Podcasts about Tamil

#Raktakanneru #nagabhushana #mrradha #telugumovie Join KiranPrabha as he takes you on a fascinating journey through the legendary stage play Raktakanneru, a trend-setting Tamil drama that began in 1949 and went on to create theatrical history. Originally produced and performed by the iconic M.R. Radha, the play ran for hundreds of shows and became a cultural phenomenon of its time. Discover how this theatrical masterpiece evolved—first into a 1954 Tamil film, then a 1956 Telugu dubbed version—and how veteran actor C. Nagabhushanam brought the Telugu stage adaptation (written by Palagummi Padmaraju) to life, brilliantly recreating M.R. Radha's magic for new audiences. In this talk show, you'll hear:

கணிக்குன்று கொச்சப்பன் சங்கரநாராயணன் – சங்கு – ஒரு பண்ணையாரின் ஒரே மகன். பள்ளி மைதானத்தில் அவன் நிழல் விழுந்தாலே பயம்; ஆனால் அவன் இதயத்தில் ஒரு பெண். பணம், பலம், பயம் – இவை மூன்றும் கலந்தால் காதல் ஆகிடுமா?ஏழ்மையின் எல்லையில் நிற்கும் ஆனந்தவல்லி. அவள் காலடியில் விழும் பணம், மனதில் எழும் பயம் அல்லது பாலியல் அச்சுறுத்தல்களால் உடைந்து போவாளா? இல்லை சிறகு முளைத்து பறந்து செல்வாளா?இந்தக் கதை, உங்கள் மனதில் ஆழமான கசப்பையும், திகைப்பையும், ஒரு விடுதலையையும் விட்டுச் செல்லும்.To listen to the full audiobook Subscribe to Kadhai Osai - Premium:YouTube - https://www.youtube.com/@KadhaiOsaiTamilAudioBooks/membershipApple Podcasts - https://podcasts.apple.com/us/channel/kadhai-osai-premium/id6442514906Spotify - https://open.spotify.com/show/5Su9MtDcFoqx2BTSSFGVgZ#deepikaarun #tamilaudiobooks #audiobooks #kadhaiosai #DeepikaArun #TamilStories #TamilAudio #audiosinTamil #tamilaudios #jeyamohan #siragu #shortstories #தீபிகாஅருண் #ஜெயமோகன்

