Podcasts about western hemispheric

In our sixth episode, host Maria Archibald speaks with Dr. Thomas Michael Swensen, assistant professor of Ethnic Studies at the University of Utah, about Indigenous belonging in Alaska and beyond.  Swensen's study focuses on Native American and Western Hemispheric history, law, art, and literature, and he has interest in punk and urban studies. Yes, punk.Born and raised in the Kodiak Archipelago and an original shareholder in the Alaska Native Claims Settlement corporations Koniag, Inc., and Leisnoi, Inc., Swensen is enrolled in the federally recognized Tangirnaq native village – a.k.a. the Woody Island tribe – and serves the Alutiiq on the board of directors of the Koniag education foundation. 

Welcome back to Season 2 of The Hawk's Call! In this season debut episode, Hawk Mountain President Sean Grace and Director of Conservation Science Dr. Laurie Goodrich discussed the importance of the migration routes that run from North America, funneling through Central America to several countries in South America. Hear about how Hawk Mountain is working to export the hawk count model and support researchers and count sites along these flyways. Visit www.hawkmountain.org to learn more about our science, education, and stewardship, or plan a visit! If you would like to sponsor a future podcast episode, please reach out to info@hawkmountain.org. Thank you for listening!

Hawk Mountain Sanctuary's podcast The Hawk's Call is back for another season! This season, titled Conserve the Corridor, will feature more discussions and interviews with scientists and educators working to conserve raptors along the Western Hemispheric migration flyways.  New episodes debut each Wednesday starting September 1. Stay tuned! 

Most scholars and members of the public believe the process of enslavement was confined to the Western Hemispheric plantation or other locations of enslavement. Sowande Mustakeem’s award-winning Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016) disrupts that narrative. Mustakeem changes how readers understand the packaging process for how African captives became enslaved once they reached their final destinations. Slavery at Sea reveals for the first time how similar dimensions of land-based slavery were expressed largely on board slaving vessels. By highlighting the lived experiences of those groups most neglected by prior scholars of the Middle Passage—women, children, the disabled, and the elderly—Mustakeem demonstrates how Atlantic slave ships were important areas of development to land-based methods of medical treatment and violence. Mustakeem’s approach to producing history does not end with the writing of Slavery at Sea. As a member of the St. Louis, Missouri-based band Amalghemy, Mustakeem adds to the readers experience by constructing a first of its kind soundtrack specifically for them to listen to as they read. Slavery At Sea: The Book Soundtrack pushes the public to consider how a soundtrack could mirror the “feelings, vibrations, and imagination forged in the book.” Ultimately, when coupled together, Slavery At Sea and Slavery At Sea: The Book Soundtrack alters how people of all backgrounds understand how pivotal the Middle Passage was to one of, if not the largest forced migrations of people in human history. She asserts that by the time captive Africans ultimately reached their final port of entry, the psychological and sexual trauma that would be their futures as enslaved people, had already begun during the Middle Passage. Sowande M. Mustakeem is an assistant professor in the Department of History and the African and African American Studies Program at Washington University in St. Louis. She can be reached on Twitter at @somustakeem. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most scholars and members of the public believe the process of enslavement was confined to the Western Hemispheric plantation or other locations of enslavement. Sowande Mustakeem’s award-winning Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016) disrupts that narrative. Mustakeem changes how readers understand the packaging process for how African captives became enslaved once they reached their final destinations. Slavery at Sea reveals for the first time how similar dimensions of land-based slavery were expressed largely on board slaving vessels. By highlighting the lived experiences of those groups most neglected by prior scholars of the Middle Passage—women, children, the disabled, and the elderly—Mustakeem demonstrates how Atlantic slave ships were important areas of development to land-based methods of medical treatment and violence. Mustakeem’s approach to producing history does not end with the writing of Slavery at Sea. As a member of the St. Louis, Missouri-based band Amalghemy, Mustakeem adds to the readers experience by constructing a first of its kind soundtrack specifically for them to listen to as they read. Slavery At Sea: The Book Soundtrack pushes the public to consider how a soundtrack could mirror the “feelings, vibrations, and imagination forged in the book.” Ultimately, when coupled together, Slavery At Sea and Slavery At Sea: The Book Soundtrack alters how people of all backgrounds understand how pivotal the Middle Passage was to one of, if not the largest forced migrations of people in human history. She asserts that by the time captive Africans ultimately reached their final port of entry, the psychological and sexual trauma that would be their futures as enslaved people, had already begun during the Middle Passage. Sowande M. Mustakeem is an assistant professor in the Department of History and the African and African American Studies Program at Washington University in St. Louis. She can be reached on Twitter at @somustakeem. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most scholars and members of the public believe the process of enslavement was confined to the Western Hemispheric plantation or other locations of enslavement. Sowande Mustakeem’s award-winning Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016) disrupts that narrative. Mustakeem changes how readers understand the packaging process for how African captives became enslaved once they reached their final destinations. Slavery at Sea reveals for the first time how similar dimensions of land-based slavery were expressed largely on board slaving vessels. By highlighting the lived experiences of those groups most neglected by prior scholars of the Middle Passage—women, children, the disabled, and the elderly—Mustakeem demonstrates how Atlantic slave ships were important areas of development to land-based methods of medical treatment and violence. Mustakeem’s approach to producing history does not end with the writing of Slavery at Sea. As a member of the St. Louis, Missouri-based band Amalghemy, Mustakeem adds to the readers experience by constructing a first of its kind soundtrack specifically for them to listen to as they read. Slavery At Sea: The Book Soundtrack pushes the public to consider how a soundtrack could mirror the “feelings, vibrations, and imagination forged in the book.” Ultimately, when coupled together, Slavery At Sea and Slavery At Sea: The Book Soundtrack alters how people of all backgrounds understand how pivotal the Middle Passage was to one of, if not the largest forced migrations of people in human history. She asserts that by the time captive Africans ultimately reached their final port of entry, the psychological and sexual trauma that would be their futures as enslaved people, had already begun during the Middle Passage. Sowande M. Mustakeem is an assistant professor in the Department of History and the African and African American Studies Program at Washington University in St. Louis. She can be reached on Twitter at @somustakeem. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most scholars and members of the public believe the process of enslavement was confined to the Western Hemispheric plantation or other locations of enslavement. Sowande Mustakeem’s award-winning Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016) disrupts that narrative. Mustakeem changes how readers understand the packaging process for how African captives became enslaved once they reached their final destinations. Slavery at Sea reveals for the first time how similar dimensions of land-based slavery were expressed largely on board slaving vessels. By highlighting the lived experiences of those groups most neglected by prior scholars of the Middle Passage—women, children, the disabled, and the elderly—Mustakeem demonstrates how Atlantic slave ships were important areas of development to land-based methods of medical treatment and violence. Mustakeem’s approach to producing history does not end with the writing of Slavery at Sea. As a member of the St. Louis, Missouri-based band Amalghemy, Mustakeem adds to the readers experience by constructing a first of its kind soundtrack specifically for them to listen to as they read. Slavery At Sea: The Book Soundtrack pushes the public to consider how a soundtrack could mirror the “feelings, vibrations, and imagination forged in the book.” Ultimately, when coupled together, Slavery At Sea and Slavery At Sea: The Book Soundtrack alters how people of all backgrounds understand how pivotal the Middle Passage was to one of, if not the largest forced migrations of people in human history. She asserts that by the time captive Africans ultimately reached their final port of entry, the psychological and sexual trauma that would be their futures as enslaved people, had already begun during the Middle Passage. Sowande M. Mustakeem is an assistant professor in the Department of History and the African and African American Studies Program at Washington University in St. Louis. She can be reached on Twitter at @somustakeem. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most scholars and members of the public believe the process of enslavement was confined to the Western Hemispheric plantation or other locations of enslavement. Sowande Mustakeem’s award-winning Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016) disrupts that narrative. Mustakeem changes how readers understand the packaging process for how African captives became enslaved once they reached their final destinations. Slavery at Sea reveals for the first time how similar dimensions of land-based slavery were expressed largely on board slaving vessels. By highlighting the lived experiences of those groups most neglected by prior scholars of the Middle Passage—women, children, the disabled, and the elderly—Mustakeem demonstrates how Atlantic slave ships were important areas of development to land-based methods of medical treatment and violence. Mustakeem’s approach to producing history does not end with the writing of Slavery at Sea. As a member of the St. Louis, Missouri-based band Amalghemy, Mustakeem adds to the readers experience by constructing a first of its kind soundtrack specifically for them to listen to as they read. Slavery At Sea: The Book Soundtrack pushes the public to consider how a soundtrack could mirror the “feelings, vibrations, and imagination forged in the book.” Ultimately, when coupled together, Slavery At Sea and Slavery At Sea: The Book Soundtrack alters how people of all backgrounds understand how pivotal the Middle Passage was to one of, if not the largest forced migrations of people in human history. She asserts that by the time captive Africans ultimately reached their final port of entry, the psychological and sexual trauma that would be their futures as enslaved people, had already begun during the Middle Passage. Sowande M. Mustakeem is an assistant professor in the Department of History and the African and African American Studies Program at Washington University in St. Louis. She can be reached on Twitter at @somustakeem. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most scholars and members of the public believe the process of enslavement was confined to the Western Hemispheric plantation or other locations of enslavement. Sowande Mustakeem's award-winning Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016) disrupts that narrative. Mustakeem changes how readers understand the packaging process for how African captives became enslaved once they reached their final destinations. Slavery at Sea reveals for the first time how similar dimensions of land-based slavery were expressed largely on board slaving vessels. By highlighting the lived experiences of those groups most neglected by prior scholars of the Middle Passage—women, children, the disabled, and the elderly—Mustakeem demonstrates how Atlantic slave ships were important areas of development to land-based methods of medical treatment and violence. Mustakeem's approach to producing history does not end with the writing of Slavery at Sea. As a member of the St. Louis, Missouri-based band Amalghemy, Mustakeem adds to the readers experience by constructing a first of its kind soundtrack specifically for them to listen to as they read. Slavery At Sea: The Book Soundtrack pushes the public to consider how a soundtrack could mirror the “feelings, vibrations, and imagination forged in the book.” Ultimately, when coupled together, Slavery At Sea and Slavery At Sea: The Book Soundtrack alters how people of all backgrounds understand how pivotal the Middle Passage was to one of, if not the largest forced migrations of people in human history. She asserts that by the time captive Africans ultimately reached their final port of entry, the psychological and sexual trauma that would be their futures as enslaved people, had already begun during the Middle Passage. Sowande M. Mustakeem is an assistant professor in the Department of History and the African and African American Studies Program at Washington University in St. Louis. She can be reached on Twitter at @somustakeem. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies