Podcasts about undergraduate history

Undergraduate History student Buket describes how a small personal pin worn on a man's lapel over a hundred years ago leads us to a century-long legacy of violence and political control. The Wilmington Light Infantry played a central role in the coup and massacre of 1898. The men who wore such a badge have last names that still resonate powerfully in Wilmington today.

The Nation of Islam and other black nationalist groups are typically known for their male leaders. Men like the Honorable Elijah Muhammad and Minister Malcolm X or Martin Delany and Marcus Garvey are notable examples. But what about the work of black women in these groups? Ula Yvette Taylor’s new book, The Promise of Patriarchy: Women and the Nation of Islam (University of North Carolina Press, 2017), expands our knowledge of the role of black women from the Depression-era development of Allah Temple of Islam in Detroit to the formal group known as the Nation of Islam that expanded under the leadership in the 1960s and 1970s of the Honorable Elijah Muhammad. Women like Clara Muhammad, Burnsteen Sharrieff, and Thelma X Muhammad were essential to the development of the Nation of Islam’s goal of creating a black nation within the American nation. The Promise of Patriarchy shows how black women created notions of black womanhood and black motherhood that best helped them deal with the daily indignities of living in Jim Crow America. Ula Yvette Taylor is Professor and H. Michael and Jeanne Williams Department Chair in the African American Studies and African Diaspora Studies at University of California, Berkeley. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Nation of Islam and other black nationalist groups are typically known for their male leaders. Men like the Honorable Elijah Muhammad and Minister Malcolm X or Martin Delany and Marcus Garvey are notable examples. But what about the work of black women in these groups? Ula Yvette Taylor’s new book, The Promise of Patriarchy: Women and the Nation of Islam (University of North Carolina Press, 2017), expands our knowledge of the role of black women from the Depression-era development of Allah Temple of Islam in Detroit to the formal group known as the Nation of Islam that expanded under the leadership in the 1960s and 1970s of the Honorable Elijah Muhammad. Women like Clara Muhammad, Burnsteen Sharrieff, and Thelma X Muhammad were essential to the development of the Nation of Islam’s goal of creating a black nation within the American nation. The Promise of Patriarchy shows how black women created notions of black womanhood and black motherhood that best helped them deal with the daily indignities of living in Jim Crow America. Ula Yvette Taylor is Professor and H. Michael and Jeanne Williams Department Chair in the African American Studies and African Diaspora Studies at University of California, Berkeley. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Nation of Islam and other black nationalist groups are typically known for their male leaders. Men like the Honorable Elijah Muhammad and Minister Malcolm X or Martin Delany and Marcus Garvey are notable examples. But what about the work of black women in these groups? Ula Yvette Taylor's new book, The Promise of Patriarchy: Women and the Nation of Islam (University of North Carolina Press, 2017), expands our knowledge of the role of black women from the Depression-era development of Allah Temple of Islam in Detroit to the formal group known as the Nation of Islam that expanded under the leadership in the 1960s and 1970s of the Honorable Elijah Muhammad. Women like Clara Muhammad, Burnsteen Sharrieff, and Thelma X Muhammad were essential to the development of the Nation of Islam's goal of creating a black nation within the American nation. The Promise of Patriarchy shows how black women created notions of black womanhood and black motherhood that best helped them deal with the daily indignities of living in Jim Crow America. Ula Yvette Taylor is Professor and H. Michael and Jeanne Williams Department Chair in the African American Studies and African Diaspora Studies at University of California, Berkeley. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015.

The Nation of Islam and other black nationalist groups are typically known for their male leaders. Men like the Honorable Elijah Muhammad and Minister Malcolm X or Martin Delany and Marcus Garvey are notable examples. But what about the work of black women in these groups? Ula Yvette Taylor's new book, The Promise of Patriarchy: Women and the Nation of Islam (University of North Carolina Press, 2017), expands our knowledge of the role of black women from the Depression-era development of Allah Temple of Islam in Detroit to the formal group known as the Nation of Islam that expanded under the leadership in the 1960s and 1970s of the Honorable Elijah Muhammad. Women like Clara Muhammad, Burnsteen Sharrieff, and Thelma X Muhammad were essential to the development of the Nation of Islam's goal of creating a black nation within the American nation. The Promise of Patriarchy shows how black women created notions of black womanhood and black motherhood that best helped them deal with the daily indignities of living in Jim Crow America. Ula Yvette Taylor is Professor and H. Michael and Jeanne Williams Department Chair in the African American Studies and African Diaspora Studies at University of California, Berkeley. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Nation of Islam and other black nationalist groups are typically known for their male leaders. Men like the Honorable Elijah Muhammad and Minister Malcolm X or Martin Delany and Marcus Garvey are notable examples. But what about the work of black women in these groups? Ula Yvette Taylor's new book, The Promise of Patriarchy: Women and the Nation of Islam (University of North Carolina Press, 2017), expands our knowledge of the role of black women from the Depression-era development of Allah Temple of Islam in Detroit to the formal group known as the Nation of Islam that expanded under the leadership in the 1960s and 1970s of the Honorable Elijah Muhammad. Women like Clara Muhammad, Burnsteen Sharrieff, and Thelma X Muhammad were essential to the development of the Nation of Islam's goal of creating a black nation within the American nation. The Promise of Patriarchy shows how black women created notions of black womanhood and black motherhood that best helped them deal with the daily indignities of living in Jim Crow America. Ula Yvette Taylor is Professor and H. Michael and Jeanne Williams Department Chair in the African American Studies and African Diaspora Studies at University of California, Berkeley. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The Nation of Islam and other black nationalist groups are typically known for their male leaders. Men like the Honorable Elijah Muhammad and Minister Malcolm X or Martin Delany and Marcus Garvey are notable examples. But what about the work of black women in these groups? Ula Yvette Taylor’s new book, The Promise of Patriarchy: Women and the Nation of Islam (University of North Carolina Press, 2017), expands our knowledge of the role of black women from the Depression-era development of Allah Temple of Islam in Detroit to the formal group known as the Nation of Islam that expanded under the leadership in the 1960s and 1970s of the Honorable Elijah Muhammad. Women like Clara Muhammad, Burnsteen Sharrieff, and Thelma X Muhammad were essential to the development of the Nation of Islam’s goal of creating a black nation within the American nation. The Promise of Patriarchy shows how black women created notions of black womanhood and black motherhood that best helped them deal with the daily indignities of living in Jim Crow America. Ula Yvette Taylor is Professor and H. Michael and Jeanne Williams Department Chair in the African American Studies and African Diaspora Studies at University of California, Berkeley. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Nation of Islam and other black nationalist groups are typically known for their male leaders. Men like the Honorable Elijah Muhammad and Minister Malcolm X or Martin Delany and Marcus Garvey are notable examples. But what about the work of black women in these groups? Ula Yvette Taylor’s new book, The Promise of Patriarchy: Women and the Nation of Islam (University of North Carolina Press, 2017), expands our knowledge of the role of black women from the Depression-era development of Allah Temple of Islam in Detroit to the formal group known as the Nation of Islam that expanded under the leadership in the 1960s and 1970s of the Honorable Elijah Muhammad. Women like Clara Muhammad, Burnsteen Sharrieff, and Thelma X Muhammad were essential to the development of the Nation of Islam’s goal of creating a black nation within the American nation. The Promise of Patriarchy shows how black women created notions of black womanhood and black motherhood that best helped them deal with the daily indignities of living in Jim Crow America. Ula Yvette Taylor is Professor and H. Michael and Jeanne Williams Department Chair in the African American Studies and African Diaspora Studies at University of California, Berkeley. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Nation of Islam and other black nationalist groups are typically known for their male leaders. Men like the Honorable Elijah Muhammad and Minister Malcolm X or Martin Delany and Marcus Garvey are notable examples. But what about the work of black women in these groups? Ula Yvette Taylor’s new book, The Promise of Patriarchy: Women and the Nation of Islam (University of North Carolina Press, 2017), expands our knowledge of the role of black women from the Depression-era development of Allah Temple of Islam in Detroit to the formal group known as the Nation of Islam that expanded under the leadership in the 1960s and 1970s of the Honorable Elijah Muhammad. Women like Clara Muhammad, Burnsteen Sharrieff, and Thelma X Muhammad were essential to the development of the Nation of Islam’s goal of creating a black nation within the American nation. The Promise of Patriarchy shows how black women created notions of black womanhood and black motherhood that best helped them deal with the daily indignities of living in Jim Crow America. Ula Yvette Taylor is Professor and H. Michael and Jeanne Williams Department Chair in the African American Studies and African Diaspora Studies at University of California, Berkeley. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, A Curse upon the Nation: Race, Freedom, and Extermination in America and the Atlantic World (University of Georgia Press, 2017), Howard University’s Kay Wright Lewis chronicles the history of white and black perspectives on the idea of “race war.” She examines the ways in which this concept shaped such events such as the Haitian Revolution, Vesey’s Plot, Nat Turner’s Rebellion, John Brown’s Raid on Harper’s Ferry, and terrorist Dylann Roof’s shooting of nine churchgoers in Charleston, South Carolina. Ultimately, A Curse upon the Nation provides us with a deep intellectual history of “race war” and an analysis of the ways it continues to affect us today. Dr. Kay Wright Lewis’ research focuses on slavery and abolition, African American intellectual history, Atlantic World history, and the history of violence. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, A Curse upon the Nation: Race, Freedom, and Extermination in America and the Atlantic World (University of Georgia Press, 2017), Howard University’s Kay Wright Lewis chronicles the history of white and black perspectives on the idea of “race war.” She examines the ways in which this concept shaped such events such as the Haitian Revolution, Vesey’s Plot, Nat Turner’s Rebellion, John Brown’s Raid on Harper’s Ferry, and terrorist Dylann Roof’s shooting of nine churchgoers in Charleston, South Carolina. Ultimately, A Curse upon the Nation provides us with a deep intellectual history of “race war” and an analysis of the ways it continues to affect us today. Dr. Kay Wright Lewis’ research focuses on slavery and abolition, African American intellectual history, Atlantic World history, and the history of violence. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, A Curse upon the Nation: Race, Freedom, and Extermination in America and the Atlantic World (University of Georgia Press, 2017), Howard University's Kay Wright Lewis chronicles the history of white and black perspectives on the idea of “race war.” She examines the ways in which this concept shaped such events such as the Haitian Revolution, Vesey's Plot, Nat Turner's Rebellion, John Brown's Raid on Harper's Ferry, and terrorist Dylann Roof's shooting of nine churchgoers in Charleston, South Carolina. Ultimately, A Curse upon the Nation provides us with a deep intellectual history of “race war” and an analysis of the ways it continues to affect us today. Dr. Kay Wright Lewis' research focuses on slavery and abolition, African American intellectual history, Atlantic World history, and the history of violence. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In her new book, A Curse upon the Nation: Race, Freedom, and Extermination in America and the Atlantic World (University of Georgia Press, 2017), Howard University’s Kay Wright Lewis chronicles the history of white and black perspectives on the idea of “race war.” She examines the ways in which this concept shaped such events such as the Haitian Revolution, Vesey’s Plot, Nat Turner’s Rebellion, John Brown’s Raid on Harper’s Ferry, and terrorist Dylann Roof’s shooting of nine churchgoers in Charleston, South Carolina. Ultimately, A Curse upon the Nation provides us with a deep intellectual history of “race war” and an analysis of the ways it continues to affect us today. Dr. Kay Wright Lewis’ research focuses on slavery and abolition, African American intellectual history, Atlantic World history, and the history of violence. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, A Curse upon the Nation: Race, Freedom, and Extermination in America and the Atlantic World (University of Georgia Press, 2017), Howard University’s Kay Wright Lewis chronicles the history of white and black perspectives on the idea of “race war.” She examines the ways in which this concept shaped such events such as the Haitian Revolution, Vesey’s Plot, Nat Turner’s Rebellion, John Brown’s Raid on Harper’s Ferry, and terrorist Dylann Roof’s shooting of nine churchgoers in Charleston, South Carolina. Ultimately, A Curse upon the Nation provides us with a deep intellectual history of “race war” and an analysis of the ways it continues to affect us today. Dr. Kay Wright Lewis’ research focuses on slavery and abolition, African American intellectual history, Atlantic World history, and the history of violence. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black Power was one of the most iconic movements of the twentieth century. Recent documentary treatments like The Black Power Mixtape 1967-1975 in 2011 and The Black Panthers: Vanguards of the Revolution in 2015 brought the Panthers into the households of a new generation. When combined with Beyonce's 2016 Super Bowl halftime performance, the Black Power movement's memory hit a high note upon its fiftieth anniversary. Ashley D. Farmer's Remaking Black Power: How Black Women Transformed an Era (University of North Carolina Press Press, 2017) increases scholarly and mainstream audiences' knowledge of black women's centrality in theorizing and organizing Black Power and black nationalist circles throughout the majority of the twentieth century. Not only does Farmer's work push our grasp of the black women who influenced the Black Power Movement from within, but Remaking Black Power is also the first comprehensive study of black women's intellectual production throughout the Black Power era. What makes Remaking Black Power such a compelling history is that it uses similar source material as prior scholars, but Farmer uses them much differently. Accessing untapped sources of cartoons, political manifestos, and political essays, Farmer asserts that they were important sites which redefined black womanhood and ultimately black thought in general. As the Black Power movement grew throughout the world, black women were central to the movement's expansive visions of black freedom and political organizing. Ultimately, Remaking Black Power deepens our understanding of what black intellectual history is, and what groups are considered “intellectuals.” Ashley D. Farmer is a historian of black women's history, intellectual history, and radical politics. She is currently an Assistant Professor in the Department of History and the African American Studies Program at Boston University. Farmer also is a leader of the African American Intellectual History Society (AAIHS) and a regular blogger for Black Perspectives. Click here to read the introduction to Remaking Black Power. Ashley Farmer can be reached through Twitter at @drashleyfarmer Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Black Power was one of the most iconic movements of the twentieth century. Recent documentary treatments like The Black Power Mixtape 1967-1975 in 2011 and The Black Panthers: Vanguards of the Revolution in 2015 brought the Panthers into the households of a new generation. When combined with Beyonce’s 2016 Super Bowl halftime performance, the Black Power movement’s memory hit a high note upon its fiftieth anniversary. Ashley D. Farmer’s Remaking Black Power: How Black Women Transformed an Era (University of North Carolina Press Press, 2017) increases scholarly and mainstream audiences’ knowledge of black women’s centrality in theorizing and organizing Black Power and black nationalist circles throughout the majority of the twentieth century. Not only does Farmer’s work push our grasp of the black women who influenced the Black Power Movement from within, but Remaking Black Power is also the first comprehensive study of black women’s intellectual production throughout the Black Power era. What makes Remaking Black Power such a compelling history is that it uses similar source material as prior scholars, but Farmer uses them much differently. Accessing untapped sources of cartoons, political manifestos, and political essays, Farmer asserts that they were important sites which redefined black womanhood and ultimately black thought in general. As the Black Power movement grew throughout the world, black women were central to the movement’s expansive visions of black freedom and political organizing. Ultimately, Remaking Black Power deepens our understanding of what black intellectual history is, and what groups are considered “intellectuals.” Ashley D. Farmer is a historian of black women’s history, intellectual history, and radical politics. She is currently an Assistant Professor in the Department of History and the African American Studies Program at Boston University. Farmer also is a leader of the African American Intellectual History Society (AAIHS) and a regular blogger for Black Perspectives. Click here to read the introduction to Remaking Black Power. Ashley Farmer can be reached through Twitter at @drashleyfarmer Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black Power was one of the most iconic movements of the twentieth century. Recent documentary treatments like The Black Power Mixtape 1967-1975 in 2011 and The Black Panthers: Vanguards of the Revolution in 2015 brought the Panthers into the households of a new generation. When combined with Beyonce's 2016 Super Bowl halftime performance, the Black Power movement's memory hit a high note upon its fiftieth anniversary. Ashley D. Farmer's Remaking Black Power: How Black Women Transformed an Era (University of North Carolina Press Press, 2017) increases scholarly and mainstream audiences' knowledge of black women's centrality in theorizing and organizing Black Power and black nationalist circles throughout the majority of the twentieth century. Not only does Farmer's work push our grasp of the black women who influenced the Black Power Movement from within, but Remaking Black Power is also the first comprehensive study of black women's intellectual production throughout the Black Power era. What makes Remaking Black Power such a compelling history is that it uses similar source material as prior scholars, but Farmer uses them much differently. Accessing untapped sources of cartoons, political manifestos, and political essays, Farmer asserts that they were important sites which redefined black womanhood and ultimately black thought in general. As the Black Power movement grew throughout the world, black women were central to the movement's expansive visions of black freedom and political organizing. Ultimately, Remaking Black Power deepens our understanding of what black intellectual history is, and what groups are considered “intellectuals.” Ashley D. Farmer is a historian of black women's history, intellectual history, and radical politics. She is currently an Assistant Professor in the Department of History and the African American Studies Program at Boston University. Farmer also is a leader of the African American Intellectual History Society (AAIHS) and a regular blogger for Black Perspectives. Click here to read the introduction to Remaking Black Power. Ashley Farmer can be reached through Twitter at @drashleyfarmer Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black Power was one of the most iconic movements of the twentieth century. Recent documentary treatments like The Black Power Mixtape 1967-1975 in 2011 and The Black Panthers: Vanguards of the Revolution in 2015 brought the Panthers into the households of a new generation. When combined with Beyonce’s 2016 Super Bowl halftime performance, the Black Power movement’s memory hit a high note upon its fiftieth anniversary. Ashley D. Farmer’s Remaking Black Power: How Black Women Transformed an Era (University of North Carolina Press Press, 2017) increases scholarly and mainstream audiences’ knowledge of black women’s centrality in theorizing and organizing Black Power and black nationalist circles throughout the majority of the twentieth century. Not only does Farmer’s work push our grasp of the black women who influenced the Black Power Movement from within, but Remaking Black Power is also the first comprehensive study of black women’s intellectual production throughout the Black Power era. What makes Remaking Black Power such a compelling history is that it uses similar source material as prior scholars, but Farmer uses them much differently. Accessing untapped sources of cartoons, political manifestos, and political essays, Farmer asserts that they were important sites which redefined black womanhood and ultimately black thought in general. As the Black Power movement grew throughout the world, black women were central to the movement’s expansive visions of black freedom and political organizing. Ultimately, Remaking Black Power deepens our understanding of what black intellectual history is, and what groups are considered “intellectuals.” Ashley D. Farmer is a historian of black women’s history, intellectual history, and radical politics. She is currently an Assistant Professor in the Department of History and the African American Studies Program at Boston University. Farmer also is a leader of the African American Intellectual History Society (AAIHS) and a regular blogger for Black Perspectives. Click here to read the introduction to Remaking Black Power. Ashley Farmer can be reached through Twitter at @drashleyfarmer Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black Power was one of the most iconic movements of the twentieth century. Recent documentary treatments like The Black Power Mixtape 1967-1975 in 2011 and The Black Panthers: Vanguards of the Revolution in 2015 brought the Panthers into the households of a new generation. When combined with Beyonce’s 2016 Super Bowl halftime performance, the Black Power movement’s memory hit a high note upon its fiftieth anniversary. Ashley D. Farmer’s Remaking Black Power: How Black Women Transformed an Era (University of North Carolina Press Press, 2017) increases scholarly and mainstream audiences’ knowledge of black women’s centrality in theorizing and organizing Black Power and black nationalist circles throughout the majority of the twentieth century. Not only does Farmer’s work push our grasp of the black women who influenced the Black Power Movement from within, but Remaking Black Power is also the first comprehensive study of black women’s intellectual production throughout the Black Power era. What makes Remaking Black Power such a compelling history is that it uses similar source material as prior scholars, but Farmer uses them much differently. Accessing untapped sources of cartoons, political manifestos, and political essays, Farmer asserts that they were important sites which redefined black womanhood and ultimately black thought in general. As the Black Power movement grew throughout the world, black women were central to the movement’s expansive visions of black freedom and political organizing. Ultimately, Remaking Black Power deepens our understanding of what black intellectual history is, and what groups are considered “intellectuals.” Ashley D. Farmer is a historian of black women’s history, intellectual history, and radical politics. She is currently an Assistant Professor in the Department of History and the African American Studies Program at Boston University. Farmer also is a leader of the African American Intellectual History Society (AAIHS) and a regular blogger for Black Perspectives. Click here to read the introduction to Remaking Black Power. Ashley Farmer can be reached through Twitter at @drashleyfarmer Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black Power was one of the most iconic movements of the twentieth century. Recent documentary treatments like The Black Power Mixtape 1967-1975 in 2011 and The Black Panthers: Vanguards of the Revolution in 2015 brought the Panthers into the households of a new generation. When combined with Beyonce's 2016 Super Bowl halftime performance, the Black Power movement's memory hit a high note upon its fiftieth anniversary. Ashley D. Farmer's Remaking Black Power: How Black Women Transformed an Era (University of North Carolina Press Press, 2017) increases scholarly and mainstream audiences' knowledge of black women's centrality in theorizing and organizing Black Power and black nationalist circles throughout the majority of the twentieth century. Not only does Farmer's work push our grasp of the black women who influenced the Black Power Movement from within, but Remaking Black Power is also the first comprehensive study of black women's intellectual production throughout the Black Power era. What makes Remaking Black Power such a compelling history is that it uses similar source material as prior scholars, but Farmer uses them much differently. Accessing untapped sources of cartoons, political manifestos, and political essays, Farmer asserts that they were important sites which redefined black womanhood and ultimately black thought in general. As the Black Power movement grew throughout the world, black women were central to the movement's expansive visions of black freedom and political organizing. Ultimately, Remaking Black Power deepens our understanding of what black intellectual history is, and what groups are considered “intellectuals.” Ashley D. Farmer is a historian of black women's history, intellectual history, and radical politics. She is currently an Assistant Professor in the Department of History and the African American Studies Program at Boston University. Farmer also is a leader of the African American Intellectual History Society (AAIHS) and a regular blogger for Black Perspectives. Click here to read the introduction to Remaking Black Power. Ashley Farmer can be reached through Twitter at @drashleyfarmer Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015.

