Podcasts about BPM

Sudan Archives aka LA-based composer, producer, performer and violinist Brittney Parks burst out of LA's experimental electronic scene in 2017 with a distinctly visual approach to music making and a deep love of violin. One of the things that makes Sudan Archives' sound so captivating is her revolutionary approach to this instrument. Learning by ear in church rather than through classical training, Parks developed unconventional techniques through pure experimentation. Discovering that an amplified electric violin produces percussive sounds when struck, collecting "stone age violins" that connect her to the instrument's global heritage, and playing upside down on a stripper pole – these unorthodox approaches have yielded a sound that has moved through breakout moments like Come Meh Way to the upfront party energy of her new album, The BPM.The name Sudan Archives itself tells a fascinating story. Originally a nickname suggested by her mother during Parks' journey of cultural self-discovery, it took on deeper significance when she found striking parallels between Sudanese folk music and other global violin traditions. This cross-cultural connection resonated with her own experience seeking representation as a Black violinist. Though sometimes misunderstood, the name reflects what I really feel is a genuine passion for violin cultures worldwide and her own musical journey.When I caught up with Brittney, she discussed her evolution from bedroom producer to innovative artist, her experience with imposter syndrome at Stones Throw Records, and how her latest work embraces a more playful, sometimes "silly" aesthetic that might surprise longtime fans. "The BPM" drops October 17th on Stones Throw – prepare for a boundary-pushing journey that honors the house and techno traditions of Detroit and Chicago while remaining unmistakably, uniquely Sudan Archives.Pre-order and preview tracks fromSudan Archives' The BPM hereFollow Sudan Archives on Instagram: @sudanarchivesIf you enjoy Lost and Sound and want to help keep it thriving, the best way to support is simple: subscribe, leave a rating, and write a quick review on your favourite podcast platform. It really helps others find the show. You can do that here on Apple Podcasts, Spotify, or wherever you like to listen.Huge thanks to Audio-Technica – makers of beautifully engineered audio gear and sponsors of Lost and Sound. Check them out here: Audio-TechnicaWant to go deeper? Grab a copy of my book Coming To Berlin, a journey through the city's creative underground, via Velocity Press.And if you're curious about Cold War-era subversion, check out my BBC documentary The Man Who Smuggled Punk Rock Across The Berlin Wall on the BBC World Service.You can also follow me on Instagram at @paulhanford for behind-the-scenes bits, guest updates, and whatever else is bubbling up.

“Beyond the Horizon” is for dreamers, lovers, and seekers who believe there is always something greater waiting ahead. It's a song for those who choose hope over fear, love over distance, and light over shadows. It speaks to anyone who feels the call of destiny and is ready to follow it, knowing that a brighter world exists just beyond the horizon.

“Voices Between Us” is for those who share an unspoken bond with someone they love, a connection so deep it doesn't need words. It's a song for soulmates, twin flames, and kindred spirits who can feel each other across any distance. It captures the beauty of silent communication, where emotions speak louder than language and love becomes its own voice.

"Backcurrent" by Sim Fossil is part of the new EP "Tidal Figures" out now on Dream Chimney ~ Available now on LP & Digital Buy: https://dreamchimney.bandcamp.com/album/tidal-figures Video: https://www.youtube.com/watch?v=z_XP-bmjTVI Dream Chimney proudly presents "Tidal Figures," the new EP from Paris based producer Sim Fossil. The release is a deep dive into cosmic soundscapes, synth melodies, heavy basslines weaving together elements of house, nu-beat, and ambient into a truly unique, low-BPM fusion. Across four original tracks, "Tidal Figures" explores a quiet duality of space and time. "Echo Marina" and "Nyrosine" bask in a soft, melodic glow, while "Null Meridian" and "Backcurrent" plunge listeners into a darker, even slower synthetic haze. The tracks are all driven by deep, slow basslines and shimmering synths that feel heavy and submerged, reminiscent of a half-speed Harold Faltermeyer adrift in an underwater voyage. Adding to the EP's allure, "Tidal Figures" features two remixes from revered artists Max Essa and Project Sandro. Balearic luminary Max Essa takes on "Echo Marina," infusing it with his signature magic touch while preserving its gentle tempo. Project Sandro, the collaborative vision of Rollmottle and Tony Watson, then propels "Null Meridian" into an even deeper, outer space cruiser, showcasing their masterful blend of studio expertise and vision. This release showcases Sim Fossil's ability to create a sound that is both nostalgic and forward-thinking, electronic yet gently fluid, perfectly suited for the ears and hearts of the Dream Chimney fanbase. Written & Produced: Sim Fossil 2025 Cover Design: Sim Fossil Mastering: Anthony Puglisi @ Sentrall Sound https://www.sentrallsound.com/ -- ✉️ Join our weekly mailing list: http://eepurl.com/dN23Jw

想吃麥當勞早餐，卻爬不起來？太晚睡了吼……今天起，養成早睡體質吧！麥當勞攜手政大睡眠實驗室，創新再現費玉清《晚安曲》以60-80 BPM的音樂節奏融合具催眠感的視覺讓你聽了真的好想說【晚安 早餐見】＞＞ https://fstry.pse.is/84l9f7 —— 以上為 KKBOX 與 Firstory Podcast 廣告 —— 免費追蹤，更新資訊不漏接： https://open.firstory.me/join/clh1qknlp0h0s01w286nq3i04 加入會員，支持節目： https://open.firstory.me/user/clh1qknlp0h0s01w286nq3i04 留言告訴我你對這一集的想法： https://open.firstory.me/user/clh1qknlp0h0s01w286nq3i04/comments 歡迎您用一杯咖啡支持我持續創作 : https://pay.soundon.fm/podcasts/a11a2120-4bc4-4fb2-813b-135bd96e5868 「布姐的交誼廳。陪你聊人生聊職場」Line 社群 https://reurl.cc/36NWEL(密碼：love) 本集重點： 衝突是難免的，但不是壞事 職場中的衝突並不代表失敗或關係破裂，它可能是改善溝通、深化理解的契機。 常見的五大衝突來源溝通不順暢、訊息模糊角色與責任不清楚資源競爭（時間、預算、人力）工作風格或性格差異目標與優先順序不同換位思考的重要性 衝突常來自不同層級或角度的差異。學會「走到對方的三樓視角」，理解主管或跨部門的需求。 跨部門衝突案例解法 先詢問對方目前的工作量與壓力，協商優先順序，尋找雙贏方案，而不是一味接受或拒絕。 尊重自己才能尊重他人 如果不考慮自己的狀態就答應，容易累積委屈與不滿，反而破壞合作關係。 內在衝突也很常見 KPI 或不同主管的要求互相矛盾時，要勇於提出，邀請相關利害關係人坐下來重新對齊。 文化差異影響衝突處理方式 亞洲職場傾向階層文化，不敢說 No；而北歐等地則更強調平等表達。可學習融合，靈活調整溝通方式。 預防衝突的工具：使用說明書（User Manual） 內容包含：工作偏好、溝通方式、爆點與復原方式。主管可營造團隊文化，個人則可用自然的提問方式逐步建立。 善用 Yes, And 思維 在衝突中先找到對方立場裡「至少一個正確的 1%」，再延伸對話，避免陷入僵局。 衝突是關係轉變的契機 就像戲劇中最吸引人的情節來自衝突，若能帶著誠意與真心處理，衝突能讓彼此更貼近，而非更遠。 來賓

"Nyrosine" by Sim Fossil is part of the new EP "Tidal Figures" out now on Dream Chimney Buy: https://dreamchimney.bandcamp.com/album/tidal-figures Available LP & Digital Dream Chimney proudly presents "Tidal Figures," the new EP from Paris based producer Sim Fossil. The release is a deep dive into cosmic soundscapes, synth melodies, heavy basslines weaving together elements of house, nu-beat, and ambient into a truly unique, low-BPM fusion. Across four original tracks, "Tidal Figures" explores a quiet duality of space and time. "Echo Marina" and "Nyrosine" bask in a soft, melodic glow, while "Null Meridian" and "Backcurrent" plunge listeners into a darker, even slower synthetic haze. The tracks are all driven by deep, slow basslines and shimmering synths that feel heavy and submerged, reminiscent of a half-speed Harold Faltermeyer adrift in an underwater voyage. Adding to the EP's allure, "Tidal Figures" features two remixes from revered artists Max Essa and Project Sandro. Balearic luminary Max Essa takes on "Echo Marina," infusing it with his signature magic touch while preserving its gentle tempo. Project Sandro, the collaborative vision of Rollmottle and Tony Watson, then propels "Null Meridian" into an even deeper, outer space cruiser, showcasing their masterful blend of studio expertise and vision. This release showcases Sim Fossil's ability to create a sound that is both nostalgic and forward-thinking, electronic yet gently fluid, perfectly suited for the ears and hearts of the Dream Chimney fanbase. Written & Produced: Sim Fossil 2025 Cover Design: Sim Fossil Mastering: Anthony Puglisi @ Sentrall Sound https://www.sentrallsound.com/ -- ✉️ Join our weekly mailing list: http://eepurl.com/dN23Jw

VIBRISSE INVITES ANTENORA / TOXIC SICKNESS RESIDENCY SHOW / SEPTEMBER / 2025 First half @antenora-official, second half @vibrisseduo. #HARDCORE #UPTEMPOHARDCORE #UPTEMPO #GABBER #ZAAGKICKS ANTENORA is an Italian uptempo hardcore producer and DJ from Grosseto. Born a year before the millennium bug, he is now based in the Netherlands. He developed his unique, personal style of modern high-BPM uptempo starting from his early teens, initially producing tracks influenced by the Hardstyle and Mainstyle scenes. His sound incorporates harsh textures and grandiose melodic interludes, all wrapped up in an ever-evolving, monstrously powerful hardcore blast. VIBRISSE is a DJ/producer duo based in Torino, Italy. Focused on high-BPM hardcore genres, VIBRISSE work through fast-paced, unpredictable selections to demolish any kind of separation between music genres, people, and emotions. The duo crafts eventful, energizing experiences on the dancefloor where heavy tracks from all over the hardcore spectrum meet with bangers from other club realms. ### ANTENORA ANTENORA - MR MASH CHASE & STATUS - NO PROBLEM (ANTENORA EDIT) KENAI - SMD (ANTENORA REMIX) KID YUGI, PAPA V, NOYZ NARCOS - SERVIZIO (NØT REMIX) [ANTENORA EDIT] THE DARK HORROR X GUIZCORE - HEAVY ENERGY THE STUNNED GUYS - IO SONO VIVO (ANTENORA HARDCORE ITALIA EDIT) YOSHIKO - HURT ANTENORA - COCAINA V2 SAKYRA & ANTENORA - BLAH BLAH BLAH ANTENORA - ID ANTENORA - ID THE SICKEST SQUAD - IN50 THA PLAYAH X ANGERFIST - MASTAH OF SHOCK (ANTENORA EDIT) DR PEACOCK & ASCENDANT VIERGE - INFLUENCER (ANTENORA EDIT) AVERSION - BRING IT ON (ANTENORA EDIT) ANTENORA - ID NEOPHYTE - ADRENALINE (ANTENORA LEKKER MIND MASH) MIND COMPRESSOR - FCK THE SYSTEM NSD - AL DOILEA E. ABSTRACTION ANTENORA - KETAMINE ### VIBRISSE VIBRISSE - 6SPEED LUVVTIGE & TOMSKU - DANCE THROUGH LIFETIME 99PRBLMZ - GET NAUGHTY EQUAL2 X DISTORTOHYPE - VOL 100 ANDY THE CORE - GBR (INFECTED REMIX) GHOSTFACE - M.V.P IN THE GAME POISONSPITTER - THE DESCENT SICK IMPACT - BREAK SHIT FUTURE IS OFFLINE - WTF IS GOING ON CHRIZENS - WE'RE GETTING LOW FYLOH & VENGEANCE - ON MY HEAD YOSHIKO - BAD BOY (SNAX EDIT)

'Midnight on the Coastline' is for dreamers and hopeless romantics who love the feeling of endless summer nights, carefree moments by the ocean, and the magic of being lost in the company of someone special. It's perfect for anyone who cherishes fleeting, intimate memories under the moonlight and wants to relive that sense of youthful freedom, love, and connection.

DJ Panda aka Adaysush shares his remarkable 20-year journey in the EDM scene, from attending underground warehouse raves at age 13 to opening for The Chainsmokers at Dog Daze Festival. He discusses staying sober throughout his career, the evolution of electronic music culture, and his philosophy that music should help people escape their everyday struggles.• Started in the underground EDM scene in LA and San Diego at age 13• Mentored by an older hippie couple who encouraged staying sober at raves• Witnessed EDM's mainstream peak from 2010-2015 with artists like Calvin Harris• Helped build Fresno's electronic music foundation through events like Electric Fairy Tale• Specializes in hard dance music (145-165 BPM) but plays diverse styles• Opening for The Chainsmokers at upcoming Dog Daze Festival• Values authentic fan interaction over fame or recognition• Believes music is universal and doesn't discriminate• Encourages aspiring DJs to be patient, practice regularly, and seek mentorship• Reminds festival attendees to stay hydrated, look out for each other, and be responsiblePlease take care of each other. Please take care of yourselves. Please stay hydrated. Just take care of one another. Love each other and peace, love, unity and respect.Follow Panda on all platforms @adaysushFollow us @ brokeboyz_ff on Instagram and TikTokIntro Music by Rockstar Turtle- Broke Boyz (999)Christmas Intro Song by Nico

Unleash the power of cutting-edge sound design with Tech House Reactor by HighLife Samples, a sample pack for producers of Tech House, House, and EDM. Whether you're creating club-ready bangers or underground grooves, this collection gives you everything you need to take your music to explosive new heights. Inside, you'll find 5 fully-loaded construction kits, carefully organised into separate folders for effortless workflow. Use them as complete song starters or break them down to craft your own unique arrangements. Each kit includes: WAV Loops: Driving basslines, punchy drum grooves, captivating synth riffs, FX textures, and expressive vocals (dry and wet), every sound you hear in the demo is included. MIDI Files: Unlock endless flexibility by customising melodies, basslines, and chords to suit your own style. With MIDI, you can change instruments, transpose notes, or adjust rhythms with total creative freedom. Drum Hits: A versatile collection of kicks, claps, hi-hats, and percussion elements, perfect for building your own grooves from scratch. Serum 2 Presets: Professionally crafted patches that deliver the modern and bold sound of today's Tech House. Please note: For preset's you will need Serum 2.0.19 or above. For maximum ease of use, all samples are clearly labeled with key scale and BPM, making it simple to match loops, layer sounds, and speed up your workflow. Every sound has been professionally mixed and mastered, ensuring your tracks sound polished and club-ready straight out of the box. Best of all, Tech House Reactor by HighLife Samples is 100% royalty-free, so you can use every sound in your personal or commercial projects without limits. Pack Content: 5 Construction Kits 101 Wav Loops 36 Drum Hits 31 Midi Files 31 Serum 2 Presets 24bit/44.100 100% Royalty Free

Hi everyone, thanks for taking the time to find out what I've prepared this episode for you. We're going to speed up a little bit with the BPM's and are going to listen to some fine techno. Enjoy this one! October 2025 will be online at October the 6th at 10 A.M. Bye for now

A Techno Set with mainstage vibes @135 BPM! Contact: angel.wings.dj@gmail.com Download or stream for free via: YouTube (@AngelWingsDJ) Itunes Facebook TuneIn Podcast Addict TRACKLIST: 1. LIFT ME UP - Green Velvet, Dajae, HI-LO //  2. Fcking Vibe - Dada Life, Le Shuuk //  3. Higher State Of Consciousness - Firebeatz, Alok //  4. Pulverturm (ANNA Rework) - Niels Van Gogh, ANNA //  5. Raving - David Guetta, Afrojack //  6. I Want to See - DRUNKEN KONG //  7. Addiction - Oscar L, Max Styler //  8. Afraid To Live (Blacklizt Version) //  9. SexyBack (TechnoBack) - Alle Farben, Keanu Silva, Mono Schwarz //  10. Better Than U Thought - Layton Giordani //  11. When I Push - Layton Giordani, Eli Brown, OFFAIAH //  12. Lethal Industry (Maddix Remix) //  13. Chase The Sun - Danny Avila //  14. Trick Daddy - Eli Brown //  15. Again - Oscar L // 

La historia de las versiones extendidas se remonta a los 70s. En pleno furor “Disco” los DJs necesitaban versiones más largas para las pistas de baile, no las versiones de 3 minutos que sonaban en las radios. Así fue que las discográficas, ayudados generalmente por los propios DJs, comenzaron a publicar los singles de baile en formato de 12 pulgadas, con versiones extendidas. Durante los 80s esta moda continuó, no solo dentro de la música de baile. Prácticamente todos los singles publicados tenían su versión extendida en formato de 12 pulgadas. Se trataba de versiones de 7 u 8 minutos con intros, puentes y finales instrumentales más largos. En algunos casos se potenciaba el sonido de la batería o se agregaba alguna percusión o coro. No fue hasta finales de los 80s con la llegada del House cuando llegaron las remezclas tal como las conocemos hoy en día (modificando el BPM o directamente la melodía) llegando a crear una nueva canción. TRACKLIST: 01 - Okay - Okay! (Mixed Media Edit) 02 - The Style Council - The World Must Come Together (Album Version) 03 - Depeche Mode - Strangelove (Pain Mix) 04 - The Beloved - Sun Rising (Deeply Satisfying) 05 - Pet Shop Boys - It's Alright (10 inch Version) 06 - Red Flag - Russian Radio (Glasnost Club Mix) 07 - Duran Duran - All She Wants Is (Eurohouse Mix) 08 - Erasure - Chains Of Love (Unfettered Mix) 09 - Book of Love - Tubular Bells / Pretty Boys and Pretty Girls (Regan's House Medley) 10 - New Order - Blue Monday '88 (12 Version) 11 - Information Society - Lay All Your Love On Me (Justin Strauss Remix)

La historia de las versiones extendidas se remonta a los 70s. En pleno furor “Disco” los DJs necesitaban versiones más largas para las pistas de baile, no las versiones de 3 minutos que sonaban en las radios. Así fue que las discográficas, ayudados generalmente por los propios DJs, comenzaron a publicar los singles de baile en formato de 12 pulgadas, con versiones extendidas. Durante los 80s esta moda continuó, no solo dentro de la música de baile. Prácticamente todos los singles publicados tenían su versión extendida en formato de 12 pulgadas. Se trataba de versiones de 7 u 8 minutos con intros, puentes y finales instrumentales más largos. En algunos casos se potenciaba el sonido de la batería o se agregaba alguna percusión o coro. No fue hasta finales de los 80s con la llegada del House cuando llegaron las remezclas tal como las conocemos hoy en día (modificando el BPM o directamente la melodía) llegando a crear una nueva canción. TRACKLIST: 01 - Okay - Okay! (Mixed Media Edit) 02 - The Style Council - The World Must Come Together (Album Version) 03 - Depeche Mode - Strangelove (Pain Mix) 04 - The Beloved - Sun Rising (Deeply Satisfying) 05 - Pet Shop Boys - It's Alright (10 inch Version) 06 - Red Flag - Russian Radio (Glasnost Club Mix) 07 - Duran Duran - All She Wants Is (Eurohouse Mix) 08 - Erasure - Chains Of Love (Unfettered Mix) 09 - Book of Love - Tubular Bells / Pretty Boys and Pretty Girls (Regan's House Medley) 10 - New Order - Blue Monday '88 (12 Version) 11 - Information Society - Lay All Your Love On Me (Justin Strauss Remix)

So this started as a boom bap kinda mix but then I blended some other stuff in and the parameters got widened. The BPM's float from 85-95 and the vibe goes from Lauryn Hill to classics reinterpreted, blended with demos of songs that became hits and songs that we've yet to get released. Its not turn up, but its not lay down either. Enjoy

*Infinity Fields 51 * Mixed By Blue Tone Boy

想吃麥當勞早餐，卻爬不起來？太晚睡了吼……今天起，養成早睡體質吧！麥當勞攜手政大睡眠實驗室，創新再現費玉清《晚安曲》以60-80 BPM的音樂節奏融合具催眠感的視覺讓你聽了真的好想說【晚安 早餐見】＞＞ https://fstry.pse.is/84l9f7 —— 以上為 KKBOX 與 Firstory Podcast 廣告 —— 免費追蹤，更新資訊不漏接： https://open.firstory.me/join/clh1qknlp0h0s01w286nq3i04 加入會員，支持節目： https://open.firstory.me/user/clh1qknlp0h0s01w286nq3i04 留言告訴我你對這一集的想法： https://open.firstory.me/user/clh1qknlp0h0s01w286nq3i04/comments 歡迎您用一杯咖啡支持我持續創作 : https://pay.soundon.fm/podcasts/a11a2120-4bc4-4fb2-813b-135bd96e5868 六個月的線上陪伴計畫報名表： （2025.07 第二階段開始） https://reurl.cc/7KzaRb 「布姐的交誼廳。陪你聊人生聊職場」Line 社群 https://reurl.cc/36NWEL(密碼：love) 內容重點整理 一、來賓介紹與背景來賓 寫寫文字，是日更創作者，也是 Podcast《寫寫跟你說》的主持人。他從臉書粉專開始創作，後來挑戰 日更，累積了兩年11個月的紀錄。期間經歷過長時間住院與低潮，透過 閱讀與寫作找回生活重心。二、低潮與轉折28、29歲時，身邊同齡人多半事業、生活都在發光，他卻因病不斷住院，陷入嚴重自卑。手遊與追劇帶來即時快樂，卻留不下價值，讓他覺得空虛。他決定回到閱讀，漸漸重新培養專注力與耐心，進而開始寫作。日更的開始源於 「想留下作品」與「被看見的渴望」，也帶來了自我肯定。三、堅持日更的心態剛開始因為沒人看見而痛苦，但也因此磨練了耐性，證明自己是真的喜歡創作。他甚至為了專心，直接把所有手遊刪掉。後來體悟：「急著被看見，反而容易迷失；慢慢經營，才能確定自己真的熱愛。」四、Podcast 的起心動念原本單純想練口才，因為在活動與聚會中覺得自己表達能力不足。先開過「寫寫聊聊」聚會，但覺得太慢，於是決定做 Podcast。從單口 → 訪談 → 單口＋訪談交錯，讓創作形式更靈活。透過 Podcast，他認識了更多不同領域的朋友，拓展了生活圈與人脈。五、收穫與成長突破自卑：雖然常常緊張焦慮，但實際行動證明自己能做到。自信建立：日更與錄音讓他確信「即便不完美，也能完成」。人脈擴展：從屏東的小圈子，透過創作連結到全台灣甚至更多夥伴。心態轉變：從渴望流量 → 變成單純享受創作與交流的過程。六、對聽眾的鼓勵「你是自己的第一個讀者／聽眾。」剛開始時，不要急著求完美，也不要害怕沒人看見，先鼓勵自己。在前期難熬的時候，要做自己最好的啦啦隊，因為能撐下去的動力只有來自自己。 來賓 寫寫文字 https://www.facebook.com/SampsonChao

“Maybe I never will change the whole world. But every day, I can change my world.” Those are the words of profession leader Lindsay Stevenson, CPA, CGMA. She's back on the JofA podcast, this time in person from her house in South Dakota. Stevenson discussed technology adoption, how her firm approaches remote work, and why keeping a journal at least for part of the year is important to her. Stevenson, chief transformation officer at the firm BPM, also addressed how she views fear as it relates to career moves — and how she thought about that differently in a 2019 conversation. What you'll learn from this episode: The reason her firm has geographical regions and a virtual region. Why unplugging is difficult but necessary for Stevenson. Why she likes an at-home vacation more than a big trip. Her approach to overcoming fear and how that approach has changed in the past six years. AI: its danger, its potential, and how she is using it. The gratitude-based journaling practice she recommends.

