Podcast appearances and mentions of Felix Mendelssohn

(00:00:52) Politische Themen und präzise Wortwahl gehören zur deutschen Autorin. (00:06:23) Marina Abramović ist eine der Preisträgerinnen des diesjährigen Premio Imperiale. (00:07:21) Neuer Superman-Film in Indien ohne Kussszenen. (00:08:33) Sommerserie Höhenfieber: Projekt «Musica Transalpina» erforscht, wie die Alpen Einlass fanden in Musik des 16. und 17. Jahrhunderts. (00:13:39) Felix Mendelssohn erlebte 1831 einen verregneten Sommer in den Alpen – wegen eines Vulkanausbruchs. (00:18:48) Transvestiten und Aristokratinnen – der schottische Fotograf Albert Watson zeigt in der Ausstellung «A Rome Codex» ganz unterschiedliche Facetten von Rom.

Das Feuer fällt vom Himmel: So singt der Chor in Mendelssohns Oratorium «Elias» – eine verzweifelte Geschichte um Dürre, Armut und Glauben. «Elias» könnte Mendelssohns heimliche Oper sein – so dramatisch hat er die Geschichte des Propheten aus dem Alten Testament vertont. Eine der Hauptrollen hat der Chor: Er repräsentiert das Volk, das hin und her gerissen ist zwischen seinen Göttern. Felix Mendelssohn vertont hier eine Geschichte aus dem jüdischen Teil der Bibel. Mendelssohn war selbst vom Judentum zum Christentum konvertiert, und so stellt sein Oratorium auch für ihn eine Berührung mit dem Erbe seiner Väter dar. Zeitgleich zur neuen Bühnenfassung am Opernhaus Zürich vergleichen wir fünf Aufnahmen des Oratoriums in deutscher und englischer Sprache. Gäste von Jenny Berg sind der Sänger René Perler und die Dirigentin Lena-Lisa Wüstendörfer.

Felix Mendelssohn - Symphony No. 4 "Italian": 1st movementSlovak Philharmonic OrchestraAnthony Bramall, conductorMore info about today's track: Naxos 8.550055Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

This Day in Legal History: Federal Housing AdministrationOn June 27, 1934, the Federal Housing Administration (FHA) was created through the National Housing Act, marking a major shift in the federal government's role in the housing market. The FHA was designed to address the housing crisis of the Great Depression, when foreclosures were rampant and private lenders were reluctant to issue long-term mortgages. By insuring loans made by private lenders, the FHA significantly reduced the risk of default, making it easier and more affordable for Americans to buy homes.The FHA introduced standardized, amortized 20- and 30-year mortgages—innovations that quickly became industry norms. These reforms expanded access to home financing for middle-class families and jump-started suburban development. However, the agency's early policies also entrenched racial segregation through redlining, where predominantly Black neighborhoods were systematically denied FHA-backed loans.While the FHA has since evolved and is now part of the Department of Housing and Urban Development (HUD), its legacy is a mix of increased homeownership and the deepening of racial disparities in wealth and housing. The legal framework it helped establish continues to shape U.S. housing policy today, making it a pivotal moment in both real estate law and civil rights history. Retired U.S. Supreme Court Justice Anthony Kennedy voiced alarm over the state of American political discourse during a recent international judicial forum, warning that the tone of current debates poses a threat to democracy and freedom. Speaking without directly referencing President Trump, Kennedy criticized the rise of identity politics and emphasized that civil discourse should be about issues, not partisan affiliations. He argued that judges are essential to a functioning democracy and must be protected—both physically and in terms of public respect.Other speakers, including South African jurist Richard Goldstone and U.S. District Judge Esther Salas, echoed Kennedy's concerns. Goldstone condemned personal attacks on judges who ruled against the current administration, while Salas highlighted the growing danger judges face, referencing her own experience with targeted violence and the record-high levels of threats now being reported in the U.S.The event underscored a growing consensus among jurists worldwide: that political attacks on the judiciary undermine democratic institutions and risk eroding the rule of law.Retired US Supreme Court Justice Kennedy warns 'freedom is at risk' | ReutersA federal judge has rejected a joint attempt by Ripple Labs and the U.S. Securities and Exchange Commission (SEC) to finalize a reduced settlement in their long-running legal battle over unregistered XRP token sales. U.S. District Judge Analisa Torres criticized both parties for proposing a $50 million fine in lieu of a previously imposed $125 million penalty and for attempting to nullify a permanent injunction she had ordered.Judge Torres ruled in 2023 that Ripple's public XRP sales weren't securities, but $728 million in sales to institutional investors violated federal securities laws. While both sides appealed, they later proposed to settle—if the court would cancel the injunction and approve the reduced fine. Torres refused, stating they lacked authority to override a court's final judgment involving a violation of congressional statute.She emphasized that exceptional circumstances justifying the request were not present and that vacating a permanent injunction would undermine the public interest and the administration of justice. The SEC and Ripple still have the option to continue their appeals or drop them entirely.The case is notable amid a broader shift under President Trump's second term, during which the SEC has dropped several high-profile crypto enforcement actions. XRP remains one of the top cryptocurrencies by market value.SEC, Ripple wants to settle crypto lawsuit, but US judge rebuffs them | ReutersThe Supreme Court allowed the Trump administration to move forward with its plan to end automatic birthright citizenship by narrowing the scope of judicial injunctions. Previously, lower courts had issued nationwide injunctions blocking the policy, but the Court ruled these injunctions should apply only to the parties involved in the lawsuits. This means that the policy can now proceed in most states, except those like New Hampshire where separate legal challenges remain in effect. The Court's decision followed ideological lines, with the conservative majority backing the administration and liberal justices dissenting. Justice Amy Coney Barrett, writing for the majority, emphasized that courts must not overreach their authority even when they find executive actions unlawful. In contrast, Justice Ketanji Brown Jackson warned the ruling could erode the rule of law by allowing inconsistent application of federal policy across states.The ruling does not address the constitutionality of ending birthright citizenship, leaving that question open for future litigation. The Trump administration's executive order, issued on January 20, 2025, reinterprets the 14th Amendment's Citizenship Clause to exclude children born in the U.S. to non-citizen or non-resident parents. This reinterpretation challenges the longstanding understanding established by the 1898 Supreme Court case United States v. Wong Kim Ark, which confirmed that nearly all individuals born on U.S. soil are citizens. The administration has argued that judges lack the authority to impose broad injunctions and that states challenging the policy lack standing. While the policy remains blocked in certain jurisdictions, the administration can now continue planning for its implementation and potentially face a patchwork of future legal challenges.Supreme Court curbs injunctions that blocked Trump's birthright citizenship planIn a piece I wrote for Forbes yesterday, the Trump administration briefly floated Section 899, a provision dubbed the “revenge tax,” as a retaliatory measure against countries imposing taxes deemed discriminatory toward U.S. companies—particularly tech giants. This measure, hidden within the broader One Big Beautiful Bill Act, proposed punitive tax increases on income earned in the U.S. by individuals and entities linked to “discriminatory foreign countries.” The policy was a response to international developments like the OECD's Pillar 2 framework and digital services taxes (DSTs), which the U.S. perceived as disproportionately targeting American firms.Section 899 would have enabled the Treasury to impose annual 5% tax hikes on everything from dividends to real estate gains, even overriding exemptions for sovereign wealth funds. What made the provision particularly aggressive was its vague triggering criteria—any foreign tax Treasury considered “unfair” could activate the penalties, without congressional oversight.Despite its bold intent, Section 899 was ultimately abandoned. It generated concern among investors and foreign governments alike, with critics warning it would destabilize capital markets and act as an unofficial sanctions regime. Treasury Secretary Scott Bessent eventually signaled its withdrawal, citing improved diplomatic relations. Though shelved for now, the idea may resurface if international tax disputes escalate.Section 899—The ‘Revenge Tax' That Didn't SurviveA double dose of me this week, another piece I wrote for Forbes:The Pro Codes Act, currently before Congress as H.R.4072, poses a serious threat to public access to the law by allowing private organizations to retain copyright over technical standards—even after those standards are incorporated by reference into statutes and regulations. Although pitched as a transparency measure, the bill effectively transforms enforceable legal obligations into intellectual property governed by restrictive licenses and online viewer limitations.The Act would require standards to be “publicly accessible,” but this access might mean only being able to view documents behind login walls, with no ability to download, search, or integrate them into legal or compliance tools. This is particularly troubling in areas like tax law, where these standards often form the basis for determining eligibility for deductions or credits.By commodifying access to legal standards, the Pro Codes Act would introduce a two-tiered system: well-resourced firms could pay for commercial access, while small legal clinics, nonprofits, and individuals could find themselves effectively barred from the rules they're legally obligated to follow. The result is an unequal legal landscape where justice becomes contingent on financial capacity.The bill directly undermines a key legal principle reaffirmed by the Supreme Court in 2020: laws and materials carrying the force of law cannot be copyrighted. Permitting private entities to control access to mandatory standards shifts power away from the public and toward entities seeking to monetize compliance.Pro Codes Act—Or, What If The Law Came Behind A Paywall?This week's closing theme is Variations sérieuses, Op. 54 by Felix Mendelssohn—a composer whose elegance, intellect, and structural precision made him one of the early Romantic era's brightest voices. Born into a wealthy, culturally vibrant German-Jewish family in 1809, Mendelssohn was a child prodigy whose musical maturity arrived astonishingly early. He played a pivotal role in reviving J.S. Bach's legacy and was admired for his orchestral works, choral music, and virtuosic piano writing.Composed in 1841, the Variations sérieuses reflect a side of Mendelssohn that is often overshadowed by his lighter, more lyrical pieces. Written as a contribution to a fundraising album for a monument to Beethoven, the work pays tribute to that master's weight and depth. In this set of 17 variations on a solemn original theme, Mendelssohn channels both Classical form and Romantic intensity. The variations begin introspectively but grow in technical difficulty and emotional force, culminating in a stormy, almost defiant finale.Unlike many variation sets of the time, which favored decorative flourishes, Mendelssohn's sérieuses live up to their name: they are dense, architecturally rigorous, and deeply expressive. The piece showcases his command of counterpoint, his sensitivity to dynamic contrasts, and his ability to build drama without sacrificing formal clarity. It's music that demands both interpretive depth and virtuosity—qualities that have kept it central to the serious piano repertoire for over 180 years. Mendelssohn once described music as a language too precise for words, and this piece speaks volumes in that tongue. It is a fitting and focused way to close the week.Without further ado, Variations sérieuses, Op. 54 by Felix Mendelssohn – enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Felix Mendelssohn - A Midsummer Night's Dream: OvertureSlovak Philharmonic OrchestraAnthony Bramall, conductorMore info about today's track: Naxos 8.550055Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Geniestreich eines 19-jährigen: Das ist das Streichoktett op. 7 von George Enescu aus dem Jahr 1900. Der rumänische Stargeiger und Komponist hat hier seinen Personalstil gefunden – schwelgerisch, ätherisch, aber mit dem Brodeln der beginnenden Moderne. Mit mehr als 40 Minuten Spieldauer ist das Streichoktett ein monumentales Werk geworden, das den Sinfonien des Fin de Siècle die Stirn bieten will. Heute ist es deutlich weniger bekannt als das Streichoktett von Felix Mendelssohn – aber es liegen genügend Aufnahmen für eine Diskothek vor. Gäste von Jenny Berg sind der Musikbibliothekar Markus Erni und die Geigerin Julia Schröder. Erstausstrahlung: 08.11.2021

