Podcasts about Early music

Send us a textIn this second episode of a three part series, my favorite cohost Ellen and I survey the development of the papacy from the eighth through the early eleventh century. Among the topics we discuss are who and what the Merovingian and Carolingian dynasties of Francia were; Pope Zacharias' legitimization of Pepin the Short's deposition of a puppet Merovingian king and his elevation to the throne; the "donation of Pepin" that created the papal states; the "Donation of Constantine," forged in the papal chancery to justify the donation of Pepin; the partnership between Charlemagne and the papacy in reforming the Western Church; Pope Leo III's coronation of Charlemagne as Emperor of the Romans on Christmas Day, 800; and how the papacy was reduced once again to being the local bishops of Rome under the control of the Roman aristocracy in the tenth century after the collapse of the Carolingian empire. This is the period that historians see as the nadir of the institution that featured some memorably bad popes, though we conclude with a few good ones under the Ottonian emperors.This episode includes audio snippets Musician Ernst Stolz playing the pilgrims' song,  "O Roma nobilis" on tenor vielle, recorder and gemshorn. From his YouTube channel "My Years with Early Music: (https://www.youtube.com/watch?v=Wf3_3065gmU)Gregorian Chant - Agnus Dei, posted by fgl music: https://www.youtube.com/watch?v=_YZI4cyBkvIListen on Podurama https://podurama.com Intro and exit music are by Alexander NakaradaIf you have questions, feel free to contact me at richard.abels54@gmail.com

Send us a textIn this first episode of a three part series, my favorite cohost Ellen and I survey the development of the papacy over its first seven centuries. I have to confess that along the way I got somewhat off topic talking about the Roman persecution of the Christians. But it is an interesting subject in itself and worth exploring, and as 31 of the first 32 popes are venerated as martyrs--some with more reason than others--it seems relevant to a discussion of the first centuries of the papacy. In this episode Ellen and I also talk about Christological disputes that divided the early Church, the position of the bishop of Rome vis-à-vis other bishops, and the papacy's relationship with the Emperor Constantine and his successors. That's my way of saying that it turned out longer than I expected. But I hope that you'll listen and enjoy it.This episode includes musician Ernst Stolz playing the pilgrims' song,  "O Roma nobilis" on tenor vielle, recorder and gemshorn. From his YouTube channel "My Years with Early Music: (https://www.youtube.com/watch?v=Wf3_3065gmU)Listen on Podurama https://podurama.com Intro and exit music are by Alexander NakaradaIf you have questions, feel free to contact me at richard.abels54@gmail.com

The early history of producing records etcetera.

Main fiction: "The Ganymede Blues" by e rathkee rathke writes about books and games at radicaledward.substack.com. A finalist for the Baen Fantasy Adventure Award and recipient of the Diverse Worlds Grant, he is the author of Glossolalia, Howl, and the space opera series The Shattered Stars. His short fiction appears in Mysterion Magazine, Cosmic Horror Monthly, and elsewhere. This story originally appeared in Luminescent Machinations: Queer Tales of Monumental Invention, Rhiannon Rasmussen & Dave Ring, eds.Narrated by: Diane Severson MoriDiane Severson Mori is a lyric soprano specializing in Early Music, specifically Baroque and medieval music and loves her work teaching people to sing. She has narrated for Escape Pod, PodCastle, Cast of Wonders, Pseudopod, and Tales to Terrify. Diane has been involved in the speculative poetry scene since 2010, she is membership chair of the Science Fiction and Fantasy Poetry Association and is a passionate promoter of genre poetry. The best place to find her is on the web because she tends to pick up and move to another country at the drop of a hat. She and her family currently reside in Buckinghamshire, England.Fact: Looking Back At Genre History by Amy H SturgisSupport this show http://supporter.acast.com/starshipsofa. Hosted on Acast. See acast.com/privacy for more information.

As part of Radio 3's European Road Trip, Hannah French is joined by musicologist and conductor Árni Heimir Ingólfsson to explore early Icelandic music - from the 13th-century poems known as “Eddas” to the influence of mainland Europe that shaped Iceland's rich sacred choral traditions, which still continue today.To listen to this programme using most smart speakers just say "Ask BBC Sounds to play The Early Music Show".

In this special episode we explore the vibrant world of the Valletta Baroque Festival with its artistic director, Kenneth Zammit Tabona. Join us as we dive into the festival's journey from its inception to its current stature as a beacon of early music. Kenneth shares personal stories of his connection to early music, the magic of unforgettable performances, and the intricate art of crafting a festival program. We also discuss the festival's impact on education and community, the challenges of growing a diverse audience, and the triumphs that make the festival a cultural gem in Malta. Tune in to uncover the passion, vision, and resilience behind one of Europe's most enchanting music festivals. https://www.festivals.mt/vbf Time codes: 00:00 Introduction   01:35 The Festival's Roots   05:35 Your Connection to Early Music   07:15 Unforgettable Moments  10:51 Crafting the Festival Program   13:41 Musical Landscape from the Old Times   20:23 Educational and Community Impact   20:56 Connecting with the Audience  my email: insightreading.enlightenment@gmail.com #podcast #earlymusicpodcast

Send us a textIn Episode 114, Patrick chats to Music Teacher Dylan McCaig about being a recent ECT, and about Early Music both within the curriculum, and as part of co-curricular activities.MTA Operations Manager Laura Bendy shares details of her new role at the MTA, as well as an important announcement.And looking towards the Music and Drama Education Expo, Patrick meets Thomas Gregory, to find out why we all need more chaos in our classrooms!Presented and produced by Patrick Johns.www.instagram.com/dylanmccaigmusichttps://www.musicteachers.org/events/mta-conference-2025/http://thomasgregory.co.ukhttp://musicanddramaeducationexpo.co.uk#CanDoMusic #GetPlaying #SaveOurSubjects © Music Teachers' Association www.musicteachers.org

Debra Nagy plays baroque oboe, and the historical performance expert is also founding director of the chamber group Les Délices. The award-winning Cleveland-based group has a reputation for performing less well-known music of the baroque era. Debra Nagy spoke with Suzanne about how she finds the music she programs for Les Délices, and the creative process that brings together research, composition in historical styles, improvisation, and artistic collaboration.

Sonic Bending Extraordinaire Frequency Control Centre joins us for this week's musings as we're checking out the specs of the new Polyend synth and pondering on whether it's up to the mark when it comes to synthesis. In the Round Robin this week we're headed for a trip down memory lane as we go back to our roots to share our origin stories, how we came into the music world and what set us on the path of production. Help Support the Channel: Patreon: https://patreon.com/audionautic Thanks to our Patrons who support what we do: Audionauts: Abby, Bendu, David Svrjcek, Josh Wittman, Paul Ledbrook, Matt Donatelli, Stephen Setzepfandt, Mike K Smith & Justin Licameli Lars Haur - Audionaut Engineer Jonathan Goode - Audionaut Producer Sunwarper: https://sunwarper.com Kh3rtis: https://kh3rtis.com

With the director of the early music department at the Royal Conservatory The Hague, Teunis van der Zwart, we discuss the challenges of making a conservatoire more diverse and inclusive safe space, as well as open to interdepartmental collaborations. Finally, we find out how the lives of students and teachers can be made safer in an institution, and look at the development of music conservatoires in general.CREDITSguest Teunis van der Zwart, Koninklijk Conservatoriuminterview & editing Darina Abloginaproduction REMAdesign Doretta Rinaldimusic"Symphony no 7 in B minor D759", Franz Schubertperformed by students from the Early Music department of the Royal Conservatoire The Hague, the Orchestra of the Eighteenth Century, conducted by Sir Roger Norrington2019

How do we tackle gender equality issues in our sector? How do we deal with problematic texts of music works? Lila Hajosi, director of Ensemble Irini and co-founder of the French network #EllesDirigent, which supports women ensemble directors, will share her views on the challenges raised by these issues and the importance of creating an atmosphere of collaboration.CREDITSguest Lila Hajosi, Ensemble Iriniinterview & editing Darina Abloginaproduction REMAdesign Doretta Rinaldimusic"Liturgie de Saint-Jean Chrysostome: Cheruvikon, Hymne des Chérubins", Anonymousperformed by Ensemble Irini2021

This episode is devoted to a guest straight from America: Karin Cuéllar Rendón, from the Early Music America network, historic Bolivian violinist, researcher and social justice advocate. Together with Darina, they will discuss issues of inclusivity and diversity in the field of early music, as well as interaction with the LGBTQI+ community and enlarging audiences, resources and funding.CREDITSguest Karin Cuéllar Rendón, Early Music Americainterview & editing Darina Abloginaproduction REMAdesign Doretta Rinaldimusic"La Primavera - Le Quattro Stagioni", Antonio Vivaldi performed by Karin Cuéllar Rendón and L'Harmonie des saisons2023Musicking Off the Cuff: Models for Early Music Improvisationperformed by Karin Cuéllar Rendón and Linda Pearse2020"Una panthera", Johannes Ciconiaperformed by CWRU Medieval Ensemble2015

Eine Spezialdiskothek im Rahmen des SRF-Schwerpunktthemas «KI und wir». Was hat Künstliche Intelligenz in der Musik zu suchen? Viel und Vielfältiges. Das zeigt die Diskothek mit KI-Experte und Musikwissenschaftler Michael Harenberg (Hochschule der Künste Bern) und Tonmeister Andreas Werner. Wir hören in der Sendung Produkten aus einfachen Anwendungen zu, die jeder bei sich auf den Computer laden kann. Musik per Knopfdruck? Nein, so einfach ist es dann doch nicht. In einem zweiten Teil tauchen wir in die erstaunlich lange Geschichte ein von Musik und Automation. Sie geht zurück bis ins Mittelalter. Teil drei nimmt sodann Werke unter die Lupe, die mit KI entstanden sind und wo KI in einen Dialog tritt mit menschlichen Künstler*innen auf oder hinter der Bühne. Musik von Jennifer Walshe, Holly Herndon, George E. Lewis oder Brian Eno. Gespielte Musik: · Tomek Kolczynski: Blue Serenade, 2024. Eigenverlag. · · Lejaren Hiller und Leonard Isaacson: Illiac-Suite, 1957. Quelle: Youtube · · Wolfgang Amadé Mozart: Musikalisches Würfelspiel. Aufnahme von Neville Marriner, Cembalo. Philips, 1991 · · David Cope/Experiments in musical intelligence: Bach-Invention Nr. 1, Chopin-Mazurka. Centaur Records, 1994. · · Holly Herndon: Proto. Album bei 4AD, 2019. · · George E Lewis: The reincarnation of blind Tom. SWR Symphonieorchester, Leitung Susanne Blumenthal. Aufnahme des SWR, 2024. · · Jennifer Walshe: Late Anthology of Early Music. Tetbind Records, 2020. · · Maxime Mantovani: Improvisation 23/03/2022, Forum IRCAM. Quelle: Youtube. · · Brian Eno, Peter Chilvers: Reflection. Apple-Download, 2017.

Marcado en un principio por John Cage, de quien incorpora la aleatoriedad y los sistemas alternativos de notación musical, el compositor norteamericano evoluciona hacia obras cada vez más extensas y minimalistas que requieren—o proponen—la suspensión del tiempo._____Has escuchadoNeither (1977) / textos de Samuel Beckett. Petra Hoffmann, soprano; Symphonieorchester des Bayerischen Rundfunks; Kwamé Ryan, director. Col Legno (2000)Patterns in a Chromatic Field (1981). Arne Deforce, violonchelo; Yutaka Oya, piano. Aeon (2008)Piece for Four Pianos (1957). David Tudor, Edwin Hymovitz, Morton Feldman, Russell Sherman, pianos. Edition RZ (2007)String Quartet II (1983). Ives Ensemble. hat[now]ART (2007)The King of Denmark (1964). Max Neuhaus, percusión. Sony (2013)_____ Selección bibliográficaBEAL, Amy C., “Time Canvasses: Morton Feldman and the Painters of the New York School”. En: Music and Modern Art. Editado por James Leggio. Routledge, 2002*BLASIUS, Leslie, “Late Feldman and the Remnants of Virtuosity”. Perspectives of New Music, vol. 42, n.º 1 (2004), pp. 32-83*BOUTWELL, Brett, “Morton Feldman's Graphic Notation: Projections and Trajectories”. Journal of the Society for American Music, vol. 6, n.º 4 (2011-2012), pp. 457-482CERVERÓ, Joan Josep, Hibridaciones entre música y pintura: la relación de Morton Feldman y Mark Rothko en Rothko Chapel. Tesis doctoral, Universitat Politècnica de València, 2017CLINE, David, The Graph Music of Morton Feldman. Cambridge University Press, 2016COSTELO, Catherine, “The Sounds of the Sounds Themselves: Analyzing the Early Music of Morton Feldman”. Perspectives of New Music, vol. 34, n.º 1 (1996), pp. 6-27*DELIO, Thomas, The Music of Morton Feldman. Greenwood Press, 1995DOHONEY, Ryan, Morton Feldman: Friendship and Mourning in the New York Avant-Garde. Bloomsbury Academic, 2022FELDMAN, Morton, Écrits et paroles. Editado por Jean-Yves Bosseur. L'Harmattan, 1998—, Give my Regards to Eighth Street: Collected Writings of Morton Feldman. Exact Change, 2000*—, Morton Feldman Says. Selected Interviews and Lectures, 1964-1987. Editado por Chris Villars. Hyphen Press, 2006—, Pensamientos verticales. Caja Negra, 2012GAREAU, Philip, La musique de Morton Feldman ou le temps en liberté. L'Harmattan, 2006JIMÉNEZ CARMONA, Susana, “Suspensiones temporales: sonido y temporalidad en Luigi Nono y Morton Feldman”. En: Musicología en el siglo XXI: nuevos retos, nuevos enfoques. Coordinado por Begoña Lola y Adela Presas. Sociedad Española de Musicología, 2018*JOHNSON, Steven, “Rothko Chapel and Rothko's Chapel”. Perspectives of New Music, vol. 32, n.º 2, (1994) pp. 6-53*JOHNSON, Steven (ed.), The New York Schools of Music and Visual Arts: John Cage, Morton Feldman, Edgard Varèse, Willem de Kooning, Jasper Johns, Robert Rauschenberg. Routledge, 2002KISSANE, Séna (ed.), Vertical Thoughts: Morton Feldman and the Visual Arts. Irish Museum of Modern Art, 2010LAWS, Catherine, Headaches among the Overtones: Music in Beckett. Rodopi, 2013NOBLE, Alistair, Composing Ambiguity: The Early Music of Morton Feldman. Ashgate Pub, 2013SAFATLE, Vladimir, “Morton Feldman comme critique de l'idéologie: expression et politique dans Rothko Chapel”. En: Expression et geste musical: actes du colloque des 8 et 9 avril 2010 à l'Institut national d'histoire de l'art de Paris. Editado por Susanne Kogler y Jean-Paul Olive. L'Harmattan, 2013*SNIJDERS, John, “That is Not Freedom, that is Taking License: The Pitfalls in Performing Morton Feldman's Graph Scores”. En: The Aesthetics of Imperfection in Music and the Arts: Spontaneity, Flaws, and the Unfinished. Editado por Andy Hamilton y Lara Pearson. Bloomsbury Publishing, 2021*VOLANS, Kevin, “What is Feldman?”. Tempo, vol. 68, n.º 270 (2014), pp. 7-14ZIMMERMANN, Walter, “Entretien avec Morton Feldman”. En: Musiques en création. Editado por Philippe Albèra. Contrechamps, 1997* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Main fiction: "Spintered/Splintering" by Rhiannon RasmussenRhiannon Rasmussen is an author and illustrator of dark speculative works, not all of which involve exoskeletons. Rhiannon's fiction has appeared in venues including Lightspeed Magazine, Diabolical Plots, and as Magic: the Gathering official web shorts. Visit rhiannonrs.com or @charibdys on Bluesky.This story first appeared, in a slightly different form, as a download via Gumroad and itch.io, 2022.Narrated by: Diane SeversonDiane Severson is a lyric soprano specializing in Early Music, specifically Baroque and medieval music and loves her work teaching people to sing. She has narrated for Escape Pod, PodCastle, Cast of Wonders, Pseudopod, and Tales to Terrify. Diane has been involved in the Speculative Poetry Scene since 2010, she is membership chair of the Science Fiction and Fantasy Poetry Association and is a passionate promoter of genre poetry. The best place to find her is on the web because she tends to pick up and move to another country at the drop of a hat. She and her family currently reside in Buckinghamshire, England.Support this show http://supporter.acast.com/starshipsofa. Hosted on Acast. See acast.com/privacy for more information.

