Podcasts about Guadagnino

Puntata di Pasqua che parte con tutta una questione su una foresta finlandese con webcam per spiare le alci—culmina in un orso che se ne mangia una. Poi cine amarcord con Corriere Diplomatico e a sorpresa si apre il cuore per The Accountant 2, sicari autistici e fratelli action, roba da menare seria. Tra i film usciti: I peccatori di Ryan Coogler (afro-blues-horror anni '30), Drop (thriller da ristorante), Generazione romantica di Jia Zhang-ke (melanconia cinese d'autore), e il colpaccio: Queer di Guadagnino, Daniel Craig disperato e pistola in tasca nel Messico anni '50 ricostruito a Cinecittà. Menzione anche per L'ultima isola, doc su un salvataggio a Lampedusa, e chiusura con Miles Davis rimasterizzato. Puntata free jazz.

Parliamo del vecchio per parlare del nuovo. Così come abbiamo fatto con Perfect Days, abbiamo trovato in Happy Together un abbinamento che superficialmente sembra perfetto per aprire il discorso su Queer, ma il paragone si è rivelato presto calzante per gli argomenti cinematografici che ci premeva discutere dopo la visione del nuovo film di Guadagnino. È un episodio pieno di viaggi, relazioni complicate, individualismo, beat generation e tanta musica.Con Federico Allocca e Simone CortiRiprese Gianlorenzo Bernabò Di NegroMusica DEMONA alias Andrea Evangelista e Delio GallmannAnimazione sigla Ida CortiLogo design Chiara QuagliarellaPost-produzione audio Matteo FusiCon il sostegno di Associazione La Terza Via e SidereusUn grazie a Raffaele Allocca, Elisabetta Marrocco, Riccardo Romano, Andrea Sestu

Dal rosso sangue di Argento al grigio Berlino di Guadagnino.Suspiria, regia di Luca Guadagnino, con Dakota Johnson, Tilda Swinton e Mia Goth, prodotto da K Period Media e Frenesy Film Company, disponibile su Prime Video.Mi trovi anche su Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.instagram.com/fumetti.e.dintorni/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Se ti piace il mio podcast, offrimi un caffè ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/fumettiedintorni⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Qui c'è il mio piccolo mercatino su Subito⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.subito.it/utente/16653861⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠E qui quelloVinted⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.vinted.it/member/

Nos juntamos con Isa Sáez Pérez a charlar la peli Queer y de cine kuir, y nos preguntamos: ¿es necesaria esta película? Queer es una película gay binaria clásica que nada tiene de kuir. Es amable, acrítica y no ofrece un modelo de vida alternativo. Sí sirve comorecreación de la memoria. En ese sentido, es más una película-museo que una invitación a provocar. Hacemos un contrapunto con Esteros, de Papu Curotto; y Close, de Lukas Dhont.Bonus track: Killing Eve y su mundo de mujeres superpoderosas.Isa Sáez Pérez https://www.instagram.com/isa_saez_ En este episodio hablamos de:Papu Curotto https://www.instagram.com/papucurotto/Ana Luz Vallejos https://www.instagram.com/analuz.vallejos/Y también de:Queer, de Guadagnino https://www.youtube.com/watch?v=u3cDGZ4xliYNaked Lunch, de Cronenberg https://www.youtube.com/watch?v=_bgrNm7rdeoCall me by your name, de Guadagnino https://www.youtube.com/watch?v=Z9AYPxH5NTMEsteros, de Papu Curotto https://youtu.be/9zCMWvx9m1U?si=hiKMbDLp_p_t4acZArtículo de Tamara Tenenbaum https://www.eldiarioar.com/opinion/fronteras-porosas_129_12057650.htmlClose, de Dhont https://youtu.be/hv0AE-K5Aew?si=_17A861Mb23BiuTHGualeguaychú, de Berger https://youtu.be/0ouTHJrlTvk?si=72UjQOxow9DT19bEKilling Eve https://www.youtube.com/watch?v=8Uqhp7a9WdsUn podcast de ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PutoElQueLee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Conduce ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Omar Beretta⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Producción y co-conducción ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Miguel Buendía⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Washington Atencio⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Clara Ferguson⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Anush Grati⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Belén Rofrano⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ramiro Garzaniti⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cortina de inicio ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Zona Roja⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ de ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Mnesis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Diseño gráfico ⁠⁠⁠⁠⁠⁠⁠⁠David Pedrozo⁠⁠⁠

I femminicidi di Sara Campanella e di Ilaria Sula, entrambe 22enni: com'è stata trattata la notizia sui giornali e le reazioni politiche. La Giunta per le autorizzazioni della Camera ha votato a maggioranza per l'insindacabilità di Andrea Delmastro Delle Vedove, deputato di FdI e sottosegretario alla Giustizia, in merito alla querela presentata dal procuratore regionale della Corte dei Conti del Piemonte. Il presidente Usa Donald Trump ha annunciato l'imposizione di dazi tra il 10 e il 49% su tutte le importazioni negli Stati Uniti. L'Eurocamera ha approvato con 399 voti a favore, 198 contrari e 71 astenuti la risoluzione annuale per il 2024 sull'attuazione della politica di sicurezza e di difesa comune europea. Inoltre parleremo del film Queer diretto da Guadagnino e infine parleremo degli abusi che stanno avvenendo nella ginnastica ritmica italiana.

durée : 00:27:29 - Les Midis de Culture - par : Marie Labory - Au programme du débat critique, du cinéma : "Queer" de Luca Guadagnino et "A real pain" de Jesse Eisenberg. - réalisation : Laurence Malonda - invités : Philippe Azoury Journaliste, critique et auteur; Raphaëlle Pireyre Critique de cinéma, elle publie régulièrement des articles sur le site AOC

In what can be described as an episode exclusively inspired as a response to the exclusion of "Queer" and "Challengers" in this year's Academy Awards, Luca Guadagnino-devotee Cris invites spoilsport Dhruv to talk about the director's latest release "Queer" and how wonderfully it complements the director's wonderful "Call Me By Your Name."Listen to the full episode to hear Cris express his love towards Guadagnino's films as Dhruv tries to explain his ambivalence towards them. This is before both of them join forces to lambast the online discourse that consistently lambasts these (and other) films about morally troubling topics and relationships.Major Spoilers for both "CMBYN" and "Queer"!TIME CODESPre-Introduction: [00:00 - 05:40]Introduction: [05:40 - 08:52]Luca Guadagnino's Cinema: [08:52 - 30:38]"Call Me By Your Name": [30:38 - 01:00:06]"Queer": [01:00:06 - 01:33:18]Queerness as a "Curse": [01:33:18 - 01:39:28]Discourse on Discourse: [01:39:28 - 02:11:02]Outro: [02:11:02 - 02:14:22]Do hit 'Follow' on Spotify if you haven't already to help the podcast reach more people!Follow our Instagram page: https://instagram.com/queenisdead.filmpodcastYOU CAN (& SHOULD!) FOLLOW CRIS IN ALL THESE PLACES -Twitter - https://twitter.com/limjaesevenLetterboxd - https://letterboxd.com/crislim/Instagram - https://www.instagram.com/prdscris/

In this episode of Queer Cinema Catchup, Joe and Allison delve into the 2024 film 'Queer,' directed by Luca Guadagnino. They discuss the plot nuances, surreal elements, character dynamics, and thematic takeaways on queerness and identity. The conversation also touches upon the film's inspiration (the William S. Burroughs' novella) and compares 'Queer' to Guadagnino's other works.00:06 Discussing the Movie 'Queer' and Its Background01:42 Intro to William S. Burroughs06:55 Themes and Characters11:02 Analyzing the Ayahuasca Experience29:31 Reflections on the Film's Ending34:44 Drugs and the Narrative Surreal36:59 Exploring the Novella40:55 The Beat Generation and its Influence49:20 Luca Guadagnino's Filmography57:13 Final Thoughts and Farewell Hosted on Acast. See acast.com/privacy for more information.

Challengers (2024), directed by Luca Guadagnino and starring Zendaya, Mike Faist, and Josh O'Connor, is more than just a sports drama—it's a gripping story of love, ambition, and psychological warfare. Set in the intense world of professional tennis, the film explores a complex love triangle where passion and competition collide. In this breakdown, we analyze Challengers' bold storytelling, striking cinematography, and the way Guadagnino turns the court into a battlefield of emotions. If you love films that blend romance, rivalry, and raw intensity, this deep dive is for you.

Queer miste afgelopen donderdag de Oscar-nominatie voor Daniel Craig, maar kwam op diezelfde dag eindelijk uit in de Nederlandse filmtheaters. De film wordt gemengd ontvangen, maar wij als liefhebbers van Guadagnino's films konden niet wachten!We bespreken het acteerwerk. We duiken in de technische aspecten, het verhaal en de  mogelijke diepere lagen van de film. Daarnaast delen we onze eigen inzichten en kijken we naar de kansen van deze films tijdens het komende awardseizoen. Enjoy!136 minuten72 metascore3.4 letterboxdTrailerIMDbRedactie: Don ZwaaneveldBedankt voor het luisteren!Volg Don via @dononfilm op Instagram & Letterboxd, hij is daarnaast te vinden op de Award Expert app voor de meest actuele Oscar voorspellingen.

Kelsi and Trey react to the Golden Globes awards show, the speeches, the production, and how outside of a few authetnic speeches (Demi Moore, Sebastian Stan, etc.) it really felt like more of a fun-awkward celebrity hangout. Then we discuss Luca Guadagnino's newest feature 'Queer' starring Daniel Craig and Drew Starkey (which may be Trey's favorite movie of the year). And, of course, today is a Patreon deep dive, so we'll be talking a lot about Guadagnino's and Timothée Chalamet's career with a light ranking conversation! Big Episode! ⁠⁠The Extra Credits YouTube Channel⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to link Patreon to Spotify and Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reddit: r/TheExtraCredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Send requests, questions, and thoughts to our email: extracreditspod@gmail.com

Il tennis è una relazione. Frase che spiega perfettamente l'ultima opera di Luca Guadagnino. Una storia di sport, sesso, invidia, frustrazione, rimorso ed amicizia. Una storia di vita, raccontata con passione e retta da un terzetto di giovani attori davvero in parte. Guadagnino, inoltre, convince con sequenze davvero perfettamente girate, che rendono le partite a tennis dinamiche e visibilmente fisiche e la colonna sonora di Trent Reznor ed Atticus Ross è tra le migliori che abbia sentito ultimamente. Uno dei migliori titoli della stagione cinematografica appena passata. Finale al cardiopalma.

Primer fin de semana del año y los estrenos no nos dejan descansar ni en estos días festivos. Tenemos cine de terror de la mano de 'A24' y Hugh Grant con 'Heretic', un biopic de Robbie Williams protagonizado por un mono con sus facciones o un drama con cáncer en 'Vivir el momento', otro título de la factoría A24. Guadagnino vuelve también a las salas con 'Queer', en la que Daniel Craig deja totalmente de lado su imagen como Bond y nos llega 'La luz que imaginamos', dramáticamente indio aclamado por la crítica desde su paso por el último festival de Cannes. Y comarcada tres meses tenemos otra de tortas con Liam Neeson. Antes de todo eso repasamos lo más interesante de lo que se estrenará en 2025 en salas.

Julia & Miranda review? React to? Share intense emotions over? Luca Guadagnino's 2024 masterpiece film, Queer. Ring in the new year with your two favs as they dissect Lee's anxiety, the hot sun blaring through all Guadagnino films, Drew Starkey's gua sha, and more. Curious how this film received an 89.5% rating? PRESS PLAY! Ep. Recorded on 21 Dec. 2024. Follow us on Instagram! @the.p.in.rasp@juliapeterkins @miranda.macgillivraySend us a textSupport the show

Challengers war Anfang 2024 Luca Guadagninos erfolgreiche Version eines Mainstream-Films. Mit Queer erschien kurz vor Silvester noch im selben Jahr so etwas wie sein Liebhaberprojekt, das mit Sicherheit weniger Leute ganz verstehen, geschweige denn genau so gut finden werden. Warum das auch etwas mit der Buchvorlage von Autor William S. Burroughs zu tun hat, welche großen Unterschiede es in der Adaption gibt und weshalb wir Queer sehr lieben, obwohl er auch seine Schwächen hat, erzählen euch Patrick und Daniel - inklusive vorgewarntem Spoilerteil mit Erklärung des Endes - in diesem Podcast.

***Join the Seventh Row newsletter to stay updated and find out about more great under-the-radar character dramas: http://email.seventh-row.com ------- 2024 has been a landmark year for Luca Guadagnino, with the release of his tennis drama Challengers and his adaptation of William S. Burroughs' Queer. As these films garner attention, Alex Heeney takes this opportunity to revisit Guadagnino's 2017 masterpiece Call Me by Your Name, a film she deems his best work to date. In this episode, Alex explores connections between Call Me by Your Name and Guadagnino's latest films, noting how the opening credits of Queer serve as a direct homage to those of Call Me by Your Name. She delves into why she loves Call Me by Your Name, from how it works as a 'romance of stuff,' its attention to tactile details, its flirtatious editing style, and its ability to evoke a world beyond the frame. Purchase our ebook on Luca Guadagnino's Call Me by Your Name Related Episodes: TIFF 2024 Ep. 7 Luca Guadagnino's Queer Ep. 137 Luca Guadagnino's Challengers Ep. 23 Find Me and adapting Andre Aciman for the screen Stay updated on Seventh Row Follow Seventh Row on Twitter and Instagram. Read our articles at seventh-row.com. Follow Alex Heeney on Twitter and Instagram. 

Game. Set. Match!

Game. Set. Match!

Justin Kuritzkes is the very talented writer behind Challengers, the Luca Guadagnino love triangle topping all sorts of end-of-year lists right now. The film is a tennis drama that declared game-set-and-match with critics and audiences alike on release in April, becoming a pop culture sensation in ways usually reserved for franchise films. Steeped in the messy wants and desires of three complicated characters, it's the sort of film that doesn't often dominate discourse. But that didn't stop Challengers becoming a phenomenon whose influence altered fashion, music, memes and more in 2024.Which for most writers would be enough achievement for one year thank you very much. But Justin's 2024 didn't end there. Queer – also directed by Guadagnino – is a William Burroughs adaptation that hit cinemas this month. The film stars Daniel Craig as William Lee – an American expatriate living in 1950s Mexico City who becomes obsessed with a younger man and goes on a quest into the jungle in search of unlocking drug-induced telepathic communication. Both films bear the hallmarks of a storyteller insistent upon bringing deeply nuanced explorations of flawed people searching for connection into multiplexes. In the double-bill episode you're about to hear, breaking down in spoiler-filled detail both acclaimed films, we discuss the overlaps between Challengers' carnal chaos and Charli XCX's Brat Summer, and what both say about this moment in the culture. We get into the tragic real-life death of Burroughs' partner, killed by the famed author in an supposed accidental shooting, that lends uncomfortable context to the story of Queer (and that Justin threaded into the movie). And you'll also hear his thoughts on whether both of these films could be a bellwether moment for movies. In a year that saw franchise after franchise struggle for critical applause and box office might, does the success of a movie like Challengers suggest that an appetite might be growing again for original stories? Now there's an exciting thought to carry into 2025.Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com.Support for this episode comes from ScreenCraft, Final Draft and WeScreenplay.To get ad-free episodes and exclusive content, join us on Patreon.Support the show

Anne and Ryan discuss Luca Guadagnino's new drama QUEER starring Daniel Craig, Drew Starkey, Jason Schwartzman, and Lesley Manville. Based on the William S. Burroughs novella of the same name, QUEER follows an American writer living in 1950s Mexico City, pursuing a romance with a recently discharged Navy man. As the pair travel to South America in search of a mysterious drug, the story takes on a dreamlike aura in its depiction of longing and wanderlust. Join us for this discussion of Guadagnino's directorial follow-up to this year's Challengers, as well as diversions into James Bond, AMC theaters, Melancholia, the Babygirl trailer, Black Narcissus, Derek Jeter's gift baskets, Under the Volcano, The Agency and much, much more! QUEER is currently in theaters.

