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Send us a textHow To Fix Sibilance In this episode of A VO's Journey, we focus on one of the most distracting audio issues for voice actors: sibilance. Those sharp, piercing “S” sounds can cut through your recording and ruin an otherwise professional read—but with the right approach, they're manageable.We break down what sibilance is, why it happens, and the best ways to control it both while recording and in post-production. You'll learn mic techniques to reduce sibilance, how vocal delivery plays a role, and the tools available in your DAW (like de-essers and EQ adjustments) to smooth out your audio.If you've ever cringed at harsh “S” sounds in your playback, this episode will give you the practical steps you need to fix it and deliver clean, polished voice overs.50% Off First MONTH FOR VO JOURNEY ACADEMY HERE:  https://www.avosjourney.comJoin Academy Voices Talent Roster Here: https://www.academyvoices.com/offers/4sNBzDc9 Support the showSocial Links: Instagram - https://www.instagram.com/anthony_pica_vo/ Twitter - https://twitter.com/AVOsJOURNEY Facebook - https://www.facebook.com/groups/avosjourney/ LinkedIn - https://www.linkedin.com/in/anthonypicavo/

Episode 263 of The Business Development Podcast takes you deep into the editing stage of podcast production, where a raw recording transforms into a polished, professional show. In Part 7 of the Podcast Playbook series, Kelly Kennedy shares his complete start-to-finish editing workflow, honed over hundreds of episodes. From understanding your DAW workspace to identifying and fixing common audio problems, he covers the why and how behind every step, always keeping the listener's experience front and center. Kelly also breaks down his go-to plugins, explains their real-world use cases, and offers detailed guidance on creating a consistent, clean sound that keeps audiences engaged.Listeners will walk away with a clear, repeatable process for editing like a pro, including the exact sequence Kelly uses to repair, enhance, and master audio before releasing it into the world. Alongside the technical instruction, he shares valuable mindset advice—normalizing the learning curve, encouraging practice, and reminding creators that great editing isn't about chasing perfection, but about respecting your audience's time and attention. Whether you're a beginner or a seasoned podcaster looking to tighten your process, this episode delivers the tools, techniques, and confidence to elevate your show's production quality.Key Takeaways: 1. Editing is for the listener, not you, and should focus on making the show easy and enjoyable to follow.2. Understanding your DAW workspace is essential before making any edits.3. Common audio issues like hiss, hum, reverb, plosives, sibilance, clicks, and uneven levels must be identified and fixed early.4. Use the right plugins to solve problems efficiently without overprocessing the voice.5. Always fix issues before enhancing audio with EQ, compression, or clarity tools.6. Edit for your ears, not your eyes, and trust what you hear over what you see on the waveform.7. Keep a human feel by leaving natural pauses and personality in the conversation.8. Maintain consistent loudness levels to meet podcast industry standards and avoid listener volume adjustments.9. Record and use room tone to make cuts seamless and keep edits invisible.10. Perform a full quality control listen-through on multiple devices before publishing.

Anne Ganguzza and Danielle Famble dive into a crucial topic every voice actor faces: Return on Investment (ROI). In an industry that combines both tangible equipment and intangible skills, the discussion examines which investments are truly worthwhile. From starter microphones to a full-blown studio, and from coaching to building confidence, Anne and Danielle offer a fresh perspective on how to measure the success of your financial decisions. They emphasize that in a creative industry, ROI is not always about money—it's also about personal growth, confidence, and building a sustainable business.   00:00 - Anne (Host) Hey bosses, we now have events, so don't miss out. Our VIP membership gives you exclusive discounts to events and access to workshops that are sure to boost your voiceover career. Find out more at voboss.com.  00:16 - Speaker 2 (Announcement) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss a VO Boss. Now let's welcome your host, Anne Ganguzza.  00:35 - Anne (Host) Hey everyone, welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza, and I am here with the Boss Money Talks series with my good friend, Danielle Famble. Hey, Danielle, hey, how are you? I'm good, how are you? I'm good, Danielle. I just got an email from Amazon, oh, and the subject said you might like this, or we found something you might like, which I think is such a marketing tactic. It is a good opening line. Works on me, yeah for sure.  01:08 - Danielle (Guest) It works on me. You definitely opened the email, didn't you?  01:11 - Anne (Host) Yeah, because it's based on my previous you know, either browsing or my previous purchases, and so those of you that have ever perused the VioBoss website know that I have a Studio Gear page where I put all the recommendations for Studio Gear, and so I was updating that page and, of course, everything that they sent to me was Studio Gear related, and I was like, oh, look at that shiny new interface, look at that shiny new pair of headphones. Yeah, you know, new colors, new colors. Yeah, it leads me to think about Danielle what Vio expenses are actually worth the ROI? I mean, that is something that I think every voice actor needs to consider when they're spending money and investing in their business. So which purchases are actually worth it?  01:58 - Danielle (Guest) Yeah, and there are lots of little things that you can invest in in your business and some of them are tangible, like you're talking about the headphones or the interface, and then some of them are intangible, like when you're investing in your education or you're investing in yourself with coaching. So I think that that's such a personal question and it also will change as you progress in your VO boss journey. Agreed, the things that are great returns on investment as you progress in your VO boss journey? Agreed, the things that are great returns on investment when you're earlier on in your career? You may not invest in those again when you're 10, 15, 20, 30 plus years in the game. Right, yeah, that's a fun little question.  02:38 - Anne (Host) I mean we could start with the obvious. The obvious would be most people think, well, okay, I want to be a voice actor, so what do I need? I need a microphone. So there are microphones and there I think microphones are an investment that if you're just starting out and you're not sure if this is really the thing that you want to do or you're going to, you know this is a long term investment for you. Maybe just a starter microphone works. That's a few hundred dollars and I think that that would be worth an investment to just get your feet wet, get you know, dip your toes in the water and find out if this is a career choice that you are going to stick with.  03:12 But if you kind of know that in your heart and you've done enough research and maybe you've gone ahead and done some coaching and you're fairly certain, I would say it's absolutely worth your investment to invest in a good microphone. I mean because I think microphones are one thing. We may use them every single day, right, but we're not like handling them too much. We're not, like you know, dropping them on the ground. God forbid, hopefully not. You're. A good microphone is going to last for years and years, like my 416 and my TLM 103, I have had them for already, like going on 15 years, like, literally there's no signs of slowing down. However, at one point they will, but I've certainly made back the money that I've invested in them, absolutely. What are your?  03:56 - Danielle (Guest) thoughts. I agree, I'm kind of more of the grow as you go kind of mentality. So when I started I was using the Synco Mic D1, I think, or something like that D2. And it was billed as the knockoff 416. And then when I actually had the 416, I was able to listen to them side by side. And it is not, but it worked out for the time being. It was what I could afford at the time and then the additional money or the money that I had that I could have spent on the 416 at the time, I put that money into coaching. I put that money into getting a good demo. I put that money into investing in sort of the soft skills needed to win and do well in this business and really in business in general.  04:45 So I think that the ROI, again, like you, can sort of start with what is the starter, and maybe the starter is a certain dollar amount and I don't think there is a dollar amount, but it's the dollar amount that is comfortable for you. That maybe isn't the 416 or the TLM 103, something like that and then you use some of that money to then invest in the soft skills and invest in your coaching, invest in your website or things like that.  05:16 - Anne (Host) I started off with an AT2020 and I graduated to a Rode MT1A, which is not necessarily what I would recommend today, but those were only a few hundred dollars, and I still remember when I actually got my very first like major investment in a mic was a good 10 years after I had. I had been because I made good money with that Rode for at least six, seven years, and then and it just didn't occur to me because I had a great studio at the time, right, and I didn't hear a need or nobody Everybody said, oh my God, you sound great, and so I didn't feel a need that I had to go experiment with microphones. Now, some people are gearheads. You know we've all got our thing, kind of like me investing in lipsticks or in clothing. You know they have to try it all Totally.  06:08 I remember, though, when I did invest in my TLM 103, I actually heard the difference, but I could not have been able to tell the difference. Probably, I think, when you're first getting into the industry, it takes a minute for you to get an ear. Develop your ear For your sound, for your microphone yeah, we don't talk enough about that and maybe that's fodder for another. You know another episode. But developing your ear in voiceover for performance and for good equipment, it takes time I mean years and it took experimentation. It took, you know, trying, and I think it took me, after years of being in the industry, of hearing the difference with a good quality pair of headphones, with a good quality mic in a good quality studio, and so all of those were were back the ROI.  06:55 - Danielle (Guest) That also increases as well. You know things like investing in your booth, investing in where you're going to record. I started recording in my closet and like adding extra pillows, and I was taking pillow cases off of, like my bed, from the couch cushions. I was taking anything that was soft and just bringing that into the closet with me to record and I, you know I did quite a bit of work that way for a good amount of time and then, you know, time progressed and I got a different booth and then I upgraded to the booth that I'm in currently. So if you, I think, if you can grow as you go, you might be getting more of an ROI because you're developing that, your ear, you're developing your business sense, your business savvy, you're understanding, you know what you bring to the microphone, what you bring to the business, and all of that is how you increase that ROI for sure.  07:53 - Anne (Host) You know, and we should talk about ROI Is ROI always positive financially based?  07:58 - Danielle (Guest) No, I don't think so. No right, I think it can definitely be the intangibles as well. It can be exactly how comfortable you feel attacking commercial copy. It can be how quickly you're able to adjust from in a session when you're given differing opinions on how you should, you know, read a line or something like that. It's your ability to speak up for yourself and ask for what you want and negotiate all of those things.  08:22 - Anne (Host) That's such a good point of this topic because ROI, especially in our industry, when our voices I mean our voices are so much more than just physical voices for our product, it has everything to do with who we are, what got us here, our life journey and confidence right. So if a new microphone can make you feel more confident, can make your performance better, that's going to make your product better. So ROI, I think in our type of industry, when it's a creative industry, really can be almost as much intangible as it is tangible.  09:00 - Danielle (Guest) It's what you're pouring into the product that you're offering, which is tangible. It's what you're pouring into the product that you're offering which is yourself. It's what you're pouring into your physical instrument. It's what you're pouring into your heart. It's what you're pouring into. I love the confidence aspect, because that is a huge intangible.  09:17 that is incredibly important, oh my gosh yes, helps you feel good in your booth, in your read, it's what gives you the confidence to go to conferences and put yourself out there, reach out to new agents. Yeah, like that is the product. The voice is the conduit to it, but you, the human being, are the product and so, whenever you can pour into yourself and make sure that you are operating at your best and highest vibration, you're going to get that ROI back because you're putting out a one-of-one, a very unique commodity, absolutely.  09:52 - Anne (Host) You know, not everyone can just get Spoken from the girl who loves to talk about money. I love that, right. I love that. It's just as important, right, I think, for the ROI to be intangible as it is to be tangible. Now, if we talk about the tangible aspects of it, how do you measure? How do you measure the ROI? How do you look at the hard-cold numbers for an investment in a microphone? I mean, are you looking at it on a monthly basis? Are you like, okay, I invested you know a thousand dollars in this microphone and how have I made it back? Right, Are you looking at the jobs you booked? Are you looking at, you know, an agent you just got? And again, how do you track that? Really, in cold, hard numbers? Sometimes you can't Right.  10:36 - Danielle (Guest) Sometimes you can't, but some things you know, for example, like like a microphone or an interface. You know, I look at things pretty clearly in terms of can I afford it or not? That's sort of the start. And if I cannot afford it right now, how long will it take me to be able to afford it? Should I utilize other tools? Should I use debt? Should I put it on a credit card? But I know that I've got some invoices that are going to be paid by the end of the month and so I can pay for it. Can I afford this thing? And then I look at is this thing, let's say a microphone, is it replacing something that I've already used that needs to be replaced? Do I really need it? Or if I'm a gearhead and I just like it, that's fine too. But know that you know before you just acquire new things and then, do I know how to use it? Yeah, that's sort of the intangible.  11:25 - Anne (Host) That's a good. That's a good, that's a good point Can.  11:27 - Danielle (Guest) I use it, you know, with, with. Can I use it how it needs to be used, or do I need to invest in education to learn how?  11:35 - Speaker 2 (Announcement) to use it.  11:35 - Danielle (Guest) For example, I got a new interface and I wanted to make sure I knew how to use it. Can I afford it? Yes, I bought it, great. But then I didn't really know how to use it. So then I invested in coaching with an audio engineer who explained what it was to me and how I could use it. And so then the ROI actually made sense, because when someone said, hey, can you turn up your gain or turn off that 4K button, or we don don't really. We need this, this and this. Can you tell us what your interface is Like? I could speak to it with confidence, because I had put in the time and energy to, yes, buy it, but then learn how to use it. And for me, then, that's how I look at the ROI.  12:15 - Anne (Host) Sure, well, you know, I get a lot of students because obviously I'm a coach and I get a lot of students because obviously I'm a coach and I get a lot of students who will say, well, I want to be able to work in the industry and then be able to pay for my demo or my coaching, my additional coaching. And so that's a tough one, because that's like what came first, the chicken or the egg, because in reality you kind of have to figure out, you kind of have to make an investment in the coaching aspect of things and, of course, the demo too, because I'm a big believer that demos are what helps market that voice, so that you can get the jobs, so you can then reinvest it in your business. And so what are your thoughts about the intangible investments like, well, investing yourself with coaching and with, let's say, demos.  12:57 - Danielle (Guest) I think those are probably, as you're starting out, that's probably going to be what's going to get you the highest ROI. Are those intangibles. It's the coaching, it's the demos, it's the website, it's the marketing materials, it's knowing how to market yourself, it's knowing what genres you want to work in and that you're good at and that it's fun for you that you're finding the joy, that it's fun for you that you're finding the joy. So those things. I think that's really where I would spend more of my energy and my money trying to really invest in those things. But to your point, you need one to beget the other. The work begets work, but you've got to have something to show who you are, what you do and how well you do that thing Exactly.  13:42 So sometimes that may need to be going into a little bit of debt so that you can purchase that, or it is utilizing your nine to five to fund your five to nine. It's having to sort of figure out what is it that I'm trying to get let's say it's a demo or a coaching package, for example and how much is that going to cost me? How long will it take me to save up for it? Or what do I need to do to make that happen, because then, after a certain period of time, I usually say give yourself like six months to a year to try and get that money back. Yeah, yeah, it's a long enough time, if not longer sometimes.  14:22 - Anne (Host) Yeah, and maybe even longer. I think in the beginning sometimes it could take longer because, you know, I remember telling people my first year I made a decision to go full time when I decided to move across the country and I thought for the first couple of months I would look for a job in education. Because I came from education and I was like, so I had worked so hard in my other job, I took a few months off. Well, I actually couldn't have afforded at the time the few months off, because that was that was like the crash of 2008. And so, in reality, yeah, I basically was not successful in getting in the door really for my, my full time job, just because it was a new area and you know I was specializing in technology and so there were lots of factors in that. And so I just decided to pour all of my energy into going full-time in VO and, as hard of a worker as I am, I still, the first year maybe made $1,200. It was really something that I was learning lots of things. I mean, it was a new area. I was trying to get to know new people, new local studios and trying to figure out marketing, because now I was doing it full time and so there was a lot of investment that I made in my own education and in improving my voiceover, improving my getting new demos and that sort of thing. So it did put a lot of money out for that initial investment.  15:49 And so sometimes it can take a little bit of time to see the return on investment and again, like we were talking about before, sometimes you don't recognize it because in this business you kind of have to develop an ear for a lot of things. You have to develop an ear for your studio sound. You have to develop an ear for a microphone Does it fit you? You have to develop an ear for, you know, for your auditioning really, and that's kind of a soft skill right that incorporates coaching and incorporates just doing it and practicing it. So those are so difficult in the beginning, I think, to justify a return on investment. And I think if you're just getting involved in this business you have to kind of expect those things to take more time than you would like them to Absolutely and also know what not to do.  16:37 - Danielle (Guest) So I always try to look at it as what am I doing to get to my very first dollar and anything outside of that Maybe I don't need to be focusing my money on it because I'm not going to get that return on investment as quickly.  16:50 - Anne (Host) I like that.  16:50 - Danielle (Guest) So it may be those things to get to your first dollar are the coaching.  16:55 It's your, it's your marketing materials, it's your demos, it's your learning how to utilize your, your, your DAW or your interface, like it's your demos, it's your learning how to utilize your DAW or your interface, like it's learning about those things. But maybe it's not. Maybe it's not getting like the super fancy website, maybe it's not business cards, maybe it's not. You know all kinds of other things that seem like oh, this is what I should do for the business purposes, a CRM, you know, like just everything that you do for business. It may not be what you need to be doing now, but what can get you to your first dollar the quickest? Because that's a proof of concept that it's working. And if you can get to one dollar, you can get to two. Then you can get to four, six, eight, whatever. So I would, I would look at it like that of where? Where am I putting my energy, my effort?  17:39 - Anne (Host) I know it's probably going to take a bit of time, but I'm driving towards getting to my first dollar and that's how you'll get the snowball going of the ROI and they hang it up like when they open their business, like I don't know if people do that anymore, but in reality, like that becomes like such an important concept, like what are you doing to make your first dollar? And you're right, sometimes it doesn't happen immediately and I think one thing that people just have to understand is that it does sometimes take time, right, but once you make the first dollar, as you said, then comes the second dollar, then comes the third dollar, and I notice it happens over and over in this business where it's like success begets success.  18:29 - Danielle (Guest) Yeah, it does.  18:30 - Anne (Host) And so once you start booking jobs, right outside of an occasional lull right, which happens like seasonally in this industry, and that's something else that you have to get used to Then there's always the capability and the confidence to get to dollar number two and then to get to dollar number three and typically it happens more frequently and then comes the confidence, which I don't think there's a price on that, to be quite honest, because once you have confidence in yourself, in your product and in your business, I don't think there's anything stopping you from being successful, for sure, totally. Let's talk about other things. That, because you mentioned a website and I don't want to let that go, because I think that a website investment is a whole lot more important than some people think, because, again, I'm going old school, right, when people used to actually make their first dollar and then frame it and hang it up in the place of their business. Well, the place of our business now is our studio, and so we really need to be thinking about where you know we're going to celebrate those wins, right, and we want to think about how are we opening our storefront right, where is that storefront? Because it's not physical, it's online, and so that impression that storefront is where people go to buy things.  19:47 I mean, I buy things online every day and I think we all do that. Storefront is important and I think that that is a worthy investment. Now, do you need to make that right away, before you have a demo or before you have right any samples to put up there or even a thought as to what your brand is about? You can always start creating a website on the back burner of things, because as you grow, it develops kind of like your studio, right? You evolve, you change, you grow. I think your website is one of those things. Your storefront grows with you.  20:19 - Danielle (Guest) Yeah, absolutely. I think it's important to have you know you, to place your digital shingle up so that people can find you, because in this day and age, so many people are finding you on your website or digital presence in some way, and then they're coming to speak with you via email. So they need to know how to reach you. So I do think that's important, but some things do. The great thing about a website is that it can change and evolve and sort of that's the point. Can change and evolve, and sort of that's the point. So you start with what you have, and if what you have is just this is my name, this is my picture, this is what I sound like and this is how you can reach me, those basic things are all. That's what a website should entail, anything else showing what you do.  21:04 - Anne (Host) A way to purchase.  21:05 - Danielle (Guest) A way to purchase a product, a way to purchase a product that is really like. It's the gateway to how to get to purchase the product of my voiceover services, me as a person, and how we can work together me, you, the client. But other than that, I don't think that it serves you to wait to put that digital shingle up until you're ready, because there's time that could go to making your first dollar, absolutely Even if that digital shingle is not the way that other people's digital shingles look. But I would say, put the website up and get that out there as quickly as possible. That has the basic information about how to find you, how to purchase your product that you're selling, how to pay you, how to pay you Exactly you have to be able to get pounds so that you're selling how to pay you, how to pay you Exactly Like.  21:54 - Anne (Host) You have to be able to get pounds so that people can hire you and then pay you, and that, I think, is so, so important.  22:00 - Danielle (Guest) And those things will grow and evolve as time goes on. But you don't need to wait until all of these things are in place and perfect to put it out there so that people you know this is the get to your first dollar. It's got to be scrappy.  22:15 - Anne (Host) I agree with you. Now, what about the other things? Like OK, so you've, how are you going to make your first dollar? So then the next biggest question, or I would say one of the biggest questions I always get, is like so how do I get work? How do I get work?  22:29 So there are multiple ways to get work Right and there are investments that you can make in order to get work Right. You can invest in a pay to play. You can invest in you know management. You can invest in a marketing company that can help you to market. You've decided you're going to hang that shingle out and you're going to do it.  22:53 Well, now you've got to make money right. Now you've got to see that return on investment that you've made, and so you've got to make money. So how do you make money and how do you determine what products or what avenues to invest in so that you can find opportunities? Because that's really what you're doing. You're paying to find opportunities, and whether you're paying somebody to help market you in social media or maybe you're doing that yourself, that's really cost of your time, right, which is a cost you got to calculate, and we have a great episode on what's your hourly worth, right? How much do you get paid per hour? So figure out what that is worth. But let's talk about do you see pay-to-plays as being a worthy investment?  23:35 - Danielle (Guest) It can be a worthy investment, depending on the genre that you want to be working in. If you want to be working in a certain genre, that pay-to-plays are more often than not posting jobs for, absolutely yes, and usually those pay-to-plays have tiers.  23:53 - Anne (Host) Yes.  23:53 - Danielle (Guest) And usually those pay to plays have tiers. I started on a pay to play at the lowest tier as a proof of concept to make sure that I wanted to do this, that it made sense for me and was I going to be making my money back. And I found in one or two jobs I made that lowest tier, that I paid for the year I'd made that money back. So it made more sense to consider upgrading to higher and higher tiers and I think that's the way that you can sort of stair-step it. I agree.  24:14 But, if you know that you're wanting to go into a certain genre, that maybe a pay-to-play is not going to be as beneficial for you, then I would make it so that you're getting the best return on your investment of time and money as possible. But then you spend more of your time going into the spaces where that genre is more marketed and maybe that's not a pay to play. Maybe it is an agent, maybe it's not an agent, maybe it is your own time, maybe it's looking on social media sites for different types of work opportunities. So knowing the genre that you're trying to work in will then tell you where you should put your time and your energy and your money. And if you're trying to work in, will then tell you where you should put your time and your energy and your money and if you do want to work in both broadcast and non-broadcast right.  24:57 - Anne (Host) That, to me, separates out the you know which genres there's. Broadcast and non-broadcast. Broadcast require. You know you're going to have an agent and maybe a manager. You're not going to have to invest in an agent, by the way. You don't have to invest money in an agent, but you have to invest money in a demo that will attract an agent and auditions and or jobs that you've booked on, maybe pay to plays or rosters that attract an agent to want to put you on their roster.  25:20 - Danielle (Guest) That's number one and they would probably need to see it on your website or see, like where those types of jobs that you've done or your demos.  25:26 - Anne (Host) Absolutely.  25:26 And I do want to just make one point about the pay to plays, because there's so many many people that that's always the biggest. I think is one of the biggest topics of discussion is pay-to-plays and what tiers and what's worth it. Back in the day when I joined, there was only one tier and it was like a few hundred dollars a year. And I, what I, even if you join on that first tier right and just to dip your toes in the water, remember, to me it's an education because you're starting, because if you have never worked in voiceover, you don't know what real jobs are out there. You might have worked with a coach that gave you scripts they were practice scripts, they weren't actual jobs that maybe had casting specs or a quote. You know like, oh, here we're going to pay you this amount of money and here's the audition I want you to do, or here's the actual size of the job. And so you're really I think if you're even just on a bare bones level of those pay to plays, you're paying for education to find out what jobs are current out there, who's hiring and what types of jobs are they hiring. So I always say a first level investment is always good for people kind of looking to dip their toes in the industry to find out if this is something they really like, because then they could see here are the types of jobs that are being offered out there, and here's what an actual corporate narration looks like, or here's what an e-learning module looks like, and so I think that's a very worthy investment. Then, yes, there are different tiers. Now there's always back and forth about is this tier worth it? Is the most expensive tier worth it? And, of course, I think that just depends on the timing of things and your ability to audition well and timely Agents.  26:58 Don't ever pay for an agent. If you have to pay for an agent, you need to like run. But managers, in terms of return on investment, if you do get a job through an agent, you're typically paying them a fee, a commission, and so that, yes, is a good return on your investment for the most part, unless you've got an agent who's unscrupulous and maybe not, you know, paying you, which actually does happen Something did just happen recently which is unfortunate and then a manager of which you're paying a certain percentage of every job, whether or not you got that job through them. So that is. You know that's another discussion which we actually had a podcast on that, Danielle because you do have a management company and for you it's a very worthwhile investment. Again, depending on the genres that you work in, a lot that is going to determine if it's worth the ROI.  27:49 So one last thing I want to talk about is ROI in terms of marketing. What should we consider a good return on investment for our marketing efforts? Should we hire, should we buy a CRM? Should we hire a marketing agency? Should we, you know, pay a social media manager to get us out there? I mean, there's so many different options and this could be like again like part two of an episode. You know what are those options and how do I determine the best ROI on that? And marketing is tough Marketing is tough Marketing.  28:22 - Danielle (Guest) I even consider, like my agents and managers, part of my marketing budget, because me doing all of these auditions through them and being associated with them on their websites or on their marketing materials is also marketing, and marketing is one of those that it can be that you really are playing the long game. You could be marketing to a potential client for years and years and then finally a job comes your way through them. Well, that's a worthwhile return on investment because you've been consistently reaching out to these people and, as time has gone on, they know you, they can trust you and they want to work with you. And you know the stars aligned where they had something that was a good fit for you. So it really the thing about marketing is that it is a long-term investment in the growth of you and your voiceover business.  29:19 So the ROI with marketing is a little bit more like. It's kind of like when you are consistently investing money into your savings account or into the stock market or into your retirement account. It's harder to track sometimes. It is hard to track sometimes, but you're doing it knowing that you're not necessarily trying to get an immediate return on investment. You're basically investing in the long-term health of your business, because then you're diversifying yourself from the pay-to-plays, from your agents, from your SEO expenses for your website, All of those things, your SEO expenses for your website, like all of those things. It's really just diversification, and that one is harder to track.  29:58 - Anne (Host) And also, you know, it can be a combination of any or all of the above that we've spoken about today and I mean I really appreciate it can be a combination of your investment in yourself and your performance and your auditioning techniques and investment in you know, refreshing your demos and investment in evolving or getting a new website. Investment in you know, maybe paying somebody to help you market yourself, and investment in you know a pay-to-plays and a management company. So all of these things together and as you evolve right, your investments and your expenses evolve. I mean that's really called growth? Yes, it is, and hopefully it spurs in a positive direction.  30:39 - Danielle (Guest) Yeah, you can always also ask yourself you know if it's something that you're going to be putting your financial investments in. Can I afford it, yes or no? Right, how long will it take for me to be able to afford it? And what do I need to do to purchase it? What tools do I need to use to be able to purchase it? And then, what am I trying to gain from it? What does it look like if this were to be successful? What am I trying to get out of it?  31:04 And it can't just be I just want to book a job. That's a little too nebulous. It could just be something more like I want to feel more confident when I walk in my studio. That's a direction that you can go and then you can say, okay, return on investment, I got it, because now I feel a lot more confident. Check the box, but know what is it going to cost me? That could be money or not. And what am I trying? What is the outcome? What's the cost and what's the outcome? And then, when you can figure those two out and you're very clear about it, then go for it, because you'll know when you've had that ROI.  31:37 - Anne (Host) Love it, love it. And the one thing my takeaway is that ROI is not always financial. No, not always financial, not always easily measurable, so bosses out there lots of things to consider, Danielle, as always, what an amazing conversation. Thank you so much. Yeah, this was conversation. Thank you so much. Yeah, this was fun. Thank you for bringing it up.  31:54 Absolutely. I am going to give a big shout out to our sponsor, ipdtl. You too can connect and network like bosses. Find out more at IPDTLcom. Guys have an amazing week and you know, you guys are absolutely worth our ROI. Absolutely have a good one. Bye, bye. Absolutely have a good one, bye, bye.  32:11 - Speaker 2 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast to coast connectivity via IPDTL.   

Have you ever abandoned a promising track because it suddenly "didn't feel right" the next day? Why does your track feel wrong the next day? Is Overthinking Killing Your Songwriting Process? In this eye-opening episode of Inside the Mix, synth-pop artist Michael Oakley unpacks the creative psychology behind overthinking songwriting and how our emotional state can sabotage musical momentum.Inspired by advice from Max Martin -“Don't overthink a song until its third rewrite” -Michael reveals how writing 14+ song drafts taught him the balance between intuition and iteration. We explore the mental traps artists fall into: abandoning promising tracks, getting stuck in endless revisions, and losing objectivity. Michael shares how trusted collaborators (Ollie Wride, Dana Jean Phoenix, and John Kunkel) help him overcome production blindness and restore clarity to his mix decisions.You'll also learn practical strategies to break creative paralysis, from setting a tempo and key to choosing sounds that unlock inspiration. Discover how he transformed a 2000s-inspired track into a synthpop anthem, retaining its essence while reinventing its sound.Whether you're battling the blank DAW screen or questioning your last vocal take, this episode offers real-world tools to finish more music with confidence. Subscribe now to join our community of producers and songwriters learning to navigate the creative landscape with confidence. Michael's new album arrives May 8th next year—perfect timing to apply these insights to your musical projects.Links mentioned in this episode: Follow Michael OakleyListen to the Sodajerker podcast Xfer SerumSend me a message Support the showWays to connect with Marc: Book your FREE Music Breakthrough Strategy Call Radio-ready mixes start here - get the FREE weekly tips Grab exclusive access to BONUS content Follow Marc's Socials: Instagram | YouTube | Synth Music Mastering Thanks for listening!!

Im zweiten Teil meines Gesprächs mit Thomas Lemmer geht's ans Eingemachte: Wie produziert einer der bekanntesten Chillout-Künstler Deutschlands seine Musik? Wir sprechen über seine DAW, Plugins und Lieblingssounds, aber auch über seine Herangehensweise beim Mixen und Mastern – inklusive Dolby Atmos. Du erfährst, warum gerade bei ruhiger Musik jedes Detail zählt, wie Thomas seine Beats programmiert und welche EQs bei ihm fast immer im Einsatz sind. Ein inspirierender Deep Dive für alle, die Sound nicht nur hören, sondern fühlen wollen.

Duck. Breathe. Pulse. Repeat. The beat hits, and everything else steps aside. In this episode, Chris & Jody journey into the hidden choreography of sound—where one signal controls another, and side-chaining becomes more than a trick. It becomes feel. What starts as a lesson in DAW setup and MPC Live integration quickly morphs into a deconstruction of space, impact, and the rhythm behind rhythm. Compression is the hammer. Side-chaining is the sculptor. Basslines yield to kicks. Pads inhale and exhale. You'll learn the how, sure. The routing. The thresholds. The tools. But more importantly, you'll learn the why—the artistic intent behind the technical choices. Oh, and the usual chaos? It's there. Along with Friday Finds that might just blow a few fuses (in the best way). Plug in. Tune out. Let the side-chain lead. #SideChainSecrets #StudioAlchemy #SonicSculpting #MixingWithEmotion #HomeStudioCraft #AudioMovement #InsideTheRecordingStudio #CreativeMixing

In this week's episode, I compare learning a new DAW to learning a new language – and share where I'm at in my own journey toward “speaking” Ableton Live fluently.  Plus, I feature a new reggaeton-meets-comedy hip hop cue.Watch this episode on YouTube: https://youtu.be/pEN_lE0HZyo Join the 52 Cues Album Accelerator – a self-paced program with over 6.5 hours of video content, discussion threads, articles, and resources which guides you through the entire process of creating a production music album. Plus you'll receive a 90-minute, one-on-one session to listen through your album and discuss strategies for library placement. Head over to 52cues.com/accelerator to sign up today!

Referencing Your Way to a Better Mix In this episode of Inside the Recording Studio, Chris and Jody break down the power of reference mixes—why they're essential tools for mixers and how to use them effectively in your workflow. From understanding tonal balance to making better decisions about EQ, compression, and stereo width, reference tracks can be your secret weapon for more polished, competitive mixes. The duo shares their personal referencing workflows and recommends plugin tools that simplify A/B comparisons inside your DAW. Plus, don't miss their offbeat banter and the latest pick from this week's Friday Finds. Whether you're just getting started or you've been mixing for years, this episode will help you train your ears, sharpen your instincts, and mix with more confidence. Learn how to mix smarter by referencing like a pro! #InsideTheRecordingStudio #MixingTips #ReferenceMixes #MusicProduction #AudioEngineering #MixLikeAPro #DAWWorkflow #PluginTools

House Bangers Vol.2, its a sample pack for house music producers. Designed to deliver maximum impact, this pack includes 5 high-quality construction kits that are perfect for crafting professional-sounding House, Tech House, Deep House, and Mainstage House tracks. Each kit is loaded with 24-bit WAV loops, including punchy drum loops, groovy basslines, melodic synths, catchy leads, and FX, everything you need to build a full track from start to finish. All loops are with bpm tempo, and key-labeled for quick and easy integration into your DAW. Take full control of your sound with the included MIDI files for all melodic elements such as chords, bass, and leads. Easily customize melodies, change instruments, or create entirely new variations while keeping the original musical flow. For even more flexibility, Serum presets are provided for the main instruments, giving you full access to the core sounds used in the pack. For Serum presets you will need 1.368 or above. Whether you're starting a new project or looking to boost your sample library, House Bangers Vol.2 is a must-have resource for any serious house music producer. All sounds are 100% royalty-free and ready to use in your next chart-topping production. Pack Content: 5 Construction Kits 24Bit/44.100 56 Drum Loops 58 Midi Files 57 Synth Loops 49 Serum Presets 31 Fx 14 Bass Loops BPM & key-labeled

Episode 83, in der Jonas von der Eröffnungs-Hymne der World University Games von Jan Löchel spricht, ein missratenes Mastering fast eine Band-Karriere beendet und Björn fassungslos macht, wir über die Tricks für ein dichtes, und lautes Mastering sprechen und der "Coole von der Schule" den Song des Monats performt, was nicht jedem gefällt ... Hier die Hymne der World University Games 2025 von Jan Löchel: https://www.youtube.com/watch?v=b8sI3wgdK-c   Playlist "Song des Monats": https://open.spotify.com/playlist/1dL9eYWItUWbCelkNVXMss?si=0c0de09f82d54238   ✅ Kostenlos registrieren unter https://recording-blog.com/intro ✅ Besser als Plugins, Dein INTRO in die #RecordingBlogFamilie   Lass Deinen Song von Björn mastern: https://storiamastering.com   Björns Mastering MasterClass: https://recording-blog.com/shop-im-recording-blog Hier zum Newsletter für ständig neue Mixing-Tipps für jede DAW: https://recording-blog.com/#newsletter Björns Playlist "Mastered by Storia Mastering": https://open.spotify.com/playlist/0UpGEYg66WqvXIAFVEaeCd  

What if consuming art outside of music could unlock your most original sound?

Paul White explores the creative potential of using 'found' sounds, demonstrating how items found within your surroundings can be sampled, manipulated and transformed into complete tracks within your DAW using a few simple tools.Chapters00:00 - Introduction00:36 - Software Options01:27 - Methods Used For This Demo01:58 - Creating A String Patch04:49 - A Few More Examples08:03 - Constructing A Unique Percussion Kit11:01 - Layering Sounds With Synth Pads12:13 - Using The Voice Creatively13:00 - A Finished Track Using The Sampled SoundsPaul White BiogPaul White initially trained in electronics at The Royal Radar Establishment in Malvern then went on to work with Malvern Instruments, a company specialising in laser analysis equipment, before moving into technical writing. He joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer's Manual and in 2010 he received a BASCA award for his contributions to the music industry.Having established his own multitrack home studio in the 1980s he's worked with many notable names including Bert Jansch and Gordon Giltrap. He's played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn't see why everyone else shouldn't too!http://www.cydoniacollective.co.uk/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Deadlines don't care how creative you're feeling—so Chris and Jody are jumping into the fast lane with an episode all about navigating tight studio deadlines. Whether it's last-minute sessions, surprise client changes, or an unexpected "we need it yesterday" scenario, the guys share their real-world strategies for staying productive under pressure. From prioritizing tasks in your DAW to smart time-saving workflows, they'll give you the battle-tested tactics that have helped them hit the mark—even when time's running out. Hear about clever plugin choices, effective template setups, and how to keep creative focus without sacrificing quality. And yes, there's still room for a little nonsense and the latest edition of Friday Finds, because no crunch is complete without some fun. #InsideTheRecordingStudio #MusicProductionTips #AudioWorkflow #QuickMixingHacks #StudioTimeCrunch #FastTrackYourMix #ProducerMindset #RecordingEngineerLife

It's time for a little Gallic flair in podcastland as "Michelle" sashay's into view. How unusual is the song in the Beatles back catalogue? Do cover versions add anything at all? And how did our beloved podcast hosts (it says here) come to the song in the first place? Rankings: Track-by-track Ranking eMail: beatlesstuffology@gmail.com Twitter: @beatles_ology Instagram: beatlesstuffology JG's Blog: Judgementally Reviews… Andrew's Blog: Stuffology   Produced By: Pressing some buttons in a DAW. But also by JG McQuarrie

In this no-holds-barred episode, Dee Kei and James dive deep into the toxic myths, vague advice, and ego-driven illusions that still dominate the world of mixing and audio education. From the false promise of "secret sauce" techniques to the cult of gear and performative certainty, they break down why so many mixers cling to superstition — and how it's holding back real growth.They also explore why even elite mixers often give ambiguous or misleading advice, how language shapes misunderstanding, and why certainty is often just a mask for insecurity or marketing.Plus: Japanese philosophy, baseball rituals, self-diagnosed autism, and why Rick Rubin might actually have it all figured out.

Gwestai Beti George yw Gethin Evans, mae'n ddigrifwr stand-up, mae ei lais yn gyfarwydd i ni ar Radio Cymru, yn cyflwyno gigs comedi ac yn aelod o Fand Pres Llanreggub, ac mae'n dad i ddau o blant. Ond mae ei waith bob dydd yn heriol, mae'n gweithio llawn amser i fwrdd iechyd Betsi Cadwaladr yn ymwneud â digido holl fanylion y gwasanaeth iechyd meddwl.Daw yn wreiddiol o Dremadog, ac fe aeth o i Ysgol Gynradd Eifion Wyn - Porthmadog ac wedyn yn ei flaen i Ysgol Eifionydd. Bu'n gweithio gydag elusen Gisda, a bu'n gweithio gyda Community Music Wales. Cawn hanesion difyr ei fywyd ac mae'n dewis 4 cân yn cynnwys Anweledig a MC Mabon.

"I was struck by the many underlying tensions of this recording. The racialized profiling described by Masha Hassan—the dual nature of observation, the police surveillance of bodies and Masha's surveillance of them juxtaposed against the vibrancy and music of the open marketplace.  "I wished to highlight those elements through a chopped and edited approach, a kind of digital tape manipulation, first through Eurorack synthesizer, and then further in DAW based editing; looping, sampling, resampling, stretching, and compressing audio.  "While the moments of tension that are so compelling to me in Masha's original recording may or may not be present in this reimagined piece, I aim to achieve that anxiety on a poetic level in my composition — exactimo."   Friday market in Ventimiglia, Italy reimagined by John Wilhelm.

Ever wondered why your mixes don't sound professional, even with decent gear and endless YouTube tutorials? In this episode, Marc Matthews and Tim Benson, AKA Aisle9, reveal the overlooked production habits that separate amateur mixes from polished tracks.Discover how using reference tracks, including your own successful work, can instantly level up your sound. The duo also expose their most cringeworthy recording mistakes, from misaligned mics to monitor mishaps, underscoring why getting things right at the source is critical.You'll also learn the workflow most producers ignore: poor project organisation. Marc and Tim share practical tips on track naming, grouping, and DAW session structure that boost efficiency, and no new gear is required.Whether on your first track or your fiftieth, this candid, tip-packed conversation will help you overcome common mixing hurdles, avoid overprocessing, and finally achieve that clean, professional sound you've been chasing.Tune in to transform your studio sessions and start producing music that truly translates.Links mentioned in this episode: Got a question? We'd love to hear from you! Submit a question, share your social media handles or website, and get featured in a future episode. Plus, one lucky person will win a Starbucks voucher each month!Send me a message Support the showWays to connect with Marc: Master with confidence - join the Pro Home Mastering waitlist - If you grab the course using my link, I may earn a commission at no extra cost to you Radio-ready mixes start here - get the FREE weekly tips Grab exclusive access to BONUS content Book your FREE 20 Minute Discovery Call Follow Marc's Socials: Instagram | YouTube | Synth Music Mastering Thanks for listening!!

The Power of Sidechaining: How to Add Movement, Clarity, and Energy to Your Mixes You've heard the pumping effect. You've felt that bounce in the low end. But do you really understand how sidechainingworks—or all the creative ways you can use it? In this episode of Inside the Recording Studio, Chris and Jody dive deep into the world of sidechaining, demystifying this essential mixing technique and sharing the smart, subtle, and sometimes surprising ways they use it to bring their mixes to life. Whether you're using it to duck the bass under the kick, tame reverb tails, trigger FX, or create pulsing rhythmic movement, sidechaining is more than just a trend—it's a mixing power tool. In this episode: What sidechaining is and how it functions in a DAW Traditional and creative sidechaining methods How to use sidechaining to create clarity, groove, and mix energy Best plugins and routing techniques for effective implementation Why sidechaining isn't just for EDM—it works in rock, pop, hip-hop, orchestral, and more Plus, you'll hear Chris and Jody's go-to plugins, real-world applications, a fresh round of Friday Finds, and of course, some unfiltered nonsense along the way. Whether you're a seasoned producer or just getting your hands dirty in your first DAW session, this episode gives you the tools to sidechain with confidence—and purpose. #InsideTheRecordingStudio #Sidechaining #MixingTips #AudioProduction #DAWWorkflow #MusicProductionTechniques #HomeStudioLife #AudioEngineering #FridayFinds #ProAudioTools #DynamicMixing

Send me a messageWhy do some mixes, even with top plugins and techniques, still sound off? The answer might lie in a step you're overlooking: the static mix.In this episode of Inside The Mix, Marc Matthews talks with mix engineer Nate Kelmes to explore: What is a static mix in audio mixing? And why is a static mix important before adding effects? Nate explains how balancing levels and panning, before any processing, can account for 70–80% of a great mix. “If the plugins disappear, the song should still work,” he says.You'll learn how long to spend on a static mix (hint: 2–3 hours is a sweet spot), what the benefits of starting with a static mix are, and how a static mix improves overall mix quality by building emotion and clarity from the start. Nate also shares how a strong static mix can reduce the need for heavy processing later, making your workflow faster and more intentional.From native DAW tools to vocal automation and top-down mixing, this episode is packed with actionable insights for producers at any level. If you want more cohesive, impactful mixes, this is where it starts.Links mentioned in this episode: Follow Nate KelmesListen to the Sound Discussion PodcastListen to Microphones and Recording Audio with Mike SeniorListen to Music, the Industry and Everything Else with Warren Huart Support the showWays to connect with Marc: Radio-ready mixes start here - get the FREE weekly tips Grab exclusive access to BONUS content Book your FREE 20 Minute Discovery Call Follow Marc's Socials: Instagram | YouTube | Synth Music Mastering Thanks for listening!!

George "The Tech" Whittam is a global authority on voice-over recording technology and tech support for voice actors. He is known for his expertise in studio design, equipment setup, and acoustic solutions for voice-over professionals. Whittam's company, GeorgeThe.Tech (https://georgethe.tech/avs), offers tech support, training, and engineering services. *In this Episode, we talk about: * * VO Home Studio/Recording Space * Can you DIY a VO Booth? * SPLURGE or SAVE? Interfaces, Mic Cables, Microphones, Headphones, Computers and DAWs * Source Connect 4 * Home Studio Challenges * Pasport VO - Small but Powerful Interface Get *10% * OFF George's Services HERE (https://georgethe.tech/avs) Share YOUR Home Studio Challenge HERE (https://forms.gle/cWYj5yyJ9WxgBN9V8) Want a CEntrance Pasport VO interface? Email George at: george@georgethe.tech Atlanta VO Studio Upcoming Training Learn Audacity with Larry Hudson (https://atlantavoiceoverstudio.com/what-we-offer-classes-learn-audacity-w-larry-hudson/) Find Your Voice with Daniel Ross (https://atlantavoiceoverstudio.com/what-we-offer-workshops-find-your-voice-workshop/) The Character of You Class (https://atlantavoiceoverstudio.com/what-we-offer-classes-the-character-of-you-class/) (Learn how to bring your authentic voice to scripts) Script Workout with Jill Perry (https://atlantavoiceoverstudio.com/what-we-offer-classes-vo-virtual-script-workout/) Character of You Workout with Steve Henderson (https://atlantavoiceoverstudio.com/what-we-offer-classes-character-of-you-virtual-workout/) CLICK HERE for 15% off a Voice123 Membership ($495 tier and up) - https://bit.ly/3uPpO8i Terms & Conditions - https://docs.google.com/document/d/1CcYMkdLxWfbmwbvu-mwaurLNtWYVpIBgkJpOQTYLDwc/edit?usp=sharing Looking for a VO MENTOR? Check out our Mentorship Membership for just $25/month - https://www.provoiceovertraining.com/300-membership *LET'S CONNECT! * facebook.com/atlantavoiceoverstudio instagram.com/atlantavoiceoverstudio twitter.com/atlvostudio tiktok.com/@atlantavoiceoverstudio YOUTUBE: https://youtube.com/atlantavoiceoverstudio Atlanta Voiceover Studio & ProVoiceoverTraining's Classes & Workshops www.AtlantaVoiceoverStudio.com www.ProVoiceoverTraining.com **Sign up for FREE weekly VO tips: https://bit.ly/AVSemail

In this episode I explore the use of compressors on individual tracks and in the final mastering and mixdown process when engineering and producing songs in your DAW.

Ai Brian, Blake, and Richard are back for Episode 567 of the Chasing Tone Podcast - The great JHS Notadumble-fumble humble-bumble and is this a new golden age for guitarists?This week Brian is temporarily waylaid by "stuff" so Blake and Richard tackle the show without him for the first time since records began, although there is a very brief appearance from his Ai alter ego. Meanwhile there has been some division of opinion in the guitar community about a revelation from JHS.Meanwhile the Big F have released a new DAW that is essentially free for any guitarist and Richard is a big fan. Does this signify a new shift in focus for gear manufacturers and are we now in a new golden era for guitarists? Blake drops a hint about something for beginner guitarists coming from StringJoy and Richard wants the new Tone King Imperial MKII module from Synergy.Valeton have released a very interesting mini multi fx pedal and IR loader and its so inexpensive Richard feels compels to buy one. Meanwhile Blake has received and email about NAMM Next and breaks down the implications. We also pay tribute to Jim Irsay, billionaire guitar collector extraordinaire, who sadly recently passed. Bionic eyes, Mysterious Pink Pedal, Harry Potter, Cheese highs, Becoming Led Zeppelin...it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Youtube:https://www.youtube.com/@chasingtonepodcastAwesome Course, Merch and DIY mods:https://www.guitarpedalcourse.com/https://www.wamplerdiy.com/Find us at:https://www.wamplerpedals.com/https://www.instagram.com/WamplerPedals/https://www.facebook.com/groups/wamplerfanpage/Contact us at: podcast@wamplerpedals.comSupport the show

On this episode of the StudioNerds Podcast, we sit down with CURTISS KING and IMAN OMARI to dive deep into the power of using FL Studio as your entire creative hub. No Pro Tools. No Logic. Just straight one DAW. Is it possible? What is it like being a content creator and artist? Let's find out.If you're a producer and want to get on Colossal, and sell more beats, register now at colossal.fm/producers - and it's free, no subscription costs!➡️https://colossal.fmhttps://www.instagram.com/colossal_apphttps://www.tiktok.com/@colossal.apphttps://www.youtube.com/@colossal-app➡️ Join EngineEars Here: https://cutt.ly/RrvNBZ9J➡️ Get Our Rosetta Plugins: https://cutt.ly/RwAEmuRF➡️ Our Site: https://www.helpmedevvon.com Please subscribe to our YouTube and rate our podcast it helps us a lot!➡️ https://linktr.ee/mystudionerdsFollow Ushttps://www.instagram.com/helpmedevvon➡️Join this channel to get access to perks:https://www.youtube.com/channel/UCGyDjbX9F9ARt_8sgv5kGDg/joinFollow The CastDevvon Terrellhttps://instagram.com/helpmedevvonLJhttps://instagram.com/prodbyljeanHere is L.Jean channel! https://youtube.com/@SweataWeathaCourtney Taylorhttps://instagram.com/officialcourtneytaylor#podcast #mixing #mastering

Rocky Linux 10 will officially support RISC-V! Rusty Nvidia drivers for kernel 6.15, Fender (yes that one) releases a mini-DAW for Linux, and RISC-V on a budget with the 8-core Orange Pi RV2.

Send me a messageHaving trouble getting your build-ups and drops to land with real impact? In this episode of Inside The Mix, host Marc Matthews reveals how he tackled that exact issue in his latest single, “Half-Life”, using a simple but powerful technique—EQ automation.Marc walks listeners through when to use EQ automation instead of static EQ, explaining how dynamic frequency changes can bring more contrast and tension to a mix. He shares how EQ automation can enhance your mix by creating energy shifts that static processing just can't achieve.You'll hear how Marc applied a high-pass filter from 250Hz to 2kHz on both kick and bass during the build, dramatically increasing impact when those frequencies return at the drop. He outlines best practices for automating EQ in a DAW and highlights creative uses of EQ automation in sound design—from subtle movement to full-on transitions.Whether you're producing electronic, pop, or cinematic tracks, this episode offers a practical technique you can apply immediately. Marc also explains how keeping a playlist of reference tracks is key to overcoming creative blocks. Don't forget to check the description for a free discovery call where Marc can help elevate your mix, workflow, and overall sound.Links mentioned in this episode:Listen to Half-LifeSupport the show► ► ► Ways to connect with Marc ► ► ► Radio-ready mixes start here - get the FREE tips Grab exclusive access to BONUS content Book your FREE 20 Minute Discovery Call ► ► ► Follow Marc's Socials ► ► ► Instagram | YouTube | Synth Music Mastering Thanks for listening!!

- FREE PACKS Free Resonyx Sample Pack → https://www.dawnation.net/resonyx Free New Era Terror Serum 2 Preset Pack → https://www.dawnation.net/newera Free Wavium Sample Pack → https://www.dawnation.net/wavium ______________________________________________________________ - EPISODE OVERVIEW In this episode of Behind The DAW, Timothy Linetsky, better known as Underbelly—the brutally honest genius behind the You Suck at Producing YouTube channel—for a conversation about the future of music production in the age of AI & algorithms. Together, we break down:

Brian, Blake, and Richard are back for Episode 565 of the Chasing Tone Podcast - Brian reveals a deep dark secret and will robots ever play the blues?Blake has an evil plan and the guys caution him against it and check his credentials for podcasting. Richard saw an ai powered robot on TV and it has scared him so the guys discuss it and Brian makes a confession. He also asks some questions about the future of humanity and Richard has a foolish plan. Richard and Blake have had some late night DAW issues which caused them much anguish and woe and swap tales. Richard also has stupid podcast jokes. Brian questions Blake about his DAW of choice and Richard has a new album to listen to which Brian is unimpressed with.There have been some major moves in the corporate world of music with Samsung buying a number of HI Fi brands and closer to home, Thomann appear to have bought Hughes and Kettner. Blake bursts a bubble when he reveals the source of a musical legend. The guys then talk about band load-outs and why modelling might be the future again. Brian then reveals one of his lifelong goals. Daleks, Oregon batteries, Mullets, Rob Hubbard, Clibbings, Logic JR, Richard Sounds...it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Youtube:https://www.youtube.com/@chasingtonepodcastAwesome Course, Merch and DIY mods:https://www.guitarpedalcourse.com/https://www.wamplerdiy.com/Find us at:https://www.wamplerpedals.com/https://www.instagram.com/WamplerPedals/https://www.facebook.com/groups/wamplerfanpage/Contact us at: podcast@wamplerpedals.comSupport the show

- FREE PACKS Free New Era Terror Serum 2 Preset Pack → https://www.dawnation.net/newera Free Wavium Sample Pack → https://www.dawnation.net/wavium Free Phaseus Sample Pack → https://www.dawnation.net/phaseus ______________________________________________________________ - EPISODE OVERVIEW In this episode of Behind The DAW, we sit down with Pixel Terror—a high-octane electronic act known for genre-bending drops and festival-shaking energy—to talk about something few producers ever dare to: addiction, ego, and the brutal path to personal and creative clarity. This isn't just another convo about mixing tricks or social media hacks. This is a raw, behind-the-scenes look at what nearly destroyed his career—and what ultimately rebuilt it from the ground up. Together, we break down: - Why ego is the silent killer of creative potential—and how it almost ended everything. - How sobriety became the ultimate music production superpower (and why no one's talking about it). - What it's really like to go from duo to solo—and how that shift forced a total identity reset. - How to stay clear-headed, focused, and creatively inspired in an industry that glorifies chaos. - The mental and emotional rewiring it takes to produce at a high level, stay consistent, and thrive long-term. - Whether you're questioning your habits, battling burnout, or just want to know what it really takes to survive (and win) in this industry—this episode will give you the hard truths and hidden tools most producers never hear. Subscribe for more deep dives into music production, mindset mastery, and building the career you were born for.

Edward Willett is the award-winning author (under his own name and as E.C. Blake and Lee Arthur Chane) of more than sixty books of science fiction, fantasy, and nonfiction for readers of all ages, including twelve novels for DAW Books, the most recent of which is The Tangled Stars, a humorous far-future space-opera heist adventure featuring an AI-uplifted talking cat who becomes a starship captain. Ed won Canada's top science fiction award, the Aurora Award, for his second novel for DAW, Marseguro, and has been shortlisted several times since, including for his most recent young adult science fiction novel, Star Song. Ed has also won an Aurora Award for his podcast, The Worldshapers. In 2018, Ed founded Shadowpaw Press, publisher of the Shapers of Worlds anthologies among many other books, not only science fiction and fantasy but also literary fiction, poetry, historical fiction, children's books, and nonfiction. In addition to writing, Ed is a professional actor and singer. He lives in Regina, Saskatchewan, with his wife. They have a grown daughter and a much younger black Siberian cat named, of course, Shadowpaw.Shadowpaw Press in Regina, Saskatchewan, is thrilled to announce the release on March 25 of Shapers of Worlds Volume V, the final installment in a powerhouse anthology series that has featured some of today's top writers of science fiction and fantasy, including major award-winners and international bestsellers, all of whom were guests on editor Edward Willett's Aurora Award-winning podcast, The Worldshapers.http://shadowpawpress.com/https://edwardwillett.com/

In this episode the guys discuss the the ask the question Will BANDLAB Challenge FL Studio One Day? Is getting users to use your DAW when theyre young the most powerful way to ensure mass user growth? Are plugins in different countries in different languages? Is The LS 208 the new workforce mic of our generation? Is transitioning from recording engineer to mix engineer difficult? Lets find out.If you're a producer and want to get on Colossal, and sell more beats, register now at colossal.fm/producers - and it's free, no subscription costs!➡️https://colossal.fmhttps://www.instagram.com/colossal_apphttps://www.tiktok.com/@colossal.apphttps://www.youtube.com/@colossal-app➡️ Get Our Rosetta Plugins: https://cutt.ly/RwAEmuRF➡️ Our Site: https://www.helpmedevvon.com Please subscribe to our YouTube and rate our podcast it helps us a lot!➡️ https://linktr.ee/mystudionerdsFollow Ushttps://www.instagram.com/helpmedevvon➡️Join this channel to get access to perks:https://www.youtube.com/channel/UCGyDjbX9F9ARt_8sgv5kGDg/joinFollow The CastDevvon Terrellhttps://instagram.com/helpmedevvonLJhttps://instagram.com/prodbyljeanHere is L.Jean channel! https://youtube.com/@SweataWeathaCourtney Taylorhttps://instagram.com/officialcourtneytaylor#podcast #mixing #mastering

- FREE PACKS Free Wavium Sample Pack → https://www.dawnation.net/wavium Free Phaseus Sample Pack → https://www.dawnation.net/phaseus Free This F**cking Song Sample Pack → https://www.dawnation.net/thissong ______________________________________________________________ - EPISODE OVERVIEW In this episode of Behind The DAW, we interview Grammy-winning producer and founder of Beat Academy, Ill Factor, to uncover what it really takes to build a sustainable, successful music career. This isn't just another conversation about plugins, DAWs, or marketing hacks. We're getting real about the emotional, mental, and strategic foundations that top-tier producers build long before the hits come. Together, we break down: - Why your music is not your identity — and why that's a good thing. - How to stop being crushed when people don't like your music. - Why mentorship is the ultimate cheat code to building a career that actually lasts. - How to create a firm foundation that fuels both your creativity and your longevity. - What Ill Factor learned firsthand working with legends like Justin Timberlake, Gwen Stefani, Jason Derulo, Kelly Rowland, and even composing for Assassin's Creed and Just Dance. - The overlooked mental shifts that separate hobbyists from professionals. Whether you're feeling stuck, taking rejection too personally, or wondering what it really takes to thrive long-term — this episode will challenge and empower the way you think about your music, your career, and yourself. Subscribe for more deep dives into music production, mindset mastery, and building the career you were born for.

- FREE PACKS Free Phaseus Sample Pack → https://www.dawnation.net/phaseus Free This F**cking Song Sample Pack → https://www.dawnation.net/thissong Free Frequenox Sample Pack → https://www.dawnation.net/frequenox ______________________________________________________________ - EPISODE OVERVIEW In this episode of Behind The DAW, we sit down with music strategist and creative mindset coach Nik Cherwink to explore the real foundation of success for music producers — your mind. This isn't just another talk about gear, plugins, or production tricks. We're diving deep into the psychology, habits, and inner work that must happen before the great music even begins. Together, we break down: - Why your mind is the most powerful "plugin" you'll ever install. - How building emotional resilience skyrockets creativity and consistency. - The invisible connection between vision, energy, and the quality of your music. - How to train your brain for breakthroughs (instead of chasing shiny objects). - Why the producers who win long-term all master their inner game first. - Whether you're battling self-doubt, stuck chasing new plugins, or feeling disconnected from your true sound — this episode will reframe the way you approach production, creativity, and success. Subscribe for more episodes on music production, mindset mastery, and becoming the producer you were meant to be.

This week, a return appearance from William Tyler. As a guitarist and sideman, William has worked with the Silver Jews, Lambchop, and other forward leaning acts, balancing a deep understanding of tradition with experimental energy. His own records have found him drifting from Takoma School style finger picking to a zone that hovers in-between krautrock and country; in recent years, he's expanded even further, with incredible beat driven collaborations with Four Tet and the fried psychedelia of his full band Secret Stratosphere project.  His latest work is called Time Indefinite, out this week via Psychic Hotline. It's a strange and meditative record, and it's a new high water mark for Tyler. On this episode of the show, we toss out the script in favor of following Tyler's thoughts; like the indefinite time his new album references, linearity isn't always the focus in this talk. And while we touch on more than a few heavy topics, including addiction, climate change, and the sad state of satirical art, this one is an entry in our "hangout episodes" series, the DAW rolling along just for good measure.  You can read a full transcript of this conversation at Aquarium Drunkard, where you'll find 20 years worth of playlists, recommendations, reviews, interviews, podcasts, essays, and more. With your support, here's to another decade. Subscribe at Aquarium Drunkard. Stream a playlist of bumper music featured on Transmissions, as well as selections from our guests.Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts.

In this episode of The Real ResQ Podcast, host Jason Quinn speaks with Shane Daw, the general manager of Westpac Life Saver Rescue Helicopter Service in Sydney, Australia.Daw takes us through his incredible journey, starting as a junior lifeguard and rising  up to lead one of the busiest and most respected helicopter rescue services in the country. He reflects on more than two decades of service, recounting some of the most memorable and intense rescues he's been part of—beginning with his very first callout at 13 years old, responding to two swimmers swept away by a rip current.The conversation is filled with gripping rescue stories, from ocean incidents to complex land-based missions. Daw also highlights the heroic actions of the team he works alongside, sharing incredible moments that showcase the courage, commitment, and coordination involved in every life-saving mission.Beyond the rescues, Daw opens up about leadership, resilience, and the personal values that have shaped his career. He leaves us with heartfelt advice on chasing your dreams, staying passionate, and making a difference in your community. Enjoy!This episode is powered by Vertical HeliCASTS.Thank you for sponsoring this episode of The Real ResQ: Metro Aviation, PAG, Switlik, ReadyBAR, and The Real ResQ Store.Follow The Real ResQ on Facebook and Instagram and listen on Vertical HeliCASTS. Plus, get your podcast gear at therealresqstore.com.

- FREE PACKS Free This F**cking Sample Pack → https://www.dawnation.net/thissong Free Frequenox Sample Pack → https://www.dawnation.net/frequenox Free Paradigm Essentials Pack by Au5 → https://www.dawnation.net/paradigm ______________________________________________________________ - EPISODE OVERVIEW In this episode of Behind The DAW, we sit down with genre-shifting producer and creative force Killin' Void to explore the real mechanics of Infinite creativity. This isn't just another conversation about plugins and presets—we're diving deep into the psychology, systems, and soul of what it means to be a producer today. Together, we unpack: - How to tap into infinite creativity on demand. - Why scheduling creativity is a superpower (not a sellout move). - The art of evolving genres without losing your sound or audience. - Why collaborating without alignment can kill momentum. - How Killin' Void balances experimentation with consistency. Whether you're feeling boxed in by your current sound, stuck in a creative rut, or ready to unlock your next evolution—this episode will rewire how you approach your art, your time, and your output. ______________________________________________________________ - COURSES Crywolf Masterclass → https://www.dawnation.net/crywolfmasterclass ______________________________________________________________ - ABOUT DAW NATION DAW Nation is a dedicated education platform for music producers. We help producers master sound design, build sustainable careers, and scale their creative businesses. From advanced tutorials to deep-dive interviews, we fuse psychology, systems, and strategy to help you level up in and out of the DAW. ______________________________________________________________ - OTHER RESOURCES In The DAW Episodes: https://www.dawnation.net/inthedaw Behind The DAW Episodes: https://www.dawnation.net/behindthedaw Oh My DAW Episodes: https://www.dawnation.net/ohmydaw Bonus Content: https://www.dawnation.net/bonus Free Downloads: https://www.dawnation.net/free ______________________________________________________________ - SOCIAL MEDIA & COMMUNITY Email Newsletter: https://www.dawnation.net/newsletter Instagram: https://www.instagram.com/daw_nation/ Discord: https://discord.gg/ACsjHaGZMY TikTok: https://www.tiktok.com/@daw_nation Apple Podcast: https://podcasts.apple.com/us/podcast/daw-nation-podcast/id1294386350 Spotify: https://open.spotify.com/show/2SZMjBBAd52BE3BBWHAJFR Soundcloud: https://soundcloud.com/dawnationpodcast X: https://x.com/daw_nation Threads: https://www.threads.net/@daw_nation Facebook: https://www.facebook.com/dawnationofficial Snapchat: https://snapchat.com/t/nHQpdoKZ LinkedIn: https://www.linkedin.com/in/wyatttroy/

- EPISODE OVERVIEW Behind The DAW Is Back — After 3 Years Away... After a 3-year silence, Behind The DAW returns with the most raw and honest episode we've ever released. In this comeback story, WyattTroy reveals: - Why the podcast disappeared. - What really happened behind the scenes. - How DAW Nation nearly collapsed… and how it came back stronger than ever. - What's coming next for the producer community. - This isn't just a podcast—it's a reboot of the entire DAW Nation mission. Whether you're a bedroom producer, sound design addict, or six-figure beatmaker, this episode is your behind-the-scenes pass into the systems, struggles, and strategy that built DAW Nation. ______________________________________________________________ - FREE PACKS Free Frequenox Sample Pack → https://www.dawnation.net/frequenox Free Paradigm Essentials Pack by Au5 → https://www.dawnation.net/paradigm Free Spirit Lead Ableton Rack by Au5 → https://www.dawnation.net/spiritlead ______________________________________________________________ - COURSES Golden Vocal System → https://www.dawnation.net/goldenvocalsystem Crywolf Masterclass → https://www.dawnation.net/crywolfmasterclass School of Bass → https://www.dawnation.net/schoolofbass Serum Masterclass → https://www.dawnation.net/serummasterclass ______________________________________________________________ - ABOUT DAW NATION DAW Nation is a dedicated education platform for music producers. We help producers master sound design, build sustainable careers, and scale their creative businesses. From advanced tutorials to deep-dive interviews, we fuse psychology, systems, and strategy to help you level up in and out of the DAW. ______________________________________________________________ - OTHER RESOURCES In The DAW Episodes: https://www.dawnation.net/inthedaw Behind The DAW Episodes: https://www.dawnation.net/behindthedaw Oh My DAW Episodes: https://www.dawnation.net/ohmydaw Bonus Content: https://www.dawnation.net/bonus Free Downloads: https://www.dawnation.net/free ______________________________________________________________ - SOCIAL MEDIA & COMMUNITY Email Newsletter: https://www.dawnation.net/newsletter Instagram: https://www.instagram.com/daw_nation/ Discord: https://discord.gg/ACsjHaGZMY TikTok: https://www.tiktok.com/@daw_nation Apple Podcast: https://podcasts.apple.com/us/podcast/daw-nation-podcast/id1294386350 Spotify: https://open.spotify.com/show/2SZMjBBAd52BE3BBWHAJFR Soundcloud: https://soundcloud.com/dawnationpodcast X: https://x.com/daw_nation Threads: https://www.threads.net/@daw_nation Facebook: https://www.facebook.com/dawnationofficial Snapchat: https://snapchat.com/t/nHQpdoKZ LinkedIn: https://www.linkedin.com/in/wyatttroy/

David Mellor discusses how to create custom effects in a DAW without relying on expensive plug-ins. Here he demonstrates his approach to creating a filter pan effect using an EQ with high-pass and low-pass filters, highlighting how custom effects can help give your music a unique edge.Chapters00:00 - Introduction02:05 - Pan Effect03:02 - Mono Pan04:30 - Static Pan06:21 - Music Track06:42 - Creative Pan Effect09:00 - Pan Effect Using A Low-Pass Filter 13:23 - Crossfading Using Filters17:15 - Effecting Individual Instruments #slatedigital #infinityeq #protoolsDavid Mellor BiogDavid Mellor got his start in pro audio through the Tonmeister course at Surrey University studying music, piano performance, acoustics, electronics, electro-acoustics and recording.He went on to work at London's Royal Opera House, with responsibilities including sound design, front-of-house operation, stage monitoring and electronic design satisfying the likes of Luciano Pavarotti, Placido Domingo, Dame Kiri Te Kanawa and Karlheinz Stockhausen. David has also had over 600 works published in the field of production music. Notable uses of his music include the BBC's Horizon, Fahrenheit 911, and the Oprah Winfrey Show.David has been actively involved in Audio Education since 1986, teaching students of City of Westminster College and Westminster University, also returning to guest lecture at Surrey University. From 2001 until recently David has offered courses in audio online with Audio Masterclass. David now enjoys making YouTube videos for his 84,000 subscribers and releasing music on streaming services and Bandcamp for his dozen or so listeners.YouTube - https://www.youtube.com/@audiomasterclassSpotify - https://open.spotify.com/artist/6OkaDx4vB4O2ssUA5p4M8gBandcamp - https://davidmellor.bandcamp.com/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Today Dmitri talks with the winners of the 2024 Music Tectonics Swimming with Narwals Competition, DAWn Audio. They discuss their innovative platform for music producers and artists as well as the recent pivot from a cross-DAW collaboration plugin, to a gamified network that rewards artists for their creative work. But first, Dmitri and Tristra share a quick take on the news headlines of the week.   News from Rock Paper Scanner:   Beats and Bytes: Essential Trend Report   Apple Music Integration is now Available on More DJ Platforms   Will $1 on Your Ticket Help Save Australian Live Music? Napster? Is it 1999? Sam Ash Music Returns Online   The Cost of Banning TikTok: Implications for Digital Advertising   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!  Get Dmitri's Rock Paper Scanner newsletter.

Why do children create fearlessly while professional producers get stuck staring at blank DAW sessions? In this insightful conversation, Ben and Carl explore the counterintuitive truth that creative freedom comes from embracing constraints, not avoiding them. From Sufjan Stevens' state-themed albums to the natural evolution of decision-making throughout the production timeline, they reveal how limitations spark inspiration rather than stifle it. Whether you're battling decision paralysis with 87,000 clap samples or struggling to maintain a social media presence, this episode offers practical approaches to turning constraints into catalysts for your best work.Discover:How constraints unlock creativity rather than limit itWhy limitless possibilities lead to decision paralysisPractical constraint methods for both music and businessThe natural evolution of constraints throughout the production timelineDecision-making confidence across different creative domainsThe value of deliberate practice in building decisivenessBen and Carl's Weekly Inspiration Playlist - https://open.spotify.com/playlist/1IpnxDVoTY44JBV1j19H4h?si=0f80e020d8ae497eLA Wildfire Relief:Musicares - https://donor.musicares.org/page/lafirereliefWAMTN - https://give.wearemovingtheneedle.org/campaign/654724/donateLearn more about StudioLand - https://www.welcometostudioland.com/a/2147995182/bmyFf8p5Download our free guide: "The Future-Proof Mixing Engineer: 8 Essential Skills for 2024 and Beyond" - https://mpe-ebook.benwallick.com/future-proof-mixingConnect with us:Secret Sonics - https://www.instagram.com/secretsonicsBen - https://www.instagram.com/benwallickmusic/Carl - https://www.instagram.com/carlbahner/Learn more:https://www.benwallick.com/https://www.carlbahner.com/This episode with edited by Gavi Kutliroff - https://www.instagram.com/pleasant_peasant_music/

In this episode the guys discuss what is the best DAW for beginners and also if pro tools is truly the industry standard? Is ableton too expensive for starting? Does FL studio and logic have the best barrier to entry? Garage band to logic the best pipeline going from beginner to advanced? Lets find out Follow Colossal for more info➡️https://colossal.fm➡️https://www.instagram.com/colossal_app➡️https://www.tiktok.com/@colossal.app➡️https://www.youtube.com/@colossal-app➡️ Get Our Rosetta Plugins: https://cutt.ly/RwAEmuRF➡️ Our Site: https://www.helpmedevvon.com Please subscribe to our YouTube and rate our podcast it helps us a lot!➡️ https://linktr.ee/myaudionerdsFollow Ushttps://www.instagram.com/helpmedevvon➡️Join this channel to get access to perks:https://www.youtube.com/channel/UCGyDjbX9F9ARt_8sgv5kGDg/joinFollow The CastNick Riveshttps://instagram.com/_nickrives_Devvon Terrellhttps://instagram.com/helpmedevvonLJhttps://instagram.com/prodbyljeanHere is L.Jean channel! https://youtube.com/@SweataWeathaCourtney Taylorhttps://instagram.com/officialcourtneytaylor#podcast #mixing #mastering

Incremental progress leads to significant achievements! Join Lij Shaw as he interviews audio veteran Alex Ohana, who shares stories from a 35-year career. Alex reveals the power of embracing risk and reinvention, along with the importance of community in the audio world. He discusses his journey, from recording techniques to the evolution of technology, and offers insights into finding success in the music industry. This inspiring conversation delves into innovation, personal growth, and staying true to your creative vision. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Alex Oana, an engineer, producer, and innovator originally from Minneapolis and now based in Los Angeles. Over a 30-year career, Alex has produced hundreds of records and earned 11 Minnesota Music Awards. In 1994, he purchased the former home of Twin/Tone Records to launch his own studio, City Cabin, in Minneapolis. In the early 2000s, Alex relocated to Los Angeles, where he focused on mixing and worked as a front-of-house engineer for Pharrell Williams and NER*D on global tours. Alex has also held roles such as Global Sales Manager at Apogee Electronics and consultant for Vintage King Audio. As Vice President at Slate Digital, he co-created the groundbreaking Raven multitouch DAW controller. Later, he founded Audio Test Kitchen, an innovative online platform offering detailed comparisons of over 300 microphones and other audio gear. He is currently the Vice President of Marketing for Sound Vision Works. Alex first joined us on episode RSR226, where he shared his full backstory. Today, we'll dive into the latest in studio tech and production. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.izotope.com Use code ROCK10 to get 10% off! https://roswellproaudio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/2TVkAtP1rYpJlRRLKuDXZH?si=8736850b2fef4376 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/494