In this episode, we perceive the positive attitude of a lady, as portrayed in Sangam Literary work, Aganaanooru 141, penned by Nakeerar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse presents a dual portrait of an ancient Tamil festival and a Chozha town’s prosperity. அம்ம வாழி, தோழி! கைம்மிகக்கனவும் கங்குல்தோறு இனிய; நனவும்புனை வினை நல் இல் புள்ளும் பாங்கின;நெஞ்சும் நனிபுகன்று உறையும்; எஞ்சாதுஉலகு தொழில் உலந்து, நாஞ்சில் துஞ்சி,மழை கால்நீங்கிய மாக விசும்பில்குறு முயல் மறு நிறம் கிளர, மதி நிறைந்து,அறுமீன் சேரும் அகல் இருள் நடு நாள்;மறுகு விளக்குறுத்து, மாலை தூக்கி,பழ விறல் மூதூர்ப் பலருடன் துவன்றியவிழவு உடன் அயர, வருகதில் அம்ம! துவரப் புலர்ந்து தூ மலர் கஞலி,தகரம் நாறும் தண் நறுங் கதுப்பின்புது மண மகடூஉ அயினிய கடி நகர்ப்பல் கோட்டு அடுப்பில் பால் உலை இரீஇ,கூழைக் கூந்தற் குறுந் தொடி மகளிர்பெருஞ் செய் நெல்லின் வாங்குகதிர் முறித்து,பாசவல் இடிக்கும் இருங் காழ் உலக்கைக்கடிது இடி வெரீஇய கமஞ்சூல் வெண் குருகுதீம் குலை வாழை ஓங்கு மடல் இராது;நெடுங் கால் மாஅத்துக் குறும் பறை பயிற்றும்செல் குடி நிறுத்த பெரும் பெயர்க் கரிகால்வெல் போர்ச் சோழன் இடையாற்று அன்னநல் இசை வெறுக்கை தருமார், பல் பொறிப்புலிக் கேழ் உற்ற பூவிடைப் பெருஞ் சினைநரந்த நறும் பூ நாள் மலர் உதிர,கலை பாய்ந்து உகளும், கல் சேர் வேங்கை,தேம் கமழ் நெடு வரைப் பிறங்கியவேங்கட வைப்பிற் சுரன் இறந்தோரே. In this long trip, we get to traverse not only this harsh domain, but also a prosperous ancient town, as we listen to the lady say these words to her confidante, when the confidante worries that the lady will not be able to bear with the parting of the man, who has left in search of wealth: “Listen, my friend! May you live long! Every night, the dreams are exceptionally pleasant; In real life too, in the well-etched, fine mansion, bird omens that are heard sound good; As for the heart, it too rests in a state of calm love; At the time when the mighty profession of the world diminishes and ploughs fall asleep, in that season when pouring rainclouds have departed with the wind, and in the sky, the little hare glows in a dark hue, as the full moon reaches its favourite star, in the midnight hour, amidst the expanding darkness, when all the streets are lit up and adorned with high garlands in our fertile and prosperous ancient town, at this time, hope he will return to relish the festivities, celebrated by the gathering of many! Adorning fully blossomed perfect flowers, along with sandalwood paste, on her cool and fragrant tresses, the new bride, boils milk on the many-sided stove in that rich mansion, filled with plentiful food, and then along with maiden, wearing small bangles and having short hair, pounds on paddy grains, harvested from bent stalks in the huge field, to make flattened rice. Hearing the din of this dark-stemmed pestle, startled by the loud and explosive sounds, a pregnant white bird, takes a short flight from the wide branch of a plantain tree, with sweet fruit clusters, to the tall-trunked mango tree, in the town of Idaiyaaru, ruled by the famous Chozha King Karikaalan, who has the ability to restore even a ruined town. Wanting to bring back prestigious wealth, akin to this town, he has left to the drylands, where making fragrant blooms on the huge branches of the tree, with flowers in the hue of the many-striped tiger, namely the Kino tree, soaring near a boulder, a male monkey leaps and frolics, in the honey-fragrant, tall hills of the Venkata mountain ranges!” Let’s explore the many roads leading to diverse destinations in this verse! The lady starts by talking about how her dreams are filled with pleasant scenes and even in her waking hours, all she hears are good omens from the birds. Owing to all this, her heart seems to be in a state of calm. What a refreshing change from the usual lamenting lady, who cries and cries about her sleepless eyes, thinning arms and pining heart, whom we have encountered in song after song from this domain.  Next, the lady talks about a time when the work of farming takes a break, a time when the clouds are done pouring, and are on their way out. To etch another element, she talks about this, as the time when the little rabbit glows bright. On reading further, we understand that this little rabbit is the one we see in the moon, and the lady wants to say it’s the time of full moon, and so that rabbit is all the more vivid. It’s also a time, when the moon traverses and meets with a particular star, identified as ‘Karthigai’ or ‘Pleiades star cluster’. At this time, lights are lit up and garlands adorn their streets, the lady details, and she makes a wish that her man returns at least by this time, to partake in these grand festivities, when people gather together. A moment to note how the festival of ‘Karthigai’, celebrated even today in Tamilnadu, by the lighting of lamps, is an ancient custom, originating in the Sangam era. After this, the lady talks about two aspects in connection with the man. One characterises the wealth he’s searching for, and to do that, the lady brings in the simile of a fertile town of Idaiyaaru, ruled by the famous Chozha King Karikaalan, and when depicting this town, she presents a rather interesting domestic scene, wherein a new bride, who has come to live in the rich mansion of her husband, adorns her hair with flowers and sandalwood paste, and then boils milk in a stove with many divisions, implying that multiple food items can be cooked at the same time, and the house too is sketched as one with an unceasing supply of foods. This bride then joins together with many other maiden and pounds paddy. Hearing the loud and repeated sounds of this pestle, a pregnant white bird is startled and takes off, from a short plantain tree to a tall mango tree, perhaps in an attempt to put some distance between itself and its tormentors. Such is the fertility of this town and my man wants to bring back wealth that’s equal in stature to this town, the lady explains.  The next aspect she dwells on is where the man has gone to, to attain such a wealth and she informs us this is to a drylands in the extent of the Venkata hills, identified as ‘Tirupathi’ in Contemporary Andhra Pradesh, and she describes this place, as one filled with Kino trees, with bright yellow flowers in the hue of tiger stripes, and talks about how a male monkey leaps about, making this tree’s flowers fall. The lady concludes with this image of falling yellow flowers, perhaps as a wish that it should rain gold on the man, in his journey to seek wealth, so that he would return in time for the festival of lights, and she promises to her confidante that she would bear well with the parting until this time! What a patient and thoughtful lady, who understands and perseveres, in spite of her pain of parting! No wonder the lady has pleasant dreams and hears good omens, for it’s only with the brush of hope and positivity, can we change the scene in the canvas of our present!

Christmas Stories: The Three Responses Matthew 2:1-12 Message SlidesFor the bulletin in PDF form, click here. Opposition & HostilityIndifference & ApathyWorship & SacrificeHOME CHURCH QUESTIONS1. What are some of your family's Christmas traditions? What are your favorite Christmas stories or movies?2. What are some ways we see Herod's opposition and hostility toward Jesus in Matthew 2:1-12 & 16? Why do you think Herod is furious about the birth of Jesus? What are some modern examples of opposition and hostility toward Jesus?3. While we might not be opposed to Jesus the same way Herod was, we can still have “the spirit of Herod” in our lives. What are some characteristics of a life that is marked by the spirit of Herod? How would this contrast with the spirit of Jesus? What is an area of your life that could look more like the spirit of Jesus and less like the spirit of Herod?4. What are some examples from Matthew 2 that demonstrate how the Old Testament was anticipating the coming of Jesus? Why do you think the religious leaders are not more excited about the idea of Christ being born? 5. Have you ever talked with someone who was indifferent or apathetic toward Jesus? How would you respond to someone who said they are neutral or indifferent toward Him?6. According to Matthew 2:10-11, how do the wise men respond to Jesus? What are some ways we should follow their example? 7. What area of your life are you most hesitant to have Jesus “rearrange?” What would it look like for you to live like He is the King over that area of your life?Mission Highlight - The Adi Dravida in IndiaThe Adi Dravida in South India, have long faced social discrimination and poverty. Many work as farmers, laborers, or leather workers, though some are gaining access to education and professional jobs. Most follow Hinduism, with only a tiny Christian presence despite having Scripture available in Tamil. Pray that God would open doors for the gospel among the Adi Dravida, raise up Indian believers to build genuine friendships, and strengthen the few existing Christians to boldly share Christ within their communities.FinancesWeekly Budget 34,615Giving For 11/23 29,630Giving For 11/30 25,532YTD Budget 761,538Giving 698,433 OVER/(UNDER) (63,105) Fellowship 101New to Fellowship? We invite you to join us on Sunday, January 11th, at 9 AM in the conference room (first floor) to hear about our mission, values, and ministries. During this time, you will meet some of our ministry leaders and get to ask questions. Register at fellowshipconway.org/register. This is an important step in getting connected at Fellowship. New to Fellowship?We are so glad that you chose to worship with our Fellowship Family this morning. If you are joining us for the first time or have been checking us out for a few weeks, we are excited you are here and would love to meet you. Please fill out the “Connect Card” and bring it to the Connection Center in the Atrium, we would love to say “hi” and give you a gift. Christmas OfferingThis December, we are taking up a special offering for the Operation Christmas Child Special Pack (held in October 2026). The gifts received will determine the number of boxes we can send. To send each gospel opportunity (box), it costs $20 for items, transportation, and the tools needed to share the hope found in Christ with a child. Please consider giving above and beyond your regular giving to the worthy cause of getting the gospel to sensitive areas that are difficult to reach. You can give online by going to fellowshipconway.org/give and selecting “Christmas Offering” from the options. To give an idea of what we are trying to raise, we packed 2,800 boxes last year, which is equal to $56,000. We would love to do even more next year!Fellowship Women's Hebrews Bible StudyThis February, join us for Jesus Is Greater—an eight-week Bible study through the book of Hebrews created to deepen your faith, renew your hope, and connect you with other women pursuing Jesus. Led by Rebecca Carter and Heather Harrison, we'll meet on Tuesday nights at 6:30 p.m., beginning February 3rd at Fellowship. Free childcare by texting Shanna at 501-336-0332 by January 28th. Register at fellowshipconway.org/women.Men's Fellowship BreakfastJoin us on Wednesday, December 10, at 6:00 a.m. in the Fellowship Atrium for a great morning of food, fellowship, and encouragement. No sign-up is required—just bring your Bible and come ready to enjoy breakfast, connect with other men, and start your day with prayer and Biblical insight. Questions? Contact Michael at mharrison@fellowshipconway.org.OCC Celebration | December 14Join us next Sunday as we put a bow on National Collection Week and celebrate what God has done! We'll reveal the total number of shoeboxes packed at Fellowship and across the entire River Valley Area. You won't want to miss this moment of gratitude and praise — and please keep praying for every child who will receive a shoebox!Join a Home ChurchHome Church small groups are about building a deep community where we are transformed into the image of Christ and serve a broken world for the sake of the gospel. If you are not in a Home Church, we encourage you go to fellowshipconway.org/homechurch or stop by the Connection table in the Atrium.

previous episode Linkhttps://spotifycreators-web.app.link/e/MxbUlxf3NYb

In this episode, we perceive the distress of a friend, as depicted in Sangam Literary work, Aganaanooru 137, penned by Uraiyoor Muthukooththanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse pens a portrait of places ruled by two great kings of ancient Tamil land. ஆறு செல் வம்பலர் சேறு கிளைத்து உண்டசிறு பல் கேணிப் பிடி அடி நசைஇ,களிறு தொடூஉக் கடக்கும் கான்யாற்று அத்தம்சென்று சேர்பு ஒல்லார்ஆயினும், நினக்கேவென்று எறி முரசின் விறற் போர்ச் சோழர்இன் கடுங் கள்ளின் உறந்தை ஆங்கண்,வருபுனல் நெரிதரும் இகுகரைப் பேரியாற்றுஉருவ வெண் மணல் முருகு நாறு தண் பொழிற்பங்குனி முயக்கம் கழிந்த வழிநாள்,வீ இலை அமன்ற மரம் பயில் இறும்பில்தீ இல் அடுப்பின் அரங்கம் போல,பெரும் பாழ்கொண்டன்று, நுதலே; தோளும்,தோளா முத்தின் தெண் கடற் பொருநன்திண் தேர்ச் செழியன் பொருப்பிற் கவாஅன்நல் எழில் நெடு வேய் புரையும்தொல் கவின் தொலைந்தன; நோகோ யானே. It’s a short walk in this trip to the drylands, as we listen to the confidante say these words to the lady, at a time when the lady suspects the man is going to part away from her in search of wealth: “Seeing the many small pits, from which newbie wayfarers had dug up the mud to find some drinking water, and mistaking these for its mate's footprints, with desire, a male elephant touches it and walks on disappointed, in that drylands path, extending like a wild river.  Even though he wants not to go thither, your forehead is greatly ruined, akin to the festival arena, with scattered stoves, having no hint of fire, near the little jungle, filled with trees, densely packed with leaves and flowers, on the day after the ‘pankuni' festival of togetherness, which takes place on the honey-fragrant, cool orchards, atop white sands, on the banks of that great river, brimming with copious water, in the city of Uranthai, known for its sharp and sweet toddy, ruled by the courageous Chozhas, renowned for their roaring, victorious battle drums. Whereas your arms, which were akin to the tall and exquisite bamboos in the mountains, ruled by the lord of the pearl-filled southern seas, Chezhiyan, renowned for his sturdy chariots, have now lost their old beauty! I suffer so!” Time to amble along with some elephants in the drylands! The confidante starts by sketching a scene from this harsh domain, pointing out to small, rounded pits, which she explains are tiny wells, dug by wayfarers, who are new to the game, so as to find some water amidst the mud. Why are these wayfarers said to be newcomers? Possibly because they have come unprepared without a supply of drinking water or the knowledge of more dignified ways of finding the same. As a male elephant walks that way and glimpses at these round pits, for a moment, it takes these to be the footprints of its mate, and it comes near and touches the same over and over again, smelling it and then walking away in dejection. Such is the horrid drylands, a place the man doesn’t even want to leave to, at the moment, the confidante connects.  She then turns to the lady and says, ‘In spite of that, your forehead has become listless, like an abandoned festival arena, with scattered stoves lying about, without any kindling of fire, the day after the event of Pankuni festival, celebrated with gusto, on the sands of the River Kaveri, in the Chozha capital of Uranthai, known for its sweet toddy. From the lady’s ruined forehead, the confidante moves on to the lady’s arms, and compares those to the bamboos in the Pandya King Chezhiyan’s mountains, celebrating the king as the ruler of the southern seas with an unending supply of pearls, and declaring that those arms had lost their beauty too. The confidante concludes by talking about her own suffering on seeing her friend in such a state! The use of place and people similes to underscore the lady’s state informs us about the cultural events of the Chozha country as well as the natural wealth of the Pandya country. Turning to the crux of the issue, we understand that the man hadn’t even left, and here was the lady already wallowing about his possible departure! This state of being highlights the emotion of anxiety that many of us would have felt at the prospect of some event in the future. Hope we can learn to hear the timeless whisper from these pages of the past to overcome that fear of the future by living fully and mindfully in the now!

