Podcasts about billboard hot

Quake discusses Drake & UMG scheduling mediation for defamation appeal, prosecutors firing back at Lil Durk's request to remove judge, Diddy facing new sexual battery investigation, 6IX9INE's home getting robbed, Wale recalling venting to J. Cole before “False Prophets” dropped, Spotify acquiring WhoSampled, Drake's interview on Complex and much more.(00:00) - Intro(03:43) - Drake & UMG Have Scheduled Mediation For Defamation Appeal(05:06) - Prosecutors Fire Back At Lil Durk's Request To Remove Judge(06:48) - Diddy Faces New Sexual Battery Investigation In Los Angeles(09:00) - 6IX9INE's Home Gets Robbed, Mother Gets Hurt(16:37) - 6IX9INE Requests Sentencing Delay After Armed Home Invasion(19:20) - Wale Recalls Venting To J. Cole Before “False Prophets” Dropped(27:15) - Spotify Acquires WhoSampled And Changes Are Coming(34:33) - Drake Interview On Complex, Talks About ICEMAN Album & Rollout(41:51) - Billboard Hot 100

Story by: Gail NoblesKeyboardist: Gail NoblesPhoto: Wikipedia Public DomainHey there, music lovers! Let's talk about a fantastic track called "Nobody Told Me" by the legendary John Lennon. This hit had quite a journey, climbing its way to the top of the charts. In January 1984, it made a splash in the UK, peaking at number 6, and in the US, it hit number 5 on the Billboard Hot 100. It was Lennon's last brand-new single to break into the top 10 before he left us, and that makes it extra special!The song features some memorable lines: "Nobody told me there'd be days like these / Strange days indeed / Most peculiar, mama." These words twist the old saying, "My mama told me there'd be days like this," which is famously sung by The Shirelles in "Mama Said." While the Shirelles gave us a sense of warning about life's ups and downs, Lennon flips it around, expressing surprise at how unpredictable life can be.So, if you haven't given "Nobody Told Me" a listen, do yourself a favor and check it out. It's a catchy, thought-provoking tune that reminds us of the surprises life throws our way, all delivered in Lennon's unmistakable style.I'm Gail Nobles. Thank you for listening to Sound Flave!Music and Melody

This episode of A Productive Conversation features Chris Dalla Riva, a musician, data analyst, and Senior Product Manager at Audiomack who bridges the gap between creativity and analytics. Chris joins me to discuss his book Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves.As part of his research, Chris listened to every Billboard Hot 100 number-one song—nearly 1,200 of them—tracking trends, rating songs, and discovering how randomness, technology, and taste shape what becomes a hit. We explore the intersection of numbers and nuance, how data can deepen our understanding of art, and what the patterns of pop music reveal about us.Six Discussion PointsThe origin of Chris's experiment to listen to every Billboard number-one hitWhy Bob Dylan never topped the Hot 100—and what that says about luck and timingHow data, subjectivity, and quality intertwine when rating songsThe cyclical nature of musical trends, from movies to TikTokThe uneasy relationship between music and technology—from Auto-Tune to AIWhy the album format—and vinyl—still matter in a streaming worldThree Connection PointsCheck out Chris's newsletterBuy Chris's bookRead Mike's essay, The Sound of TimeChris and I cover a lot of ground in this conversation—from Bob Dylan's surprising chart record to the influence of AI on modern music. If you've ever wondered what hit songs say about culture, creativity, and ourselves, this episode hits all the right notes.

Quake discusses Lil Durk trying to get the judge removed from case over alleged threats, Drake doubling down on UMG claims in “Not Like Us” appeal statement, Biggie's Estate suing publicist over allegations involving his son & Diddy, Wale calling out Ebro for past criticism of Lil Uzi Vert's career, 50 Cent laughing at Starz's $53 Million losses after his exit, Drake being crowned third biggest songwriter of the century on Billboard Hot 100, Kodak Black launching his own crypto coin, Kendrick Lamar & SZA shattering Hip-Hop tour record and much more.(00:00) - Intro(06:01) - Lil Durk Wants Judge Removed From Case Over Alleged Threats(08:40) - Drake Doubles Down On UMG Claims In “Not Like Us” Appeal Statement(19:15) - Biggie's Estate Sues Publicist Over Allegations Involving His Son & Diddy(21:52) - Wale Calls Out Ebro For Past Criticism Of Lil Uzi Vert's Career(37:09) - 50 Cent Laughs At Starz's $53 Million Losses After His Exit(41:13) - Drake Crowned Third Biggest Songwriter Of The Century On Billboard Hot 100(51:06) - NBA YoungBoy Responds To NLE Choppa Diss With “Zero IQ Freestyle”(54:05) - Kodak Black Launches Own Crypto Coin(01:05:37) - Kendrick Lamar & SZA Shatter Hip-Hop Tour Record(01:13:18) - New Music(01:13:47) - Album Sales

Hip Hop artist King Crooked had once asked on an episode of Crook's Corner, "Is Hip Hop in a state of emergency?" A few weeks ago, no Hip Hop Song had charted in the Billboard Hot 100's Top 40 for the first time in 35 years. Multiple theories and opinions are emphasized of why this milestone had occurred.

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Chris Dalla Riva, author of the new book Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves. Chris is a fixture here at Numlock, we're big fans of his newsletter Can't Get Much Higher and have been eagerly waiting for this book, which tracks the history of music by coasting along the top of the Billboard Hot 100. The book can be found at Amazon and wherever books are sold, grab a copy!This interview has been condensed and edited. Chris Dalla Riva, it is great to have you back on. Especially great this week, because you are finally out with a book that I know you've been working on for a very long time, Uncharted Territory. Thanks for coming back on.Yeah, thrilled to be back, but also thrilled to have the book come out. The book publishing world is one of the only worlds left in the world that moves slow enough where you're waiting for so long for something to happen.You have guest-written for Numlock before; you have been a staple of the Sunday editions in the past. You are definitely familiar to the audience at this point because you are doing some of the best music data journalism out there. You've been working on this thing for, I feel like, as long as I've known you, and it is just great to have it come out finally, man.Yeah, actually, I met you because I was working on this project. I was trying to track down some data that you'd used at FiveThirtyEight, and you responded to my email with your phone number. You were like, “This is easier to explain over the phone.”Yeah, I remember I had scraped the radio for months at FiveThirtyEight just to see where it went, and you hit me up with that. I think that you focused some of your energies on the newsletter, and that's been so fun to follow, but this is truly what you've been working at. It is great to get you on finally to talk all about it.What would you describe this book as? How would you describe it, either to folks who might be familiar with your newsletter or unfamiliar with your newsletter, about what you're setting out to do with this particular project?The subtitle, I think, is helpful. It's What Numbers Tell Us About the Biggest Hit Songs and Ourselves. My typical pitch is that it's a data-driven history of popular music that I wrote as I spent years listening to every number one hit song in history. You get a balance of music history, data analysis, just random music chart shenanigans. I wrote it over such a very long period of time that you get a little bit of how my life was intersecting with this book over the years as I tried to get it published.I love the angle on the No.1s being a place to go with, because it gives you a pulse on what's popular at the time and not necessarily what's the most influential at the time. You can see there's a lot of stuff that hit number one at one point or another that have no musical legacy whatsoever, but nevertheless are still interesting. It's dipping your toe in the stream, right? You can see that a lot of things that we assume about how the music industry works weren't always the case.You wrote a little bit about the early transition from big bands to singers as the front-facing people in their operation. That was informed in no small part by what was performing on the charts, but also, I think, labor action, right?An under-discussed part of music history in the last 100 years is that when thinking of any band now or any musical artist, you almost certainly think of the front person being the singer. But if you go look back at big bands of the 1930s and 1940s, anyone whose name was attached to the band was often not a singer. Some that come to mind are Glenn Miller, the Glenn Miller band. Glenn Miller was a trombone player. Artie Shaw was a clarinet player. If none of these names are familiar to you, that's okay. But you can ask your grandparents.Why does this transition happen: suddenly, the lead singer is always getting top billing in a band? There are a bunch of things that contributed to this. One thing I talk about pretty extensively is just the advent of better microphones. If a voice cannot be heard over the roar of an orchestra or a big band, you need a choir of people to sing. It makes the singer less identifiable. As we get better amplification, better microphones, you can get a wider range of vocal styles. Those vocalists can now compete with the sound of a ton of instruments.At the same time, something you mentioned that I think is a fun bit of history is how music used to be much better organized. They had better labor organization, the same way that Hollywood has much better labor organization than music these days. There still exists a group called the American Federation of Musicians. For two years, they had a strike for a work stoppage, when no new music was being recorded. This was during World War II. You weren't allowed to strike during World War II.They were frowned upon very much, it seems, yes.Yes, even if you were a musician. People were like, “Come on, why are the musicians striking?” There's a lot of interesting history there. One of the weird loopholes was that singers could not join the American Federation of Musicians. Because of that, some labels would get around the strike by just recording acapella songs or songs with instruments that were not eligible to be membership because they weren't “serious” enough, like the harmonica. There were weird harmonica songs that were popular at this time. By the time the strike ended, by the time World War II ended, suddenly, singers had a much more prominent role because they were the only ones allowed to perform.There is tons of weird stuff about this strike. Like, labels backlogged tons of recordings because they knew the strike was coming. “White Christmas,” maybe the best-selling record of all time, was one of those backlogged recordings — recorded in July of 1942 and put out however many months later.That's fun. That's basically why Tom Cruise is in a union but Bad Bunny isn't?I guess so. Music and labor have a history that I'm not an expert on. For some reason, musicians have had a much more difficult time organizing. It seemed to be a little bit easier back when there were these big bands that needed to be rolled out to perform in movie theaters or local clubs. You needed a tuba player and a trombone player and a sax player. I guess it was easier for those musicians to organize. Whereas now, things are so scattered and productions can be super small, and you could record something in your bedroom. They never got that level of organization. I think it's actually hurt artists to some degree because they don't have the protections that the film industry does.Because you're able to just coast along at the top of the charts throughout basically the century, you're able to get lots of different interweaving stories of labor and also legal disputes/legal outcomes, as well as this technological evolution. What are some of the ways that technology has informed how the music that we listen to changes or evolves over time? Or even some of the litigation that we have seen over the course of the century of musical creation. It just seems like it's a really fun way to track some of these bigger trends that we don't even know are really trends.Yeah, totally. I think one of the key themes of the book is that musical evolution is often downstream from technological innovation, which has a nice little ring to it. But in general, there's this idea that creativity is being struck by the muse, and you create something. Whereas in reality, there are usually physical constraints or technological constraints that shape the art that we make. One of the most basic examples is the length of songs. From the '40s up till the early, mid-60s, the pop song sits around 2.5 to three minutes. The reason for this is that vinyl singles could literally not hold more sound without degrading, which is completely backwards from the idea that there was an artist who chose to write a 2.5-minute song.I was like, “Well, you had to work within the constraint.” Then technology gets better, singles start to get longer. During the disco era, they actually made bigger discs to put out these long dance mixes. The single sat around like 3.5 to 4.5 minutes for decades until about 10 years ago, when it started to shorten again. People typically point to music streaming for this reason, because artists are paid if a song is listened to for more than 30 seconds, so it's really just a volume game. If you have a 14 minute song that someone listens to one time, they get paid once. But if I listen to a two-minute song seven times (which is again, the same amount of time spent listening), I will be paid out seven times. There is this financial incentive to shorten songs.I don't think artists are sitting in the studio thinking about this constantly. But what I see, what I saw again and again, is that artists were rational beings to some degree and would work within the constraints that they were given. They would usually push against those constraints. That's where a lot of great art comes out of.Even new mediums are offering new opportunities. You wrote a little bit about MTV and how that really changed a lot of what was able to be successful at the time. You had new types of acts that were able to really start competing there, and other acts that just weren't. Do you wanna speak a little bit about like what video did?Yeah, video certainly changed the game. There were artists who had visual presences earlier. The Beatles had a very visual presence. I think part of their success is tied to the fact that television was becoming a thing, and mass media was really becoming a thing. However, we associate musicians with visuals so much these days. That really emerged in the 1980s, where you needed your visual concepts to be as strong, if not stronger than, your musical concepts. I think because of that, you start seeing some artists break through who I don't think are considered great musicians.I always sadly point to the song, “Hey Mickey” by Tony Basil. If it's your favorite song, sorry. I don't think it's a masterful musical creation, but it had this fun music video where she's dressed up as a cheerleader. A lot of that song's success was just the fact that MTV was willing to put that in heavy rotation because it was a fun video to watch. We live in the shadow of that era where visuals matter just as much as anything else.When you think about the most popular artists, outside of maybe a handful, you think of their visual concepts. You think of what Beyoncé looks like, what her videos are like, same with Taylor Swift, as much as you think about their music. That really reshaped our relationship with popular music. We expect to know what artists look like. It's odd to think about that; it really wasn't a thing decades before. You could be a fan of an artist and not really know what they look like. How would you know? Maybe you saw them in a magazine. Maybe you caught them on one television show. The idea that we have access to what everyone looks like is a pretty new phenomenon.That's fun. It's just so interesting to see how a simple change, whether it's today an algorithm or then a medium of distribution, can just have material impacts on the popularity of British synth music in America.Yeah, that's the perfect example. There's a great book called I Want My MTV, and it's an oral history of MTV. They talked to one of the founders. Early MTV would play, as you're saying, all these British new wave acts. Think A Flock of Seagulls, Duran Duran or even someone like U2. They asked the founder, “Why were you playing so many British artists on early MTV?” He was like, “For some reason, British artists happened to make music videos. And there were about 200 music videos in existence. We had to fill 24 hours of programming.” A Flock of Seagulls was gonna get played a bunch of times just because they happened to make music videos.It is a weird thing. Why would anyone make a music video if there was nowhere to really play them? I don't know why specifically the British had more videos, but there were occasional times where television shows might show a video.They do love that over there, like Top of the Pops. I can see why.Music and television have always been connected. You even think Saturday Night Live still has musical acts. Back then, say your label didn't wanna send you out to Britain to go on Top of the Pops. Maybe they would send a video of you instead. There were videos that would float around on these variety shows, and some early videos were just concert footage. It was like, it was a chicken or the egg thing. Once some people had success on MTV, everyone started producing videos. MTV somehow pulled off the miracle of convincing labels that they needed to make videos and that they needed to front the cost for that. Then they had to give MTV the video for free. I don't know how MTV managed to do that.Well, all of Gen X can't be wrong. If you do wanna get it out there, you do have to get it out there. One really fun recurring thing in the book — which again, like I really enjoyed. I think it's a phenomenal work. I think it's a great history. I'm telling stories that I learned in your book to everybody. It is a really fun read in that regard, I wanna say.I do love how you occasionally clock a genre that really only exists briefly. There's one that always goes around for like the strangest things to hit number one, like the Ballad of the Green Berets. I think like there's a Star Wars disco track that I definitely have on vinyl at home about that. You wrote a lot about like teen tragedy songs. What are some of the fascinating like brief trends that only made a small splash and that all of us have forgotten ever existed, but nevertheless achieve some measure of immortality?Yeah, the teen tragedy song is a good one. That actually inspired the writing of this whole book because I got 50 No. 1s, and I was like, “Why are there so many number ones about teenagers dying? That's a little weird.” And then I did a little digging and tried to piece together why that was. The teenage tragedy song, late '50s, early '60s, there are all of these songs about two teenagers in love, usually high schoolers. One tragically dies often in a car crash, and the other is very sad and maybe says that they'll reunite again one day in the afterlife. Some of the big ones are “Leader of the Pack” by the Shangri-Las and “Teen Angel” by Mark Dinning.It's a very weird blip in popular music history. I won't say it has cast a long shadow, but there are some occasional people who pull from that tradition. The craziest teen tragedy song ever was “Bat Outta Hell” by Meatloaf, in which Jim Steinman tried to write a nine-minute motorcycle crash song. I think that's a really interesting one.Disco: bizarre in the amount of people that made disco songs. I really came to like disco and the best disco music, I'm like, “These are the greatest sounds that have ever been recorded.” But it got so big and so popular that everyone felt the need to record disco songs.Not everything is “I Feel Love,” right?No, most things are not. It strikes me that this happened with disco, but has not happened with other genres. Frank Sinatra recorded disco songs. Basically, every television theme song got a disco remix. I Love Lucy had a disco remix. The Rocky theme song had a disco remix.What? I'm sorry, Frank Sinatra did a disco song? Is it good?It's not good. It's “Night and Day” over a disco beat. And it's not clear to me if they just remixed it or if he actually recut the vocal because I just cannot imagine him doing that. In the mid-60s, there was a nun who topped the charts, The Singing Nun with a song called “Dominique.” Of course, during the disco era, it was remixed as a disco song. There are examples of this where people went sort of disco. The Rolling Stones record “Miss You” and it has the disco beat, or Pink Floyd does “Another Brick in the Wall” or Queen does “Another One Bites the Dust.”Everyone was gonna give it a try. There was so much money being made in the disco world at the time. You can always find some artists you would never think would do a disco song probably tried. They probably gave it their best.That's great. It's just fun because the things that hit number one for a week don't necessarily have to be good. They just have to be popular for like a week. Even the construction of the Top 40 chart, which you get into in the book, isn't exactly science. A lot of times, it's a little bit of intuition. It's a lot of what's selling and what's selling where specifically. It is a little bit woo woo, right?Yeah, definitely. The goal of this chart is “What's the most popular song in America in a given week?” Back in the day, that meant what were people buying? What were people listening to on the radio? What were people spinning in jukeboxes? Today, most music is done on streaming. It's consumption-based, rather than sales-based. So the chart's the same in name only, but it's really measuring very different things. The equivalent would be if we knew after you purchased your copy of “I Feel Love,” how many times did you actually play it at home? You could have purchased it, went home and never played it again. Something like that would not register on the charts these days.I respect the people at Billboard because they have an impossible task. It's like “We're gonna take all the information and we're going to boil it down into choosing or measuring what the most popular song is.” It's an impossible task to some degree.I have watched the evolution of the chart, and I go back and forth on whether they have given up on actually trying to rank stuff or if they are just ranking things in a different way. I think that the apples-to-apples between the era stuff is just so hard to do.One thing I really enjoyed about your book, in particular, is that it's not a story of why these songs are the best. It's a story of why these songs were popular at the time, just dipping the toe into the river of human sound. One thing that I'll ask as you wrap: as you were going through these eras, who did you hear a lot more of than you thought? Who did you hear a lot less than you expected?I joked with some people that if you just looked at the top of the charts, the greatest rock band of the 1970s is either Grand Funk Railroad or Three Dog Night because they both had three number one hits, and many other bands in the classic rock canon have none. Led Zeppelin does not really exist on the pop chart, the singles chart. Led Zeppelin really only put out albums. The Eagles were also big during the '70s on the music charts. But Three Dog Night, they're the legends.There are tons of people that I didn't realize how much I would see of them. Someone like Lionel Richie and Phil Collins, of course, they're tremendously popular, but they were so popular. Phil Collins was popular at the height of the bald pop star era, which I think is a thing of the past. You had multiple bald men who were regularly topping the charts in the mid-80s. You see a ton of Phil Collins, more than I was expecting, even though I know he's very popular.Who don't you see a ton of? Sometimes you don't see people until a bit later in their careers. This is actually an interesting phenomenon. Artists do not score a number one hit during their most critically acclaimed period, and then a decade later, they do. For example, Cheap Trick. They have a number one hit, but it's at the end of the '80s song called “The Flame.” Whereas if you hear Cheap Trick on the radio, it's probably their live album from the 1970s. This is a phenomenon you see again and again. Some old timer will get their number one much later in their career. Tina Turner gets her number one when she's probably in her 40s. It's always interesting to see that.There are also some artists where I feel like there's a divergence between what their most popular songs are these days and what was topping the charts. Elton John is a good example there. “Benny and the Jets” was a number one hit, still a tremendously popular song. But he's got a lot of weird No. 1s that I don't think have as much street cred these days. He has a song called “Island Girl.” Did not age like fine wine. I don't even think he plays it live anymore because it's considered somewhat racially insensitive. But it was a No. 1 hit at the time. “Philadelphia Freedom” is another one by Elton John. I feel like when people think of the Elton John catalog, it's probably not the first song that comes to mind. But it was a No. 1 hit, huge smash. His cover of “Lucy in the Sky with Diamonds” was a No. 1. Elton John has been very popular throughout the decades, but I feel like the reasons he's been popular have changed.People have just gravitated towards different songs as time has gone on. You get distortions at the top of the charts. But I think, as you mentioned, it provides a good sample of what was actually popular. You have the good, the bad, and the ugly. Whereas if you look at some other sources, people are just gonna be like, “Oh, listen to these records. These are the best records.” In reality, the bad records are important, too.Yeah, bad records are great. They're at least interesting. I imagine also some of this process must have been missing out on a lot of interesting music because one song was just dominating the charts. Were there any songs in particular that come to mind that wooled the roost for potentially a little bit too long?Yeah, the quintessential example is the “Macarena” in the ‘90s.Oh, no!I think it was No. 1 for 13 weeks.Christ!There's a great clip of people at the Democratic National Convention and '96 dancing the “Macarena.” It's so bad. Yeah, so a very popular song. There are tons of stuff that gets stuck behind it. There's a great No.1 hit in the '90s called “I Love You Always Forever.” It's a very nice song by Donna Lewis. It's stuck at No. 2 because it just happened to be popular during the “Macarena's” very long run. YYour life's work, your greatest accomplishment, being stymied by the “Macarena” feels like a level of creative hell that I have never envisioned before.Yeah, there are other artists who got unlucky. Bruce Springsteen never performed a No. 1 hit. He wrote a No.1 hit for another artist. His closest was “Dancing in the Dark” got to No. 2, but that was also when Prince released “When Doves Cry,” so it's a tough, tough week. Bob Dylan, similar thing. He wrote a No. 1 hit, but he only ever got to No. 2. I think he got to No. 2 twice. Once, he got stuck behind “Help” by the Beatles, and another time he got stuck behind “Monday Monday” by the Mamas and the Papas.This is another thing when I talk about the charts. There could be many fewer units sold in a given week, or there could be many more units sold. There's a lot of luck involved if you're gonna go all the way to No. 1. You could be Bruce Springsteen: you release the biggest record of your life, and Prince also releases the biggest record of his life at the exact same time.Incredible. So again, I have read the book. I really, really like it. People are doubtlessly familiar with the newsletter at this point, but I am also a big fan and booster of that. But I guess I'll just throw it to you. Where can folks find the book, and where can folks find you?Yeah, you can find me, Chris Dalla Riva, basically on every social media platform under cdallarivamusic. I'm most active on TikTok and Instagram. The book, Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves, should be available from every major retailer online. Amazon, Barnes & Noble, Walmart, Booklist, all that good stuff. Not available physically in stores, so definitely order it online.Like I said, I spent years listening to every No. 1 hit in history, built a giant data set about all those songs and used that to write a data-driven history of popular music from 1958 to basically 2025. So go pick up a copy, buy one for your mother for Christmas. Or your father, I don't discriminate. Yeah, check it out. I'm hoping people enjoy it, and I'm really excited to finally get it out in the world. It's been a long, circuitous journey to get it published.It's a really fun read, and I wish it nothing but the best. And yeah, congrats, thanks for coming on.Yeah, thanks for having me.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Analytic Dreamz breaks down Cardi B's brand-new “ErrTime” Snow Mix featuring trap legend Jeezy and Latto, dropped November 12, 2025 as part of the Snow Edition of her sophomore album Am I the Drama?. The original album, released September 19, 2025, serves as the highly anticipated follow-up to her Grammy-winning Invasion of Privacy and already features heavyweights like Summer Walker, Selena Gomez, Kehlani, Lizzo, Cash Cobain, Janet Jackson, and Tyla.This Snow Edition delivers three versions of the DJ SwanQo-produced “ErrTime”: the previously released Latto remix, a fresh Jeezy verse, and the ultimate combo with both Atlanta icons. Jeezy opens the Snow Mix with a nostalgic 2000s trap verse packed with signature ad-libs, boasting lines like “Black Brad Pitt,” charging “10 bricks” per show, and clever references to his September 2025 Gangsta Grillz: Still Snowin' project. His smooth criminal flow (“Slow and smooth ass criminal, Teddy P, Easy E…”) perfectly complements Cardi's mission to “make the club fun again.”Originally peaking at No. 43 on the Billboard Hot 100 and ranking No. 5 on Atlanta's October strip club chart, the Snow Mix is poised to dominate Dallas and Atlanta clubs this winter—especially with Cardi's Little Miss Drama Tour kicking off in Dallas next year. Analytic Dreamz analyzes how this strategic drop keeps Am I the Drama? hot, reinforces Cardi B's unstoppable momentum while pregnant, and marks Jeezy's triumphant return to classic snowman trap energy.Bardi Gang is eating—the streets and the clubs are too. Stream the “ErrTime” Snow Mix now and catch the full breakdown with Analytic Dreamz on Notorious Mass Effect.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Educated ears in the summer of 1957 were still trying to decide if this new rock 'n' roll thing was really music's future or was just a passing fancy.Two summers had passed by then since the new sound burst upon the American scene. The ear-opening “Rock Around the Clock” by Bill Haley & His Comets was quickly followed by Chuck Berry's “Maybellene” and Little Richard's “”Tutti Frutti.”The following summer the rock kept rolling, when The King arrived. This new kid, Elvis Presley, topped the charts for weeks on end with “Heartbreak Hotel,” with “Hound Dog,” with “Don't Be Cruel.”But by 1957, the cigar-chomping bigwigs in the record company boardrooms still weren't sure. Not sure sure, you understand.The Summer DoldrumsAfter all, traditional pop crooners seemed to be staging a comeback. Perry Como (of all people!) hit No. 1 with “Round and Round.” Pat Boone scored with the languid “Love Letters in the Sand.” Debby Reynolds had a hit with “Tammy.” Holy schlock, Batman, even Elvis seemed to be getting goo-goo eyed all of a sudden with “(Let Me Be Your) Teddy Bear.”So, the question in ‘57: where were summertime's rebels? That year the cool kids had already packed up their beach towel and gone on back to school by the time rock's Next Big Wave hit:— Sept. 9, 1957, Buddy Holly and The Cricket, “That'll Be the Day.”— Oct. 11, 1957, Everly Brothers, “Wake Up Little Susie.”— Oct. 21, 1957, Elvis, “Jailhouse Rock.”— Dec. 21, 1957, Danny and the Juniors, “At the Hop.”But even before that fall, diehards could dig a little deeper in the radio playlist for up-and-coming rockers. Jerry Lee Lewis was howling away with “A Whole Lot of Shakin'.” Fats Domino was still down there somewhere with “I'm Walkin'.” Jackie Wilson was right on deck with “Reet Petite.”About This Week's SongAnd languishing even further down on the summer music charts — oh, somewhere around No. 24 or so — was the subject of this week's podcast. It's The Flood's favorite souvenir from the Summer of ‘57: The Coasters' wonderful “(When She Wants Good Lovin') My Baby Comes to Me.”As reported here earlier, this winking and nodding Jerry Leiber-Mike Stoller composition was a minor hit for The Coasters. It did resurrect nine years later when a little known group called The Chicago Loop took it for a spin and got to No. 37 on the Billboard Hot 100 chart.But in the Floodisphere, we much prefer a different pressing of the song released one year earlier. Favorite folksinger Tom Rush's 1965 self-titled debut Elektra album included a version of the tune accompanied by bassist Bill Lee along with John Sebastian (of The Lovin' Spoonful) and Fritz Richmond (of The Jim Kweskin Jug Band.)This track, captured at last week's rehearsal, features the arrangement we're working up to include on the new album when we start recording in the weeks ahead. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Quake discusses Diddy joining a drug program that could help reduce his sentence, Lil Durk's crew getting accused of threatening judge and prosecutors, Akon getting arrested on outstanding warrant, Tory Lanez's appeal getting rejected in Megan Thee Stallion case, B.o.B. facing sexual assault allegation in new lawsuit, Ja Rule saying his music aged better than 50 Cent's and much more.(00:00) - Intro(01:39) - Diddy Joins Drug Program That Could Help Reduce His Sentence(12:03) - Lil Durk's Crew Accused Of Threatening Judge And Prosecutors(13:43) - Akon Arrested On Outstanding Warrant(16:35) - Tory Lanez's Appeal Rejected In Megan Thee Stallion Case(18:49) - B.o.B. Faces Sexual Assault Allegation In New Lawsuit(22:39) - Ja Rule Says His Music Aged Better Than 50 Cent's, Quake Explains Why That's Not True(44:25) - Billboard Hot 100

The Wiz (1978) was chosen by show supporter Maff, who's got a talent for picking bold, imaginative movies that really stand out from the pack. This time, he's gone for one of the most ambitious musical productions ever made. The Wiz was Universal's lavish reimagining of The Wizard of Oz, retold through the lens of African American culture and late-1970s New York style. Directed by Sidney Lumet — more famous for his gritty urban dramas like Serpico and Dog Day Afternoon — the film brought together an all-star cast including Diana Ross, Michael Jackson, Nipsey Russell, Lena Horne, and Richard Pryor. With a staggering $24 million budget, it was one of the most expensive musicals of its era, aiming to blend Broadway magic with the spectacle of big-screen fantasy.The production was a monumental undertaking. Filming took place across New York City landmarks like the World Trade Center, the New York State Pavilion, and the Cyclone rollercoaster in Coney Island, all transformed into surreal fantasy settings. Legendary producer Quincy Jones oversaw the music, infusing the original Broadway score with disco, funk, and gospel influences. Despite its breathtaking ambition, The Wiz was plagued by production challenges, critical skepticism, and financial losses on release. However, in the years since, it has earned cult classic status — celebrated for its stunning visuals, imaginative choreography, and Michael Jackson's breakout film performance. It may not have conquered the box office, but The Wiz remains a vibrant, soulful experiment that dared to take Oz somewhere entirely new.If you enjoy the show, we have a Patreon, so become a supporter ⁠⁠⁠here⁠⁠⁠.Referral links also help out the show if you were going to sign up:⁠⁠⁠NordVPN⁠⁠⁠⁠⁠⁠NordPass⁠⁠⁠Trailer Guy Plot SummaryShe wanted something more… but she never imagined this.When a storm sweeps a shy Harlem schoolteacher into a world unlike anything she's ever known, she must follow the road, face her fears, and find her way home — with the help of some unforgettable friends.Starring Diana Ross, Michael Jackson, and Richard Pryor — from the streets of New York to the land of Oz, it's a journey of music, magic, and pure 1970s soul.*The Wiz* — ease on down the road to where dreams, disco, and destiny collide.Fun FactsThe Wiz began as a Broadway musical in 1975, which won seven Tony Awards, including Best Musical — long before the movie version was made.Motown Productions co-financed the film, marking one of the first major studio partnerships between Hollywood and a Black-owned entertainment company.Michael Jackson was only 19 years old when he starred as the Scarecrow — and the experience led to his lifelong creative partnership with Quincy Jones.The film's costume designer, Tony Walton, created over 300 costumes, many of which were made from recycled materials to give the movie's world a gritty, urban feel.Sidney Lumet's wife, Gail Jones, the daughter of Lena Horne, helped convince Lumet to take on the project despite his lack of musical experience.The movie's version of “Ease on Down the Road” became a chart-topping hit for Diana Ross and Michael Jackson, reaching #41 on the Billboard Hot 100.The yellow brick road was constructed from real vinyl flooring, giving it that glossy, otherworldly shine seen in the film.The production used over 650 dancers for the film's large-scale musical sequences — one of the biggest ensembles ever assembled for a musical at the time.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

Michael Jackson's iconic “Thriller” has returned to the Billboard Hot 100 top 10, driven by Halloween streaming spikes. The feat makes him the first artist with top-10 hits in six distinct decades. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we dive into the story of Dennis Tufano, the unmistakable voice that brought The Buckinghams to the top of the charts during one of the most exciting eras in American pop and rock music.Dennis Tufano's journey began in Chicago, a city whose vibrant music scene gave rise to countless legends. Long before he was singing “Kind of a Drag” on national television, Dennis was fronting local Chicago bands like The Pulsations, performing in small clubs and perfecting the soulful vocal style that would soon make him famous. When The Pulsations won a TV talent contest and rebranded as The Buckinghams, everything changed—almost overnight.The Buckinghams burst onto the charts in 1967 with “Kind of a Drag,” a song that captured the hearts of fans and climbed straight to number one on the Billboard Hot 100. With Dennis Tufano's velvety voice leading the way, the band followed up with a string of unforgettable hits: “Don't You Care,” “Mercy, Mercy, Mercy,” “Susan,” and “Hey Baby (They're Playing Our Song).”At the height of their success, The Buckinghams were one of the most played American groups on radio, performing on The Ed Sullivan Show, American Bandstand, and countless other programs that defined 1960s pop culture. Their fusion of brass-driven rock and soul-infused pop set them apart from both their British contemporaries and the emerging psychedelic rock sound of the time.But Tufano's story didn't end when the hits stopped coming. After The Buckinghams disbanded, Dennis formed the duo Tufano & Giammarese with his former bandmate Carl Giammarese, recording several critically acclaimed albums in the 1970s. The duo showcased a more intimate, singer-songwriter vibe that highlighted Tufano's range and songwriting depth.From there, Dennis moved into solo work, writing and recording for film and television—most notably contributing the theme song to Grease 2. He also worked as a voice actor and composer, keeping his creative spirit alive in new ways.Today, Dennis Tufano remains a beloved performer on the classic rock and oldies circuit, delighting fans with heartfelt performances that revisit The Buckinghams' timeless hits while celebrating his own musical evolution. His live shows remind audiences why his voice was, and still is, one of the most distinctive in American pop music.In this episode, we talk about his early Chicago days, the meteoric rise of The Buckinghams, and how Dennis carved out a remarkable solo career that's still going strong decades later.If you're a fan of 1960s rock, Chicago music history, or the golden age of pop, this episode is a must-listen.

Welcome back to another edition of the Rick's Rambles Podcast — your weekly destination for good news, fun facts, mental health inspiration, and music stories! In this week's lively episode we explore: Fun Facts About Dayton, Ohio — You might not think of Dayton right away, but this Midwest city has had a powerful impact and some surprising claims‑to‑fame. Learn why Dayton is called the “Birthplace of Aviation,” how it earned its innovation legacy, and discover lesser‑known facts about this often overlooked city. Mental Health & Good News Segment: The Benefits of Being Spontaneous — We dive into research showing that spontaneity can boost creativity, happiness, flexibility, and mental resilience. Learn how allowing yourself to “go with the flow” occasionally can enrich your well‑being. 2 The Story Behind the Song: Alone Again (Naturally) by Gilbert O'Sullivan — We unpack the emotional layers and musical structure of this 1972 chart‑topping soft‑rock classic. From its six‑week reign on the Billboard Hot 100 to its unexpected lyrical themes of loss and loneliness, discover why this song still resonates today. Quirky Holidays of the Week — We wrap up with our favorite weird and fun holidays you can plug into your week (and social media stories!) to keep things fresh and engaging. If you're intrigued by city stories, music history, mental‑health wisdom, or quirky culture — this episode's for you. Don't forget to follow the podcast, share with your friends, and drop us a review!   If you'd like to support the Rick's Rambles Podcast, simply share it on your own social media and let folks know what you are istening to!   If you'd like to sream my music, you can do that here.   As always, you are appreciated!

This week on New Rory & Mal, Beyonce was so dominant she made the Grammy's create a new country category, Rory gives his take on the Billboard Hot 100 changing their rules, Demaris gives advice on how to date when everyone gives you the ick, and Ms. Pat stops by to play therapist. #volumeSee omnystudio.com/listener for privacy information.

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Dive into Segment 78 of the Notorious Mass Effect podcast with Analytic Dreamz as we dissect Emmanuel Cortés' breakout hit “Amor” from the 2023 album Memorias

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Dive into Segment on Notorious Mass Effect with Analytic Dreamz as he unpacks Joji's highly anticipated fourth studio album, Piss In The Wind, dropping February 6, 2026 via Palace Creek and Virgin Music Group. Announced November 4, 2025, this 21-track, ~2-hour project fuses melancholic lo-fi roots with experimental R&B, trap, and hyperpop edges. Lead single “PIXELATED KISSES” (Oct 14) hit #38 Billboard Hot 100 with tens of millions of streams, while “If It Only Gets Better” (Nov 4) channels YEAH RIGHT-era visuals. Star features include Yeat's trap energy, Don Toliver's melodic flow, GIVĒON's baritone depth, and 4batz's hazy R&B. Producers BNYX®, Kenny Beats, and Dylan Brady craft gritty, atmospheric soundscapes blending Nectar lushness with SMITHEREENS isolation. Pre-order limited prism/ruby vinyl, CDs, cassettes, and signed merch at jojimusic.com. Early buzz on Reddit, X (#PissInTheWind trending), Billboard, and NME hails Joji's creative rebirth. Analytic Dreamz breaks down track teases, Genius leaks, and fan theories—don't miss this deep dive into Joji's bold evolution. Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Quake discusses Busta Rhymes' ex-assistant firing back at his defamation lawsuit, Russell Simmons finally paying sexual misconduct settlements, Benny The Butcher returning fire at Freddie Gibbs by mocking robbery, ASAP Rocky getting sued for allegedly destroying neighbor's condo, the Drake & Spotify fake streams lawsuit, Big L's “Harlem's Finest: Return of the King” album review and much more.(00:00) - Intro(12:51) - Busta Rhymes' Ex-Assistant Fires Back At His Defamation Lawsuit(14:43) - Russell Simmons Finally Pays Sexual Misconduct Settlements(20:32) - Benny The Butcher Returns Fire At Freddie Gibbs By Mocking Robbery(21:52) - ASAP Rocky Sued For Allegedly Destroying Neighbor's Condo(24:02) - The Drake & Spotify Fake Streams Lawsuit Breakdown(44:46) - Big L - “Harlem's Finest: Return of the King” Album Review(01:01:21) - Billboard Hot 100