Play Pause DonateDownload var srp_player_params_68c02600f3f68 = {"title":"","store_title_text":"","albums":[],"hide_artwork":"true","sticky_player":"true","show_album_market":0,"show_track_market":"true","hide_timeline":0,"player_layout":"skin_boxed_tracklist","orderby":"date","order":"DESC","hide_album_title":"true","hide_album_subtitle":"true","hide_player_title":"true","hide_track_title":"true","show_publish_date":"false","show_skip_bt":"false","show_volume_bt":"false","show_speed_bt":"false","show_shuffle_bt":"false","use_play_label":"true","use_play_label_with_icon":"true","progressbar_inline":"true","spectro":"","hide_progressbar":"true","main_settings":"||"} var srp_player_params_args_68c02600f3f68 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-68c02600f3f68"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-68c02600f3f68"); } This episode has been updated: Bass was added to the Ozzy Osbourne tribute "Crazy Train" and the transition for TOMAZO - Turn On The Lights x Dont Stop The Music x The Blaze (Tomazo Mashup) was shortened.  One thing oddly missing from this year's summer soundtrack is the elusive “Song of the Summer.” Every year, there's usually one track—whether pop, hip hop, dance, or even a left-field sleeper—that dominates airwaves and burrows into our brains. This summer? Not so much. Last year, Sabrina Carpenter's Espresso filled that role perfectly, becoming the go-to anthem from beach parties to TikTok reels. Her label clearly hoped Manchild would repeat the success, but while catchy, it never caught fire in quite the same way. Even with an impressive batch of bootleg remixes (some of them excellent), it didn't fit the overall mood of this mix and was subsequently dropped. How We're Consuming Dance Music in 2025 As I've mentioned before, people aren't just relying on traditional radio anymore. Music discovery is happening everywhere—Spotify, Apple Music, YouTube, TikTok, and countless other platforms. For the current generation, the club scene feels fractured, with most of the real momentum happening at massive EDM festivals. Having moved to the suburbs and living in a dry county, I'm admittedly far removed from it these days, but even from a distance it's clear the club culture isn't what it once was. Dance music itself isn't dead—it's just shifting in how people experience it. Diversity Defines Summer Heat One thing that stands out across our Summer Heat 2025 mixes is the sheer variety. Unlike years past when a couple of styles dominated, the sound is now wide open. That diversity raises the difficulty factor when building seamless sets. Take Afro House, for example. It had its hot minute, but it's better suited for chill sets than high-energy dance floors. Transitioning from 120 BPM to 128 BPM can feel clunky without chopping tracks, and we've never been about jarring cuts just to get from one song to the next. Party Favorz is all about creating a musical journey, where each transition feels intentional. We may not hit perfection every time, but we get pretty damn close. What You'll Hear in Volume 2 Volume 2 is packed with the latest summer dance songs, club anthems, and fresh remixes that define the season. Alongside those are perennial dance classics resurrected through mashups and bootlegs—the kind of surprises long-time listeners expect from this series. I do want to clear something up, though. The opener, Heartbreak Melody by Alan Walker and FAANGS, has been making waves on TikTok, with one viral video calling it an “80s classic.

"This set was recorded at dawn on a Sunday morning, closing out a long day of incredibly inspiring music. I hadn't gone to bed yet and was so locked into the sound that by the time I started playing, I was already deep in a trance. I took over from Formant Value & Simone Bauer's live set, picking up the momentum where they left off, then gradually brought the BPM down, leaning into psychedelic textures and trance-laced rhythms. Those two hours flew by - we were all locked in. It's a rare kind of magic to do what you love in a place like Refractor, where most artists stay for the whole weekend to immerse themselves in the community and support each other. Music has this way of creating deep connections, and you could feel that throughout the festival. We were part of something unique. And the crowd... what can I say. Even after a full day of dancing, they stayed with me through the entire set, joining me on the sonic journey I was crafting to carry us into the morning." Swiss-born, London-based artist TSUNIMAN has gracefully imprinted the London scene with their spellbinding selections from the underground, spanning raw trance, spacey techno, tribal rhythms, and progressive delights. TSUNIMAN's sound alchemy merges dark, hypnotic elements with ethereal vibrations, creating otherworldly soundscapes that captivate the senses. A resident at Klub Verboten and a regular at FOLD's UNFOLD party, TSUNIMAN has graced the decks at renowned institutions from Berghain's Säule to Macadam. Tune in now for a deeply cerebral trip of TSUNIMAN's masterfully executed hypnotic alchemy - recorded live at Refractor 2025. Follow: TSUNIMAN https://soundcloud.com/tsunimanmusic https://www.instagram.com/tsun_iman/ Refractor https://soundcloud.com/organic-signs https://www.instagram.com/refractor.festival/

'Magnetic Shadows' is for anyone who's ever felt the pull toward something (or someone) they know could destroy them, yet they can't resist. It's about the intoxicating mix of danger and desire, the way a forbidden connection feels both thrilling and destructive. This song speaks to people who chase intense emotions, even when they come with consequences, because the fire of that attraction burns brighter than fear.

Ever wondered if you're pushing hard enough in your workouts- or maybe too hard? The answer might be hiding in your heart rate. In this episode, we're breaking down heart rate training zones and what they mean for cardio, HIIT, and strength training, especially for women in midlife.You'll learn:Why heart rate is more than just a number on your watchThe difference between training with % of max heart rate vs. Heart Rate Reserve (HRR)How to calculate your own HRR for personalized zonesWhat heart rate typically looks like in strength training (hint: it's not about staying in a zone!)Quick HRR Example:For a 45-year-old woman with a resting heart rate of 65:Max HR ≈ 220 – 45 = 175 BPMHRR = 175 – 65 = 110Zone 2 (60–70%) = (110 × 0.60) + 65 → 131 BPMup to (110 × 0.70) + 65 → 142 BPMSo instead of a wide guess (105–123 BPM), her true Zone 2 range is 131–142 BPM.Heart Rate Zones (% of Max HR):Zone 1 (50–60%): Easy effort, recovery walksZone 2 (60–70%): Brisk walk, steady cycling; best for fat metabolism & enduranceZone 3 (70–80%): Moderate cardio; jogging, dance fitnessZone 4 (80–90%): Hard effort; sprints, hill repeatsZone 5 (90–100%): All-out bursts; short HIIT intervalsBy the end of this episode, you'll know exactly how to use your heart rate as a tool- not a guess, so you can get the most out of every workout without burning out.

Welcome to a brand-new extended episode of Hard Sessions Unleashed mixed by Hon with some his current favourites from the last few months!  Tracklist: 1. DR. DRTY and Simon Leon - Remember (Extended Mix) 2. Charles D (USA), Space 92 - The Bouncer (Original Mix) 3. Eli Brown, Sarah De Warren, LUSU - Escape From Planet Monday (Extended Mix) 4. Space 92, Malena Narvay - Formula Loca (Original Mix) 5. Maddix, Space 92 - Rolling (Extended Mix) 6. Anyma, Argy, Son of Son - Voices In My Head (Space 92 EDIT) 7. DJ Panda - Acid Feeling (Original Mix) 8. Portex, Elixyr - Feel The Rush (Original Mix) 9. Ueberrest - All You Want (Original Mix) 10. The Rocketman - Papi (Extended Mix) 11. DBF - Freestyle Fanatic (Extended Mix) 12. U96, TONENATION, Sunlike Brothers - Club Bizarre (Club Mix) (Extended Mix) 13. Maddix, Lilly Palmer - Late At Night (Extended Mix) 14. The Rocketman - Una Hora Más (Extended Mix) 15. David Forbes - All My Friends Are Hot (Extended Mix)  16. Fenrick, Odymel, Fenrick, Odymel - Wack Mf (Osska Extended Edit 150 Bpm) 17. Marie Vaunt - That Acid (Extended Mix) 18. Gabry Ponte, Maddix - Hellfire (Extended Mix)  19. Storm, Nicolas Julian, AENJAY - Like This (Extended Mix) 20. Acid Asian - Space Colors (Original Mix)  21. FOVOS - We Like It (Hard) (Extended Mix) 22. Sam Laxton - Techno on My Mind (Extended Mix) 23. Activator, RK79 - K-Hole (Original Mix) 24. Sebrof, Oshy 303 - Auto ID (Extended Mix) 25. PSP - Someone Said Schranz? (Original Mix) 26. Alex Farell - American Nightmare (Original Mix) 27. BYØRN - 2 LOUD (Original Mix)  28. SHVDZ - The Game (Extended Mix)  29. Restricted - Tunnel Vision (Extended) 30. Warface, Nico Moreno - 2 Be High (Original Mix)  31. Rufus Du Sol - Innerbloom (Haaradak Hard Techno Edit)

We are hundreds of years into thinking about how we do work (insert your philosopher of choice here: Smith, Marx, Plato, etc.), but I get the impression that the most common style is “muddling through.”But why is that? Why has the concept of an Integrated Management System (IMS) not taken hold in many organizations? Is it too complicated? Too much effort? Not worth it?Even though I doubt that anyone will deny the benefits of an organized, integrated, and streamlined way of producing your product and value for your customers, it requires a certain amount of maturity to stand up an IMS.Vassiliki built her experience through numerous operational excellence projects that she has led or participated in. Her strongest competencies include identifying opportunities, specifying and managing customized optimization initiatives within large organizations, usually including specialized process analysis to raise BPM awareness, proposing digitization interventions, and applying change scenarios.She has invested in building her expertise in enterprise architecture methodologies and practices, facilitating process performance-based optimization, optimal systems & data strategy implementation, and compliance with GRC frameworks & practices.In this episode of the podcast, we talk about:Vassiliki's backgroundWhat is an Integrated Management System (IMS)?Benefits of an IMS for an organizationWho needs to be involved?IMS in the era of AIKey topics of an IMS exploredReal-world project examples (telco and banking)Success factors when implementing and operating an IMSVassiliki can be reached via LinkedIn here: https://www.linkedin.com/in/vassilikispentzou1/.Please reach out to us by either sending an email to hello@whatsyourbaseline.com or signing up for our newsletter and getting informed when we publish new episodes here: https://www.whatsyourbaseline.com/subscribe/.

Welcome to my latest Mix " Moody Essentials 83 " Mixed in the Deep Electronic - Deep Tech House - Deep Techno - Minimal - Acid Breaks - Progressive House Genres * A full Track List is below. * * Please note: All tracks in this Mix are from Promos I receive from Record Labels & Artists from across the globe! If you wish to have your track removed from this Mix, please message me and I will remove your track from this Mix!* B

Episode 008 of Far East Taste weaves through house and techno with an uplifting touch, moving from soulful piano grooves and disco-tinged edits into deeper melodic layers that balance warmth with forward-driving energy. The journey opens with Alessandro Pierozzi & AKIAL's “Pandem” and U-Jeen & Spectorsonic's vibrant “Madan,” flowing into atmospheric cuts like Eynka's “Narayan” and Roberto Ceratti & JP Graziano's “INNER PIANO.” Standout selections from Duke Dumont, Butch, and The Chemical Brothers are paired with two exclusive originals, “Not The Same” and “Maybe Tonight,” adding a melodic pop edge to the mix. As the energy builds, Latin tech and driving tech house cuts steer the set into peak-time territory, before a bold finale — VIVID & Sesco's “Hey DJ!” at 150 BPM — nods to Tokyo's cutting-edge mainstage techno scene. Recorded in Tokyo, Far East Taste blends underground sensibilities with dancefloor-ready accessibility, delivering a global sound that leaves no energy untapped. ⚡️Like the Show? Click the [Repost] ↻ button so more people can hear it!

Patients with a narrow complex tachycardia with a rate over 150 BPM are in SVT.Unstable patients in SVT, or V-Tach with a pulse, should be cardioverted with a synchronized shock. Assessment & treatment of stable tachycardic patients.Commonly used vagal techniques.A less common technique to stimulate the vagus nerve. Indications and use of Adenosine for stable patients in SVT refractory to vagal maneuvers.Possible treatments for patients found to be in A-Fib or A-Flutter with RVR after administration of Adenosine.Carotid sinus massage.Additional medical podcasts that have episodes on tachycardia can be found on the pod resources page at passacls.com. **American Cancer Society (ACS) Fundraiser This is the seventh year that I'm participating in Men Wear Pink to increase breast cancer awareness and raise money for the American Cancer Society's life-saving mission.I hope you'll consider contributing.Every donation makes a difference in the fight against breast cancer! Paul Taylor's ACS Fundraiser Page: http://main.acsevents.org/goto/paultaylorTHANK YOU for your support! Good luck with your ACLS class!Links: Buy Me a Coffee at https://buymeacoffee.com/paultaylor Free Prescription Discount Card - Get your free drug discount card to save money on prescription medications for you and your pets: https://safemeds.vip/savePass ACLS Web Site - Other ACLS-related resources: https://passacls.com@Pass-ACLS-Podcast on LinkedIn

La historia de las versiones extendidas se remonta a los 70s. En pleno furor “Disco” los DJs necesitaban versiones más largas para las pistas de baile, no las versiones de 3 minutos que sonaban en las radios. Así fue que las discográficas, ayudados generalmente por los propios DJs, comenzaron a publicar los singles de baile en formato de 12 pulgadas, con versiones extendidas. Durante los 80s esta moda continuó, no solo dentro de la música de baile. Prácticamente todos los singles publicados tenían su versión extendida en formato de 12 pulgadas. Se trataba de versiones de 7 u 8 minutos con intros, puentes y finales instrumentales más largos. En algunos casos se potenciaba el sonido de la batería o se agregaba alguna percusión o coro. No fue hasta finales de los 80s con la llegada del House cuando llegaron las remezclas tal como las conocemos hoy en día (modificando el BPM o directamente la melodía) llegando a crear una nueva canción. TRACKLIST: 01 - The Beloved - Time After Time (Ross + Demelza) 02 - Propaganda - Heaven Give Me Words (Honey In Heaven) 03 - Camouflage - Heaven (Club Too Mix) 04 - The KLF ft. Tammy Wynette - Justified And Ancient (Stand By The JAMs 12" Version) 05 - Orchestral Manoeuvres In The Dark - Pandora's Box (It's A Long, Long Way) (Steve Anderson 12'') 06 - Pet Shop Boys - So Hard (9' Edit) 07 - Depeche Mode - World In My Eyes (Mode To Joy) 08 - Anything Box - Living In Oblivion (The Living Mix) 09 - Opus III - It's a Fine Day (12'' version) 10 - The Shamen - Move Any Mountain (Land of Oz) 11 - Erasure - Love to Hate You (LFO Modulated Filter Mix) 12 - New Order - Regret (New Order Mix)

La historia de las versiones extendidas se remonta a los 70s. En pleno furor “Disco” los DJs necesitaban versiones más largas para las pistas de baile, no las versiones de 3 minutos que sonaban en las radios. Así fue que las discográficas, ayudados generalmente por los propios DJs, comenzaron a publicar los singles de baile en formato de 12 pulgadas, con versiones extendidas. Durante los 80s esta moda continuó, no solo dentro de la música de baile. Prácticamente todos los singles publicados tenían su versión extendida en formato de 12 pulgadas. Se trataba de versiones de 7 u 8 minutos con intros, puentes y finales instrumentales más largos. En algunos casos se potenciaba el sonido de la batería o se agregaba alguna percusión o coro. No fue hasta finales de los 80s con la llegada del House cuando llegaron las remezclas tal como las conocemos hoy en día (modificando el BPM o directamente la melodía) llegando a crear una nueva canción. TRACKLIST: 01 - The Beloved - Time After Time (Ross + Demelza) 02 - Propaganda - Heaven Give Me Words (Honey In Heaven) 03 - Camouflage - Heaven (Club Too Mix) 04 - The KLF ft. Tammy Wynette - Justified And Ancient (Stand By The JAMs 12" Version) 05 - Orchestral Manoeuvres In The Dark - Pandora's Box (It's A Long, Long Way) (Steve Anderson 12'') 06 - Pet Shop Boys - So Hard (9' Edit) 07 - Depeche Mode - World In My Eyes (Mode To Joy) 08 - Anything Box - Living In Oblivion (The Living Mix) 09 - Opus III - It's a Fine Day (12'' version) 10 - The Shamen - Move Any Mountain (Land of Oz) 11 - Erasure - Love to Hate You (LFO Modulated Filter Mix) 12 - New Order - Regret (New Order Mix)

Andrew Weatherall's first official posthumous mix. The only B2B DJ Harvey ever agreed to. Six hours at Trouw. The rarest of rare for RA.1000: this one's special. When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon? All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete. The fourth-longest mix in the RA Podcast's history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. (2012, incidentally, is farther away from 2025 than 2012 was from 2000; if we have to clock it, so do you.) It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall. The night took place at Trouw, an Amsterdam club that was already legendary before closing its doors in 2015, as part of RA VS, a party anchored around start-to-close combinations. Harvey was at the peak of an immense second act, which dovetailed with a parallel disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. Although a serial collaborator in the studio, he didn't actually play too many b2b sets either, preferring to sail the open seas by his own navigation. We're grateful that all relevant parties in both camps gave their blessing for us to let this loose and show what happened when their worlds collided. What follows is 385 minutes of arpeggiated chug and slow-cresting climaxes, chronicling a moment when the resting heart rate of dance floors plunged lower than potentially any comparable point in the 21st century. If you've got time to spare, a fun side game is sussing out who plays what. Take the goosebumps-inducing slide into a disco-dub cover of Echo & the Bunnymen's "The Killing Moon"? Smart money's on Weatherall. Exuberant EQ'ing of the comically overripe bass on The Isley Brothers' "Live It Up, Pts. 1 & 2"? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. The pair putter around the 100 BPM range for so long that nudging up to 127 by the double encore feels practically like flooring it down the highway. When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. We sought to render an accurate picture of DJ culture in 2025 for posterity, and get arms around some of the key storylines since we went 5 for RA.500. DJing and the mythology around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. It's a scarcely-recognisable scene. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. Yet a sense of accomplishment is bundled within that melancholy. Appreciation, too. 1000 episodes is great innings, and we're thankful for every contributor and facilitator who built this series, week by week, mix by mix. Where will DJ sets—or any of this—be in 2044? Hard to say; best not to overthink it. Instead, enjoy luxuriating in the company of two of the greatest to ever do it. @andrew-weatherall https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at 1000.ra.co

喜辰晨：“这些音乐没有共享同一个 BPM，从宁静的房间开始，去向自然、回忆、宇宙、梦，又回到宁静，这条动线不曾想象你所在的场景。”

Still on label take over month with Let Techno unite Records Mtrex is a seasoned techno producer and DJ whose roots go back 35 years—shaping raw, analog-driven sounds with the minimal tools of the era. After a long hiatus, he reignited his creative fire in 2021, now fully harnessing modern production tools to sculpt a hypnotic, high-energy signature sound. Known for his addictive grooves, underground spirit, and a playful twist of weirdness, Mtrex delivers DJ-friendly weapons that pulse around 140 BPM. But for this set, he dials it down to a steady 130—warming up for The Gathering, the upcoming Let Techno Unite showcase where he'll go B2B with his son: Maszlo. Maszlo is a rising force in purist techno. Active in the Dutch underground rave scene—including the more secretive, off-grid events in Amsterdam—he brings raw, hypnotic hard groove unfiltered energy to every performance. A student at the renowned Herman Brood Academy, he's set to enforce one of Amsterdam's leading collectives in cutting-edge electronic music. Stay tuned for that! And now—exclusive to Data Transmission Radio—their first-ever open B2B session. Father and son. Two generations. One shared love for Techno! Catch them live at The Gathering. Until then... plug in and surrender to the sound. ⚡️Like the Show? Click the [Repost] ↻ button so more people can hear it!

La historia de las versiones extendidas se remonta a los 70s. En pleno furor “Disco” los DJs necesitaban versiones más largas para las pistas de baile, no las versiones de 3 minutos que sonaban en las radios. Así fue que las discográficas, ayudados generalmente por los propios DJs, comenzaron a publicar los singles de baile en formato de 12 pulgadas, con versiones extendidas. Durante los 80s esta moda continuó, no solo dentro de la música de baile. Prácticamente todos los singles publicados tenían su versión extendida en formato de 12 pulgadas. Se trataba de versiones de 7 u 8 minutos con intros, puentes y finales instrumentales más largos. En algunos casos se potenciaba el sonido de la batería o se agregaba alguna percusión o coro. No fue hasta finales de los 80s con la llegada del House cuando llegaron las remezclas tal como las conocemos hoy en día (modificando el BPM o directamente la melodía) llegando a crear una nueva canción. TRACKLIST: 01 - Grace Jones - I've Seen That Face Before (Libertango) (12" Version) 02 - Flash And The Pan - Waiting For a Train (Disco Version) 03 - Talk Talk - It's My Life (US Mix) 04 - A Flock Of Seagulls - The More You Live The More You Love (Hache Extended Mix) 05 - Real Life - Send Me An Angel '89 (Dance Mix) 06 - Animotion - Obsession (12" Remix Version) 07 - Pet Shop Boys - West End Girls (Dance Mix) 08 - Duran Duran - Notorious (Extended Mix) 09 - INXS - Need You Tonight (Mendelsohn Extended Mix) 10 - Wang Chung - Dance Hall Days (Extended Version) 11 - Men Without Hats - The Safety Dance (Extended Club Mix) 12 - Sly Fox - Let's Go All The Way (Multi-Mix)

La historia de las versiones extendidas se remonta a los 70s. En pleno furor “Disco” los DJs necesitaban versiones más largas para las pistas de baile, no las versiones de 3 minutos que sonaban en las radios. Así fue que las discográficas, ayudados generalmente por los propios DJs, comenzaron a publicar los singles de baile en formato de 12 pulgadas, con versiones extendidas. Durante los 80s esta moda continuó, no solo dentro de la música de baile. Prácticamente todos los singles publicados tenían su versión extendida en formato de 12 pulgadas. Se trataba de versiones de 7 u 8 minutos con intros, puentes y finales instrumentales más largos. En algunos casos se potenciaba el sonido de la batería o se agregaba alguna percusión o coro. No fue hasta finales de los 80s con la llegada del House cuando llegaron las remezclas tal como las conocemos hoy en día (modificando el BPM o directamente la melodía) llegando a crear una nueva canción. TRACKLIST: 01 - Grace Jones - I've Seen That Face Before (Libertango) (12" Version) 02 - Flash And The Pan - Waiting For a Train (Disco Version) 03 - Talk Talk - It's My Life (US Mix) 04 - A Flock Of Seagulls - The More You Live The More You Love (Hache Extended Mix) 05 - Real Life - Send Me An Angel '89 (Dance Mix) 06 - Animotion - Obsession (12" Remix Version) 07 - Pet Shop Boys - West End Girls (Dance Mix) 08 - Duran Duran - Notorious (Extended Mix) 09 - INXS - Need You Tonight (Mendelsohn Extended Mix) 10 - Wang Chung - Dance Hall Days (Extended Version) 11 - Men Without Hats - The Safety Dance (Extended Club Mix) 12 - Sly Fox - Let's Go All The Way (Multi-Mix)

Azymuth - Last Summer In Rio (Featuring Jean Paul "Bluey" Maunick of Incognito)Adrian Quesada - Hoy Que Llueve (feat. Trish Toledo)Adrian Younge - A Música Na Minha FantasiaTanika Charles - Don't Like You AnymoreResavoir & Matt Gold - Memento44th Move - Second WaveTakuya Kuroda - Dead End Dance (Kaidi Tatham Remix)Jane Handcock - Same Ol' LoveDon Glori - Saturn's ReturnAndre 3000 - I Spend All Day Waiting For The NightAmi Taf Ra - How I Became a Madman (feat. Kamasi Washington)Clipse Ft. Tyler The Creator - P.O.V.Evidence - Nothing To See Here NxWorries - KeepHer (feat. Thundercat) Little Simz - LotusDeep Black Society - Much More Than ThisFred Everything - Broken Flute Thing (Unreleased)Jane Hancock - Stingy (Applejac's Unhooked Generation Remix)Theo Croker - We Still Wanna Dance (feat. D'LEAU) (Club Remix) Emma-Jean Thackray - What Is The PointEddie Palmieri  TributeEddie Palmieri - La Se Acabo la MalangaEddie Palmieri - AzucarFania All Stars - ConmigoEddie Palmieri & Cal Tjader - Ritmo UniEddie Palmieri - Lucumi MakumbaEddie Palmieri - Mi Mambo CongaEddie Palmieri - BilongoEddie Palmieri - Nunca Contigo (Rod-Uno's Diced Raw Edit)Eddie Palmieri - Mi Congo Te Llama (Remixed by Joaquin "Joe" Claussell)Rasmus Faber - Está LocaKindred The Family Soul - I Need You (Zo! & Tall Black Guy Remix) (127 BPM) 05_30_25Mark de Clive Lowe - Por La MananaWheeIUP - Safe in Your Arms feat. Abacus & Liv EastSio x Tesfa Williams - MedusaMndsgn - DUKESTEPMaison Blanche - Dance ForeverMadison McFerrin - Ain't It NiceYazmin Lacey - Ain't I Good For YouMocky - Wiggle RoomCARRTOONS - GREEN EYED (FEAT. PALE JAY)MF Robots - Hello SunshineOmar - Latin SalsaPuccio Roelens E La Sua Grande Orchestra TV - CaravanBacao Rhythm and Steel Band - NautilusSom Tres - Um Minuto

Unofficial Cervello Elettronico Remix - For Club Use Only - 130 BPM - bootleg recorded live at Squarewav studios

Will Rees – Ableton Live 12 Trance Template (138 BPM | Uplifting / High Energy) Buy here - https://payhip.com/b/SkP1Q This is a full uplifting trance template I've built in Ableton Live 12 Suite, using only stock plugins — no third-party VSTs. The track sits at 138 BPM and captures that high-energy, peak-time sound I'm known for — driving basslines, euphoric leads, tight percussion, and spacious atmospheres. It's fully arranged and mixed, with a complete mastering chain included so you can hear it at full power straight out of the box. I've made heavy use of Ableton's built-in synths like: Wavetable – for the main lead, pads, and textures Operator – for bass and supporting synth layers Analog, Sampler, and Drum Rack – all dialled in to give you that polished trance sound Mastering Chain (All Stock Plugins): EQ Eight – for shaping and cleaning the mix Glue Compressor – for tight dynamics Saturator – to add a bit of edge and colour Limiter – for loudness control Perfect for: Learning how to structure and arrange a full trance track Understanding how to mix and master using only stock tools Sparking new ideas or building your own track from a pro-level foundation While weekly releases of third-party plugins can be very useful, over my years of teaching, I've found that as we chase the next best thing, truly understanding how stock plugins work—and using them to their full potential—can be just as effective. This solid foundation becomes especially valuable when you later work with third-party plugins. Everything is labelled clearly, and I've kept the session clean so you can follow along easily. Whether you're just starting out or want to dive into how I work inside Ableton, this should give you loads of insight. Also, you'll also find the fully mastered WAV in the folder—feel free to include it in your sets! This project is intended for educational purposes only. Commercial release or distribution of this track is strictly prohibited. Unauthorized will result in legal action.

La historia de las versiones extendidas se remonta a los 70s. En pleno furor “Disco” los DJs necesitaban versiones más largas para las pistas de baile, no las versiones de 3 minutos que sonaban en las radios. Así fue que las discográficas, ayudados generalmente por los propios DJs, comenzaron a publicar los singles de baile en formato de 12 pulgadas, con versiones extendidas. Durante los 80s esta moda continuó, no solo dentro de la música de baile. Prácticamente todos los singles publicados tenían su versión extendida en formato de 12 pulgadas. Se trataba de versiones de 7 u 8 minutos con intros, puentes y finales instrumentales más largos. En algunos casos se potenciaba el sonido de la batería o se agregaba alguna percusión o coro. No fue hasta finales de los 80s con la llegada del House cuando llegaron las remezclas tal como las conocemos hoy en día (modificando el BPM o directamente la melodía) llegando a crear una nueva canción. TRACKLIST: 01 - Crowded House - Don't Dream It's Over (Extended Version) 02 - Cutting Crew - I've Been in Love Before (Extended) 03 - Mr. Mister - Broken Wings (Extended Version) 04 - The Woodentops - Give It Time (Adrian Sherwood Mix) 05 - The Lotus Eaters - It Hurts (There Must Be A Taste Of Murder In It) (Extended) 06 - Simple Minds - Alive And Kicking (12inch Remix) 07 - Paul Haig - Something Good (10inch Mix) 08 - Talk Talk - Such a Shame (Extended Mix) 09 - U2 - The Unforgettable Fire (Album Version) 10 - Echo & The Bunnymen - Bring On the Dancing Horses (Extended Mix) 11 - The Dream Academy - Life In A Northern Town (Extended Mix) 12 - The Stranglers - Always The Sun (Hot Mix)

La historia de las versiones extendidas se remonta a los 70s. En pleno furor “Disco” los DJs necesitaban versiones más largas para las pistas de baile, no las versiones de 3 minutos que sonaban en las radios. Así fue que las discográficas, ayudados generalmente por los propios DJs, comenzaron a publicar los singles de baile en formato de 12 pulgadas, con versiones extendidas. Durante los 80s esta moda continuó, no solo dentro de la música de baile. Prácticamente todos los singles publicados tenían su versión extendida en formato de 12 pulgadas. Se trataba de versiones de 7 u 8 minutos con intros, puentes y finales instrumentales más largos. En algunos casos se potenciaba el sonido de la batería o se agregaba alguna percusión o coro. No fue hasta finales de los 80s con la llegada del House cuando llegaron las remezclas tal como las conocemos hoy en día (modificando el BPM o directamente la melodía) llegando a crear una nueva canción. TRACKLIST: 01 - Crowded House - Don't Dream It's Over (Extended Version) 02 - Cutting Crew - I've Been in Love Before (Extended) 03 - Mr. Mister - Broken Wings (Extended Version) 04 - The Woodentops - Give It Time (Adrian Sherwood Mix) 05 - The Lotus Eaters - It Hurts (There Must Be A Taste Of Murder In It) (Extended) 06 - Simple Minds - Alive And Kicking (12inch Remix) 07 - Paul Haig - Something Good (10inch Mix) 08 - Talk Talk - Such a Shame (Extended Mix) 09 - U2 - The Unforgettable Fire (Album Version) 10 - Echo & The Bunnymen - Bring On the Dancing Horses (Extended Mix) 11 - The Dream Academy - Life In A Northern Town (Extended Mix) 12 - The Stranglers - Always The Sun (Hot Mix)

In this episode of The Brand Called You, Ian Gotts — engineer turned entrepreneur, author, and AI advocate from British Rail to founding Elements.cloud and integrating AI agents into org charts, Ian shares powerful insights on change leadership, storytelling, and redefining success in the age of intelligent automation.00:38- About Ian GottsIan Gotts is a founder & CEO of the Elements.cloud.He was co-founder and CEO of Nimbus Partners, a BPM software company for 15 years that was a Salesforce reference customer.

✨Step into a new era of Pop Queen energy with this electrifying 6 Hit Mechamix—where iconic Madonna tracks get a futuristic facelift. Designed for diehard fans and new-gen rebels alike, each remix fuses throwback ecstasy with a modern edge, turning classics into club-ready, cinematic thrill rides. Let's get to it. BPM = 120 TRACKS: All tracks remixed by Jet Boot Jack EXPRESS YOURSELFLIKE A PRAYERLIKE A VIRGINDEEPER & DEEPERVOGUEOPEN YOUR HEART For all your mechamix needs check out:THE OFFICIAL WEBSITE:http://mechanism.podomatic.com THE OFFICIAL PATREON PAGE:patreon.com/THEOFFICIALMECHANISMPODCAST OFFICIAL MERCH STORE:https://mechamixstore.dashery.com MORE TO EXPLORE:https://linktr.ee/mechanismpodcast 

✨ Moonwalk-ready mixes incoming! Michael Jackson's legendary tracks reborn through a shimmering NuDisco lens and mechamixed to perfection BPM = 118 – 126TRACKS:THE WAY YOU MAKE ME FEEL (jet boot jack remix)ROCK WITH YOU (jet boot jack remix)ANOTHER PART OF ME (jet boot jack remix)THRILLER (jet boot jack remix)OFF THE WALL (sgt slick's discotizer reconstruction mix)WANNA BE STARTIN' SOMETHIN' (jet boot jack remix) For all your mechamix needs check out:THE OFFICIAL WEBSITE:http://mechanism.podomatic.com THE OFFICIAL PATREON PAGE:patreon.com/THEOFFICIALMECHANISMPODCAST OFFICIAL MERCH STORE:https://mechamixstore.dashery.com MORE TO EXPLORE:https://linktr.ee/mechanismpodcast

It's my first ever ROLLING STONES mechamix so of course I'm giving you 3 of their best remixed for the dancefloor! BPM = 118 – 122GIMME SHELTER (jet boot jack remix)SYMPATHY FOR THE DEVIL (jet boot jack remix)MISS YOU (jet boot jack remix) For all your mechamix needs check out:THE OFFICIAL WEBSITE:http://mechanism.podomatic.com THE OFFICIAL PATREON PAGE:patreon.com/THEOFFICIALMECHANISMPODCAST OFFICIAL MERCH STORE:https://mechamixstore.dashery.com MORE TO EXPLORE:https://linktr.ee/mechanismpodcast 

History is made as Markus Schulz presents the first-ever Global DJ Broadcast World Tour recorded live from Vietnam - captured at the vibrant Ciné nightclub in Saigon. A landmark night for the series and the Vietnamese dance music scene, this set delivers an unforgettable journey across dark techno, melodic trance, and signature Down the Rabbit Hole energy.   Central to the night is the spotlight premiere of Monolith - Markus Schulz's powerful new collaboration with Frankyeffe, releasing this Friday. A 140 BPM fusion of techno intensity and trance emotion, Monolith is a peak-time highlight and centerpiece of the set.   An immersive, genre-blending experience direct from the dancefloor - this is a World Tour moment to remember.   Markus Schulz (Recorded Live from Ciné in Saigon, Vietnam - July 5 2025) 01. Kay D. Smith & Marc Tall - Hoipolloi (Ben Gold Remix) 02. Zhu - Faded (HNTR Edit) 03. Joy Orbinson - Flight FM (Danny Avila Remix) 04. Anyma, Argy & Son of Son - Voices in My Head 05. Markus Schulz - The New World (ID Remix) 06. Robert Nickson - Heliopause (ID Remix) 07. Mark Sixma, Orjan Nilsen, Push & nilsix vs. Layton Giordani, Sarah de Warren & Linney - Act of Urban Shakedown (Markus Schulz Down the Rabbit Hole Mashup) 08. Tiesto & Arkham Knights vs. Belocca - Traffic Metamorphis (Markus Schulz Down the Rabbit Hole Mashup) 09. Markus Schulz & Jochen Miller - Rotunda (Dave Neven Remix) 10. Cristoph - I Will Find You (Charles D Remix) 11. Mike EFEX - Monsters 12. ID - Superstring 13. Markus Schulz x Pavlo Vicci - Get You Higher 14. Markus Schulz x Frankyeffe - Monolith 15. Markus Schulz and Departure with Gabriel & Dresden - Without You Near (Fisherman Remix) 16. HNTR - Victory 17. Gabry Ponte & Jerome Isma-Ae vs. Stylo, Space Motion & Amethyst - Walk Aone, Sucker (Markus Schulz Down the Rabbit Hole Mashup) 18. JOA - Everyday 19. Ummet Ozcan - The Box (Markus Schulz Big Room Reconstruction) 20. Mark Dekoda vs. Bart Skils & Layton Giordani - Rave Harder Valentine (Markus Schulz Down the Rabbit Hole Mashup) 21. Markus Schulz - Remember This (Dream Sequence Remix) 22. BLR, Matt Sassari & Truetone - Submerge 23. ALAT - Theurgia Page 110 24. Massano - Fama Land 25. SMACK featuring Sarah de Warren - C'est la Vie 26. Push - Universal Nation (Daxson Remix) 27. Matt Fax - Axis 28. Mark Reeve & Joyhauser - Focus (Markus Schulz Down the Rabbit Hole Reconstruction) 29. Dirty Vegas - Days Go By (NOMADsignal Remix) 30. Sander van Doorn & Laura van Dam - My Mind (Instrumental Mix) 31. RÜFÜS DU SOL - On My Knees (Cassian Remix) 32. Pig&Dan - On a Train (KhoMha Edit) 33. Kaufmann - Have You Turned Off the Oven 34. Max Styler & Oscar L - Addiction  

We close out Pride Month with one of our favorite queer films from the past decade, 2017's BPM. From French director Robin Campillo, BPM follow a group of ACT UP activists during the height of the AIDS epidemic. With Campillo's emotional and intuitive style of observation, the film shows the labors of political organization in all the warts … Continue reading "348 – BPM"