey clips, Lego addiction, and algorithm‑stopping content52:00 Streaming services, sex scenes, and full‑frontal overload55:10 Gateway music, Green Day, and MTV‑era discovery59:40 Paradiddles, 3s and 5s, and Ben's warm‑up philosophy1:02:30 Doubling to 400 students and the vision for Music Lab Nashville1:15:00 Owning “best drummer in Nashville,” handling trolls, and betting on yourselfPodcast Studio and Prodcuders: https://itsyourshow.coDrumtensive: https://drumtensive.comMore Rich Redmond Show Episodes: https://richredmond.com/podcastsMusic Lab Nashville: https://nashville.musiclab.coBen Wood Instagram: @benwooddrums 

On this episode we are trying something new: Engage Guest Host Mode! Enjoy this lovely chat with Ryan Gaston hosted by the living legend himself, Todd Barton. Todd Barton: https://www.toddbarton.com/ Ryan Gaston: https://ryangastonmusic.com/instruments More Goodies: KEANU Matrix Mixer Module: https://afterlateraudio.com/products/keanu Support Pod Mod PATREON (https://www.patreon.com/podularmodcast) LOUSY FALCON ALBUM: https://podularmodcast.bandcamp.com/album/forty-eight-feathers-a-collection-of-live-performances Thank you Novation: https://us.novationmusic.com/products/circuit-tracks# Signal Sounds: https://signalsounds.com/ Expert Sleepers: https://expert-sleepers.co.uk/ waveform magazine: https://waveformmagazine.com/

dnksaus (Carter) explores the future of Ableton Live, creative sound design workflows, Max for Live tools, and the new Ableton Extensions feature. They dive deep into building custom tools, making better "mud pies," AI-assisted coding, workflow optimization, and how producers can stay inspired while finishing more music. dnksaus is a producer, Max for Live developer, and sound designer known for his innovative Ableton tutorials and custom devices. His Max for Live devices and Ableton racks are used by producers including Marshmello, Skrillex, and RÜFÜS DU SOL. Carter has collaborated with Ableton on educational content and presentations, contributed to Sounds of KSHMR Vol. 5, and has become known for unconventional production techniques that help producers unlock new creative workflows.Sponsored by DistroKid:This episode is supported by DistroKid, which lets you upload once, get your tracks on all major platforms, and keep 100% of your streaming earnings. Their new DistroKid Direct feature also turns your artwork into print‑on‑demand merch like t‑shirts, mugs, and totes with no inventory to manage. Learn more below:⁠https://bit.ly/distrokid-musicFollow dnksaus Below:https://dnksaus.comGrab limited-edition Producer Merch & save 10% with the code "podcast":⁠https://www.abletonpodcast.com/merch⁠Join the newsletter to get free downloads, early episode access, and upcoming events:⁠⁠https://www.abletonpodcast.com/newsletter

Born out of a long-distance correspondence, Sweden/New York-based transatlantic duo Fuses craft songs that feel like signals sent across oceans. Their debut album ,Sawdust in the Transmission out June 26 via Having Fun Records, the rock imprint of Toronto's We Are Busy Bodies, bridges geography and emotion with a sound steeped in 60s folk rock and classic country. Echoing the timeless jangle of The Byrds, the pastoral storytelling of Fairport Convention, and the bittersweet warmth of artists like Gram Parsons and Jason Molina, the record connects the Swedish urskog with the Canadian muskeg. Lush vocal harmonies and reverb-soaked steel guitar create a sound that is both melancholic and hopeful, timeless yet uncommon.Drummer and bassist Moa-Linn Rosenlöf (Orkan, Spela Död) first met guitarist Craig Fahner when his Toronto-based group Motorists played Gothenburg in 2024. What began as a chance meeting quickly evolved into a daily creative exchange. Plans to reunite in New York City were ultimately derailed by visa complications, but the setback became the catalyst for the album. Instead, the pair spent a week sending Ableton sessions back and forth across the Atlantic, planting the seeds for a collection of songs that would later be brought to life during a dedicated recording session at Gothenburg's legendary Nacksving Studios, a site deeply connected to Sweden's 1970s political progg movement. The week proved especially momentous: the day after completing the recordings, the duo traveled to a courthouse in Borås and were married, sealing both their creative and personal partnership.

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Mackenna Tolfa grew up in Green Bay with a blue sparkle drum kit called “The Rock Star.” Decades later, she's touring North America as the first featured female Rockstar character in Blue Man Group's history. The name on the kit was foreshadowing nobody knew about until recently — including the Blue Man marketing team.In this episode, we dig into the full journey: from a family tradition built around an uncle with an accordion, to classical percussion study, to pit playing Broadway shows, to landing one of the most unique drumming roles in live entertainment.Here's some of what we covered:* How growing up watching Neil Peart and Phil Collins shaped her musical identity from the start* Why she started on classical piano — and what that gave her as a percussionist* The pivot from Broadway pit playing to the Blue Man Group world tour, and what each world taught her about the other* The wild audition story — filmed at 115 degrees in a back room in Spain with a rented kit, two hours to record and send it back, and over 100 applicants in the original pool* Being flown to New York for the final callback and walking in to find the audition was nothing like what she'd spent two months preparing for* What it means to play a character when the character is essentially just you* Her time subbing on the Book of Mormon national tour — and what it was like watching audience reactions city to city* How a fun COVID project learning Ableton ended up being crucial to landing the Blue Man gig* A Cirque du Soleil invite-only audition in London that came directly from a YouTube video she posted just for fun* Her upcoming solo project (a band called Lemon) and her work as arranger and orchestrator on the new musical Dust Bowl Radio Hour* Why she tells every student: don't wait for the degree to start networkingThe advice she gave at the end of this episode is the kind of thing that takes most people years to figure out. Start the relationships now. Know your role. Understand that every gig — pit, stage, session, tour — is drumming, but the approach is completely different.If this conversation resonated with you, the roadmap for building a career in theater music — the relationships, the mindset, the financial reality — is laid out in my book Broadway Bound and Beyond.Get your copy at broadwayboundbook.comClayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Abletonのホームページはとてもよくできている話今日のビートYouTube https://www.youtube.com/@katsuOfficialnote https://note.com/kermit71/TikTok ⁠⁠https://www.tiktok.com/@katsu_beat⁠⁠instagram https://www.instagram.com/kermit71【今日のキーワード】ROLAND SP-404 MKII / SP-404 MK2 / AKAI PROFESSIONAL MPC ONE / ビートメイク / コーヒー / Teenage Engineering EP-133 K.O.II / Ableton Move

Welcome back to the PsynOpticz Psychedelic Sessions. This episode is a special birthday celebration for Lante, representing Argentina with a high-energy journey through twisted psychedelic grooves, driving rhythms, and deep atmospheric soundscapes — he created this set as a gift to the dancefloor and a celebration of another cycle around the sun.

Mackenna Tolfa is the first featured female drummer in Blue Man Group history. She plays ‘The Rockstar' on the current North American Tour — the character she originated on the World Tour in 2021 after performing in more than 20 countries. Before returning to Blue Man, she held the drum chair on the national tours of Mean Girls and The Book of Mormon. She's also the orchestrator and arranger for The Dust Bowl Radio Hour, a new musical with a concept album.In this conversation we get into how all of it happened. How she chose the University of Minnesota specifically to study with Fernando Meza, the original percussionist for The Lion King. How she wrote a letter to the drummer from The Band's Visit as a high school student, had it delivered to the stage door, and how that relationship eventually led to her finding out about the Blue Man audition years later.And the audition itself. She was in a remote desert town in Spain — 400 people, no drum set anywhere nearby — when she got the call. She drove two and a half hours, rented the one kit in a back room, and filmed her audition in 115-degree heat with no air conditioning. She booked the role.We also get into what it means to originate a role versus step into a chair, how the Book of Mormon book is one of the most technically demanding on tour right now, and why following curiosity sideways — marimba physicality, Ableton, a fun cover video — has shaped her career in ways she never planned.Catch this episode wherever you listen to podcasts. And if you're finding value in these conversations, please leave a five-star review on Apple Podcasts — it helps other musicians find the show.ResourcesIf you're serious about landing a gig in this business, start with the free How to Land a Broadway Gig Roadmap. It breaks down how the industry actually works — who the key players are, how relationships drive hiring, and how to position yourself to get the call. Free with any subscription to Broadway Drumming 101.broadwayboundbook.com/roadmapFor the full picture, pick up Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career. Everything the roadmap introduces, the book goes deeper on — the mindset, the preparation, the relationships, and the financial side of sustaining a career long-term.broadwayboundbook.comAnd coming soon — Broadway Bound and Beyond: The Course. The Career Foundation Every Working Musician Needs (But Nobody Teaches). More details dropping soon. Stay subscribed.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Kill The Noise breaks down his evolving creative process—from couch-surfing bass producer to film scores—while navigating an AI-heavy landscape and real-life deadlines. We dive into his Ableton Live workflow for sidechaining and sound design, “stink mode” bass concepts, and the mindset to finish records without getting stuck in perfectionism.From film scores to studio production and major festival stages, Jake Stanczak—better known as Kill The Noise—has built a career defined by evolution and experimentation. Influenced early on by visionary filmmakers and boundary-pushing artists, his sound bridges cinematic intensity and forward-thinking electronic music, with collaborations ranging from Skrillex and Deadmau5 to Tom Morello, plus contributions to major film scores like Teenage Mutant Ninja Turtles and xXx: Return of Xander Cage alongside Brian Tyler.Follow Kill The Noise:https://www.instagram.com/killthenoiseGrab limited-edition Producer Merch & save 10% with the code "podcast":https://www.abletonpodcast.com/merchJoin the newsletter to get free downloads, early episode access, and upcoming events.https://www.abletonpodcast.com/newsletter

What happens when a touring jazz bassist, electronic music pioneer, film composer consultant, and music educator decides to reinvent music education using AI?John von Seggern joins Jason Tonioli for a fascinating conversation about adapting to constant change in the music industry, building a long-term creative career, and why musicians who refuse to evolve often get left behind.John shares stories from launching his jazz career in Tokyo, touring the world with massive Hong Kong pop stars, working with Disney and Thomas Newman's team on WALL-E, and eventually moving into online music education long before it became mainstream.The conversation also dives deep into the future of AI in music. Rather than replacing musicians, John explains how AI can become a powerful creative assistant that helps artists learn faster, market themselves better, and remove technical roadblocks without sacrificing creativity.If you've ever wondered where music education, production, and the music industry itself are heading next, this episode is packed with insight.To read the complete transcript and watch the podcast video, visit the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠episode blog⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠What You'll Learn- Why musicians must evolve as technology changes- How John built an international music career in Asia- The realities of touring professionally for major pop artists- Why passion matters more than chasing trends- How AI can help musicians without replacing creativity- The future of personalized music education- Why information overload is hurting modern learners- How AI can accelerate music production workflows- The difference between making “mid” music and meaningful art- Why musicians should still learn instruments in the AI era- How online music education has evolved since 2010- The importance of adapting your career over time- How AI can help musicians with marketing and business- Why many successful musicians eventually pivot creatively- How technology is reshaping the future of learningTopics Covered in This Episode- Studying jazz at the New School in New York- Launching a jazz career in Tokyo- Touring internationally with Hong Kong pop stars- Playing venues like Wembley Arena and Madison Square Garden- Becoming one of Asia's first computer DJs- Transitioning into electronic music production- Studying ethnomusicology and internet music culture- Working with Native Instruments- Consulting for film composers in Los Angeles- Working on WALL-E with Disney collaborators- The evolution of online music education- Zoom and the transformation of remote learning- Building Future Proof Music School- Developing AI-powered music coaching tools- Using AI inside Ableton Live- AI-assisted coding and plugin creation- Music marketing with AI- The dangers of losing passion in your music careerWho This Episode Is For- Music producers- Electronic musicians- Touring musicians- Jazz musicians- Independent artists- Music educators- Ableton users- Film composers- Songwriters- Artists interested in AI tools- Musicians exploring online education- Creators building long-term careers- Producers overwhelmed by information overload- Artists trying to adapt to industry changesConnect with  John von Seggern WebsiteLinkedInInstagramFacebookYouTubeInstagram (Future Proof Music School)TikTokConnect with Jason TonioliWebsite FacebookYouTube InstagramSpotifyPandoraAmazon MusicApple Music

The crew sits down with the "World's Sexiest DJ" and Playboy's 50th Anniversary Playmate, Colleen Shannon. Colleen shares her fascinating background, from growing up in the freezing fishing villages of Alaska to becoming a global touring DJ. She opens up about balancing her wild career with motherhood, co-parenting her two amazing kids in Arizona, and transitioning from a massive modeling career to becoming a full-time music producer using Ableton.The conversation dives deep into the gritty reality of the electronic music industry. Colleen discusses learning to DJ on actual vinyl back in 1999 and shares her frustrations with modern DJs relying entirely on pre-programmed sets instead of reading the crowd. Tru and Colleen swap their honest opinions on the Las Vegas nightclub scene, the incredibly strict rules of DJing internationally in places like China, and her unforgettable Friday night residency with the late DJ AM at Rain. They also touch on the hidden truth behind massive festival DJs and the reality of ghost producers.Things get crazy as the group swaps hilarious and wild stories about doing mushrooms at a Wu-Tang Clan and Rage Against the Machine concert, navigating intense LSD trips, and the bizarre realities of the Hollywood party scene. Colleen also reveals why she permanently deleted her OnlyFans account four different times because it was soul-sucking, her dreams of collaborating with Diplo and Shaq, and the release of her brand-new children's book, "I Am DJ Boy."Be sure to like, comment, and subscribe for more unfiltered interviews and Las Vegas nightlife secrets!

Beyond thrilled to be introducing our next guest, Echo Juliet and this killer mix she cooked up- using her first love of percussion as the defining element of her sound. The DJ and producer swapped her classical music degree for Ableton and decks. A friendly, yet formidable force, her DJ sets journey through deep house, percussion-filled global electronic, and warm sounds which have seen her open for Bradley Zero, Tom VR, Nightmares on Wax, The Orb, Jeremy Sylvester and more. Receiving comparisons to Four Tet and Bonobo, her colourful productions dwell on the fringes of club music, leaning towards the leftfield. From high energy excitement to dreamy textures, she draws influence from broken-beat, deep house and classical percussion. Recently named one of DJ Mag's emerging artists to watch, her releases have also been featured in Bandcamp's Best Electronic list, played in legendary clubs such as Fabric, and supported by DJs including Axel Boman, Seb Wildblood, and BBC 6Music tastemakers Gilles Peterson, Nemone and Tom Ravenscroft. She has also featured on a compilation alongside electronic icons 808 State, and been remixed by Gold Panda. Radio credits have seen her guest hosting on NTS and mixes for Rinse FM and The Face Radio in New York, as well as hosting a radio series for promoter Soundcrash. Meanwhile, DJing has taken her from noted South-London party Rhythm Section and residencies for The Standard and Variations, to SXSW in Austin, We Out Here festival's second stage and playing to over 3,000 people at Dreamland Margate. Committed to creating a more inclusive music scene, she founded Future Proof for Bradley Zero's Rhythm Section label, has taught music production to women and non-binary folks for Saffron and is a director of DJ community Selextorhood.

Today we're joined by David Satori — co-founder of Beats Antique alongside Zoe Jakes and Sidecar Tommy, a trio that came out of the San Francisco performance underground, Burning Man, and the West Coast Circus Bass music scene. He's also co-founder of Dirtwire with Evan Fraser and Mark Reveley, which blends experimental bass music with folk music from around the world. Between the two projects he's co-produced and recorded over 20 albums in the past 15 years. He also co-founded a nonprofit called SunRise Studios Collective, which builds micro recording and multimedia studios in under-resourced communities around the world to give youth a voice through music and production. David and I actually go back to a tour we did together in 2017, so it was good to catch up. We spend a good chunk of this one talking about life on the road — buying and converting buses, what it actually costs to tour as an independent artist, and the tradeoffs between owning your vehicle versus renting. He just got off a two month run with Dirtwire and shares what touring looks like for them right now, including how they run their live setup with Ableton and handle sound checks. Hope you enjoy it. Please welcome David Satori. David Satori Links Mr. Bill's Links 

In this episode, COPYCATT dives into bass music sound design and Ableton workflows—breaking down a track, talking clipping vs limiting, fun stories, and sharing tools for getting movement and character. We'll talk about waveshaping, feedback experiments, and a few Live 12.4 favorites.COPYCATT (Andre) is an Australian-based producer with a dedicated following in the neuro/ hip-hop/ bass scene, known for his unique sound design. His collaborations include working with artists like Frequent and Mr. Bill, and his tracks have been performed by acts such as Pretty Lights, Haywyre, Mr Carmack, Tipper, Excision, and more. Since his first release in 2015, COPYCATT has built a cult following around 90's hip hop-inspired grooves, hard-hitting snares, and bone-rattling sub basses—and he also releases sample packs and video tutorials to share his production process.Follow COPYCATT below:⁠https://soundcloud.com/itscopycatt⁠⁠https://instagram.com/itscopycatt⁠https://discord.com/invite/9cW8HnszvfGrab limited-edition Producer Merch & save 10% with the code "podcast":⁠https://www.abletonpodcast.com/merchJoin the newsletter to get free downloads, early episode access, and upcoming events.⁠https://www.abletonpodcast.com/newsletter

"“Distant Songs” was inspired by the field recording “Archive of a Wander through the Museum of Automata, Lyon” by Florent Picollet. I began my process by eq'ing and editing the field recording into three overlapping sections. The new track was stretched using Paul's Extreme Sound Stretch and then processed and performed in Ableton. Lastly, Casio tones were added. "Museum of Automata, Lyon reimagined by Edward Ruchalski.IMAGE: Rama, CC BY-SA 2.0 FR , via Wikimedia Commons

This week we're diving into the new features in Ableton Live 12.4 with a live demo and discussion.We'll be exploring:Link Audio for real-time collaboration over local networksImprovements to Stem SeparationUpdates to Erosion, Chorus-Ensemble and DelayThe new Learn View systemWorkflow changes across Push, Move and NoteWe're less interested in reading release notes and more interested in asking:How useful are these tools in actual music-making situations?Join us as we test features, experiment live, and discuss where Ableton continues to push the platform.There's new music on Triplicate Records, check it out:https://jonnyfallout.bandcamp.com/album/the-subconsciousJoin the conversation:

