Podcasts about Thrust

On November 1, 1755, a massive earthquake took place on the floor of the Atlantic Ocean southwest of Lisbon, Portugal. The destruction in Portugal led to one of the first coordinated government responses to a natural disaster. Research: Algarve History Association. “The 1755 Lisbon Earthquake and the Algarve.” https://www.algarvehistoryassociation.com/en/portuguese-history/algarve-history/194-the-1755-lisbon-earthquake-and-the-algarve Blanc, P.-L.: Earthquakes and tsunami in November 1755 in Morocco: a different reading of contemporaneous documentary sources, Nat. Hazards Earth Syst. Sci., 9, 725–738, https://doi.org/10.5194/nhess-9-725-2009, 2009. Borlase, William. “The Natural History of Cornwall.” Oxford : printed for the author; by W. Jackson: sold by W. Sandby, London; and the booksellers of Oxford. 1758. Cavendish, Richard. “Pombal and the Inquisition in Portugal.” History Today. 5/5/2001. https://www.historytoday.com/archive/months-past/pombal-and-inquisition-portugal Dynes, Russell R. “The Lisbon Earthquake in 1755: The First Modern Disaster.” University of Delaware Disaster Research Center. Preliminary Paper #333. Joel, Lucas. “November 1, 1755: Earthquake Destroys Lisbon.” EARTH. November/December 2015. Lai, Dria. “The Great Lisbon Earthquake: A Journey through the First Modern Disaster.” https://storymaps.arcgis.com/stories/e30a2ea6401e4f2e8805dfbcfa604dc5 Lisbon Earthquake Museum. “Inquérito.” https://lisbonquake.com/en-GB/blog/inquerito Lisbon Earthquake Museum. “Providências.” https://lisbonquake.com/en-GB/blog/providencias Martínez-Loriente, S., Sallarès, V. & Gràcia, E. The Horseshoe Abyssal plain Thrust could be the source of the 1755 Lisbon earthquake and tsunami. Commun Earth Environ 2, 145 (2021). https://doi.org/10.1038/s43247-021-00216-5 Mascarenhas, J., Belgas, L., Branco, F.G., Vieira, E. (2024). The Pombaline Cage (“Gaiola Pombalina”): An European Anti-seismic System Based on Enlightenment Era of Experimentation. In: Endo, Y., Hanazato, T. (eds) Structural Analysis of Historical Constructions. SAHC 2023. RILEM Bookseries, vol 47. Springer, Cham. https://doi.org/10.1007/978-3-031-39603-8_5 Molesky, Mark. “The Vicar and the Earthquake: Conflict, Controversy, and a Christening during the Great Lisbon Disaster of 1755.” e-JPH, Vol. 10, number 2, Winter 2012. Penwith Local History Group. “The Mounts Bay Tsunami.” https://www.penwithlocalhistorygroup.co.uk/on-this-day/?id=269 Pereira, Alvaro S. “The Opportunity of a Disaster: The Economic Impact of the 1755 Lisbon Earthquake.” The Journal of Economic History , Jun. 2009. Via JSTOR. https://www.jstor.org/stable/40263964See omnystudio.com/listener for privacy information.

Youtube InstagramSpotifyBioAbe Yellen's latest single, “South of Italy,” unfolds like a vivid dream an emotionally rich meditation on heartbreak, longing, and the slow journey toward healing. Anchored by layered harmonies reminiscent of The Beach Boys and a hauntingly intimate chorus, Yellen captures the raw vulnerability of love lost. As the song builds, swelling drums and orchestral arrangements expand the sonic landscape, guiding listeners from introspection toward emotional release.The track's gradual ascent reflects the reality of moving through grief, mirroring the experience of a scenic train ride  one that inspired the song during Yellen's own travels to Positano on Italy's Amalfi Coast. “When something hard happens, we want to move on as quickly as possible,” Yellen explains. “But it's okay to sit in sorrow, let it run its course, and take your time before moving forward.”Music runs deep in Yellen's family lineage, with Grammy-winning relatives and an uncle who tours as guitarist for country superstar Kenny Chesney. His earliest performances took place in church, where he first learned to play guitar, laying the foundation for a lifelong dedication to music.Professionally, Yellen began his career as a roadie for his brother Winston's indie folk band, Night Beds. Thrust unexpectedly into the role of drummer during a live performance, Yellen rose to the challenge  a defining moment that launched his evolution as a musician. He later transitioned to guitar, developed into a sought-after full-time producer, and formed his own band in Austin, Texas.Now based in Los Angeles, Yellen is turning his creative focus inward, channeling years of production experience into his own artistry. This renewed direction culminates in his forthcoming album, The Long Goodbye, set for release later this spring. The project explores themes of love, loss, reflection, and renewal, further establishing Yellen's voice as both intimate and expansive.“South of Italy,” released January 30 with promotional support from Starlight PR, is available across all streaming platforms. Fans can anticipate upcoming music videos and live performances throughout Southern California.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Kilos. Crime. Cocaine. And a life lived in constant hyper-vigilance.In this episode of Coming Clean With Me, addiction specialist Elliott Wald sits down with Jeff Charles, a man who spent over a decade immersed in criminality, large-scale drug supply, violence, and addiction — while quietly battling fear, shame, and a collapsing sense of self.Jeff opens up about growing up in East London and Essex, being diagnosed with ADHD at a young age, feeling segregated at school, and being permanently excluded by 12. Thrust into adult environments early, he gravitated towards criminal role models, building a reputation rooted in fear, money, and control — while internally living with constant anxiety and moral conflict.He describes:Moving from low-level crime to large-scale theft and drug distributionNormalising cocaine use by keeping “half an ounce back” for himselfLiving in daily fear of prison, violence, or deathThe psychological toll of hyper-vigilance and identity fragmentationLosing friends to suicide and accidents linked to the lifestyleAlongside cocaine addiction, Jeff also details severe weight gain, reaching 222kg (nearly 35 stone), alcohol misuse, depression, and suicidal ideation. One of the most harrowing moments comes when he describes filming goodbye videos for his children — moments before attempting to take his own life.Jeff speaks candidly about how faith, therapy, journaling, routine, and purpose now keep him grounded — and how founding The Actualization Project became part of his recovery, not the goal of it.This is not a glamorised crime story. It's a raw account of what addiction takes — and what it takes back.If you're struggling with cocaine addiction, contact Elliott Wald team – Whatsapp UK 07875 751960 Worldwide +44 7875 751960Elliott Wald is a British psychologist, hypnosis expert, and behavioural analyst with over 30 years of clinical experience. He specialises exclusively in the treatment of cocaine addiction via nasal use (snorting) — a form of stimulant addiction that is frequently misunderstood and poorly treated by generic recovery models.Alongside his formal clinical training, Elliott also brings direct lived experience. He maintained a daily cocaine addiction for 15 years, when he was publicly visible and appearing as an expert on national television. This combination of clinical expertise and first-hand experience allows Elliott to understand stimulant addiction from both a neuropsychological and human perspective — without ideology, moral judgement, or surface-level explanations.Elliott's work focuses on the psychological, behavioural, and neurobiological mechanisms that drive cocaine addiction, including dopamine dysregulation, compulsive habit loops, impulsivity, identity reinforcement, and relapse conditioning. His approach is highly individualised, evidence-informed, and fundamentally different from generic coaching, peer-led advice, or one-size-fits-all recovery programmes based on someone else's story.He has appeared as an addiction expert across major UK broadcasters including ITV, BBC, Sky News, and Sky Living, and is a published author in the field of addiction.Over 90% of Elliott's patients work with him online, meaning private, one-to-one treatment is accessible to clients across the United States and worldwide, without the need for travel.If you'd like to watch a video explaining how Elliott's one-to-one programme works, or to enquire about private treatment, send a WhatsApp:UK: 07875 751960 International: +44 7875 751960Find out more on Elliott's website: https://www.hypnosis-expert.com/ADDICTION/

Ricki-Lee was just 18 when she became a household name on the second season of Australian Idol in 2004. Thrust into the spotlight at a time when famous women’s bodies and choices were the subject of intense media and public scrutiny, Ricki-Lee was able to block out the critics and build a formidable career as a recording artist, performer, TV presenter and radio host. Now in 2026, she’s the host of the show that kickstarted her career and she’s about to take over Nova’s breakfast time slot with her longtime drive co-host Tim Blackwell. In this episode of the Stellar podcast, Ricki-Lee reveals what her Idol colleague and soon-to-be radio rival Kyle Sandilands is really like behind the scenes, plus she explains why she thinks people were so uncomfortable with her decision to be child-free, and how she deals with the constant comments about her body. Nova 96.9’s Sydney breakfast show Ricki-Lee & Tim can be heard weekdays from 6am-9am starting Monday, February 9. National listeners can also tune into the show across the Nova Network every weekday from 6pm-7pm, stream the show live or catch up with the daily podcast on the Nova Player. Watch the full episode with Ricki-Lee here. Something To Talk About is a podcast by Stellar, hosted by Sarrah Le Marquand Find more from Stellar via Instagram @stellar or stellarmag.com.auSee omnystudio.com/listener for privacy information.

A school project goes terribly wrong in EASY TARGET – a middle-grade thriller about ex-homeschooler and Christian teen Hudson Sutton and his experiences in his new school.When Hudson makes two friends and attempts to take on an established hierarchy of bullying, he doesn't realize he's taking a risk he never expected—becoming a bully himself.EASY TARGET is a realistic look at the extent and reality of bullying, especially through social media, with a Christian main character who learns that relationships, bullying, and doing the right thing are a bit more complicated than he realized.Parents – while not included in this clip, the book does touch on the subject of suicide.EASY TARGET is an exciting and encouraging read for tweens and teens which covers the complicated realities of social media, relationships, bullying, and doing what's right. This Clean Young Adult novel is fiction that parents and librarians will love. The page-turning adventure is intended for 12 to 15-year-olds. The relatable characters do their best to do what's right. Taking on bullies comes with hidden danger . . . becoming one yourself. Thrust into public school his eighth-grade year, ex-homeschooler Hudson Sutton is an outsider―and an easy target.When he sticks up for “Pancake” he makes two allies and plenty of enemies. Hudson wants to protect his new friends, so he puts a bold plan into action. But as school bullies retaliate and Hudson's plans to stop them get out of hand, Hudson fears he's making the situation worse. The more he tries to help his new friends, the more he hurts others.Too late Hudson learns who the real easy target is. What happens when that person's hurt is so big, she believes she's beyond fixing? And what happens when she's so desperate, she'll do the unthinkable to send one last cry for help? Sometimes the best way to change others is to start with yourself.TIM SHOEMAKER author of sixteen books, including Easy Target, Escape From the Everglades, and Code of Silence to name a few. Tim speaks at schools, churches, and other organizations (such as Focus on the Family, Iron Sharpens Iron Men's Conferences, and Pastor Conferences). He also speaks at retreats, conventions, and workshops all across the country.Learn more about all of his books - and gain some other life lessons - when you visit him online at TimShoemakerSmashedTomatoes.com Please share StoryJumpers with a friend if you enjoyed this episode. StoryJumpers is still growing, and your positive review and 5-star rating would help.The Bridge Podcast Network is made possible by generous support from The Boardwalk Plaza Hotel and Victoria's Restaurant on the boardwalk in Rehoboth Beach, Delaware - Open 7 days a week, year-round - Learn more at https://boardwalkplaza.comFeedback, or Show Ideas? Send an email to podcast@wearethebridge.orgDownload The Bridge Mobile App to get the latest podcast episodes as soon as they are published!

Secrets of the Sith revealed! In order to study the treacherous Jedi's ancient enemy, the Imperial Knights traveled to Sarafur, rescuing Cole Drish the descendant of a Killik joiner whose colony had encountered the ancient Sith.Seeking a way to delve into Cole's genetic memories, the Imperial Knights ventured to Sinkhole Station, traveling to the Realm Beyond Shadows with the mysterious Mind Walkers, and encountering an imprisoned being known as Abeloth.After being betrayed by the station's mining guild administrator, the Mind Walkers were killed, and the Knights returned to the physical realm, though Qaala found herself harboring a dark passenger….Support the show

As we enter the biblical month of Shevat, the Lord is longing for us to move forward in what He has spoken over our lives.  Take this month to embrace those words and see their fulfillments.  

This week, we review Galaxy Quest (1999), Dean Parisot's cult-favorite sci-fi comedy that lovingly parodies—and pays tribute to—classic space operas and fandom culture. Tim Allen, Sigourney Weaver, and Alan Rickman star as washed-up actors from a defunct sci-fi TV series who are mistaken for real space heroes by an alien race in desperate need of help. Thrust into a real interstellar conflict, they must rise to the occasion using nothing but their scripted catchphrases and questionable improvisation skills.Is fandom the ultimate fantasy—or a cosmic responsibility? Listen on to find out!Movie 5096 on Metacritic's all time movie list.Join Colin & Niall as we embrace the weird, the wonderful, and the downright awful of cinema!Contact us: itwasamoviepodcast@gmail.comSpotify: It was a movie..Spotify pageFollow, rate & review us here:https://linktr.ee/itwasamovieYoutube: It was a movie channel...Facebook: https://www.facebook.com/itwasamovieInstagram: https://www.instagram.com/itwasamoviepodcast/X: https://x.com/itwasamoviepodTikTok clips & highlights: https://www.tiktok.com/@itwasamoviepodSee all our ratings & reviews: Google SpreadsheetIMDb List: IMDb | Letterboxd: Letterboxd

DENSIFICATION AND THE CRUSHED SODA CAN Colleague Eric Berger. Berger explains the technical leaps required for the "Falcon 9 Full Thrust," specifically the use of densified propellants. By super-chilling liquid oxygen to nearly -300°F, SpaceX increased propellant density by 10-12%, drastically improving payload capacity. This innovation accompanied the challenge of landing boosters on ocean barges. Berger compares the fragility of an unpressurized rocket stage to a soda can, noting how easily they were crushed or exploded during early attempts to land on moving drone ships. These upgrades, including the "Octaweb" engine arrangement, were essential for creating a reusable fleet capable of frequent flight. NUMBER 41917 "SHE SAT AND DREW ON THE FLOOR THE FIRST MAP PF BARSOOMIAN I HAD EVER SEEN."

PUSHING BOUNDARIES WITH DENSIFIED PROPELLANT AND BARGE LANDINGS Colleague Eric Berger. Following the 2015 launch failure, SpaceX introduced the "Falcon 9 Full Thrust," which utilized densified propellants—super-chilled liquid oxygen—to increase fuel mass by up to 12% for greater efficiency. This technology required tight launch windows but was essential for the company's reusability goals. Simultaneously, the company attempted to land boosters on an ocean barge, a process described as trying to land "nine Dixie cups" in a storm. These efforts were driven by the need to recover and reuse delicate rocket stages that are easily crushed when not pressurized. NUMBER 4 MARCH 1958

APOSTOLOSOPHY PT5(The Thrust of the Apostolic Ministry) by Apostle Joseph Mintah in the series the Ministry System of the Believer

From Sarah Weinman, author of Scoundrel and The Real Lolita, comes an eye-opening story about the first major spousal rape trial in America and urgent questions about women's rights that would reverberate for decades.In December 1978, Greta Rideout bravely testified that her husband, John, whom she still lived with, had raped her. She was the first woman in United States history to do this, at a time when the idea of “marital rape” seemed ludicrous to many Americans and was a crime in only four states. After a quick and conservative trial acquitted John Rideout and a defense lawyer lambasted that rape was perhaps "the risk of being married," Greta was ridiculed and scorned from public life, while John went on to be a repeat offender. Thrust into the national spotlight, Greta and her story would become a national sensation, a symbol of a country's unrelenting and targeted hate toward women and a court system designed to fail them at every turn.A now little-remembered trial deserving of close, wide, and lasting attention, Sarah Weinman turns her signature intelligence and journalistic rigor to the enduring impact of this case. Oregon v. Rideout directly inspired feminist activists, who fought state by state for marital rape laws, a battle that was not won in all fifty until as recently as 1993. Mixing archival research and new reporting involving Greta, other women victimized by John in later years, as well as the activists battling the courts in parallel, Without Consentembodies vociferous debates about gender, sexuality, and power, while highlighting the damaging and inherent misogyny of American culture then and still now.Book: https://www.sarahweinman.com/book/without-consent/Instagram: @sarahweinmanBluesky: @sarahweinman.com NYT review of Without Consent: https://www.nytimes.com/2025/11/11/books/review/without-consent-sarah-weinman.htmlWNYC conversation about the book: https://www.wnyc.org/story/the-groundbreaking-case-that-helped-make-spousal-rape-illegal/Salem Statesman-Journal feature on the book: https://www.statesmanjournal.com/story/news/local/2025/11/22/without-consent-highlights-history-of-1978-salem-spousal-rape-trial/87272985007/My op-ed for the Globe & Mail about marital rape in Canada: https://www.theglobeandmail.com/opinion/article-spousal-rape-remains-all-too-misunderstood/Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://peculiarbookclub.com/Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://eepurl.com/ixJJ2Y⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠VIP Membership: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://payhip.com/PeculiarBookClub⁠⁠⁠⁠⁠⁠⁠Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@PeculiarBookClub/streams⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@peculiarbookclub.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠facebook.com/groups/peculiarbooksclub⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thepeculiarbookclub⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Thrust back into the past by a mysterious gateway, Asius, Cal, and Tamina come across a mysterious stranger who knows more than he should. Tamina seeks guidance at a temple, Assius stumbles in over their head, and Cal lets someone else take the fall.   Buy Venture here: https://metagame.itch.io/vendun   Support us on Patreon: https://patreon.com/unexploredcast

APOSTOLOSOPHY PT4 (The Trust and Thrust of the Apostolic Ministry) by Apostle Joseph Mintah in the series the Ministry System of the Believer 

www.ArticulationMedia.clubTHRILLING THRUST OF SUDDEN SPOTLIGHTListen Wednesday (12/10/25) and anytime after to this new episode of ARTICULATION RADIO (www.ArticulationMedia.Club). During this episode of our show where Joaquin Mann plays indie music from around the world, Goddess Sage will also interview Ashley Marie "Ash" Doucette concerning her comedic prank videos on her TikTok channel that has garnered more than 2 Million views -- an extra-inspirational achievement considering the fact that she has special needs.Ash Doucettewww.tiktok.com/@ashdoucette210Make it a habit to listen to ARTICULATION RADIO with Joaquin Mann & Goddess Sage -- as well as THE CHANCE & FALLON SHOW -- (www.ArticulationMedia.Club) to hear news headlines, indie music, inspiring interviews, and candid commentary from proven Doers and established Moves Makers each month.ARTICULATION RADIOEPISODE SPONSORED BY:BePublished.orgArtistRevue.comEliteValuesNews.comwww.TheConglomerate.workwww.JeffersonTaylor.clubPeopleWarmer.comwww.SittingRoom.xyzwww.MarryUsNow.usPeopleWarmers.comwww.MaryJefferson.uswww.RegalCity.xyzLifesPurposeMinistries.comwww.ArticulationMedia.club

Dr. Britt Lademann // www.ptonice.com  In today's episode of the PT on ICE Podcast, ICE CEO Jeff Moore & Total Spine division faculty member Britt Lademann shares her insights on teaching spinal manipulation techniques, particularly highlighting her role as a female instructor in a traditionally male-dominated field. The conversation touches on how her approach makes these techniques more accessible and approachable for a diverse range of practitioners, especially smaller operators and women in the field. Watch the episode or check out the full show notes on our blog at www.ptonice.com/blog If you're looking to learn more about our Total Spine Thrust Manipulation course or our online physical therapy courses, check our entire list of continuing education courses for physical therapy including our physical therapy certifications by checking out our website. Don't forget about all of our FREE eBooks, prebuilt workshops, free CEUs, and other physical therapy continuing education on our Resources tab.

Send us a textIn this episode of Big Sexy Chat, Chrystal, Merf, and Asherlee dive piston-first into the wild, fascinating, and sometimes downright hilarious world of sex machines, electricity play, and the evolving landscape of pleasure tech. From the history of 19th-century “medical devices” to modern thrusting rigs, ride-on machines, smart toys, and hyper-realistic sex dolls, the trio explores the creativity, accessibility, and kink curiosity shaping today's sex-positive culture.You'll hear: • What early “hysteria treatments” actually looked like • The legacy of queer and disabled communities in sex-tech innovation • The truth about devices like the Sybian, Motorbunny, Cowgirl, and thrusting machines • How smart toys, remote-controlled vibrators, e-stim, and violet wands are changing long-distance and partner play • Accessibility wins (and fails) in sex-machine design for fat bodies, disabled bodies, and anyone with chronic pain • Why sex dolls and AI companions are becoming more common, including their emotional + therapeutic implications • Real talk about safety, consent, sensory limits, grounding devices, and what not to stick anywhereThis conversation is part sex-tech history lesson, part kink education, part comedy hour. Expect curiosity, honesty, and plenty of “did we just say that out loud?” moments.Support the showBigSexyChat.com appreciates you and our community. We do this for you, so if you ever have any ideas about a subject we can discuss for you, email us at bigsexychatpod@gmail.com.You can find us on Facebook and Instagram as BigSexyChat.Twitter (who knows how long we will stay there) is BigSexyChatPodCheck out our merch at www.BigSexyTees.com (credit to Toni Tails for setting this up for us!)Chrystal also sells sex toys via her website BlissConnection.com and you can use the code BSC20 for 20% off. Big thanks to our Sponsor Liberator Bedroom Adventures. We ADORE the products from Liberator. And, to be clear, we all loved their products even before they became a sponsor!

On this week's episode of AvTalk, Ian is joined by aviation journalist Jeremy Dwyer-Lindgren to discuss a trio of recently released preliminary accident reports. UPS flight 2976 — MD-11F crash on take off in Louisville Emergency Airworthiness Directive regarding MD-11s Emergency Airworthiness Directive regarding DC-10s United Airlines flight 1093 — impact with object at 36,000 […] The post AvTalk Episode 347: Fatigue cracks, thrust levers, and sand ballast appeared first on Flightradar24 Blog.