You are a new creation in Christ, filled with the Holy Spirit. See Him in you, shine from the inside out, and let living water pour from your heart as you walk from glory to glory.The Glory in You Will Only Increase! | Prophet Ezekiah Francis | Supernatural Life in Christ Seminar, HyderabadWatch in Englishhttps://youtube.com/live/mn1HlX4kcpkWatch in Tamil (தமிழ்) https://youtube.com/live/mpFoET9H0n8Watch in Hindi (हिंदी) https://youtube.com/live/mOiSZiSOzL8Watch in Telugu (తెలుగు) https://youtube.com/live/IVbZROdPsEoWatch in Malayalam (മലയാളം) https://youtube.com/live/emD05vv2KNsWatch in Kannada (ಕನ್ನಡ) https://youtube.com/live/1XCdfbGs56c

Send us a textKathy, Mark and Burk react to the DC - Title Teaser. DC stars Director Lokesh Kanagaraj, making his debut as a lead actor with Arun Matheswaran directing. It also stars Wamiqa Gabbi and hints at a Bonnie and Clyde story structure. DC is based on Devdas, a Bengali romance novel written by Sarat Chandra Chattopadhyay. Support the show

In this episode, we perceive a unique technique to appease a person’s ire, as depicted in Sangam Literary work, Aganaanooru 136, penned by Vitrootru Mootheyinanaar. The verse is situated amidst the decorated mansions and bejewelled denizens of the ‘Marutham’ or ‘Farmlands landscape’ and etches the events in an ancient wedding ceremony. மைப்பு அறப் புழுக்கின் நெய்க் கனி வெண் சோறுவரையா வண்மையொடு புரையோர்ப் பேணி,புள்ளுப் புணர்ந்து இனிய ஆக, தெள் ஒளிஅம் கண் இரு விசும்பு விளங்க, திங்கட்சகடம் மண்டிய துகள் தீர் கூட்டத்து,கடி நகர் புனைந்து, கடவுட் பேணி,படு மண முழவொடு பரூஉப் பணை இமிழ,வதுவை மண்ணிய மகளிர் விதுப்புற்று,பூக்கணும் இமையார் நோக்குபு மறைய,மென் பூ வாகைப் புன் புறக் கவட்டிலை,பழங் கன்று கறித்த பயம்பு அமல் அறுகைத்தழங்குகுரல் வானின் தலைப்பெயற்கு ஈன்றமண்ணு மணி அன்ன மாஇதழ்ப் பாவைத்தண் நறு முகையொடு வெண் நூல் சூட்டி,தூ உடைப் பொலிந்து மேவரத் துவன்றி,மழை பட்டன்ன மணல் மலி பந்தர்,இழை அணி சிறப்பின் பெயர் வியர்ப்பு ஆற்றி,தமர் நமக்கு ஈத்த தலைநாள் இரவின்,”உவர் நீங்கு கற்பின் எம் உயிர் உடம்படுவி!முருங்காக் கலிங்கம் முழுவதும் வளைஇ,பெரும் புழுக்குற்ற நின் பிறைநுதற் பொறி வியர்உறு வளி ஆற்றச் சிறு வரை திற” எனஆர்வ நெஞ்சமொடு போர்வை வவ்வலின்,உறை கழி வாளின் உருவு பெயர்ந்து இமைப்ப,மறை திறன் அறியாள்ஆகி, ஒய்யெனநாணினள் இறைஞ்சியோளே பேணி,பரூஉப் பகை ஆம்பற் குரூஉத் தொடை நீவி,சுரும்பு இமிர் ஆய்மலர் வேய்ந்தஇரும் பல் கூந்தல் இருள் மறை ஒளித்தே. Though we don’t actually get to travel to the outer spaces of this domain in this verse, we get a sense of the culture here, as we listen to the man say these words to his heart, when the lady is in the midst of a fight with him, as she listens nearby: “The cooked white rice, having flawless pieces of meat, brimming with ghee, was rendered with limitless hospitality and guests were welcomed. Sounds of birds uniting echoed sweetly in the air; The beautiful dark sky shined with a clear light, and at this time, the moon and the wheel-shaped star come together in a perfect union; The wedding home was decorated and god's praises were sung; As the thick and huge ‘panai' drums resounded, along with ‘muzhavu' wedding drums, the women who bathed her as part of the wedding ceremony, not blinking their flower-like eyes, quickly vanished; The delicate-bottomed forked leaves of the Lebbeck tree, with soft flowers, and the cool and fragrant buds of the huge-petaled flower, in the hue of well-washed sapphires, blossoming in the sky's first rains, upon the wild ‘arukai' grass, spreading in the crevices, and grazed upon by mature calves, are tied together with a white thread, and adorned on her, along with pristine clothes. Then coming together with affection, in that sand-filled pavilion, resounding with the sound of falling rain, wiping away the sweat that runs down, because of heavy jewels worn, her kith and kin rendered her to me. On the night of this first day together, saying to her, “O maiden, who is the form to my life, filled with blemish-less chastity! As you have covered your form entire with a thick attire, feeling rather hot, your crescent-moon-like forehead would be coated in beads of sweat. Letting the flowing breeze to cool it, why not remove it?”, with a desiring heart, I pulled away the cover, and there she was, shining akin to a sword, pulled out from its sheath. Without knowing how to hide herself, she was overcome with shyness and bent her head. Understanding her state, I came to her aid and removed the radiant, thick white-lily garland, which was like a foe to her, just then, spreading her thick and black, bee-buzzing tresses, filled with beautiful flowers, and with that cover of darkness, helped her hide herself!” Let’s participate in this ancient farmlands wedding and learn more! The man simply takes a walk down memory lane, recollecting the day of his wedding with his lady. He remembers the pots of rice and meat, cooked with ghee, and served to guests ceaselessly. He talks about how the sweet sounds of birds uniting resounded in the air. The man then talks about how the moon was supposed to be coming close to and uniting with a star in a wheel-shaped constellation, that day. Interpreters have identified this particular star to be ‘Rohini’, also known as the Aldebaran star, said to be the ‘eye’ of the Taurus constellation, in another astronomical classification. There have been numerous mythological stories about the connection between this star and the moon, and here too, we encounter one such belief in Sangam culture that the coming together of these two celestial bodies was an auspicious moment for a couple to begin their journey together. Returning, the man turns his attention to the wedding decorations in the home, praising god, and the resounding roar of wedding drums many. The lady was given a ceremonial bath from maiden and then she was adorned with flowers of the Arukai grass and leaves of the Vaakai tree, atop glowing clothes. After dressing the bride so, the lady’s kith and kin, wiping away the sweat, owing to wearing heavy ornaments, offered the lady to the man, and formalised their union. From these festivities, the man turns to a personal moment between him and the lady on their first night together, when he observes her covering herself in a thick attire. He seems to have pulled it away, so that the beads of sweat on the lady’s forehead would be dried by the cool breeze. As he pulled the cover apart, the lady appeared like a sword out of sheath, glowing, the man recounts. At that moment, she seemed to have been filled with shyness and without knowing how to cover herself, she had bent her head. The man seems to have come to her aid and removed the clasp of her white-lily garland and turned the darkness of her thick, black tresses as her new attire, he concludes.  We know the man and lady had been fighting. The man had been trying many attempts to appease her but to no avail. He finally chooses the strategy of talking about a happy, delightful moment, in their early years, to take the lady to the past, reminding her of who she had been to the man, and make her forget the present moment of conflict. Though we do not know whether the man’s strategy worked out for him, on our part, we got to go to an ancient Tamil wedding, feast our senses with food and festivity and delight in the many glimpses of plenty and prosperity of this domain! 

Maung Zarni, UK-exiled Burmese dissident, scholar, rights activist, and Nobel Peace Prize nominee, discusses his role within the Jury in the Permanent Peoples Tribunal on Sri Lanka, observing the similarities between the use of starvation perpetrated in Sri Lanka against the Tamil minority and the exercise of starvation used against Palestinians in Gaza. Zarni also discusses his participation in two separate delegations to Gaza and the West Bank (August 2024 and January 2025) witnessing first-hand Israel's ongoing genocide in Palestine, as he elaborates the freedom he and other members of the delegation had to roam and to discover—unscheduled and unchoregraphed visits—the reality of Palestinians living in the West Bank and Gaza and of Israelis living in Israel. Zarni describes the myriad human rights violations, starvation, and conditions of genocide in Gaza, in addition to attesting to the violent attacks by settlers and the threat of genocide already in vigour in the West Bank. Interrogating a vast system of colonial occupation and repression exercised by the state of Israel against Palestinians for the past 78 years, Zarni notes how this is a “collective genocide” whereby many countries and their politicians are “directly participating in Israel's genocide” through political, military, and economic contributions. Zarni discusses how people need to be educated about genocide, especially “when it is done by our own country, in our own name,” as he connects his work in educating the Cambodians about the “Killing Fields” and their own history of genocide at the hands of the Khmer Rouge between 1975 and 1979. Maintaining that this genocide is “far worse than what was happening in Nazi Germany and Nazi-occupied Europe,” Zarni remarks how “the entire ecosystem of corporate and public legacy media is performing” what the Ministry for Public Enlightenment and Propaganda under Joseph Goebbels did to create the political ethos to destroy European Jewry. Get full access to Savage Minds at savageminds.substack.com/subscribe

