Podcast appearances and mentions of dana marsh

Our second episode of Season VIII “Polarity”: IU Edition, welcomes Dana Marsh, director at Historical Performance Institute and professor at the IU Jacobs School of Music. In his work, he prioritizes balancing tradition with fresh perspectives, and how we can preserve old music to honor the history while embracing present times. In this episode, Marsh discusses his extensive work in historical music performance and how working with old instruments brings the thrill of connecting audiences to music from another time. 

For the past ten years, Gerrel Jones has dedicated his life to training schools, churches and communities to support underserved populations and put the neighbor back in neighborhood. Gerrel speaks to corporations, universities and community organizations around the U.S. about how to support their people and become agents of change too. He's Founder and Executive Director of Pneuma Gallery, a nonprofit that helps strengthen communities and supports programs for re-entry, addiction recovery, homelessness and family dysfunction. At home in Birmingham, Alabama, Gerrel also mentors troubled children. Trauma shapes their lives and often drives it; he knows this from his own life. He works to earn their trust, help them understand their trauma and find a path toward healing and a better life. One of the first (and only) male violence reduction specialists in Alabama, he mentors, heals and leads from the heart. He also does it from experience. Born into generational crime, poverty and abuse, Gerrel committed armed robbery by the time he was 9, drug trafficking at 19 and homicide at 24. Trauma was his foundation too; he was broken, angry, lost. Then he turned himself in and started a life sentence. For years, he mentored young men in prison and kept in touch with a white police officer named Dana Marsh. Officer Marsh had arrested Gerrel in his past life and was the person Gerrel turned to when he hit rock bottom. Through his work in prison and Marsh's advocacy, Gerrel earned parole after 20 years. Their bond demonstrates the power of personal relationships against the threats of racism, cancel culture and generational trauma. Gerrel brings a unique perspective to his speaking engagements on the pervasiveness of trauma in our culture, the traumatic effects of racism on all races and how we can come together as one people to heal, grow and progress. That's what makes him one of today's most coveted and essential speakers for corporations, schools, universities and community organizations.

Emily Duff rockea toda la noche, entregando canciones conmovedoras que sondean las profundidades de nuestras emociones, incluso emociones tan básicas como las de Elliott Carson, no otras que las del rockandroll primitivo. Escuchamos también a los Heartless Bastards, desde Cincinatti con su sexto disco, música de raíces con la potente voz de Erika Wennerstrom y nos damos un descanso con Chris Daniels y sus colegas Hazel Miller y Dana Marsh, con dos fantásticas versiones del clásico de Albert King (aunque compuesto por William Bell y Booker T. Jones) y del no menos clásico de James Taylor, antes de volver al rockandroll con la sueca Janina Jade, o con el exguitarrista de Joan Jett Ricky Bird y con otra excelente pieza del rocker Willie Nile. Un recuerdo a las hermanas Lovell a ver si sacan disco pronto y un final de fiesta poppie con los The Yum Yums y su más reciente single, energético y juvenil y ¡hasta la semana que viene, peña!Emily Duff, Feelin' alrightEmily Duff, Go Fast, Dont DieElliott Carson & The Preacher Man, I Told Her Not to Do ItElliott Carson & The Preacher Man, Boy from TupeloHeartless Bastards, How LowHeartless Bastards, Parted WaysChris Daniels, Hazel Miller And Dana Marsh, Born Under A Bad SignChris Daniels, Hazel Miller And Dana Marsh, You've Got A FriendJanina Jade, Heart Of Rock N' RollJanina Jade, Before My Time Runs OutRicky Byrd, Ain't Gonna Live Like ThatWillie Nile, SanctuaryLarkin Poe, Keep Diggin'The Yum Yums, Shoog Shoog (Sugar Baby)The Yum Yums A Little Bit of EverythingHeartless Bastards, RevolutionVisita nuestro Facebook y déjanos tus peticiones, comentarios, canciones...O escríbenos un email aquí.

The Third Sunday after the Epiphany ORISON: Blessed Jesus, at thy word we are gathered (Tune: Liebster Jesu) – mel. Johann Ahle (1625-1673); harm. George Palmer (1846-1926) and Johann Sebastian Bach (1685-1750) PSALM 19:7-14 – Plainsong, Tone III.6 HYMN: O Christ, the Word Incarnate (Tune: Munich) – harm. Felix Mendelssohn (1809-1847) NUNC DIMITTIS: – Dana Marsh (b. 1965) ANTHEM: Beati quorum via – […]

Welcome! This week learn all about JoyRyder, Rhythm based Indoor Cycling, in Biltmore Village. Co-Owner and Instructor, Dana Marsh, and dive into her sweat story, how JoyRyder came about, what kind of class is rhythm based cycling, charity rides, and so much more! Also, they are now offering first class FREE for locals, so go check them out!

After an extensive round of auditions and interviews for the revered post as artistic director of The Washington Bach Consort, Dana Marsh was named the new director, succeeding the late Dr. J. Reilly Lewis, who founded the consort in 1977.  Lewis died unexpectedly in June 2016.  His remarkable artistry will long be remembered, treasured and felt.  Art journalist Patrick D. McCoy chats with Dr. Dana Marsh about his new post, the upcoming season with The Washington Bach Consort, finding academic balance with his post at Indiana University and his vision for the consort. As director of the Historical Performance Institute and chair of the Early Music Department at the Indiana University Jacobs School of Music, Dana Marsh has directed a broad range of ensemble performances and NPR broadcasts at Jacobs since 2014. He coaches aspiring vocalists in historical performance and teaches early notation and performance practice. As an academic, Marsh was invited to be a panelist at the Smithsonian Institution’s conference “Historically Informed Performance in Higher Education” in 2015. In May 2016, he founded the annual international conference “Historical Performance: Theory, Practice and Interdisciplinarity,” which has attracted scholars and performers from a dozen countries. He recently founded the annual, peer-reviewed journal, “Historical Performance” (IU Press), which contributes significant research to the field.   

The 2018 Bloomington Early Music Festival reaches new heights through collaborations with both local and national organizations.

Dana Marsh speaks with Bruce Dickey, one of a few musicians who have dedicated themselves to reviving the cornetto, which fell into disuse in the 19th century.