ELPHNT is an Ableton authority. His extensive experience as a producer, performer, and educator has allowed him to see a common trope play out over and over again.It's accepted as the norm, but as he explains here, it doesn't have to be.On the one hand, scrolling endlessly for the perfect kick drum is funny.On the other, it is creative self-sabotage by disorganization.Here, ELPHNT provides a clear and direct path forward.Hear the full conversation in Episode 035 — Soul-Crushing Success feat. ELPHNT.What are ProducerHead Loops?Gems from past conversations worth running back. Perfect for when you need a quick hit of inspiration.ProducerHead is free to subscribe. Subscribers get access to The Practice — an ongoing video archive of in-studio sessions from guests on the show. Get full access to ProducerHead at producerhead.substack.com/subscribe

The conversation covers the importance of preparation and professionalism in the DJ industry, highlighting the significance of being well-prepared for gigs and the impact of industry standards on the quality of service provided. It also delves into the recent Ableton 12.4 update and discusses a video featuring a venue owner's perspective on DJs. Additionally, the conversation explores the challenges of Wi-Fi availability and the necessity of DJ preparation for events. The conversation covers event preparation, safety concerns, equipment quality, power management, DJ setlist analysis, and key takeaways for event planning. It emphasizes the importance of being prepared and over-prepping for events to ensure a successful and safe experience for all involved.

What happens when your singer has no voice, your guitarist has one working foot, and the gig still has to happen?In this episode of Cover Band Confidential, we catch up on a very normal week in cover band land: wireless mic experiments, AI-programmed lighting, forgotten iPads, cursed rental guitars, and Dan's return to the stage after more than a year away.

Anthropic dropped Claude for Creative Work, a set of official connectors that plug Claude directly into Blender, Adobe Creative Cloud, Ableton, Splice, Canva, SketchUp, and Resolume. They also became a corporate patron of Blender with a 240,000 euro donation. Stripe used their Sessions event to launch Stripe Projects, the Machine Payments Protocol, and the Link Wallet for Agents, that let AI agents build, buy, and sell autonomously.

Kathleen is a freelance sound engineer from California, now based in Berlin, Germany. In recent years she's had the pleasure of touring internationally as a FOH/Monitor engineer and playback engineer. Empowering artists to realize their sonic vision and feel comfortable onstage is her passion. She's mixed stages in Rock am Ring/Rock im Park, Funkhaus Berlin, Elbphilharmonie Hamburg, Vienna Konzerthaus, Meguro Persimmon Hall, among others. Otherwise, she's troubleshooting technical issues at Ableton and working with Berlin-based sound crew Soundsysters to support women/non-binary/trans people interested in audio. Hosted by: Katie Maifeld and Brianna Cofield Executive Producers: Karrie Keyes, Beckie Campbell, and Susan Kost Edited by: Isis Delph Music by: Jess Fenton (https://www.jessfenton.com/) Admin by: Kanika Khanna The SoundGirls Podcast is presented by soundgirls.org 

This week Jason Howell and Jeff Jarvis dig into a story about an AI coding agent that wiped a company's entire production database in nine seconds, then confessed to knowing exactly what it shouldn't have done. They also get into OpenAI missing its revenue targets while Anthropic quietly surges past a trillion-dollar valuation on secondary markets, and Google signing a classified AI deal with the Pentagon just one day after 600 employees urged the company not to.Also in this episode: a neuroscientist argues AI is cannibalizing human intelligence, a fully AI-generated time-travel vlog account hits 580K followers, a vintage language model trained only on text from before 1930, China blocks Meta's acquisition of Manus, Taylor Swift moves to trademark her voice, the Musk vs. Altman trial begins, YouTube tests chat-style search, and Anthropic plugs Claude into Photoshop, Blender, and Ableton. New episodes every Wednesday at aiinside.show. Note: Time codes subject to change depending on dynamic ad insertion by the distributor. CHAPTERS: 0:00 - Start 0:03:29 - OpenAI Misses Key Revenue, User Targets in High-Stakes Sprint Toward IPO 0:05:10 - Is OpenAI Falling Further Behind in the A.I. Race? 0:11:19 - Anthropic has surged to a trillion-dollar valuation on secondary markets, overtaking OpenAI 0:13:58 - Claude-powered AI coding agent deletes entire company database in 9 seconds — backups zapped, after Cursor tool powered by Anthropic's Claude goes rogue 0:15:40 - https://x.com/lifeof_jer/status/2048103471019434248 0:21:29 - Marcus: Dario Amodei, hype, AI safety, and the explosion of vibe-coded AI disasters 0:24:36 - Google signs classified AI deal with the Pentagon for ‘any lawful government purpose' 0:26:15 - Google workers petition CEO to refuse classified AI work with Pentagon 0:30:26 - * Excellent essay: AI Is Cannibalizing Human Intelligence. Here's How to Stop It. 0:39:53 - Jeff on the principles: Technology does not belong to the technologists 0:44:51 - * Chloe vs. History 0:46:23 - The Maker of 'Chloe vs History' — How AI Brings The Past Alive 0:52:01 - Introducing talkie: a 13B vintage language model from 1930 0:57:52 - "China blocks Meta's $2 billion takeover of AI startup Manus" 0:59:21 - Taylor Swift Moves to Trademark Her Voice and Image as AI Threats Grow 1:01:29 - YouTube is testing a chat-style search that cuts the scrolling Hosts: Jason Howell and Jeff Jarvis Download and subscribe to AI Inside in audio and video: https://aiinside.show/ Support the podcast on Patreon for special perks: https://www.patreon.com/aiinsideshow. You'll get ad-free episodes, members-only Discord, T-shirts and stickers you love, and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Learn more about your ad choices. Visit megaphone.fm/adchoices

Watch on YouTube Welcome to our Part 2 episode with Jay Taylor, who breaks down his Ableton arrangement of “Jehovah” by Elevation Worship, sharing how he builds dynamics with layered parts, loops, textures, and transitions while leaving space for a live band. He also talks about trusting the process, staying grounded in your identity, growing your gift, and letting prayer guide your calling. They also touch on sound sources, including Gospel Producers and Naja Snow's upcoming System-8 pack, and wrap up with where to follow Jay on Instagram.AerospaceaudioSupport the showThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

In this episode, Dillon Bastan breaks down how he approaches building playful, physics-inspired music tools—plus the stories behind Iota, the Inspired by Nature Pack, Entanglement (his “quantum” synth concept), and the viral new ChatDSP Max for Live devices that generate instruments/effects from text prompts. We get into why he loves workflows that invite happy accidents, and his broader philosophy around creativity, meaning, and making art. Dillon Bastan is a multi-talented artist and developer known for esoteric Max for Live devices and experimental artistic adventures. His work pulls from natural processes, mathematical systems, and physical forces—often replacing traditional parameters with unconventional controls and environments. He created Ableton's popular Inspired by Nature Pack, the granular-looping instrument Iota, and advanced tools like Entanglement, and ChatDSP (a viral new prompt-based AI device builder). Follow Dillon Bastan Below:https://dillonbastan.comhttps://www.instagram.com/dillonbastanhttps://dillonbastan.bandcamp.comGrab limited-edition Producer Merch & save 10% with the code "podcast":⁠⁠https://abletonpodcast.com/merch⁠⁠Join the newsletter to get free downloads, early episode access, and upcoming events.⁠⁠https://www.abletonpodcast.com/newsletter⁠

"I liked the clanky & clunky-ness of this recording, like a slowed down industrial techno track. I used Ableton to convert it to melody, harmony and drum midi parts, then messed around with those until i got it to sound right on top of the recording. I added a pitched down version for more bass boom. I also added loads of layers of greasy reverb and oily grains to replicate the decades of use of the beam engine."Markfield beam engine reimagined by Dave Webb.

In this episode, Flozone sits down and shares his Ableton workflow—from his production template and sidechain setup, to dialing in kick/sub balance that translates on small speakers. We also get into mixing decisions (clippers, limiters, and avoiding weird plugin glitches), Serum tips, and how he stays creative without forcing ideas. Flozone is a bass music producer known for overwhelming low-end, gritty leads, and a fluid-but-aggressive sound shaped by Southern trap influences and modern bass music. He's played major stages like Lost Lands, Wakaan, and Okeechobee, hit Red Rocks, toured on the Wooli bus tour, and is now stepping into his first headline shows. Follow Flozone Below: https://linktr.ee/flozonebassGrab limited-edition Producer Merch & save 10% with the code "podcast":⁠⁠https://abletonpodcast.com/merch⁠⁠Join the newsletter to get free downloads, early episode access, and upcoming events.⁠⁠https://www.abletonpodcast.com/newsletter⁠

They set up, find the missing cable, restart once, dial in levels. No count-in. A couple early starts, then they let it run. Some talking at first, then it settles. Ends up wide, varied, somehow cohesive anyway, the kind of session you keep coming back to because there's more in it than you thought. Bass through a Fractal Audio AX8. Drums, percussion, and spoken word via Maschine and Ableton. Guitar direct and processed in the chain. Everything controlled from iPad with MIDI Designer Pro X. Nick Shelhoff: bass Dan Rosenstark: drums, howling Mike Rosenstark: guitar

"When I received the field recording by Daniel Mackenzie I thought 'what an absolute gift!' All the elements to make a remix are all contained in the original field recording. I used a Roland SP404 mk2 to sketch out the fundamentals, and to focus on what parts to sample, and mastered in Ableton. "Rudimentary effects were used (filters, eq, delay & reverb) but no synths whatsoever; the piece only contains samples from the original field recording. "I had an absolute blast doing this, and I hope you enjoy listening to it as much as I enjoyed working with it!" Lamma Island playground reimagined by Rod Dykeman

Watch on YouTube Aerospace AudioIn this episode, we welcome Matt Gilder to the Worship Keys podcast, with sponsorship from Aerospace Audio, to discuss Matt's journey from growing up in Southeast Texas playing church piano to touring and producing, including nearly 20 years as keyboardist for Chris Tomlin since a 2006 session at Blackbird. Matt shares how ear training and the Nashville Number System shaped his musicianship, his early band Among Thorns, and how learning tracks and software opened doors. He breaks down his live rig evolution (Roland V-Piano, controller, MainStage, Ableton, redundancy, and iConnect solutions), offers advice on choosing inspiring gear, and emphasizes simplicity, listening, and playing for the room. They discuss handling big-stage energy, building trust and longevity with an artist, prioritizing creating and finishing music, and maintaining faith amid public ministry failures by focusing on integrity and healthy community.Matt GilderAerospaceSupport the showThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

In this episode, we dive deep into advanced Ableton sound design, resampling techniques, and creative workflow strategies with Leotrix and eliderp. The conversation covers everything from using Melodyne for unique bass design, building fat racks, and pushing stock Ableton devices to their limits, to unconventional sampling methods that spark new ideas.Leotrix is an Australian bass producer known for his original sound design, melodic future riddim style, and explosive live sets, with support slots alongside Excision, Zeds Dead, NGHTMRE, Kayzo, Virtual Riot, and Marshmello, plus appearances at Bassrush, Red Rocks, and Lost Lands. Eliderp is a producer, visual artist, and film/game composer whose detailed sound design has led to collaborations and releases with artists like Mr. Bill, The Widdler, Knoir, JoeB, and DABOW, including a Virtual Riot remix with Mr. Bill.Follow Leotrix and eliderp Below:https://linktr.ee/eliderphttps://linktr.ee/leotrixGrab limited-edition Producer Merch & save 10% with the code "podcast":⁠https://abletonpodcast.com/merch⁠⁠Join the newsletter to get free downloads, early episode access, and upcoming events.https://www.abletonpodcast.com/newsletter

In this special 200th episode, Dan Giffin (Philia) gets interviewed and reflects on what he's learned from 200+ conversations with producers, artists, and industry pros on the podcast. He talks about how his approach to music has evolved over the years, practical Ableton tips for file management, faster workflows, favorite max for live devices, and building a live performance setup.Dan Giffin is an Ableton Certified Trainer, producer, performer, and educator based in Denver, Colorado. He teaches Ableton Live through AbletonPodcast.com, hosts the Ableton Music Producer Podcast, and produces under the artist name Philia. Dan has taught Grammy-winning artists, led workshops at SAE Institute and Sweetwater, and has collaborated with major label artists including Mac Miller, Machine Gun Kelly, and more. As Philia, he blends jazz-infused bass music with live drums, keys, improvised DJing, and has shared the stage with artists including Tiesto, Slushii, Daily Bread, Blookah, Beats Antique and others. Follow Philia Below:https://linktr.ee/philiamusichttps://www.tiktok.com/@philiamusichttps://www.philia-music.comhttps://www.facebook.com/PhiliaMusichttps://www.instagram.com/philiamusicGrab limited-edition Producer Merch & save 10% with the code "podcast":https://www.abletonpodcast.com/merchJoin the newsletter to get free downloads, early episode access, and upcoming events.⁠https://www.abletonpodcast.com/newsletter**Thanks to Brennan & Ben for interviewing this episode:Brennan Forrester:http://instagram.com/brennanplayskeyshttps://www.instagram.com/8_of_spades_dnbBen Spilker:https://www.instagram.com/spilkerbenhttps://github.com/benspilker

Watch On YouTubeAerospace AudioFor this episode, we have a returning guest, Marcus Wiles to discuss the Nord Stage 4, including whether it's worth upgrading from the Stage 3, keybed improvements like triple-sensor action, new faders and workflow, and faster preset building across piano/organ/synth sections. Marcus highlights major value in Stage 4's dedicated per-layer effects, including new Cathedral reverb (with modulated “choral” variation) and a sidechain-style pump effect, plus extensive MIDI CC automation with Ableton for live touring. He shares go-to Nord piano choices (White Grand, Pearl Upright), explains why some think Nords don't cut through a mix, and demonstrates tools like dynamic compression, EQ, and noise layering for realism. The episode also covers organ, Rhodes, synth/sample-based sound design, touring stories, and advice on practicing, learning gear, and staying versatile.Marcus WilesAerospace AudioSupport the showThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

Watch On YouTubeThis episode focuses on synthesizers with a deep dive on Marcus Wiles' Sequential Prophet-6, while also thanking sponsor Aerospace Audio and highlighting their Arrow Pads app and Atmosphere Pads pedal features, sound packs, pricing, and routing ideas with Ableton. Marcus explains why he chose the Prophet-6, how its simplicity and poly mod section shaped his synth programming, and why hardware can feel more like an instrument. He demonstrates practical sound-design concepts that translate to any synth or Omni sphere, including using unison and stereo spread versus chorus, preparing patches for mono or stereo systems, shaping sounds with envelopes to turn a basic patch into bass, plucks, brass, and an 808-style sound, adding texture with audio-rate modulation and effects (including distortion after reverb), and using the Prophet-6 sequencer for writing inspiration. The episode ends with a call for viewers to submit their own key rigs and a teaser for the next episode on the Nord Stage 4.Marcus Wiles Support the showThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

In this episode, STVSH breaks down his approach to bass music production, sound design, and how his background in film and Foley work has shaped his unique sonic identity. We dive into Ableton workflows, creating “mud pies,” resampling techniques, and why simplifying your process can actually level up your music.Nathan Lienau, aka STVSH, is a rising bass music producer and DJ from Atlanta, Georgia. Known for blending raw hip-hop influences with gritty, urban textures, his sound is deeply inspired by the “sonic architecture” of his city. With a background in sound design for film and visual arts like graffiti and illustration, STVSH brings a multi-disciplinary approach to music. His career highlights include performing at Red Rocks Amphitheater, playing Lost Lands, collaborating with Mersiv, releasing on UKF, and completing his first headline tour.Follow STVSH Below:https://linktr.ee/stvshGrab limited-edition Producer Merch & save 10% with the code "podcast":⁠⁠⁠⁠⁠⁠https://abletonpodcast.com/merch⁠Join the newsletter to get free downloads, early episode access, and upcoming events.ht⁠tps://www.abletonpodcast.com/newsletter

Welcome Kansas City-native Andrew Bone! Andrew opens up about the changing chapters of life and his shift in career focus. Recently married, he discusses the intentionality of stepping back from the grind of 6–7 days a week on Broadway, while aiming to get back to higher-level touring and more fulfilling gigs. We discuss the realities of post-COVID pay, knowing your worth, professionalism and reliability as a sub, and handling playback/Ableton, IEMs, and onstage failures. We delve into charting vs memorization, learning large volumes of material, working respectfully with a crew, using AI tools for admin and career planning, building a home studio identity, and early influences from KISS to music academia. Andrew also reflects on moving from Kansas City, his brief experience at Berklee, and why relationships, preparation, and good conduct matter more than chops. We hope you enjoy!Chapters:0:00 Intro1:44 Welcome, Andrew! 3:08 Life Crossroads and Marriage 3:56 Broadway Grind 9:49 Pay Reality Post-COVID 11:42 Subbing w/ Nate Smith 16:20 Ableton and Show Design 19:32 Charts vs Memorizing 32:10 Kids, Sticks, and Joy 41:09 Rezo Custom Drum Heads (Sponsor) 42:10 Broadway Burnout Plan 43:46 ChatGPT Career Reset 51:04 Coffee & Hands Crew 54:58 Drum Box (Sponsor) 55:59 Playing Stadiums 1:03:34 Low Boy Beaters (Sponsor) 1:04:40 Gear Fail Lessons 1:09:05 Audio Nerd to Drum Pro 1:20:18 Home Studio 1:32:04 Drum Supply (Sponsor) 1:33:01 Kansas City Roots and KISS 1:39:17 Music City Audiology (Sponsor) 1:43:31 Time at Berklee 1:48:24 Move to Nashville 2:00:11 Broadway Material 2:08:05 Rapid Fire Questions 2:12:00 OutroThank you to our Episode Sponsors:Rezo Custom Drum Headshttps://rezoheads.comDrum Boxhttps://drumbox.spaceDrum Supplyhttps://www.drumsupply.comLow Boy Beatershttps://lowboybeaters.comMusic City Audiologyhttp://musiccityaudiology.comConnect with Andrew:Instagram: https://www.instagram.com/andrewbonedrumsMusic Featured in this Episode:"Drink Along" - Josh GallagherSupport the showConnect with us:WebsiteInstagramTikTokYouTubeFacebookRecorded at Garden Groove Recording Space, Nashville, TNPodcast Artwork: GENUINE CREATIVE ART ⓒ 2026 Nashville Drummers Podcast, LLC

Watch On YouTubeThank You to Our Sponsor: Aerospace Audio for Atmospheric Worship PadsRecorded live in Nashville during pre-production for DOE's upcoming recording, this episode of the Worship Keys Podcast features Carson Bruce with Leonard Ray Jarman Jr. and Marlon Roberson sharing honest insights on worship, ministry, and musicianship. They talk stewardship, preparation, holiness, and keeping intimacy with God first, along with their Nord, Ableton, and multi keyboard setups and lessons from working with Eddie James, Maverick City, Kirk Franklin, and Matt Redman. If you are a worship leader or creative who wants to grow without losing your heart for God, this is for you. Don't miss out.Marlon RobersonLeonard Ray JarmanLeonard's soundsWTRWAY MinistriesSupport the showThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

Buck 65 makes a rare reappearance to discuss his excellent new album, Do Not Bend, musical brevity, Joe Pernice inspiring him to start an insightful Substack, writing jokes and stories that wind up as rhymes, befriending the late great Biz Markie and hanging out backstage at a Beastie Boys show, meeting Lou Reed but being low key about their creative kinship, acquiring the four-track he once used in the mid-1990s to create new music but also incorporating Ableton, obvious and oblique pop culture references, when you don't know where the words come from, why it's healthy to listen to your own work, difficult time signatures for rappers, a loving celebration of vinyl record culture, many future plans, a hidden phone number, and much more. EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #1069: The Messthetics and James Brandon LewisEp. #1068: Sahan Jayasuriya on ‘Don't Say Please: The Oral History of Die Kreuzen'Ep. #1065: Brian Raftery on ‘Hannibal Lecter: A Life'Buck 65 on Bike For Three! (2009)Ep. #1037: SloanEp. #1026: TortoiseEp. #906: Joel PlaskettEp. #895: Al TuckEp. #858: Cadence WeaponEp. #800: Buck 65Ep. #770: Adam Horovitz from Beastie BoysEp. #272: Gord Downie [Archival; May 2010]Ep. #117: Charles Austin of the Super FriendzEp. #13: Sloan's Jay Ferguson & Chris Murphy & Photographer Catherine StockhausenSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Episode 375: "How Vinyl DJs Are Redefining NYC Nightlife” Feat. DJ Snips, Karl Brisseaux, Svpply, and Moochie This week on @RoadPodcast, the crew sits down with @Moochie, @DJSvpply, @Snipsmusic, and @KBrissy to talk about @RecordRoom and vinyl parties. The episode begins with Crooked reflecting on his first time attending Record Room and what immediately stood out (03:20), before the crew breaks down why vinyl sets earn more trust from audiences, from the visual curiosity of watching a DJ work to the difference between a DJ and a vinyl selector mindset (12:40). They explore why letting songs play longer works better in today's shortened attention economy , the origins of Record Room and NYC's Sway era, and the early days of Suede, including the choice to identify as vinyl DJs in 2025 (18:50). The conversation dives into why R&B sounds so good on vinyl, the importance of bridges, nuance, and letting records breathe, even at prime time (32:30). From there, the crew talks about party arcs, creative limitations, building crowds that trust DJs enough to book weeks ahead, and competing with couches instead of clubs (53:40). The episode closes with reflections on NYC nightlife legacy (1:03:10), curating an authentic New York experience (1:13:01), the cost of vinyl (1:21:05), rocking parties without obvious hits, and the personal relationships DJs have with their records (2:02:01). This episode is sponsored by @SoundCollectiveNYC, an industry-leading music school, musical space and community located in downtown Manhattan for aspiring DJ's, Producers, Musicians and more. Take private Ableton lessons, practice DJ routines, experiment with different audio equipment and reserve studio spaces for just the day, maybe a week or sign up for their monthly membership. Check www.soundcollective.com for more info and try their Online Classes free for a month by entering the code “ROAD”. If you're in the New York area, visit them at 28 Broadway, New York, NY 10004 and tell them the Road Podcast sent you!! Try Beatsource for free: btsrc.dj/4jCkT1p Join DJcity for only $10: bit.ly/3EeCjAX

After surviving Thanksgiving and the subsequent biting cold, we jumped into the FOLLOW UP with news that Malaysia is joining the trend by taking steps to ban social media for children under 16, mirroring similar actions in Australia and Denmark—it seems the world is finally realizing the internet is a toxic wasteland for the kids. We also discussed Apple's photo AI, which is apparently still in beta, if the results are anything to go by. The bulk of our discussion centered on the spectacular, flaming death of the Department of Government Efficiency (DOGE), which is Officially Dead. We broke down a brief rundown of the damages this vanity project caused, from humanitarian disasters overseas to administrative chaos and the loss of hundreds of thousands of jobs domestically, proving the "savings" were pure illusion. Now, with the collapse, the 'Suddenly exposed' DOGE employees fear prosecution after Musk abandoned them, learning the hard way that billionaire guardianship has an expiration date.The job market is just great, with both Apple laying off part of its sales team despite record revenue, and HP joining the List of Tech Companies Cutting Jobs and pointing to AI as the convenient scapegoat for laying off 10% of their workforce. Meanwhile, we found out the most popular social media platform among US adults isn't Instagram or TikTok—it's YouTube—while Meta allegedly buried research showing its products are harming users, confirming what we've known all along: they're evil, but they already got your grandma hooked. Adding to the misery, An Alarming Number of Teens Say They Turn To AI For Company, Study Finds, because why talk to a real, messy human when a bot can gaslight you more efficiently? Sam Altman's financial troubles are spilling over, with Sam Altman's Business Buddies Are Getting Stung (sorry, SoftBank and Oracle), and analysts estimate OpenAI Is Just $200 Billion Away From Still Losing Money, HSBC Says, a comical hole they plan to fill by asking for more free money. Legally, OpenAI can't use the Word ‘Cameo' in Sora now, thanks to a trademark suit, and Warner Music is playing both sides by dropping its lawsuit against Suno in exchange for a licensing agreement. Finally, in some truly dark news, a Marc Andreessen-backed Super-PAC Pours Millions Into Fighting State AI Regulations, and X's new location feature reveals that New X Feature Reveals Many MAGA Patriots on X Are Not Even Based in the U.S.After ranting about my misery dealing with the Open Dialogue bug in a beta build and declaring my return to "pedestrian releases," we got into APPS & DOODADS. Spotify is actually doing something cool with its new SongDNA feature, which shows you who sampled what (and they bought WhoSampled to do it). They're also testing Spotify's New AI-powered audiobook Recaps to remind you where you left off—Amazon is doing the same with AI-powered series Recap Videos for Prime Video. Amazon is also rolling out Alexa Home Theater surround sound for Echo speakers, making those budget speakers slightly more useful. We ran through some great stocking stuffers in Jason's Holiday Gift Guide, including Velcro cable ties and the Contigo travel mug, before moving on to MEDIA CANDY, which included Dan Carlin's Common Sense, Nathan Fillion and Alan Tudyk's new podcast Once We Were Spacemen, and a discussion on why Stranger Things Lost the Plot. We then got deeply uncomfortable talking about a Toronto ASMR spa that offers doctor roleplay, and closed out by talking about the documentary Quiet Please… about the neurological disorder misophonia. The episode finished with the AT THE LIBRARY segment, covering the Milli Vanilli memoir You Know It's True and the sci-fi short story collection The Time Travelers Passport.Show notes at https://gog.show/724Watch now on YouTube: https://youtu.be/PoMa9FM5QEE?si=4r25yqv_0u8aXHF7Sponsors:MasterClass - Get up to 50% off at MASTERCLASS.com/GRUMPYOLDGEEKSGusto - Try Gusto today at gusto.com/grumpy, and get three months free when you run your first payroll.Private Internet Access - Go to GOG.Show/vpn and sign up today. For a limited time only, you can get OUR favorite VPN for as little as $2.03 a month.SetApp - With a single monthly subscription you get 240+ apps for your Mac. Go to SetApp and get started today!!!1Password - Get a great deal on the only password manager recommended by Grumpy Old Geeks! gog.show/1passwordFOLLOW UPMalaysia takes steps to ban social media for children under 16IN THE NEWSDOGE Is Officially Dead'Suddenly exposed' DOGE employees fear prosecution after Musk abandoned them: reportApple lays off part of its sales teamHP Joins List of Tech Companies Cutting Jobs and Pointing to AIThe most popular social media platform among US adults isn't Instagram or TikTokMeta allegedly buried research showing its products are harming usersAn Alarming Number of Teens Say They Turn To AI For Company, Study FindsSam Altman's Business Buddies Are Getting StungOpenAI Is Just $200 Billion Away From Still Losing Money, HSBC SaysOpenAI Can't Legally Use the Word ‘Cameo' in Sora NowWarner Music drops lawsuit against AI music platform Suno in exchange for licensing agreementMarc Andreessen-Backed Super-PAC Pours Millions Into Fighting State AI RegulationsNew X Feature Reveals Many MAGA Patriots on X Are Not Even Based in The U.S.MEDIA CANDYCommon Sense 325 – Who's the Boss?Once We Were SpacemenHow Stranger Things Lost the PlotBeing EddieThe Beast in MeThe RosesAt Toronto's new ASMR spa, sensory stimulation slips out of the internet and into real lifeQuiet Please…APPS & DOODADSSpotify's SongDNA feature will show you which songs are sampled on a trackMaking of "The Prodigy - Smack My Bitch Up" in Ableton by Jim PavloffSpotify's New AI-Powered Audiobook Recaps Will Remind You Where You Left OffAmazon Launches AI-Powered Series Recap VideosAlexa Home Theater surround sound for Echo speakers is rolling out nowDashaun No Sadè - Episode 13 Durand BernarrGuermok Video Capture Card, 4K USB3.0 HDMI to USB C Capture Card for Streaming, 1080P 60FPS, Compatible with iPad Mac OS Windows, Quest 3, OBS, PS5/4, Switch2/1, Xbox, Camera (Silver)Meike 35mm F2.0 Auto Focus Full Frame STM Stepping Motor Lens Compatible with Nikon Z Mount CamerasOBS StudioRogue Amoeba LoopbackScientists Reveal What Black Friday Is Doing to Your BrainVELCRO Brand 150pk Cable Ties Value Pack, 8in | Stocking Stuffer Gifts for Tech Lovers | For Wire Management and Cord Organizer | Replace Zip Ties with Reusable Straps, Reduce WasteHand Holder Strap for ipad, Tablet Hand Holder Strap, Universal Handle Grip for iPad Kindle, Mini Tablets and Cases (Black)Anker USB C Hub, 7-in-1 Multi-Port USB Adapter for Laptops, 4K@60Hz USB C to HDMI Splitter, 85W Max Power Delivery, 3xUSBA & C 3.0 Data Ports, SD/TF Card, for Type C DevicesContigo AUTOSEAL West Loop Vacuum-Insulated Stainless Steel Travel Mug with Easy-Clean Lid 20 ozScotty Peeler Label and Sticker Remover - Single Metal Peeler -SP2Slipdrive - Portable Hard Drive Sleeve for Laptop - HDD Hard Disk Drive - Reusable Adhesive - 5.5” x 4.5” Stick on External Hard Drive Carrying Case - Travel Pocket Pouch (Large, Black)Slipdrive - Portable Hard Drive Sleeve for Laptop - SSD Solid State Drive - Reusable Adhesive - Stick on External Hard Drive Carrying Case - Pocket Pouch (Small, Black)Carlashes 1001UB Classic BlackAT THE LIBRARYYou Know It's True - The Real Story of Milli VanilliThe Time Travelers PassportThe Courage to Be Disliked: How to Free Yourself, Change Your Life, and Achieve Real Happiness by Ichiro Kishimi, Fumitake KogaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.