When we last spoke with FELIX!, he was fresh off his breakout feature on Brent Faiyaz's “Upset” — a moment that helped take him from sleeping on couches to finding stability and success as an underground artist from Brockton, MA, known for his genre-bending and experimental sound.Now, a year later, Felix is back on Bad For The Community to catch us up on everything that's happened since. From his full-circle feature on Saba's album (after first DM'ing Saba years ago for advice) to opening up about battling depression since his teens, Felix kept it real with us from start to finish.We also touched on the current state of hip-hop, including the news of no rap songs charting on the Billboard Hot 100 for the first time since 1990 — and why that might actually be a good thing for an oversaturated genre. We chimed in on the NBA YoungBoy vs. Lil Wayne debate, white people's space in hip-hop, and his seemingly never-ending beef with a certain Boston artist.Felix also announced his upcoming album “Industry Plant” (dropping November 21). Tap in and enjoy the conversation!Time Stamps:0:00 - Intro/ Felix on people acting "too cool" in Cali8:30 - Felix's feature on Saba's album/ Full circle moment 12:45 - Felix opens up about dealing with depression21:30 - No rap songs on the Billboard Hot 100 is a... good thing?31:00 - Is NBA Youngboy currently bigger than Lil Wayne's prime?39:15 - Felix on hating his old music/ Getting tired of hearing "Upset"?45:00 - Would you buy the $20,000 "A.I." household robot?1:01:00 - Felix on his never-ending beef with "Chase Chowder"1:06:00 - White people's space in hip-hop/ Tommy Richman1:13:30 - Should Celtics tank for AJ Dybansta/ Is the NBA rigged?1:17:00 - Felix's upcoming album "Industry Plant" (Nov. 21)1:19:15 - Outro/ Final words from Felix/ Fugazi JordansFind us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.BadForTheCommunity.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter/X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok

Sabrina Carpenter, Chappell Roan, Brandi Carlile, Doechii, Nicole Scherzinger and more are set to unveil the nominations for the 2026 Grammy Awards during a livestream on the Recording Academy's YouTube page that begins at 11 a.m. ET on Friday morning. On the new Billboard Pop Shop Podcast, Katie & Keith are talking about the nominations livestream, Mariah Carey's annual announcement of when it's time to welcome the holiday season (spoiler alert: it's time), as well as rap's two-week absence from the top 40 of the Billboard Hot 100 for the first time since 1990. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Bad Speakers are back with another hilarious and unfiltered episode!

Welcome To The Real Oshow,0:00 Intro0:50 Jon Gruden Content King2:40 No Rap in the top 40 of Billboard Hot 1006:00 Breaking Down The Greatest World Series Ever15:00 How Jerry Jones Owns The Dallas Cowboys Logo20:00 Closing Thoughts This week on The Real Oshow, brothers Joshua and Zachary break down the best World Series we've seen in years.From the Dodgers' comeback moments to the Blue Jays becoming an international fan favorite, the brothers debate whether this was truly the greatest World Series ever, and what it means for the future of baseball.But that's not all. They dive into the wild story of how Jerry Jones actually owns the Cowboys logo, breaking down how one of the most powerful owners in sports turned a brand into an empire.All love,Check out our YouTube page - https://www.youtube.com/channel/UCoqz3s_B_VYHuQtuVIDxpiQTikTok - https://www.tiktok.com/@therealoshow?is_from_webapp=1&sender_device=pcTweet @zacharyowings2 with your thoughts about the podcast or suggestions for future shows.Music by Leno Tk - Greatness (Streaming on all platforms)

Back on this day in 1990 "Ice, Ice Baby" was the first rap song to hit number 1 on the Billboard Hot 100.  KTAR Timeline is brought to you by Beatitudes Campus. 

Rachel and Van start the show with a conversation on the Virginia election and intercommunity politics concerning Black Republicans. Then they are joined by Abby Phillip, anchor of 'NewsNight' on CNN, to talk about her latest book, 'A Dream Deferred: Jesse Jackson and the Fight for Black Political Power.' They end the show by giving their thoughts on the Billboard Hot 100's top 40 not having any rap songs for the first time since 1990. 00:00 - Welcome! 01:27 - Virginia Election Day approaches 16:12 - NYC mayoral race 38:50 - California's Prop 50 51:58 - Abby Phillip joins us! 1:53:31 - The attack on SNAP benefits and resources 1:56:09 - Billboard Hot 100's top 40: no rap songs 2:13:31 - Thanks for watching! Hosts: Van Lathan and Rachel Lindsay Guest: Abby Phillip Producer: Ashleigh Smith Video Supervision: Chris Thomas RESOURCES : Detroit Farmers Giving Away Food https://www.instagram.com/reel/DQa5L7jDRa3/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA== LA County Mobilizes Food Assistance as Federal Government Shutdown Continues https://lacounty.gov/2025/10/28/la-county-mobilizes-food-assistance-as-federal-government-shutdown-continues/ SNAP benefits ending: Here's where you can get emergency assistance in Southern California https://www.foxla.com/news/snap-benefits-ending-november-government-shutdown SNAP runs out of money Nov. 1. Here's what that means in your state https://www.npr.org/2025/10/28/g-s1-95189/snap-food-stamps-government-shutdown-november Learn more about your ad choices. Visit podcastchoices.com/adchoices

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠In this segment of Notorious Mass Effect, Analytic Dreamz delivers a data-driven analysis of rap's historic absence from Billboard Hot 100's Top 40 for the first time since February 1990. On the week of October 25, 2025, no rap tracks cracked the upper echelon, ending a 35-year streak sparked by Biz Markie's "Just a Friend." Analytic Dreamz breaks down key stats: highest rap entry at #44 (YoungBoy Never Broke Again's "Shot Callin"), #48 (Cardi B feat. Kehlani's "Safe"), and #49 (BigXthaPlug feat. Ella Langley's "Hell at Night"). Kendrick Lamar & SZA's "Luther" fell off after 46 weeks (13 at #1), triggered by Billboard's October 2025 recurrent rule changes—removing songs below #25 after 26 weeks (vs. old 25-week threshold below #10). Hip-hop's U.S. market share dropped from 30% peak in 2020 to 24% YTD 2025 per Luminate. Analytic Dreamz examines competition: Taylor Swift's album occupies 12 Top 40 spots, K-pop soundtracks claim 7. Additional factors include streaming biases, artist dormancy (Drake, Kendrick), legal issues, and genre fragmentation. As of November 1, the drought hits two weeks, with "Shot Callin" at #43. Analytic Dreamz explores cultural reactions and whether this signals rap's cyclical shift amid pop dominance.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Dive into Segment of Notorious Mass Effect with Analytic Dreamz as we dissect Kehlani's explosive 2025 rollout. From the chart-topping “Folded” peaking at #18 on Billboard Hot 100—her highest solo entry—and dominating #1 on Rhythmic and Urban Airplay, to the star-studded “Folded Homage Pack” remix EP released October 24 featuring Toni Braxton, Brandy, Ne-Yo, Mario, Tank, and JoJo honoring Y2K R&B icons. Analytic Dreamz breaks down Mario's top-ranked authentic remake, JoJo's vocal mastery, and Tank's bold experimental twist. Explore the Cardi B collab “Safe” hitting Top 50, Grammy buzz for Best R&B Song and Performance, and the upcoming solo single “Out The Window” dropping November 7 with Markus Klinko cover art. Analytic Dreamz analyzes Kehlani's crossover strategy, streaming dominance, and generational bridge in R&B. Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠ In this Notorious Mass Effect segment hosted by Analytic Dreamz, dive deep into Rauw Alejandro's meteoric rise as the "King of Modern Reggaeton." From Puerto Rican roots and SoundCloud origins to Grammy-nominated debut Afrodisíaco (2020), explore his genre-blending mastery in reggaetón, Latin R&B, and trap. Unpack the 2021 smash "Todo de Ti" from Vice Versa—a dance-pop anthem with ‘80s disco vibes that peaked at #32 Billboard Hot 100, #1 Spain (9 weeks), earned 6× Platinum US, Diamond Mexico, and surpassed 2.5B global streams by Oct 2025, fueled by TikTok virality and BBMA performance.Analytic Dreamz breaks down the 2025 "Letra" revival's 15% stream surge, #1 Apple Music Mexico. Shift to Cosa Nuestra (2024): #6 Billboard 200 debut, theatrical Broadway-style tour grossing $91.7M across 562K tickets, featuring alter ego Don Raúl in 1970s Nuyorican narrative with live band and dancers. New management via Live Nation/UTA elevated logistics, enabling sold-out O2 Arena debut and Asia expansion plans.Cover Latin Grammy 2025 noms for Album of the Year, industry quotes on global icon status, and Rauw's vision merging Latin roots with cinematic elegance. Analytic Dreamz analyzes stats: 41 Hot Latin top 10 weeks, organic playlist boosts, and crossover benchmarks rivaling pop giants.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Analytic Dreamz examines Michael Jackson's “Thriller” 2025 Halloween chart revival. As of Oct. 29, the track sits at #16 on the Billboard Hot 100 with 91 points, 4 weeks on chart, 5.5K sales (+4%), 1.1M streams (+8%), and 11M airplay impressions, totaling 75.1K units. The album holds #53 on Billboard 200 (up), #8 Catalogue Albums, #13 Vinyl Albums, with +7% equivalent units and vinyl sales exceeding 2024 Halloween levels.Resurgence drivers include seasonal Halloween demand, early October re-entry (Hot 100 by Oct. 5, #6 R&B Digital Song Sales by Oct. 12), and 63% sales surge mid-month. Social media virality features 1983 behind-the-scenes clips (3K+ likes on X), Victoria Monét's costume (4.2K+ likes), and CBS's The Young and the Restless cast recreation led by 84-year-old Eric Braeden, choreographed by Courtney Hope and Melissa Claire Egan.Spotify Halloween playlists fuel streams; “Thriller” hit #13 U.S. iTunes Oct. 26. Released 1982, the John Landis-directed video—featuring Vincent Price—earned National Film Registry status and surpassed 1B YouTube views in 2024. Analytic Dreamz analyzes its 43-year cross-generational dominance, 10th consecutive R&B Digital Song Sales Halloween peak, and projected #1 potential on catalogue charts by Nov. 1. Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On This Episode: Roderick & Cari are back with another episode of The Rise & Grind Podcast! The guys kick things off discussing how no rap songs appear in the Top 40 on the Billboard Hot 100 for the first time since February 1990, breaking down what that means for the genre and the culture.   In news, they cover Drake's lawsuits entering the appeal stage, J. Cole being sued by Cam'ron, ongoing NBA gambling arrests, Al Sharpton's latest viral moment, and the announcement of a new Eddie Murphy documentary.   A full breakdown of headlines, industry shifts, and the state of hip-hop—tap in for episode 387!     Intro: D'Angelo- Lady   Roderick | Leon Thomas- My Muse   Cari | The Stuyvesants- Spank Love

"The number changes, but as of the writing of this description, only 1883 songs have topped the Billboard Hot 100 chart including all its earlier versions. This week back in 1990, the first rap song topped the chart. That got me wondering how many other firsts and other interesting facts surround the top spot. Here is a list."

Quake discusses a confidential witness alleging Lil Durk ordered hits on six people, and the Feds failing to find anything incriminating on his iCloud, Drake launching appeal to resurrect UMG “Not Like Us” lawsuit, and he's hit with lawsuit for gambling promo along with Adin Ross & Stake, Cam'ron hitting J. Cole with lawsuit over their collab “Ready 24”, 50 Cent clowning Lil Meech for losing his “BMF” job, Jay-Z revealing who could defeat him in a Verzuz battle and much more.(00:00) - Intro(05:38) - Confidential Witness Alleges Lil Durk Ordered Hits On Six People(07:15) - Feds Fail To Find Anything Incriminating On Lil Durk's iCloud(14:03) - Drake Launches Appeal To Resurrect UMG “Not Like Us” Lawsuit(14:45) - Drake, Adin Ross & Stake Hit With Lawsuit For Gambling Promo(21:37) - Cam'ron Hits J. Cole With Lawsuit Over Their Collab “Ready 24”(25:58) - 50 Cent Clowns Lil Meech For Losing His “BMF” Job(32:03) - Rap Doesn't Chart On The Top 40 After 35 years(38:02) - Jay-Z Reveals Who Could Defeat Him In A Verzuz Battle(55:00) - Billboard Hot 100

https://www.ikp.meYoutubeSpotifyInstagramBio K.P. (The Infamous King of Positivity) is a first-generation Honduran American of Garifuna descent and a non-binary rapper and producer whose every move is intentional. From their stage name to their sonic palette, I.K.P. creates with layered purpose.Their latest single “FTW” is a high-voltage anthem built to energize your morning, fuel your workout, or soundtrack your world domination. The track's rattling drums and bass, combined with an eerie and dominant melody, drive a sense of urgency that perfectly matches I.K.P.'s electrifying performance.“I want them to feel unstoppable. Whatever you're doing, you're doing it for the win, and you'reundeniable,” they share.I.K.P.'s writing process is as fluid as it is instinctive. Sometimes they write with pen and pad, other times they record voice notes or use their phone's notes app.“Inspiration strikes in fragments or floods. As they say, you don't gotta get ready if you stay ready.”In a landscape where many artists cling to one sound, I.K.P. thrives in versatility. Whether it's boom bap, drill, reggae, or Latin rhythms, they co-produce and collaborate across styles, honoring Hip-Hop's hybrid roots and their own Afro-Caribbean heritage.“I gravitate towards a lot of things and I don't like to be in a box. I do a lot of co-producing with a multifaceted team. I love Hip-Hop so much because you can make all these hybrid styles make sense.”Their sonic range mirrors a life of movement and resilience. Raised in Norfolk, Virginia after their family emigrated from Honduras, I.K.P. also served over five years in the Marines. Growing up near Portsmouth, they drew early inspiration from Missy Elliott's boundary-breaking creativity.The name I.K.P. represents more than music. It embodies advocacy and empowerment. Their stage name was inspired by their mission to combat the stigma surrounding HIV-positive diagnoses and to use art as a tool for visibility and strength among marginalized communities.“I decided I wasn't going to let things that happened to me define how I saw the world. I wanted to show people who looked like me and lived like me that they could gain a sense of power. And if they didn't know how to do it for themselves, I could show them that it could be done.”I.K.P. also explores the intersection of rap, pop culture, and the evolving LGBTQIA+ experience, acknowledging both the progress and the challenges that remain. They reference artists like Kevin Abstract, Tyler The Creator, Lil Nas X, Young M.A, Steve Lacy, and Syd, trailblazers who continue to push the conversation forward.“It's about self-actualization. Whether you're Black, gay, and/or queer, you're often kept out of certain rooms and conversations. I want to show people that you can always take control and be free.”For I.K.P., rap is a ritual, a reflection of joy, pain, and transformation.“I want to continue to speak for those who feel like they don't have a voice or that their voice is being suppressed. Hip-Hop has always been a tool of progression and evolution, and I just want to continue that tradition,” they said.Their fanbase, affectionately known as #PozFriendlies, can expect a wave of new releases following the success of their fourth full-length project 11:11 | eleven eleven released in 2021. I.K.P. is also expanding their BLOCK SPINNINseries on TikTok and Instagram, a Stereogum-inspired chronicle exploring the history of Billboard Hot 100 hits.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

rWotD Episode 3101: Gotye Welcome to random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Thursday, 30 October 2025, is Gotye.Wouter André "Wally" De Backer (Dutch pronunciation: [ˈʋʌutər ˈɑndreː də ˈbɑkər]; born 21 May 1980), known professionally as Gotye ( GOT-ee-ay, French: [ɡotje], Dutch: [ɡoːˈtɕeː]), is a Belgian-born Australian singer-songwriter and multi-instrumentalist. His 2011 single "Somebody That I Used to Know" (featuring Kimbra) topped the Billboard Hot 100, as well as several international charts, and became the best-selling song of 2012. He has won five ARIA Awards and received a nomination for an MTV EMA for Best Asia and Pacific Act. At the 55th Annual Grammy Awards, the song won Record of the Year and Best Pop Duo/Group Performance, while its parent album — Making Mirrors (2012) — won Best Alternative Music Album. Gotye has released three studio albums independently and one album featuring remixes of tracks from his first two albums. He is a founding member of the Melbourne indie-pop trio the Basics, who have independently released four studio albums and numerous other titles since 2002.This recording reflects the Wikipedia text as of 00:08 UTC on Thursday, 30 October 2025.For the full current version of the article, see Gotye on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Matthew.

It took twelve albums, but 1983's "That's All" finally launched Genesis into the Billboard Hot 100 Top 10.This episode of the Behind The Song podcast dives into the single that cemented the Phil Collins, Tony Banks, and Mike Rutherford lineup as the band's most commercially successful era. Hear how this hit transformed them from progressive pioneers to chart-topping superstars, kickstarting a run of seven Top 10 hits in the 80's.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠In this Segment of Notorious Mass Effect, Analytic Dreamz delivers a precise breakdown of Cam'ron (Cameron Giles) vs. J. Cole (Jermaine Cole) and Universal Music Group in U.S. District Court for the Southern District of New York. Filed October 28, 2025, the 7-page lawsuit alleges breach of verbal agreement over “Ready '24” (April 2024, Might Delete Later mixtape, Dreamville/UMG, prod. T-Minus, #38 Billboard Hot 100). Cam'ron contributed lyrics and a verse in June 2022 NYC session, conditioning release on Cole's future single feature or It Is What It Is podcast appearance—both allegedly agreed then ignored. Claims include no payment since release, improper credit (composition only via Warner Chappell; seeks sound recording co-authorship), and $500K+ in unpaid royalties from streams, sales, publishing. Analytic Dreamz examines timeline, legal demands for royalty audit, declaratory relief, attorney fees, and hip-hop's handshake deal risks. Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We would LOVE to hear what you think. Please drop a line. Infinite and Brick Interview Michael GilasJoin hosts Infinite and Brick for a sun-soaked, heart-on-sleeve conversation with Michael Gilas, the hot adult contemporary songwriter, musician, and artist turning resilience into rhythm. In this episode, Gilas opens up about his transformative journey, the new single that's lighting up playlists worldwide, and the music that saved his life.Episode HighlightsDiscover the story behind Michael Gilas' latest single, “You and Me and Miami,” a vibrant ode to the Magic City that blends heartfelt storytelling with pulsating Latin-infused pop. Distributed by Intercept Music, the track celebrates life, love, and the undeniable heat of Miami's nightlife.Learn how a life-changing horseback riding accident altered the course of Gilas' life—leaving him with a broken neck and wrist, wrestling with pain, depression, and near addiction—and how music became his healing sanctuary.Explore the collaboration that helped shape “You and Me and Miami,” written with Emmy-winning and Grammy-nominated Allan Phillips, a veteran multi-instrumentalist with a pedigree that spans Donna Summer, Kenny Loggins, Al Jarreau, Tito Puente, Sheila E., and Sergio Mendes.Hear about Gilas' personal musical evolution since his debut album, “231 Kensington Road,” created during a period of limited mobility, and produced with Grammy-winning producer Brian Kennedy. Get the inside scoop on the making of the album and the inspiration behind the tracks.A look at Gilas' rising chart trajectory: from the breakout single “Working with the Rain” hitting #21 on the Billboard Adult Contemporary Chart and climbing to #13, to pacings on the World Indie and Euro Indie charts, and the subsequent success of “Can't Hide Beautiful” and its Billboard Hot 100 and AC appearances.Michael's influences and the artists who shape his sound—The Eagles, Steely Dan, Fleetwood Mac, Billie Eilish—and how he blends sun-drenched melodies with universal pop appeal.A candid discussion about the creative process when healing, writing with limited mobility, and turning personal resilience into a universal, feel-good message for late-night drives, beach playlists, and celebratory moments.About the EpisodeInfused with warmth, resilience, and a celebratory vibe, this episode captures the spirit of “You and Me and Miami”—a track that channels the intoxicating pull of new love and the city itself. Gilas discusses his philosophy that music is not just art but a second chance, a vessel for storytelling, and a beacon of hope. He reflects on Miami as a muse and a memory, a place of joy and gratitude for the moments that saved him—and the moments he hopes to create next.Why ListenIf you love contemporary pop with Latin flavor and heartfelt storytelling.If you're inspired by artists who reinvent themselves after hardship.If you enjoy behind-the-scenes insights into hit-making, collaborations with legendary producers, and chart-topping momentum.If you want a candid, uplifting conversation about resilience, gratitude, and chasing memories that make life worth singing about.Release DetailsSingle: You and Me and MiamiArtist: Michael GilasWriter(s): Michael Gilas, Allan PhillipsProducer: Allan PhillipsDistributor: Intercept MusicAlbum reference: 231 Kensington Road (debut album)Notable collaborators: Grammy-winning producer Brian Kennedy; James Fauntleroy (songwriter/producer) among those who have joined Gilas' creative circleSupport the show

On today's all new episode of the cast, we take a look back at the Billboard Modern Rock Chart for the week ending October 31, 1998 and see what was popular on the chart around the time as we were getting ready for Halloween that year, and what artists and songs really mattered to use the most. We take a look at songs from the likes of Goo Goo Dolls, Eagle Eye Cherry, Hole, Barenaked Ladies, The Offspring, and so much more to provide an ultimate snapshot into such a eclectic and musically diverse lineup that checked all the boxes for me. We also talk about how the Billboard Hot 100 chart is aiming to prevent songs from overstaying their welcome on the charts and instituting a more tiered recurrent rule system that allows the chart to remain fresh and prevent songs from being oversaturated or overplayed, and keep the chart as current as possible.

We go back forty years to 1985, a landmark year in music history! We remember unforgettable hits that defined the decade and chart-toppers that still resonate today. In this Backtrack, we dive into the top songs from the 1985 Billboard Hot 100. (May contain some explicit language.) Patreon » patreon.com/genxgrownupDiscord » GenXGrownUp.com/discordFacebook » fb.me/GenXGrownUpTwitter » GenXGrownUp.com/twitterWebsite » GenXGrownUp.comPodcast » GenXGrownUp.com/podMerchandise » GenXGrownUp.com/merchTheme: “Grown Up” by Beefy » beefyness.com Apple » itunes.apple.com/us/podcast/genxgrownup-podcast/id1268365641CastBox » castbox.fm/channel/GenXGrownUp-Podcast-id2943471?country=usPocket Casts » pca.st/8iuLAudible » amz.run/6yhRTuneIn » tunein.com/radio/GenXGrownUp-Podcast-p1020342/Spotify » spoti.fi/2TB4LR7iHeart » www.iheart.com/podcast…Amazon Music » amzn.to/33IKfEK Show Notes GXG Spotify Playlist! » open.spotify.com/playlist/7Ek4xZnE5eFB6IOyy9WgYJ?si=LBKXziysRFOPBUKijOBzRQ View to a Kill » youtu.be/Fp4CR2HcHLQ?si=aITUTtOL9WAQE4vN I Want to Know What Love Is » youtu.be/r3Pr1_v7hsw?si=xhs39xgSuAAcPjI- Everybody Wants to Rule the World » youtu.be/aGCdLKXNF3w?si=D9Q4kPF3–I8YDDP One More Night » youtu.be/zKVq-P3z5Vg?si=vJg8Pw_l7ehO94gL GenXGrownUp No Jacket Required Podcast » genxgrownup.com/bt-195/ Broken Wings » youtu.be/nKhN1t_7PEY?si=vS1b4LmGc23KtesY The Power of Love » youtu.be/wBl2QGAIx1s?si=aGTd364dBFx3VwRZ Can't Fight this Feeling » youtu.be/zpOULjyy-n8?si=pVnAjU1swIK3QahJ Careless Whisper » youtu.be/izGwDsrQ1eQ?si=qOAVXoUFQpvNXrOE Money for Nothing » youtu.be/wTP2RUD_cL0?si=N6EfmMq6cTpzV5Xu Shout » youtu.be/Ye7FKc1JQe4?si=xVK8aVjcZQpa_Km7 Like a Virgin » youtu.be/s__rX_WL100?si=ZoDDJim05aeZCCx1 We are the World » youtu.be/9AjkUyX0rVw?si=IciMOo-agvQysIq2 GenXGrownUp We Are the World Podcast » genxgrownup.com/bt-188/ Billboard Hot Hits of 1985 » en.wikipedia.org/wiki/Billboard_Year-End_Hot_100_singles_of_1985 Email the show » podcast@genxgrownup.com Visit us on YouTube » GenXGrownUp.com/yt Learn more about your ad choices. Visit megaphone.fm/adchoices

Quake discusses Diddy might be getting a Donald Trump pardon from prison, 50 Cent reacting to Diddy having a knife held to his neck, Kevin McCall claiming he's on EBT and wants Chris Brown's Help, Suge Knight saying he would have broke Dr. Dre's jaw if Eve wanted him to, Playboi Carti allegedly threatening to shoot limo driver, what would be different if Eminem or Jay-Z never existed and much more.(00:00) - Intro(02:13) - Diddy Might Get A Donald Trump Pardon From Prison(07:50) - 50 Cent Reacts To Diddy Having A Knife Held To His Neck In Prison(12:45) - Kevin McCall Claims He's On EBT And Wants Chris Brown's Help, CB Responds(27:27) - Suge Knight Says He Would Have Broke Dr. Dre's Jaw If Eve Wanted Him To(29:22) - Playboi Carti Allegedly Threatened To Shoot Limo Driver According To Dispatch Audio(34:11) - Kendrick Lamar Falls Off The Charts For The 1st Time In Over A Year Due To New Billboard Rules(40:50) - Billboard Hot 100(43:14) - Eminem vs Jay-Z: If One Never Existed What Would Be Different

I WAS THINKING:  Aaron Shares His Thoughts on M’s Game 7 Loss // Mariners’ World Series dream shattered after 4-3 loss to Blue Jays in ALCS Game 7 // Julio Rodriguez’s primal scream of pain in the post-game locker room // THIS DAY IN HISTORY: 1947 - Congress investigates Communists in Hollywood // 1962 - “Monster Mash” hits #1 on the Billboard Hot 100 chart // A Recent Animal Attack Has California Asking: Is Santa Cruz's Surfboard-Stealing Otter Back After 2 Years?  

Guest - Bill Kirk from Washington Gun Law // Supreme Court to consider whether people who regularly smoke pot can legally own guns // THIS DAY IN HISTORY: 1947 - Congress investigates Communists in Hollywood // 1962 - “Monster Mash” hits #1 on the Billboard Hot 100 chart // A Recent Animal Attack Has California Asking: Is Santa Cruz's Surfboard-Stealing Otter Back After 2 Years?

The Rock & Roll Hall of Fame induction ceremony is happening on November 8th, so the guys kick off their celebration by talking an artist they feel SHOULD be in the Hall but isn't. This week, Thomas and Deremy talk five essential Mariah Carey songs. Mariah is one of the best-selling music artists of all time and she holds the record for most Billboard Hot 100 number one singles by a solo artist. Those two facts, alone, should make her a slam dunk. Yet, there's still more on her resume that Deremy and Thomas will break down.Let us know what you think and send us a request!Twitter (X): @popculturefiveInstagram: Pop Culture Five PodcastEmail: popculture5pod@gmail.com

Back on this day in 1962 "The Monster Mash" hit number one hit number one on the Billboard Hot 100 chart.   KTAR Timeline is brought to you by Beatitudes Campus. 

Quake discusses Drake's lawsuit towards UMG getting dismissed, Diddy getting hit with 2 new sexual assault lawsuits, Diddy to hand over his “freak-off” tapes and recording devices, NBA YoungBoy threatening concert goer, 2Pac's family reportedly being heated over A.I. imagery on social media, the real reason Jim Jones snapped on Tony Yayo and much more.(00:00) - Intro(02:02) - Drake's Lawsuit Towards UMG Gets Dismissed(11:32) - Diddy Must Hand Over His “Freak-Off” Tapes And Recording Devices(14:49) - NBA YoungBoy Threatens Concert Goer Who Throws Stuff At Him On Stage(19:03) - 2Pac's Family Reportedly Heated Over A.I. Imagery On Social Media(24:29) - Drake Disses ASAP Rocky On A New Leaked Song(27:42) - Quake Breaks Down The REAL Reason Jim Jones Snapped On Tony Yayo(47:48) - New Music(48:20) - Album Sales(50:53) - Billboard Hot 100

Data does not just magically spring into existence. Someone, somewhere, has to decide what data gets created and the rules for its creation. We would claim that this often starts as a pretty simple exercise, and then, over time, that simplicity balloons to be pretty complex! What if, for instance, you decided to listen to every #1 song on the Billboard Hot 100 going back to its inception in 1958? You may start by just capturing the song name, the artist, and the week(s) it was the #1 song. But, before you know it, you may find that you're adding in artist details…and songwriter details…and producer details…and genre details…and instrumentation details, and your dataset has 105 columns! But, oh, the questions that dataset could answer! And that's exactly the dataset that our guest for this episode, Chris Dalla Riva, created. He uses it (with a range of supplemental datasets) for his pieces in his Substack, Can't Get Much Higher, as well as the underlying raw material for his upcoming book, Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves. While the underlying material was music, the parallels to more staid business data were many when it comes to the underlying processes and challenges for doing that work! This episode's Measurement Bite from show sponsor Recast is an explanation of the miracle of randomization when it comes to addressing unobserved confounders from Michael Kaminsky! For complete show notes, including links to items mentioned in this episode and a transcript of the show, visit the show page.

Quake discusses Pooh Shiesty getting released from prison, Diddy getting hit with 2 new sexual assault lawsuits, Lil Durk accused of ordering hits on O'Block allies, Nas responding to winning New York's casino war against Jay-Z, also says Kendrick Lamar is the “North Star” of Hip-Hop, VERZUZ returning with Cash Money going against No Limit Records, Benny The Butcher arguing that Twitter nerds control the culture, Kendrick Lamar songs leaking, fake Eminem quote going viral addressing Cardi vs Nicki beef and much more.(00:00) - Intro(08:58) - Pooh Shiesty Is Released From Prison(11:43) - Diddy Gets Hit With 2 New Sexual Assault Lawsuits Making A Total Of 70 Lawsuits(26:15) - Lil Durk Accused Of Ordering Hits On O'Block Allies For Not Avenging King Von(39:09) - Nas Responds To Winning New York's Casino War Against Jay-Z(40:24) - Nas Says Kendrick Lamar Is The “North Star” Of Hip-Hop(42:23) - VERZUZ Will Return With Cash Money Going Against No Limit Records(43:21) - Benny The Butcher Argues That Twitter Nerds Control The Culture(50:59) - Kendrick Lamar Songs Leak With Reference Tracks For Baby Keem(54:29) - Fake Eminem Quote Goes Viral Addressing Cardi vs Nicki Beef, A.I. Is Getting Out Of Control(01:13:56) - Billboard Hot 100

"Which artist spent more time at #1 than Taylor Swift… and how did the Kingston Trio sneak into the top 10?"In this laugh-packed segment of The Ben and Skin Show, Kevin “KT” Turner takes the reins and throws down a music trivia challenge that stumps even the most seasoned pop culture pros. Joined by Jeff “Skin” Wade and Krystina Ray, the trio dives into a wild guessing game: Which artists have spent the most weeks at #1 on the Billboard Hot 100?What starts as a fun quiz quickly spirals into hilarious confusion, unexpected revelations, and some truly outrageous guesses. From Taylor Swift and The Beatles to Harry Belafonte and the Kingston Trio, the list is full of surprises—and the reactions are priceless.

Whitney Phillips, Grammy-nominated songwriter and member of the ensemble cast of the Netflix show Hitmakers, talks about life as a modern-day pop writerPART ONEPaul and Scott dive into the idea of a "perfect song" and discuss some examples of songs they think just might fit into that elusive category.PART TWOOur in-depth conversation with Whitney PhillipsABOUT WHITNEY PHILLIPSWhitney Phillips is a Grammy-nominated songwriter and vocal producer known for her genre-blurring versatility and sharp pop instincts. Originally from Seattle and now based in Los Angeles and Nashville, she has spent over a decade shaping global hits and collaborating with some of the world's most iconic and emerging artists—including Ariana Grande, Justin Bieber, Jennifer Lopez, Teddy Swims, Selena Gomez, Anderson .Paak, John Legend, NeedToBreathe, Lil Wayne, Christina Aguilera, Fifth Harmony, Kylie Minogue, Bebe Rexha, and Celine Dion. She co-wrote the Billboard Hot 100 No. 1 single “Stuck with U” by Justin Bieber and Ariana Grande—the first major hit to emerge from the pandemic era and a groundbreaking proof of concept that chart-topping songs could be written entirely over Zoom. She also contributed “Love U Different” to Bieber's Justice, which earned a 2022 Grammy nomination for Album of the Year. In 2019, her song “Bad Boy” with K-pop powerhouse Red Velvet made history as the first K-pop track to debut on Spotify's New Music Friday U.S. playlist, marking a pivotal moment in the genre's global crossover.A proud member of the Recording Academy and a vocal advocate for songwriters' rights, Whitney has spoken on Capitol Hill, testifying in support of creators and playing a key role in the fight to uphold increased streaming royalties for songwriters. She is also a member of the cast of the Netflix show Hitmakers, which follows an ensemble cast of elite songwriters as they travel the world attending writing camps for today's biggest artists—offering an inside look at the stories, stakes, and creative alchemy behind the hits.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

 On this episode of Bulture podcast:Assata Shakur, Black Liberation Icon Who Escaped U.S. Custody, Dies at 78 in Cuba Woman says Assata Shakur who recently passed away was merely a glorified fugitive criminal who never actually did anything for Black people. ‘She hid in Cuba; why didn't she go to Jamaica or Africa?'Jayson Tatum is already back hoopingKai Cenat Just Dropped the “Mafiathon 3” Crocs CollabCheck out the worst new hip-hop songs this week from Young Thug, Sexyy Red, Ice Spice,NBA Youngboy's 'Shot Callin' officially debuts at #90 on this week Billboard Hot 100!! It becomes his first song to hit the charts since 2023. Cardi B reveals that she wants to be a WIFEY that's also a good “EATER” because she thinks that's what Men wantCardi B Made An Appearance On Young Thug's Album & She Did Not Disappoint-Nicki Minaj Continues To Tease 2026 Album w/ 6-Month CountdownKamala Harris Admits She Was ‘Reckless' in Not Challenging Former President Biden's Decision to Run for ReelectionToronto fans were left disappointed and confused after going to Druski's “The Coulda Fest Tour” stop in Canada. Police say Celeste Rivas had multiple fake IDs to present herself as an adult, which allowed her and D4vd to go anywhere together as a couple. Expert Criminal Lawyers Say It Could Take Weeks, Months or Even a Year to Make an Arrest in Case of Celeste Rivas Hernandez Passing & has Been Named as A Suspect, & Police Still Have Not Named Any Suspects Yet.Brother Of Celeste, the girl Found in D4vd's Car, Says He First Contacted Victim When She Was 11 Or 12, Family Says He Picked Her Up in Same Tesla She Was Found InWale Developing TV Series ‘Silk' Based on Infamous Hitman Wayne PerryFlorida is an open carry state where people are allowed to carry their guns in publicFans are devastated after NBA YoungBoy's Chicago show was canceled just days before it was supposed to happen.Druski Met His Match! A 6'7", 285-Pound Cuban Woman Walked in And the Comedian Went from Pimp to Puppy In 2.5 Seconds!21 Savage speaks on people who are mad about Young Thug and YFN Lucci squashing their beef and making music together!!Young Thug reveals his new album cover with a Eurocentric look—pale skin and blue eyes, smaller lips and nose.NBA star Herb Jones says his new $68M contract won't change how he dresses: "Nothing's changed. If my family is good, I'm cool"Seahawks RB legend Shaun Alexander just broke the news that he & his wife Valerie are welcoming their 14th child-Nas new $5.5 Billion Casino just got approved. They even clowned Jay Z n roc nation during the meeting.Woman arrested on m*rder charges after dr*wning her three kids; she said she had no support system or people to take care of them if she k*lled herself. “I love my kids so f******* much.”YFN Lucci says he couldn't help his friend back in 2020 when he was shot in his Maybach and had no choice but to leave him behind because he was too heavy 

This week on One Song, Blake and LUXXURY are resharing their ‘‘Paint The Town Red' episode in celebration of the release of Doja Cat's new album Vie. In this episode, they discuss her rise from viral star to super star and unpack the #1 Billboard Hot 100 hit alongside the 'Scam Goddess' herself, actress and comedian Laci Mosley. Don't let financial opportunity slip through the cracks. Use code ONESONG at MonarchMoney.com for half off your first year. Learn more about your ad choices. Visit megaphone.fm/adchoices