Sangam Lit

In this episode, we delight in musical sounds many, as depicted in Sangam Literary work, Aganaanooru 82, penned by Kabilar. The verse is situated amidst the bee-buzzing cascades of the 'Kurinji' or 'Mountain landscape' and reveals the hidden emotions of a lady.

In this episode, we listen to a pointed question put forth, as depicted in Sangam Literary work, Aganaanooru 81, penned by Alamperi Saaththaanaar. The verse is situated in the 'Paalai' or 'Drylands landscape' and vividly illustrates the elements of nature in this domain.

In this episode, we perceive an indirect technique of persuasion, as depicted in Sangam Literary work, Aganaanooru 80, penned by Marunkoor Kizhaar Perunkannanaar. The verse is situated amidst the trees and vines of the 'Neythal' or 'Coastal landscape' and sketches a well-etched portrait of an ancient shore.

In this episode, we perceive a man's annoyance with his heart, as portrayed in Sangam Literary work, Aganaanooru 79, penned by Kudavayil Keerathanaar. Set in the 'Paalai' or 'Drylands landscape', the verse presents a vivid account of the people and their activities in this domain.

In this episode, we perceive a thoughtful intervention on behalf of another, as portrayed in Sangam Literary work, Aganaanooru 78, penned by Madurai Nakeeranaar. Set amidst the honeycombs and flame-lilies of the 'Kurinji' or 'Mountain Landscape', the verse highlights events in the life of a famous Sangam King.

In this episode, we hear the reasoning for a resolute decision, as portrayed in Sangam Literary work, Aganaanooru 77, penned by Maruthan Ilanaakanaar. Set in the 'Paalai' or 'Drylands landscape', the verse reveals insightful historical facts through its intriguing similes.

In this episode, we listen to a maiden's oath, as portrayed in Sangam Literary work, Aganaanooru 76, penned by Paranar. Set amidst the resounding drums of the 'Marutham' or 'Farmlands landscape', the verse brings out the rivalry between women in the rich domain of ancient towns.

In this episode, we perceive the resolution of a person's anxiety, as portrayed in Sangam Literary work, Aganaanooru 75, penned by Madurai Poththanaar. The verse is situated in the 'Paalai' or 'Drylands landscape' and argues against parting away in the pursuit of wealth.

In this episode, we perceive the inability to accept assurance from another, as depicted in Sangam Literary work, Aganaanooru 74, penned by Madurai Kavuniyan Boothathanaar. The verse is situated amidst the fragrant flowers of 'Mullai' or 'Forest Landscape' and illustrates an overpowering element in the life of the lady, one evening.

In this episode, we perceive the portrayal of shared pain, as depicted in Sangam Literary work, Aganaanooru 73, penned by Erumai Veliyanaar. The verse is situated in the 'Paalai' or 'Drylands landscape' and renders a message of hope to the lady.

In this episode, we perceive a subtle technique of persuasion, as depicted in Sangam Literary work, Aganaanooru 72, penned by Erumai Veliyanaar Makanaar Kadalanaar. Set amidst the resounding hills of the 'Kurinji' or 'Mountain landscape', the verse sketches the life in this land on one rainy night.

In this episode, we listen to an outpouring of suffering, as depicted in Sangam Literary work, Aganaanooru 71, penned by Anthi Ilankeeranaar. Set in the 'Paalai' or 'Drylands landscape', the verse presents nuanced similes to etch the sorrow in a heart.

In this episode, we hear the confidante's jubilant voice, as depicted in Sangam Literary work, Aganaanooru 70, penned by Madurai Tamil Koothanaar Kaduvan Mallanaar. Set amidst the flower orchards and fish markets of the 'Neythal' or 'Coastal landscape', the verse features a joyous news and its consequences.

In this episode, we listen to words of encouragement, as depicted in Sangam Literary work, Aganaanooru 69, penned by Umattoor Kizhaar Makanaar Parankotranaar. The verse is situated in the 'Paalai' or 'Drylands landscape' and renders hope to a despairing heart.

In this episode, we listen to a friend's encouraging words, as depicted in Sangam Literary work, Aganaanooru 68, penned by Oottiyaar. The verse is situated amidst the flowing cascades of the 'Kurinji' or 'Mountain Landscape' and portrays a daring aspect of the man's personality.

In this episode, we listen to a frustrated response, as portrayed in Sangam Literary work, Aganaanooru 67, penned by Noy Paadiyaar. Set in the 'Paalai' or 'Drylands landscape', the verse depicts the dreary state of the place the man traverses.

In this episode, we listen to the narration of a unique intervention, as depicted in Sangam Literary work, Aganaanooru 66, penned by Selloor Kosikan Kannanaar. Set amidst the wealthy streets of the 'Marutham' or 'Farmlands landscape', the verse celebrates the presence of a child at a home.

In this episode, we hear news of a much-awaited decision, as depicted in Sangam Literary work Aganaanooru 65, penned by Maamoolanaar. Set amidst the 'Paalai' or 'Drylands landscape', the verse portrays the change in a person's mind and its joyous consequences.

In this episode, we perceive a man's fervent wish, as depicted in Sangam Literary work, Aganaanooru 64, penned by Aarkkaadu Kizhaar Makanaar Vellai Kannathanaar. The verse is situated amidst the moist red lands of the 'Mullai' or 'Forest Landscape' and sketches the yearning to return home after a mission.

In this episode, we listen to a mother's lament, as depicted in Sangam Literary work, Aganaanooru 63, penned by Karuvoor Kannam Pullanaar. Set in the 'Paalai' or 'Drylands landscape', the verse sketches the journey of a maiden in the mind's eye of her mother.

In this episode, we listen to the angst of unfulfilled expectations, as portrayed in Sangam Literary work, Aganaanooru 62, penned by Paranar. Set amidst the soaring peaks and descending cascades of the 'Kurinji' or 'Mountain Landscape', the verse reiterates the presence of a renowned man-made structure in those times.

In this episode, we listen to a friend's encouraging words, as depicted in Sangam Literary work, Aganaanooru 61, penned by Maamoolanaar. Set in the 'Paalai' or 'Drylands landscape'', the verse highlights some historic personalities and their renowned towns.

In this episode, we listen to an account of mother's nature, as portrayed in Sangam Literary work, Aganaanooru 60, penned by Kudavaayil Keerathanaar. Set amidst the roaring waves of the 'Neythal' or 'Coastal landscape', the verse etches a unique instance of persuasive communication.

In this episode, we listen to a subtle message of consolation, as depicted in Sangam Literary work, Aganaanooru 59, penned by Madurai Maruthan Ilanaakanaar. Set in the 'Paalai' or 'Drylands landscape', the verse refers to mythological elements to depict aspects of parting.

In this episode, we listen to a lady's angst-filled voice, as portrayed in Sangam Literary work, Aganaanooru 58, penned by Madurai Panda Vaanikan Ilanthevanaar. The verse is situated in the soaring peaks of the 'Kurinji' or 'Mountain Landscape' and relays a subtle message seeking to change a person's heart.

In this episode, we listen to the man's reflection about his beloved, as portrayed in Sangam Literary work, Aganaanooru 57, penned by Nakeerar. Set in the 'Paalai' or 'Drylands landscape', the verse echoes the yearning and suffering in parting.

In this episode, we listen to a mirthful tale, as depicted in Sangam Literary work, Aganaanooru 56, penned by Madurai Aruvai Vaanikan Ilavettanaar. Set amidst the blooming lilies and bubbling ponds of the 'Marutham' or 'Farmlands landscape', the verse presents a unique technique of refusing a request.

In this episode, we perceive the intricate emotions of a mother, as depicted in Sangam Literary work, Aganaanooru 55, penned by Maamoolanaar. The verse is situated in the 'Paalai' or 'Drylands landscape' and presents a momentous historic event from the Sangam era.

In this episode, we listen to a man's fervent plea, as portrayed in Sangam Literary work, Aganaanooru 54, penned by Matroor Kizhaar Makanaar Kotrankotranaar. Set amidst the showers and flowers of the 'Mullai' or 'Forest landscape', the verse etches exquisitely the urge to return home to a loved one.

In this episode, we listen to a lady's response to her friend's consolation, as depicted in Sangam Literary work, Aganaanooru 53, penned by Seethalai Saaththanaar. Set amidst the 'Paalai' or 'Drylands landscape', the verse offers intricate insights about elements of both nature and culture.

In this episode, we perceive how a message is discreetly conveyed, as depicted in Sangam Literary work, Aganaanooru 52, penned by Nochi Niyamankizhaar. Set amidst the towering boulders and flowering trees of the 'Kurinji' or 'Mountain landscape', the verse talks about the technique of presenting a dilemma to echo the seriousness of a situation.

In this episode, we perceive a clear response to a dilemma, as depicted in Sangam Literary work, Aganaanooru 51, penned by Perunthevanaar. Set in the 'Paalai' or 'Drylands Landscape', the verse portrays the conflict between being with a beloved and parting away to earn wealth.

In this episode, we perceive a friend's concerned thoughts, as portrayed in Sangam Literary work, Aganaanooru 50, penned by Karuvoor Poothanchaathanaar. The verse is situated amidst the leaping waves of the 'Neythal' or 'Coastal landscape' and describes the lady's state of lament.

In this episode, we listen to a mother's lament, as portrayed in Sangam Literary work, Aganaanooru 49, penned by Vannappura Kantharanthanaar. Set in the 'Paalai' or 'Drylands landscape', the verse depicts an act of elopement from the mother's perspective.