Avui hem sentit: "Jauchzet dem Herrn alle Welt", op. 69, n

Donald Macleod traces the musical development of Fanny Hensel née Mendelssohn. Whilst Fanny's famous brother Felix Mendelssohn's career flourished, the equally talented Fanny was often held back by the conventions of the period and at times, by her own brother. Despite this, in her final years, Fanny would go on to publish her own music under her married name, Fanny Hensel. Music Featured:Das Jahr, H-U 385 Piano Quartet in A flat, H-U 55 Ferne, H-U 97 Der Fischer, H-U 85 An Suleika, H-U 148 Mailied, H-U 122 Piano Sonata in C minor, H-U 128 Prelude in G, H-U 243 Der Rosenkranz, H-U 168 Ostersonate, piano sonata in A, H-U 235 Am Flusse, H-U 204 Harfners Lied, H-U 162 Deinem Blick mich zu bequemen, H-U 151 Sonata o Fantasia, H-U 238 Hiob, H-U 258 Oratorio on words from the Bible, H-U 260 (Gott unser Schild) Klavierstück, in F minor H-U 302 (Allegro agitato) Hero und Leander, H-U 262 String Quartet in E flat, H-U 277 Mélodie, Op 4/5 No 4 (Lento appassionato) Overture, H-U 265 Im wunderschönen Monat Mai, H-U 323 Lobgesang, H-U 257 (Chorus: Meine Seele ist stille zu Gott) Warum sind denn die Rosen so blass, H-U 312 Gondellied, H-U 377 Capriccio in A flat, H-U 247 Aus meinen Tränen sprießen, H-U 327 Abschied von Rom, H-U 352 Die frühen Gräber, H-U 222 Dämmrung senkte sich von oben, H-U 392 Piano Trio in D minor, Op 11 Lobgesang, H-U 257 (excerpt) Im Herbste, H-U 416 Vorwulf, H-U 462 Bergeslust, H-U 466Presented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Fanny Mendelssohn (1805-1847) https://www.bbc.co.uk/programmes/m002cym9And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Avui hem sentit: Oratori "Elijah", op. 70 (primera part). Felix Mendelssohn (1809-1847) va ser un compositor prol

Avui hem sentit: "Roman

durée : 00:16:10 - Le Disque classique du jour du mardi 10 juin 2025 - Six ans après leur prix au Concours de Quatuors à cordes de Bordeaux, les jeunes musiciens du Simply Quartet se consacrent à deux œuvres de maturité : les derniers quatuors de Felix Mendelssohn et Antonín Dvorák.

durée : 00:16:10 - Le Disque classique du jour du mardi 10 juin 2025 - Six ans après leur prix au Concours de Quatuors à cordes de Bordeaux, les jeunes musiciens du Simply Quartet se consacrent à deux œuvres de maturité : les derniers quatuors de Felix Mendelssohn et Antonín Dvorák.

(00:42) Am Opernhaus in Zürich geht eine Ära zu Ende: Nach 13 Jahren verabschiedet sich Intendant Andreas Homoki mit dem Oratorium «Elias» von Felix Mendelssohn. Weitere Themen: (05:31) Die Rückkehr des Waldrapps: Gemeinschaftsprojekt bringt in Europa längst ausgerottete Vogelart zurück. (09:46) Festival Neue Musik Rümlingen in der Westschweiz: Wo Natur und Klangwelten eins werden. (13:59) Bislang unbekannter Text von Sebastian Haffner veröffentlicht: 26 Jahre nach dem Tod des deutschen Publizisten erscheint melancholischer Roman «Abschied».

Avui hem sentit: "Lass', O Herr, mich H

Avui hem sentit: "El somni d'una nit d'estiu", op. 61. Felix Mendelssohn (1809-1847) va ser un compositor prol

On this week's episode of Inside the Music, Artistic Director of Capital Region Classical Derek Delaney explores late works of Mendelssohn, including his final string quartet, written following the loss of his sister Fanny. This episode features live CRC performances by the Trio Cavatina and Modigliani Quartet.Piano Trio in C Minor, Op. 66Allegro energico e con fuocoAndante espressivoScherzo: Molto allegro quasi prestoTrio Cavatina [10/28/2009 performance]Quartet in F Minor, Op. 80Allegro vivace assaiAllegro assaiAdagioFinale: Allegro moltoModigliani Quartet [11/19/2017 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

Felix Mendelssohn is a well known and loved composer. HIs elder sister Fanny also wrote passionate music but was then unperformed and forgotten when she died in 1847, as she lived in a time when women who composed were not recognised in the same way. Her work is being rediscovered nowadays and Angela Zanders, who teaches classical music appreciation, will talk about Fanny and perform her Easter Sonata on the piano, this Saturday 7 June at 730pm. It's a free event but there is a retiring cash collection for Unicef working in Gaza. She spoke to Mike Waddington about it. See omnystudio.com/listener for privacy information.

Felix Mendelssohn - String Quartet No. 6: AdagioNew Zealand String QuartetMore info about today's track: Naxos 8.570001Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Moin! Heute wird es wieder wild! Erst spricht Herr Martinsen über 'Even in Arcadia' von Sleep Token und danach zwei Streichquartette von Felix Mendelssohn, die vom Goldmund Quartett interpretiert werden. Vergesst nicht zu liken, zu teilen und zu kommentieren!

Unfortunately I have been felled by manflu a much belittled affliction. So no Agnes Bernauer and Bavarian dukes. That will be next week.For now some completely random stories about Berliner, aka Bismarck Doughnuts for our American friends, why and where and how - featuring Felix Mendelssohn, Richard Wagner, Frederick the Great and Cato the Elder and a guy who cuts the hearts out of one age-old culinary traditions...The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

Join us to explore Felix Mendelssohn's life through 4 different aspects of life that separated him from nearly every other composer. John Banther and James Jacobs explore his life, what made him different, and enjoy a full performance of one of his iconic works too!Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

On this episode, Derek explores chamber works of Mendelssohn written at the height of his career with performances by the Doric Quartet and Trio Cavatina.Quartet in E Minor, Op. 44, No. 2Allegro assai appassionatoScherzo: Allegro di moltoDoric Quartet [2/17/2019 performance]Piano Trio in D Minor, Op. 49Molto allegro ed agitatoAndante con moto tranquilloScherzo: Leggiero e vivaceFinale: Allegro assai appassionatoTrio Cavatina [10/28/2009 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

On this week's episode of Inside the Music, Artistic Director of Capital Region Classical Derek Delaney explores Felix Mendelssohn's early works with live CRC performance by the Ébène Quartet and pianist Pei-Yao Wang and friends.Piano Quartet in C Minor, Op. 1AdagioScherzo: PrestoAllegro moderatoPei‐Yao Wang, piano; Carmit Zori, violin; Eric Nowlin, viola; Sophie Shao, cello[2/14/2010 performance]Quartet in A Minor, Op. 13Adagio non lentoIntermezzo: Allegretto con moto—Allegro di moltoPresto—Adagio non lentoÉbène Quartet [11/13/2014 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

Looking for transcripts? Click here!Where did the old episodes go?Follow us on Blue Sky! @hoteldayradioCredits and Attributions:Hotel Daydream is licensed under a ⁠Creative Commons Attribution-ShareAlike 4.0⁠ International License.Music and respective CC licenses:CC-BY-3.0Des pas sur la neige by Debussy, perf. Chiara Bertoglio (edited)Don Perez Freire by Agustin Barrios Mangore, perf. Edson Lopes (edited)Symphony No.3 in A Minor Scottish, Op. 56-II. Vivace non troppo by Felix Mendelssohn, perf. The Czech Philharmonic Orchestra (edited)All sounds were sourced from the Public Domain.

2022年5月25日心靈復興追求聚會分享：余光昭聖經：「然而，在完全的人中，我們也講智慧。但不是這世上的智慧，也不是這世上有權有位、將要敗亡之人的智慧。我們講的，乃是從前所隱藏、神奧祕的智慧，就是神在萬世以前預定使我們得榮耀的。這智慧世上有權有位的人沒有一個知道的、他們若知道，就不把榮耀的主釘在十字架上了。如經上所記：神為愛祂的人所預備的是眼睛未曾看見，耳朵未曾聽見，人心也未曾想到的。只有神藉著聖靈向我們顯明了，因為聖靈參透萬事，就是神深奧的事也參透了。」（林前二6-10）詩歌：林前二9-10詞：余光昭　曲：Felix Mendelssohn神為愛祂的人所預備的，所預備的是眼睛未曾看見，耳朵未曾聽見，人心也未曾想到的。只有神藉著聖靈向我們顯明了，向我們顯明了，因為聖靈參透萬事，就是神深奧的事也參透了，也參透了，也參透了。

«Ein Roman in vier Teilen mit himmlischer Länge» - so bezeichnete Robert Schumann die Sinfonie Nr. 8 in C-Dur von Franz Schubert. Das sinfonische Meisterwerk, auch bekannt als die «Grosse C-Dur», galt mit einer Dauer von etwa einer Stunde zu Schuberts Lebzeiten als das längste Instrumentalwerk überhaupt. Die Sinfonie beeindruckt noch heute mit ihrer epischen Länge und künstlerischen Tiefe. Ihre Entstehungsgeschichte war lange Zeit unklar: Obwohl das Manuskript das Jahr 1828, Schuberts Todesjahr, trägt, geht man davon aus, dass das Werk früher komponiert wurde. Schubert hat die Sinfonie allerdings nie gehört, sie wurde nicht aufgeführt, da sie als «unspielbar» und zu lang galt. Erst 1839 wurde sie von Robert Schumann entdeckt und im gleichen Jahr von Felix Mendelssohn im Gewandhaus Leipzig uraufgeführt. In der Diskothek stehen fünf Interpretationen von Schuberts Grosser C-Dur-Sinfonie zur Diskussion. Gäste von Eva Oertle sind die Musikpublizistin Verena Naegele und der Dirigent Manuel Oswald.

