Podcasts about BPM

This playlist is 63% vinyl friendly. Very poor. The Vertere DG-1 Dynamic Groove. One commentator queried whether ‘the design wandered in the direction of form over function‘, but this, the company’s entry level version, was voted in What Hi-Fi‘s updated 2025 ‘20 very best turntables of (the magazine’s) lifetime‘… but it had detractors elsewhere. My first thought was ‘sandwich’ and lo and behold the review mentions the plinth’s ‘three layers of acrylic reinforced with a steel chassis to give a rigid yet well-damped structure‘ with that middle layer, from a distance, reminding me of some marbled cheese. Near £2k for one standard version spotted on eBay and £3550 for a DG-1S updated model, with a bullet pointed spec to match. When you get up to these prices (and way, way beyond) manufacturers are duty bound to work overtime to justify their prices. NB: Apologies. A bit of a glitch in recording my parts for this show but they just about do the job. Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here. Lyric of Playlist 149 On another day and in another frame of mind it could have gone to Baby Rose but much aided by a gorgeous key change backdrop, the gold star sticker goes to Banderas! It’s hard to tell though if their ‘There is no rehearsal. No second chance. No false start. No better circumstances… ‘ words of wisdom would change much with the type of peeps in their video. 00.00 (Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info. 00.41 NEW ORDER – Doubts Even Here (Instrumental) (Cargo Demo) (2019 Remaster) – Movement, Definitive Edition Boxset – Warner Music – 2023 Doubts Even Hear? I should coco, and if you want ‘tentative’ in your music then this has it in shed loads. My guess is this maybe wasn’t Hooky’s first stab at the track in the band’s rehearsal room but you can nearly hear him finding his way into and over the ARP Quadra’s strings. 05.15 COCTEAU TWINS – Road River and Rail (Live) – Stream only – 2026 Live in 1991 but only very recently uploaded to the net, a mixing desk recording from The Warfield, in San Francisco and a rare treat to hear Liz this clear in a gig setting. At your leisure, search out the rest of the gig. There’s no visual from the above show, so here’s a barely rescued – but previously unseen/unpublished – photo of mine. Liz and Simon soundchecking at Newcastle’s Tiffany’s, 19.4.84. Photo credit / copyright: Dec Hickey 08.37 JOHN CALE – Thoughtless Kind (M:FANS) – M:FANS, 2LP – Double Six – 2016 A pedestrian, sledgehammer beat and a more forceful take on the lyrics than found in the ex-Velvet Underground man’s original. To my ears, they’re better suited here. 13.59 EMERSON, LAKE & PALMER – Take A Pebble * – Emerson, Lake & Palmer, LP – Island – 1970 I bought this album maybe four or five years after release and without doubt after having heard maybe just one of the three tracks on it I had taken to. I wouldn’t have been listening to any radio that might have played this album, so I’m guessing I borrowed it from a mate – very likely Phil Harris or Tom Locke (RIP). Greg Lake’s vocals were the thing for me back then and on my National Panasonic SG-1070L I’d have skipped Keith Emerson’s often lengthy rock-orchestral leaning keyboard workouts from all three… and likewise it’s a massive edit on the show for Take A Pebble. 17.33 BABY ROSE – Stop The Bleeding – Through And Through, LP – Secretly Canadian – 2023 If I thought the vibrato in Baby Rose’s vocal on the last 41 Rooms’ show entry (‘Go’) reminded me of Anonhi/Antony and the Johnsons then this does so with knobs on… as it maybe sounds even more of a song and arrangement the latter could have penned. 21.17 A RACE OF ANGELS – Golden – Broadcast No. 1, CD only – Luv Classics – 2005 It’s not often a CD gets a visual look in on 41 Rooms but the majority of Broadcast No. 1’s tracks have been or are on course for inclusion… and there was no vinyl. A 21st century left field folk soul beaut. Saluting Yeofi Andoh once again. 23.56 KRAFTWERK – Boing Boom Tschak * – Electric Cafe, LP – Kling Klang / EMI – 1986 The German maestros with some playful mid ’80s electro. Who else could it be? 27.01 BESIDE (with BERNARD FOWLER) – Odeon (Dance Mix) – 12″ – Celluloid – 1984 In 1984 the only place I’d have heard this was on John Peel’s radio shows – and he was partial to some electro. With the other side playlisted on 41 Rooms years ago, that would make this Afrika Bambaataa-produced 12″ a bargain to me these days, at less than the price of a pint on Discogs. Back in 1984, ordering it on import from Bedford’s HMV (as I did) its £5.29 price tag would seemingly have between five and ten pints plus worth! 32.37 MIDNIGHT STAR – Midas Touch (Vocal Extended Remix) – 12″ – Solar – 1986 With Electro roots, some breezy mid ’80s glitzy dance which has aged far better than – ‘Look away now’ (or don’t look at all) – the clothes and hair in the video. 38.42 ROZALLA – Born To Luv Ya – 12″ – Pulse-8 – 1990 At some point, when I do get to wade through the Record Mirror‘s I have from the the late ’80s/early ’90s I’d put a quiet fiver on the late James Hamilton having used ‘bubbling’ in a review of this particular mix of the tune. Par for the course lyrics but given some decent beats Rozalla has a voice that more than matches. 43.00 THOMAS LEER – Forgive and Forget – 1982, CD only – Klanggalerie – 2015 When I first happened on the 1982 CD recordings I thought Leer had re-found his youthful energy in the ‘now’. It’s in the title, Dec… so, a ‘series of tracks for unreleased album circa 1982‘ states the man himself. That would put them around the time of his Letter From America and Contradictions EPs but way before the ‘pop’ album, The Scale Of Ten. Forgive and Forget is though definitely a dry run for that album’s belter, Control Yourself. 47.23 MINT ROYALE – I Don’t Care – See You In The Morning, CD only – Faith & Hope Records Limited – 2005 Aagghh, it’s another CD… but needs must, as no vinyl surfaced and by this point Neil Claxton was flying solo as Mint Royale. 51.48 OSCAR FARRELL (feat SAMPHA) – Dream Therapy (George FitzGerald remix) – Download only – ? – 2026 The So Far South EP original rightly has many admirers but I’m more with this moodier take. Screenshot 55.22 NOSTALGIX – Mess With Me – Download only – Confession – 2019 Out of Vancouver, British Columbia, she seems through the years to have occasionally just digitally floated singular tracks out there. 58.32 SUICIDE – Ghost Rider – Self-titled, LP – Red Star Records – 1977 There’d be a bunch of my early ’80s mates who’d have gone for the album but it’s only this track that grabbed me. 01.01.01 CABARET VOLTAIRE – Nag Nag Nag (Live 2025 Single Edit) – Download only (for now) – Mute – 2026 ‘Updating’ and then capturing – just ‘right’ – this classic track’s first live outing in forty five or so years could have gone wrong but all involved nailed it, and seeing as I caught four of the Cabs’ six gigs last year there’s a good chance I was in on this actual recording. In fact, given the advances in sound technology Nag is likely sounding better in the room than it would have done live back in 1979-82… something I never witnessed. 01.05.10 THE SOUND – Heartland (Mike Read session, 1980) – The BBC Recordings – 2CD only – Renascent – 2004 If Adrian Borland and crew were pushing for a radio session in their early throws (who wasn’t) I’d have thought John Peel would have got in there first. The band did subsequently do a Peel session but here Mike Read edged it and the band were firing. 01.08.19 JOY DIVISION – Warsaw – An Ideal For Living, 7″ EP – Enigma – 1978 I never owned this original 7″ but somewhere around 1980-81 and through the back pages of the inkie press I bought the subsequent 12″ from an ‘MJ’ in Crewe who reckoned in an enclosed note he’d leant Steve Morris £60 to pay for the sleeves. When I sold the single years later I thought I’d kept the note… but if I did, it then went AWOL. 01.10.40 TURNSTILE – Dreaming – Never Enough, LP – Roadrunner – 2025 They’ve eased up here on their early hardcore leanings which might go some way to why this tune gets a thumbs up from me and those who take occasionally take a punt on an album because of the sleeve could still be in for a shock. 01.13.00 TV21 – Ideal Way Of Life – A Thin Red Line, LP – Deram – 1981 Other tracks on the album have already graced 41 Rooms as indeed they did back in Winkles in 1981-82. 01.15.27 THE TEARDROP EXPLODES – Went Crazy – Kilimanjaro, LP – Mercury – 1980 Julian in 1980. Sounding ‘quirky pop’ in 2026? 01.18.03 NATURAL SCIENTIST – See Through You – 7″ – Dental Records – 1982 Even though I bought their Terminal Velocity debut 12″ at the time, this their follow up somehow by-passed me for four decades 01.22.07 IRMA THOMAS – My Heart’s In Memphis – My Heart’s In Memphis – The Songs Of Dan Penn, CD only – Rounder Records – 2000 Criminally, only seven thousand plus peeps have ever viewed the fan video online of Irma on an outside stage, live in New Orleans from 2003 and I nearly went with its muffled sound here, as the more she gets in to the song the more she really lives it. 01.25.53 STEVIE WONDER – (I) Don’t Know Why (I Love You) – 7″ – Tamla Motown – 1968-9 For the UK release Motown couldn’t quite make up there mind on the title – but this stark outpouring and arrangement is still a killer, even though it was maybe trumped for radio play by the lusher, romantic appeal of the b-side, My Cherie Amour. 01.28.25 MT JONES – I Don’t Understand – Joy, LP – ? – 2026 New(ish) blue-eyed retro soul with as much effort on the visual. A fab single but I’ve got a feeling an album of his accentuated vocal might be too much for me. We’ll see. 01.31.49 WILLIE HUTCH – Hurt So Bad – Season For Love, LP – RCA – 1970 Before his switch to maybe his more spiritual Brother’s Gonna Work It Out home of Motown. 01.34.39 BANDERAS – This Is Your Life (PanoΣigma Edit) – Stream only – ? – 2019 Just the one album, squarely aimed at the mainstream, and some cerebral tunes from these two shaven-headed girls. I’m not sure how much the decent lyrics and sumptuous key change helped but this was their biggest UK hit. Even in the sometimes throwaway nature of ‘pop’ charts, quality will out. 01.39.36 DIANA BROWN & BARRIE K SHARPE – Eating Me Alive * – 12″ – FFRR – 1992 ‘Weaving together many different dance music sounds of the late sixties/early seventies, including such as vintage Jackson 5 and Norman Whitfield era Temptations, Timmy Thomas beats and Chicago Transit Authority guitar chords (“I’m a man, yes I am, and I love you so”), this brilliant intensely driving jiggly chugger has been promoed as a twinpack with 0-104.7-0bpm Undisputed Mix Part 1 & Part II, 0-104.7bpm Original Groundbeat, 0-105.25-0bpm Funky Funky Sugar Heavy Groundbeat Mix, 0-105.4bpm One Trip Too Many Mix, more recently influenced grooving 115.8-0bpm Groundbeat House Ensemble/Instrumental, hi-hat hustled 118.7bpm Undercover Dub Mix 1 and 118.6bpm Undercover Dub Mix 2, Dianamite!‘ – James Hamilton, Record Mirror (Music Week), 20.6.92 Any time I re-edit etc I really should remember the source of the original… and there’s a heavy 41 Rooms re-edit going on here. Whatever. James Hamilton’s ‘vintage Jackson 5’ reference is spot on and the bridges and chorus are so strong they make the verses sound absolutely tepid. Weird. 01.45.08 RHYTHIM IS RHYTHIM – Strings Of Life (‘Original Piano Mix’) – 12″ – Transmat – 1987 ‘So enduringly popular and still steadily selling that it could follow A Guy Called Gerald up the chart, Derrick ‘Mayday’ May’s synthetic strings stabbed and sawed techno pioneeringly jerky instrumental leaper is now out here in its frantic acidic 130/129 1/5-130-0bpm Exclusive Remix, more scrubbingly hustling organ accented 128 1/5-127 4/5-128-128 1/5bpm Flam-boy-ant Mix, and piano emphasising jerkier 122 1/5-122-121 2/5-121 1/5bpm Piano Mix, flipped by the washing machine ‘sizzled’ 129-129 1/3bpm ‘Kaos’ plus the ‘Magic Juan’ Atkins created jiggly wriggling Model 500 ‘Off To Battle’ in its 125 2/3-126 1/5bpm 2emix and 126 1/5-126 2/3bpm Original Version‘. – James Hamilton, Jocks, 3.89 ‘Based on a piano sequence by May’s friend Michael James. He dropped in for a visit at May’s house and sat down to play a piano ballad he had been working on called, “Lightning Strikes Twice”. This piece went into May’s sequencer and was kept there until May decided to listen to it all the way through. He found some portions which interested him, and he started to work with it. The song was originally at 80 BPM before May increased the tempo, chopped it up into loops, and added percussion and string samples’. Wikipedia The history of this stark track is interesting. I called this ‘near punk like, house / techno’ on the show, what with its crude/rough arrangement feeling like it nearly takes four minutes to settle… just in time for it to sound like it’s breaking down on the outro! And it’s become a classic! Enough to warrant a bunch of remixes and the mighty ‘live with orchestra’ version that follows. 01.52.18 RHYTHIM IS RHYTHIM – Strings Of Life (Live, Weather Festival, Paris, France) – Stream only – 2015 Derrick May, with Francesco Tristano (ex-Aufgang) loving it big time on extra keyboards, with the weight of the full Philharmonic Orchestra Lamoureux, under the direction of Dzijan Emin… and all beautifully captured by ‘producer, Amos Rozenberg and Paramax Films in 4K with 9 Cinema cameras by Samuel Petit for Arte TV‘… it says somewhere. Strings Of Life, indeed. Catch the video in the usual places. Show 150 will upload April 5. Dec x The post Post Punk Plus Podcast Playlist 149 – Original upload 1.3.26 appeared first on 41Rooms.

We fed a real two-hour cover band set list into ChatGPT… and it absolutely roasted it.Mike from  @PorkTornadoes and  @ConfusedBreakfast has been building this show for 15 years. We dumped the full thing — tempos, singers, closers, all of it — into a GPT thread trained on a year of our cover band philosophy.The verdict?“It's a playlist, not a show.”“You're programming like a musician, not a psychologist.”“Protect the dance floor at all costs.”And honestly… it wasn't wrong.This episode is for anyone who writes set lists, plays in multi-singer bands, or cares about how energy actually moves through a room. We get into emotional arcs, genre clustering, why fairness can kill momentum, and how to actually use AI as a creative tool instead of a gimmick.---### What we get into:* The closer debate: **Mr. Brightside** vs. **Lose Yourself*** Why “slow songs need runway”* BPM brick walls and mid-set energy crashes* Country clustering vs. demographic pinball* Engineering the perfect photo-op peak* The nuclear run and where your biggest weapons actually belong* Fairness vs. emotional inevitability in multi-singer bands* Using AI as a rut-buster (not a replacement for taste)There's also a brief mid-episode emergency when Adam's kid takes a headshot at recess. He's fine. Scalp wounds just bleed like Tarantino directed them.If you build set lists for a living — or even just obsess over them — this one might mess with your philosophy a little.Protect the dance floor.Sweetwater Affilate Link: https://sweetwater.sjv.io/xJE4rk BACTrack Affiliate Link: https://www.bactrack.com/coverbandconfidential  MaestroDMX (10% off discount link): https://maestrodmx.com/discount/DISCOUNT4CBC?redirect=%2Fproducts%2FmaestrodmxBlank Contracts & Riders: https://www.coverbandconfidential.com/store/performance-contractsBacking Track Resources: https://www.coverbandconfidential.com/store/backing-track-resourcesThank you so much for tuning in!  If you want to help be sure to like, subscribe and share with your friends!  Linktree: linktr.ee/adampatrickjohnson                linktr.ee/coverbandconfidentialFollow us on Instagram!@coverbandconfidential@adampatrickjohnson@danraymusicianIf you have any questions please email at:Coverbandconfidential@gmail.comConsider supporting us on Patreon! www.patreon.com/coverbandconfidentialOr buy us a cup of coffee!paypal.me/cbconfidentialAnd for more info check out www.coverbandconfidential.comGear Used in this Video (Affiliate):Sony ZV-E10 Mirrorless Camera: https://amzn.to/3DBqtOyElgato Prompter: https://amzn.to/3X3IAq8 Shure SM7B: https://amzn.to/4dDCJx0 Elgato Stream Deck XL: https://amzn.to/3gKjhqiMagic Arm Camera Friction Mount: https://amzn.to/3SK5yNk

⚡For this mix, it's a superb selection of 90's bangers given the nudisco treatment and mechamixed to sheer perfection! BPM = 114 – 131 TRACKS:(all tracks remixed by the iconic Pete Le Freq)·        BEATS INTERNATIONAL – Dub Be Good To Me·        MANTRONIX – Got To Have Your Love·        BJORK – Big Time Sensuality·        EVERYTHING BUT THE GIRL – Wrong·        GARBAGE – Stupid Girl·        BLACK BOX – Everybody Everybody·        N-JOI – Anthem·        JANET JACKSON – Together Again·        BLUR – Girls & Boys·        PULP – Disco 2000 For further mechamix adventures check out:THE OFFICIAL WEBSITE:http://mechanism.podomatic.com THE OFFICIAL PATREON PAGE:patreon.com/THEOFFICIALMECHANISMPODCAST OFFICIAL MERCH STORE:https://mechamixstore.dashery.com MORE TO EXPLORE:https://linktr.ee/mechanismpodcast 

23/2 Trump, dazi globali al 25%: chi vince e chi perde, le analisi delle case d'affati. L'interrogativo sui rimborsi, le opzioni legali del presidente. Bessent: Gettito dei dazi invariato per il 2026, abbiamo alternative legali. Greer (rappresentante al commercio): accordi bilaterali rimangono in vigore. Futures Usa in rosso, dollaro e petrolio in calo. Corrono oro e argento, Bitcoin sotto 65mila dollari. Europa: l'aumento medio dei dazi è dello 0,8%. Parlamento verso il congelamento della ratifica degli accordi commerciali. Lagarde a Cbs: “nuovi dazi rischiano di sconvolgere equilibrio commerciale precedente. Disruption per le imprese”. Commissione: “condizioni non consentono commercio equo, bilanciato per entrambi”. Tajani a Bruxelles per riunione ministri esteri, partecipa da lì a G7 commercio. Oggi vertice Task Force Farnesina con imprese a Roma. In Usa: focus su cybersecurity (dopo release Claude Code) e credito privato (Blue Owl). Mercoledì la trimestrale delle trimestrali: Nvidia. Lo stesso giorno anche Salesforce, domani Home Depot e Lowe's. In Asia Giappone e Cina chiusi per festività. Il Kospi rompe un nuovo record, corre l'Hang-Seng e la borsa indiana. Cina: valutiamo da vicino dazi alternativi. Trump dal 31 marzo al 2 aprile da Xi Jinping. Futures europei in rosso. Focus su trimestrali, giovedì Stellantis. Mps la lista da 30 nomi per il rinnovo del Cda. BPM oggi assemblea straordinaria per modifiche statuto. Enel, buyback da 1mld, oggi a Milano il Piano Strategico.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Silenced Soil begins with a fragile artefact: a recording of Claude Debussy's Sarabande, composed in 1894 and revised in 1901, then recorded on 11 April 1963 in Gillitts, KwaZulu-Natal, by ethnomusicologist Raymond Clausen. Its only documentation is a handwritten note on a reel-to-reel tape box: “at Gillitt's, copy of Debussy, Sarabande.” No pianist, no studio, no context. The archive offers little clarity. Sometimes it keeps its silence.Listening to this recording in 2025, I was confronted not only by sound, but by history. Why was Western art music recorded here, under whose authority, and for what purpose, during a period still shaped by colonial power? Before reshaping the music, I had to confront my own position as a descendant of European colonisers. This inherited legacy uncomfortable but necessary became central to the work, sharpening my awareness of cultural imposition, culture colonialism and ongoing calls for restitution.From this reckoning, Silenced Soil emerged. I treated Debussy's melody as a fractured map: splintered, dispersed, and reassembled through chance. This approach draws on John Cage's embrace of indeterminacy and my long-standing admiration for atonality in music. The soundscape is composed at 120 BPM (2 Hz), chosen to evoke both calm and alertness. A reflection of historical time moving slowly, yet demanding urgent re-examination. Within this framework, I wove voices and instruments from Zulu culture, women's singing sound fragments, mouth harps, clapping sticks, and rattles — alongside electronics, loops, found sounds, urban noise, and synthesised textures and the original recording of Sarabande. I actively intervened in this source material, editing the refrain of Sarabande into fragmentary notes and embedding them within the soundscape composition. These elements meet not as opposites but as interlocutors, forming a threshold where suppressed traditions and contemporary sound worlds converge.Unanswered questions remain: Who was the pianist? Who authorised the recording? What ethical framework governed it? These absences are integral to Silenced Soil. What is unheard can be as powerful as what is recorded. And the soil? It stands for the restless cosmos, for the sand forever in motion across our planet. What drifts, what scatters, what is buried will, in time, be made visible. My compositional process is guided by intuition and curiosity; notation and atonality serve as a compass rather than a rule, supported here by research into the subject itself. My aural journey began at six at the piano, expanded through Germany's 1990s DJ culture, deepened during my years as a contracted composer with BMG, and refined through studies in Sound & Visual Art at Middlesex University's Lansdowne Centre for Electronic Arts. Together, these experiences shape a practice that moves fluidly between structure and instinct, inquiry and an enduring love for soundscape creation.Piano being played reimagined by Linda Himbert.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

Tech News and Commentary Dave and Chris discuss the use of Ai technology to mask interview subjects and change voices in a documentary, the impact of music with high BPM on speeding, chatbots for military personnel, and more. “News Pick of the Week” with Ralph Bond What if an electric car, truck or bus could […]

18/2 La Bce smentisce le indiscrezioni dell'FT su possibile addio anticipato di Lagarde prima di ottobre 2027 (pre- elezioni francesi): “focalizzata sul suo mandato, non ha preso decisioni”. L'Asia ritrova slancio con il Tech. Nikkei e Topix in verde, Il Giappone avvierà una prima tranche di investimenti in Usa da 36 miliardi di dollari. Incontro Trump-Takaichi il 19 marzo. Export a Gennaio +17%, l'avvertimento del FMI sulle politiche fiscali. Wall Street prudente, oggi minute Fomc. Cosa preoccupa il mercato? La strategia “HALO” di Jpm. Anthropic lancia Claude Sonnet, nuovo LLM più potente e punta a investire 80mld nel cloud al 2027. Meta rafforza la partnership con Nvidia su GPUs, piattaforme e acceleratori AI. Berskshire Hathaway: Buffett nel 4Q ha scaricato Amazon e Apple, entra nel New York Times. Apple event il 4 marzo: tutto quello che dovete sapere. Petrolio stabile dopo colloqui Usa-Iran a Ginevra, oro, argento e Bitcoin in lieve recupero. Europa prudente, i settori su cui puntano i gestori. Focus su sterlina e BOE dopo dato sul lavoro, oggi inflazione. In cdm arriva il decreto energia. Oggi conti di Edison, BPM da Bce via libera modifiche statutarie.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Les pros du PAF ne sont pas seulement ceux qui s'époumonent quotidiennement chez un certain Pascal, c'est aussi le Bar Pro, une heure sur Tsugi Radio où nous convions des critiques musicaux, journalistes indépendants où issus de la presse nationale et culturelle, avec leurs oreilles affûtées, leurs avis informés, parfois un soupçon d'ironie mais toujours dans la bienveillance. Nous sommes le 17 février – déjà - il était grand temps de s'intéresser aux sorties marquantes de ce début d'année 2026. Ce sera leur première fois à tous les trois ce soir. J'ai le plaisir d'accueillir à ce micro, quelqu'un que vous pouvez lire régulièrement dans Tsugi, qui attaque le patriarcat et la masculinité toxique à coups de formules lapidaires, co-fondatrice de Probematik, un nouveau média queer pour dégager l'horizon, bonjour Apolline Bazin. Il travaille au Nouvel Obs et se présente comme un journaliste culture qui aime tout du shatta au death metal, bienvenue Julien Bouisset. Depuis son arrivée au service musique du journal Le Monde, il est revenu mettre du BPM dans les colonnes de cette vénérable institution, salut Romain Geoffroy. Au menu du Bar Pro, le dernier album de Sébastien Tellier, A$AP ROCKY, Dry Cleaning et Apparat. En dehors des grosses sorties, les participant.e.s ont ramené ausi des disques coups de cœurs : Sassy 009, Roberto Fonseca & Vincent Segal et Hemlocke Springs.

Kyocera, van oudsher bekend als printerfabrikant, helpt bedrijven juist om van papieren documenten naar digitale en elektronische workflows over te stappen. Dit lijkt tegenstrijdig, maar past juist goed bij het bedrijf en bij de ontwikkelingen in de markt. We spraken hierover met Umair Chaudhry, country manager van Kyocera Document Solutions Nederland.In dit gesprek met Coen en Sander bespreekt Chaudhry het verschil tussen digitale en elektronische documenten, de rol van assessments in procesoptimalisatie, en hoe bedrijven profiteren van verbeterde security, compliance en kostenbesparingen. Van bankafschriften tot facturen: elk bedrijfsproces kan geautomatiseerd worden, met minder menselijke fouten en meer inzicht in workflows.Belangrijkste inzichten:• Het verschil tussen papieren, digitale en elektronische documenten• Hoe assessments bedrijven helpen processen te optimaliseren• Security en compliance voordelen van elektronische workflows• Cloud versus on-premises document management oplossingen• Duurzaamheidsimpact van minder printen• De transformatie van hardware- naar softwarebedrijf• Praktische voorbeelden: van onboarding tot factuurverwerking• De rol van AI in documentverwerkingHoofdstukken:0:00 - Introductie0:19 - Kyocera en minder printen als toekomst1:57 - De filosofie achter Kyocera3:40 - Van papier naar digitaal naar elektronisch4:33 - Assessments voor procesoptimalisatie6:48 - Cloud en document management systemen10:11 - Security en compliance voordelen28:20 - Duurzaamheid en minder printen34:19 - De toekomst van printerbedrijven

'Numb Enough to Feel' is for anyone who isn't falling apart, but isn't really okay either. It's for people who feel emotionally numb going through the motions, smiling on cue, existing without fully feeling alive. For those who would rather feel pain than feel nothing at all, because at least pain proves the heart is still working. It speaks to the quiet exhaustion of surviving instead of living, and the loneliness of being “fine” when you're actually empty

I was featured on the legendary 4ZZZ Radio's Electric Crush to talk with Nam Shub (Phil) about the journey behind What's The BPM? — the dance music podcast exploring underground culture, producers, DJs and the stories behind the scene.We talk about:• Why I started the podcast• The state of underground electronic music in Australia• Rave culture past vs present• Brisbane's scene and community radio• The artists and conversations that matterMassive thanks to 4ZZZ and Nam Shub for the platform and the conversation.If you're into house music, techno, rave history, electronic music culture, DJ life, and independent music media — this one's for you.

Les Trois Sœurs à Trois est une totale revisite des Trois soeurs de Tchekhov, à la Maison Saint Gervais. Le spectacle est à voir du 12 au 22 février 2026. Le collectif BPM place l'histoire lors d'une émission radiophonique, avec de l'humour et plein de libertés. – Invité·es : Léa […] The post Revisite des Trois soeurs en toute liberté first appeared on Radio Vostok.

Les Trois Sœurs à Trois est une totale revisite des Trois soeurs de Tchekhov, à la Maison Saint Gervais. Le spectacle est à voir du 12 au 22 février 2026. Le collectif BPM place l'histoire lors d'une émission radiophonique, avec de l'humour et plein de libertés. – Invité·es : Léa […] The post Revisite des Trois soeurs en toute liberté first appeared on Radio Vostok.

In episode 133, Sudan Archives's Brittney Parks shares the story of her creative evolution, beginning with falling in love with violin when she was in fourth grade (thanks to a school visit by Canadian fiddle group Barrage), how playing in church led to learning songs from the MTV countdown to impress her friends, and eventually learning how to make beats and record her own songs using her iPad. She also talks about the influence of artists including Ibeyi, Santigold, Lykke Li and Corinne Bailey Rae, and how she began releasing her music (under the moniker Sudan Moon) more than a decade ago. And of course we also delve into the making of her excellent latest album, The BPM, and how "driveway beef" with her LA neighbors led her to finish the project with family in Detroit, where the city's rich history of pioneering dance music helped coalesce some of her sonic ideas for the LP. Sudan Archives is currently on tour in the U.S.; get tickets here.

Suddi Raval from UK duo Together joins What's The BPM? to break down the story behind Hardcore Uproar, UK rave culture, and how timeless underground dance music is made.If you've ever danced to Hardcore Uproar, this is the story you've never heard.In this episode, Suddi shares insights into the UK underground scene, the evolution of rave culture, his production process, and advice for upcoming electronic music producers and DJs.Topics covered:• The origin of Hardcore Uproar• UK rave scene history and culture• Together's impact on underground dance music• Music production workflow and creative process• Advice for new electronic music producersPlease Subscribe to our Youtube Channel here - https://www.youtube.com/@WHATSTHEBPMPlease Follow our Instagram Page here - https://www.instagram.com/whats_the_bpm/ Hardcore Uproar, Suddi Raval, Together UK, UK rave, underground dance music, electronic music podcast, dance music history, UK producers, rave culture, What's The BPM podcast#ElectronicMusic #DanceMusic #RaveMusic #TechnoPodcast #HouseMusicPodcast #UKDanceScene #MusicProductionPodcast #DJPodcast #ProducerPodcast #ClubCulture Hosted on Acast. See acast.com/privacy for more information.

Drum & Bass 87-88 BPM (174-176) The "Lost Tapes" feature previously unreleased mixes. Love you all! Instagram: @djrolemodel ❤❤❤ #djrolemodel The Lost Tapes - Episode 105

La historia de las versiones extendidas se remonta a los 70s. En pleno furor “Disco” los DJs necesitaban versiones más largas para las pistas de baile, no las versiones de 3 minutos que sonaban en las radios. Así fue que las discográficas, ayudados generalmente por los propios DJs, comenzaron a publicar los singles de baile en formato de 12 pulgadas, con versiones extendidas. Durante los 80s esta moda continuó, no solo dentro de la música de baile. Prácticamente todos los singles publicados tenían su versión extendida en formato de 12 pulgadas. Se trataba de versiones de 7 u 8 minutos con intros, puentes y finales instrumentales más largos. En algunos casos se potenciaba el sonido de la batería o se agregaba alguna percusión o coro. No fue hasta finales de los 80s con la llegada del House cuando llegaron las remezclas tal como las conocemos hoy en día (modificando el BPM o directamente la melodía) llegando a crear una nueva canción. TRACKLIST: 01 - The Verve - Bitter Sweet Symphony (Extended Version) 02 - Simple Minds - Hypnotised (Extended Remix) 03 - U2 - The Lounge Fly Mix 04 - Electronic - Get The Message (Extended Mix) 05 - Blur - There's No Other Way (Extended Version) 06 - David Bowie - Seven (Marius De Vries Mix) 07 - The Cure - Friday I'm In Love (Strangelove Mix) 08 - The Stone Roses - One Love (12' Version) 09 - Cornershop - Brimful Of Asha (Norman Cook Remix Single Version) 10 - Republica - Ready To Go (Ben Gross US Remix) 11 - The Chemical Brothers - Setting Sun (Full Length Version) 12 - Blondie - Atomic '98 (Xenomania mix)

La historia de las versiones extendidas se remonta a los 70s. En pleno furor “Disco” los DJs necesitaban versiones más largas para las pistas de baile, no las versiones de 3 minutos que sonaban en las radios. Así fue que las discográficas, ayudados generalmente por los propios DJs, comenzaron a publicar los singles de baile en formato de 12 pulgadas, con versiones extendidas. Durante los 80s esta moda continuó, no solo dentro de la música de baile. Prácticamente todos los singles publicados tenían su versión extendida en formato de 12 pulgadas. Se trataba de versiones de 7 u 8 minutos con intros, puentes y finales instrumentales más largos. En algunos casos se potenciaba el sonido de la batería o se agregaba alguna percusión o coro. No fue hasta finales de los 80s con la llegada del House cuando llegaron las remezclas tal como las conocemos hoy en día (modificando el BPM o directamente la melodía) llegando a crear una nueva canción. TRACKLIST: 01 - The Verve - Bitter Sweet Symphony (Extended Version) 02 - Simple Minds - Hypnotised (Extended Remix) 03 - U2 - The Lounge Fly Mix 04 - Electronic - Get The Message (Extended Mix) 05 - Blur - There's No Other Way (Extended Version) 06 - David Bowie - Seven (Marius De Vries Mix) 07 - The Cure - Friday I'm In Love (Strangelove Mix) 08 - The Stone Roses - One Love (12' Version) 09 - Cornershop - Brimful Of Asha (Norman Cook Remix Single Version) 10 - Republica - Ready To Go (Ben Gross US Remix) 11 - The Chemical Brothers - Setting Sun (Full Length Version) 12 - Blondie - Atomic '98 (Xenomania mix)

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! El teclista Tom Schuman, fundador de la banda Spyro Gyra, es el protagonista de este monográfico. Repasamos algunas de sus colaboraciones junto a grandes nombres de la música Smooth Jazz: Chuck Loeb, Jeff Kashiwa, Roberto Vally, Steve Oliver, Justin Young, BPM, Norman Brown y Jason Miles.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

Send Steve a Text MessageWant real progress instead of the same comfortable loops? We break down the simple shift that turns practice from maintenance to elevation, so your time actually maps to your goals. It's not about grinding more minutes; it's about choosing what to grow and building a plan that sticks.We dig into the core idea of intentional practice—defining the exact skill you're training, measuring something tangible like BPM or clean reps, and applying constraints that force better form. You'll hear why random YouTube rabbit holes stall progress, how to decide what to ignore, and the questions that filter out noise: does this solve a bottleneck, can I apply it this week, and does it fit the music I want to make? From timing and fretboard mapping to chord fluency and ear training, we show how to pick the two or three sub-skills that unlock your next level.Then we stack those choices into a lean, realistic routine. We outline short, focused blocks for technique, musical application, and theory that fit inside 30 to 60 minutes, plus a weekly review loop using recordings for honest feedback. We also talk about the power of coaching—surfacing blind spots, confirming form, and sequencing your path—so you stop guessing and start integrating. The goal is clarity, not complexity: fewer inputs, better reps, and consistent wins that compound.If you're ready to stop circling and start climbing, this one gives you the framework to make every session count. Subscribe for more practical guitar growth strategies, share this with a player who's stuck, and leave a review telling us the one skill you're committing to elevate this week. Links: Check out the GuitarZoom Academy:https://academy.guitarzoom.com/ Steve's Channel → https://www.youtube.com/user/stinemus... GuitarZoom Channel → https://www.youtube.com/user/guitarz0... Songs Channel → https://www.youtube.com/user/GuitarSo... .

━━━━━━━━━━━━━━━━━━━━━━ DESCRIPTION ━━━━━━━━━━━━━━━━━━━━━━ Solar Eclipse is the monthly progressive house DJ mix series by Bynomic, focused on deep, melodic, and immersive soundscapes. This mix blends hypnotic rhythms, immersive atmospheres, and emotional melodies. Perfect for late-night listening, long drives, or moments of deep focus, it invites you to lose yourself in a melancholic and reflective journey. Episode 230 – February 2026 | BPM: 122 | Duration: 83:33 minutes ━━━━━━━━━━━━━━━━━━━━━━ TRACKLIST ━━━━━━━━━━━━━━━━━━━━━━ 00:00:00 G 'N' P Tauro - Betta (Original Mix) [BC2] 00:07:21 Esh (SL) - Mars (Original Mix) [Another Life Music] 00:13:23 Juan GK - Anubis 105 (Original Mix) [AH Digital] 00:19:26 Juan GK - Trigonometry (Original Mix) [AH Digital] 00:25:11 Zeleon - Veltryn (Original Mix) [Kitchen Recordings] 00:31:05 NIQLA - Analog Dream (Original Mix) [AH Digital] 00:36:43 Victor Crain - Lonely Clarity (Original Mix) [AH Digital] 00:41:58 Borshulyak - The Flicker (Original Mix) [Balkan Connection] 00:48:15 Alisha, Kostya Outta & Greta Meier - Far Above (Original Mix) [Mango Alley] 00:54:37 Pablo German - Neptun (Original Mix) [3rd Avenue] 01:00:39 Auseeb & Rabiee Ahmad - Comet (VegaZ Remix) [COMET Records] 01:06:27 Vote For Pedro - Seer of Visions (Original Mix) [Another Life Music] 01:12:12 Pablo German - Nightfall (Original Mix) [3rd Avenue] 01:18:13 Max Wexem - Asterism (Original Mix) [Mango Alley] ━━━━━━━━━━━━━━━━━━━━━━ AVAILABLE ON ━━━━━━━━━━━━━━━━━━━━━━ ► Spotify: https://chk.me/7LYLRmE ► Apple Music: https://chk.me/BI5XfsF ► SoundCloud: https://soundcloud.com/bynomic ► Mixcloud: https://www.mixcloud.com/bynomic ► Hearthis: https://hearthis.at/bynomic/ ► Apple Podcast: https://chk.me/WalbPgl ► TM-Radio: https://chk.me/1gLaed0 ► Proton Radio: https://chk.me/Ja6oZpV ━━━━━━━━━━━━━━━━━━━━━━ FOLLOW & SUPPORT BYNOMIC ━━━━━━━━━━━━━━━━━━━━━━ ► Website: http://www.bynomic.com ► Instagram: https://www.instagram.com/bynomic ► Facebook: https://www.facebook.com/bynomic ► Telegram: https://t.me/bynomic_official ► X: https://www.x.com/bynomic ► Donation: https://paypal.me/bynomic ━━━━━━━━━━━━━━━━━━━━━━ COPYRIGHT NOTICE ━━━━━━━━━━━━━━━━━━━━━━ All music tracks used in this DJ mix are used with permission from the respective rights holders via Proton Distribution. All artists and labels included receive their royalties properly and transparently for every play of this video. ━━━━━━━━━━━━━━━━━━━━━━ HASHTAGS ━━━━━━━━━━━━━━━━━━━━━━ #progressivehouse #deepprogressivehouse #deephouse #melodichouse #melodictechno #progressivemusic #djmix #studiomix #podcast #radioshow #bynomic #solareclipse ━━━━━━━━━━━━━━━━━━━━━━

SONGS in this podcast episode: M1 NUN KOMM DER HEIDEN HEILAND, JS BACH, 1714, BWV 61 (5:21) M2 TOCCATA & FUGUE in C MAJOR M.2 ADAGIO, 1710-1717, BWV 564 (4:20). M3 TWO-PART INVENTION in F MAJOR, JS BACH, 1720-1723 (0:40). M4 TWO-PART INVENTION in B-FLAT MAJOR, JS BACH, 1720-1723 (1:30) M5 TWO-PART INVENTION in D MINOR, JS BACH, 1720-1723, (0:55). M6 PRELUDE & FUGUE No. 5 “Le Clavier Bien Tempere” D-Major, JS BACH, 1722, BWV 850 (3:06). M7 JESU, JOY OF MAN'S DESIRING, JS BACH, 1723, BWV 147 (2:56) M8 CHORALE PRELUDE “WACHET AUF”, JS BACH, 1731, BWV 140 (3:37) PROGRAM NOTES Johann Sebastian Bach was a German composer and organist from the late Baroque period. He was born in Eisenach, in what is now central Germany. Bach lived from 1685 to 1750, The Baroque period was a 150-year period in music, dating from 1600 to 1750. Baroque music is Western Classical Music that followed the Renaissance period. Baroque music features drama, ornamentation, major and minor tones, and was presented in new ways – – like the Opera, Concerto, and Sonata, Baroque composers included BACH, HANDEL, VIVALDI. M9 AIR ON A G-STRING, JS BACH, 1730, BWV 1068 (2:27). Bach probably used the CLAVICHORD to compose most of his music. The Clavichord is small, lightweight and would not disturb people. The clavichord was very temperamental, because it required tuning before each play, just like a violin or guitar.  The keyboard instruments of the day were referred to as a general category: the “KLAVIER”….these included HARPSICHORD, CLAVICHORD, ORGAN and PIANOFORTE. Bach's favorite KLAVIER instrument was the LAUTENWERK or LUTE HARPSICHORD with animal gut strings.  The writing of music was in support of GOD and KINGS. Over time, Baroque Music evolved into what is today known as the modern Orchestra. Bach was a prolific composer, writing hundreds of pieces for solo instruments, particularly the organ. He also wrote pieces for orchestra and choir. Bach is MOST known for writing two or more  melodies or voices against each other. Also called point against point, or, Counterpoint. Bit Bucket A BWV catalog number is a unique identifier for musical works composed by Johann Sebastian Bach, standing for Bach-Werke-Verzeichnis (Bach Works Catalogue).  Today I will present 9 compositions, dating from 1710 to 1731, during the time Bach was about age 25 to 45. M1 TOCCATA & FUGUE in C MAJOR M.2 ADAGIO, 1710-1717, BWV 564 (4:20) Our first piece — TOCATA & FUGUE in C MAJOR , the 2nd movement (ADAGIO). an ORGAN COMPOSITION.     It is taken from a 1959 album of BACH ORGAN WORKS   . The movement is called ADAGIO ….which indicates “At Ease”, or “Slow and Stately”. Tempo is only 66-76 BPM. like the resting heart rate for many people. Great liner notes. HERE IS AN  excerpt from the liner notes on that album – – QUOTE “OUR BACH” said the obituary notice, “was the greatest organ and clavier player that ever lived”. Though it may seem strange to us now, Bach's genius during his life was recognized only as a master of the organ—not as a composer. It was actually over a hundred years after his death that his works revealed him as a unique and mighty composer. His reputation as an organist brought many invitations to test new organs and advise on the construction of them.  UNQUOTE As with most of his organ works , there is no autograph or manuscript score from Bach, his organ work manuscript copies are lost.  This song has a CONCERTO style and rhythm.  We will hear the 2nd or ADAGIO movement. . It is all very calm and beautiful and pastoral and serene…until Bach pulls out all the stops in the last minute of this ADAGIO movement. He is really rocking the walls and windows of that church. Without any further adieu, here is TOCATA & FUGUE in C MAJOR , the 2nd movement (ADAGIO). PLAY M2 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M2 MUSICAL CREDIT: This Bach organ work  was recorded on the Luneburg Organ at St. Johanniskirche, in the town of Luneburg, in northern Germany, the organist is Professor Michael Schneider. This LP was produced and released on the SOMERSET label here in the US in 1959 The album title is BACH The Majesty of the Luneburger Organ. M2 NUN KOMM DER HEIDEN HEILAND, JS BACH, 1714, BWV 61 (5:21) Our next piece is the most famous church cantata written in 1714 for THE FIRST SUNDAY IN ADVENT. NUN KOMM DER HEIDEN HEILAND or in English “NOW COME, SAVIOR OF THE HEATHANS” A HEATHAN is a person with no religion, i.e., a PAGAN. In this chorale, Jesus is asked to …  come and save the pagans.  In 1714, Bach would have been 29 years of age. It turns out that this song goes back almost two centuries before BACH's time.  It's based on a LUTERAN CHORALE with words written by Martin Luther for the 1523 first Advent Sunday.  For centuries, this was the first hymn for the first Sunday of ADVENT.  What I will play next is an arrangement for as modern symphony orchestra (the Philadelphia Orchestra) and it is definitely JS BACH heard in those phrases. But it is a large orchestra – – Conducted by Leopold Stokowski.  This is an extremely restrained, demure, and understated interpretation of a Bach piece the most restrained I have ever heard. The recording you will hear next is performed by the Philadelphia Orchestra, with conductor   Leopold Stokowski. This recording is on a Vinyl LP titled THE SOUND OF GENIUS, produced by COLUMBIA MASTERWORKS, in 1960. It was one of many records that were shipped by mail to members of the Columbia Record Club. My parents were enthusiastic members. A new disc would arrive in the mail every month, such as this LP of classical music. Without further delay here is NOW COME, SAVIOR OF THE HEATHANS PLAY M1 SHOW PLUG – SHOW PLUG – DON'T TOUCH THAT DIAL ! ! That was…M1 NOW COME, SAVIOR OF THE HEATHANS” MUSICAL CREDIT: Arranger and Composer JS Bach, sometime between the years 1708-1717 Performance: Philadelphia Orchestra, conducted by Leopold Stokowski. Album: The Sound of Genius Limited Edition LP (1960) Members Only ! Label: Columbia Master Works BIT BUCKET This piece also is based on a song listed in the ZAHN Lutheran chorales catalog. ZAHN 1174 M3 TWO-PART INVENTION in F MAJOR, JS BACH, 1720-1723 (0:40) The next three pieces are called TWO PART INVENTIONS, composed by JS Bach around 1720   The inventions were composed for use in instruction of Bach's oldest son WILHELM FRIEDEMANN BACH who was 12 years old. Today, these inventions are introduced to music students in school grades 4-7. Learning the Two-Part Invention requires ROTE learning, practicing over and over until the two hands work completely independently of one another. The inventions teach, among other things, the use of COUNTERPOINT. Bach is MOST known for writing two melodies against each other. Also called point against point, or, Counterpoint. That is the feature of these inventions, in each one there are TWO PARTS, left and right hand parts. COUNTERPOINT is found mostly in Bach's FUGUES and in his INVENTIONS. Perhaps a brief demonstration is in order. Here is an excerpt from one of Bach's inventions. FIRST the right-hand part or first point – the melody SECOND the left-hand part or second point – the bass line LAST both parts played in counterpoint. In some of Bach works, the roles reverse, The left hand plays the first point – the melody And the right hand plays the second point – the bass line Could you do this by crossing hands on the keyboard – yes, but, the roles are reversed, so no cross-hand playing. I will now play  WENDY CARLOS's rendition of three BACH TWO-PART INVENTIONS from her 1969 recording titled “SWITCHED ON BACH” .. I will play all three, back-to-back. Each one is short – – average length ONE MINUTE EACH! PLAY M3 PLAY M4 PLAY M5 Credits: HOLD ON READING THE CREDITS UNTIL ALL THREE INVENTIONS ARE PLAYED M4 TWO-PART INVENTION in B-FLAT MAJOR, JS BACH, 1720-1723 (1:30) And now….. PLAY M4 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M4 MUSICAL CREDIT: HOLD ON READING THE CREDITS UNTIL ALL THREE INVENTIONS ARE PLAYED M5 TWO-PART INVENTION in D MINOR, JS BACH, 1720-1723, (0:55) PLAY M5 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M5 We heard three inventions – – Bach's 2-PART INVENTION in F MAJOR And the 2-PART INVENTION in B-FLAT MAJOR And the 2-PART INVENTION IN D MINOR Each invention is very different than the other. Not just a key change like the work title would suggest ! Bach stated that he wrote his inventions “to be models of composition” in other words, to enable the student to form ways of developing musical ideas and “acquire a strong taste of composition” Bach wrote the inventions, one for of the notes A to G and one for each minor and major key. Today these inventions are over 300 years old ! MUSICAL CREDIT: Composer JS Bach Estimated dates between 1720-1723 Performer – Wendy Carlos – early prototype Moog Synthesizer Arranger and Recording Engineer – Wendy Carlos on MOOG SYNTHESIZER in 1968. Record and label:  Switched-On Bach, Columbia/CBS BIT BUCKET M6 PRELUDE & FUGUE No. 5 “Le Clavier Bien Tempere” D-Major, JS BACH, 1722, BWV 850 (3:06) Next is Bach's “The Well-Tempered Clavier” written in 1722. He was 37. The title page to the Well-tempered Clavier song book reads : “The well-tempered Clavier, or Preludes and Fugues, through all the tones and semitones, both the [major] and [minor]. For the profit and use of the studious musical young…” Bach wrote these preludes and fugues in all keys in the chromatic scale … 12 major and 12 minor keys I have the version in D MAJOR. It's two sections – the prelude, and the fugue The Prelude is the introduction. LISTEN FOR the Stride Piano on the left hand !! It's a short 1:10. The Fugue is the second section. It's slower but with a more Bold left hand. Also short at 1:54. And now….PRELUDE & FUGUE No. 5 D-Major fromThe Well-Tempered Clavier PLAY M6 SHOW PLUG – DON'T TOUCH THAT DIAL !  That was…M6  PRELUDE & FUGUE No. 5 D-Major from The Well-Tempered Clavier MUSICAL CREDIT: Composer JS Bach and the autograph date is 1722 Pianist: Vasso Devetzi Label Festival Classique (1978) M7 JESU, JOY OF MAN'S DESIRING, JS BACH, 1723, BWV 147 (3:22) Our next song is Jesu, Joy of Man's Desiring This song was also composed by JS Bach in that same year of 1723 – – prolific at age 38. This was written for the Christian Feast of the Visitation- celebrated at the end of May in Western Christianity. The song is a Lutheran hymn. … a CANTATA and it has a CHORALE or chorus piece repeated twice within this cantata. There are many arrangements and versions because this song is one of Bach's most beautiful, well-known, and popular. The version we will hear next is arranged for SOLO PIANO. the pianist is Leon Fleisher. And Now, Here is Jesu, Joy of Man's Desiring – Bach       1723 PLAY M7 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M7  Jesu, Joy of Man's Desiring MUSICAL CREDIT: JS Bach composer 1723 Performance: Leon Fleisher – Pianist    (courtesy of EPIC records) Album  THE SOUND OF GENIUS VOLUME 3   Label Columbia, 1962   (3:22) M8 CHORALE PRELUDE “WACHET AUF”, JS BACH, 1731, BWV 140 (3:37) Here is another Chorale recording titled Chorale Prelude VACKET OFF “Wachet Auf”, which translates to SLEEPERS, WAKE! This hymn was transcribed from a Lutheran hymn written in 1599 by written by Phillippe Nicolai. This Cantata is truly a work from the middle ages. In 1731, Bach took this hymn and created a 7-movement cantata, we will hear the first movement or PRELUDE”.  This cantata is sung in church on the Trinity Sunday. Today this piece is very popular piece in general…it is POPULAR CLASSICAL MUSIC.    J.S. Bach wrote 46 of these cantatas for church, in all. ODD FACT  about this song… it was performed only once by Bach, in Leipzig that year. And now the FIRST MOVEMENT  from  VACKET OFF …the Prelude PLAY M8 SHOW PLUG – DON'T TOUCH THAT DIAL ! that was M4    The Chorale Prelude “Wachet Auf”, also known as SLEEPERS, WAKE! Song credits M4 Credits: Hymn by Phillippe Nicolai in 1599 Transcribed by JS Bach in 1731 Performance: Wendy Carlos – on an early prototype Moog Synthesizer Wendy Carlos arranger and recording engineer Album:  Switched-On Bach Label: Columbia/CBS, 1968 M9 AIR ON A G-STRING, JS BACH, 1730, BWV 1068 (2:27) Our next AND LAST piece is from the Switched-On Bach album and s titled AIR ON A G-STRING. This title comes from Johann Sebastian Bach's Orchestral Suite No. 3 in D major,  written almost 300 years ago.   So what is the meaning of the song title Air on a G-String? Well, Bach composed this as an orchestral suite in 1730. 141 years later, August Wilhelm arranged the second movement for SOLO VIOLIN and he did something unique. He transposed the song down from D so that the entire piece could be played on one string of the violin, the G-String, which is the lowest register on that instrument. Here is an example of what this sounds like on the Violin G-String, thjs example with piano accompaniment—pardon the scratchy sound, is from an old 78 RPM disc in 1935. Play example  – Jacques Dumont (Violin) Bach Air On The G String with Andre Collard (piano) We went from Bach's orchestral piece, to Wilhelm's transcription for solo violin, to Wendy Carlos modern interpretation with her MOOG Synthesizer. Now here is Wendy Carlos' arrangement of Air on a G String, from her debut album, SWITCHED-ON BACH, in 1968. PLAY M9 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M9  MUSICAL CREDIT: Composer JS Bach 1730 Performance Wendy Carlos on early prototype MOOG SYNTHESIZER Arranger and Recording Engineer: Wendy Carlos  Album:  Switched-On Bach Label: Columbia/CBS, 1968 END OF PROGRAM VV-031

Today's Song of the Day is “A BUG'S LIFE” from Sudan Archives' album THE BPM, out now.Sudan Archives will be performing at Fine Line on Saturday, February 7.

Pour ce deuxième rendez-vous de la semaine, Fred Musa reçoit Zed et ses invités : RK et BPM pour présenter son nouveau projet "Nephilim Pt.1"

Why does a perfectly steady heartbeat actually serve as a warning sign you should not ignore? If your heart is a drummer, why is a little bit of "bad timing" a good thing? How can your smartwatch tell you are stressed before you even feel it? Why does splashing cold water on your face trigger an ancient, "hidden" survival reflex? Why did Neil Armstrong's heart race to 150 BPM while his co-pilot stayed totally calm? ... we explain like I'm five Thank you to the r/explainlikeimfive community and in particular the following users whose questions and comments formed the basis of this discussion: iacuriousguy1968, quesoqueso, elderberry2, spooky_fellow, swolemedic, uptowntwerk, narwhalondrugs and alternative-sea-6238 To the ELI5 community that has supported us so far, thanks for all your feedback and comments. Join us on Twitter: https://www.twitter.com/eli5ThePodcast/ or send us an e-mail: ELI5ThePodcast@gmail.com

This playlist is 72% vinyl friendly. Not bad. The SL-1300G in 2025. Technics keeping it simple with the design, if not with the spec trying to convince punters they need one. ‘Coreless Direct Drive Motor Achieving Stable Rotation The use of a coreless direct-drive motor with no iron core eliminates uneven rotation of the turntable known as cogging. Also, the twin-rotor construction reduces the bearing load while maintaining high torque and reduces minute vibrations during rotation. Furthermore, the SL-1300G's motor was redesigned to eliminate subtle vibrations that could affect sound quality. To improve rigidity, the same reinforcement pattern as the Reference Class SL-1000R/SP-10R was used for the coil mounting base‘. Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here. NB: THIS PLAYLIST INCLUDES EXPLETIVES. Lyric of Playlist 148 For the reality… Courtesy of Crooked Man, Jarvis’ by a country mile, but… For the idyll…John Sebastian. 00.00 (Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info. 00.41 NEW ORDER – Turn – Waiting For The Sirens’ Call, 2LP – London – 2005 With Barney’s lilting, slightly forlorn vocal, a little gem nearly lost on one of the band’s least successful albums. 05.02 LITTLE NEMO – A Day Out Of Time – Past And Future, LP – Domestica – 2013 Though the track originally surfaced in 1987 on the 500 run, cassette-only format of the (debut) album. Even back then it could have been seen as yet another ‘sound’ out of Europe that seemed to echo the UK alternative/new wave scene of a few years earlier. 08.48 KIM GORDON – Not Today – Play Me, LP – Matador – 2026 Get past the intro – where it very momentarily sounds (to my ears anyway) like the batteries ran out – and Kim Gordon drifts nicely across the wash of sound. 12.03 THE COMSAT ANGELS – The Eye Dance – Sleep No More, LP – Polydor – 1981 Judging by a known set list for late Nov ’81 and the fact the band were then promoting the recently released, above album, this track was likely in the set list for my Bedford Corn Exchange gig promotion earlier that month. Big smiles when I hear them… though I’ve sadly never heard a tape of the Bedford night. 15.40 BUNNYDRUMS – Holy Moly – Holy Moly, LP – Fundamental – 1984 The short-lived, mid ’80s Philadelphian band with a quirky mix of ‘new wave’ vocal and a belting soul vocal bv in the backdrop of a low slung, punk country’ish workout. Maybe it’s the ‘yippee-ki-yay’ and pseudo peddle steel guitar? The band have been here before – and will be again. 21.30 COSTUME – Once I Loved (Original Mix) – Download only – 2021 Claudia Placanica’s slightly disconcerting delivery is always the thing for me! 23.54 THE IRONSIDES – The Web – Changing Light, LP – Colemine – 2023 Cinematically soundtracking the ’70s like a good’un! The Streets of San Francisco and its like… which is apt… as that’s where The Ironsides are from. 28.57 BABY ROSE – Go – Through and Through, LP – Secretly Canadian – 2023 My fave 21st century track of the show, Jasmine Rose Wilson (to her mum and dad) with a quivering indie soul vocal – on this tune anyway – that Anonhi/Antony and the Johnsons could have penned and rolled out, albeit with a slightly different sound, no doubt. And that really is the sleeve, honest. I could be wrong but I reckon it’s a photographer’s dud that someone subsequently had a weird liking for. I struggle to actually look at it! 31.56 THE DRIFTERS – Like Sister and Brother – 7″ – Bell – 1973 I had this single in the mid ’70s but with the years since maybe ‘softening’ the senses, this made-to-measure ballad (with lead vocalist, Bill Fredericks sounding more like Johnny Mathis than I’d have remembered) sounds better now than it did back then but in the world we now live in there will be few if any songs written like this again. I had to run the idea past one of my teenage years mates but I reckon that, along with Jimmy Ruffin’s What Becomes Of The Brokenhearted (and others, no doubt), this was a last-dance-of-the-night/grab-a-girl-type tune at Bedford Rugby Club’s Saturday night ‘discos’. I’m making this actually sound like the ’40s but it was the era and I was in my late teens… and until I find my membership card, this’ll have to do. ‘Swing to Boomerang’ indeed. I don’t think they came back. 34.52 EYELESS IN GAZA – Flight Of Swallows – Back From The Rains, LP – Cherry Red – 1986 The intro to my 1984 Rorschach Testing article below sums up my thinking on Flight back then – and though the track was being played live at the time it was a couple of years before it surfaced on the above album. EIG article, Rorschach Testing, 1984 39.22 JONI MITCHELL – Eastern Rain – Archives – Volume 1: The Early Years 1963-1967, 5CD – Rhino – 2020 Truly a legend, such is the quality of the lady’s songwriting this beaut – from a Folklore Radio broadcast, of March 19, 1967 – never even made it to an official album and though it was covered by others and turned up in Joni live appearances of the time it took until the above retrospective to be released officially. And she’ll be back here quicker than you might be expecting. 43.13 SÓLEY – I Will Find You (Live, at the KEX Hostel in Reykjavik: 30.10.13) – Stream only – 2013 With a whole different tone to Liam Neeson’s ‘I Will Find You’ :), a production from the classy KEXP and a song only found on Sóley’s 5 track, 10″ EP, Don’t Ever Listen. This take however is a far more endearing version. 45.54 NORMA TANEGA – Walkin’ My Cat Named Dog – 7″ – Stateside – 1966 Was Norma ‘indie’ before there was such a thing? Sadly, she died in 2019 but search out a short Youtube interview and snippets piece (and the comments that followed) from a decade or so earlier. It was meant to be included in a proposed documentary that never then got going. 48.06 THE ELECTRIC FLAG – Look Into My Eyes – A Long Time Comin’, CD only – Columbia – 2003 From a handful of tracks that possibly didn’t make the cut for the initial 1968 release of the Chicago soul rock band’s second album, this is one of two that were first added to the above reissue. 50.52 LOVIN’ SPOONFUL – Summer In The City – 7″ – Kama Sutra – 1966 Maybe the best known tune on the show, with a forceful sounding John Sebastian and his/their ‘city’ being New York and its Greenwich Village hub back then. 53.13 THE FORTUNES – Here It Comes Again – 7″ – Decca – 1965 Innocent ’60s ‘pop’ with a classy arrangement, and another the likes of which will never be made again… and certainly not by anybody aiming for the charts. 56.09 THE MINDBENDERS – Groovy Kind Of Love – 7″ – Fontana – 1965 Wayne Fontana at the helm (and co-written by a pre-Sager Carol Bayer, I’ve just noted) I think this might have subconsciously stuck with me enough in its chart days (I was 8), to then make it to my record collection in the early ’70s. It felt then like a great many happily got rid of their records (certainly singles) after just a few years coz every second hand record shop had loads of chart stuff from just the 5-10 years prior. I was too young to have been buying the height of ’60s ‘pop’ during its time but picking it up a decade later was dead easy. Bet this cost me 10p or thereabouts. 58.05 SPUDDHA – Ton – Unreleased demo – 2014 ‘Recorded in a single take with a pair of £100 analog groove boxes (Korg Volcas) and there's no multi tracking, effects or post processing. One of the boxes is a three voice paraphonic synth and the other is an analogue drum machine. ‘At the time I was interested in making big, immersive music with an organic quality with sparse loops and a minimal setup. There's a lot of live tweaking and you will notice that the limitations of the synth mean that 1) only 3 notes can sound simultaneously and 2) the voices interrupt each other. Also presets couldn't be saved… if I didn't record what I was doing I couldn't move onto making something else without losing it all‘. – Spuddha. ‘Spud’ to me. 01.04.46 LONELADY – Hinterland – Hinterland, LP – Warp – 2015 Julie Lonelady groovin’ a tune and lyric that should have been here before now. c/w Julie ‘helping out’… 01.09.32 JONI MITCHELL – River (acapella) 01.13.30 ATRIC & FRIDA DARKO – Hide & Seek – Download only – 2023 ‘Always trying to combine genre fluid compositions, qualitative mixing and to take the whole process with a good sense of humor‘. – Them, via Bandcamp 01.17.26 A CERTAIN RATIO – Knife Slits Water (Peel session, June ’81) – Sextet, 2LP reissue – Factory Benelux – 2013 Yep, with Martha ‘Tilly’ Tilson’s oh-so-right vocal, the slightly epic Knife Slits Water. Very coincidentally, the day ACR recorded the above Peel session (according to the Keeping It Peel site) I saw them live supporting Cabaret Voltaire at Leicester Uni and the day the session was broadcast my diary says I had a long phone chat with Rob Gretton – no idea about what, other than re what New Order were up to at that point. 01.25.11 EARL16 – Changing World (Remix) – , LP – Merge Records – 2001 I caught this on a late night KISS FM radio show. His conscious sounds here taken up a few BPM. 01.30.05 COURTNEY BUCHANAN – R U Conscious (Album version) – 12″ – Conscious – 1993 And speaking of ‘conscious’… ‘Courtney has one of the most soulful, spiritual voices to come out of the UK. His music here combines jazzy acoustic sounds with delicate use of technology on a rhythmic, down-paced head nodder. I various mixes, the track’s ‘conscious’ lyrics and impressive vocals are a fine showcase for this British talent.‘ – Ralph Tee, Record Mirror (Music Week), 3.7.93 01.34.42 DELTA HOUSE OF FUNK – Lovers & Losers – 12″ EP – Go! Discs – 1996 Decided to playlist this before I remembered it was another of Ashley Beedle’s works. So, this is with a big nod to a top lad who’s been going through the health ringer in the last few years. 01.39.38 DRAX – Middle Earth – Drax Two, 12″EP – Trope – 1993 Clear vinyl gentle German techno. 01.44.51 CROOKED MAN – Cunts – Crooked Stile, 2LP – Viscous Charm – 2026 The reimagining here courtesy of Richard ‘Parrot’ Barratt. ‘Jarvis Cocker released Running The World in 2006The line ‘cunts are still running the world' is more relevant than ever… 20 years on and Crooked Man thought it needed to be said againHis razor-sharp reimagining is a call to arms with added electronic biteHe's skipped the niceties and titled it CUNTS.Out today on Vicious Charm today. The track is accompanied by an Agit-Prop video directed by British contemporary artist Dominic McGill, who, armed with a photocopier and a scalpel, has cut & pasted a perfect accompaniment to the song – breathless and furious. They are still running the world. It’s a work of “northern genius”, Jarvis’ words, not ours‘. – Bandcamp. 01.47.21 DESPERATE JOURNALIST – 7 – No Hero, LP – Fierce Panda – 2024 Driving indie rockers ever present on Simon Williams’ Fierce Panda label, with a nod to Jo Bevan’s confident vocals. 01.50.22 GANZHEIT – Motions – ‘Summer Of ’84’ demos cassette, unreleased – 1984 With a couple of this cassette’s tracks now playlisted on 41 Rooms, there are more to come from this lost Bedford-based band. Show 149 will be here March 1. Dec x The post Post Punk Plus Podcast Playlist 148 – Original upload 1.2.26 appeared first on 41Rooms.

Hello; let's kick your sub ! Cheers and much Love ! Playlist : 1FaktAlone In The Crowd (4:55) 174 BPMVandal; 2Amoss / RevanSnake Serve (3:44) 174 BPMFlexout Audio; 3GROUNDRegain (5:11) 174 BPMFlexout Audio; 4AzotixGlares (3:25) 174 BPMOverview Music; 5Degs / HoaxOutlaw (3:29) 174 BPMHospital; 6WaeysObjection (VIP) (3:24) 174 BPMOverview Music; 7Fre4kncTeratornis (4:46) 174 BPMVandal;  8Hoax & Purple Velvet CurtainsThe Samurai (3:51) 174 BPMHospital; 9SurveyChoke Point (6:09) 174 BPMFlexout Audio; 10FaktHotline (4:33) 174 BPMVandal.  minimal show on iTunes  minimal show rss feed    

Pour le mois de janvier, Ultranöuk invite, DJ RATZ, DJ, productrice, joue et produit une musique taillé pour le club avec des BPM qui grimpent, impossible de rester immobile ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

La historia de las versiones extendidas se remonta a los 70s. En pleno furor “Disco” los DJs necesitaban versiones más largas para las pistas de baile, no las versiones de 3 minutos que sonaban en las radios. Así fue que las discográficas, ayudados generalmente por los propios DJs, comenzaron a publicar los singles de baile en formato de 12 pulgadas, con versiones extendidas. Durante los 80s esta moda continuó, no solo dentro de la música de baile. Prácticamente todos los singles publicados tenían su versión extendida en formato de 12 pulgadas. Se trataba de versiones de 7 u 8 minutos con intros, puentes y finales instrumentales más largos. En algunos casos se potenciaba el sonido de la batería o se agregaba alguna percusión o coro. No fue hasta finales de los 80s con la llegada del House cuando llegaron las remezclas tal como las conocemos hoy en día (modificando el BPM o directamente la melodía) llegando a crear una nueva canción. TRACKLIST: 01 - Primal Scream - Loaded (Album Version) 02 - Candy Flip - Strawberry Fields Forever (DMC 12" UK Remix) 03 - The Soup Dragons - I'm Free (12" Mix) 04 - Happy Mondays - WFL (Think About The Future Paul Oakenfold Mix) 05 - World Of Twist - She's A Rainbow (12" Version) 06 - The Stone Roses - Fools Gold (Bottom Won Mix) 07 - The Farm - Groovy Train (12" Mix) 08 - The Charlatans - Polar Bear (12" Mix) 09 - Jesus Jones - International Bright Young Thing (Phil Harding 12" Mix) 10 - Inspiral Carpets - Caravan (No Windscreen Mix) 11 - James - Come Home (The Andy Weatherall Mix) 12 - Paris Angels - All On You (Perfume) (12" Version)

La historia de las versiones extendidas se remonta a los 70s. En pleno furor “Disco” los DJs necesitaban versiones más largas para las pistas de baile, no las versiones de 3 minutos que sonaban en las radios. Así fue que las discográficas, ayudados generalmente por los propios DJs, comenzaron a publicar los singles de baile en formato de 12 pulgadas, con versiones extendidas. Durante los 80s esta moda continuó, no solo dentro de la música de baile. Prácticamente todos los singles publicados tenían su versión extendida en formato de 12 pulgadas. Se trataba de versiones de 7 u 8 minutos con intros, puentes y finales instrumentales más largos. En algunos casos se potenciaba el sonido de la batería o se agregaba alguna percusión o coro. No fue hasta finales de los 80s con la llegada del House cuando llegaron las remezclas tal como las conocemos hoy en día (modificando el BPM o directamente la melodía) llegando a crear una nueva canción. TRACKLIST: 01 - Primal Scream - Loaded (Album Version) 02 - Candy Flip - Strawberry Fields Forever (DMC 12" UK Remix) 03 - The Soup Dragons - I'm Free (12" Mix) 04 - Happy Mondays - WFL (Think About The Future Paul Oakenfold Mix) 05 - World Of Twist - She's A Rainbow (12" Version) 06 - The Stone Roses - Fools Gold (Bottom Won Mix) 07 - The Farm - Groovy Train (12" Mix) 08 - The Charlatans - Polar Bear (12" Mix) 09 - Jesus Jones - International Bright Young Thing (Phil Harding 12" Mix) 10 - Inspiral Carpets - Caravan (No Windscreen Mix) 11 - James - Come Home (The Andy Weatherall Mix) 12 - Paris Angels - All On You (Perfume) (12" Version)

Songs wie "Hound Dog", "Darling Nikki" oder "WAP" haben Türen aufgestoßen für mehr sexuelle Selbstbestimmung, Queerness und Sexpositivity. Sie waren jedoch auch oft mit Tabubrüchen, Boykotten und Skandalen verbunden – erfolgreich waren sie trotzdem.**********Ihr hört in dieser "Eine Stunde Liebe":1:58 - Big Mama Thornton - Hound Dog5:36 - Elvis - Hound Dog7:59 - Aretha Franklin - Respect10:33 - David Bowie - Rebel Rebel12:52 - Donna Summer - Love to Love You Baby17:14 - Bronski Beat - Smalltown Boy19:02 - Prince - Darling Nikki22:42 - Madonna - Justify My Love25:04 - Christina Aguilera, Lil' Kim, Mya, P!nk - Lady Marmalade27:48 - t.A.T.u. - All The Things She Said30:53 - Lady Gaga - Born This Way34:03 - Cardi B & Megan Thee Stallion - WAP39:43 - Liebestagebuch**********Quellen aus der Folge:Arte-Doku: Jimmy Somerville - Smalltown Boy aus dem Jahr 2025Film "120 BPM" aus dem Jahr 2017**********Mehr zum Thema bei Deutschlandfunk Nova:Sex und Rap - Cardi B "stellt Macht- und Hierarchiefragen"Musik: Wunderheilmittel für Körper und GeistUmfrage zu sexy Musik: Musik fürs Schlafzimmer**********Den Artikel zum Stück findet ihr hier.**********Ihr könnt uns auch auf diesen Kanälen folgen: TikTok und Instagram .

On episode 100 of the VITAL HOOPS Podcast “The Last Word” Fernando expresses his final thoughts to officially close out season 1 of the podcast.340 MShttps://www.instagram.com/340mshiphopBESE SAKA Afro Vegan Festhttps://www.instagram.com/besesakafestPanafrican League UMOJA (LP-U)https://www.instagram.com/lpufrancehttps://lp-umoja.comL

Our second set from Breakfast of Champions comes chock full of breakbeats from our one and only Rumblemunk. In his words: The set starts with a cool and funky transition track with some well-known vocals to keep folks hooked. I admit: it's hard playing after shOOey. There are literally people hanging from the rafters and dancers all over the stage, and I try my best to keep them interested for as long as possible. The core of the set is an exploration of recent breakbeats that sound minimal, but really are an evolution of the 90s dub sound that traces directly from reggae to drum and bass. The 60-70 BPM of dub double-timed up to high 130s and low 140s BPM forces faster elements like hats and arpeggios to be simplified, but leaves space for really interesting layering when slowed down to 132 BPM. There's a run from 12:30 to 17:30 that exemplifies this layering and progression before dropping back into the more open foot-stompy breaks. I hadn't played it in a while, and was sort of missing the rapid-fire rapping of Eminem, so I dropped in Eminight's Doom, my bootleg of Eminem's Without Me and Timo Maas' Doom's Night. It wraps up a nice run of Plump DJs, Krafty Kuts, and Yo Speed. The final act of the set is a trip back through time to 2004 with deep cuts from Plump DJs, Evil Nine, and the Breakfastaz (name appropriate, no?). This all leads into the final track; a breakbeat remix of Megadeth's Peace Sells (But Who's Buying) from 1988. I was looking for something topical for the current times with space for live guitar, but wasn't finding any tracks that worked. The idea of remixing Megadeth has been on my mind for a while, and the similar BPM and angry lyrics (If there's a better way... I'll be the first in line... But it better work this time) meant I had to do this. The live guitar bit didn't pan out, but production time of 7 weeks from idea to master is a new record for me. Expect an official release with live guitar and club edits later in 2026. -Rumblemunk

⚡For the first time ever, I'm unleashing a full‑throttle Alanis Morissette Mechamix—packed to the brim with her fiercest, loudest, most iconic hits, all fused into one electrifying ride! BPM = 84 – 108 TRACKS:·        YOU LEARN·        IRONIC·        UNSENT·        THANK U·        HAND IN MY POCKET·        YOU OUGHTA KNOW·        UNDERNEATH For further mechamix adventures check out:THE OFFICIAL WEBSITE:http://mechanism.podomatic.com THE OFFICIAL PATREON PAGE:patreon.com/THEOFFICIALMECHANISMPODCAST OFFICIAL MERCH STORE:https://mechamixstore.dashery.com MORE TO EXPLORE:https://linktr.ee/mechanismpodcast 

Bob Moats and Mike Wiemuth check in from opposite sides of the country to discuss IU's impending national championship matchup with Miami, dissect the Hoosiers' recent basketball struggles, and explore what reasonable expectations look like for both programs right now.The Rose Bowl That Wasn'tBob and Mike open with the bittersweet realization that their long-planned Back Home Network meetup this weekend could have been in Miami for the national championship game instead of Bloomington for an Iowa basketball matchup. They discuss IU's status as an 8.5-point favorite over Miami, the narrative that IU "hasn't been tested" despite beating Ohio State, Oregon, and Alabama by a combined margin that would make Sherman's March to the Sea look gentle, and why Miami fans might want to check out Homefield Apparel's vintage Hurricanes collection before Monday's game.Basketball's Reality CheckThe conversation shifts to IU basketball's brutal week—blowing a 16-point lead to Nebraska and getting boat-raced by Michigan State at Breslin. Bob and Mike break down what's actually happening beyond the disappointing results:The roster gaps they identified in the preseason are showing up exactly as predicted—too many elite shooters, not enough drivers or rim protectionLamar Wilkerson is performing at a legitimate All-American level (near 10 BPM), but when defenses key on him and Tucker DeVries, IU struggles to generate offense elsewhereConerway is the only true penetrator, and when teams neutralize him, the offense becomes predictable and easy to defendAgainst physically superior teams like Michigan State, IU's passing windows close dramatically and their carefully designed actions don't create the same looks they get in practiceThe Roster Construction StoryMike explains the brutal timeline Darian DeVries faced building this roster—hired in mid-April right as the portal was opening, with top guards already off the board before IU even had a full staff assembled. They discuss how next year's portal cycle can address many of these gaps, and why this season's limitations don't predict future struggles.Scheme and PsychologyBob dives into the X's and O's, noting IU is getting nearly 20% of their possessions off cuts and off-ball screens—historically high for DeVries—because they have to manufacture offense without dominant drivers or post players. When defenses adjust and take away these actions, IU doesn't have a clear "what's next" option. The mental side matters too: watching players tunnel-vision toward Wilkerson late in games or run actions mechanically rather than reading the defense shows a team still figuring out who they are.Looking AheadThey close by previewing Saturday's Iowa game as a better measuring stick than the Michigan State beatdown, discussing upcoming video breakdowns of IU's offensive schemes, and teasing a deep dive into Curt Cignetti's historical context as potentially IU's greatest athletic department hire ever—regardless of Monday's outcome in Miami.This episode brought to you by the Back Home Network and Homefield Apparel.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

La historia de las versiones extendidas se remonta a los 70s. En pleno furor “Disco” los DJs necesitaban versiones más largas para las pistas de baile, no las versiones de 3 minutos que sonaban en las radios. Así fue que las discográficas, ayudados generalmente por los propios DJs, comenzaron a publicar los singles de baile en formato de 12 pulgadas, con versiones extendidas. Durante los 80s esta moda continuó, no solo dentro de la música de baile. Prácticamente todos los singles publicados tenían su versión extendida en formato de 12 pulgadas. Se trataba de versiones de 7 u 8 minutos con intros, puentes y finales instrumentales más largos. En algunos casos se potenciaba el sonido de la batería o se agregaba alguna percusión o coro. No fue hasta finales de los 80s con la llegada del House cuando llegaron las remezclas tal como las conocemos hoy en día (modificando el BPM o directamente la melodía) llegando a crear una nueva canción. TRACKLIST: 01 - Duran Duran - I Don't Want Your Love (Big Mix) 02 - Madonna - Express Yourself (Non-Stop Express Mix) 03 - George Michael - Monkey (Jam & Lewis remix) 04 - Malcolm McLaren and The Bootzilla Orchestra - Deep in Vogue (Banjie Realness) 05 - Ten City - That's The Way Love Is (Acieed Mix - Extended Version) 06 - Dead Or Alive - Baby Don't Say Goodbye (Extended Mix) 07 - Prince ft. Sheena Easton - U Got the Look (Long Look) 08 - Chaka Khan - I Feel For You (Remix) 09 - Inner City - Good Life (Magic Juan's Mix) 10 - Starlight - Numero Uno (Club Mix) 11 - Elton John - I Don't Wanna Go On With You Like That (The Shep Pettibone Mix)

La historia de las versiones extendidas se remonta a los 70s. En pleno furor “Disco” los DJs necesitaban versiones más largas para las pistas de baile, no las versiones de 3 minutos que sonaban en las radios. Así fue que las discográficas, ayudados generalmente por los propios DJs, comenzaron a publicar los singles de baile en formato de 12 pulgadas, con versiones extendidas. Durante los 80s esta moda continuó, no solo dentro de la música de baile. Prácticamente todos los singles publicados tenían su versión extendida en formato de 12 pulgadas. Se trataba de versiones de 7 u 8 minutos con intros, puentes y finales instrumentales más largos. En algunos casos se potenciaba el sonido de la batería o se agregaba alguna percusión o coro. No fue hasta finales de los 80s con la llegada del House cuando llegaron las remezclas tal como las conocemos hoy en día (modificando el BPM o directamente la melodía) llegando a crear una nueva canción. TRACKLIST: 01 - Duran Duran - I Don't Want Your Love (Big Mix) 02 - Madonna - Express Yourself (Non-Stop Express Mix) 03 - George Michael - Monkey (Jam & Lewis remix) 04 - Malcolm McLaren and The Bootzilla Orchestra - Deep in Vogue (Banjie Realness) 05 - Ten City - That's The Way Love Is (Acieed Mix - Extended Version) 06 - Dead Or Alive - Baby Don't Say Goodbye (Extended Mix) 07 - Prince ft. Sheena Easton - U Got the Look (Long Look) 08 - Chaka Khan - I Feel For You (Remix) 09 - Inner City - Good Life (Magic Juan's Mix) 10 - Starlight - Numero Uno (Club Mix) 11 - Elton John - I Don't Wanna Go On With You Like That (The Shep Pettibone Mix)

On episode 99 of the VITAL HOOPS Podcast Keyanna speaks about environmental racism, the ecocide, balancing being an organizer and a mother and more.Get your VITAL HOOPS x BPM merch now!https://www.blackpowermedia.org/product-page/vegan-hip-hop-oversized-heavyweight-hoodieBook Recommendations:“In Pursuit of Revolutionary Love: Precarity, Power, Communities” by Dr. Joy James“Black Liturgies: Prayers, Poems, and Meditations for Staying Human” by Cole Arthur Riley“All the Black Girls Are Activists: A Fourth Wave Womanist Pursuit of Dreams as Radical Resistance” by EbonyJanice Moore“Jesus and the Abolitionists: How Anarchist Christianity Empowers the People” by Terry StokesAny book by Wil GafneyKeyanna Jones MooreIG: @k.michelle_atlTikTok: @k.michelle_atlBluesky: @kjtherev.bsky.socialFacebook: Keyanna Jones Moore VITAL HOOPS:PayPal - https://www.paypal.me/fernandocardenasxb IG - https://www.instagram.com/vitalhoopspodcast/X - https://x.com/vitalhoopspod?s=21&t=85bjotFh3FNXUA1gF_Z7AAWeb - https://www.vitalhoops.netEmail - vitalhoopspodcast@gmail.comYouTube - https://youtube.com/playlist?list=PLgK7KurzJEEYVyyaCM-mVzosBvvbzTFKF&si=nhtVA5yDy-AKMtfVSpotify - https://open.spotify.com/show/4ESezb6SHaWuVLvT63iHjs?si=LtISLrO8S7Gqv2wfn4d22QApple Podcasts - https://podcasts.apple.com/fr/podcast/vital-hoops/id1615829205VITAL HOOPS is 4 THE KULTURE#vitalhoops #vitalhoopspodcast #blackpowermedia #keyannajonesmoore #environmentalracism

━━━━━━━━━━━━━━━━━━━━━━ DESCRIPTION ━━━━━━━━━━━━━━━━━━━━━━ Solar Eclipse is the monthly progressive house DJ mix series by Bynomic, focused on deep, melodic, and immersive soundscapes. This mix blends hypnotic rhythms, immersive atmospheres, and emotional melodies. Perfect for late-night listening, long drives, or moments of deep focus, it invites you to lose yourself in a melancholic and reflective journey. Episode 229 – January 2026 | BPM: 122 | Duration: 83:39 minutes ━━━━━━━━━━━━━━━━━━━━━━ TRACKLIST ━━━━━━━━━━━━━━━━━━━━━━ 00:00:00 unknown joys - Withdrawal (Cendryma Extended Remix) [PURRFECTION] 00:06:49 IVADRO - Distance (Original Mix) [BC2] 00:13:07 IVADRO - Photons (Original Mix) [BC2] 00:17:50 Gabbe (AR) - Dream (Original Mix) [Balkan Connection] 00:23:13 Zeleon - Pulser (Original Mix) [Kitchen Recordings] 00:29:46 ALPHA21 & JUNIOR (SL) - Breaking the Reality (Original Mix) [Kitchen Recordings] 00:36:20 Valentin Guallarte - Prelude (Original Mix) [Soundteller Records] 00:43:24 Felipe Garcia (UY) & Luciano Pelliza - Moments Of Return (Alan Cerra Remix) [Balkan Connection] 00:49:38 Justo Domingo - Victoria (Pedro Luu Remix) [Massive Harmony Records] 00:54:37 Tabrissel - The Master of Time and Thoughts (Original Mix) [COMET Recordings] 00:59:37 Samuel (LK) - Pulse (Nikola Jovanovic Remix) [Droid9] 01:05:14 Nikoow - Weird Things (Original Mix) [AH Digital] 01:11:16 Abity & Gabo Martin - Lying Clouds (George X Remix) [Mango Alley] 01:17:06 Carlos A - Rand (Original Mix) [Balkan Connection] ━━━━━━━━━━━━━━━━━━━━━━ AVAILABLE ON ━━━━━━━━━━━━━━━━━━━━━━ ► Spotify: https://chk.me/7LYLRmE ► Apple Music: https://chk.me/BI5XfsF ► SoundCloud: https://soundcloud.com/bynomic ► Mixcloud: https://www.mixcloud.com/bynomic ► Hearthis: https://hearthis.at/bynomic/ ► Apple Podcast: https://chk.me/WalbPgl ► TM-Radio: https://chk.me/1gLaed0 ► Proton Radio: https://chk.me/Ja6oZpV ━━━━━━━━━━━━━━━━━━━━━━ FOLLOW & SUPPORT BYNOMIC ━━━━━━━━━━━━━━━━━━━━━━ ► Website: http://www.bynomic.com ► Instagram: https://www.instagram.com/bynomic ► Facebook: https://www.facebook.com/bynomic ► Telegram: https://t.me/bynomic_official ► X: https://www.x.com/bynomic ► Donation: https://paypal.me/bynomic ━━━━━━━━━━━━━━━━━━━━━━ COPYRIGHT NOTICE ━━━━━━━━━━━━━━━━━━━━━━ All music tracks used in this DJ mix are used with permission from the respective rights holders via Proton Distribution. All artists and labels included receive their royalties properly and transparently for every play of this video. ━━━━━━━━━━━━━━━━━━━━━━ HASHTAGS ━━━━━━━━━━━━━━━━━━━━━━ #progressivehouse #deepprogressivehouse #deephouse #melodichouse #melodictechno #progressivemusic #djmix #studiomix #podcast #radioshow #bynomic #solareclipse ━━━━━━━━━━━━━━━━━━━━━━

Violinist and singer Sudan Archives, our guest this week, recently released her third full length album. BPM is a punchy, layered dance album filled with homages to Chicago house and Detroit Techno. We had a chance to talk with Sudan back in 2022 when she released her record Natural Brown Prom Queen. She spoke with us about the album, her concerts, and her favorite fellow fiddle players.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

A fast-changing set to celebrate the best of house & techno 2025 @130 BPM! Contact: angel.wings.dj@gmail.com Download or stream for free via: YouTube (@AngelWingsDJ) Itunes Facebook TuneIn Podcast Addict    

Hi all, wish you peace and fun in this crazy world.Much Love !Playlist :1DAVISelf CNTRL (8:13) 125 BPM8bit;  2Oliver Dollar, Ben Silver & BoogsCosmic Weapon (6:54) 125 BPMRekids;  3Robag WruhmeRatibor Numida (5:44) 126 BPMCocoon Recordings;  4ArutaniCircles (5:59) 126 BPMLaut & Luise;  5Lee Van DowskiDie Eisenbahn (original mix) (11:06) 127 BPMVoltage Musique;  6M.A.N.D.Y.Tonite (remaster) (6:52) 128 BPMGet Physical Music;  7Radio Slave feat Kameelah WaheedAll Rize (Boogie Vice & N-You-Up Olympico dub feat Kameelah Waheed) (6:33) 128 BPMRekids;  8DJ Koze & Marley WatersBrushcutter (4:31) 128 BPMPampa;  9Crusy feat David LeSalLose Control (extended mix) (5:17) 130 BPMToolroom;  10Avy AnovaI'm Back (5:13) 135 BPMKneaded Pains.  minimal show on iTunes  minimal show rss feed  

DJing is a craft. It reveals itself over time rather than all at once, and few embody that better than OK Williams. Active since 2019, the London DJ has built a reputation through steady accumulation rather than acceleration, becoming one of the city's most trusted and widely admired selectors in the process. Williams has never been interested in narrowing her taste into a single calling card, and it's no coincidence that her roots lie at NTS Radio. She learned to DJ at the Hackney station, starting out as a volunteer producer in 2017. Musically, she moves easily between moods—sometimes cheeky, sometimes deep—and tempos, playing everything from 160 BPM jungle and amapiano to baile funk, deep house and dub techno. For her RA Mix, Williams offers up her "purist" side. Despite her background in radio, Williams doesn't share mixes often and RA.1019 arrives as a relatively rare studio document. Recorded at home on vinyl, the 90-minute session mostly leans into '90s and early '00s techno and prog house. "Ten years ago I tried learning how to play [vinyl] on a friend's 1210s and gave up after a couple of weeks,"Williams tells us below. "Those same decks were then gifted to me years later and were used to record this mix. It's quite nice to see how far I've come." In returning to vinyl, and to the decks that once marked a rocky start, Williams' RA Mix arrives as a fitting marker for the year's end. As 2026 approaches and new resolutions begin to crowd the horizon, RA.1019 serves as a welcome reminder that the best things seldom arrive in a hurry. Find the tracklist and inteview at https://ra.co/podcast/1038 @okwilliams

In 2002, the National Institute of Child Health and Human Development (NICHD) proposed the 3-Tier fetal heart rate (FHR) classification system that was subsequently adopted by many organizations, categorizing tracings into three groups: Category I (normal), Category II (indeterminate), and Category III (abnormal). Recently, our podcast team received an interesting question form one of our podcast family members: “If there is a change in the fetal heart rate tracing intrapartum, but it is still in the normal range (like 120 going to 150)- and variability is normal, is that an abnormality? And what is meant by a ‘ZigZag' FHT pattern (different than marked variability)?”. That is a fantastically complex question…and we will explain the answer in this episode.1. Zullo F, Di Mascio D, Raghuraman N, Wagner S, Brunelli R, Giancotti A, Mendez-Figueroa H, Cahill AG, Gupta M, Berghella V, Blackwell SC, Chauhan SP. Three-tiered fetal heart rate interpretation system and adverse neonatal and maternal outcomes: a systematic review and meta-analysis. Am J Obstet Gynecol. 2023 Oct;229(4):377-387. doi: 10.1016/j.ajog.2023.04.008. Epub 2023 Apr 11. PMID: 37044237.2. Ghi T, Di Pasquo E, Dall'Asta A, et al. Intrapartum Fetal Heart Rate Between 150 and 160 BPM at or After 40 Weeks and Labor Outcome.Acta Obstetricia Et Gynecologica Scandinavica. 2021;100(3):548-554. doi:10.1111/aogs.14024.3. The 3 Tier System: chrome-extension://efaidnbmnnnibpcajpcglclefindmkaj/https://ncc-efm.org/filz/NICHD_Reference_from_CCPR.pdf4. Jia YJ, Ghi T, Pereira S, Gracia Perez-Bonfils A, Chandraharan E. Pathophysiological Interpretation of Fetal Heart Rate Tracings in Clinical Practice. American Journal of Obstetrics and Gynecology. 2023;228(6):622-644. doi:10.1016/j.ajog.2022.05.0235. Ghi T, Di Pasquo E, Dall'Asta A, et al. Intrapartum Fetal Heart Rate Between 150 and 160 BPM at or After 40 Weeks and Labor Outcome. Acta Obstetricia Et Gynecologica Scandinavica. 2021;100(3):548-554. doi:10.1111/aogs.14024.6. Yang M, Stout MJ, López JD, Colvin R, Macones GA, Cahill AG. Association of Fetal Heart Rate Baseline Change and Neonatal Outcomes. Am J Perinatol. 2017 Jul;34(9):879-886. doi: 10.1055/s-0037-1600911. Epub 2017 Mar 16. PMID: 28301895.

Thank God It's Friday meets Saturday Night's Main Event! The gang is on the ropes for John Cena's Final Match and they've decided to call his name, so now he's here...it's NXT fan favorite, Joe Hendry!!Joe reveals how a love for cartoons and playing in a rock band created a foundation to become the next big wrestling superstar (and maybe even the male Pod Meets World Champion).We learn about the science of finding the perfect BPM to get the audience on your side and what his WWE future may look like. And the gang celebrates the legacy of John Cena as he heads into retirement and how his advice to Joe before the Royal Rumble played a big part in his strategy moving forward.Plus…we may believe in Joe Hendry, but Will REALLY believes in aliens, right here on the main event of Pod Meets World.See omnystudio.com/listener for privacy information.