In this episode, we listen to how an intricate message is conveyed, as depicted in Sangam Literary work, Aganaanooru 48, penned by Thankaal Mudakotranaar. The verse is situated amidst the soaring peaks of the 'Kurinji' or 'Mountain Landscape' and sketches the first interaction between the man and the lady.

In this episode, we listen to words of encouragement, as depicted in Sangam Literary work, Aganaanooru 47, penned by Aalamberi Saaththanaar. Set in the 'Paalai' or 'drylands landscape', the verse presents a glimpse of the beauty of an ancient hill town.

In this episode, we listen to words of fury, as portrayed in Sangam Literary work, Aganaanooru 46, penned by Alloor Nanmullaiyaar. Set amidst the lotus-blooming fields of the 'Marutham' or 'Farmlands landscape', the verse echoes a refusal to the man's attempt at appeasement.

In this episode, we perceive the angst of a lady, parted from her beloved, as portrayed in Sangam Literary work, Aganaanooru 45, penned by Velliveethiyaar. Set in the 'Paalai' or 'Drylands landscape', the verse presents a variety of similes from nature and history.

In this episode, we observe the eagerness of a man to return home, as depicted in Sangam Literary work, Aganaanooru 44, penned by Kudavayil Keeraththanaar. The verse is situated amidst the speeding roads of the 'Mullai' or 'Forest Landscape' and offers an account of people and places involved in an ancient battle.

In this episode, we perceive a clear decision in a man's mind, as depicted in Sangam Literary work, Aganaanooru 43, penned by Madurai Aasiriyaar Nallanthuvanaar. Set in the 'Paalai' or 'Drylands landscape', the verse portrays the intensity of the rainy season.

In this episode, we experience a downpour of joy, as depicted in Sangam Literary work, Aganaanooru 42, penned by Kabilar. Set in the rain-soaked ranges of the 'Kurinji' or 'Mountain Landscape', the verse talks about the transformative effect of an event.

In this episode, we perceive worry about another's pain, as portrayed in Sangam Literary work, Aganaanooru 41, penned by Kundriyanaar. Set in the 'Paalai' or 'Drylands landscape', the verse illustrates the sights and sounds of a season.

In this episode, we listen to a lady's lament, as portrayed in Sangam Literary work, Aganaanooru 40, penned by Kundriyanaar. Set amidst the roaring waves of the 'Neythal' or 'Coastal landscape', the verse depicts the deep yearning in the lady to be with her beloved.

In this episode, we hear heartfelt words of appeasement, as portrayed in Sangam Literary work, Aganaanooru 39, penned by Madurai Chenkannanaar. Set in the 'Paalai' or 'Drylands landscape', the verse paints the inner and outer world at a particular space and time in exquisite detail.

In this episode, we listen to how a hidden message is subtly conveyed, as portrayed in Sangam Literary work, Aganaanooru 38, penned by Vadama Vannakkan Peri Saathanaar. Set in the 'Kurinji' or 'Mountain Landscape', the verse paints picturesque images to etch the past and present.

In this episode, we perceive the distress in the lady's heart, as depicted in Sangam Literary work, Aganaanooru 37, penned by Vitrootru Mootheyinanaar. Set in the 'Paalai' or 'Drylands landscape', the verse presents a unique portrait of the season of spring.

In this episode, we listen to the angry words of a wife, as portrayed in Sangam Literary work, Aganaanooru 36, penned by Madurai Nakeerar. Set amidst the fish-filled ponds and blooming trees of the 'Marutham' or 'Farmlands Landscape', the verse conveys facets of nature and nuggets of history.

In this episode, we listen to a mother's fervent prayer, as depicted in Sangam Literary work, Aganaanooru 35, penned by Kudavayil Keerathanaar. Set in the 'Paalai' or 'Drylands landscape', the verse depicts the life and worship of an ancient tribe and also, the lament and love of a mother.

In this episode, we perceive the yearning in a man to return home speedily, as depicted in Sangam Literary work, Aganaanooru 34, penned by Madurai Maruthan Ilanaakanaar. Set in the rain-soaked 'Mullai' or 'Forest landscape', the verse portrays scenes in the wild and its consequences on a man's mind.

In this episode, we listen to thoughtful words spoken to the heart, as depicted in Sangam Literary work, Aganaanooru 33, penned by Madurai Alakkar Gnaazhaar Makanaar Mallanaar. Set in the 'Paalai' or 'Drylands landscape', the verse highlights the conflict between work and love in those times.

In this episode, we perceive a romance brewing, as depicted in Sangam Literary work, Aganaanooru 32, penned by Nalvelliyaar. Set amidst the millet fields in the 'Kurinji' or 'Mountain landscape', the verse paints a vivid portrait of inner emotions and outer reactions.