La Audacia del Cine aborda el fin del universo de villanos de Spiderman de Sony, “Kraven”, el último clavo en el ataúd de una franquicia que no debió existir.También abordan “Queer” la última cinta de Luca Guadagnino y Daniel Craig, película que explora las bases del cine de Guadagnino.@AudaciaDelCine

(00:00) Intro e nuova versione di American Psycho di Luca Guadagnino con Austin Butler(01:57) Rinnovo di Hanno Ucciso L'Uomo Ragno - La Vera Storia Degli 883(02:51) Sony mette la parola fine ai film dell'universo di Spider-Man?(04:20) Il temutissimo revival di Scrubs(05:47) Nomination 82° Golden Globes

For this week's main podcast review, I am joined by Alyssa Christian, Josh Parham, Dan Bayer, Giovanni Lago & Brendan Hodges to review and discuss the latest film from Luca Guadagnino, "Queer," starring Daniel Craig, Drew Starkey, Jason Schwartzman, Henrique Zaga & Lesley Manville. The film received polarizing reviews after its world premiere at the 2024 Venice International Film Festival. However, it has long lingered with all of us since our first viewings, compelling some of us to rewatch it. What did we think of its themes, the cinematography, Daniel Craig's performance, the score, and Guadagnino's direction? Tune in as we discuss these topics, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Golden Globes promettenti per il cinema italiano: quattro nomination per il film "Challengers" di Luca Guadagnino, che quest'anno ha anche il suo "Queer" candidato, grazie al protagonista Daniel Craig; "Vermiglio" di Maura Delpero è in lizza come miglior film straniero, mentre l'iconica Isabella Rossellini è nominata per "Conclave", thriller ambientato in Vaticano. E a proposito di Golden Globes, sono diversi gli attori con nominations multiple, da Selena Gomez a Kate Winslet, mentre tra le serie è curiosa la candidatura di "Squid Game 2", che pur non essendo ancora uscita, è già in corsa per un premio. L'annuncio di un possibile reboot di "Scrubs" è l'occasione perfetta per fare un ripasso, con le "5 cose che non potete non sapere" sulla serie cult. E dallo stesso creatore di "Scrubs", Bill Lawrence, pare sempre più probabile il varo di una quarta stagione di "Ted Lasso". Al cinema invece potrebbe arrivare il quarto capitolo della commedia "Ti presento i miei" con Robert De Niro e Ben Stiller. Per i fan del genere, Ilary Blasi a gennaio torna su Netflix con "Unica 2" mentre per chi ama andare al cinema è arrivato il film Marvel "Kraven - Il cacciatore", mentre sono in uscita il sequel de "Il Re Leone" "Mufasa", ma anche il nuovo film di Ferzan Ozpetek e molto altro...See omnystudio.com/listener for privacy information.

⁠⁠⁠Ruys⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ y ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Kbri⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ presentan los estrenos más destacados de la semana. Aaron Taylor-Johnson se puso bien mameitor para darle vida al legendario villano del universo de Spidey, Kraven el Cazador. ¿Será este otro bodrio nivel Morbius o al menos una película decente de acción? Más estrenos: - Queer (en cines), la adaptación de Guadagnino a la novela de William S. Burroughs con Daniel Craig en el rol principal. - Pieza por pieza (en cines), una reflexión de la carrera de Pharrel Williams con piezas de LEGO. - Equipaje de mano (Netflix), un thriller que sucede en un aeropuerto durante las fiestas navideñas. - Cien años de soledad: Parte 1 (Netflix), la primera parte de la ambiciosa adaptación en serie del novelón de Gabriel García Márquez - El nivel secreto (Prime), antología de cortometrajes de animación inspirados por videojuegos populares. (Casi) todos los jueves en la mañana el HYP3 tiene para ti los estrenos de la semana. Y por las noches, nuestro tradicional stream en vivo por ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Velo o escúchalo en Spotify o Apple Podcasts, obtén más feeds de audio, nuestro boletín en Substack y contenido extra de Patreon en ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Paiki.net⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

En el duodécimo episodio de Manderley —en el que contamos con la participación de Carlos Balbuena y Víctor Esquirol— hablamos de LA PISCINE (LA PISCINA) de Jacques Deray de 1969 y del remake libremente basado en ella que realizó Luca Guadagnino en 2015, A BIGGER SPLASH (CEGADOS POR EL SOL). En el primer bloque, dedicado a la película de Deray, hablamos de la importancia de su guionista Jean-Claude Carrière y su montaje. También del reparto (que incluye a Jane Birkin y Maurice Ronet) y en detalle del contexto de la relación de Alain Delon y Romy Schneider más allá de las imágenes de ficción del relato; de los vínculos de la cinta con el polar francés, el «thriller» erótico y el concepto de «huis-clos»; y por último, de las conexiones con otras «summer movies» como El nadador (Frank Perry, 1968), Muerte bajo el sol (Guy Hamilton, 1982), Swimming Pool (François Ozon, 2003) o Holiday (Isabella Eklöf, 2018). En la segunda parte, en la que abordamos la producción de Guadagnino, comentamos las diferencias fundamentales entre la aproximación dramática del cineasta italiano en su narrativa y la perspectiva psicológica de la original, así como en su planteamiento formal; también entre las distintas versiones de los personajes que encarnan en este caso Ralph Fiennes, Tilda Swinton, Dakota Johnson y Matthias Schoenaerts. Exploramos además las influencias del director italiano a través de su contenido temático relacionado con el hedonismo, la alienación y el (doble) triángulo amoroso presente, con las referencias al neorrealismo a través de otros títulos como los de la trilogía de la incomunicación de Michelangelo Antonioni (La aventura, La noche, El eclipse) o de Roberto Rossellini (Te querré siempre, Stromboli).

Screenwriter Justin Kuritzkes has written two of the year's hottest tickets, "Challengers" and "Queer," both directed by Luca Guadagnino. They are his first-ever feature films. He joins us to discuss both of the movies, working with Guadagnino, and more. 

Uno sguardo sensuale Guadagnino trasforma il campo da tennis in un vero e proprio palcoscenico, dove le partite diventano metafore delle relazioni umane. Ogni scambio di palla è un confronto, una sfida, un tentativo di dominare l'avversario e, allo stesso tempo, se stessi. La telecamera si muove con eleganza, catturando la tensione e la sensualità […] The post Challengers di Luca Guadagnino: in bilico tra sensualità e sincope appeared first on Film al Cinema.

Prendendo spunto dalla nostra volontà di raccontare un grande autore di cinema, parliamo del cinema “storico e figlio del caso” del regista rumeno Cristian Mungiu. Nella prima parte, quelle delle notizie, parliamo della masterclass di Martin Scorsese al Museo del Cinema di Torino, di nove cinema romani destinati alla chiusura e dei nuovi progetti di Luca Guadagnino.Qui il riassunto della puntata.01:32 News. Lo scorso 7 ottobre Martin Scorsese ha ricevuto il premio Stella della Mole del Museo nazionale del Cinema di Torino a cui ha fatto seguito una masterclass in cui il regista ha parlato del suo cinema e di come considera la settima arte oggi.05:37 News. Nove cinema di Roma stanno per essere venduti, tra cui gli storici Adriano e Atlantic. Perché non è possibile recuperarli?07:53 News. Luca Guadagnino sta ultimando la post produzione del suo ultimo film After the Hunt, mentre sta curando la sceneggiatura di due nuovi film tratti dai libri American Psyco di Bret Easton Ellis e I Buddenbrook di Thomas Mann. Ah… e poi c'è un nuovo documentario su Bernardo Bertolucci, sempre filmato da Guadagnino.10:46. La Luce del Cinema di Cristian Mungiu. Film analizzati: Occident; 4 mesi, 3 settimane, 2 giorni; Racconti dell'età dell'oro; Oltre le colline; Un padre, una figlia; Animali selvatici. 

Spooky Month continues as the boys enroll at the Helena Markos Dance Academy with their friend Jasmine to watch Luca Guadagnino's audacious Suspiria remake (but don't call it a remake). They discuss the extremely polarizing reception to this film upon release and how it's currently viewed within Guadagnino's filmography before watching it (all for the first time) and deciding for themselves how much of it works.

Join us as we reenter the lush and sensual world of Luca Guadagnino and discover “il costo dell'ecstasy” in his 2009 film I Am Love. Wilson savours the intentional mistakes in technique that feel like a part of the world of the film. Eli gives a brief lesson on editing, drawing parallels all the way back to the Eisenstein method of montage. Ben directs attention to the powerful scenes of melodramatic realisation across Guadagnino's work. Why not dine with us? Become love at our FREE patreon, discord server, and our socials @ www.deepcutpod.com

On today's NYFF62 podcast, we welcome director Luca Guadagnino, screenwriter Justin Kuritzkes, costume designer Jonathan Anderson, and cast members Daniel Craig and Drew Starkey to discuss Queer, the Spotlight Gala of the 62nd New York Film Festival, with NYFF Artistic Director Dennis Lim. Written in the early 1950s yet not published until 1985, William S. Burroughs's Queer has come to be considered a canonical work in the career of the Beat Generation author and a cornerstone of transgressive gay literature. In his wildly ambitious adaptation, Luca Guadagnino (Call Me by Your Name, NYFF55) expertly evokes the book's post–World War II time period and cinematically translates Burroughs's iconoclasm with panache. In a transformative role, Daniel Craig immerses himself into Burroughs's alter ego William Lee, a habitual heroin user luxuriating in freedom and desiccation among a disconnected group of gay American expatriates in Mexico City in the late 1940s. When enigmatic, preppy ex-military kid Eugene Allerton (Drew Starkey) catches Lee's eye, he swoons into a headlong love affair, commencing an odyssey that will take them all the way to the Ecuadorian jungle in pursuit of the ultimate high. Buoyed by go-for-broke performances from Craig and Starkey, and rollicking, unexpected supporting turns from Lesley Manville and Jason Schwartzman, Queer is a dazzling showcase for many in Guadagnino's stable of collaborators, including Challengers screenwriter Justin Kuritzkes, cinematographer Sayombhu Mukdeeprom, and music composers Trent Reznor and Atticus Ross. It's a film that finds Guadagnino in his most formidable, gutsiest mode yet, a universal love story featuring expressionistic flights of fancy, gratifying moments of psychedelic surrealism, and surprising tenderness. Tickets to the New York Film Festival are moving fast! Get up-to-date information on all available tickets on a daily basis by visiting filmlinc.org/tix. Queer opens in theaters on November 27, courtesy of A24.