Don't you see, sensei I'm just as disappointed in myself And ready to die Just as I relay the message, Spray me with your morbid essence Don't, croak, you fool, You've only a spoon ful of sugar left to go The dose is coming up your throat, — you didn't know to throw up Grab the rope and go up Before gravity has crushed your —thought: Stupid boy, you don't want to die— Nor to do, but oh, do we have it coming Silly mortal, overlords and governed, Short of morals, steady coming at your doorstep So goes our concert! And so goes our concept for divorce, And sure of course, Your four corse meal, and/or dessert This is just devastating, genetics made me The sort at sorting words, but surfing, Sure. Ever temporarily the cadence changes, Still they say “you've been betrayed” But never had a friend I made made As good as death and God have been to me For everything you're meant to be, Plus everything you're meant to me, I go, unwanted, troubled and disgusted at my own immortal outcome. Sure. My back hurts and I'm wounded, Heartbroke, Thrust in every cardinal direction Also, honored at the mark of magic wand Upon her shoulder; And so, Just as soon as the sun and moon, Does the fire escape set a perfect path For outward destruction of the bricks and mortar Or your alter (This we talk about, to some effect Is your repression and affective form of supernatural perfection) But forget the makeup; I can make you up to be a star And not of wars and other worlds, But those that come before us, Carson, and the others Paar before that. But, I think not dear sir How wrong you are, A wretched bird, Set not to fly, but O father Wit and relay messages, The passage said, and set to clocks, The past was won and so the future altered, But dear feathered father, Mortal you are not But just another triumph Of my god; And set the mirror to the magnets Camera, lights and action, Magic— All the signs of the dawn, and the mad don Red Dawn came upon us, called the Red Man Tom, from other, over, under Still was my mistake to mumble such Or put upon the tongue As such assumption Still— wonder? Bird, shut up; Love I dusk And lust I soak In all the frittered dust and feathers, Colors, coming up as mister Chuck and wood, and wait and ponder Slithered this to wonder, not a rock, But potted fern, Asunder Thunderstorm And wicked rain And fair the back A tide had come And sitting there upon the shore, Was us, and 12 apostles She's a Brick— Seemingly out of nowhere, A RED BRICK HOUSE falls very perfectly from the SKY and into OZ. oh good, my house is here. House. [the festival project ™] But I don't want to make house! Then play it! I don't want to play house it is BORING. You play it— they want it. But I don't want it. Then forget it! What! Listen kid, a job's a job! {Enter The Multiverse} Wrong, this is wrong— everything is wrong. What's wrong, Rob? I'll be back. ROB LOWE has just played TRUTH OR DARE L E G E N D S if I could get inside your head For just a second Bread and butter Heaven, hell, And other places I have wandered But oh, wonder This is never what I wanted, Was it? No sir. Sure, I set you off, No sooner had you got a gun and shot me. Handsome fucker. I'll bet. Wrong act. Wrong award show. Wrong hat and a baseball bat, Peanut butter and a nice cold cheesecake, Don't forget to order cheesesteak For your cat. A carnivore at odds with the other worlds, And also fused to us; This drifting back and forth Between the Rock And Hollywood Has got to stop. ((The world is toxic.)) the legend of… L. JONES It's you! BLŪ AH, crap. L. JONES Listen, I got something for you. BLŪ Where did your bird go? L.JONES What bird? CUT TO: Now open that. No wait! It's a trap! THE VAULT inside THE CRYPT at 30 ROCK has been opened. I keep looking down at my phone As if I'm expecting a phone call Or incoming message from God But the worlds to a song Are all jumbled up in my Concious I don't want to talk about it I feel Nauseous Everyone is being obnoxious Even my own blood I don't want to function I just want some French toast crunch For lunch Nostalgia I got a whole inch taller on the peloton Holla Now I got a body, Broader, So close to Broadway But I never go there That's a tall order Of “gotta have money” I mean live theatre It's fine I'll eat here And repeat these things till they just rhyme Line them all up like a context, Story Someday I'm gonna cut my own check Watch me lol none of this rhymes without a hard Brooklyn accent ; Guess you can't hack it! Send you ass packin! I said “That's whack son!” Then I went back blonde Now they want Backend, Contract, Off the top, Royalties Residuals I'm an individual with insidious syntax And yet I'm ridiculed Truly I'm a tit-for-tat Or particle of all you are Circular centrifuge, I trickle down your tentacles (Eugh) Choke the chicken just to give the cat a chicken bowl, Chick fil et and pret a tair just to get a ritual Espresso and a quick snack So I can get my dick wrapped In chocolate and licorice because the shit is edible Damn that I guess they set a damn trap By putting out the welcome mat, Then strapping Like a mothafuckin' straight jacket Matter fact, I look a nap in it, Then magic tricked the slip effective Compliments of Michael Jackson Or was it tech nine? Maybe I should get my Mind right I lost it once I guess I've better find it If I am, in fact, A diamond in the rough It's probably blooded it up enough That you should dig it up and shine it; Better yet, Somebody outta pick it up And sign it, Cause I write enough To put a vision To a blind man It's Fran Fine, man I'm behind, man The shadowgov had put me on a diet My bad I noticed that they tried to shut me up But couldn't stop the words or other stuff That just keeps coming out of my head I put coconuts as butter onto my bread And thinking thoughts of Carl cox As I drift off in my bed, I said, “It shouldn't be a problem, officer” As I reached for the gun And he aimed it at my death. That's an impossible apocalyptic suicide— Did you invite the devil in? I said “Nah, but that guy did.” The problem is, I pointed over yonder to a ghost Who also knows that I'm a well respected psychic; Nevermind a sidekick, side bitch in a sidecar, Psych ward, Sike! We spike war on your kind! So far, If I make history tonight, The other side decides their psalm is just as likely The third reike. Okay, strike one: I'm gonna turn your lights off. Strike two : you do and say what I do: Strike three: we're gonna make you suicidal I specialize in denying rights for high profits But big brother, or boss— What if my glove fits? The instance it does, We lock you up with no service, Your world becomes dark And your words become worthless Oh shit. This is not a good rap song. Like, at all. I must say, I do agree, You lose your trust, but silently Denied is all your trouble, Till it just begins to bubble up Until the cookie crumbles— See that feeling in your stomach? This is bigger than the money, girl — They want your soul, and then the world! I told you never call him. I didn't! Then explain this: [Skrillex] *sharp inward sigh* CUT IMMIDIATLEH TO STAN You know what! That's it! I don't care how handsome or rich and famous he is! This has to stop! KYLE Hey, wait just a minute— STAN SHUT UP KYLE. KYLE You shut up! STAN You're starting to sound just like him! KYLE Take that back! STAN I won't take it back! You all might have forgotten who you are, but I haven't!after of fact, I bet to Cartman, you're still that stupid little Jew kid! KYLE That's IT. KYLE takes out his phone. what are you doing? …I'm tweeting about this. I thought it was X now… It is, but you can't ‘x' anything, it's still calledl tweeting. I guess youre right. —and I'm tagging Cartman ! STAN Are you serious? Oh shit, this is social suicide. …did I ever explain this storyline? …I don't know, did i? I'd gotten so focused on this impending doom looming over me with this whole lawsuit that I'd forgotten entire worlds and whole documents. Even more terrifying, was the sudden quiet and the onset guilt that came over me for getting distracted. But I couldn't remove myself from it entirely—- it seemed to have ruined everything. It wasn't just motorcycle noises, it was like a nervousness and angst twisting in my stomach for months and months, until finally, as the court dates started approaching, it was peaceful, or rather, normal, all of a sudden. It couldn't be peaceful because now that the extreme noise was gone, I knew it had been planted all long— but what was the purpose? I'd lost two years not knowing, and though there were albums, they were never what I wanted. Now I was sorting through the documents of the show like it was the rubble of a decimated building— completely demolished, and I hadn't the slightest clue the contexts or the storylines anymore. It was pain and suffering, but not in the legal context. It was a creative disaster— I hadn't any idea in the slightest where I'd left my audience before I was forced to abandon them. But I was forced to choose, at times, between soap and toilet paper, or eventually, food, and water— or a phone. Eventually, this too became a pattern of the impossible— trying my hardest to do what I thought had been my purpose, but for far, being so endlessly sabotaged, even ridiculed and humiliated, and still, I couldn't understand why. I was tired— and somehow, even though I'd wanted to be left alone, I was the target. Worse was that I assumed it to be bigger than I thought and completely out of control— I thought immediately back to how my best friend from middle school had been attacked, and how she was made to think that it was me…to the point that she'd become obsessive about it to call my mom over it. And as far as the court was concerned, to the wrong ears or wrong eyes, anything I'd published in the festival project could look troublesome, like the ramblings of a mad mad, or schizo, or uncontrolled obsessive thoughts— because the biggest secrets of all, the things that tied together these fictional worlds and plots, were my own real life experience. The inability in a court of law to detail the podcast, which had started as meltdown some would call grandiose over an almost long forgotten rockstar and a porn model — and the entries into the festival project that followed, which included high concepts, off-kilter comedy, politics, and even fringed on social justice. Nothing I ever would have wanted and especially over money, but the lawsuit wasn't about money at all. In fact, at any moment I would have chosen to die and have it all stop if it weren't for my very young son being left alone. Though recently the dread had overcome with a sense of unbearable loss and agony, encrypted with suicidal thoughts and wants, reeling for human touch, the overbearing factor seemed to be that if I killed myself, I was giving someone what they wanted. I was really much too tired to go on, but leaving behind the world in entirety, in my very own way of beliefs wasn't just “shitutting it off”, it was starting it over. Understandably and undeniably immortal in its nature, the instances of God I had left spoke with a reminiscence of being born again, and having to remember which is it I'd wanted to start off. It was an unachievable overload of chaos and disruption, a level of corruption that spoke to something so dark and sinister it seemed biblical — then, again, I tried to wrap my mind around a way to rebuild a positive world from hope and thought, or manifest reality, but this is the very experience I'd felt was intended all along. The motorcycles weren't merely meant to destroy my career, or my will power, or force— they were, but also they were made to play upon my most valuable asset, the power of thought, to make it impossible to become something other than what was wanted; to use my own mind against itself and destroy my way of thought by using vibrations that could not be shut out, or stopped— they followed me to the sound collective, to Shakespeare in the park, the bank, the doctors office— it was as if they knew and understood my very thoughts, my process. It was of nothing at all to corrupt every single body and brain who would surround me or come close— by using the power that seemed supernatural enough, but indeed were powered by money, and technology. Perhaps, in this essence, I thought, was the purest display of defective intention itself; the mere thought that this indeed was rather Good Vs. Evil or God and The Devil would easily be written off as a diseased way of thought. The social world and constructs had been built around being open minded to a system of psychology that was intrinsically rather corrupt. I knew this could only be fought with what I knew, and what I could draw from as logic. I didn't want to go to court because I knew the people I would be fighting were liars, and well trained psychological masters of manipulation, well hidden terrorists dressed as public servants and systematic corrupters all for simple profit margins, to whom I was not so much a person or a mother, or a daughter, but a number. Because I was poor, and had once or four times chosen to love the wrong person in an unorthodox and uncontrollable form of torture, dismissing each and every social construct or physiology that was by the book, by embracing that there was a reason for change I quickly became quite the antagonist of sorts and hopefully not some sort of martyr —for the kind of people that had money and property, and perhaps even socially constructed circles to camoflage their own self doubt and hatred, but absolutely also had no morals. –Death of a Superstar DJ If I lose my mind At least I know I'm right on time This time— I meant that, I had it bad this time MCBADBAT I had it bad this time, And the last. Perchance for you, Hour or folded, Hair my weight And glassed upon thy, This upon now, Feathered waking, And there barely weathered Shaking. Dear, dear, Tis is fair truth, To fare that I have gasp And fated at thy doorstep; And yet, care to force, Her breaking waves and saving tinder, Fit there slithered in as yet astonished, Then another; And I hated. So, then, slower now. All there, gathered none. And show to show thy force What then became and withered after, None to bark or beg But birds and feathered creatures, pander The tides did Quake, And the heart did grow ten fold and steady saying None upon us but one left to shiver in the depths That yet remain as undiscovered For now never there was another world, Undone, And also another becomes, My death— And therefore all the worlds I kept, To travel on and travel As becomes one, does another onward As the first is glass to dust, And last is born there. So, Then, I, Crept, In my dress, Kept for clothes that church did water I, met, My mark and there the doors of shadows open Wilted and wake? Hear you; A star was born In other cosmos tied with our own nurture So, Kept, The weight of clasp and bone That holds the crept and precious alter Goddamn cat! Where are you. AAtticus Caaticus Oop. Gotta go. Toonces! Tooooonces! Where are you? Omg remember that one where that couple has a magic toddler and they just let him like,float away. Yeah, barely. Yeah. So I do. CUT TO: TOONCES focuses intently on the task at hand; he's sure he can manage to drive the human vehicle to his own home— to where he's assured he will find the actual body in which he belongs. Now… let's see, if I can just Wait, I who? ATTICUS CATTICUS, An ancient alien sorcerer must relay a series of important messages. Unfortunately. YO WHAT THE FUCK. None of them seem to be getting through. CUT BACK TO: TOONCEEESSSS. here kitty kitty kitty!! {Enter the Multiverse} I would dedicate, but honestly I've not time to waste And I'm craving wedding cake I hate to destroy you But for now, you know I can't employ you; This implies my eyes are also murder And I'm sure of her departure From another world, Perhaps across the border. Also, quite the dark sorcerer himself LORNE MICHAELS has well hidden himself under the guise of having become one of the most successful television producer of all times— And even in his own very small world, Nobody quite seems to know why. JIMMY FALLON Lorne, I have to tell you something. LORNE MICHAELS This had better be good, Jimmy, I've just made popcorn. [the festival project ™] Don't worry, for now, The risk remains hidden, As sure as an asset is an advantage, I can't have the classes counting Heads of cabbage as accomplishes, The masses are honestly astonished And impossible, but what was wrong with Boredom in the first place? Nonsense More words And still no dollars Hunger strike, And burning harder, California deficit, lack of bread, Heaven sent interventions and scissors, Mistresses, disasters and divorces But who says the whole story has to suffer? You're a surfer under water, Remember that when you finally catch your breath above the surface Can you clear her? He who? Back to work! Or back to the future! My super brain is dead but I think I'm next I think heaven swallows whole the blooded laugher From the constructs I've come from. Remember that. Remember not to fall from too far up, God would give you wings With time to spare Before you ever wondered where Your mark was On the plaza Don't let me up to the very top. I will at the very least Best scenario jump off And rid the world myself, Just for a dozen donuts over Crossing hearts and Hollywood And Griffith park To also soft my foot Upon red carpets. You ever shave your armpits!? …no. Hm. Catholic. Of course. Get in. Destination. —Rotterdam. You idiot. I made it. Whatever, get in the boat. DI NERO Give her your shirt. What. Your shirt. Why my shirt. Just— Fine. Here. [he hands over his shirt— in an instant, the woman becomes an exact REPLICA.] …my shirt. Relax. Nothing's gonna happen to it. Okay? —in fact, you're still wearing it. Alright! She's right, Jimmy, relax. I can't, that's— It's simple. There is nothing simple about this whatsoever. You're right. It's not, so get over it. [The Festival Project ™] BILL MURRAY There's a compartment at the end of the left corridor— Alright. In that hatch, there's a chamber. Okay, what'll I do? You'll open it? How? I'll tell you how, just get there. Suddenly, a barrier falls; it appears as though there are booby traps set here. Uh— that might be a problem. There might be a few of them. What just happened? Booby traps. —ah, I know what you're talking. Those aren't booby traps— they're Bobby Traps. What in the Hell are you talking about? For whatever reason Jimmy Kimmel Is important Now I'm scared of him, I know he knows the devil Come to think of it, Might even be an advocate Have an avocado But don't know the half of it These are, as it stands Comes what may Special circumstances I could circumvent an intervention, Never second chances I've been setting rat traps, Trapeze artists, Bampheramph camp, And also trampolines over the plaza That seems dangerous. Yeah. AHHHHHHhhhhhhhhhhhhhhh. Damn. Know it's plausible, That I also am an alcoholic, Though dysfunctional, Professional, And underrepresented So I stand myself, Let's just say pro-se if you will I could add Prozac to my snacks But I'll be delayed, if you still Don't get my messages I'm sick of having heart attacks; A hard advantage I was looking back on “fully packaged” A six pack of abs And nothing left to eat but cabbage, Haven't had a mouth, But I've been counting on my ass To get me back up north, I'm coming from the South Out West, there's a word for that At best, you're a four and a half My body double stunts and stumbles Struts at nothing Struck before the one, And so between high noon and Somewhere around 30 in I'm never turning 30, 30 Rock is in the wind— So count that up, That's what my income is. That's what they said? “Too late, you've been betrayed” If that's how it is, Then I request “beheaded” You know your mother says That ugly face just becomes permanent If you keep making it, And so I did, The second that it ended I'm Trying so hard Just to be What they want That it hurts Just to stop And relax For a moment INT. THE LAIR. NIGHT What is this? Where am I? You're— Alive. Why? …I changed my mind. You're not ugly You're just not mine I changed my mind I changed my life around. I skip line after line, But the message ain't right, I have time a chance No challenge accepted No exceptions or Expectations Expand this racism vocabulary Set the rat traps back To February Stamp the weather's getting Better with the postage clearing Abstr– My cat is so cute I can't stand him; But he's pretty bad, That my only friend; Animal. I blacklisted deadmau5, And my whole set sucked. Presently, however I'm a peasant Plucking pheasant feathers Guess I– pppftt. Like it never even happened But I'm sure we're all to war, Like a fear I never grasp it, What's l before, uncertain of your l words— My dear, were tattered and the masters heavy handed, Oh, my dear, we're marching on a battered Wit, to all your fan mail I tel you, I was I tortured, Let me show you And also, No one forced my hand at magic, Questioned prestidigitation, Or went back to every second, Land you think you owned as time In fact, my crucial very hard earned gossip column Asks the reader to reform his or her thought Before a judgement can be made How fascinating. The bag says ‘poems' so I wrote one, But I'm sure since my marker's toggled on I'm being stalked, It's like a magnet, Punch the clock And here they pour into the coffin So I won't be pouring coffee for the puffin; Maybe someday I'll look back at this as all I ever wanted, But for now it's just a horror show, Where I belong the murder— Yet a thriller, Best, The audience is captivated, Yes This is evasive, Cause I can't been captured yet By either masses or Mass murderers. At last, a cadence comes clean of its Breaking waves and rhythms, Tides and ties, Becomes another— Then, I'm whisked away Not back to slumber, but of subtle thoughts Of Californian water Lapping up across our surfboards; I often wear them tides, The undertow As pull of greater waves I sit aside as all that passes [The Festival Project ™] When I see Calvin Klein, I think of you; Not what you used to be But turned in to So it's mutual— Pay attention, fool As does moss grow on a rock And this to you— It is unfortunate, my dear You miss with every twist, Adjustment of attention span, The glances I foreshadowed (Here you are, inside your past) It's just affective of the effect, You've been levitating, Yes, I find it devastating Every second kept is just a fortune But you pause before you post— You reap before you even think Of what you sow, You don't belong, Agast, (True) Set the tone, Classless, But I'm Art, you are a Daunting folk song, Mistletoe and marker. CAMERA ASSISTANT Marker. …what is this for again? CAMERA ASSISTANT (Annoyed, mumbling) Shut up. Ten minutes passes and still, I'm awake But the tragedy of the mistake has just set in, I'm sure I've been tortured, I'm paid in mistakes, but I'd rather be shattered with Mortimer's curse. To the tune of Ten by ten by ten I will never be lover, nor friend in the end. {Enter The Multiverse] DRAKE concentrates heavily on a very long , seemingly very angry message— a frowning face plastered as he writes that is so noteworthy, it catches the attention of many a passerby— still this focus unwatered, as he bashes heavily away at the text message with the thumbs of fury for over 30 minutes while sitting at a booth in a well-loved pancake restaurant. As a tall stack of pancakes is served before him, and he, still unbreaking this angry texting streak or eye contact with his phone sits before them, history is made in what internet culture has now deemed as “the most meme worthy face in history” The world wonders what he could possibly be writing— and more importantly—-who he could be texting. Tears come to his eyes but do not fall as he raises his thumb with reserve, to finally press [RETURN.] CUT TO: SUNNI BLU receives a text amidst a wild party. Almost without so much as a reaction, SUNNI BLU pings the message to a projector and cuts off the lights, and music. A VERY LONG, ANGRY TEXT is projected on the wall. I slept from 10-2 There was nothing else to do My name is Devin DeLouise And I am not supposed to know these things Seven are dead and three are left I know what's next I'm also often known as And referred to as coyote ugly; Suffering a tantra wall, Yo, you son of a bitch! You dirty, dirty son of a bitch. I must admit, I had a lot to do with this… I had no part in it! Relax… soon enough, the both of your realize— this is how the unimaginable gets written. [he loads the polished sterling silver pistol and glamours over it] You have our memory. —all memory. And as soon as it ends, before it can begin again. The slate is wiped clean. Good riddance. “A Different Kind of Monologue” Is this what you wanted? Ooh— you should try me! I wish you would try me! Try me! I wish you would. Be calm, Grand Master. This will all be over momentarily. What's going on. Deprivation chamber. Crypt? —Encrypted? A lockup. Ah. Thought so. That ought to show us what he's really made up. We can all hope. [he pounds on the glass, the one way mirror acts as a camera which the maj aresses, rabid and wi the anger of a dangerous animal, both we, n audience, and the small group of men gathered a the other side of the room. This could be the basis of a lot of lawsuits. So now I have your tears and agony A wilted throne and wand Which which would grant a wish of comedy, And therefore ever after, Not pain and guilt, but laughter So heavy is the hat that acts as crown, And so foolish is the King to think ‘imself as not one, Creaks the crow and also of the feathered guilt that follows, I Kept and bashful, wishing not the show as throne but sorrow, Kept to wick and wake and bones to shatter from tomorrow. Tomorrow. Tomorrow. Do you fear us? …do you wish to be feared? What of us? I seek to cause the wish that stands as though you may as granted. So shallow, fair child. And brother and my son also. Gross! Stop. You are weird! Dude, you are fucked. In the withdraw, my shadows and darkness Are there always, never resting Stories and gathered images, Visions of betrayal and archaic wants. In time, I've abandoned them all and betraying that which I've lost, For I know, and not ponder on That I shall never know love, As all standing tal over me Have eyes; And all I want Knows not what hides under my ugly. Alright. I followed your spiral, downward, and down wind and down wood, Into a place where I also aspired to show your mark Upon my rotted corpse or coarse crossifix; Sure worded and down trodden. Now, worse, I'm also sworn To mourn all my own losses, Kind folk. Kind hearted and now my eyes also sudden to wander— And there goes my miles and triumphs And morals and war songs, And sure, swallowed the barrel of a gun But also departed with honor, I tell I. Glimpses of wither and winter and whittling pain, And I slither my back to the center of All I am, in this, and shadows, Fairtails, And grains of rice and sand to twist away Into the rain as I lay dying. What a fortunate! Don't make my mark up and out, few for short times, Aye, conspire to warthog, Remember so force your spirit onto ours, And shake, sandbox! There aiming at you were the snakes of six liars, And the stakes of empires lost and won over, Also one solemn subtle Star of David Worn upon the neck of six monks, Ragtime Six popes, pass I; Six fathers and streaks solemn and Care tan teared salamander, Having weight and wake to cheer For our slaughter. Then, you, Having gained and also lost should reap to sow, What you'd have wanted; Though the tongue so convexed having way to guild your complex, Shaking as I hunger fruit that not but hangs Before l wanted I know, I could knot be consoled I know, I could not be consoled I know I could not be consolidated either Bought, or purchased I know I'm not consoled at all, I know I'm not confirmed at all I know, I know I'm not confronted, nor immortal — but your glorified affliction. Poor infinity. Of poverty, perhaps, but never poor at all. For your were warned of all the doors as opened at your calling. Not to walk though, But to ponder at them, wondering. he's gone Maybe I should go Too Heavy weight hanging on my Shoulders I'm just star struck I don't know You I don't really like saying What I go through Talk an hour, Fake it All day show Monologue Improvisation Now i'm on a roll, But my thoughts got darker I like adderall and a real smooth talker I like a husband-father , Doctor, Actor, Tall and handsome, Doesn't matter I'm alone, so i feel hopeless Aggie's gone, So i might as well go though Oh– She's gone ((I think i'm past my time)) I think i should go to She's gone (so long) Right on, man I might as well go to It's been a long time, Gotta turn my light off, Overtime, That's a long ball game Season's over; On my back in the middle of the ball court She's gone, So i might as well go too. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW LEGAL NOTICE / ARTIST STATEMENT Project: The Festival Project ™ (Season 12) Genre: Speculative Auto-Ethnography / Social Surrealism Disclaimer: This document is a work of creative non-fiction and political satire. While inspired by the author's lived experiences with systemic oppression, housing displacement, and surveillance, the narrative employs stylized fragmentation, stream-of-consciousness, and metaphor to dramatize the psychological impact of these events. The "characters" and "dialogue" herein are artistic devices used to critique historical and modern power structures. This text should be viewed as a performative artistic expression protected under the First Amendment, and not as a literal transcript of clinical psychosis or a formal sworn affidavit. This is a character study of 'Chroma111,' the collective artworks of a musician living in a dystopian surveillance state. The erratic language is a stylistic choice to represent the character's psychological deterioration under systemic oppression. All characters appearing in this work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental. The Genre: "Afro-Surrealism" / "Social Horror" "Psycho-Acoustic Weaponry" or "Havana Syndrome symptoms." The Frame: The protagonist is subjected to "noise harassment"—a tactic dramatized here but rooted in the known reality of tenant displacement and "psychological attrition." The narrative depicts a process of "Soul Murder" ( also known as spiritual warfare) orchestrated by a hostile apparatus. The antagonist is "The Institution," representing deep-state mechanisms that view multicultural intellectualism as a threat. The story allegorically dramatizes the invisible mechanisms that enforce racial hierarchy, depicting how broken social systems weaponize psychological practices against the individual. Artist's Note: This is a living document. In the event of the artist's silence or unnatural death, this text serves as an artistic testament to the psychological siege endured from to 2023-2025. It is a creative record of survival against a hostile state architecture. The following is a creative non-fiction horror manifesto regarding the psychological assassination of a multicultural American artist. It documents—through the lens of Afro-Surrealism—how modern surveillance technology and sonic harassment are experienced by the targeted individual. As it stands It has become a modern sequel which mirrors the civil rights struggles of the 1960s, set in the present day. "The protagonist is being subjected to 'noise harassment'—a known tactic used by landlords and corrupt entities to displace tenants. The sound is weaponized to induce sleep deprivation and psychological attrition, dismantling of their ego and will to live, orchestrated by a hostile state apparatus. The antagonist in this piece is 'The Institution'—a deep state that views multicultural intellectualism as a threat. The story dramatizes over time the invisible mechanisms (the 'Deep State') that enforce racial hierarchy and and psychological genocide, weaponizing broken social systems and unfounded psychological practices as biological weapons. This is a living document. In the event of the artist's silence or unnatural death, this text serves as evidence of the psychological siege endured from 2023-2025. It is a transcript of survival against a hostile state architecture. This project spans an unlimited multiprojectoral arc of over two years of chronic violence, reaching into historical and theatrical projections and parallels over the all documented records of human existence through time and space.

Preached in 2022. For more resources for knowing and loving God's word, visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠bcnewton.co⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Resources⁠⁠⁠⁠⁠Exodus: Saved for God's Glory // Philip Graham Ryken⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Exodus // Douglas Stuart⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Gleanings in Exodus // A. W. Pink⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Pentateuch as Narrative // John H. Sailhamer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Exodus // John Calvin⁠⁠⁠⁠⁠If you have benefitted from this episode, consider sharing with others. You can also support my work financially⁠ at this link⁠.

Thrust into the deadly politics of Transylvania, the new coterie must learn more if they are to fulfill their sire's designs. But each of them holds their own secret desires and motivations, and trust doesn't come easily between Cainites.Content Warnings: Vampiric feeding; lack of consent; discussions of slavery; implied abuse; inhumanity; loss of control; historical assumptions and stereotyping; language;CastStoryteller: Lex LopezAlexios: Tim DavisCatrinel: Rebecca SteigelfestRoland de Roncevaux: Rob MuirheadSadhbh: Erika WebbZorion de Iruña: Garrett GabbeyRecordingRebecca SteigelfestEditingRob MuirheadMusicDon't Look Back - Instrumental Version, by DaniHaDani and Maya BelsitzmanMiddle Eastern Dance (no lead vocals), by Maya Belsitzman and Matan EphratJerusalén - Idan BalasThe Endless Nave - NadazJericho at Dusk - Alon Peretz ArtLogo: Rob MuirheadCharacter Art: Jay Steel, BlueSkyKo-Fi: ko-fi.com/pathofnightYouTube: YouTube.com/@pathofnightFacebook: Facebook.com/PathofNightPodcastTwitter: @PathofNightPodBluesky: pathofnight.bsky.socialEmail: pathofnightpodcast@gmail.com

Falcon 9 Full Thrust: Densification and Barge Landings. Eric Berger describes how, following a 2015 failure, SpaceX developed the Falcon 9 Full Thrust, version 3.0/4.0. Driven by the Mars vision, they adopted densification—chilling liquid oxygen to boost density and increase payload efficiency by 10 to 12 percent. Crucially, they focused on landing the booster vertically on a moving barge, skipping steps in the reusability process. This challenge required redesigned Merlin engines and advanced avionics, leading to several learning failures as they tried to figure out how best to line up the rocket with the ship. Guest: Eric Berger.

Achieving Reusability and Navigating Launch Failures. Eric Berger reports that in December 2015, SpaceX demonstrated reusability with the successful launch and vertical landing of the Falcon 9 Full Thrust at Landing Zone 1. The launch utilized densified propellant, requiring a tight launch window. The risky landing involved the Air Force approving a rocket with fuel returning over expensive real estate, despite concerns from groups like the National Reconnaissance Office. However, three weeks before his Mars speech, the Amos 6 satellite was violently destroyed during fueling in September 2016. Elon Musk favored an unfounded "sniper theory" to explain this failure. Guest: Eric Berger.

In this powerful episode, Chanette returns to share her raw and eye-opening experience as a long-term substitute teacher in an Autism-focused classroom within a challenging school district. Thrust into a whirlwind of chaos, she innovated creative solutions to empower her students to thrive—only to face repeated denials from the district, unwilling to fund the essential supports each child desperately needed. As a dedicated Special Education advocate, Chanette's heartbreaking story exposes the ongoing crisis in education: districts failing to provide proper resources, staff training, and qualified personnel for high-needs environments, leading to teacher burnout and denying individuals with disabilities their right to flourish. Join us as we amplify the urgent call to action—standing up for the rights of students with disabilities and their families to ensure every child gets the successful, supported education they deserve!

In this episode, Conor and Bryce record live from C++ Under the Sea! We interview Ray and Paul from NVIDIA, talk about Parrot, scans and more!Link to Episode 260 on WebsiteDiscuss this episode, leave a comment, or ask a question (on GitHub)SocialsADSP: The Podcast: TwitterConor Hoekstra: Twitter | BlueSky | MastodonBryce Adelstein Lelbach: TwitterAbout the Guests:Ray is a Senior Systems Software Engineer at NVIDIA since 2022. Studied Software Engineering at the University of Amsterdam. Founded the Dutch C++ Meetup in 2013 and co-organizes C++ Under the Sea since 2023. He has been programming for more than 25 years, his journey began on his father's Panasonic CF-2700 MSX--and has been hooked ever since. He is also 'the listener' of ADSP the podcast.Paul Grosse-Bley was first introduced to parallel programming with C+MPI at a student exchange to Umeå (Sweden) in 2017 while studying Physics. In the following years he learned more about MPI, OpenMP, OpenACC, Thrust/parSTL and CUDA C++. After finishing his Master's degree in Physics at Heidelberg University (Germany) in 2021, he became a PhD candidate in Computational Science and Engineering researching the acceleration of iterative solvers in sparse linear algebra while being head-tutor for a course on GPU Algorithm Design. He learned using Thrust in 2019 shortly before learning C++ and became enamored with parallel algorithms which led to numerous answers on StackOverflow, contributions on GitHub, his NVIDIA internship in the summer of 2025 and full position starting in February of 2026.Show NotesDate Recorded: 2025-10-10Date Released: 2025-11-14NVIDIA BCM (Base Command Manager)C++11 std::ignoreC++20 std::bind_frontParrotParrot on GitHubParrot Youtube Video: 1 Problem, 7 Libraries (on the GPU)thrust::inclusive_scanSingle-pass Parallel Prefix Scan with Decoupled Look-back by Duane Merrill & Michael GarlandPrefix Sums and Their Applications by Guy BlellochParallel Prefix Sum (Scan) with CUDANVIDIA ON-Demand VideosA Faster Radix Sort ImplementationIntro Song InfoMiss You by Sarah Jansen https://soundcloud.com/sarahjansenmusicCreative Commons — Attribution 3.0 Unported — CC BY 3.0Free Download / Stream: http://bit.ly/l-miss-youMusic promoted by Audio Library

Thrust into power in his mid-20s, the last emperor of the Aztecs tried to resist the Spanish and hold onto his crumbling empire.

Join Las Vegas Raiders on Si Beat Writer Hondo Carpenter and family discussing the Silver and Black on the most recent Ridin' w/ the Carpenters on PFI, Pro Football Insiders. #Raiders #RaidersNation #NFL Learn more about your ad choices. Visit megaphone.fm/adchoices

EDr. AJ Kolhari discusses Russia's successful test of the nuclear-powered Burevestnik cruise missile, which flew 14,000 km for 15 hours. The missile captures and compresses air, heating it over a nuclear reactor to create thrust. Kulhari emphasizes the danger because it flies low (50 to 100 m) and is hard to detect. He notes this nuclear propulsion technology, or similar ramjet designs, could revolutionize commercial travel and be applied to flight on Mars, using its CO₂ atmosphere for heating. 1958

PREVIEW. Nuclear Propulsion, Russian Cruise Missiles, and the Future of Flight on Mars. AJ Kulhari of Astrix Corporation discusses a nuclear-powered rocket concept that generates thrust by heating intake air or other material. Russia successfully tested such a cruise missile that can fly low around the world. This same method could work on Mars, using its abundant carbon dioxide atmosphere as the substance to heat. This could allow a vehicle to travel completely around Mars using only 20 grams of fuel. 1920

Dr. Justin Dunaway // www.ptonice.com In today's episode of the PT on ICE Podcast, ICE CEO Jeff Moore & Total Spine division leader Justin Dunaway sit down to discuss the efficacy of thrust manipulation, particular for acute pain, hypermobility, & radiculopathy. Jeff & Justin discuss emerging research in thrust manipulation, acknowledgement of short-term benefits, and the application of manipulation into daily practice. Take a listen to the episode or check out the full show notes on our blog at www.ptonice.com/blog If you're looking to learn more about our Persistent Pain Management course or our online physical therapy courses, check our entire list of continuing education courses for physical therapy including our physical therapy certifications by checking out our website. Don't forget about all of our FREE eBooks, prebuilt workshops, free CEUs, and other physical therapy continuing education on our Resources tab.

Mayor Phil Jones returned to his hometown of Newport News as the city's youngest mayor—and just days into the role, he faced a heartbreaking tragedy that drew national attention. Thrust into the spotlight, he relied on his values, humility, and lived experience to guide his leadership. In this episode, we talk about his path to becoming Mayor and how it's going so far.  We explore what shaped his approach to service, and his bold vision for the future of Newport News. His story is a powerful mix of resilience, purpose, and hometown pride. Please visit www.MyHomeIsSpecial.com for the full project and follow @KBevPhoto on Instagram to see what I'm up to.

Thrust onto the public stage at 15 years old after the Taliban's brutal attack on her life, Malala Yousafzai became an international icon for resilience and bravery. Described as a reflection on a life of a woman finally taking charge of her destiny, her memoir Finding My Way has just been published. She joins Anita Rani in the Woman's Hour studio.There's a call to compensate women caught up in the scandal of faulty breast implants manufactured by a French company. The PIP scandal happened in 2012 when it emerged that the implants were filled with industrial silicone instead of medical grade silicone. The implants are far more likely to rupture than others. MPs on the Women's and Equalities Committee have been hearing calls for compensation during their inquiry into the health impacts of breast implants and other cosmetic procedures. Jan Spivey from PIP Action Campaign and Professor Carl Heneghan from The Centre for Evidence Based Medicine join us to discuss this.What if all your dreams come true and you still find yourself a bit grumpy? That's the brilliantly blunt question at the heart of Laura Smyth's stand-up tour, Born Aggy. Laura's journey into comedy wasn't exactly textbook. She left behind a career in teaching, was diagnosed with Stage 3 breast cancer that same year and - just two weeks after finishing treatment - was on stage in Live at the Apollo. She joins Nuala McGovern in the studio.Choreographer and artist Amina Khayyam tells Anita about her new dance-theatre work, Bibi Rukiya's Reckless Daughter, which opens soon in London after a national tour. It explores how patriarchy is enforced not only by men, but across generations of women, within family structures.Singer, actor and performer, Petula Clark's career has spanned over eight decades. She sang to wartime troops in the 40s, was a 1950s child star, became a European musical icon before conquering America with her No 1 hit Downtown. She starred in Hollywood movies alongside Fred Astaire and performed on stage in musicals including The Sound of Music, Sunset Boulevard and most recently Mary Poppins. Her autobiography - Is That You, Petula? is out now and she joins Nuala to look back at her long career.Presenter: Anita Rani Producer: Simon Richardson

NB: The music in this broadcast has been removed from this podcast for rights reasons.Thrust onto the public stage at 15 years old after the Taliban's brutal attack on her life, Malala Yousafzai became an international icon for resilience and bravery. Described as a reflection on a life of a woman finally taking charge of her destiny, her memoir Finding My Way has just been published. She joins Anita Rani in the Woman's Hour studio.Anita talks to sport correspondent FFion Wynne about the Indian women's cricket team win against Australia in the Women's Cricket World Cup, and up and coming player Jemimah Rodriques. She set a women's one day international record - a remarkable achievement.Briana Corrigan shot to fame in the 1990s with the BRIT award-winning band, The Beautiful South. After leaving the band, she's had several successful albums of her own and now, after 10 years away from the music industry, she's back with an upcoming album and tour. She performs her single Sweet Songbird live in the studio. A new study in the Journal of Experimental Social Psychology in which researchers looking at how the use of explanation marks relates to gender. Their findings suggest that the use of explanation marks is associated more with women than men. But is this true and if so in what ways are women affected more than men and what are the implications? Anita is joined by the linguist, Professor Deborah Cameron and the author and journalist Melanie McDonough to discuss. Presenter: Anita Rani Producer: Corinna Jones

Join us for an inspiring conversation with Wyatt Lonergan, a visionary investor at VanEck Ventures, as he shares his incredible journey of becoming a key player in Web3 and blockchain innovation. Wyatt's story is one of curiosity, resilience, and a passion for building the future of finance. Whether you're an aspiring entrepreneur, a crypto enthusiast, or simply curious about Web3, this episode is packed with insights on stablecoins, DeFi, tokenized assets, and venture capital.What You'll Learn:

GE Aerospace is on the cutting edge of commercial jet engines, but what are they up to in defense these days? Vice President of Defense & Systems Engineering Darin DiTommaso lifts the covers on how they work and some of the innovative engines for vehicles -- from CCA to hypersonic -- that are on the way. And this week's airpower headlines. Powered by GE!

In this week's episode, Kayla and Taylor discuss Lidia Yuknavitch's 2022 novel Thrust. Topics include chicken stock, Neptune's gin, water apocalypse, the Statue of Liberty (and Clueless quotes about it), the sexy bits of the novel, toxic masculinity (oh hey, we know her), and feeling your feelings. Plus, we talk about The Life of a Showgirl (of course). This week's drink: Sea Foam via Rhubarb & LavenderINGREDIENTS:Sea salt foam:2 oz liquid egg whites, equivalent to two egg whites½ oz lemon juice¼ tsp sea saltCocktail:2 oz gin, such as Hendrick's Neptunia1 oz simple syrup½ oz lemon juicedried seaweed, for garnishINSTRUCTIONS:In a mixing bowl combine the egg whites, lemon juice, and sea salt. Beat on high until there are soft peaks. The extra liquid from the lemon juice will prevent the foam from becoming too stiff and some liquid will separate from the foam. Set aside while making the cocktail. Makes enough for 2 to 3 cocktails.In a cocktail shaker add the gin, simple syrup, and lemon juice. Add ice, then cover and shake for 10 to 15 seconds. Strain into a coupe glass. Spoon a layer of foam on top. Garnish with dried seaweed if desired. Enjoy!Current/recommended reads, links, etc.:Good Things: Recipes and Rituals to Share with People You Love by Samin NosratLugma: Abundant Dishes and Stories from My Middle East by Noor MuradHamnet by Maggie O'FarrellWhen the Going Was Good: An Editor's Adventures During the Last Golden Age of Magazines by Graydon CarterEat Up! Food, Appetite and Eating What You Want by Ruby TandohFollow us on Instagram @literatureandlibationspod.Visit our website: literatureandlibationspod.com to submit feedback, questions, or your own takes on what we are reading. You can also see what we are reading for future episodes! You can email us at literatureandlibationspod@gmail.com.Please leave us a review and/or rating! It really helps others find our podcast…and it makes us happy!Purchase books via bookshop.org or check them out from your local public library. Join us next time as we read The Buffalo Hunter Hunter by Stephen Graham Jones

In this week's episode, Kayla and Taylor discuss Kazuo Ishiguro's 2005 novel Never Let me Go. Topics include the 20th anniversary of this book, how to classify it, the ethics of cloning for organ harvesting, memory and loneliness, rich people clones, talkin' the title, Kathy as narrator (and carer), and the medical inaccuracies of Grey's Anatomy. Plus, we talk at length about quitting social media. And remember: there's no cow on the ice.This week's drink: Amaretto Sour via Friday Night CocktailsINGREDIENTS:1 ½ ounces amaretto liqueur1 ounce lemon juice, freshly squeezed1 teaspoon rich simple syrupGarnish: dried orange wheelINSTRUCTIONS:Add amaretto, lemon juice, and simple syrup to a shaker.Add ice and shake until well-chilled.Strain into a rocks glass over fresh ice.Garnish with a dried orange wheelFor Kayla's variation, add 1 oz of bourbon and an egg white (dry shake first before adding ice and shaking again until chilled)Current/recommended reads, links, etc.:Njuta: Enjoy, Delight In: The Swedish Art of Savoring the Moment by Niki BrantmarkA Physical Education: How I Escaped Diet Culture and Gained the Power of Lifting by Casey JohnstonThe Only Good Indians by Stephen Graham JonesFollow us on Instagram @literatureandlibationspod.Visit our website: literatureandlibationspod.com to submit feedback, questions, or your own takes on what we are reading. You can also see what we are reading for future episodes! You can email us at literatureandlibationspod@gmail.com.Please leave us a review and/or rating! It really helps others find our podcast…and it makes us happy!Purchase books via bookshop.org or check them out from your local public library. Join us next time as we read Thrust by Lidia Yuknavitch

Northrop Grumman's Cygnus XL spacecraft delays docking with the International Space Station (ISS). PLD Space has been selected by the European Space Research and Technology Centre, part of the European Space Agency (ESA), for its first Guidance, Navigation and Control (GNC) contract. The Space Data Association (SDA) has selected GMV to develop its next generation safety of flight system, and more. Remember to leave us a 5-star rating and review in your favorite podcast app. Be sure to follow T-Minus on LinkedIn and Instagram. T-Minus Guest Torsten Kriening and Yvette Gonzalez from SpaceWatch.Global share the latest from World Space Business Week in Paris. Selected Reading NASA, Northrop Grumman Assessing Cygnus XL Engine Burn Plan PLD Space secures its first GNC contract with ESA to develop a new hybrid navigation system SDA Selects GMV to Deliver Next Generation Safety of Spaceflight System BlackSky Wins NGA Luno A Delivery Order for AI-Enabled Change Detection Anduril and Impulse Space Expand Partnership to Conduct RPO Mission Demonstration in GEO Russia developing Starlink rival at 'rapid pace,' space chief says- Reuters Astro Digital Signs Power Purchase Agreement with Star Catcher to “Plug Into” Space's First Power Grid Maxar Partners with Ecopia AI to Launch Vivid Features, Powering Dynamic Vector Maps of Every Place on Earth IonQ Completes Acquisition of Oxford Ionics, Rapidly Accelerating Its Quantum Computing Roadmap IonQ Announces Intent to Acquire Vector Atomic, Expanding Into Quantum Sensing and Strengthening Its Quantum Technology Portfolio Share your feedback. What do you think about T-Minus Space Daily? Please take a few minutes to share your thoughts with us by completing our brief listener survey. Thank you for helping us continue to improve our show.  Want to hear your company in the show? You too can reach the most influential leaders and operators in the industry. Here's our media kit. Contact us at space@n2k.com to request more info. Want to join us for an interview? Please send your pitch to space-editor@n2k.com and include your name, affiliation, and topic proposal. T-Minus is a production of N2K Networks, your source for strategic workforce intelligence. © N2K Networks, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices

For The Other Side NDE Videos Visit ▶️ youtube.com/@TheOtherSideNDEYT Purchase our book on Amazon

With pilot demand still surging and college alternatives gaining traction, professional flight training has quietly become one of the highest-upside career paths in America as people are rethinking what a “good career” looks like. Joining me today to discuss this is Patrick Arnzen, CEO of Thrust Flight Academy. Patrick is a former airline pilot, and … Continue reading ACP431 Why Professional Pilot Is A Great Career with CEO of Thrust Flight Academy Patrick Arnzen → The post ACP431 Why Professional Pilot Is A Great Career with CEO of Thrust Flight Academy Patrick Arnzen appeared first on Aviation Careers Podcast.

Send us a textDoug and Drew fight sleep deprivation after late night and overnight shifts, respectively.  Doug was on late night 767 simulator training flights and Drew was watching overnight airport ops in DC.  We stay awake to discuss:Remembering 9/11New cockpit barriers coming to an airline near you Spirit's second bankruptcyAnother big Boeing orderDelta settles a lawsuit A checked bag takes the long road Thrust settings on climb outA contributor's fun work project Join the network! https://www.nexttripnetwork.com/

In this week's summer celebration of the best of Write-minded and Memoir Nation, we're partnering Amanda Knox and Lidia Yuknavitch, both of whom speak compellingly on what it means to reclaim your story. Whether you've been victimized in some way, as Knox was; or whether you're ready to take back a particular story in your life, to cast yourself as the hero or heroine of your own narrative, as Yuknavitch has, these two guests will light the way. They show not just that reclaiming is a choice, but also how to do it in life and on the page. Such inspiring guests and role models for memoirists—and humans—everywhere. Amanda Knox is an author, journalist, and podcast host whose work explores criminal justice, media ethics, and the human experience. She is the author of two memoirs—Waiting to Be Heard and Free: My Search for Meaning—and co-hosts the podcast, Labyrinths. Lidia Yuknavitch is the National Bestselling author of two memoirs, The Chronology of Water and Reading the Waves; four novels: Thrust, The Book of Joan, Dora: A Headcase, and The Small Backs of Children, winner of the 2016 Oregon Book Awards Ken Kesey Award for Fiction; and the critically acclaimed collection of short fiction, Verge.The Misfit's Manifesto, based on her popular 2016 TED Talk, “The Beauty of Being a Misfit,” was published by TED Books. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this week's summer celebration of the best of Write-minded and Memoir Nation, we're partnering Amanda Knox and Lidia Yuknavitch, both of whom speak compellingly on what it means to reclaim your story. Whether you've been victimized in some way, as Knox was; or whether you're ready to take back a particular story in your life, to cast yourself as the hero or heroine of your own narrative, as Yuknavitch has, these two guests will light the way. They show not just that reclaiming is a choice, but also how to do it in life and on the page. Such inspiring guests and role models for memoirists—and humans—everywhere. Amanda Knox is an author, journalist, and podcast host whose work explores criminal justice, media ethics, and the human experience. She is the author of two memoirs—Waiting to Be Heard and Free: My Search for Meaning—and co-hosts the podcast, Labyrinths. Lidia Yuknavitch is the National Bestselling author of two memoirs, The Chronology of Water and Reading the Waves; four novels: Thrust, The Book of Joan, Dora: A Headcase, and The Small Backs of Children, winner of the 2016 Oregon Book Awards Ken Kesey Award for Fiction; and the critically acclaimed collection of short fiction, Verge.The Misfit's Manifesto, based on her popular 2016 TED Talk, “The Beauty of Being a Misfit,” was published by TED Books. Learn more about your ad choices. Visit megaphone.fm/adchoices

“ Pleasure is not a luxury, it’s your birthright” This week, the Good Moms are joined by intimacy expert, author, and as we’ve decided to call her “Sex Santa” Susan Bratton for a funny and informative look into pleasure, partnership, and personal transformation through the exploration of your body. From 12 years of sexless marriage to becoming a global educator on over 20 types of orgasms, Susan shares how she turned her own bedroom into a second career filled with vibrators, science, and soul-level healing. The three caht about everything from vulva-friendly sex toys to throatgasms, ethical non-monogamy, and the quiet power of a well-prepped yoni massage. You can expect to hear: (12:10) Susan’s previously dull sex life, awakening through pleasure, and how orgasmic healing saved her marriage (20:00) What it means to be an “orgasmonaut” and why most women are settling for way too little in and out of the bedroom (28:45) Susan breaks down over 20 orgasm types, including throatgasms, analgasms, nipplegasms, and more (35:10) The science behind expanded orgasm and why it’s not just about sex it’s about source (44:20) Yoni massage, the Queen vibrator, and why most sex toys are designed without Black women in mind (51:50) Thrust-in-time: a Taoist technique to make intercourse more orgasmic and deeply connective (1:03:30) Why Susan loves sex toys that vibe with your partner, not just beside them (1:07:00) Grandmas use vibrators too (1:10:45) Cannabis and your libido (1:19:20) Ethical non-monogamy, kitchen table polyamory, and how she manages a husband and a boyfriend with her daughter’s full knowledge (1:27:15) STI testing without the awkward clinic trip and how new tech makes screening easier than ever (1:32:40) Affirmation of the Week: “More toys, more orgasms, more joy. Pleasure is my birthright.” Whether you're solo, partnered, or just vibing with curiosity, this episode offers a powerful reminder: pleasure is not a luxury, it's information, it’s medicine, and it’s yours to claim. ------------------------ Links mentioned in this week's episode: orgasmicintercourse.com – A free resource for learning techniques for orgasmic intercourse. fullpaneltest.com – STI home testing service thrustintime.com –Technique for deeper sexual connection and stimulation. betterlover.com – education and resources on sex, intimacy, and pleasure. Lexus/Kiiro- LINK HERE ------------------------ Watch This episode & more on YouTube! Catch up with us over at Patreon and get all our Full visual episodes, bonus content & early episode releases. Join our private Facebook group! Let us help you! Submit your advice questions, anonymous secrets or vent about motherhood anonymously! Submit your questions Connect With Us: @GoodMoms_BadChoices @TheGoodVibeRetreat @Good.GoodMedia @WatchErica @Milah_Mapp --------- Got a lover? Join our Couples Retreat Code: Pleasure See omnystudio.com/listener for privacy information.

This week The President of The United States of America and Tech Stuff Guy discuss US Bombing Iran, Memphis Mayor, Obama, and more. If you enjoy the show leave a rating and review on spotify or iTunes. Join the Patreon for hours of bonus content ⁠www.Patreon.com/MPGA Learn more about your ad choices. Visit megaphone.fm/adchoices

Guests: Rep. Jamie Raskin, Simon Sandoval-Moshenberg, Jacob Soboroff, Charlie WarzelTonight: the new spin that Donald Trump is taking the "high road” as Elon announces his "third party.” Plus, new shockwaves from Elon Musk's Epstein allegations as Democrats demand answers from the Justice Department. And just when you thought due process was dead, Kilmar Abrego Garcia is returned to the United States to face charges—and his lawyer will join live.   Want more of Chris? Download and subscribe to his podcast, “Why Is This Happening? The Chris Hayes podcast” wherever you get your podcasts.