Podcasts about adam x

It's another fully regrettable episode.  Wait, who writes this stuff??  It's actually a full and complete episode made entirely of Jay's Regrettable Segments, where he pulls a semi-obscure (depending on who's listening) superhero from the archives of Jon Morris's book, The League of Regrettable Superheroes, then tells the story after a brief “brought to you by” ad from Art the Announcer Guy.  Said (or sad) superheroes are then rated as Regrettable, Redeemable, or Not Regrettable (super original, right?)   In this segment of segments, The Silver Age closes out with Spyman, then the heroes enter the Bronze and/or Modern Age, depending on how you define it, with Adam-X the X-treme, Holo-Man, and The Outsiders (probably not the ones you're thinking about.)  And like the Super Bowl, even if the heroes are regrettable, this one's worth listening to just for the ads.  

Craig and Adam X., Founder and Creative Director at Adam X Atelier, discuss the foundation and philosophy behind his designs, highlighting his multicultural background and his passion for art and fashion. Adam's journey began with foundational courses at George Brown College and styling at Ryerson University, leading him to discover the communicative power of fashion. Adam discusses his approach to designing garments that enhance the wearer's beauty through meticulous draping, tailoring, and attention to detail, using various materials and inspirations ranging from movies to nature. Adam discussed his creative process, from the emotional drive behind his collections to the meticulous steps of bringing a concept to life. He recounts a personal story that inspired the “Some Beings” collection, demonstrating how emotional narratives and experiences shape his work. The discussion transitions into Adam's focus on womenswear, his experiences with retail and direct-to-consumer engagement, and the expansion of his brand into U.S. markets. Adam highlights the importance of reaching customers across all platforms and the ongoing effort to introduce ready-to-wear collections. The interview concludes with reflections on the challenges and opportunities within the Canadian fashion industry, the importance of collaboration among designers, boutiques, and other industry participants, and advice for emerging designers. Adam emphasizes the transformative power of fashion, its ability to communicate, and the need for a supportive community and infrastructure to nurture Canadian talent. Interviewed this episode:Adam X., Creative Director at Adam X AtelierAdam X Atelier This podcast is the audio version of the The Interview Series video podcasts by Retail Insider Canada are available through our Retail Insider YouTube Channel where you can subscribe and be notified when new video episodes are available. Subscribe, Rate, and Review our Retail Insider Podcast! Follow Craig:LinkedIn: www.linkedin.com/in/CraigPattersonTorontoInstagram: @craig_patterson_torontoTwitter: @RI_EIC Follow Retail Insider:LinkedIn: www.linkedin.com/company/Retail-InsiderFacebook: https://www.facebook.com/RetailInsider/Twitter: @RetailInsider_Instagram: @Retail_Insider_Canada Share your thoughts!Drop us a line at Craig@Retail-Insider.com. You can also rate us in Apple Podcasts or recommend us in Overcast to help more people discover the show!Background Music Credit: Hard Boiled Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License. http://creativecommons.org/licenses/by/3.0/

Will and Adam X-amine the 1989 pilot Pryde of the X-Men, which pre-dated the 1992 X-Men animated series from the same production team. Could this X-citing 80's adventure concept have mutated into a successful series? Why was Wolverine Australian? Plus, the hosts give their review of the first 2 episodes of the X-Men '97 series on Disney+. Thanks to our monthly supporters Chad Droze Ken Spaulding Karen Flieger Tim Heasley Jeff

La Mesa se reúne nuevamente para hacer un mighty top 5, esta vez, alrededor de los mutantes más sensuales de la ficción, los equismen. ¿Qué mutante tiene el poder mas inútil de todos? Las respuestas los sorprenderán… a menos que recuerden a maggot y a marrow, en cuyo caso ya saben las respuestas. ¿Qué personaje merece más la fama de wolverine? La mesa se divide y comienza la pelea campal entre Kitty, Nightcrawler y Gambito (aunque Vale diga que nadie es fan de gambito), ¿Qué personaje ha sido olvidado ya? La mesa responde con opciones EXTREMAS traídas de los 90s. y por ultimo, ¿Qué redención nunca termino de cuajar? Aquí los rucazos d e covacheando se puesieron filosóficos. Mutante más inútil: Dazzler, Glob Herman, Maggot, Angel, Marrow, Jubie Lee Se papearon a Wolverin: Kitty Pride, Nightcrawler, Gambito, Havok, Qu´anon. Bishop. Personaje olvidado: Maggot, Cecilia Reyes, X-man, Adam-X, Layla Miller. Phamtom X. Redención: Ciclope, Emma Frost, Profesor X, Gorgon, Jean Grey. FICHA TECNICA: Valentín “Gambito” García, ⁠Issac “Magneto” De La Rocha⁠, ⁠Sofia “Emma Frost” PerSal⁠ y ⁠Cesar “Puck” Castañon.⁠ ESTRENO: Miércoles 06 de Marzo 2024 PODCAST/REDES: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alejandro “nunca me invitan” Garcia.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ "Covacheando" es un podcast de la familia Covacha, donde los rucazos hablamos del tema de moda... si fueran los 90. Reseñamos productos de cultura pop como películas, cómics, novelas, series y todo lo relacionado con la vida ñoña, para la gente que no tiene tiempo de ser nerd. ©La Covacha 2023. Síguenos en X (antes Twitter), Facebook, YouTube y Twitch. ¡Conviértete en miembro del canal de YouTube desde $9 al mes, y ayúdanos a seguir creando contenido: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/ycknd2n8⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Suscríbete al Podcast de La Covacha en - Spotify: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://spoti.fi/2XJDQq2 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Apple: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://apple.co/2KkWpOb ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Amazon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://amzn.to/3qjUUzm ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Google: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/3idg5zW ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Anchor: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/3hfzLom⁠⁠⁠ ACERCA DE LA COVACHA Proyecto colectivo de fans para fans en el que hablamos de cómics, series, películas, y todo lo relacionado con la vida ñoña. Comenzamos a ñoñear en 2006. Abrimos el sitio en febrero de 2007, pero no hemos parado desde entonces. Bueno sí, un rato en 2015, pero aquí andamos de nuevo. Todos somos fans.

Adam X's illustrious music career began in 1990 in Brooklyn, NYC, where he was born and raised. His earliest productions were released during this period, and he quickly gained momentum as one of the most adept DJs on the global underground techno scene. Alongside pioneer and brother Frankie Bones, he opened the doors of Groove Records in Brooklyn as America's first true outlet for underground electronic music with a direct focus on the techno genre. The Groove Records team also took part in organizing the first techno events ever to take place in NYC, including the legendary Storm Rave that started in 1991. Storm Rave was the first all-techno warehouse party organized on the East Coast of America, featuring line-ups with many up-and-coming artists who would later become global techno cult figures. The Sonic Groove label was born in 1995 at the upgraded Manhattan location of the shop (which also changed its name from Groove Records to Sonic Groove during the transition). Adam continues to operate the label in an exemplary and innovative way, with over one hundred releases to date, focusing on an assortment of techno music styles from many well established artists across the electronic music spectrum. A unique perspective and acute knowledge of music can be recognized in his DJ and live sets, which have always retained a unique sense of an uncompromised approach to the dance floor. Adam's approach facilitated acid techno's dominance in the early to mid-nineties, and he nearly single-handedly put the Industrial and EBM Techno cross-over genres on the map for the first two decades of the millennium. Now, Adam returns to his purist techno roots with a hard but deep thought-provoking sound, one combines the past, present and future of this timeless music. His Traversable Wormhole, ADMX-71, The Secret Initiative, Mass-X-Odus, and X-Crashed side-projects, along with his collaboration with co-conspirator U.K.-based artist Perc in their project AX&P, and with his techno life partner Maedon as Maedon-X on Tresor Records, have all strongly impacted the most discerning audiences. Adam X has also released his own work on his seminal imprint, as well as releases on some of the most essential labels to exist, both past and present, such as Wax Trax!, Direct Drive, Magnetic North, Peacefrog, Drop Bass Network, CLR, Hands Productions, as well as preeminent contemporary labels like Aufnahme + Wiedergabe, L.I.E.S, Hospital Production, and Pinkman. Adam currently resides in the electronic music capital of the world, Berlin, Germany. With unparalleled dedication, his activities never cease as he continues his individual tradition of operating on every vital level, from label activity to organizing events in the legendary Tresor club and performing in some of the world's most credible venues—a practice he has maintained since the early '90s. Adam X is a true force whose contribution has reached far into bringing the future forward for electronic music. Tracklist via -Spotify: http://bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/ Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer Keep up with SLAM: fanlink.to/Slam Keep up with Soma Records: fanlink.to/SomaRecords For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

The most X-Treme character ever bursts forth in this issue! Chad from Graymalkin Lane is here with us to chat about Adam X and what this issue, specifically, meant to him growing up. Feral is fierce and we stan, and Siryn and Cannonball are here, too! It's a very mutant annual and screams 1990s from front to back!

We've got our first guest star in today's episode as we get the nonstop machine of comics crowdfunding Matthew Hardy to join us in talking about the First Lady of Star Trek: Majel Barrett! Majel's been in so many episodes, hell, so many SERIES of Star Trek over the years, so there's a lot to work with here. We've got shockingly little Majel in the TOS episode that ostensibly is a spotlight focus on her. Then we're in to the wild world of Lwaxana Troi as she gets kidnapped by Ferengi in TNG and that version of the Ferengi are the absolute worst. Like Internet Guy worst. Finally we get a surprisingly nice pairing of Lwaxana and Odo stuck in a lift together as a weird life form from the Gamma Quadrant has got into the computers. 20:13 TOS: What Are Little Girls Made of? 48:37 TNG: Ménage a Troi 1:11:18 DS9: The Forsaken Talking points include: Westworld (both flavours), Babylon 5, Only Murders in the Building, Righteous Gemstones, Adam X the X-Treme, Ahsoka, Classic Dr Who, FMV PC games, Charlie's back on his Lost bullshit, From, Amnesiac City, Two time GLAAD award winner Peter Allan David, The Matrix, Terminator, I Have No Mouth and I Must Scream, The UK Office amount of awkwardness, Shoggoths, Tiny Clangers, The Prisoner, Legion of Super-Heroes fashion, Mario Kart-based declarations of love, Vampire: The Masquerade, The Mos Eisley Cantina Band, Lucille Bluth, Lwaxana Troi going full Mrs Bennet, Picard giving it all Shakespeare, More Classic Dr Who, Lord of the Rings for the SNES, Gilmore Girls, Tamagochi, War of the Worlds. Oh, and occasionally Star Trek. A surprising amount of Star Trek this time… Casual Trek is by Charlie Etheridge-Nunn and Miles Reid-Lobatto, our guest star was Matt Hardy Music by Alfred Etheridge-Nunn Casual Trek is a part of the Nerd & Tie Network Matt's Kickstarter for Thunder Child: https://www.kickstarter.com/projects/153289885/war-of-the-worlds-thunder-child-2 https://ko-fi.com/casualtrek Miles' blog: http://www.mareidlobatto.wordpress.com Charlie's blog: http://www.fakedtales.com Pedant's Corner: Gap-wise, the gap between TOS finishing & TNG airing was 18 years, the gap between Enterprise finishing and Discovery airing was 13 years “Time is an illusion, lunchtime doubly so” is the actual quote Charlie couldn't think of the word “camper van” when describing From Memory Alpha's reference to Lwaxana Troi saying she ‘made love' to DaiMon Tog, has a link to an article on Oo-mox

Benny Adam est de retour au Pod'Casque, mais cette fois-ci avec sa casquette de rappeur. Celui qui a cumulé plus d'une dizaine de certifications grâce à ses productions, decide de prendre une année sabatique pour se consacrer totalement sur son projet solo. Entre le Québec, La France et le Maroc, Benny Adam a pris le temps de venir parler avec DJ Asma et Jay Seven au Hidden Showroom.

Welcome back to THE ROCK FIGHT an outdoor podcast where we aim for the head! Fellow podcaster and outdoor enthusiast Mr. Adam X from The Out of Collective recently put up a podcast called Mountain Biking Sucks where he offers a bunch of hot takes about cycling. After Colin finished listening to the episode, and swearing at his car stereo, he hit up Adam and insisted on a rebuttal podcast for THE ROCK FIGHT, to which Adam agreed! Click play to hear these two dig into the finer aspects of mountain bike and cycling culture, gravel bike suspension, electric cars and (most importantly) The Fast and Furious movie franchise. THE ROCK FIGHT is once again giving you the most outdoor goodness for your money. Check out the full saga of mountain bike rock fight!Mountain Bike Suspension Is PointlessGravel Bikes Are Not A One Bike QuiverMountain Bike Suspension: A Rebuttal with Adam JaberMountain Bike Suspension 2: The Stanchion Strikes Back!Support our sponsors!Head over to Gear Trade to turn your unused gear and apparel into cash money or to pick up that piece of gear you need for your next adventure! Check out Long Weekend Coffee! From Adventure Journal founder Steve Casimiro comes the next cup of coffee for your next adventure. Be sure to enter promo code 'rock10' at checkout to receive 10% off of your first order. Long Weekend Coffee...more weekend, please. Rock Fight is your new hub for outdoor content. Every episode of THE ROCK FIGHT is there to listen to or read. Check out rockfight.co and book mark it today! Thanks for listening! THE ROCK FIGHT is a production of Rock Fight, LLC.

The hierarchy of POWER in the DC Universe has changed, as the gang can smell what departed DC Films studio head Walter Hamada left burning in the oven on the way out. Through analysis, it is concluded that hot new director Warner Discovery effectively made "Black Adam" in a lab (likely BALCO) to appeal primarily to the esoteric tastes of people like Dylen and Colin specifically. In an unexpected twist, one of the gang's most stringent critics drops the shocking revelation that they, in fact, loved "Terrifier 2," tipping the scales 3:1 in favor of a nearly 3-hour slasher movie made for $250,000. The gang runs through Elvira's top 5 women-led horror movies of all time and wraps things up with Maltin Movie Masters (The Rock Edition). --- Support this podcast: https://podcasters.spotify.com/pod/show/rmmu/support

This week on the RIPEcast, we're bringing you the soulful ministerial sounds of The Rev, recorded live at Unison Campout 2022. Hallelujah! About The Rev: A lifelong disciple of music and playing instruments since the age of 9, The Rev made the decks his pulpit in 1999. Since then, he has spread his ministry across the globe from New York to Detroit to Black Rock City to Amsterdam and most recently the Bay Area. This has included residencies at famed New York institutions like Guernica, playing alongside international talent like Wolf + Lamb, Adam X, Frankie Bones, Adam Jay, Marco Bailey and Jason Jinx to name a few. He has recently begun to expand his DJ sets with live improvised Electronic Wind Instrument as well as his own original productions. More from The Rev: Soundcloud: https://soundcloud.com/the-rev Mixcloud: https://www.mixcloud.com/the-rev/ Twitch: twitch.tv/propheciesofjack

We get into all things X-Men 92 House of XCII and Archer & Armstrong Forever with the incredible talented Steve Foxe! Steve returns for another episode of GateCrashers to talk about all of his new projects from Marvel and Valiant comics! Steve is an incredibly talented editor and writer of other projects such as Party & Prey, Spider-Ham, and many other titles. He is also the co-creator of horror magazine Razorblades. We get into everything about X-Men 92 House of XCII #1 and Steve's approach to the most well known iterations of everyone's favorite mutants. We dive into his approach to a story like House of X/Powers of X set in a much different time period with more distilled versions of the characters. We talk about some of the things that go on in issue #2 with teasers of what you can look forward to! Dan also does ask about the greatest X-Men character of all time, Wolverine. He also asks about the other most extreme mutant Adam X the X-Treme. Jake and Steve talk about Archer & Armstrong's newest series Archer & Armstrong Forever. We dive into who these characters are and their dynamics as partners. This new series is the perfect jumping on point for new readers, as Dan and Jake have both never read anything about the characters before. Steve teaches them about the story behind the characters. Dan also starts the interview off with a question he has been saving until he got Foxe on the show again: What are his thoughts on the new Texas Chainsaw Massacre? Let us tell you what, Steve has a lot of thoughts on requels! Make sure you're picking up these and all titles that Steve is working on! There is much more to come for one of the biggest talents in the comics world.

Leimert Park is a magical portal in which all elements of the Black Experience are present. It is one incubator of the New Black World that is on the horizon. Join the gods of Leimert Park, Adam X and Brother Zealot of the Z Tribe, as they take you through the Amish experience, birthing your own children, past lives, and land ownership as the basis of Manhood. Because if you aren't talking land in 2021, then you are not talking.