Black Power was one of the most iconic movements of the twentieth century. Recent documentary treatments like The Black Power Mixtape 1967-1975 in 2011 and The Black Panthers: Vanguards of the Revolution in 2015 brought the Panthers into the households of a new generation. When combined with Beyonce’s 2016 Super Bowl halftime performance, the Black Power movement’s memory hit a high note upon its fiftieth anniversary. Ashley D. Farmer’s Remaking Black Power: How Black Women Transformed an Era (University of North Carolina Press Press, 2017) increases scholarly and mainstream audiences’ knowledge of black women’s centrality in theorizing and organizing Black Power and black nationalist circles throughout the majority of the twentieth century. Not only does Farmer’s work push our grasp of the black women who influenced the Black Power Movement from within, but Remaking Black Power is also the first comprehensive study of black women’s intellectual production throughout the Black Power era. What makes Remaking Black Power such a compelling history is that it uses similar source material as prior scholars, but Farmer uses them much differently. Accessing untapped sources of cartoons, political manifestos, and political essays, Farmer asserts that they were important sites which redefined black womanhood and ultimately black thought in general. As the Black Power movement grew throughout the world, black women were central to the movement’s expansive visions of black freedom and political organizing. Ultimately, Remaking Black Power deepens our understanding of what black intellectual history is, and what groups are considered “intellectuals.” Ashley D. Farmer is a historian of black women’s history, intellectual history, and radical politics. She is currently an Assistant Professor in the Department of History and the African American Studies Program at Boston University. Farmer also is a leader of the African American Intellectual History Society (AAIHS) and a regular blogger for Black Perspectives. Click here to read the introduction to Remaking Black Power. Ashley Farmer can be reached through Twitter at @drashleyfarmer Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most scholars and members of the public believe the process of enslavement was confined to the Western Hemispheric plantation or other locations of enslavement. Sowande Mustakeem’s award-winning Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016) disrupts that narrative. Mustakeem changes how readers understand the packaging process for how African captives became enslaved once they reached their final destinations. Slavery at Sea reveals for the first time how similar dimensions of land-based slavery were expressed largely on board slaving vessels. By highlighting the lived experiences of those groups most neglected by prior scholars of the Middle Passage—women, children, the disabled, and the elderly—Mustakeem demonstrates how Atlantic slave ships were important areas of development to land-based methods of medical treatment and violence. Mustakeem’s approach to producing history does not end with the writing of Slavery at Sea. As a member of the St. Louis, Missouri-based band Amalghemy, Mustakeem adds to the readers experience by constructing a first of its kind soundtrack specifically for them to listen to as they read. Slavery At Sea: The Book Soundtrack pushes the public to consider how a soundtrack could mirror the “feelings, vibrations, and imagination forged in the book.” Ultimately, when coupled together, Slavery At Sea and Slavery At Sea: The Book Soundtrack alters how people of all backgrounds understand how pivotal the Middle Passage was to one of, if not the largest forced migrations of people in human history. She asserts that by the time captive Africans ultimately reached their final port of entry, the psychological and sexual trauma that would be their futures as enslaved people, had already begun during the Middle Passage. Sowande M. Mustakeem is an assistant professor in the Department of History and the African and African American Studies Program at Washington University in St. Louis. She can be reached on Twitter at @somustakeem. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most scholars and members of the public believe the process of enslavement was confined to the Western Hemispheric plantation or other locations of enslavement. Sowande Mustakeem’s award-winning Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016) disrupts that narrative. Mustakeem changes how readers understand the packaging process for how African captives became enslaved once they reached their final destinations. Slavery at Sea reveals for the first time how similar dimensions of land-based slavery were expressed largely on board slaving vessels. By highlighting the lived experiences of those groups most neglected by prior scholars of the Middle Passage—women, children, the disabled, and the elderly—Mustakeem demonstrates how Atlantic slave ships were important areas of development to land-based methods of medical treatment and violence. Mustakeem’s approach to producing history does not end with the writing of Slavery at Sea. As a member of the St. Louis, Missouri-based band Amalghemy, Mustakeem adds to the readers experience by constructing a first of its kind soundtrack specifically for them to listen to as they read. Slavery At Sea: The Book Soundtrack pushes the public to consider how a soundtrack could mirror the “feelings, vibrations, and imagination forged in the book.” Ultimately, when coupled together, Slavery At Sea and Slavery At Sea: The Book Soundtrack alters how people of all backgrounds understand how pivotal the Middle Passage was to one of, if not the largest forced migrations of people in human history. She asserts that by the time captive Africans ultimately reached their final port of entry, the psychological and sexual trauma that would be their futures as enslaved people, had already begun during the Middle Passage. Sowande M. Mustakeem is an assistant professor in the Department of History and the African and African American Studies Program at Washington University in St. Louis. She can be reached on Twitter at @somustakeem. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most scholars and members of the public believe the process of enslavement was confined to the Western Hemispheric plantation or other locations of enslavement. Sowande Mustakeem’s award-winning Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016) disrupts that narrative. Mustakeem changes how readers understand the packaging process for how African captives became enslaved once they reached their final destinations. Slavery at Sea reveals for the first time how similar dimensions of land-based slavery were expressed largely on board slaving vessels. By highlighting the lived experiences of those groups most neglected by prior scholars of the Middle Passage—women, children, the disabled, and the elderly—Mustakeem demonstrates how Atlantic slave ships were important areas of development to land-based methods of medical treatment and violence. Mustakeem’s approach to producing history does not end with the writing of Slavery at Sea. As a member of the St. Louis, Missouri-based band Amalghemy, Mustakeem adds to the readers experience by constructing a first of its kind soundtrack specifically for them to listen to as they read. Slavery At Sea: The Book Soundtrack pushes the public to consider how a soundtrack could mirror the “feelings, vibrations, and imagination forged in the book.” Ultimately, when coupled together, Slavery At Sea and Slavery At Sea: The Book Soundtrack alters how people of all backgrounds understand how pivotal the Middle Passage was to one of, if not the largest forced migrations of people in human history. She asserts that by the time captive Africans ultimately reached their final port of entry, the psychological and sexual trauma that would be their futures as enslaved people, had already begun during the Middle Passage. Sowande M. Mustakeem is an assistant professor in the Department of History and the African and African American Studies Program at Washington University in St. Louis. She can be reached on Twitter at @somustakeem. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most scholars and members of the public believe the process of enslavement was confined to the Western Hemispheric plantation or other locations of enslavement. Sowande Mustakeem’s award-winning Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016) disrupts that narrative. Mustakeem changes how readers understand the packaging process for how African captives became enslaved once they reached their final destinations. Slavery at Sea reveals for the first time how similar dimensions of land-based slavery were expressed largely on board slaving vessels. By highlighting the lived experiences of those groups most neglected by prior scholars of the Middle Passage—women, children, the disabled, and the elderly—Mustakeem demonstrates how Atlantic slave ships were important areas of development to land-based methods of medical treatment and violence. Mustakeem’s approach to producing history does not end with the writing of Slavery at Sea. As a member of the St. Louis, Missouri-based band Amalghemy, Mustakeem adds to the readers experience by constructing a first of its kind soundtrack specifically for them to listen to as they read. Slavery At Sea: The Book Soundtrack pushes the public to consider how a soundtrack could mirror the “feelings, vibrations, and imagination forged in the book.” Ultimately, when coupled together, Slavery At Sea and Slavery At Sea: The Book Soundtrack alters how people of all backgrounds understand how pivotal the Middle Passage was to one of, if not the largest forced migrations of people in human history. She asserts that by the time captive Africans ultimately reached their final port of entry, the psychological and sexual trauma that would be their futures as enslaved people, had already begun during the Middle Passage. Sowande M. Mustakeem is an assistant professor in the Department of History and the African and African American Studies Program at Washington University in St. Louis. She can be reached on Twitter at @somustakeem. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most scholars and members of the public believe the process of enslavement was confined to the Western Hemispheric plantation or other locations of enslavement. Sowande Mustakeem’s award-winning Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016) disrupts that narrative. Mustakeem changes how readers understand the packaging process for how African captives became enslaved once they reached their final destinations. Slavery at Sea reveals for the first time how similar dimensions of land-based slavery were expressed largely on board slaving vessels. By highlighting the lived experiences of those groups most neglected by prior scholars of the Middle Passage—women, children, the disabled, and the elderly—Mustakeem demonstrates how Atlantic slave ships were important areas of development to land-based methods of medical treatment and violence. Mustakeem’s approach to producing history does not end with the writing of Slavery at Sea. As a member of the St. Louis, Missouri-based band Amalghemy, Mustakeem adds to the readers experience by constructing a first of its kind soundtrack specifically for them to listen to as they read. Slavery At Sea: The Book Soundtrack pushes the public to consider how a soundtrack could mirror the “feelings, vibrations, and imagination forged in the book.” Ultimately, when coupled together, Slavery At Sea and Slavery At Sea: The Book Soundtrack alters how people of all backgrounds understand how pivotal the Middle Passage was to one of, if not the largest forced migrations of people in human history. She asserts that by the time captive Africans ultimately reached their final port of entry, the psychological and sexual trauma that would be their futures as enslaved people, had already begun during the Middle Passage. Sowande M. Mustakeem is an assistant professor in the Department of History and the African and African American Studies Program at Washington University in St. Louis. She can be reached on Twitter at @somustakeem. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most scholars and members of the public believe the process of enslavement was confined to the Western Hemispheric plantation or other locations of enslavement. Sowande Mustakeem's award-winning Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016) disrupts that narrative. Mustakeem changes how readers understand the packaging process for how African captives became enslaved once they reached their final destinations. Slavery at Sea reveals for the first time how similar dimensions of land-based slavery were expressed largely on board slaving vessels. By highlighting the lived experiences of those groups most neglected by prior scholars of the Middle Passage—women, children, the disabled, and the elderly—Mustakeem demonstrates how Atlantic slave ships were important areas of development to land-based methods of medical treatment and violence. Mustakeem's approach to producing history does not end with the writing of Slavery at Sea. As a member of the St. Louis, Missouri-based band Amalghemy, Mustakeem adds to the readers experience by constructing a first of its kind soundtrack specifically for them to listen to as they read. Slavery At Sea: The Book Soundtrack pushes the public to consider how a soundtrack could mirror the “feelings, vibrations, and imagination forged in the book.” Ultimately, when coupled together, Slavery At Sea and Slavery At Sea: The Book Soundtrack alters how people of all backgrounds understand how pivotal the Middle Passage was to one of, if not the largest forced migrations of people in human history. She asserts that by the time captive Africans ultimately reached their final port of entry, the psychological and sexual trauma that would be their futures as enslaved people, had already begun during the Middle Passage. Sowande M. Mustakeem is an assistant professor in the Department of History and the African and African American Studies Program at Washington University in St. Louis. She can be reached on Twitter at @somustakeem. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

You may know Toni Morrison's famed novel Beloved, but do you know much about the true story of the woman depicted in that story? You will know about the real story and more, by reading her biography called Driven Toward Madness: The Fugitive Slave Margaret Garner and Tragedy on the Ohio (Ohio University Press, 2016) authored by Howard University Professor of History and Department Chair Nikki Taylor. Driven Toward Madness tells the story of how fugitive slave Margaret Garner and her family escaped to free Ohio in late January 1856, only to be captured in a cabin outside of Cincinnati. What happened as the Garner family were being apprehended is the climax of the story; Taylor shows what drove Margaret's attempt to kill all four of her children, while only successfully doing so by way of decapitating her two year-old daughter Mary. Based in history, Taylor uses various theoretical frameworks like trauma studies, pain studies, black feminist theory, and literary criticism to broaden our understandings of the why surrounding Margaret Garner's murder of her child. Taylor broadens popular understandings of black womanhood, resistance, and what are acceptable forms of gendered violence. In doing so, Taylor displays the ways antagonistic groups like abolitionists and pro-slavery activists both used Garner's story for their own causes without necessarily recognizing Garner's agency and humanity. Ultimately, Taylor expresses how far a person could go to protect their child from bondage, even if that meant taking their life so they reached freedom elsewhere. Author Nikki M. Taylor is Professor of History and History Department Chair at Howard University. Her work focuses on nineteenth-century African American History. Her sub-specialties are in Urban, African American Women, and Intellectual History. Adam McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

You may know Toni Morrison’s famed novel Beloved, but do you know much about the true story of the woman depicted in that story? You will know about the real story and more, by reading her biography called Driven Toward Madness: The Fugitive Slave Margaret Garner and Tragedy on the Ohio (Ohio University Press, 2016) authored by Howard University Professor of History and Department Chair Nikki Taylor. Driven Toward Madness tells the story of how fugitive slave Margaret Garner and her family escaped to free Ohio in late January 1856, only to be captured in a cabin outside of Cincinnati. What happened as the Garner family were being apprehended is the climax of the story; Taylor shows what drove Margaret’s attempt to kill all four of her children, while only successfully doing so by way of decapitating her two year-old daughter Mary. Based in history, Taylor uses various theoretical frameworks like trauma studies, pain studies, black feminist theory, and literary criticism to broaden our understandings of the why surrounding Margaret Garner’s murder of her child. Taylor broadens popular understandings of black womanhood, resistance, and what are acceptable forms of gendered violence. In doing so, Taylor displays the ways antagonistic groups like abolitionists and pro-slavery activists both used Garner’s story for their own causes without necessarily recognizing Garner’s agency and humanity. Ultimately, Taylor expresses how far a person could go to protect their child from bondage, even if that meant taking their life so they reached freedom elsewhere. Author Nikki M. Taylor is Professor of History and History Department Chair at Howard University. Her work focuses on nineteenth-century African American History. Her sub-specialties are in Urban, African American Women, and Intellectual History. Adam McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

You may know Toni Morrison’s famed novel Beloved, but do you know much about the true story of the woman depicted in that story? You will know about the real story and more, by reading her biography called Driven Toward Madness: The Fugitive Slave Margaret Garner and Tragedy on the Ohio (Ohio University Press, 2016) authored by Howard University Professor of History and Department Chair Nikki Taylor. Driven Toward Madness tells the story of how fugitive slave Margaret Garner and her family escaped to free Ohio in late January 1856, only to be captured in a cabin outside of Cincinnati. What happened as the Garner family were being apprehended is the climax of the story; Taylor shows what drove Margaret’s attempt to kill all four of her children, while only successfully doing so by way of decapitating her two year-old daughter Mary. Based in history, Taylor uses various theoretical frameworks like trauma studies, pain studies, black feminist theory, and literary criticism to broaden our understandings of the why surrounding Margaret Garner’s murder of her child. Taylor broadens popular understandings of black womanhood, resistance, and what are acceptable forms of gendered violence. In doing so, Taylor displays the ways antagonistic groups like abolitionists and pro-slavery activists both used Garner’s story for their own causes without necessarily recognizing Garner’s agency and humanity. Ultimately, Taylor expresses how far a person could go to protect their child from bondage, even if that meant taking their life so they reached freedom elsewhere. Author Nikki M. Taylor is Professor of History and History Department Chair at Howard University. Her work focuses on nineteenth-century African American History. Her sub-specialties are in Urban, African American Women, and Intellectual History. Adam McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

You may know Toni Morrison's famed novel Beloved, but do you know much about the true story of the woman depicted in that story? You will know about the real story and more, by reading her biography called Driven Toward Madness: The Fugitive Slave Margaret Garner and Tragedy on the Ohio (Ohio University Press, 2016) authored by Howard University Professor of History and Department Chair Nikki Taylor. Driven Toward Madness tells the story of how fugitive slave Margaret Garner and her family escaped to free Ohio in late January 1856, only to be captured in a cabin outside of Cincinnati. What happened as the Garner family were being apprehended is the climax of the story; Taylor shows what drove Margaret's attempt to kill all four of her children, while only successfully doing so by way of decapitating her two year-old daughter Mary. Based in history, Taylor uses various theoretical frameworks like trauma studies, pain studies, black feminist theory, and literary criticism to broaden our understandings of the why surrounding Margaret Garner's murder of her child. Taylor broadens popular understandings of black womanhood, resistance, and what are acceptable forms of gendered violence. In doing so, Taylor displays the ways antagonistic groups like abolitionists and pro-slavery activists both used Garner's story for their own causes without necessarily recognizing Garner's agency and humanity. Ultimately, Taylor expresses how far a person could go to protect their child from bondage, even if that meant taking their life so they reached freedom elsewhere. Author Nikki M. Taylor is Professor of History and History Department Chair at Howard University. Her work focuses on nineteenth-century African American History. Her sub-specialties are in Urban, African American Women, and Intellectual History. Adam McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

You may know Toni Morrison’s famed novel Beloved, but do you know much about the true story of the woman depicted in that story? You will know about the real story and more, by reading her biography called Driven Toward Madness: The Fugitive Slave Margaret Garner and Tragedy on the Ohio (Ohio University Press, 2016) authored by Howard University Professor of History and Department Chair Nikki Taylor. Driven Toward Madness tells the story of how fugitive slave Margaret Garner and her family escaped to free Ohio in late January 1856, only to be captured in a cabin outside of Cincinnati. What happened as the Garner family were being apprehended is the climax of the story; Taylor shows what drove Margaret’s attempt to kill all four of her children, while only successfully doing so by way of decapitating her two year-old daughter Mary. Based in history, Taylor uses various theoretical frameworks like trauma studies, pain studies, black feminist theory, and literary criticism to broaden our understandings of the why surrounding Margaret Garner’s murder of her child. Taylor broadens popular understandings of black womanhood, resistance, and what are acceptable forms of gendered violence. In doing so, Taylor displays the ways antagonistic groups like abolitionists and pro-slavery activists both used Garner’s story for their own causes without necessarily recognizing Garner’s agency and humanity. Ultimately, Taylor expresses how far a person could go to protect their child from bondage, even if that meant taking their life so they reached freedom elsewhere. Author Nikki M. Taylor is Professor of History and History Department Chair at Howard University. Her work focuses on nineteenth-century African American History. Her sub-specialties are in Urban, African American Women, and Intellectual History. Adam McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

You may know Toni Morrison’s famed novel Beloved, but do you know much about the true story of the woman depicted in that story? You will know about the real story and more, by reading her biography called Driven Toward Madness: The Fugitive Slave Margaret Garner and Tragedy on the Ohio (Ohio University Press, 2016) authored by Howard University Professor of History and Department Chair Nikki Taylor. Driven Toward Madness tells the story of how fugitive slave Margaret Garner and her family escaped to free Ohio in late January 1856, only to be captured in a cabin outside of Cincinnati. What happened as the Garner family were being apprehended is the climax of the story; Taylor shows what drove Margaret’s attempt to kill all four of her children, while only successfully doing so by way of decapitating her two year-old daughter Mary. Based in history, Taylor uses various theoretical frameworks like trauma studies, pain studies, black feminist theory, and literary criticism to broaden our understandings of the why surrounding Margaret Garner’s murder of her child. Taylor broadens popular understandings of black womanhood, resistance, and what are acceptable forms of gendered violence. In doing so, Taylor displays the ways antagonistic groups like abolitionists and pro-slavery activists both used Garner’s story for their own causes without necessarily recognizing Garner’s agency and humanity. Ultimately, Taylor expresses how far a person could go to protect their child from bondage, even if that meant taking their life so they reached freedom elsewhere. Author Nikki M. Taylor is Professor of History and History Department Chair at Howard University. Her work focuses on nineteenth-century African American History. Her sub-specialties are in Urban, African American Women, and Intellectual History. Adam McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

This lecture forms part of a series entitled "Antiquity After Antiquity" and is for first year Undergraduate History of Art students. It was delivered at the University of Oxford History of Art Department. An Van Camp (Curator of Northern European Art at the Ashmolean Museum of Art and Archaeology) explores the practice of Netherlandish artists travelling to Italy from the fifteenth until the seventeenth century. The lecture starts with an overview of the different kinds of Netherlandish artists and their reasons why they went to Italy (illustrated mainly by works on paper from the collections of the Ashmolean Museum). The second part of the lecture focuses on Jan Brueghel the Elder in particular and the different types of drawings he made in Italy after he returned to Flanders, some in preparation of print series.

This lecture forms part of a series entitled "Antiquity After Antiquity" and is for first year Undergraduate History of Art students. It was delivered at the University of Oxford History of Art Department. An Van Camp (Curator of Northern European Art at the Ashmolean Museum of Art and Archaeology) explores the practice of Netherlandish artists travelling to Italy from the fifteenth until the seventeenth century. The lecture starts with an overview of the different kinds of Netherlandish artists and their reasons why they went to Italy (illustrated mainly by works on paper from the collections of the Ashmolean Museum). The second part of the lecture focuses on Jan Brueghel the Elder in particular and the different types of drawings he made in Italy after he returned to Flanders, some in preparation of print series.

This lecture forms part of a series entitled "Antiquity After Antiquity" and is for first year Undergraduate History of Art students. It was delivered at the University of Oxford History of Art Department. An Van Camp (Curator of Northern European Art at the Ashmolean Museum of Art and Archaeology) explores the practice of Netherlandish artists travelling to Italy from the fifteenth until the seventeenth century. The lecture starts with an overview of the different kinds of Netherlandish artists and their reasons why they went to Italy (illustrated mainly by works on paper from the collections of the Ashmolean Museum). The second part of the lecture focuses on Jan Brueghel the Elder in particular and the different types of drawings he made in Italy after he returned to Flanders, some in preparation of print series.