Podcasts about Plainsong

The Visitation of the Blessed Virgin Mary  ORISON: Virgin born, we bow before thee (Tune: Mon dieu, prête-moi l'oreille) – mel. Loys Bourgeois (c. 1510-1559); harm.  Claude Goudimel (c. 1514-1572) PSALM 113 – Jason A. Anderson (b. 1976)  HYMN 269: Ye who claim the faith of Jesus (Tune: Den des Vaters Sinn geboren) – Johann Anastasius Freylinghausen (1670-1739)  NUNC DIMITTIS – Plainsong, Tone I; harm. Thomas Morley (1557-1602)  ANTHEM: Ave Maria […]

The Sixth Sunday of Easter; Rogation Sunday  ORISON: Jesus, thou Joy of loving hearts (Tune: Christe Redemptor) – Sarum Plainsong, Mode I [see HYMNS]  PSALM 66:1-11 – Peter R. Hallock (1924-2014)  HYMN 210: The day of resurrection (Tune: Ellacombe) – from Gesangbuch, 1784; harm. William Henry Monk (1823-1889), alt.  NUNC DIMITTIS – Plainsong, Tone VIII; harm. John Holmes (d. 1629)  ANTHEM: Victimae paschali laudes – William Byrd (c. 1540-1623)  Jason Anderson, director • Jeremy Matheis, reader • Theo Floor, cantor 

Adam Olenius, frontman i Shout Out Louds, gästar SkivSnack och då handlar det om skivor som startar med en riktig banger - öppningsspår som fullständigt knockar en! Och det blir ett tidsmässigt omfattande urval där alla årtionden från 60-talet och framåt är representerade. Vilken av syrrans skivor var det som gjorde ett outplånligt intryck på Adam, vilket plattasöppningsspår upptäckte Stefan via att sonen spelade den flitigt i sitt rum...och hur är det egentligen med Stefan och Adams musikkunskaper då Stefan inte har koll på vem som samplat Herbie Hancock och Adam tror att Plainsong med The Cure är instrumental....Tack till taketdesign.se för grafisk form. Foto på Adam Olenius: Fredrik Bengtsson Hosted on Acast. See acast.com/privacy for more information.

The Fifth Sunday of Easter ORISON: ‘The Call' from Five Mystical Songs – Ralph Vaughan Williams (1872-1958)  PSALM 31:1-5,15-16 – Plainsong, Tone IV.2  HYMN: Thou art the Way (Tune: Saint James) – Raphael Courteville (d. 1735); vs. 4 harm. Henry G. Ley (1887-1962)  NUNC DIMITTIS – Plainsong, Tone II; harm. John Holmes (d. 1629)  ANTHEM: Love bade me welcome – David Hurd (b. 1950)  Jeremy Matheis, director • William Turnipseed, reader • John Garlid, cantor 

The Sunday of the Resurrection: Easter Day PROCESSIONAL: Easter Canticle – Peter R. Hallock (1924–2014) CANTICLE: The Song of Moses – Plainsong, Tone I and Tonus peregrinus; arr. Gregory W. Bloch (b. 1977) HYMN: Ad cenam Agni providi – Plainsong, Mode VIII; harm. Guillaume Dufay (c. 1397-1474); ed. Jason A. Anderson (b. 1976) NUNC DIMITTIS: Plainsong setting, […]

The Sunday of the Passion: Palm Sunday ORISON: Shame and rebuke have broken my heart – Plainsong, Mode VIII; adapt. Bruce E. Ford (1947-2025) PSALM 88 – Plainsong, Tone I RESPOND: In manus tuas – John Sheppard (c. 1515-1558) HYMN: Today, he who hung the earth upon the waters is hung upon the tree – […]

The Fifth Sunday in Lent ORISON: When the Lord saw the sisters of Lazarus – Plainsong, Mode I; adapt. Bruce E. Ford (1947-2025) PSALM 130 – Plainsong, Tone IV.5 HYMN: Drop, drop, slow tears (Tune: SONG 46) – Orlando Gibbons (1583-1625) NUNC DIMITTIS – Plainsong setting, Tone IV.2 ANTHEM: Lamentations of Jeremiah – Thomas Tallis […]

The Fourth Sunday in Lent ORISON: Jerusalem is built as a city – Plainsong, Mode IV; adapt. Bruce E. Ford (1947-2025) PSALM 23 – Plainsong, Tone VII.3 HYMN: Lord, we are blind (Tune: GODMANSTONE) – Cyril V. Taylor (1907-1991) NUNC DIMITTIS – Plainsong setting, Tone IV.2 ANTHEM: Lamentations – Peter R. Hallock (1924-2014) Jason Anderson, director […]

A steel town becomes a stage, a chorus becomes a dare, and a new record asks what we'll do when the comfort runs out. We sit down with XBYRDX (aka Bird), a southern Indiana singer‑songwriter, to trace six formative tracks—Springsteen's Youngstown, The Jesus and Mary Chain's Just Like Honey, The Clash's White Riot, The Replacements' Unsatisfied, The Cure's Plainsong, and Hüsker Dü's Don't Want to Know If You Are Lonely—and hear how noise, melody, and place turned him toward cinematic songwriting.Then we dive into Anthems for the End Times, where XBYRDX threads big themes through tight hooks. “Ayn Rand's On Welfare” challenges a polished indifference that calls itself self‑reliance and reminds us that posting isn't voting. “MAGA Girl” wears a pop sheen while charting a romance split by worldview. “Shrine” confronts flags and monuments, arguing for context over erasure and the courage to tell full history. “Prize Fighter” is the bell‑ring: get off the ropes, organize, and claim agency. The title track sounds apocalyptic but hides a stubborn optimism—no savior is coming, so we move now, together. “White Noise” closes on our algorithmic silos, urging listeners to step past the echo and find signal.Across the conversation, XBYRDX talks craft—layered synths, texture over solos, melodies that carry weight—and the artists who taught him to let songs feel like weather. If you're drawn to protest music with heart, indie rock with teeth, and storytelling that sees people before positions, this one's for you. Stream 'Anthems for the End Times' on Spotify, Apple Music, or wherever you get your invisible music, and let us know which track hit you first. Go to My.SuperAwesomeMix.com and start using our new app on any device - mobile or laptop.  Copy and paste a link to your playlist then turn it into an old school mixtape in minutes!  Support the showVisit us at https://www.superawesomemix.com to learn more about our app, our merchandise, our cards, and more!

The Third Sunday in Lent ORISON: To one who drinks the water – Plainsong, Mode VII; adapt. Bruce E. Ford (1947-2025) PSALM 95 – Plainsong, Tone IV.4 HYMN: Lord Jesus, think on me (Tune: SOUTHWELL) – from Daman's Psalter, 1579; adapt. Hymnal 1940; fauxbourdon harm. by Peter R. Hallock (1924-2014) NUNC DIMITTIS – Plainsong setting, […]

The Second Sunday in Lent ORISON: If anyone would come after me – Plainsong, Mode I; adapt. Bruce E. Ford (1947-2025) PSALM 121 – Plainsong, Tone V.1 HYMN: Christe, qui lux es et dies – Plainsong, Mode II; arr. Kevin Siegfried (b. 1969) NUNC DIMITTIS – Plainsong setting, Tone IV.2 ANTHEM: Lamentations of Jeremiah (a5) […]

fWotD Episode 3217: Kent Haruf Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Tuesday, 24 February 2026, is Kent Haruf.Alan Kent Haruf (, rhymes with sheriff; February 24, 1943 – November 30, 2014) was an American writer born and raised in Colorado. He wrote six novels and several short stories set on the High Plains, mostly in the fictional town of Holt.After completing his undergraduate degree in English at Nebraska Wesleyan, Haruf enrolled in the Peace Corps and performed work in lieu of military service before receiving a master's degree from the University of Iowa. He initially struggled to establish a career as a writer; in addition to stints as a janitor, construction worker and farmhand, Haruf spent years teaching English at a high school in Wisconsin and at universities in Nebraska and Illinois. His writing was first published in 1984 when he was 41. Although Haruf's first two novels received critical praise, commercial success eluded him until the publication of Plainsong in 1999, which became a bestseller. He followed it up with Eventide (2005), a direct sequel to Plainsong, and Benediction (2013).Throughout Haruf's career, critics praised his spare and elegant prose, authentic portrayals of rural life, and attention to the beauty found in ordinary things, although he was occasionally criticized for redundancy. In early 2014, Haruf was diagnosed with an incurable lung disease. He wrote his final book, Our Souls At Night, while ill and died that November. The book was published posthumously and adapted into a film of the same name. A Colorado magazine, 5280, wrote that Haruf is "widely considered Colorado's finest novelist", and the Dublin Review of Books called his work "both uniquely American and profoundly universal".This recording reflects the Wikipedia text as of 00:44 UTC on Tuesday, 24 February 2026.For the full current version of the article, see Kent Haruf on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Amy.

The First Sunday in Lent ORISON: I tell you, there is joy before the angels of God – Plainsong, Mode V; adapt. Bruce E. Ford (1947-2025) PSALM 32 – Plainsong, Tone III.4 HYMN: The Truth from Above – Herefordshire Carol, arr. Ralph Vaughan Williams (1872-1958) NUNC DIMITTIS – Plainsong setting, Tone IV.2 ANTHEM: Immutemur habitu […]

The Last Sunday after the Epiphany PROCESSION: Processional Psalm for Lucernarium – Carl C. Crosier (1945-2014) PSALM 2 – Plainsong, Tone VIII.3 HYMN: Songs of thankfulness and praise (Tune: SALZBURG) – mel. Jakob Hintze (1622-1702); harm. Johann Sebastian Bach (1685-1750) NUNC DIMITTIS – Elway Bevin (c. 1555-1638) ANTHEM: Resplenduit facies ejus – Tomás Luis de […]

The Eve of the Presentation of Our Lord Jesus Christ in the Temple PROCESSION: The Lord comes to his temple – Plainsong, adapt. Peter. R. Hallock (1924-2014) PSALM 122 – Peter R. Hallock (1924-2014) ANTIPHON: Behold, our Lord will come with power – Plainsong, Mode III [American Gradual] HYMN: Virgin-born, we bow before thee – Claude Goudimel […]

The Third Sunday after the Ephiphany ORISON: The people who in darkness walked (Tune: DUNDEE) – mel. The CL Psalmes of David, 1615; harm. Thomas Ravenscroft (c. 1592-c. 1635) PSALM 27:1,5-13 – Plainsong, Tone VIII.1 HYMN: Jesus calls us; o'er the tumult (Tune: RESTORATION) – mel. The Southern Harmony, 1835; arr. Greg Bloch (b. 1977) […]

The Confession of St. Peter ORISON: You are the Christ, O Lord (Tune: WYNGATE CANON) – Richard Wayne Dirksen (1921-2003) PSALM 118:14-29 – Plainsong, Tone VIII.1 HYMN: Jesus, priceless treasure (Tune: JESU, MEINE FREUDE) – Johann Cruger (1598-1662), alt.; and J. S. Bach (1685-1750) NUNC DIMITTIS – Plainsong, Tone III; harm. Carolus Andreae (1550-1627) ANTHEM: Quem […]

The Second Sunday after Christmas PROCESSIONAL: Glory to God in the highest – Plainsong, adapt. Peter R. Hallock (1924-2014) PSALM 96 – Jason A. Anderson (b. 1976) HYMN: Away in a manger – Normandy melody, harm. Reginald Jacques (1894-1969); arr. Jason A. Anderson (b. 1976) NUNC DIMITTIS (Tune: MARILYN) – Peter R. Hallock (1924-2014) ANTHEM: […]

The First Sunday after Christmas Day PROCESSIONAL: Glory to God in the highest – Plainsong, adapt. Peter R. Hallock (1924-2014) PSALM 147 – Peter R. Hallock (1924-2014) HYMN: Of the Father's love begotten (Tune: DIVINUM MYSTERIUM) – Sanctus trope, 11th cent.; adapt. Piae Cantiones, 1582; arr. Richard T. Proulx (1937-2010) [see Tintinnabulum] NUNC DIMITTIS (Tune: […]

The Fourth Sunday of Advent PROCESSIONAL: Veni, veni, Emmanuel – Plainsong, Mode I; composite arr. Jason A. Anderson (b. 1976); including harm. Peter R. Hallock (1924-2014), Alice Parker (1925-2023), and Philip Lawson (b. 1967) PSALM 80:1-7,16-18 – Plainsong, Tone IV.4 HYMN 264: The Word whom earth and sea and sky adore (Tune: SONG 34) – […]

The Third Sunday of Advent ORISON: Comfort, comfort ye my people (Tune: PSAUME 42) – mel. Claude Goudimel (1514-1572); adapt. Louis Bourgeois, 1551 PSALM 146:4-9 – Plainsong, Tone IV.2 HYMN: Love divine, all loves excelling (Tune: HYFRYDOL) – Rowland Hugh Prichard (1811-1887) NUNC DIMITTIS – Richard Proulx (1937-2010) ANTHEM: O day of peace that dimly […]

The Second Sunday of Advent ORISON: Redeemer of the nations, come (Tune: VENI REDEMPTOR GENTIUM) – Plainsong, Mode I, Einsiedeln MS., 12th cent. PSALM 72:1-7,18-19 – Plainsong, Tone I. HYMN: Hail to the Lord's Anointed (Tune: ES FLOG EIN KLEINS WALDVÖGELIEN) – German folk song; adapt. and harm. Henry Walford Davies (1869-1941), Gregory Bloch, and […]

In this episode, Rachel visits with the writer Joe Wilkins, an eastern Montana ranch-raised writer and teacher. Rachel reached out to Wilkins after reading The Entire Sky. Then, after their interview, she finished Fall Back Down When I Die. That one is now in her top three all time favorites, alongside Kent Haruf's Plainsong. Wilkins' voice carries in it echoes of Haruf in all the best ways. Not everyone can write rural, but Wilkins can and does incredibly well. You're going to love him!This episode is brought to you by the generous support of Adam Rose at Iliff Custom Cabinetry. Find him at www.iliffcustomcabinetry.com or on The Facebook at https://www.facebook.com/icucab/. If you see Adam, please let him know you heard about him here.Check our our cows on the Anywhere Cam site at https://anywhere.cam/. Scroll down to the Hereford cows and tada!As always, check your cows, check your fields, and check your neighbors.

There has never been a literary family quite like the Brontës. In our autumn podcast Ann Dinsdale, Principal Curator of the Brontë Parsonage Museum at Haworth in Yorkshire, joined the Slightly Foxed team to discuss the story of the family's life there. The Brontës moved to Haworth in 1820 when Patrick Brontë became curate, and the parsonage was established as a museum in 1928 when it was acquired by the Brontë Society. Mrs Brontë and the oldest two daughters, Maria and Elizabeth, died there from tuberculosis, leaving Charlotte, Emily, Anne and their brother Branwell to be educated at home by their widowed father.  Ann talks about her work at the Parsonage Museum, a treasure trove of Brontë memorabilia, containing 9,000 items including clothes, letters, first editions and the sisters' own writing boxes. The Brontës were a close-knit family, sharing their games and creating a rich imaginary world which formed the basis of their later writing. Patrick Brontë was a loving and in many ways an unconventional father, who encouraged the girls' education and allowed them to read freely. He was a lover of the natural world, and on their daily walks in the wild moorland country around Haworth the sisters absorbed the atmosphere that would permeate their novels.  Recognition came in 1847 when each published a novel, though initially they hid behind the pseudonyms of Currer, Ellis and Acton Bell. Charlotte's Jane Eyre was the first, an overnight sensation which was the talk of literary London, causing endless speculation about the identity of its author. Three months later came Emily's Wuthering Heights, which shocked readers with its story of passion, violence and revenge, and finally Anne's Agnes Grey. The scene could have been set for brilliant literary careers, but within two years both Emily and Anne were dead from tuberculosis, Emily at 30 and Anne at 29. Charlotte married her father's curate, lived on to write Shirley and Villette, based on her time as a teacher in a school in Brussels, and died at 38. Branwell, who never fulfilled his family's high expectations, died addicted to alcohol and opium when he was 31. Even before Charlotte's death Haworth had become a place of pilgrimage for Brontë fans, and Mrs Gaskell's 1857 biography of her helped to establish the family's lasting fame. Today the Parsonage Museum is hugely popular with visitors. It is also a centre for research and runs an annual festival of women's writing. Ann's deep knowledge of the Brontës and her experience of running the museum made for a fascinating discussion, leaving us to wonder, had the sisters lived longer, what their eventual literary legacy might have been. Autumn book recommendations were Blythe Spirit, Ian Collins's biography of Ronald Blythe, The Brothers York by Thomas Penn, Plainsong, an American novel by Kent Haruf, Traitor's Legacy by S. J. Parris, and The Land in Winter by Andrew Miller. For episode show notes, please see the Slightly Foxed website. Opening music: Preludio from Violin Partita No. 3 in E Major by Bach Hosted by Rosie Goldsmith Produced by Philippa Goodrich

The Seventeenth Sunday after Pentecost ORISON: Maker of all things – Thomas Tallis (c. 1505-1585) PSALM 57 – Peter R. Hallock (1924-2014) OFFICE HYMN: Te lucis ante terminum (Before the ending of the day) – Plainsong, Mode VIII; harm. Orlande de Lassus (1532-1594) NUNC DIMITTIS – Plainsong setting, Tone VIII; harm. Lodovico Grossi da Viadana […]

Our website - www.perksofbeingabooklover.com. Instagram - @perksofbeingabookloverpod Facebook - Perks of Being a Book Lover. To send us a message go to our website and click the Contact button.   You can find Sarah Landenwich on her website SarahLandenwich.com or on IG @sarahlandenwich   Books Mentioned in this Episode 1- A Home for Friendless Women by Kelly E. Hill  2- The Fire Concerto by Sarah Landenwich  3- Persepolis by Marjane Satrapi  4- Possession by AS Byatt  5- Plainsong (trilogy) by Kent Haruf 6- Old Souls at Night by Kent Haruf 7- The Last Report on the Miracles at Little No Horse by Louise Erdrich 8- How to Be Well: Navigating Our Self Care Epidemic One Dubious Cure at a Time by Amy LaRocca  9- Say Everything by Ione Skye  10- The Uncommon Reader by Alan Bennett 11- A Five Star Read recommended by fellow Book Lover Cathleen @wovenfromwords - Harlem Rhapsody by Victoria Christopher Murray  12- Sleepless by Romy Hausmann 13- What Happens in Amsterdam by Rachel Lynn Solomon  14- The Murder Farm by Andrea Maria Schenkel  15- A Death in Door County (Monster Hunter series) by Annelise Ryan  16- Death in the Dark Woods (Monster Hunter series) by Annelise Ryan 17- Belonging: A German Reckons with History and Home by Nora Krug 18- The River is Waiting by Wally Lamb   Media Mentioned:   1- Speed Museum Glass Art exhibit - https://www.speedmuseum.org/the-adele-and-leonard-leight-glass-art-award-victoria-ahmadizadeh-melendez/ 2- Anchorman: The Legend of Ron Burgundy (2004) 3- The Naked Gun (2025)

The Ninth Sunday after Pentecost August 10, 2025 • The Ninth Sunday after Pentecost (Proper 14C) ORISON: Now the day is over – M. Searle Wright (1918-2004)PSALM 4 – Plainsong, Tone IV.1 HYMN: My song is love unknown (Tune: LOVE UNKNOWN) – John Ireland (1879-1962) NUNC DIMITTIS in G – Charles Wood (1866-1926) ANTHEM: Deus […]

Page One, produced and hosted by author Holly Lynn Payne, celebrates the craft that goes into writing the first sentence, first paragraph and first page of your favorite books. The first page is often the most rewritten page of any book because it has to work so hard to do so much—hook the reader. We interview master storytellers on the struggles and stories behind the first page of their books.About the hosts:Holly Lynn Payne is an award-winning novelist and writing coach, and the former CEO and founder of Booxby, a startup built to help authors succeed. She is an internationally published author of four historical fiction novels. Her debut, The Virgin's Knot, was a Barnes & Noble Discover Great New Writers book. As an author and writing coach, she knows that the first page of any book has to work so hard to do so much—hook the reader. So she thought to ask your favorite master storytellers how they do their magic to hook you. Holly lives in Marin County with her family and two Labrador retrievers, and enjoys mountain biking, hiking, swimming and pretending to surf. To learn more about her books and writing coaching services, please follow her on IG + X @hollylynnpayne or visit hollylynnpayne.com.Nina Schuyler's short story collection, In This Ravishing World, won the W.S. Porter Prize and the Prism Prize for Climate Literature and was published in July 2024. Her novel, Afterword, won the 2024 PenCraft Book of the Year in Fiction, the Foreword INDIES Book of the Year Award for Science Fiction and Literary, and the PenCraft Spring Seasonal Book Award for Literary and Science Fiction. Her novel, The Translator, was shortlisted for the William Saroyan International Prize for Writing and won the Next Generation Indie Book Award for General Fiction. Her novel, The Painting, was shortlisted for the Northern California Book Award. Her short stories have been published by Zyzzyva, Chicago Quarterly Review, Fugue, Nashville Review, and elsewhere, and have been nominated for a Pushcart Prize and Best of the Net. The first edition of How to Write Stunning Sentences was a Small Press Distribution bestseller. She teaches creative writing for Stanford Continuing Studies, the independent bookstore, Book Passage, and she runs the popular Stunning Sentences Substack.Tune in and reach out:If you're an aspiring writer or a book lover, this episode of Page One offers a treasure trove of inspiration and practical advice. I offer these conversations as a testament to the magic that happens when master storytellers share their secrets and experiences. We hope you are inspired to tune into the full episode for more insights. Keep writing, keep reading, and remember—the world needs your stories. If I can help you tell your own story, or help improve your first page, please reach out @hollylynnpayne or visit hollylynnpayne.com.You can listen to Page One on Apple podcasts, Spotify, Pandora, Stitcher and all your favorite podcast players. Hear past episodes. If you're interested in getting writing tips and the latest podcast episode updates with the world's beloved master storytellers, please sign up for my new Substack newsletter, Power of Page One. You can also learn more about me at hollylynnpayne.com and follow me @hollylynnpayne on Instagram, Twitter, Goodreads, and Facebook. Your email address is always private and you can always unsubscribe anytime! The Page One Podcast is created on a houseboat in Sausalito, California and is a labor of love in service to writers and book lovers. My intention is to inspire, educate and celebrate. Be well and keep reading, and please join us at POP1, The Power of Page One.  Thank you for being a part of my creative community on Substack! In service,Holly Thank you for listening to the Page One Podcast! I hope you enjoyed this episode as much as I loved hosting, producing, and editing it. If you liked it too, here are three ways to share the love:Please share it on social and tag @hollylynnpayne.Leave a review on your favorite podcast players. Tell your friends. Please keep in touch by signing up to receive my Substack newsletter with the latest episodes each month. Delivered to your inbox with a smile. You can contact me at @hollylynnpayne on IG or send me a message on my website, hollylynnpayne.com.For the love of books and writers,Holly Lynn Payne@hollylynnpaynehost, author, writing coachwww.hollylynnpayne.com

The Sixth Sunday after Pentecost ORISON: God be in my head – Doug Fullington (b. 1969) PSALM 91 – Plainsong, Tone IV.4 OFFICE HYMN: Te lucis ante terminum (Before the ending of the day) – Plainsong; harm. Orlando di Lasso (1532-1594) NUNC DIMITTIS – Plainsong, Tone III.6 ANTHEM: Let us now laud – William Mundy […]

The First Sunday after Pentecost: Trinity Sunday ORISON: O Trinity of blessed Light – Jeff Junkinsmith (b. 1956) PSALM 8 – Plainsong, Tone V.2 with fauxbourdons by Gerre Hancock (1934-2012); adapt. Greg Bloch HYMN: Holy God, we praise thy Name (Tune: GROSSER GOTT) – mel. from Katholisches Gesangbuch, 1686; harm. Charles Winfred Douglas (1867-1944), after Conrad […]

GUEST: Plainsong/Matthews' Southern Comfort/Fairport Convention's Iain ( aka Ian) Matthews. In this epysode of Vinyl Relics, we delve into "In Search of Amelia Earhart", the 1972 debut album by British folk-rock group Plainsong. Blending historical reference with lyrical introspection, the album offers a unique lens on myth, memory, and the cultural echo of one of the 20th century's most enigmatic figures. With exclusive commentary from bandleader Iain Matthews, together we walk through the album's narrative themes, compositional style, and contextual relevance within the early '70s folk revival. Ian offers firsthand insight into the album's creation, intent, and enduring resonance. I hope you dig "In Search Of Amelia Earhart" as much as I do. -Farmer John ===CONNECT & SUPPORT=== Transport yourself into the realm of grooviness by supporting us on Patreon using this link --> patreon.com/FarmerJohnMusic Use this link to follow us on Facebook --> https://www.facebook.com/farmerjohnmusic/ Use this link to follow us on Instagram --> https://www.instagram.com/vinyl.relics.podcast/ Use this link to follow us on TikTok --> https://www.tiktok.com/@vinylrelicspodcast Use this link to follow us on BlueSky --> https://bsky.app/profile/farmerjohnmusic.bsky.social And find us on X here --> @VinylRelicsPod Email me here --> farmerjohnmusic@gmail.com ===THE MUSIC=== Songs used in this Epysode, in order of appearance. Here's a link to a Spotify playlist for all the tracks featured ( *denotes track is not available on Spotify): https://open.spotify.com/playlist/7KKEnzSwTvU0q6jB45PMWK?si=98d19bd0ddaf4913 AQUILA "How Many More Times" THE DEEP RIVER BOYS “Shake, Rattle & Roll” JIM REEVES “Streets Of Laredo” THE IMPRESSIONS “People Get Ready” OTIS REDDING “Ole Man Trouble” GERRY & THE PACEMAKERS “You've Got What I Like” *THE PYRAMID “Summer Of Last Year” FAIRPORT CONVENTION “It's Alright Ma, It's Only Witchcraft” *SANDY DENNY & THE STRAWBS “I'm On My Way” FAIRPORT CONVENTION “Who Knows Where The Time Goes” FAIRPORT CONVENTION “She Moves Through The Fair” MATTHEWS SOUTHERN COMFORT “Colorado Springs Eternal” MATTHEWS SOUTHERN COMFORT “Woodstock” *MATTHEWS SOUTHERN COMFORT “Southern Comfort” SOUTHERN COMFORT “The Passing” IAN MATTHEWS “Tigers Will Survive” THE LIVERPOOL SCENE “Elsie Straws Saga” THE LIVERPOOL SCENE “I've Got Those Fleetwood Mac Chicken Shack John Mayall Can't Fail Blues” THE LIVERPOOL SCENE “The Entry Of Christ Into Liverpool” THE LIVERPOOL SCENE “The Raven” PLAINSONG “For The Second Time” MASON WILLIAMS “Classical Gas” PLAINSONG “Yo Yo Man” PLAINSONG “Louise” PLAINSONG “Call The Tune” PLAINSONG “Diesel On My Tail” RED RIVER DAVE “Amelia Earhart's Last Flight” PLAINSONG “Amelia Earhart's Last Flight” PLAINSONG “True Story Of Amelia Earhart” PLAINSONG “I'll Fly Away” FAIRPORT CONVENTION “Meet On The Ledge” PLAINSONG “Even The Guiding Light” PLAINSONG “Side Roads” PLAINSONG “Raider” IAN MATTHEWS “Old Man At The Mill” STEVE YOUNG “Seven Bridges Road” EAGLES “Seven Bridges Road” IAN MATTHEWS “Seven Bridges Road” IAN MATTHEWS “Shake It” *HI-FI “Walk Away” PLAINSONG “Nothing's Changed” PLAINSONG “Bold Marauder” (live) IAIN MATTHEWS “Ripples In A Stream” ??MYSTERY ARTIST?? tune into the next Epysode to hear the story... NEWPORT ELECTRIC “Yippie-i-o” (this is my band...shameless self-promotion!!) Learn more about your ad choices. Visit megaphone.fm/adchoices

The Second Sunday of Easter ORISON: We walk by faith, and not by sight (Tune: ST. BOTOLPH) – Gordon Slater (1896-1979) PSALM 118:14-24 – Plainsong, Tone VIII.1 HYMN 42: Now the day is over (Tune: MERRIAL) – Joseph Barnby (1838-1896) NUNC DIMITTIS from First Fauxbourdon Service – Philip Moore (b. 1943) ANTHEM: Peace – Peter R. […]

Easter Day PROCESSIONAL: Easter Canticle – Peter R. Hallock (1924–2014) PSALM 114 – Plainsong, Tonus Peregrinus (Ninth psalm tone) HYMN: Come, ye faithful, raise the strain (Tune: GAUDEAMUS PARITER) – Medieval Bohemian Carol Melody, 1544; vs. 2 harm. Hymnal 1940; vs. 3 harm. Harvey Grace (1874-1944) NUNC DIMITTIS: Plainsong setting, Tonus peregrinus; harm. William Byrd (c. 1540-1623) ANTHEM: […]

The Sunday of the Passion: Palm Sunday ORISON: We glory in your cross, O Lord – Plainsong, Mode IV; adapt. Bruce E. Ford (1947-2025) PSALM 31:9-16 – Plainsong, Tone III.5 RESPOND: In manus tuas – John Sheppard (c. 1515-1558) HYMN: O sacred head, sore wounded (Tune: HERZLICH TUT MICH VERLANGEN) – Hans Leo Hassler (1564-1612); […]

The Fifth Sunday in Lent ORISON: Give judgment for me, O God – Plainsong, Mode IV; adapt. Bruce E. Ford (1947-2025) PSALM 126 – Plainsong, Tone I.9 HYMN: Drop, drop, slow tears (Tune: SONG 46) – Orlando Gibbons (1583-1625) NUNC DIMITTIS – Plainsong setting, Tone VIII.1 ANTHEM: Lamentations of Jeremiah – William Byrd (c. 1540-1623) […]

The Fourth Sunday in Lent ORISON: Rejoice with Jerusalem– Plainsong, Mode V; adapt. Bruce E. Ford (1947-2025) PSALM 32 – Plainsong, Tone III.4 HYMN: Kind Maker of the world (Tune: A LA VENUE DE NOËL) – mel. from Fleurs des noels, 1535 NUNC DIMITTIS – Plainsong setting, Tone VIII.1 ANTHEM: Media vita in morte sumus […]

The Third Sunday in Lent ORISON: My eyes are ever looking to the Lord – Plainsong, Mode VII; adapt. Bruce E. Ford (1947-2025) PSALM 63:1-8 – Plainsong, Tone II.1 HYMN: Lord Jesus, think on me (Tune: SOUTHWELL) – from Daman's Psalter, 1579; adapt. Hymnal 1940; fauxbourdon harm. by Peter R. Hallock (1924-2014) NUNC DIMITTIS – […]

The Second Sunday in Lent ORISON: You speak within my heart – Plainsong, Tone III; adapt. Bruce E. Ford (1947-2025) PSALM 27:10-18 – Plainsong, Tone VIII.1 HYMN: Eternal light, shine in my heart (Tune: JACOB) – Jane Manton Marshall (1924-2019) NUNC DIMITTIS – Plainsong setting, Tone VIII.1 ANTHEM: Lamentations of Jeremiah – Juan de Lienas […]

The First Sunday in Lent ORISON: He shall call upon me – Plainsong, Mode VIII; adapt. Bruce E. Ford (1947-2025) PSALM 91:1-2,9-16 – Plainsong, Tone IV.4 HYMN: Forty days and forty nights (Tune: AUS DER TIEFE RUFE ICH) – mel. att. Martin Herbst (1654-1681), alt.; harm. William Henry Monk (1823-1889) NUNC DIMITTIS – Plainsong setting, […]

The Last Sunday after the Epiphany ORISON: 'Tis good, Lord, to be here! (Tune: CARLISLE) – Charles Lockhart (1745-1815) [St Paul's Hymn] PSALMS 99 & 150 – Plainsong, Tone VII.7 and C. V. Stanford (1852-1924) HYMN: Christ upon the mountain peak (Tune: IBIS) – melody Thomas Kuras (1950-1997); harm. Peter R. Hallock (1924-2014) NUNC DIMITTIS […]

The Presentation of Our Lord Jesus Christ in the TempleCandlemas Procession at Compline ANTIPHON: Behold, our Lord will come with power – Plainsong, Mode III [American Gradual] PROCESSIONAL PSALM 48 PSALM 84 – Peter R. Hallock (1924-2014) HYMN: Virgin-born, we bow before thee – Claude Goudimel (c. 1514-1572) Nunc Dimittis with Candlemas Antiphon ANTHEM: Almighty […]

The Third Sunday after the Epiphany ORISON: Blessed Jesus, at thy word we are gathered (Tune: LIEBSTER JESU) – mel. Johann Ahle (1625-1673); harm. George Palmer (1846-1926) PSALM 19 – Plainsong, Tone III.4 HYMN: O Christ, the Word Incarnate (Tune: MUNICH) – harm. Felix Mendelssohn (1809-1847) NUNC DIMITTIS – Plainsong, Tone II; harm. John Holmes […]

Iain started in Britain's Fairport Convention in the late '60s, but quickly left that band to start a couple more and then move to the US for a lengthy solo career. He has in total released close to 50 albums, including many collaborations. We discus the title track from How Much Is Enough (2024), the title track from God Looked Down (1996), and "Road to Ronderlin" by Matthews Southern Comfort from Later That Same Year (1970). End song: "St. Theresa's Ghost" by Ian Matthews and the Searing Quartet, from Joy Mining (2008). Intro: "Book Song" by Fairport Convention from What We Did on Our Holidays (1969). Learn more at iainmatthews.nl. Hear more Nakedly Examined Music. Support us on Patreon.

The Fourth Sunday of Advent PROCESSIONAL: O come, O Wisdom from above (Tune: VENI EMMANUEL) – New trans. of the O Antiphons by Jason A. Anderson (b. 1976), sung to Plainsong, Mode I, from Processionale, 15th cent.; arr. and harm. Peter R. Hallock (1924-2014) CANTICLE: Magnificat – Plainsong, Tone II.1 with O Rex gentium (antiphon for […]

The Third Sunday of Advent ORISON: Rejoice in the Lord always – Plainsong, Mode I CANTICLE 9: The First Song of Isaiah – Plainsong, Tone VII.3 and Peter R. Hallock (1923-2014) HYMN: The King shall come when morning dawns (Tune: SAINT STEPHEN) – William Jones (1726-1800); verse 2 harm. The American Vocalist, 1849; verse 4 […]

The Second Sunday of Advent ORISON: People of Zion, look up – Plainsong, Mode VII CANTICLE 16: The Song of Zechariah – Plainsong, Tone VIII.1 HYMN: Prepare the way, O Zion (Tune: BEREDEN VÄG FÖR HERRAN) – mel. from Then Swenska Psalmboken, 1697; harm. Koralbok för Svenska Kyrkan, 1939, alt.; adapt. Jason A. Anderson (b. […]

The First Sunday of Advent ORISON: Matin Responsory – Jason A. Anderson (b. 1976) PSALM 25:1-9 – Plainsong, Tone IV.2 HYMN: Creator of the stars of night (Tune: CONDITOR ALME SIDERUM) – Plainsong, Mode IV NUNC DIMITTIS – Richard Proulx (1937-2010) ANTHEM: Rorate caeli desuper– Peter R. Hallock (1924-2014) Jason Anderson, director • Tyler Morse, reader • Joel Bevington, cantor

The Last Sunday after Pentecost: The Reign of Christ ORISON: ‘Psalm 95' from Six Hymns to Doctor Watts – Alice Parker (1925-2023) PSALMS 93 & 150 – Plainsong, Tone VIII.3 & C. V. Stanford (1852-1924) HYMN 419: Lord of all being, throned afar (Tune: MENDON) – mel. from Methodist Harmonist, 1821; adapt. Lowell Mason (1792-1872) NUNC […]

The Twenty-Fifth Sunday after Pentecost ORISON: In all our grief and fear, we turn to you (Tune: FREDERICKTOWN) – Charles R. Anders (1929-2020) PSALM 146 – Plainsong, Tone IV.2 HYMN: All who love and serve your city (Tune: CHARLESTOWN) – mel. from The Southern Harmony, 1865; harm. Alastair Cassels-Brown (1927-2001), alt.; vs. 3 reharm. Jason […]

The Mighty Red by Louise Erdrich is a profound story of the natural world, place and community. Erdrich joins us to talk about the spark for this novel, the evolution of her work, some of her recommendations as a bookseller and more with Miwa Messer, host of Poured Over. We end this episode with TBR Top Off book recommendations from Marc and Jamie. This episode of Poured Over was hosted by Miwa Messer and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app Featured Books (Episode): The Mighty Red by Louise Erdrich The Beet Queen by Louise Erdrich The Antelope Woman by Louise Erdrich Madame Bovary by Gustave Flaubert Anna Karenina by Leo Tolstoy The Night Watchman by Louise Erdrich Creation Lake by Rachel Kushner Black Woods, Blue Sky by Eowyn Ivey Save Me, Stranger by Erika Krouse Far From the Madding Crowd by Thomas Hardy The Ministry of Time by Kaliane Bradley A God in Ruins by Kate Atkinson Featured Books (TBR Top Off): Never Whistle at Night by Shane Hawk and Theodore C Van Alst, Jr. Plainsong by Kent Haruf