Podcast appearances and mentions of Bootsy Collins

Mr. Christopher recaps the full week of the Prince Celebration 2026 and beyond with NPG Legend, Michael Bland. Join the crew as we talk about the new upcoming Prince album Timeless, new box sets arriving, a dozen unreleased tracks, panels featuring Bootsy Collins, Morris Day, Jimmy Jam and Terry Lewis, Lisa Coleman, and more. Plus the review of a full purple star studded concert with NPG and Revolution members, with special guests like Bilal, Miguel, Sounds of Blackness, and more! It's 3-1/2 hours of event coverage. Get your groove on.

Det var en gång då Ohios industristäder producerade de hårdast arbetande och mest innovativa funkbanden. Leverantörer av en vild partyföregångare till hiphop. Lyssna på alla avsnitt i Sveriges Radios app. När jag tar mig genom mytomspunnen musikmark på väg till forne Slave trummisen och sångaren Steve Arrington hör jag ekot från gulderan bland rostiga, övervuxna fabriker och halvtomma huvudgator. När det begav sig speglade fantasifull funk både social oro och framtidstro. Funk var den revolutionära känslan förvandlad till en fest. En giftig blandning av psykedeliska droger och black power öppnade en annan verklighet. En plats bortom förtrycket och fattigdomen. I avsnittet möter du även Zapp, George Clinton, Bootsy Collins, Sheila E, Bill Summers, Leroy ”Sugarfoot” Bonner och Diamond (från Ohio Players).

Episode 098 brings a double dose of low end theory, welcoming a pioneering pair of underground bass legends percolating on opposite coasts, both cats deep in the streets and boasting decades in the game, with the catalogues and collaborators to prove it. 0:00 - ep.098 preview 3:30 - High Sierra Music Festival 2026  6:30 - The Upful Update 12:00 - intro: Club d'Elf's MIKE RIVARD [aka Micro] 15:00 - INTERVIEW w/ MICRO [83m] 1:38:00 - introducing LONNIE MARSHALL 1:42:00 - INTERVIEW w/ LONNIE [43m] 2:24:30 - afterglow x ViBE Junkie Jamz   First up Mike Rivard [aka Micro] - bass/sintir/founder/visionary of Boston's jazz-trance-dub-hop institution known as Club d'Elf. Twas an honor and privilege to finally tap in with Micro after a quarter century of fandom and awe. We chop it up at length about his group's unicorn career, magnificent co-conspirators like the late Mark Sandman, John Medeski, Brahim Fribgane (RIP), Joe and Mat Maneri, Dave Tronzo, and (Friends Of The Pod) Mister Rourke, Adam Deitch, Ryan Zoidis, Jonny G, among several others. We learn about Moroccan sintir; the healing powers of Gnawa trance music; plant medicines and Terrence McKenna; Micro's personal trials and tribulations along the way; his perspective on the integral role of independent music venues; interpolating NOLA Second Line rhythms in tandem with Morrocan traditions; and revisiting his embryonic journeys with the Grateful Dead as a wide-eared, curious youngster. In April 2026, Club d'Elf unveiled their latest full-length LP Loon & Thrush, a positively magnificent affair in a deep, eclectic d'Elf canon brimming with brilliant configurations and bold adventuring. We chase that inspired dialog with another informative chat featuring LA-based bassist/badass Lonnie Marshall from pioneering underground funk/hip-hop squadron Weapon of Choice. Lonnie was kind enough to hop on the line and discuss his life of Nutmeg Music, his bombastic and eclectic history and colorful persona, lineage from the P-Funk family tree and his teenage era rolling with Bootsy Collins' Boot Camp, storytelling and dope collabs, daKAH hip-hop orchestra, recording/gigging with Joe Strummer's debut solo LP/group, reflections on his brother Arik Marshall's brief, chaotic moment with the Red Hot Chili Peppers and long-term run backing Macy Gray. Plus a whole lot more in this educational inspirational get down with the most mega-nutt mug to ever bless these podwaves! Bassist/sintir sorcerer Mike Rivard [aka MicroVard] defies any sort of rigid genre-specifics or generic categorization. The cat finds himself at home in a bewildering array of musical/cultural settings: from the good ol' Grateful Dead to the melancholic-rock of his late friend Mark Sandman and Morphine, to the mountains of Morocco with local Berber musicians, plus side trips into the Broadway pits, and tantric trance sessions with John Medeski and Joe Maneri. A "military brat" coming of adolescence in the wide expanses of Minnesota, he took in the local sounds of Prince, Husker Du, and the free-jazz coming out of the University of Minnesota milieu. Eventually a young Rivard would find himself while hitchiking on Dead tour, further opening up  nascent doors of perception. Later, Micro set about embarking on Boston's prestigious Berklee College of Music in 1981. After graduating, he studied with jazz legend Dave Holland. Inspired by North African gnawa music, he picked up a Moroccan sintir (three-stringed bass lute) and with guidance from Hassan Hakmoun and Maalem Mahmoud Gania, he has become one of a handful of Western musicians proficient on the instrument. He puts all of the shared sacred teachings and wisdom to good use in Club d'Elf, the jazz-world-dub-electronica squad he formed in 1998. Club d'Elf can be heard across more than 15 albums over the past 25 years; an eclectic, pioneering collective with a vast array of co-conspirators from around the world. Club d'Elf website  Instagram new album Loon & Thrush After years grinding it out on the LA scene with his brother Arik in Marshall Law, Lonnie Marshall founded Weapon of Choice in 1992, holding down bass and lead vocals. After a video directed by Geoff Moore for their song "Uppity, Yuppity Doolittle" came to the attention of Pearl Jam's Stone Gossard, the band was signed to Gossard‘s record label Loosegroove. They released three albums with Loosegroove before the company folded in 2000: "Nut-meg says Bozo the Town" (1994), Highperspice (1996), and Nutmeg Phantasy (1998). In 2001, the band dropped Illoominutty on Fishbone's Nuttsactor 5 record label, and in 2003, they released Color Me Funky. Since 1997, Lonnie has performed alongside members of P Funk and Fishbone, among others, as part of Trulio Disgracias - a constantly mutating funk-rock-jazz collective headed by by Norwood Fisher. Lonnie was an emcee, composer, and performer for daKAH, a 65 piece hip-hop orchestra which coalesced periodically in the Los Angeles area for many years. Before that, Marshall wrote, recorded and toured with the legendary Joe Strummer of The Clash, behind Strummer's dynamic 1989 solo debut Earthquake Weather. Lonnie has contributed/collaborated with Macy Gray, Snoop Dogg, Tone Loc, Ice Cube, George Clinton, Funkadelic, Perry Farrell, Les Claypool, Stone Gossard and his brother Arik Marshall. Lonnie Marshall Instagram Weapon of Choice on Bandcamp     recent B.Getz appearances: In Search of D'Angelo - Delta Bravo Observation Team w/BG [2/26]  Peace & Lovecast - Ode to Genius [D'Angelo ep w/ BG segment [2/26] Behind the Dopey - BG talks RHCP on Dopey Podcast - 4/26 CHECK OUT OUR SPONSORS High Sierra Music Festival 2026 BISS LIST  AARON SCHWARTZ ART LAZYMOON DESIGN for promo/poster art needs Bub and Pop Podcast Support the Upful LIFE Send B.G. a coupla' dollas 4 makin U holla! Upful LIFE Patreon EMAIL the SHOW PLEASE LEAVE A REVIEW on Apple Podcasts Listen/Comment on Spotify Theme Song: "Mazel Tov"- CALVIN VALENTINE

Don and Dude channel Ren & Stumpy and search for "Happy, Happy, Joy, Joy." The boys explore two joyful records that turned pure happiness into chart gold and lifelong fan obsessions. From psychedelic club anthems to bar band singalongs, the guys trace how these albums turned big smiles, tight grooves, and radio hooks into proof that joy never goes out of style.The AlbumsDeee-Lite – World Clique (1990)A colorful debut blending house grooves, funk samples, and club culture idealism, powered by Lady Miss Kier's vocals, guest appearances from Bootsy Collins and Q-Tip, and a world clique vision of global connection through rhythm and joy.Huey Lewis and the News – Sports (1983)A polished bar band record built from tight pop rock hooks, relatable adult themes, and a mix of modern production with classic R&B and country touches, delivering 37 minutes of earnest, sweaty, sing-along happiness that defined mid-80s radio.Diggin' AlbumsAshley McBryde – Wild (2026)Gritty country rock balancing hard-driving energy with vulnerable storytelling about sobriety and survival.The Cars – The Cars (1978)Sleek new wave debut bridging rock guitars and synth textures into radio-ready hooks that shaped the sound of the early 80s.Modest Mouse – An Eraser and a Maze (2026)Pacific Northwest indie rock exploring progress, self-sabotage, and navigating chaos through Isaac Brock's jagged guitar work and anxious lyrics.Death Cab for Cutie – I Built You a Tower (2026)Reflective indie rock from Ben Gibbard circling themes of loss and grief, building an inner tower to hold heavy experiences while moving forward.Follow & SupportFollow the show on Instagram, Facebook, Threads, and Bluesky @albumnerds, and support by subscribing, rating, reviewing, and sharing with another music obsessive who still loves hearing whole albums front to back."Happiness is anyone and anything at all that's loved by you." - from You're a Good Man, Charlie Brown, music and lyrics by Clark Gesner (1967)

