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In the final episode of the series, we learn about the run-up to, and aftermath of, the Deutscher Herbst, or "German Autumn" of 1977. In two months in late 1977, the leadership of the first generation of the Red Army Faction would murder a high-profile German industrialist (and former SS officer), hijack a plane, and commit group suicide. And let's just say it made an impression in West Germany. Join the Patreon! https://www.patreon.com/lionsledbydonkeys Sources: The Red Army Faction. A Documentary History. Volume I: Projectiles for the People. Margrit Schiller. Remembering The Armed Struggle. My Time With the Red Army Faction. Stefan Aust. The Baader Meinhof Complex
Joey Chris and Gabe talk about.. Suspiria is a 2018 neo-noir supernatural horror film directed by Luca Guadagnino with a screenplay by David Kajganich, inspired by the 1977 Italian film directed by Dario Argento. It stars Dakota Johnson as an American woman who enrolls at a prestigious dance academy in Berlin run by a coven of witches. Tilda Swinton co-stars in three roles, including as the company's lead choreographer and as a male psychotherapist involved in the academy. Mia Goth, Elena Fokina, and Chloë Grace Moretz appear in supporting roles as students, while Angela Winkler, Ingrid Caven, Sylvie Testud, Renée Soutendijk, and Christine LeBoutte portray some of the academy's matrons. The star of the original film, Jessica Harper, has a cameo appearance. A remake of Suspiria was first announced in 2008 after Guadagnino had acquired the rights from the original film's writers, Dario Argento and Daria Nicolodi. Guadagnino offered the film to David Gordon Green, but that project was eventually canceled due to financing conflicts. In September 2015, Guadagnino confirmed his plans to direct, describing his version as an "homage" to the original rather than a straightforward remake. A new screenplay was drafted by Kajganich, who had written Guadagnino's A Bigger Splash the year before. Kajganich set the film during the so-called "German Autumn" of 1977 in order to explore themes of generational guilt in that country during the Cold War. The film's other themes include motherhood, evil, and the dynamics of matriarchies. Unlike the original film, which used exaggerated colors, Guadagnino conceived the visuals in Suspiria as "winterish" and bleak, absent of primary colors. The film incorporates stylized dance sequences choreographed by Damien Jalet, which form part of its representation of witchcraft. Principal photography took place in late 2016 and early 2017 in Varese, Italy, and in Berlin. The musical score was composed by Radiohead singer Thom Yorke, who took inspiration from krautrock. The film is dedicated to the memories of Vogue Italia editor-in-chief Franca Sozzani, film director Jonathan Demme and Deborah Falzone. Suspiria premiered at the 75th Venice International Film Festival on September 1, 2018. It was given a limited release by Amazon Studios in Los Angeles and New York on October 26, 2018, where it grossed over $180,000 in its opening weekend, marking the highest screen-average box-office launch of the year. It was screened on October 31 in some U.S. cities before opening in wide release on November 2, 2018. It was released in Italy on January 1, 2019 by Videa. The film was a box-office failure. Critical response was polarized; some praised it for its visual elements and acting, others criticized its historical-political setting for being unnecessary or arbitrary in relation to its other themes.
Horror remakes may rarely be worth your time, but what happens when Luca Guadagnino reimagines Dario Argento's Suspiria? Instead of deep reds, it's now coldness and realism. Topics include also feminism, German Autumn, the Third Reich analogies and the relevance of the several subplots to the story. Suspiria (2018). Directed by Luca Guadagnino. Starring Dakota Johnson, Tilda Swinton, Angela Winkler, Mia Goth, Chloë Grace Moretz. This show can be listened to on Spotify, Apple Podcasts or wherever you listen to your podcasts. You can find us also on social media – Facebook, Twitter, Youtube, Instagram, and www.theflicklab.com. Hosted by Karri Ojala and Henrik Telkki. Edit by Karri Ojala. The Flick Lab theme tune by Nick Grivell.
Welcome the newest episode of Dark Discussions, your place for the discussion of horror film, fiction, and all that’s fantastic. The 1977 supernatural horror film SUSPIRIA has risen in popularity over the years. During the internet age when more folks began discovering foreign film, the movie began entering top 10 best horror lists. And it has steadily stayed there ever since. When it was announced a remake was earmarked, folks were skeptical. How could a remake be made of such an eclectic movie? When director Luca Guadagnino’s new film began playing the festival circuits, it received fairly good reviews. The new movie keeps the basic premise of the original. But there are some major changes. Though the film is a period piece from 1977, the dance school has been moved to West Berlin with the Cold War raging both just across the block and also in the news with the German Autumn. Also the legacy of World War 2 permeates the atmosphere of the movie. Dakota Johnson plays the American girl that has come to study at the academy. Tilda Swinton plays Madame Blanc, the head of the school. Others in the cast of note include Mia Goth and Chloë Grace Moretz. Though at theaters for one week, general audiences mostly missed it until Q1 of 2019. Dark Discussions takes a look at this remake and gives their thoughts. As always we welcome your comments: darkdiscussions@aol.com (written email or attached mp3 files) WWW.DARKDISCUSSIONS.COM
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In West Germany in September and October of 1977, a group of self-described urban guerrillas of the Red Army Faction (RAF) kidnapped industrialist Hanns Martin Schleyer. In exchange for Schleyer, the RAF demanded the release of its imprisoned leaders, Andreas Baader and Gudrun Ensslin. Those months in 1977 following the abduction of Schleyer are often referred to as the German Autumn, and they represent a crescendo of leftist political violence that had its origins, in some ways, almost a decade before. Terror prompted a crisis in the 70s for the West German government and German democracy. Of course, 1977 was not the first time in history that a German republic had been tested by a group of radicals intending to bring it down. That had already happened in the 1930s. But 1977 turned out very differently than 1933–when the Nazis “captured” power in a profoundly embattled and dysfunctional democracy. In fact, as Karrin Hanshew argues in her fascinating book, “West Germany's terrorist crisis helped to usher in the relatively stable civil society that still defines Germany today. Karrin Hanshew‘s new book Terror and Democracy in West Germany (Cambridge University Press, 2012) is, at once, a political history of the FRG, a history of democracy, a history of political theory in the abstract and in action, and a history of social movements, among many other things. I learned so much from it and I think that you will too.
In West Germany in September and October of 1977, a group of self-described urban guerrillas of the Red Army Faction (RAF) kidnapped industrialist Hanns Martin Schleyer. In exchange for Schleyer, the RAF demanded the release of its imprisoned leaders, Andreas Baader and Gudrun Ensslin. Those months in 1977 following the abduction of Schleyer are often referred to as the German Autumn, and they represent a crescendo of leftist political violence that had its origins, in some ways, almost a decade before. Terror prompted a crisis in the 70s for the West German government and German democracy. Of course, 1977 was not the first time in history that a German republic had been tested by a group of radicals intending to bring it down. That had already happened in the 1930s. But 1977 turned out very differently than 1933–when the Nazis “captured” power in a profoundly embattled and dysfunctional democracy. In fact, as Karrin Hanshew argues in her fascinating book, “West Germany’s terrorist crisis helped to usher in the relatively stable civil society that still defines Germany today. Karrin Hanshew‘s new book Terror and Democracy in West Germany (Cambridge University Press, 2012) is, at once, a political history of the FRG, a history of democracy, a history of political theory in the abstract and in action, and a history of social movements, among many other things. I learned so much from it and I think that you will too. Learn more about your ad choices. Visit megaphone.fm/adchoices
In West Germany in September and October of 1977, a group of self-described urban guerrillas of the Red Army Faction (RAF) kidnapped industrialist Hanns Martin Schleyer. In exchange for Schleyer, the RAF demanded the release of its imprisoned leaders, Andreas Baader and Gudrun Ensslin. Those months in 1977 following the abduction of Schleyer are often referred to as the German Autumn, and they represent a crescendo of leftist political violence that had its origins, in some ways, almost a decade before. Terror prompted a crisis in the 70s for the West German government and German democracy. Of course, 1977 was not the first time in history that a German republic had been tested by a group of radicals intending to bring it down. That had already happened in the 1930s. But 1977 turned out very differently than 1933–when the Nazis “captured” power in a profoundly embattled and dysfunctional democracy. In fact, as Karrin Hanshew argues in her fascinating book, “West Germany’s terrorist crisis helped to usher in the relatively stable civil society that still defines Germany today. Karrin Hanshew‘s new book Terror and Democracy in West Germany (Cambridge University Press, 2012) is, at once, a political history of the FRG, a history of democracy, a history of political theory in the abstract and in action, and a history of social movements, among many other things. I learned so much from it and I think that you will too. Learn more about your ad choices. Visit megaphone.fm/adchoices
In West Germany in September and October of 1977, a group of self-described urban guerrillas of the Red Army Faction (RAF) kidnapped industrialist Hanns Martin Schleyer. In exchange for Schleyer, the RAF demanded the release of its imprisoned leaders, Andreas Baader and Gudrun Ensslin. Those months in 1977 following the abduction of Schleyer are often referred to as the German Autumn, and they represent a crescendo of leftist political violence that had its origins, in some ways, almost a decade before. Terror prompted a crisis in the 70s for the West German government and German democracy. Of course, 1977 was not the first time in history that a German republic had been tested by a group of radicals intending to bring it down. That had already happened in the 1930s. But 1977 turned out very differently than 1933–when the Nazis “captured” power in a profoundly embattled and dysfunctional democracy. In fact, as Karrin Hanshew argues in her fascinating book, “West Germany’s terrorist crisis helped to usher in the relatively stable civil society that still defines Germany today. Karrin Hanshew‘s new book Terror and Democracy in West Germany (Cambridge University Press, 2012) is, at once, a political history of the FRG, a history of democracy, a history of political theory in the abstract and in action, and a history of social movements, among many other things. I learned so much from it and I think that you will too. Learn more about your ad choices. Visit megaphone.fm/adchoices
In West Germany in September and October of 1977, a group of self-described urban guerrillas of the Red Army Faction (RAF) kidnapped industrialist Hanns Martin Schleyer. In exchange for Schleyer, the RAF demanded the release of its imprisoned leaders, Andreas Baader and Gudrun Ensslin. Those months in 1977 following the abduction of Schleyer are often referred to as the German Autumn, and they represent a crescendo of leftist political violence that had its origins, in some ways, almost a decade before. Terror prompted a crisis in the 70s for the West German government and German democracy. Of course, 1977 was not the first time in history that a German republic had been tested by a group of radicals intending to bring it down. That had already happened in the 1930s. But 1977 turned out very differently than 1933–when the Nazis “captured” power in a profoundly embattled and dysfunctional democracy. In fact, as Karrin Hanshew argues in her fascinating book, “West Germany’s terrorist crisis helped to usher in the relatively stable civil society that still defines Germany today. Karrin Hanshew‘s new book Terror and Democracy in West Germany (Cambridge University Press, 2012) is, at once, a political history of the FRG, a history of democracy, a history of political theory in the abstract and in action, and a history of social movements, among many other things. I learned so much from it and I think that you will too. Learn more about your ad choices. Visit megaphone.fm/adchoices