Podcasts about mountains

This week, we've got a couple of storytelling treats for you: two legends and how they've left their mark on our state. In the heart of San Francisco's Mission District, there's a massive blue mural painted in shades of blue, depicting figures of women among waves and cascading water. In the foreground, a woman stands to the side, a giant tear falling from her eye. “La Llorona's Sacred Waters” was painted by Bay Area artist Juana Alicia back in 2004. But there are differing versions of her story – both in Mexico and here in California. And what do we do when we're presented with something we can't explain? Do we just chalk it up to the supernatural...or superstition? In this story that first aired in 2018, we explore the mystery of a bizarre 60-foot deep hole that once appeared on Mt. Shasta, and why a guy who works at an old school video store might have some answers.

Morning: Ezekiel 36–37 Ezekiel 36–37 (Listen) Prophecy to the Mountains of Israel 36 “And you, son of man, prophesy to the mountains of Israel, and say, O mountains of Israel, hear the word of the LORD. 2 Thus says the Lord GOD: Because the enemy said of you, ‘Aha!' and, ‘The ancient heights have become our possession,' 3 therefore prophesy, and say, Thus says the Lord GOD: Precisely because they made you desolate and crushed you from all sides, so that you became the possession of the rest of the nations, and you became the talk and evil gossip of the people, 4 therefore, O mountains of Israel, hear the word of the Lord GOD: Thus says the Lord GOD to the mountains and the hills, the ravines and the valleys, the desolate wastes and the deserted cities, which have become a prey and derision to the rest of the nations all around, 5 therefore thus says the Lord GOD: Surely I have spoken in my hot jealousy against the rest of the nations and against all Edom, who gave my land to themselves as a possession with wholehearted joy and utter contempt, that they might make its pasturelands a prey. 6 Therefore prophesy concerning the land of Israel, and say to the mountains and hills, to the ravines and valleys, Thus says the Lord GOD: Behold, I have spoken in my jealous wrath, because you have suffered the reproach of the nations. 7 Therefore thus says the Lord GOD: I swear that the nations that are all around you shall themselves suffer reproach. 8 “But you, O mountains of Israel, shall shoot forth your branches and yield your fruit to my people Israel, for they will soon come home. 9 For behold, I am for you, and I will turn to you, and you shall be tilled and sown. 10 And I will multiply people on you, the whole house of Israel, all of it. The cities shall be inhabited and the waste places rebuilt. 11 And I will multiply on you man and beast, and they shall multiply and be fruitful. And I will cause you to be inhabited as in your former times, and will do more good to you than ever before. Then you will know that I am the LORD. 12 I will let people walk on you, even my people Israel. And they shall possess you, and you shall be their inheritance, and you shall no longer bereave them of children. 13 Thus says the Lord GOD: Because they say to you, ‘You devour people, and you bereave your nation of children,' 14 therefore you shall no longer devour people and no longer bereave your nation of children, declares the Lord GOD. 15 And I will not let you hear anymore the reproach of the nations, and you shall no longer bear the disgrace of the peoples and no longer cause your nation to stumble, declares the Lord GOD.” The Lord's Concern for His Holy Name 16 The word of the LORD came to me: 17 “Son of man, when the house of Israel lived in their own land, they defiled it by their ways and their deeds. Their ways before me were like the uncleanness of a woman in her menstrual impurity. 18 So I poured out my wrath upon them for the blood that they had shed in the land, for the idols with which they had defiled it. 19 I scattered them among the nations, and they were dispersed through the countries. In accordance with their ways and their deeds I judged them. 20 But when they came to the nations, wherever they came, they profaned my holy name, in that people said of them, ‘These are the people of the LORD, and yet they had to go out of his land.' 21 But I had concern for my holy name, which the house of Israel had profaned among the nations to which they came. I Will Put My Spirit Within You 22 “Therefore say to the house of Israel, Thus says the Lord GOD: It is not for your sake, O house of Israel, that I am about to act, but for the sake of my holy name, which you have profaned among the nations to which you came. 23 And I will vindicate the holiness of my great name, which has been profaned among the nations, and which you have profaned among them. And the nations will know that I am the LORD, declares the Lord GOD, when through you I vindicate my holiness before their eyes. 24 I will take you from the nations and gather you from all the countries and bring you into your own land. 25 I will sprinkle clean water on you, and you shall be clean from all your uncleannesses, and from all your idols I will cleanse you. 26 And I will give you a new heart, and a new spirit I will put within you. And I will remove the heart of stone from your flesh and give you a heart of flesh. 27 And I will put my Spirit within you, and cause you to walk in my statutes and be careful to obey my rules.1 28 You shall dwell in the land that I gave to your fathers, and you shall be my people, and I will be your God. 29 And I will deliver you from all your uncleannesses. And I will summon the grain and make it abundant and lay no famine upon you. 30 I will make the fruit of the tree and the increase of the field abundant, that you may never again suffer the disgrace of famine among the nations. 31 Then you will remember your evil ways, and your deeds that were not good, and you will loathe yourselves for your iniquities and your abominations. 32 It is not for your sake that I will act, declares the Lord GOD; let that be known to you. Be ashamed and confounded for your ways, O house of Israel. 33 “Thus says the Lord GOD: On the day that I cleanse you from all your iniquities, I will cause the cities to be inhabited, and the waste places shall be rebuilt. 34 And the land that was desolate shall be tilled, instead of being the desolation that it was in the sight of all who passed by. 35 And they will say, ‘This land that was desolate has become like the garden of Eden, and the waste and desolate and ruined cities are now fortified and inhabited.' 36 Then the nations that are left all around you shall know that I am the LORD; I have rebuilt the ruined places and replanted that which was desolate. I am the LORD; I have spoken, and I will do it. 37 “Thus says the Lord GOD: This also I will let the house of Israel ask me to do for them: to increase their people like a flock. 38 Like the flock for sacrifices,2 like the flock at Jerusalem during her appointed feasts, so shall the waste cities be filled with flocks of people. Then they will know that I am the LORD.” The Valley of Dry Bones 37 The hand of the LORD was upon me, and he brought me out in the Spirit of the LORD and set me down in the middle of the valley;3 it was full of bones. 2 And he led me around among them, and behold, there were very many on the surface of the valley, and behold, they were very dry. 3 And he said to me, “Son of man, can these bones live?” And I answered, “O Lord GOD, you know.” 4 Then he said to me, “Prophesy over these bones, and say to them, O dry bones, hear the word of the LORD. 5 Thus says the Lord GOD to these bones: Behold, I will cause breath4 to enter you, and you shall live. 6 And I will lay sinews upon you, and will cause flesh to come upon you, and cover you with skin, and put breath in you, and you shall live, and you shall know that I am the LORD.” 7 So I prophesied as I was commanded. And as I prophesied, there was a sound, and behold, a rattling,5 and the bones came together, bone to its bone. 8 And I looked, and behold, there were sinews on them, and flesh had come upon them, and skin had covered them. But there was no breath in them. 9 Then he said to me, “Prophesy to the breath; prophesy, son of man, and say to the breath, Thus says the Lord GOD: Come from the four winds, O breath, and breathe on these slain, that they may live.” 10 So I prophesied as he commanded me, and the breath came into them, and they lived and stood on their feet, an exceedingly great army. 11 Then he said to me, “Son of man, these bones are the whole house of Israel. Behold, they say, ‘Our bones are dried up, and our hope is lost; we are indeed cut off.' 12 Therefore prophesy, and say to them, Thus says the Lord GOD: Behold, I will open your graves and raise you from your graves, O my people. And I will bring you into the land of Israel. 13 And you shall know that I am the LORD, when I open your graves, and raise you from your graves, O my people. 14 And I will put my Spirit within you, and you shall live, and I will place you in your own land. Then you shall know that I am the LORD; I have spoken, and I will do it, declares the LORD.” I Will Be Their God; They Shall Be My People 15 The word of the LORD came to me: 16 “Son of man, take a stick6 and write on it, ‘For Judah, and the people of Israel associated with him'; then take another stick and write on it, ‘For Joseph (the stick of Ephraim) and all the house of Israel associated with him.' 17 And join them one to another into one stick, that they may become one in your hand. 18 And when your people say to you, ‘Will you not tell us what you mean by these?' 19 say to them, Thus says the Lord GOD: Behold, I am about to take the stick of Joseph (that is in the hand of Ephraim) and the tribes of Israel associated with him. And I will join with it the stick of Judah,7 and make them one stick, that they may be one in my hand. 20 When the sticks on which you write are in your hand before their eyes, 21 then say to them, Thus says the Lord GOD: Behold, I will take the people of Israel from the nations among which they have gone, and will gather them from all around, and bring them to their own land. 22 And I will make them one nation in the land, on the mountains of Israel. And one king shall be king over them all, and they shall be no longer two nations, and no longer divided into two kingdoms. 23 They shall not defile themselves anymore with their idols and their detestable things, or with any of their transgressions. But I will save them from all the backslidings8 in which they have sinned, and will cleanse them; and they shall be my people, and I will be their God. 24 “My servant David shall be king over them, and they shall all have one shepherd. They shall walk in my rules and be careful to obey my statutes. 25 They shall dwell in the land that I gave to my servant Jacob, where your fathers lived. They and their children and their children's children shall dwell there forever, and David my servant shall be their prince forever. 26 I will make a covenant of peace with them. It shall be an everlasting covenant with them. And I will set them in their land9 and multiply them, and will set my sanctuary in their midst forevermore. 27 My dwelling place shall be with them, and I will be their God, and they shall be my people. 28 Then the nations will know that I am the LORD who sanctifies Israel, when my sanctuary is in their midst forevermore.” Footnotes [1] 36:27 Or my just decrees [2] 36:38 Hebrew flock of holy things [3] 37:1 Or plain; also verse 2 [4] 37:5 Or spirit; also verses 6, 9, 10 [5] 37:7 Or an earthquake (compare 3:12, 13) [6] 37:16 Or one piece of wood; also verses 17, 19, 20 [7] 37:19 Hebrew And I will place them on it, the stick of Judah [8] 37:23 Many Hebrew manuscripts; other Hebrew manuscripts dwellings [9] 37:26 Hebrew lacks in their land (ESV) Evening: 1 Peter 3 1 Peter 3 (Listen) Wives and Husbands 3 Likewise, wives, be subject to your own husbands, so that even if some do not obey the word, they may be won without a word by the conduct of their wives, 2 when they see your respectful and pure conduct. 3 Do not let your adorning be external—the braiding of hair and the putting on of gold jewelry, or the clothing you wear—4 but let your adorning be the hidden person of the heart with the imperishable beauty of a gentle and quiet spirit, which in God's sight is very precious. 5 For this is how the holy women who hoped in God used to adorn themselves, by submitting to their own husbands, 6 as Sarah obeyed Abraham, calling him lord. And you are her children, if you do good and do not fear anything that is frightening. 7 Likewise, husbands, live with your wives in an understanding way, showing honor to the woman as the weaker vessel, since they are heirs with you1 of the grace of life, so that your prayers may not be hindered. Suffering for Righteousness' Sake 8 Finally, all of you, have unity of mind, sympathy, brotherly love, a tender heart, and a humble mind. 9 Do not repay evil for evil or reviling for reviling, but on the contrary, bless, for to this you were called, that you may obtain a blessing. 10 For   “Whoever desires to love life    and see good days,  let him keep his tongue from evil    and his lips from speaking deceit;11   let him turn away from evil and do good;    let him seek peace and pursue it.12   For the eyes of the Lord are on the righteous,    and his ears are open to their prayer.  But the face of the Lord is against those who do evil.” 13 Now who is there to harm you if you are zealous for what is good? 14 But even if you should suffer for righteousness' sake, you will be blessed. Have no fear of them, nor be troubled, 15 but in your hearts honor Christ the Lord as holy, always being prepared to make a defense to anyone who asks you for a reason for the hope that is in you; yet do it with gentleness and respect, 16 having a good conscience, so that, when you are slandered, those who revile your good behavior in Christ may be put to shame. 17 For it is better to suffer for doing good, if that should be God's will, than for doing evil. 18 For Christ also suffered2 once for sins, the righteous for the unrighteous, that he might bring us to God, being put to death in the flesh but made alive in the spirit, 19 in which3 he went and proclaimed4 to the spirits in prison, 20 because5 they formerly did not obey, when God's patience waited in the days of Noah, while the ark was being prepared, in which a few, that is, eight persons, were brought safely through water. 21 Baptism, which corresponds to this, now saves you, not as a removal of dirt from the body but as an appeal to God for a good conscience, through the resurrection of Jesus Christ, 22 who has gone into heaven and is at the right hand of God, with angels, authorities, and powers having been subjected to him. Footnotes [1] 3:7 Some manuscripts since you are joint heirs [2] 3:18 Some manuscripts died [3] 3:19 Or the Spirit, in whom [4] 3:19 Or preached [5] 3:20 Or when (ESV)

Filmed over a full year - take a breathtaking timelapse journey through the 4 seasons in the Mourne Mountains, some one of the most scenic on the Island of Ireland. A commercial photographer, Pushed by the onset of Covid to find a new passion project, fell in love with Landscape Photographer and created one of the best time lapses of all time of the Stunning Mourne Mountains in Ireland.   On this episode I get to have a great chat with Richard about his approach to photography, wild camping in the mournes, snow higher than his knees, -15 degrees, gear, editing and most of all his new found passion for landscape Photography . We also discuss his approach , gear used, highs and lows and also the time spent putting this masterpiece together which he released in October ( on his birthday no less ) after 1 year of hard work  Watch the stunning Timelapse film here  https://www.youtube.com/watch?v=IbcYx97mTww Follow Richard here  www.facebook.com/richardwatsonphoto www.instagram.com/richardwatsonphoto www.richardwatsonphoto.com www.richardwatsonfineart.com    

  The post #194 Wiley Miller – A Connection to Gravity appeared first on Low Pressure Podcast.

"1, 2, 3, and 4, inside, outside!" Hi, everyone. Was amused to find a small saxophone hiding in my bottle of kombucha this week. The small pressure of a barely open lid released a torrent of improvisational jazz. If it were a plastic bottle, I'd swear this was the ghost of Ornette Coleman! This episode of SWWE also features a variety of electronic snow and other winter-related sound. Have a nice holiday. – Ethan

Ricky began designing and making quilts in 1991 and has been named one of the 30 most distinguished quilters in the world. He was selected by the readers of Quilters Newsletter Magazine as the most influential person in the quilting industry and was profiled on CBS Sunday Morning. Ricky is passionate about sharing his creative experience and enthusiasm and encourages individuals to cultivate self-expression, to reach for the unreachable, and to believe in the impossible.  His discovery story is rich in details. As he takes us on his journey, he shares that he was smitten with the process of quilting from the moment he made his first quilt in the privacy of his home. He says, “I wasn't aware of the “quilt police” when I made my first quilt…and while it was pretty pathetic in many ways, I wouldn't be where I am without that first quilt, so I'm not ashamed of it, and I usually display it when I'm doing my seminars.” When new quilters come across his path, Ricky tells them that he doesn't want them to be perfect and that they should simply enjoy the process, knowing that through the process they're going to get better. Ricky believes that making a quilt is a journey and while you're making the quilt, life unfolds, and as it does, those events, those moments, go into the quilt. Whether it's a struggle or a celebration, those memories are fixed in the quilt so that when you look at it, you're not just seeing a quilt but remembering the things you experienced in life. (7:02-11:40)Ricky refers to himself as a creative soul and shares that he's happiest when he's creating. His first creative outlet was music; he learned to read music before he learned the alphabet. Then photography and quilting came along, and now he does all of them.  Ricky doesn't want to be a “one-trick pony,” and wants people to engage with him whether he's talking about quilting or music or photography or things that happen in his day-to-day life. His overall message is one of inspiration and positivity, and he genuinely believes that we can all be more than we ever imagined possible. “I want my legacy to be that I've inspired people, entertained people, and hopefully educated them along the way.” Ricky waxes eloquently about the ebb and flow to creating, and how different art forms inform and influence one another. He believes that quilters can become better artists through photography, saying that photography can teach us to see the world through new eyes, and once we do, we'll never see it the same way again. (17:45 - 21:28 ) Whether he's sharing the adventures of “Lizzy Albright and the Attic Window,” his young adult novel set in the 1960s,  his special bond with ravens, or his pull to live in the mountains, one thing is clear: Ricky is passionate, colorful and inspirational.  When you listen to the podcast, you'll learn that his theme is “Carpe Diem,” and you'll understand that he not only seizes the moment he embraces each and every one of them.  (35:20-37:14) To keep the inspiration going,  visit rickytims.com, or check out his Facebook, Instagram, or Twitter pages. 

We are back for round two of the Thanksgiving week double header!! We sit down with Slick Nick, and Insane Dewayne of the Miles, Mountains, and Brews podcast to discuss what aspect of the Carb Holiday we could take or leave. Stove Top Stuffing disrespect will not be tolerated....Huge thank you to @the_hulk_hoagie for this seasons intro music!!Like, Share, and Subscribe and check out the awesome things Nick and Dewayne are up to @MMB_podcast

Measured by the yardstick of height, Australia's mountains pale in comparison to mightier peaks in other continents. But they have a fascinating history, inspiring not just explorers but painters, poets and photographers over the years.

The Guardian's diplomatic editor on Boris's bizarre speech and the British role in AUKUS, a close look at Covid restriction protestors, and Australia might not be famous for our mountains but there's lots to appreciate about them.

Fortune and Ginger talk pop culture and Thanksgiving in this week's episode!    Thanks to our sponsors:  Thanks  StoryWorth.  Get $10 off your first purchase at StoryWorth.com/fortune Thanks  Brooklinen. Get $20 off a $100 purchase at brooklinen.com, promo code Fortune

In this Perfecting Faith Church's sermon: “My 'Now' Faith Will Move This Mountain”, Pastor Rebecca West reminds us that no matter the pain, no matter the disappointments, no matter the circumstance, no matter the struggle, no matter how big the mountain is in front of us, our hope rests in our faith in God.   Visit our website: https://perfectingfaithchurch.com    Connect with us on social media! Facebook: https://www.facebook.com/PerfectingFaithChurch/  Instagram: https://www.instagram.com/perfectingfaithchurch/  Twitter: https://twitter.com/PFCNY

Subscribe to the transcripts at https://www.allearsenglish.com/subscribe   Black Friday is coming at the end of this week- today find out how it started, why plumbers are busy on this day, and how to start a conversation with a native speaker about their shopping plans for Black Friday

Intro: buzzsaws and clean slates, rage, Where the Wild Things AreLet Me Run This By You: MoneyInterview: We talk to Carole Schweid about Juilliard, Phoebe Brand, John Lehne, Michael Brand, Midnight Cowboy, musical comedy performance, open dance calls, starring in the original cast of A Chorus Line, Bob Fosse, Pat Birch, Martha Graham, Minnie's Boys, Mervyn Nelson, playing Fastrada in the first national tour of Pippin, being a lone wolf in theatre, Lewis J. Stadlen, doing West Side Story at Bucks County Playhouse, Shelly Winters, Mary Hinkson, Nellie Forbush in South Pacific, playing Tzeitel in Fiddler on the Roof, Peppermint Lounge, Nick Dante, Michael Bennett, Marvin Hamlisch, Public Theater, Gerry Schoenfeld, The Shubert, the wish for a job vs. the real experience of working, Theda Bara & The Frontier Rabbi, Agnes de Mille, Play With Your Food, Staged Reading Magic, Albert Hague.FULL TRANSCRIPT (unedited):2 (10s):And I'm Gina Pulice.1 (11s):We went to theater school together. We survived it, but we didn't quite understand it. 20 years later,2 (16s):We're digging deep talking to our guests about their experiences and trying to make sense1 (20s):If at all we survived theater school and you will too. Are we famous yet? As more space is actually a huge thing.2 (36s):Yeah. I have to apologize for the sound of buzz saws. What is going to be going the whole time I'm talking, doing well, you1 (50s):Took some trees down, right.2 (53s):You know, that's how it started. Yeah. It started with actually, you know, it all was a surprise to me, basically one we've been talking about taking down all the trees in the front of our house. And one day Aaron said, they're coming tomorrow to take down the trees. And I'm like, how much did that cost? Because you know, taking down trees is usually really expensive. And so he says, well, he's going to do everything in the front for whatever. It was $5,000.1 (1m 22s):Yeah. She was pretty good for more than one tree. Cause one tree we had removed was $5,000 at my mom's.2 (1m 28s):Well, and it's not like they have to extract the whole tree. It's just, you know, just chopping it down. Like it's not, I don't know if it's different when they have to take out the, yeah,1 (1m 38s):I think it is when they have to take the stump out the roots and all that.2 (1m 43s):So that was fine. Although I did think to myself, Hmm. We have $5,000 to spend and this is what we're spending it on.1 (1m 54s):I've been there. Oh, I've been there2 (1m 56s):So the morning, but I'm letting it go. And so the morning comes and he tells me to go outside so we can talk about the trees and, and, and I, anyway, we, we designate some trees and they're all in the lower part of the front of our house.1 (2m 10s):Yes. You, and by the way, for people that don't know, like you have a lot of land for, for, for, for not being in the super super country, you have a lot of courage. I mean, you got a lot of trees.2 (2m 21s):Well, yeah, we have an acre and it's a lot of trees and it's a lot of junk trees. What they call junk trees. Because the idea here is once upon a time, when everybody got their heat from wood, you had to have fast growing trees. So it's these skinny trees. Yeah. Anyway, so I thought we were sort of on the same page about what we were going down. This is where I'm getting with this. And I had a couple of meetings yesterday and I was hearing the sound pretty close, but it wasn't until I looked outside that I saw, they took everything out.2 (3m 1s):The, every living thing out in the, in the front, in front of our house, including the only tree I was really attached to was I have a beautiful lilac tree.1 (3m 14s):Okay. Oh shit. And everything out.2 (3m 21s):What's that? Why they1 (3m 22s):Take everything out? Is that the plant? I think,2 (3m 25s):I think what happened was for the first couple of days, the boss was here. And then I think yesterday, the boss was like, you guys just go and finish up. And I don't know that anyway, you know what, I'm just choosing it to be, I'm choosing to look at it like, okay, well we're getting to start over and it can be exactly how we want it to be. So yeah,1 (3m 45s):That is a great attitude because there's nothing you can do you really do about it? Absolutely. Zero. You can do about threes coming out.2 (3m 53s):The only bummer is that it sounds like buzz saws all day at my house and at my neighbor's house, I'm sure they're annoyed with us too. Well,1 (4m 2s):What are you going to put? It is. Okay. So, so, okay. The good, that's the sort of wonky news, but what the good news is, what are you going to put in? Like, is there going to be a whole new,2 (4m 12s):I think it's just going to GRA, I mean, I think it's just going to be grass, which is fine. I mean, my thing was actually, it does a little bit of a metaphor because when we first moved here, we loved how quiet and private and everything is. And part of why everything feels very private at our house is there's trees and bushes blocking our view of anything. I mean, all we can see is trees and bushes when we're laying on the front, which for a while seemed cozy. And then it started to seem like annoying that we could never see. And actually there's kind of a really beautiful view of the mountains behind us. So our mountains Hills.1 (4m 51s):Yeah. But I mean, small mountains, like small2 (4m 53s):Mountains. Yeah. So I realized that it does coincide with our psychological spelunking and trying to just be like more open about everything. Like totally. You know what I mean? Like this is just be open to people seeing our house. This is open to seeing out and let's have, and actually my kids were kind of like, oh, but it's just also open and we don't have any privacy. And I'm like, yeah, well you have your room and bathroom. I mean, there's, there's places to go if you don't want people to, to see you, but let's just be open.1 (5m 31s):There's like a whole, yeah. It's a great metaphor for being visible. Like I am all about lately. I have found a lot of comfort and refuge in the truth of the matter, even if it's not pretty, even if I don't actually like it. So like getting the facts of the matter and also sharing the, of the matter without a judgment. So I appreciate this, like wanting to be seen and then letting go of what people make of that, whether your house is this way or that way, or the neighbors think this or that, I'm also the, I I'm all about it.1 (6m 15s):I'm like, you know, this is, there's something about transparency. That's very comforting for me. It's also scary because people don't like it when they can see, or they can say whatever they want, but the hiding, I think I'm pretty convinced hiding from myself and from others leads to trouble.2 (6m 37s):It leads to trouble. And any time you're having to kind of keep track of what you're, you know, being open about and what you're not, and what you've said, you know, it just it's like it's T it's listen. If I only have a certain amount of real estate in my mind, I really don't want to allocate any of it too. Right. Hiding something and trying to remember. Right.1 (7m 1s):And it's interesting, the more that we do this podcast, the more I see that, like, you know what I thought gene, I thought when we're dead, this podcast is going to remain. And then our children's children's children. I mean, I don't have kids, but my nieces and nephew and your children's children's children will have a record of this. And, and I'd rather it be a record of the truth, the truth and transparency, then some show about pretending. So I think it's going to be good for them to be able to look back and be like, for me, it's like the, my crazy aunt, like, what was she doing? And what did she think? And, and, oh my God, it's a record of the times too.1 (7m 43s):Yeah.2 (7m 43s):I think about that kind of a lot. And I think about, of course I say all this and my kids are probably like going to be, have no interests unless the, until they get to a certain age, I mean, I'll put it to you this way. If I could listen to a podcast of my mother in her, you know, in the time that I don't really the time of life, certainly before I was born, but in my life where I still didn't see her as a person until, you know, I'd love to just things like what her voice sounded like then, and that kind of thing. I mean, it's interesting.1 (8m 16s):I have nothing of my mom, like we have a very few, it was interesting because we didn't, you know, we, there was not a lot of video of my mother and today's actually the 10th anniversary of her passing.2 (8m 28s):Oh, wow. Wow. That's hard.1 (8m 31s):It is hard. You know, it is hard. And I'm working through, I started therapy with a new therapist, like a regular LCSW lady. Who's not because my last guy was an Orthodox Jewish man who wanted me to have children. Like it was a whole new, I just got involved in all the Shannon Diego's of like weirdness. I attracted that weirdest and whatever. So this lady is like a legit, you know, therapist. And they only bummer is, and I totally understand she's on zoom, but like, I I'm so sick of like, I would love to be in a room with a therapist, but I get it. She's in, she's an older lady, which is also great. I was so sick of having like 28 year old therapists.1 (9m 13s):Yeah,2 (9m 13s):Yeah, yeah. For sure.1 (9m 16s):I don't even seem right. Unless clients are like, you know, fit seven to 17. So anyway, so, but all this to say about my mom, I was thinking about it and I think what's harder than right. My mom's death right now is that there's I just, you know, and this is something I wanted to bring up with you is just like, I have a lot of rage that's coming up lately about my childhood and we weren't allowed to feel rage. And my mom was the only one allowed to feel rage. And so this rage mixed with perimenopause slash menopause. I mean, like I still get a period, but like, it's, it's a matter of time before that's over.1 (9m 58s):So, but the rage, so I guess, right. I get, you know, people like to talk about rage as some or anger as something we need to process and we need to do this and that, but the truth of the matter is since we're being transparent, like rage can be really scary. Like sometimes the rage, I feel, it's not like I'm going to do anything. Why wonky? I hope, but it's more like a, I don't know what to do with it. That is my, and I was talking in therapy about that. Like, I'm not actually sure. Practically when the feelings come up, what to do with rage. And I feel like it speaks to in our culture of like, we're all about now, this sort of like, we talk about this fake positivity and shit like that.1 (10m 41s):And also like embracing all your feelings, but there's not really practical things that we learn what to do when you feel like you're going to take your laptop and literally take it and throw it across the room and then go to jail. Like you, you. So I have to like look up things on the internet with literally like what to do with my rage.2 (11m 1s):I think that's why that's part of my attraction to reality. Television shows is a, is a performance of rage. That's that I wouldn't do just because I don't think I could tolerate the consequences. I mean, an upwards interpretation is, oh, it's not my value, but it's really just like, I don't think I can manage the content of the consequences. I'm totally at having all these blown up1 (11m 30s):And people mad at me and legal consequences. I can't,2 (11m 35s):It's something very gratifying about watching people just give in to all of their rage impulses and it's yeah. I, it it's, it may be particularly true for women, but I think it's really just true for everybody that there's very few rage outlets, although I guess actually maybe sports. Well, when it turns, when it turns sideways, then that's also not acceptable.1 (12m 3s):Yeah. I mean, and maybe that's why I love all this true crime is like, these people act out their rage, but like lately to be honest, the true crime hasn't been doing it for me. It's interesting. That is interesting. Yeah. It's sort of like, well, I've watched so much of it that like now I'm watching stuff in different languages, true crime. And I'll start again. No, no, just stories. I haven't all been the only stories that I haven't heard really, really are the ones from other countries now. So I'm watching like, like true crime in new, in Delhi.2 (12m 42s):Do you need your fix? I actually was listening to some podcasts that I listened to. There's always an ad and it's exactly about this. It's like, we love true crime, but we've heard every story we know about every grisly murder, you know, detail. And it was touting itself as a podcast of, for next time I listened to it. I'll note the name of it so I can share it with you. You know, about this crimes. You haven't heard about1 (13m 9s):T the thing is a lot of them now, because I'm becoming more of a kind of sewer. Like a lot of it is just shittily made. So like the, the they're subtitled and dubbed in India, like India. So you've got like the, the they're speaking another language and then they're and if they don't match, so then I'm like, well, who's right. Like, is it the dubbing that's right. Or the subtitles that are right. And, and actually the words matter because I'm a writer. So it was like one anyway, it's poorly done is what I'm saying in my mind. And so it sort of scraped scraping the bottom of the barrel. It's like deli 9 1 1. I swear to God. That's what it, and, and it's, and also it's, it's horrifying because the, you know, the legal systems everywhere fucked, but India has quite a system.2 (13m 57s):I think that to the rage, like, tell me more about what comes up for you with rage and where you,1 (14m 6s):Yeah. Okay. So some of it is physiological, like where I feel literally like, and I think this is what my doctor's talking about. The menopause symptoms. I literally feel like a gnashing, my teeth. Like, I feel a tenseness in my jaw. Like, that's literally that. And she's like, that could also be your heart medication. So talk to your heart doctor. I mean, we're checking out all the things, but like, but it's tension. That's what it really feels like in my body is like tight tension where I feel earth like that. If I had to put a sound effect to it, it's like, ah, so I, I feel that is the first symptom of my rage. And then I feel like, and, and I say out loud, sometimes I hate my life.1 (14m 54s):That's what I say. And that is something I have never allowed myself to say before. Like I, I think unconsciously, I always told myself, like, you just, you have to be grateful and you know, those are the messages we receive, but sometimes life just fucking sucks. And sometimes my life, I just, I just can't stand. And, and in moments, you know, I never loved myself. So it's mostly a physical symptom followed by this is intolerable, what someone is doing. Sometimes my dog or my husband, but even, even if the coworking space, you know, like the lady was talking too loud and I was like, oh my God, this is intolerable.1 (15m 34s):She has to shut up. So agitation, that's what it is. And, and then it passes when I, if I, if I can say, oh my gosh, I am so fricking in Rouge right now. Then it passes.2 (15m 52s):Yeah. Well, it, it kind of sounds like from, from you and probably for most people, the only real option is to turn it in on yourself, you know, like you're not going to put it elsewhere. So you've, you know, you have, which is, so I guess maybe it's okay if you turn it on yourself, if you're doing, if you're working, if you're doing it with acceptance, which is the thing I'm gathering from you, as opposed to stewing and festering. And1 (16m 21s):I mean, it becomes, it's interesting. Yes, it is. So it's like, so red, hot, and so sudden, almost that the only thing I can do is say, okay, this is actually happening. Like, I can't pretend this isn't happening. I, it I'm like physically clenching my fists. And then I, yeah, there is a level of acceptance. I don't get panicked anymore. Now that I, that something is wrong. I just say, oh, this is rage. I name it. I'm like, I feel enraged and white, hot rage, and then it, and then it, and then I say, that's what this is.1 (17m 3s):I don't know why. I don't know where it's coming from. Right. In this moment. It's not proportionate to the lady, like literally talking on the phone at my coworking space that she's not shouting. So it's not that. And I don't want to miss that. I'm not like I can't fool myself to think that it's really, that lady's problem. That I feel like throwing my laptop at her head. And then, and then it passes. But, but, but it is, it is more and more. And, and I think a lot of it, not a lot of it, but you know, my doctor really does think that it's, it's hormonal. A lot of it just doesn't help the matter. I mean, it's not like, oh, great. It's hormonal. Everything's fine. But it, it does help to make me feel a little less bonkers.2 (17m 45s):Maybe you should have like a, a whole rage. Like what, like a rate. Well, first I was thinking you should have a range outfit. Like, oh, for me, if I, I noticed I pee in the winter anyway, I pick like my meanest boots and my leather jacket. When I'm feeling, you know, maybe say maybe kind of a rage outfit, when did Pierce?1 (18m 9s):No, I, I scratched myself in my sleep. Oh no, it's okay. It happens all the time. I do it in my sleep. It's a thing that it's like a little skin tag that I need to get removed. It's2 (18m 23s):So you could have a rage outfit and then you could have a rage playlist, And then you might even have like rage props. I'm just trying to think about a way that your ma you, you could write because if, if how you process something is artistically creatively, then maybe you needed a creative outlet that's specifically for, for race.1 (18m 48s):Yeah. And you know, the, I, I love that. And now I'm thinking about like, as a kid, we, because we, anger was so off limits to us. I used to violently chew gum. Like I would chew on the gum. That was a way, and my mom did the same thing, even though she also got her rage out, but it was like, you know, when people violently chew on their gum, like that was a way I could get my aggression out. That's so sad that that's like the only way.2 (19m 16s):Well, I mean, you find it wherever you can find me. It's like water looking for whatever that expression is, right? Yeah. Huh. Well, I have to get more in touch with my rage because I I'm told that I seem angry a lot.1 (19m 33s):You do.2 (19m 35s):I, I do get told that, but, but that sucks for me because I feel like I'm not expressing my anger and I'm, but I'm not. So I'm not, and I'm being seen as angry at certain times. So that means I didn't even get the benefit of like letting out the anger that somebody is.1 (19m 56s):Right. You didn't even get to act out the anger. It's like, yeah. So for me, miles tells me that all the time, like, he's like, you seem really in couples therapy. Also, I have to admit yesterday was a big day. We had couples therapy on zoom. Then I had individual therapy. And in between I had all kinds of like, just stuff happening. So, but yeah, I'm told I a miles is like, you seem so angry and he's not wrong. And, and we take it out on the people that we live in a two by four apartment with. So I also feel like this office space is helping with that, but yeah, I dunno, I'm going to have to keep exploring my, my rage and that's what it is.1 (20m 37s):And also it is like, I am the character in where the wild things are that kid, that is what I feel like. And it feels it's like the perfect cause he wants to gnash his teeth and, and he does, and a thrash, thrash, thrashing mash, or the words 2 (21m 6s):Let me run this by you that I wanted to do when we're going to talk to Molly that we didn't get to do. And it was based on made, you know, and just about money and, and wondering like what your relationship is right now with money. And also, but when were you at your lowest with money? What do you remember as being your lowest moment? Sure, sure. With money with money.1 (21m 40s):Okay. I have moments of what first comes to mind was when right. I was at DePaul. So it's an apropos in college and there was obviously a sense. I had a sense of lack, always, even though based on whatever, but it was phone. Somehow my accounts were always negative, right? Like, and I would call the number, the banking number, incessantly to check, and it would always be negative. So I have this panic thoughts about that. Like being a time of like, and that's not the only time that happened like that.1 (22m 23s):Where, what is the feeling? The feeling was that, and this was in college where it started to happen, where I felt like there's never enough. No, one's going to help me. I'm irresponsible with money. Was the message I told myself and I probably was, I was in college, but I can't handle money. And literally that, that panic was also, I mean, it was true. I had no money, but my parents would have backed me, probably helped me out, but I was too scared to ask for help. So that's like, that's when, when you asked that question, that's where I go.1 (23m 4s):But, but that's also a college kind of me. So like in terms of an adult, me, that's a really great, great question. My lowest, I don't know. What about you?2 (23m 22s):Well, I've got a lot of Loma Loehmann's moments with money when I was in high school. The thing was, I lost my wallet all the time.1 (23m 35s):Oh, I remember this. I remember you talking about,2 (23m 38s):Yeah, that'd be still lose stuff all the time. That actually started at a young age with, you know, my mom would, she, my mom was really into jewelry and she would buy me destroyed. And there's nothing wrong with the fact that she brought me jewelry, but I lost it. You know, she buy me nice gold jewelry1 (23m 59s):Because she likes nice things. That's right. Yeah.2 (24m 4s):In college it was pretty bad. And the first time it was pretty bad. I had to move back in with my mom because I couldn't afford rent. And then the second time I just, I re I really, if I had more bravery, I probably would have signed up to be one of those girls in the back of the Chicago reader. Like, I, I, I just figured what ha how literally, how else? Because I had a job, but I only worked however much I could work given the fact that we were in rehearsals and like busy all day, so I never could make enough money. And then I just, I think I always have had a dysfunctional relationship with money.1 (24m 51s):Wait a minute, but I have to interrupt. Why, why didn't our parents fucking help us? Okay. Look, I know I sound like a spoiled asshole brat, but like, when I think of the anxiety that we were going through and I know your mom did, so I'm not going to talk shit about your mom or anything, but I'm just saying like, why did we feel so alone in this when we were so young, this is not right.2 (25m 11s):Yeah. Well, my mom did help me out as much as she possibly could, but I think part of it too, my dad certainly didn't think it was that. I mean, when my mom was 18 and my dad was 19, they bought a house and had a baby. So I think part of it is, has been like, what's the matter with you? Cause I didn't go to college, you know, that's the other thing. So, so then when I, then I had a period for like 10 years where I always had three jobs, me two, what1 (25m 46s):Did you have enough then? I mean like, could you make rapid enough?2 (25m 49s):I had enough then yeah, I had enough then. But then when Aaron decided he wants to go to medical school, it was really on me to, to bring in the income. I mean, his parents always gave him money. They helped, it was a lot more. I mean, and actually it's why he became a therapist because I thought, well, we're going to be living with no income because he's going to be a student. Right. So I better giddy up and get a job. So the whole time I was in social work school, I was bartending. I remember that. And then I went quickly into private practice so that I could make money.2 (26m 29s):And it turned out to be, it turned out to backfire on me. Tell1 (26m 35s):Me, tell me, tell me more.2 (26m 37s):It backfired in two ways. Number one, I was, I shouldn't have been operating a private practice without my LCSW. I had my MSW and I was working at the time in a psych hospital. And all of the psychiatrist said, you should start your private practice. You should start your private practice. And I remember saying at the beginning, I don't know if I'm allowed to oh yes, yes. You definitely can. I know tons of MSWs into plenty of people and it's true. I don't know if it's still true now in New York, but at that time you could walk around and see plenty of nameplates for offices where somebody in private practice and that just have an MSW.2 (27m 18s):They just had to have a supervisor1 (27m 19s):Or something.2 (27m 22s):I don't know. Okay. I dunno. Right. So that ended up coming to haunt me when a disgruntled patient. And they're all disgruntled in some way, a family who actually had been swindled by a con artist, like they, they were a blue blood, rich ass family and they got swindled by a con artist. And so they were talking about rage. They had a lot of rage about that. When this guy who was paying for his daughter's treatment, didn't think it was going where, you know, he wanted it to right.2 (28m 4s):He started pushing back about the fee and then he was submitting to his insurance company and they were not reimbursing because I didn't have the LCSW. So then he reported me to the New York state office of professional discipline or1 (28m 21s):Whatever yeah.2 (28m 21s):Regulation or whatever. Yeah. And I ha I had to go through a whole thing. I had to have a lawyer and I had to go, yeah, yeah. It was a nightmare. It was a complete and total nightmare. And I, and I said nothing, but like, yeah, I did that. I did do that. And I did it because I needed to make the money. I mean, in some ways I don't regret it because I did it worked for the time that it worked. And then by the time it stopped working, I was ready to leave private practice anyway. Oh my God. Yeah. But then it also backfired because we were taking in this money, which we desperately needed living in New York city with two kids.2 (29m 3s):And, and we were, we were spending it all and not hold withholding any for taxes. So then that started, that started, that started almost 10 year saga of just, I mean, I, it's embarrassing to even say how much money we've paid in just in fees, compounded fees. Nope. I'm sure. In the last 10 years we've given the government a million dollars.1 (29m 29s):That sounds, that sounds about right. And you know, I think the thing with money too, is the amount of forgiveness I've need to muster up for the financial decisions that I have made. So one of them that I'm super embarrassed about is that, and I, and I hear you when it's like, yeah, I, it, it's embarrassing. I, I, when I did my solo show, I inherited the year that my mom died. My great aunt also died, who I very barely knew. And I inherited like, like a lot of money. Well, to me, a lot, like 50 grand from her, and I spent 15,000 on a publicist for my solo show that did nothing.1 (30m 14s):So I was swindled. Oh,2 (30m 17s):I'm so sorry to hear that. That really did nothing.1 (30m 22s):I could have done it all on my own. I could have done it all on my own, on drugs, in a coma. Do you know what I'm saying? Like, like, come on. So I have done made some questionable decisions. I did the best we did the best we could with, with the information that we all had at the time. I would never make that decision. I wouldn't, I will never make that mistake again. So yeah. Money is very, very, obviously this is so like kind of obvious to say, but it is, it is. So it is a way in which we really, really use it to either prize or shame ourselves. Right. And, and, and w I do it either way, like I do it.1 (31m 2s):Oh, I'm so fancy. I inherited this dough. And then I also do it. It's that thing that they talk about in program, which is like, you're the worm, but you're the best worm for the festival, special worms. And like, you're not a worker among workers. I'm just like the best idiot out there. It's like,2 (31m 18s):Dude. Yeah. And you're making me realize that money might be the only very quantifiable way of understanding your psychology list. The money is like, understanding your psychology through math. It's going okay. If you're a person like me who gets offered a credit card at age 20 totally signs up and, and immediately maxes it out at whatever, to get 27% interest rate. So whatever little thousand dollars of clothes I got, I probably paid $10 for it. And for the longest time. So, so that's me being afraid of the truth of my financial situation, being unwilling to sacrifice, having, you know, whatever, cute clothes being about the immediate gratification of it all and not thinking longterm.2 (32m 15s):Yeah.1 (32m 16s):Okay. Well, not asking for help either. Like, like, I don't know who I'd asked, but someone had to know more than me. I didn't ask my parents. They didn't really know what was happening at, or that just was their generation of like, not teaching us about money. It was sort of like, good luck. Get it together. We got it together. You get it together. Okay. Fine. But like unwillingness and fear to ask, to be taught something about money. Like, I didn't know, Jack shit about credit or interest Jack shit.2 (32m 46s):Yeah. And I recently realized that I'm basically redoing that with my kids, because we supposedly have this allowance. Only one of my kids ever remembers to ask for it because you know, only one of my kids is very, you know, very interested in money, but like, in a way I can understand why the others don't because it's like, well, anytime they want something, I pay for it. I never say sometimes I'll say recently, I've gotten better about saying, if we're going to go back to school shopping I'll especially if the oldest one, I'll say, this is your budget. If you, if you spend it all on one pair of sneakers, then I hope you're okay with your sweat pants that don't fit and wear them everyday for the rest of the school year.2 (33m 31s):Right. But it's, we've, we've just been extremely inconsistent in tying, like, for example, chores to your allowance,1 (33m 42s):It's fucking miserable and hard. And I have trouble doing that for myself. I wouldn't be able to do that for my children. If I had children, I can't not give the dog people food. What are you talking about? How am I going to bring it? Doesn't shock me. We didn't learn the skills and I'm not blaming. I mean, I'm blaming, of course my parents, but I'm also just saying, it's just the facts. If we're going to be that in the truth, like, I didn't learn, I didn't educate myself and nobody educated me. So I'm really learning through trial and error. Mostly error, how to be okay with money. And it is you're right. Like finances, romance, and finance teach us the most about our psychology.2 (34m 24s):Yeah. Yeah. Romance finance. I love that. 1 (34m 28s):I think that my boss at Lutheran social services to say all the time, finance and romance, romance, and finance, that's what all these addictions are about is that's how you see them. I'm like, she's right. I mean, she was, I liked her. She was bonkers, but I liked her. She said some good. She, she also is famous for saying, and she didn't say it, but she would always quote, the, no one gets out of here alive. You know, none of us getting out of here life, we might as well start2 (34m 54s):. Well, today on the podcast, we were talking to Carol Schweid and original cast member of the original production of a chorus line on Broadway. She's got great stories to tell she's a fascinating person. And I think you're going to really enjoy this conversation with Carol Schweid. Exactly. Carol shrine. Congratulations. You survived theater school. I did. You did.2 (35m 34s):And where did you go to theater school. Okay. First of all,3 (35m 38s):Let me just take my coffee, my extra coffee off of the stove and put it on my table. Cause it's gonna burn because we don't want that.4 (35m 51s):Okay. You're I am looking for a cop. If you have one, you know, this is ridiculous.3 (36m 2s):Hi there. Hi. This is a riot that you talk about surviving theater school. I think it's great. Okay. So this is working, right? You can hear me. Yeah, no, totally. A hundred percent. So this is my, I started college at Boston university. I was an acting major, which I loved. I really did, but I, what I loved more than anything was I loved the history of the theater. We had a great professor who told the tales of the gladiators and the, you know, the gladiators on the island and the fighting, and then the island, the survivors, and then the island would slowly sink into the water.3 (36m 45s):What is this? What did I miss? It was the early history of the theater. It was starting on the church steps. It was, you know, the second, whatever all of that history was, I found it really interesting. I also loved the station shop crew stuff. I liked learning about lighting. I was terrible at it. I, you know, I would fall off ladder, but I, I, I enjoyed the backstage stuff as much as I enjoy. I just, I liked it. I, we did the rose tattoo and my, and my first job was to take care of the goat. I was on the prop crew.3 (37m 28s):I took care of the goat. Was it a stuffed goat? No, it was a real goat. Wow. What can I tell you? The rose tattoo. There's a goat in the play. I didn't realize you could have livestock and colleges, college, whatever it was. I look like I have jaundice with is that something's wrong with the light jump I sent you stop your, where is the microphone part of your, do you want me to hold it up better? Because when you move, it hits your shirt and it makes like a scratching, right? That's right. I'll do it this way. I won't move around. When you look tan, you look, you don't like jaundice at all. Okay. Well then that's all right. Good. Thanks. Were the goat handlers.3 (38m 8s):Good to talk to you. I mean, that was, and I didn't mind, I didn't mind being an usher. All of those things, you know, I remember somebody sitting us down and saying, you're you are the first person. The audience we'll meet tonight as an usher. I took all of the stuff I did, but the acting business was very confusing to me. I didn't quite know. I had done a lot of theater and dancing and been in the shows and stuff, but I really, I was a little more of a dancer than an actor. I'd taken class in the city. I'd followed some cute guy from summer camp to his acting class. But half the time, I honestly didn't understand a word.3 (38m 48s):Anybody said, I just, nobody does. I really didn't get it so much at the time I loved it, but I didn't always get it. And for some reason, and I have no idea where this, why this happened. I had a boyfriend in summer stock whose mother worked at Barnard and her best friend was a woman named Martha Hill. Martha Hill ran the dance department at a school called Julliard. Nope. I had no idea. Cool. Just a little, nothing school. This is back in the day. It's a long time ago. It was just a plain old school. It wasn't like a school, you know, where you bow down. And I really was a very good dancer and always loved dancing.3 (39m 33s):You know, I've been dancing since I'm like a kid, a little five or six or whatever. So I was a little disenchanted with my successes at Boston U even though I had friends, I was having a great time. I mean, Boston in the late sixties was amazingly fun, but I felt like I wasn't getting it. I mean, it wasn't a school that was cutting people. Thank God, because that would have been torture. I don't know how anybody survives that, but I audition for this dance department in this school called Juilliard and got in and then told my parents that I was going to change colleges. I remember making up a dance in the basement of my dorm in Boston.3 (40m 17s):Cause you had a sort of take class and then you had to show something that you should have made up. And somebody else from college was leaving school to come to New York to be a singer. So we decided we were going to be roommates. And then we had a summer stock. Somebody at BU started some summer theaters. So I had a job or two, I think I had some friends from there. So I ended up moving, changing colleges and going to Juilliard. And I spent three years there. I was a modern dancer major. So we had the Limone company, including Jose Lamone wow teachers and the Graham company.3 (40m 59s):I mean, Martha, Martha Graham did not teach, but her company did as a winter and Helen, I was Helen McGee. One of the, they were maniacs. I mean, they're, they're like gods and goddesses and their whole life is about dance. And I was one of those demonstrators for her eight o'clock beginning class, my third year of school. I mean, I, it was all about technique. We had amazing ballet teachers. We had Fiorella Keane who, I mean, Anthony tutor taught class there and he was Anthony. I mean, so I got a out of being at that school that I have never lost. I mean, I can, I'm making up the answers for high school kids now really.3 (41m 42s):I'm just finishing up a production of grease, which is really kind of boring, but whatever I liked Greece, tell me more. Yeah. It's okay. If you hear it enough, you really get sick of it. Well, that's true. Yeah. I mean high school kids doing high school kids is like, Jesus, God, you just want to slit your throat. The moodiness when it comes to the girls. I mean, I love them. I really love them. I love the guys because puppies, they fall all over each other and they're fabulous, but that's a lie anyway. So I did something that I don't know why I did it and how it worked out. That way I left. I had a very best friend in college that was, you know, and I came to New York and made, made and shared an apartment with this slightly crazy woman.3 (42m 32s):And a year later I got myself a studio apartment on west end avenue and 71st street. And my mom co-signed the lease. And I spent three years dancing, honestly dancing almost every day. I wanted to take sights singing, but they wouldn't let me because I was in the dance department. And I didn't know, you could advocate for that. Sure. I didn't know. You could take classes at Columbia. I mean, who had time anyway, but was it a three-year program? It was a four year program, but I had taken a music class at BU that was like music appreciation one. Yeah. And for whatever reason, they gave me credit for that.3 (43m 14s):So I had a full year credit. Yep. Three years of Juilliard where I really worked my tail off. What's weird about it is that I am, you know, just a plain old Jewish girl from New Jersey, you know, a middle-class Jewish girlfriend. And to, to think that I could have a profession where people don't talk and don't eat, which is what the answers do is a riot to me. Yeah. Yeah. It's an absolute riot because you know, I mean, that should be basically the manual for dancers. Don't talk, don't eat, but I always knew that I was heading to Broadway. I really have always wanted to do that.3 (43m 55s):And I, and, and w was not really ever in question that I would, I somehow assumed if I worked hard and figured it out enough, I would find my way to working on Broadway. And I, and I made the right choice in the sense of switching colleges. Because in the seventies, if you look at your list of Broadway shows, all the directors were choreographers. They were all dancers, all of them Fauci, Michael Bennett champion, all of them. So I started working when I got out of school, you know, it was, and I had already done a couple of summers of summer stock and I did a summer Bushkill pencil, you know, these ridiculous, stupid theaters all over, but it was a blast.3 (44m 36s):It was fun. Where, what was your first job out of school? I was still, I was in school and it was the Mount Suttington Playhouse, which was like a tin shell in Connecticut. And I think it was still in college. Cause two guys from school had opened this theater at the skiing place, but it wasn't skiing. Then it was a sh it was like a tin shell. So couldn't really do a show when it was raining very well. And I believe it was stopped the world. I want to get off and I can still remember the Alto harmony to some of the songs. So you okay. Wait, so you don't consider, you didn't consider yourself a, an actor or did you?3 (45m 20s):Well, I did, but I think what happened was I had to audition for something. It'd be you like, they had grad programs and it wasn't that I was unsuccessful there, but somebody came and I didn't get cast. I didn't get hired. And I didn't understand, you know, like they give you all these acting exercises. We do sense memory. Well, I didn't know they were exercises. I didn't, they were they're like plea aids. Right. They're like learning things. I took this all very seriously. I would stand in a room and try to feel it was like that song from chorus line, you know, try to feel the emotion, feel the, yeah, yeah, yeah, yeah.3 (46m 5s):I did all of that. I didn't really understand the simple, what am I want here? And what's in my way of trying to get it. Yeah. It took me so long to find teachers that I really could understand and make me a better actor. So when did you find them? When did you start to find them? Oh, that's interesting. Well, I found a couple of good teachers in New York. I mean, honestly there was a woman named Mary Tarsa who had been in the group theater and an older lady. I mean, it's a long time ago anyway, you know, but I remember sitting in her class and she would talk about using imagery and th and I started to sort of understand a little bit, which is amazing to me because after I moved to Westport and I met, do you know the name Phoebe brand?3 (46m 58s):Yeah. Phoebe brand was in our theater workshop. Oh, taught a class. She was already up in her eighties and she taught a class, a Shakespeare class on Sunday mornings. And all of a sudden these things that I didn't understand from decades before. Hmm. It sort of pulled it all together. But for me, I went, I was in California after I got married and moved to LA for a couple of years, found a teacher named John LAN and Lee H N E and two years in his class. I started to really understand how to do it. And then when I came back to New York, he sent me to Michael Howard and Michael Howard, Michael Howard was a great teacher for me.3 (47m 44s):He's still a great, I don't know if he's still around if he's teaching or not, but he was a wonderful teacher. And I started to understand how to do it. Was Len the, did he teach the method or what was yes, he was, he was an actor studio teacher. And I started to understand about being present on the stage and being able to deal with people. All of it, it just changed dramatically. I mean, I started to understand what this was about and seeing other good actors and chipping away at it and finding people to rehearse with. And1 (48m 22s):You, you, from what I know, and what I'm gathering is that once you graduated Juilliard, you were cast in New York.3 (48m 30s):Well, you know, I did get my very, my V I I've. I mean, I, I remember going to see midnight cowboy, which was about the same time as I got out of college. And I remember going into a terrible panic of, oh my God. I mean, really scared about all of it. And I, I went, I joined a class that a friend of mine, somebody told me about this class, you know, I always follow somebody to a class. I'm always, I have good friends. And I, somebody says, oh, I love this guy come to class and I'd show up.3 (49m 12s):And this was a musical comedy singing class, kind of where there were writers in the class and actors in the class. And the writers in the class would work on a musical that they didn't have permission for. It wasn't like they were, we were doing this for money or for, for future. So my friend who I became friends with wrote her musical version of barefoot in the park and which has never been done, but I remember I was in it and this guy was in it. And we, it was the kind of a class where it was a very warm, funny group, funny group of wacko theater people. And I would go to open calls and I'd usually go to open dance calls because that was a door for me.3 (49m 59s):And also I used to have to sneak out of Jew, not sneak necessarily, but essentially sneak out to take my singing lessons. And I took singing lessons every, you know, every week for years, for three years, I would, you know, and I, and I was not really, I don't think a very good singer, but I became a good singer. I would sneak out of school and go to an acting class. I don't even know when I started that, but I know that I would find the time to do it and then talk about acting and find a teacher so that when I would audition for a musical and I would get through the dancing. Usually if I got through the first cut, I would make it to the end. I wouldn't always get the job, but if I made it through that first horrible, random cut, you know, where there's 200 people in your dancing across the stage and it's yes, no, yes, no.3 (50m 47s):Is it really?1 (50m 48s):Because I'm not a dancer. So I never had this. I, when my agents are like, oh, there's an open dance call. I'm like, ah, that's you sent the wrong person, the email. So it's really like that, like in, in chorus line where they say, you know,3 (51m 1s):Oh yeah. It's like all that jazz. It's really like that.2 (51m 6s):Wait, I have a question. I want to hear the re the rest of that. But I, I just, I've never asked anybody. What's the biggest difference between the people who got cut immediately. I mean, was it training or were there people that, in other words, were there people who were just walking in off the street with no training trying to audition? Yeah,1 (51m 29s):No, truly an open call.3 (51m 31s):No. And sometimes these were equity calls. Cause I, I, I did get my equity card on a summer. That one summer I worked for a non-union, you know, we were in either Bushkill Pennsylvania or Southern Eaton Connecticut, or I did a couple of those summers. And then the next summer, the choreographer from that show had an equity job. And he hired like three of us from our non-unions summer stock, because we were good enough. And1 (52m 4s):So when you went to these open calls, everyone, there was a bad-ass dancer. No one, there was like,3 (52m 10s):That's not true. That's not true. There were all different levels of dancers, but it was also a look await, you know, it was always, I was always like seven pounds overweight. It was like, the torture is thing of weight does enough to put anybody over the edge1 (52m 26s):That they literally3 (52m 27s):Weigh you, Carol. Oh God. No. Oh, but it's so look, and I will tell you there's one. There was one time when I remember auditioning for above Fossey show and there were a lot of people on the stage and we were whatever we were doing. And then at 1.3 Fossey dancers, it was their turn. And these three gals, okay. Their hair was perfect. Their makeup was fabulous. They had a little necklace, they had a black leotards, you know, cut up high, but not out of control. Good tights, no, no runs, nice shoes, nails done.3 (53m 7s):And they were fantastic. They were clean. They were technically, and we all sort of went, oh fuck.1 (53m 16s):Right.3 (53m 18s):Right. And I have friends who became Fossey dancers. I mean, I worked for Bob, but I have friends who did a lot of shows him. And they had that same experience where they saw other people, the way it should be. And then they would go back a month later and get the job because they knew what it took. It was all about knowing what it takes. But the thing about having studied acting and having slowly studied singing is that in the world of musical theater, I was ahead of the game because there's not that much time. So you have to be willing to spend all of your time.3 (54m 0s):Right.1 (54m 1s):There are some people I'm assuming Carol, that could dance wonderfully, but couldn't do the singing and the acting part. And that's where you were like, that's the triple threat newness of it all is like, you could do3 (54m 12s):Well, I could do them better than a lot of people. And I certainly could sing well, and I had, I could sing a short song and I knew that you sing a short song. I knew that you'd probably do an uptempo, you know? And also I tend to be a little angry when I go into an audition. It's like, why do I fuck? Do I have to audition? I better, duh. So I needed to find things that allowed me to be a little angry so I could be myself. And I could also be a little funny if I could figure out how to do that. So all of these things worked in my favor. And then of course, like everybody else in her, a lot of people, pat Birch, who was a choreographer, she had like a gazillion shows running, including Greece on Broadway. And now over here, I don't know if she did grease, but she did over here.3 (54m 55s):She did. She was very prolific choreographer. She had been a Martha Graham dancer and she had taught a couple of classes at Julliard. And when it came to my auditioning for her, she needed girls who could dance like boys. She didn't need tall leggy, chorus girls. We were doing the show she was working on, was a show called Minnie's boys. And it was a show about the Marx brothers and the last number of the show. We were all the whole chorus was dressed up like different Marx brothers. And she needed girls who could be low to the ground, who can, you could turn who and I was the right person.3 (55m 36s):And I remember being in that class, that wonderful musical theater class with a teacher named Mervin Nelson, who was just a great older guy who kind of worked in the business. I remember I had to go to my callback. I went to my class and the callback was at night. And I remember him walking me to the door, putting his arm around me and saying, go get the job. And if you don't get this one, we'll get you. The next one1 (56m 4s):That makes me want to3 (56m 4s):Cry. Well, it made me feel like part of the family, cause we all want to be part of that theater family. And so I tend to do that when I'm with an actor, who's going to go get a job or go get, you know, you want to feel like it's possible. Yeah. You feel like you can, you deserve it.1 (56m 29s):You said, you mentioned briefly that you worked for Bob3 (56m 32s):Fossey. I did.1 (56m 35s):Oh my gosh. Did you turn into one of those ladies that looked like a bossy dancer too? Like, did you then show up to those auditions? Like, oh3 (56m 43s):No, I don't think I, I couldn't, I didn't, I could not get into a chorus of Bob Fossey, but I did get to play for strata in Pippin in the, in the, in the first national tour. And he, Bob was the, he was the director and I, I knew I was the right person for that job. It was also a funny, kind of lovely circumstances that I was in some off-Broadway an off-Broadway show that had started as an awful off, off of a, that, that Bubba, that moved to an off-Broadway theater. I got some excellent reviews. And I think the day the review came out was the day I had my audition for Bob Fossey.3 (57m 24s):So I, and I played it. I had talked to people who knew him. I talked to, you know, I, I knew that I, I don't know, I just, I, I had done some work and I just, I don't know the right person at the right time, somebody, he needed it. That part required a good dancer. Who could, I don't know how I got the part. I just,1 (57m 57s):I'm kind of getting the impression that we're talking about being a strong dancer.3 (58m 0s):Well, let's strong dancer. And also being able to, being able to talk and sing was really the key. I'm not sure that I certainly, as a young person, I, I didn't do nearly as much comedy as I did when I got a little older, but, and also there were a lot of divisions. You sort of either did musicals or you did straight plays and it was hard to get into an audition even for a straight play. And the truth is I think that a lot of us who thought we were better than we were as you get better, you see when you really, wasn't a very strong actor.1 (58m 43s):Right. But there's something about that. What I'm noticing and what you're talking about is like, there's something about the confidence that you had by maybe thinking that you might've been a little better than you were that actually behooves young actors and performers that, you know, cause when Gina and I talked to these people were like, oh my God, they have a healthy ego, which actually helps them to not give up as where I was like, I'm terrible. I'm giving up at the first hour.3 (59m 9s):Exactly. Right. Right. And, and it, and it goes back and forth. It's like a CSO one day, you feel like, oh yeah, I'm good at this. I can walk it. I get, I'm like, I'm okay with this. And the next day you just to hide under the bed, I think that's sort of the way it goes. I didn't know that people who worked on Broadway even then all had coaches and teachers and support systems and you know, being kind of a little more of a lone Wolf, which I was, and still fight against in a way I come against that a lot, for whatever reasons, you know, whatever it doesn't work, what to be a lone Wolf.3 (59m 54s):Yeah. Yeah. You can't do this alone. You can't do it without a support system. It's just too hard because when I actually had the best opportunity I had, which was being part of a chorus line, it was harder than I thought to just be normal, come up with a good performance every night, you know, it was up and down and loaded and that you lost your voice and had nobody to talk to because you couldn't talk anyway. And we didn't have the internet yet. You know, there was so many, it was so much pressure and so much, and I hadn't really figured out how to create that support system up for myself.3 (1h 0m 42s):And it was harder, harder than it needed to be. Did you ultimately find it with the cast? No. Oh, not really where they mean, oh, none of the cast was fine. It wasn't that anybody was mean it's that I didn't take care of myself and I didn't know how I was supposed to take care of my shirt. How old were you when you were cast in a chorus line? 27? Maybe I was, I was young and, but I wasn't that young. I just, but it wasn't that C w it was a strange situation to, I was, I had already had one Broadway show, so I had done, and then I had gone out of town to bucks county Playhouse.3 (1h 1m 25s):And did west side story Romeo was your first Broadway show. I'm sorry. It was called Minnie's boys. Oh, that was it. That was my, I did. And it was a show about the Marx brothers. Right. And I don't know if you know who Louis. We would probably do Louis Stadol and Louis J Staglin who works with, he works with Nathan Lane a lot. Oh yeah. Yeah. He's like second bun and he's incredibly talented. He played Groucho. Okay. We were all 25 years old. We were kids. We were right out of college. And the weirdest part of all was that the mother was played by Shelley winters. And this was a musical. What a weird you've really. Okay. So then you went onto chorus line.3 (1h 2m 6s):Well then, well then in between that, this is like, you know, then, then I went out of town to bucks county. I love being in bucks county for a year. We did west side story. We did Romeo and Juliet during the week. We do them together, one in the morning, one in the afternoon for high school kids. And then on the weekends, we do one of the, and I was the only person in the cast who liked dancing at 10 o'clock in the morning. You know, I didn't mind doing west side at 10 in the morning. I'd been up at eight, being a demonstrator for Mary Hinkson, teaching people how to do a contraction. So I didn't care. I love working in the daytime. That's what I play with your food is such a nice success. My lunchtime theaters here, I get tired at night.3 (1h 2m 47s):I don't know.2 (1h 2m 49s):Most people do wait. So was the, was the audition process for chorus line?3 (1h 2m 56s):I have a great story. I can tell you what my story is. Okay. So I, I was in, I don't know what I was doing. I had done a lot of off-Broadway work. I had been doing, I had been working a lot. And then of course there were the year where I didn't work. And then I went off to south North Carolina and played Nellie Forbush in south Pacific, in the dinner theater for three months. And I loved that. Actually, I think it was one of those times I had a job and a boyfriend and it was like a relief. It was wonderful to have like a life and then do the show at night. You know, I, I enjoyed that a lot and I didn't, you know, it was a big part and I didn't panic about seeing it.3 (1h 3m 37s):And it was just, I learned a lot from doing a part like that. I was doing Fiddler on the roof at a dinner theater in New Jersey, down the street from where my folks lived. And occasionally my mom would stop by her rehearsal and watch the wedding scene. Honest to God. I'm not kidding. She's like, Carol, you ever gonna get married? Are you ever gonna? Okay. So I'm doing Fiddler on the roof, in New Jersey. And there's a guy in the cast, one of the bottle dancers who were dropping off at night on 55th street, because he's working on this little musical about dancers and he would bring in monologues and he'd asked me to read them at rehearsal because he wanted to hear them out loud.3 (1h 4m 25s):And there was some stuff about this place to ever hear the peppermint lounge back in the studio. Right. It was a disco thing, but it was also a place where there was something. I remember one the couch girls, girls who would just lie on the couches and the guys, I mean really crazy stuff that did not make it into the show, but some interesting stuff. And I was playing the eldest daughter sidle, and it's a terrific part for me. So I was good. Yeah. And Nick knew I was a dancer. Anyway, this little show called the chorus line was in its workshop. Second workshop. They had already done the I, cause I was not a Michael Bennett dancer. I didn't, you know, I, I, I had auditioned for my goal once for the tour of two for the Seesaw.3 (1h 5m 10s):And it was the leading part and I didn't get it. I auditioned, I sang and I read and I read and I sang and I didn't get the part. And I came home and I was like in hysterics for like five days. I just, you know, I, I didn't get the part year and a half later, I'm doing Fiddler on the roof with Nick, Dante in New Jersey. And somebody leaves the second workshop and Nick brings up my name because there's a job all of a sudden to cover, to be in the opening and to cover a couple of parts next, bring up my name. And Michael Bennett says, wait a minute. I know her. I know she's an actress and she's a singer. Can she dance?3 (1h 5m 52s):So I showed up the next morning and I danced for 10 minutes and I got the job. I mean, I think, wow. Yeah. That's a great story.2 (1h 6m 1s):No. So that means you didn't have to participate in3 (1h 6m 4s):Callbacks or nothing. Oh, I started that day. I mean, honestly, it was Fiddler on the roof, you know what, I don't remember whether, how it went. Cause we were already in performance tour or something, you know, I, I it's a long time ago, so I don't really remember, but I know that this particular story is the absolute truth. That's fantastic. That2 (1h 6m 27s):Was it a hit right away3 (1h 6m 29s):Chorus line. Well, it wasn't, we were in previews. I'm no, we weren't even previous the second workshop, which means it was still being figured out. And when I came to the first rehearsal and sat and watched what was going on, I could not believe what I was seeing because the truth of what was happening on stage and the way it was being built was astounding. It was absolutely astounding because something about it was so bizarre. Oh. And also, also Marvin Hamlisch was the rehearsal pianist on Minnie's boys.3 (1h 7m 10s):Wow. So I knew him a little bit, not well, you know, but he was the rehearsal pianist that nobody would listen to a show about the Marx brothers, Marvin would say, wait, this is the Marx brothers. You got to have a naked girl running out of the orchestra pit. You gotta, you gotta, and of course, nobody would listen to him. Wait a minute, just turn this off, stop, stop, turn off. Sorry. So I couldn't get over what I was seeing. And I, I knew from the beginning, of course, I think most of us did that. Something very, very unique was going on and it was always changing. Like Donna McKechnie came in late at the audition, all dressed up in like a fur thing.3 (1h 7m 56s):And it was like, I'm sorry, I'm late. I'm sorry. I'm late. And then Zach says, would you put on dance clothes? And she said, no, no, wait a minute. Anyway, you couldn't help. But know sort of, you just kind of put,2 (1h 8m 8s):I mean, I remember seeing it when I was a kid and not, not being able to relate as an actor, but now that I think back, it just must've felt so gratifying to be seen for all of the, you know, because like we w the Joe Montana episode, we3 (1h 8m 28s):Haven't listened to yet, but I'm looking forward to2 (1h 8m 30s):It here today. But he was saying, I love3 (1h 8m 33s):Him2 (1h 8m 34s):For you. You were saying that when he won the Tony and everybody would say, well, it's like to win the Tony, what's it? Like he said, it's like, you won the lottery, but you been buying tickets for 15 years. You know, that's the part of acting that people now, I think it's a pretty common knowledge that it's really difficult to be an actor, but I don't know how Hmm, how known that was then. And it just, must've been so gratifying for all of those people. I mean, who are living in their real life? The story of that musical. Yeah.3 (1h 9m 9s):I think that that's true. And also, I mean, it really did come out of people's experiences. Those stories are so, so to be part of something like that, and down at the public theater, which of course it was a vol place to be, you know, you, you knew that Meryl Streep was walking down the hallway and you knew that. I mean, talk about confidence. I mean, I don't know if you've read her new book, no book about her. No, it's worth the time I listened to it. Actually, I didn't read it. I listened to, it's quite wonderful because you see a very confident person who's working on creating who she is.1 (1h 9m 47s):Do you feel, I feel like you have a really strong sense of confidence about yourself too. Where did that come from? Would you agree? First of all, that you have, it sounds like you had some comps, some real chutzpah as a youngster and maybe now as well. Where'd that come from3 (1h 10m 5s):Beats me. I have it now because I, I, I, I've had a lot of, a lot of experience. And I, I think that, that, I, I think I know a lot about this, but I don't know that I had it. The trick was to have this kind of confidence when it really matters. Yes. And I think I had it, like if I was in an off-Broadway show, I could say, I don't think that's good enough. Could you restage this blah, blah, blah. Or if I'm in North Carolina, I'm not, I think we need to dah, dah, dah, dah, dah. But when it comes down to the real nitty gritty of standing up for yourself, when it really, really matters, boy, that's harder than it looks.3 (1h 10m 51s):You know, even things like, I mean, my character, when I eventually took over the role of Miralis, which I under, you know, I was we've covered all these parts. There were nine of us. We sang in the little booth in the wings. We had microphones and little headsets. And the coolest part of all was Jerry Schoenfeld, who was the chairman of the Schubert organization would bring any visiting dignitary who was visiting the city that he was showing around his theaters. He would bring them into our little booth. And then we would watch the show from stage left in our little booth while we're singing, give me the ball, give him the ball. Cause half the dancers on the stage, cause stop singing because they had a solo coming up.3 (1h 11m 31s):So, you know, singing in a musical is not easy. You know, there's a lot of pressure and you got to hit high notes and you, you know, you just wake up in the middle of the night going torture, torture, and you have to work through that and finally go, fuck it. You know, fuck it. I don't care what I weigh. Fuck it. I don't care if I, if I can't hit the high note, but it, it takes a long time to get there. You know, I see people who do this all the time. I don't know how they live. I don't know how they sleep at night. There's no wonder people like to hire singers who have graduated from programs where they really understand their voice, know how to protect that, which you don't, you know, you have to learn, you have to learn how to really take.3 (1h 12m 24s):That's why, you know, it's wondering about ballet companies now have misuses and we didn't have any of that. You were hanging out there alone. I felt maybe I'm wrong, but that's how I felt. And if I was vulnerable or if I didn't feel well, and I was like, oh, what am I going to do? I can't tell anybo

How easy would it be to set up an archery range at work? Mrs Claus is back for Chapel Street, and we play a very interesting game of phone tag

Dr. Jon Laansma, the Gerald F. Hawthorne Professor of New Testament Greek and Exegesis at Wheaton College, co-authored with Randall Gauthier, The Handy Guide to Difficult and Irregular Greek Verbs. He discusses how this tool, combined with healthy doses of reading practice, helps students advance more quickly to “putting roots down” in the language of the Greek NT. Once over the hump of initial learning, daily reading is efficient and doable, from which point the student can expand beyond the NT and circle back to figure out why some verbs have the tense stems that they do.

This month we dive deep into the Megagon Industries' mountain bike racing game, Lonely Mountains: Downhill. Including our thoughts on the game, its challenges, and if we think it's a game people should play. And naturally, we listen to the thoughts of several of our amazing Patrons along the way. This is one of our formerly Patreon exclusive episodes. But we'll now be posting one every Monday until free feeds have caught up to the Patrons. Afterward, free feeds will receive Special Episodes and Book Club episodes one month after our Patrons. If you'd like to participate in the Book Club episodes become a patron today. Links: Lonely Mountains: Downhill Steam Page: https://store.steampowered.com/app/711540/Lonely_Mountains_Downhill/  Indie Pod Patreon: https://www.patreon.com/IndiePod If you love Indie Games and want to stay informed, or better yet entertained, be sure to tune in each and every Friday for new episodes of Indie Pod. In which we run you through all the news surrounding the world of Indie Game Development, as well as check out Indies over on crowdfunding sites, answer your listener questions, and even interview a developer or two. So be sure to subscribe to Indie Pod: An Indie Games Podcast on your favorite listening platform. Music Credits: Song: Overworld Artist: Kubbi Direct Download: http://bit.ly/Overworld_Download Learn more about your ad choices. Visit podcastchoices.com/adchoices

The guys reflect on what they have reviewed so far, break down the Dead Space interview, and look ahead at what is to come! Thank you again to the newest patrons Ben and Eddie!   Link to Under the Mountains - https://www.amazon.com/Under-Mountains-West-Virginia-Weird/dp/1523941812  

In This Episode 114 We Have Special Guest Author “Billy McElroy" Who Tells Us How He Became A Author, Loves God, Loves Texas and how to make it your passion/purpose/living! Follow & Support “Billy McElroy" Instagram @billy_mcelroy_the_secondFollow & Support Me @Venmo- @Ariel-Castillo-4PayPal- Paypal.me/arielentTIKTOK- @Arielent.comAriel Castillo SoundcloudInstagram- https://www.instagram.com/arielentpod/Website- Arielent.com

Indigo hosts Anna and Josh spend the hour with Rick Winston, author of Red Scare in the Green Mountains: Vermont in the McCarthy Era. We talk with Rick about Hollywood Blacklist, surveillance of teachers, the importance of knowing history, and connections to today - Rick was one of the co-founders of Montpelier's Savoy Theater and Green Mountain Film Festival. He has lectured widely on film history for the Vermont Humanities Council and currently teaches film through the Montpelier Senior Activity Center.

Where Outdoor Adventure summits the airwaves, this is the Ogden Outdoor Adventure Show!! I'm your host, R. Brandon Long, on belay with you for the next 40 minutes. Along for the ride is the BEST co-host in all the land, Todd to the Top!! We're hanging out inside The Monarch in the HEART of the Nine Rails Arts District! All this and more on Ogden Outdoor Adventure Show Episode 381 - Deep Slab WEEKLY HAPPY | Fire Ice & Dynamite Kayaking ON THE DOCKET Anticipated Resort Opening Dates: https://www.skiutah.com/snowreport#do-it-again   Nov. 26 - Powder Mountain Black Friday Deals Dec. 2 - Ogden Avalanche Backcountry Bash | The Front, 6pm Dec. 3-4 - Ogden Nature Center Holiday Open House   GUEST | Kory Davis / Ben Bauter - Ogden Avalanche   IN THE NEWS Ski Utah Resort Opening Dates Amer Sports Ogden Expansion Erem Boots Launch Castor Bean Boots Brunton Sold to Wyoming Locals Best Ski Runs in North America GEAR:30  Black Friday Deals - Start Early at gearthirty.com QUOTE OF THE WEEK “I am grateful for what I am and have. My thanksgiving is perpetual.” - Henry David Thoreau Thank you to BANYAN1 for powering today's 381st  Episode of the Ogden Outdoor Adventure Show! Listen and Subscribe to The Banyan Collective on YouTube! Look for us on Facebook, Instagram, Apple Podcasts, Spotify, thebanyancollective.com, and on the Podbean App for Android & iPhones. ALL SHOW NOTES with links are available at thebanyancollective.com DM us on Instagram @ogdenadventure OUTDOOR JUKEBOX | 2018 Van Sessions: Sammy Brue with KJ Ward As John Muir would say, “The Mountains are calling and we must go…

Where Outdoor Adventure summits the airwaves, this is the Ogden Outdoor Adventure Show!! I'm your host, R. Brandon Long, on belay with you for the next 40 minutes. Along for the ride is the BEST co-host in all the land, Todd to the Top!! We're hanging out inside The Monarch in the HEART of the Nine Rails Arts District! All this and more on Ogden Outdoor Adventure Show Episode 381 - Deep Slab WEEKLY HAPPY | Fire Ice & Dynamite Kayaking Anticipated Resort Opening Dates: https://www.skiutah.com/snowreport#do-it-again Nov. 26 - Powder Mountain Black Friday Deals Dec. 2 - Ogden Avalanche Backcountry Bash | The Front, 6pm Dec. 3-4 - Ogden Nature Center Holiday Open House   GUEST | Kory Davis / Ben Bauter - Ogden Avalanche   IN THE NEWS Ski Utah Resort Opening Dates Amer Sports Ogden Expansion Erem Boots Launch Castor Bean Boots Brunton Sold to Wyoming Locals Best Ski Runs in North America GEAR:30  Black Friday Deals - Start Early at gearthirty.com QUOTE OF THE WEEK “I am grateful for what I am and have. My thanksgiving is perpetual.” - Henry David Thoreau Thank you to BANYAN1 for powering today's 381st  Episode of the Ogden Outdoor Adventure Show! Listen and Subscribe to The Banyan Collective on YouTube! Look for us on Facebook, Instagram, Apple Podcasts, Spotify, thebanyancollective.com, and on the Podbean App for Android & iPhones. ALL SHOW NOTES with links are available at thebanyancollective.com DM us on Instagram @ogdenadventure OUTDOOR JUKEBOX | 2018 Van Sessions: Sammy Brue with KJ Ward As John Muir would say, “The Mountains are calling and we must go…

There are many famous mountains in China, such as the Five Sacred Mountains and the four Famous Buddhist mountains. They all have their unique landscape and historical stories. In today's story, we are going to look at two of the most famous mountains in China--Mount Tai and Mount Huangshan. They all have been listed as World Cultural and Natural Heritage sites.Join other motivated learners on your Chinese learning journey with maayot. Receive a daily chinese reading in Mandarin Chinese in your inbox. Full text in Chinese, daily quiz to test your understanding, one-click dictionary, new words, etc.
Got a question or comment? Reach out to us at contact[at]maayot.com

Laura, Krysta and Dean discuss a listener's tale about the home she was renting and is now buying. A home that has brought her phantom noises, strange dreams, shadow people, mists, apparitions and strange illness and malaise. But first Krysta entertains us with weird facts about the Ukraine. After that, they discuss the Lost Dutchman Mine in the Superstition Mountains in Arizona. The Mine's strange origins and the fate of several of those who have gone in search of it. They discuss their thoughts about both stories and share their beliefs.

  The post #193 Black Crows Founders – Bruno Compagnet, Camille Jaccoux appeared first on Low Pressure Podcast.

Prologue Hey! Are you attending OpenText World Enfuse? If not, click here and check it out - it's virtual! Straight from Enfuse Chuck Dodson joins Rafal & James to talk about digital evidence collection, management, and processing in the realm of law enforcement. A fascinating look at the law enforcement side of things, and a topic perspective most of us never have occasion to think about, unless you're in the fight. Guest Chuck Dodson https://www.linkedin.com/in/chuckdodson/  OpenText World - Enfuse  https://www.opentextworld.com/event/7653eae4-3cf3-4dfc-89f2-7c41e260aa89/websitePage:4b6071b8-edc1-4efc-888b-520c728292ff 

In 2017 Ed Jackson had everything to look forward to. A professional rugby player, the 28-year-old had just signed another two-year contract with the Welsh team Dragons, and he and his girlfriend Lois had got engaged and were planning a fabulous wedding in Italy the following year. All of that changed in a split second when Ed mistakenly dived into the shallow end of a swimming pool. He hit his head with such force that he dislocated and fractured two vertebrae at the base of his neck. Paralysed from the neck down, he was told he would never walk again, but Ed quickly found the positives in his situation and says he considers himself "lucky". It's an attitude that has taken him further than you could ever imagine. Ed has written a book about his life called Lucky, and his charity is called Millimetres 2 Mountains. Get in touch: outlook@bbc.com Presenter: Jo Fidgen Producer: June Christie (Photo: Ed Jackson. Credit: Ross Silcocks)

Kirah's twin freebirth journey started with the birth of her own twin sisters when she was a kid. Today, she shares with us her experiences of contending with her fertility, and leaning into trusting that her body that made these babies could birth these babies. She shows us what is possible when a mother stakes her claim on what she wants for herself and her lineage. Watch this interview on Youtube: https://youtu.be/IguNAsXA3Z8  GET THE COMPLETE GUIDE TO FREEBIRTH: https://www.freebirthsocietycourses.com/cgtf  JOIN THE FREE BIRTH SOCIETY PRIVATE MEMBERSHIP: https://www.freebirthsocietycourses.com/membership  ENROLL IN THE RADICAL BIRTH KEEPER SCHOOL: https://www.freebirthsocietycourses.com/radicalbirthkeeper  1:1 COACHING WITH EMILEE SALDAYA: https://www.freebirthsociety.com/collections/coaching  ALL FREE BIRTH SOCIETY COURSES: https://www.freebirthsocietycourses.com  MATRIACH RISING FESTIVAL | JUNE 19-24, 2022: https://www.freebirthsocietycourses.com/matriarchrising  FREE BIRTH SOCIETY NEWSLETTER: https://www.freebirthsocietycourses.com/opt-in-pregnancy-affirmations-gift  FREE BIRTH SOCIETY ON INSTAGRAM: https://www.instagram.com/freebirthsociety/  SUBMIT YOUR FREEBIRTH STORY: https://www.freebirthsociety.com/pages/podcast-guest-submission-form 

Rudy shares some of what he saw on a recent nature walk in Devil's Fork State Park.

This week, in Dingess, West Virginia, the brutality is striking, when a woman's body is found, murdered, several times over, in a shallow grave, covered with twigs, but it's obvious that this was just the last stop, on a horrific ride. After rumors begin to swirl around this small town, the perpetrators of this heinous attack are brought to light, but their fingers are pointing in so many different directions, that it's hard to know who is telling the truth. One thing is for sure, and that's multiple people need to pay the price for what happened! Plus, an extra bonus short murder story, also from the backwoods of West Virginia, that is just as crazy as the main story! Along the way, we find out that just because the town is named after you, doesn't mean you aren't trash, that some people have the capacity to inflict absolute horrors upon others, and that we have the best audience in podcasting!! Happy 250!! Hosted by James Pietragallo & Jimmie Whisman New episodes every Thursday! Donate at: patreon.com/crimeinsports or go to paypal.com & use our email: crimeinsports@gmail.com Go to shutupandgivememurder.com for all things Small Town Murder & Crime In Sports! Follow us on...twitter.com/@murdersmallfacebook.com/smalltownpodinstagram.com/smalltownmurder Also, check out James & Jimmie's other show, Crime In Sports! On iTunes, Stitcher, or wherever you listen to podcasts

by Tyee Bridge • As glaciers melt, unstable slopes are being exposed and are on the precipice of collapse. Originally published in May 2018, the story, along with photos and videos, can be found on hakaimagazine.com.

Draft piece(s) for a work in progress - Tassajara Stories: the Early Years with Shunryu Suzuki

With family: 1 Chronicles 5–6; Hebrews 10 1 Chronicles 5–6 (Listen) Descendants of Reuben 5 The sons of Reuben the firstborn of Israel (for he was the firstborn, but because he defiled his father's couch, his birthright was given to the sons of Joseph the son of Israel, so that he could not be enrolled as the oldest son; 2 though Judah became strong among his brothers and a chief came from him, yet the birthright belonged to Joseph), 3 the sons of Reuben, the firstborn of Israel: Hanoch, Pallu, Hezron, and Carmi. 4 The sons of Joel: Shemaiah his son, Gog his son, Shimei his son, 5 Micah his son, Reaiah his son, Baal his son, 6 Beerah his son, whom Tiglath-pileser1 king of Assyria carried away into exile; he was a chief of the Reubenites. 7 And his kinsmen by their clans, when the genealogy of their generations was recorded: the chief, Jeiel, and Zechariah, 8 and Bela the son of Azaz, son of Shema, son of Joel, who lived in Aroer, as far as Nebo and Baal-meon. 9 He also lived to the east as far as the entrance of the desert this side of the Euphrates, because their livestock had multiplied in the land of Gilead. 10 And in the days of Saul they waged war against the Hagrites, who fell into their hand. And they lived in their tents throughout all the region east of Gilead. Descendants of Gad 11 The sons of Gad lived over against them in the land of Bashan as far as Salecah: 12 Joel the chief, Shapham the second, Janai, and Shaphat in Bashan. 13 And their kinsmen according to their fathers' houses: Michael, Meshullam, Sheba, Jorai, Jacan, Zia and Eber, seven. 14 These were the sons of Abihail the son of Huri, son of Jaroah, son of Gilead, son of Michael, son of Jeshishai, son of Jahdo, son of Buz. 15 Ahi the son of Abdiel, son of Guni, was chief in their fathers' houses, 16 and they lived in Gilead, in Bashan and in its towns, and in all the pasturelands of Sharon to their limits. 17 All of these were recorded in genealogies in the days of Jotham king of Judah, and in the days of Jeroboam king of Israel. 18 The Reubenites, the Gadites, and the half-tribe of Manasseh had valiant men who carried shield and sword, and drew the bow, expert in war, 44,760, able to go to war. 19 They waged war against the Hagrites, Jetur, Naphish, and Nodab. 20 And when they prevailed2 over them, the Hagrites and all who were with them were given into their hands, for they cried out to God in the battle, and he granted their urgent plea because they trusted in him. 21 They carried off their livestock: 50,000 of their camels, 250,000 sheep, 2,000 donkeys, and 100,000 men alive. 22 For many fell, because the war was of God. And they lived in their place until the exile. The Half-Tribe of Manasseh 23 The members of the half-tribe of Manasseh lived in the land. They were very numerous from Bashan to Baal-hermon, Senir, and Mount Hermon. 24 These were the heads of their fathers' houses: Epher,3 Ishi, Eliel, Azriel, Jeremiah, Hodaviah, and Jahdiel, mighty warriors, famous men, heads of their fathers' houses. 25 But they broke faith with the God of their fathers, and whored after the gods of the peoples of the land, whom God had destroyed before them. 26 So the God of Israel stirred up the spirit of Pul king of Assyria, the spirit of Tiglath-pileser king of Assyria, and he took them into exile, namely, the Reubenites, the Gadites, and the half-tribe of Manasseh, and brought them to Halah, Habor, Hara, and the river Gozan, to this day. 4 Descendants of Levi 6 The sons of Levi: Gershon, Kohath, and Merari. 2 The sons of Kohath: Amram, Izhar, Hebron, and Uzziel. 3 The children of Amram: Aaron, Moses, and Miriam. The sons of Aaron: Nadab, Abihu, Eleazar, and Ithamar. 4 Eleazar fathered Phinehas, Phinehas fathered Abishua, 5 Abishua fathered Bukki, Bukki fathered Uzzi, 6 Uzzi fathered Zerahiah, Zerahiah fathered Meraioth, 7 Meraioth fathered Amariah, Amariah fathered Ahitub, 8 Ahitub fathered Zadok, Zadok fathered Ahimaaz, 9 Ahimaaz fathered Azariah, Azariah fathered Johanan, 10 and Johanan fathered Azariah (it was he who served as priest in the house that Solomon built in Jerusalem). 11 Azariah fathered Amariah, Amariah fathered Ahitub, 12 Ahitub fathered Zadok, Zadok fathered Shallum, 13 Shallum fathered Hilkiah, Hilkiah fathered Azariah, 14 Azariah fathered Seraiah, Seraiah fathered Jehozadak; 15 and Jehozadak went into exile when the LORD sent Judah and Jerusalem into exile by the hand of Nebuchadnezzar. 16 5 The sons of Levi: Gershom, Kohath, and Merari. 17 And these are the names of the sons of Gershom: Libni and Shimei. 18 The sons of Kohath: Amram, Izhar, Hebron and Uzziel. 19 The sons of Merari: Mahli and Mushi. These are the clans of the Levites according to their fathers. 20 Of Gershom: Libni his son, Jahath his son, Zimmah his son, 21 Joah his son, Iddo his son, Zerah his son, Jeatherai his son. 22 The sons of Kohath: Amminadab his son, Korah his son, Assir his son, 23 Elkanah his son, Ebiasaph his son, Assir his son, 24 Tahath his son, Uriel his son, Uzziah his son, and Shaul his son. 25 The sons of Elkanah: Amasai and Ahimoth, 26 Elkanah his son, Zophai his son, Nahath his son, 27 Eliab his son, Jeroham his son, Elkanah his son. 28 The sons of Samuel: Joel6 his firstborn, the second Abijah.7 29 The sons of Merari: Mahli, Libni his son, Shimei his son, Uzzah his son, 30 Shimea his son, Haggiah his son, and Asaiah his son. 31 These are the men whom David put in charge of the service of song in the house of the LORD after the ark rested there. 32 They ministered with song before the tabernacle of the tent of meeting until Solomon built the house of the LORD in Jerusalem, and they performed their service according to their order. 33 These are the men who served and their sons. Of the sons of the Kohathites: Heman the singer the son of Joel, son of Samuel, 34 son of Elkanah, son of Jeroham, son of Eliel, son of Toah, 35 son of Zuph, son of Elkanah, son of Mahath, son of Amasai, 36 son of Elkanah, son of Joel, son of Azariah, son of Zephaniah, 37 son of Tahath, son of Assir, son of Ebiasaph, son of Korah, 38 son of Izhar, son of Kohath, son of Levi, son of Israel; 39 and his brother Asaph, who stood on his right hand, namely, Asaph the son of Berechiah, son of Shimea, 40 son of Michael, son of Baaseiah, son of Malchijah, 41 son of Ethni, son of Zerah, son of Adaiah, 42 son of Ethan, son of Zimmah, son of Shimei, 43 son of Jahath, son of Gershom, son of Levi. 44 On the left hand were their brothers, the sons of Merari: Ethan the son of Kishi, son of Abdi, son of Malluch, 45 son of Hashabiah, son of Amaziah, son of Hilkiah, 46 son of Amzi, son of Bani, son of Shemer, 47 son of Mahli, son of Mushi, son of Merari, son of Levi. 48 And their brothers the Levites were appointed for all the service of the tabernacle of the house of God. 49 But Aaron and his sons made offerings on the altar of burnt offering and on the altar of incense for all the work of the Most Holy Place, and to make atonement for Israel, according to all that Moses the servant of God had commanded. 50 These are the sons of Aaron: Eleazar his son, Phinehas his son, Abishua his son, 51 Bukki his son, Uzzi his son, Zerahiah his son, 52 Meraioth his son, Amariah his son, Ahitub his son, 53 Zadok his son, Ahimaaz his son. 54 These are their dwelling places according to their settlements within their borders: to the sons of Aaron of the clans of Kohathites, for theirs was the first lot, 55 to them they gave Hebron in the land of Judah and its surrounding pasturelands, 56 but the fields of the city and its villages they gave to Caleb the son of Jephunneh. 57 To the sons of Aaron they gave the cities of refuge: Hebron, Libnah with its pasturelands, Jattir, Eshtemoa with its pasturelands, 58 Hilen with its pasturelands, Debir with its pasturelands, 59 Ashan with its pasturelands, and Beth-shemesh with its pasturelands; 60 and from the tribe of Benjamin, Gibeon,8 Geba with its pasturelands, Alemeth with its pasturelands, and Anathoth with its pasturelands. All their cities throughout their clans were thirteen. 61 To the rest of the Kohathites were given by lot out of the clan of the tribe, out of the half-tribe, the half of Manasseh, ten cities. 62 To the Gershomites according to their clans were allotted thirteen cities out of the tribes of Issachar, Asher, Naphtali and Manasseh in Bashan. 63 To the Merarites according to their clans were allotted twelve cities out of the tribes of Reuben, Gad, and Zebulun. 64 So the people of Israel gave the Levites the cities with their pasturelands. 65 They gave by lot out of the tribes of Judah, Simeon, and Benjamin these cities that are mentioned by name. 66 And some of the clans of the sons of Kohath had cities of their territory out of the tribe of Ephraim. 67 They were given the cities of refuge: Shechem with its pasturelands in the hill country of Ephraim, Gezer with its pasturelands, 68 Jokmeam with its pasturelands, Beth-horon with its pasturelands, 69 Aijalon with its pasturelands, Gath-rimmon with its pasturelands, 70 and out of the half-tribe of Manasseh, Aner with its pasturelands, and Bileam with its pasturelands, for the rest of the clans of the Kohathites. 71 To the Gershomites were given out of the clan of the half-tribe of Manasseh: Golan in Bashan with its pasturelands and Ashtaroth with its pasturelands; 72 and out of the tribe of Issachar: Kedesh with its pasturelands, Daberath with its pasturelands, 73 Ramoth with its pasturelands, and Anem with its pasturelands; 74 out of the tribe of Asher: Mashal with its pasturelands, Abdon with its pasturelands, 75 Hukok with its pasturelands, and Rehob with its pasturelands; 76 and out of the tribe of Naphtali: Kedesh in Galilee with its pasturelands, Hammon with its pasturelands, and Kiriathaim with its pasturelands. 77 To the rest of the Merarites were allotted out of the tribe of Zebulun: Rimmono with its pasturelands, Tabor with its pasturelands, 78 and beyond the Jordan at Jericho, on the east side of the Jordan, out of the tribe of Reuben: Bezer in the wilderness with its pasturelands, Jahzah with its pasturelands, 79 Kedemoth with its pasturelands, and Mephaath with its pasturelands; 80 and out of the tribe of Gad: Ramoth in Gilead with its pasturelands, Mahanaim with its pasturelands, 81 Heshbon with its pasturelands, and Jazer with its pasturelands. Footnotes [1] 5:6 Hebrew Tilgath-pilneser; also verse 26 [2] 5:20 Or they were helped to prevail [3] 5:24 Septuagint, Vulgate; Hebrew and Epher [4] 5:26 Ch 5:27 in Hebrew [5] 6:16 Ch 6:1 in Hebrew [6] 6:28 Septuagint, Syriac (compare verse 33 and 1 Samuel 8:2); Hebrew lacks Joel [7] 6:28 Hebrew and Abijah [8] 6:60 Septuagint, Syriac (compare Joshua 21:17); Hebrew lacks Gibeon (ESV) Hebrews 10 (Listen) Christ's Sacrifice Once for All 10 For since the law has but a shadow of the good things to come instead of the true form of these realities, it can never, by the same sacrifices that are continually offered every year, make perfect those who draw near. 2 Otherwise, would they not have ceased to be offered, since the worshipers, having once been cleansed, would no longer have any consciousness of sins? 3 But in these sacrifices there is a reminder of sins every year. 4 For it is impossible for the blood of bulls and goats to take away sins. 5 Consequently, when Christ1 came into the world, he said,   “Sacrifices and offerings you have not desired,    but a body have you prepared for me;6   in burnt offerings and sin offerings    you have taken no pleasure.7   Then I said, ‘Behold, I have come to do your will, O God,    as it is written of me in the scroll of the book.'” 8 When he said above, “You have neither desired nor taken pleasure in sacrifices and offerings and burnt offerings and sin offerings” (these are offered according to the law), 9 then he added, “Behold, I have come to do your will.” He does away with the first in order to establish the second. 10 And by that will we have been sanctified through the offering of the body of Jesus Christ once for all. 11 And every priest stands daily at his service, offering repeatedly the same sacrifices, which can never take away sins. 12 But when Christ2 had offered for all time a single sacrifice for sins, he sat down at the right hand of God, 13 waiting from that time until his enemies should be made a footstool for his feet. 14 For by a single offering he has perfected for all time those who are being sanctified. 15 And the Holy Spirit also bears witness to us; for after saying, 16   “This is the covenant that I will make with them    after those days, declares the Lord:  I will put my laws on their hearts,    and write them on their minds,” 17 then he adds,   “I will remember their sins and their lawless deeds no more.” 18 Where there is forgiveness of these, there is no longer any offering for sin. The Full Assurance of Faith 19 Therefore, brothers,3 since we have confidence to enter the holy places by the blood of Jesus, 20 by the new and living way that he opened for us through the curtain, that is, through his flesh, 21 and since we have a great priest over the house of God, 22 let us draw near with a true heart in full assurance of faith, with our hearts sprinkled clean from an evil conscience and our bodies washed with pure water. 23 Let us hold fast the confession of our hope without wavering, for he who promised is faithful. 24 And let us consider how to stir up one another to love and good works, 25 not neglecting to meet together, as is the habit of some, but encouraging one another, and all the more as you see the Day drawing near. 26 For if we go on sinning deliberately after receiving the knowledge of the truth, there no longer remains a sacrifice for sins, 27 but a fearful expectation of judgment, and a fury of fire that will consume the adversaries. 28 Anyone who has set aside the law of Moses dies without mercy on the evidence of two or three witnesses. 29 How much worse punishment, do you think, will be deserved by the one who has trampled underfoot the Son of God, and has profaned the blood of the covenant by which he was sanctified, and has outraged the Spirit of grace? 30 For we know him who said, “Vengeance is mine; I will repay.” And again, “The Lord will judge his people.” 31 It is a fearful thing to fall into the hands of the living God. 32 But recall the former days when, after you were enlightened, you endured a hard struggle with sufferings, 33 sometimes being publicly exposed to reproach and affliction, and sometimes being partners with those so treated. 34 For you had compassion on those in prison, and you joyfully accepted the plundering of your property, since you knew that you yourselves had a better possession and an abiding one. 35 Therefore do not throw away your confidence, which has a great reward. 36 For you have need of endurance, so that when you have done the will of God you may receive what is promised. 37 For,   “Yet a little while,    and the coming one will come and will not delay;38   but my righteous one shall live by faith,    and if he shrinks back,  my soul has no pleasure in him.” 39 But we are not of those who shrink back and are destroyed, but of those who have faith and preserve their souls. Footnotes [1] 10:5 Greek he [2] 10:12 Greek this one [3] 10:19 Or brothers and sisters (ESV) In private: Psalms 148–150; Amos 4 Psalms 148–150 (Listen) Praise the Name of the Lord 148   Praise the LORD!  Praise the LORD from the heavens;    praise him in the heights!2   Praise him, all his angels;    praise him, all his hosts! 3   Praise him, sun and moon,    praise him, all you shining stars!4   Praise him, you highest heavens,    and you waters above the heavens! 5   Let them praise the name of the LORD!    For he commanded and they were created.6   And he established them forever and ever;    he gave a decree, and it shall not pass away.1 7   Praise the LORD from the earth,    you great sea creatures and all deeps,8   fire and hail, snow and mist,    stormy wind fulfilling his word! 9   Mountains and all hills,    fruit trees and all cedars!10   Beasts and all livestock,    creeping things and flying birds! 11   Kings of the earth and all peoples,    princes and all rulers of the earth!12   Young men and maidens together,    old men and children! 13   Let them praise the name of the LORD,    for his name alone is exalted;    his majesty is above earth and heaven.14   He has raised up a horn for his people,    praise for all his saints,    for the people of Israel who are near to him.  Praise the LORD! Sing to the Lord a New Song 149   Praise the LORD!  Sing to the LORD a new song,    his praise in the assembly of the godly!2   Let Israel be glad in his Maker;    let the children of Zion rejoice in their King!3   Let them praise his name with dancing,    making melody to him with tambourine and lyre!4   For the LORD takes pleasure in his people;    he adorns the humble with salvation.5   Let the godly exult in glory;    let them sing for joy on their beds.6   Let the high praises of God be in their throats    and two-edged swords in their hands,7   to execute vengeance on the nations    and punishments on the peoples,8   to bind their kings with chains    and their nobles with fetters of iron,9   to execute on them the judgment written!    This is honor for all his godly ones.  Praise the LORD! Let Everything Praise the Lord 150   Praise the LORD!  Praise God in his sanctuary;    praise him in his mighty heavens!22   Praise him for his mighty deeds;    praise him according to his excellent greatness! 3   Praise him with trumpet sound;    praise him with lute and harp!4   Praise him with tambourine and dance;    praise him with strings and pipe!5   Praise him with sounding cymbals;    praise him with loud clashing cymbals!6   Let everything that has breath praise the LORD!  Praise the LORD! Footnotes [1] 148:6 Or it shall not be transgressed [2] 150:1 Hebrew expanse (compare Genesis 1:6–8) (ESV) Amos 4 (Listen) 4   “Hear this word, you cows of Bashan,    who are on the mountain of Samaria,  who oppress the poor, who crush the needy,    who say to your husbands, ‘Bring, that we may drink!'

Episode #218 of BGMania: A Video Game Music Podcast. This week on the show, Bryan and Frank from RPGera focus strictly on music and games from the Japanese publisher/developer, Kemco! Email the show at bgmaniapodcast@gmail.com with requests for upcoming episodes, questions, feedback, comments, concerns, whatever you want really! Special thanks to our Executive Producers: Sevren, JoetheChode, and Jexak. EPISODE PLAYLIST AND CREDITS Main Theme from Spy vs Spy [Nick Scarim & Hiroyuki Masuno, 1988] Bridge in the Mountains from Brutal: Paws of Fury [Doug Brandon & Neil Baldwin, 1994] Gunner Boss Fight 1 from Knife Edge: Nose Gunner [Masaomi Miura, 1998] World in my Hand from Miden Tower [Goro Asano & Rie Yamane, 2020] Overworld from Legend of the Ghost Lion [Hiroyuki Masuno, 1992] Daylight from Uninvited [Unknown, 1991] Stage 1 Rounds from Bugs Bunny Birthday Blowout [Hiroyuki Masuno, 1990] Stage 3 from Kid Klown in Crazy Chase [Shinichi Furuta, Yumiko Orishige, & Musica Presto, 1994] Boss Theme from Revenant Saga [Unknown, 2017] In the Eyes of the Hero from Batman: Dark Tomorrow [Trish Thuy Trang, 2003] River Jump Game from Snoopy's Silly Sports Spectacular [Hiroyuki Masuno, 1990] Circuit Theme A from Top Gear [Barry Leitch & Hiroyuki Masuno, 1992] Main Menu from Top Gear Rally [Barry Leitch, 1997] Fighting the Beast from Yager [Claas Oehler, 2004] SUPPORT US Patreon: https://patreon.com/rpgera CONTACT US Website: https://rpgera.com Discord: https://discord.gg/cC73Heu Twitch: https://twitch.tv/leveldowngames Twitter: https://twitter.com/OriginalLDG Instagram: https://instagram.com/bryan.ldg/ Facebook: https://facebook.com/leveldowngaming --- Send in a voice message: https://anchor.fm/bgmania/message

Time to talk Kingdom!; DNA; Quantum Biology; Procreation; Life; How do you know murder is wrong?; Idolatry; Seeing truth; Altering your perception; Habakkuk 3 as poetry (pattern); Meaning added to message; Your choice; Cause and effect; Your source of life; Hab 3:1; Poem/song; Hebrew word "afraid" yod-resh-aleph+tav+yod; Habakkuk's prayer; Modern-day interpretation; Prophecy edge; "Charagma"; Judging others; Wickedness; Kyle Rittenhouse; Rain in the desert; Cultivating Holy Spirit; Revival; shem-nun-yod-mem; Mercy by faith; Looking to Tree of Life; Looking for power in knowledge; "Timon"; Are you hearing God?; Timeless spiritual message; Fear not!; Focus on spiritual; Seek peaceful confirmation; "Pestilence"; Hab 3:5 - see in the spirit; "Measuring"; Hab 3:6; Mountains and hills; Horses/Chariots - symbolic; God is not mad; Serving God and life; The will of the Father; Spiritual message - not of fear; Overwhelming anger and hate; Come together in righteousness; Devouring the poor?; Wicked want you eating of Tree of Knowledge; City of blood/oppression; Rely on the Holy Spirit; The LORD's way; Vibrations; What does it mean?; Christ's international body of charity; Psalm 7:1 - "Shigionoth"; Laying down your life for others; Giving life/choice; The devolution of charity; Kingdom not for cowards; Land of the brave?; Song of Moses and the Lamb; Understanding the Old Testament; Witnessing events around us; Social safety nets; Christ's commands; Holding YOU in trust; De 33:2; Who are the saints?; Our job; Baalam and Nicolaitans; Giving power to men; Returning choice to the people; God's judgement - your eyes have been darkened; Opportunity for awakening; Spirit first!

Where Outdoor Adventure summits the airwaves, this is the Ogden Outdoor Adventure Show!! I'm your host, R. Brandon Long, on belay with you for the next 40 minutes. Along for the ride is the BEST co-host in all the land, Todd to the Top!! We're hanging out inside The Monarch in the HEART of the Nine Rails Arts District! All this and more on Ogden Outdoor Adventure Show Episode 380 - Cup Hop WEEKLY HAPPY | 90-Year-Old Purple Heart Skydives ON THE DOCKET Anticipated Resort Opening Dates: https://www.skiutah.com/snowreport#do-it-again Nov. 15-Dec. 15 - Ogden Nature Center CUP HOP | $20 Donation Nov. 24 - Snowbasin Opening Day Nov. 26 - Powder Mountain Black Friday Deals Dec. 2 - Ogden Avalanche Backcountry Bash | The Front, 6pm Dec. 3-4 - Ogden Nature Center Holiday Open House GUEST | Brandi Bosworth, Ogden Nature Center - CUP HOP IN THE NEWS Ogden Avalanche Beer - Coming Soon! Ogden Radiologist Faces Federal Charges from Denali Incident Veterans Helping Dry Tortugas National Park Pray for Pow Beer Outside Inc. Acquires More Media Rivian Worth More than Ford & GM Bears Prefer KFC WORTH WATCHING | “Shredtober” GEAR:30  Patagonia Wine   QUOTE OF THE WEEK “You have power over your mind - not outside events. Realize this, and you will find strength” - Marcus Aurelius Thank you to BANYAN1 for powering today's 380th  Episode of the Ogden Outdoor Adventure Show! Listen and Subscribe to The Banyan Collective on YouTube! Look for us on Facebook, Instagram, Apple Podcasts, Spotify, thebanyancollective.com, and on the Podbean App for Android & iPhones. ALL SHOW NOTES with links are available at thebanyancollective.com DM us on Instagram @ogdenadventure OUTDOOR JUKEBOX | Van Sessions with Morgan & The Mountain As John Muir would say, “The Mountains are calling and we must go…

Where Outdoor Adventure summits the airwaves, this is the Ogden Outdoor Adventure Show!! I'm your host, R. Brandon Long, on belay with you for the next 40 minutes. Along for the ride is the BEST co-host in all the land, Todd to the Top!! We're hanging out inside The Monarch in the HEART of the Nine Rails Arts District! All this and more on Ogden Outdoor Adventure Show Episode 380 - Cup Hop WEEKLY HAPPY | 90-Year-Old Purple Heart Skydives ON THE DOCKET Anticipated Resort Opening Dates: https://www.skiutah.com/snowreport#do-it-again Nov. 15-Dec. 15 - Ogden Nature Center CUP HOP | $20 Donation Nov. 24 - Snowbasin Opening Day Nov. 26 - Powder Mountain Black Friday Deals Dec. 2 - Ogden Avalanche Backcountry Bash | The Front, 6pm Dec. 3-4 - Ogden Nature Center Holiday Open House GUEST | Brandi Bosworth, Ogden Nature Center - CUP HOP IN THE NEWS Ogden Avalanche Beer - Coming Soon! Ogden Radiologist Faces Federal Charges from Denali Incident Veterans Helping Dry Tortugas National Park Pray for Pow Beer Outside Inc. Acquires More Media Rivian Worth More than Ford & GM Bears Prefer KFC WORTH WATCHING | “Shredtober” GEAR:30  Patagonia Wine QUOTE OF THE WEEK “You have power over your mind - not outside events. Realize this, and you will find strength” - Marcus Aurelius Thank you to BANYAN1 for powering today's 380th  Episode of the Ogden Outdoor Adventure Show! Listen and Subscribe to The Banyan Collective on YouTube! Look for us on Facebook, Instagram, Apple Podcasts, Spotify, thebanyancollective.com, and on the Podbean App for Android & iPhones. ALL SHOW NOTES with links are available at thebanyancollective.com DM us on Instagram @ogdenadventure OUTDOOR JUKEBOX | Van Sessions with Morgan & The Mountain As John Muir would say, “The Mountains are calling and we must go…

In this episode, the Krewe are re-joined by a guests from season 1, Kay Allen (Japan National Tourism Organization) to discuss all things Hokkaido! With the distinction of being the largest prefecture in Japan, Hokkaido offers some of the top winter sports experiences in Japan, incredible natural landscapes, and the chance to learn about the culture and history of the indigenous Ainu people.  The Krewe and Kay take listeners on a journey through Hokkaido, exploring what to see and do, where to stay, how to travel there, and so much more! If you are planning a trip to Japan (especially Hokkaido) for the future,  this is an episode you do not want to miss!For more on the Japan National Tourism Organization:https://www.japan.travel/en/ For more on the Japan Society of New Orleans:https://japansocietyofneworleans.wildapricot.org/

We had a riveting conversation over an ever increasing amount of aged fire waters, the dipstick level shifting right to left a little as we shook our heads. Good friends stopped by like Ohio's Captain Dank, Mr Mardoober, Bugzy, Potent and Mr Toad of Boneyard Seeds stopped by to chat old school genetics and breeding. Enjoy the show folks and please check out my website at www.fumidoro.com and remember to use the coupon code BRAINZ for 14% off. Join us live on my channel Fumidor and the Flavors on YouTube. Puff something wonderful my friends! 

  The post CK9 Studios (SeaDawgs) Simon Shave – Clay Mitchell appeared first on Low Pressure Podcast.

Many laughs. Trad climbing lifer Sarah Jane Dobner talks about her self-published, award-winning book, A Feeling for Rock, and gives us a few readings.

Begin decreeing the will of God for your life in three steps. Accelerate your prophetic training by leveling up from prophecy to decree. By the end of the episode, you will be able to see your promises come to life. Bring the world around you to life as you learn how to decree. Find out how to bring rebellious circumstances into line and how to make sure what God says actually comes to pass. Apostles Craig and Colette Toach make this part of your training easy to do. “You think you are waiting on God but He has gone through a lot of effort to place you in your field of dry bones. It's time to see those dry bones come to life!" says Apostle Colette Toach. Join this episode to pray like Ezekiel did.   Key Scriptures Ezekiel 37:3-5 Acts 16:4 Isaiah 9:6 Apply What You Have Learned by Reading the Book Below  Prophetic Prayer - Breaking Ground, Spiritual Birthing and Decree (Digital Book) You Can Flow In Visions. Let Us Show You How (Ep. 143) NextGenProphets.org   Get Connected with Apostles Craig and Colette Toach   Follow Apostles Toach! Facebook.com/ToachMinistries Submit Your Question to the Apostles: ToachMinistries.com Join the Ranks of Next Gen Prophets! Prophetic-School.com

In this episode, DuDs and Jimbo are joined by shortzelda22 from Hourglass SMP to discuss snapshot 21w44a for Minecraft 1.18, Caves & Cliffs, which includes new world generation when updating a current world, a new online options screen, and sleeping now only resets the weather cycle if it was raining. Plus, we have a listener comment from Blackhole Nerd about ideas for an exclusive item in the Deep Dark, and one from KitKittyCat2 about a good use for the Fletching Table. Also, shortzelda22 gives her thoughts on Minecraft 1.18 and 1.19 and tells us all about Hourglass SMP, where they are transforming five Mushroom Islands into the Mana Cycle from Magic: The Gathering, including builds for Plains, Islands, Swamps, Mountains and Forests. Minecraft Snapshot 21w44a: https://minecraft.net/en-us/article/minecraft-snapshot-21w44a Thank you to our Milk level Patrons: aubni, ChiefBigBear, Crock, FragileRock, ohbeep, StoneFigure and viperoustuna. Discord: https://discord.gg/gqnKyeZ Patreon: https://patreon.com/thewitheringeffect Website: http://thewitheringeffect.com/ E-Mail: podcast@thewitheringeffect.com Voice Message: https://anchor.fm/thewitheringeffect/message Twitter: https://twitter.com/WitheringEffect YouTube: https://youtube.com/thewitheringeffect Instagram: https://instagram.com/witheringeffect Show Hosts DuDs YouTube: https://youtube.com/DuDs_vs DuDs Twitter: https://twitter.com/DuDs_vs DuDs Twitch: https://twitch.tv/DuDs_vs Jimbo YouTube: https://youtube.com/JimboSlice23Gaming Jimbo Twitter: https://twitter.com/JimboSlice23_ Jimbo Twitch: https://twitch.tv/JimboSlice23_ Guest Zelda YouTube: https://youtube.com/shortzelda22 Zelda Twitter: https://twitter.com/shortzelda22 Zelda Twitch: https://twitch.tv/shortzelda22 Digital Producer CarlRyds YouTube: https://youtube.com/CarlRydsGaming CarlRyds Twitter: https://twitter.com/CarlRyds CarlRyds Twitch: https://twitch.tv/CarlRydsGaming Music Master DiiKoj YouTube: https://youtube.com/DiiKoj DiiKoj Twitter: https://twitter.com/DiiKoj

In this listener special episode of #TheHabitCoach Podcast, Host Ashdin answers an interesting question from Mawuli Selormey - She asks "How can I be a better person? I feel broken." Ashdin answers by explaining various factors that make us feel broken and shares an anecdote between a rich man and poor kids. Further, Ashdin talks about a fresh perspective to look at life with better self-confidence and shares a few interesting habits around it. Do listen to this awesome episode and understand the true meaning of 'brokenness'. You can listen to The Habit Coach Kannada Podcast here: ( https://ivm.today/3j0Libf )Send questions to Ashdin Doctor for The Habit Coach Hot Seat Below: ( https://forms.gle/13vgf4MAk7zYKBd38 )Check out the Awesome180 website: ( http://awesome180.com/ ) You can follow Ashdin Doctor on social media:Twitter: ( https://twitter.com/Ashdindoc )Linkedin: ( https://www.linkedin.com/in/ashdin-doctor/ )Instagram: ( https://www.instagram.com/ashdindoc/ )Facebook: ( https://www.facebook.com/ashdin.doc.9 )You can listen to this show and other awesome shows on the IVM Podcasts app on Android: https://ivm.today/android or iOS: https://ivm.today/ios, or any other podcast app.

Sacramento mother/wife/marathon runner Tamera Torlakson made headlines after running the 2018 Mountains 2 Beach Marathon...not because she won....but because at the 13 mile mark, nature called....and she pooped her pants....but she powered thru and finished the next 13 miles, finishing at a personal best time...all with a pants full. See omnystudio.com/listener for privacy information.

This week on Theology Simply Profound, Rob and Bob continue a discussion of John Bunyan's, The Pilgrim's Progress, Book 2. In this episode, as the journey continues for Christiana, her children, and the pilgrims who have tagged along on their way to the Celestial City, we find the pilgrims in the Delectable Mountains very much as Christian did […]

agged along on their way to the Celestial City, we find the pilgrims in the Delectable Mountains very much as Christian did in Book 1. We discuss their time there, who they meet, what they experience and learn.

Life is hard, but a hike can help! Especially when it sparks your re-connection with nature and creates lifelong connections and friendships among amazing women. Adam and Kate speak with Angelique Fish, the co-founder of The Wine Hiking Society. She describes in detail the issues she has faced, but how she has transitioned to an incredibly fulfilling life. There is empowerment and healing through hiking and backpacking, and it truly can change your life from one of fear to one of freedom.   Website: https://winehikingsociety.com/Sisterhood, Strength Instagram: @adventures_of_afish @winehikingsociety Facebook: womenswinehikingsocietyofutah

Find out what all three have to do with faith on this episode of Good News with Greg Fritz. Get this entire teaching, “You Have the Spirit of Faith,” FREE! Just visit You Have The Spirit of Faith MP3s and Streaming Video | Greg Fritz Ministries and use Code FREE at checkout to get your FREE MP3s and streaming videos!

In this episode, I (Lucas) sit down with Mark Penninga who serves as the Executive Director of ARPA (Association for Reformed Political Action) Canada . We chat about Mark's role and his recently released book, "Our God moves Mountains" which showcases the story and history of ARPA. Mark also shares of ARPA's plans for the future. We hope this episode inspires you to keep making small acts of faithfulness in your own life. If you want to know more about ARPA or how you can support them, be sure to check out their website (https://arpacanada.ca/).  To keep up with the podcast, check out our website: https://www.realtalkpodcast.ca/ Follow us on Facebook and Instagram for updates, clips, and more!  Facebook: https://www.facebook.com/ReformedRealTalk Instagram: https://www.instagram.com/reformedrealtalk/ We'd love to hear from you. Please send us your questions, comments, or other feedback at reformedrealtalk@gmail.com. Thanks for listening! If you liked what you heard, please share this podcast with your family and friends!

Welcome to the Strive Seek Find Podcast.  I'm your host Chance Whitmore.   This episode marks the  questions  “ Ten questions” episode . The ten questions episodes are based around a simple concept:  Allowing people to talk about the things  they are passionate about.  It can be a job, hobby, cause, or anything in between.  Today I'm joined by  Zac,  an avid expert camper and long time friend.   https://linktr.ee/striveseekfindSupport the show (https://www.buymeacoffee.com/StriveSeekFind)