Could Parliament be the most important band of the 1970s? Jazz pianists Adam Maness and Peter Martin break down Parliament's 1975 masterpiece Mothership Connection track-by-track: Bootsy Collins bass lines that launched a thousand samples, grooves that lock you in and won't let go, and the New Orleans connection that George Clinton says started the whole thing. Plus: isolated bass and drums stems. You'll never hear Parliament the same way again.Chapters Legend:

Today on Your Daily Chocolate, Patty interviews Christian rapper and motivational speaker David Paul Brooks, whose single “Undefeated 3.0” hit #1 on the National Radio Hits AC40 chart. Brooks shares his mission to give youth positive, faith-based alternatives to negative music, shaped by raising two sons and by his mother's church foundation. He discusses his Grammy- and Dove-winning group DOC splitting due to life changes, rebuilding as an independent artist, and collaborating with Bootsy Collins' circle. Brooks explains his singles-first strategy leading to multiple #1 songs and the Undefeated album tied to a book and upcoming three-song mini-movie addressing child trafficking, the Me Too movement, and peer pressure. He describes the animated film “Power in the Name Of,”  Party in the Park outreach honoring first responders with giveaways, and his “No Bad Days” book and TikTok show.Episode Highlights:00:00 Meet David Paul Brooks01:29 Mission for Youth02:57 Role Models and Roots04:07 From Group to Solo05:30 Starting Over Indie07:27 Chart Topping Breakthrough09:37 Why Release an Album10:32 Undefeated Book and Movie12:07 Power in the Name Of16:57 Faith in Music Today19:07 Accountability Matters20:12 Party In The Park22:42 Giveaways That Change Lives24:00 Concert Ministry Impact26:10 Leading With Love28:18 No Bad Days Mindset30:54 Rapid Fire Questions34:04 Closing And Next Episode 

Keep the funk pumpin' 01- Deltaphonic - Born Under A Bad Sign (Live) 02- The Breaks - Offsides 03- Nine Sparks Riots - Orca 04- Charlie Hunter - Snake Pit 05- The Next Movement - Dang! (So Fine!) 06- The Womack Sisters - If You Want Me 07- Baby Charles - I Bet You Look Good On The Dancefloor (2026 Re-edit) 08- BlindBeat - fridaynight.mp3 09- Eamon - Work It Out 10- Pitzo - Popping Shots 8 (Shot One) 11- The Funk Soul Brothers - Venetian Heat (In Nicolai Tension) 12- Mtn Lion - Turning Up The Heat 13- FANTAAZMA - LOVE MACHINE (feat. Bootsy Collins) 14- Tolliver - Funky Man (feat. Talk2Strangers & TwoLips) 15- Jalen Ngonda - Doctrine of Love 16- Chaka Khan - Chakzilla 17- Moon Age - On The Wall 18- Pimps of Joytime - Janx Blues

 “Today, we welcome a guitarist whose story feels almost too legendary to be real. Michael Hampton — the young phenom who walked into the Parliament‑Funkadelic galaxy at just seventeen and instantly became part of its gravitational pull. A Rock & Roll Hall of Famer, a torchbearer of the Mothership, and the man behind some of the most transcendent guitar moments in funk history.From the cosmic chaos of the P‑Funk stage to the spiritual electricity of his ‘Maggot Brain' performances, Hampton has always played like he's channeling something bigger — something ancient, futuristic, and deeply human all at once.Today, we dive into the journey of a quiet giant whose guitar has spoken louder than words for nearly five decades. Michael Hampton… welcome to the show.” PURCHASEA founding father of power-funk electric guitar MICHAEL HAMPTON‘INTO THE PUBLIC DOMAIN'AThttps://michaelhampton.bandcamp.com/album/into-the-public-domain-2Bandcamp “Electric Psychedelic Guitar Fusion with a Funk Pulse That Never Stops Beating...This record is a mesmerizing swirl of electric psychedelic guitar fusion, stitched together with the unmistakable funk DNA that made Hampton a pillar of the Parliament/Funkadelic universe. But what's striking here is how personal the music feels. There's no need for vocals; the guitar does all the speaking, testifying, and time traveling.” ...By Music Journalist Ray Shasho5 starsMichael Hampton--Lead GuitarPhilip Samuel Smith--Rhythm GuitarPhil Keaggy--Guest Lead GuitarJohn Schreffler--Pedal Steel GuitarMatt Lesser--DrumsMike Labombard—Saxophone FOR MORE INFORMATIONABOUTMICHAEL HAMPTONVISIThttps://www.tiktok.com/@ma_wa_haTikTokhttps://www.instagram.com/michaelwhampton/Instagramhttps://open.spotify.com/artist/5rhBe5DqUbACYzqerQa9R0Spotifyhttps://www.facebook.com/p/Michael-Hampton-100040199001670/Facebookhttps://www.youtube.com/@MaWaHaYouTubehttps://georgeclinton.com/George Clinton Official Sitehttps://www.facebook.com/georgeclintonpfunkGeorge Clinton Facebook UPCOMINGGEORGE CLINTONPARLIAMENT-FUNKADELICSHOWSSat, APR 11The PFunk Festival 2026Tallahassee, FLApr. 25 - 26, 2026Austin Blues Festival 2026Austin, TXMay. 21 - 24, 2026Jacksonville Jazz Festival 2026Jacksonville, FLSun, MAY 24Hollywood Casino Joliet FUNKADELICDISCOGRAPHYFunkadelic (1970)Free Your Mind... and Your Ass Will Follow (1970)Maggot Brain (1971)America Eats Its Young (1972)Cosmic Slop (1973)Standing on the Verge of Getting It On (1974)Let's Take It to the Stage (1975)Tales of Kidd Funkadelic (1976)Hardcore Jollies (1976)One Nation Under a Groove (1978)Uncle Jam Wants You (1979)Connections & Disconnections (1980)The Electric Spanking of War Babies (1981)By Way of the Drum (2007)First Ya Gotta Shake the Gate (2014) PARLIAMENTDISCOGRAPHYOsmium (1970)Up for the Down Stroke (1974)Chocolate City (1975)Mothership Connection (1975)The Clones of Dr. Funkenstein (1976)Funkentelechy vs. the Placebo Syndrome (1977)Motor Booty Affair (1978)Gloryhallastoopid (1979)Trombipulation (1980)Medicaid Fraud Dogg (2018) Notable songs"Maggot Brain" (Funkadelic), 1971"Up for the Down Stroke" (Parliament), 1974"Chocolate City" (Parliament), 1975"P-Funk (Wants to Get Funked Up)" (Parliament), 1975"Give Up The Funk (Tear The Roof Off The Sucker)" (Parliament), 1976"Do That Stuff" (Parliament), 1976"I'd Rather Be With You" (Bootsy's Rubber Band), 1976"Bop Gun (Endangered Species)" (Parliament), 1977"Funkentelechy" (Parliament), 1978"The Pinocchio Theory" (Bootsy's Rubber Band), 1977"Aqua Boogie (A Psychoalphadiscobetabioaquadoloop)" (Parliament), 1978"Bootzilla" (Bootsy's Rubber Band), 1978"Flash Light" (Parliament), 1978"One Nation Under a Groove" (Funkadelic), 1978"(Not Just) Knee Deep" (Funkadelic), 1979"The Electric Spanking of War Babies" (Funkadelic), 1981  Support us on PayPal!

When Deee-Lite dropped “Groove Is In the Heart” in 1990, it was simultaneously a throwback to the style and vibes of the late 60s while futuristic in its sound and worldview. A product of an open-minded New York City club scene, the group just oozed fun and positivity, and you couldn't escape the unforgettable green-screened music video that featured Bootsy Collins, bodysuits, platform shoes, and the disembodied floating head of Q-Tip. Front and center for Deee-Lite was Lady Miss Kier, whose soaring vocal hooks were supported by everything from slide whistles to samples from the Green Acres theme song. This week, we're joined by Mark Popeney to learn everything we can about this beloved dance band and see if WE couldn't ask for another.  One Hit Thunder is brought to you by DistroKid, the ultimate partner for taking your music to the next level. Our listeners get 30% off your first YEAR with DistroKid by signing up at ⁠⁠⁠⁠⁠⁠⁠http://distrokid.com/vip/onehitthunder⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Buy some Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Facebook Group⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Instagram⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Once A DJ is brought to you by:https://www.vinylunderground.co.uk - 10% off your next order using code onceadjhttps://www.sureshotshop.com/ - Record adapters (including customs) & accessorieshttps://myslipmats.com/ - Custom and off the shelf Slipmats, dividers and more.Once A DJ is a https://remote-ctrl.co.uk productionOther ways to support the showFollow the show on Spotify or Apple PodcastsAny feedback or questions? Hit up the Once A DJ Instagram PageSubscribe to the Once A DJ PatreonBuy your Once A DJ Sureshot 45 adapter clampsDJ Super Dmitry | Dee-Lite, Nauti Siren & The Sound of a Life Lived in MusicThis week on Once A DJ, Adam is joined by DJ Super Dmitry — one third of Dee-Lite, the group behind one of the most joyful and enduring records in dance music history. But Dmitry's story goes far beyond 'Groove Is in the Heart', and this conversation goes all the way back to the beginning.Dmitry grew up in Soviet Ukraine as a third-generation musician. His grandmother — unable to afford a piano during the disruptions of the Russian Revolution, Civil War and World War Two — cut piano keys from paper so she could practise by hand. That love of music carried through the family, and Dmitry began lessons at five, was attending a conservatory music school by seven, and was already writing his own compositions in the style of Gershwin and Scott Joplin by eight.Western music was tightly controlled. Records could only be obtained on the black market — for around $50 each — and were copied onto reel-to-reel before being traded on. A track from Jesus Christ Superstar introduced him to something funky he couldn't yet name, and the search for that sound would shape the rest of his life.At 14, Dmitry and his family left the Soviet Union — the first in their town to do so, and treated as traitors for it. After periods in Austria and Italy, where he discovered punk (the Pistols, the Damned, X-Ray Spex, Iggy Pop), the family arrived in New York in 1978. On Halloween. In a Black neighbourhood in Brooklyn. Having never seen Black people before.From a 50-cent bin in a record shop, he picked up 'The Clones of Dr. Funkenstein' by Parliament because the cover looked insane. That was the moment. 'There it is,' he thought. 'That's the sound I've been looking for.' He's been a funkateer ever since.New York in the late 70s and early 80s was extraordinary — punk, disco, hip hop, and house all converging in the same sweaty rooms. Dmitry became an elevator operator at Danceteria, practising guitar in the lift between floors while Sisters of Mercy and the Sugar Hill Gang did soundchecks below. He ran into the pre-fame Beastie Boys regularly, worked at the Pyramid Club (run by drag queens, and a real education in showmanship), and played for Kool Herc and Grandmaster Flash at block parties in Harlem and the Bronx.Dee-Lite formed as a direct attempt to bridge the gap between house and funk. They built a following through monthly shows drawing up to 1,500 people, which caught the attention of a Billboard writer and eventually sparked a label bidding war. They signed to Elektra — choosing them because their A&R, Nancy Jeffries, had signed Iggy Pop and Bjork, and that felt like the right kind of open-mindedness.Elektra didn't believe 'Groove Is in the Heart' had any traction. They let Dee-Lite do the video anyway, and Dmitry remembers the precise moment he knew it had crossed over: standing in a grocery store queue when it came on the radio and the cashier started dancing at her till. 'That's my jam,' she said. 'That's my jam.'Q-Tip turned up to the studio, listened for 15 minutes, jotted notes, and nailed it in two takes. Bootsy Collins casually mentioned he had 'some friends' who might be able to play horns — those friends were Fred Wesley and Maceo Parker, who arrived as near-strangers to each other after five years apart and immediately played like they'd never stopped.Their first proper gig with a full live band was in front of 300,000 people at Rock in Rio. The second album was recorded expensively in a big studio; Dmitry considers it their weakest. The third, Dewdrops in the Garden, went back to basics and home recording, and he's proud of how well it still sounds.The band broke up when Dmitry and Kier's relationship ended, and he eventually made his way to Berlin — partly drawn by its thriving club culture, partly pushed out of New York by Giuliani's crackdown on clubs. He played Tresor, won a Best Techno DJ award at Ibiza despite not really being a techno DJ, worked with Julie Cruz, remixed Chaka Khan and Ziggy Marley, and kept making music.Then during the pandemic, a friend sent him a vocalist called Jessie Evans. He sent her some dub tracks that had been sitting on his computer for years. She recorded them one by one, sending back a finished song every couple of days from Brazil — while caring for two young children. Before they had ever met on video, they had an album's worth of material. That project became Nauti Siren. She moved to Germany, they got married, and they now have around five albums' worth of music ready to release. The first, 'Rising', is out now.This is a remarkable conversation with someone who has lived inside the history of popular music for fifty years — and who still has plenty more to say.Find DJ Super Dmitry:Instagram: @superdjdmitryNauti Siren 'Rising' — out on Bandcamp and all streaming platformsOnce A DJThe podcast that looks at what brings us together and what sets us apart. Subscribe wherever you listen to podcasts.

There have been few creative bursts of the modern era more epic than George Clinton's in the 70s. He had so many songs in his brain he had to keep creating bands or producing artists to get them all out. One of his key players during this furtive time was guitarist Michael Hampton. "The Kidd" joined George's team while still a teenager when Eddie Hazel started to do his own thing. From there, George used him in Parliament, Funkadelic, the Brides of Funkenstein, Parlay, and with artists like Bootsy Collins, Bernie Worrell and Fred Wesley. Michael still plays with the P-Funk All-Stars to this day and has recently released a free EP called Into the Public Domain that shows he hasn't lost anything in terms of guitar playing. It was a heady time and Michael and I try to wrap our brains around it all, but it was a challenge. However, there's no mistaking that some of the greatest funk music ever made has Michael's stamp on it and we're grateful he's here this week to discuss it with us. Enjoy!  www.michaelwhampton.com www.patreon.com/thehustlepod  

**It's The Relax With Rendell Show Replay On Trax FM & Rendell Radio. Rendell Featured Soul & Boogie/Rare Groove/80's & 70's Grooves/Easy Listening Cuts From The Whispers, Slave, Pat Kelly, Mtume, Leroy Hutson, Golden Earing, Desiree Carrington, Bootsy Collins, The Blackstones, Samantha Sang, Neil Sedaka, Meili'sa Morgan, Joe Loss & His Orchestra & More. #originalpirates #soulmusic #disco #reggae #raregroove #easylistening #boogiefunk Catch Rendell Every Saturday From 8PM UK Time On www.traxfm.org The Stations: Trax FM & Rendell Radio Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm **

Avec Malou Mallerin, Melvin Schlemer et David Bola pour les nouveautés !

This week, comedian Ian Lara (Ian Lara: Romantic Comedy) joins Laci to discuss how several imposters tried to target Bootsy Collins, one of the most impactful, long-standing figures in the tapestry of American music, especially R&B, funk and pop. Plus, a Californian man is arrested for theft after stealing money from his Grindr hookups. Stay Schemin'! (Originally released 01/09/2023) CON-gregation, keep the scams coming and snitch on your friends by emailing us at ScamGoddessPod@gmail.com. Follow on Instagram:Scam Goddess Pod: @scamgoddesspodLaci Mosley: @divalaciIan Lara: @ianlaralive Research by Kaelyn BrandtSOURCEShttps://www.rollingstone.com/music/music-features/bootsy-collins-impostor-fake-crime-1234629225/https://nypost.com/2022/11/23/california-man-gets-prison-sentence-for-robbing-men-he-met-on-grindr/ Subscribe to SiriusXM Podcasts+ to listen to new episodes of Scam Goddess ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

An all-Canadian edition of Breaking Techniques featuring a full hour of artists from the Great White North (COO-ROO-COO-COO-COO-ROO-COO-COO!)Playlist: Tarik Robinson, featuring BRavenous, DJ Cosm, Dragon Fli Empire, Jay Ross - Still In ItThe Blue, featuring Tea Fannie, KTheChosen - How Could I Not Trythe della kit, featuring Scarub - looking inPotatohead People, featuring Sorceress, Mosaic - MessengerAiza - MajimboDawn Pemberton, featuring casomado, Milla Thyme - Time & Space (Luis Machuca mix)Aphrose - RosesSargeant x Comrade - Mr. Piano Player ManTanika Charles - FrustratedClaire Davis - HeartbreakJett Straker & The Guiding Principle - Cause I'm ReadyOonga, featuring Mighty Sampson, Sauce Piquante - TemperatureFive Alarm Funk, featuring Bootsy Collins, Slynk - We Play the Funk - Slynk RemixThe Soul Motivators, featuring Shahi Teruko - Let's Do It TogetherRoxy & The Underground Sound Sound - MistakesThe Sound of Eddy - Can't Shake This FeelingDominique Fils-Aimé - Grow Mama Grow

After receiving his first guitar at age 10, a determined Michael became self-taught with the help of his bedroom radio, spending days on end playing along with Jimi Hendrix, Wes Montgomery and B.B. King records. After studying jazz guitar in high school, an impromptu backstage audition for George Clinton in 1974 earned 17-year-old Michael a seat on the Parliament mothership alongside the immortal Eddie Hazel, under the name “Kidd Funkadelic”. Hampton has spent the past half-century playing nearly 400 shows with the band, in 25 countries across 6 continents. Highlights include multiple appearances at world-renowned festivals like Montreux Jazz, Glastonbury, Reading, Woodstock '99, Coachella, Bonnaroo, Roskilde, Lollapalooza, Fuji Rock, and Isle of Wight, and venues like the Apollo Theater, The Fillmore, Royal Albert Hall, Madison Square Garden, The Troubadour, Red Rocks, The Beacon, and Sydney Opera House. Among Hampton's Funkadelic writing credits are group staples like “Who Says a Funk Band Can't Play Rock?!” and “Funk Gets Stronger”, both released during the group's late- '70s/early-'80s hit run. His lead guitar is also embedded in the DNA of 90s hip-hop's G- Funk movement—Dr. Dre's “Let Me Ride” samples Parliament's “Mothership Connection”, Ice Cube's “Bop Gun” borrows elements of Funkadelic's “One Nation Under a Groove”, while De La Soul's “Me Myself and I”, Digital Underground's “Kiss You Back”, and Snoop Dogg's “What's My Name?” all draw from Funkadelic's “(Not Just) Knee Deep”. Michael's colleagues include George Clinton, Bootsy Collins, Bernie Worrell, Maceo Parker, Charlie Wilson, Dewayne “Blackbyrd” McKnight, Fred Wesley & The JB's, Chuck Treece, Dean Ween, Primal Scream, Digital Underground, Too $hort, and Deee-Lite. Michael's contributions to the Parliament Funkadelic catalog have also influenced famed artists like Prince, Red Hot Chili Peppers, Outkast, D'Angelo and Janelle Monáe, among many others. As of 2025, Michael has appeared on over 30 separate major label releases. Though best known for his role in the funk guitar pantheon, Hampton is also an accomplished multi-instrumentalist, with drums, keys, and synth programming credits across the Parliament discography. Michael Hampton's info Instagram https://www.instagram.com/michaelwhampton/ Spotify https://open.spotify.com/artist/5rhBe5DqUbACYzqerQa9R0 TikTok https://www.tiktok.com/@ma_wa_ha Facebook https://www.facebook.com/p/Michael-Hampton-100040199001670/ YouTube https://www.youtube.com/@MaWaHa  

On this episode, Marc talks with Seth Neblett, author of "Mothership Connected: The Women of Parliament-Funkadelic," published in September of 2025. It's a fascinating oral history of the female members of Parliament and Funkadelic, particularly those in the P-Funk sister groups Parlet and the Brides of Funkenstein: Mallia Franklin, Lynn Mabry, Dawn Silva, Debbie Wright, and Shirley Hayden. Seth is the son of Mallia Franklin, who, along with being an important musician in the P-Funk story, was responsible for the inclusion of many members of the collective; most famously, she introduced Bootsy Collins to George Clinton and convinced him to include Bootsy in P-Funk. As Seth writes, "The Brides of Funkenstein and Parlet, were, along with Bootsy Collins, the most successful groups to come out of the P-Funk Empire. The women sang and contributed to all the organization's in-house projects...In an era of sex, drugs, and rock and roll, detouring through disco, and cresting on punk and new wave of the eighties, this critical "female" piece of the music history puzzle is as important as any other."You can buy "Mothership Connected" here.We hope you enjoy Marc's conversation with Seth Neblett!

This week on Cultural Manifesto, we remember some of the notable Indiana musicians and music figures who passed away in 2025. Join us as we honor the lives of artists who shaped funk, rock, music education, and global psychedelia — including:  Fort Wayne guitarist Gray Brabson, also known as G Money, whose work with the funk band Trust produced the cult-classic 1978 single “Funk Power,” later rediscovered by collectors and reissued by Numero Group. Indianapolis funk keyboardist DeMorris “Dee Gee” Smith, a deeply connected figure in the city's soul and funk scene who also performed with national acts including the Bar-Kays, Natalie Cole, Luther Vandross, and Bootsy Collins. Indianapolis trumpet player Ron Hedrick, best known for his work with Ebony Rhythm Funk Campaign. Indiana-born bassist Toby Myers, whose career bridged the state's rock scene and the global stage through his long tenure with John Mellencamp, as well as his earlier work with Roadmaster and later contributions to Lisa Germano's landmark 4AD release. Gladys Stone Wright, a pioneering West Lafayette band director, conductor, and composer who helped redefine the role of women in band leadership and co-founded the Women Band Directors National Association.  And Indianapolis-based writer, scholar, and musician Stan Denski, a central figure in documenting and preserving psychedelic music history. As a co-founder of OR Records, a member of the band Many Bright Things, and a key contributor to the influential Love, Peace & Poetry compilation series, Denski helped bring psychedelic music from Africa, Asia, and Latin America to wider attention.

How did Deee-Lite turn a wild mix of samples into a timeless dance-floor anthem? Diallo Riddle and LUXXURY reshare a One Song favorite, unpacking the eclectic patchwork that makes “Groove Is in the Heart” so irresistible. Come for the groove, stay for the Bootsy Collins outtakes. Don't let financial opportunity slip through the cracks, use code ONESONG at Monarch.com in your browser for half off your first year. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this new episode of the Songfacts Podcast, host Stephanie R. Myers is joined by one of the true architects of funk: the legendary Bootsy Collins. His sound is unmistakable — the cosmic basslines, the deep pocket, the joyful energy that defines generations of funk. Bootsy walks us through his new project, Album of the Year: #1 Funkateer, which he describes as a statement of “what funk is.” We talk about the spark that set this album in motion, what keeps his creativity flowing after decades in the game, and how his formative years with James Brown and Parliament-Funkadelic continue to shape his music. We're also treated to a special cameo from his manager and wife, Patti Collins, who adds a behind-the-scenes story about one of the album's tracks. If you're a fan of Bootsy, funk history, or just incredible musical storytelling, this is one you won't want to miss. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this new episode of the Songfacts Podcast, host Stephanie R. Myers is joined by one of the true architects of funk: the legendary Bootsy Collins. His sound is unmistakable — the cosmic basslines, the deep pocket, the joyful energy that defines generations of funk. Bootsy walks us through his new project, Album of the Year: #1 Funkateer, which he describes as a statement of “what funk is.” We talk about the spark that set this album in motion, what keeps his creativity flowing after decades in the game, and how his formative years with James Brown and Parliament-Funkadelic continue to shape his music. We're also treated to a special cameo from his manager and wife, Patti Collins, who adds a behind-the-scenes story about one of the album's tracks. If you're a fan of Bootsy, funk history, or just incredible musical storytelling, this is one you won't want to miss. Learn more about your ad choices. Visit megaphone.fm/adchoices

Record Store Day Black Friday 2025 is this Friday, November 28th. This week's episode is the second of two special spotlights on a few of the featured titles from the Black Friday List, which is up now at RecordStoreDay.com. This week, we welcome back Talking Heads drummer and co-founder Chris Frantz to unpack Tentative Decisions: Demos & Live a vinyl collection from Rhino Records exclusively for RSD Black Friday featuring a newly discovered demo by pre-Talking Heads group, The Artistics, plus eleven demo and live tracks recorded by the original trio lineup of the band (with Tina Weymouth, Frantz and Byrne) recorded in 1975 and 1976. Chris even teases an upcoming Talking Heads project that will re-unite the group member once again. And staying in a New York groove, Deee-Lite founding member Supa DJ Dmitry Brill is here to celebrate the release of The Very Best Of Deee-Lite, a double LP on de-groovy purple and orange splatter vinyl. Along the way, the Ukrainian born musician shares the funkadelic story of Deee-Lite's early NYC club days, complete with tales of Bootsy Collins, Maceo Parker, Fred Wesley, and Q-Tip, plus a most cherished classic rock album that Dmitry purchased at great expense back in the former Soviet Union.  Finally, we mark the passing of Reggae superstar Jimmy Cliff (1944-2025), and Stone Roses/Primal Scream bass player Gary "Mani" Mounfield (1962 -2025) the soul of "Madchester."  The Record Store Day Podcast is a weekly music chat show written, produced, engineered, and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends!

Number one Funkateer Bootsy Collins takes us to Funk University! From his days in James Brown's group, to his work with Parliament/Funkadelic and Booty's Rubber Band, to his recent single that raises awareness about domestic violence, "the world's only rhinestone rock-star doll" tears the roof off the sucker and breaks it all down for us. Songcraft wants the funk!  PART ONE:Paul and Scott discuss particularly recognizable bassists and chat about their expectations of what they thought Bootsy would be like before he landed the mother ship on Songcraft. PART TWO:Our in-depth conversation with the legendary Bootsy CollinsABOUT BOOTSY COLLINS:Named among the top 5 bassists of all time by Rolling Stone magazine, Bootsy Collins is one of funk and R&B's most iconic musicians, singers, frontmen, producers, and characters. He started out playing sessions for King Records in his hometown of Cincinnati, Ohio, then kickstarted his career with James Brown's backup band, The J.B.'s. He was credited as a songwriter on classic J.B.'s songs such as “The Grunt” and “These Are the J.B.'s.” In 1972, he joined George Clinton's Parliament-Funkadelic, and is a co-writer of classics such as “Up for the Down Stroke,” “Chocolate City,” “P-Funk (Wants to Get Funked Up),” “Give Up the Funk (Tear the Roof Off the Sucker),” “Mothership Connection,” “Dr. Funkenstein,” and “Flash Light.” In 1976, Bootsy's Rubber Band captivated audiences with his flashy star-shaped glasses and bass, and hits such as “I'd Rather Be With You” and the chart-topping “Bootzilla.” Since then, Bootsy has launched Bootzilla Productions and Funk University to help mentor younger creatives to reach their full potential. His inescapable influence on pop culture can be heard in the music of Snoop Dogg, Outkast, Dr. Dre, Flea of Red Hot Chili Peppers, Rick James, Prince, Daft Punk, Primus, Thundercat, and in Childish Gambino's Grammy-winning platinum hit “Redbone,” which paid homage to “I'd Rather Be With You.” Bootsy is a member of the Rock and Roll Hall of Fame, and the National Rhythm & Blues Hall of Fame. His latest album is called Album of the Year #1 Funkateer.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

"Today on Let There Be Talk, I'm talkin' to the king of funk himself — the one and only Bootsy Collins! We're goin' deep into that cosmic groove — from James Brown to Parliament-Funkadelic to Bootsy's Rubber Band — this man is the funk. Put on your star-shaped shades, turn up the bass, and get ready to ride the mothership, baby. Bootsy Collins is here, and it's about to get funky!" My Tour Dates can be found here - https://www.deandelray.com/tourdates Join My Patreon and Support Let There Be Talk https://www.deandelray.com/patreon  Watch my new Stand Up Comedy Special - https://www.youtube.com/watch?v=nbeaApu4OP0  Stream my special on all the streaming platforms - https://artist.link/deandelray    Thank you for all the support over the LAST 13 YEARS. DDR

Bootsy Collins shares tales of P-Funk, Praxis, Buckethead and community work, philanthropy and mental health advocacy. Bootsy online  |  Bootsy & Buckethead single  |  "Is there Anybody Out There" podcast Topics Include: Bootsy's philanthropy and community work Bootsy reveals music now has purpose beyond just making people feel good "If you ain't chasing something, there's no reason to hunt" - finding new motivation From chasing girls and highs on tour to discovering why he still makes music Always gave back to unknown musicians like Buckethead before they became famous Opens up about mental health struggles when he got "too blown up" New "Metal Health" album with Buckethead addresses mental health for everyone First Buckethead collaboration was 1991's "Bucketheadland" recorded in Cincinnati Praxis exploded when Bill Laswell joined Bootsy, Buckethead, Bernie Worrell, and Brain Complete Strangers caught King Records' attention, leading to James Brown discovering them James Brown demanded everything tight; George Clinton allowed creative freedom and experimentation Most P-Funk classics were created spontaneously "while the tape was running" Both Bootsy and Buckethead must wear their signature headgear while recording Eddie Hazel's solo album used Bootsy's instrumental tracks - George's "superhero" vision Reveals George Duke's "Reach For It" is the funk hit he wishes he was on High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Slapbak frontman Jara Harris talks about his band's powerful new single, “It's Only America,” on Erika Digital Records and is a soulful rally cry, a hard-grooving protest, and a heartfelt plea for unity in an age of deep division.Formed in Southern California and known for their ferocious live energy, SlapBak is what happens when you blend Sly Stone, Parliament, and Rage Against the Machine. The band toured with Bootsy Collins, Chaka Khan, & George Clinton. Now managed by Randy Jackson.Movie Reviews and More is broadcast live Tuesdays at 5PM PT on K4HD Radio - Hollywood Talk Radio (www.k4hd.com) part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). Movie Reviews and More TV Show is viewed on Talk 4 TV (www.talk4tv.com).Movie Reviews and More Podcast is also available on Talk 4 Media (www.talk4media.com), Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.

Avant toute chose, une pensée pour D’Angelo, et une autre pour Ace « Spaceman »Frehley, qui nous ont quittés cette semaine, deux légendes du passé (Ace Frehley) et du présent (D’Angelo). Et on démarre par du Parlet live en 1978, Talking Heads, Junie Morrison, Parliament, Mallia Franklin en solo, Bootsy Collins… Et bien sûr du Parlet, autant […] L'article Maggot Brain – We Are Mothership Connected Part. 2 est apparu en premier sur Radio Campus Tours - 99.5 FM.

Rick Flynn Presents worldwide podcast Episode 254 "Funk History in the making""This is exactly like a weight being lifted off my shoulders" Podcast Show Host RICK FLYNN (As told to 26-year James Brown Guitarist RONALD "ROCK" LASTER "The Master Music Blaster"). This funk music historical show was recorded on August 27, 2025 and isn't it about time we did so? This show is not able to be told by anyone else unless you have lived the exact same life yourself. Listen to history in the making and answer this important question for yourself! Could it ever be duplicated by anyone else? We sincerely doubt it. This show contains the 100% true tales, that no one else on earth can tell, about RICK FLYNN, ZAPP FEATURING ROGER, and the man so nice they named him twice BOOTSY COLLINS. For those interested in Rick Flynn's 1994 published article on the history of "The Godfather of Soul" JAMES BROWN and how his career was given a much needed "Shot in the Arm" which completely turned James Brown's life around, and gave him his first new hit record in fifteen years, you are able to read the true story for free at: www.DanHartman.com/Memories of Dan/ Rick Flynn.Copyright © 2025 RICK FLYNN PRODUCTIONS - ALL RIGHTS RESERVED

This week, I talk to Seth Neblett (the son of the queen of funk, Mallia Franklin of Parliament-Funkadelic & Parlet & author of his new book Mothership Connected: The Women of Parliament-Funkadelic). We talk about how Seth was convinced by Bootsy Collins to tell his mother and the women of P-Funk's stories, how he initially assumed this tale was going to be told as a documentary, Mallia Franklin's appearance in the Don Letts docuemntary Tales Of Dr. Funkenstein, Seth (at age 6) being taken by his grandmother to go watch his mom perform with Parliament/Parlet for the first time, how he was able to narrow down this immense story from all the hudnreds of characters in this group's varied history, the strgggles with having your Mom be a recording and touring star, how Mallia Franklin brought elements to the band that changed music FOREVER, George Clinton and his initial band The Parliments, how Mallia's vocals are all over their recoridngs from Maggot Brain to Atomic Dog, the vast age diffrerences within the band, Mallia being called "the geiger counter" because her musical institncts were so incredible on who to bring into the p-funk world (like Bootsy Collins & Junie Morrison), how we often take a documentary's storytelling a the truth, being the "Dog & Cat Lady", why you can see so many full concert footage from Parliment's heyday, Neil Bogart of Casblanca Records and the courting of Mallia Fraklin, the genesis of the female-led spin off groups Parlet and Brides Of Funkenstein, why George Clinton put all various bands on diffferent record labels, how Geroge often didn't want his various bands to get bigger than him, how young the members of P-Funk were and how they often were not prepared for the psychological components of being part of it, Seth's thoughts on following up the book with a documentary vs a narritave series, how the women of P-Funk were not being invited to the induction ceremonies of the Grammys and Rock and Roll Hall Of Fame, who should play his mom in the movie version of this story and more.So let's celebrate the queens of P-Funk forever on this week's episode of Revolutions Per Movie.SETH NEBLETT: Book: https://utpress.utexas.edu/9781477332672/Youtube channel: https://www.youtube.com/@sethneblett7268REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovie Hosted on Acast. See acast.com/privacy for more information.

Funk history in the making! The Rick Flynn Presents worldwide podcast welcomes back our friend and brother RONALD "ROCK" LASTER - "The Master Music Blaster". This is a show and a great guest you absolutely do not want to miss! After 26 very good years, with James Brown, it seems there are more stories and tales from the stage than what could fit in a typical hour-long show. Here is Show #1 of 3 in which we will learn even more about this Soul and Funk icon than we did the last time he appeared on the Rick Flynn Presents podcast. Show #2 of 3 (Episode 254) will largely contain stories from the far reaching and legendary history of podcast show host RICK FLYNN along with his years with ZAPP featuring ROGER and the legendary BOOTSY COLLINS. Finally, Show #3 of 3 (Episode 255) will wrap up a complete hour as we close out this historical presentation of the crazy, but true, funky tales and history about what is now considered to be one of the finest guitarists in the history of Funk music RONALD "ROCK" LASTER "The Master Music Blaster".

2 heures de bon son, peu de talk, beaucoup de musique ! Tracklist : Don't You Want Me — The Human LeagueNice Shoes — Steve LacyThe Fan Dance — CarrierTypically Her (Kaytranada Remix) — BeverlayLet The Money Fall, Let The Money Rain — John GlacierLost — Frank OceanStupid Prizes — KeiyaaD.B.A.B — Jim LegxacyInside Out — OdysseyWhy (12" Mix) — Carly SimonForge — Earl SweatshirtAre You That Somebody? — AaliyahDeeper In Love (Kenney Dope 2006 Edit) — FireYea Yea Yea — Sudan ArchivesOff The Beaten Track — African Head Charge1st Day Out Tha Feds — Gucci ManeIs This Love — Joey Valence & BraeI Like What You're Doing To Me — Young & CompanyDiamond Miner — Crayon & Fkj & ElizaYour Drums, Your Love — Aluna GeorgeBizarre Love Triangle — New OrderFeeling (feat. Larry June) — Freddie Gibbs & The Alchemist (Nothing But) Flowers — Talking Heads Cry About It — Kali Uchis & Ravyn Lenae I'd Rather Be With You — Bootsy's Rubber Band Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

212 - Bootsy Collins In episode 212 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with Bootsy Collins a bassist that needs no introduction! In their conversation Bootsy tells us why he started on bass and his gear when he was starting out provided by his brother Catfish who eventually brought him in to his band the Pacemakers. Bootsy describes how James Brown became aware of the Pacemakers and how he brought them on board getting Bootsy a Fender Jazz bass and two Ampeg SVT's. Bootsy takes us through when he decided to incorporate pedals into his sound and the pedals he used initially. Bootsy discusses when he began producing albums while working with George Clinton. Bootsy tells us about his bass mentors James Jamerson, Paul McCartney and Larry Graham. Bootsy describes his original “Space Bass” and tells us about the current star bass made by Warwick and he also gives us a quick tour of his most recent amp system from the last time he toured. Bootsy talks about ear protection after a recent surgery which has him sidelined and working only in the studio currently. Bootsy discusses his friend Buckethead whose album he recently produced and who he's worked with since the ‘90's. Finally Bootsy takes us through his philanthropic productions and a few of the items you can purchase off his website: Beer, Wine and star straps… and having the NFL pick Bootsy's tribute to Buckethead for the TV broadcasts. To find out more about Bootsy you can go to his website: bootsycollins.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #Bootsy #BootsyCollins #JamesPatrickRegan #AmpegSVT #theDeadlies #FenderCustomShop #JamesBrown #CatfishCollins #haveguitarwilltravelpodcast #HGWT #BucketHead #GeorgeClinton #OnThe1#PFunk #FunkBass #tourlife Please like, comment, and share this podcast! Download Link

Rod and Karen banter about talking with nerds about Naruto and their new Patreon offerings. Then they discuss Tiny Desk continuing despite CPB closure, National Weather Service scrambling to re-hire people, raw milk outbreak, Donald Trump supports Sydney Sweeney’s ad, Charlamagne vs Trump, Mike Flood town hall goes wrong, Geoff Duncan defects to the Dems, Elon Musk is the most unpopular, Trump’s justice department targeted Jack Smith and President Obama. Then they discuss Ice Cube’s new movie gets a zero on Rotten Tomatoes, getting arrested on a police bike, Nicki Minaj challenge goes wrong, zoo wants people to donate pets, Bootsy Collins, Drake cancels shows, man threatens to kill 30k Black people, St Louis couple gets gun back after pointing it at Black Lives Matter protesters, gangster granny sentence to prison, KY church shooter was aspiring rapper and mother kills daughter with sword. Patreon: https://www.patreon.com/theblackguywhotips Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@rodimusprime⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SayDatAgain⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@TBGWT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@TheBlackGuyWhoTips⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠theblackguywhotips@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Blog: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.theblackguywhotips.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Teepublic Store⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon Wishlist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Crowdcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Voicemail: ‪(980) 500-9034Go Premium: https://www.theblackguywhotips.com/premium/See omnystudio.com/listener for privacy information.

I stjärnbilden Pegasus ligger en hop med kolliderande galaxer som skapar gravitationsstörningar och instabilitet. En form av galaktisk kannibalism. Lyssna på alla avsnitt i Sveriges Radio Play. De olika galaxerna dras allt närmare varandra, och efter ett antal sammandrabbningar kommer de att gå samman i en enda gigantisk galax.I den sjätte och sista delen om George Clinton blir P-funkens massiva inflytande på populärmusiken uppenbar. När många trodde att P-funken var död gav hiphop den ett nytt liv. Parliament/Funkadelics status var redan hög bland Detroits technogarde. Bernie Worrells lir i nummer som ”Flash light” och ”Unfunky UFO” fick Juan Atkins att spela funk på synthesizers, och så föddes techno. Dr. Dre byggde sin ljudvärld på P-funk. Digital Underground hittade sitt lustig sväng, och Andre 3000 i Outkast fann friheten.Vid sidan om möten med George Clinton innehåller avsnittet bland annat bitar från Mats Nileskärs intervjuer med Bernie Worrell, Garry Shider, Gary ”Mudbone” Cooper, Bootsy Collins, Malia Franklin (Parlet), Andre 3000, Afrika Bambaataa, Juan Atkins, Paris, James Brown, Abdul ”Duke” Fakir (Four Tops), Money-B (Digital Underground), Flying Lotus och Channel Tres.

This week it's damn hot, and we are smellin' sumthin' sticky, stanky, and funky! It's time to get our groove on and back down to funky town. So, once again: turn on your lava lamps, slip into some velvet, and your highest platform boots, and pick your funky dos to spherical perfection! That's right, funky junkies… It's a Funk Rock extravaganza!What do we do here at InObscuria? We exhume obscure Rock n' Punk n' Metal in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. In this episode, we take a listen to all 3, as we move n' groove our way through funk-infused rock n' roll. This genre has a special meaning to the hosts, which is why it's tied for our longest-running series! Songs this week include:SlangBanger – “Funk2TheMasses” from SlangBanger Attacks(2001)Black Joe Lewis – “Sugarfoot” from Tell ‘Em What Your Name Is! (2008) Fishbone – “Last Call In America” from Stockholm Syndrome(2025)Trulio Disgracias – “If You Want Me To Stay” from If You Want Me To Stay - single (2019)Super Hero Killer – “The Heat” from Breathe You Up & Breathe You In (2021)The Letters Home – “Pegasus” from Pegasus - single(2014)Science Faxtion – “What It Is” from Living On Another Frequency (2008)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

It's time for the bass to step out of the shadows and stand center stage as we list out our favorite bass players of all times throughout several categories as well as our top players of all time! We go old school in this episode with a Week In Geek with our thoughts on WWE's Night Of Champions!   FULL VIDEO EPISODES! That's right folks, you can see our bright smiling idiotic faces in full color on our YouTube channel. Full episodes available as well as clips.   ...AND ANOTHER THING: The Man They Call Tim suggests listening to Rush's 1982 album "Signals" Uncle Todd suggests listening to Bootsy Collins' 1993 album "Blasters Of The Universe"   FOLLOW US ON THE SOCIAL MEDIAS: Facebook - http://facebook.com/freerangeidiocy Instagram - http://instagram.com/freerangeidiocy YouTube - http://youtube.com/@freerangeidiocy

P-funken nådde ett klimax 1978. Lyssna på alla avsnitt i Sveriges Radio Play. Ett år som startade genom Parliaments första listetta ”Flash light” med sångkrok från bar mitzva och ett väldigt beat som kom både från soptunnan och från rymden, och slutade med en oemotståndlig variation på amerikanska trohetseden ”One nation under a groove”.Låtarna banade väg för en elektronisk revolution bortom disco. Keyboardgeniet Bernie Worrells böjda toner fick funkbanden att mata sina låtar med moogbas, och allt drog mot en mer maskinorienterad musikform som mynnade ut i electro och techno. Synthesizerljuden kom också att utgöra en grund för gangstarap. Basisten Bootsy Collins var nu en stabil ryggrad i P-funk. Samtidigt som Dr. Funkenstein serverade en smak av framtiden letade han sig tillbaka till barndomen. Ramsor, melodier och sånger som han burit med sig sedan barnsben.Vid sidan om möten med George Clinton bygger avsnittet även på samtal med bland andra Bootsy Collins, Bernie Worrell, Frankie ”Kash” Waddy, James Brown och Parlet.

Funken stod nu mot förtrycket, och genom Parliament återvände George Clinton till R&B, men helt och hållet på sina villkor. Lyssna på alla avsnitt i Sveriges Radio Play. Det psykedeliska tonades ner, och fram klev ett gäng glittriga rymdhallickar. Gränsen mellan science fiction och socialrealism suddades ut.I Parliament fann George Clinton några av sina skarpaste teman. Det handlade bland annat om att placera afroamerikaner i oväntade situationer, eller på platser där de inte hade tillträde.1975-års ”Mothership connection” var Clintons motsvarighet till Sun Ras ”Space is the place”med en spektakulär arenashow och ett rymdskepp som landade i det förslummade Amerika, och tog människor med sig ut i rymden till en bättre och värdigare plats. Politisk satir (”Chocolate city”) till äventyrslysten funk förändrade spelplanen för Clinton och hans musikerkollektiv.I del tre möter du även bland andra Bootsy Collins, Garry Shider, och Gary Mudbone Cooper.

Send us a textHere in Episode 227 of the No Name Music Cast, it is Tim's turn to pick the topic and he chooses to talk about famous bass players!We cover Tina Weymouth, Paul McCartney, Carol Kaye and Bootsy Collins to name only a few.We also cover Peter Gabriel, Led Zeppelin and the Hollywood Vampires.We also talk about May being national fire your drummer month!Support the showEmail the show: nonamemusiccast@gmail.com Instagram: https://www.instagram.com/nonamemusiccastpodcast/ https://nonamemusiccast.com/

Sly & The Family Stone's frontman Sly Stone (Sylvester Stewart), died 6/9 from COPD. Hulu premiered his Sly Lives documentary in February for Black History Month. Going from church, radio, producing, fame, and downfall, he innovated multiple genre's future sounds. I discuss Sly's bio and created a playlist for you to hear his influential sounds by other artists. Theme Song: "Dance Track", composed by Jessica Ann CatenaMusic Catalog / YouTube ChannelEpisode PlaylistMedia Mentioned: Uncle Buck Dance Scene (1989), Summer of Soul, 50 Years of SNL Music,Rock Talk StudioSongs Mentioned: "Laugh, Laugh" - The Beau Brummels (1965)"Somebody to Love" - Jefferson Airplane! (1967)"Hot Fun in the Summertime" - David T. Walker (1971), The Beach Boys (1992), The Manhattan Transfer & Chaka Khan (1995)"People Everyday" - Arrested Development (1992)"Stand" - Lenny Kravitz (2011) - live"Rhythm Nation" (1989-1990), "And On And On" (1993-1994) - Janet Jackson"Mama Said Knock You Out" - LL Cool J (1990-1991)"Fight the Power" - Public Enemy (1989)"Star/Pointro" - The Roots (2004)"Boogie Shoes" - KC and the Sunshine Band (1975)"Shadrach" - Beastie Boys (1989)"Weapon of Choice" - Fatboy Slim & Bootsy Collins (2000)"No One to Depend On" - Santana (1971)"Rocky Mountain Way" - Joe Walsh (1973)"X-tasy" - Missy Elliott (2001)"Love and Happiness" - Al Green (1972, 1977); BET Awards 2008Related Episodes: Ep. 37 - 20 Summer Songs CountdownEp. 120 - That's My Jam - Game ShowEp. 154 - Janet Jackson's Rhythm NationEp. 220 - Top 40 Songs of 2023 (Part 1)Ep. 241 - The Beach Boys Rare 10Ep. 272 - Top 40 Songs of 2024 (Part 1)

In this episode of Prisoners of Rock and Roll, we're diving into the shadows of the stage—the bass players, the four-string rebels who hold down the low end.. These aren't just rhythm keepers; they're the heartbeat of rock, the growl in the groove. We've put together a list of some of the most iconic bass players in music history. James Jamerson, the legendary Motown musician who played the slinky groove for What's Going On while laying drunk on the studio floor.  Bootsy Collins and his cosmic funk. Lemmy eating lightning and crapping thunder as the bassist for Motorhead. The psychedelic jams of Phil Lesh, the jazz fire of Charles Mingus, and Les Claypool's…whatever it is that he does. Paul McCartney, The Ox, John Paul Jones, Donald Duck Dunn, and Carol Kaye.  They're musicians who broke out of the background, proving the bass isn't just support—it's the pulse of the music. So turn it up, feel the rumble, and let's give these low-end legends the stage they deserve. Episode Playlist Check out our episode playlist ⁠⁠here⁠⁠. Get In Touch Check us out ⁠⁠online⁠⁠, on⁠⁠ Facebook⁠⁠, ⁠⁠Twitter⁠⁠, or ⁠⁠YouTube.⁠⁠ or drops us an email at ⁠⁠show@prisonersofrockandroll.com⁠⁠. Or if you're in Philadelphia, come visit our home base at ⁠⁠McCusker's Tavern⁠⁠. Prisoners of Rock and Roll is part of ⁠⁠Pantheon Media⁠⁠. We're sponsored by⁠⁠ Boldfoot Socks⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Prisoners of Rock and Roll, we're diving into the shadows of the stage—the bass players, the four-string rebels who hold down the low end.. These aren't just rhythm keepers; they're the heartbeat of rock, the growl in the groove. We've put together a list of some of the most iconic bass players in music history. James Jamerson, the legendary Motown musician who played the slinky groove for What's Going On while laying drunk on the studio floor.  Bootsy Collins and his cosmic funk. Lemmy eating lightning and crapping thunder as the bassist for Motorhead. The psychedelic jams of Phil Lesh, the jazz fire of Charles Mingus, and Les Claypool's…whatever it is that he does. Paul McCartney, The Ox, John Paul Jones, Donald Duck Dunn, and Carol Kaye.  They're musicians who broke out of the background, proving the bass isn't just support—it's the pulse of the music. So turn it up, feel the rumble, and let's give these low-end legends the stage they deserve. Episode Playlist Check out our episode playlist ⁠here⁠. Get In Touch Check us out ⁠online⁠, on⁠ Facebook⁠, ⁠Twitter⁠, or ⁠YouTube.⁠ or drops us an email at ⁠show@prisonersofrockandroll.com⁠. Or if you're in Philadelphia, come visit our home base at ⁠McCusker's Tavern⁠. Prisoners of Rock and Roll is part of ⁠Pantheon Media⁠. We're sponsored by⁠ Boldfoot Socks⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this ultra-smooth episode of Dem Vinyl Boyz, we pour ourselves a drink, dim the lights, and spin An Evening with Silk Sonic—the Grammy-winning 2021 debut from Bruno Mars and Anderson .Paak’s funk-soul superduo. With velvet vocals, vintage vibes, and razor-sharp production, this album pays tribute to 70s R&B and soul while keeping things playful, fresh, and irresistibly cool. Featuring silky tracks like "Leave the Door Open," "Smokin Out the Window," "Fly as Me," and "After Last Night," the album glides through themes of heartbreak, seduction, and suave confidence—all with lush instrumentation and undeniable charisma. Bootsy Collins, the funk legend himself, sets the tone as the host and spiritual glue of the album, giving it that extra flair of authenticity and funk royalty. In this episode, we break down the magic behind Bruno and Anderson’s chemistry, the retro recording style, and why An Evening with Silk Sonic was more than just a passion project—it was a full-blown revival of a genre. Equal parts homage and innovation, this record brought soul music roaring back into the spotlight with class and swagger. Join Dem Vinyl Boyz as we groove through An Evening with Silk Sonic, an album that sounds like it was pressed in 1974 but made to shine in the modern era.

When it comes to hair metal of the mid to late 80's, no band discussion would be complete without bringing Poison into the mix.  The band consisted of front man Bret Michaels, guitarist C.C. DeVille, bassist Bobby Dall, and Rikki Rockett on drums.  Poison is a band out of Pennsylvania.  Originally named Paris when formed in 1980, the band drew a good following in local bars in Pennsylvania, but decided opportunities would be greater in Los Angeles.  The band moved there in 1983 and changed their name to Poison.  They attracted a lot of attention with their stage show, and saw surprising success with their debut album, "Look What the Cat Dragged In," released in 1986.However, Poison's most successful release would be their second studio album, Open Up and Say... Ah!, released in April 1988.  It would sport four hit singles, including their sole number 1 single "Every Rose Has Its Thorn."  The album itself would hit number 2 on the Billboard 200 chart.  It would also stir controversy with its cover, a picture of a demonic female with an extremely long tongue.  An alternate cover was designed to address concerns which showed only the eyes of the model.Poison would see further success in the late 80's and early 90's, though their popularity would wane as the grunge movement took over music in the 90's.  However, Poison has seen a resurgence of popularity as a "classic" band, and front man Bret Michaels has achieved success both as a celebrity personality and as a solo artist.Lynch brings us this glam rock album for today's podcast, and friend of the show Mike Fernandez joins us in Bruce's absence. Fallen AngelWhile the lyrics describe a young girl moving from Ohio to Los Angeles to try to make it as an actress, the song is really more autobiographical of the path the band took from Pennsylvania.  This second single from the album went to number 16 on the Hot 100.Nothin' But a Good Time"The first single from the album reached number 6 on the Billboard Hot 100 and is one of their best known songs.  It was built off a guitar riff by C.C. DeVille and a chorus penned by Michaels.  DeVille was largely selected for the band based on his cool riffs and party attitude.Your Mama Don't DancePoison take the 1972 Loggins and Messina song and makes it their own in this fourth single released from the album.  The song's lyrics highlighting the generation gap of the 50's and 60's between parents and their rebellious teenagers was a perfect fit for Poison's image.Every Rose Has Its ThornThis ballad is Poison's sole number 1 hit.  The inspiration for it came when Bret Michaels called his girlfriend from a laundromat and heard a male voice in the background.  He was crushed, but went back into the laundromat and wrote the song right then.  ENTERTAINMENT TRACK:Pump Up the Volume by MARRS (from the motion picture “My Stepmother Is an Alien”)This comedy starring Dan Aykroyd, Jon Lovitz, and Kim Bassinger may have been a flop, but the song was quite popular. STAFF PICKS:Mystify by INXSRob leads off the staff picks with the fifth and final single from the "Kick" album.  Backed by a honky tonk-style piano and prominent finger-snapping, the song starts with a bluesy riff followed by a more straightforward rock sound.  INXS originally was comprised of three Farriss brothers, but they were down to Andrew and Tim Farriss by this time.  I'm an Adult Now by Pursuit of HappinessWayne's staff pick is a hidden gem from Canada.  This humorous single alternates between spoken verses and a sung chorus that capture the worries that plague the singer as he deals with becoming an adult and embracing adult problems.  It peaked at number 6 on the alternative music charts.   Wild Wild West by Escape ClubMike brings us an English band with a song written by eight different people, including Stevie Wonder and Bootsy Collins.  This song has the distinction of being the only British band to have a number 1 hit in the US without charting in the UK.  "Headin' for the nineties, living in the wild, wild west."Where Is My Mind by PixiesLynch closes out with a signature song from the Pixies.  The inspiration for this grunge song began with an underwater diving experience, and the lyrics convey disconnection.  The Pixies were reintroduced to fans after this song appeared in "Fight Club." INSTRUMENTAL TRACK:Silhouette by Kenny G.Bruce sneaks a soft sax piece from Kenny G. onto the playlist to exit this week's podcast.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Well alright, welcome to Groove U. This week's lesson is brought to you by the EarWax crew!Parliament's "Mothership Connection" is far out, in your face, uncut, from outer space, in the groove, and it'll make you move. With a cast of characters and lore galore, this record has cool to spare. George Clinton and Bootsy Collins are the most well-known of the P-Funk collective, and while their hands are absolutely all over this record, it is quite obviously a group effort.So let the funk wash over you, and climb aboard the Mothership!Thanks for listening! Check out everything we have going on via the info below: Instagram: @earwaxpod TikTok: @earwaxpod Amoeba on Instagram: @amoebahollywood @amoebasf @amoebaberkeley Questions, Suggestions, Corrections (surely we're perfect): earwaxpodcast@amoeba-music.com Credits:Edited by Claudia Rivera-TinsleyAll transition music written and performed by Spencer Belden"EarWax Main Theme" performed by Spencer Belden feat. David Otis

Alissia Benveniste, aka Alissia, quickly makes an unforgettable impression on people. Her bass playing first caught the attention of Prince, Quincy Jones, and Bootsy Collins, even though she had only been playing for a few years. While at Berklee College of Music, Alissia created a wave that has only grown bigger, with her bass videos going viral on YouTube and Instagram.Her tone, sound, style and talent captivate instantly.Now, Alissia is nominated for PRODUCER OF THE YEAR at this year's GRAMMYs, having spent the last handful of years writing and producing with Anderson .Paak (on nearly all of his projects), Kaytranada, Bruno Mars, Mary J. Blige, BJ The Chicago Kid, NxWorries, Rae Khalil, Bootsy Collins, and more. Alissia, is kind, down to earth, and a truly talent multi-instrumentalist, composer and producer. We dive deep with Alissia on how she got where she is today and what is next. Here's the conversation with our dear friend, Alissia!‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! Listen to the audio form of this podcast wherever you get your podcasts: https://rss.com/podcasts/gowithelmoFollow Alissia:https://www.instagram.com/alissia/Follow Go With Elmo:https://www.instagram.com/gowithelmo/Follow Elmo Lovano:https://Instagram.com/elmolovanohttps://Twitter.com/elmolovano#Alissia #Grammys #Producer

This episode of The Other Side of the Bell, featuring trumpeter, Scott Belck, is brought to you by Bob Reeves Brass. You can also watch this interview on Youtube. About Scott: Dr. Scott Belck currently serves as the Director of Jazz Studies and Professor of Music at the University of Cincinnati's College-Conservatory of Music (CCM) where he directs the CCM Jazz Orchestra and teaches applied Jazz Trumpet. He is a founding member of critically acclaimed Tromba Mundi contemporary trumpet ensemble and has toured as a member of Grammy Award winning funk legend Bootsy Collins' Funk Unity Band as lead trumpet. He has served as trumpet and cornet soloist with the Air Force Band of Flight in Dayton, Ohio where he also held the post of musical director for the Air Force Night Flight Jazz Ensemble. He is the Founding Artistic Director Emeritus of the Cincinnati Contemporary Jazz Orchestra.   His playing credits include recordings lead trumpet/guest soloist with the Cincinnati Pops featuring the Manhattan Transfer and John Pizzarelli, the Glenn Miller Orchestra, the Van Dells, and jazz soloist with the University of North Texas One O'clock Lab Band with whom he recorded four CDs as jazz soloist and section trumpet. He has performed as principal/lead trumpet with the St. Louis Symphony, Indianapolis Symphony, Cincinnati Symphony, the National Symphony Orchestra of the Dominican Republic, the Columbus Symphony Orchestra, the Dayton Philharmonic Orchestra, the Lexington Philharmonic, the Richmond Symphony Orchestra, and as section trumpet with the Duluth-Superior Symphony Orchestra and the Duluth Festival Opera. He has performed as lead trumpet for shows/concerts of Christian McBride, Jimmy Heath, Aretha Franklin, Gerald Wilson, the Detroit Jazz Festival Orchestra, Linda Ronstadt, John Lithgow, Donna Summer, Maureen McGovern, Michael Feinstein, Lalo Rodriguez, Sandy Patti, Tito Puente Jr., Tommy Tune, Manhattan Transfer, Lou Rawls, Patti Austen, The Coasters, Yes, Ben Vereen, Doc Severinsen, the Temptations, Olivia Newton-John, Neil Sedaka, the Blue Wisp Big Band, the Columbus Jazz Orchestra, the Dayton Jazz Orchestra, the Ink Spots, the Four Freshmen, The Frankie Avalon, Fabian, Bobby Riddell, Little Anthony and the Imperials, Frankie Valli, The Maritime Jazz Orchestra of Canada as well as touring Broadway shows and regional and national recording sessions. He has performed as a leader, musical director, or sideman with many top jazz players on the scene today including: Fred Hersch, Rich Perry, Adam Nussbaum, Lew Soloff, Randy Brecker, Slide Hampton, Jim McNeely, Claudio Roditi, John Riley, Rick Margitza, Bob Belden, Jimmy Heath, Bobby Watson, Tom Harrell, Tim Hagans, Regina Carter, Wes Anderson, John Hollenbeck, Steve Turre, Conrad Herwig, Gordon Brisker, Hank Marr, Marvin Stamm, Gerry Mulligan, Kenny Garrett, John Fedchock, Phil Woods, Ed Soph, John LaBarbera and Diane Schuur. He has also served as the Artistic Director of the Dayton Jazz Orchestra, the Jazz Central Big Band, and the Miami Valley Jazz Camp in Ohio. He is the author of the text “Modern Flexibilities for Brass”, published by Meredith Music and distributed by Hal Leonard. In his spare time, he is the CEO and founder of Lip Slur World Headquarters. Belck's new book “Progressive Lip Flexibilities for Brass” is quickly becoming one of the most popular sarcastic lip slur books in the lower South-Central Ohio River valley region. Scott Belck is a Powell Signature Trumpet Artist.

MSNBC's Ari Melber hosts "The Beat" on Friday, October 25, and reports on the latest election polling and Kamala Harris' star-studded rallies. Mark Cuban and Christina Greer join the show with a special Fallback Friday segment featuring The View's Sunny Hostin and Legendary Musician Bootsy Collins.

Holmberg's Morning Sickness - Tuesday October 22, 2024 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Bootsy Collins is, perhaps, the funkiest man of all time. Over the course of his nearly six decade career, Collins has given up the funk in the iconic Parliament Funkadelic, helmed Bootsy's Rubber Band, and lended his slaparific talents to songs from everybody from James Brown to Dee-Lite to Fatboy Slim. His new album, aptly titled Album of the Year #1 Funkateer, is on the way, so in celebration of his illustrious career, we invited Bootsy Collins – aka Casper the Funky Ghost – onto Switched on Pop to reminisce on some of his greatest hits. Learn more about your ad choices. Visit podcastchoices.com/adchoices