Podcasts about Daria Nicolodi

Quatro protagonistas femininas de filmes de Dario Argento serão o destaque desse episódio. Daria Nicolodi no papel da Jornalista Gianna Brezzi em Preludio Para Matar de 1975, Jessica Harper no papel da Bailarina Suzy Bannion em Suspiria de 1977, Jennifer Connelly no papel da Estudante Jennifer Corvino em Phenomena de 1985 e Cristina Marsillach no papel da Soprano Betty em Terror na Ópera de 1987.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mondogiallopodcast/⁠⁠https://www.youtube.com/@mondogiallopodcast⁠FormigaCast  - https://open.spotify.com/show/0DTLIkS03IeqEMT7LmGI3nAPOIA.se:https://apoia.se/formigaeletrica

We are joined by the incomparable Stephanie Sack, Gialloholique and Director of Chicago's Horror Film Festival, to talk about the women behind the black gloved killers in Italian cinema. Hear about the incredible lives of three women who gave so much to the world of horror and film in general- Daria Nicolodi, Nora Orlandi, and Marina Cicogna.     See the latest info on the Chicago Horror Film Festival and buy tickets at https://www.chicagohorrorfilmfest.com   Follow Stephanie on Instagram:https://www.instagram.com/voluptuousrobot?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==   Hosts: Ethan Noyes, Jamie Verwys, and Nina Yarrington   Check out unedited episodes and support our podcast at Patreon! https://www.patreon.com/BloodyEssentialsPodcast  Stay up to date on all the creepy things we are up to by following us on our social media platforms! https://linktr.ee/bloodyessentials  If you want to let us know how much we are on your mind, feel free to buy us a coffee! We will give you a shoutout on our next episode! https://www.buymeacoffee.com/bloodyessentials  Bloody Essentials Logo by: Greg Stark   Intro/Outro Music: Sweet Little Nightmare by Darren Curtis   Video Footage in Intro Courtesy of: Suspiria 1977 (20th Century Fox), Halloween 1978 (Compass International Pictures & Trancas International Films), and Scream 1996 (Paramount Pictures)

The sixth episode of our special retrospective 20th season looks back to the awesome movie year of 1975 with the second of Josh's three picks, Dario Argento's Deep Red. Directed and co-written by Dario Argento and starring David Hemmings, Daria Nicolodi, Gabriele Lavia and Macha Méril, Deep Red is considered a landmark of the giallo subgenre.The contemporary reviews quoted in this episode come from Linda Gross in The Los Angeles Times, Vincent Canby in The New York Times (https://www.nytimes.com/1976/06/10/archives/the-screendeep-red-is-a-bucket-of-axmurder-cliches.html), and Ann Guarino in the New York Daily News.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to...

A star is born tonight... Will she live to see tomorrow?Opera (also known and released as Terror at the Opera) is a 1987 Italian giallo directed and co-written by Dario Argento and starring Cristina Marsillach, Urbano Barberini, Daria Nicolodi, and Ian Charleson.The film's plot focuses on a young soprano (Marsillach) who becomes involved in a series of murders being committed inside an opera house by a masked assailant. The film features music composed and performed by Brian Eno, Claudio Simonetti, and Bill Wyman.00:00 Intro / USA Trip27:42 Horror News 33:24 What We've Been Watching46:45 Film Review1:57:52 Name Game / Giallo or Gial-no2:04:54 Film Rating2:09:40 Outrowww.horrorhangout.co.ukPodcast - https://fanlink.tv/horrorhangoutPatreon - http://www.patreon.com/horrorhangoutFacebook - http://www.facebook.com/horrorhangoutpodcastX - http:/x.com/horror_hangout_TikTok - http://www.tiktok.com/@horrorhangoutpodcastInstagram - http://www.instagram.com/horrorhangoutpodcastBen - https://x.com/ben_errington​​​Andy - https://x.com/AndyCTWritesCharley - https://www.instagram.com/charley_errington/Audio credit - Taj Eastonhttp://tajeaston.comSupport this show http://supporter.acast.com/thehorrorhangout. Hosted on Acast. See acast.com/privacy for more information.

Spooky season is upon us, which means SPOOKY MOVIES! We kick off this season with a legendary giallo: Dario Argento's 1975 film Deep Red, starring David Hemmings and the remarkable Daria Nicolodi. Murder has never been so weird.

Join us as we unveil a new spinoff series, Exposure Time, where we review new and upcoming films. Our first in this series has us diving into the life and work of the Master of Giallo, Dario Argento in Simone Scafidi's Dario Argento Panico which just premiered on Shudder.

Today on Bloodhaus, the ghouls discuss one of the most iconic giallo films of all time, Dario Argento's Deep Red (1975). From wiki: “Deep Red (Italian: Profondo rosso), also known as The Hatchet Murders, is a 1975 Italian giallo film directed by Dario Argento and co-written by Argento and Bernardino Zapponi. It stars David Hemmings as a musician who investigates a series of murders performed by a mysterious figure wearing black leather gloves. The cast also stars Daria Nicolodi, Gabriele Lavia, Macha Méril, and Clara Calamai. The film's score was composed and performed by Goblin, the first in a long-running collaboration with Argento.[1]”But also: phrogging, haunted houses, Lake Mungo, mail bag, correction for Knife + Heart, and an email about The Shape, Interview with the Vampire, Mona Lisa, The Company of Wolves, and then all about Eli Roth's Thanksgiving, 2000s remakes of 80s horror, and more!NEXT WEEK: Def by Temptation (1990) with a special guestWebsite: http://www.bloodhauspod.comTwitter: https://twitter.com/BloodhausPodInstagram: https://www.instagram.com/bloodhauspod/Email: bloodhauspod@gmail.comDrusilla's art: https://www.sisterhydedesign.com/Drusilla's Instagram: https://www.instagram.com/hydesister/Drusilla's Letterboxd: https://letterboxd.com/drew_phillips/Joshua's website: https://www.joshuaconkel.com/Joshua's Bluesky: https://bsky.app/profile/joshuaconkel.bsky.socialInstagram: https://www.instagram.com/joshua_conkel/Joshua's Letterboxd: https://letterboxd.com/joshuaconkel

It's THE MOST WONDERFUL TIME OF THE YEAR! At least that's what they tell me. We've coasted out of COMFORT FOOD and now we're full blown into the Christmas season and why not get it started with…MURDER! It's a bloody scene one Christmas Day. We see a Christmas tree. A decorated table. We hear screams. We see stabbing in the shadows. A knife falls to the floor. Children's feet step into frame. What the hell happened here? Are all Italian Christmases like this? It's time to solve some serial murders and who better than a pianist to get the job done. We're discussing Dario Argento's classic Italian slasher film “DEEP RED” from 1975 starring David Hemmings and Daria Nicolodi with proggy jams by Giorgio Gaslini & Goblin. The streets are running a very bright red. A killer is on the loose and they're very good at making mechanical dolls. Also they're playing children's music when they kill. They like to stick to a theme. It's like a Batman villain from the 40s. How does it all connect with that terrifying Christmas Day? Sit through it and then hear us tell the tale shock by shock. They're trying to kill me, yeah? Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

It's always a pleasure to watch a master at work. This week the Fried Squirms take a look at a giallo from legendary director Dario Argento when they watch TENEBRAE. Support our Patreon! www.patreon.com/FriedSquirms Listen to more Fried Squirms at www.friedsquirms.com Check out all earVVyrm podcasts at www.earvvyrm.com Email us at squirmcast@gmail.com

Felice Halloween, Amiche! It's time for your annual monster Halloween episode, and what an absolute prick of a monster this one was. A mammoth rundown of all of Dario Argento's Giallo films! (or the good ones, anyway. We stop at Opera because obviously). Enjoy!  Featuring: Lance Henriksen, a loveable blind man, a monkey with a weird butt, Donald Pleasance at his most pleasant, Daria Nicolodi, and all the Italian vocab you'll need to launch a relatively good murder spree.  More Ellen: https://twitter.com/EllenKGraham1  https://play.acast.com/s/role-to-cast  More Pauls! https://facebook.com/ogtpod https://twitter.com/ogtpod We have a Patreon! https://www.patreon.com/ogtpod – sign up for exclusive content for as little as $1 a month. Listen to Salt's show Jen and the Film Critic with OGT guest and deep friend Jen Blundell here! Like d&d? Want more Pauls? Into nerd shit AND jokes about bums? Why not check out our d&d actual play podcast, Quest Fantastic?  https://shows.acast.com/quest-fantastic link.chtbl.com/questfantastic RSS: https://feeds.acast.com/public/shows/61d8e6b335501c0012b6c367 Goodman's EP 'Future Music' is out now! Find out where you can stream and purchase here: Future Music by Run//Phase (songwhip.com)

It was the greatest evil of all. And the child was made to bear it. The child suffered and became the man. Now it will be avenged.Deep Red (Italian: Profondo rosso), also known as The Hatchet Murders, is a 1975 Italian giallo film directed by Dario Argento and co-written by Argento and Bernardino Zapponi.It stars David Hemmings as a musician who investigates a series of murders performed by a mysterious figure wearing black leather gloves. The cast also stars Daria Nicolodi, Gabriele Lavia, Macha Méril, and Clara Calamai. The film's score was composed and performed by Goblin, the first in a long-running collaboration with Argento.00:00 Intro2:40 Horror News 19:05 What We've Been Watching / Women Make Horror33:12 Film Review1:34:03 Name Game1:39:03 Film Rating1:42:33 OutroPodcast - https://podlink.to/horrorhangout​​​Patreon - https://www.patreon.com/horrorhangoutFacebook - https://www.facebook.com/horrorhangoutpodcastTwitter - https://twitter.com/horror_hangout_TikTok - https://www.tiktok.com/@horrorhangoutpodcastInstagram - https://www.instagram.com/horrorhangoutpodcast/Website - http://www.hawkandcleaver.com​​​Ben - https://twitter.com/ben_errington​​​Andy - https://twitter.com/andyctwritesSarah - https://www.instagram.com/sarahofhorrorhttps://linktr.ee/sarahofhorrorAudio credit - Taj Eastonhttp://tajeaston.comSupport this show http://supporter.acast.com/thehorrorhangout. Hosted on Acast. See acast.com/privacy for more information.

Should we have saved Suspiria (1977) for pride month? Rumor on the street is that this is a low-key lesbian film... which actually makes a lot of sense when you consider that, in a way, maybe all witch movies are. But while it doesn't actually include any footage of women kissing, Dario Argento's masterpiece is still a visual delight. Just peep all the incredible architecture and fashion! That's not to say that this flick is all (technicolor) flash, no substance. There's a lot to unpack here, which is why we asked Vannah Taylor — writer, ballerina, and fellow horror podcaster — to join us as we break down everything from the classic fairytale references to the pop culture impact. Follow Vannah Taylor on Instagram, Twitter, and TikTok at @sirendeathcult. Follow The Carnal Extremities Podcast on Twitter. Check out their new episodes weekly on Apple and Spotify.https://www.theringer.com/movies/2018/10/5/17939894/suspiria-dario-argento-luca-guadagninohttps://www.nytimes.com/2018/10/26/movies/suspiria-remake-tilda-swinton-dakota-johnson.htmlhttps://www.wired.com/story/suspiria-movie-review/https://www.mentalfloss.com/article/503550/14-unforgettable-facts-about-%E2%80%98suspiria%E2%80%99

An American woman enrolls at a prestigious dance academy in Berlin run by a coven of witches.  Directed by Luca Guadagnino. Screenplay by David Kajganich. Based on the 1977 film of the same name by Dario Argento and Daria Nicolodi. Starring Dakota Johnson, Tilda Swinton, Mia Goth, Jessica Harper and Chloë Grace Moretz. FOLLOW US ON LETTERBOXD - Zach1983 & MattCrosby Thank you so much for listening! E-mail address: greatestpod@gmail.com Please follow the show on Twitter: @GreatestPod Subscribe on Apple Podcasts / Podbean This week's recommendations: Bones and All (Amazon Prime) Let Me In (Max)

Another film that divides us. In this film about a killer obsessed with torturing an Opera singer by making her watch him kill his victims. A great idea for a film but was it executed well? Starring Cristina Marsillach, Ian Charleson, Urbano Barberini, and Daria Nicolodi. Written and directed by Dario Argento in 1987. If you would like to become a supporter of the show you can check out our Patreon page and choose a tier. There are different perks at all levels and every contributor will have access to our Pre-Horror Show. Check out our favorite coffee by clicking on our link: Four Sigmatic Please share the podcast with your friends on social media to help us grow. Leave us a great review on whatever platform you are using. Check us out on Facebook, Instagram, Twitter, and Slasher. If you would like to watch our interviews, you can check out our YouTube channel. If you would like to ask us a question or make a suggestion for the show, send us an email at horrorscriptpodcast@gmail.com You can write us or record a voice memo of yourself asking the question and we can play it on an upcoming episodeSupport the show by picking up some Horror Script Podcast merchandiseIf you do reviews and interviews virtually try Squadcast for free by using our link. You also help support the show by using it. Special thanks to John Saccardo and Vince Lipscomb for the amazing music. Support the show

(WoHos!)Sorry! We had some audio issues, but I think I got them worked out!You'll forgive the later-than-usual release of this episode. I got sidelined by a little of the mid-summer doldrums.This week Mac and I looked at TENEBRAE from Italy and YOU'RE NEXT in our detour into slashers.Next time we will be back on track discussing movies about possession with THE EXORCIST from the US (Which I think will be a first-time watch for Mac)  & THE WAILING from South Korea (Which is a " I lost the number of times I have watched" movie for us).Stuff we talked aboutI overstated the stats (Maybe? They are hard to track) or child molestation.  According to the National Center for Victims of Crime, 1 in 5 girls and 1 in 20 boys is a victim of child sexual abuse.The Instagram scholar I like a lot is Dan McClellan, on Thread at 4040915, who has a podcast called Data Over Dogma.Thanks for all your support! If you'd like to subscribe to the podcast, we will give you a shout-out on the next show (and on all the shows!)We love you, WoHos! DON'T go into the basement!--MomBAY OF BLOOD was discussed on Ep. 108PEEPING TOM was discussed on Ep. 75SLASHER S4 & DREAMHOME and LAKE BODOM  were discussed on Eps. 54 - 56INSIDE was discussed on Ep. 52SUSPIRIA was discussed on Ep. 41DIABOLIQUE was discussed on Ep. 36 Support the showInterstitial Music Works is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.https://creativecommons.org/licenses/by-nc/3.0/Theme by Charles Michel "Aqui"Interstitial MusicKumiko (edited)Coma-MediaSubscribe to the Podcast for a Special Shoutout!

(WoHos!)You'll forgive the later-than-usual release of this episode. I got sidelined by a little of the mid-summer doldrums.This week Mac and I looked at TENEBRAE from Italy and YOU'RE NEXT in our detour into slashers.Next time we will be back on track discussing movies about possession with THE EXORCIST from the US (Which I think will be a first-time watch for Mac) & THE WAILING from South Korea (Which is a " I lost the number of times I have watched" movie for us).Stuff we talked aboutI overstated the stats (Maybe? They are hard to track) or child molestation. According to the National Center for Victims of Crime, 1 in 5 girls and 1 in 20 boys is a victim of child sexual abuse.The Instagram scholar I like a lot is Dan McClellan, on Thread at 4040915, who has a podcast called Data Over Dogma.Thanks for all your support! If you'd like to subscribe to the podcast, we will give you a shout-out on the next show (and on all the shows!)We love you, WoHos! DON'T go into the basement!--Mom Support the showInterstitial Music Works is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.https://creativecommons.org/licenses/by-nc/3.0/Theme by Charles Michel "Aqui"Interstitial MusicKumiko (edited)Coma-MediaSubscribe to the Podcast for a Special Shoutout!

We continue with "The Three Mothers" trilogy. This time we are in New York City dealing with the Mother of Darkness. Will we see more death, more horror, more suspense? I sure hope so but not very surprised when we are let down. Starring Leigh McCloskey, Irene Miracle, Eleonora Giorgi, and Daria Nicolodi. Written and directed by Dario Argento in 1980. If you would like to become a supporter of the show you can check out our Patreon page and choose a tier. There are different perks at all levels and every contributor will have access to our Pre-Horror Show. Check out our favorite coffee by clicking on our link: Four Sigmatic Please share the podcast with your friends on social media to help us grow. Leave us a great review on whatever platform you are using. Check us out on Facebook, Instagram, Twitter, and Slasher. If you would like to watch our interviews, you can check out our YouTube channel. If you would like to ask us a question or make a suggestion for the show, send us an email at horrorscriptpodcast@gmail.com You can write us or record a voice memo of yourself asking the question and we can play it on an upcoming episodeSupport the show by picking up some Horror Script Podcast merchandiseIf you do reviews and interviews virtually try Squadcast for free by using our link. You also help support the show by using it. Special thanks to John Saccardo and Vince Lipscomb for the amazing music.  Support the show

This week we have a look at the 1977 film Suspiria directed by Ssario Argento. This is Episode #395!Suspiria (Latin: [sʊsˈpiːri.a]) is a 1977 Italian supernatural horror film directed by Dario Argento, who co-wrote the screenplay with Daria Nicolodi, partially based on Thomas De Quincey's 1845 essay Suspiria de Profundis. The film stars Jessica Harper as an American ballet student who transfers to a prestigious dance academy but realizes, after a series of brutal murders, that the academy is a front for a supernatural conspiracy. It also features Stefania Casini, Flavio Bucci, Miguel Bosé, Alida Valli, Udo Kier, and Joan Bennett, in her final film role.The film is the first of the trilogy Argento refers to as The Three Mothers, which also comprises Inferno (1980) and The Mother of Tears (2007). Suspiria has received a positive response from critics for its visual and stylistic flair, use of vibrant colors and its score by Argento and the progressive rock band Goblin.Suspiria was nominated for two Saturn Awards: Best Supporting Actress for Bennett in 1978, and Best DVD Classic Film Release, in 2002. It is recognised as one of the most influential films in the horror genre. It served as the inspiration for a 2018 film of the same title, directed by Luca Guadagnino.

There's still time to celebrate Giallo January! And what better way to spend it than with master of horror, Dario Argento. And we can't talk about Suspiria or The Bird with the Crystal Plumage again, can we? No, no. We covered those in our Top 10 Horror Films of the 1970s episodes. So here are three more titles, just dripping with blood red Italian horror!After witnessing the murder of a psychic, a pianist cannot shake his obsession to unravel the mystery of who was responsible, despite becoming a target himself. Get ready for arm wrestling, fiendish child artwork, a creepy animatronic doll, and a brutal, gruesome finale, in Deep Red, aka Profondo Rosso (1975)!To promote the release of his latest novel, an American author travels to Italy on a book tour, where a killer is using his work as a template in a series of ghastly murders. We hope that you don't mind a few twists along the way, because this ending is well worth the wait! Things get more than a little messy in Tenebrae (1982).And then from there, Jennifer Connelly teams up with Donald Pleasence, in the role of an entomologist, as they use Jennifer's ability to communicate with insects to uncover the identity of a mad killer in scenic Switzerland. If you thought the first two movies had enough false finishes, you have to see this ending to believe it! Time for maggot, mad ape, and monster child mayhem in Phenomena (1985)!

Today on the 5: Along with I Like Bats, I also watched Mario Bava's final film, 1977's Shock. It's a visually fantastic film with a riveting performance from Daria Nicolodi.

On this spooky season edition of Parallax Views, film historian Troy Howarth, author of such books as So Deadly, So Perverse: 50 Years of Italian Giallo Films, Assault on the System: The Nonconformist Cinema of John Carpenter, Splintered Visions: Lucio Fulci and His Films, Murder by Design: The Unsane Cinema of Dario Argento, The Haunted World of Mario Bava, and the new Make Them Die Slowly: The Kinetic Cinema of Umberto Lenzi, joins us for a wide-ranging conversation about horror movies. Among the topics covered: - How Troy got into horror through the Hammer Studios' horor movies of the late 1950s through to the 1970s. These films starred such actors as Christopher Lee and Peter Cushing and centered around classic monsters like The Mummy, Frankenstein's Monster, and Count Dracula - Why Troy doesn't like the "cheesy" description when it comes to older movies; especially when said movies are deliberately infused with comical elements - John Carpenter's Halloween and the dark side of suburbia; Carpenter's films in the context of the Vietnam War and Watergate; the rebellious nature of Carpenter's filmography - Similarities between horror and comedy as genres; the art of the jump scare; the label "elevated horror" and the problems with it - Explaining the term "Euro-Horor" and why Troy doesn't like the term "Euro-Trash" to describe such movies; the history of the Italian murder mystery aka giallo and it's relationship to film noir, whodunits, and the German krimis written by Edgar Wallace; psycho-sexual themes in the giallo; the pulp vibe in Italian gialli; the effect of WWII and fascism on Italian filmmakers like Dario Argento; the politics of Italian horror movies (are they left-wing or right-wing?); Dario Argento's latest movie Occhiali Neri (Dark Glasses) and it relevant social themes in the post-COVID era - Violence and women in the Italian giallo; the complex portrayal of women in the Italian gialli; Argento's collaborator Daria Nicolodi and her importance to films like Suspiria; accusations that Lucio Fulci's films are misogynistic; the decadence of the upper class or bourgeoisie in Italian horror movies -The jazz stylings of the controversial Spanish filmmaker Jess Franco and how living under the dictatorship of Gen. Francisco Franco influenced his films; sympathy and perversion in regards to women in Jess Franco's films - Analyzing the political subtext of Dario Argento's Profondo Rosso aka Deep Red starring David Hemmings and (slightly) futuristic Tenebrae - The ecological sentiment of Mario Bava's Twitch of the Death Nerve and Bay of Blood; the importance of Mario Bava's horror films and his giallo Blood and Black Lace; Mario Bava's Boris Karloff-starring Black Sabbath and the difference between the more subversive European cut (with sexual subtext) and the American International Pictures cut of the film; continental horror films of the mid-20th century were aimed at adults whereas many American horror films were aimed at youth and teenagers - Ruggero Deodato, the director of Cannibal Holocaust - Dario Argento's The Bird with the Crystal Plumage and the explosion of the giallo on the silver screen And much, much more!

Suspiria (1977) Movie Review - Dario Argento - Jessica Harper - Stefania Casin - Flavio Bucci - RTSSubscribe: InspiredDisorder.com/rts Binge Ad Free: InspiredDisorder.com/plus Show topic: An American newcomer to a prestigious German ballet academy comes to realize that the school is a front for something sinister amid a series of grisly murders.Director: Dario Argento Writers: Dario Argento (screenplay), Daria Nicolodi (screenplay), Thomas De Quincey (book "Suspiria de Profundis") Stars: Jessica Harper, Stefania Casini, Flavio Bucci JOIN Inspired Disorder +PLUS Today! InspiredDisorder.com/plus Membership Includes:Members only discounts and dealsRay Taylor Show AD-FREE + Bonus EpisodesLive Painting ArchiveComplete Podcast Back CatalogueRay's Personal Blog, AMA and so much MORE!Daily Podcast: Ray Taylor Show - InspiredDisorder.com/rts Daily Painting: The Many Faces - InspiredDisorder.com/tmf ALL links: InspiredDisorder.com/links

Suspiria (1977) Movie Review - Dario Argento - Jessica Harper - Stefania Casin - Flavio Bucci - RTSSubscribe: InspiredDisorder.com/rts Binge Ad Free: InspiredDisorder.com/plus Show topic: An American newcomer to a prestigious German ballet academy comes to realize that the school is a front for something sinister amid a series of grisly murders.Director: Dario Argento Writers: Dario Argento (screenplay), Daria Nicolodi (screenplay), Thomas De Quincey (book "Suspiria de Profundis") Stars: Jessica Harper, Stefania Casini, Flavio Bucci JOIN Inspired Disorder +PLUS Today! InspiredDisorder.com/plus Membership Includes:Members only discounts and dealsRay Taylor Show AD-FREE + Bonus EpisodesLive Painting ArchiveComplete Podcast Back CatalogueRay's Personal Blog, AMA and so much MORE!Daily Podcast: Ray Taylor Show - InspiredDisorder.com/rts Daily Painting: The Many Faces - InspiredDisorder.com/tmf ALL links: InspiredDisorder.com/links

Wow! The 25th episode of Bloodhaus! Six whole months! This week the duo does their first double feature: Suspiria (1977) and Suspiria (2018). But first, they talk Jordan Peele's NOPE and sexy, sexy Burt Reynolds. From Wiki: "Suspiria (Latin: [sʊsˈpiːri.a]) is a 1977 Italian supernatural horror film directed by Dario Argento, who co-wrote the screenplay with Daria Nicolodi, partially based on Thomas De Quincey's 1845 essay Suspiria de Profundis. The film stars Jessica Harper as an American ballet student who transfers to a prestigious dance academy but realizes, after a series of brutal murders, that the academy is a front for a supernatural conspiracy. It also features Stefania Casini, Flavio Bucci, Miguel Bosé, Alida Valli, Udo Kier, and Joan Bennett, in her final film role.  It is recognised as one of the most influential films in the horror genre. It served as the inspiration for a 2018 film of the same title, directed by Luca Guadagnino.Next week: The Happiness of the Katakuris with Michael Varrati!Website: http://www.bloodhauspod.com Twitter: https://twitter.com/BloodhausPodInstagram: https://www.instagram.com/bloodhauspod/Email: bloodhauspod@gmail.comDrusilla's art: https://www.sisterhydedesign.com/Drusilla's Instagram: https://www.instagram.com/hydesister/Drusilla's Letterboxd: https://letterboxd.com/drew_phillips/Joshua's website: https://www.joshuaconkel.com/Joshua's Twitter: https://twitter.com/JoshuaConkel Joshua's Instagram: https://www.instagram.com/joshua_conkel/Joshua's Letterboxd: https://letterboxd.com/joshuaconkel/

Your mind is in Suspiria. It's like the darkness is the light. Suspiria. Am I scaring you tonight? Ain't used to what you like. Suspiria. Suspiria. Bum-bum-be-dum-bum-bum-be-dum-bum. Dir. Dario Argento. Written by Argento and Daria Nicolodi. Starring Jessica Harper, Udo Kier, Joan Bennet, and Alida Valli. New episodes on the first and third Thursday every month. Email sogothicpod@gmail.com. Follow us https://letterboxd.com/thatssogothic Closing music "Gothic Guitar" by Javolenus 2014 - Licensed under Creative Commons Attribution Noncommercial (3.0)

Opera (1987) Directed by: Dario Argento Starring: Cristina Marsillach, Ian Charleson, Daria Nicolodi, Urbano Barberini, Coralina Cataldi-Tassoni, and William McNamara Genre: Giallo --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/cinema-cult-network/support

This week on the Film at Lincoln Center podcast, we're featuring a Q&A with Dario Argento on Deep Red following the world premiere of the new restoration at our retrospective, underway through June 29. The conversation was moderated by Maddie Whittle with interpretation by Michael Moore. Get tickets for our retrospective at www.filmlinc.org/argento Blow–Up's David Hemmings takes the lead in Argento's most sophisticated giallo, playing a jazz pianist who struggles to remember a vital piece of evidence after witnessing the murder of Macha Méril's German psychic. Joined by Argento's real-life partner Daria Nicolodi in the role of a plucky journalist, Hemmings embarks on a dizzying tour of Rome (with shooting locations in Turin standing in for the capital city) which, through Argento's roving, suprahuman lens, appears just as haunted and hyper-compartmentalized as the movie's tortured human protagonists. Ranked among the director's masterworks, Deep Red is supplemented by Argento's first score with Italian prog-rock band Goblin and astonishing production design by Giuseppe Bassan.

En el quinto programa de Manderley tratamos a fondo —junto a Lluís Rueda y Edna Campos— las dos versiones de SUSPIRIA. En el primer tramo del programa analizamos la película original de Dario Argento de 1977, concebida y coguionizada en colaboración con Daria Nicolodi (a quien dedicamos este programa en el que sería su 72º aniversario), y que daba inicio a la Trilogia de las Tres Madres (con INFERNO en 1980 y LA TERZA MADRE de 2007). También a una sugerente mitología que recoge la cinta de 2018 de Luca Guadagnino escrita por David Kajganich, de la que hablamos en la parte final del episodio, que usa de base esta obra de culto explotando de forma más directa sus temas y expandiéndolos con la introducción del contexto histórico y político del Berlín occidental durante los sucesos del Otoño alemán.

In honor of Pride Month, Ket tells Kim about Suspiria (2018) directed by Luca Guadagnino, also known for such LGTBQIA films as Call Me By Your Name. Ket is kicking off the month with weird jaw injuries and Kim comes out as Pansexual. They debate over what the names of Susie and Sara sound like. Most importantly, we'll learn if Kim will live or die in Suspiria.Dir. Luca GuadagninoWriters Dario Argento, Daria Nicolodi, David KajganichWhere you can donate: https://www.sandyhookpromise.org/Verified Uvalde GoFundMes: https://bit.ly/3wVAxxlVoting now for the winners of the SAMMIE AWARDS aka our 200th episode! Only on Patreon:www.patreon.com/kimandketstayalivemaybe Listen to season 1 of our new horror trivia pod!KIM AND KET'S SURVIVE THE CELLARlink.chtbl.com/kkstc KKSAM Facebook Discussion Group!!"Sammies Stay Alive... Maybe"www.facebook.com/groups/kksampodcast Get acquainted with all things KIM & KET at www.kimandketstayalive.com Chat with the girls at kksampodcast@gmail.comPeep the girls on Instagram: @kksampodcastRock with the girls on Tik Tok: @kksampodcastTwit the girls on Twitter: @kksampodcastBook the face of the girls on Facebook: @kksampodcastWear the shirts of the girls from the MERCH Store: kimandketstayalivemaybe.threadless.comSupport the girls on PATREON at: www.patreon.com/kimandketstayalivemaybeOk we'll see ourselves out.Thanks for listening!xo and #StayAlive,K&K Proud members of the Dread Podcast NetworkSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, Michael Kuciak brings us the tale of Daria Nicolodi! Daria knew from a young age she was going to be a brilliant actor and her success in Italian television led her to be cast in a film that would become a foundational masterpiece of horror cinema: Deep Red (Profondo Rosso). Her work on the film went far beyond the strong, sassy journalist she played; She also helped develop the production design, catapulting the film's success as well as the careers of her and director Dario Argento. Her stellar talent and whip smart intellect profoundly changed the horror genre, and film industry at large. — A Broad is a woman who lives by her own rules. Broads You Should Know is the podcast about the Broads who helped shape our world! 3 Ways you can help support the podcast: Write a review on iTunes Share your favorite episode on social media / tell a friend about the show! Send us an email with a broad suggestion, question, or comment at BroadsYouShouldKnow@gmail.com — Broads You Should Know is hosted by Sara Gorsky. IG: @SaraGorsky Web master / site design: www.BroadsYouShouldKnow.com — Broads You Should Know is produced by Sara Gorsky & edited by Chloe Skye

Genre Fans Joe and Katie discuss whether Dario Argento's Deep Red (1975) is "Definitely," "Kinda," or "Not Really" a giallo. YouTubeIG: @genre.fansTwitter: genre_fansMusic: "Mojo Flag (Sting Version)" by Tayler Watts (Epidemic Sound)

This week, we discuss two films from Italian horror director Dario Argento. The first is Deep Red (1975), a “Giallo” horror film which tells the story of an English musician in Italy who investigates a series of brutal murders. The score was composed and performed by the band Goblin. The second is Suspiria (1977), Argento's highly acclaimed follow-up to Deep Red, co-written with his then-wife Daria Nicolodi. The film is the first part of a trilogy alongside Inferno (1980) and The Mother of Tears (2007).   Timestamps Deep Red (00:00:55) Suspiria (00:47:40) Coin toss (01:24:00)   Links Instagram - @callitfriendopodcast @munnywales @andyjayritchie   Justwatch.com – streaming and rental links - https://www.justwatch.com David Hemmings – Happens - https://youtu.be/Nh4O5Smp750

Monica, Samantha & Greg guess the plot of movies/TV shows: Suspiria & Her. Follow us on: www.instagram.com/implotsters/ www.twitter.com/implotsters www.facebook.com/implotsters www.youtube.com/channel/UCNt0P8dGWkM1OdnhKO3pXKg TikTok @Implotsters Visit our website: www.implotsters.com

An American newcomer to a prestigious German ballet academy comes to realize that the school is a front for something sinister amid a series of grisly murders. DirectorDario Argento WritersDario Argento(screenplay) Daria Nicolodi(screenplay) Thomas De Quincey(book "Suspiria de Profundis") StarsJessica Harper Stefania Casini Flavio Bucci --- Send in a voice message: https://anchor.fm/gruesome-hertzogg/message Support this podcast: https://anchor.fm/gruesome-hertzogg/support

In the thirty-first episode of Season 4 (The Horror, The Horror) Kyle is joined by screenwriter David Gutierrez and fellow podcaster Gio Maldonado (of the Nos Tiramos de Pecho podcast) to discuss a seminal work in the maestro of Giallo Dario Argento's oeuvre, the noir-ish and bizarre serial killer film Deep Red.

The coats are donning masks and counting crows at the theatre, where the main event is Dario Argento's 1987 giallo: "Opera". Arguably one of the last great films the Italian Hitchcock devised, "Opera" is a whirlwind of a giallo that pulls out many of Argento's old tricks. Although, this film may the most ingenious and greatest kill in giallo history. Will the coats give it a standing ovation or will they be throwing rotten tomatoes at the screen?Director - Dario ArgentoStarring - Cristina Marsillach - Daria Nicolodi - Ian CharlesonIf you like the show, stab the follow button on your podcast app and write a nice 5-star review to help us grow the show!And if you want some more conspicuous content, support the show on Patreon at: https://www.patreon.com/ConspicuousTrenchcoatsCatch the Coats on:instagram https://www.instagram.com/con.coats/Facebook https://www.facebook.com/ConCoatsconcoats.buzzsprout.comGet your tickets to see your conspicuous host in the new Army of the Dead VR game at: https://armyofthedeadvr.comSpecial Thanks to:Lucas Brahme for our music https://www.lucasbrahme.comUptownStyleStudio for designing our artwork https://www.instagram.com/uptownstylestudio/Veronica Maccarihttps://www.instagram.com/iamveronicamaccari/?hl=enMichael Mackenzie (http://theses.gla.ac.uk/4730/1/2013Mackenziephd.pdf)Troy HowarthArrow VideoJ&B WhiskeyIMDBSupport the show (https://www.patreon.com/ConspicuousTrenchcoats)

Actriz, directora, escritora, cantante, y, sobre todo, salvaje y rebelde, Asia Argento nos pone muy difícil definirla con una sola etiqueta, y más si leemos sus confesiones en Anatomía de un corazón salvaje, editado en España por Applehead Team, donde, sin estilizar en ningún momento sus fracasos sentimentales, su adicción a las drogas o su relación de amor/odio con su madre (Daria Nicolodi) y con su padre (Darío Argento), expone una vida tortuosa, tremendamente intensa y con episodios puntuales de abusos en la industria del cine que en un momento determinado, cuando denunció públicamente la violación de Harvey Weinstein en la clausura de Cannes, festival en el que se produjo ese abuso, se convirtió en abanderada del movimiento #metoo. Una etiqueta más que no le hizo justicia. Libro tan demoledor como necesario, y que nos da lugar a una de las entrevistas más especiales que hemos tenido en este rincón de la galaxia, donde, con Jesús Jiménez y Víctor Gómez, repasamos algunos films de Dario Argento y nos rendiremos a los encantos musicales del Italo Disco y los de la propia Asia Argento. Escuchar audio

Você sabe alguma coisa sobre… bruxas? No RdMCast dessa semana nossa bancada presta uma perigosa visita às irmãs que criaram a arte da bruxaria. Isso mesmo, chegou o momento de conhecermos as três mães de Suspiria, Inferno e O Retorno da Maldição e suas poderosas residências! Nesse episódio viajamos por Friburgo para dar um oi para a mãe dos Suspiros, aterrissamos em Nova York para acenar (de longe) para a mãe das Trevas, paramos rapidamente em Roma para fugir da mãe das Lágrimas e finalmente terminamos em Berlim para conhecer Suspiria de Luca Guadagnino e assistir uma apresentação de dança moderna. Em meio à cores vivas, trilhas sonoras impecáveis e muito sangue, nos acompanhe nessa macabra e esperada jornada pela trilogia das três mães em que analisamos o impacto desses filmes, discutimos Dario Argento, a importância de Daria Nicolodi e é claro, o remake de 2018. Enfrente esse Mal antigo conosco e tente sair vivo desse episódio, mas lembre-se: as três mães não gostam de pessoas intrometidas. RdMCast produzido e apresentado por: Gabi Larocca, Thiago Natário e Gabriel Braga. APROVEITE O CÓDIGO DO RDM PARA GANHAR UMA AULA GRÁTIS E CONHECER O CAMBLY! O melhor jeito de aprender inglês é praticando! E o @CamblyBrasil tem a maior comunidade de tutores para você aprender e praticar inglês! Tutores nativos dos mais variados perfis e aulas particulares pra você aprender o que você quer, falando sobre o que você gosta. Utilizando o código FALAREPUBLICADOMEDO, você ganha uma aula experimental com uma duração maior do que o Cambly costuma dar, para constatar a variedade de professores disponíveis e agendar um horário com o que você achar mais legal na plataforma! Então vai lá, é super fácil, é só clicar no link, inserir seu email e senha, inserir o código FALAREPUBLICADOMEDO e pronto! https://bit.ly/3z3gIU4 * ARTE DA VITRINE: Estúdio Grim SEJA UM(A) APOIADOR(A) * Apoie o RdM a produzir mais conteúdo e ganhe recompensas exclusivas! * Acesse: https://apoia.se/rdm * Conheça a Sala dos Apoiadores: http://republicadomedo.com.br/sala-dos-apoiadores/] ESTÚDIO GRIM – Design para conteúdo digital * Portfólio: https://www.behance.net/estudiogrim * Instagram @estudiogrim * designgrim@gmail.com PODCAST EDITADO POR * Ilha Flutuante: https://www.ilhaflutuante.com.br/ CITADOS NO PROGRAMA A Trilogia das Três Mães: * Suspiria (1977) * A Mansão do Inferno (1980) * O Retorno da Maldição: A Mãe das Lágrimas (2007) Outros filmes: * The Masque of the Red Death // A Orgia da Morte (1964) * Suspiria (2018) Episódios: * RdMCast #300 – Uma breve história do cinema de horror Textos: * SHEARER, Martha. The Secret Beyond the Door: Daria Nicolodi and Suspiria's Multiple Authorship. In: ALISON PEIRSE (Ed). Women Make Horror: Filmmaking, Feminism, Genre. New Brunswick: Rutgers University Press, 2020. P. 47 – 59 OUÇA O RDMCAST NO SPOTIFY! * Acesse: https://spoti.fi/2DWoFCX GRUPO ABERTO NO TELEGRAM * Link direto: http://bit. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this episode of Killer Bs we talk about Daria Nicolodi, the woman behind Dario Argento who not only acted in many of his films but also helped write some of his more iconic films. We talk about her roles in giallo films like SHOCK, PAGANINI HORROR, DEEP RED, and INFERNO.

Joey Chris and Gabe talk about.. Suspiria is a 2018 neo-noir supernatural horror film directed by Luca Guadagnino with a screenplay by David Kajganich, inspired by the 1977 Italian film directed by Dario Argento. It stars Dakota Johnson as an American woman who enrolls at a prestigious dance academy in Berlin run by a coven of witches. Tilda Swinton co-stars in three roles, including as the company's lead choreographer and as a male psychotherapist involved in the academy. Mia Goth, Elena Fokina, and Chloë Grace Moretz appear in supporting roles as students, while Angela Winkler, Ingrid Caven, Sylvie Testud, Renée Soutendijk, and Christine LeBoutte portray some of the academy's matrons. The star of the original film, Jessica Harper, has a cameo appearance. A remake of Suspiria was first announced in 2008 after Guadagnino had acquired the rights from the original film's writers, Dario Argento and Daria Nicolodi. Guadagnino offered the film to David Gordon Green, but that project was eventually canceled due to financing conflicts. In September 2015, Guadagnino confirmed his plans to direct, describing his version as an "homage" to the original rather than a straightforward remake. A new screenplay was drafted by Kajganich, who had written Guadagnino's A Bigger Splash the year before. Kajganich set the film during the so-called "German Autumn" of 1977 in order to explore themes of generational guilt in that country during the Cold War. The film's other themes include motherhood, evil, and the dynamics of matriarchies. Unlike the original film, which used exaggerated colors, Guadagnino conceived the visuals in Suspiria as "winterish" and bleak, absent of primary colors. The film incorporates stylized dance sequences choreographed by Damien Jalet, which form part of its representation of witchcraft. Principal photography took place in late 2016 and early 2017 in Varese, Italy, and in Berlin. The musical score was composed by Radiohead singer Thom Yorke, who took inspiration from krautrock. The film is dedicated to the memories of Vogue Italia editor-in-chief Franca Sozzani, film director Jonathan Demme and Deborah Falzone. Suspiria premiered at the 75th Venice International Film Festival on September 1, 2018. It was given a limited release by Amazon Studios in Los Angeles and New York on October 26, 2018, where it grossed over $180,000 in its opening weekend, marking the highest screen-average box-office launch of the year. It was screened on October 31 in some U.S. cities before opening in wide release on November 2, 2018. It was released in Italy on January 1, 2019 by Videa. The film was a box-office failure. Critical response was polarized; some praised it for its visual elements and acting, others criticized its historical-political setting for being unnecessary or arbitrary in relation to its other themes.  

What happens when you take a razor-wielding helper monkey, a hideously deformed child, and a host of various insects, toss ‘em all in a blender, and mix? Well, you'd probably get a pretty goopy mess. But in the twisted world of Dario Argento, you get PHENOMENA! My good buddy James Garibay joins me for this examination of the classic Italian giallo. Starring Jennifer Connelly in a role she'd love to forget, Donald Pleasence, and frequent Argento collaborator Daria Nicolodi, PHENOMENA is arguably one of the best entries in this iconic filmmaker's extensive catalogue. --- Send in a voice message: https://anchor.fm/blindragepod/message

Ancora un film del 1982, ma questa volta viriamo più decisi nell'horror puro e crudo. Quello che personalmente ritengo essere probabilmente l'ultimo grande film di un Dario Argento ancora in grande forma. Una storia che, nonostante le incongruenze, le cose che non tornano e le scene un po' forzate, mantiene il ritmo fino alla fine e fa decisamente paura. Grandi interpretazioni di Anthony Franciosa, Giuliano Gemma, John Saxon, Daria Nicolodi e John Steiner, un body count altissimo, omicidi al sangue copioso, musiche immense dei Goblin e una storia che ha come protagonista uno scrittore. Avrei potuto chiedere qualcosa di più? Direi proprio di no e neanche voi.

The “Cinephile Cuties” are ready to investigate a murder. That’s because they’re chatting about Dario Argento’s Deep Red. And they are joined by a (kind of) Giallo expert, writer, and host of Full Court Chat with Dave Schilling - Dave Schilling! Patrick also tries to impress everybody with his knowledge of Italian prog-rockers, Goblin. And Casey may have prematurely asserted that former San Francisco Giants manager Bruce Bochy is dead. In addition to that, they put Deep Red through their proprietary “Fartsy Test.” Patrick recommends a drink pairing. And they give each other notes to improve the show. Listen in to see if it’s working!  If you like this show, tell a friend!If you’d like to sponsor the show, Venmo Patrick at Patrick-Mallon$10 for episode sponsorship$25 for sponsorship AND the boys will imbibe a drink of your choosing.Follow Farthouse on Twitter and InstagramFollow Patrick and Casey and Dave on TwitterAnd follow Patrick and Casey and on Letterboxd

LAS TRES MADRESEs una trilogía de películas de terror sobrenaturales dirigidas por Dario Argento.Se compone de Suspiria (1977), Inferno (1982) y The Mother Of Tears (2007).Cada película trata sobre una de las madres, un triunvirato de brujas antiguas y malvadas cuya magia permite manipular eventos mundiales como caos, violencia, suicidios y asesinatos.Mater Suspiriorum (en una academia de danza en Alemania)Mater Tenebrarum (en un edificio de departamentos en Nueva York)Mater Lachrymarum (en el Palacio Varelli en Roma).ORIGENLos origines de las tres madres de Dario Argento son literarios, concretamente están en los ensayos de Thomas DeQuincey.El texto que mas influyó a Argento fue “De Levana y nuestras señoras del dolor” en el que DeQuincey visualiza a la diosa romana del nacimiento, Levana, y a tres acompañantes, las Tres Madres.Argento penso que esto podría ser perfecto como transfondo para una película, basada en una experiencia real que le había contado su abuela, que se fue de una academia alemana porque estaba convencida de que había brujas.Estas representaciones de la triada, siempre ha aparecido en varias culturas y obras de arte, como el cuadro del pintor Rubens llamado Las Tres Gracias que representa a las hijas de Zeus: Aglaya, Talia y Eufrósine, tambien estan las tres brujas de Macbeth de Shakespeare o la Diosa de la mitología Griega Hecate que se representa de forma triple y se le asocia con magia y brujería y que todos los grandes magos y hechiceros mitológicos eran descendientes suyos.Tomas De QuinceyEscritor y poeta adicto al opio, vivió de 1785-1859. Escribió un poema en prosa que incluía Suspiria de Profundis la cual es una secuela de su libro Confesiones de un inglés comedor de opio. Primero describe el rol de Levana, diosa de los recién nacidos en la religión romana, seguido por conjeturas sobre el duelo y el crecimiento de los niños. Ahí es donde vislumbra a las tres mujeres: Las penas, quienes maldicen a la humanidad con depresión, duelo y desesperanza. Se refiere a ellas como las abstracciones poderosas que se encarnan ne todos los sufrimientos que habitan en el corazón humano. Presenta a estas abstracciones como personificaciones vestidas de atributos de vida humanos y con funciones que apuntan a la carne. No habla porque los fantasmas de este calibre desprecian la enfermedad del lenguaje. EL ORIGEN POR ARGENTOEn la ficcion de Argento, Las Tres Madres son tres hermanas brujas que en siglo XI habitaban a las orillas del mar negro, crearon el arte de la brujería, vagaron por el mundo acumulando riquezas y poder.Ellas declaran ser la personificación de la muerte.En el siglo XIX encargaron al arquitecto Varelli diseñar y construir tres edificios que serían sus casas y que desde ahí gobernarían el mundo.Varelli escribió un libro titulado Las Tres Madres, rompiendo a lo que se le llama SILENTIUM, donde detallaba mucha información acerca de ellas y sus casas.Varelli aprendió demasiado tarde la naturaleza malvada de las madres y quiso de alguna manera alertar al mundo de ellas.Uno de los secretos revelados en su libro, son las ubicaciones y dibujos de las 3 casas:Una academia de danza en Alemana para Mater SuspuriorumUn edificio de condominios lujosos en Nueva York para Mater TenebrarumUn palacio llamado Palazzo Varelli en Roma para Mater Lachrymarum.Otro secreto revelado por Varelli fueron a lo que el llama las Tres Llaves, son unas referencias o pistas para conocer exactamente el lugar de las casas y como llegar hasta las cámaras secretas de las tres madres:En Inferno, se menciona que para descubrir los misterios de las tres madres, se debe de encontrar tres llaves.La primera llave es en el olor que rodea el lugar donde viven.La segunda llave esta escondida en los sótanos de cada una de las casas, donde hay un retrato de la madre que vive en la casa.La tercer llave es un acertijo “esta bajo de las suelas de tus zapatos”.¿QUIENES SON LAS TRES MADRES?Mater Suspiriorum - La madre de los suspirosLa primera película de la trilogía es Suspiria de 1977, y se centra en la Mater Suspiriorum, la más vieja y sabia de las tres madres.Su nombre es Helena Markos conocida como la Reina Negra.En la película, los poderes de Helena Markos son: poder ser invisible, crear ilusiones y telequinesia.En la tercer película The Mother Of Tears conocemos que la bruja blanca Elisa Mandy lucho contra Helena Markos en Alemania.El resultado de este enfrentamiento, fue la muerte de Elisa y su esposo, quedando Helena Markos muy debil y su cuerpo dañado.El padre Johannes le revela esto a Sarah Mandy y que fue derrotada por la estudiante Suzy Banion.En Suspiria Helena Markos es la directora de la escuela de ballet, pero su presencia esta oculta por su aquellarre y es encabezada por Madame Blanc.La protagonista, Suzy Banion, una estudiante de ballet de Estados Unidos poco a poco va descubriendo los horribles secretos de la academia de ballet y de la misteriosa Helena Markos, quien intenta asesinarla pero por su estado débil no puede llevarlo a cabo.Al final, Suzy apuñala en el cuello a la Madre Suspiriorum, y esto hace que su casa y su aquelarre pierdan su poder, consumiendose en el fuego.De Quincey y Mater SuspiriorumSeñora de los Suspiros, en su cabeza lleva un turbante desecho que arrastra hasta el suelo. No llora, no grita, no gime, suspira inaudible en intervalos de tiempo. Ese mete arrastrándose tímida y silenciosa, nunca grita, ni desafía, no sueña en aspiraciones rebeliosas. Es humilde ante la abyección. Suya es la docilidad que le pertenece a los desesperanzados. Sus ojos, si llegasen a ser vistos, no serían dulces ni discretos, ningún hombre podría leerles su historia. Estarán llenos de sueños perecederos y con choques de un delirio olvidado. Murmura mientras duerme, murmura hacia ella misma en la oscuridad, murmura en lugares solitarios desolados como ella, quien está desolada, en ciudades arruinadas, y cuando se va el sol.Esto podría representar a la desesperación que siente cualquier persona sin amor, defraudada, cuaquier cautivo en una cárcel, aquél traicionado o marginado, los hijos con males hereditarios - todos ellos caminan con nuestra madre supiriorum. Carga una llave pero la utiliza poco, pues sus súbditos habitan en lugares remotos, sin casa, son vagabundos.Mater Tenebrarum - La madre de la oscuridadEs la mas joven y cruel de las tres madres, ella hace su aparición en la segunda entrega de la trilogia, en Inferno de 1982.Su verdadero nombre nunca es revelado.Ella vive en un lujoso edificio de departamentos en Nueva York bajo la identidad de una enfermera que cuida al profesor Arnold, quien no es nada mas ni nada menos que el arquitecto Varelli, muy viejo y enfermo.Al inicio de la película, una estudiante de poesía llamada Rose Elliot descubre el libro Las Tres Madres que escribió Varelli y se empieza a interesar por todo lo que se menciona en el libro, llegando a conocer que el edificio donde vive es la casa de Mater Tenebrarum.Escribe una carta a su hermano Mark quien vive en Roma Italia, para que lo visite, poco a poco empieza a notar sobre las tres llaves, el olor, el sótano con el retrato de la madre quien vive en ese lugar pero sin lograr descifrar la tercer llave.Mark es quien logra descifrar el acertijo y llegar hasta los aposentos de Mater Tenebrarum, quien resignada sobre su destino, se materializa en la muerte y es consumida por el fuego, al igual que sucedió con su hermana Helena Markos.En esta película hace su aparición Mater Lachrymarum como una estudiante de música quien trata de hechizar a Mark.De Quincey y Mater TenebrarumLa madre Tenebrarum, la más jóven de las tres... shhh! susurra si es que vas a hablar sobre ella. Su reinado no es grande, o de otra forma ninguna carne sobreviviría ahí, pero en ese reino, todo su poder manda. Las raíces de su poder yacen profundo, hasta donde le alcanza la vista, pero su nación es pequeña. Sus ojos, pueden esconderse en la distancia, pero siendo lo que son, no pueden esconderse detrás del velo que le cubre la cabeza, la luz feroz de una miseria arroyante, que no descansa ni de día ni de noche. Es quien desafía a Dios. Es la madre de lo lunático, la que sugestiona al suicidio. Ella puede acercárcele solo a aquellos de naturaleza profunda levantados por convuleciones, donde el corazon tiembra y el cerebro se mese sobre conspiraciones de tempestad, no desde afuera de esta, sino desde adentro. Se mueve con movimiento incalculable, limitante y con brincos atigrados. Ella no carga ninguna llave, ya que se acerca rara vez a los hombres, sino que atormenta todas las puertas en donde le permiten la entrada.Mater Lacrhymarum - La madre de las lagrimasEs la mas hermosa y poderosa del las tres madres. Al igual que su hermana Tenebrarum, su nombre no se menciona nunca.Se sugiere que su casa en Roma Italia puede estar ubicada cerca la Biblioteca que vimos en Inferno, cuando Sara nota un extraño olor dulce en el aire.En Mother Of Tears se revela como el Palazzo Varelli una mansion abandonada en un lugar alejado de la ciudad.En la ultima película de la trilogía es la ultima de las tres hermanas que sigue viva, pero débil y recobrando sus poderes. Su poder afecta eventos del mundo, como causar caos, violencia y asesinatos en Roma.Es despertada cuando Sarah Mandy se descubre la urna que contiene su poderosa reliquia, una tunica que le da poder.Ella es derrotada por Sarah Mandy, cuando descubrió su guarida secreta y quema su tunica, causando el colapso del Palazzo.Lachrymarum muere cuando un obelisco la empala.Su casa al igual que las de sus hermanas, se quema hasta los cimientos.De Quincey y Mater LachrymarumLa madre de las lágrimas, es la más vieja de todas, ella es la primera en nacer y por esto tiene el imperio más grande de todos, se le honra con el título de Madonna. Ella es lo que el día y la noche deliran y gimen, llamando a rostros desaparecidos. Se paró en Belén la noche que Herodes azotó su espada sobre las guarderías de los inocentes, cuyos pies se quedaron inmóviles por siempre. La madre lachrymarym viste una diadema en su cabeza y puede ir a otras tierras siguiendo al viento, cuando escucha el llorar de letanías o el relampageo de los órganos, y cuando se reúnen las nubes de verano. Se mueve con pasos no certeros, a veces rápido o aveces lento, pero siempre con una gracia trágica. Se desliza entre fantasmas intrusos a las cámaras de los hombres con insomnio, mujeres con insomnio y niños con insomnio utilizando el poder de las llaves. Sus ojos son dulces y sutiles, salvajes y adormecidos, por turnos. En ocasiones, ascendiendo al cielo y en otras desafiándo a los cielos. En ocasiones es una tormenta y frenética, iracunda e los más altos cielos y demandando a sus niños. Se reúsa ser recomfortada. Carga todas las llaves, puede entrar a cualquier casa o palacio.Si bien esta ultima pelicula es algo floja, en mi opinion porque entre mas aparezca la bruja o algun enfrentamiento directo, pierde ese misticismo creado en Suspiria y que tambien tiene Inferno.Pero al final, Argento termino de realizar su trilogia de una manera que cumple sin alcanzar la altura que logro en las otras 2 entregas.CURIOSIDADESLa actriz Ania Perioni quien interpreto a Mater Lachrymarum en Inferno, menciono en 1985 que se estaba trabajando en el guion para la tercera entrega y que ella retomaría su papel que interpreto en Inferno, pero por causas desconocidas el proyecto no se llevo a cabo.Esto también fue declarado por Daria Nicolodi quién se sabe que co-escribio el guion de Suspiria e Inferno.Se dice que este guion fue rescatado pero que cambiaron la mayor parte del mismo y filmaron lo que se conoce como Demons 6 o El Gato Negro estrenada en 1989; una pseudo secuela de Suspiria, donde reaparece Mater Suspiriorum.Créditos:Radio Horror es producido por Caro Arriaga y Rael Aguilar.Edición por Matías Beltrando desde Destek Soporte.Música Closing Theme Hounds of Love por Dan Luscombe (Intro)Insiders por Joe Crotty (Intro)Patchwork por Patchworker f.k.a. [friendzoned] (Spoilers)Nightlong por FSM Team (Outro)★ Support this podcast on Patreon ★