Velpari - Episode 17 - வீரயுக நாயகன் வேள்பாரி - சு. வெங்கடேசன் - Dr ரத்னமாலா புரூஸ் - Tamilosai Tamil Audio Books www.youtube.com/@DrRathnamalaBruce

unforgettable teacher - Impromptu speech at TT groupunforgettable teacher- spotify podcast#teacher #life #nagendrabharathi #speech My Poems in Tamil and English are available at https://www.amazon.com/author/nagendrabharathi

Evaluation speech 1 - toastmasters' TT group Evaluation speech 1 - spotify podcast#evaluation #toastmaster #nagendrabharathi #speech My Poems in Tamil and English are available at https://www.amazon.com/author/nagendrabharathi

Evaluation speech 2 - toastmasters' TT group Evaluation speech 2- spotify podcast#evaluation #toastmaster #nagendrabharathi #speech My Poems in Tamil and English are available at https://www.amazon.com/author/nagendrabharathi

Rainy days - Impromptu speech at TT groupRainy days- spotify podcast#rain #life #nagendrabharathi #speech My Poems in Tamil and English are available at https://www.amazon.com/author/nagendrabharathi

God's plan vs My plan - Impromptu speech at CTM clubGod's plan vs My plan - spotify podcast#plan #life #nagendrabharathi #speech My Poems in Tamil and English are available at https://www.amazon.com/author/nagendrabharathi

Velpari - Episode 16 - வீரயுக நாயகன் வேள்பாரி - சு. வெங்கடேசன் - Dr ரத்னமாலா புரூஸ் - Tamilosai Tamil Audio Books www.youtube.com/@DrRathnamalaBruce

Velpari - Episode 15 - வீரயுக நாயகன் வேள்பாரி - சு. வெங்கடேசன் - Dr ரத்னமாலா புரூஸ் - Tamilosai Tamil Audio Books www.youtube.com/@DrRathnamalaBruce

Self interest- Impromptu speech in TT group Self interest - spotify podcast#self #others #nagendrabharathi #speech My Poems in Tamil and English are available at https://www.amazon.com/author/nagendrabharathi

Who inspires who - Impromptu speech in TT group Who inspires who - spotify podcast#inspiration #who #nagendrabharathi #speech My Poems in Tamil and English are available at https://www.amazon.com/author/nagendrabharathi

A skill to master - Impromptu speech in TT group A skill to master - spotify podcast#skill #relationship #nagendrabharathi #speech My Poems in Tamil and English are available at https://www.amazon.com/author/nagendrabharathi

Peaceful place - Impromptu speech in TT group Peaceful place - spotify podcast#home #place #nagendrabharathi #speech My Poems in Tamil and English are available at https://www.amazon.com/author/nagendrabharathi

In this high energy episode, Rick Sanchez crash lands into Kollywood while Rocklee brings pure determination as the duo dive deep into the biggest Tamil films of 2025.From massive star driven spectacles to experimental indies, breakout newcomers, genre shifts, musical revolutions, and the surprise hits that shook the industry Rick and Rocklee unpack how Tamil cinema evolved this year.---------------------------------Support Us----------------------------------------Support The Modern Akatsuki if you feel like it .(Read everything below carefully before sending us your donations)

In this high energy episode, Rick Sanchez crash lands into Kollywood while Rocklee brings pure determination as the duo dive deep into the biggest Tamil films of 2025.From massive star driven spectacles to experimental indies, breakout newcomers, genre shifts, musical revolutions, and the surprise hits that shook the industry Rick and Rocklee unpack how Tamil cinema evolved this year.

ஏழாண்டுகளாக அலைந்து திரியும் இளைஞன், இருபத்தொரு ஆண்டுகளாக மனைவியின் நிழலைத் துரத்தும் டிரைவர்... அவர்களின் கதைகள் ஒரு ராத்திரியில் மோதுகின்றன. ஏக்கம், புனிதம், பாவம் – எல்லாம் ஒரு பீடியின் புகையில் கரைந்து போகின்றன.ஒரு சந்திப்பு. ஒரு ரகசியம். ஒரு கேள்வி: மனித மனதின் அளவு என்ன?நெடுஞ்சாலையின் நிழல்களில் பதுங்கி லாரியின் விளக்கு வெளிச்சத்தில் வெளிவரும் உணர்வுகள்... கேளுங்கள் இருளில்!To listen to the full audiobook Subscribe to Kadhai Osai - Premium:YouTube - https://www.youtube.com/@KadhaiOsaiTamilAudioBooks/membershipApple Podcasts - https://podcasts.apple.com/us/channel/kadhai-osai-premium/id6442514906Spotify - https://open.spotify.com/show/5Su9MtDcFoqx2BTSSFGVgZ#deepikaarun #tamilaudiobooks #audiobooks #kadhaiosai #DeepikaArun #TamilStories #TamilAudio #audiosinTamil #tamilaudios #jeyamohan #Irulil #shortstories #தீபிகாஅருண் #ஜெயமோகன்

Velpari - Episode 14 - வீரயுக நாயகன் வேள்பாரி - சு. வெங்கடேசன் - Dr ரத்னமாலா புரூஸ் - Tamilosai Tamil Audio Books www.youtube.com/@DrRathnamalaBruce

மேடைப் பேச்சுகள்:   • மேடைப் பேச்சுகள்  மொழி சொல்லும் வழி:   • மொழி சொல்லும் வழி  Cruise to Kaviripoompattinam (பட்டினப்பாலை):   • Pattinapalai  Memories of Madurai (நெடுநல்வாடை)   • Nedunalvaadai  திருக்குறள் கதைகள்:    • Thirukkural  Children Stories (குழந்தைக் கதைகள்):   • குழந்தைக் கதைகள்  இலக்கணம் in a fun way:   • இலக்கணம்  நாடகங்கள்:   • நாடகங்கள்  சமையல்:   • Cooking  கவிதைகள்:   • கவிதைகள்  

S6E15 - Story for kids in tamil. Send your feedback to storytimesonline@gmail.com, about kathaium naanum.

Velpari - Episode 13 - வீரயுக நாயகன் வேள்பாரி - சு. வெங்கடேசன் - Dr ரத்னமாலா புரூஸ் - Tamilosai Tamil Audio Books www.youtube.com/@DrRathnamalaBruce

My dream - Impromptu speech in TT group My dream- spotify podcast#dream #life #nagendrabharathi #speech My Poems in Tamil and English are available at https://www.amazon.com/author/nagendrabharathi

Silence is golden - Impromptu speech in TT group Silence is golden- spotify podcast#silence #life #nagendrabharathi #speech My Poems in Tamil and English are available at https://www.amazon.com/author/nagendrabharathi

childhood idol - Impromptu speech in TT group childhood idol- spotify podcast#childhood #life #nagendrabharathi #speech My Poems in Tamil and English are available at https://www.amazon.com/author/nagendrabharathi

A rule you broke - Impromptu speech in TT group A rule you broke - spotify podcast#rule #life #nagendrabharathi #speech My Poems in Tamil and English are available at https://www.amazon.com/author/nagendrabharathi

true friend - Impromptu speech in TT group true friend - spotify podcast#friend #life #nagendrabharathi #speech My Poems in Tamil and English are available at https://www.amazon.com/author/nagendrabharathi

S6E14 - Story for kids in tamil. Send your feedback to storytimesonline@gmail.com, about kathaium naanum.

Velpari - Episode 12 - வீரயுக நாயகன் வேள்பாரி - சு. வெங்கடேசன் - Dr ரத்னமாலா புரூஸ் - Tamilosai Tamil Audio Books www.youtube.com/@DrRathnamalaBruce

In this episode Haashiraama Senju along with Monkey Mind, Witcher, Zoro, Sanji and Ikadavul discuss about infamous propoganda movies in both Tamil and Hindu and their properties and effects in detail.Guest speaker for next episode : Sandeep (@MadrasMarcoPolo on Instagram), politically critical traveller from Chennai who has travelled to 41 countries and brings his insights back home to inspire people. He is conducting a Moi-Virundhu on 29th November to teach budget travel. Check his instagram for more details.Speakers: ⁠Haashiraamaa Senju⁠ | ⁠Monkey Mind⁠ | ⁠Witcher⁠ | ⁠Sanji⁠ | ⁠Zoro⁠ | ⁠Monkey D. LuffyGuest Speaker: IKadavul--------Credits--------Sound Engineer: ⁠Monkey D. Luffy⁠⁠⁠Audio Editor: ⁠Monkey D. Luffy⁠⁠⁠Video Editor:- ⁠Monkey D. Luffy⁠⁠⁠Thumbnail & Poster:- ⁠⁠⁠Zoro⁠⁠⁠ Sponsored by Swag Marvels : ⁠⁠www.swagmarvels.com⁠⁠--------Gears--------Mic: Shure SV200 Vocal MicrophoneAudio Interface: Focusrite Scarlett 18i20 4th GenSVK Instagram ID: ⁠⁠Schumy_Official⁠⁠SVK's Brotherhood Form: ⁠⁠⁠⁠⁠⁠⁠https://forms.gle/9RxFJnT3KtS8C85fA⁠⁠⁠⁠⁠⁠

S6E13 - Story for kids in tamil. Send your feedback to storytimesonline@gmail.com, about kathaium naanum.