Felix Mendelssohn - Fruhlingslied (Spring Song)Joseph Banowitz, pianoarr. Franz LisztMore info about today's track: Naxos 8.553656Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Te presentamos tres compilaciones del sello Jukebox Factory. Oscuros y divertidos singles de los años 50 y 60 extraídos de las valijas del pinchadiscos y coleccionista francés El Vidocq. Los títulos hablan por sí solos. “Monster-O-Rama Vol.4”, “Bongo a Go-Go” y “Ohana Hawaiiana”.Playlist;FRANKLYN STEIN “Zotz”ARCHIE KING “The vampire”THE MAGICS Zombie walk”BILLY WARD and HIS DOMINOES “Cave man”TOMMY BRUCE “Monster Gonzalez”IGOR and THE MANIACS “The big green”MAURICE WHITE “Big bad wolf”HARLEY HATCHER ORCHESTRA “African safari pt2”THE CATALINAS “Cha Cha Joe”LUCKY MILLINDER and HIS ORCHESTRA “Bongo boogie”FRANCES FAYE “Summertime”THE INTERNATIONAL BONGO BAND “Mr Bongo man”FRANKIE BRENT “Banging on the bongo”PRESTON EPPS “B’wana bongos”THE PLAYBOYS “Hawaiian war chant”TOMMY SANDS “Hawaiian rock”FELIX MENDELSSOHN and HIS HAWAIIAN SERENADERS “My little grass shack in Kealakekua”PEREZ PRADO and HIS ORCHESTRA “Hawaiian cha cha cha”WEBLEY EDWARDS “Hukilau”FRANKIE VAUGHAN “Little kookie paradise”LOUIS ARMSTRONG and THE POLYNESIANS “On a coconut island”Escuchar audio

2021年1月1日心靈復興追求聚會分享：余光昭聖經：「你們心裡不要憂愁；你們信神，也當信我。在我父的家裡有許多住處；若是沒有，我就早已告訴你們了。我去原是為你們預備地方去。我若去為你們預備了地方，就必再來接你們到我那裡去，我在哪裡，叫你們也在那裡。」（約十四1-3）「我們卻是天上的國民，並且等候救主，就是主耶穌基督從天上降臨。祂要按著那能叫萬有歸服自己的大能，將我們這卑賤的身體改變形狀，和祂自己榮耀的身體相似。」（腓三21-21）詩歌：約十四2-3配經文：余光昭　曲：John F. Wade在我父的家裡有許多住處；若是沒有，我就早已告訴你們了。我去原是為你們預備地方去。我若去為你們預備了地方，就必再來接你們到我那裡去，我在哪裡，叫你們也在那裡。詩歌：約十四1-3配經文：余光昭　曲：Felix Mendelssohn你們心裡不要憂愁；你們信神，也當信我。在我父的家裡有許多住處；若是沒有，若是沒有，我就早已告訴你們了。我去原是為你們預備地方去。我若去為你們預備了地方，就必再來接你們到我那裡去，我在哪裡，叫你們也在那裡。詩歌：腓三20-21配經文：余光昭　曲：Felix Mendelssohn我們卻是天上的國民，並且等候救主，就是主耶穌基督從天上降臨。祂要按著那能叫萬有歸服自己的大能，將我們這卑賤的身體改變形狀，和祂自己榮耀的身體相似。祂快要提接我們到祂所預備的新居，最美麗溫暖甜美家。

2020年12月25日心靈復興追求聚會分享：余光昭聖經：「又恐怕我因所得的啟示甚大，就過於自高，所以有一根刺加在我肉體上，就是撒但的差役要攻擊我，免得我過於自高。為這事，我三次求過主，叫這刺離開我。祂對我說：『我的恩典夠你用的，因為我的能力是在人的軟弱上顯得完全。』所以，我更喜歡誇自己的軟弱，好叫基督的能力覆庇我。我為基督的緣故，就以軟弱、凌辱、急難、逼迫、困苦為可喜樂的；因我什麼時候軟弱，什麼時候就剛強了。」（林後十二7-10）「你的門閂［門閂或作鞋］是銅的，鐵的。你的日子如何，你的力量也必如何。」（申三三25）詩歌：林後十二8-10配經文：余光昭　曲：Felix Mendelssohn我的恩典夠你用的，我的恩典夠你用的，因為我的能力，因為我的能力是在人的軟弱上顯得完全，顯得完全。所以我更喜歡誇自己的軟弱，好叫基督的能力覆庇我，覆庇我。我為基督的緣故，就以軟弱、凌辱、急難、逼迫、困苦為可喜樂的；因我什麼時候軟弱，什麼時候就剛強了。詩歌：申三三25；林後十二9配經文：余光昭　曲：Hugh Wilson我的恩典夠你用的，你的日子如何，你的力量也必如何，我的恩典夠你用的。詩歌：林後十二9；申三三25；詩二三6配經文：余光昭　曲：Felix Mendelssohn你的日子如何，你的力量也必如何。我的恩典夠你用的，我的恩典夠你用的。我一生的每一天，必有恩惠慈愛隨著我，隨著我；我且要住在耶和華的殿中直到永遠，直到永遠。

2020年12月25日心靈復興追求聚會分享：余光昭聖經：「我們曉得萬事都互相效力，叫愛神的人得益處，就是按祂旨意被召的人。」（羅八28）「要常常喜樂，不住的禱告，凡事謝恩；因為這是神在基督耶穌裡向你們所定的旨意。」（帖前五16-18）「耶和華是我的牧者，我必不至缺乏……在我敵人面前，祢為我擺設筵席；祢用油膏了我的頭，使我的福杯滿溢。我一生一世必有恩惠慈愛隨著我；我且要住在耶和華的殿中，直到永遠。」（詩二三1, 5-6）詩歌：羅八28配經文、曲：余光昭我們曉得萬事都互相效力，叫愛神的人得益處，就是按祂旨意被召的人。詩歌：詩二三配經文：余光昭　曲：Felix Mendelssohn耶和華是我的牧者，我必不至缺乏。祂使我躺臥在青草地上，領我在可安歇的水邊，在可安歇的水邊。祂使我的靈魂甦醒，祂使我的靈魂甦醒，為自己的名引導我走義路。我雖然行過死蔭的幽谷，也不怕遭害，因為祢與我同在；祢的杖，祢的竿，都安慰我，安慰我。在我敵人面前，祢為我擺設筵席；在我敵人面前，祢為我擺設筵席；祢用油膏了我的頭，使我的福杯滿溢。祢用油膏了我的頭，使我的福杯滿溢。我一生一世必有恩惠慈愛隨著我，隨著我；我且要住在耶和華的殿中，直到永遠，直到永遠。

durée : 00:05:02 - Classic & Co - par : Anna Sigalevitch - .

Episodio 165En este episodio de Dirección Coral Online, exploramos la estrecha relación entre Felix y Fanny Mendelssohn, desde su infancia compartida hasta la trágica muerte de Fanny, que marcó el último año de vida de Felix. Analizamos cómo su duelo se reflejó en el *Nunc dimittis*, una de sus últimas composiciones, y su profundo significado como despedida musical.  para acceder a una lista de reproducción de las obras escuchadas en este episodio, y a las partituras analizadas podés visitar este enlace165 espero tus comentarios!

Short but very sweet.The songs sung by ancient pilgrims as they travelled from the far corners of the Jewish world to the Jerusalem temple are immortalised in this section of the Book of Psalms.These are the 'Songs of Ascent' - despite the hill on which the city was built not being the highest in Israel, the journey to Jerusalem was always 'up'.These short songs of joy have been plundered by hymn writers throughout the ages, and Felix Mendelssohn and Johann Sebastian Bach were also fans.Cue music!Written and produced by Chas Bayfield.Music by Michael Auld and Jon Hawkins Music.Cover art by Lisa Goff

Er galt vielen als Inkarnation des «Wiener Geigers». Charmant jedenfalls war er. Und einem anderen Jahrhundert entsprungen: Der 1875 in Wien geborene Fritz Kreisler. Zu seinem 150. Geburtstag am 2. Februar werfen wir einen Blick auf sein Werk. Seine Karriere machte er allerdings in Deutschland, Grossbritannien und schliesslich in den USA, wohin er 1939 emigrierte und 1962 verstarb. Auch seine Ausbildung fand er nicht in Wien, sondern in Frankreich, wo er den franko-flämischen Geigenstil erlernte, den später ein Eugène Ysaÿe prominent in die Konzertsäle tragen sollte. Wie also spielte Fritz Kreisler? Wo bewährte er sich, setzte Massstäbe allenfalls? Die Diskothek nimmt eine seiner Petitessen unter die Lupe, «Liebesleid», sowie eine Beethoven-Sonate, op. 30/3, und das e-Moll-Konzert von Felix Mendelssohn. Gäste von Benjamin Herzog sind die Geigerin Julia Schröder und der Musikbibliothekar Markus Erni. Erstausstrahlung: 02.05.2022

On the latest episode of ‘New Classical Tracks,' host Julie Amacher speaks with pianist Jeremy Denk about his latest album, recorded alongside violinist Joshua Bell and cellist Steven Isserlis, which features piano trios by Felix Mendelssohn. Listen now!

About Gaby Casadesus Born Gabrielle l'Hôte, she studied at the Paris Conservatory with Louis Diémer and Marguerite Long and was awarded the first prize in piano at age 16. She met Claude Debussy at this time, as he was the judge for one of her competitions. Gaby later won the Prix Pagès, which was the most prestigious award in France at the time for which women were eligible. In 1921, she married the pianist Robert Casadesus and with him formed the Robert and Gaby Casadesus duo. The duo made many recordings of the four-hand piano repertoire. However, Gaby was also a significant soloist. She knew Maurice Ravel, Gabriel Fauré, Florent Schmitt and Moritz Moszkowski, and her interpretations were aided by their guidance. Her repertoire also included Felix Mendelssohn, whose music she effectively championed, and the keyboard composers of the Baroque era. As a teacher, Gaby Casadesus taught in the US, at the Salzburg Mozarteum, at the Académie Maurice Ravel in Saint-Jean-de-Luz and most notably at the American Conservatoire at Fontainebleau. Among her notable pupils are Donna Amato, David Deveau, Rudy Toth, and Vladimir Valjarević. After her husband's death in 1972, she worked with Grant Johannesen and Odette Valabrègue Wurtzburger, to found the Robert Casadesus International Piano Competition which ran from 1975 to 1993. Casadesus died November 12, 1999, at age 98 in Paris. She is buried with her husband and son, Jean in Recloses, department of Seine-et-Marne. About Thereselink to buy book -- https://www.amazon.com/Robert-Gaby-Casadesus-Piano-Recital/dp/B00000DSHBCasadesus Rawson Daughter of the late French pianists Robert and Gaby Casadesus, Therese Casadesus Rawson received a Ph.D. in French language and literature from the University of Pennsylvania in 1977. She has taught French, Humanities, French Diction and French vocal repertoire to singers at the Curtis Institute of Music in Philadelphia for nearly 30 years. Besides teaching and performing—she is a soprano focusing on Bach and French repertoire--Therese Casadesus Rawson is also active as a lecturer in a variety of topics pertaining to French culture, music, literature, painting, culinary arts. She has been and continues to be involved with French or Franco-American cultural institutions. She was President of the Alliance Française de Philadelphie for nearly 10 years, and has been President of the Fontainebleau Associations for 25 years: the stateside support group which helps organize and finance the summer Music and Fine Arts program at the Château de Fontainebleau. Therese's involvement with the Fontainebleau Schools is steeped in the legacy of her famous parents, Robert and Gaby, and her brother Jean, who were themselves devoted to the Fontainebleau Schools, teaching extensively at the Conservatoire Américain (the music side of the program). Remarkably, Robert and Gaby succeeded in running the program in New England during World War II and Gaby continued to teach until her passing in 1999 at the age of 98. The French Government awarded Therese the Palmes Académiques in recognition of her teaching activities, and, in 2001, she was named to the rank of Chevalier des Arts et Lettres on account of her efforts on behalf of Franco-American cultural affairs. Meosha Bean Films on Plex https://watch.plex.tv/person/meosha-bean Shout out ATL link -https://shoutoutatlanta.com/meet-meosha-bean-filmmaker-actor/ Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

The Third Sunday after the Epiphany ORISON: Blessed Jesus, at thy word we are gathered (Tune: LIEBSTER JESU) – mel. Johann Ahle (1625-1673); harm. George Palmer (1846-1926) PSALM 19 – Plainsong, Tone III.4 HYMN: O Christ, the Word Incarnate (Tune: MUNICH) – harm. Felix Mendelssohn (1809-1847) NUNC DIMITTIS – Plainsong, Tone II; harm. John Holmes […]

These days I find myself in a pensive, troubled state, very much in need of the kind of consolation that only music can provide. A number of years ago, I published a pair of episodes featuring the sublime Margaret Price performing music of mourning and consolation. Today's episode presents an expanded and refurbished version of the second of those episodes, in a program composed entirely of art song, moving through a sequence of emotions surrounding loss. Composers include Johannes Brahms, Giuseppe Verdi, Robert Schumann, Enrique Granados, Franz Schubert, Grace Williams, Sergei Rachmaninov, Felix Mendelssohn, Philip Cannon, Hugo Wolf, Alban Berg, Maurice Ravel, Franz Liszt, Peter Cornelius, and Richard Strauss, and collaborating pianists and conductors include Claudio Abbado, Wolfgang Sawallisch, Cyprien Katsaris, Geoffrey Parsons, and Neville Marriner, as well as frequent collaborators James Lockhart and Thomas Dewey. A thorough traversal of the song repertoire by one of the supreme recitalists of the late 20th Century. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

2020年5月8日心靈復興追求聚會 分享：余光昭 聖經： 「你們查考聖經［或作：應當查考聖經］，因你們以為內中有永生；給我作見證的就是這經。然而，你們不肯到我這裡來得生命。」（約五39-40） 「求祢發出祢的亮光和真實，好引導我，帶我到祢的聖山，到祢的居所！我就走到神的祭壇，到我最喜樂的神那裡。神啊，我的神，我要彈琴稱讚祢！」（詩四三3-4） 「你每天所要獻在壇上的就是兩隻一歲的羊羔；早晨要獻這一隻，黃昏的時候要獻那一隻……這要在耶和華面前、會幕門口，作你們世世代代常獻的燔祭。我要在那裡與你們相會，和你們說話。我要在那裡與以色列人相會，會幕就要因我的榮耀成為聖。」（出二九38-39, 42-43） 詩歌：詩四三3-4 配經文：余光昭　曲：Felix Mendelssohn 求祢發出祢的亮光和真實，好引導我， 帶我到祢的聖山，到祢的居所！ 我就走到神的祭壇，到我最喜樂的神那裡。 我就走到神的祭壇，到我最喜樂的神那裡。 我的神啊，我的神，我要彈琴稱讚 祢！

2020年12月27日主日聚會 分享：余光昭 聖經： 「求祢使我們早早飽得祢的慈愛，好叫我們一生一世歡呼喜樂。」（詩九十14） 「我已將祢的名指示他們，還要指示他們，使祢所愛我的愛在他們裡面，我也在他們裡面。」（約十七26） 「我愛你們，正如父愛我一樣；你們要常在我的愛裡。」（約十五9） 「求你將我放在你心上如印記，帶在你臂上如戳記。因為愛情如死之堅強，嫉恨如陰間之殘忍；所發的電光是火焰的電光，是耶和華的烈焰。愛情，眾水不能息滅，大水也不能淹沒。若有人拿家中所有的財寶要換愛情，就全被藐視。」（歌八6-7） 「我若展開清晨的翅膀，飛到海極居住，就是在那裡，祢的手必引導我；祢的右手也必扶持我。」（詩一三九9-10） 詩歌：詩九十14 配經文：余光昭　曲：T. E. Perkins 求祢使我們早早飽得祢的慈愛， 好叫我們一生一世歡呼喜樂。 求祢使我們早早飽得祢的慈愛， 好叫我們一生一世歡呼喜樂。 詩歌：約十七26 配經文：余光昭　曲：William F. Sherwin 我已將祢的名指示他們， 還要指示他們，指示他們， 使祢所愛我的愛在他們裡面， 使祢所愛我的愛在他們裡面， 我也在他們裡面。 詩歌：約十五9 配經文：余光昭　曲：William H. Monk 我愛你們，正如父愛我一樣； 你們要常在我的愛裡。 我愛你們，正如父愛我一樣； 你們要常在我的愛裡。 詩歌：歌八6-7、七10 配經文、詞：余光昭　曲：Felix Mendelssohn 求你將我放在你心上如印記，如印記， 帶在你臂上如戳記，如戳記。 因為愛情如死之堅強，嫉恨如陰間之殘忍； 所發的電光是火焰的電光， 是耶和華的烈焰，是耶和華的烈焰。 愛情，眾水不能息滅，大水也不能淹沒。 若有人拿家中所有的財寶 要換愛情，要換愛情，就全被藐視。 我屬我的良人，祂也戀慕我。 我心無限珍貴，耶和華烈焰情愛！ 詩歌：詩一三九9-10 配經文：余光昭　曲：John Hatton 我若展開清晨的翅膀，飛到海極居住， 就是在那裡，祢的手必引導我； 祢的右手也必扶持我。

2020年12月27日主日聚會 分享：余光昭 聖經： 「我想起這事，心裡就有指望。我們不至消滅，是出於耶和華諸般的慈愛；是因祂的憐憫不至斷絕。每早晨，這都是新的；祢的誠實極其廣大！我心裡說：耶和華是我的分，因此，我要仰望祂。」（哀三21-24） 「人切候著永恆主﹑心裡尋求祂﹑永恆主必好待這人。人仰望永恆主﹐靜默等候祂的救恩﹐真好阿！人幼年時負軛﹐真好阿！」（哀三25-27，呂振中譯本） 詩歌：哀三19-21, 25-27 配經文：余光昭　曲：Felix Mendelssohn 耶和華啊，求祢記念！耶和華啊，求祢記念 我如茵蔯和苦膽的困苦窘迫。 我心想念這些，就在裡面憂悶。 我想起這事，心裡就有指望。 我想起這事，心裡就有指望。 凡等候耶和華，心裡尋求祂的， 耶和華必施恩給祂，耶和華必施恩給祂。 人仰望耶和華，靜默等候祂的救恩， 這原是好的，這原是好的。 人在幼年負軛，這原是好的。 詩歌：主對我個人的愛（神家詩歌合訂本1第16首） 詞、曲：余光昭 主對我個人的愛！甜美溫馨給盼望， 一生同享苦與甘，給我勇氣與信心。 滿足我心如活泉；願居主懷到永遠。

2020年12月27日主日聚會 分享：余光昭 聖經： 「你當倚靠耶和華而行善，住在地上，以祂的信實為糧；又要以耶和華為樂，祂就將你心裡所求的賜給你。」（詩三七3-4） 「耶和華是我的產業，是我杯中的分；我所得的，祢為我持守。用繩量給我的地界，坐落在佳美之處；我的產業實在美好。」（詩十六5-6） 詩歌：詩三七3-4 配經文：余光昭　曲：John Hatton 你當倚靠耶和華而行善， 倚靠耶和華而行善， 住在地上，以祂的信實為糧； 以祂信實為糧。 又要以耶和華為樂， 以耶和華為樂， 祂就將你心裡所求的賜給你， 心裡所求的賜給你。 詩歌：詩十六5-6 配經文：余光昭　曲：Felix Mendelssohn 耶和華是我的產業，是我杯中的分； 我所得的，祢為我持守，祢為我持守。 用繩量給我的地界，坐落在佳美之處； 我的產業實在美好，我的產業實在美好。 我的福杯滿溢，我的福杯滿溢！

Felix Mendelssohn - String Symphony No. 10Northern Chamber Orchestra Nicholas Ward, conductorMore info about today's track: Naxos 8.553163Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Felix Mendelssohn - Fantasia on The Last Rose of SummerBenjamin Frith, pianoMore info about today's track: Naxos 8.553358Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

On this week's episode of ‘New Classical Tracks,' pianist Isata Kanneh-Mason explores the music of Fanny and Felix Mendelssohn. In particular, she talks about Fanny's ‘Easter Sonata,' which was for many years thought to have been composed by her brother. Listen now!

Felix Mendelssohn - Calm Sea and Prosperous VoyageSlovak Philharmonic Orchestra Oliver von Dohnanyi, conductorMore info about today's track: Naxos 8.550222Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon