Podcasts about e dorian

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No matter what genre you make music in, you can easily funk up your bass lines, which will get people moving to your music. So in this video, you’ll learn how to apply four essential funk elements to your bass lines. But first… tea! DOWNLOAD PDF + WAV + MIDI FROM THIS VIDEO Hello revolutionary music makers, we are Kate Harmony and Ray Harmony (AKA Revolution Harmony), and welcome to Hack Music Theory. We help you make great music that stands out, so you can move and grow your audience! If that sounds useful to you, then subscribe to our YouTube channel and hit that bell to get notified every Thursday, when we publish our new video. Alright, let’s jump in... THEORYLocal Vancouver band FIVE ALARM FUNK just dropped their new single “Wake the Funk Up” feat. Leo P (Too Many Zooz), and it’s one helluva funky tune! All the funk essentials are here: Every beat 1 has a funk flashlight shining on it, there’s enough syncopation to make any dancefloor get on up, the ♭7 is tearing the roof off the sucker, and the song takes you on a chromatic rollercoaster. By the way, chromatic (AKA non-diatonic) refers to notes that are not in the scale. Now, always remember that funk is an attitude, not a genre, so any time you wanna get the party started with a bass line, use these four funk essentials: Accent beat 1 in every bar Syncopate almost everything else Use the ♭7 everywhere you can Seal the deal with chromatic notes SETUPAlright, now you’re gonna learn how to use this theory to make your own version, and what you see on the screen right now is our version that we made earlier. So, start by setting up eight bars of 4/4, with your grid set to 1/16 notes, and your tempo set to 116 BPM. “Wake the Funk Up” is in E♭ Dorian with a bunch of chromatic notes, but we’ll be using E (instead of E♭), as it has a smaller key signature so it’s easier for learning.  STEP 1. THE ONEAs James Brown famously requested from Bootsy Collins back in the day: If you gimme the one, son, then you can play whatever you want for the rest of the bar. So, make sure you play beat 1 of every bar. We alternated between playing the low root on beat 1, then switching it up with a higher note on beat 1 of every other bar. STEP 2. THE SCALEThe funkiest bass lines often use the blues scale, which is simply the pentatonic minor scale with the ♭5 added in. So, while the horns will be playing in E Dorian, the bass will be playing in E Blues. This scale combo is a funk favourite! And yes, these two scales work perfectly together as their notes overlap (other than the ♭5, but, we’ll throw the ♭5 in the Dorian horns as well). Right, so E Blues contains the notes: E G A B♭ B♮ D, so you can use any of those notes in your bass line. And by the way, if you want our blues scale hack for funky bass lines, along with a MIDI file example, then that’s all included in our Songwriting & Producing PDF (click & scroll down). STEP 3. SYNCOPATED MOTIFNow, as you’ve given Mr Brown all the ones, you’re free to do whatever you want everywhere else. So, you’re gonna create a syncopated motif, which you can then repeat (and vary) to make your bass line. And if you’re new to those terms. Syncopation is when you accent an off-beat, and that injects energy into your groove. And a motif is a short musical idea, which you repeat to give your bass line structure and make it memorable. Our motif consists of a three-note descending line, where the last note is a syncopated 1/16 note. We then repeat our motif, starting on the note we ended on, to form a larger six-note motif. Right, now it’s time to create a motif in your second bar. And yes, you’re leaving the rest of your first bar open, cos space is essential in a funky bass line. And once you’ve created your motif, repeat it in your fourth bar with a variation. We varied our motif by playing it ascending. Next, repeat the original motif in your sixth bar, but add a couple notes. Also, throw in some extra notes at the end of your fourth bar and in your fifth bar. These extra notes start building the energy towards your big ending, which is coming up next. STEP 4. CHROMATIC ENDINGMany great funk bass lines have a wild sound to them, which is often a result of venturing out of the scale. And the classic place to do this, is at the end of your line. This not only builds tension, it also prevents your bass line from becoming boring and predictable. So, in your eighth bar, you’re gonna write a melodic run that uses our old friend Syncopation, as well as our new friend Chromaticism. In Dorian, some funky favourites when it comes to chromatic notes are the 7 (especially when played between the ♭7 and the root), and the ♭2 (especially when played between the root and the 2 leading to the ♭3). Also, remember the funky ♭5, which you should use liberally throughout your bass line. NEXTOkay, so now that you’ve got one section down, how do you write the other sections? And then, how do you transition between all the sections (especially when they’re in different keys)? And then, how do you structure and arrange your song? Well, these are issues that many songwriters and producers struggle with, and that’s exactly why we made our online apprenticeship course. So, if you wanna overcome these obstacles once and for all, then our course is definitely for you! Kate & Ray Harmony (AKA Revolution Harmony)Music Teachers & Producers in Vancouver BC, Canada   LEVELSLevel 1 - Read our free book (below) & watch our YouTube videosLevel 2 - Read our "Part 1" book & "Songwriting & Producing" PDFLevel 3 - Practice making music using our lessons (PDF+MIDI+WAV)Level 4 - Learn our secret art of song-whispering & finish your music ABOUTHack Music Theory is a pioneering DAW method for making great music that stands out, so you can move and grow your audience! Taught by award-winning music lecturer Ray Harmony, and his protégé wife Kate Harmony, from their studio in Vancouver BC, Canada. Ray is the author of critically-acclaimed book series "Hack Music Theory", and has made music with Serj Tankian (System of a Down), Tom Morello (Rage Against the Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and many more! Kate has the highest grade distinction in Popular Music Theory from the London College of Music, and is the only person on the planet who's been trained by Ray to teach his method. On that note, the "Hack Music Theory" YouTube channel teaches relevant and instantly-usable music theory for producers, DAW users, and all other music makers (songwriters, singers, guitarists, bassists, drummers, etc.) in all genres, from EDM to R&B, pop to hip-hop, reggae to rock, electronic to metal (and yes, we djefinitely djent!). COPYRIGHT© 2019 Revolution HarmonyRevolution Harmony is Ray Harmony & Kate HarmonyAll content (script & music) in video by Revolution HarmonyThumbnail photograph by Brendan Meadows     Wooohooo!!! You’re a mere 30 minutes away from being even smarter than you already are. Just head on over to your inbox now for your free download. There was an error submitting your subscription. Please try again.   “The most brilliant, fast, easy & fun music theory book I’ve ever seen!” DEREK SIVERS, CD Baby founder We use this field to detect spam bots. If you fill this in, you will be marked as a spammer. 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No matter what genre you make music in, you can easily funk up your bass lines, which will get people moving to your music. So in this video, you’ll learn how to apply four essential funk elements to your bass lines. But first… tea! DOWNLOAD PDF + WAV + MIDI FROM THIS VIDEO Hello revolutionary music makers, we are Kate Harmony and Ray Harmony (AKA Revolution Harmony), and welcome to Hack Music Theory. We help you make great music that stands out, so you can move and grow your audience! If that sounds useful to you, then subscribe to our YouTube channel and hit that bell to get notified every Thursday, when we publish our new video. Alright, let’s jump in... THEORYLocal Vancouver band FIVE ALARM FUNK just dropped their new single “Wake the Funk Up” feat. Leo P (Too Many Zooz), and it’s one helluva funky tune! All the funk essentials are here: Every beat 1 has a funk flashlight shining on it, there’s enough syncopation to make any dancefloor get on up, the ♭7 is tearing the roof off the sucker, and the song takes you on a chromatic rollercoaster. By the way, chromatic (AKA non-diatonic) refers to notes that are not in the scale. Now, always remember that funk is an attitude, not a genre, so any time you wanna get the party started with a bass line, use these four funk essentials: Accent beat 1 in every bar Syncopate almost everything else Use the ♭7 everywhere you can Seal the deal with chromatic notes SETUPAlright, now you’re gonna learn how to use this theory to make your own version, and what you see on the screen right now is our version that we made earlier. So, start by setting up eight bars of 4/4, with your grid set to 1/16 notes, and your tempo set to 116 BPM. “Wake the Funk Up” is in E♭ Dorian with a bunch of chromatic notes, but we’ll be using E (instead of E♭), as it has a smaller key signature so it’s easier for learning.  STEP 1. THE ONEAs James Brown famously requested from Bootsy Collins back in the day: If you gimme the one, son, then you can play whatever you want for the rest of the bar. So, make sure you play beat 1 of every bar. We alternated between playing the low root on beat 1, then switching it up with a higher note on beat 1 of every other bar. STEP 2. THE SCALEThe funkiest bass lines often use the blues scale, which is simply the pentatonic minor scale with the ♭5 added in. So, while the horns will be playing in E Dorian, the bass will be playing in E Blues. This scale combo is a funk favourite! And yes, these two scales work perfectly together as their notes overlap (other than the ♭5, but, we’ll throw the ♭5 in the Dorian horns as well). Right, so E Blues contains the notes: E G A B♭ B♮ D, so you can use any of those notes in your bass line. And by the way, if you want our blues scale hack for funky bass lines, along with a MIDI file example, then that’s all included in our Songwriting & Producing PDF (click & scroll down). STEP 3. SYNCOPATED MOTIFNow, as you’ve given Mr Brown all the ones, you’re free to do whatever you want everywhere else. So, you’re gonna create a syncopated motif, which you can then repeat (and vary) to make your bass line. And if you’re new to those terms. Syncopation is when you accent an off-beat, and that injects energy into your groove. And a motif is a short musical idea, which you repeat to give your bass line structure and make it memorable. Our motif consists of a three-note descending line, where the last note is a syncopated 1/16 note. We then repeat our motif, starting on the note we ended on, to form a larger six-note motif. Right, now it’s time to create a motif in your second bar. And yes, you’re leaving the rest of your first bar open, cos space is essential in a funky bass line. And once you’ve created your motif, repeat it in your fourth bar with a variation. We varied our motif by playing it ascending. Next, repeat the original motif in your sixth bar, but add a couple notes. Also, throw in some extra notes at the end of your fourth bar and in your fifth bar. These extra notes start building the energy towards your big ending, which is coming up next. STEP 4. CHROMATIC ENDINGMany great funk bass lines have a wild sound to them, which is often a result of venturing out of the scale. And the classic place to do this, is at the end of your line. This not only builds tension, it also prevents your bass line from becoming boring and predictable. So, in your eighth bar, you’re gonna write a melodic run that uses our old friend Syncopation, as well as our new friend Chromaticism. In Dorian, some funky favourites when it comes to chromatic notes are the 7 (especially when played between the ♭7 and the root), and the ♭2 (especially when played between the root and the 2 leading to the ♭3). Also, remember the funky ♭5, which you should use liberally throughout your bass line. NEXTOkay, so now that you’ve got one section down, how do you write the other sections? And then, how do you transition between all the sections (especially when they’re in different keys)? And then, how do you structure and arrange your song? Well, these are issues that many songwriters and producers struggle with, and that’s exactly why we made our online apprenticeship course. So, if you wanna overcome these obstacles once and for all, then our course is definitely for you! Kate & Ray Harmony (AKA Revolution Harmony)Music Teachers & Producers in Vancouver BC, Canada   LEVELSLevel 1 - Read our free book (below) & watch our YouTube videosLevel 2 - Read our "Part 1" book & "Songwriting & Producing" PDFLevel 3 - Practice making music using our lessons (PDF+MIDI+WAV)Level 4 - Learn our secret art of song-whispering & finish your music ABOUTHack Music Theory is a pioneering DAW method for making great music that stands out, so you can move and grow your audience! Taught by award-winning music lecturer Ray Harmony, and his protégé wife Kate Harmony, from their studio in Vancouver BC, Canada. Ray is the author of critically-acclaimed book series "Hack Music Theory", and has made music with Serj Tankian (System of a Down), Tom Morello (Rage Against the Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and many more! Kate has the highest grade distinction in Popular Music Theory from the London College of Music, and is the only person on the planet who's been trained by Ray to teach his method. On that note, the "Hack Music Theory" YouTube channel teaches relevant and instantly-usable music theory for producers, DAW users, and all other music makers (songwriters, singers, guitarists, bassists, drummers, etc.) in all genres, from EDM to R&B, pop to hip-hop, reggae to rock, electronic to metal (and yes, we djefinitely djent!). COPYRIGHT© 2019 Revolution HarmonyRevolution Harmony is Ray Harmony & Kate HarmonyAll content (script & music) in video by Revolution HarmonyThumbnail photograph by Brendan Meadows     Wooohooo!!! You’re a mere 30 minutes away from being even smarter than you already are. Just head on over to your inbox now for your free download. There was an error submitting your subscription. Please try again.   “The most brilliant, fast, easy & fun music theory book I’ve ever seen!” DEREK SIVERS, CD Baby founder We use this field to detect spam bots. If you fill this in, you will be marked as a spammer. DOWNLOAD FREE BOOK /* Layout */ .ck_form { /* divider image */ background: #EAE9EA url(data:image/gif;base64,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) repeat-y center top; font-family: 'Montserrat'; line-height: 1.5em; overflow: hidden; color: #000000; font-size: 16px; border-top: none; border-top-color: #666666; border-bottom: none; border-bottom-color: #3d3d3d; -webkit-box-shadow: none; -moz-box-shadow: none; box-shadow: none; clear: both; margin: 0px 0px; } .ck_form, .ck_form * { -webkit-box-sizing: border-box; -moz-box-sizing: border-box; box-sizing: border-box; } #ck_subscribe_form { clear: both; } /* Element Queries — uses JS */ .ck_form_content, .ck_form_fields { width: 50%; float: left; padding: 5%; } .ck_form.ck_horizontal { } .ck_form_content { border-bottom: none; } .ck_form.ck_vertical { background: #fff; } .ck_vertical .ck_form_content, .ck_vertical .ck_form_fields { padding: 10%; width: 100%; float: none; } .ck_vertical .ck_form_content { border-bottom: 1px dotted #aaa; overflow: hidden; } /* Trigger the vertical layout with media queries as well */ @media all and (max-width: 499px) { .ck_form { background: #fff; } .ck_form_content, .ck_form_fields { padding: 10%; width: 100%; float: none; } .ck_form_content { border-bottom: 1px dotted #aaa; } } /* Content */ .ck_form_content h3 { margin: 0px 0px 0px; font-size: 0px; padding: 0px; } .ck_form_content p { font-size: 14px; } .ck_image { float: left; margin-right: 5px; } /* Form fields */ .ck_errorArea { display: none; } #ck_success_msg { padding: 10px 10px 0px; border: solid 1px #ddd; background: #eee; } .ck_label { font-size: 14px; font-weight: bold; } .ck_form input[type="text"] { font-size: 16px; text-align: center; margin-top: 20px; margin-bottom: 0px; padding: 8px 8px; width: 100%; border: 1px solid #d6d6d6; /* stroke */ -moz-border-radius: 4px; -webkit-border-radius: 4px; border-radius: 30px; /* border radius */ background-color: #fff; /* layer fill content */ height: auto; } .ck_form input[type="email"] { font-size: 16px; text-align: center; margin-top: 0px; margin-bottom: 15px; padding: 8px 8px; width: 100%; border: 1px solid #d6d6d6; /* stroke */ -moz-border-radius: 4px; -webkit-border-radius: 4px; border-radius: 30px; /* border radius */ background-color: #fff; /* layer fill content */ height: auto; } .ck_form input[type="text"]:focus, .ck_form input[type="email"]:focus { outline: none; border-color: #aaa; } .ck_checkbox { padding: 10px 0px 10px 20px; display: block; clear: both; } .ck_checkbox input.optIn { margin-left: -20px; margin-top: 0; } .ck_form .ck_opt_in_prompt { margin-left: 4px; } .ck_form .ck_opt_in_prompt p { display: inline; } .ck_form .ck_subscribe_button { width: 100%; color: #fff; margin: 0px 0px 0px; padding: 8px 8px; font-size: 18px; background: #d74128; -moz-border-radius: 4px; -webkit-border-radius: 4px; border-radius: 30px; /* border radius */ cursor: pointer; border: none; text-shadow: none; } .ck_form .ck_guarantee { color: #626262; font-size: 12px; text-align: center; padding: 5px 0px; display: block; } .ck_form .ck_powered_by { display: block; color: #aaa; } .ck_form .ck_powered_by:hover { display: block; color: #444; } .ck_converted_content { display: none; padding: 5%; background: #fff; } /* v6 */ .ck_form_v6 #ck_success_msg { padding: 0px 10px; } @media all and (max-width: 403px) { .ck_form_v6.ck_modal .ck_close_link { top: 30px; } } @media all and (min-width: 404px) and (max-width: 499px) { .ck_form_v6.ck_modal .ck_close_link { top: 57px; } }

No matter what genre you make music in, you can easily funk up your bass lines, which will get people moving to your music. So in this video, you'll learn how to apply four essential funk elements to your bass lines. But first… tea! DOWNLOAD PDF + WAV + MIDI FROM THIS VIDEO Hello revolutionary music makers, we are Kate Harmony and Ray Harmony (AKA Revolution Harmony), and welcome to Hack Music Theory. We help you make great music that stands out, so you can move and grow your audience! If that sounds useful to you, then subscribe to our YouTube channel and hit that bell to get notified every Thursday, when we publish our new video. Alright, let's jump in... THEORYLocal Vancouver band FIVE ALARM FUNK just dropped their new single “Wake the Funk Up” feat. Leo P (Too Many Zooz), and it's one helluva funky tune! All the funk essentials are here: Every beat 1 has a funk flashlight shining on it, there's enough syncopation to make any dancefloor get on up, the ♭7 is tearing the roof off the sucker, and the song takes you on a chromatic rollercoaster. By the way, chromatic (AKA non-diatonic) refers to notes that are not in the scale. Now, always remember that funk is an attitude, not a genre, so any time you wanna get the party started with a bass line, use these four funk essentials: Accent beat 1 in every bar Syncopate almost everything else Use the ♭7 everywhere you can Seal the deal with chromatic notes SETUPAlright, now you're gonna learn how to use this theory to make your own version, and what you see on the screen right now is our version that we made earlier. So, start by setting up eight bars of 4/4, with your grid set to 1/16 notes, and your tempo set to 116 BPM. “Wake the Funk Up” is in E♭ Dorian with a bunch of chromatic notes, but we'll be using E (instead of E♭), as it has a smaller key signature so it's easier for learning.  STEP 1. THE ONEAs James Brown famously requested from Bootsy Collins back in the day: If you gimme the one, son, then you can play whatever you want for the rest of the bar. So, make sure you play beat 1 of every bar. We alternated between playing the low root on beat 1, then switching it up with a higher note on beat 1 of every other bar. STEP 2. THE SCALEThe funkiest bass lines often use the blues scale, which is simply the pentatonic minor scale with the ♭5 added in. So, while the horns will be playing in E Dorian, the bass will be playing in E Blues. This scale combo is a funk favourite! And yes, these two scales work perfectly together as their notes overlap (other than the ♭5, but, we'll throw the ♭5 in the Dorian horns as well). Right, so E Blues contains the notes: E G A B♭ B♮ D, so you can use any of those notes in your bass line. And by the way, if you want our blues scale hack for funky bass lines, along with a MIDI file example, then that's all included in our Songwriting & Producing PDF (click & scroll down). STEP 3. SYNCOPATED MOTIFNow, as you've given Mr Brown all the ones, you're free to do whatever you want everywhere else. So, you're gonna create a syncopated motif, which you can then repeat (and vary) to make your bass line. And if you're new to those terms. Syncopation is when you accent an off-beat, and that injects energy into your groove. And a motif is a short musical idea, which you repeat to give your bass line structure and make it memorable. Our motif consists of a three-note descending line, where the last note is a syncopated 1/16 note. We then repeat our motif, starting on the note we ended on, to form a larger six-note motif. Right, now it's time to create a motif in your second bar. And yes, you're leaving the rest of your first bar open, cos space is essential in a funky bass line. And once you've created your motif, repeat it in your fourth bar with a variation. We varied our motif by playing it ascending. Next, repeat the original motif in your sixth bar, but add a couple notes. Also, throw in some extra notes at the end of your fourth bar and in your fifth bar. These extra notes start building the energy towards your big ending, which is coming up next. STEP 4. CHROMATIC ENDINGMany great funk bass lines have a wild sound to them, which is often a result of venturing out of the scale. And the classic place to do this, is at the end of your line. This not only builds tension, it also prevents your bass line from becoming boring and predictable. So, in your eighth bar, you're gonna write a melodic run that uses our old friend Syncopation, as well as our new friend Chromaticism. In Dorian, some funky favourites when it comes to chromatic notes are the 7 (especially when played between the ♭7 and the root), and the ♭2 (especially when played between the root and the 2 leading to the ♭3). Also, remember the funky ♭5, which you should use liberally throughout your bass line. NEXTOkay, so now that you've got one section down, how do you write the other sections? And then, how do you transition between all the sections (especially when they're in different keys)? And then, how do you structure and arrange your song? Well, these are issues that many songwriters and producers struggle with, and that's exactly why we made our online apprenticeship course. So, if you wanna overcome these obstacles once and for all, then our course is definitely for you! Kate & Ray Harmony (AKA Revolution Harmony)Music Teachers & Producers in Vancouver BC, Canada   LEVELSLevel 1 - Read our free book (below) & watch our YouTube videosLevel 2 - Read our "Part 1" book & "Songwriting & Producing" PDFLevel 3 - Practice making music using our lessons (PDF+MIDI+WAV)Level 4 - Learn our secret art of song-whispering & finish your music ABOUTHack Music Theory is a pioneering DAW method for making great music that stands out, so you can move and grow your audience! Taught by award-winning music lecturer Ray Harmony, and his protégé wife Kate Harmony, from their studio in Vancouver BC, Canada. Ray is the author of critically-acclaimed book series "Hack Music Theory", and has made music with Serj Tankian (System of a Down), Tom Morello (Rage Against the Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and many more! Kate has the highest grade distinction in Popular Music Theory from the London College of Music, and is the only person on the planet who's been trained by Ray to teach his method. On that note, the "Hack Music Theory" YouTube channel teaches relevant and instantly-usable music theory for producers, DAW users, and all other music makers (songwriters, singers, guitarists, bassists, drummers, etc.) in all genres, from EDM to R&B, pop to hip-hop, reggae to rock, electronic to metal (and yes, we djefinitely djent!). COPYRIGHT© 2019 Revolution HarmonyRevolution Harmony is Ray Harmony & Kate HarmonyAll content (script & music) in video by Revolution HarmonyThumbnail photograph by Brendan Meadows     Wooohooo!!! You're a mere 30 minutes away from being even smarter than you already are. Just head on over to your inbox now for your free download. There was an error submitting your subscription. Please try again.   “The most brilliant, fast, easy & fun music theory book I've ever seen!” DEREK SIVERS, CD Baby founder We use this field to detect spam bots. If you fill this in, you will be marked as a spammer. DOWNLOAD FREE BOOK /* Layout */ .ck_form { /* divider image */ background: #EAE9EA url(data:image/gif;base64,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) repeat-y center top; font-family: 'Montserrat'; line-height: 1.5em; overflow: hidden; color: #000000; font-size: 16px; border-top: none; border-top-color: #666666; border-bottom: none; border-bottom-color: #3d3d3d; -webkit-box-shadow: none; -moz-box-shadow: none; box-shadow: none; clear: both; margin: 0px 0px; } .ck_form, .ck_form * { -webkit-box-sizing: border-box; -moz-box-sizing: border-box; box-sizing: border-box; } #ck_subscribe_form { clear: both; } /* Element Queries — uses JS */ .ck_form_content, .ck_form_fields { width: 50%; float: left; padding: 5%; } .ck_form.ck_horizontal { } .ck_form_content { border-bottom: none; } .ck_form.ck_vertical { background: #fff; } .ck_vertical .ck_form_content, .ck_vertical .ck_form_fields { padding: 10%; width: 100%; float: none; } .ck_vertical .ck_form_content { border-bottom: 1px dotted #aaa; overflow: hidden; } /* Trigger the vertical layout with media queries as well */ @media all and (max-width: 499px) { .ck_form { background: #fff; } .ck_form_content, .ck_form_fields { padding: 10%; width: 100%; float: none; } .ck_form_content { border-bottom: 1px dotted #aaa; } } /* Content */ .ck_form_content h3 { margin: 0px 0px 0px; font-size: 0px; padding: 0px; } .ck_form_content p { font-size: 14px; } .ck_image { float: left; margin-right: 5px; } /* Form fields */ .ck_errorArea { display: none; } #ck_success_msg { padding: 10px 10px 0px; border: solid 1px #ddd; background: #eee; } .ck_label { font-size: 14px; font-weight: bold; } .ck_form input[type="text"] { font-size: 16px; text-align: center; margin-top: 20px; margin-bottom: 0px; padding: 8px 8px; width: 100%; border: 1px solid #d6d6d6; /* stroke */ -moz-border-radius: 4px; -webkit-border-radius: 4px; border-radius: 30px; /* border radius */ background-color: #fff; /* layer fill content */ height: auto; } .ck_form input[type="email"] { font-size: 16px; text-align: center; margin-top: 0px; margin-bottom: 15px; padding: 8px 8px; width: 100%; border: 1px solid #d6d6d6; /* stroke */ -moz-border-radius: 4px; -webkit-border-radius: 4px; border-radius: 30px; /* border radius */ background-color: #fff; /* layer fill content */ height: auto; } .ck_form input[type="text"]:focus, .ck_form input[type="email"]:focus { outline: none; border-color: #aaa; } .ck_checkbox { padding: 10px 0px 10px 20px; display: block; clear: both; } .ck_checkbox input.optIn { margin-left: -20px; margin-top: 0; } .ck_form .ck_opt_in_prompt { margin-left: 4px; } .ck_form .ck_opt_in_prompt p { display: inline; } .ck_form .ck_subscribe_button { width: 100%; color: #fff; margin: 0px 0px 0px; padding: 8px 8px; font-size: 18px; background: #d74128; -moz-border-radius: 4px; -webkit-border-radius: 4px; border-radius: 30px; /* border radius */ cursor: pointer; border: none; text-shadow: none; } .ck_form .ck_guarantee { color: #626262; font-size: 12px; text-align: center; padding: 5px 0px; display: block; } .ck_form .ck_powered_by { display: block; color: #aaa; } .ck_form .ck_powered_by:hover { display: block; color: #444; } .ck_converted_content { display: none; padding: 5%; background: #fff; } /* v6 */ .ck_form_v6 #ck_success_msg { padding: 0px 10px; } @media all and (max-width: 403px) { .ck_form_v6.ck_modal .ck_close_link { top: 30px; } } @media all and (min-width: 404px) and (max-width: 499px) { .ck_form_v6.ck_modal .ck_close_link { top: 57px; } }

Smooth Attack - Riders On The Storm DJ Friendly Edit By Petko Turner "Riders on the Storm" is a song by The Doors from their 1971 album, L.A. Woman. According to band member Robby Krieger, it was inspired by the song "(Ghost) Riders in the Sky: A Cowboy Legend". Also, Jim Morrison mentions spree killer Billy Cook, in passing, during at least one interview. Cook killed six people, including a young family, while hitchhiking to California. In all likelihood, the Cook murders were inspiration for the song's lyric, "There's a killer on the road / His brain is squirming like a toad ... if you give this man a ride/sweet family will die ..." "Riders On the Storm" is played in the E Dorian mode, and incorporates recordings of rain and thunder, along with Ray Manzarek's Fender Rhodes electric piano playing, which emulates the sound of rain. The song was recorded at the Doors Workshop in December 1970 with the assistance of Bruce Botnick, their longtime engineer, who was co-producing the recording sessions. Jim Morrison recorded his main vocals and then whispered the lyrics over them to create the echo effect. This was the last song recorded by the members of the Doors, according to Manzarek, as well as Morrison's last recorded song to be released in his lifetime. The single was released in 1971, shortly before Morrison's death, entering the Billboard Hot 100 on July 3, 1971, the day that Morrison died. Many incorrectly believe that this is the song longtime Doors producer Paul A. Rothchild disparaged as "cocktail music", precipitating his departure from the project. Rothchild actually applied this moniker to "Love Her Madly". Engineer Bruce Botnick was selected to produce the album instead. The band's drummer John Densmore wrote a 1990 book called Riders on the Storm, detailing the story of his life and his time with the group. Ray Manzarek and guitarist Roy Rogers covered this song as an instrumental duet on their 2008 album "Ballads Before the Rain". In November 2009, the song was inducted into the Grammy Hall of Fame under the category Rock. The song was among the first songs released for Rock Band 3 as downloadable content. The song, according to an interview with Ray Manzarek, was only performed live twice: on the L.A. Woman tour at the Warehouse in New Orleans, Louisiana, on December 12, 1970, and in Dallas the night before that. Ray said playing those songs was "magic". This was The Doors' last public performance with Jim Morrison. It was only the second date of the tour, but was also the last, as the tour was cancelled after this concert. According to the book FM: The Rise and Fall of Rock Radio by Richard Neer, legendary overnight disc jockey Alison Steele would always play this song on Monday nights if it was raining in the city while she worked at New York City's WNEW-FM through most of the 1970s. Download for free on The Artist Union

The most challenging tune in Book 4, this is totally unrelated to "Farewell to Ireland". It's not at all unknonwn to encounter such confusingly similar titles in Irish music! Normally played in A Dorian, but Tony has arranged it for gutar in E Dorian. You can capo up to the 5th fret, but on the podcast there's no capo. Tony has also brought the first part in some places so it can be played in one octave, giving it a more dynamic sound. In some places there are triplets using three different notes. If these are problematic, you can isolate them and practice them on their own. In the tablature, you'll notice that Tony plays the B on the 4th fret of the 3rd string in places, to make picking easier. For the accompaniment, there are only two chords - Em and D.

This is a short reel, with 16 bars. It's in the key of E Minor, with two sharps in the key signature, which means it's in the E Dorian mode.Tony sometimes refers to this as the "Irish Minor", and many Irish minor tunes use a Dorian mode.Sunday, 1 March 2009File size is 4.79MB.Duration is 13 minutes 57 seconds.