EPM radio show - May 2020 - a monthly radio show highlighting some of the best new releases out over the last 4 weeks in electronic music. Hosted by the one and only, Oliver Way and some special guest surprises.  This month features a conversation with Adam X about his label Sonic Groove Records.* Find out more about the charity that Jackmaster, Jasper James & Dukwa are donating 50% of the release profits to support the emergency services doing an amazing job through this time from here: www.who.int/emergencies/diseases/novel-coronavirus-2019/donate

  Lamborghini Pourrie & Cendrillon Grillée Feat L’ Escuadron Del Ritmo, Detroit In Effect, Steve Summers, Adam X, Vicious Pink Phenomena, Dj Sonic, Bruchotin Automatic Band, Siluetes 61, CTI, TG, La Bionda, SSPS, Jimmy Crash, Alan Vega & Marc Hurtado,... Continue Reading →

L'équipe discute de 3 artistes locaux qui ont réussi a se faire connaitre sans réel support médiatique lorsqu'ils ont accompli des gros moves.

In this episode, our hosts dumpster dive through Marvel's backlog and pull out shining examples of unsellable characters and comics. 'Nam , Adam X, Speedball/Penance, and Darkhawk are on the roasting block this round as we learn all about Tom Delfaco and how much of a sitcom the X-Men truly are. #BadComics #XMen #Darkhawk Logo by Belleface Designs, aguignard2287@gmail.com Follow us on our social media: https://linktr.ee/nerdcrusade --- Send in a voice message: https://anchor.fm/nerdcrusade/message

Episode Notes Patti and Jonathan discuss “The Stuff of Villains,” “Blind Alley,” and “X-Treme Measures,” which unfortunately has nothing to do with Adam-X. Patti wants to talk about shirtless men and their tools as Jonathan makes a shocking discovery about Evan's initials. Should anyone date a 30 year old? Does Spyke FINALLY get a good episode?! Find out on this episode of Mutant Musings Evolution! "The Stuff of Villains" "Blind Alley" "X-Treme Measures"

En esta edición tenemos una sesión de jazz en donde hablamos de Heroes Return (de Aaron, no Rob), del DC Pride y una amena charla de fútbol y la Euro 2020 y viajamos al pasado para ver qué nos tiene X-Men: Legends y la revelación del origen de Adam-X. También tenemos preguntas y hablamos del […]

The X-Pack are back at it again with even more battles, bird-people, and b-list mutants!? First up, Josh, Arturo, & Evelyn take a look at the conclusion of Fabian Nicieza's long-building Adam X saga, from the betrayals to the mindwipes! Then, join Nathan, Matty, & Kyle as they take a look at one of the more unusual titles to feature a mutant in the last few years -- The Union! In a title focused on newer UK heroes, the team sinks their teeth into these bold, original characters, and find the best of the title!

We with special guest host Chandler review Marvel Legends #2 and X-Men #19

We close out the month of March and enter April with a brand new reviews for the comics released this week! Wally West returns as the Fastest Man Alive in the pages of The Flash as the book enters Infinite Frontier. Daniel Warren Johnson launches a new Beta Ray Bill series! We find out what happens to the Children of the Vault inside X-Men #19 and what exactly is the lineage of Adam X in X-Men Legends #2, plus tons more! Total Runtime: 01:19:33 Rundown 00:01:45 - The Other History of the DC Universe #3 00:09:27 - Strange Adventures #9 00:11:38 - Black Cat #4 00:14:31 - Batman/Catwoman #4 00:23:59 - Avengers: Curse of the Man-Thing #1 00:27:46 - Captain America #28 00:32:39 - Beta Ray Bill #1 00:37:24 - King in Black: Ghost Rider #1 00:43:40 - X-Men #19 00:51:00 - X-Men: Legends #2 00:56:02 - The Flash #768 01:04:34 - Shadecraft #1 01:08:02 - Crossover #5 Red Robin #18 (Retro) - February 2011 01:18:53 - Picks of the Week! Vincent - Beta Ray Bill #1 Mike - Beta Ray Bill #1 Dan - Beta Ray Bill #1 Subscribe on YouTube! https://www.youtube.com/watch?v=eKORNzBQRXo Follow us on Twitter & Instagram https://twitter.com/KrackleComics https://www.instagram.com/kracklecomics/

It's This Week in X for 31 March, 2021! Join Peter, Tyler, Fariha, & Harry as we discuss X-Men (2019) #19 and X-Men Legends (2021) #2. X-Men #19 stunned our entire panel - even noted Hickman-skeptic Peter! Our discussion includes a breakdown of every data page, the meaning of "time debt," the step-change of evolution, defining "love," Doctor Who parallels, the brilliant final page, and much more! Plus, what did we think about this conveniently forgotten major retcon to Summers' continuity in X-Men Legends #2? And, what is so special about Adam-X's butt? Spoiler warning - we discuss everything about X-Men up to and including comics from this week, as well as other current events in the Marvel Universe.

Art by David Wynne. Wanna buy the original? Drop him a line! In which nobody’s ages ever make sense; Sebastian Shaw catches up on villain speeches; nobody puts Louise Simonson in a corner; Tabitha Smith has a bad day; Gambit and Bat Manuel have a lot in common; and Warpath outruns Adam X. X-PLAINED: X-Force #49-51 Haircuts The return off Sebastian Shaw Stansfield A series of kidnappings Solar-powered superpowers Attempted murder Memories Cable as an audience surrogate Tabitha’s new codename The first Tick live-action series Warpath’s running speed Risqué What gravity sounds like X-leisure activities Magneto’s human name/s NEXT EPISODE: A Tale of Two Beasts Check out the visual companion to this episode on our blog! Find us on iTunes or Stitcher! Jay and Miles X-Plain the X-Men is 100% ad-free and listener supported. If you want to help support the podcast–and unlock more cool stuff–you can do that right here! Buy rad swag at our TeePublic shop!

Jace is joined by the legendary Fabian Nicieza to talk about the recent Juggernaut series that we loved and they also chat about Fabian's return to the 90's to tell the unfinished tale of Adam-X. Plus, Fabian's debut novel is dropping in June of 2021 and there is plenty of talk about the process and differences of writing prose versus comics. So much good information in this one and we hope you enjoy it as much as Jace enjoyed catching up with Fabian. 

In Episode 26 of CEREBRO, Connor and 90s X-Men scribe Fabian Nicieza get their blood burning with Adam X, the X-Treme! A curiosity of the X-Men franchise, Adam Neramani was intended to be the long-lost brother of Cyclops and Havok, but wound up lost in comics limbo after Nicieza's departure from Marvel. Now, 25 years later, that story will be told in the pages of the anthology series X-Men Legends. The CEREBRO character file on Adam X begins at 54:41. (Content Advisory: Adam's story includes brainwashing. This episode discusses plot points involving rape and enslavement.)

Adam-X returns! ...Great. Originally streamed at youtube.com/comicpop on February 22, 2021.

On this week's comic book review podcast: GI Joe: Castle Fall IDW Written by Paul Allor Art by Chris Evenhuis Snow Angels #1 ComiXology Written by Jeff Lemire Art by Jock The Immortal Hulk: Flatline #1 Marvel Written and Art by Declan Shalvey HAHA #2 Image Comics Written by W. Maxwell Prince Art by Zoe Thorogood King in Black #4 Marvel Written by Donny Cates Art by Ryan Stegman Batman/Catwoman #3 DC Comics Written by Tom King Art by Clay Mann Savage #1 Valiant Comics Written by Max Bemis Art by Nathan Stockman Guardians of the Galaxy #11 Marvel Written by Al Ewing Art by Juann Cabal Stillwater #6 Image Comics Written by Chip Zdarsky Art by Ramón K. Perez Future State: Superman Worlds of War #2 DC Comics Written by Phillip Kennedy Johnson, Brandon Easton, Becky Cloonan & Michael W. Conrad, Jeremy Adams Art by Mikel Janin, Valentin de Landro, Michael Avon Oeming, Siya Oum Future State: Immortal Wonder Woman #2 DC Comics Written by Becky Cloonan & Michael W. Conrad, L.L. McKinney Art by Jen Bartel, Alitha Martinez Future State: The Next Batman #4 DC Comics Written by John Ridley, Vita Ayala, Paula Seven Bergen Art by Laura Braga, Aneke, Emanuela Luppachino Future State: Catwoman #2 DC Comics Written by Ram V Art by Otto Schmidt Future State: Nightwing #2 DC Comics Written by Andrew Constant Art by Nicola Scott Future State: Shazam #2 DC Comics Written by Tim Sheridan Art by Eduardo Panic Thor #12 Marvel Written by Donny Cates Art by Nic Klein Excellence #10 Image Comics Written by Brandon Thomas Art by Khary Randolph Once & Future #16 BOOM! Studios Written by Kieron Gillen Art by Dan Mora X-Men Legends #1 Marvel Written by Fabian Nicieza Art by Brett Booth Aria: Heavenly Creatures Image Comics Written by Brian Holguin Art by Jay Anacleto with Brian Haberlin The Last Ronin #2 IDW Story by Kevin Eastman, Peter Laird and Tom Waltz Script by Tom Waltz & Kevin Eastman Layouts by Kevin Eastman Pencils & Inks by Esau & Isaac Escort, Ben Bishop and Kevin Eastman Black Widow #5 Marvel Written by Kelly Thompson Art by Elena Casagrande w/ Rafael De Latorre Sabrina: The Teenage Witch #5 Archie Comics Written by Kelly Thompson Art by Veronica Fish and Andy Fish SUBSCRIBE ON RSS, ITUNES, ANDROID, SPOTIFY, STITCHER OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON. Full Episode Transcript Alex:                 What's up, everybody. Welcome to The Stack. I'm Alex. Justin:              I'm Justin. Pete:                I'm Pete. Alex:                 On The Stack, we talk about a bunch of books that have come out this week. Let's kick it off, because we got a packed stack. Justin:              Oh, yes. Alex:                 [crosstalk 00:00:19] G.I. Joe: Castle Fall from IDW, written by Paul Allor, art by Chris Evenhuis. I got to tell you, never in a million years would I have expected that a G.I. Joe book would be at the top of my personal stack, but that's where we are. This book is what a lot of what this book has been leading up to. Cobra has taken over the entire world. Finally, G.I. Joe gets an in to fight back. It doesn't go exactly how you think it's going to go. There's a big twist there. This book is great. Justin:              I got to say, I mean, I was not allowed to watch G.I. Joe as a child because they had guns in their hands. Pete:                Here we go. Jesus Christ. Can we talk about G.I. Joe one time without you dropping that? Justin:              What? I'm just saying. It was just sort of an introduction to say that I also love this book. I also wasn't allowed sugary cereals, which led me to enjoy a lot of Grape Nuts. Pete:                And you also had to drink well water, and your teeth are falling out. Alex:                 Don't spoil. The next book we're talking about is Grape Nuts #1, which is also very good. Justin:              That's going to be good. It's going to be good. Just put a little honey on it. No. This book is so good, and what I love about it is they've been building up to it over the course of all these smaller issues and books to get here, and each one, for the most part, has been excellent, and the fact that they're building this whole little universe around G.I. Joe is something that … Again, I don't know if I said. I never watched as a kid. Pete:                Oh, my god. Fuck, I hate you. I mean, this is great. I mean, you get to see Roadblock fucking pick up a fucking giant cannon of a gun and just fucking shoot. It was great. Yeah. The art's really good. The storytelling, the plot's impressive. It's a lot better than a lot of the cartoon's plot, but I thought this was- Alex:                 Not all of it. I would say like 50 percent of the cartoon's plots. Most of the cartoon's plots were very good, as we all know. Pete:                Sure. Sure. Because we all watched them as kids. Alex:                 I never watched it. Justin:              It must have been fun for you, Pete, to see your favorite Joes, like soup can, hub cap. Pete:                So far you haven't named one. Justin:              Dance party. Pete:                Nope. Justin:              Hat hair. Hat hair is so good in this issue. Pete:                No. Justin:              He's so good because he's like [crosstalk 00:02:30]- Pete:                Did you see? My favorite scene in the issue is when load-bearing beam really brings the hurt down. Justin:              That guy is so tough. Pete:                [crosstalk 00:02:39]. Justin:              He's got the weight of the world on his shoulders. Pete:                I'm the only one who knows the names, and you guys are still doing bits. It's just ridiculous. Alex:                 Well, what I love about this is I, again, I have no interest in G.I. Joe particularly because of the names, because they're so silly and over the top, but every character is so distinct, from the art, to the writing, to their motivations here, including the villains as well. The way that they fleshed out Cobra here and made them interesting rather than just going “I'm a serpent name, and I have a mask, and I'm evil,” and that's pretty much my whole impression of Cobra Commander. I think there's two of them, right? Pete:                Oh, my god. Justin:              No. There's more. You need 20 minutes. Alex:                 There's Destro and also Cobra Commander? I don't know how this works. Pete:                Okay. All right. Destro does not talk like that. Alex:                 Everyone's shit. Pete:                There's Serpentor. Alex:                 I'm Destro. Pete:                Oh, my god. All right. You are killing me. Alex:                 I'm the Baroness. Pete:                Okay. All right. First off, let's back up the truck. If you're going to do bits about their names, know the show, because one of the funniest things is they would do PSAs after the show, and there would be a character whose name is Barbecue, and he has a flamethrower on his back, and then he's like “Hey, kids. If you have a house fire, you should run away,” and it's like “Hey, Barbecue. How did that house fire start? You have a flamethrower, and you're standing next to a fire. This isn't cool, man. You shouldn't set people's houses on fire and then teach kids about fires.” Justin:              It's very funny to me that you were like “Justin, you're making fun of this by saying the names you said. If you said the name Barbecue,” who's the hero you like's name, because when I said hub cap, you were like “That's stupid,” but you said Barbecue, and you were like “That's good. Hub cap is bad, but Barbecue-“ Pete:                I mean, Snow Job's a real … That's a real name. Justin:              What about tippy toe? I really like tippy toe. Pete:                Oh, my god. Alex:                 This book is fantastic. Definitely pick it up, even if you don't know anything about G.I. Joe. Alex:                 Moving on to Snow Angels #1 from ComiXology, written by Jeff Lemire, art by Jock. I said this on the live show, but I'll stick with it. That team is on a book, and you're in no matter what, but thankfully this book is great and weird anyway. It's about a world, maybe a world, that has been covered in ice. All that exists is this snow trench. There's a family, a father, and two daughters who are skating through the trench for one theirs 12th birthday, and things get weirder and deadlier and more dangerous from there. This feels like the perfect gelling of these two creators' tastes. Pete:                It seems like it's Snowpiercer 2, where after the train's gone, now they're just living on the tracks. You know what I mean? And that's where this takes place. Justin:              Withering criticism from Pete LePage. Alex:                 But you say that about anything that involves snow. You said that when you saw the Michael Keaton vehicle Jack Frost as well. Justin:              Yeah. No. Pete:                The Michael Keaton vehicle. Justin:              When the Weather Report came out, Pete screamed at the TV. It's like “Snowpiercer. Get out of here.” I like this book a lot. You said it best, Alex. It's such a great combination of these two creators' work. A lot of great blood splatters on this, and very few snow angels, and ice skating is hard, and these characters do it constantly. Pete:                Yeah. Yeah. I mean, growing up in upstate New York, you needed to kind of … You might as well put skates on, because you're walking around so much ice, but I did really … All joking aside, I really love the last-page reveal. The art's unbelievable. This is a very unique, cool kind of world that we're kind of thrown into here. I thought it was an amazing first issue of getting you established with what's going on and then kind of raising the stakes. I thought this was really fantastic book. Alex:                 Next up, the Immortal Hulk: Flatline #1 from Marvel, written and art by Declan Shalvey. This is another, as you can probably tell from the title, spinoff of the Immortal Hulk doing one-shot stories about him here. Bruce Banner meets one of his old teachers. Things don't go that well over the course of the issue. How do you think this held up to the high standard of Immortal Hulk? Justin:              I like this a lot. Declan Shalvey has been talking about this book a lot online. There's a lot of pride and just love for this book coming from the creator. So I really appreciate that, and it's a great story. It feels like a classic Hulk story that we haven't seen in a while, because the main book has been so focused on just straight-up horrifying imagery. So this takes it back a little bit and really says “Hey. Be nice to your teachers, because they might come at you from some gamma-irradiated vision and really fuck up your life if you're not careful.” Pete:                Yeah. Teachers will haunt you for the rest of your life, man. You got to be careful. Justin:              Yeah. Alex:                 Totally agree. Haha #2 from Image Comics, written by W. Maxwell Prince, art by Zoe Thorogood. This is the second issue, of course, from the creator of Ice Cream Man. It is an anthology about clowns. Here, we're getting to meet a character who … It's not revealed until the end of the issue exactly what she's doing, but as a child, she ran away with her mom, who had a bit of a psychotic break and thought she was a clown, wanted to go away to a fun time happy land. Things do not end up fun time or happy. How'd you feel about this one? Justin:              So good. Haunting. We love W. Maxwell Prince's work on Ice Cream Man, and to see it sort of grounded in a weird way … I didn't expect this series ostensibly focusing on clowns to be the more grounded version of his storytelling, but it really is. It's sort of real-world stories of people going off the map a little bit with their choices, with clown imagery, and there's such a melancholy to all of this work, and I really like that. Alex:                 Pete? Pete:                Yeah. This is so haunting and messed up in ways that I wasn't ready for. This mother-and-child-like relationship was very scary to me, and I kept waiting there to be kind of fun moments, and so far it's just a fucking nightmare, and I'm scared to keep reading this comic, because it was like … I feel like Ice Cream Man kind of encouraged this, and I'm a little worried about what the payoff is going to be. Justin:              Encouraged it. Alex:                 I don't think there's going to be a payoff. I think it's just an anthology of stories. Pete:                I think maybe the people reading it will slowly start to go insane and then paint their faces like clowns and then die horribly. Justin:              I guess the payoff is when you show up to do the show in full clown, which honestly I think we're pretty close to. Alex:                 What if all of these people in this book joined together in some sort of book, all of these crazy people who are clowns forming a group together. It would be some sort of insane clown posse. I mean, just to throw something out there, I feel like that's maybe how it could work at the last issue. Justin:              Huh. That'd be quite a league of extraordinary clowns. As long as they aren't fueled by some sort of small-market soda, I think we'll be fine. Alex:                 King in Black #4 from Marvel, written by Donny Cates, art by Ryan Stegman. This is a big issue here where once again Donny Cates redefines the Marvel universe, does a little bit of the old retcon action to come up with an explanation for something that has not made a lot of sense. Eddie Brock is lying dying. Dylan Brock, his son, has been trapped by Knull, the King in Black. All of the heroes are trying to fight back, and they finally get a foothold here as we enter the endgame of this title. What'd you think about all the twists and turns? Justin:              I love the reveal at the end of the issue. When I first started reading comics, and I will spoil this sort of twist at the end right now, but Captain Universe was what was on the stands right then. Spider-Man had just had the Captain Universe powers, and he was recovering form that, being sort of de-powered. I think the first Spider-Man issue I ever read, he was shooting upwards into space, having just lost the Captain Universe powers, and trying to web himself to a passing airplane, and so to have that make sense and maybe join the Marvel universe with Eddie Brock at the helm I thought was great. It was crazy to see the heroes turn it around so hard in this issue. Pete:                Yeah. I really thought this was great. Lot of cool reveals in this issue. The good guys are getting their butts kicked for a long time now. It's nice to see what kind of cards we're going to play here. So I was really, really impressed with this issue, a lot of cool stuff, and I can't wait to see how this whole thing unfolds. I went from being like “What is this?” to really I'm bored with this kind of event. So I feel like it was really cool, and then the backup story, the Demon Days, was also really cool as well. Alex:                 That was very fun. That seems to be a title that we're going to see going forward that is a Japanese, I would say, art-style-inflected X-Men tale, which I thought was kind of neat. Justin:              Yeah. Pete:                Yeah. Alex:                 Next up, Batman / Catwoman #3 from DC Comics, written by Tom King, art by Clay Mann. We're continuing this time-hopping story of Batman and Catwoman as they fight a war on three different fronts. I like this one. I felt like I had a better handle on what's going on in this issue than I did necessarily in the first two issues. How'd you guys feel about it? Pete:                I love this. I thought this was really amazing. I love the kind of tone that's even set up in the beginning with the double play, the double-spread title page of Bat and Cat. I think this is such a cool area to explore. If the Bat and Cat are together, how do they exist? You know what I mean? Is Catwoman have to be more good? Does Batman have to try to be more bad? How do they exist? Pete:                I think this is a very interesting position to put Batman and Catwoman, and the kind of reveal of Joker in the money suit … I lost it. I thought that was so funny and hysterical, and that whole “Paul Fleischman is dead. Oh, god. No. Who's Paul Fleischman?” … I'm really having a lot of fun with this book. I'm very, very impressed with it. Yeah. I can't say enough nice things about the art and everything that's going on. Justin:              Yeah. The art is so stylized. It's so composed in such a specific way, especially a story that moves around so much. It's so nice to see the art really reflecting a meticulous design style, but yeah. This reminds me of, oddly, the last episode of Star Trek: The Next Generation, the jumping between- Alex:                 Oh, okay. I can see that. Justin:              … jumping between different eras, telling one story, because it almost feels like in this comic that the characters are aware of the time jumps. I don't think they actually are, but it feels like they're very complicit in telling the story in this particular way, and I think that's what allows it to hang together so well as opposed to … Because it's jarring, jumping between the different time frames in this. There's very little visual direction, but there's just so much emotional direction where we're seeing so much happen at once, and at the same time, we're introducing Mask of the Phantasm here, which is a horrifying character [crosstalk 00:14:58]. Alex:                 I got to say that's the one thing for me that is not quite working about this book is I really like the Phantasm. It just right now feels like this element that I don't quite get how it fits in and how it's part of the story. Pete:                Just wait for it. All right? Don't- Alex:                 I'm sure. Yes. I know. It will pan out, and it's fine, but the Joker stuff in both the past and the present seems to connect. I get that the Phantasm is this outside thing, but it's such an out-sized presence, perhaps given because of its real-world weight of Batman: Mask of the Phantasm being the best Batman movie, that I felt like “Oh. This is its own story. What is going on with the Phantasm? Why are we not telling this story? Why is this only one third of the book?” Pete:                Yeah, but- Justin:              I think that is that exterior pressure, because to me, and I'm someone that didn't … I didn't watch that when I was younger. So it's not something I revere maybe as much. So just seeing the imagery that's there to be scary as opposed to being like “Look. I'm this character you know,” … I think it's working. Alex:                 All right. Fair enough. Pete:                Yeah. I agree. Just because something was amazing, don't let it hurt this story before we get what it's about, but I understand what you're saying and it makes sense. I'm just so happy we're getting this story, because we got little teases of it, and then DC was like “No. We're kind of doing something else.” So I'm so glad that, in this Black Label thing, we get this story that we were kind of given a little bit and then taken away. So I'm just so happy right now with what's going on in this book. Alex:                 Next up, Savage #1 from Valiant Comics, written by Max Bemis, art by Nathan Stockman. In this, we are picking up with Savage, a wild little boy who was left in a dinosaur land and came to the present. Now he's a social media star. Don't worry. There's still dinosaur battles in this book. I thought this was a lot of fun. What did you guys think? Pete:                Yeah. I- Justin:              Yeah. This … Pete:                Go ahead. Justin:              This is a lot fun. It reminds me of back in the day, the Ultraverse line of comics. This feels like strong pitch, strong concept, mixing a classic sort of comic book trope with a modern spin on it, and then the story's just really fun. Pete:                Yeah. I agree. It's fun to see kind of Savage exist now and how that would kind of look a little bit, but I'm glad that we still get to kind of see Savage do what Savage enjoys doing- Justin:              What Savage do. Pete:                … and it was … Yeah. The art's unbelievable. This is a very visually pleasing book, and it really delivers. Justin:              Oh, pleasing. So pleasing. Pete:                Yeah. Alex:                 Pete's not having any of it tonight. Justin:              Yeah. Alex:                 All right. Let's move on, talk about- Justin:              He's displeased. Pete:                Also, I'm very excited. We talked to Cullen Bunn about Shadowman, and we get a little peak of this in this. So I'm very excited about what that's going to be like. Alex:                 There you go. Guardians of the Galaxy #11 from Marvel, written by Al Ewing, art by Juan Cabal. In this issue, this is the second-to-lat issue, I believe, of this run on Guardians of the Galaxy. They are facing down dark olympian gods. Star Lord has been through some very weird stuff that's affecting him here. I know we haven't really can keeping up with this book. So what'd you think about this issue? Justin:              I feel like the Guardians of the Galaxy are the most emotional team in comic books. They're an emotion-first team, and this book is it. All the characters are just wide open talking about what they're going through, and they're like “We have to fight, but I really want to talk about this,” and I appreciate that. They're fully therapeutic. They're getting it out there. They're telling it like it is, and the art's wonderful. It really is a ragtag group of characters. Just it's used very well. Alex:                 Yeah. Pete? Pete:                Yeah. I mean, it's a lot of fun. Art's unbelievable. Yeah. Alex:                 Great. Great stuff. Stillwater #6 from Image Comics, written by Chip Zdarsky, art by Ramón K. Pérez. This is a big flashback issue kicking off of the cliffhanger from the last issue where a bunch of military dudes were right outside the town where nobody dies. In this issue, we find out how they got there, what's going on with it. As we talked to Chip Zdarsky about on the live show, the danger and the action ramps up in a big way in this book really quickly, which I continue to find very impressive. Justin:              Yeah. He's really done a good job of setting up a very explosive environment, the politics of Stillwater. Now we have these military guys on the outside of town. Our main character sort of doesn't want to be there, is unsettled. That combined with Ramón Pérez's very pastoral art, I think, makes for just a nice juxtaposition, and I like this book a lot. Pete:                Yeah. I agree. Just when you think “Okay. This is what's going,” it really amps it up even more. Art is unbelievable, and the kind of going between times, the adjustments it makes there, but also just in its storytelling and its panel movement … I cannot believe “Okay. Oh, sure. Yeah. Nobody dies. Okay. Oh, yeah, but now we're going to deal with this thing.” It's like “Wait. What?” It just keeps kind of keeping the action going, and it's crazy in all the right ways. Alex:                 All right. Now it is time for our Future State block as we have been doing the past couple of weeks. We've read through every single issue that came out from DC in Future State this week. We're not going to talk about all of them, but we're going to talk about some highlights, but if you're wondering what came out, we got Future State: Superman: Worlds of War #2, Immortal Wonder Woman #2, The Next Batman #4, Catwoman #2, Nightwing #2, and Shazam #2. So let's call some stuff out. Pete just dropped something on the floor. I don't know what's going on. Pete:                Yeah. I just accidentally dropped a pencil. I- Justin:              A pencil? Pete:                Yeah. Justin:              Oh, no. Alex:                 Were you writing on your phone with a pencil? Pete:                No. Justin:              But Pete, what about your sketching? Pete:                [inaudible 00:21:27]. Alex:                 Not a lot of people know this, actually, but Pete does these very funny caricatures of us during taping The Stack, and it's a delight. Justin:              You got to release those, Pete, because honestly, you're like the Colossus, famously a painter, of the podcast. Pete:                Sure. Sure. Anyways, so I really liked The Next Batman #4. I mean, having a black Batman is a great idea, but the part where Batman's just like “Listen. I'm going to be real with you guys,” I was like “Oh, this is so much fun,” but I really like how this is different. You know what I mean? Because Batman in this book has parents and is willing to maybe stab his mom to get what he needs to get done and keep Gotham safe, and I don't know if our Batman would do that. Pete:                So it's nice to see this Batman really stepping it up and be like “Sorry, ma. Sometimes you got to stab somebody for your beliefs,” and I don't know. I just think this is … The Future State here, I'm still having a lot of fun with the choices that they're making with these heroes, and this, The Next Batman, I'm having a great time with. Justin:              Well, it wasn't my favorite of the week, but I want to throw it to Nightwing #2, just piggybacking on Pete's comment, because Nightwing #2 features of this new Batman and Nightwing, and I love the dynamic that's created here, where our new Batman is sort of deferential to Nightwing. He's like “I'm just sort of figuring this out right now,” and Nightwing's like “I get it,” but our new Batman refuses to leave his side despite the fac that Nightwing … It's a great flip of the dynamic of Batman usually being in the leadership role and Nightwing being more of a sidekick. I just hadn't seen that before, and it really caught me off guard in a good way. Alex:                 So what was your favorite of the week then, Justin? Justin:              Superman: Worlds of War #2. This story- Pete:                Oh, yeah. Can we talk about it? Justin:              This story by Phillip Kennedy Johnson at the front end of this book is so fucking good. He just boils down Superman and Clark Kent to just … I'll tell you about what happened if you haven't read it. There are these two kids are sort of in Smallville exploring the area. They walk to the original Kent farm. In this world, obviously Superman's revealed that he's Clark Kent. Justin:              So they're trying to find the original Kent farm, because everybody knows he's Superman, and the main girl is recounting an article she read that Clark Kent wrote about the town, and it's so good, so interesting, about a soldier that went to war and how it affected his life, juxtaposed with images of Superman on Warworld just fighting, sacrificing everything to free some people who have been captured on Warworld against Mongul, and it's just … It's beautiful. It's drawn beautifully. It's so smartly written. It's so good. Pete:                I want to take a moment just to talk about the art alone. I mean, unbelievable, just absolutely. The character designs, Mongul and Superman, their faces … Just it fits so well with the story in such a great way. The paneling, the art flow … It's really, really well done. I was really impressed with this book. Alex:                 I'm surprised, Pete, that you didn't call out Michael Avon Oeming's art on the Midnighter story towards the back of this book, because we get kind of a little Midnighter going through time, and that seems exactly your jam. Pete:                Oh, yeah. Yeah. I mean, yeah. If we can talk about that for a little bit, I mean- Justin:              No. I'm so sorry. We just ran out of time [inaudible 00:25:19]. We don't have time to talk about it. Pete:                Yeah. I thought that was unbelievable. Obviously, I'm a huge Midnighter fan, but just what a cool concept, and Oeming … His art is just fantastic. Justin:              I particularly like the old and young Midnighter versions that Oeming draws here. Alex:                 Super fun. It was really hard for me to choose, this week. I think, again, this is a very strong week for the Future State books. I kind of want to go for Immortal Wonder Woman #2 just because- Justin:              Another great book. Alex:                 … I think it was a gorgeous story, Becky Cloonan and Michael W. Conrad, art by Jen Bartel, of Wonder Woman being the, I guess, second-to-last person in the universe, and it's just, like a lot of these things, a mission statement on Wonder Woman and what she means, but the one that I kind of left until the end and that I was like “Oh, right,” … The first issue of this was awesome, Shazam #2- Justin:              I knew you were going to say it. Pete:                Yeah. Alex:                 … by Tim Sheridan and Eduardo Pansica. Fucking great. So good. Justin:              Dark. Dark take. Alex:                 Oh, so dark. This is like the darkest Shazam story I've ever read in my life, but I love it, and I love the cliffhanger that it ends off up on, the way that the characters are drawn, just terrifying throughout, of Shazam and Billy Batson being split apart, where it leaves off, where it's leading into this Future State Black Adam book. Just put it in my veins. I'm having a blast reading it. Justin:              I agree. I liked that too, and I know we weren't going to talk about all of them, but I got to throw it out to Future State Catwoman #2 as well- Alex:                 Great. Justin:              … because it's a great story. It's a train robbery. We get to see Batman, Bruce Wayne, show up. Everyone thought he was dead. Catwoman reunites with him, such a great moment, great action. Onomatopoeias there for some reason, but it's very cool. It was just great. Alex:                 Yeah. I've been reading this book. The fact that it's all set on a train, did you feel like it was more of a Snowpiercer kind of book? Justin:              Oh, yes. That's what. I was like “Where's all the snow? They should be just piercing each flake?” Pete:                I did want to ask. In Immortal Wonder Woman, the art is so amazing, and I was like “What is this reminding me of.” It reminds me a little bit of She-Ra: Princess of Power on Netflix. The way the art kind of jumps off the page is really impressive, and I really liked it. Alex:                 Good stuff. Justin:              It reminded me a little bit of the Green Lantern book that we love so much, Far Sector. Pete:                Oh, yeah. Alex:                 All right. Let's move on, because we have a lot of other books to talk about. Thor #12 from Marvel, written by Donny Cates, art by Nic Klein, another one of my favorite books of the month, because you got Throg and Lockjaw in a huge fight with Donald Blake, who has [crosstalk 00:28:03]. So much fun just fighting through dimensions, just a blast to read, also so dark, but great. Pete:                The art and the way Throg is drawn … Some of the action stuff is just so phenomenal, like him catching the hammer. I had so much fun with this book. I didn't know it would be this great. I was really, really impressed. This was such a great comic. Justin:              I mean, time to redo your frog power rankings- Pete:                Yeah. Dude, are you kidding me? Justin:              … because Throg's rise, overtaking the WB frog, Kermit the, really just jumping in here with a big hammer swing. Alex:                 I want to give a particular shout out though to the first double-page … I think it's a double-page [inaudible 00:28:48], or maybe it's a single page, which shows a dissected, cut-open frog- Pete:                Oh, no. Justin:              Yeah. It's the first page of the issue. Alex:                 … with Throg's narration, and it's talking about the legacy of Throg and all the things that he's done and how he'll always be remembered, and you're reading that, and you're like “No. What happened? What did I miss? This is terrible,” and then if you flip to the next page, it's like “But he will not die today,” and you're like “Oh, you son of a bitch, Donny Cates.” Great, just a great, fun little feint right there at the top of the book, just delightful to read. Justin:              Well, it's very fun to have Throg be such a badass but also Throg get his little tail-less ass kicked in the middle of the issue, but Donny Cates is having so much fun in all of his work, really, but this issue particularly, and then the last panel I thought- Pete:                Oh, man. Justin:              I thought it was so cool, and this is a shout out to anybody, I don't know, for maybe one person who listens to this podcast, but Odin at the end of this issue looks like Key lime pie Steve, who drinks in B61 back in the day, a bar I used to bartend at, so much that it took me out of the issue for a hot sec. Pete:                Wow. Alex:                 That's amazing. Let's move on to another book then, Excellence #10 from Image Comics, written by Brandon Thomas, art by Khary Randolph. We've been loving this book, which is a very different, very spectacular take on magic. In this book, our main character is still on the run, still in bigger trouble every single issue. As we talked about with the last couple, they not exactly stepped away from this, but sort of layered this in without explicitly saying how much this book was about race and racism, and now they're starting to hit it hard, and it is so good. Pete:                This is phenomenal. I mean, the art and the paneling and the storytelling is great, the action sequences. I mean, there's this one page where someone gets just Street Fighter punched and is like “Fuck what you thought.” I've wanted to do that to somebody for so long. It's just so great, so much fun. Justin:              Sonic boom. You want to sonic boom someone. Pete:                Oh, man, do I. Justin:              Yes. I mean, I agree. The way this comic approaches race is so smart, so good, but I don't want to lose the other side of it. The way this comic approaches magic is also just a philosophizing about it and really going deep on all of the subjects that are sort of on the table in this comic. It really just is such a smartly written book and beautifully drawn. One of my favorites. Alex:                 Next up, Once & Future #16 from Boom! Studios, written by Kieron Gillen, art by Dan Mora. Pete, there's a badass grandma in this one. You want to talk about this book? Pete:                I mean, if you're not- Alex:                 You love grannies. Pete:                If you're not reading this book- Alex:                 You've got a real grandma fetish, one might say. Go ahead. Justin:              Yeah. Pete:                If you're not reading this book at this point, I don't know what's wrong with you. This book is just magic. Every time, every issue, unbelievable art, unbelievable storytelling, action packed, twisting and turning stories that you know and love in different ways. Yeah. I cannot wait for this to be a movie or a TV show. I need more Once & Future in my life. Justin:              “If you're not dating a badass grandma at this point, what are you doing with your life,” Pete says and wonders. This is maybe the most consistent comic book on the stands right now, and I mean that in a good way. Alex:                 Yeah. I agree. This issue continues to be great, unfolding the mythology of the book. Super, super fun. Alex:                 Let's move on to one I'm very excited to chat with both of you about for very different reasons, X-Men Legends #1 from Marvel, written by Fabian Nicieza, art by Brett Booth. Here's what this book is. First of all, this is a new book that Marvel is launching which finishes or continues stories that are in continuity. This is an in-continuity X-Men story that Fabian Nicieza began almost 30 years ago and never got to finish about the third Summers brother, which, spoiler, we get confirmation here is in fact Adam X the X-Treme. Justin:              Finally. Alex:                 Finally. So the thing that I'm very curious about is this felt like the perfect synthesis of things that the two of you like about X-Men. Pete, it's a bunch of X-Men killing each other and fighting each other in classic style. Justin, Adam X the X-Treme is in it. What'd you guys think about this book? Justin:              I will not rest until Adam X the X-Treme is hanging out on Krakoa, because this guy's going to be the number-one get on fuck island. Alex:                 Didn't you like him? Am I wrong about that? Justin:              No. I mean, it's a very '90s character. He's a backwards- Pete:                It's Justin turned up to 11 is what it is. He's got his hat backwards. He's doing hand stands, wearing tight T-shirts. This is all Justin. Justin:              That's very funny, Pete, and maybe makes me rethink a lot of my self worth, but yeah. I mean, I do like the character. I liked the introduction of this character back in the day, and so I appreciate that they're going back and making it real, and also this comic looks like it happened already. This looks like it's straight out of the '90s. Pete:                Yeah. That's what I thought. Justin:              [crosstalk 00:34:20]. Alex:                 I got to tell you. When I was putting together the stack and sending stuff to you guys, I looked this is, and I was like “Is this a reprint? What's happening? Is this a reprint? What's going on?”- Pete:                Yeah. That's what I thought. Alex:                 … and I did way too much research for just sending you guys a comic to be like “I got to make 100 percent sure this is actually a new book and not something that came out 30 years ago.” Justin:              But let me say the meticulous dedication to the poses that Cyclops is in are straight out of the '90s. Cable shows up here for sort of no reason. The Starjammers are in this, and it's like “Oh, of course. Why not?” They're just hanging around. It's perfect. It's a perfect version of what it is. Pete:                I thought this was a reprint, and then I scrolled down. I was like “Oh. Jordan D. White. This is real. Let's go.” Alex:                 What'd you think, Pete? Pete:                This was just '90s, over-the-top stuff, and I was just like “You know, it's a fun blast from the past,” like “Oh, I remember when comics-“ Alex:                 What do you want, Pete? What do you want out of an X-Men book? Justin:              What makes you happy? Alex:                 I don't even understand at this point. Pete:                You know, I was like “Yeah, but we've evolved from this. Why would you go back here?” Justin:              What? Just because hub cap and tippy toe and the other Joes aren't in this, can't you enjoy this for what it is? Pete:                First off, G.I. Joe and X-Men are completely different. How dare you? Alex:                 Are they? They both have very stupid names. Pete:                Sure. Sure. That doesn't mean that they are stupid though. Justin:              That's true. The thing is, all the X-Men are named non-compound words, and all the G.I. Joes are named compound words. Pete:                Yeah. Yeah. Alex:                 Great. I'm glad we settled that. Let's move on and talk about Aria: Heavenly Creatures from Image Comics- Pete:                Oh, here we go. Alex:                 … written by Brian Holguin, art by Jay Anacleto and Brian Haberlin. This is a very Top Cow book. Pete:                What is this? What did you make us do here? Alex:                 It's a very Top Cow book. It's about- Justin:              Perhaps the most Top Cow book. Alex:                 Yes. It's a fairy teaming up kind of with a witchblade, but not exactly a witchblade, in Victorian times, and it's a little bit sexy, but not too sexy. So you can feel okay reading it but be like- Pete:                No. You shouldn't. Alex:                 … “Oh, this is sexy.” Pete:                You shouldn't feel okay reading it. Alex:                 I don't know. I enjoyed reading this. I was surprised how much by the end I was like “Yeah. This is silly, but I'm having a fun time.” Justin:              Alex has been missing watching soft core pornography, apparently- Pete:                Yeah. I think so. Justin:              … because that's very- Pete:                This is just fucking boob comics. Justin:              Alex, because you put this in the stack, you should have to go read this on the Subway right now. Pete:                Yeah. You should. Yeah. You should- Justin:              You should have to go ride the Subway and read this. Pete:                … [crosstalk 00:36:54] up and down the line. Yeah. Alex:                 Yeah. Watching a little Skinemax on my phone while I'm doing it. Justin:              Just listening. Just listening to the Skinemax. That's all you need. Alex:                 Yeah. Okay. Pete:                Yeah. Watching USA Up All Night. Alex:                 Great. Justin:              Pete. Alex:                 Thanks for the review, guys. Justin:              No. I mean, the heart of this book … This book is … It has such a vibe. Pete:                It's just boobs. Justin:              Well, but there is a lot of that, but it has such a vibe, which I recognize that, and the art is so specific to what it is. I liked reading it. I'm not shitting on it, but it's very funny that you're like “This is good,” because there's a lot of poses where people be showing off their bodies. Alex:                 Me? No. I'm not saying it's good, necessarily. I'm just saying I had fun reading it. Justin:              This is the- Alex:                 There's a big Victorian werewolf who eats people. What? Justin:              Yeah. That part's cool. This is the OnlyFans of comic books, if you want to get in on that. Alex:                 The Last Ronin #2 from IDW, story by- Pete:                Here we go. Alex:                 … Kevin Eastman, Peter Laird, and Tom Waltz, script by Tom Waltz and Kevin Eastman, layouts by Kevin Eastman, pencils and inks by Esau and Isaac Escorza, Ben Bishop, and Kevin Eastman. This is, of course, continuing the story of the last turtle left alive. We got a cliffhanger in the last issue that April O'Neil is also alive, and we find out a lot more about that here. Pete, over to you. Pete:                All right. So first off, you can't have enough varying covers. You need varying covers. you need tons of them, and you need like 20 pages of it. No. I'm just so happy that Eastman and Laird have teamed back up to give us another turtle book. I could give a shit if it's any good or not. This is good. I'm loving every single moment of it, and it goes back to the black-and-white stuff. I am just in heaven, and it's just so great. I feel like I'm back in time and a little kid reading this in my bed. So it's just glorious, and I don't care if anybody doesn't like it or not. This is just my jam. Justin:              It's very funny that you say you feel like you're a little kid reading this, because this book is about being old, the images of Michelangelo, no longer a party dude, where he's just super wrinkly, he's all wrinkles, and they're just like “Remember? Oh, it's so great to be alive. Now we're old. I have a robot hand.” It's a wild read, but it's good. Alex:                 Yeah. I like this a lot. Definitely when it got to the flashback portion and the old-school turtles title, I was like “Oh, Pete's going to like this.” Pete:                Oh, my god. It was so great. Alex:                 But it's good. Like you're saying, there's a lot of danger there. There's a lot of nostalgia there. It's definitely way better than it could have been for a story that they had sitting on the shelf for decades at this point, but a lot of fun. Alex:                 Let's move on, talk about Black Widow #5 from Marvel, written by Kelly Thompson, art by Elena Casagrande with Rafael de Latorre. This, hands down, these fives issues, is one of the best Black Widow stories I have ever read in my entire life. Justin:              A hundred percent. I have loved this series so much. My favorite issue of the week. The way that this took Black Widow, who has sort of really tread this ground of “Well, someone captured her and erased her memories and reset her in a way that is difficult for her to come to grips with,” took that premise, and just emotionally elevated it to a point where you really feel for these characters, all of them. Even we have Hawkeye in here, who is straight up killing people, which I didn't know he did all the time. Maybe that was a special. Alex:                 Do you think he just kind of tapped people with his arrows? Pete:                Yeah. How did you- Justin:              Well, he usually hits them in the shoulder or the knee. In this, he's just like “Sorry, dude. Right in your frigging eye.” But you get to see him- Alex:                 Your good eye too. Justin:              Your good eye, your shooting eye. You get to see him be emotional here. You get to see Winter Soldier, which I love the Black Widow Winter, Soldier relationship. I look back fondly on the Ed Brubaker days of that, and to have it be sort of touched on here is super sad, but really, Black Widow … You're just feeling so much for her. I love the setup of the multiple Black Widows going forward. Truly, pick up this series. Alex:                 Pete? Pete:                Yeah. I mean, it's really great. The art's unbelievable. Amazing story, very touching. I really hope the movie is exactly like this run, and I will be very happy. Also- Justin:              Pete, that movie came out last year. Did you not watch it? Pete:                I didn't. I didn't. I was- Alex:                 Oh, really? It perfectly set up Falcon and the Winter Soldier, which also came out last year. Pete:                Huh. I guess I just was born today then, I guess. Alex:                 I guess so. Justin:              That's true. Alex:                 Anyway, before we- Pete:                I just want to point out though, they're on a carousel for one panel here, and there's a cat with this fish in his mouth, and I was just on a carousel with a cat and a fish in his mouth, and I didn't know that was a thing. So that was weird seeing that it's a real thing. Did you know that was a thing? Alex:                 What? Justin:              I don't know that what you just said is a thing. I don't know the words you said is a sentence. Pete:                Well, usually when you go on a carousel, they got horses, you got different animals you can ride, but I was like “Why the fuck is there a cat with a fish in its mouth that you can ride? This is crazy.” I've never seen it before, and then I went from riding that cat with a fish in his mouth to then seeing it in this comic book, and I was like “Life is weird.” Alex:                 Why were you at a carousel in the middle of a pandemic? Justin:              That's the real question. Pete:                Valentine's Day, and we had the carousel to ourselves, motherfuckers. Justin:              I bet you took- Alex:                 Oh, that is very romantic. Justin:              Yes. I bet you took a lot of carouselfies. Alex:                 Nice. Before we wrap up here, let's finish up with an accidental Kelly Thompson block. Sara the Teenage … Sara. Justin:              Sara. Pete:                Sara. Alex:                 Goodnight. Goodnight. Justin:              Sara the Teenage Human. Alex:                 Sabrina the Teenage Witch #2 from Archie Comics, written by Kelly Thompson, art by Veronica Fish and Andy Fish. This is finishing up the Something Wicked arc. Pete, you are showing us pictures of this cat and fish, but we cannot see them. They are too bright. Justin:              Yeah. Pete- Pete:                Okay. Well- Justin:              … I don't want to see all these Valentine's Day pictures. I know you have an active love and sex life. Please keep it to yourself. Alex:                 This is a good wrap-up to this book. I've really enjoyed it. I think, like we've talked about before, it's the perfect fusion of the Archie Comics style and the TV show style. It hits the nice middle ground there, and that continues with this issue. There's also a nice cliffhanger here that made me very poignant for the end of the Netflix series. Pete:                Yeah. I love this. This is really great, and to me, sometimes when you have these characters that are way in over their heads and fighting these battles they don't really belong in, Sabrina really pulls it off in a way that you can get behind and don't think it's like “Oh, this is just weird.” I'm really impressed with the way that they do Sabrina, not only in this comic, but in this run. So great. The art's unbelievable. Really fun storytelling, and makes me miss the TV show. Justin:              Yeah. Talking cat, but still good. Pete:                Oh, yeah. The talking cat was great. That line was really funny. Alex:                 If you'd like to support our show, patreon.com/comicbookclub. Also, we do a live show every Tuesday night at 7:00 PM to Crowdcast and YouTube. Come hang out. We would love to chat with you about comics. iTunes, Android, Spotify, Stitcher or the app of your choice to subscribe and listen to the show, @comicbooklive on Twitter, comicbookclublive.com for this podcast and many more. Alex:                 Until next time, we'll see you at the virtual comic book shop. Justin:              Hub cap. The post The Stack: GI Joe, Snow Angels And More appeared first on Comic Book Club. Support the show: https://www.patreon.com/comicbookclub See omnystudio.com/listener for privacy information.

This week on Melodics - we dive deep into the dark, melodic, beautiful, and powerful tracks across house & techno with your host Raskal. This week our 2nd Hour Guest Mix comes from LIMBO | RELASE (DAL) Listen on Soundcloud, Mixcloud, Youtube, Google & Apple
https://fanlink.to/Melodics207 Please give me a Follow on your Choice My new track Closure is available Now. Any Support is much appreciated.
Raskal Track : https://www.beatport.com/track/closure-original-mix/14032179 Follow LIMBO | RELASE everywhere.https://www.facebook.com/limborelease https://soundcloud.com/limborelease First Hour Tracks from: Gaston Zani, Amotik, Jon Hester, Eddie Hale, Fergus Sweetland, Kai van Dongen, Benjamin Damage, Jeroen Search, Gotshell, Mike Dehnert, Robert Hood, Eats Everything, Hattori Hanzo, Adam X, Tygapaw, Dense & Pika, Pitch!, Industrialyzer As Always you can follow me everywhere
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You may have heard America just had an election. Even though this tiny event was not covered too much by the media, it still inspired us to try out an interesting (and surprisingly difficult) exercise. So join us as we both choose our dream President, Vice-President, and full presidential cabinet, using only characters from the X-Men universe. But first, some general discussion of the actual election, and Trev shares some news about the upcoming returns of two fan-favorite X-characters...X-23, and everyone's favorite, Adam-X! facebook.com/daysoffuturepodcast Twitter & Instagram: @dofpodcast  

TRACKLIST=> bit.ly/SlamRadioGroup NYCTA is a project Adam X and Function have been pulling together, with many obstacles along the way, over the course of the last 10 years and this mix captures the essence of what they set out to achieve. It pays total homage to the sound and it's a sound that, in a scene where everything has already been largely reissued, hasn't had a light shone on it yet. Nugroove, yes. But this is much more than that. Though not overlooked in the history of electronic music when it comes to the early days of electro, hip hop and disco, New York City has been largely overlooked in it's contributions to the origins of techno and house music in America, while the cities of Detroit & Chicago have always taken most of the credit. Names like Joey Beltram, Frankie Bones, Lenny Dee, Tommy Musto, How & Little, Mundo Muzique, Damon Wild, Todd Terry, Kenny Dope, Ralphie Dee, Jimmy Crash, Rheji Burrell, Bobby Konders, Roger S, Blue Jean, L.B. Bad and of course Adam X were as instrumental in bringing both genres forward as the artists from the aforementioned cities. Tracklist: bit.ly/SlamRadioGroup Discover more episodes: https://soundcloud.com/soma/sets/slam-radio Subscribe on iTunes: itunes.apple.com/gb/podcast/slam-radio/id584845850 Keep up with SLAM: fanlink.to/Slam Keep up with Soma Records: fanlink.to/SomaRecords www.instagram.com/slam_djs/ www.facebook.com/SLAM.soma twitter.com/slam_djs Slam Radio is produced at www.glowcast.co.uk For syndication or radio queries, email conor@somarecords.com If you enjoy this music and like receiving it every week - if you want to support Slam as artists please consider making a small donation to the cause here: www.paypal.me/slamdjs

Comedians Ryan Dacalos and Adam X. Parsons join us to talk about the good old days of the New Jersey/Brooklyn Nets. #Brooklyn #BrooklynNets #comedians #nba #bubble #sports #rootforlaundry --- Support this podcast: https://anchor.fm/rootforlaundry/support

**TRACKLIST + a place to discuss and stay up to date with Slam Radio=> bit.ly/SlamRadioGroup P.LEONE (E-MISSIONS, REKIDS, WORK THEM RECORDS) P.Leone is a musician, DJ and producer hailing from South Brooklyn, New York. He started DJing when he was 20, with the clubs of the Lower East Side proving a fertile stomping ground for his blend of hip-hop, experimental and disco. As his tastes developed, he soon immersed himself in the city's renowned house and techno scene, with Frankie Bones, Adam X, Derrick May and Dave Clarke among those who would make a lasting impression. https://www.residentadvisor.net/dj/pleone-us https://soundcloud.com/p_leone Listen to all Slam Radio shows here soundcloud.com/soma/sets/slam-radio facebook.com/Slam.soma instagram.com/slam_djs twitter.com/slamdjs slam-djs.com Subscribe on Spotify: bit.ly/SlamRadioOnSpotify Subscribe on iTunes: itunes.apple.com/gb/podcast/slam-radio/id584845850 113104 Slam Radio is produced at www.glowcast.co.uk For syndication or radio queries, email conor@somarecords.com

In which the Xavier Institute for Higher Learning should really be the setting of a stoner comedy; Garrabed Bashur’s brain is probably 90% porn by now; the tide always takes the castle; William Drake remains terrible; Adam X the X-Treme deserved better; Jay pitches a series; disability is not a boolean and exclusively medically-defined state; and we are all about some weird X-Men tie-in products.

Mantas T.(Partyzanai) vinyl only mix for Pure Echo podcast series series. More info: www.partyzanai.com

Proud Brooklynite Adam X is one of the most pivotal figures in techno. As a founding father of the US rave scene with his brother Frankie Bones, he played hard and fast in the early years before losing himself in industrial. Having very much driven the revival of interest in that style, he remains at the sharp edge of the scene from his current home in Berlin, where he continues to turn out raw and visceral sounds on his Sonic Groove label. To read in depth about his backstory, check out the recent feature we did with Adam while you dive into his podcast on www.dekmantel.com. It is a timeless two hour selection that covers deeper techno as well as the sheet metal synths and hammering beats Adam is known for. Strobe lit, sweaty and grimy, it oozes the sort of realness that has always separated him from the crowd.

In preparation for SYNTH FEST 4, Cervello Elettronico has curated a mix of Mexican artists and producers. ÑAKA ÑAKA, Machino, Turning Torso, Practice, AXKAN, Eafhm, Luis Flores Musik Dealer, Seedorf, Israel Toledo, Ultraknife, Demian Licht & Eomac SYNTH FEST 4 La cuarta edición de nuestro festival nos presentara 5 proyectos con diferentes estilos en lo que promete ser el mejor Synth Fest . SHE PAST AWAY Es una banda descrita como la "nueva ola oscura" en artículos y reseñas de todo el mundo. Su música compila elementos del lado oscuro, sensacional de los años 80, a menudo asociados con The Sister Oficina Mercy, The Cure, Joy Division, Clan Of Xymox, Grauzone, y DAF. SPA trae de vuelta esa era con el enfoque de hoy y las letras turcas que le da a la banda esa ventaja única. La banda se formó en 2006 y lanzó el EP digital "Kasvetli Kutlama" en 2010. El álbum debut "Belirdi Gece" fue lanzado en 2012 y "Narin Yalnızlık" LP in 2015. Regresa después de mas de 2 años con nueva produccion que sera lanzado en el primer semestre del 2019. Su actuacion en el 2017 en CDMX fue un exito total logrando un sold out. MR. KITTY (SELF-DESTRUCTIVE SYNTHPOP) Banda formada por los artista electrónico Forrest Lemarie e Isacc Ross con ritmos variados que van del synth pop a la música dance y con una letras cargadas de emociones se presenta por segunda ocasión en nuestro festival para enceder la pista de baile con la energía que emana este duo. CERVELLO ELETTRÓNICO Cervello Elettronico es el hijo del "cerebro eléctrico" del productor de tecno industrial David Christian, quien se ha hecho un nombre con numerosas presentaciones en vivo en todo el mundo que comparten espacios únicos y se abren en actos tan legendarios como Meat Beat Manifesto, Rhys Fulber. Adam X, y Lenny Dee. Su sonido único está profundamente arraigado en la música basada en muestras, pero ha explorado diferentes generaciones a través de los años, como EBM, Rhythmic Noise y, más recientemente, el techno minimal oscuro. WEIRD CANDLE Banda fundada en 2013 por Robert Katerwol & Kaleb Blagdon componen con una variedad de sintetizadores digitales y analógicos y cajas de ritmos. ¡Weird Candle crea ritmos pesados sobre melodías oscuras bajo un velo de temas líricos como realidades paralelas bizarras, subculturas oscuras, lo oculto y una lujuria por todo lo que es EXTRAÑO! REVERBS Banda formada por Tulus en las voces y teclado, Joy en la batería y Dion en el bajo , originarios del estado de Mexico seran los encargados de dar inico a nuestro festival. -------------------------------------------------------------------------------------- Sábado 3 de Agosto 2019 Foro Indie Rocks! Donativo preventa: $780 Día del evento: $850 Preventas físicas en: *NECROSIS METAL STORE Plaza San Cosme, Ribera de San Cosme #28 Planta Baja, locales 73 y 36 Al fondo del pasillo central. Abierto diario de 12 a 20 hrs. Excepto sábado (13 a 20 hrs). Teléfonos: 5570574059 65906444 *FORO INDIE ROCKS! Zacatecas #39 Colonia Roma Norte. Lunes a viernes de 10 a 6 pm. ------------------------------------------------------------------------------------- TRANSFERENCIA BANCARIAS -DEPOSITOS BANCO Y OXXO CLABE :012180015249591600 TARJETA :4152313491239328 BANCO : BANCOMER A NOMBRE DE : SONIA ALEJANDRA LOPEZ M https://www.facebook.com/events/698011077249866

In which writer Fabian Nicieza joins us to talk ‘90s crossovers, narrative legacies, and what Adam X’s word balloons really sound like! For more information on this and other episodes, check out xplainthexmen.com!

The 80th ediition of the Podcast is presented by Wunderblock itself. Welcome to the 1-hour roller-coaster of fresh industrial techno grooves with some old-school mashups. Special thanx to all featured artists and labels: Stin Scatzor, Blush Response, Konkurs, Adam X, Eschaton (Ancient Methods & Orphx), Thomas P. Heckmann, ANFS, Codex Empire, Tomohiko Sagae, Kobosil, Steve Stoll, Voidloss, RE_P, Death Abyss, Pop Will Eat Itself, Trigger, Duo Alias, PRZ, LA Style, Ministry / Revolting Cocks, Front 242, Nine Inch Nails, Hypnoskull, Detention; Ant-Zen, Aufnahme + Wiedergabe, Rodz-Konez, Wax Trax! Records, Hands, Parabola, Soma Records, New York Trax, RND.Records, Taro Records, Variance, Reclaim Your City, Black Carpet, Vanila, Token. LISTEN / DOWNLOAD on SC: soundcloud.com/ill-doggy/wunde...dcast-080-wp080 JOIN the Podcast event on FB: ow.ly/VOZn50qiwKB LISTEN on Mixcloud: ow.ly/HTUO50qixlZ DOWNLOAD on Hearthis: ow.ly/RSMu50qiwKF SUBSCRIBE via iTunes: ow.ly/Fy7h50qiwKy #wunderblock #podcast #WP080 #techno #industrial #EBM #underground #djset #radio

The 80th ediition of the Podcast is presented by Wunderblock itself. Welcome to the 1-hour roller-coaster of fresh industrial techno grooves with some old-school mashups. Special thanx to all featured artists and labels: Stin Scatzor, Blush Response, Konkurs, Adam X, Eschaton (Ancient Methods & Orphx), Thomas P. Heckmann, ANFS, Codex Empire, Tomohiko Sagae, Kobosil, Steve Stoll, Voidloss, RE_P, Death Abyss, Pop Will Eat Itself, Trigger, Duo Alias, PRZ, LA Style, Ministry / Revolting Cocks, Front 242, Nine Inch Nails, Hypnoskull, Detention; Ant-Zen, Aufnahme + Wiedergabe, Rodz-Konez, Wax Trax! Records, Hands, Parabola, Soma Records, New York Trax, RND.Records, Taro Records, Variance, Reclaim Your City, Black Carpet, Vanila, Token. LISTEN / DOWNLOAD on SC: soundcloud.com/ill-doggy/wunde...dcast-080-wp080 JOIN the Podcast event on FB: ow.ly/VOZn50qiwKB LISTEN on Mixcloud: ow.ly/HTUO50qixlZ DOWNLOAD on Hearthis: ow.ly/RSMu50qiwKF SUBSCRIBE via iTunes: ow.ly/Fy7h50qiwKy #wunderblock #podcast #WP080 #techno #industrial #EBM #underground #djset #radio

The 80th ediition of the Podcast is presented by Wunderblock itself. Welcome to the 1-hour roller-coaster of fresh industrial techno grooves with some old-school mashups. Special thanx to all featured artists and labels: Stin Scatzor, Blush Response, Konkurs, Adam X, Eschaton (Ancient Methods & Orphx), Thomas P. Heckmann, ANFS, Codex Empire, Tomohiko Sagae, Kobosil, Steve Stoll, Voidloss, RE_P, Death Abyss, Pop Will Eat Itself, Trigger, Duo Alias, PRZ, LA Style, Ministry / Revolting Cocks, Front 242, Nine Inch Nails, Hypnoskull, Detention; Ant-Zen, Aufnahme + Wiedergabe, Rodz-Konez, Wax Trax! Records, Hands, Parabola, Soma Records, New York Trax, RND.Records, Taro Records, Variance, Reclaim Your City, Black Carpet, Vanila, Token. LISTEN / DOWNLOAD on SC: soundcloud.com/ill-doggy/wunde...dcast-080-wp080 JOIN the Podcast event on FB: ow.ly/VOZn50qiwKB LISTEN on Mixcloud: ow.ly/HTUO50qixlZ DOWNLOAD on Hearthis: ow.ly/RSMu50qiwKF SUBSCRIBE via iTunes: ow.ly/Fy7h50qiwKy #wunderblock #podcast #WP080 #techno #industrial #EBM #underground #djset #radio

Episode Notes Let's chug some Mountain Dew, hit a sick kick flip, and talk about how our parents just don't understand us. We got Dan McMahon here with us to talk about Adam-X the X-Treme.Ranked this Episode: X-Force Annual #2 Captain Marvel #2-#3 X-Men #39 (Adam-X the X-Treme Goes Camping) Check out Dan's podcast Super SonsHere's that Adam-X comic I madeCheck out the Battle of the Atom Master Ranking List!New content every week on XavierFiles.comFollow Zack and Adam on Twitter @Xavier Files and @arthurstacy!Our theme music is Junk Factory from the X-Men Arcade Game by Seiichi Fukami, Yuji Takenouchi, Junya Nakano, and Ayako Hashimoto.Cover art is by Adam Reck after Dave CockrumIf you want to support the show make sure you rate and review the show or check out our Patreon!

Episode Notes Incrediably excited to share this one with you folks. You might know him from X-Force, X-Men, Cable & Deadpool. It is legendary comicbook creator Fabian Nicieza. We talk about so many cool things like Shatterstar, Adam-X the X-Treme, and a secret Gambit project that the internet has no record of. Frankly, it is a wild interview.Check out Fabian's new comic Outrage! It's free!Check out the Battle of the Atom Master Ranking List!New content every week on XavierFiles.comFollow Zack and Adam on Twitter @Xavier Files and @arthurstacy!Our theme music is Junk Factory from the X-Men Arcade Game by Seiichi Fukami, Yuji Takenouchi, Junya Nakano, and Ayako Hashimoto.Cover art is by Adam Reck after Dave CockrumIf you want to support the show make sure you rate and review the show or check out our Patreon!

Van Der é o nome artístico de Vanderley Neves. Natural de São Tomé e Príncipe mas português de gema, este rapaz de 28 anos é um exemplo. Cresceu em bairros de lata, onde habitavam comunidades africanas que viram muitos emigrar para procurar melhores condições de vida. Apesar das adversidades, nunca abandonou a escola, e, aos 18 anos, decidiu ingressar em Sociologia, uma experiência que marcou e influenciou os seus caminhos. Desde sempre, Van Der esteve em contacto com sonoridades africanas: “estava constantemente exposto à música africana, inclusivamente eletrónica, como por exemplo o kuduro, cujos fundadores são o Tony Amado e o Sebem. Estes dois padrinhos do kuduro inspiraram-se em ‘raves’ no ocidente, e tentaram recriar o mesmo som em Angola”. No entanto, o “bicho” despertou graças ao seu primo, o atual DJ Marfox, que, ao gravar-lhe cds, incluiu três mixes de Carl Cox. Depois, por volta de 2007, quando começou a ouvir a rádio Mix.Fm, apaixonou-se definitivamente pela música eletrónica. Gostava mas ainda não a sabia definir, até que, graças a um amigo, conheceu a música de Sven Väth. Aí, Van Der entendeu o techno. Através deste estilo foi conhecendo outros artistas que o ajudaram a crescer enquanto dj, mas isto não quer dizer que continuem a ter influência direta na sua música. "Atualmente tenho muitas referências, e quanto mais descubro, mais tenho. Existem muitos projetos de qualidade que têm explorado a música eletrónica e o techno em particular, elevando-o para novas formas de interpretar o género. O techno é futurista." Quando falámos sobre ídolos com quem gostaria de partilhar a cabine, Van Der fala de nomes como Stanislav Tolkachev, Surgeon, Adam X, entre outros, pois afirma que têm contribuído de forma muito positiva para a cena musical através dos seus selos. Relativamente à música eletrónica em Portugal, Van Der acredita que existe muito consumo mas pouca produção, e que, pelo menos em Lisboa, há poucas alternativas devido às dificuldades impostas: “É necessário maior apoio à cultura [em Portugal]. Os projetos têm dificuldade em se estabelecer porque existem vários constrangimentos e burocracias. Existem muitos de qualidade que têm tentado desenvolver o seu trabalho”. No que toca a projetos, Van Der é o seu principal, totalmente dedicado a um lado mais underground. Mas Vanderley é também um dos fundadores do Escuro, um coletivo de música eletrónica que pretende também trazer algo de novo à noite lisboeta menos mainstream. No futuro, pretende consolidar-se enquanto artista e editar música. Pelo meio, não garante que se vá manter por Portugal. Relativamente ao set que preparou para este episódio de N’A Cabine, Van Der mantém-se fiel a si próprio, afastado daquilo que se ouve na maioria das festas de techno. Como artista gosta de explorar várias dimensões da música eletrónica experimental, e remata que aprecia “a liberdade de explorar a minha criatividade, de acordo com o que interpreto da ocasião para que vou mixar. Este set, penso que estará mais virado para o clubbing“.

OS Paranoyd began to approach at the world of clubbing, as a customer, in the early 2000s, attending some parties that at that time were innovative in Italy, stay to impressed by one of the most important DJs on the music scene, Craig Richards. He has undertooking the djing road through various electronic currents, both in production and in DJ sets, until today, discovering a wild passion for techno music, especially preferring raw sounds and pressing rhythms. To some years he has been part of the "MxLab" project in Milan, where he is still a resident dj and where he was able to share the console with international artists such as Ontal, Adam X, Ansome and many others. Follow OS PARANOYD here : Facebook : https://www.facebook.com/OS-Paranoyd-116167431772508/ Soundcloud : https://soundcloud.com/os_paranoyd

On today's episode: Mikey doesn't know the rules of Iron Chef, Charlie forgets that the main characters on the Dukes of Hazzard were all related, and we both take a walk down the Wildways. Topics Discussed: The Rad Cosplay That Started It All, The New Mutants of Hazzard, Magical Girl Monster of the Week, Mikey Can't Pronounce Giles, A Case for a Good Daken, Teenage Gambit: Maybe Worse Than Regular Gambit, Rachel Summers Is the Sarah Connors of the Marvel Universe, In the Mojoverse You Take the Good and the Bad, Mortally Bankrupt: Eldritch Horror of Reality TV the RPG, That One Episode of Supernatural, Who Gets the Rose & Who Gets Their Heart Shatterstar'd, A Spider-Person Who Won't Take Dr. Strange's Crap, Sometimes You Don't Need Super-Soldier Serum, Surprise Batman Beyond, A Compelling Pitch for Cosmic X-Men, Adam X is the Best, Iron Chef X-traordinare, Sushi Spiral, Equal Opportunity Smooches, Robotic Eyeballs: Just as Good as Normal Eyeballs

The Nation of Islam and other black nationalist groups are typically known for their male leaders. Men like the Honorable Elijah Muhammad and Minister Malcolm X or Martin Delany and Marcus Garvey are notable examples. But what about the work of black women in these groups? Ula Yvette Taylor’s new book, The Promise of Patriarchy: Women and the Nation of Islam (University of North Carolina Press, 2017), expands our knowledge of the role of black women from the Depression-era development of Allah Temple of Islam in Detroit to the formal group known as the Nation of Islam that expanded under the leadership in the 1960s and 1970s of the Honorable Elijah Muhammad. Women like Clara Muhammad, Burnsteen Sharrieff, and Thelma X Muhammad were essential to the development of the Nation of Islam’s goal of creating a black nation within the American nation. The Promise of Patriarchy shows how black women created notions of black womanhood and black motherhood that best helped them deal with the daily indignities of living in Jim Crow America. Ula Yvette Taylor is Professor and H. Michael and Jeanne Williams Department Chair in the African American Studies and African Diaspora Studies at University of California, Berkeley. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Nation of Islam and other black nationalist groups are typically known for their male leaders. Men like the Honorable Elijah Muhammad and Minister Malcolm X or Martin Delany and Marcus Garvey are notable examples. But what about the work of black women in these groups? Ula Yvette Taylor’s new book, The Promise of Patriarchy: Women and the Nation of Islam (University of North Carolina Press, 2017), expands our knowledge of the role of black women from the Depression-era development of Allah Temple of Islam in Detroit to the formal group known as the Nation of Islam that expanded under the leadership in the 1960s and 1970s of the Honorable Elijah Muhammad. Women like Clara Muhammad, Burnsteen Sharrieff, and Thelma X Muhammad were essential to the development of the Nation of Islam’s goal of creating a black nation within the American nation. The Promise of Patriarchy shows how black women created notions of black womanhood and black motherhood that best helped them deal with the daily indignities of living in Jim Crow America. Ula Yvette Taylor is Professor and H. Michael and Jeanne Williams Department Chair in the African American Studies and African Diaspora Studies at University of California, Berkeley. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Nation of Islam and other black nationalist groups are typically known for their male leaders. Men like the Honorable Elijah Muhammad and Minister Malcolm X or Martin Delany and Marcus Garvey are notable examples. But what about the work of black women in these groups? Ula Yvette Taylor’s new book, The Promise of Patriarchy: Women and the Nation of Islam (University of North Carolina Press, 2017), expands our knowledge of the role of black women from the Depression-era development of Allah Temple of Islam in Detroit to the formal group known as the Nation of Islam that expanded under the leadership in the 1960s and 1970s of the Honorable Elijah Muhammad. Women like Clara Muhammad, Burnsteen Sharrieff, and Thelma X Muhammad were essential to the development of the Nation of Islam’s goal of creating a black nation within the American nation. The Promise of Patriarchy shows how black women created notions of black womanhood and black motherhood that best helped them deal with the daily indignities of living in Jim Crow America. Ula Yvette Taylor is Professor and H. Michael and Jeanne Williams Department Chair in the African American Studies and African Diaspora Studies at University of California, Berkeley. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Nation of Islam and other black nationalist groups are typically known for their male leaders. Men like the Honorable Elijah Muhammad and Minister Malcolm X or Martin Delany and Marcus Garvey are notable examples. But what about the work of black women in these groups? Ula Yvette Taylor’s new book, The Promise of Patriarchy: Women and the Nation of Islam (University of North Carolina Press, 2017), expands our knowledge of the role of black women from the Depression-era development of Allah Temple of Islam in Detroit to the formal group known as the Nation of Islam that expanded under the leadership in the 1960s and 1970s of the Honorable Elijah Muhammad. Women like Clara Muhammad, Burnsteen Sharrieff, and Thelma X Muhammad were essential to the development of the Nation of Islam’s goal of creating a black nation within the American nation. The Promise of Patriarchy shows how black women created notions of black womanhood and black motherhood that best helped them deal with the daily indignities of living in Jim Crow America. Ula Yvette Taylor is Professor and H. Michael and Jeanne Williams Department Chair in the African American Studies and African Diaspora Studies at University of California, Berkeley. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Nation of Islam and other black nationalist groups are typically known for their male leaders. Men like the Honorable Elijah Muhammad and Minister Malcolm X or Martin Delany and Marcus Garvey are notable examples. But what about the work of black women in these groups? Ula Yvette Taylor's new book, The Promise of Patriarchy: Women and the Nation of Islam (University of North Carolina Press, 2017), expands our knowledge of the role of black women from the Depression-era development of Allah Temple of Islam in Detroit to the formal group known as the Nation of Islam that expanded under the leadership in the 1960s and 1970s of the Honorable Elijah Muhammad. Women like Clara Muhammad, Burnsteen Sharrieff, and Thelma X Muhammad were essential to the development of the Nation of Islam's goal of creating a black nation within the American nation. The Promise of Patriarchy shows how black women created notions of black womanhood and black motherhood that best helped them deal with the daily indignities of living in Jim Crow America. Ula Yvette Taylor is Professor and H. Michael and Jeanne Williams Department Chair in the African American Studies and African Diaspora Studies at University of California, Berkeley. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The Nation of Islam and other black nationalist groups are typically known for their male leaders. Men like the Honorable Elijah Muhammad and Minister Malcolm X or Martin Delany and Marcus Garvey are notable examples. But what about the work of black women in these groups? Ula Yvette Taylor’s new book, The Promise of Patriarchy: Women and the Nation of Islam (University of North Carolina Press, 2017), expands our knowledge of the role of black women from the Depression-era development of Allah Temple of Islam in Detroit to the formal group known as the Nation of Islam that expanded under the leadership in the 1960s and 1970s of the Honorable Elijah Muhammad. Women like Clara Muhammad, Burnsteen Sharrieff, and Thelma X Muhammad were essential to the development of the Nation of Islam’s goal of creating a black nation within the American nation. The Promise of Patriarchy shows how black women created notions of black womanhood and black motherhood that best helped them deal with the daily indignities of living in Jim Crow America. Ula Yvette Taylor is Professor and H. Michael and Jeanne Williams Department Chair in the African American Studies and African Diaspora Studies at University of California, Berkeley. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bringing in 2018 with the heat! The first TDS Radio show of 2018 is going to get hard and dirty. Opening the first hour, Techno Delivery Systems & Noisefloor - Chicago's very own Franktronik (Frank H. Payne). Frank's been keeping busy in Chicago and as always we look forward to what he's planning on bring to the table! Our featured guest on the show is Bombardier! We're super excited and flattered to have Jason on the show! If you haven't heard his album Fury, you're fucking missing out! I mean, shit...just peep the resume... Featured Set - 11pm Bombardier http://jasonjsnell.com/ https://www.discogs.com/artist/22546-Bombardier https://soundcloud.com/jasonjsnell https://www.facebook.com/SnellMusic/ https://jasonjsnell.bandcamp.com/ Jason Snell is a prolific multidisciplinary artist whose work spans the field of electronic music, technological development, and film. His primary project is Bombardier, which became a shaping influence on the hardcore and experimental music scenes of the late 90’s (Drop Bass Networks, Hangars Liquides, Vinyl Communications). His music explores elements of drum n bass, industrial, and techno, while always containing a signature sound that is uniquely his own. Bombardier has performed at shows and festivals throughout North America and Europe including DEMF and the main stage at Even Furthur. He has shared stages with artists of all genres including Perc, Fixmer McCarthy, Adam X, Cell Injection, Architect, Author & Punisher, Baseck, End User, Delta 9, and Christoph De Babalon. On the technological side, he had designed and built experimental interfaces for over 15 years, most notably creating an artificial intelligence for an iOS generative sequencer called Refraktions. He has coordinated with the Ableton team in implementing their Link technology into his apps and does regular user testing for Native Instruments in Berlin. His film work includes making musical scores for independent and horror films, the first of which premiered at Sundance. More recently he has moved into the director role with his first film “Fever” which was an official selection at the Berlin Independent Film Festival. Aliases: Bombardier, 13th Hour, Kamphetmine, Jason Snell, 5th of July, The Space Where She Was Opening Set - 10pm Franktronic Techno Delivery Systems Noisefloor - Chicago

Bringing in 2018 with the heat! The first TDS Radio show of 2018 is going to get hard and dirty. Opening the first hour, Techno Delivery Systems & Noisefloor - Chicago's very own Franktronik (Frank H. Payne). Frank's been keeping busy in Chicago and as always we look forward to what he's planning on bring to the table! Our featured guest on the show is Bombardier! We're super excited and flattered to have Jason on the show! If you haven't heard his album Fury, you're fucking missing out! I mean, shit...just peep the resume... Featured Set - 11pm Bombardier http://jasonjsnell.com/ https://www.discogs.com/artist/22546-Bombardier https://soundcloud.com/jasonjsnell https://www.facebook.com/SnellMusic/ https://jasonjsnell.bandcamp.com/ Jason Snell is a prolific multidisciplinary artist whose work spans the field of electronic music, technological development, and film. His primary project is Bombardier, which became a shaping influence on the hardcore and experimental music scenes of the late 90's (Drop Bass Networks, Hangars Liquides, Vinyl Communications). His music explores elements of drum n bass, industrial, and techno, while always containing a signature sound that is uniquely his own. Bombardier has performed at shows and festivals throughout North America and Europe including DEMF and the main stage at Even Furthur. He has shared stages with artists of all genres including Perc, Fixmer McCarthy, Adam X, Cell Injection, Architect, Author & Punisher, Baseck, End User, Delta 9, and Christoph De Babalon. On the technological side, he had designed and built experimental interfaces for over 15 years, most notably creating an artificial intelligence for an iOS generative sequencer called Refraktions. He has coordinated with the Ableton team in implementing their Link technology into his apps and does regular user testing for Native Instruments in Berlin. His film work includes making musical scores for independent and horror films, the first of which premiered at Sundance. More recently he has moved into the director role with his first film “Fever” which was an official selection at the Berlin Independent Film Festival. Aliases: Bombardier, 13th Hour, Kamphetmine, Jason Snell, 5th of July, The Space Where She Was Opening Set - 10pm Franktronic Techno Delivery Systems Noisefloor - Chicago

Bringing in 2018 with the heat! The first TDS Radio show of 2018 is going to get hard and dirty. Opening the first hour, Techno Delivery Systems & Noisefloor - Chicago's very own Franktronik (Frank H. Payne). Frank's been keeping busy in Chicago and as always we look forward to what he's planning on bring to the table! Our featured guest on the show is Bombardier! We're super excited and flattered to have Jason on the show! If you haven't heard his album Fury, you're fucking missing out! I mean, shit...just peep the resume... Featured Set - 11pm Bombardier http://jasonjsnell.com/ https://www.discogs.com/artist/22546-Bombardier https://soundcloud.com/jasonjsnell https://www.facebook.com/SnellMusic/ https://jasonjsnell.bandcamp.com/ Jason Snell is a prolific multidisciplinary artist whose work spans the field of electronic music, technological development, and film. His primary project is Bombardier, which became a shaping influence on the hardcore and experimental music scenes of the late 90’s (Drop Bass Networks, Hangars Liquides, Vinyl Communications). His music explores elements of drum n bass, industrial, and techno, while always containing a signature sound that is uniquely his own. Bombardier has performed at shows and festivals throughout North America and Europe including DEMF and the main stage at Even Furthur. He has shared stages with artists of all genres including Perc, Fixmer McCarthy, Adam X, Cell Injection, Architect, Author & Punisher, Baseck, End User, Delta 9, and Christoph De Babalon. On the technological side, he had designed and built experimental interfaces for over 15 years, most notably creating an artificial intelligence for an iOS generative sequencer called Refraktions. He has coordinated with the Ableton team in implementing their Link technology into his apps and does regular user testing for Native Instruments in Berlin. His film work includes making musical scores for independent and horror films, the first of which premiered at Sundance. More recently he has moved into the director role with his first film “Fever” which was an official selection at the Berlin Independent Film Festival. Aliases: Bombardier, 13th Hour, Kamphetmine, Jason Snell, 5th of July, The Space Where She Was Opening Set - 10pm Franktronic Techno Delivery Systems Noisefloor - Chicago

Tomz.db Tommaso Statella, aka Tomz.db, has always had, since childhood, a weakness for buttons and knobs. The idea to make something happen, pushing a simple button, have ever made him crazy. In 2006 founds HSPL, crew of producers with whom he began playing in squats, raves, and clubs. After 2 years, founded CROMEDROP Family, a collective that promotes electronic music themed events in Rome, surrounded by the most different forms of art. In 2009 creates Provocazioni Festival, an independent art and electronic music festival, attended by more than 5000 people each edition, confirming itself as one of the best independent events in the capital, promoting italian and international artists. Resident of the party Container ,he played with Djs like Dasha Rush, AnD, Adam X, Max Durante, Stanislav Tolkachev and others ,artists who influenced his music style shaping his sets between Acid and Industrial. SC : https://soundcloud.com/tomz FB : https://www.facebook.com/TomzDb/ Container brings our vision of clubbing around the city, proposing a journey through visual art and techno, exploring its Sub-genres, meeting step by step Italian and international artists. -FB : www.facebook.com/Container.project.Roma -YT : www.youtube.com/channel/UC4osKRARZ22dsu_pspg04PA -IG : www.instagram.com/containerproject/ -WS : containerprojectro.wixsite.com/container-project

Black Power was one of the most iconic movements of the twentieth century. Recent documentary treatments like The Black Power Mixtape 1967-1975 in 2011 and The Black Panthers: Vanguards of the Revolution in 2015 brought the Panthers into the households of a new generation. When combined with Beyonce’s 2016 Super Bowl halftime performance, the Black Power movement’s memory hit a high note upon its fiftieth anniversary. Ashley D. Farmer’s Remaking Black Power: How Black Women Transformed an Era (University of North Carolina Press Press, 2017) increases scholarly and mainstream audiences’ knowledge of black women’s centrality in theorizing and organizing Black Power and black nationalist circles throughout the majority of the twentieth century. Not only does Farmer’s work push our grasp of the black women who influenced the Black Power Movement from within, but Remaking Black Power is also the first comprehensive study of black women’s intellectual production throughout the Black Power era. What makes Remaking Black Power such a compelling history is that it uses similar source material as prior scholars, but Farmer uses them much differently. Accessing untapped sources of cartoons, political manifestos, and political essays, Farmer asserts that they were important sites which redefined black womanhood and ultimately black thought in general. As the Black Power movement grew throughout the world, black women were central to the movement’s expansive visions of black freedom and political organizing. Ultimately, Remaking Black Power deepens our understanding of what black intellectual history is, and what groups are considered “intellectuals.” Ashley D. Farmer is a historian of black women’s history, intellectual history, and radical politics. She is currently an Assistant Professor in the Department of History and the African American Studies Program at Boston University. Farmer also is a leader of the African American Intellectual History Society (AAIHS) and a regular blogger for Black Perspectives. Click here to read the introduction to Remaking Black Power. Ashley Farmer can be reached through Twitter at @drashleyfarmer Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black Power was one of the most iconic movements of the twentieth century. Recent documentary treatments like The Black Power Mixtape 1967-1975 in 2011 and The Black Panthers: Vanguards of the Revolution in 2015 brought the Panthers into the households of a new generation. When combined with Beyonce’s 2016 Super Bowl halftime performance, the Black Power movement’s memory hit a high note upon its fiftieth anniversary. Ashley D. Farmer’s Remaking Black Power: How Black Women Transformed an Era (University of North Carolina Press Press, 2017) increases scholarly and mainstream audiences’ knowledge of black women’s centrality in theorizing and organizing Black Power and black nationalist circles throughout the majority of the twentieth century. Not only does Farmer’s work push our grasp of the black women who influenced the Black Power Movement from within, but Remaking Black Power is also the first comprehensive study of black women’s intellectual production throughout the Black Power era. What makes Remaking Black Power such a compelling history is that it uses similar source material as prior scholars, but Farmer uses them much differently. Accessing untapped sources of cartoons, political manifestos, and political essays, Farmer asserts that they were important sites which redefined black womanhood and ultimately black thought in general. As the Black Power movement grew throughout the world, black women were central to the movement’s expansive visions of black freedom and political organizing. Ultimately, Remaking Black Power deepens our understanding of what black intellectual history is, and what groups are considered “intellectuals.” Ashley D. Farmer is a historian of black women’s history, intellectual history, and radical politics. She is currently an Assistant Professor in the Department of History and the African American Studies Program at Boston University. Farmer also is a leader of the African American Intellectual History Society (AAIHS) and a regular blogger for Black Perspectives. Click here to read the introduction to Remaking Black Power. Ashley Farmer can be reached through Twitter at @drashleyfarmer Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black Power was one of the most iconic movements of the twentieth century. Recent documentary treatments like The Black Power Mixtape 1967-1975 in 2011 and The Black Panthers: Vanguards of the Revolution in 2015 brought the Panthers into the households of a new generation. When combined with Beyonce’s 2016 Super Bowl halftime performance, the Black Power movement’s memory hit a high note upon its fiftieth anniversary. Ashley D. Farmer’s Remaking Black Power: How Black Women Transformed an Era (University of North Carolina Press Press, 2017) increases scholarly and mainstream audiences’ knowledge of black women’s centrality in theorizing and organizing Black Power and black nationalist circles throughout the majority of the twentieth century. Not only does Farmer’s work push our grasp of the black women who influenced the Black Power Movement from within, but Remaking Black Power is also the first comprehensive study of black women’s intellectual production throughout the Black Power era. What makes Remaking Black Power such a compelling history is that it uses similar source material as prior scholars, but Farmer uses them much differently. Accessing untapped sources of cartoons, political manifestos, and political essays, Farmer asserts that they were important sites which redefined black womanhood and ultimately black thought in general. As the Black Power movement grew throughout the world, black women were central to the movement’s expansive visions of black freedom and political organizing. Ultimately, Remaking Black Power deepens our understanding of what black intellectual history is, and what groups are considered “intellectuals.” Ashley D. Farmer is a historian of black women’s history, intellectual history, and radical politics. She is currently an Assistant Professor in the Department of History and the African American Studies Program at Boston University. Farmer also is a leader of the African American Intellectual History Society (AAIHS) and a regular blogger for Black Perspectives. Click here to read the introduction to Remaking Black Power. Ashley Farmer can be reached through Twitter at @drashleyfarmer Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black Power was one of the most iconic movements of the twentieth century. Recent documentary treatments like The Black Power Mixtape 1967-1975 in 2011 and The Black Panthers: Vanguards of the Revolution in 2015 brought the Panthers into the households of a new generation. When combined with Beyonce's 2016 Super Bowl halftime performance, the Black Power movement's memory hit a high note upon its fiftieth anniversary. Ashley D. Farmer's Remaking Black Power: How Black Women Transformed an Era (University of North Carolina Press Press, 2017) increases scholarly and mainstream audiences' knowledge of black women's centrality in theorizing and organizing Black Power and black nationalist circles throughout the majority of the twentieth century. Not only does Farmer's work push our grasp of the black women who influenced the Black Power Movement from within, but Remaking Black Power is also the first comprehensive study of black women's intellectual production throughout the Black Power era. What makes Remaking Black Power such a compelling history is that it uses similar source material as prior scholars, but Farmer uses them much differently. Accessing untapped sources of cartoons, political manifestos, and political essays, Farmer asserts that they were important sites which redefined black womanhood and ultimately black thought in general. As the Black Power movement grew throughout the world, black women were central to the movement's expansive visions of black freedom and political organizing. Ultimately, Remaking Black Power deepens our understanding of what black intellectual history is, and what groups are considered “intellectuals.” Ashley D. Farmer is a historian of black women's history, intellectual history, and radical politics. She is currently an Assistant Professor in the Department of History and the African American Studies Program at Boston University. Farmer also is a leader of the African American Intellectual History Society (AAIHS) and a regular blogger for Black Perspectives. Click here to read the introduction to Remaking Black Power. Ashley Farmer can be reached through Twitter at @drashleyfarmer Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Black Power was one of the most iconic movements of the twentieth century. Recent documentary treatments like The Black Power Mixtape 1967-1975 in 2011 and The Black Panthers: Vanguards of the Revolution in 2015 brought the Panthers into the households of a new generation. When combined with Beyonce’s 2016 Super Bowl halftime performance, the Black Power movement’s memory hit a high note upon its fiftieth anniversary. Ashley D. Farmer’s Remaking Black Power: How Black Women Transformed an Era (University of North Carolina Press Press, 2017) increases scholarly and mainstream audiences’ knowledge of black women’s centrality in theorizing and organizing Black Power and black nationalist circles throughout the majority of the twentieth century. Not only does Farmer’s work push our grasp of the black women who influenced the Black Power Movement from within, but Remaking Black Power is also the first comprehensive study of black women’s intellectual production throughout the Black Power era. What makes Remaking Black Power such a compelling history is that it uses similar source material as prior scholars, but Farmer uses them much differently. Accessing untapped sources of cartoons, political manifestos, and political essays, Farmer asserts that they were important sites which redefined black womanhood and ultimately black thought in general. As the Black Power movement grew throughout the world, black women were central to the movement’s expansive visions of black freedom and political organizing. Ultimately, Remaking Black Power deepens our understanding of what black intellectual history is, and what groups are considered “intellectuals.” Ashley D. Farmer is a historian of black women’s history, intellectual history, and radical politics. She is currently an Assistant Professor in the Department of History and the African American Studies Program at Boston University. Farmer also is a leader of the African American Intellectual History Society (AAIHS) and a regular blogger for Black Perspectives. Click here to read the introduction to Remaking Black Power. Ashley Farmer can be reached through Twitter at @drashleyfarmer Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most scholars and members of the public believe the process of enslavement was confined to the Western Hemispheric plantation or other locations of enslavement. Sowande Mustakeem’s award-winning Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016) disrupts that narrative. Mustakeem changes how readers understand the packaging process for how African captives became enslaved once they reached their final destinations. Slavery at Sea reveals for the first time how similar dimensions of land-based slavery were expressed largely on board slaving vessels. By highlighting the lived experiences of those groups most neglected by prior scholars of the Middle Passage—women, children, the disabled, and the elderly—Mustakeem demonstrates how Atlantic slave ships were important areas of development to land-based methods of medical treatment and violence. Mustakeem’s approach to producing history does not end with the writing of Slavery at Sea. As a member of the St. Louis, Missouri-based band Amalghemy, Mustakeem adds to the readers experience by constructing a first of its kind soundtrack specifically for them to listen to as they read. Slavery At Sea: The Book Soundtrack pushes the public to consider how a soundtrack could mirror the “feelings, vibrations, and imagination forged in the book.” Ultimately, when coupled together, Slavery At Sea and Slavery At Sea: The Book Soundtrack alters how people of all backgrounds understand how pivotal the Middle Passage was to one of, if not the largest forced migrations of people in human history. She asserts that by the time captive Africans ultimately reached their final port of entry, the psychological and sexual trauma that would be their futures as enslaved people, had already begun during the Middle Passage. Sowande M. Mustakeem is an assistant professor in the Department of History and the African and African American Studies Program at Washington University in St. Louis. She can be reached on Twitter at @somustakeem. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most scholars and members of the public believe the process of enslavement was confined to the Western Hemispheric plantation or other locations of enslavement. Sowande Mustakeem’s award-winning Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016) disrupts that narrative. Mustakeem changes how readers understand the packaging process for how African captives became enslaved once they reached their final destinations. Slavery at Sea reveals for the first time how similar dimensions of land-based slavery were expressed largely on board slaving vessels. By highlighting the lived experiences of those groups most neglected by prior scholars of the Middle Passage—women, children, the disabled, and the elderly—Mustakeem demonstrates how Atlantic slave ships were important areas of development to land-based methods of medical treatment and violence. Mustakeem’s approach to producing history does not end with the writing of Slavery at Sea. As a member of the St. Louis, Missouri-based band Amalghemy, Mustakeem adds to the readers experience by constructing a first of its kind soundtrack specifically for them to listen to as they read. Slavery At Sea: The Book Soundtrack pushes the public to consider how a soundtrack could mirror the “feelings, vibrations, and imagination forged in the book.” Ultimately, when coupled together, Slavery At Sea and Slavery At Sea: The Book Soundtrack alters how people of all backgrounds understand how pivotal the Middle Passage was to one of, if not the largest forced migrations of people in human history. She asserts that by the time captive Africans ultimately reached their final port of entry, the psychological and sexual trauma that would be their futures as enslaved people, had already begun during the Middle Passage. Sowande M. Mustakeem is an assistant professor in the Department of History and the African and African American Studies Program at Washington University in St. Louis. She can be reached on Twitter at @somustakeem. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most scholars and members of the public believe the process of enslavement was confined to the Western Hemispheric plantation or other locations of enslavement. Sowande Mustakeem’s award-winning Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016) disrupts that narrative. Mustakeem changes how readers understand the packaging process for how African captives became enslaved once they reached their final destinations. Slavery at Sea reveals for the first time how similar dimensions of land-based slavery were expressed largely on board slaving vessels. By highlighting the lived experiences of those groups most neglected by prior scholars of the Middle Passage—women, children, the disabled, and the elderly—Mustakeem demonstrates how Atlantic slave ships were important areas of development to land-based methods of medical treatment and violence. Mustakeem’s approach to producing history does not end with the writing of Slavery at Sea. As a member of the St. Louis, Missouri-based band Amalghemy, Mustakeem adds to the readers experience by constructing a first of its kind soundtrack specifically for them to listen to as they read. Slavery At Sea: The Book Soundtrack pushes the public to consider how a soundtrack could mirror the “feelings, vibrations, and imagination forged in the book.” Ultimately, when coupled together, Slavery At Sea and Slavery At Sea: The Book Soundtrack alters how people of all backgrounds understand how pivotal the Middle Passage was to one of, if not the largest forced migrations of people in human history. She asserts that by the time captive Africans ultimately reached their final port of entry, the psychological and sexual trauma that would be their futures as enslaved people, had already begun during the Middle Passage. Sowande M. Mustakeem is an assistant professor in the Department of History and the African and African American Studies Program at Washington University in St. Louis. She can be reached on Twitter at @somustakeem. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most scholars and members of the public believe the process of enslavement was confined to the Western Hemispheric plantation or other locations of enslavement. Sowande Mustakeem’s award-winning Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016) disrupts that narrative. Mustakeem changes how readers understand the packaging process for how African captives became enslaved once they reached their final destinations. Slavery at Sea reveals for the first time how similar dimensions of land-based slavery were expressed largely on board slaving vessels. By highlighting the lived experiences of those groups most neglected by prior scholars of the Middle Passage—women, children, the disabled, and the elderly—Mustakeem demonstrates how Atlantic slave ships were important areas of development to land-based methods of medical treatment and violence. Mustakeem’s approach to producing history does not end with the writing of Slavery at Sea. As a member of the St. Louis, Missouri-based band Amalghemy, Mustakeem adds to the readers experience by constructing a first of its kind soundtrack specifically for them to listen to as they read. Slavery At Sea: The Book Soundtrack pushes the public to consider how a soundtrack could mirror the “feelings, vibrations, and imagination forged in the book.” Ultimately, when coupled together, Slavery At Sea and Slavery At Sea: The Book Soundtrack alters how people of all backgrounds understand how pivotal the Middle Passage was to one of, if not the largest forced migrations of people in human history. She asserts that by the time captive Africans ultimately reached their final port of entry, the psychological and sexual trauma that would be their futures as enslaved people, had already begun during the Middle Passage. Sowande M. Mustakeem is an assistant professor in the Department of History and the African and African American Studies Program at Washington University in St. Louis. She can be reached on Twitter at @somustakeem. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most scholars and members of the public believe the process of enslavement was confined to the Western Hemispheric plantation or other locations of enslavement. Sowande Mustakeem's award-winning Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016) disrupts that narrative. Mustakeem changes how readers understand the packaging process for how African captives became enslaved once they reached their final destinations. Slavery at Sea reveals for the first time how similar dimensions of land-based slavery were expressed largely on board slaving vessels. By highlighting the lived experiences of those groups most neglected by prior scholars of the Middle Passage—women, children, the disabled, and the elderly—Mustakeem demonstrates how Atlantic slave ships were important areas of development to land-based methods of medical treatment and violence. Mustakeem's approach to producing history does not end with the writing of Slavery at Sea. As a member of the St. Louis, Missouri-based band Amalghemy, Mustakeem adds to the readers experience by constructing a first of its kind soundtrack specifically for them to listen to as they read. Slavery At Sea: The Book Soundtrack pushes the public to consider how a soundtrack could mirror the “feelings, vibrations, and imagination forged in the book.” Ultimately, when coupled together, Slavery At Sea and Slavery At Sea: The Book Soundtrack alters how people of all backgrounds understand how pivotal the Middle Passage was to one of, if not the largest forced migrations of people in human history. She asserts that by the time captive Africans ultimately reached their final port of entry, the psychological and sexual trauma that would be their futures as enslaved people, had already begun during the Middle Passage. Sowande M. Mustakeem is an assistant professor in the Department of History and the African and African American Studies Program at Washington University in St. Louis. She can be reached on Twitter at @somustakeem. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Most scholars and members of the public believe the process of enslavement was confined to the Western Hemispheric plantation or other locations of enslavement. Sowande Mustakeem’s award-winning Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016) disrupts that narrative. Mustakeem changes how readers understand the packaging process for how African captives became enslaved once they reached their final destinations. Slavery at Sea reveals for the first time how similar dimensions of land-based slavery were expressed largely on board slaving vessels. By highlighting the lived experiences of those groups most neglected by prior scholars of the Middle Passage—women, children, the disabled, and the elderly—Mustakeem demonstrates how Atlantic slave ships were important areas of development to land-based methods of medical treatment and violence. Mustakeem’s approach to producing history does not end with the writing of Slavery at Sea. As a member of the St. Louis, Missouri-based band Amalghemy, Mustakeem adds to the readers experience by constructing a first of its kind soundtrack specifically for them to listen to as they read. Slavery At Sea: The Book Soundtrack pushes the public to consider how a soundtrack could mirror the “feelings, vibrations, and imagination forged in the book.” Ultimately, when coupled together, Slavery At Sea and Slavery At Sea: The Book Soundtrack alters how people of all backgrounds understand how pivotal the Middle Passage was to one of, if not the largest forced migrations of people in human history. She asserts that by the time captive Africans ultimately reached their final port of entry, the psychological and sexual trauma that would be their futures as enslaved people, had already begun during the Middle Passage. Sowande M. Mustakeem is an assistant professor in the Department of History and the African and African American Studies Program at Washington University in St. Louis. She can be reached on Twitter at @somustakeem. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a video I made a couple of years ago, looking into the origins of one Marvel's most misunderstood X-Men. This clip was produced under my old "Savage Henry Lee" outfit, which is what basically evolved into the Death By Media Man channel, so you're seeing some early work here. I'm still pleased with how it came out. All this here stuff was written & performed by Hank Pattison, except for the music, which I got through Apple's Garageband. CBMF is a show about comic books and the jerks who read 'em. It's created and produced by Hank Pattison, who is also on twitter. twitter.com/HLHPattison Cover art adapted from X Force #30, drawn by Tony Daniels and (I think)John Holdredge. published by Marvel Comics.

All my favourite techno tracks of 2016 from a range of techno producers such as Joseph Capriati, Daniel Nike, Christian Cambas, Adam Beyer, Ben Klock, Adam X, Heckman, Dubfire, Chris Liebing, Felix Wehden, Jay Lumen, Dense & Pika, Dubiosity, Protector 101, Black Roof, Repro, Birth Of Frequency, Traumprinz, Reeko, Kaiser, Observer, Gravitant Culture, Kostas Maskalides, K21 KROMA, Gotshell, Lewis Fautzi, Bart Skills, Nicole Moudabar, Vincent Hole, VNP, Janice, Yan Cook, Jewel Kid, Vincent Hole, UVB, Dax J, Dustin Zahn, Truncate, Alex Bau, Deepmash, CNCPT, Kaiserdisco, Exium, Rush Plus, Abstract Division, Edit Select, Thomas Hessler, SLAM, Cadans, Yotam Avni, K21 KROMA, Pfirter, Fixon, Marco Faraone, Lex Gorrie, Nuel, Lex Gorrie, Orphx, Nuel, Pierre Deutschmann and more..

All my favourite techno tracks of 2016 from a range of techno producers such as Joseph Capriati, Daniel Nike, Christian Cambas, Adam Beyer, Ben Klock, Adam X, Heckman, Dubfire, Chris Liebing, Felix Wehden, Jay Lumen, Dense & Pika, Dubiosity, Protector 101, Black Roof, Repro, Birth Of Frequency, Traumprinz, Reeko, Kaiser, Observer, Gravitant Culture, Kostas Maskalides, K21 KROMA, Gotshell, Lewis Fautzi, Bart Skills, Nicole Moudabar, Vincent Hole, VNP, Janice, Yan Cook, Jewel Kid, Vincent Hole, UVB, Dax J, Dustin Zahn, Truncate, Alex Bau, Deepmash, CNCPT, Kaiserdisco, Exium, Rush Plus, Abstract Division, Edit Select, Thomas Hessler, SLAM, Cadans, Yotam Avni, K21 KROMA, Pfirter, Fixon, Marco Faraone, Lex Gorrie, Nuel, Lex Gorrie, Orphx, Nuel, Pierre Deutschmann and more..

SCW heavyweight champion Adam X joins Turnbuckle Turmoil for his first solo interview. He has been one of the more dominate figures at SCW since his return to the sport a little over a year ago. He has capture the top title on multiple occassions now and has had some of the most memorable matches in the company's history. We'll get to know Adam a little bit better and find out what brought him to where he is today as well as find out where he wants his career to go from this point. Join us as we talk to the champion.

Orphx DJ mix recorded in Toronto, October 2016. Their new album "Pitch Black Mirror" will be released on Sonic Groove (vinyl, digital) and Hands (cd). They're playing live at the Sonic Groove x The Bunker party at Analog on November 18, alongside Dasha Rush, Adam X, and Patrick Russell: : http://thebunkerny.com/events/2016-11-18-the-bunker-x-sonic-groove-adam-x-dasha-rush-orphx-patrick-russell Conrad Schnitzler - Metall I Vromb - Histoire de camion Esplendor Geometrico - Japo Family Sex - Manbait (Regis version) Female - Looking Through the Eyes of Love Orphx - Blood in the Streets Diamond Version - Operate at Your Optimum Matter - Depth Orphx - Zero Hour Adam X - Antagonistic Clock DVA - Dark Attractor Peter Van Hoesen - Breach Planetary Assault Systems - Bell Blocker (Silent Servant remix) Essaie Pas - Lights Out (Orphx remix) Dasha Rush - 100 Hearts Marie Davidson - Planet Ego Rrose - Purge Generic Face - Dacryphile Schwefelgelb - So Heisser Es Wird Konkurs - Face the Target Thomas Heckmann - Speak Silent to Me (VSK remix) November Novelet - Crying Walls Mike Parker - Moisture (Treatment 3) Kangding Ray - Coracoid Process MRTVI - Ibukron Oureboros - Vastarien

A big thanks to Michal Joblonski for his spectacular live set, we hope that you enjoyed it as much we do! if you wanna know more about him or his music, check out his Facebook or Soundcloud. For the next Drone Podcast we travel back to the United States, the westcoast this time. This Techno Minded Hero is based in Oakland, California. He recently released 2 ep’s this past month on Wall Music and on Etichetta Nera Which you can check (and get) out here:https://etichettanera.bandcamp.com/album/endgt044-milkplant-plutonium-ephttps://www.beatport.com/release/kilovolt/1812284This Techno Minded Hero is the founder and co-owner of “from 0-1” label together with his parther in crime, Sone. This is the home for artists like John Massey, Cyanwave, The Automatic Message, Rubidium and others.And they also host their own podcast series, FROM 0-1 STUDIO SESSIONS. Which is definitely word listing to: http://www.from0-1.com/category/studiosessions/He played at this year’s DEMF’s Droid interface after party, besides names as ADAM X, Headless horseman, Cassegrain and Kyle Geiger.We are very happy to have him on this drone podcast No.54: Milkplant!Please enjoy!

4 years of Advanced. 50 episodes of Advanced (Black) radioshow. Millions of beats so far already. Our resident artist and label boss, Abyssal Chaos aka Alex Varveris, celebrated it with nothing else than a blasting techno set in a secret party took place somewhere in....where else?....our home - sweet home, Berlin. Enjoy and jump in our techno train for another 104 years of ADVANCED TECHNO. Tracklist: 01. Ancient Methods - German Love 02. Mass-X-odus - Gang Wars 03. In The Mouth Of The Wolf - Need Of Angels 04. Ancient Methods - Built on Scars 05. Codex Empire - Slate To Marble 06. Blawan - Marga 07. Zadig - The Man From Outer Space 08. Israel Vines - WWKD (Silent Servant Remix) 09. Slam feat. Mr.V - Take You There 10. Cleric - 2nd Limit 11. The Transhumans - Beast Like State 12. Adam X & Perc - Mutiny 13. Substance - Keine Angst 14. Clouds - Coast Range Arc 15. Dax J - West Bank / The Wonk / Invisible Man / Wir Leben Fur Die Nacht / Escape The System 16. Ontal - Seven Sorrows 17. Ansome - Dave the Rave 18. Backyard Aliens - Burial Grounds 19. Ayarcana - As the Gods Will (Ontal remix) 20. Damcase - Venerate Circles 21. Ansome - Kenneggy (Ayarcana Remix) 22. Christopher Joseph - Post-Traumatic 23. Adam X - Balance Of Power 24. The Horrorist - Flesh Is The Fever 25. DJ HMC - Marauder 26. Space DJz - Rock The House 27. Empirion - Jesus Christ (Abyssal Chaos Reverse Edit) 28. The Soft Moon - Desertion (Phase Fatale Remix) 29. Jeff Mills - Step to Enchantment 30. Voitax - The Lighthouse 31. The Devil & The Universe - The Goat Head (Phase Fatale remix) 32. The Exaltics - The Lost Planet 33. Minimum Syndicat - Acid Trojan 34. Boston 168 - Terror Acid 35. Phase Fatale - Cut 36. Blacknecks - To The Cosmos, Let's Go! 37. A Number Of Names - Shari Vari (The Hacker & Vitalic Remix) 38. Ansome - Tin 39. The Soft Moon - Without (Codex Empire Remix) 40. Alex Trilb - Do Not Jump 41. Knarz - Uns verbrennt die Nacht 42. Kobosil - Avernian 43. Laibach - Tanz Mit Laibach 44. Cleric - Blitz 45. SHDW & Obscure Shape - Die Geliebte Des Anderen 46. CW/A - Preface 47. Abyssal Chaos & Artificial Ghost - 0z2ee0-0x3e7fzd1 48. Umwelt - Mission Of Gravity 49. Phuture - Your Only Friend (Thee Flashback Circa Mix) 50. Furfriend - Fist Fuck Find Advanced on Web: http://www.advanced-music.com/ Find Advanced on Facebook: https://www.facebook.com/advancedPR Find Abyssal Chaos on Facebook: https://www.facebook.com/abyssalchaos

Off White Records Podcast #02 Artist : Diagønal Tracklist Unconscious - Sins HOBI - Misconception ArchivOne - Inertie Future 16 - Yaatree Diagønal , ArchivOne - Conflicted Gotshell - Wasp Ricardo Garduno - Contratiempos ( Flug Rmx) Adam X - Navigational Shortcut Lewis Fautzi - Sick Perc,Adam X , AX&P - Coulomb Diagønal - #01 Wave Theory - Sequenza Zero Bio Loris Grimaldi aka Diagonal. It bases his style on experimental sounds and gloomy. A Techno hard, mixed with dark and industrial sounds. The Techno concept for him goes beyond all limits, in a style in full revolution and always looking for new sounds creating into the mix new musical experiences. His style is the perfect balance in that "Limitless Techno" which raises the dancefloor getting higher and higher.

He started recording in 1990 for Sheffield label Ozone Recordings under the name of Panic with a release called Voices Of Energy, which was then licensed to Buzz in Belgium, Buzz 001. Buzz then went on to release classics by Carl Craig and Derrick May. Aubrey set up his own label in the same year - Solid Groove Records. The label had 30 vinyl releases over thirteen years and tracks were licensed by Derrick May, Terry Francis, Pete Tong, Adam X, and Carl Cox. As well as this he ran four other labels - Textures, Dark, DOT, and Cheap Knob Gags. Recorded Live at Out-ER Showcase at OHM (Berlin) on 26.11.2015 At the age of twelve he became an avid bedroom DJ which taught him the skills that have taken him through a successful and professional career spanning twenty-two years. From his first residency at the Portsmouth club Central Park at eighteen, he soon found himself in London spinning next to Carl Cox, Groove Rider, Colin Dale, Mr. C etc, at such raves as Energy, Raindance, and clubs such as The Astoria, The Gardening Club, The Pirate Club, The Marquee, Turnmills, Deep Space, Ministry Of Sound, Mr. C’s Release partyies and residencies for Fantasy FM and the famous south coast club Sterns. His music tastes are very varied with his first love of Hip Hop as a teenager, moving quickly onto the emerging Acid House scene from Chicago and then to Detroit Techno and New York House. Due to working in record shops he has a big knowledge of all three genres.

This episode is about shitty promotions in the Northwest. Matt Farmmer joins in. Also listen to UIWA IGWA Puerto Rican Heavyweight Champion and one half of the World Tag Team Champions Chief Attakullkulla, myself, Gorgeous Kenny & Luscious Joey Roberts. As they talk about Jeff Cobb from Lucha Underground, Adam X , singing in the RAIN and much more. Dobashi's Radio Takedown is hosted by The Beast from the Middle East, Yemeni Maniac, The Modern Day Sheik, Diafullah The Butcher Dobashi. He loves beating his opponents for his own and your entertainment. But now he is entertaining you right here. After all, you do watch sports to get entertained don't you? With special guest and talks on all combative sports and entertainment and a SOAPBOX TO SPEAK ON ANYTHING. If you need to settle a problem,you can do it right here. “CENSORED FREE!" Anything can happen on Dobashi's Radio Takedown. Send emails to: RadioTakedown@gmail.com or go to the website for official links at: www.TheRadioTakedownNetwork.com  

Sun Electric - Sonification / Deepchord - Vantage Isle / Matthew Wieck - Hydroacoustics / Anton Zap - Sunshine / Kink - Fantasia / Crystal Bandito - Work it / Alex Coulton- - Wiretap / Alex Israel - gas 13 / Theo Stomp - inifinite deepness / Luigi Madonna - why not / Johannes Heil & markus sukut - souls / Adam X - diversion to bangor / Rohad - Patient Zero / Pacou - session track / ohm - tribal tone (ruffneck mix) /

Hello listeners Our guest for this week is a French DJ and producer known by the name of Leghau(@leghau). He has numerous releases on labels like Figure, Skryptöm Records and recently on Abstract Animal. Check out his work if you have not yet. For our 59th episode he has prepared a two hour long techno journey for us. Leghau also answered a short Q/A, so read and enjoy: 1) We see you have a lot of good releases, tell us something about whats coming up? My remix for UZB is just released on Abstract Animal, my remix for Bodyscrub on !Organism will be out on december, there's the FLASH 100 compilation which will be out on monday november 17th with my track "Abort" inside, also a track on a Credo compilation planned for january, an ep on ARTS Digital & finally another track on the next Analytic Trail Compilation planned for next year. 2) How is the techno scene in Montelimar? Totally empty, there's only commercial music here & that's a shame but it's a small city so may be in the future peoples will be more open minded. 3) Whats your top 3 underground techno artists? Everytime difficult to only choose 3 artists but actually i'm really liking : Blue Hour, Adam X & Phase 4) Anything extra? I'm lauching very soon an electronica/experimental alias called "Doseo" with which i've an album planned on a new label called Faith Disciplines & it'll be available on cd's ltd & digital. Many thanks to the Monument crew :) -- mnmt.no https://www.facebook.com/leghau https://soundcloud.com/leghau -- Artwork: Alexandre Dulaunoy https://www.flickr.com/photos/adulau/

3-2 till Adam Alsing i mellantidsresultatet, men Adam Viktorsson från Borås har ett självförtroende av rang och tror sig vinna iallafall. Lyssna på hur det gick i morgonens rixdaler. Är det Adam eller Adam som tar hem vinsten?

Dublin based Paul Farrell, has been DJing for the last ten years. Starting out with a love for Hip Hop and over the years progressed to find his sound in Techno music of all shapes and sizes. He notes his main influences as Dave Clarke, A. Paul, Luke Slater, Chris Liebing, Sven Vath, Ritchie Hawtin, Robert Hood, Mike Humphries, Justin Berkovi, Chemical Bro’s, Brian Sanhaji, Leftfield, Alex Under, Beastie Boys, Monoloc, The Belleville 3, The Advent, Industrialyzer, Fran Hartnett, Bas Mooy, Adam Beyer, DJ Slot, Jerome Sydenham, Paul Ritch, Matador, Cari Lekebusch, Nitzer Ebb, DJ Rush, Len Faki, Adam X, and all that lies between.... He has played all around Dublin and in the last year he has supported Ancient Methods & A PAUL, CHRIS LIEBING Adam X, Djamel, Diarmaid O’Meara, Sunil Sharpe, Alan Oldham AKA DJ T-1000, and played under the same roof as Dave Clarke & Sven Vath. In the last year Paul has turned his focus to Production. With releases thus far on Naked lunch Mastertraxx Platinum records Alien Force Digital & Lo Tech, For details on bookings & more info on Paul’s music please contact farrell@techie.com or check out: https://soundcloud.com/paul-farrell-1 or http://www.facebook.com/paul.farrell.948

This week, we talk with Adam X. Storm and Josh Mills about the NEW Ernie Kovacs record!  Yes, you read that right – new.  “Percy Dovetonsils… Thpeaks” was compiled from a recording that was thought to be lost.  When it … Continue reading →

Mas Teeveh @ Blind Spot – 29th October 2011 7pm 01, Adam X, Ancient Methods - Mitral Regurgitation (Ancient Methods Mix) [Sonic Groove / Hands] 02, Perc - My Head Is Slowly Exploding (Ancient Methods Remix) [Perc Trax] 03, Andy White - Option A (Sven Wittekind Maschine Dub Mix) [SWR] 04, Dadub - Metropolis (Edit Select Dub) [Stroboscopic Artefacts] 05, Tommy Four Seven - Ratu (Original mix) [CLR] 06, Traversable Wormhole - When 2d Meets 3d (Original mix) [CLR] 07, Mas Teeveh - The Man Who Lived 1000 Years (Mark Morris Remix) [unreleased / Sonntag Morgen] 08, R-Play - Insert (Peja Remix) [Amazone] 09, Hefty - The Wretch (Gabeen On The Rocks Remix) [Heaven to Hell] 10, Audio Injection - Operation B [Electric Deluxe] 11, Phil Kieran, Gary Beck - Empty Vessels (Tool 2) [Electric Deluxe] 12, Mas Teeveh - Eneide (M.A.D.A & Plankton Repaint) [Blind Spot Music] This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Blind Spot Radio Show 125 | Mas Teeveh & Dr HoffmannnnMas Teeveh @ Blind Spot – 29th October 2011 7pm 01, Adam X, Ancient Methods - Mitral Regurgitation (Ancient Methods Mix) [Sonic Groove / Hands] 02, Perc - My Head Is Slowly Exploding (Ancient Methods Remix) [Perc Trax] 03, Andy White - Option A (Sven Wittekind Maschine Dub Mix) [SWR] 04, Dadub - Metropolis (Edit Select Dub) [Stroboscopic Artefacts] 05, Tommy Four Seven - Ratu (Original mix) [CLR] 06, Traversable Wormhole - When 2d Meets 3d (Original mix) [CLR] 07, Mas Teeveh - The Man Who Lived 1000 Years (Mark Morris Remix) [unreleased / Sonntag Morgen] 08, R-Play - Insert (Peja Remix) [Amazone] 09, Hefty - The Wretch (Gabeen On The Rocks Remix) [Heaven to Hell] 10, Audio Injection - Operation B [Electric Deluxe] 11, Phil Kieran, Gary Beck - Empty Vessels (Tool 2) [Electric Deluxe] 12, Mas Teeveh - Eneide (M.A.D.A & Plankton Repaint) [Blind Spot Music]

It's starts with Cyclops, then Havok, then Corsair... then Rachel and Madeline and Nathan... then Stryfe and Nate Grey and Vulcan and Adam-X and Hope and Ruby and... Come here Chad and artist Phillip Sevy talk all about the soap opera/time travel/evil clone insanity that is the Summers family! With a special focus on covering Kate Summers, and Phillip and Deborah, the least explored members of this insane comic book empire.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy