Podcasts about billboard hot

This week on Totally 80's and 90's Recall, Rob and Dave are going way back—to the years they were born! Dave is diving into the Billboard Hot 100 of 1976, and Rob's taking on 1977, but with a twist: each of them has handpicked their favorite 10 songs from those charts—not necessarily the biggest hits, but the ones that stuck with them as they grew up through the late '70s and into the heart of the '80s. It's personal, nostalgic, and full of deep cuts and timeless classics. But the music didn't exist in a vacuum—pop culture was fueling the fire. Think Rocky and Saturday Night Fever changing the game, CB radios and bell bottoms in full swing, the rise of FM radio and variety shows like Donny & Marie or The Sonny & Cher Comedy Hour keeping families glued to the tube. Disco balls lit the dance floors, punk was brewing in the underground, and AM radio was a blend of soul, rock, funk, and soft pop magic. Expect plenty of storytelling, musical surprises, and the kind of passionate debate only two pop culture buffs can bring. From disco grooves and soft rock jams to early signs of the sounds that would dominate  the '80s, these songs weren't just hits—they were part of the soundtrack to Rob and Dave's childhoods.  Pandora: https://pandora.app.link/iq8iShjXOLb   Apple: https://podcasts.apple.com/us/podcast/totally-80s-and-90s-recall/id1662282694    Spotify: https://open.spotify.com/show/11dk5TUoLUk4euD1Te1EYG?si=b37496eb6e784408    Amazon Music: https://music.amazon.com/podcasts/1960c8f9-158d-43ac-89a6-d868ea1fe077/totally-80s-and-90s-recall    YouTube Podcasts: https://youtube.com/playlist?list=PLH9lGakNgCDZUkkHMUu88uXYMJu_33Rab&si=xo0EEVJRSwS68mWZ   Playlists:   Spotify: https://open.spotify.com/playlist/37zT4WFuKeOqnRLj95EsB2?si=aPEyDtDhS3efWfsYPVzBmg    Apple: https://music.apple.com/us/playlist/billboard-76-77/pl.u-e98l37jtWq6EDx?ls   Amazon: https://music.amazon.com/user-playlists/4d5037f91f0b4278947842be46eff26esune?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_xRUoh78vfFkFEGriMOYeGUNKC Contact Us: Website: https://totally80s90srecall.podbean.com/  Email: 80s90srecall@gmail.com LinkTree:https://linktr.ee/80s90srecall

R.E.M. put out a multitude of hits in college, modern, and alternative rock genres in the 80's and 90's.  By the time that Around the Sun, the group's 13th studio album was released, the band was experiencing changes in personnel and struggles with focus.  Drummer Bill Berry retired in 1997 and was replaced by Bill Reiflin.  While Reiflin would be the regular percussionist for the band until their dissolution in 2011, he would not be considered a member of the band like Peter Buck (guitar), Mike Mills (bass, keyboards), or Michael Stipe (vocals).  From a commercial standpoint the album was a success, going to number 13 on the Billboard 200 in the US, and topping the album chart in the UK.  However, critical reviews were more negative, and the band members would agree over time with Stipe and Mills stating that the album lacked focus.  Peter Buck was more critical, stating that the album shows that the band was bored with the material.  Many consider this the worst R.E.M. studio album the group produced. However, with the benefit of hindsight we think this album is due for a second look.  The songs are more adult-oriented than the bands hits from prior decades, yet maintain the distinctive R.E.M. sound.  There is a cleaner production on this album and clearer lyrics.Rob brings us a great debut folk rock album in this week's podcast.Leaving New YorkThe lead off track was also the lead single from the album.  It reached number 5 on the UK singles chart, making it the eleventh and last top-10 REM single in that country.  However, it was not heavily promoted and failed to crack the US Billboard Hot 100 chart, becoming the first US single from an REM studio album not to chart since 1985.  It has a somber tone.WanderlustThis was the fourth and final single from the album, and utilizes a complex time signature of 4/4 time in the verses and 7/4 in the chorus.  The title references the desire to travel, and not remain in one place for very long.  "I got my signals crossed.  It's overwhelming me because I'm all alone and I cant get back - get back with my wanderlust."AftermathThe second single from the album portrays a woman living in a daze after a breakup.  Overwhelmed by ruminations, she overfeeds the cat and underwaters the plants.  It went to number 15 on the US alternative rock chart and number 41 on the UK singles chart.  around the sunThe album contains a title track - a rarity on REM albums.  It begins with a soft acoustic guitar leading into pensive lyrics.  "Hold on world, 'cause you don't know what's coming.  Hold on world, 'cause I'm not jumping off.  Hold on to this boy a little longer, take another trip around the sun." STAFF PICKS:1985 by Bowling for SoupBruce starts the staff picks with a song about a middle-aged woman thinking about how things have changed since her glory days in 1985.  It is a cover song originally done by pop punk band SR-71, but made famous by the Bowling for Soup version.  It went to number 23 on the Billboard Hot 100, and number 5 on the Adult Top 40.  Float On by Modest MouseLynch brings us a track that songwriter and band founder Isaac Brock says was consciously written to feel more positive than some of his previous work.  The lyrics are stoic - not getting caught up in the bad things, because good things are around the corner.  "Alright, already, we'll all float on."I Go Back by Kenny ChesneyWayne's flips the script on us by bringing a country song into the mix, but with lyrics that talk about listening to rock songs in the past.  With references to the Steve Miller Band, Billy Joel, Sunday church, Sunday lunch, and the death of a High School friend, Chesney recounts days gone by. COMEDY TRACK:Goofy Goober Rock by SpongeBob SquarePants"The SpongeBob SquarePants Movie" was released around this time, and included this parody of a Twisted Sister song.   Thanks for listening to “What the Riff?!?NXTGen”NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!?NXTGen does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Linktree: https://linktr.ee/AnalyticBecome A Patron Of The Notorious Mass Effect Podcast For Additional Bonus Audio And Visual Content For All Things Nme! Join Our Patreon Here: https://ow.ly/oPsc50VBOuHJoin Analytic Dreamz on Notorious Mass Effect for an in-depth segment on the exciting country-rap crossover, “Hell At Night,” by ACM Award-winner Ella Langley and Texas rapper BigXthaPlug. This single, teased on TikTok with massive fan buzz (66.6K likes in days), blends Langley's soulful country vocals with BigX's gritty rap style, delivering sharp lyrics targeting betrayal. Explore their artist histories, from BigX's chart-topping collabs like “All The Way” (#4 Billboard Hot 100) to Langley's genre-defining sound. Dive into the “country trap” wave and why this Nashville release is a must-watch. Pre-save now on Spotify! Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

What's the tea on Chappell Roan's new single, BTS' rumored Michael Jackson tribute album, and Rihanna's upcoming stadium residency? Get all the juicy pop culture news on today's episode! Chappell Roan's new single "Subway" is set to hit #1 on next week's Billboard Hot 100 chart. This will be her first ever #1 single! However, fans might be disappointed to learn she has no plans to release a new album for at least 5 more years. The Michael Jackson estate has shut down rumors that BTS is recording unreleased MJ material for a tribute album. Representatives confirmed these claims are "not true." Rihanna is rumored to be planning a massive stadium residency in London in 2026. This would be her first tour in over 10 years! She may release new music as early as next year to prep for the shows. Timestamps: 0:00 Intro1:23 Chapel Roone #1 single 2:45 Chapel Roone no new album 3:34 BTS/Michael Jackson rumor4:12 Rihanna residency plans5:00 Outro Key Takeaways:- Chapel Roone's "Subway" hits #1 but no new album for 5+ years- BTS is NOT doing a Michael Jackson tribute album - Rihanna planning 2026 London stadium residency & new music Ready for all the piping hot pop culture tea? Get your headphones and press play now! ______________________________________________________________________________ Spend weekday afternoons with Zweli. He keeps you in the loop with everything from music and movies to sport and pop culture.Hear what the Word on the Street is, test your skills with the high-pressure 6 Out of 6, and get ready to be entertained.Thank you for listening to an Afternoons with Zweli podcastListen live on Primedia+ weekdays from 12:00 to 15:00 (SA Time) toAfternoons with Zweli broadcast on 947 https://www.primediaplus.com/station/947For more from the show go to https://buff.ly/FeeL6wYor find all the catch-up podcasts here https://buff.ly/pRBikjoSubscribe to the 947 Weekly Newsletter herehttps://buff.ly/hf9IuR9Follow us on social media947 on Facebook: https://www.facebook.com/947Joburg/947 on TikTok: https://www.tiktok.com/@947joburg947 on Instagram: https://www.instagram.com/947joburg947 on X https://x.com/947947 on YouTube: https://www.youtube.com/@947JoburgSee omnystudio.com/listener for privacy information.

This week, our good friend Paul Menotiades returns to help us unpack the unlikely rise of Soft Cell's 1981 synth-pop smash, “Tainted Love.” Originally a 1965 Northern Soul obscurity by Gloria Jones, Soft Cell's eerie, slowed-down cover became a global sensation, topping charts in 17 countries and spending a record-breaking 43 weeks on the U.S. Billboard Hot 100 . But beyond the hit, Marc Almond and David Ball were more than just pop stars—they were art school provocateurs with a flair for the theatrical, as heard on their debut album Non-Stop Erotic Cabaret, which explored themes of urban isolation and seedy nightlife . Join us as we dive into the duo's bizarre back catalog and ask: does Soft Cell's music deserve more love, or is it all just a bit too tainted? One Hit Thunder is brought to you by DistroKid, the ultimate partner for taking your music to the next level. Our listeners get 30% off your first YEAR with DistroKid by signing up at http://distrokid.com/vip/onehitthunder Learn more about your ad choices. Visit megaphone.fm/adchoices

Linktree: ⁠https://linktr.ee/Analytic⁠Become A Patron Of The Notorious Mass Effect Podcast For Additional Bonus Audio And Visual Content For All Things Nme! Join Our Patreon Here: ⁠https://ow.ly/oPsc50VBOuH⁠Join Analytic Dreamz on Notorious Mass Effect for a detailed segment on Fleetwood Mac's iconic 1977 hit “Dreams” from Rumours. Written by Stevie Nicks post-breakup with Lindsey Buckingham, it topped the Billboard Hot 100 and saw a 2020 resurgence via a viral TikTok by Doggface208, hitting #1 on Rock Streaming Songs in 2025. Analytic Dreamz breaks down its 2.1M global sales, 287-week chart run, and cultural impact, plus teases Nicks and Buckingham's cryptic 2025 reunion hints. Tune in for exclusive insights!Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Can you name this Billboard Hot 100 #1 song just hearing the lyrics?See omnystudio.com/listener for privacy information.

The Smashing Pumpkins were one of the most successful bands of the 1990s, both commercially and critically.  Their 30 million album sales worldwide makes a strong case for their importance to the alternative rock movement.  The band was formed in Chicago by guitarist James Iha, bassist D'arcy Wretzky, percussionist Jimmy Chamberlin, and frontman/guitarist Billy Corgan.  Corgan writes much of their material and has been the sole member to be continuously present in the group since their formation.In 1995, Billy Corgan wrote about 56 songs and wanted to creat a double album.  His vision was for Mellon Collie and the Infinite Sadness to be "The Wall for Generation X."  The album was intended to be a conceptual piece portraying the cycle of life and death.  The band brought in Flood and Alan Moulder to co-produce the album.  Flood had the band change its routine for this album, having the group start recording in the rehearsal space rather than the studio in order to better capture their live sound.  He also required the band to set aside time in each day for just jamming and song writing in order to keep the process from becoming a grind.The result of this effort was both a critical and commercial success.  "Mellon Collie and the Infinite Sadness" debuted at number 1 on the US Billboard 200, the only Smashing Pumpkins album to do so thus far.  The 28 songs spanning two CD's, and three vinyl LP's earned the band nominations in seven categories at the Grammy Awards, and the band won the Grammy for Best Hard Rock Performance with Vocal for the single "Bullet with Butterfly Wings."Lynch brings us this smashing multi-album for today's podcast. 1979The second single from the album features loops and samples, more of a synth-pop sound than had been present previously in Smashing Pumpkin songs.  According to Corgan, this song was the last of the 56 songs he wrote for the album.  The lyrics paint a picture of the transition from youth to adulthood, waiting for something to happen just around the corner.Bullet with Butterfly WingsThe lead single from the album was the band's first top 40 hit in the United States, reaching number 22 on the Billboard Hot 100.  Musically this track has a more grunge vibe than alt rock.  The lyrics are a somewhat overly dramatic portrayal of the pain that comes from being a rock star and the downsides of fame.ZeroThe shortest song on the album relates to a feeling of apathy, and being let down by emotions and spirituality.  "Intoxicated with the madness, I'm in love with my sadness."  Corrigan's signature look is a black shirt with the word "ZERO" printed on the front.Tonight, TonightThe symphonic orchestration of this song shows some of the diversity of the tracks on this album.  The inspiration for this song is Corgan's departure from Chicago to pursue his dreams, leaving an abusive childhood behind.  The Chicago Symphony Orchestra participated in the recording with a 30-piece string section.  This song went to number 36 on the US Billboard Hot 100, and number 7 on the UK Singles chart. STAFF PICKS:Downtown by Neil YoungRob open this week's staff picks with a grunge piece from the Godfather of Grunge.  Members of the band Pearl Jam provide the backing instrumentation for this song and the album "Mirror Ball."  The lyrics reference Led Zeppelin, Jimmy Page, and hippies doing the Charleston and the Limbo.Lump by The Presidents of the United States of AmericaWayne's staff pick is about a woman who is on the singer's mind like a lump of cancer in his brain.  Clocking in at about 2 minutes, this is more of a punk song than alt rock or grunge.Hard as a Rock by AC/DCGregg brings us the first and most successful single from AC/DC's thirteenth studio album "Ballbreaker."  This album marks the return of drummer Phil Rudd to the band for the first time since 1983.  This song has a more blues-oriented sound than the heavy metal sound more typical of their well-known songs from the 80's.   LEI (Laugh/Entertainment/Instrumental)  TRACK:Main Theme from the motion picture "Strange Days"This science fiction film noir movie starring Ralph Fiennes and Angela Bassett takes us out of this week's podcast.   Thanks for listening to “What the Riff?!?NXTGen”NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!?NXTGen does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Post Malone BioSnap a weekly updated Biography.Post Malone continues to dominate headlines at the intersection of pop and country, making waves this week with both high-profile music releases and a slew of public appearances. The biggest news is the buzzworthy live music video for "Losers" recorded with Jelly Roll during their Seattle show, a release that fans and industry watchers alike are calling a major moment, as reported August 1 by WKXA Country. This follows continued momentum for his F-1 Trillion album, which dropped earlier this summer and boasts chart-topping singles like the Morgan Wallen duet "I Had Some Help." That collaboration is currently marking several weeks atop the Billboard Hot 100, becoming one of the most successful cross-genre singles in years, according to AOL.The album itself remains a chart presence, edging close to twenty thousand in pure activity this week as reported by Hits Daily Double, and is fueled by other star-studded collaborations featuring Blake Shelton, HARDY, and Lainey Wilson—each performance and feature widening Malone's country cred. Post has been leaning heavily into the genre, with noted appearances at country-centric events: he recently performed at Dierks Bentley's concert at Utah First Amphitheater, surprising the crowd backstage and spurring viral moments on Instagram from August 1 and August 2. He has also been seen with fans and friends backstage at multiple venues, including smaller, more intimate gatherings, which are documented widely on social media with the expected outpouring of affection and hype.On the business front, the promotional machine is running hot. Following his intimate Bluebird Cafe set alongside Lainey Wilson and Ashley Gorley, Post has announced a high-demand stadium tour for 2025—kicking off in April with support from Jelly Roll and Sierra Ferrell—and is set to headline Coachella next year, performing both Sundays. These moves underscore his ever-widening appeal across musical boundaries, with PopFiltr highlighting his impact as a genre-bridging influencer.Meanwhile, video and photo content showing Malone interacting with fans, improvising backstage, and relaxing at shows like Dierks Bentley's amplify his approachable persona, with social accounts such as postydaze and others capturing candid moments to much engagement from fans. There's no major controversy or negative coverage; instead, the headlines tilt almost entirely positive, lauding him for rewriting what it means to be a crossover superstar and cementing this period as one of the most pivotal in his evolving career narrative.Get the best deals https://amzn.to/3ODvOta

Quake discusses Turk suing Cash Money Records, Kodak Black saying "Fuck DJ Khaled" on new track, Diddy looking to bail out of Prison, Tyler, the Creator revealing how he recorded his "POV" verse on Clipse's album, Rick Ross clowning 50 Cent's son again, 50 Cent calling Benzino's new track garbage, Benzino responds, Billboard Hot 100 and much more.

Justin Bieber BioSnap a weekly updated Biography.Justin Bieber has been making headlines across both music and family life over the past week. The biggest story, hands down, is his ongoing celebration of fatherhood. On July 28, Justin shared two new photos of his son Jack Blues Bieber, who will turn one next month, showing himself and Jack spending time together. As usual, Justin and his wife Hailey have concealed their son's face in all public images, underscoring their commitment to privacy. Hailey recently opened up to Vogue about the realities and emotions of motherhood and her transition into this new phase of life, saying Jack is absolutely their priority. Justin, in rare email comments to the same publication, described fatherhood as living out the days he always dreamed of, suggesting that this chapter may become a defining one in his biography, with his family now center stage in his public persona according to Elle.Professionally, Justin just unleashed a major surprise with the July release of his seventh studio album Swag, marking his first album in four years. The new project, which pivots to a more soulful sound, was reportedly streamed 198 million times in its debut week and drew strong critical acclaim, converting some skeptics into fans. The opening single Daisies debuted at number two on the Billboard Hot 100 and tied Janet Jackson for the tenth-most top ten hits in US history. Swag's launch was celebrated July 24 at a high-energy Los Angeles party attended by Hailey Bieber, Kendall Jenner, The Kid LAROI, and other familiar faces from his circle, according to JustJared and social accounts including a reel from Justin Bieber Tour News. The event was widely documented on TikTok and Instagram, flooding social media with glimpses of his stylishly dressed entourage and up-close party shots.Public appearances have reiterated his persona as both a dad and a global celebrity. For example, footage, including a widely circulated X17online video, captured him arriving in Beverly Hills with Hailey, opting for a characteristically laid-back look while moving past a persistent paparazzi pack. He's been balancing being sociable at parties with keeping a cautious distance from the media scrum—a sign that the lessons of past tabloid frenzies have stuck with him.On the business front, Justin continues to build his empire, with recent news highlighting his earlier exit from Drew House, his streetwear label, and ongoing investments in tech and clean water startups. Discussions about his 2021 catalog sale, for over $200 million, and swirling rumors about the financial side of his career continue to surface in outlets like The Street, but verified sources stress Bieber's focus on expanding his brand's scope, not financial collapse.In sum, amid the glitz of album launches and viral fashion moments, it is Justin's new life as a devoted family man and his successful musical comeback that are shaping his latest—and possibly most significant—chapter to date.Get the best deals https://amzn.to/3ODvOta

Alex Warren's "Ordinary" debuted on the Billboard Hot 100 back in February of this year and has spent all of Summer '25 (so far) in the #1 position. It's catchy, it's deep, and it's fun to sing. But what does it mean? And how is it shaping us as we sing along in the car for the 50th time? With lyrics that mention heaven's gates, the sanctuary, the altar, and even the Lord, it can leave us with familiar feelings of faith and spirituality. But should warning lights start to flash once we recognize poetic references to God and worship are being focused on another human? Or is it a complement? An artist using powerful biblical images of worship (along with a healthy dollop of poetic license) to describe the deep and mysterious experience of romantic love?We're enjoying a short break in our typical format to dig into some of Summer 2025's big hits in music and movies. This week, we're joined by Juilliard Christian Fellowship Alumna, Lydia Goldie, as we discuss the implications of Alex Warren's hit song "Ordinary" and what it means to be thoughtful about music and the impact it has on our discipleship journey with Jesus.Watch the "Ordinary" music videoRELATED EPISODE(S)E116: Navigating a Career in the Arts (Apple, Spotify)STAY IN TOUCHSocials: @afterivpodVisit our Website ★ Support this podcast ★

Linktree: ⁠https://linktr.ee/Analytic⁠Become A Patron Of The Notorious Mass Effect Podcast For Additional Bonus Audio And Visual Content For All Things Nme! Join Our Patreon Here: ⁠https://ow.ly/oPsc50VBOuH⁠ Join Analytic Dreamz on Notorious Mass Effect for a deep segment on Morgan Wallen's “Miami” remix featuring Lil Wayne and Rick Ross, released July 25, 2025. From the chart-dominating album I'm The Problem, this genre-blending track interpolates Keith Whitley's classic. Analytic Dreamz unpacks its record-breaking impact, with 37 tracks charting on Billboard Hot 100 and 8 weeks at #1 on Billboard 200. Explore Wallen's hip-hop collabs, tour highlights with guests like Miranda Lambert, and the remix's role in redefining country music's crossover appeal.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

“Spooky” is a rarity in 1960s pop tunes, because it charted on the Billboard Hot 100 three times in a dozen years with renditions by three different groups.The song began life as an instrumental. With Harry Middlebrooks Jr., Atlanta saxophonist Mike Sharpe (Shapiro) wrote the song and made the 1967 pop charts with it in the U.S. and Canada.Enter The Classics IVBut the song is much better known as a vocal by The Classic IV, whose James Cobb and producer Buddy Buie added lyrics about that “spooky little girl like you.” It was their band's first big hit, charting in February 1968, No. 3 in the U.S. and No. 1 in Canada.The group had begun five years earlier in Jacksonville, Fla., as a cover band, playing Ventures numbers and instrumental takes on “Misty” and “Summertime.” After a while, fans started requesting vocals.“I can sing,” said one of the founders, drummer Dennis Yost, and that led to a whole new chapter in the group's story.Relocating to Atlanta in the mid-'60s, The Classics IV landed a contract with Imperial Records. A trio of hit records followed, each with one-word titles, “Spooky,” then “Stormy” and “Traces,” all of which have since become popular cover standards.The Third Charting“Spooky” hit the charts for the third time in 1979 when J.R. Cobb and bandmate Dean Daughtry left The Classics IV to be part of the Southern rock band Atlanta Rhythm Section.There Cobb and Daughtry helped ARS record “Spooky,” again with production assistance by Buie. It was the second of two singles released from Underdog, the group's 8th studio album. ARS's version of the song hit No. 17 in the US on Billboard and No. 15 on Cash Box.Gender BendingBut a decade before the ARS recording came Dusty Springfield's 1968 version of “Spooky.”Released as a single worldwide except in the U.S., this gender-flipped version was featured prominently in Guy Ritchie's 1998 film, Lock, Stock and Two Smoking Barrels. Springfield's take on the tune was certified gold in 2024.There were at least two other gender-bender versions. Lydia Lunch sang of a “spooky little boy” when she included the song on her 1980 Queen of Siam album; Martha Reeves inserted a similar rendering on her In the Midnight Hour album in 1986. The latter is especially fun. In her version, Martha also swapped the line "spooky little girl like you" line with "spooky old lady like me.”Floodifying ItThis song was born at jam sessions, with an infectious rhythm and a couple of funky chords that invite all kinds of improvisation, making it a fine fit for The Flood.It's the latest tune that Randy Hamilton and Danny have brought to the band room, complete with those Classics IV lyrics. Here's a take from last week's rehearsal. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

For the first time, multiple Christian musicians are charting on the Billboard Hot 100 at the same time — and staying there for weeks. Has the mainstream found God?Brittany talks with University of Michigan-Dearborn Professor Emerita Dr. Deborah Smith Pollard and Christianity Today reporter Kelsey Kramer McGinnis to understand the multi-billion dollar machine behind the Christian Contemporary Music genre — who gets shut out, and why this holy conquering on the charts has the potential to impact your listening habits.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

This week, Armon is once again joined by Carl Lamarre, Senior Director of R&B/Hip-Hop at Billboard, who kicks things off by standing on business when it comes to Drake (2:28) - favorite deep cut, favorite feature, and top five albums. Next, the guys dive into the CHAT - Clipse's ‘Let God Sort Em Out' (7:57), Giveon's ‘BELOVED' (16:03), Justin Bieber's surprise album ‘SWAG' (22:52), Future's ‘DS2' turning ten years old (28:30), Drake's “What Did I Miss?" debuting at #2 on the Billboard Hot 100 (38:53), and The Boy's comments about UK rappers at Wireless Fest in London (46:42). This week's LUNCH BREAK includes commentary on the end of Love Island USA Season 7 (57:56) and predictions for WWE SummerSlam (1:09:38). As always, the episode closes with the SLIDE DECK (1:16:28), which going forward will only be available on Patreon - patreon.com/staybusypod Stay Busy with Armon Sadler⁠ https://www.instagram.com/staybusypod/⁠⁠ https://twitter.com/staybusypod⁠⁠ https://www.tiktok.com/@staybusypod⁠ Armon⁠ https://www.instagram.com/armonsadler/⁠⁠ https://twitter.com/armonsadler⁠

Although this album was the fourth  Elton John studio album, it was also the third album released in 1971.  John had released a film soundtrack album and a live album previously in the year.  Madman Across the Water is a more progressive album than his previous outings, containing nine tracks with all but the final track exceeding four minutes.  Elton John also had Yes keyboardist Rick Wakeman sit in on the sessions for two of the tracks, playing Hammond organ.  Although it went to number 8 on the US Billboard 200 chart, it did not do as well in his native UK.  The mediocre results in England may be partly explained by the song lengths not fitting nicely into the 3-minute span typical of singles.  Nevertheless, the album contains two singles which would prove to be amongst John's greatest hits. Contemporary critics had mixed reactions to the prog rock bent of the album, with some finding the lyrics confusing and the album as a whole too deep for new fans.  As with much of the discography of music icons like Elton John, reviews would trend more positive over time. Madman Across the Water finds Elton John on the cusp of his ascent to superstardom, when his next several albums would trend towards a glam rock approach and would start regularly topping the charts.Original host Brian Dickhute returns to "What the Riff" studios to help us finish off our podcast series focusing on the Months from 1965 to 1995. Tiny DancerThe lead off track takes its inspiration from two places.  Generally, it is inspired by the spirit of the women Bernie Taupin met in California, and how their styles contrasted with those in the U.K at the time.  More specifically it references Maxine Feibelman, who really was the "seamstress for the band," and supported John's elaborate stage costume style.  Feibelman and Taupin were married in March 1971, with Elton John serving as best man.LevonThe first single from the album tells the story of Levon, a man who is successful in the family business, but trapped in his lifestyle.  "Levon wears his war wound like a crown."  This symphonic piece uses a backing orchestra written, arranged, and conducted by Paul Buckmaster.  Madman Across the WaterThe title track to the album was originally supposed to be a track on John's previous studio album, but it was rearranged for this album.  The lyrics are about a man in a coastal mental institution who doesn't know if he belongs there or not.  Many have speculated that Taupin wrote this about then President Richard Nixon, speculation to which Taupin responds, "That is genius.  I could never have thought of that."Indian SunsetThe story about an American Indian warrior on the verge of defeat was inspired by Frederic Remington painting and/or a visit that Bernie Taupin paid to a reservation.  John has stated that the song is not a protest song, but a story.  The opening acapella verse sets the wistful tone of the rest of the song. ENTERTAINMENT TRACK:Main theme from the children's television series “Electric Company""Hey you guys!"  This children's educational show debuted in 1971.   STAFF PICKS:Uncle Albert/Admiral Halsey by Paul and Linda McCartneyBruce begins the staff picks with a song from "Ram," the only album attributed to Paul and Linda McCartney.  It reached number 1 on the Billboard Hot 100 in September 1971, making it the first post-Beatles McCartney single to top the US charts.  It is actually a compilation of several song fragments assembled by engineer Eirik Wangberg.  The lyric "hands across the water/heads across the sky" refers to Linda and Paul being American and British.Rain Dance by the Guess WhoRob brings us a song penned by Burton Cummings and Kurt Winter which was the lead-off track from the Guess Who's eighth studio album, "So Long, Bannatyne."  Randy Bachman had departed the band by this time.  Many of the lyrics reference landmarks or businesses in their native Winnipeg, Canada.  You Say It by Al GreenWayne's staff pick is a fusion of funk and soul off Al Green's third studio album.  Green got his start at the age of nine in a gospel quartet. The lyrics from this song discuss the difficulties a guy has in picking up the phone to call his girl.  Al Green became a minister in 1976 and returned to gospel music in the mid-80's.I'd Love to Change the World by Ten Years AfterLynch features a song that is the sole top-40 single from the British blues rock group in the U.S., peaking at number 40 on the Billboard Hot 100.  The lyrics express the frustration of the counter culture movement in wanting to change the world, but realizing that solutions are harder to reach than thought.Gypsys, Tramps and Thieves by CherBrian finishes out the episode with a story from Cher. The lyrics are told from the perspective of a Gypsy girl born to a dancer in a traveling show.  When she is 16, she becomes pregnant from a young stranger who runs off, leaving her to raise a baby girl in the same situation as her mother raised her. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

fWotD Episode 2999: Red (Taylor Swift album) Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Monday, 21 July 2025, is Red (Taylor Swift album).Red is the fourth studio album by the American singer-songwriter Taylor Swift. It was released on October 22, 2012, by Big Machine Records. Swift designated Red as a breakup album and her last to be promoted as country music.To convey the complex and conflicting feelings ensuing from lost love through music, Swift engaged new producers to experiment with styles other than the country pop sound of her past albums. She produced the majority of Red with her long-time collaborator Nathan Chapman and the rest with Dann Huff, Max Martin, Shellback, Jeff Bhasker, Dan Wilson, Jacknife Lee, and Butch Walker. The album incorporates styles of pop, rock, folk, and country, composed of acoustic instruments, electronic synths, and drum machines. Initial reviews mostly praised Swift's songwriting for its emotional exploration and engagement, but critics deemed the production inconsistent and questioned her identity as a country artist.Swift supported Red with the Red Tour (2013–2014). The singles "We Are Never Ever Getting Back Together" and "I Knew You Were Trouble" peaked at numbers one and two on the Billboard Hot 100 and reached the top 10 on charts worldwide. Red topped the charts and received multi-platinum certifications in Australia, Canada, New Zealand, and the United Kingdom. In the United States, it spent seven weeks atop the Billboard 200 and made Swift the first artist since the Beatles to have three albums each with at least six weeks at number one on that chart. The Recording Industry Association of America certified the album seven-times platinum for surpassing seven million album-equivalent units.Red was nominated for Album of the Year at the 2013 Country Music Association Awards, and Album of the Year and Best Country Album at the 2014 Grammy Awards. Retrospectively, critics have regarded Red as a career-defining work that showcased her evolved songcraft and as a transitional album bridging her country roots to mainstream pop. Many publications ranked it among the best albums of the 2010s decade, and Rolling Stone placed it at number 99 on their 2023 revision of "500 Greatest Albums of All Time". Following a 2019 dispute regarding the ownership of Swift's back catalog, she released the re-recorded album Red (Taylor's Version) in 2021, and later acquired the original album's master recording in 2025.This recording reflects the Wikipedia text as of 01:38 UTC on Monday, 21 July 2025.For the full current version of the article, see Red (Taylor Swift album) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Salli.

Linktree: ⁠https://linktr.ee/Analytic⁠Become A Patron Of The Notorious Mass Effect Podcast For Additional Bonus Audio And Visual Content For All Things Nme! Join Our Patreon Here: ⁠https://ow.ly/oPsc50VBOuH⁠Join Analytic Dreamz on Notorious Mass Effect for an in-depth segment on Yeat and BNX's 2025 single Im Yeat. Dive into Yeat's experimental trap and hyperpop sound, blending synthetic beats and meme-driven lyricism. Analytic Dreamz explores the track's TikTok-fueled virality, with hashtags like #ImYeat driving fan engagement, alongside playlist boosts on Spotify's RapCaviar and Apple Music's New Fire. Despite no Billboard Hot 100 or RIAA certifications, Im Yeat thrives on streaming and fan remixes. Unpack its digital-first strategy and impact on internet-native hip-hop culture.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

pWotD Episode 2998: Connie Francis Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 557,797 views on Thursday, 17 July 2025 our article of the day is Connie Francis.Concetta Rosa Maria Franconero (December 12, 1937 – July 16, 2025), known professionally as Connie Francis, was an American pop singer, actress, and one of the top-charting female vocalists of the late 1950s and early 1960s. She was estimated to have sold more than 100 million records worldwide.In 1960, Francis was recognized as the most successful female recording artist in Germany, Japan, the United Kingdom, Italy, Australia, and the United States. She became the first woman in history to reach No. 1 on the Billboard Hot 100 when "Everybody's Somebody's Fool" topped the chart in 1960. She was also the first woman to achieve three No. 1 hits on the chart, among her 53 career entries.In 1974, Francis was beaten and raped at knife point at a hotel in Jericho, New York. In the years after the incident, Francis suffered from depression and post-traumatic stress disorder. She attempted suicide in 1984 and was in a coma for several days. Two months after her 1962 song "Pretty Little Baby" became viral on social media platforms, including TikTok, Francis died in July 2025, aged 87.This recording reflects the Wikipedia text as of 02:41 UTC on Friday, 18 July 2025.For the full current version of the article, see Connie Francis on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Jasmine.

On the new Billboard Pop Shop Podcast, Katie & Keith are talking about why Justin Bieber's surprise "SWAG" album release made sense, what kind of sound he was going for on the project, and where it could end up on next week's Billboard 200 albums chart. Also on the show, Morgan Wallen's I'm the Problem holds tight to No. 1 on the Billboard 200 chart for an eighth straight week -- so how unusual is it for an album to spend its first two months on the chart at No 1? Plus, a KPop Demon Hunters track slays its way into the top 10 on the Billboard Hot 100 chart, while Drake makes a splashy debut with his new single “What Did I Miss?” Learn more about your ad choices. Visit megaphone.fm/adchoices

Linktree: ⁠https://linktr.ee/Analytic⁠Become A Patron Of The Notorious Mass Effect Podcast For Additional Bonus Audio And Visual Content For All Things Nme! Join Our Patreon Here: ⁠https://ow.ly/oPsc50VBOuH⁠ Join Analytic Dreamz on Notorious Mass Effect for an in-depth exploration of Juice WRLD's Legends Never Die 5-Year Anniversary Edition. This segment dives into the Chicago artist's legacy, blending hip-hop, emo, and rock. Released July 11, 2025, the reissue features unreleased tracks, remixes, and collectible vinyl, reigniting fan engagement. With 497,000 units sold in its debut week and 17 tracks on the Billboard Hot 100, the album's impact endures. Analytic Dreamz breaks down sales, streaming trends, and global chart success, highlighting Juice WRLD's lasting influence.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

While this album is a bit soft for our typical rock and roll podcast, you just can't talk about music in the early 70's without giving some attention to the Carpenters.  The dual of siblings Karen and Richard Carpenter would have a multitude of hits based on their close harmonies and melodic pop sensibilities.  They began as a jazz group in 1966 when Karen was still in high school, and would eventually sign to A&M Records as the Carpenters in early 1969.  Richard Carpenter was the keyboardist and primary driver behind the Carpenters' sound. Karen began as the groups drummer, and would continue in this role intermittently, though her distinctive vocals demanded her to often be out front on tour with a touring drummer (Hal Blaine) taking her place behind the kit.A Song for You was the Carpenters fourth studio album.  It featured a mixture of songs written or co-written by Richard Carpenter, and songs from other songwriters adapted to the group by Richard Carpenter.  It reached number 4 on the Billboard 200 albums chart in the US and number 13 on the UK Albums chart.  Six of the 12 songs (plus a reprise of the title track) were released as singles.The Carpenters were careful in managing their image and maintained a wholesome persona throughout their career.  Richard Carpenter would balk at the "squeaky clean" image that A&M Records, believing that the focus should be more on the music than their image.  Much later the struggles Richard faced with pills would come to light, and Karen's death in 1983 as a consequence of anorexia nervosa would put a much-needed spotlight on the eating disorder affecting countless people.The Carpenters produced 10 albums over their 14-year career, along with a number of singles and multiple television specials.  Lynch brings us a look at the softer side of rock for today's podcast. Goodbye to LoveRichard Carpenter and John Bettis wrote this song.  Carpenter was inspired to write this track after seeing a 1940 Bing Crosby film called "Rhythm on the River."  In the film, the struggling songwriter often refers to his greatest composition being "Goodbye to Love," but the song is never played.  Carpenter took this inspiration and created the song.   Top of the WorldOne of the best known songs from the Carpenters today, this track was not originally intended to be a single.  However, after country singer Lynn Anderson had success with a cover, the Carpenters reconsidered and released the song as a single.  It would top the US charts in 1973, one of three Carpenters songs to do so. Hurting Each OtherGary Geld and Peter Udell wrote the original song which was first performed by Jimmy Clanton in 1965.  The Carpenters had the Wrecking Crew as their session musicians on their arrangement which went to number 2 on the U.S. charts.  A Song for YouThe title song from the album was originally written and performed by Leon Russell on his 1970 solo debut.  Though the Carpenters version was not released as a single, it starts and concludes the album, making the whole a concept reflecting on its plea for understanding and forgiveness.  ENTERTAINMENT TRACK:Main theme from the television series "The Waltons"This historical drama set in West Virginia during the depression began in September 1972. STAFF PICKS:Saturday in the Park by ChicagoRob open this week's staff picks with a song penned by Robert Lamm for the album Chicago V.  The inspiration was either a walk in Central Park on July 4, 1970, or a compilation of film shot in Central Park in the early 70's.  The track reached number 3 on the Billboard Hot 100, the highest-charting single from Chicago at the time.Rock 'N' Roll Soul by Grand Funk RailroadWayne's staff pick is the closing anthem from Grand Funk Railroad's sixth studio album, Phoenix.  The lyrics from this Detroit group celebrate the power of rock music as a source of joy, freedom, and self-expression.  "Tell everyone you know, you've got some Rock and Roll soul."Use Me by Bill WithersBruce brings us a song that Withers penned as a funny answer to those who thought he was too nice.  Bill Withers claimed that he wasn't very popular and had a stutter until his late 20's.  This song was basically Withers saying, "OK, you want a nasty boy?  Well here I come!"  It is his second biggest hit in the U.S. behind "Lean on Me," and reached number 2 on the Billboard Hot 100 chart.  Alone Again (Naturally) by Gilbert O'SullivanLynch closes out the staff picks with an introspective ballad.  Despite the upbeat tempo and melody, the lyrics are quite dark.  The first verse contemplates suicide after a failed attempt at a wedding, while other verses question the existence of God and lament the loss of parents. Irish singer-songwriter O'Sullivan originally did not include this single on his second album, "Back to Front," but included it on re-issues due to its popularity.  It spent six weeks on top of the Billboard Hot 100 chart.INSTRUMENTAL TRACK:Popcorn by Hot ButterYou may not know the name, but you've surely heard this instrumental ditty that went to number 9 on the Billboard Hot 100 and closes out today's podcast.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Through every sentence and paragraph that makes up Jamess epistle, it oozes with wisdom as to how the Christian can live out his/her faith. The epistle helps us understand what faith looks like while suffering, how it responds to both poverty and wealth, how faith in Jesus impacts our speech, and how our faith as Christians helps us navigate life in our upside-down world. The group of Christians James addressed his letter to were Jewish Christians who understood what it meant to be a marginalized people, even before faith in Jesus; but after belief in Jesus as the promised Messiah, they were also ostracized by members of their community, and for some, their own family members. So, who was James? Let me begin by stating the two things that we know about the person who wrote this epistle: 1) James was the half-brother of Jesus, and 2) he did not believe in Jesus until he witnessed His resurrection. Here is why I am mostly certain that James, the half-brother of Jesus (and not the apostle James) wrote this epistle: The apostle James died by execution under Herod before this epistle was written (Acts 12:1-2), and the James mentioned in Galatians 2 and Acts 15 is the brother of Jesus who became a predominant leader in the Jerusalem church. We are told in the gospels that Jesus had biological brothers who were born to Joseph and Mary after Jesus birth who did not fully believe in Jesus even though they grew up with Jesus (see Matt. 13:55; Mark 6:3; John 7:3-5). Jesus appeared to his brother, James, and then to the rest of His brothers, after his resurrection (see 1 Cor. 15:6-7). However, when James did finally believe in Jesus, he was all-in on who his older brother claimed to be, and his belief was backed up by his life, actions, and convictions. Not only was James all-in when it came to Jesus, but how he introduced himself in his epistle tells us a lot about who he was as a man of God: James, a bond-servant of God and of the Lord Jesus Christ, To the twelve tribes who are dispersed abroad... (v. 1). James does not introduce himself as the half-brother of Jesus, but as a bond-servant of God. The Greek word for bond-servant is doulos, and it literally means slave. In other words, James authority as a leader does not come from his biological relationship to Jesus, but his submission to the Lordship of Christ, not as his older brother, but as the King of kings and Lord of lords. The other thing to note here is that James places God and the Lord Jesus side-by-side, implying that Jesus words before James believed are the truth that he has since bowed his knee too (see John 10:30). I believe that James finally believed that his brother was the Messiah when Jesus appeared to him after He rose from the dead (1 Cor. 15:6-7), which is a good reminder right from the very beginning of James, that no one who has truly encountered the resurrected Christ can remain unchanged by an encounter with the living Christ. James went from a doubter who grew up with Jesus to a believer who would identify himself as a slave to God, and held Jesus as the Lord over his life. The dispersed Christians James addressed his letter to most likely include hundreds of Christians who fled Jerusalem as a result of the stoning of Stephen and the great persecution Saul (before his conversion and was renamed Paul) and others brought upon the Jewish Christians in Jerusalem. I think James originally addressed his letter to those we read about in Acts 8:1-3, Now Saul approved of putting Stephen to death. And on that day a great persecution began against the church in Jerusalem, and they were all scattered throughout the regions of Judea and Samaria, except for the apostles. Some devout men buried Stephen, and mourned loudly for him. But Saul began ravaging the church, entering house after house; and he would drag away men and women and put them in prison. It was to these Christians (and others), and now to us, that James letter addresses. The two great themes that are repeated through this epistle are faith (a word used at least 14 times) and obedience to God as the fruit of genuine faith (there over 50 imperatives given throughout James regarding this). This is the reason for the title of my sermon series: Faith and Works. There were other titles I thought of while preparing for this sermon series that came to mind, such as: Faith-Acts, Faith-Works, but settled for Faith and Works. If you are looking for a verse that encapsulates the theme of James, I submit to you James 2:17, In the same way, faith also, if it has no works, is dead, being by itself. With the time that I have left, I would like to direct your attention to three categories that James addresses in verses 2-11 that set the tone for the rest of the epistle: 1) suffering and joy (vv. 2-4), 2) wisdom and knowledge (vv. 5-8), and 3) poverty and wealth (vv. 9-11). Suffering and Joy are Compatible (vv. 1-4) Suffering and joy sound just as incompatible as water and oil do they not? Whoever wanted to sign up for a healthy dose of suffering? You might be thinking to yourself: Jesus did. You are correct in thinking so, but do not forget that on the eve of His suffering, we are told our Lord prayed while in agony over what He was about to suffer: And being in agony, He was praying very fervently; and His sweat became like drops of blood, falling down upon the ground (Luke 22:44). Jesus even included in His prayer, Father, if You are willing, remove this cup from Me; yet not My will, but Yours be done (22:42). The world tends to look at joy and suffering as incomparable, but James gives us a different perspective, he informs these dispersed Jewish Christians who have lost their homes and loved ones, Consider it all joy, my brothers and sisters, when you encounter various trials... Notice that James does not use the word some but the word all when it comes to the level of joy that we should have over the various trials we will experience in life. Why should we consider it all joy when things get difficult in life? On the surface, it sounds like James is giving us the same advice Bobby McFerrin gave us in the late 80s with his one-hit-wonder song, Dont Worry, Be Happy. Some of you remember the song: Here's a little song I wrote You might want to sing it note for note Don't worry, be happy In every life we have some trouble But when you worry you make it double Don't worry, be happy Ain't got no cash, ain't got no style Ain't got no one to make you smile Don't worry, be happy Cos when you worry, your face will frown And that will bring everybody down So don't worry, be happy Did you know that McFerrins song was number-one on the Billboard Hot 100 chart for two weeks straight and that he received a Grammy for Song of the Year for that song? If James told these Christians the same thing Bobby McFerrin wrote in his song, they would have assumed that James was out of touch at best, and crazy at worse! Thankfully, James is not telling Christians who face the various trials that come our way to fake a smile and repeat to ourselves: Dont worry, be happy. That just will not work! James also experienced the fear his dear brothers and sisters experienced when persecution came into their city, and he no doubt felt the loss of dear Stephen when he had his head and body crushed under a barrage of rocks that resulted in Stephens martyrdom (see Acts 7). James is not talking about putting a smile on your face or faking your joy after receiving news of a terminal illness, the loss of a job, or the death of a loved one. He is reminding us that there is purpose behind our suffering even when it is brought to us by the hands of evil men or rouge cells in your body. Behind your suffering is a good God who does not waste your tears nor your hurts. What James wants these Christians to understand, and what the Spirit of God wants us to know, is that the various trials you will experience are allowed into your life by design and with purpose. Consider what two other apostles had to say about the purpose of suffering in the Christian life: The Apostle Peter: In this you greatly rejoice, even though now for a little while, if necessary, you have been distressed by various trials, so that the proof of your faith, being more precious than gold which perishes though tested by fire, may be found to result in praise, glory, and honor at the revelation of Jesus Christ... (1 Pet. 1:67) The Apostle Paul: ...but we also celebrate in our tribulations, knowing that tribulation brings about perseverance; and perseverance, proven character; and proven character, hope; and hope does not disappoint, because the love of God has been poured out within our hearts through the Holy Spirit who was given to us. (Rom. 5:35) It is also important to note that James informs us that trials will come. The question is not if they come, but when they come (v. 2). We will come back to the significance of verses 3-4 next week when we look at verse 12, but for now you should know that your trials are producing something in you dear Christian. What those trials are producing is the kind of endurance that is fueled by hope because what others mean for evil, or what the hard things in life will ultimately be used for is not your demise or destruction, but your good, because such trials are allowed for two purposes in your life: Gods glory and your good. What else could verse 4 mean? Such trials are wielded by the Almighty to bring about the following in your life: ...that you may be perfect and complete, lacking in nothing. Again, we will unpack this truth a bit more next week, but for now, think of trials as trails that God has purposed to use, to bring about verse 12 in your life: Blessed is a man who perseveres under trial; for once he has been approved, he will receive the crown of life which the Lord has promised to those who love Him. Wisdom for Life is Found in God (vv. 5-8) When we walk through the various trials that will come, such painful experiences can throw us through a tailspin. This is why some deconstruct their faith and walk away from the Christian faith and ask questions like: How can a good God allow such and such into my life? You can look at your circumstances and draw from those things your own conclusions without any regard for how God intends to use such trials to produce something much more lasting and beautiful in your life. Think about how easy it is to walk through your suffering and the hard things of life with little regard to seek wisdom from the One who has called us to walk through such trials. The point of verses 5-8 is that all of life requires a greater wisdom that can only come from the One whose knowledge and understanding of your life and the world is infinite. The fact of the matter is that you really do not know what is coming in while you sit and listen to this sermon. You do not know if there is some rogue cell in your body that threatens certain parts of your body. On a Monday (June 30th) I was told that my uncle was in hospice and by Thursday morning (July 3rd) he was dead. This is why Jesus said, For this reason I say to you, do not be worried about your life, as to what you will eat or what you will drink; nor for your body, as to what you will put on. Is life not more than food, and the body more than clothing? Look at the birds of the sky, that they do not sow, nor reap, nor gather crops into barns, and yet your heavenly Father feeds them. Are you not much more important than they (Matt. 6:2526)? Jesus did not just tell us to not worry but provided the best way to fight and push back our anxiety: But seek first His kingdom and His righteousness, and all these things will be provided to you (Matt. 6::33). Listen, when the trials come in the form of waves or even tsunamis, if your faith is not tethered to the One who is sovereign over such waves, you will be driven and tossed by the wind (Jas. 1:6). The point James is making in verse 5 is that we do what Jesus told us to do: Dont lean onto your own understanding in the midst of your trial but seek wisdom from the God who wants to use your trials to produce what is lacking in you. Instead of asking, Why me? You ought to ask: Lord, please use this trial in a way that helps me know and understand you more so that I can live the life you have called me to live better. Instead of running to your own conclusions, seek wisdom from the One who sees the whole picture of your life. Instead of running to whatever solution you think is best, run to Him who knows what is best! Our Treasure is Not Earthly (vv. 9-11) Finally, regardless of what you have in your bank account, your position and status before God has nothing to do with what the world thinks of you but what God thinks of you. The real question is not how much you have of this world, but how much of your heart does the Lord have of you? What is your so-called faith? Is it just religion? Where or who is your treasure? Most of those to whom James was writing, were poor. With the persecution that came to Jerusalem, they had lost their income, property, and social status. However, there were some who were wealthy. For those who are poor, it is easy to conclude that God has forgotten them. For those who are wealthy, it is easy to forget God. The danger for both groups of people is to become spiritually near-sighted to the point that you fail to set your eyes on what it is that you did not work for and cannot lose. How can you experience joy in suffering? Where does lasting wisdom really come from, wisdom that guides rather than blinds? It comes from setting our eyes upon that which has been given and promised to those who have been truly saved by the grace of God through faith in His Son, to receive the gift of salvation that you cannot work for or earn. Those who share in James status as bond-servants of God and of the Lord Jesus Christ (v. 1), are heirs of Him who spoke and owns the cattle on a thousand hills! The poor are to glorify in their high position as those whose inheritance and status is found in the King of kings and Lord of lords! The rich person who also is a bond-servant of God and of the Lord Jesus Christ, must hold his/her wealth with an open hand in a way that honors God and serves His people. Why? Well, in the words of the famous missionary, CT Studd: Only one life, 'twill soon be past, only what's done for Christ will last. Let me leave you with this final thought: When you are going through the hard stuff, know that because of your identity as a Christian, that God is more interested in your good than you can ever wrap your mind around. When the trials come, because you are a Christian this much is true: You are more sinful than you know and more loved than you imagine.

Through every sentence and paragraph that makes up Jamess epistle, it oozes with wisdom as to how the Christian can live out his/her faith. The epistle helps us understand what faith looks like while suffering, how it responds to both poverty and wealth, how faith in Jesus impacts our speech, and how our faith as Christians helps us navigate life in our upside-down world. The group of Christians James addressed his letter to were Jewish Christians who understood what it meant to be a marginalized people, even before faith in Jesus; but after belief in Jesus as the promised Messiah, they were also ostracized by members of their community, and for some, their own family members. So, who was James? Let me begin by stating the two things that we know about the person who wrote this epistle: 1) James was the half-brother of Jesus, and 2) he did not believe in Jesus until he witnessed His resurrection. Here is why I am mostly certain that James, the half-brother of Jesus (and not the apostle James) wrote this epistle: The apostle James died by execution under Herod before this epistle was written (Acts 12:1-2), and the James mentioned in Galatians 2 and Acts 15 is the brother of Jesus who became a predominant leader in the Jerusalem church. We are told in the gospels that Jesus had biological brothers who were born to Joseph and Mary after Jesus birth who did not fully believe in Jesus even though they grew up with Jesus (see Matt. 13:55; Mark 6:3; John 7:3-5). Jesus appeared to his brother, James, and then to the rest of His brothers, after his resurrection (see 1 Cor. 15:6-7). However, when James did finally believe in Jesus, he was all-in on who his older brother claimed to be, and his belief was backed up by his life, actions, and convictions. Not only was James all-in when it came to Jesus, but how he introduced himself in his epistle tells us a lot about who he was as a man of God: James, a bond-servant of God and of the Lord Jesus Christ, To the twelve tribes who are dispersed abroad... (v. 1). James does not introduce himself as the half-brother of Jesus, but as a bond-servant of God. The Greek word for bond-servant is doulos, and it literally means slave. In other words, James authority as a leader does not come from his biological relationship to Jesus, but his submission to the Lordship of Christ, not as his older brother, but as the King of kings and Lord of lords. The other thing to note here is that James places God and the Lord Jesus side-by-side, implying that Jesus words before James believed are the truth that he has since bowed his knee too (see John 10:30). I believe that James finally believed that his brother was the Messiah when Jesus appeared to him after He rose from the dead (1 Cor. 15:6-7), which is a good reminder right from the very beginning of James, that no one who has truly encountered the resurrected Christ can remain unchanged by an encounter with the living Christ. James went from a doubter who grew up with Jesus to a believer who would identify himself as a slave to God, and held Jesus as the Lord over his life. The dispersed Christians James addressed his letter to most likely include hundreds of Christians who fled Jerusalem as a result of the stoning of Stephen and the great persecution Saul (before his conversion and was renamed Paul) and others brought upon the Jewish Christians in Jerusalem. I think James originally addressed his letter to those we read about in Acts 8:1-3, Now Saul approved of putting Stephen to death. And on that day a great persecution began against the church in Jerusalem, and they were all scattered throughout the regions of Judea and Samaria, except for the apostles. Some devout men buried Stephen, and mourned loudly for him. But Saul began ravaging the church, entering house after house; and he would drag away men and women and put them in prison. It was to these Christians (and others), and now to us, that James letter addresses. The two great themes that are repeated through this epistle are faith (a word used at least 14 times) and obedience to God as the fruit of genuine faith (there over 50 imperatives given throughout James regarding this). This is the reason for the title of my sermon series: Faith and Works. There were other titles I thought of while preparing for this sermon series that came to mind, such as: Faith-Acts, Faith-Works, but settled for Faith and Works. If you are looking for a verse that encapsulates the theme of James, I submit to you James 2:17, In the same way, faith also, if it has no works, is dead, being by itself. With the time that I have left, I would like to direct your attention to three categories that James addresses in verses 2-11 that set the tone for the rest of the epistle: 1) suffering and joy (vv. 2-4), 2) wisdom and knowledge (vv. 5-8), and 3) poverty and wealth (vv. 9-11). Suffering and Joy are Compatible (vv. 1-4) Suffering and joy sound just as incompatible as water and oil do they not? Whoever wanted to sign up for a healthy dose of suffering? You might be thinking to yourself: Jesus did. You are correct in thinking so, but do not forget that on the eve of His suffering, we are told our Lord prayed while in agony over what He was about to suffer: And being in agony, He was praying very fervently; and His sweat became like drops of blood, falling down upon the ground (Luke 22:44). Jesus even included in His prayer, Father, if You are willing, remove this cup from Me; yet not My will, but Yours be done (22:42). The world tends to look at joy and suffering as incomparable, but James gives us a different perspective, he informs these dispersed Jewish Christians who have lost their homes and loved ones, Consider it all joy, my brothers and sisters, when you encounter various trials... Notice that James does not use the word some but the word all when it comes to the level of joy that we should have over the various trials we will experience in life. Why should we consider it all joy when things get difficult in life? On the surface, it sounds like James is giving us the same advice Bobby McFerrin gave us in the late 80s with his one-hit-wonder song, Dont Worry, Be Happy. Some of you remember the song: Here's a little song I wrote You might want to sing it note for note Don't worry, be happy In every life we have some trouble But when you worry you make it double Don't worry, be happy Ain't got no cash, ain't got no style Ain't got no one to make you smile Don't worry, be happy Cos when you worry, your face will frown And that will bring everybody down So don't worry, be happy Did you know that McFerrins song was number-one on the Billboard Hot 100 chart for two weeks straight and that he received a Grammy for Song of the Year for that song? If James told these Christians the same thing Bobby McFerrin wrote in his song, they would have assumed that James was out of touch at best, and crazy at worse! Thankfully, James is not telling Christians who face the various trials that come our way to fake a smile and repeat to ourselves: Dont worry, be happy. That just will not work! James also experienced the fear his dear brothers and sisters experienced when persecution came into their city, and he no doubt felt the loss of dear Stephen when he had his head and body crushed under a barrage of rocks that resulted in Stephens martyrdom (see Acts 7). James is not talking about putting a smile on your face or faking your joy after receiving news of a terminal illness, the loss of a job, or the death of a loved one. He is reminding us that there is purpose behind our suffering even when it is brought to us by the hands of evil men or rouge cells in your body. Behind your suffering is a good God who does not waste your tears nor your hurts. What James wants these Christians to understand, and what the Spirit of God wants us to know, is that the various trials you will experience are allowed into your life by design and with purpose. Consider what two other apostles had to say about the purpose of suffering in the Christian life: The Apostle Peter: In this you greatly rejoice, even though now for a little while, if necessary, you have been distressed by various trials, so that the proof of your faith, being more precious than gold which perishes though tested by fire, may be found to result in praise, glory, and honor at the revelation of Jesus Christ... (1 Pet. 1:67) The Apostle Paul: ...but we also celebrate in our tribulations, knowing that tribulation brings about perseverance; and perseverance, proven character; and proven character, hope; and hope does not disappoint, because the love of God has been poured out within our hearts through the Holy Spirit who was given to us. (Rom. 5:35) It is also important to note that James informs us that trials will come. The question is not if they come, but when they come (v. 2). We will come back to the significance of verses 3-4 next week when we look at verse 12, but for now you should know that your trials are producing something in you dear Christian. What those trials are producing is the kind of endurance that is fueled by hope because what others mean for evil, or what the hard things in life will ultimately be used for is not your demise or destruction, but your good, because such trials are allowed for two purposes in your life: Gods glory and your good. What else could verse 4 mean? Such trials are wielded by the Almighty to bring about the following in your life: ...that you may be perfect and complete, lacking in nothing. Again, we will unpack this truth a bit more next week, but for now, think of trials as trails that God has purposed to use, to bring about verse 12 in your life: Blessed is a man who perseveres under trial; for once he has been approved, he will receive the crown of life which the Lord has promised to those who love Him. Wisdom for Life is Found in God (vv. 5-8) When we walk through the various trials that will come, such painful experiences can throw us through a tailspin. This is why some deconstruct their faith and walk away from the Christian faith and ask questions like: How can a good God allow such and such into my life? You can look at your circumstances and draw from those things your own conclusions without any regard for how God intends to use such trials to produce something much more lasting and beautiful in your life. Think about how easy it is to walk through your suffering and the hard things of life with little regard to seek wisdom from the One who has called us to walk through such trials. The point of verses 5-8 is that all of life requires a greater wisdom that can only come from the One whose knowledge and understanding of your life and the world is infinite. The fact of the matter is that you really do not know what is coming in while you sit and listen to this sermon. You do not know if there is some rogue cell in your body that threatens certain parts of your body. On a Monday (June 30th) I was told that my uncle was in hospice and by Thursday morning (July 3rd) he was dead. This is why Jesus said, For this reason I say to you, do not be worried about your life, as to what you will eat or what you will drink; nor for your body, as to what you will put on. Is life not more than food, and the body more than clothing? Look at the birds of the sky, that they do not sow, nor reap, nor gather crops into barns, and yet your heavenly Father feeds them. Are you not much more important than they (Matt. 6:2526)? Jesus did not just tell us to not worry but provided the best way to fight and push back our anxiety: But seek first His kingdom and His righteousness, and all these things will be provided to you (Matt. 6::33). Listen, when the trials come in the form of waves or even tsunamis, if your faith is not tethered to the One who is sovereign over such waves, you will be driven and tossed by the wind (Jas. 1:6). The point James is making in verse 5 is that we do what Jesus told us to do: Dont lean onto your own understanding in the midst of your trial but seek wisdom from the God who wants to use your trials to produce what is lacking in you. Instead of asking, Why me? You ought to ask: Lord, please use this trial in a way that helps me know and understand you more so that I can live the life you have called me to live better. Instead of running to your own conclusions, seek wisdom from the One who sees the whole picture of your life. Instead of running to whatever solution you think is best, run to Him who knows what is best! Our Treasure is Not Earthly (vv. 9-11) Finally, regardless of what you have in your bank account, your position and status before God has nothing to do with what the world thinks of you but what God thinks of you. The real question is not how much you have of this world, but how much of your heart does the Lord have of you? What is your so-called faith? Is it just religion? Where or who is your treasure? Most of those to whom James was writing, were poor. With the persecution that came to Jerusalem, they had lost their income, property, and social status. However, there were some who were wealthy. For those who are poor, it is easy to conclude that God has forgotten them. For those who are wealthy, it is easy to forget God. The danger for both groups of people is to become spiritually near-sighted to the point that you fail to set your eyes on what it is that you did not work for and cannot lose. How can you experience joy in suffering? Where does lasting wisdom really come from, wisdom that guides rather than blinds? It comes from setting our eyes upon that which has been given and promised to those who have been truly saved by the grace of God through faith in His Son, to receive the gift of salvation that you cannot work for or earn. Those who share in James status as bond-servants of God and of the Lord Jesus Christ (v. 1), are heirs of Him who spoke and owns the cattle on a thousand hills! The poor are to glorify in their high position as those whose inheritance and status is found in the King of kings and Lord of lords! The rich person who also is a bond-servant of God and of the Lord Jesus Christ, must hold his/her wealth with an open hand in a way that honors God and serves His people. Why? Well, in the words of the famous missionary, CT Studd: Only one life, 'twill soon be past, only what's done for Christ will last. Let me leave you with this final thought: When you are going through the hard stuff, know that because of your identity as a Christian, that God is more interested in your good than you can ever wrap your mind around. When the trials come, because you are a Christian this much is true: You are more sinful than you know and more loved than you imagine.

Linktree: ⁠https://linktr.ee/Analytic⁠Become A Patron Of The Notorious Mass Effect Podcast For Additional Bonus Audio And Visual Content For All Things Nme! Join Our Patreon Here: ⁠https://ow.ly/oPsc50VBOuH⁠Join Analytic Dreamz on Notorious Mass Effect for an in-depth segment on “Your Idol” by Saja Boys from Netflix's KPop Demon Hunters. This dark, hypnotic K-pop anthem, voiced by Andrew Choi, Neckwav, Danny Chung, Kevin Woo, and samUIL Lee, topped Spotify's U.S. Daily Chart, outpacing BTS' “Dynamite.” Debuting at #77 on Billboard Hot 100, it climbed to #31, with the soundtrack hitting #3 on Billboard 200. With 33M+ Netflix views and viral TikTok traction, Analytic Dreamz unpacks how this fictional K-pop hit dominates charts and reshapes pop culture. Tune in for streaming stats, film impact, and industry insights.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Singles que alcanzaron su puesto más alto en el Billboard Hot 100 en este mismo mes de hace 60 años. Segunda parte dedicada a julio de 1965.(Foto del podcast; Solomon Burke)Playlist;(sintonía) BOOKER T. and THE MG’S “Boot-leg” (top 58)CAL TJADER “Soul sauce (Guacha Guaro)” (top 88)CHET ATKINS “Yaketi axe” (top 98)WILLIE MITCHELL “Buster browne” (top 96)GLORIA LYNNE “Watermelon man” (top 62)LITTLE MILTON “Who’s cheating who?” (top 43)SOLOMON BURKE “Tonight’s the night” (top 28)JOE TEX “One monkey don’t stop no show” (top 65)THE SHANGRI-LAS “Give us your blessings” (top 29)THE CHIFFONS “Nobody knows what's goin' on (in my mind but me)” (top 49)JR. WALKER and THE ALL STARS “Do the boomerang” (top 36)FRED HUGHES “Oo wee baby, I love you” (top 23)CHAD and JEREMY “From a window” (top 97)DONOVAN “Catch the wind” (top 23)MARIANNE FAITHFULL “This little bird” (top 32)OTIS REDDING “I've been loving you too long (to stop now)” (top 21)THE IMPRESSIONS “Meeting over Yonder” (top 48)B.B. KING “Blue shadows” (top 97)FRANK SINATRA “Forget domani” (top 78)Escuchar audio

I used Chat GPT to summarize this. It makes you appreciate Russ because this sucks. We will be back next week.   We're taking a break from recording, but we've got a classic episode of Beck Did It Better ready for you — perfect timing, because on this date in 1995, TLC's “Waterfalls” hit number one on the Billboard Hot 100 and dominated the charts for seven weeks! In this hilarious music podcast episode, all four of your favorite hosts dive deep into an album from the Rolling Stone Top 500, sharing music trivia, wild personal stories, and plenty of hot takes. We talk track rankings, debate hidden tracks and track sequencing, and drop opinions so spicy they'd make even Left Eye sweat. Expect: A deep album review filled with passionate music discussion and comedic banter. Pop culture references and unexpected tangents — from celebrity encounters to awkward life moments. Debates over the best and worst tracks, proving once again that we're the most opinionated bunch of music nerds you'll ever meet. The usual chaos that makes this a truly funny podcast for any fan of classic albums and music analysis. So whether you're a fan of 90s music, music history, or just love hearing four friends roast each other while trying to stay on topic, this episode has you covered. Hit play, and remember: don't go chasing waterfalls — chase great podcasts instead!       Beck Did It Better, Rolling Stone Top 500, music podcast, album review, track rankings, TLC, Waterfalls, Billboard Hot 100, music history, 90s music, music trivia, hot takes, music discussion, comedy podcast, music analysis, hidden tracks, track sequencing, music banter, album rankings, funny podcast, pop culture, music debate, music nerds, classic albums, music opinions, retro music, favorite songs, podcast rerun, musical opinions, chart history, music jokes, comedic hosts, music stories, music commentary, music fans, podcast humor, music fandom, music nostalgia, iconic albums

We covered the self-titled debut album from Crosby, Stills & Nash in episode 137.  Deja Vu is considered the second Crosby, Stills & Nash album, but it is actually the first album by Crosby, Stills, Nash & Young, with Canadian songwriter Neil Young turning the trio into a quartet.While the album continues to feature the signature harmonies associated with Crosby, Stills & Nash, it has a harder, more rocking edge to it. Some of this is undoubtedly due to the addition of Neil Young to the album, but it also reflects the challenges the group members were facing.  Both Stephen Stills and Graham Nash had gone through break-ups in their relationships, and David Crosby tragically had lost his girlfriend Christine Hinton in a car accident.The album was highly anticipated, generating $2 million in pre-sales before its release.  It became a gold record only 14 days after release, and was on the Billboard 200 album chart for 88 weeks.  Contemporary critics provided mixed reviews, but the album has only grown in stature over time, with many reviews considering it amongst the top albums ever produced.  Deja Vu was inducted into the Grammy Hall of fame in 2012.After its release, each of the principal members of the group would record solo albums, and the success of Deja Vu contributed to the individual success of these four solo projects.Crosby, Stills & Nash (and sometimes Young) would continue to produce albums over the decades with their last collaboration occurring in 2015.  The death of David Crosby in 2023 ended the possibility of full reunions.Wayne brings us this soft rock singer-songwriter live album for this week's podcast. Carry OnThe opening track to the album was penned by Stephen Stills who also provides lead vocals.  It is a medley of two songs edited together with a jam session connector, and came together surprisingly fast during a time when most songs were taking a long time to finish.  The lyrics encourage the band members to keep going through times of struggle in relationships both within and outside the band.Teach Your ChildrenGraham Nash wrote this song in 1968 when he was with The Hollies, but had not recorded it with that group at the time.  Nash has associated the song with a photograph exhibit showing a child playing with a toy hand grenade, and the lyrics encourage parents to be careful in how they teach their children.  Neil Young does not play on this song, but the steel guitar is provided by Jerry Garcia of the Grateful Dead. WoodstockUnlike the other tracks on this album, this song was not written by any of the band members, but was penned by Joni Mitchell.  Mitchell had not attended the Woodstock festival, but was inspired to write this song told from the perspective of a concert goer after hearing her then-boyfriend Graham Nash relay the account.  It has become a signature song for the group and a staple of the 60's counter-culture.  Our HouseGraham Nash wrote this song as a description of a day spent with then-girlfriend Joni Mitchell and her two cats in their Laurel Canyon home.  The song was written in an hour on Mitchel's piano.  It went to number 30 on the Billboard Hot 100.  ENTERTAINMENT TRACK:Theme from the motion Picture "Patton"This epic starring George C. Scott was playing in the theaters in 1970.  It won seven Academy awards, including Best Picture. STAFF PICKS:Let It Be by The BeatlesLynch starts the staff picks with a song inspired by a dream.  Paul McCartney's mother, Mary Patricia McCartney, died of cancer with Paul was 14.  In the dream, his mother encourages her son by saying, "It's all right, just let it be."  This single and title song from the final Beatles album debuted at number 6 on the Billboard Hot 100 before topping those charts.Cecilia by Simon & GarfunkelRob brings us the third single from the fifth and final album by Simon & Garfunkel, "Bridge Over Troubled Water."  It was developed in a late night jam when the duo and friends were banging on a piano bench and recording the sound with a tape recorder.  The lyrics depict the heartbreak of a boy delivered from Cecilia his unfaithful lover.The Rapper by The JaggerzBruce features the most successful single from the band whose guitarist and primary songwriter would go on to be Donny Iris.  The song is a warning to the ladies not to be taken in by a smooth talking man telling them lies.  It went to number 2 on the charts.Superlungs My Supergirl by Terry ReidWayne's closes out the staff picks with a cover originally written by Donovan about a 14-year old groupie.  Terry Reid was Jimmy Page's first pick to be lead singer of Led Zeppelin, but was unavailable at the time due to his touring schedule with Cream and the Rolling Stones.  Reid would acquire the nickname of Superlungs. NOVELTY TRACK:Pineapple and the Monkey by The FacesThis instrumental from The Faces debut album takes us out for this week.  Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Miss Heard celebrates Season 6, Episode 305 with an iconic song from Frankie Valli and The Four Seasons. You will learn what they used to be called before The Four Seasons, and which group knocked them out of the Billboard Hot 100 #1 spot after a week on top of that chart. You can listen to all our episodes at our website at: https://pod.co/miss-heard-song-lyrics Or iTunes, Stitcher, Spotify and many more platforms under Podcast name “Miss Heard Song Lyrics” Please consider supporting our little podcast via Patreon at https://www.patreon.com/MissHeardSongLyrics or via PayPal at https://www.paypal.com/paypalme/MissHeardSongLyrics #missheardsonglyrics #missheardsongs #missheardlyrics #misheardsonglyrics #podcastinavan #vanpodcast #FrankieValli #TheFourSeasons #MyEyesAdoredYou #MyEyesofGeorgia   https://www.youtube.com/watch?v=vYtpKBNTCB8 https://en.wikipedia.org/wiki/My_Eyes_Adored_You https://en.wikipedia.org/wiki/The_Four_Seasons_(band) https://en.wikipedia.org/wiki/Frankie_Valli

Nueva entrega de la serie mensual donde recordamos singles que alcanzaron su puesto más alto en el Billboard Hot 100 en este mismo mes de hace 60 años.Playlist;(sintonía) HORST HANKOVSKI “A walk in the black forest” (top 12)THE ROLLING STONES “(I can’t get no) Satisfaction” (top 1)THE YARDBIRDS “For your love” (top 6)THEM “Here comes the night” (top 24)THE KINKS “Set me free” (top 23)IAN WHITCOMB and BLUESVILLE “You turn me on (turn on song)” (top 8)WAYNE FONTANA and THE MINDBENDERS “It's just a little bit too late” (top 45)HERMAN’S HERMITS “(What a) Wonderful world” (top 4)TOM JONES “What’s new pussycat?” (top 3)JOHNNY RIVERS “Seventh son” (top 7)THE GUESS WHO “Shakin’ all over” (top 22)ELVIS PRESLEY with THE JORDANAIRES “(Such an) Easy question” (top 11)THE FOUR SEASONS “Girl come running” (top 30)THE MARVELOUS “I do” (top 37)THE MARVELETTES “I’ll keep holding on” (top 34)BILLY STEWART “Sittin’ in the park” (top 24)JACKIE DESHANNON “What the world needs now is love” (top 7)Escuchar audio

What happens when lifelong fandom meets musical opportunity? Matt Hughes knows firsthand. Having grown up purchasing Black Sabbath albums, Matt eventually found himself trading guitar solos with Tony Iommi and jamming alongside Bill Ward through Rock and Roll Fantasy Camp experiences that transformed his relationship with music.The most remarkable chapters of Matt's story revolve around Rock and Roll Fantasy Camp, which he describes as "life-changing." Through this innovative program, musicians of all skill levels get to perform with rock legends. For Matt, this meant playing Hendrix's "Hey Joe" with Bill Ward and Lita Ford, and later receiving "the nod" from Tony Iommi to take a guitar solo during Black Sabbath's "Into the Void." These surreal moments—capped by Iommi gifting him a guitar pick—illustrate how the boundaries between fan and musician can beautifully blur.As we anticipate Black Sabbath and Ozzy's final performance together in Birmingham on July 5, 2025, Matt's experiences offer a unique perspective on music's power to create meaningful connections across decades. His story reminds us that passion, persistence, and a willingness to participate can transform our relationship with the music and artists we love.We also look back at the Billboard Hot 100 Chart from July 13, 1985. Songs included are Dire Straits "Money for Nothing" and Dead or Alive "You Spin Me Round (Like a Record)." What made #1? Listen to find out!!!Music in My Shoes" where music and memories intertwine.Learn Something New orRemember Something OldPlease like and follow the Music in my Shoes Facebook and Instagram pages and share the podcast with friends on your social media. Contact us at musicinmyshoes@gmail.com.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

Linktree: ⁠https://linktr.ee/Analytic⁠Become A Patron Of The Notorious Mass Effect Podcast For Additional Bonus Audio And Visual Content For All Things Nme! Join Our Patreon Here: ⁠https://ow.ly/oPsc50VBOuH⁠Welcome to Notorious Mass Effect, hosted by Analytic Dreamz, your go-to source for music's hottest releases. In this segment, we dive into Katseye's “Gameboy” from their Beautiful Chaos EP, released June 28, 2025. Formed by HYBE and Geffen Records, Katseye blends American pop with K-pop flair. “Gameboy” delivers hyperpop energy, backed by viral singles “Gnarly” (#90 Billboard Hot 100) and “Gabriela” (#13 Spotify Global). With TikTok-driven momentum and production from Justin Tranter, Beautiful Chaos cements Katseye's global breakout in 2025. Join Analytic Dreamz for the full breakdown! Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

One of the biggest country hits of the year has been "All The Way," by Texas rapper BigXthaPlug and country rocker Bailey Zimmerman, which peaked at #4 on the Billboard Hot 100. The song is a perfectly mixed cocktail of trap sonics with country melodies, held together by a shared southern drawl between the two artists. As the genre of "country" expands and morphs to include different sounds, artists, and styles, "All The Way" serves as an exemplary example of the country-rap hybrid done right. But the song isn't the first to feature an unlikely collaboration across the genre aisle. This episode of Switched On Pop, we go deep on this collab and others, to see what works and what doesn't when the gates that keep the country music industry separate are swung wide open. Songs Discussed: BigXthaPlug, Bailey Zimmerman – All The Way BigXthaPlug – Texas War – Slipping Into Darkness BigXthaPlug – The Largest Bailey Zimmerman – Where It Ends Lil Nas X, Billy Ray Cyrus – Old Town Road Eminem, Rihanna – Love The Way You Lie Nelly – Country Grammar (Hot Shit) Nelly, Tim McGraw – Over And Over Florida Georgia Line, Nelly – Cruise - Remix Ernest, Snoop Dogg – Gettin' Gone Lil Durk, Morgan Wallen – Broadway Girls Learn more about your ad choices. Visit podcastchoices.com/adchoices

Surprisingly, America was formed in London.  The trio of Gerry Beckley, Dewey Bunnell, and Dan Peek met in London where their fathers were stationed at the United States Air Force base at RAF South Ruislip.  The three attended London Central High School and began playing together on borrowed acoustic guitars.  The name came from the Americana jukebox in the mess hall, and a desire to distinguish themselves from the British musicians around them who were trying to sound more American.America is also their self-titled debut album released in the States in January 1972.  The album originally was released without “A Horse With No Name,” but when that single garnered significant commercial success it was added to a re-release of the album in early 1972.  The re-released album would top the US album charts and produce two top-10 singles.The band would be a force in the folk-rock and soft rock genres for a generation.  With close harmonies similar to Crosby, Stills & Nash, and complex acoustic guitar arrangements, their first seven albums would be in the top 50 on the album charts, though this first debut would be their lone chart topper to date.  Their compilation album “History:  America's Greatest Hits” was released at the end of 1975.America produced albums of original material up through 2015.  In 1977 Dan Peek left the group to pursue music in the Contemporary Christian genre.  Speculation regarding a reunion of the original members continued through the years until Peeks death in 2011.Rob brings us a great debut folk rock album in this week's podcast.RiversideThe lead off track is a good example of the original America sound.  It has a laid back message:  I don't want to take anything from you, and I don't want you to take anything from me.  It is a “live and let live” message using a metaphor of life on two sides of the river.A Horse with No NameThis is the track that put the band on the map.  Originally entitled “Desert Song” the track takes inspiration from a Salvador Dali painting and an M.C. Escher painting.  Writer Dewey Bunnell created lyrics loosely based on his travels as a child with family through the deserts of Arizona and New Mexico.  Three RosesBunnell paints a picture of both a quiet life and romantic uncertainty in this song inspired by his girlfriend, soon to be wife.  “Three roses were bought with you in mind.”  Dan Peek takes lead vocal duties on this one with subdued but complex chords and harmonies.I Need YouThe second single from the album was written by Gerry Beckley when he was 16 years old.  Beckley also takes lead vocals on this ballad which went to number 9 on the Billboard Hot 100.  You can sense the similarity to bands like the Beatles and Alan Parsons in this track. ENTERTAINMENT TRACK:Main theme from the television series “Emergency!”This first responder action series focused on Squad 51 in Los Angeles saw its debut in January 1972.  STAFF PICKS:Family Affair by Sly & the Family StoneBruce begins the staff picks with the most successful hit from Sly & the Family Stone.  This song topped the Billboard Hot 100 for three weeks and the R&B Singles chart for five.  This track is a little different for the group, as the guitars are toned down, and the electric piano (with Billy Preston on keyboard) is brought up.  The lyrics talk about the ways a family can go wrong.Roundabout by YesLynch brings us a song written by singer Jon Anderson and guitarist Steve Howe.  The song originated from a trip the group took in Scotland in which they encountered a number of roundabouts.  The line, “in and around the lake” came from one of the lochs they passed.  This opening track from Fragile was drastically edited to produce a single coming in at 3:27 rather than the over 8-minute original.  It reached number 13 on the Billboard Hot 100, the group's highest charting single until 1983's “Owner of a Lonely Heart.”Doctor My Eyes by Jackson BrowneWayne's staff pick is a single off Browne's debut and self-titled album.  The lyrics discuss the feeling that the singer is becoming jaded about life by seeing all the wrong in the world, and now being unable to cry about it.  David Crosby and Graham Nash provide backing vocals to this song which went to number 8 on the Billboard Hot 100.  Misty Mountain Hop by Led ZeppelinRob features a song which was the B-side to Zeppelin's “Black Dog.”  The lyrics take their inspiration from the work of J.R.R. Tolkien, as well as the “Legalize Pot Rally” held in Hyde Park in July 1968.  It appeared on the massive Led Zeppelin IV album.  As Rob says, it is a “mixture of stoner idealism and Tolkien nerdery.” COMEDY TRACK:Pigeon Song by AmericaWe exit with a little double dipping, and with gratefulness that none of us is a pigeon named Fred.  Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Jim and Jimmy reflect on some of the iconic music from the summer of 1980, exploring how these cultural touchstones shaped friendships and created lasting memories during a transformative time.• The summer of 1980 wasn't just hot—it was transformative. As we celebrate the 45th anniversary of The Blues Brothers film, we dive deep into why this musical comedy masterpiece continues to captivate audiences decades later. From the extraordinary lineup of musical legends (James Brown, Aretha Franklin, Ray Charles, and Cab Calloway) to the spectacular car chases through Chicago's streets, this film represents a perfect convergence of comedy, music, and cultural history.• Paul McCartney's "Coming Up" hitting #1 on Billboard Hot 100 in June 1980, sparking new friendships through shared musical experiences• The Clash's "London Calling" making an impact on American radio with its apocalyptic sound and provocative lyrics• Rolling Stones' "Emotional Rescue" album release combining rock with disco influences• REM's "Fables of the Reconstruction" and Talking Heads' "Little Creatures" marking significant 1985 album releases• Listener feedback on past episodes discussing favorite cover songs and musical memories• And yes—Jimmy finally watched The Goonies! His verdict? "A great movie with fantastic acting from those kids." Sometimes peer pressure works for good!Music in My Shoes" where music and memories intertwine.Learn Something New orRemember Something OldPlease like and follow the Music in my Shoes Facebook and Instagram pages and share the podcast with friends on your social media. Contact us at musicinmyshoes@gmail.com.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

Linktree: ⁠https://linktr.ee/Analytic⁠Become A Patron Of The Notorious Mass Effect Podcast For Additional Bonus Audio And Visual Content For All Things Nme! Join Our Patreon Here: ⁠https://ow.ly/oPsc50VBOuH⁠Dive into Segment 15 of Notorious Mass Effect with Analytic Dreamz, dissecting Benson Boone's “Mr. Electric Blue” music video, released June 20, 2025, alongside his sophomore album American Heart. Explore Boone's satirical clapback to critics, embracing “one hit wonder” and “industry plant” jabs through absurd comedy and industry parody. Analytic Dreamz unpacks detailed stats, cultural insights, and fan reactions, highlighting Boone's humor and viral potential. Stay tuned for chart updates on Billboard Hot 100 and Spotify's New Music Friday. Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Steve Miller music has a depth greater than his career-defiining Greatest Hits 1974-1978 album.  That's what I think.  In 1966, he formed the Steve Miller Blues Band. They backed Chuck Berry on his Live at Fillmore Auditorium album, released that year. In 1968, Miller released the psychedelic blues album, Children of the Future. The Joker, from 1973, found him getting radio airplay, and the title song reached number one on the Billboard Hot 100 chart. Miller followed up with Fly Like an Eagle in 1976 and Book of Dreams in 1977 (The songs were recorded at the same time) with a ton of hit singles, including "Fly Like an Eagle", "Rock'n Me", "Take the Money and Run", "Jet Airliner", and "Jungle Love".  In 1978, Greatest Hits 1974–78 was released, featuring the big hits from those two albums. It has sold 15 million copies as of 2025.  Huge. What was Steve Miller before those albums?  And after?  Classic rock radio plays nearly everything off the Greatest Hits record, but most play little else, and that's not good stewardship of Miller's catalog. Let's see what else the Gangster of Love has recorded, released, and even gotten some radio play with that we love. 

Episode 100 takes a deep dive into the curious case of songs that peaked at exactly No. 100 on the Billboard Hot 100. Ray and Marc unpack how this rare chart milestone has evolved, shaped by changes in how Billboard measures music consumption. Discover which artist claims the crown for the most songs to reach the bottom of the chart. Then, explore a new way to enjoy music by uncovering overlooked gems from 1955 to 2025 that feature artists like Jay-Z, Drake, Mariah Carey, Doja Cat, Tom Petty, Lil Wayne, Seal, Aretha Franklin, Brook Benton, Mary Wells, and many more. You might just find your next favorite song—right where the chart ends.

Linktree: ⁠https://linktr.ee/Analytic⁠Become A Patron Of The Notorious Mass Effect Podcast For Additional Bonus Audio And Visual Content For All Things Nme! Join Our Patreon Here: ⁠https://ow.ly/oPsc50VBOuH⁠Dive into Notorious Mass Effect with Analytic Dreamz for a detailed Segment on KATSEYE's hyperpop hit “Gnarly” from their upcoming EP Beautiful Chaos (June 27, 2025). Explore the global girl group's rise, blending K-pop and American pop, with 79.4M Spotify streams and a #32 peak on Billboard Global 200. Analyze the Ice Spice remix's cultural impact, TikTok-driven virality, and vinyl sales surge. Plus, chart KATSEYE's #92 Billboard Hot 100 debut and upcoming Kids' Choice Awards performance. Join Analytic Dreamz for music insights! Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Before the grunge movement of the 90's, and before the punk movement of the 70's, there was the garage band phenomenon of the 60's.  One of the forerunners of both punk and grunge from this garage band period is Tacoma Washington's The Sonics.  Their classic lineup consisted of Rob Lind on harmonica, vocals, and sax, Gerry Roslie on organ, piano, and lead vocals, Larry Parypa on lead guitar and vocals, Andy Parypa on bass, and Bob Bennett on drums.  The Sonics had a fast, hard-edged sound similar to The Kinks, and performed with a speed that would inspire punk rock.Boom is their second studio album from the band, released in February 1966.  As with many songs from the mid-60's, all the songs are short.  But with a non to the future punk movement, many songs are even shorter, clocking in at just over 2 minutes.  The Sonics take their name from Boeing, the aviation company also based in Tacoma.  The name of the album is likely a play on words for the "sonic boom," the thunderous sound produced by an aircraft exceeding the speed of sound.  The music on this album is energetic and abrasive, and while some fuzzy guitar distortion is included the overall feel is raw with little extra production.The classic lineup would fall apart by 1968, with members leaving to join other bands, attend college, or in saxophonist Rob Linds' case - become a fighter pilot in the Vietnam War.  Gerry Roslie would be the sole remaining original member with new members jumping in and out of the band until 1980.  Wayne brings us this forerunner of punk and grunge for this week's podcast. CinderellaThe lead-off song from the album was an original piece written by Gerry Roslie.  The lyrics relay a boy meeting a girl at a bar, having a great time drinking and dancing, and just when things start to get going well, the girl is gone by midnight.  He's Waitin'This song starts the B-side of the album, and was also a Gerry Roslie original.  This "boy loses girl" song is not a happy one!  The lyrics reflect the boy's thoughts on being burned by a girl.  Now he is telling her that Satan is waiting for her.  "It's too late, you lied, now you will fry." Louie, LouieRichard Berry wrote and performed this song in 1957 with The Pharaohs, and covers of this song are common with garage bands.  The Sonics' version is quite fast, and modifies the pronunciation from "Lou-ee Lou-ee" to "Lou-eye Lou-way" in the chorus.  It is hard to separate this song from the thoughts of fraternity parties and the comedy movie "Animal House." Shot DownThe song that closes out the album laments about striking out when approaching a girl.  "I play a guitar.  I even drive a brand new car.  Big man in town, I've been shot down."  ENTERTAINMENT TRACK:Theme from the motion picture "The Rare Breed"This western starred James Stewart and Maureen O'Hara and was one of the first films scored by the now-legendary composer John Williams. STAFF PICKS:Crying Time by Ray CharlesBruce leads off the staff picks with the lead single and starting track to Ray Charles' album of the same name.  The song was originally performed by Buck Owens in 1964, and Charles kept the country feel while taking the cover to number 6 on the Billboard Hot 100.  He won the Grammy Awards in 1967 for Best R&B Recording and Best R&B Solo Performance for this track.It's a Man's Man's Man's World by James BrownLynch brings us a song that takes its name as a play on the name of a 1963 comedy film, "It's a Mad, Mad, Mad, Mad World."  The minor key track has lyrics decrying the chauvinism of society where all the work of modern civilization are attributed to men, but it would all "mean nothing without a woman or a girl."  Brown recorded the song in only two takes, and it would become a staple of his live shows for the rest of his career.Secret Agent Man by Johnny RiversRob features a surf rock song originally developed as the opening intro to the U.S. spy television series "Secret Agent," which aired from 1964 to 1966. The ditty became popular, and Rivers developed it into a full single.  The song would go to number 3 on the Billboard Hot 100, becoming both a signature song for Rivers and a rock standard for future bands and shows.Lies by The KnickerbockersWayne's closes out the staff picks with a song from an American band deliberately trying to mimic the sound of a British Invasion song.  The trio harmonies definitely give it a Beatles quality.  As you might expect from the band name, the Knickerbockers got their start in New Jersey as a garage band.  The track came together in about a half hour. COMEDY TRACK:The One on the Right is On the Left by Johnny CashThis comedy song about a band with incompatible political leanings amongst its members takes us out for this week's podcast. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

On THIS day in 1998, "Ray of Light" became Madonna's highest debuting single, peaking at #5 in its first week on the Billboard Hot 100 in the U.S. To commemorate this achievement and celebrate the upcoming release of her long-awaited "Veronica Electronica" remix album, hear THIS...my Magic Zephyr Remix, so enjoy! 

Flesh & Blood, the third studio album by Poison, finds the group at the top of their form.  The team of Bret Michaels on lead vocals, C.C. DeVille on lead guitar, Bobby Doll on bass, and Rikki Rockett on drums had been quite successful in the glam metal genre of the mid-80's, and had developed a reputation for a "work hard, play hard" mentality.  While they had a legendary stage presence, they also were plagued with fights both within and outside of the band.  A number of lawsuits in various cities were predicated on Michaels' tendency to get into fights at parties and other events.  Despite these issues - or perhaps because of them - their reputation only grew over time. Flesh & Blood is an album that is more challenging musically than the earlier ones.  The band is toning down their glam metal persona and taking on more serious lyrical themes.  Songs cover a wide range from sex and motorcycles, to struggles with long term relationships, to frustration with the struggles seen in society.  The band would drop the excessive makeup of their earlier career, and found the songs on a more blues-oriented rock.  More piano work is included, with keyboardist John Webster contributing to the album sessions.The result was a success, reaching triple platinum status by 1991.  The album peaked at number 2 on the Billboard 200 chart and number 3 on the UK albums chart. This album would be a kind of high water mark for the group, as the industry was moving away from the metal sound of the late 80's and into the grunge sound of the mid-1990's.  However, the group would go on to record and tour into the new millennium, and Bret Michaels would become both a solo act and a celebrity with his MTV reality show "Rock of Love with Bret Michaels."Lynch brings us a look at a somewhat more mature Poison on this week's for today's podcast. Unskinny BopNot every song has deep or significant lyrics.  This hit single from the album started as a nonsense lyric, a placeholder that stuck.  The catchy repetition would make it a crowd favorite at concerts, and it was a top 10, going to number 3 on the Billboard Hot 100.Valley of Lost SoulsA deeper cut, this song lyrics talk about the life of a rock artist struggling to make it in a place without compassion.  It is a slower piece, but definitely not a ballad.  Life Goes OnC.C. DeVille brought the original draft of this song to the band.  The lyrics were inspired by a girlfriend of DeVille who was shot and killed in a California bar fight, and describe the quest for light at the end of a dark period in life.Something to Believe InThis ballad was the second single released from the album, and went to number 4 on the Billboard Hot 100.  Bret Michaels dedicated this song to his friend and bodyguard James Kimo Maano who had died previously.  The lyrics reflect the frustration in the failures of society, from poverty, to the treatment of Vietnam veterans, to the hypocrisy of televangelists. ENTERTAINMENT TRACK:You're In the Doghouse Now by Brenda Lee (from the motion picture “Dick Tracy”)This action movie based on the comic series from the 1930's starred Warren Beatty in the title role, along with Al Pacino and Madonna. STAFF PICKS:Ball and Chain by Social DistortionWayne kicks off the staff picks with a more alternative rock song penned by a punk rock band from their third and self-titled album.  The lyrics describe a hard luck story of a man who can't escape his difficulties.  It could be about a relationship, a rut in life, or about any vice that holds you down.Way Down Now by World PartyRob's staff pick is the first single from World Party's second studio album, "Goodbye Jumbo."  If you hear echoes of "Sympathy for the Devil," that is deliberate - though the song is much more upbeat.  It reached number 1 on the U.S. Modern Rock Tracks chart.  World Party is primarily a one-man project from multi-instrumentalist Karl Wallinger from the Waterboys.Tie Dye on the Highway by Robert PlantBruce brings us a song off plant's fifth studio album "Manic Nirvana."  The spoken line, "What we have in mind is breakfast in bed for 400,000." is from Wavy Gravy and the Hog Farm Collective, delivered at the Woodstock festival in 1969 announcing the intention to provide free breakfast to the crowd.  Kool Thing by Sonic YouthLynch closes out the staff picks with a song critical of the over-the-top masculinity of LL Cool J.  It was the first single from their sixth studio album, "Goo."  The track never mentions LL Cool J personally, but references a number of his works.  Chuck D. of Public Enemy provides the spoken vocals to the song.INSTRUMENTAL TRACK:Mildred Pierce by Sonic YouthWe double up on Sonic Youth as we end today's podcast with their instrumental based on a 1945 film noir starring Joan Crawford.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Linktree: https://linktr.ee/AnalyticBecome A Patron Of The Notorious Mass Effect Podcast For Additional Bonus Audio And Visual Content For All Things Nme! Join Our Patreon Here: https://ow.ly/oPsc50VBOuHJoin Analytic Dreamz on Notorious Mass Effect for an in-depth segment on Pluto's viral hit “Whim Whamiee,” featuring YK Niece. This Atlanta-rooted trap anthem, produced by Zaytoven, Mikey, and Jai, blends melodic rap with ratchet energy. Sparked by a TikTok clip (~250,000 views), it hit #92 on Billboard Hot 100, #2 on Spotify Viral 50, and #1 on Atlanta's Apple Music Top 25. With 12M+ YouTube views, endorsements from Latto, Flo Milli, and Lizzo, and a Sexyy Red remix, this track is a 2025 “Song of the Summer” contender. Dive into the analytics and cultural impact with Analytic Dreamz.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

After Taylor Swift surprised the world late last week with the news that she now owns the masters of her first six albums, once the dust settled, fans wondered: Will the final two planned re-recordings of her self-titled 2008 debut album and of 2017's "Reputation" ever see the light of day? On the new Billboard Pop Shop Podcast, Katie & Keith are talking all about Swift being reunited with her first six albums and what the circumstances might be for their Taylor's Version re-releases. Plus, we've got chart news on Alex Warren's "Ordinary" hitting No. 1 on the Billboard Hot 100, and how Morgan Wallen joins an elite group of acts that have charted three albums simultaneously in the top 10 on the Billboard 200 in the last 60 years. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the more underrated - some might say virtually lost - bands of the early rock era is Delaney & Bonnie.  This singer-songwriter duo is made of session guitarist/vocalist Delaney Bramlett and his wife and former Ikette Bonnie Bramlett.  Just as important as this founding couple is the number of talented musicians they brought into their recordings, with albums often being referenced as recorded by "Delaney & Bonnie and friends."  These "friends" included luminaries such as Leon Russell, Eric Clapton, George Harrison, Duane Allman, Greg Allman, Steve Howe, and Rita Coolidge.  D&B Together is the sixth and final album from Delaney & Bonnie.  Originally entitled "Country Life," the album was delivered to Atco/Atlantic Records behind schedule and rushed into distribution.  Although Atlantic executive Jerry Wexler was a friend of the duo, he didn't think the quality was where it needed to be and withdrew it from the market.  He later sold the contract and the album's master tapes to CBS, who reordered the running sequence and re-released it in March 1972.  In addition to frequent collaborators Eric Clapton, Leon Russell, and Duane Allman, this album also contains the work of "friends" like Dave Mason, Billy Preston, and Tina Turner. Despite the title, Delaney and Bonnie would divorce shortly after the album came out.  Drugs were taking their toll on the couple and their relationship could not survive it.  However, they did have a daughter named Bekka Bramlett, who was a member of Fleetwood Mac from 1993-1995 and had a long career as a backing vocalist in the music industry.Bruce presents this underrated rock/soul album for this week's podcast.Comin' HomeThis song was released in December 1969 by Atco Records (US) and Atlantic Records (international).  It was co-written by Bonnie Bramlett and Eric Clapton, and features Eric Clapton.  It went to number 84 on the US pop charts.  The lyrics are about being on the road and getting ready to come home to the one the singer loves.  Only You Know and I KnowDave Mason originally wrote and recorded this song in 1970, and it became his first charting single, going to number 42 on the Billboard Hot 100.  Delaney & Bonnie re-recorded it and took it to number 20 on the same chart.  This single was released in 1971, another single that came out before the album.  I Know Something Good About YouThis is a deeper cut on the album with an upbeat, funky sound.  It was written by Delaney Bramlett and Joe Hicks.  Groupie (Superstar)Most people recognize this as a hit from the Carpenters, but this is the original.  Rita Coolidge came up with the idea after observing female groupies with rock starts in the late 60's, and the song was written by Bonnie Bramlett and Leon Russell.  It was the B-side to "Comin' Home."  Richard Carpenter picked it up for the Carpenters, and changed some of the lyrics to be less risqué.   ENTERTAINMENT TRACK:Main theme from the television series The RookiesThis police action series debuted in October 1972. STAFF PICKS:And You and I by YesWayne leads off the staff picks with an excerpt of the 10+ minute work written by Jon Anderson, Bill Bruford, Steve Howe, and Chris Squire. The entire song consists of four parts, but the first two were released as a single edit which hovered just outside the top 40 on the Billboard charts.   You Wear It Well by Rod StewartRob brings us the first single from Stewart's fourth studio album, "Never a Dull Moment."  It went to number 13 on the Billboard Hot 100, and number 1 on the UK singles chart.  Many consider this an arrangement of Stewarts hit "Maggie May."  As with his previous album, members of the Faces join in as musicians on "Never a Dull Moment."Lean On Me by Bill WithersLynch features a song written and performed by Withers.  It was inspired by his experience growing up in a mining town in West Virginia. The community ethic of that town was something Withers missed when he moved to Los Angeles.  It was the first single from Withers' second album, "Still Bill." Turn to Stone by BarnstormBruce brings us a song inspired by frustration over the Vietnam War, the Nixon Administration, and the protesting that was going on at the time.  Joe Walsh left the James Gang and formed a group called Barnstorm.  The group put out three albums including one with the wonderful title "The Smoker You Drink, the Player You Get."  This song is off the group's self-titled debut album.  COMEDY TRACK:My Ding-a-Ling by Chuck BerryWe close out this week's podcast with Berry's double entendre masterpiece, on the charts in this month.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Rick Derringer, a massive and diverse music producer, has passed away. Vinnie gives a PSA about how music genres shouldn't be exclusionary. Sarah recaps the charts: Teddy Swims ‘Lose Control' passes Glass Animals for the record of longest run on the Billboard Hot 100, and Morgan Wallen's new song is #1. Metallica's music LITERALLY saved a family's life. Plus, the average American only feels fully healthy 19 days a month… ugh!

Five years ago, Charli XCX released the track "party 4 u," a melancholic ode to throwing a function for that one specific person. Now, in 2025, the song has gotten a renewed life – motivated by a foolproof cocktail of TikTok trends, the Billboard Hot 100, and a post-Brat Summer clamor for Charli. It's rare for pop songs like this to get a second wind. So, on this episode of Switched On Pop, Reanna, Nate, and Charlie put on our detective hats on to dissect the five-minute song's vocals, textures, and structures to understand just why people are reconnecting with it, half a decade later. Songs discussed: Charli XCX – party 4 u Charli XCX – claws Charli XCX – 4 in the Morning Charli XCX – anthems Lesley Gore – It's My Party Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today we're joined by genre-defying artist Cautious Clay, who tells us about the process behind his new album, The Hours: Morning! Plus, in RELEVANT Buzz, two Christian hits have broken into the Billboard Hot 100 for the first time in over a decade, and we talk about why Brandon Lake and Forrest Frank are redefining industry momentum. Plus we have the notable news from all the TV up-fronts happening this week, and some surprising legislation that got filed this week. Plus, the crew reflects on the podcast's 20th anniversary, the one-sided "rivalry" we had with Joel Osteen in the early years, and Jesse still being bitter about Osteen standing us up at the Nik Wallenda high wire stunt. And at the end of the show, the crew plays another round of One Has to Go—play along!Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy