Podcasts about Birmingham

What can JD Vance's arguments with Pope Francis teach us about selfishness, altruism, and the morality of the modern world?Join the team at the IAI for four articles about egoism, self-sacrifice, and everything in between, analysing a range of subjects, including: Friedrich Nietzsche and his rivalry with former maestro Arthur Schopenhauer; the 10 Commandments and their relationship to jealousy; why God might be "stupid, indifferent, and evil"; and of course the aforementioned showdown between JD and the Pope.These articles were written by Slavoj Žižek, Steven D. Hales, Kristján Kristjánsson, and Guy Elgat.Slavoj Žižek is a Hegelian philosopher, a Lacanian psychoanalyst, and a Communist. He is the author of 'Christian Atheism: How to Be a Real Materialist'. Steven D. Hales is Professor of Philosophy at Bloomsburg University of Pennsylvania, and author of 'The Myth of Luck: Philosophy, Fate and Fortune'. Kristján Kristjánsson is Professor of Character Education and Virtue Ethics at the University of Birmingham. His work spans topics in moral philosophy, moral psychology, and moral education. He is also the editor of the Journal of Moral Education. Guy Elgat is a lecturer at the School of the Art Institute of Chicago. He is the author of 'Nietzsche's Psychology of Ressentiment' and 'Being Guilty: Freedom, Responsibility, and Conscience in German Philosophy from Kant to Heidegger'.And don't hesitate to email us at podcast@iai.tv with your thoughts or questions on the episode!To witness such debates live buy tickets for our upcoming festival: https://howthelightgetsin.org/festivals/And visit our website for many more articles, videos, and podcasts like this one: https://iai.tv/You can find everything we referenced here: https://linktr.ee/philosophyforourtimesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In part two of Red Eye Radio with Gary McNamara and Eric Harley, voters in New York have chosen socialist Zohran Mamdani as the front runner in the mayoral primary with much bi-partisan fallout. Also audio from Ted Cruz questioning a minority witness who believes oil executives should be charged with murder and a misleading headline from Birmingham about air travelers being "bumped" from flights being overbooked. For more talk on the issues that matter to you, listen on radio stations across America Monday-Friday 12am-5am CT (1am-6am ET and 10pm-3am PT), download the RED EYE RADIO SHOW app, asking your smart speaker, or listening at RedEyeRadioShow.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Many of us ask ourselves the honest question: Why is making friends as an adult so hard? At this Talkback, Ben Sciacca, Redeemer's Local Ministry Coordinator, dove into how God created us to live in meaningful community with one another. While the desire for friendship is part of God's good design, the reality is that we live in a time of prevailing loneliness and isolation. Ben was joined by Janet King, Founder of The Gathering Lab. Together, they discussed how to move past small talk into something deeper. They explored what barriers keep us isolated and what fears prevent us from moving beyond our comfort zones. As image-bearers of a loving God, we are hardwired for community, and we hope you'll fight against the digital age that keeps us disconnected.JOIN THE NEXT STEPAt the end, Ben and Janet announced our Summer Circles, which are opportunities coming later this summer to meet and build meaningful friendships right here at Redeemer. If you want to join these gatherings, sign up at The Gathering Lab now. ABOUT TALKBACKSOur Talkbacks are great opportunities to see how our faith engages with the world around us. This summer, we're excited to have four evenings that discuss how the gospel changes how we think about race, politics, the world, and our stories.Each Talkback, we get a chance to hear from a speaker for about 45 minutes before spending about 45 minutes in a Q&A. We encourage you to come with questions! MORE INFOFor more info, visit rccbirmingham.com/talkbacks

En el año 2011, un devastador tornado azotó la ciudad de Birmingham, Alabama. Entre los escombros, rescatistas hallaron a una madre gravemente herida que había usado su cuerpo como escudo para proteger a sus tres hijos, a quienes abrazó hasta que el viento cesó y sobrevivieron. Cuando despertó en el hospital, lo primero que preguntó fue: “¿Mis hijos están bien?”. Uno de ellos testificó: “Ella fue nuestro refugio cuando todo se desmoronaba”. Ese es el amor que refleja, en pequeña escala, el amor de Dios por nosotros. Él no siempre evita la tormenta, pero sí nos cubre en medio de ella. El Señor Jesús no prometió una vida sin pruebas, pero aseguró que nunca nos dejaría. David lo entendió cuando escribió: “Aunque ande en valle de sombra de muerte, no temeré mal alguno, porque tú estarás conmigo”. Esa presencia cambia todo. Por lo tanto, si estás atravesando un momento de crisis, no olvides que debajo de las alas de Dios hay refugio, paz y protección. Él te cubre, incluso cuando no lo ves. La Biblia dice en Salmos 91:4: “Con sus plumas te cubrirá, y debajo de sus alas estarás seguro...” (RV1960).

We plan our lives for the next nine months as Ipswich Town's 2025/26 Championship fixtures and League Cup first round draw are revealed!!

Pete Jones is the founder and CEO of Grypp. He is based in the UK between London and Birmingham. Grypp is a visual platform that aims to help contact centers and the agents working within them see what their customers can see. This can be a transformative technology for many support environments and it is low cost and proven - in contrast to many of the AI projects we have covered recently on the podcast. Mark Hillary called Pete to get an ouline of the various ways in which a visual approach to CX can transform how the support process works and how this also creates opportunities for managing fraud and identity. As the conversation suggests: we need humans In CX so why are we restraining them by not allowing them to see what the customer can see?  https://www.linkedin.com/in/pete-jones-gryppcorp/ https://grypp.io/about-us/   Summary: Mark Hillary and Peter Ryan discuss the evolution of visual customer experience (CX) with Pete Jones, CEO of Grypp. They highlight how visual CX, which allows agents to see customer issues in real-time, can reduce communication inefficiencies and enhance customer service. Jones shares that one in five enterprises now use visual CX, and Grypp has released 20 new innovations in the past two years. They also explore the potential of visual CX in fraud prevention and its integration with AI to improve customer interactions and operational efficiency. Jones emphasizes the importance of immediate value and the potential for significant cost savings and improved customer satisfaction.

June 26, 2025 ~ Tom Celani, president and CEO of Luna Entertainment, talks with Lloyd and former Congressman Dave Trott about the opening of his new restaurant, Big Rock Italian Chop House, located in the old train station in Birmingham.

We're continuing our catch-up with old friends in advance of this year's Sight Village Central event, in Birmingham. Stuart is having a long overdue chat with Jenny axler from Selvas. Jenny and the team have had an incredibly busy year and have lots of news about some current and soon-to-be released features for the BrailleSense 6, including a new web browser, offering modern Chrome functionality for shopping, embedded media, and form filling, while preserving the familiar Braille Sense interface and streamlining keystrokes for easier use. There's a significant update coming to the word processor, offering improved reliability and advanced formatting like bullets, numbering, tables, and footnotes, making it a true productivity tool that integrates well with Word. Selvas have also developed a new Braille Practice application designed to help users practice Braille at various learning stages, providing feedback and supporting phased Braille learning . Jenny also highlights new features such as shortcuts for global hotkeys for Android apps to improve efficiency, a video search application for easier YouTube navigation, and a new podcast AI search powered by ChatGPT. Stuart also sits down with our good friend Vanessa Vigar, Chief Marketing Officer with Envision. Vanessa tells us about Ally, Envision's powerful AI app that recently rolled out publicly. Ally is unique in leveraging multiple language models, ensuring it selects the best AI for tasks from visual descriptions to document reading. A key feature is the customization of Ally's personality and communication style, allowing users to input preferences for a highly personalized assistant experience. Vanessa explains how Ally now provides improved print reading with OCR, offering detailed audio feedback during the scanning process before reading the document, and enabling users to ask for summaries, translations, or specific information.

John's Tonight Night Show Experience, being reposted by Trump, cargo pockets, armed DoorDash driver, and cemetery speculation… On the net, it's a positive. ----- JOKES FOR HUMANS TOUR: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://johncristcomedy.com/tour/⁠⁠⁠⁠⁠⁠⁠⁠⁠ 9/19 - Grand Rapids, MI 9/20 - Fort Wayne, IN 9/21 - Paducah, KY 9/26 - North Charleston, SC 9/27 - Macon, GA 9/28 - Hiawassee, GA 10/2 - Evansville, IN 10/3 - Dayton, OH 10/4 - Peoria, IL 10/10 - Knoxville, TN 10/11 - Greenville, SC 10/16 - York, PA 10/17 - Detroit, MI 10/18 - Cleveland, OH 10/24 - Birmingham, AL 10/25 - Chattanooga, TN 11/7 - Boise, ID 11/8 - Spokane, WA 11/9 - Tacoma, WA 11/20 - Abilene, TX 11/21 - San Antonio, TX 11/22 - Tyler, TX 11/23 - Austin, TX 12/5 - Phoenix, AZ 12/6 - Santa Rosa, CA 12/7 - Redding, CA 12/11 - South Bend, IN 12/12 - Munhall, PA 12/14 - Buffalo, NY ----- Catch the full video podcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠, and follow us on social media (⁠⁠⁠⁠⁠⁠⁠⁠⁠@netpositivepodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠) for clips, bonus content, and updates throughout the week. ----- Email us at netpositive@johncristcomedy.com ----- FOLLOW JOHN ON: ⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠ ----- SUPPORT OUR SPONSORS ROCKET MONEY: Stop wasting money on things you don't use. Cancel your unwanted subscriptions – and manage your money the easy way – by going to https://RocketMoney.com/netpositiveMIRACLE MADE: Save OVER 40% + 3 free towels with promo code NETPOSITIVE at https://trymiracle.com/NETPOSITIVEHELLO FRESH: Get 10 FREE MEALS AND A HIGH-PROTEIN ITEM FOR LIFE with promo code NETPOSITIVE10FM at https://hellofresh.com/NETPOSITIVE10FM ----- PRODUCED BY: ⁠⁠⁠⁠⁠⁠⁠⁠⁠Alex Lagos⁠⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠⁠Lagos Creative

Looking to boost your cash flow in 2025? In this episode of The Real Wealth Show, RealWealth Investment Counselors Leah Collich and Stacey Stegenga dive into the top U.S. real estate markets where investors are generating strong, steady returns—even in an uncertain economy. You'll hear why more investors are shifting toward linear markets like Cleveland, Cincinnati, Birmingham, and Chattanooga, and how these markets are offering solid cash flow while others remain volatile. Leah and Stacey also discuss the impact of higher interest rates, investor hesitancy, and what this means for finding opportunity in today's landscape. Plus, find out why RealWealth recently added Atlanta to its list of recommended markets—and whether it's the right fit for your strategy.

Love the show? Have any thoughts? Click here to let us know!This week, we head to the Heart of Dixie—Alabama! Kenzie begins with the heartbreaking story of Vicki DeBlieux, a kind-hearted woman whose life was tragically cut short after a trip to visit family. What started as a journey home ended in a senseless act of violence that left more questions than answers. Then, Lauren turns up the heat with one of Alabama's most haunted locations—Sloss Furnaces. This historic industrial site once fueled Birmingham's growth, but behind the blast furnaces and smokestacks lies a chilling history of accidents, deaths, and ghostly encounters. Join us as we explore the tragedy and terror hidden deep in Alabama's past.--Follow us on Social Media and find out how to support A Scary State by clicking on our Link Tree: https://instabio.cc/4050223uxWQAl--Have a scary tale or listener story of your own? Send us an email to ascarystatepodcast@gmail.com! We can't wait to read it!--Thinking of starting a podcast? Thinking about using Buzzsprout for that? Well use our link to let Buzzsprout know we sent you and get a $20 Amazon gift card if you sign up for a paid plan!https://www.buzzsprout.com/?referrer_id=1722892--Works cited!https://docs.google.com/document/d/1Dq_0tJvFgEFuU1ZpZQ3E_LcuLc-RrTML8fSt9ILWb6k/edit?usp=sharing --Intro and outro music thanks to Kevin MacLeod. You can visit his site here: http://incompetech.com/. Which is where we found our music!

In this episode of Midweek, we continue our Meet A Member series with a conversation featuring SVCC member Tim Larsen. Tim shares his story, how he became part of the Shades community, and the ways his faith has shaped his journey. We also do a deep dive on the most recent Dave Matthews Band concert in Birmingham.  As always you can email us! midweek@shadesvalley.org  

US-Geheimdiensterkenntnissen zufolge, über die die «New York Times» und CNN berichteten, könnten die US-Angriffe das iranische Atomprogramm möglicherweise nur um wenige Monate zurückgeworfen haben. Donald Trump widersprach dieser Einschätzung am Mittwoch während des Nato-Gipfels in Den Haag.Der US-Präsident sprach von «Fake News» und betonte, man habe die Atomanlagen «vollständig zerstört». In Den Haag sagte er vor Journalisten: «Ich glaube, es war eine totale Auslöschung.» Er sprach von einer «perfekten Operation». Den beiden Medien CNN und «New York Times» unterstellte er, die Regierung schlecht aussehen lassen zu wollen.Gemäss einer Umfrage von CNN lehnen 56 Prozent der US-Bürger die Angriffe ab, 79 Prozent befürchten eine Eskalation, bei der amerikanische Zivilisten und Soldaten zu Schaden kommen könnten. Eine Haltung, die auch bei Trumps Anhängerinnen und Anhängern stark verbreitet ist: Ihr Idol hatte versprochen, dass die sogenannten Forever-Wars, die nie enden wollenden Kriege mit US-Beteiligung, vor allem im Nahen Osten, zu beenden, und vor allem keine neuen zu beginnen. Entsprechend äusserte sich Trump vor seinem Abflug nach Europa: «Wir haben zwei Länder, die so lange und so hart gekämpft haben, dass sie nicht wissen, was zum Teufel sie da tun.»In Den Haag kündigte Trump neue Gespräche zwischen den USA und dem Iran an. «Vielleicht unterzeichnen wir ein Abkommen, ich weiss es nicht.» Trump sagte weiter, er sei eigentlich nicht sonderlich an der Wiederaufnahme von Verhandlungen mit dem Iran interessiert. «Es ist mir egal, ob ich ein Abkommen habe oder nicht», betonte der US-Präsident. «Sie werden es sowieso nicht tun», sagte Trump mit Blick auf ein mögliches Streben des Iran nach einer Atomwaffe. «Die haben genug.»Was waren die Motive hinter dem Militärschlag gegen den Iran? Was sagt der Waffenstillstand über Trumps Einfluss im Nahen Osten aus? Und wie reagieren die Mitglieder des US-Kongresses? Darüber unterhält sich Christof Münger, Leiter des Ressorts International, mit Tina Kempin Reuter, Politikwissenschaftlerin in Birmingham, Alabama, in einer neuen Folge des USA-Podcasts «Alles klar, Amerika?». Mehr USA-Berichterstattung finden Sie auf unserer Webseite und in den Apps. Den «Tages-Anzeiger» können Sie 3 Monate zum Preis von 1 Monat testen: tagiabo.ch.Feedback, Kritik und Fragen an: podcasts@tamedia.ch

Welcome to another episode of the Sight and Sound Technology podcast. We're gearing up for Sight Village Central, taking place this year on July 7th and 8th in Birmingham, and, on this, the first in a couple of episodes that you'll hear over the next week, we're unveiling some new and exciting technology that will be on our stand during the show. We're delighted to be joined by friend of the show Pierre Kegels, and his colleague Karst Hoogsteen, who are with Stuart to talk about Luna Glasses. Designed by Karst, who has retinitis pigmentosa, these inconspicuous smart glasses offer a life-changing solution for night blindness and low-light vision. They use a special camera and in-lens projectors to display brighter, colourized reality in real-time, boosting confidence without stigma. Then, it's another friend of the show, when CEO of Kapsys Aram Hekimian makes a welcome return. Aram is with us to introduce KapX, a new wearable device for orientation and obstacle avoidance. Ideal for those needing confidence in outdoor navigation, KapX uses a lightweight headset with a camera and a pocket-sized computing unit. Its on-board AI provides real-time environment analysis, offering orientation guidance via TTS or 3D sound, notifying users of points of interest like crossings, and crucially, detecting and helping avoid hidden obstacles (like low branches or parked trucks) even if not specifically chosen by the user.

Fr. Nathan speaks with David Lorimer, MA, PGCE, FRSA, a visionary polymath, spiritual activist, and poet. David who is Founder of Character Education Scotland, Global Ambassador of the Scientific and Medical Network (www.scientificandmedical.net) and former President of Wrekin Trust and the Swedenborg Society. He has also been editor of Paradigm Explorer since 1986. He was the instigator of the Beyond the Brain conference series in 1995 (www.beyondthebrain.org) and has co-ordinated the Mystics and Scientists conferences (www.mysticsandscientists.org) every year since the late 1980s.David is also Chair of the Galileo Commission (www.galileocommission.org)which seeks the widen science beyond a materialistic world view. He hosts apodcast, Imaginal Inspirations, with key thinkers in consciousness studies. Heis a Creative Member of the Club of Budapest, a Member of the EvolutionaryLeaders Circle.David, originally a merchant banker, then a teacher of philosophy and modern languages at Winchester College, is the author and editor of over a dozen books, including Radical Prince on the ideas and work of the Prince of Wales (now King Charles III). His most recent publications are his essays, A Quest for Wisdom (2021), his collection of poems Better Light a Candle (2022),Spiritual Awakenings (2022, edited with Marjorie Woollacott)David is the originator of the Inspiring Purpose Values Poster Programmes,which has reached over 350,000 young people all over the world, and hasedited fifteen magazines and five books in this connection. He was a SeniorResearch Fellow at the Jubilee Centre in the University of Birmingham from2015-2018 and in 2022 he was appointed an Ambassador of CharacterEducation. See www.inspiringpurpose.org.ukClick this link and let us know what you love about The Joyful Friar Podcast! Support the show​Connect with Father Nathan Castle, O.P.: http://www.nathan-castle.comFacebook: https://www.facebook.com/fathernathancastleInstagram: https://www.instagram.com/father_nathan_castle/?hl=enYouTube: https://www.youtube.com/c/FatherNathanGCastleOPListen to the podcast: https://apple.co/3ssA9b5Purchase books on Amazon: https://tinyurl.com/34bhp2t4 Donate: https://nathan-castle.com/donate My Dominican brothers and I live a vow of poverty. That means we hold our goods in common. If you enjoy this podcast, please donate. 501©3 of the Western Dominican Province.#fathernathancastle, #nathancastle, #thejoyfulfriar, #afterlifeinterrupted, #Interrupteddeathexperience #consciousness #lifeafterdeath, #lifeafterloss #spirituality #awakenings. #nde, #ste, #ide

The Black Baseball Mixtape crew is here to talk all things Black in baseball. This episode recaps the crew's trip to Birmingham, AL, for the 2025 East-West Classic. Cheats, Flobo, April, and Malik also discuss the PR nightmare that is the Pittsburgh Pirates. And they close out the show by asking the question: Is one great tool equal to five tools?The Black Baseball Mixtape podcast is in partnership with Steelo Sports, Players Alliance, Rebellion Harvest, NumbersGame Scorecards, RBG baseball, and Minority Prospects. Contact the show at: BlackBaseballMixtape@gmail.com.

Andy Scott and Barry Jones are joined at Daniel Dubois' gym by this week's special guests Don Charles and Kieran Farrell.The panel are joined at The Farm Gym in Borehamwood by Dubois' trainer Don Charles who discusses how camp is going ahead of the undisputed world heavyweight title clash with Oleksandr Usyk. Co-trainer Kieran Farrell reveals what it is like being part of the camp and we speak to Daniel's younger brother Soloman who is pursuing a career in the sport.We also round-up all the latest news from the sport after Olympic champion Galal Yafai suffered a shock defeat to Francisco Rodriguez in his hometown of Birmingham.

Ade Oladipo and Gareth A Davies reflect on a tough night for Gala Yafai who was comfortably beaten by Francisco Rodriguez in Birmingham on SaturdayWe look back on a busy week in Riyadh where Gareth was to see Canelo Alvarez and Terrence Crawford begin their press tour ahead of their mega fight later this year!Oleksandr Usyk has split from his long term promoter Alex Krassyuk after 13 years, we discuss the strange timing of it with Usyks fight against Daniel Dubois just around the cornerAnd we look at the weekends action including a return to the ring for Deontay Wilder Hosted on Acast. See acast.com/privacy for more information.

Duncan Strain started Silent Noize 16 years ago. A gamechanger. In this episode, Duncan talks host Adam Parry through the journey from promoting Birmingham club nights to hearing about headphones for events from his business partner, launching Silent Noize and the circumstances/breakthroughs that led to the Silent Seminars offshoot some 10 years later. Duncan, and Adam, remember the impact of introducing headphones to an early edition of Event Tech Live, at the Old Truman Brewery, and how the idea has become almost ubiquitous across the model since – at home and, increasingly, abroad. The conversation takes in Goa beaches, Silent Seminars providing for silent yoga and meditation too, event wellness rooms, immersive experiences, cinemas, the spoils of headphones for students and staying in front of wireless earbuds. It covers new partnerships, the challenges running/expanding Silent Seminars, picking the right people, the enormity of the US market, and beyond.   To keep up to date with all the news, subscribe for free here. If you would like to take part in a podcast, then please complete our submission form.

For those who haven't heard the announcement I posted, songs from this point on will sometimes be split among multiple episodes, so this is the second part of a two-episode look at the song “Who Knows Where The Time Goes?” by Fairport Convention, and the intertwining careers of Joe Boyd, Sandy Denny, and Richard Thompson. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a forty-one-minute bonus episode available, on Judy Collins’ version of this song. Tilt Araiza has assisted invaluably by editing, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Erratum For about an hour this was uploaded with the wrong Elton John clip in place of “Saturday Sun”. This has now been fixed. Resources Because of the increasing problems with Mixcloud’s restrictions, I have decided to start sharing streaming playlists of the songs used in episodes instead of Mixcloud ones. This Tunemymusic link will let you listen to the playlist I created on your streaming platform of choice — however please note that not all the songs excerpted are currently available on streaming. The songs missing from the Tidal version are “Shanten Bells” by the Ian Campbell Folk Group, “Tom’s Gone to Hilo” by A.L. Lloyd, two by Paul McNeill and Linda Peters, three by Elton John & Linda Peters, “What Will I Do With Tomorrow” by Sandy Denny and “You Never Know” by Charlie Drake, but the other fifty-nine are there. Other songs may be missing from other services. The main books I used on Fairport Convention as a whole were Patrick Humphries' Meet On The Ledge, Clinton Heylin's What We Did Instead of Holidays, and Kevan Furbank's Fairport Convention on Track. Rob Young's Electric Eden is the most important book on the British folk-rock movement. Information on Richard Thompson comes from Patrick Humphries' Richard Thompson: Strange Affair and Thompson's own autobiography Beeswing.  Information on Sandy Denny comes from Clinton Heylin's No More Sad Refrains and Mick Houghton's I've Always Kept a Unicorn. I also used Joe Boyd's autobiography White Bicycles and Chris Blackwell's The Islander.  And this three-CD set is the best introduction to Fairport's music currently in print. Transcript Before we begin, this episode contains reference to alcohol and cocaine abuse and medical neglect leading to death. It also starts with some discussion of the fatal car accident that ended last episode. There’s also some mention of child neglect and spousal violence. If that’s likely to upset you, you might want to skip this episode or read the transcript. One of the inspirations for this podcast when I started it back in 2018 was a project by Richard Thompson, which appears (like many things in Thompson’s life) to have started out of sheer bloody-mindedness. In 1999 Playboy magazine asked various people to list their “songs of the Millennium”, and most of them, understanding the brief, chose a handful of songs from the latter half of the twentieth century. But Thompson determined that he was going to list his favourite songs *of the millennium*. He didn’t quite manage that, but he did cover seven hundred and forty years, and when Playboy chose not to publish it, he decided to turn it into a touring show, in which he covered all his favourite songs from “Sumer Is Icumen In” from 1260: [Excerpt: Richard Thompson, “Sumer is Icumen In”] Through numerous traditional folk songs, union songs like “Blackleg Miner”, pieces by early-modern composers, Victorian and Edwardian music hall songs, and songs by the Beatles, the Ink Spots, the Kinks, and the Who, all the way to “Oops! I Did It Again”: [Excerpt: Richard Thompson, “Oops! I Did it Again”] And to finish the show, and to show how all this music actually ties together, he would play what he described as a “medieval tune from Brittany”, “Marry, Ageyn Hic Hev Donne Yt”: [Excerpt: Richard Thompson, “Marry, Ageyn Hic Hev Donne Yt”] We have said many times in this podcast that there is no first anything, but there’s a reason that Liege and Lief, Fairport Convention’s third album of 1969, and the album other than Unhalfbricking on which their reputation largely rests, was advertised with the slogan “The first (literally) British folk rock album ever”. Folk-rock, as the term had come to be known, and as it is still usually used today, had very little to do with traditional folk music. Rather, the records of bands like The Byrds or Simon and Garfunkel were essentially taking the sounds of British beat groups of the early sixties, particularly the Searchers, and applying those sounds to material by contemporary singer-songwriters. People like Paul Simon and Bob Dylan had come up through folk clubs, and their songs were called folk music because of that, but they weren’t what folk music had meant up to that point — songs that had been collected after being handed down through the folk process, changed by each individual singer, with no single identifiable author. They were authored songs by very idiosyncratic writers. But over their last few albums, Fairport Convention had done one or two tracks per album that weren’t like that, that were instead recordings of traditional folk songs, but arranged with rock instrumentation. They were not necessarily the first band to try traditional folk music with electric instruments — around the same time that Fairport started experimenting with the idea, so did an Irish band named Sweeney’s Men, who brought in a young electric guitarist named Henry McCullough briefly. But they do seem to have been the first to have fully embraced the idea. They had done so to an extent with “A Sailor’s Life” on Unhalfbricking, but now they were going to go much further: [Excerpt: Fairport Convention, “Matty Groves” (from about 4:30)] There had been some doubt as to whether Fairport Convention would even continue to exist — by the time Unhalfbricking, their second album of the year, was released, they had been through the terrible car accident that had killed Martin Lamble, the band’s drummer, and Jeannie Franklyn, Richard Thompson’s girlfriend. Most of the rest of the band had been seriously injured, and they had made a conscious decision not to discuss the future of the band until they were all out of hospital. Ashley Hutchings was hospitalised the longest, and Simon Nicol, Richard Thompson, and Sandy Denny, the other three surviving members of the band, flew over to LA with their producer and manager, Joe Boyd, to recuperate there and get to know the American music scene. When they came back, the group all met up in the flat belonging to Denny’s boyfriend Trevor Lucas, and decided that they were going to continue the band. They made a few decisions then — they needed a new drummer, and as well as a drummer they wanted to get in Dave Swarbrick. Swarbrick had played violin on several tracks on Unhalfbricking as a session player, and they had all been thrilled to work with him. Swarbrick was one of the most experienced musicians on the British folk circuit. He had started out in the fifties playing guitar with Beryl Marriott’s Ceilidh Band before switching to fiddle, and in 1963, long before Fairport had formed, he had already appeared on TV with the Ian Campbell Folk Group, led by Ian Campbell, the father of Ali and Robin Campbell, later of UB40: [Excerpt: The Ian Campbell Folk Group, “Shanten Bells (medley on Hullaballoo!)”] He’d sung with Ewan MacColl and A.L. Lloyd: [Excerpt: A.L. Lloyd, “Tom’s Gone to Hilo” ] And he’d formed his hugely successful duo with Martin Carthy, releasing records like “Byker Hill” which are often considered among the best British folk music of all time: [Excerpt: Martin Carthy and Dave Swarbrick, “Byker Hill”] By the time Fairport had invited him to play on Unhalfbricking, Swarbrick had already performed on twenty albums as a core band member, plus dozens more EPs, singles, and odd tracks on compilations. They had no reason to think they could actually get him to join their band. But they had three advantages. The first was that Swarbrick was sick of the traditional folk scene at the time, saying later “I didn’t like seven-eighths of the people involved in it, and it was extremely opportune to leave. I was suddenly presented with the possibilities of exploring the dramatic content of the songs to the full.” The second was that he was hugely excited to be playing with Richard Thompson, who was one of the most innovative guitarists of his generation, and Martin Carthy remembers him raving about Thompson after their initial sessions. (Carthy himself was and is no slouch on the guitar of course, and there was even talk of getting him to join the band at this point, though they decided against it — much to the relief of rhythm guitarist Simon Nicol, who is a perfectly fine player himself but didn’t want to be outclassed by *two* of the best guitarists in Britain at the same time). And the third was that Joe Boyd told him that Fairport were doing so well — they had a single just about to hit the charts with “Si Tu Dois Partir” — that he would only have to play a dozen gigs with Fairport in order to retire. As it turned out, Swarbrick would play with the group for a decade, and would never retire — I saw him on his last tour in 2015, only eight months before he died. The drummer the group picked was also a far more experienced musician than any of the rest, though in a very different genre. Dave Mattacks had no knowledge at all of the kind of music they played, having previously been a player in dance bands. When asked by Hutchings if he wanted to join the band, Mattacks’ response was “I don’t know anything about the music. I don’t understand it… I can’t tell one tune from another, they all sound the same… but if you want me to join the group, fine, because I really like it. I’m enjoying myself musically.” Mattacks brought a new level of professionalism to the band, thanks to his different background. Nicol said of him later “He was dilligent, clean, used to taking three white shirts to a gig… The application he could bring to his playing was amazing. With us, you only played well when you were feeling well.” This distinction applied to his playing as well. Nicol would later describe the difference between Mattacks’ drumming and Lamble’s by saying “Martin’s strength was as an imaginative drummer. DM came in with a strongly developed sense of rhythm, through keeping a big band of drunken saxophone players in order. A great time-keeper.” With this new line-up and a new sense of purpose, the group did as many of their contemporaries were doing and “got their heads together in the country”. Joe Boyd rented the group a mansion, Farley House, in Farley Chamberlayne, Hampshire, and they stayed there together for three months. At the start, the group seem to have thought that they were going to make another record like Unhalfbricking, with some originals, some songs by American songwriters, and a few traditional songs. Even after their stay in Farley Chamberlayne, in fact, they recorded a few of the American songs they’d rehearsed at the start of the process, Richard Farina’s “Quiet Joys of Brotherhood” and Bob Dylan and Roger McGuinn’s “Ballad of Easy Rider”: [Excerpt: Fairport Convention, “Ballad of Easy Rider”] Indeed, the whole idea of “getting our heads together in the country” (as the cliche quickly became in the late sixties as half of the bands in Britain went through much the same kind of process as Fairport were doing — but usually for reasons more to do with drug burnout or trend following than recovering from serious life-changing trauma) seems to have been inspired by Bob Dylan and the Band getting together in Big Pink. But very quickly they decided to follow the lead of Ashley Hutchings, who had had something of a Damascene conversion to the cause of traditional English folk music. They were listening mostly to Music From Big Pink by the Band, and to the first album by Sweeney’s Men: [Excerpt: Sweeney’s Men, “The Handsome Cabin Boy”] And they decided that they were going to make something that was as English as those records were North American and Irish (though in the event there were also a few Scottish songs included on the record). Hutchings in particular was becoming something of a scholar of traditional music, regularly visiting Cecil Sharp House and having long conversations with A.L. Lloyd, discovering versions of different traditional songs he’d never encountered before. This was both amusing and bemusing Sandy Denny, who had joined a rock group in part to get away from traditional music; but she was comfortable singing the material, and knew a lot of it and could make a lot of suggestions herself. Swarbrick obviously knew the repertoire intimately, and Nicol was amenable, while Mattacks was utterly clueless about the folk tradition at this point but knew this was the music he wanted to make. Thompson knew very little about traditional music, and of all the band members except Denny he was the one who has shown the least interest in the genre in his subsequent career — but as we heard at the beginning, showing the least interest in the genre is a relative thing, and while Thompson was not hugely familiar with the genre, he *was* able to work with it, and was also more than capable of writing songs that fit in with the genre. Of the eleven songs on the album, which was titled Liege and Lief (which means, roughly, Lord and Loyalty), there were no cover versions of singer-songwriters. Eight were traditional songs, and three were originals, all written in the style of traditional songs. The album opened with “Come All Ye”, an introduction written by Denny and Hutchings (the only time the two would ever write together): [Excerpt: Fairport Convention, “Come All Ye”] The other two originals were songs where Thompson had written new lyrics to traditional melodies. On “Crazy Man Michael”, Swarbrick had said to Thompson that the tune to which he had set his new words was weaker than the lyrics, to which Thompson had replied that if Swarbrick felt that way he should feel free to write a new melody. He did, and it became the first of the small number of Thompson/Swarbrick collaborations: [Excerpt: Fairport Convention, “Crazy Man Michael”] Thompson and Swarbrick would become a brief songwriting team, but as much as anything else it was down to proximity — the two respected each other as musicians, but never got on very well. In 1981 Swarbrick would say “Richard and I never got on in the early days of FC… we thought we did, but we never did. We composed some bloody good songs together, but it was purely on a basis of “you write that and I’ll write this, and we’ll put it together.” But we never sat down and had real good chats.” The third original on the album, and by far the most affecting, is another song where Thompson put lyrics to a traditional tune. In this case he thought he was putting the lyrics to the tune of “Willie O'Winsbury”, but he was basing it on a recording by Sweeney’s Men. The problem was that Sweeney’s Men had accidentally sung the lyrics of “Willie O'Winsbury'” to the tune of a totally different song, “Fause Foodrage”: [Excerpt: Sweeney’s Men, “Willie O’Winsbury”] Thompson took that melody, and set to it lyrics about loss and separation. Thompson has never been one to discuss the meanings of his lyrics in any great detail, and in the case of this one has said “I really don't know what it means. This song came out of a dream, and I pretty much wrote it as I dreamt it (it was the sixties), and didn't spend very long analyzing it. So interpret as you wish – or replace with your own lines.” But in the context of the traffic accident that had killed his tailor girlfriend and a bandmate, and injured most of his other bandmates, the lyrics about lonely travellers, the winding road, bruised and beaten sons, saying goodbye, and never cutting cloth, seem fairly self-explanatory: [Excerpt: Fairport Convention, “Farewell, Farewell”] The rest of the album, though, was taken up by traditional tunes. There was a long medley of four different fiddle reels; a version of “Reynardine” (a song about a seductive man — or is he a fox? Or perhaps both — which had been recorded by Swarbrick and Carthy on their most recent album); a 19th century song about a deserter saved from the firing squad by Prince Albert; and a long take on “Tam Lin”, one of the most famous pieces in the Scottish folk music canon, a song that has been adapted in different ways by everyone from the experimental noise band Current 93 to the dub poet Benjamin Zephaniah to the comics writer Grant Morrison: [Excerpt: Fairport Convention, “Tam Lin”] And “Matty Groves”, a song about a man killing his cheating wife and her lover, which actually has a surprisingly similar story to that of “1921” from another great concept album from that year, the Who’s Tommy. “Matty Groves” became an excuse for long solos and shows of instrumental virtuosity: [Excerpt: Fairport Convention, “Matty Groves”] The album was recorded in September 1969, after their return from their break in the country and a triumphal performance at the Royal Festival Hall, headlining over fellow Witchseason artists John and Beverly Martyn and Nick Drake. It became a classic of the traditional folk genre — arguably *the* classic of the traditional folk genre. In 2007 BBC Radio 2’s Folk Music Awards gave it an award for most influential folk album of all time, and while such things are hard to measure, I doubt there’s anyone with even the most cursory knowledge of British folk and folk-rock music who would not at least consider that a reasonable claim. But once again, by the time the album came out in November, the band had changed lineups yet again. There was a fundamental split in the band – on one side were Sandy Denny and Richard Thompson, whose stance was, roughly, that Liege and Lief was a great experiment and a fun thing to do once, but really the band had two first-rate songwriters in themselves, and that they should be concentrating on their own new material, not doing these old songs, good as they were. They wanted to take the form of the traditional songs and use that form for new material — they wanted to make British folk-rock, but with the emphasis on the rock side of things. Hutchings, on the other hand, was equally sure that he wanted to make traditional music and go further down the rabbit hole of antiquity. With the zeal of the convert he had gone in a couple of years from being the leader of a band who were labelled “the British Jefferson Airplane” to becoming a serious scholar of traditional folk music. Denny was tired of touring, as well — she wanted to spend more time at home with Trevor Lucas, who was sleeping with other women when she was away and making her insecure. When the time came for the group to go on a tour of Denmark, Denny decided she couldn’t make it, and Hutchings was jubilant — he decided he was going to get A.L. Lloyd into the band in her place and become a *real* folk group. Then Denny reconsidered, and Hutchings was crushed. He realised that while he had always been the leader, he wasn’t going to be able to lead the band any further in the traditionalist direction, and quit the group — but not before he was delegated by the other band members to fire Denny. Until the publication of Richard Thompson’s autobiography in 2022, every book on the group or its members said that Denny quit the band again, which was presumably a polite fiction that the band agreed, but according to Thompson “Before we flew home, we decided to fire Sandy. I don't remember who asked her to leave – it was probably Ashley, who usually did the dirty work. She was reportedly shocked that we would take that step. She may have been fragile beneath the confident facade, but she still knew her worth.” Thompson goes on to explain that the reasons for kicking her out were that “I suppose we felt that in her mind she had already left” and that “We were probably suffering from post-traumatic stress disorder, though there wasn't a name for it back then.” They had considered inviting Trevor Lucas to join the band to make Denny more comfortable, but came to the (probably correct) conclusion that while he was someone they got on well with personally, he would be another big ego in a band that already had several, and that being around Denny and Lucas’ volatile relationship would, in Thompson’s phrasing, “have not always given one a feeling of peace and stability.” Hutchings originally decided he was going to join Sweeney’s Men, but that group were falling apart, and their first rehearsal with Hutchings would also be their last as a group, with only Hutchings and guitarist and mandolin player Terry Woods left in the band. They added Woods’ wife Gay, and another couple, Tim Hart and Maddy Prior, and formed a group called Steeleye Span, a name given them by Martin Carthy. That group, like Fairport, went to “get their heads together in the country” for three months and recorded an album of electric versions of traditional songs, Hark the Village Wait, on which Mattacks and another drummer, Gerry Conway, guested as Steeleye Span didn’t at the time have their own drummer: [Excerpt: Steeleye Span, “Blackleg Miner”] Steeleye Span would go on to have a moderately successful chart career in the seventies, but by that time most of the original lineup, including Hutchings, had left — Hutchings stayed with them for a few albums, then went on to form the first of a series of bands, all called the Albion Band or variations on that name, which continue to this day. And this is something that needs to be pointed out at this point — it is impossible to follow every single individual in this narrative as they move between bands. There is enough material in the history of the British folk-rock scene that someone could do a 500 Songs-style podcast just on that, and every time someone left Fairport, or Steeleye Span, or the Albion Band, or Matthews’ Southern Comfort, or any of the other bands we have mentioned or will mention, they would go off and form another band which would then fission, and some of its members would often join one of those other bands. There was a point in the mid-1970s where the Albion Band had two original members of Fairport Convention while Fairport Convention had none. So just in order to keep the narrative anything like wieldy, I’m going to keep the narrative concentrated on the two figures from Fairport — Sandy Denny and Richard Thompson — whose work outside the group has had the most influence on the wider world of rock music more broadly, and only deal with the other members when, as they often did, their careers intersected with those two. That doesn’t mean the other members are not themselves hugely important musicians, just that their importance has been primarily to the folk side of the folk-rock genre, and so somewhat outside the scope of this podcast. While Hutchings decided to form a band that would allow him to go deeper and deeper into traditional folk music, Sandy Denny’s next venture was rather different. For a long time she had been writing far more songs than she had ever played for her bandmates, like “Nothing More”, a song that many have suggested is about Thompson: [Excerpt: Fotheringay, “Nothing More”] When Joe Boyd heard that Denny was leaving Fairport Convention, he was at first elated. Fairport’s records were being distributed by A&M in the US at that point, but Island Records was in the process of opening up a new US subsidiary which would then release all future Fairport product — *but*, as far as A&M were concerned, Sandy Denny *was* Fairport Convention. They were only interested in her. Boyd, on the other hand, loved Denny’s work intensely, but from his point of view *Richard Thompson* was Fairport Convention. If he could get Denny signed directly to A&M as a solo artist before Island started its US operations, Witchseason could get a huge advance on her first solo record, while Fairport could continue making records for Island — he’d have two lucrative acts, on different labels. Boyd went over and spoke to A&M and got an agreement in principle that they would give Denny a forty-thousand-dollar advance on her first solo album — twice what they were paying for Fairport albums. The problem was that Denny didn’t want to be a solo act. She wanted to be the lead singer of a band. She gave many reasons for this — the one she gave to many journalists was that she had seen a Judy Collins show and been impressed, but noticed that Collins’ band were definitely a “backing group”, and as she put it “But that's all they were – a backing group. I suddenly thought, If you're playing together on a stage you might as well be TOGETHER.” Most other people in her life, though, say that the main reason for her wanting to be in a band was her desire to be with her boyfriend, Trevor Lucas. Partly this was due to a genuine desire to spend more time with someone with whom she was very much in love, partly it was a fear that he would cheat on her if she was away from him for long periods of time, and part of it seems to have been Lucas’ dislike of being *too* overshadowed by his talented girlfriend — he didn’t mind acknowledging that she was a major talent, but he wanted to be thought of as at least a minor one. So instead of going solo, Denny formed Fotheringay, named after the song she had written for Fairport. This new band consisted at first of Denny on vocals and occasional piano, Lucas on vocals and rhythm guitar, and Lucas’ old Eclection bandmate Gerry Conway on drums. For a lead guitarist, they asked Richard Thompson who the best guitarist in Britain was, and he told them Albert Lee. Lee in turn brought in bass player Pat Donaldson, but this lineup of the band barely survived a fortnight. Lee *was* arguably the best guitarist in Britain, certainly a reasonable candidate if you could ever have a singular best (as indeed was Thompson himself), but he was the best *country* guitarist in Britain, and his style simply didn’t fit with Fotheringay’s folk-influenced songs. He was replaced by American guitarist Jerry Donahue, who was not anything like as proficient as Lee, but who was still very good, and fit the band’s style much better. The new group rehearsed together for a few weeks, did a quick tour, and then went into the recording studio to record their debut, self-titled, album. Joe Boyd produced the album, but admitted himself that he only paid attention to those songs he considered worthwhile — the album contained one song by Lucas, “The Ballad of Ned Kelly”, and two cover versions of American singer-songwriter material with Lucas singing lead. But everyone knew that the songs that actually *mattered* were Sandy Denny’s, and Boyd was far more interested in them, particularly the songs “The Sea” and “The Pond and the Stream”: [Excerpt: Fotheringay, “The Pond and the Stream”] Fotheringay almost immediately hit financial problems, though. While other Witchseason acts were used to touring on the cheap, all packed together in the back of a Transit van with inexpensive equipment, Trevor Lucas had ambitions of being a rock star and wanted to put together a touring production to match, with expensive transport and equipment, including a speaker system that got nicknamed “Stonehenge” — but at the same time, Denny was unhappy being on the road, and didn’t play many gigs. As well as the band itself, the Fotheringay album also featured backing vocals from a couple of other people, including Denny’s friend Linda Peters. Peters was another singer from the folk clubs, and a good one, though less well-known than Denny — at this point she had only released a couple of singles, and those singles seemed to have been as much as anything else released as a novelty. The first of those, a version of Dylan’s “You Ain’t Goin’ Nowhere” had been released as by “Paul McNeill and Linda Peters”: [Excerpt: Paul McNeill and Linda Peters, “You Ain’t Goin’ Nowhere”] But their second single, a version of John D. Loudermilk’s “You’re Taking My Bag”, was released on the tiny Page One label, owned by Larry Page, and was released under the name “Paul and Linda”, clearly with the intent of confusing particularly gullible members of the record-buying public into thinking this was the McCartneys: [Excerpt: Paul and Linda, “You’re Taking My Bag”] Peters was though more financially successful than almost anyone else in this story, as she was making a great deal of money as a session singer. She actually did another session involving most of Fotheringay around this time. Witchseason had a number of excellent songwriters on its roster, and had had some success getting covers by people like Judy Collins, but Joe Boyd thought that they might possibly do better at getting cover versions if they were performed in less idiosyncratic arrangements. Donahue, Donaldson, and Conway went into the studio to record backing tracks, and vocals were added by Peters and another session singer, who according to some sources also provided piano. They cut songs by Mike Heron of the Incredible String Band: [Excerpt: Linda Peters, “You Get Brighter”] Ed Carter, formerly of The New Nadir but by this time firmly ensconced in the Beach Boys’ touring band where he would remain for the next quarter-century: [Excerpt: Linda Peters, “I Don’t Mind”] John and Beverly Martyn, and Nick Drake: [Excerpt: Elton John, “Saturday Sun”] There are different lineups of musicians credited for those sessions in different sources, but I tend to believe that it’s mostly Fotheringay for the simple reason that Donahue says it was him, Donaldson and Conway who talked Lucas and Denny into the mistake that destroyed Fotheringay because of these sessions. Fotheringay were in financial trouble already, spending far more money than they were bringing in, but their album made the top twenty and they were getting respect both from critics and from the public — in September, Sandy Denny was voted best British female singer by the readers of Melody Maker in their annual poll, which led to shocked headlines in the tabloids about how this “unknown” could have beaten such big names as Dusty Springfield and Cilla Black. Only a couple of weeks after that, they were due to headline at the Albert Hall. It should have been a triumph. But Donahue, Donaldson, and Conway had asked that singing pianist to be their support act. As Donahue said later “That was a terrible miscast. It was our fault. He asked if [he] could do it. Actually Pat, Gerry and I had to talk Sandy and Trevor into [it]… We'd done these demos and the way he was playing – he was a wonderful piano player – he was sensitive enough. We knew very little about his stage-show. We thought he'd be a really good opener for us.” Unfortunately, Elton John was rather *too* good. As Donahue continued “we had no idea what he had in mind, that he was going to do the most incredible rock & roll show ever. He pretty much blew us off the stage before we even got on the stage.” To make matters worse, Fotheringay’s set, which was mostly comprised of new material, was underrehearsed and sloppy, and from that point on no matter what they did people were counting the hours until the band split up. They struggled along for a while though, and started working on a second record, with Boyd again producing, though as Boyd later said “I probably shouldn't have been producing the record. My lack of respect for the group was clear, and couldn't have helped the atmosphere. We'd put out a record that had sold disappointingly, A&M was unhappy. Sandy's tracks on the first record are among the best things she ever did – the rest of it, who cares? And the artwork, Trevor's sister, was terrible. It would have been one thing if I'd been unhappy with it and it sold, and the group was working all the time, making money, but that wasn't the case … I knew what Sandy was capable of, and it was very upsetting to me.” The record would not be released for thirty-eight years: [Excerpt: Fotheringay, “Wild Mountain Thyme”] Witchseason was going badly into debt. Given all the fissioning of bands that we’ve already been talking about, Boyd had been stretched thin — he produced sixteen albums in 1970, and almost all of them lost money for the company. And he was getting more and more disillusioned with the people he was producing. He loved Beverly Martyn’s work, but had little time for her abusive husband John, who was dominating her recording and life more and more and would soon become a solo artist while making her stay at home (and stealing her ideas without giving her songwriting credit). The Incredible String Band were great, but they had recently converted to Scientology, which Boyd found annoying, and while he was working with all sorts of exciting artists like Vashti Bunyan and Nico, he was finding himself less and less important to the artists he mentored. Fairport Convention were a good example of this. After Denny and Hutchings had left the group, they’d decided to carry on as an electric folk group, performing an equal mix of originals by the Swarbrick and Thompson songwriting team and arrangements of traditional songs. The group were now far enough away from the “British Jefferson Airplane” label that they decided they didn’t need a female vocalist — and more realistically, while they’d been able to replace Judy Dyble, nobody was going to replace Sandy Denny. Though it’s rather surprising when one considers Thompson’s subsequent career that nobody seems to have thought of bringing in Denny’s friend Linda Peters, who was dating Joe Boyd at the time (as Denny had been before she met Lucas) as Denny’s replacement. Instead, they decided that Swarbrick and Thompson were going to share the vocals between them. They did, though, need a bass player to replace Hutchings. Swarbrick wanted to bring in Dave Pegg, with whom he had played in the Ian Campbell Folk Group, but the other band members initially thought the idea was a bad one. At the time, while they respected Swarbrick as a musician, they didn’t think he fully understood rock and roll yet, and they thought the idea of getting in a folkie who had played double bass rather than an electric rock bassist ridiculous. But they auditioned him to mollify Swarbrick, and found that he was exactly what they needed. As Joe Boyd later said “All those bass lines were great, Ashley invented them all, but he never could play them that well. He thought of them, but he was technically not a terrific bass player. He was a very inventive, melodic, bass player, but not a very powerful one technically. But having had the part explained to him once, Pegg was playing it better than Ashley had ever played it… In some rock bands, I think, ultimately, the bands that sound great, you can generally trace it to the bass player… it was at that point they became a great band, when they had Pegg.” The new lineup of Fairport decided to move in together, and found a former pub called the Angel, into which all the band members moved, along with their partners and children (Thompson was the only one who was single at this point) and their roadies. The group lived together quite happily, and one gets the impression that this was the period when they were most comfortable with each other, even though by this point they were a disparate group with disparate tastes, in music as in everything else. Several people have said that the only music all the band members could agree they liked at this point was the first two albums by The Band. With the departure of Hutchings from the band, Swarbrick and Thompson, as the strongest personalities and soloists, became in effect the joint leaders of the group, and they became collaborators as songwriters, trying to write new songs that were inspired by traditional music. Thompson described the process as “let’s take one line of this reel and slow it down and move it up a minor third and see what that does to it; let’s take one line of this ballad and make a whole song out of it. Chopping up the tradition to find new things to do… like a collage.” Generally speaking, Swarbrick and Thompson would sit by the fire and Swarbrick would play a melody he’d been working on, the two would work on it for a while, and Thompson would then go away and write the lyrics. This is how the two came up with songs like the nine-minute “Sloth”, a highlight of the next album, Full House, and one that would remain in Fairport’s live set for much of their career: [Excerpt: Fairport Convention, “Sloth”] “Sloth” was titled that way because Thompson and Swarbrick were working on two tunes, a slow one and a fast one, and they jokingly named them “Sloth” and “Fasth”, but the latter got renamed to “Walk Awhile”, while “Sloth” kept its working title. But by this point, Boyd and Thompson were having a lot of conflict in the studio. Boyd was never the most technical of producers — he was one of those producers whose job is to gently guide the artists in the studio and create a space for the music to flourish, rather than the Joe Meek type with an intimate technical knowledge of the studio — and as the artists he was working with gained confidence in their own work they felt they had less and less need of him. During the making of the Full House album, Thompson and Boyd, according to Boyd, clashed on everything — every time Boyd thought Thompson had done a good solo, Thompson would say to erase it and let him have another go, while every time Boyd thought Thompson could do better, Thompson would say that was the take to keep. One of their biggest clashes was over Thompson’s song “Poor Will and the Jolly Hangman”, which was originally intended for release on the album, and is included in current reissues of it: [Excerpt: Fairport Convention, “Poor Will and the Jolly Hangman”] Thompson had written that song inspired by what he thought was the unjust treatment of Alex Bramham, the driver in Fairport’s fatal car crash, by the courts — Bramham had been given a prison sentence of a few months for dangerous driving, while the group members thought he had not been at fault. Boyd thought it was one of the best things recorded for the album, but Thompson wasn’t happy with his vocal — there was one note at the top of the melody that he couldn’t quite hit — and insisted it be kept off the record, even though that meant it would be a shorter album than normal. He did this at such a late stage that early copies of the album actually had the title printed on the sleeve, but then blacked out. He now says in his autobiography “I could have persevered, double-tracked the voice, warmed up for longer – anything. It was a good track, and the record was lacking without it. When the album was re-released, the track was restored with a more confident vocal, and it has stayed there ever since.” During the sessions for Full House the group also recorded one non-album single, Thompson and Swarbrick’s “Now Be Thankful”: [Excerpt, Fairport Convention, “Now Be Thankful”] The B-side to that was a medley of two traditional tunes plus a Swarbrick original, but was given the deliberately ridiculous title “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”: [Excerpt: Fairport Convention, “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”] The B. McKenzie in the title was a reference to the comic-strip character Barry McKenzie, a stereotype drunk Australian created for Private Eye magazine by the comedian Barry Humphries (later to become better known for his Dame Edna Everage character) but the title was chosen for one reason only — to get into the Guinness Book of Records for the song with the longest title. Which they did, though they were later displaced by the industrial band Test Dept, and their song “Long Live British Democracy Which Flourishes and Is Constantly Perfected Under the Immaculate Guidance of the Great, Honourable, Generous and Correct Margaret Hilda Thatcher. She Is the Blue Sky in the Hearts of All Nations. Our People Pay Homage and Bow in Deep Respect and Gratitude to Her. The Milk of Human Kindness”. Full House got excellent reviews in the music press, with Rolling Stone saying “The music shows that England has finally gotten her own equivalent to The Band… By calling Fairport an English equivalent of the Band, I meant that they have soaked up enough of the tradition of their countryfolk that it begins to show all over, while they maintain their roots in rock.” Off the back of this, the group went on their first US tour, culminating in a series of shows at the Troubadour in LA, on the same bill as Rick Nelson, which were recorded and later released as a live album: [Excerpt: Fairport Convention, “Sloth (live)”] The Troubadour was one of the hippest venues at the time, and over their residency there the group got seen by many celebrities, some of whom joined them on stage. The first was Linda Ronstadt, who initially demurred, saying she didn’t know any of their songs. On being told they knew all of hers, she joined in with a rendition of “Silver Threads and Golden Needles”. Thompson was later asked to join Ronstadt’s backing band, who would go on to become the Eagles, but he said later of this offer “I would have hated it. I’d have hated being on the road with four or five miserable Americans — they always seem miserable. And if you see them now, they still look miserable on stage — like they don’t want to be there and they don’t like each other.” The group were also joined on stage at the Troubadour on one memorable night by some former bandmates of Pegg’s. Before joining the Ian Campbell Folk Group, Pegg had played around the Birmingham beat scene, and had been in bands with John Bonham and Robert Plant, who turned up to the Troubadour with their Led Zeppelin bandmate Jimmy Page (reports differ on whether the fourth member of Zeppelin, John Paul Jones, also came along). They all got up on stage together and jammed on songs like “Hey Joe”, “Louie Louie”, and various old Elvis tunes. The show was recorded, and the tapes are apparently still in the possession of Joe Boyd, who has said he refuses to release them in case he is murdered by the ghost of Peter Grant. According to Thompson, that night ended in a three-way drinking contest between Pegg, Bonham, and Janis Joplin, and it’s testament to how strong the drinking culture is around Fairport and the British folk scene in general that Pegg outdrank both of them. According to Thompson, Bonham was found naked by a swimming pool two days later, having missed two gigs. For all their hard rock image, Led Zeppelin were admirers of a lot of the British folk and folk-rock scene, and a few months later Sandy Denny would become the only outside vocalist ever to appear on a Led Zeppelin record when she duetted with Plant on “The Battle of Evermore” on the group’s fourth album: [Excerpt: Led Zeppelin, “The Battle of Evermore”] Denny would never actually get paid for her appearance on one of the best-selling albums of all time. That was, incidentally, not the only session that Denny was involved in around this time — she also sang on the soundtrack to a soft porn film titled Swedish Fly Girls, whose soundtrack was produced by Manfred Mann: [Excerpt: Sandy Denny, “What Will I Do With Tomorrow?”] Shortly after Fairport’s trip to America, Joe Boyd decided he was giving up on Witchseason. The company was now losing money, and he was finding himself having to produce work for more and more acts as the various bands fissioned. The only ones he really cared about were Richard Thompson, who he was finding it more and more difficult to work with, Nick Drake, who wanted to do his next album with just an acoustic guitar anyway, Sandy Denny, who he felt was wasting her talents in Fotheringay, and Mike Heron of the Incredible String Band, who was more distant since his conversion to Scientology. Boyd did make some attempts to keep the company going. On a trip to Sweden, he negotiated an agreement with the manager and publisher of a Swedish band whose songs he’d found intriguing, the Hep Stars. Boyd was going to publish their songs in the UK, and in return that publisher, Stig Anderson, would get the rights to Witchseason’s catalogue in Scandinavia — a straight swap, with no money changing hands. But before Boyd could get round to signing the paperwork, he got a better offer from Mo Ostin of Warners — Ostin wanted Boyd to come over to LA and head up Warners’ new film music department. Boyd sold Witchseason to Island Records and moved to LA with his fiancee Linda Peters, spending the next few years working on music for films like Deliverance and A Clockwork Orange, as well as making his own documentary about Jimi Hendrix, and thus missed out on getting the UK publishing rights for ABBA, and all the income that would have brought him, for no money. And it was that decision that led to the breakup of Fotheringay. Just before Christmas 1970, Fotheringay were having a difficult session, recording the track “John the Gun”: [Excerpt: Fotheringay, “John the Gun”] Boyd got frustrated and kicked everyone out of the session, and went for a meal and several drinks with Denny. He kept insisting that she should dump the band and just go solo, and then something happened that the two of them would always describe differently. She asked him if he would continue to produce her records if she went solo, and he said he would. According to Boyd’s recollection of the events, he meant that he would fly back from California at some point to produce her records. According to Denny, he told her that if she went solo he would stay in Britain and not take the job in LA. This miscommunication was only discovered after Denny told the rest of Fotheringay after the Christmas break that she was splitting the band. Jerry Donahue has described that as the worst moment of his life, and Denny felt very guilty about breaking up a band with some of her closest friends in — and then when Boyd went over to the US anyway she felt a profound betrayal. Two days before Fotheringay’s final concert, in January 1971, Sandy Denny signed a solo deal with Island records, but her first solo album would not end up produced by Joe Boyd. Instead, The North Star Grassman and the Ravens was co-produced by Denny, John Wood — the engineer who had worked with Boyd on pretty much everything he’d produced, and Richard Thompson, who had just quit Fairport Convention, though he continued living with them at the Angel, at least until a truck crashed into the building in February 1971, destroying its entire front wall and forcing them to relocate. The songs chosen for The North Star Grassman and the Ravens reflected the kind of choices Denny would make on her future albums, and her eclectic taste in music. There was, of course, the obligatory Dylan cover, and the traditional folk ballad “Blackwaterside”, but there was also a cover version of Brenda Lee’s “Let’s Jump the Broomstick”: [Excerpt: Sandy Denny, “Let’s Jump the Broomstick”] Most of the album, though, was made up of originals about various people in Denny’s life, like “Next Time Around”, about her ex-boyfriend Jackson C Frank: [Excerpt: Sandy Denny, “Next Time Around”] The album made the top forty in the UK — Denny’s only solo album to do so — and led to her once again winning the “best female singer” award in Melody Maker’s readers’ poll that year — the male singer award was won by Rod Stewart. Both Stewart and Denny appeared the next year on the London Symphony Orchestra’s all-star version of The Who’s Tommy, which had originally been intended as a vehicle for Stewart before Roger Daltrey got involved. Stewart’s role was reduced to a single song, “Pinball Wizard”, while Denny sang on “It’s a Boy”: [Excerpt: Sandy Denny, “It’s a Boy”] While Fotheringay had split up, all the band members play on The North Star Grassman and the Ravens. Guitarists Donahue and Lucas only play on a couple of the tracks, with Richard Thompson playing most of the guitar on the record. But Fotheringay’s rhythm section of Pat Donaldson and Gerry Conway play on almost every track. Another musician on the album, Ian Whiteman, would possibly have a profound effect on the future direction of Richard Thompson’s career and life. Whiteman was the former keyboard player for the mod band The Action, having joined them just before they became the blues-rock band Mighty Baby. But Mighty Baby had split up when all of the band except the lead singer had converted to Islam. Richard Thompson was on his own spiritual journey at this point, and became a Sufi – the same branch of Islam as Whiteman – soon after the session, though Thompson has said that his conversion was independent of Whiteman’s. The two did become very close and work together a lot in the mid-seventies though. Thompson had supposedly left Fairport because he was writing material that wasn’t suited to the band, but he spent more than a year after quitting the group working on sessions rather than doing anything with his own material, and these sessions tended to involve the same core group of musicians. One of the more unusual was a folk-rock supergroup called The Bunch, put together by Trevor Lucas. Richard Branson had recently bought a recording studio, and wanted a band to test it out before opening it up for commercial customers, so with this free studio time Lucas decided to record a set of fifties rock and roll covers. He gathered together Thompson, Denny, Whiteman, Ashley Hutchings, Dave Mattacks, Pat Donaldson, Gerry Conway, pianist Tony Cox, the horn section that would later form the core of the Average White Band, and Linda Peters, who had now split up with Joe Boyd and returned to the UK, and who had started dating Thompson. They recorded an album of covers of songs by Jerry Lee Lewis, the Everly Brothers, Johnny Otis and others: [Excerpt: The Bunch, “Willie and the Hand Jive”] The early seventies was a hugely productive time for this group of musicians, as they all continued playing on each other’s projects. One notable album was No Roses by Shirley Collins, which featured Thompson, Mattacks, Whiteman, Simon Nicol, Lal and Mike Waterson, and Ashley Hutchings, who was at that point married to Collins, as well as some more unusual musicians like the free jazz saxophonist Lol Coxhill: [Excerpt: Shirley Collins and the Albion Country Band, “Claudy Banks”] Collins was at the time the most respected female singer in British traditional music, and already had a substantial career including a series of important records made with her sister Dolly, work with guitarists like Davey Graham, and time spent in the 1950s collecting folk songs in the Southern US with her then partner Alan Lomax – according to Collins she did much of the actual work, but Lomax only mentioned her in a single sentence in his book on this work. Some of the same group of musicians went on to work on an album of traditional Morris dancing tunes, titled Morris On, credited to “Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield”, with Collins singing lead on two tracks: [Excerpt: Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield with Shirley Collins, “The Willow Tree”] Thompson thought that that album was the best of the various side projects he was involved in at the time, comparing it favourably to Rock On, which he thought was rather slight, saying later “Conceptually, Fairport, Ashley and myself and Sandy were developing a more fragile style of music that nobody else was particularly interested in, a British Folk Rock idea that had a logical development to it, although we all presented it our own way. Morris On was rather more true to what we were doing. Rock On was rather a retro step. I'm not sure it was lasting enough as a record but Sandy did sing really well on the Buddy Holly songs.” Hutchings used the musicians on No Roses and Morris On as the basis for his band the Albion Band, which continues to this day. Simon Nicol and Dave Mattacks both quit Fairport to join the Albion Band, though Mattacks soon returned. Nicol would not return to Fairport for several years, though, and for a long period in the mid-seventies Fairport Convention had no original members. Unfortunately, while Collins was involved in the Albion Band early on, she and Hutchings ended up divorcing, and the stress from the divorce led to Collins developing spasmodic dysphonia, a stress-related illness which makes it impossible for the sufferer to sing. She did eventually regain her vocal ability, but between 1978 and 2016 she was unable to perform at all, and lost decades of her career. Richard Thompson occasionally performed with the Albion Band early on, but he was getting stretched a little thin with all these sessions. Linda Peters said later of him “When I came back from America, he was working in Sandy’s band, and doing sessions by the score. Always with Pat Donaldson and Dave Mattacks. Richard would turn up with his guitar, one day he went along to do a session with one of those folkie lady singers — and there were Pat and DM. They all cracked. Richard smashed his amp and said “Right! No more sessions!” In 1972 he got round to releasing his first solo album, Henry the Human Fly, which featured guest appearances by Linda Peters and Sandy Denny among others: [Excerpt: Richard Thompson, “The Angels Took My Racehorse Away”] Unfortunately, while that album has later become regarded as one of the classics of its genre, at the time it was absolutely slated by the music press. The review in Melody Maker, for example, read in part “Some of Richard Thompson’s ideas sound great – which is really the saving grace of this album, because most of the music doesn’t. The tragedy is that Thompson’s “British rock music” is such an unconvincing concoction… Even the songs that do integrate rock and traditional styles of electric guitar rhythms and accordion and fiddle decoration – and also include explicit, meaningful lyrics are marred by bottle-up vocals, uninspiring guitar phrases and a general lack of conviction in performance.” Henry the Human Fly was released in the US by Warners, who had a reciprocal licensing deal with Island (and for whom Joe Boyd was working at the time, which may have had something to do with that) but according to Thompson it became the lowest-selling record that Warners ever put out (though I’ve also seen that claim made about Van Dyke Parks’ Song Cycle, another album that has later been rediscovered). Thompson was hugely depressed by this reaction, and blamed his own singing. Happily, though, by this point he and Linda had become a couple — they would marry in 1972 — and they started playing folk clubs as a duo, or sometimes in a trio with Simon Nicol. Thompson was also playing with Sandy Denny’s backing band at this point, and played on every track on her second solo album, Sandy. This album was meant to be her big commercial breakthrough, with a glamorous cover photo by David Bailey, and with a more American sound, including steel guitar by Sneaky Pete Kleinow of the Flying Burrito Brothers (whose overdubs were supervised in LA by Joe Boyd): [Excerpt: Sandy Denny, “Tomorrow is a Long Time”] The album was given a big marketing push by Island, and “Listen, Listen” was made single of the week on the Radio 1 Breakfast show: [Excerpt: Sandy Denny, “Listen, Listen”] But it did even worse than the previous album, sending her into something of a depression. Linda Thompson (as the former Linda Peters now was) said of this period “After the Sandy album, it got her down that her popularity didn't suddenly increase in leaps and bounds, and that was the start of her really fretting about the way her career was going. Things only escalated after that. People like me or Martin Carthy or Norma Waterson would think, ‘What are you on about? This is folk music.'” After Sandy’s release, Denny realised she could no longer afford to tour with a band, and so went back to performing just acoustically or on piano. The only new music to be released by either of these ex-members of Fairport Convention in 1973 was, oddly, on an album by the band they were no longer members of. After Thompson had left Fairport, the group had managed to release two whole albums with the same lineup — Swarbrick, Nicol, Pegg, and Mattacks. But then Nicol and Mattacks had both quit the band to join the Albion Band with their former bandmate Ashley Hutchings, leading to a situation where the Albion Band had two original members of Fairport plus their longtime drummer while Fairport Convention itself had no original members and was down to just Swarbrick and Pegg. Needing to fulfil their contracts, they then recruited three former members of Fotheringay — Lucas on vocals and rhythm guitar, Donahue on lead guitar, and Conway on drums. Conway was only a session player at the time, and Mattacks soon returned to the band, but Lucas and Donahue became full-time members. This new lineup of Fairport Convention released two albums in 1973, widely regarded as the group’s most inconsistent records, and on the title track of the first, “Rosie”, Richard Thompson guested on guitar, with Sandy Denny and Linda Thompson on backing vocals: [Excerpt: Fairport Convention, “Rosie”] Neither Sandy Denny nor Richard Thompson released a record themselves in 1973, but in neither case was this through the artists’ choice. The record industry was changing in the early 1970s, as we’ll see in later episodes, and was less inclined to throw good money after bad in the pursuit of art. Island Records prided itself on being a home for great artists, but it was still a business, and needed to make money. We’ll talk about the OPEC oil crisis and its effect on the music industry much more when the podcast gets to 1973, but in brief, the production of oil by the US peaked in 1970 and started to decrease, leading to them importing more and more oil from the Middle East. As a result of this, oil prices rose slowly between 1971 and 1973, then very quickly towards the end of 1973 as a result of the Arab-Israeli conflict that year. As vinyl is made of oil, suddenly producing records became much more expensive, and in this period a lot of labels decided not to release already-completed albums, until what they hoped would be a brief period of shortages passed. Both Denny and Thompson recorded albums at this point that got put to one side by Island. In the case of Thompson, it was the first album by Richard and Linda as a duo, I Want to See the Bright Lights Tonight: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Today, I Want to See the Bright Lights Tonight is widely regarded as one of the greatest albums of all time, and as one of the two masterpieces that bookended Richard and Linda’s career as a duo and their marriage. But when they recorded the album, full of Richard’s dark songs, it was the opposite of commercial. Even a song that’s more or less a boy-girl song, like “Has He Got a Friend for Me?” has lyrics like “He wouldn’t notice me passing by/I could be in the gutter, or dangling down from a tree” [Excerpt: Richard and Linda Thompson, “Has He got a Friend For Me?”] While something like “The Calvary Cross” is oblique and haunted, and seems to cast a pall over the entire album: [Excerpt: Richard and Linda Thompson, “The Calvary Cross”] The album itself had been cheap to make — it had been recorded in only a week, with Thompson bringing in musicians he knew well and had worked with a lot previously to cut the tracks as-live in only a handful of takes — but Island didn’t think it was worth releasing. The record stayed on the shelf for nearly a year after recording, until Island got a new head of A&R, Richard Williams. Williams said of the album’s release “Muff Winwood had been doing A&R, but he was more interested in production… I had a conversation with Muff as soon as I got there, and he said there are a few hangovers, some outstanding problems. And one of them was Richard Thompson. He said there’s this album we gave him the money to make — which was I Want to See the Bright Lights Tonight — and nobody’s very interested in it. Henry the Human Fly had been a bit of a commercial disappointment, and although Island was altruistic and independent and known for only recording good stuff, success was important… Either a record had to do well or somebody had to believe in it a lot. And it seemed as if neither of those things were true at that point of Richard.” Williams, though, was hugely impressed when he listened to the album. He compared Richard Thompson’s guitar playing to John Coltrane’s sax, and called Thompson “the folk poet of the rainy streets”, but also said “Linda brightened it, made it more commercial. and I thought that “Bright Lights” itself seemed a really commercial song.” The rest of the management at Island got caught up in Williams’ enthusiasm, and even decided to release the title track as a single: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Neither single nor album charted — indeed it would not be until 1991 that Richard Thompson would make a record that made the top forty in the UK — but the album got enough critical respect that Richard and Linda released two albums the year after. The first of these, Hokey Pokey, is a much more upbeat record than their previous one — Richard Thompson has called it “quite a music-hall influenced record” and cited the influence of George Formby and Harry Lauder. For once, the claim of music hall influence is audible in the music. Usually when a British musician is claimed to have a music ha

University of Texas at Austin history professor Peniel Joseph, author of "Freedom Season," talks about the pivotal events of 1963 that impacted the Civil Rights Movement in America. That year, which marked the centenary of Lincoln's Emancipation Proclamation, also saw the assassinations of President Kennedy and Mississippi civil rights activist Medgar Evers, the publication of James Baldwin's bestseller "The Fire Next Time," and the bombing of the 16th Street Baptist Church in Birmingham, Alabama, which killed 4 little girls. Learn more about your ad choices. Visit megaphone.fm/adchoices

Isaiah 40:12–26 (Listen) 12   Who has measured the waters in the hollow of his hand    and marked off the heavens with a span,  enclosed the dust of the earth in a measure    and weighed the mountains in scales    and the hills in a balance?13   Who has measured1 the Spirit of the LORD,    or what man shows him his counsel?14   Whom did he consult,    and who made him understand?  Who taught him the path of justice,    and taught him knowledge,    and showed him the way of understanding?15   Behold, the nations are like a drop from a bucket,    and are accounted as the dust on the scales;    behold, he takes up the coastlands like fine dust.16   Lebanon would not suffice for fuel,    nor are its beasts enough for a burnt offering.17   All the nations are as nothing before him,    they are accounted by him as less than nothing and emptiness. 18   To whom then will you liken God,    or what likeness compare with him?19   An idol! A craftsman casts it,    and a goldsmith overlays it with gold    and casts for it silver chains.20   He who is too impoverished for an offering    chooses wood2 that will not rot;  he seeks out a skillful craftsman    to set up an idol that will not move. 21   Do you not know? Do you not hear?    Has it not been told you from the beginning?    Have you not understood from the foundations of the earth?22   It is he who sits above the circle of the earth,    and its inhabitants are like grasshoppers;  who stretches out the heavens like a curtain,    and spreads them like a tent to dwell in;23   who brings princes to nothing,    and makes the rulers of the earth as emptiness. 24   Scarcely are they planted, scarcely sown,    scarcely has their stem taken root in the earth,  when he blows on them, and they wither,    and the tempest carries them off like stubble. 25   To whom then will you compare me,    that I should be like him? says the Holy One.26   Lift up your eyes on high and see:    who created these?  He who brings out their host by number,    calling them all by name;  by the greatness of his might    and because he is strong in power,    not one is missing. Footnotes [1] 40:13 Or has directed [2] 40:20 Or

Dean is back home in Birmingham, Michigan. Phil is at home in Los Angeles. They connect via Zoom to discuss the fire damage Dean witnessed while he was in L.A. last week, as well as his ongoing and evolving thoughts regarding Captain America: Brave New World which he caught up with on a flight. Phil […]

#238: Pinch Hit Prophet with Joe Birmingham by Taylor Berryman

University of Texas at Austin history professor Peniel Joseph, author of "Freedom Season," talks about the pivotal events of 1963 that impacted the Civil Rights Movement in America. That year, which marked the centenary of Lincoln's Emancipation Proclamation, also saw the assassinations of President Kennedy and Mississippi civil rights activist Medgar Evers, the publication of James Baldwin's bestseller "The Fire Next Time," and the bombing of the 16th Street Baptist Church in Birmingham, Alabama, which killed 4 little girls. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fight Disciples Adam Catterall and Nick Peet review the weekends action in Birmingham which saw Francisco Rodriguez do the business over a very game Galal Yafai. For more Boxing content subscribe to our channel and join the Boxing conversation.

It was a lighter weekend of action as Summer is underway in earnest, but our boys are back to go over the upset loss for a British favored flyweight and more on the "Fight Freaks Unite Recap Podcast!"Host T.J. Rives and insider Dan Rafael of his Fight Freaks Unite Substack and Newsletter are ready to go.They recap Saturday's Matchroom Boxing DAZN main event in Birmingham, EnglandFlyweight Francisco Rodriguez easily pounds Galal Yafai in a 12 round upset and wins WBC interim title by upset in Yafai's hometown. What happened here and what does it mean for the Mexican with the win? Next, a Recap of Saturday's Top Rank  ESPN+ top two bouts in Newark, New JerseyMiddleweight Vito Mielnicki Jr. W10 Kamil Gardzieli, but what does it mean for his future? Meanwhile, Middleweight Jahi Tucker decisions Lorenzo Simpson and could he be fightining Mielnicki next? NewsCanelo- Terence Crawford media tour kicks off in Riyadh on Friday and continued in NY on Sunday. Dan goes over what he liked. And, at the NY presser, Dana White introduced Max Kellerman as the first member of the broadcast team on Netflix. Max has been completely out of the public spotlight for two years since ESPN fired him. We have the latestThe IBF has ordered final heavyweight title eliminator between No. 3 Efe Ajagba and No. 4 Frank Sanchez. Both accepted their positions so if the fight happens winner is IBF mandatory for Oleksandr Usyk-Daniel Dubois 2 winner next month. Sanchez outpointed Ajaba in 2021, but both have a lot on the line in fight 2.NostalgiaJune 22, 2002 – 23 years ago Sunday – Marco Antonio Barrera W12 Erik Morales in the rematch of their epic trilogy for featherweight supremacy. Big Dan was ringside at MGM Grand. andJune 21, 2003- 22 years ago Saturday- heavyweight champ Lennox Lewis ended his hall of fame career by stopping a bloody Vitali Klitschko. And, Dan was also there that night, as well.Find the Big Fight Weekend Youtube Page for the full video reviews!And, we thank you for finding this "Fight Freaks Unite Recap" and make sure to stay with us on this feed on Apple/Spreaker/Spotify, etc.! 

Do you have pain in your life that is unresolved? Maybe a painful memory, unresolved relationship or self-inflicted wound that seems to be unusually hard to get over?There are things in our lives that can be absorbing, unresolved and unknown and yet really need the grace of God. Hebrews 9:23-26 tells us:Thus it was necessary for the copies of the heavenly things to be purified with these rites, but the heavenly things themselves with better sacrifices than these. For Christ has entered, not into holy places made with hands, which are copies of the true things, but into heaven itself, now to appear in the presence of God on our behalf.Nor was it to offer Himself repeatedly, as the high priest enters the holy places every year with blood not his own, for then He would have had to suffer repeatedly since the foundation of the world. But as it is, He has appeared once for all at the end of the ages to put away sin by the sacrifice of Himself."In the last verse of Paul Gerhard's hymn "Awake, My Heart with Gladness", we sing, "Now I am safe from evil and sin I love to scorn, for Christ again is free in glorious victory. He who is strong to save has triumphed over the grave!">>Watch on YouTube⁠The Rev. Dr. Paul F.M. Zahl is a retired Episcopal minister and author, and served as dean of Cathedral Church of the Advent in Birmingham, Alabama for 10 years. His wife is Mary, and they have 3 grown sons, all serving in ministry. Paul and Mary recently moved back to the Birmingham area.In this season of retirement, Paul is actively waiting on God to send him the work the Lord has him to do, which currently includes mentoring younger ministers, and one-on-one meetings in a ministry of encouragement.>>You can find Paul's book "Peace in the Last Third of Life - a Handbook of Hope for Boomers" on Amazon here: ⁠https://www.amazon.com/Peace-Last-Third-Life-Handbook/dp/173371667X⁠>>See the complete collection of Paul Zahl's books here: ⁠https://www.amazon.com/stores/author/B001HCV1VW/allbooks

In this episode we talk about Mrs H's solo adventure in Paris. Was it all Pokemon hunting or was there something a little more naughty? We explore how it all went, how we felt during the trip and talk a little bit about what Mr H got up to whilst Mrs H was away.  Will Mrs H bring him back a croissant, will it be too hot in Paris, will Mr H have changed the theme tune again and what happens when storm stops play? Find out all of this and more in this delightful edition of the bed hoppers podcast. Thanks for hopping into our bed! Handy links Want to come along to our 6 September social in Birmingham? Drop us a message on Swinghub, Fabswingers, X or email us at bedhoppersuk@gmail.com 

David Dunn, Professor of International Politics at the University of Birmingham on the US strikes on Iran (targeting their main nuclear enrichment facilities) and the potential for retaliation from Tehran

Start Name Artist Album Year Comments   Rockin' Robin Don Feely Pipes To Go [Organ Grinder Cassette OGP-103C]   4-48 Wurlitzer, Organ Grinder Restaurant, Portland, OR 3:32 Java Chris McPhee In The Spotlight 1999 4-29 Hybrid, Capri Theatre, Adelaide, Australia 5:49 Vaya Con Dios (May God Be With You) [Waltz] David Graham Promenade [Potomac Dance Club Series - Grosvenor GPR 21] 1986 3-14 Wurlitzer, Tower Ballroom, Blackpool 8:08 Holiday In Rio Lyn Larsen Live At The Rialto 2005 [Banda CD] 2005 3-24 Allen Lyn Larsen Signature (LL-324Q); Rialto Theatre, South Pasadena 11:14 No, Not Much! Ron Rhode Together [Roxy RP-118-CD] 2011 4-34 Wurlitzer, Shanklin Center, Groton, MA; Console from Metropolitan Theatre, Boston, MA; Core pipework from the Palace Theatre, Cleveland, OH 16:20 I Get Ideas (When I Dance With You) (aka Adios Muchachos) Bill Vlasak Music! Music! Music! [WJV Productions CD] 1996 4-42 Wurlitzer, Paramount Music Palace, Indianapolis; originally 4/20 Crawford Special, Paramount Oakland 18:49 Because You're Mine; Be My Love Hubert Selby Mr President Entertains 1976 4-16 Wurlitzer, Gaumont State Theatre, Kilburn, London 25:57 Calcutta Dave Wickerham Concert: ATOS Unconventional Convention 2021-07-10 2021 3-20 Wurlitzer + 1 virtual rank, Blackwood Performing Arts Center, Harrisville, PA 30:44 Lisboa Antigua Stephen Vincent Yamaha EL90 with Paramount 450 2018   35:17 Allegheny Moon Ken Double Great Ladies Of Song [CIC-ATOS CD] 2003 3-18 Barton, Warren Performing Arts Center, Indianapolis, IN 38:27 Rock And Roll Waltz George Wright Red, Hot, And Blue [Banda DIDX 438] 1985 Hollywood Philharmonic Organ 41:42 Li'l Darlin' Don Simmons Swinging Pipes [Gamba LP]   4-18 Wurlitzer, Oaks Park Roller Rink, Portland, OR; ex-Broadway Theatre, Portland, transplanted 1955 45:39 Jezebel; High Noon Phil Kelsall The Unforgettable [Delta Blue 63 006] 1998 3-14 Wurlitzer, Tower Ballroom, Blackpool 50:18 Young At Heart Don Baker The Birmingham [Concert Recording CR-0174]   4-20 Wurlitzer, Alabama Theatre, Birmingham, AL 54:39 One Of Those Songs [Le Bal De Madame De Mortemouille] Byron Jones My Thanks To You [CDBJ 012] 2005 3-8 Compton, Eden Grove Methodist Church Hall, Filton, Bristol 57:07 Jamaica Farewell Tom Hazleton Something To Remember You By [CVTOS CD] 1987 3-15 Marr & Colton, Thomaston Opera House, CT; Originally recorded Sept 27, 1987; Remastered for CD 2009 60:43 That's All John Seng Midnight Sessions   4-19 Howell-Wurlitzer, St. Mary of the Lake Seminary, Mundelein, IL

Danni Rose discusses the inspiration behind the seafood potato salad from her Dig In With episode, tracing its roots to her mom's throw-it-all-in-the-bowl cooking style. The chef breaks down some of the key ingredients like Duke's mayo, salad cubes, and a pinch of sugar that can elevate a potato salad to "diva" status. She dishes on growing up in Birmingham, painting a rich picture of her father's juke joint, Haywood's Place, filled with fried food, blues music, and community. She reflects on how the dual influences of her father's juke joint and her mother's church potlucks inspired her first cookbook and her mission to preserve and share Black Southern culinary traditions. The chef recounts her rise to internet stardom, fueled by a viral stuffed salmon video filmed with her last $20, and driven by a desire to make comforting, accessible food for people on a budget. Danni teases the launch of her new brands, showcasing her continued evolution as a culinary entrepreneur. Follow Food Network on Instagram: HERE Follow Jaymee Sire on Instagram: HERE Follow Danni Rose on Instagram: HERE Subscribe to Danni Rose on YouTube: HERE Watch Danni Rose's Dig In With Episode: HERE Hosted on Acast. See acast.com/privacy for more information.

In this conversation, Dylan Silver interviews Austin McMillan, a real estate investor and entrepreneur from Birmingham, Alabama. Austin shares his journey into real estate, starting from his interest in Airbnb to pivoting into midterm rentals due to regulatory changes. He discusses the opportunities in Alabama's real estate market, the transition from real estate to business ownership, and the importance of accounting and tax strategies. The conversation emphasizes the significance of networking in real estate and the considerations when choosing between real estate investments and cash-heavy businesses.   Professional Real Estate Investors - How we can help you: Investor Fuel Mastermind:  Learn more about the Investor Fuel Mastermind, including 100% deal financing, massive discounts from vendors and sponsors you're already using, our world class community of over 150 members, and SO much more here: http://www.investorfuel.com/apply   Investor Machine Marketing Partnership:  Are you looking for consistent, high quality lead generation? Investor Machine is America's #1 lead generation service professional investors. Investor Machine provides true ‘white glove' support to help you build the perfect marketing plan, then we'll execute it for you…talking and working together on an ongoing basis to help you hit YOUR goals! Learn more here: http://www.investormachine.com   Coaching with Mike Hambright:  Interested in 1 on 1 coaching with Mike Hambright? Mike coaches entrepreneurs looking to level up, build coaching or service based businesses (Mike runs multiple 7 and 8 figure a year businesses), building a coaching program and more. Learn more here: https://investorfuel.com/coachingwithmike   Attend a Vacation/Mastermind Retreat with Mike Hambright: Interested in joining a “mini-mastermind” with Mike and his private clients on an upcoming “Retreat”, either at locations like Cabo San Lucas, Napa, Park City ski trip, Yellowstone, or even at Mike's East Texas “Big H Ranch”? Learn more here: http://www.investorfuel.com/retreat   Property Insurance: Join the largest and most investor friendly property insurance provider in 2 minutes. Free to join, and insure all your flips and rentals within minutes! There is NO easier insurance provider on the planet (turn insurance on or off in 1 minute without talking to anyone!), and there's no 15-30% agent mark up through this platform!  Register here: https://myinvestorinsurance.com/   New Real Estate Investors - How we can work together: Investor Fuel Club (Coaching and Deal Partner Community): Looking to kickstart your real estate investing career? Join our one of a kind Coaching Community, Investor Fuel Club, where you'll get trained by some of the best real estate investors in America, and partner with them on deals! You don't need $ for deals…we'll partner with you and hold your hand along the way! Learn More here: http://www.investorfuel.com/club   —--------------------

In this episode, Jay and Chris discuss ways to take the stress out of leading. You'll hear some long-term tips as well as some tips to apply when life is coming at you fast. Listen in and learn how you can lead with less stress.Send us a textThanks for listening to the Great Groups Podcast. Please visit GreatGroups.org for a list of all our episodes.We'd love to hear from you! Click here for our contact form. Jay Gordon is the Small Groups Minister at The Church at Brook Hills in Birmingham, Alabama, USA. Chris Amaro is an IT professional and serves as a Small Group Leader and Elder at Brook Hills. Lifetime Show Notes Brook Hills Pages: The Church at Brook Hills, Birmingham, Alabama, USA Small Group Leader Resources Page Small Group Discipleship Resources Small Groups @ Brook Hills

Gerald Watkins, the Executive Director of Friends of Rickwood, joined 3 Man Front and recapped yesterday's action from the East-West Classic. Also, he filled us in on the future events coming to Rickwood Field and if the MLB could be back in Birmingham! See omnystudio.com/listener for privacy information.

Paul Finebaum joined 3 Man Front to remember longtime Birmingham sportswriter Rubin Grant. See omnystudio.com/listener for privacy information.

We're ready to go with another weekend of action from England to New Jersey and a former heavyweight champ is on the show, as well. It's all part of the "Big Fight Weekend Preview Podcast."Host T.J. Rives and insider Dan Rafael return with their insight and opinions.They begin with the Recap of Thursday's Ohashi Promotions card in TokyoBrian Norman booming one-punch KO of challenger Jin Sasaki, as he retains the WBO welterweight title. Norman is clearly on the rise at 147 lb. and the guys give more on his future. Briefly, on the undercard,Thanongsak Simsri gets a split decision Cristian Araneta, and wins the vacant IBF junior flyweight title.Next, a Preview of the Macthroom Boxing / DAZN main event Saturday in Birmingham, England Galal Yafai takes on Francisco Rodriguez, 12 rounds, for Yafai's WBC interim flyweight title. Yafai is more decorated as an amateur but Rodriguez has had many more fights.  Then, a Preview of the Top Rank ESPN+ top two fights Saturday in Newark, N.J. (ESPN+)Jersey's Vito Mielnicki Jr. meets Poland's. Kamil Gardzielik, 10 rounds, middleweights and in the co-feature, Jahi Tucker vs. Lorenzo Simpson, 10 rounds, middleweights. They go over both.NewsIt's official – Canelo-Crawford will be at Allegiant Stadium in Las Vegas & TKO's boxing promotion will be called Zuffa Boxing  No shock but Jamie Munguia's B sample was also positive for exogenous testosterone and the guys discuss what it means again. Jaron Ennis announces on social media that he is officially moving up to 154 lb. Dan has more and T.J. invokes "What are we doing here?!"NostalgiaThe boys wrap talking  briefly June 17, 2000 — 25 years ago on Tuesday – Shane Mosley W12 Oscar De La Hoya to win the WBC welterweight title. A huge fight that lived up to the hype. Big Dan was ringside for it all.It' all part of the "Big Fight Weekend Preview" podcast and make suret to follow/subscribe on Apple/Spreaker/Spotify, etc.!

After 20 years of incessant and persistent work-in clubs all over the world, Victor M- -has become one of Spain's top DJs and producers -whose influences have been hip-hop, funk and the house, among other styles. Pushmann, delivers techno for the mind body and soul. PUSHMANN produces a Detroitesque sound with clear and strong influence of European sound, Berlin and Birmingham. His imaginary sound is based on the fast-paced, industrial and mechanical high-octane techno. In his classic genre he delivers raw goodness to intrigue the listener and take him or her to a higher level. Power, darkness and fierceness serving the dance floor. His special attention and taste for metallic percussion and steel cavernous drums well located in front of everything, almost martia, or warlike. Also draw attention to their surgical and haunting melodies, looped and accelerated to paroxysm. Sophisticated bestiality that stuns and spreads like wildfire. As a DJ, this self-confessed lover of vinyl-and three deck performances- enjoys a refined technique after many years of selecting only the best techno, house and ghetto-techno- sessions defined as strong, energetic and vibrant. PUSHMANN is label owner on N&N Records and cuarator on Lila Session at Höhle club. PUSHMANN is working for labels like Axis, Hardgroove, Symbolism, KMS Records, Be As One, End Of Dayz, SOMA.. colaborating with artists like Ben Sims, Ken Ishii, Alexander Kowalski, Anne, Paula Cazenave, Cravo, Ritzi Lee, Jeroen Search, Head Front Panel, Dj Rush.. Tracklist via -Spotify: bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/   Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer   Keep up with SLAM: https://fanlink.tv/Slam  Keep up with Soma Records: https://linktr.ee/somarecords    For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

A full interview with Chicago White Sox pitching prospect Shane Murphy on winning Double-A Pitcher of the Week for Birmingham for two great starts last week. We talk about growing up with an older brother in pro ball as well as things he worked on over his offseason in Arizona.

This month's quiz is all things Birmingham, we talk about Your Friends & Neighbors (AppleTV)  Nina brain-farts a takeaway order, and we present Commander Lawrence the Humidity Skink - "say goodbye to dry cake blues!"Meanwhile Rob and I enjoy some cracking beers from Hogs Back down in lovely Surrey.Definitely NOT a cry for help.Additional music by SergeQuadrado, AlexiAction, Muzaproduction, Ashot-Danielyan, Julius H, RomanSenykMusic, AudioCoffee, SoundGalleryBy, Grand_Project, geoffharvey, Guitar_Obsession, Lexin_Music, AhmadMousavipour, melodyayresgriffiths, DayNigthMorning, litesaturation, 1978DARK, lemonmusicstudio, Onoychenkomusic, soundly, Darockart, Nesrality, ShidenBeatsMusic, PaoloArgento, Music_For_Videos, Boadrius, ScottishPerson, Good_B_Music, Music_Unlimited, lorenzobuczek, The_Mountain, SoundMakeIT, Onetent, Stavgag, leberchmus, Alban_Gogh, geoffharvey, nakaradaalexander - All can be found on Pixabay.Main Reclining Pair theme by Robert John Music. Contact me for details.

Tiers of comedy, redneck projects, a bad family tattoo, and discussing if gingers are black… On the net, it's a positive. ----- JOKES FOR HUMANS TOUR: ⁠⁠⁠⁠⁠⁠⁠⁠https://johncristcomedy.com/tour/⁠⁠⁠⁠⁠⁠⁠⁠ 9/19 - Grand Rapids, MI 9/20 - Fort Wayne, IN 9/21 - Paducah, KY 9/26 - North Charleston, SC 9/27 - Macon, GA 9/28 - Hiawassee, GA 10/2 - Evansville, IN 10/3 - Dayton, OH 10/4 - Peoria, IL 10/10 - Knoxville, TN 10/11 - Greenville, SC 10/16 - York, PA 10/17 - Detroit, MI 10/18 - Cleveland, OH 10/24 - Birmingham, AL 10/25 - Chattanooga, TN 11/7 - Boise, ID 11/8 - Spokane, WA 11/9 - Tacoma, WA 11/20 - Abilene, TX 11/21 - San Antonio, TX 11/22 - Tyler, TX 11/23 - Austin, TX 12/5 - Phoenix, AZ 12/6 - Santa Rosa, CA 12/7 - Redding, CA 12/11 - South Bend, IN 12/12 - Munhall, PA 12/14 - Buffalo, NY ----- Catch the full video podcast on ⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠, and follow us on social media (⁠⁠⁠⁠⁠⁠⁠⁠@netpositivepodcast⁠⁠⁠⁠⁠⁠⁠⁠) for clips, bonus content, and updates throughout the week. ----- Email us at netpositive@johncristcomedy.com ----- FOLLOW JOHN ON: ⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠ ----- SUPPORT OUR SPONSORS AG1: Get a FREE gift with your first order at https://DrinkAG1.com/netpositive to get started with AG1's Next Gen and and notice the benefits for yourself. HELLO FRESH: Get 10 FREE MEALS AND A HIGH-PROTEIN ITEM FOR LIFE with promo code NETPOSITIVE10FM at https://hellofresh.com/NETPOSITIVE10FM MANDO: Control Body Odor ANYWHERE with @shop.mando and get $5 off your Starter Pack (that's over 40% off) with promo code NETPOSITIVE at https://shopmando.com ----- PRODUCED BY: ⁠⁠⁠⁠⁠⁠⁠⁠Alex Lagos⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠Lagos Creative

“The morning, up until around lunch, is the best time of day to eat most of our calories. And in fact, there's been really great research. Even if you don't change the timing of your meals, if you make breakfast and lunch the largest meals of the day and dinner the smallest meal of the day, you lose more weight. And not only do you lose more weight, you're actually less hungry.” -Dr. Courtney Peterson  “Talk about these time intervals. Why is 14 a magic number?” -Jason Wrobel  “Typically, it takes the body about 12 to 14 hours to burn through a lot of its glycogen stores. Initially after a meal, your body's gonna be burning a lot of carbohydrates—so, glucose. It's gonna burn through a lot of the actual food in the meal, then it'll store some, burn others.” -Dr. Courtney Peterson  “Are there any scientifically reported benefits for hormone health, or managing cancer, with TRE?” -Jason Wrobel  “The area of cancer is super fascinating. Valter Longo does a lot of work in both the realms of aging and longevity, and cancer. Many years ago, he and some collaborators discovered if you fast cells or animals with cancer prior to treating the cancer with chemotherapy and radiation, you could kill tumors far more effectively.” -Dr. Courtney Peterson What if the timing of your meals mattered just as much as the food on your plate? In this episode, we're diving into the fascinating science of time-restricted eating with Dr. Courtney Peterson—one of the world's leading researchers on how aligning our meals with the body's internal clock can transform our health. A Harvard-trained scientist and Associate Professor of Nutrition Sciences at the University of Alabama at Birmingham, Dr. Peterson was the first to test early time-restricted eating in humans, and her groundbreaking work is redefining how we think about metabolism, energy, and chronic disease. If you've ever wondered if nourishment runs deeper than nutrients—that your body might be seeking harmony—then this episode will strike a chord. What we discuss in this episode: Different types of intermittent fasting: how they compare, and what benefits they offer. The science behind time-restricted eating (TRE). How TRE supports weight loss and appetite regulation. Fasting, aging, and the process of autophagy. The best time of day to consume the majority of your calories. How meal timing can influence fertility and reproductive health in women. Grazing vs. structured mealtimes: what the science shows. The intersection of cancer treatment and fasting: what emerging research reveals. Hypertrophy and intermittent fasting. How fasting influences exercise performance. Dr. Peterson's personal approach to intermittent fasting. Resources:  Courtney Peterson Profile | University of Alabama at Birmingham Click the link below to support the FISCAL Act https://switch4good.org/fiscal-act/ Share the website and get your resources here https://kidsandmilk.org/ Send us a voice message and ask a question. We want to hear from you! Switch4Good.org/podcast Dairy-Free Swaps Guide: Easy Anti-Inflammatory Meals, Recipes, and Tips https://switch4good.org/dairy-free-swaps-guide SUPPORT SWITCH4GOOD https://switch4good.org/support-us/ ★☆★ JOIN OUR PRIVATE FACEBOOK GROUP ★☆★  https://www.facebook.com/groups/podcastchat ★☆★ SWITCH4GOOD WEBSITE ★☆★ https://switch4good.org/ ★☆★ ONLINE STORE ★☆★ https://shop.switch4good.org/shop/ ★☆★ FOLLOW US ON INSTAGRAM ★☆★ https://www.instagram.com/Switch4Good/ ★☆★ LIKE US ON FACEBOOK ★☆★ https://www.facebook.com/Switch4Good/ ★☆★ FOLLOW US ON TWITTER ★☆★ https://twitter.com/Switch4GoodOrg ★☆★ AMAZON STORE ★☆★ https://www.amazon.com/shop/switch4good ★☆★ DOWNLOAD THE ABILLION APP ★☆★ https://app.abillion.com/users/switch4good

Many graduate students in psychology, counseling, and social work struggle to find their theoretical and clinical footing. As graduate students get closer to graduation, many feel under-prepared and ill-equipped to provide effective therapy to clients. Despite the differences between training in a depth-oriented model like NARM and studying traditional coursework required for a clinical degree, one student celebrates bridging these two different modes of learning to become a more confident and effective beginning therapist. On this episode of Transforming Trauma, host Emily Ruth welcomes Caleb McNaughton, a graduate student currently seeking licensure in Tennessee. The pair discuss Caleb's path that led him to enroll in the NARM Therapist Training as a graduate student. They also explore the friction that developed as Caleb began bringing back into his graduate program what he was learning in the NeuroAffective Relational Model, leading him to question, and at times push back on, his graduate school education and training. About Caleb McNaughton: Caleb McNaughton, a graduate student, is currently seeking licensure in Chattanooga, Tennessee, alongside training in complex developmental trauma. Caleb received his undergrad in Sports Management from Covenant College. After graduation, Caleb spent a year as a missionary in Mexico. It was during this time that he felt led to pursue a degree in counseling. Caleb was introduced to the Neuro Affective Relational Model (NARM) through his father Jason McNaughton and his colleague Heather Parker, both NARM Master Therapists in Birmingham, AL. To read the full show notes and discover more resources, visit https://complextraumatrainingcenter.com/transformingtrauma SPACE: SPACE is an Inner Development Program of Support and Self-Discovery for Therapists on the Personal, Interpersonal, and Transpersonal Levels offered by the Complex Trauma Training Center. This experiential learning program offers an immersive group experience designed to cultivate space for self-care, community support, and deepening vitality in our professional role as therapists. Learn more about how to join. *** The Complex Trauma Training Center: https://complextraumatrainingcenter.com View upcoming trainings: https://complextraumatrainingcenter.com/schedule/ The Complex Trauma Training Center (CTTC) is a professional organization providing clinical training, education, consultation, and mentorship for psychotherapists and mental health professionals working with individuals and communities impacted by Adverse Childhood Experiences (ACEs) and Complex Trauma (C-PTSD). CTTC provides NARM® Therapist and NARM® Master Therapist Training programs, as well as ongoing monthly groups in support of those learning NARM. CTTC offers a depth-oriented professional community for those seeking a supportive network of therapists focused on three levels of shared human experience: personal, interpersonal & transpersonal.  The Transforming Trauma podcast embodies the spirit of CTTC – best described by its three keywords: depth, connection, and heart - and offers guidance to those interested in effective, transformational trauma-informed care. We want to connect with you! Facebook @complextraumatrainingcenter Instagram @complextraumatrainingcenter LinkedIn YouTube  

Andrew and Sara Knight join us today from Idaho where they work with Campus Outreach at Boise State, known for its infamous blue football field. They are passionate about pouring into college students, a ministry they've spent the past 20 years investing into. They have 4 kids and are originally from Atlanta, Georgia. Sara and I actually first met as freshman in our sorority at the University of Georgia, over half of our lifetimes ago, and I can't wait for you to hear their insight on practical discipleship, the art of sharing our faith, and the incredible hunger for Christ they're seeing in the up and coming generation. Today we pick up with Andrew telling his own story and why they have spent their lives being intentionally engaged on college campuses.Campus Outreach started in Birmingham, AL in the late 70s when a local church wanted to have an expression of itself on a college campus. Since then, it has grown into an international ministry dedicated to helping university students follow Christ into lives of service and leadership. If you'd like to specifically engage with Campus Outreach in Boise, head to tablerock.church/college-ministry, where you can read more and make a donation to this incredible work. Social media handle: @coboise, @saralknight Link to give: https://www.tablerock.church/college-ministryShow Notes/Quotes:“The Lord impacted my life in such a deep way, I thought, I would like to be the same for someone else.”“Somewhere around 85% of students coming into college, if they have a faith, 85% are going to leave their faith between the ages of 18 and 24. And if they don't have a faith, they're going to make their faith decision by the age of 24.”“I read the Bible with people who don't go to church. And he looks up and he says - ‘You know what? I've wanted to read the Bible my entire life. And I've never had anyone to read it with.'”“I think the fact that the world is broken is very clear to everyone.” “We so much talk about both evangelism and discipleship, and we just feel like you can't have one without the other. As you're building relationships with people, you're discipling them to hear Jesus and have open ears so that they can know him.” “Evangelism is a natural part of discipleship and discipleship is a natural part of evangelism, and it's so relational.”“When I think about how I would disciple someone, I just want to do my relationship with God, I want to do Christianity with someone else. I don't just memorize a verse alone, I'm going to do it with someone else. I'm not just going to pray alone, I'm going to do it with someone else. I'm not just going to study my Bible alone, I'm going to do it with someone else…I'm going to invite them into my life.” “I think maybe the hardest thing is that ministry is mainly time, it just is. I know for myself I'm a selfish person, and so I have to die to myself to give others my time.” Verses:1 Thessalonians 2:8 1 Corinthians 3:11

In this podcast, Scott Kelly (shareholder, Birmingham) sits down with Tim Fox, the Director of Ogletree's Practice Innovation and Analytics team, to discuss the firm's new Workforce Analytics and Compliance Practice Group. Scott, who chairs the practice group, and Tim explain how the new group utilizes the firm's data analytics capabilities to help employers with compliance in a wide range of challenging areas, including equal employment opportunity, government reporting, and pay equity. They also discuss how a multidisciplinary approach enables legal and analytics professionals to collaborate in assisting employers throughout the employment life cycle, from hiring and compensation to benefits and retention.

Andy Pollin is joined by DC Defenders head coach Shannon Harris to talk about his team's road to the UFL championship this season, and their route of Birmingham in the title game. To hear the whole show, tune in live from 9:00 AM - 11:00 AM Monday-Friday. For more sports coverage, download the ESPN630 AM app, visit https://www.sportscapitoldc.com. To join the conversation, check us out on twitter @ESPN630DC and @andypollin1See omnystudio.com/listener for privacy information.

Gary W. Jones, house organist for the historic Alabama Theatre in Birmingham, joins us for summer movie and construction updates! We've seen “The Goonies,” and a “Grease” sing-a-long is on the way. Website: http://bamageeks.com Become a Bama Geeks supporter: http://www.bamageeks.com/join Available on Apple Podcasts (iTunes), Amazon, Spotify, and YouTube. Come sit a spell on the Bama Geeks Front Porch: https://www.facebook.com/groups/bamageeksfrontporch Check out and follow our socials! Facebook: https://www.facebook.com/bamageeks Instagram: https://www.instagram.com/bamageeks Twitter: https://twitter.com/bamageeks YouTube: http://www.youtube.com/@BamaGeeks TikTok: https://www.tiktok.com/@bamageeks

In this episode of The Art of Growth, Joel Hubbard and Jim Zartman sit down once again with therapist Michelle Pruett to explore “faux wisdom” in the therapy world—those phrases, concepts, and quick fixes that sound good but miss the heart of true healing. Together, they unpack how readiness, resistance, and relational depth play vital roles in transformation. They also revisit the importance of calibrated support and challenge, the misuse of trauma language, and how timing matters more than advice.

MUSICCher's 48-year-old son, Elijah Blue Allman, has been hospitalized. There have been rumors about a Katy Perry / Orlando Bloom breakup for weeks, and now "People" magazine is on the verge of calling it. People complaining about Paris Jackson having a gig on the 16th anniversary of Michael Jackson's passing, Paris opening for Incubus and Manchester Orchestra.· Turnstile bassist Franz Lyons has added fashion model to his resume. The Who's Roger Daltry has been honored with knighthood by King Charles III. https://ultimateclassicrock.com/roger-daltrey-knighted/ Back in January, when Ozzy Osbourne and the other members of Black Sabbath were honored by their hometown of Birmingham, England with the Freedom of the City award, Ozzy's wife Sharon said he plans to donate his awards and platinum discs to an exhibit that is being planned for the city. TVThe final trailer for the upcoming third season of Squid Game has been released! Remember Ariel Winter from "Modern Family", well her new gig is helping to catch perverts. The actress dressed up as a 12-year-old girl and went online for a YouTube docuseries called "SOSA Undercover". SOSA stands for Safe from Online Sex Abuse.· MOVING ON INTO MOVIE NEWS:How to Train Your Dragon earned $83 million in its first weekend of release.The live-action remake of the 2010 original animated adventure brought in another $114 million at the international box office for a major debut haul of $197.8 million. · It's not even officially summer yet, but Universal Studios is preparing for Halloween Horror Nights! · The next animated feature from Disney and Pixar has just been unveiled -- Gatto is set in Venice, Italy, follows a black cat named Nero· AND FINALLYRotten Tomatoes has a list of the best Pixar films of all time, based on rating pointsAND THAT IS YOUR CRAP ON CELEBRITIES!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.