**To sign up for the Reel Ruminators (Free Trial), visit https://email.seventh-row.com/trial.** In this episode of the TIFF 2024 season, Alex is joined by Toronto-based film critic Angelo Muredda to discuss one of our most anticipated titles of the festival: Luca Guadagnino's Queer.  The film adapts the Williams S. Burroughs novel of the same name. Daniel Craig stars as William Lee, Burroughs' alter-ego, a lonely man in post-war Mexico City, desperately chasing after younger men. When he meets Eugene Allerton (Drew Starkey), he's instantly smitten, but Allerton plays hot and cold with him. After a tentative on-again-off-again courtship, Lee persuades Allerton to go to South America with him in search of hallucinogenic drugs that will help with telepathy. In Queer, Guadagnino has reteamed with several Challengers collaborators: screenwriter Justin Kuritzkes, costume designer Jonathan Anderson, cinematographer Sayombhu Mukdeeprom, and editor Marco Costa.  The episode is spoiler-free. About the TIFF 2024 season: The TIFF 2024 season will give you a preview of some of the best under-the-radar gems and some of the buzziest titles at the 2024 Toronto International Film Festival through themed episodes. This is for you if: You're attending TIFF and looking for recommendations; You're looking ahead to your local film festival for must-see titles; and/or You're interested in how filmmakers from around the world explore similar topics/genres, even if you're not sure if you'll ever see the films. The season will be spoiler-free and designed to be listened to even if you haven't seen the films (or are worried you won't ever be able to).  Check out all of our TIFF 2024 coverage here: https://seventh-row.com/tiff24

Venezia 2024: I denne andre festivalepisoden fra Lido ser vi nærmere på to titler fra hovedkonkurransen, Queer og The Room Next Door, fra henholdsvis Luca Guadagnino og Pedro Almodóvar. To store auteurer innen skeiv film som har nye filmer i Venezia, og begge baserer seg på litterære forelegg. Med Queer forsøker Luca Guadagnino å gi liv til forfatter William S. Burroughs' kortroman ved samme navn (publisert i 1985), ikke ulikt hvordan David Cronenberg i 1991 forsøkte å adaptere Naked Lunch. Nesten hele Queer er spilt inn i det legendariske, italienske studioet Cinecittà, noe som skaper et distinkt, kunstig uttrykk. Selv om filmen inneholder lange, eksplisitte sexscener, er den også påtagelig distansert. Men hva skjer når Guadagnino og rollefigurene, med Daniel Craigs Lee i spissen, går seg vill i jungelen, på jakt etter sanseutvidende sopp? Havner han utenfor komfortsonen? Pedro Almodóvar er bokstavelig talt utenfor komfortsonen i The Room Next Door, hans første engelskspråklige langfilm, med Julianne Moore og Tilda Swinton i hovedrollene. Til å begynne med virker produksjonen skranglete og lockdown-aktig, men straks vi skjønner at filmen (basert på Sigrid Nunez' roman What Are You Going Through) skal diskutere assistert selvmord på en åpen og humoristisk måte, trekkes vi inn i de utsøkt dekorerte værelsene. Ved mikrofonene sitter Mads Outzen, Ragnhild Pedersen og Lars Ole Kristiansen. God lytting!

#Gaza #Israele #America #Biden #Netanyahu naufragate le trattative @LorenzoVita ; #Paderno #strage in famiglia #Riccardo @ClaudiaGuasco ; #Venezia , #Cinema #Guadagnino #DanielGraig @GloriaSatta

Nosferatu & Maria Callas. Guadagnino & Almodovar. Popes & Gladiators. Ryan McQuade (AwardsWatch.com) joins Christina for a discussion about (a mostly:) thrilling season of movies ahead! Learn more about your ad choices. Visit megaphone.fm/adchoices

Game. Set. Match. The boys tackle the hottest movie of the season and kick off a Luca Guadagnino series with our review of his latest film CHALLENGERS. This episode (recorded pre BRAT) sees Eli comparing Guadagnino to the iconic Charli XCX, Wilson explaining how all roads that lead to Challengers also lead to his own life, and Ben saying he wants to play tennis because “I love my bro and his wife”. Who's your favorite A(rt)T(ashi)P(atrick) player? Tell us on the discord server. Find our FREE Patreon, discord server, and all our links @ www.deepcutpod.com Links: Luca Guadagnino on Indiewire's Filmmaker Toolkit Podcast Justin Kuritzkes on the No Challenges Remaining Podcast Merissa Lombardo on the Art Hyphen Podcast Ben's BIG FACE Letterboxd List Eli's essay on Suspiria

Director Luca Guadagnino returns. After his dark-hearted cannibal film Bones and All starring our boy Chalamet, Guadagnino has made a light-hearted tennis romance starring Zendaya. Challengers features a love triangle between her and Josh O'Connor and Mike Faist. We'll let you know if this movie is sexy! The film features plenty of tennis to the pulsing techno beats of Trent Reznor and Atticus Ross. It's 15-Love-n-Light and the Lodgecast is ready to serve!

Claire and Gavia discuss the sweatiest film phenomenon of 2024: Luca Guadagnino's tennis drama Challengers, starring Zendaya, Mike Faist and Josh O'Connor as three athletes embroiled in a love triangle. Among other topics, we cover the star power of the lead actors, the film's already-iconic music, and Guadagnino's distinctive way of depicting sexuality and relationships.

Cette semaine vos chroniqueur.euse.s préféré.e.s vous livrent une émission tournée vers différentes facettes de l'Amérique avec : Challengers, de Luca Call me by your name Guadagnino, ou comment rendre le tennis sexy (et c'était pas gagné), au casting à en faire baver tout Hollywood ; La Fleur de Buriti, de Renée Nader Messora et João Salaviza, film onirique sur les mémoires et les luttes d'un peuple autochtone dans le Brésil de Bolsonaro : Jusqu'au bout du monde, de Viggo Mortensen, avec Viggo Mortensen (avec une perruque blonde hideuse, et Vicky Krieps avec un mauvais accent québécois), écrit Viggo Mortensen, composé par Viggo Mortensen, bref, une indigestion de Viggo Mortensen sur fond de western pseudo-féministe. Mais avant, on revient sur l'actualité de cette semaine : la tribune des hommes du monde de la culture en soutien à #Metoo (que vous pouvez retrouver ici si vous êtes abonné.e.s à Elle, sinon tant pis pour vous ;). Geste révolutionnaire ou habile coup de com ? Vous saurez tout en écoutant cet épisode, et bien plus encore... Présentation : Juliette Chroniqueur.euse.s : Valentine, Enora, Margaux, Arthur

Get ready to step onto the court with the enthralling narratives of Luca Guadagnino's "Challengers," where the suspense of tennis matches serves as a backdrop for an exploration of deeper emotional and thematic complexities. Alex and Max Fosberg, delve into the nuances of Guadagnino's storytelling, examining how the film weaves together threads of ambition, sexuality, and personal turmoil. We invite you to join our passionate discussion as we scrutinize the hypnotic score by Trent Reznor and Atticus Ross, and how it complements the visceral intensity of the on-screen drama, all while drawing thoughtful parallels with Guadagnino's other cinematic gems like "Call Me by Your Name" and "Bones and All."Support the Show.

I primi anni di vita Luca Guadagnino li ha vissuti in Etiopia, un Paese tanto lontano quanto storicamente legato all'Italia. Con alle spalle un'educazione cosmopolita, giunge in Italia dove coltiva negli anni la sua carriera nel mondo del cinema, fino a raggiungere Venezia. In quest'intervista, Luca Guadagnino racconta a Malcom Pagani la genesi della sua filmografia, che considera essere la sua eredità.

Reel Week | 117:On this week's show we review Guadagnino's sexy tennis drama, Challengers. Plus, a box office update for 2024's biggest movies and the line-up of films coming to cinemas in May.Stay tuned for our Marquee topic of the show episode next week where we continue our Sci-Fi Spring series.Recent WatchesShogunMinariEmmaMad Max Beyond ThunderdomeReel Round-UpBox office updateMay movie releasesNext episode: Mad Max: Fury Road | Sci-Fi SpringTimestamps:00:00:00 - Show Start00:03:42 - Mini Review00:18:55 - Recent Watches00:28:53 - Concession Stand00:36:58 - Reel Round-Up00:58:35 - OutroSocials:Cristian on Twitter: @_isoCristianCristian on Letterboxd: isoCristianHugo on twitter: @Hugo_PinaiHugo on Letterboxd: Hugo_PHelpful Links Large Popcorn linktree Large Popcorn on Twitter: @ LargePopcornPod Dial-in to the show via SpeakPipe! Keep up with all the films we watch on every show at my letterboxd profile Check out our merch on bonfire!

Alex tells Nick why Luca Guadagnino's “Challengers” is a much better movie than its marketing suggests. The guys briefly discuss Zendaya's Oscar prospects, Guadagnino's filmography, Mike Faist & Josh O'Connor, an amazing score by Trent Reznor & Atticus Ross, and how the movie connects to “Past Lives.” Follow @WAYW_Podcast on Twitter and Instagram and Letterboxd.Watch Alex's films at http://alexwithrow.com/Watch Nick's films at https://www.nicholasdostal.com/Send us mailbag questions at whatareyouwatchingpodcast@gmail.com

For his fourth time joining the Toolkit discussion, director Luca Guadagnino takes us into the sultry, sweaty world of "Challengers." Much more than just a tennis movie, this film pushed Guadagnino to make bold choices with camera and music, and lean into storyboards and rehearsal more than his previous work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, to celebrate the release of Luca Guadagnino's Challengers, Paul and Amy break down the 2018 film, Call Me By Your Name, starring Timothée Chalamet (sorry, no Zendaya in this one). The two talk about the beauty of the film's title, Guadagnino's obsessive messiness, and the delicate CGI'ing of a certain actor's nether region. Plus, this movie has us all nostalgic over our first loves and our first heartbreaks. Next week, Paul and Amy take a look at the 1991 film, Point Break, in honor of The Fall Guy release. Check out this week's spotlight episode from the Unspooled archives, Brokeback Mountain here: https://www.earwolf.com/episode/brokeback-mountain-2/ You can join the conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 and check out Paul's Substack https://substack.com/@paulscheerPaul's book Joyful Recollections of Trauma is on presale now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Episodic Art by Kim Troxall: https://www.unspooledart.com/Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts.

Kelsi and Trey explore the convincing cinematic power of Luca Guadagnino's Challengers. We also question the narrative's internal logic with its character studies led by dynamic performances from Zendaya, Mike Faist, and (especially) Josh O'Connor. Then we discuss what makes Guadagnino's films so compelling, from the bizarre technical motifs, the psychosexual tensions, the backdrop of historical significance, to the underdog qualities of his flawed characters. Most of his successful films blend cinematic thrills with alluring stories, and while Challengers is certainly thrilling (even hilarious in moments), we attempt to identify the unevenness of the film's narrative that held us back from loving the movie. Spoiler Deep Dive (44:05) Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Patreon link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/TheExtraCredits?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Send requests, questions, and thoughts to our email: extracreditspod@gmail.com ⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠ Instagram: ⁠@theextracredits⁠⁠⁠ Twitter: ⁠@theextracredits⁠⁠⁠ Tik Tok: ⁠The Extra Credits

Peter Spears is the Oscar-winning producer of NOMADLAND. Based on the book by Jessica Bruder, the film from Searchlight also won Academy Awards for director Chloé Zhao and star Frances McDormand, and won the Golden Globe, Critics Choice Award, BAFTA, PGA, Venice Golden Lion, and Independent Spirit Award for Best Picture. Spears produced Luca Guadagnino's film CALL ME BY YOUR NAME, based on the book by Andre Aciman, for which he was also nominated for the Oscar in 2017. The film won the Academy Award for Best Adapted Screenplay. Spears also produced the MGM feature BONES AND ALL, reuniting with Guadagnino and star Timothée Chalamet, which won the Silver Lion at the Venice Film Festival. Spears' film DRIFT, directed by Anthony Chen and starring Cynthia Erivo and Alia Shawkat, premiered at the 2023 Sundance Film Festival and will be released this fall. He is currently in post-production for the film adaptation of ON SWIFT HORSES with director Daniel Minahan, starring Daisy Edgar Jones and Jacob Elordi. The Storytellers hosted by Grace Sammon focuses on individuals who choose to leave their mark on the world through the art of story. Each episode engages guests and listeners in the story behind the story of authors, artists, reporters, and others who leave a legacy of storytelling. Applying her years of experience as an educator, entrepreneur, author, and storyteller herself, Grace brings to listeners an intimate one-on-one experience with her guests. Visit Grace at her website www.gracesammon.net. Contact Grace about being a guest on the show, email her at grace@gracesammon.net Follow Grace: On Facebook https://www.facebook.com/GraceSammonWrites/ On Instagram https://www.instagram.com/GraceSammonWrites/ On Twitter https://www.twitter.com/GSammonWrites On LinkedIn: https://www.linkedin.com/in/grace-sammon-84389153/ #TheStorytellers #Storyteller #Storytellers # Storytelling #AuhtorInterview #LetsTalkBooks #LeaveYourMark #AuthorLife #StorytellerLife #ArtofStory #AuthorTalkNetwork #BookishRoadTrip #AuthorTalkNetwork #AuthorsOnTheAirGlobalRadioNetwork #author #filmproducer #academyawardwinner #oscarwinner #oscarnominee #movies #nomadland #onswifthorses #sundancefilmfestival The Storytellers is a copyrighted work © of Grace Sammon and Authors on The Air Global Radio Network.

Gavia is joined by guest-host Claire Biddles to discuss Luca Guadagnino's beautiful romantic horror movie Bones and All (2022), about a pair of young cannibal drifters played by Taylor Russell and Timothee Chalamet. Among other topics, we covered the film's brilliant casting choices, its well-observed depiction of rural 1980s America, and Guadagnino's use of quasi-vampiric cannibalism as an allegory for outsider identity.

Luca Guadagnino's BONES AND ALL is a coming-of-age story with an unusual twist: cannibalism. Starring Timothée Chalamet and Taylor Russell, the film was adapted by writer David Kajganich from a 2015 novel by Camille DeAngelis. Kajganich had previously written adaptations for Guadagnino's "A Bigger Splash" (based on the 1969 Jacques Deray film "La Piscine") and his 2018 remake of Dario Argento's cult horror film "Suspiria." In his conversation with Adam, Kajganich talks about how his background as a novelist made him uniquely qualified for adaptation work; how to write (and how not to write) exposition; and the surprising subtext of "Bones and All" that the book's author asked him to preserve. And producer Sam Van Hallgren joins Adam for a conversation – recorded live at Iowa City FilmScene's Refocus Film Festival – about some of the best recent book-to-screen adaptations. 1:05 - Interview: David Kajganich ("Bones and All") 41:02 - Next Week / Notes 42:44 - Book-to-Screen Adaptations w/Sam Van Hallgren (Live) 1:41:55 - Outro Learn more about your ad choices. Visit megaphone.fm/adchoices