Las músicas no occidentales forman parte del cambio producido en la música en todos sus parámetros. Entre estas puede hablarse del gagaku japonés, de las músicas chinas asociadas a las tradiciones yayue y suyue, y de las ejecutadas por etnias africanas como los pigmeos._____Has escuchadoJapon. Gagaku. Etenraku. Ono Gagaku Kaï Society, intérpretes. Ocora (1987)Pipa: “White Snow in Spring”, performed by Wu Man. YouTube Vídeo. Publicado por The Met, 1 de agosto de 2016: https://www.youtube.com/watch?v=ksiM1wRcutQCameroon. Baka Pygmy Music. Hut Song. Grabaciones de campo de Patrick Renaud y Simha Arom. Auvidis (1990)_____Selección bibliográficaAROM, Simha, African Polyphony and Polyrhythm: Musical Structure and Methodology. Cambridge University Press, 2004BRANDILY, Monique, Introduction aux musiques africaines. Actes sud, 1997COOKE, Mervyn, “Britten and the Shō”. The Musical Times, vol. 129, n.º 1743 (1988), pp. 231-233*DEMOLIN, Didier, “Les Rêveurs de la forêt: Polyphonies des Pygmées Efe de l'Ituri (Zaïre).” Cahiers de Musiques Traditionnelles, vol. 6 (1993), pp. 139-151*FELD, Steven, “Pygmy POP. A Genealogy of Schizophonic Mimesis”. Yearbook for Traditional Music, vol. 28 (1996), pp. 1-35*FÜRNISS, Susanne, “La Technique du jodel chez les pygmées aka (Centrafrique). Étude phonétique et acoustique”. Cahiers de Musiques Traditionnelles, vol. 4 (1991), pp. 167-187*—, “The Adoption of the Circumcision Ritual Bèkà by the Baka-Pygmies in Southeast Cameroon”. African Music, vol. 8, n.º 2 (2008), pp. 92-113*GARFIAS, Robert, “Gradual Modifications of the Gagaku Tradition”. Ethnomusicology, vol. 4, n.º 1 (1960), pp. 16-19*GRAUER, Victor A., “Concept, Style, and Structure in the Music of the African Pygmies and Bushmen: A Study in Cross-Cultural Analysis”. Ethnomusicology, vol. 53, n.º 3 (2009), pp. 396-424*HARRISON, LeRon James, “‘Gagaku' in Place and Practice: A Philosophical Inquiry into the Place of Japanese Imperial Court Music in Contemporary Culture”. Asian Music, vol. 48, n.º 1 (2017), pp. 4-27*HUI, Yu y Jonathan P.J. Stock (eds.), The Oxford Handbook of Music in China and the Chinese Diaspora. Oxford University Press, 2023IRLANDINI, Luigi Antonio, “Messiaen's ‘Gagaku'”. Perspectives of New Music, vol. 48, n.º 2 (2010), pp. 193-207*JINGFANG, Yuan (ed.), Comprehensive Introduction to Chinese Traditional Music. Hollitzer Wissenschafts V, 2023JONES, Stephen, “Source and Stream: Early Music and Living Traditions in China”. Early Music, vol. 24, n.º 3 (1996), pp. 375-388*KEISTER, Jay, “The Shakuhachi as Spiritual Tool: A Japanese Buddhist Instrument in the West”. Asian Music, vol. 35, n.º 2 (2004), pp. 99-131*KISLIUK, Michelle Robin, Seize the Dance!: Baaka Musical Life and the Ethnography of Performance. Oxford University Press, 1998KOUWENHOVEN, Frank, “Meaning and Structure: The Case of Chinese Qin (Zither) Music”. British Journal of Ethnomusicology, vol. 10, n.º 1 (2001), pp. 39-62*KUBIK, Gerhard (ed.), Theory of African Music. University of Chicago Press, 2010LANCASHIRE, Terence, “World Music or Japanese - The Gagaku of Tôgi Hideki”. Popular Music, vol. 22, n.º 1 (2003), pp. 21-39*LEPENDORF, Jeffrey, “Contemporary Notation for the Shakuhachi: A Primer for Composers”. Perspectives of New Music, vol. 27, n.º 2 (1989), pp. 232-251*MALM, William P., “Chinese Music in the Edo and Meiji Periods in Japan”. Asian Music, vol. 6, n.º 1/2 (1975), pp. 147-172*—, Culturas musicales del Pacífico, el Cercano Oriente y Asia. Alianza, 1985—, Japanese Music and Musical Instruments. Tuttle Publishing, 1989MYERS, John, The Way of the Pipa: Structure and Imagery in Chinese Lute Music. Kent State University Press, 1992ROUGET, Gilbert, Ethnographie Musicale: Afrique Noire, Malgache (Musique), Pygmées (Musique Des), Ethnomusicologie. Fasquelle, 1961—, “Musical efficacy: musicking to survive—the case of the pygmies”. Yearbook for Traditional Music, vol. 43 (2011), pp. 89-121*SCHAEFFNER, André, The origin of musical instruments: an ethnological introduction to the history of instrumental music. Editado y traducido por Rachelle Taylor, Ariadne Lih y Emelyn Lih. Routledge, 2020*SHEPPARD, W. Anthony, “Continuity in Composing the American Cross-Cultural: Eichheim, Cowell, and Japan”. Journal of the American Musicological Society, vol. 61, n.º 3 (2008), pp. 465-540*YUNG, Bell, “An Audience of One: The Private Music of the Chinese Literati”. Ethnomusicology, vol. 61, n.º 3 (2017), pp. 506-539* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Cory and Noah explore the surprisingly rich history of music videos made before the MTV era and ask what a music video even is.Hear new episodes a month early on Nebula: https://nebula.tv/ghost-notes12tonehttps://twitter.com/12tonevideoshttps://nebula.app/12tonehttps://www.youtube.com/c/12tonevideoshttps://www.patreon.com/12tonevideosPolyphonichttps://twitter.com/WatchPolyphonichttps://nebula.app/polyphonichttps://www.youtube.com/c/Polyphonichttps://www.patreon.com/polyphonicSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Artistic Director Patrick Dupre Quigley interviews scholar Honey Meconi about the music on Seraphic Fire's October 2024 concert, "A Brief History of Western Music." Honey Meconi is the inaugural Arthur Satz Professor at the University of Rochester, where she is also Professor of Musicology at the Eastman School of Music. She is the founding editor of the monograph series “Oxford Studies in Early Music” for Oxford University Press. She is a specialist in music before 1600, and her many publications include Hildegard of Bingen (the first English-language book on Hildegard as composer), Pierre de la Rue and Musical Life at the Habsburg-Burgundian Court, and a continually expanding series of performing editions of Hildegard's music, freely available online. Her research has been supported by Fulbright, Mellon, and NEH Fellowships as well as numerous other grants. A lifelong performer, she is co-recipient of the American Musicological Society's Noah Greenberg Award “for distinguished contribution to the study and performance of early music.” Her public musicology blog, The Choral Singer's Companion: Music History with a Soupçon of Snark, is read worldwide. Credits HostPatrick Dupre QuigleyGuestHoney Meconi Production Credits Alexis Aimé, producer Watch on YouTube

The Sackville Festival of Early Learning is celebrating 20 years of concerts and outreach events. We'll speak with one of the festival's artistic directors in just a moment.

Hannah French presents the first of two programmes of highlights from the 2023 London International Festival of Early Music, including performances from harpsichordist Jane Chapman, recorder player Erik Bosgraaf, the Wroclaw Baroque Orchestra and Ensemble Pampinea.

Hannah French presents the second of two programmes of highlights from the 2023 London International Festival of Early Music, today focusing on their support of young, up-and-coming artists. The OAE Experience Ensemble offers students the chance to play alongside seasoned professionals, and you can hear them playing music by Haydn and Mozart, as well as students from Chethams School of Music in Manchester, and London's Guildhall School of Music & Drama and the Junior Royal Academy, performing music by Telemann, Purcell and van Eyck.

Edward M. Lerner is the author of eighteen SF novels and many shorter works. The final novel in his InterstellarNet trilogy won the inaugural Canopus Award “honoring excellence in interstellar writing,” while other stories have been nominated for Locus, Prometheus, and Hugo awards. 2023 was a banner year for him, with two new novels published. Those are On the Shoals of Space-Time and Life and Death on Mars.This story originally appeared in Deco Punk, 2015.Narrated by: Diane SeversonDiane Severson is a lyric soprano specializing in Early Music, especially Baroque and medieval music. Diane has been involved in the SF Poetry Scene (yes, it's a thing) since 2010. She has narrated for StarShipSofa, and PodCastle. She produces the sporadic podcast, Poetry Planet and is a member of the Science Fiction Poetry Association. She is a staff blogger for Amazing Stories Magazine focusing on Science Fiction Poetry. The best place to find her is on the web because she tends to pick up and move to another country at the drop of a hat. She and her family currently reside in Paris.Fact: Looking Back At Genre History by Amy H SturgisSupport this show http://supporter.acast.com/starshipsofa. Hosted on Acast. See acast.com/privacy for more information.

Episode: 1232 A Neanderthal flute made from the thigh of a cave bear.  Today, the oldest musical instrument.

News, Yale historian Timothy Snyder in Prague, Summer Festivities of Early Music, interview with Sergio Almeida -Portugese cyclists' right advocate in Prague

In this special episode dedicated to the Stockholm Early Music Festival, I am delighted to speak with Artistic Director Peter Pontvik. In this conversation, we looked at topics such as: Background and origins of the festival, Peter Pontvik's personal journey as an artist and director of the ensemble Villancico, festival highlights, programming and selection process, educational initiatives, innovations in audience engagement, challenges and successes, future plans, cultural impact of the Early Music Festival on the cultural landscape of Stockholm. Follow SEMF webpage: https://www.earlymusicsweden.se Follow Peter's webpage: https://www.peterpontvik.se Discover ensemble Villancico: https://www.villancico.se/home Special thanks to the SEMF and Peter Pontvik for the invitation and making this interview possible! Discover more https://insightreadingenlightenment.carrd.co Write to us if you want to support us insightreading.enlightenment@gmail.com Yours,Darina #insightreadingenlightenment #earlymusicpodcastinsightreadingenlightenment #bach #SEMF #peterpontvik #ensemblevillancico #earlymusic #beethoven #podcast #earlymusicpodcast #darinaablogina #earlymusic #remaawards

In this episode of The Watering Hole, Rhett & Jager sat down to talk with Kody West! We talked with Kody about his early music and how that changed to new music, and what life is like on the road away from family. Huge thanks to Kody for taking some time to chat with us! Huge thank you to our sponsors for making what we do possible!Bad Brad's BBQ, Blissful RV Rentals, Iron Monk Brewing Company, CH Lonestar Promo & Tumbleweed Dancehall! Kody West https://kodywest.com Follow Us! The Watering Hole Instagram @guitarscowboyspod https://instagram.com/guitarscowboyspod?igshid=

In 1982, a group of Early Music fans founded the Connecticut Early Music Society to present an annual festival of concerts every June. They feature a repertory of European music written before about 1800 and they focus on historically-informed performance practices, including the use of period instruments. Ian Watson is Artistic Director of the CT Early Music Festival. He is also an acclaimed keyboardist with a distinguished resume. Ian Watson speaks with Suzanne about the festival and his life in music.

This week, I'm featuring a wonderful episode from the archive, with Linsey Pollak, which was recorded and released in Season 2 of this podcast, 2022. Linsey Pollak is an Australian musician who is known worldwide as a passionate and creative advocate for community music. His life has been full of unusual opportunities to explore different styles of music, and his inventiveness has spurred him to create countless instruments from found objects. In this episode you'll get to hear him play 4 different instruments in different improvisatory styles, and I'm sure that everyone will be inspired by stories from his life, describing some of his incredibly unusual, fun and beautiful collaborations and creations. I take care of all the many jobs of research, production, and publicity and I really do need the help of my listeners to keep this project going; please consider buying me a coffee through my support page which is linked to Paypal: https://ko-fi.com/leahroseman Thanks so much! You can watch this on YouTube as well, and I've linked the transcript here too: https://www.leahroseman.com/episodes/linsey-pollak Linsey Pollak website: https://linseypollak.com/ My complete catalog of episodes: https://www.leahroseman.com/about Podcast newsletter sign-up: https://mailchi.mp/ebed4a237788/podcast-newsletter photo credit: Beat Lehmann Timestamps: (00:00 Intro) (01:58) gaida music (05:10) Rafting trip, discovering Macedonian bagpipes, first trip to Macedonia (11:35) trip to Greece to study klarino with Stavros Vasthekis (13:15) discovering the Macedonian community in Australia, establishing Kulcha (17:36) Linsey's start making instruments, London and Early Music scene (23:14) busking in Europe, learning Macedonian dance, Živko Firfov Group, Destan Destanovski (31:48) importance of humour in his solo shows (33:17) duduk design and music (39:57) Linsey's early musical education and projects (41:27) developing live looping in the early 90s, his solo shows (50:30) rubber glove bagpipe (54:36) Linsey's current project going out to record in the forest with ambient sounds (his album of this music is on Bandcamp), also the frog sounds album (56:53) Dva with Tunji Beier and now Beier-Griffin-Pollak trio with Philip Griffin (58:23) Humarimba community music project (01:09:16) Paranormal Music Society Romano Crivici and Blair Greenberg, and QWERTY with Peter Rowe (01:13:47) MIDI wind controller Dangerous Song project with demonstration using animal sounds (01:33:26) Linsey's drive to create instruments and connect people, his creative process (01:37:20) Linsey's decision to stop touring outside of Australia (01:40:07) Linsey's advice --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

See pictures and read more on materiallyspeaking.comOn 15th April, 2019 a catastrophic fire broke out in Notre Dame Cathedral. Parisians watched in horror as the spire fell and most of the roof was destroyed. In the aftermath it became clear that a large area was contaminated with toxic dust and lead.The iconic building, which has dominated the Île de la Cité island in Paris since the Middle Ages, is a national symbol not only for the French but for people all over the world. President Macron pledged to build back the cathedral as it was before, and as the planned reopening in December 2024 looms, a huge office structure has mushroomed around it and 500 workers are on site daily as the team race to rebuild it.The eyes of the world are watching, but Materially Speaking has a story for our ears - the story of its sound.As a sound specialist himself, Mike Axinn was fascinated when he discovered there is a group exploring the restoration of the acoustics at Notre Dame. He approached Brian F.G. Katz and David Poirier-Quinot at the Sorbonne, and their colleague, sound archeologist Mylène Pardoen, who is co-coordinator with Brian of the scientific acoustics team assisting the reconstruction of Notre Dame, and soon we were off to Paris to hear their stories. We first met Brian and David at a restaurant and then visited their simulator inside the Sorbonne to discover more.Notre Dame has a special role in western European music's history and is generally thought of as the cradle of polyphony. Sarah was attracted to this angle as her father, Christopher Monk, was part of the Early Music movement which restored the use of the Renaissance cornett, a woodwind instrument well known in Monteverdi's music. He also made and played serpents, long snake-shaped instruments that had a central role in music that was performed in Notre Dame many centuries ago. So she approached Volny Hostiou, one of France's leading serpent players, and we were delighted when he and singer Thomas Van Essen agreed to join us in Paris for some experiments with Brian and David.We then jumped on a train to Lyon to meet with Mylène Pardoen and learn more about her work as one of the world's foremost sound archaeologists, tasked with recording the sounds made by stone masons and other artisans in their work, and re-imagining the church's soundscape at various points in its history.A key person driving the physical restoration is Pascal Prunet, Chief architect of historic monuments in France and part of the team in charge of restoring Notre-Dame. Prunet explains that their work in restoring the church has revealed many secrets about its construction and the work done by artisans. We were fortunate to hear how his team was able to discover things they never would have learned had it not been for the fire.As we obviously could not go inside Notre-Dame, Volny and Thomas then kindly arranged for us to hear them play in the Abbey of Rouen, built on a similar scale to nearby Rouen Cathedral, the abbey is famous for both its architecture and its large, unaltered Cavaillé-Coll organ. Here they talked to us about the serpent and their group Les Meslanges, showed us a serpent fresco on the ceiling of the Abbey and played in three different locations.Finally Mike takes us back to Brian and David's simulator to compare and contrast the sound of the musicians live in the Abbey of Rouen, and their simulated version of how the music would sound at different historical periods of Notre-Dame's history.Thanks also to Frédéric Ménissier who made a great video recording of our visit to the Abbaye of Rouen. You will be able to watch the result on YouTube @materiallyspeakingpodcast nearer the scheduled reopening of Notre Dame, in December 2024.Thanks and linksWe are very grateful to Brian, David, Mylène, Pascal, Volny and Thomas for giving so generously of their time and sharing their expertise and passion. You can learn more about their projects in the following links.Brian F.G. Katz & David Poirier-QuinotBrian Katz, originally from the U.S., is an acoustics specialist and leads the Sound Spaces research team. David Poirier-Quinot works with Brian and is a researcher, presently focused on sound spatialisation, perception, and room acoustics simulation for virtual and augmented realities.Beginning mid April 2024, The Past Has Ears project is launching Whispers of Notre Dame, ‘Ekko of Notre-Dame de Paris', an immersive audio guide that transports listeners through time and space to the heart of Paris's most treasured landmark. Free on Google Play, Android and iOS. It can be listened to anywhere, but is best with GPS onsite at Notre Dame.ndwhispers.pasthasears.euMylène PardoenMusicologist and soundscape archaeologist Mylène records and recreates the sounds of the past. She is a scientific expert for the restoration of Notre-Dame - Co-coordinator of the Acoustics group. She is also designer, coordinator and manager of the Bretez and ESPHAISTOSS projects.Pascal PrunetChief architect of Historic Monuments responsible for the restoration of Notre-Dame de Paris is noted for his work in the restoration of the Cathedrals of Paris, Nantes, Limoges, Nîmes, Arras and Cambrai, as well as the Opéra Garnier in Paris , Le Corbusier 's Villa Savoye and the Citadel of Lille. prunet-architecture.comVolny Hostiou & Thomas Van EssenMusicians specialising in performing compositions that were written for, and often performed for the first time in, Notre-Dame.Volny teaches tuba and serpent at the Rouen Conservatoire and creates projects in collaboration with the Musée de la Musique de Paris.Thomas is a musicologist, flautist and singer, dedicated to early music and founded Les Meslanges, one of the early music ensembles Volny plays in.Les Meslanges is supported by the French Ministry of Culture, the Regional Arts Council of Normandy, the Normandy Regional Government and the Rouen City Council. The ensemble is a member of FEVIS – the Federation of Specialised Vocal and Instrumental Ensembles.CreditsProducer: Sarah MonkProducer/Editor: Mike AxinnMusic: courtesy of Les Meslanges - Thomas van Essen & Volny Hostiou

[@ 5 min] Harry Bicket, music director of Santa Fe Opera, takes a ‘Free Throw' on being pigeonholed as an Early Music specialist. This summer, Maestro Bicket conducts "Don Giovanni"; we ask him to weigh in on his favorite act of a Mozart opera… [@ 19 min] In 'Chalk Talk'... It's all very well for us to bust a bracket finding the Best School of Music voice program. But what are those departments actually teaching, and how does that relate to what a modern freelance performer actually needs to know…? [@ 39 min] It's a bonus ‘Free Throw' from tenor Jonathan Tetelman, making a double debut at the Met, starting this Saturday in "La Rondine"… [@ 49 min] In the ‘Two Minute Drill'… major awards, a scandal (or not) at the NY Phil, budget cuts in Paris, and all hail the Tempo Police... GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore

Musician, writer and filmmaker Stuart Murdoch is the lead singer and songwriter for the Scottish band Belle and Sebastian. The group's first album 'Tigermilk' was released to critical claim in 1996; sparking a career that has seen them put out a series of singles, 9 ep's and 12 albums, the most recent, 'Late Developers was released in 2023'. Stuart says "We definitely wouldn't describe ourselves as a 'rock band', we aspire toward what we would call 'classic pop music.'" They highlight pop records from 1979 onwards as the style that unites the passions between the band members.

