Podcasts about interactive

Drex and Alisa stand up with Kiyah Lane, Trinitee Randle, and Laira Card, the Street Urchins from the upcoming production of Little Shop of Horrors. With rehearsal happening in the background, they talk about their roles, the music, the fun of bringing Skid Row to life, and what audiences can expect when the show hits the stage. It's a lively behind-the-scenes conversation with plenty of theater energy already in the room. Watch on youtube - https://youtu.be/VnoLIDAInVA  Beetlejuice: The Movie Experience Saturday, October 10, 2026 - 7:00 PM CDT Step beyond the screen and into the cinematic world of Beetlejuice as we present BEETLEJUICE: THE MOVIE EXPERIENCE at the Off Center Playhouse! This is not a typical movie night. It is a full experience! Throughout the film, guests will experience a series of interactive surprises inspired by iconic moments from the movie itself — including themed refreshments, specialty cocktails, immersive atmosphere elements, audience activities, photo opportunities, and more. From outrageous laughs to unforgettable moments, every detail is carefully curated to bring the vibrant energy of BEETLEJUICE to life around you as the evening unfolds scene by scene. Your ticket includes: • Admission to this immersive cinematic experience • Complimentary themed cocktails and curated refreshments throughout the evening • Interactive activities and audience surprises • Access to themed photo opportunities • An unforgettable night at Off Center Space is extremely limited to preserve the intimate nature of the experience. This event is designed for mature audiences ages 21+ only. Maximize your experience by dressing in movie theme! https://lyricperformingartscompany.thundertix.com/events/267075 Little Shop of Horrors Oct 16, 2026 - Nov 1, 2026 A little shop. A strange plant. A lot of trouble! Little Shop of Horrors is a delightfully dark musical comedy about a meek flower shop clerk, a mysterious man-eating plant, and the price of fame and fortune. With its 1960s rock 'n' roll vibe, over-the-top humor, and toe-tapping songs like “Suddenly Seymour” and “Skid Row,” this cult classic is both wickedly funny and surprisingly sweet! SPONSORED BY THE BARTON TEAM @ TURNKEY REALTY! https://lyricperformingartscompany.thundertix.com/events/255980 

Your Christmas party is rapidly approaching and you've got a budget of zero dollars. Every list online is the same white elephant and wrapping-paper-mummy nonsense you ran in 2019. These ten game ideas need nothing but stuff already in your building — welcome to the best 10 Christmas games for youth group Christmas Parties!

A new look and a technological leap for Chris and the crew at WCCO TV. Check them out tonight at 6pm. Plus the weekend weather outlook from WCCO TV's Chief Meteorologist, Chris Shaffer.

A new look and a technological leap for Chris and the crew at WCCO TV. Check them out tonight at 6pm. Plus the weekend weather outlook from WCCO TV's Chief Meteorologist, Chris Shaffer.

- All podcast episode transcripts- Bonus audio clips without transcripts to test your listening skills- Infographics on grammar, expressions, and vocabulary- Interactive grammar activities to practice the theory before moving on to practicehttps://www.patreon.com/c/espanolalamexicana/membership

Chelsea St-Pierre ajoutera une fonctionnalité à sa carte intéractive cestdejalenfer.ca pour répertorier les nids-de-poule. Alexandre se rend sur l'Avenue Des Pins, là où il y a un des pires nids-de-poule à Montréal. Vox pop Guy Nantel Débouchons Montréal avec Alexandre Moranville-Ouellet, journaliste. Regardez aussi cette discussion en vidéo via https://www.qub.ca/videos ou en vous abonnant à QUB télé : https://www.tvaplus.ca/qub ou sur la chaîne YouTube QUB https://www.youtube.com/@qub_radio Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

#1099 What if you could attract more customers and grow your business without spending all day on social media? In Part 1 of this two-part episode, Millionaire University founders Justin and Tara Williams welcome marketing expert Hope Trory for a live “Fix My Funnel” coaching session with MU member John, who wants to expand his health coaching business beyond traditional print advertising. Hope breaks down her simple ACE Marketing Framework, explains how to identify your ideal audience and create messaging that converts, and shares how interactive lead magnets, quizzes, and AI tools can help turn potential customers into paying clients. Plus, discover why strategic partnerships, community engagement, and genuine relationships may be the key to growing your business without relying on social media or expensive ad campaigns! What we discuss on the call: + The ACE Marketing Framework + Identifying your ideal audience + Creating messaging that converts + Audience research with AI tools + Building a simple marketing funnel + Interactive lead magnets and quizzes + Testing ad copy and messaging + Growing without social media + Strategic partnerships and collaborations + Building relationships through communities Thank you for listening! Check out Part 2 of this episode. Check out Millionaire University at ⁠⁠⁠⁠⁠MillionaireUniversity.com⁠⁠⁠⁠⁠. Watch the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠video podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ of this episode! Get your FREE 5 Minute Business Plan at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MillionaireUniversity.com/Plan⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To get exclusive offers mentioned in this episode and to support the show, visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MillionaireUniversity.com/Sponsors⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Cultural Differences and Architecture with Kevin Kenon Kevin works at the intersection of architecture, culture, development, hospitality, education, and long-term value. Over more than three decades, he has learned that successful architecture is about far more than designing attractive buildings. It is about understanding the people who will use them, the places where they stand, and the cultural expectations that shape how they are experienced. This is why Cultural Differences and Architecture have been a recurring theme throughout Kevin's work. Buildings are never experienced in a cultural vacuum. Ideas about privacy, openness, hierarchy, community, hospitality, public space, and even beauty vary considerably from one society to another. Understanding those differences can make the difference between a building that simply functions and one that genuinely belongs. Kevin's experience spans cultural projects, global retail flagships, towers, mixed-use developments, hospitality concepts, and institutional projects. He has worked with clients and development teams to take ambitious ideas from an early concept through the practical realities of design, financing, construction, and operation. Along the way, Cultural Differences and Architecture have often provided an important lens for understanding both the opportunities and challenges of working internationally. He has also served as a design principal on major projects, contributed to award-winning architecture, and participated in the World Trade Center design competition as a founding principal of United Architects. Some of the work he has helped create is represented in the permanent collection of the Museum of Modern Art. Today, Kevin brings that experience to projects where architecture crosses cultural and organizational boundaries. Cultural Differences and Architecture are not simply an academic subject for him; they are part of the practical reality of designing for an international world. The more closely Kevin has worked across countries and cultures, the clearer it has become that Cultural Differences and Architecture influence everything from the first design idea to the finished experience. Recognizing those differences creates better buildings, stronger relationships, and more enduring value. Ultimately, Cultural Differences and Architecture are about people: how they live, work, gather, and experience the places we create. His tip to become more culturally competent are: If you have the means to travel, do so; it's the best way to understand different cultures. Links mentioned in the podcast: LinkedIn: https://www.linkedin.com/in/kevinkennonarchitect/ Google Paul Kevin Kennon   Want to avoid the most common mistakes when working internationally? Read this article. More stories and culture can be found here. Culture Matters The Culture Matters Podcast on International Business & Management Podcast Build your Cultural Competence, listen to interesting stories, learn about the cultural pitfalls and how to avoid them, and get the Global perspective here at the Culture Matters podcast on International Business. We help you understand Cultural Diversity better by interviewing real people with real experiences. Every episode there is an interview with a prominent guest, who will tell his or her story and share international experiences. Helping you develop your cultural competence. Welcome to this culture podcast and management podcast. To Subscribe to this Management Podcast, Click here. The Culture Matters Culture Podcast. Available on iTunes and Stitcher Radio Click here to get the podcast on Spotify Talk to your Amazon Alexa and listen to the Podcast Listen directly on Amazon If you have a minute, please leave me an honest rating and review on iTunes by clicking here. It will help the visibility and the ranking of this culture podcast on iTunes immensely! A BIG THANK YOU! Enjoy this FREE culture podcast! Music: Song title - Bensound.com More Ways of Listening: Get a Taste of How Chris Presents, Watch his TEDx Talk     Name Email Address Phone Number Message 3 + 2 = Send Call Direct: +32476524957   European Office (Paris) Whatsapp: +32476524957   The Americas (USA; Atlanta, GA; también en Español):  +1 678 301 8369 Book Chris Smit as a Speaker If you're looking for an Engaging, Exciting, and Interactive speaker on the subject of Intercultural Management & Awareness you came to the right place. Chris has spoken at hundreds of events and to thousands of people on the subject of Cultural Diversity & Cultural Competence. This is What Others Say About Chris: “Very Interactive and Engaging” “In little time he knew how to get the audience inspired and connected to his story” “His ability to make large groups of participants quickly and adequately aware of the huge impact of cultural differences is excellent” “Chris is a dedicated and inspirational professional” In addition, his presentations can cover specific topics cultural topics, or generally on Cultural differences. Presentations can vary anywhere from 20 minutes to 2 hours and are given worldwide. Book Chris now by simply sending an email. Click here to do so. Read more about what Chris can do for you. Percentage of People Rating a Presentation as Excellent 86% 86% Rating the Presentation as Practical 89% 89% Applicability of Chris' presentation 90% 90% About Peter van der Lende Peter has joined forces with Culture Matters. Because he has years and years of international business development experience joining forces therefore only seemed logical. Being born and raised in the Netherlands, he has lived in more than 9 countries of which most were in Latin America. He currently lives in Atlanta, Georgia (USA) with his family. You can find out more at https://expand360.com/ Or find out what Peter can do for you here.

Return of the Witch WK Rumble News Learn 2 Swim Golddigmaxxing Ai Czar A single Call from Multiple Silicon Daves Open Lines 504-475-8414 live channel {Every Sunday Night ∙ 8-10P CT} https://nrr.mixlr.com/ Interactive: https://padlet.com/notrealradio/TalkSHT all past shows available at Spotify: https://tinyurl.com/4bwkzfw7 Apple Podcasts​: https://goo.gl/SvRBJB SoundCloud​: https://soundcloud.com/not-real-radio Or Your Podcast App Store: https://www.zazzle.com/store/not_real_store

## Nadine NetheryCustomer experience and retention strategist Nadine Nethery shares how she evolved from copywriting into connecting the full customer journey, so business owners stop chasing leads and start maximising ROI from the customers they already have. We dig into what a strategic audience survey really uncovers (beyond guesswork), why feedback feels uncomfortable but is essential, and how to use AI for speed without losing the human insight that makes messaging convert.Nadine also breaks down what “behaviour-driven evergreen” looks like in practice, including using email engagement signals to route people into the right nurture path, plus why some unscalable personal touches still matter. Finally, she explains her interactive Retention Games Summit format and what made it stand out in a sea of samey online events.**Key topics covered**- Retention strategy and customer-first growth  - Strategic audience surveys and message mining  - Human-first marketing in an AI-heavy world  - Behaviour-based email funnels and intent signals  - Interactive events and speaking as lead generation  **Resources**- 10 tailored-to-you survey questions: https://candocontent.com/survey-questions  - State of the customer report: https://candocontent.com/state-of-the-customer-report

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Have you ever looked at a project you've poured years of your life into and realized… it's fine? Not catastrophic. Not terrible. Just fine.No one wants to read a book that's fine — and I am certain you don't want to write one.The first step in making sure you do better than fine is to catch yourself when you know you've hit a wall — which is way easier said than done.We get so used to plowing ahead, getting the words down, prioritizing FINISHING that we often forget to stop and make sure we are writing what we really want to be writing. Think of that pause like checking in with your gut or your heart: do you love this?Because if you don't love it, your readers aren't going to love it, either.In this Write Big episode, KJ and I sit down for an honest, behind-the-scenes look at what happens when you hit a wall—and decide to set off a stick of dynamite instead of trying to climb over it. Both of us recently threw out huge portions of our current projects (my Write Big book, and KJ's novel) to start fresh from page zero.I share the story of my 12-hour wrestling match with ChatGPT over the books subtitle (yeah — 12 hours on the subtitle), the “tough love” reality check I got from #amwriting recurring guest therapist Dr. Diana Hill, and how answering one simple question—are you actually centering your reader?—changed everything about my book's tone, structure, and voice. Meanwhile, KJ opens up about why she threw out her protagonist, embraced a dual-timeline structure, and ignored the well-meaning advice of friends who told her NOT to keep starting over.We talk about:* How to recognize when a book is polite or timid instead of alive.* The difference between an echo chamber (which AI can sometimes be) and a true truth-teller.* A method for salvaging the gold from an abandoned draft without getting bogged down by old words.* Why starting over isn't “falling behind”—it's standing up for your conviction.If you're feeling stuck, lost, or secretely suspecting your current draft needs a radical pivot, we encourage you stop playing it safe and build something alive.Let's get back to work and finish work we LOVE.#AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Books Mentioned* Austin Kleon's Steal Like an Artist* John Wooden's books on coaching basketball* Serena Bowen's novel: Big Stick Energy* Virginia A. Evans's The CorrespondentTranscriptJennie: [00:00:00] Hi, I'm Jennie Nash, and you're listening to the #amwriting podcast, the place where we help writers of all kinds play big in your writing life, love the process, and stick with it long enough to finish what matters most. This is a Write Big episode, where I bring you short conversations, this one might not be so short, about the mindset shifts that shape the work, and today I'm talking to KJ.Jennie: Hi, KJ.KJ: I'm so excited to be here. This is... Uh, you know. I'll be here lots. This is great. Uh, the, the behind-the-scenes stuff- Is the behind the scenes stuff? KJJennie: often-KJ: And here we are just to like, you know, having a nice normal, um, a podcast, soJennie: yeah. I know. I'm so excited to talk to you and to share this conversation with our listeners, and we're talking aboutJennie: So we're talking about the mindset shifts that shape the work. That's what Write Big is all about, and [00:01:00] oof, some big ones just happened for us both. Yep. Um, if you've been listening for a while, you know we're both working on projects. They're very different projects. Um, KJ's is a novel, mine is a nonfiction book, and I just m- literally dropped a bomb on mine and totally blew it up and started in a new direction, and this is years into it, and you recently did that too, and you- I didKJ: something very similarJennie: you were shy about sharing it with me, which I thought was funny. Um- Oh. ‘Cause you were like- Yeah ... “She's not in the book anymore.” I was asking her aboutKJ: something. That's right. You're like, “Oh, and this could be s- “ I, I mentioned something, and I was like, “Oh, yeah.” Yeah,Jennie: I just mentioned changes. That was when we were in person.Jennie: We, KJ and I were in person, and you know what? We didn't take a picture.KJ: Oh my God, we didn't. You're right. Oh, well.Jennie: We both tra- We have aKJ: lot of things. Travel It just means we have to do it again [00:02:00] soon.Jennie: We both traveled great distances in order to have lunch and go shopping and talk about books, and we were walking and chatting about KJ's book, and, and that's when I learned she had blown everything up.Jennie: So how areKJ: you- We both blew things up. So I got questions. I'm sure you have questions. I have. My first question- Yeah ... you just did this, so how did you know you had to do this?Jennie: Yeah, I did it yesterday.KJ: I think that's ... I know. I think that's the thing that people wanna know, like, “How did you, how did you know?”KJ: Okay. “Was it gradual? Was it sudden?” Just-Jennie: Yeah ...KJ: you know, j- tell, tell us how we should know if we should do the same thing, which I already did, and I have an answer to this too, so.Jennie: Yeah, yeah.KJ: How didJennie: you know? So I was ... I had a finished manuscript, and I asked two people to read it for very particular reasons, these beta reas- readers, and they, neither of them were people that I would callJennie: They're not the kinda typical people that I would go to. [00:03:00] They were, they were more, um, regular readers, if that makes sense. They're, they're not insidery people like you. I mean, you and I- Me ... have a lot of insidery, inside the industry people. These were not those people. So I had a full manuscript. I took it out to both of them.Jennie: I got feedback from both of them, and the, the first, the first person's feedback was- Fine? It was, it was fine. It was like, “This is fine. I want more of this or that.” And it was, it was kind of like, not-KJ: Fine, huh? Great ...Jennie: not what anybody wants. Fine. I either want my reader to be like, “Oh, hell yes,” or, “I co- totally don't get it.”Jennie: Like, I want, I don't want fine. So that was the first thing, and then the second reader [00:04:00] said, “I ha- I got some tough love for you.” And this was happened after I was really struggling. I was trying to rewrite while they were doing the beta read, and, you know, f- with my own critique and my own next steps and my own thing, and I found myself unable to go forward because of the title.Jennie: I kept changing my mind on the title. Like, what really is this? And what, it's particularly the subtitle. What, what am I doing? Like, after all this time, after all this time, after a million blueprints, a million conversations, a whole manuscript, I'm still asking myself, “What is the point? Who is this for?Jennie: What am I doing?” And I, when I say that I was wrestling with that, I felt that I couldn't revise until I got it right because I, the revision now is very [00:05:00] specific. It's not let's just get some words down.KJ: Mm-hmm.Jennie: And so I think I spent, I mean, I'm not even exaggerating- 12 hours? I'm not kidding. Playing- No,KJ: I, I believe-Jennie: Playing with my title.Jennie: And-KJ: And you kept sending me things, and I'd be like, “Eh.”Jennie: Yeah, you were like, “Meh.” I was playing in Chat GPT- I was super helpful ... and the reason that I spent so much time was it was really fun. It was, it was like, “Well, what about this? Well, what about the other? I don't like that word.” Like I was fighting with the machine, which I sort of enjoyed, and, and it was, it wasJennie: It says, you know, it says ridiculous things all the time. “This is your most original idea.” I'm like, “Blah.” You know? Yeah. Just I was kind of wanting to- Yeah, you,KJ: you, you can't listen to it. No. You can only listen to what it's making you say.Jennie: I was wrestling with my own mind. Yeah. That's what I was doing.Jennie: Mm-hmm. And, and I would land on something, and I would think this, and I would start [00:06:00] to revise, and I'd think, “Yeah,” and then I'd send it to you. And you'd be, yeah, you'd be like, “I don't like it,” or, “I don't get it,” or, “Meh,” or, “No,” or whatever. And I was getting mad, not at you, but at my own self. Like, what is the matter here?Jennie: And if you've listened to the podcast, you heard some big revelation episodes with Andrew Perella, who's working on his novel, where you have to step back from the wrestling to say, “Why am I wrestling so much with this? There's something else going on here,” right? Mm-hmm. So that was kind of what was happening, and then the second beta reader- Uh, who is, has been on the podcast several times as well and, and will be in the future.Jennie: It's therapist Diana. So therapist Diana often comes on to help us with some psychological things around writing. And- AndKJ: she has a book.Jennie: She does. She has actually three. So she was the one [00:07:00] who said, “I got some tough love for you.” And she said, “Why don't you come over, and we'll sit down, and I'll, I'll tell it to you.”Jennie: And so part of me was doing that thing that you do is, where it was like, “Oh, crap, I still have so much work to do, and, and I'm tired of this, and I don't wanna.” And, you know, so I went into it with that sort of whiny, resistant attitude. And for, like, the first hour when she was talking to me, I had that really defensive thing of like, “You don't get me.Jennie: You don't get, you don't get what I'm doing. You don't, you're not, you're not in my world.” Like, I was really resistant. And then she did the coolest thing because she's a, a therapist and a writer and all the things. She used my own system on me, and she was like, [00:08:00] “Okay, step one is why are you doing this?” And she said, “I want...Jennie: I'm gonna ask you,” I think she said, “15 times, ‘Why are you doing this?'” And we, we were walking, and so she was just go saying, “Why are you doing this?” And I was just spouting out all the things. And I got to about, I don't know, eight, nine, and she goes, “Okay.” None of these are about the reader. These are all about you and what you want.Jennie: And, and none of these are about what you're actually making. Is this book... Are you trying to help your readers with what you're trying to do with this book? Like, are they in the same place you are? And I s- I had this really strong reaction, and I said, “No. What I'm struggling with around this book is, is a different problem from, from my r- my [00:09:00] reader.Jennie: I want to meet them here.” And I, and I said where I want to meet them, and what I want, how I wanted to help them, and why it was so hard to deliver that. And she was taking notes on her phone while we were walking, and then, uh, she read them back to me, and, and it was like, oh yeah, that's the book I want to write.Jennie: That, that's the book I want to write. Like, I, I knew it, I just wasn't doing it. And it was, um, a whole different structure, a whole different attitude, a whole different voice and tone. And, and it really required a page zero start. So I... This was what was really cool. I, um, did not use ChatGPT. I wrote a new subtitle.Jennie: I guess I did use it, ‘cause I was wrestling with one word. I guess I did use it for this one [00:10:00] word. Um-KJ: It's, it can be a really great thesaurus.Jennie: Yeah, yeah. And, and I sent it to you, and you said, I'm gonna keep this text for the rest of my life. You said, “I've already pre-ordered it.”KJ: Yeah.Jennie: I mean- YouKJ: got itJennie: It actually-KJ: I mean, you know, you might change a word or something, but, but no, that one was like, oh, oh, yeah, yeah.KJ: Okay.Jennie: Yeah. It made me wanna cry. Aw. And then I re- I wrote a new intro, totally new from scratch, which is where I had been stuck before, just like even what is this? And I, I wrote it in, like, 15 minutes, and I sent it to Diana, therapist Diana, and, um, she said, her text reply was, “F*****g awesome.”KJ: Yay.Jennie: And I was like, okay, okay.Jennie: [00:11:00] Like, two people I trust.KJ: She didn't say, “Fine.”Jennie: Right? Two people I trust had that reaction, and when I... I wish I could find the text. Maybe I can find the text. Because when I sent it to her, this was what was so great. I do wanna find this. I'm scrolling through my texts now while we're talking, because I said, um- New intro, just three pages.Jennie: Will you read? This is it, period. I hardly even need to ask you because I know it's it. Like, I, it wasn't looking for confirmation or validation. I kind of just wanted her to see. But I, I felt it was it. I knew it was it. And then I started... I can't stop writing now. Like, I'd been so stuck, and I can't stop writing.Jennie: I'm so fired up. I'm so excited. It feels alive and amazing. Um, it feels like butter on toast. Like, it's just [00:12:00] smooth and easy, and I get it, and I, I, I've clicked in, and it, and it... This has come after, like, I tried to sell this book. You know? I mean, I went through that whole process and, and it didn't. And now I'm so delighted that it didn't sell, that I'm not writing that other book, that, that I get to write- YesJennie: this book. And it's, like, such a pain in the butt really because, you know, I wanted it to be done, and I wanted it to be over- ... and I wanted to be close. And I thought I was there. Um, I had all these plans, you know, for launching and making it happen and blah, blah, blah. And it's like, oh gosh, now I'm like six months or a year behind.Jennie: I'm using air quotes. Like, behind what? I don't know. I mean, if I'm perfectly honest, there, there's a colleague who has a book coming out in 2027 that I'm [00:13:00] twitchy about, and I sort of wanted to beat it. And- ... it was never gonna happen. And also, like, what is that even? What is that even? So I, yeah, I feel amazing.KJ: This is great.Jennie: Yeah. Yeah. I, I feel amazing.KJ: That's, that's fantastic. Yeah.Jennie: I, I just love it. I'm so grateful for, um, you know, the people that I have who are truth tellers, which is, you're one of them. And youKJ: know- It is hard to find a truth teller. And I pick up so many books now, some of them by, you know, very well-known authors, and I'm like, there, there was no truth teller- RightKJ: for this person. And- I mean, I, I, yeah. You know, sometimes it's just like, “Well, this could've been better,” but the- I've had a couple where I was like, “Wow, damn.” Like, I would've, I would... [00:14:00] Even though I don't know you very well, if you'd given this to me in time, I would've stopped you, but-Jennie: Well, I think sometimes the more famous people get, the, the less often- I think soJennie: people will tell them the truth, and- Mm-hmm ... you have to seek that o- out your own self. And, y- you know, I'm so lucky that I have s- have, I mean, so lucky. You know, you, you're not gonna let me get away with crap, and I don't wanna put crap out there. Like, what I had was fine. ItKJ: wasn't crap. It was fine. ItJennie: was fine.KJ: Mm-hmm. But- And some of it was great, was, like, inspirational, really. Helped me, and had lot... But you couldn't, you just couldn't nail that the subtitle was the point.Jennie: Yep. It's so true. Yeah,KJ: and you just couldn't, you just kept sending me, like, “Ugh.”Jennie: I know.KJ: You know? Like, like, “Oh, this is a book about...” You know, I was like, eh, just like, you know-Jennie: This is a writing bookKJ: boring thing, boring thing, colon, [00:15:00] boring thing. And it was- I know ... or, you know, like, like, “Meh thing, unexciting, dash-” “... probably okay.” I don't know. It's, it's-Jennie: I know, and it, you know, this is in fact the whole write big process. I am going through the very thing I am teaching people to do. And- Mm-hmm When I, what I really understood finally is the reasonJennie: So one of the things, um, when Diana asked me, when she stopped me from saying all the reasons why I wanted to write this book and, and said none of these are about the reader, she understands about me that my whole career is about the reader. I, I train book coaches. I'm a book coach. I- it's what I do. And, and so she was e- then asked me to really define.Jennie: She was like, “When you're coaching someone and it's magic and it [00:16:00] just works and it's awesome, what are you doing?” And, and it was like, I'm not pulling any punches. I'm not, you know, a- and I, and I described to her an incident that just happened, and I can't say very much about it. But a very, very well-known performer was sent to me by an agent, somebody we would all know, with a book proposal that needed help.Jennie: And, and I read the proposal, and the word that was just like a neon sign flashing in my mind was timid. It just felt timid.KJ: Mm-hmm. Mm-hmm.Jennie: And everybody does this. Everybody shrinks to a certain extent from the thing that they know they can write, and it was like, wow, s- super famous performer who is connected to all the famous people, don't write a timid book.Jennie: Like, we don't, we don't want you to write a timid book. No. You don't want to write a timid book. And in what I do, so I, I got on the Zoom with them, and I said, [00:17:00] “This is timid. This is a timid book. You're shrinking from your authority.” And, you know, they were obviously taken aback. Um, but also then they ... It landed.Jennie: Like- Yes ... I, I see that. And that's what I do when I'm coaching someone. So, so why is that not in the book? Yeah. So the book has gotten much more confrontational, much more tough love, much, much less equivocating. It just feels- MuchKJ: less how to not do something.Jennie: Ugh. Like. It's so much more me, and I- YeahJennie: sometimes pretend like I'm a, a polite and kind and whatever, patient person. But the people that know me, you know, know I'm not actually like that, so. Anyway.KJ: And that would not be a helpful, I mean, that's not a helpful book coach.Jennie: That's right.KJ: You know, people may need that, but- For some people, give somebodyKJ: I don't, yeah. I mean, yeah. Some, sometimes. But by and large, if you give somebody [00:18:00] something and they're like, “This is great”-Jennie: Yeah.KJ: I, I mean, and maybe it's great. Yeah. It's probably not.Jennie: Yeah.KJ: You know, 99% of the time it's almost, or it's not even close, or it's ...Jennie: Yeah.KJ: Yeah.Jennie: So I've pulled off of my shelf some different books for inspiration than the ones I was using before.Jennie: Um, Austin Kleon has a really cool thing in his new book. Why can't I remember the title of his new book? It's quite hard to remember.KJ: I don't know. What does he want you to steal now?Jennie: I mean, steal, Steal Like an Artist is so memorable, and I can't remember the new, the new one. It's a good book, but he has this really cool image where he says, “Books are made of books,” and, and he has the cover of his new book with these inputs and the cover of, like, I don't know, maybe six or eight books that went into his [00:19:00] book.Jennie: You know, like the, that went through his mind to create his book, and it's really beautiful. LikeKJ: real books?Jennie: Yes.KJ: Like his cover is like if you put, I don't know, I'm look- reading titles from the back of you- you- you're behind ... Deep Work and Dare to Lead and Made to Stick, and, and you like- Yep ... fed them into a brain- YepKJ: and then it spat out your book?Jennie: Yep.KJ: Wow. Huh.Jennie: It's reallyKJ: cool. That's a, that's an interesting ...Jennie: Yeah, it'sKJ: bold.Jennie: That's really- It is bold, and it, but I do think it's, I do think it's real. And, and I had some books that were sort of ... What's weird is I wasn't reading them or studying them. I was almost like I would almost just touch them.Jennie: Like, these are the books I want my book to sit next to, to be like. And I've changed out the books that are, are that. I've pulled ... Like, I have this book that I love that is, um, by John Wooden, the basketball coach, about coaching basketball, and you know, it's about [00:20:00] coaching, and, and I've always loved that book, and I've loved how he was revered as a coach.Jennie: And you know, that, that book is now one that's informing me more. It would never be a comp title. This is a very different concept than a comp title, right? But, um, yeah, I just feel, I feel great. And, um- And folks who have been listening have heard me share some things where I've not been feeling great, and I've been feeling lost and confused, and, you know, shouldn't I know better?Jennie: I'm the coach of the coaches, and shouldn't I know better? This is my 13th book, and shouldn't I know better? And it's like, no, you always have to do the work. You just do.KJ: Well, and that's what I hope, you know, people who've been listening along to us for the years we've spent on these projects now take is, I mean, there are people who write great books really quickly.KJ: Typically, they are also people who are able to, uh, you [00:21:00] know, process and keep pots on the stove. And, you know, like Serena writes three to four books a year, and that's, uh, you know, a really hard person to have next to you at all times- Yeah, no kidding ... as I pretty much do. But I also can see that she's got pots boiling at all the time.KJ: She doesn't, you know, wake up on March 1st and say, “Okay, I wanna have a book by July 31st. What should it be about?” And, and that's not how it works for her. And, and so even though she is absolutely faster at producing quality work than, than I am, it's still, it's not that. You know, it's more like, “Okay, here's this thing that I set up before, and here's this thing that I spent, you know, a week plotting, and here's...KJ: And I'm gonna pull this, this toge- together,” and, you know, she gets stuck, but she, and she also, you know, she's full time all the time- Eh, not [00:22:00] doing, you know, that's what she does. That and promoting them. And incidentally, she had a book come out today. Uh-oh, you've gone silent for me.Jennie: Sorry, I was raving and saying she did.Jennie: Um, it was, it's called Big Stick Energy.KJ: Yeah.Jennie: And when this podcast airs, it will not have just come out today. It'll be-KJ: No, but, you know, as we talk ...Jennie: a few weeks ago. But yeah, yay Serena. Okay. Yeah. So do you have more questions for me?KJ: It was more that I just wanted to express that I, uh, felt similarly, but minus all the other people.KJ: Mm. It was a very, like I was really stewing in like, “I just can't- You know, I wanted to have, um, a, a, something that I was thinking about the whole time as I write. You know, I really wanted to know the, what the theme was and what the point was, and I just wanted to know why. Why was I doing this? And every day I would like sort of wake up [00:23:00] and, and stew more on that, and like put some more things in that.KJ: And it was like a, a 40-page Google Doc of, you know, me ranting and trying to get there. And then, then I was, I was putting words on the page, and I had 35,000 words, but I would sit down and I found the protagonist boring. She just ... The other people around her were more interesting.Jennie: That'sKJ: not aJennie: good- And- That's not a good- NoJennie: feeling.KJ: No, it was bad. And I just kept sort of poking at this, and, and it was always so ... I'd say it's, it's, um, I would call it, I would call it domestic suspense except that it, it's more of an outdoorsy book, so, you know, I don't know, campground suspense. I don't know. But, um, it's, it's not exactly a thriller.KJ: It's definitely a, a suspense novel. And it all came down to like, well, why did this [00:24:00] happen, and why and why and why? And I realized that all of it was in the past. The more interesting story was in the past, and the more interesting people were the ones who had had that past experience, and were still here in this book.KJ: And it didn't mean that, that I didn't need a second generation of people, but they needed to have been, um, honestly fed by the trauma of the thing that happened in the past, and it ... So I, at some point, I was looking for the text while we were talking, but I can't find it. I texted, um, Serena and Jess, and I was like, “Ugh, I think I gottaKJ: The, I gotta, I gotta have a second, I gotta have a dual timeline. I gotta ...” A- and Serena was like, “Stop doing this. You keep stop, you keep blowing this bo- book up. You know, just write what you're writing. Just write.” And I was like, “No, no, no, no. I really, I, I do. I do.” And, “Why?” She said, “Why?” I said, “Because that's where the interesting stuff is.”KJ: And she said, “Okay, fine.”Outro: Okay, but you said- And then she made me explain itKJ: whenOutro: we had a, a walk,KJ: but,Jennie: um- You said it didn't involve people, but that's people. [00:25:00]KJ: Oh, yeah. Yeah. But the people were saying, “No, no.” And, and she's right to do that. I'm very prone- Oh, I see. They were not- I'm a little prone to blowing, blowing things upJennie: they were not egging you on. They were saying-KJ: No. Yeah. Uh, it was, it was, you know, “Can, can you stop rethinking this book and, and write this book?” And yes, yes I can, but it needed the, the rethinking. It's, this is, it's, it's much more interesting. And, you know, it was at a point where things would kinda like, I'd come up with something and be like, “Oh, yeah, that locks into this, and this locks into this, and this locks into this,” but- The method of telling it wasn't working.KJ: It's not really a different story. The method of telling it wasn't, wasn't, wasn't working. But it really is kind of like it bugs you, and it bugs you, and it bugs you, and it bugs you, and it bugs you, and finally you just give in to it.Jennie: Well, yeah. I mean, it's a really interesting question of how do you know when you're hiding from something, or avoiding something, [00:26:00] or telling yourself a story about your story, and how do you know when you need to make a move?Jennie: I, I feel like it's very, very hard to do that in isolation. You know, even with your situation where your people were saying, “No, KJ,” that's a mirror that somebody's holding up to you where you get to decide how you feel about them saying no. Like, the point- Right ... really honest, good feedback is not that you take it all the time, it's that does this resonate with something in you or not?Jennie: And with me it was like, oh, yeah, my fine manuscript, and then, and then this tough love. I'm like, “Oh, yeah. Yeah. Yeah, it needs to change.” And you hearing that, you're like, “No. No. This...” Like, it, it was all, it all goes back to your conviction, but it's- It,KJ: it's just like the way you were using ChatGPT. ChatGPT wrote nothing, said [00:27:00] nothing, con- added nothing because he is...KJ: He. I don't, uh... You know, it is not an anything. It is a echo. It is- Yeah ... a reflection. It is an echo and a reflection of all of our work combined into, you know, a, a, a stolen creation. But e- and therefore, as far as I'm concerned, we have a right to use it however we want. But- It's not capable of producing anything original, but it is capable of reflectingJennie: That's rightKJ: And that's what you were using it for, and I think that's reallyJennie: It's really helpful when you're strategizing- Mm-hmmJennie: and sorting out your thoughts, and this is what I think I wanna do, and this is why I wanna do it, and this is why that word isn't right for that. And for me, that was just the-KJ: And the peril of it kind of is that it refuses to stopJennie: So that's what's so interesting you say that, because I... When I... So I said 12 hours.Jennie: I spent a whole lot of time on airplanes the last month, and this [00:28:00] is kind of what I would do on an airplane, is I was on airplanes that now have super fast, like that satellite hotspot- Mm-hmm ... WiFi. It's super fast. And so it was kind of fun to get to do this stuff on an airplane. And you know, I can... I love to work on airplanes, but I can't do deep work.Jennie: So I would sort of tap into this, and I was just playing, playing, playing, playing, pushing, pushing. And I did have the thought at one point: There is no friend that I have on the planet or anybody that I could pay that would stick with this as long as I'm doing it. And-KJ: That is true ...Jennie: and that was in, on some, some ways I was like thank goodness that this thing will stick with my brain, saying, “No.Jennie: No, not that word. Let's find 47 other words to think about rightKJ: now.” But you're the one saying, “No, no, no.”Jennie: Yes. Yes.KJ: Yeah.Jennie: And no humanKJ: would do that. But I do find that a peril of it, like, [00:29:00] like I was trying to use it to, to find a, a stand-up paddleboard today. This is a fine use to... And, and you know, it kept... It just keeps saying, “Well, if you'll tell me this, I could do this.KJ: And if you'll tell me this, I could...” Like, it never... It doesn't want... You know, it's not a thing, so it wants to keep you there like all things of its sort. So it's a, it's a little bit of, um It, it's, it's just something to be aware of. Like, it's, it is keeping ... Its job is to keep you in that conversation.Jennie: Yeah.Jennie: And itKJ: wa- But it is not a conversation because it is not a, it is not something that you can converse with. But so, so to use it for as far as you can get, and then as you did, to go, “Uh, and now, you know, uh, my thoughts have, have churned enough to have, have, have ... And, and you have to sort of, uh, you know, leave it going, “But wait, if you'll sugg- you know, tell, [00:30:00] I, tellKJ: Right. It- “I can still think of 452 more words for, for,” you know.Jennie: And it, and yeah. No. It's relentlessly helpful- It's relentless ... in suggesting things.KJ: Yeah,Jennie: yeah. And it's ... So on the one hand, that was lovely, and on the other hand it was like, “Just stop.” Like, the writer's job is to have an opinion or a point of view.Jennie: And-KJ: It could have any point of view ...Jennie: it will never have a point of view- No. Yeah ... or opinion that is based on anything. And so, like, your reaction to your, your longtime people who know you and know your writing, know your process, and know your goals, and know all that, y- you know, that reflection allowed you to tap back into your point of view, which is, “No, I have to have two timelines.Jennie: I have to blow this up. I have to do it differently. It's ... My protagonist is boring.”KJ: Yeah. Don't worry, future readers of this book. She's gone. [00:31:00]Jennie: But new protagonist is not boring.KJ: New protagonist is not one bit boring. It was funny ‘cause there were just some things that I, that had come from the point of view of non-protagonist characters that I was just like, “This is so much better thanKJ: Like, this is the, this is ... Like, I wanna be with this person. I don't wanna be with this person I'm ... This person just threw themselves into this,” whereas, you know, the person I was imagining and creating and, uh- Anyway, it- it's okay. I'm fine. I'm fine. I'm fine.Jennie: Um, I mean, I know you've had that thing I've had, which is I'm gonna have a draft by X, and you've had that- YeahJennie: for many, many months.KJ: The number of times I've said I'm gonna have a draft by on- Yeah ... this particular manuscript are- Really embarrassing. They're not embarrassing, it's just, you know, it, it, [00:32:00] it just, it just is. I'm trying to do something different, and doing something different takes time, and you are trying to do something big-Jennie: YeahKJ: and something that has a big shadow and a big resonance, and you can't ... You're not gonna ... That's not gonna be that way in the first or the second or the fourth or the fifth draft.Jennie: Well, you said to me ... I, I've always had a vision of this book I'm writing as, as being small. I have a couple of-KJ: Small physically, like thin.Jennie: Both. Small in length and small in trim size. Uh, uh, spare, I guess, is maybe- Yeah ... a word I, I would think of. And there's several books I have that do that, that I admire, and it's a thing I want. And you've been always saying to me, “It's really hard to write a book like that.” It's n- you don't just ... [00:33:00] Just ‘cause it's little and short doesn't mean it's easyKJ: It's hard to write short.Jennie: Yeah. And, and you've been warning me about that, and I think I really encountered that buzzsaw here. Uh, I'm like, “Ugh.” Um, so.KJ: Well, you're just trying to channel ... I think you're also trying to channel a part of yourself that mostly comes out in reaction to others.Jennie: Mm, yeah.KJ: And that's hard, because you don't have anything to react against.KJ: Yeah. You're reacting against an imaginary version. You're reacting against everyone that you've ever had to go, “That's timid.”Jennie: Yep. “KJ: That's, you know, that's not what you meant to do.” Okay, great, but I didn't ... Like, uh, this is, is, is fine writing, but why? Where does it fit? Right. What is this? What the hell are you doing?KJ: What- Right ... you know? And you're trying to write for all of those people, but as an abstraction.Jennie: That's super astute. That's super astute. And I,KJ: I'm gonna- Maybe, [00:34:00] maybe, maybe you, you address this book to, to the, this, um, unknown celebrity.Outro: Well, I actually did write thatKJ: story. Dear Taylor Swift, this is how you-Outro: Oh, gosh.Outro: Can youKJ: imagine? Don't write a ... Don't- Uh ... don't write a, a, you know- Uh ...Jennie: aKJ: timid book. And I know it wasn't Taylor. Well, I don't actually know that it wasn't Taylor. No. But it wasn't Taylor Swift, guys. It wasn't TaylorJennie: Swift. Oh, my gosh. Um, the ... Yeah, that is a really helpful thing for me to think about, actually, because I need to keep specific people in mind at specific points, and that's gonna help me.Jennie: And that's the reason why I love book coaching, is I love the back-and-forthing. Interactive nature that isKJ: very- Well, and you said to me the last time we talked about my book, I wrote it down, hold on, ‘cause it's very, [00:35:00] “What can I say that's not being said? What can I say that's offensive? How can I make people mad?”KJ: Here, do that. I'm shaking the page at Jennie. Jennie, what can you say that's not being said about writing? Why, how can you offend people? How can you hurt their feelings and make them go away and go, “That's worse. I'm not either doing that. You're soKJ: mean”?Jennie: Well, the reason I said that is because we were talking about what books ... I mean, so far listeners, Kate is obviously at a level many of us will never get to, and in her career. She is at a very high level with- SheKJ: does not feel that way.Jennie: I know. But, you know, with really big goals and, uh, big possibilities in front of her.Jennie: And so the, when we talk about it, it's like, “What will make people pick this book for their book club?” And, and that's a question anybody could ask, and should [00:36:00] ask, if that's what their goal is, to write such a book. And, you know, that's why I was saying write something offensive, because you want some book clubs to be like, “That is a book we will not touch,” because- YepJennie: that that means there are other book clubs that are gonna be like, “This is our next book, no question.” Yeah. You know?KJ: Yeah. Like, if you- And we say it all the time, you write for everyone, you write for no one, but also it's just hard to-Jennie: Well, and I haveKJ: been- Hard not to like pull your punches and back up a little and be like, “Uh, I can't mention that.KJ: I can't, I can't-” Or, “IJennie: can't be that person.” And you, as a human, I mean, I am so fortunate to be your friend, because you as a human will often say things that other people will, will maybe not say, or, you know, are maybe not super popular. And I go to you to hear those things, you know? And, and you, you say them with conviction, and I love [00:37:00] that about you.Jennie: And that should be in your book, you know?KJ: Well, I'm trying. I think it's closer. Amazing. I think it's a lot closer.Jennie: Well, if folks are getting tired of hearing us talk about this, the endless struggle and challenge and up and down and whatever, you're probably not in the right business. Because-KJ: Yeah ...Jennie: this is- IKJ: would hope this would be reassuringJennie: this is how it goes.KJ: I always wanna hear. That is part of the problem with the, the standard podcast model of talk to author whose book has just come out, because that is an author whose book has just come out. They have just, they've, they've done all this, and, and I'm not... I mean, by all means, you know, listen to podcasts about authors and then go buy their books.KJ: Um, but you know, as a writer, you just hear that and you're like, “Oh, look, they're finished. Look, that,” you know, they, they, they... And they, they'll say, “Well, there was this really low moment where, you know, the, my book pre- before [00:38:00] this got turned down,” or whatever. But they're, they're past that and, and you're just like, “Well, yeah, but that was probably really short.KJ: That was probably a blip. You probably didn't feel that the way I would've felt it.” And I,Jennie: yeah, so- Right? You hear Virginia A. Evans say she was rejected and rejected and rejected, and she finally just said, “Screw it, I'm gonna write this weird story in my head,” that turned out to be The Correspondent, you know?Jennie: And, and she tells that in three minutes on a podcast,KJ: and- Right ... I- And you're like, “Well, that, that, that was short. That can't have been very painful.”Jennie: Right? And look at what it got her, and she's fine now. But- Mm-hmm ... yeah, I'm mostly interested in talking to people when they're making the decisions that lead to whatever, whatever they're gonna make, ‘cause it's the process, man.Jennie: You gotta like the process. Yeah. Even on the days when it sucks and- Ooh ... oof, there are days when it does. They really-KJ: There, there are, [00:39:00] there are indeed Yeah. Well, but this is pretty g- like we're, we're back. We're back, kids. We're, we're- We're, we're back ... we're writing. We're, we're, we're here. We're doing it.KJ: We did. Yeah. We blew some stuff up, but now we'reKJ: building it back. Hopefully a year from now you won't be listening to the exact same podcast. We'll be like, “Here's what we said a year ago. Here's how we're blowing up our books today.” At some point everyone should be like, “You know they're never gonna finish these books.” When is that point?Outro: 2029.KJ: If we're still doing this in 2029Jennie: and talking about the same books, you can, you can all just turn off. No, I'm on fire now. I'm on fire. I am too,KJ: I swear.Jennie: Yeah, yeah.KJ: This is it.Jennie: And there's a thing that I'm doing that we could talk briefly about, ‘cause I know you're doing too, which is when you blow something up, there are parts of what you made that you can keep.Jennie: And what's part of the fun is discerning that. Yeah. And for me, I'm [00:40:00] going through the manuscript and, and saving a story here, a page there. I would say like one out of 10 maybe. One-KJ: That is not how I do it.Jennie: Mm.KJ: I start a new thing and then I will go back. Whenever I run into something that I know is in the other thing, I pull it in.Jennie: Mm. Yeah, I've beenKJ: mining- It's kind of my rule. I'm allowed, allowed to be in the other thing.Jennie: Interesting. Interesting. It'sKJ: only I have to take it ... And sometimes I don't even drop it right into the Scrivener. I'll like put it somewhere else- Yes ... and then play with it somewhere else-Outro: Interesting ...KJ: so thatKJ: Yeah, ‘cause I, I, I don't wanna Sometimes, and sometimes I will realize that revising something that I already did, even though it's good, to make it fit is actually harder than just rewriting it.Jennie: Yeah. I just really like the physical act. I, I do this physical thing. I go in and [00:41:00] I literally strike out what I'm not gonna use.Jennie: Mm. And it, it feels really satisfying. Just like, “Nope, nope, nope, nope”- Yeah ... nope. And then I'll encounter a thing I am gonna use, and I'll highlight it gray. That means it was used. And-KJ: Nice ...Jennie: it just ... I like the physicality of there are parts of this that are useful, and there's a lot of this that is not, and, and I'm making that decision.Jennie: It's gone from-KJ: Right ...Jennie: well, it's not really, it's struck out, but- Yeah ... that physical, um- Yeah.KJ: That was, that was what ... I forget the phrase that Serena used, but when I said I was doing this and I was gonna start it, and she said, “Okay, save past draft.” Like, she said something very clear. It was just, like, three words that were just like, you know, like, “Okay, but don't, don't throw it away.”KJ: That's so funny.Jennie: Which I,KJ: I wasn't going to, but yeah.Jennie: Do you feel 100% committed to the forward path now? [00:42:00]KJ: I feel 100% committed to the forward path. Thanks. This is so much more alive.Jennie: Yay. Same. That's what we're looking for, alive. Alive.KJ: Yes.Jennie: Yeah, I love it. All right. Well, um, so fun to chat with you, KJ, and we will continue the conversation.Jennie: Um, also you have some stuff up your sleeve that, um, folks will get to listen to coming up. And for everyone tuning in, so glad you could join me to talk to KJ. Now let's get back to work and finish what matters most.Outro: The hashtag amwriting podcast is produced by Andrew Perilla. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were [00:43:00] paid for their time and their creative output because everyone deserves to be paid for their work This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

What if your interior design project tracker could tell you when you actually have capacity for your next client—and forecast the revenue coming with it? This week, Shaun and Rebecca are talking about owning your accomplishments, getting more intentional about the projects you want to attract, and using technology to make running an interior design business a whole lot easier.Then Shaun shares an interactive project management and capacity dashboard he built with ChatGPT, starting with the idea of a simple spreadsheet and turning it into a custom tool for tracking project phases, scheduling, payments, cash flow, and future studio capacity. They walk through what it can already do, what they'd add next, and why tools like this could completely change how interior designers plan proposals, manage their pipeline, and make business decisions.In this episode they discuss:Why interior designers need to stop downplaying their accomplishments when talking about their businessesHow confidently explaining the type of design work you want can help attract better-fit interior design clientsReframing lead qualification around the projects your studio actually has capacity for instead of simply telling prospects they don't meet your minimumsCreating a referral network of other interior designers for leads that aren't the right fit for your firmWhy understanding your project pipeline and studio capacity makes it easier to know when you can take on new interior design projectsHow Shaun used ChatGPT to turn a basic spreadsheet concept into an interactive project management and capacity dashboardTracking project phases, payment milestones, design fees, procurement revenue, project coordination, installation fees, and cash flow projections in one placeHow AI-powered tools could help interior designers build custom business systems without knowing how to codeOur links:Subscribe and leave a review - Apple PodcastsLike, Comment, & Follow - Hot Young Designers Club InstagramRebecca's InstagramShaun's InstagramFor more information - Check out the websiteBecome a “Loyal Hottie” - Support us on PatreonDesign Resources - Check out our shop

OpenClaw 2.0 just landed, and we're going straight to the person helping build it.

Love the story Judy Solerno tells at the start of this podcast. The story is about how John Snow, the father of modern epidemiology, mapped out cases of Cholera in London in the year 1854.  He was able to identify a concentration of cases near a neighborhood water pump.  Simply removing the handle from the pump halted the outbreak.  This is one of the earliest recorded uses of maps for public health purposes. Our guests today, Judy Salerno (President Emeritus of the New York Academy of Medicine) and Lindsay Goldman (CEO of Grantmakers in Aging) have done some wonderful work creating detailed, in-depth, interactive maps of aging in New York City. Go to IMAGENNYC and try it yourself. Today we talk about: How the whole country became familiar with these sort of maps during Covid The case for using these maps for health needs of older adults, outside of the use cases in infections like Cholera and Covid Our "favorite" density maps of resources, services, and amenities, including: benches, crosswalks, tree canopy, heat vulnerability, among others. Use cases for these maps in public health and planning, grantmaking/philanthropy, and politics/policy advocacy. Judy's work creating similar maps for Sao Paulo Brazil (will add link here when website is up). How others can replicate this process in their home cities or counties And I get to sing Tapestry, by Carol King, which Judy chose in honor of two recently deceased giants of feminism, Dolly Parton and Gloria Steinem.  My wife Cindy plays piano on the audio only podcast. -Alex Smith  

AI news this week: Claude Opus 5.5 is INSANE and we love it. Faster, cheaper, better. So much for the AI slowdown. Oh and OpenAI's new thing is good too. On today's AI For Humans, Kevin Pereira and Gavin Purcell go hands on with Claude Opus 5.5, which might be the best model we've ever used (for now). Anthropic says it hits Fable-level performance on most things at about 40% less cost than Opus 5, the writing is clearer, and yes, the five hour usage limits went up and you can now bank your resets. Then we get into what people are already making with it: a guitar store sim, a music-based side-scroller, a Mario Kart benchmark, an underwater exploration game in 3MB, claymation built in Blender, a pop punk single made entirely in code and a lot of very juicy animations. Also: OpenAI answered with GPT-6 Sol and GPT-6 Luna, two new models that are faster and a lot cheaper than what came before. We compare them with Opus 5.5 (robot hands drawing, pelicans on bicycles in Blender), wonder what OpenAI has lined up for DevDay, and talk about Bel, the reported secret model that's beating the math. Oh, and there's a new Grok. Grok 4.7. It's out. (crickets) Plus: Gavin used Meshy 7.1 to turn a few photos of himself into a rigged, animated 3D model and then built Gavin At Large with his Opus 5.5 agent, a game where a giant Gavin wrecks a lil town. In Actually Useful AI, GPT-6 Astra makes simple motion graphics for a real book trailer. And in AI See What You Did There: Dario vs Sam in a very weird gun fight showdown and what happens when you point Claude at the Moving Image Archive. AI SLOWDOWN? NEVER HEARD OF HER. // Chapters //   00:00 Claude Opus 5.5 & GPT-6 Sol: So Much For The AI Slowdown 03:35 Claude Opus 5.5: Fable-Level Performance For Less (And Bigger Usage Limits) 11:45 Opus 5.5 Is Crazy Good At Making Games 18:02 Opus 5.5 Creative Use Cases: Claymation, Animation, & Education Tools 23:28 GPT-6 Sol & Luna: OpenAI's Faster, Cheaper Models 27:47 What's Next? OpenAI's Rumored Bel Model & Grok 4.7 33:22 Giant Gavin: Turning Myself Into A 3D Model With Meshy 7.1 39:03 Actually Useful AI: GPT-6 Astra Makes Motion Graphics 41:35 AI See What You Did There: Dario vs Sam & The Moving Image Archive   // Show Links // Introducing Claude Opus 5.5 https://www.anthropic.com/claude-opus-5-5 Opus 5.5 guitar store sim https://x.com/bijanbowen/status/2102532400353829356 https://x.com/bijanbowen/status/2102647714857222312 Opus 5.5 music-based side-scroller https://x.com/riku720720/status/2102547249834385584 Opus 5.5 on the Mario Kart bench https://x.com/sawyerhood/status/2102550264914038834 Underwater exploration game in 3MB https://claude.ai/artifact/ReCBQGZ4EirKSiEmT8XXfs Card pack opening (made with a very simple prompt) https://claude.ai/artifact/FiowCxgcuqAvjL9ANRYjQU Claude juice animation https://claude.ai/share/33a38af0-97cd-4d4b-a9af-ae065de70436 Using Blender to make claymation animation https://x.com/JacobMolBio/status/2102569129026916389 Full blown animations https://x.com/other__reality/status/2102514581684052169 A pop punk single made entirely in code https://x.com/aj_dev_smith/status/2102575577563570450 Interactive lens lab https://x.com/RyanSael/status/2102591147927654847 Introducing GPT-6 Sol and Luna https://openai.com/index/introducing-gpt-6-sol-and-luna/ Robot hand drawing comparison https://x.com/dimentary/status/2102539444834402314 Pelican on a bicycle in Blender test https://x.com/atomic_chat_hq/status/2102492834485895265 Grok 4.7 https://x.com/SpaceXAI/status/2102069815225586149 Meshy 7.1 multi-image to 3D on fal https://fal.ai/models/meshy/v7.1/multi-image-to-3d Gavin At Large (the Giant Gavin game) https://gavin-at-large.vercel.app Kim's New Book: Write a Novel in 100 Days https://kimpurcell.com/ Dario vs Sam weird gun fight showdown https://x.com/Xanderwow_A/status/2101800791795274106 Moving Image Archive https://x.com/covacut/status/2100990018391265297 Gavin's Claude makes a video from the archive (Fable 5.1) https://x.com/gavinpurcell/status/2101818839512281116 And the updated version with Opus 5.5 https://x.com/gavinpurcell/status/2102632595792199944   // Join the AI For Humans community // Join the AI For Humans Discord https://discord.gg/muD2TYgC8f Support AI For Humans on Patreon https://www.patreon.com/AIForHumansShow Subscribe to the AI For Humans newsletter https://aiforhumans.beehiiv.com/ Follow AI For Humans on X: @AIForHumansShow https://x.com/AIForHumansShow Follow AI For Humans on TikTok: @aiforhumansshow https://www.tiktok.com/@aiforhumansshow Speaking and booking https://www.aiforhumans.show/    

CBN News Reporter George Thomas sits down with Gordon Robertson on The 700 Club Interactive Podcast to discuss the latest news and events happening around the world.

CBN News Reporter George Thomas sits down with Gordon Robertson on The 700 Club Interactive Podcast to discuss the latest news and events happening around the world.

On this episode Bill and Thrak are joined by Poppy The Masked Keaton to discuss Readysoft's Interactive Movie Game Brain Dead 13!Proud Member of https://superpodnetwork.com/Check Out Call of Duty: Thrak Ops: https://superpodnetwork.com/podcast/call-of-duty-thrak-opshttps://playchainchasers.com/Follow us at: https://linktr.ee/ThebarberwhogamesFollow Keaton at: https://bsky.app/profile/poppykeaton.bsky.socialFollow Thrak at: https://bsky.app/profile/thrak.bsky.social

- All podcast episode transcripts- Bonus audio clips without transcripts to test your listening skills- Infographics on grammar, expressions, and vocabulary- Interactive grammar activities to practice the theory before moving on to practicehttps://www.patreon.com/c/espanolalamexicana/membership

Continuing our teaching on peacemaking, Pastor Femi Paul showed us that peacemakers should be distinctly attractive in a world increasingly marked by conflict, strife and turmoil. Philippians 2 calls us to live without complaining and division, becoming a breath of fresh air and giving people a glimpse of God through the way we live. While Scripture warns of a culture where people become quarrelsome, difficult to reconcile and even unwilling to make peace, the children of God are called to be different: peace-loving, gentle, reasonable and quick to mend fences. Peacemaking, however, does not happen automatically. God reconciled us to Himself through Christ and gave us the ministry of reconciliation, calling us to work at restoring our relationships with one another. James 3 reminds us that healthy communities are built when we do the hard work of getting along, treating one another with dignity and honour, being willing to listen, yield and extend mercy. Every response therefore plants a seed. When we choose peace, we plant seeds that can produce a harvest of goodness. Peacemakers don't merely desire peace; they work for it, plant it and help it grow. Prayer: Lord, thank You for reconciling me to Yourself through Jesus Christ. Make me a true peacemaker: gentle, reasonable, merciful and quick to mend fences. Keep strife, quarrelling and division far from me. Give me the wisdom and humility to do the hard work of getting along with others, treating everyone with dignity and honour. May I plant seeds of peace and reap a harvest of goodness. Amen.

Join Jassem Osseiran, Co-Founder and Chief Strategy Officer of PlaysOut, for an insightful exploration into the evolution of consumer attention, digital entertainment, and interactive content distribution. As consumer attention spans fragment across social feeds, messaging apps, and short-form video platforms, the traditional friction of downloading standalone mobile apps is becoming a major barrier to user acquisition. Drawing on his background across Rocket Internet, Omnicom, alternative investments, and global venture building, Jassem explains how embedded mini-games, lightweight interactive programs, and super-app integrations are establishing a new paradigm for user engagement, brand monetization, and IP distribution worldwide.

En este episodio especial de septiembre, David y Ana convierten la cultura mexicana en un juego de adivinanzas: te dan pistas, tú tratas de adivinar qué es, y al final te explican la historia detrás de cada representante — muchas de ellas completamente desconocidas incluso para los propios mexicanos.Un episodio para escuchar, para practicar tu comprensión auditiva y para apantallar a tus amigos con datos rarísimos de México.

Anything but Football News WW3 Developments FBI Animal Task Force The Magus a tribute to Danny Flamingo live channel {Every Sunday Night ∙ 8-10P CT} https://nrr.mixlr.com/ Interactive: https://padlet.com/notrealradio/TalkSHT all past shows available at Spotify: https://tinyurl.com/4bwkzfw7 Apple Podcasts​: https://goo.gl/SvRBJB SoundCloud​: https://soundcloud.com/not-real-radio Or Your Podcast App Store: https://www.zazzle.com/store/not_real_store

Check out the unbelievable maps & tools from GetReady.TeamBecome a supporter of this podcast: https://www.spreaker.com/podcast/prepper-broadcasting-network--3295097/support.Head to https://bepreparedsolutions.co/partner/pbn, or use code PBN20 when you sign up to get 20% off their incredible preparedness tools, custom plans, and LOCAL INTELLIGENCE. STOP THE ADS! Become a PBN Supporter for just $5 a month and get exclusive podcasts just for supporters. BECOME A SUPPORTER The Prepper's Medical Handbook Build Your Medical Cache – Welcome PBN FamilyJoin the Prepper Broadcasting Network for expert insights on #Survival, #Prepping, #SelfReliance, #OffGridLiving, #Homesteading, #SelfSufficiency, #Permaculture, #OffGrid solutions, and #SHTF preparedness. With diverse hosts and shows, get practical tips to thrive independently – subscribe now!Newsletter – Welcome PBN FamilyGet Your Free Copy of 50 MUST READ BOOKS TO SURVIVE DOOMSDAY

At our Special Interactive Sunday Service, Pastor Femi Paul brought us God's Word titled “BLESSED ARE THE PEACEMAKERS!” Jesus is the Prince of Peace, and He has given us His peace; therefore, those who belong to Him should become carriers, makers and maintainers of peace. Drawing from Matthew 5:9, we saw that peacemaking is more than avoiding conflict. It means actively working for peace, helping people live together in peace and allowing the character of our Father to be seen through us. If we are ambassadors of Christ, we must also be ambassadors of peace. The message challenged us to examine what we contribute to our relationships, families and the body of Christ. Scripture tells us to pursue peace, work at living peacefully with everyone and let the peace of Christ rule our hearts. As people who have received the ministry of reconciliation, our responsibility is not to fuel division, competition or conflict, but to help restore relationships and show people how to cooperate. Peace is both our privilege and responsibility. In a world where many are ready for a fight, may it be said of us: “I am in favour of peace.” Prayer: Lord Jesus, Prince of Peace, thank You for giving me Your peace. Let Your peace rule my heart, thoughts, words and relationships. Give me the wisdom and humility to make peace, maintain peace and help others live in peace. As Your ambassador, may I faithfully carry Your ministry of reconciliation and express Your character everywhere I go. Amen.

Listen to the full show podcast of The Continuous Call Team.See omnystudio.com/listener for privacy information.

A trip the most disturbing hells Dead Rabbit Radio Movie Night September 18th 7pm PST Join the Patreon, Free or Paid, for more info! https://www.patreon.com/user?u=18482113 Dead Rabbit Radio Movie Morning September 19th 9am PST Follow me on https://www.youtube.com/@DeadRabbitRadio or any of my socials for more info! Original Air Date: 9/17/2026 Full Links And Show Notes: https://deadrabbitradio.blogspot.com/2026/09/ep-1613-darkest-depths-of-hells.html Back Up Links And Show Notes: https://deadrabbitradio.blogspot.com/2026/09/ep-1613-darkest-depths-of-hells.html https://web.archive.org/web/20260917093420/https://deadrabbitradio.blogspot.com/2026/09/ep-1613-darkest-depths-of-hells.html  

In this episode of the Reading With Your Kids Podcast, Jed welcomes the wildly inventive Gareth P. Jones, author of the Solve Your Own Mystery series. Gareth shares how he writes his twisty, choice-filled mysteries without a strict plan, often discovering the solution right alongside his readers. He talks about the joy and chaos of letting kids help shape the story—both on the page and in his live "Mystery Makers" shows, where the audience becomes the cast, the co-writers, and sometimes the comedians. Gareth also dives into his work turning picture books into "mini musicals", including Rabunsel (Rapunzel as a rabbit) and Cinderavilla. Armed with a ukulele, trumpet, loop pedal, and a healthy respect for mistakes, he explains how slip-ups on stage often spark his best ideas. He previews his new project, the diary of Ugg, a cave boy whose different way of thinking may just nudge his whole community forward. In the second part of the episode, intern host Madison Lucchesi sits down with Kieonna Risher, author of the tender debut picture book Nana's Garden. Kieonna shares how the book honors her grandmother, Sandra Risher, and helps children—especially her son Micah, who is autistic—navigate grief using memories, ritual, and tangible keepsakes like a treasured pendant. She describes family traditions that keep Nana's love alive and teases an upcoming second book about helping kids manage "big feelings." Together, these conversations celebrate interactive storytelling, emotional honesty, and the many ways books can help kids feel, choose, and grow.

Sudan is facing a devastating humanitarian crisis, but the local Church is stepping in to help those in need. CBN News anchor and reporter, John Jessup, shares what he witnessed during his trip to Sudan and how Christians are responding on the ...

- All podcast episode transcripts- Bonus audio clips without transcripts to test your listening skills- Infographics on grammar, expressions, and vocabulary- Interactive grammar activities to practice the theory before moving on to practicehttps://www.patreon.com/c/espanolalamexicana/membership

Send us Fan MailNO WAY OUT. Rent or Be The Landlord. Buy Assets Now. Ownership❤️️Get Your .crypto domain name here. Web 3 Unstoppable Domains and FREE Minting on Polygon. No Annual Domain Name Fees. Could be the future: https://unstoppabledomains.com/?ref=c6af699e6d94459❤️️Grants from states and local governments: https://findhelp.org/❤️️Caregivers, Mental Health: https://www.211.org

Sudan is facing a devastating humanitarian crisis, but the local Church is stepping in to help those in need. CBN News anchor and reporter, John Jessup, shares what he witnessed during his trip to Sudan and how Christians are responding on the ...

In this episode, NYU student Gagana Venkatampalli speaks with Michael McGetrick, a professor at the NYU Tandon School of Engineering. Gagana speaks to Michael about building a career that crosses creative, technical, and educational work simultaneously;Michael McGetrick has over 30 years of blended experience in digital marketing from advertising and creative agency management to founding roles in successful new ventures in marketing technology. He has taught Digital Marketing in the Department of Technology Management at NYU Tandon. In addition, he has taught in the digital design program at Brooklyn College for over 15 years, leading courses in motion graphics, 3D, web design, creative coding, and most recently Generative AI for Content Creation and Visual Design. Currently, Michael serves as the VP, Principal of Creative and Interactive at Spark451, a company he founded in 2011 with fellow NYU Tandon grads.For a full transcript of this episode, please email career.communications@nyu.edu.

A national educational initiative celebrating America's 250th anniversary has begun with what organizers call the largest treasure hunt in U.S. history. The '250 Days for 250 Years Foundation' has launched an interactive nationwide heritage program that combines location-based challenges, historical discovery missions and community engagement activities across all states through a free web application accessible to all Americans. The app uses GPS to send players to local historical landmarks. FOX's Eben Brown speaks with Rabbi Andrew Shaw, Chief Executive of Mizrachi UK, who explains it was his great respect and admiration for the United States, and those all involved, that has fueled this project. Click Here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To Follow 'The FOX News Rundown: Evening Edition' Learn more about your ad choices. Visit podcastchoices.com/adchoices

En este episodio especial de septiembre, David y Ana platican de los sonidos, los alimentos y las reglas no escritas que todo mexicano del centro del país da por sentadas — y que para alguien que viene de fuera pueden ser completamente nuevas.Un episodio que no va de historia — va de lo que significa ser mexicano en el día a día.Checkout our new project: https://www.theraisingbilinguals.com

More reflection on the transformation of DF33 Can All People Think? Trump 5K AI Apocalypse and some news we missed live channel {Every Sunday Night ∙ 8-10P CT} https://nrr.mixlr.com/ Interactive: https://padlet.com/notrealradio/TalkSHT all past shows available at Spotify: https://tinyurl.com/4bwkzfw7 Apple Podcasts​: https://goo.gl/SvRBJB SoundCloud​: https://soundcloud.com/not-real-radio Or Your Podcast App Store: https://www.zazzle.com/store/not_real_store

A national educational initiative celebrating America's 250th anniversary has begun with what organizers call the largest treasure hunt in U.S. history. The '250 Days for 250 Years Foundation' has launched an interactive nationwide heritage program that combines location-based challenges, historical discovery missions and community engagement activities across all states through a free web application accessible to all Americans. The app uses GPS to send players to local historical landmarks. FOX's Eben Brown speaks with Rabbi Andrew Shaw, Chief Executive of Mizrachi UK, who explains it was his great respect and admiration for the United States, and those all involved, that has fueled this project. Click Here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To Follow 'The FOX News Rundown: Evening Edition' Learn more about your ad choices. Visit podcastchoices.com/adchoices

A national educational initiative celebrating America's 250th anniversary has begun with what organizers call the largest treasure hunt in U.S. history. The '250 Days for 250 Years Foundation' has launched an interactive nationwide heritage program that combines location-based challenges, historical discovery missions and community engagement activities across all states through a free web application accessible to all Americans. The app uses GPS to send players to local historical landmarks. FOX's Eben Brown speaks with Rabbi Andrew Shaw, Chief Executive of Mizrachi UK, who explains it was his great respect and admiration for the United States, and those all involved, that has fueled this project. Click Here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To Follow 'The FOX News Rundown: Evening Edition' Learn more about your ad choices. Visit podcastchoices.com/adchoices

Listen to the full show podcast of The Continuous Call Team.See omnystudio.com/listener for privacy information.

Episode 36 of The Art of Teaching Business podcast!Are you looking for a way to get students off their screens and back to using pen and paper? In this episode, I'm sharing some of the tips I learned from using interactive notebooks in my own business classroom for years. I'll talk about how I organized notebooks, handled supplies, used bell ringers, kept teacher copies handy, and why my students' notebooks never left my classroom. I'll also share a few simple tricks—like attaching a pen, color coding classes, and doing all the cutting at once—that can make interactive notebooks much easier to manage all year long.I sell no prep, ready-to-print-and-use, interactive notebook on my webshop and TPT.1️⃣ Interactive Notebooks - Web Shop2️⃣ Interactive Notebooks - TPTIf you liked this episode, please give me a like and leave a comment!Visit my website at ⁠⁠⁠http://www.business-ed.com⁠ for 15+ FREE resources to help you save time lesson planning.THANKS FOR LISTENING!-Denise Leigh

Interactive history, community support, and local shopping. Learn how the Pacific Fleet Submarine Museum is celebrating 45 years at Pearl Harbor with brand-new exhibits, and support Breast Cancer Hawaii's resource craft fair this weekend.See omnystudio.com/listener for privacy information.

Behind the Glory, Fame, and Competition, Many Professional Athletes Are Driven by Something Deeper. CBN Sports reporter Will Dawson reveals the faith stories behind the athletes and shares his new podcast, Fuel the Fire. This and more, today ... ...

- All podcast episode transcripts- Bonus audio clips without transcripts to test your listening skills- Infographics on grammar, expressions, and vocabulary- Interactive grammar activities to practice the theory before moving on to practicehttps://www.patreon.com/c/espanolalamexicana/membership

Behind the Glory, Fame, and Competition, Many Professional Athletes Are Driven by Something Deeper. CBN Sports reporter Will Dawson reveals the faith stories behind the athletes and shares his new podcast, Fuel the Fire. This and more, today ... ...

¿Qué es lo que más te gusta de la cultura mexicana? ¿Si tuvieras que cambiar de acento, cuál elegirías? ¿Qué frase mexicana usas más? En este episodio, David y Ana se hacen estas preguntas el uno al otro en una conversación completamente espontánea — con interrupciones, cambios de opinión y todo — mientras explican las estructuras gramaticales detrás de cada pregunta para que tú también puedas usarlas.Checkout our new project: https://www.theraisingbilinguals.com

There's an interactive tool that'll show you every data center operating in Utah. Its creator Alex Kellgreen calls it “The Elephant in the Desert.”

AI news this week: MiniMax H3 Max on Fal is generating video faster than you can watch it, powering never-ending real-time channels (Fal Live, Levels.io's Infinite Slop, Reactor) and we're already breaking it.. On today's AI For Humans, Kevin Pereira and Gavin Purcell go hands-on with what real-time video actually makes possible. Gavin took an open-source interactive game demo, some Fal credits, and a POV dating sim and turned it into something very weird, and we'll show you what worked, what broke, and what it cost. Plus Runway's new Solaris model generates entire interfaces on the fly, and someone built a chatbot running at 14,000 tokens a second. Also: Sam Altman is out preaching about OpenAI's new Astra model, which may drop this week, and the leaks are leakin'.  Plus: Gavin handed his personal data to three different AI agents, including hot new startup Instinct, which found him a weird concert and a list of podcast bookings (and we may have a few invite codes to give away). Codex mass-edits a Google Calendar and Kevin finally plays the custom-trained MiniMax Music LoRA you asked for (all three of you). And an AI See What You Did There with The Office in Claudish, famous people falling on each other, and Jenny Krakovsky's feature film finished in 50 days. THE SLOP-AGGEDON IS UPON US. TURN YOUR AIRPODS UP TO 11. // Show Links // MiniMax H3 MAX Free Gen Page https://fal.ai/tools/minimax-h3-max Gavin's MiniMax H3 Max real-time test (it's very fast) https://x.com/gavinpurcell/status/2093098167906758734?s=20 Gavin's follow-up: the toms https://x.com/gavinpurcell/status/2093746610849403017?s=20 Fal Live, two never-ending channels https://fal.live/chaos Levels.io's Infinite Slop http://levels.io/infinite-slop Glitch platform https://x.com/thefirst_ad/status/2094442316086039004?s=20 Reactor https://live.reactor.inc/ H3 Max now supports video references https://x.com/fal/status/2094527664040124764?s=20 Interactive games with H3 Max (the GitHub Gavin started from) https://x.com/BlendiByl/status/2094337649859523015 Gorgeous website mockup made with H3 (prompt included) https://x.com/ShamsAmin56/status/2093710509858328605?s=20 Runway Solaris, a model for generated interfaces https://runway.com/news/research/introducing-solaris OpenAI Astra samples (supposedly) https://x.com/chetaslua/status/2094472807908569356?s=20 https://x.com/lyraxana/status/2094600793789694346?s=20 https://x.com/GaricaRosen6779/status/2094727306766111126?s=20 https://x.com/pankajkumar_dev/status/2094399865971450286?s=20 Astra makes Terraria https://x.com/alexgetmancom/status/2094762443310272735?s=20 Omarchy AI Operating System https://omarchy.org/ Instinct: The AI Agent Messaging System https://app.instinct.co/login PRE-ORDER KIM PURCELL'S BOOK FOR YOU OR YOUR LOVED ONES https://kimpurcell.com/books/write-a-novel-in-100-days The concert Instinct found for Gavin https://tabularasa.itm.studio/m/tabula-rasa-presents-ramonpang The Office but everyone speaks Claudish https://x.com/venturetwins/status/2094536157686387114?s=20 Famous people punch each other and fall down https://x.com/sadlemonjuice/status/2094017087484092810?s=20 Jenny Krakovsky finished her feature film in 50 days https://x.com/jennykrakovsky/status/2094394793451200630?s=20   // Join the AI For Humans community // Join the AI For Humans Discord https://discord.gg/muD2TYgC8f Support AI For Humans on Patreon https://www.patreon.com/AIForHumansShow Subscribe to the AI For Humans newsletter https://aiforhumans.beehiiv.com/ Follow AI For Humans on X: @AIForHumansShow https://x.com/AIForHumansShow Follow AI For Humans on TikTok: @aiforhumansshow https://www.tiktok.com/@aiforhumansshow Speaking and booking https://www.aiforhumans.show/  

Si llevas años estudiando español y todavía te quedas en blanco cuando tienes que hablar, no es falta de vocabulario ni de gramática. Es que probablemente has pasado demasiado tiempo en la fase declarativa — saber cosas — sin pasar a la fase procedimental — poder hacerlas. En este episodio te decimos cómo lograrlo.Checkout our new project: https://www.theraisingbilinguals.com