This week is the second part of my conversation with longtime DJ and music producer, Free Oribhabor. He's also the founder of The Record Club, an immersive album listening experience he hosts monthly in LA. As the LA Times put it, "He wanted to create a music listening experience that replicated the grandiose feeling of sitting in a theater and watching a film with other fans." As you'll hear in these conversations (and you've felt if you've danced while he's DJ-ing or been in the audience while he unpacks a favorite album) his enthusiasm is palpable. In this we not only talk about the origin of The Record Club but also expanding it in the future while maintaining the intimate vision he had for it early on.In part 2 we talk about how his musical taste has developed, having confidence in one's taste and allowing taste to change, and he also takes questions from friends. If you missed part 1, we covered wormholes and research, being undervalued in education, and making money doing many different things (being a jack-of-all-trades) which can mean that things take longer. Let us know if you listen. Show Notes:- Follow Free @yeafree + The Record Club @therecord.club- LA Times article on The Record Club- Find me on IG: @letitouttt + @katiedalebout | Substack- 2 spots left in the Creative Clinic: book a call with me here- More on Creative Underdogs/In Process here | waitlist- Check out the Let It Out Kits | Write Kit | Talk Kit Waitlist- Jésabel's Inbox Organization course: code LETITOUT for 20% off If you liked this episode, try out from the archive:Episode 441 - Madelynn De La Rosa Returns (Part 1 of 2) Reinvention, Resolutions, Cinema, etc.

Hello and welcome to the last special episode of the 4th season of the Early Music Podcast, dedicated to the impressions shared by the participants of the Early Music Summit with host Darina Ablogina. CREDITSguests Richard Lorber, WDR and the Early Music Days in Herne Mélanie Froehly, ZAMUSThomas Höft and Georg Kroneis, Kunsthaus 17Lila Hajosi, Ensemble IriniJorge Losana, ECOS Festival Sofie Vanden Eynde, Imago Mundi EnsembleJurgen De bruyn, Zefiro Torna EnsembleKarin Cuéllar Rendón, Early Music Americainterview & editing Darina Abloginaproduction REMAdesign Doretta RinaldimusicNocturne in E major, Frédéric Chopinperformed by Raoul KoczalskiHistorical recording, 1938¡Cucú, cucú!, Juan del Enzinaperformed by Ensemble Cantoria2021Ensemble Irini at La Cité de la Voix2017The White Rose, Florence Beatrice Priceperformed by Reginald Mobley and AgaveAmerican Orignals: A New World, A New Canon, Acis 2021Introduction, Sofie Vanden EyndeMistress Elizabeth Davenant, Her Songes, 2012The Nutcracker Suite, op. 71a, Piotr Ilitch TchaikovskySymphony No. 41 & Symphony No. 41 in C 'Jupiter', K. 551, Wolfgang Amadeus Mozart

Hello dear friends and music lovers! Today we're taking a look at the new book recently published by Bärenreiter Verlag "Alte Musik heute Geschichte und Perspektiven Historischer Aufführungspraxis." "Early Music Today History and Perspectives of Historical Performance Practice." https://www.baerenreiter.com/en/shop/product/details/BVK2520/ I was lucky enough to meet the editor Richard Lorber, who is also the editor for early music and opera at WDR, and his colleagues who contributed several articles to the book. https://miz.org/de/institutionen/tage-alter-musik-in-herne-i8538 https://www1.wdr.de/radio/wdr3/musik/opernblog/opernblog-info-100.html Mélanie Froehly is the director of the Centre for Early Music in Cologne and in her article she describes the economic mechanisms behind every concert and festival and what is important for musicians to be aware of. https://www.zamus.de/en/about-us/ With Norbert Rodenkirchen we discussed his exciting article about the creative aspects of improvisation and the challenges of playing medieval music. https://www.norbertrodenkirchen.org The last piece of music in this episode is the song "Ich han gedacht" from Norbert's album: Hameln Anno 1284: Mittelalterliche Flötenmusik auf den Spuren des Rattenfängers My podcast for REMA: ⁠https://www.rema-eemn.net/podcasts/⁠ Visit our Instagram channel to see my Vlog from Malta: ⁠https://www.instagram.com/insight_reading_enlightenment/⁠ Discover more https://insightreadingenlightenment.carrd.co Write to us if you want to support us insightreading.enlightenment@gmail.com Yours, Darina #insightreadingenlightenment #earlymusicpodcastinsightreadingenlightenment #medievalmusic #altemusikheute #medievalmusic #earlymusic #baroquemusic #podcast #earlymusicpodcast #darinaablogina #earlymusic #remaawards #richardlorber #zamus #norbertrodenkirchen --- Send in a voice message: https://podcasters.spotify.com/pod/show/insight-reading/message

[@ 2 min] The Met has now staged two operas, in working-class middle America, to “mixed” reviews. Were these bold artistic choices a bid to shake up elite opera audiences, or did someone in the props department just have access to a trailer...? [@ 23 min] Then, countertenor Reginald Mobley takes a 'Free Throw' on being a prominent Black artist in Early Music... [@ 39 min] Plus, in the ‘Two Minute Drill'… the Grammy winners are in! Did the OBS bump have any effect...? GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore

The Organ Podcast - from February 1st - available wherever you get your podcasts.This trailer features the voices of:Martin Baker - former Master of Music at Westminster CathedralDavid Pipe - Organist at Leeds Cathedral and Huddersfield Town HallMargaret Phillips  - Concert OrganistProfessor Magnus Williamson - Professor of Early Music at Newcastle UniversityAndrew Caskie - Managing Director of Nicholson Organs LtdThe Organ Podcast - Presented by Mark O'Brienhttps://www.rco.org.uk/

The Bach Society Houston performs a holiday-appropriate work for orchestra and chorus.

From her home in North London, Hannah French presents a selection of medieval carols, plus Renaissance & Baroque music for Christmas Eve, including festive pieces by Corelli, Vivaldi, Charpentier, Manfredini, Byrd, Manchicourt & Handel.Join Hannah in the French kitchen as she also tucks in to some Yuletide treats fit for a cosy Christmas Eve.

[@ 5 min] We go ‘Inside the Huddle' with Maya Kherani. In addition to being a rare example of a soprano of South Asian descent who has gained traction in the largely white world of Early Music, Maya is also establishing herself as an advocate for mothers in opera... [@ 30 min] We've finally arrived at the centenary of Maria Callas' birth; over the course of the year, we'll countdown 'The Callas 100'… [@ 42 min] In the ‘Two Minute Drill'… It's another climate protest, this time during "Tannhäuser" at the Met... GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore

Singer and retired vocal teacher Mary Heston Dahl of White Bear Lake has a special place in her heart for the St. Croix Valley Chamber Chorale. She sang with them for about eight years, but this year she's looking forward to hearing the performance from the audience. Now in its 49th season, the VCC is the longest-running amateur choir in the Twin Cities, and in that time it's only had two artistic directors. The chorale includes some 40-50 singers across a range of ages.  This weekend is “Christmas with the Valley Chamber Chorale,” with four performances Fri., Dec. 8 through Sun., Dec. 10. Dahl says the audience can look forward to some familiar carols, beautifully arranged and sung, as well as an opportunity to sing along with a few of them. Performances are Fri. Dec. 8 – Sun. Dec. 10 at the St. Croix Prep Performing Arts Center at St. Croix Prep Upper School. This is a change from the chorale's typical venue, the historic Washington County Courthouse, which is under renovation. 'Audience members are seated at tables, so buying tickets in advance is best to ensure your party can sit together. Classical music lover Pauline Marlinski of Gaylord plans to be in St. Peter tonight for a performance by the Gaylord-based ensemble La Grande Bande. Now celebrating its fifth season, La Grande Bande specializes in music written from 1600-1800 (Early Music and Baroque). Their instruments, including harpsichord and viola da gamba, are original to the period. Marlinski appreciates the group's focus on education as they perform in schools and communities across southern Minnesota.  This weekend's French Baroque Christmas will include eight singers and six musicians, with artistic director Michael Thomas Asmus on organ. The performance will include a selection of works written for Christmas by French composer Marc-Antoine Charpentier (1643-1704). Marlinski is looking forward to singing along (in English) to some traditional French carols as part of the performance.  Performances are Thursday, Dec. 7 at 7:30 at First Lutheran Church in St Peter. Sunday, Dec. 9 at 7:30 at Church of the Assumption in St. Paul. Each performance includes a short pre-concert talk at 6:45 to guide the audience through the music and composers. Not all annual holiday shows are serene and thoughtful. If Klingon battles are more your style, then actor and physical comedian Gregory Parks of Minneapolis recommends that you check out “It's an Honorable Life” at Historic Mounds Theatre in St. Paul. In this telling, Bailey is a Klingon warrior who has a high standing in the empire because of his bravery and his feats in battle. He fears that because he is so skilled, he will never meet a glorious death in battle, which is a great problem for a Klingon. Enter the mysterious Q, who guides Bailey through many possible scenarios of his life. (Parks originated the character of Bailey but for the past three years has enjoyed the show from the audience seat.) Written by local Star Trek fans, with a local make-up artist ensuring that each actor has a proper Klingon forehead, this play is filled with references familiar and obscure. The show is not endorsed or affiliated with any Star Trek enterprise. “It's An Honorable Life” runs Fridays and Saturdays at 7:30, and some Sundays at 2:30 through Dec. 23. Trekkie uniforms of all empires are encouraged but not required. Masks are requested when not eating or drinking. 

The National Trust's Senior Curator John Chu takes Hannah French around two stunning properties in Derbyshire: Hardwick Hall & Kedleston Hall to explore the musical links in the buildings, furnishings and art works.Plus, your weekly edition of Early Music News from Mark Seow.

Grammy® Nom, Rock and Roll Hall of Fame & New Music, TV Appearances..........What was it Like Being a Rock & Soul Star & Tour BEFORE Integration? What was it like for a New Yorker Touring the segregated South n the late 50's early 60's? What was it like to hear your song on the radio & be on a Dance TV Show as Black a music act, yet the audiences & dancers in that studio were segregated ( No Blacks, Minorities allowed)?We discuss early Rock, Radio & icons of the past & present in this episodeAlthough his music pre-dates ME, My Grand Folks & Family always had the Rock n Roll/Soul Classics playing  when I went to Reunions & around the House during my Childhood. I consider this a GIFT!!  I ALSO get the gift of Interviewing one of my Favorites: Little Anthony!!Rock and Roll Hall of Fame inductee “Little Anthony” Gourdine is without question one of the most celebrated vocalists in the annals of popular music. His tender yet explosive delivery of a musical phrase leaves audiences spellbound with an impression so indelible that casual listeners never forget the ‘voice' or the tunes he immortalized. These songs consistently emanate from airwaves and are often lauded in music journals worldwide. Songs such as “Goin' Out Of My Head,” “I'm On The Outside Looking In,” “Hurt So Bad,” and “Take Me Back,” . And then they go on praising his vocal acumen, deservedly so. His R&B-laced rendering of "New York State of Mind" is a divergence from the perennial recording and sports an infectious 42nd Street vibe. It's performed so well that composer Billy Joel is likely to tip his hat. A popular legend recently said: "The Man's still got it!" A few days from scheduled release, we're anticipating a rush of accolades and interest in what comes next. After years of performing at arenas and concert halls, clubs and festivals, Anthony has acquired a wealth of experience that accompanies him as you flashback to his highly successful stint as lead singer with the Imperials on a few choice cuts. Following the release of this work, expect the entertainment icon and his band to visit a city near you with a live show embracing many of the tunes contained in this two-volume cache — and more. As an all-around artist in the studio and on stage, he has been and remains an inspiration to many larger-than-life- acts, past and present: Silk Sonic, Billy Joel, Bruce Springsteen, and Michael Jackson, to name a few. Nearly every rock, pop, R&B, and jazz act who attained star status attribute a slice of their inspiration to the influence of Little Anthony as a lead vocalist and a solo artist. © 2023 Building Abundant Success!!2023 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Bianca Star Breaks Down Trust Nobody2 and Her Start in Movies and Entertainment #trustnobody #bosstalk101 Subscribe Boss Talk 101:    / @bosstalk101   ► LISTEN LIVE: ► SUBSCRIBE PATREON: https://www.patreon.com/bosstalkpodca... ► CATCH UP on What You Missed: https://bosstalkpodcast101.com ► FOLLOW Instagram: https://www.instagram.com/bosstalkpod... ► FOLLOW us on TikTok: https://www.tiktok.com/@wayupwithyee ► FOLLOW us on Twitter: https://twitter.com/Unique_Fashions ► LIKE us on Facebook: https://www.facebook.com/eceo.smith You can listen to Boss Talk 101 w/ E CEO & Mz Jamica Weekdays from 10AM - 2PM or on tPatreon app anytime! Executive Producer: Chasity Swilley Producer: Stephanie Smith Video Manager: Dennis Cooper Content Manager: Shamariah Smith Public Relations: Tre' Smith Visit Our Website and Subscribe: https://bosstalkpodcast101.com Instagram: https://www.instagram.com/e_ceo_/?hl=en Apple Podcast: https://podcasts.apple.com/us/podcast... Spotify Podcast: https://open.spotify.com/show/0yD2UzY...

We continue our journey of instruments through the Woodwinds of  Israel.  The Khalil was a unique pipe, perhaps most likely a pan pipe.   The debated history  lies in a controversy of the transliteration  between an instrument and an expression through music that such a pipe  causes through dancing.  Archeologically it evolved into the modern  flute as we know it today that is played during feasts (S2 was recorded  during the Fall feasts) and at funerals. Finally we conclude with a  presentation of various woodwinds by USC Thornton faculty Adam Gilbert,  director of the Early Music. 1. Early 16th C woodwinds http://www.katapi.org.uk/Movies/VPlayer-jwp7++.php?s=3&v=WXkRgUvY6PM. Adam Gilbert part 1. http://www.katapi.org.uk/Movies/VPlayer-jwp7++.php. Adam Gilbert part 2 https://www.youtube.com/watch?v=kqgUB0EyjVA&feature=emb_title Podcast Streams Spotify for Podcastors https://anchor.fm/kadosh-shachah Castbox https://castbox.fm/vc/2208477 Apple https://podcasts.apple.com/us/podcast/kadosh-shachah-holy-worship/id1472295079 Google Podcasts https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9jODE0ODg0L3BvZGNhc3QvcnNz Spotify https://open.spotify.com/show/00nCHOB2eR8XberphEmIRi I heart Podcast https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy9jODE0ODg0L3BvZGNhc3QvcnNz Amazon music https://music.amazon.es/podcasts/b4c3976c-1a00-444d-bd3e-d12e244b5a46/holy-worship-the-music-of-the-bible Pocket Casts https://pca.st/3o49 Breaker https://www.breaker.audio/kadosh-shachah-holy-worship Radio Public https://radiopublic.com/kadosh-shachah-holy-worship-6nVNky

News; VZP monopoly on foreigners' health insurance to be abolished; Summer Festivities of Early Music kick off in Prague; Travel trends in Czechia

Order and disorder, a freeform haze of garbage guitars, shorted electronics, found detritus, collage, linear songs, sounds from strange lands. Contact me at btradio85@gmail.com. brianturnershow.comBLAWAN - Toast - Dismantled Into Juice (XL, 2023)MEN/EJECT - Draw - 7" (NL, 1980)ENDESHAW TESFAYE - ወገኔ - እንደሻው ተስፋዬ - ኮሌክሽን ዘፈኖች (cs, Solar Music Shop)AUDIO HIJACK SOFTWARE SENDS MERZBOW TONES AS MY LICENSE EXPIRES WHILE RECORDING THE SHOWFAMOUS MAMMALS - Empty London - Instant Pop Expressionism Now! (Siltbreeze, 2023)DESECHABLES - Quiero Pasarlo Bién Esta Noche - Maqueta / Golpe Tras Golpe (1984 re: Munster, 1999)THE REFLECTING SKIN - Grimace - II (cs, Brainrotter, 2023)C.O.F.F.I.N. - Give Me A Bite - Australia Stops (Goner, 2023)YERBA MANSA - The Sun and Moon Boo Hoo - Two Glass Eyes (cs, Early Music, 2022)HIBUSHIBIRE - Butter Queen - Official Live Bootleg Vol. 9 (BC, 2023)MARIJA KOVAČEVIĆ / THIERRY MÜLLER - Part 5 - A Rainy Afternoon In Paris (cs, Ilitchmusic, 2023)AERIAL HEADWOUND 273 - Crimey - s/t (cs, NL, 2023)ADVOIDS - Tears Of A Clone - Advoids (cs, Urge, 2023)THE DREAM SYNDICATE - That's What You Always Say (live Backstage, Tucson, 1982) - The Days of Wine and Roses (40th Anniversary Edition) (Fire, 2023)LES RALLIZES DÉNUDÉS - White Awakening - Citta '93 (Tuff Beats, 2023)JAC BERROCAL / VINCENT EPPLAY / DAVID FENECH - IZevil - Zilveli Villa (Akuphone, 2023)LOS PIRAÑAS - Puerta Del Sol - V/A: Coco María Presents Club Coco ¡AHORA! The Latin Sound of Now (Bongo Joe, 2023)OKELO MUGUBI - Ondoro - Thum Nyatiti: Recordings from Western Kenya, 1930-1970 (Dagoretti, 2023)AUNTY RAYZOR - Nina - Viral Wreckage (Hakuna Kulala, 2023)COSMIC CARS - Autoradio (Second Storey's Interference Mix) (Pudel Produkte, 2023)DEATH AWARENESS CAFE - Glass Girl - Optimistic About Nothing (BC, 2023)JOELL ORITZ & L'ORANGE - OG - Signature (Mello Music Group, 2023)SENSATIONAL - Spot Rocket - Class Is In Session EP (BC, 2012)DREW MCDOWELL - Hidden World - Lamina (Dais, 2023)ARRINGTON DE DIONYSO - Spellcaster Blues - Exorcist Blues (Chocolate Monk, 2022)

Welcome back to Early Music Monday! We return to the podcast waves by interviewing Dr. David Wood, program director for Early Music America and Director of Early Music ensembles at K-State University in Manhattan, Kansas. Link to his article in Early Music America: "Canto: Toward a Rebirth of Renaissance Choral Repertoire"The Gesualdo Six's performance of 'Sicut Cervus'The Gesualdo Six WebsiteSound of Ages YouTubeSound of Ages new website is currently under construction and will available soon! 

On Sunday, May 21, the Bloomington Early Music Festival kicks off a whole week of concerts and activities under the theme "Arabia, Iberia, and Latin America," expanding the focus of early music beyond Europe.

On Sunday, May 21, the Bloomington Early Music Festival kicks off a whole week of concerts and activities under the theme "Arabia, Iberia, and Latin America," expanding the focus of early music beyond Europe.

Flute 360 | Episode 246: “Let's Talk Baroque with Dr. Dennette McDermott” Welcome to Episode 246 of the Flute 360 podcast, hosted by Dr. Heidi Kay Begay! In this episode, Heidi interviews Dr. Dennette Derby McDermott who is a flutist, author, recording artist, and educator. Throughout this episode, Dr. McDermott talks about the traverso flute and how it's different than the Böhm flute, Baroque resources, and her latest Čart flute album. She also talks about the lessons she's learned while recording this album, and funding that you can get for your next recording project! If you're interested in learning more about the baroque flute and its unique sound, this episode is a must-listen. Tune in to hear from one of the leading experts in the field and gain insights that will help you take your flute playing to the next level! E246 – Resources Mentioned: Join the Flute 360's Accelerator Program Here! Join anytime, so you can access past masterclass & mastermind videos! Next meetup is Saturday, May 27, 2023 from 11:00 A.M.-1:00 P.M./CT! Thank You to Our Sponsor: Need a new flute? Click here to visit the Carolyn Nussbaum Music Company's website! Guest's Links: Čart: Three Sonatas, Vol. 1 (Little Piper) Čart, Three Sonatas, Vol. 2 (Little Piper) Dennette McDermott's YouTube Channel Čart, YouTube Recordings Additional Resources: Telemann Methodical Sonatas Vol. 1 Telemann Methodical Sonatas Vol. 2 Telemann Methodical Sonatas Vol. 3 Telemann Methodical Sonatas Vol. 4 Telemann Methodical Sonatas Vol. 5 Telemann Methodical Sonatas Vol. 6 The Department of Winds & Percussion at the University of Michigan School of Music, Theatre & Dance Northwestern State University of Louisiana - Dept. of Music Follow Heidi! Follow Flute 360 via TikTok! Follow Flute 360 via Instagram! Follow Flute 360 via Twitter! Follow Flute 360 via LinkedIn! Follow Flute 360 via Facebook! Join the Flute 360 Newsletter! Join the Flute 360 Family's Facebook Private Group! Subscribe to the Flute 360's YouTube Channel!