INTRODUCCIONEs un director, productor y guionista italiano de cine, nacio un 7 de septiembre de 1940 en Roma Italia.Es considerado uno de los directores mas famosos del cine de terror y slashers.Su estilo como director fue influenciado por Mario Bava, Sergio Leone, Federico Fellini y Alfred Hitchcock.Aunque se cita a Mario Bava como el creador del cine Giallo, Argento fue quien popularizo el genero y lo expandió fuera de Italia.Giallo se refiere específicamente a un determinado género de suspense y terror italiano que tiene elementos de misterio o detectives.BIOGRAFIAHijo del productor de cine Salvatore Argento y de la fotógrafa y modelo Elda Luxardo.Desde muy temprana edad, Dario estuvo familiarizado con el arte y el cine esto porque su padre era productor de cine. De niño le encantaba ver películas y le decía a su papá que quería ser director de cine. Su papá le decía, entonces tienes que ver muchas películas. Llegaba a algunas 10 a 20 veces y dice que en su niñez llegó a ver alrededor de 1000 películas de tan apasioado al cine que era. A diferencia del resto de los niños, le gustaba estar solo y leer mucho. Menciona que la obra de Shakespeare y de Edgar Alan Poe a quien se refiere como una gran influencia en el horror.“Cuando voy al cine, vivo en una dimension de sueños” - Dario Argento.Después de salir de la escuela, se iba al estudio de su Madre, la cual fotografiaba modelos constantemente. Estaba acostumbrado a ver a las modelos trabajar así como las fotos. En particular, Argento menciona como le impactaban las caras de las mujeres y dice que el cree que por eso se siente muy cómodo filmandoles el rostro, sabe que ángulo, que partes mostrar, en parte por esta experiencia.Empezo su carrera como critico de cine, no entro a la universidad eligiendo escribir para el diario Paese Sera.Mientras trabajaba, comenzó a escribir guiones, uno de sus trabajos mas notables fue la colaboración con Bernardo Bertulocci escribiendo la historia (Last Tango In Paris) para la película Once Upon A Time In The West del director Sergio Leone. Sergio Leone le llamó y basado en recomendación fue que le invitó. Debido a esta contribución, fue que se dio a conocer con la gran distribuidora Titanus y reconocido por Gofredo Lombardo. Él le pedió a Argento que trabajara en el guión para la que sería su primer película como director. Argento decía que sus películas venían en parte de sus pesadillas y que eso es lo que hace a un director interesante. Sus películas era como ir la mundo de los sueños... de la más terrible pesadilla.¿POR QUÉ ERAN EXITOSAS LAS PELÍCULAS?Las películas que eran muy controversiales polarizaban a la audiencia, o la amaban o la odiaban. Son percibidas como excesivamente visuales y giros de tuerca de género poco convencionales que iban en contra de lo que en esa época era considerado como normal.. Son notables por el elaborado uso de la cámara, la iluminación y la música Buscaba que los actores fueran solo una parte adicional de la obra y no el centro Además de la aparición de violencia sexual Llevar al límite la violencia Realizaba tomas largas y alocadas, secuencias por diferentes zonas que requerían grúas, dollys con libre movimiento de la camara en dos ejes. PRIMER FILM Y EXITOEn 1970 realiza su primer largometraje, The Bird With The Crystal Plumage, con ayuda de su padre como productor y fue todo un exito. Esta cinta  iniciaría la trilogía de Animales. Su primer película fue de cine Giallo Se le reconoce el que pueda manipular las expectativas de la audiencia y además expande las características de quién puede ser una persona psicópata. The Cat With Nine Tails en 1971 y 4 Flies On A Grey Velvet en 1972. Críticos americanos decían que en estas películas se desviaba mucho de la lógica y se iba mucho a la fantasía, esto porque era de detectives también y no eran buenos deduciendo. Repitió el patrón de The Bird with the Crystal Pumage. En la de 4 flies, se va hacia un héroe/detective que no puede usar el juicio crítico y moral por conflictos de intereses sino que también tiene un fin trágico. Se le acusó de aún más fantasioso porque como detective les faltaba el punch. Estas dos películas recibieron críticas mixtas, por un lado eran hechas muy "rápido" y por otro, mezclaban el arte con el cine. Esto viene de la necesidad de apuntarle a una audienci amuy amplia, por un lado tenía que gustarle a la gente sofisticada y también a aquellos que vivían en zonas rurales, esto porque estaba en la época de post guerra. Entonces tanto gente que le interesaban temas psicothrillers iban a obtener su parte del pastel, así como aquellos otros que querían algo más viceral, gore, sin tener que pensar mucho. Este tipo de películas también son conocidas ocmo electrocardiogramas, porque ofrece diferentes emociones a diferentes audiencias. Como critico de cine, sabia que como director, tendria que enfocarse en imágenes, es por eso que sus películas se centran en secuencias donde la iluminación, los colores y el movimiento de la cámara, utilizando técnicas innovadoras y la violencia serian su sello distintivo.En 1975 rueda Profundo Rosso, cinta de terror que le da el status de cineasta violento, por sus escenas demasiado gráficas y llenas de sangre.Durante la grabación de esta película, conoce a la actriz Daria Nicolodi, con la que iniciaría una relación y seria parte fundamental en el éxito de Dario Argento. en esta película se vuelve mas teatral, con tomas muy largas introduce puntos de vista ambiguos contrastes muy fuertes en lo visual y el sonido LA RELACION CON DARIA NICOLODIDe su relación, nació Asia Argento, quien al igual que su madre, trabajaría en muchas películas de Dario Argento.Daria Nicolodi ayudo mucho a Dario desarrollarse mas como director y sin ella no hubiera existido Suspiria.Hay cierto simbolismo en su relación, en sus películas por lo general era asesinada de las maneras más horribles.Su hija Asia, cree que su abuela fue muy dura con él durante su niñez y que cierta violencia mostrada en sus películas hacia las mujeres es un exorcismo para su padre derivado de esta relación.También dice que es muy bizarro que su padre haya asesinado a su madre muchas veces en sus películas y que a ella la haya violado en una de sus películas.CINE SOBRENATURALEn 1977 estrena Suspira, cinta que se convertiría en un éxito internacional, una obra maestra del cine de horror, abriendo la trilogía de las 3 Madres."Suspiria es una de las mejores películas de horror de todos los tiempos, es terrorífica, es como estar atrapado en una pesadilla" - John Carpenter.Tres antiguas brujas que vivían en tres ciudades modernas diferentes: Rome, NY y Freiburg, Germany. Mater Suspiriorum, Mater Tenebrarum y Mater Lachrymarum.Muchos citan a Suspiria como el mejor trabajo de Dario Argento.Otro elemento fundamental para el éxito de las películas de Argento fue la música compuesta por el grupo italiano Goblin, liderados por Claudio Simonetti.DAWN OF THE DEADEn 1978 participó en la película Dawn Of The Dead de George A. Romero.Romero y el productor Richard Rubinstein no encontraban financiación para el proyecto, de forma casual Dario Argento decidió ayudarlos, comprometiéndose a financiar la película a cambio de los derechos de distribución en Europa.La cinta fue nombrada como Zombie y le hizo unos ligeros cambios, editándo las escenas mas violentas para que no fuera baneada en Europa, reduciendo el tiempo de duración original y agregando música de Goblin.En 1979 continua con Inferno y en 1983 Tenebre. El se encargó de trabajar en el score de Inferno buscando mostrar los sonidos más terribles. En el caso de Ténebre, dice que a comparación de las películas anteriores, es muy iluminada, porque representa al alma, en lo más profundo de nuestro ser, donde tenemos el alma como algo claro también existe lo terrible y lo más oscuro del ser humano, lo feroz y sanguinario. Pensó en hacer una fiesta extraña colorida. Despues de 2 años de inactividad en 1985 regresa con la cinta Phenomena, película de horror sobrenatural, es descrita como un siniestro cuento de hadas. Incluyó 450 efectos especiales. Dice que se siente feliz por la cinta pero al mismo tiempo sentía mucha tristeza cuando empezó a hacerlo porque no creía que iba a poder lograrla. Tenían miles de luces de muchos tamaños, de Japón, usa, grúa para tomas aereas sobre el bosque que daban la atmósfera de cabaña desolada. Usaron insectos reales con la ayuda de entomólogos que sabían cómo manipularlos: los dormían, les removían el aguijón a las abejas sin dañarles los órganos internos - hay que recordar que las abejas al picar cuando dejal el aguijón exponen sus organos internos y mueren - le ponían un hilo de nylon para poder controlarlo en la escena. La idea le vino un año antes, en la radio escuchó que en USA hubo un homicidio que la policía descubrió gracias a la ayuda de insectos, las moscas, que delataron el cuerpo. Esto creo una admiración por los insectos y eventualmente se creó Phenomena. 6 millones de moscas fueron utilizadas en la filmación de la película. Argento había tomado unas vacaciones en Suiza, y quedo sorprendido por los paisajes alpinos. Al mismo tiempo leyó un articulo sobre el estudio de como los insectos eran usados a la hora de determinar las circunstancias de un crimen.Con actores como Donald Pleascence recomendado por John Carpenter quien era admirador del trabajo de Argento y Jennifer Connelly recomendada por Sergio Leone.Trabajo tambien como escritor y productor para varias otras películas como Demons y The Church.ETAPA POST OPERAEn 1987 estrena la película Opera que fue mal recibida por los seguidores y críticos, ademas que en ese momento el padre de Dario Argento fallece.También los problemas durante el rodaje, los constantes problemas con su pareja Daria Nicolodi, hicieron de Opera la peor experiencia de Argento.Esta película para muchos, es considerada el declive del genero de horror Italiano.En 1990 colabora de nuevo con Romero para la adaptación de 2 cuentos de Edgar Allan Poe, Two Evil Eyes.En 1993 realiza Trauma, donde la protagonista es su hija Asia Argento.Pero los críticos ya no lo veían de buena manera y poco a poco empezó a realizar menos películas.Participa en la serie Masters Of Horror con 2 capitulo: Jennifer (2005) y Pieles (2006)En 2007 pudo concluir la trilogía de las 3 madres, estrenando Mother Of Tears.A lo largo de los años, ha declarado que le da mas interes a la apariencia de la película que a la actuación, esto es porque cree que algunos actores son egoístas, son una parte de la película y que se olvidan dee esa interacción con la ambientación, iluminación etc. y que le cuesta superarlo.El éxito de sus películas al igual que la de John Carpenter, es que tiene el control total de la producción.No tiene la presión de los ejecutivos para que le esten cambiando su idea original si algo no les gusta.Dario Argento hoy en dia es un director reconocido y famoso porque nadie hace lo que el hizo, su genero ya casi desaparece.En una entrevista para el documental World of horror Argento dice que sabe perfectamente la razón por la cual hace cine. Los artistas todos tienen un motivo, fama, dinero, poder... pero él, su único motivo es ser amado. Hace cine para ser amado.El homicidio es sus películas dice que es importante y bello muy bellos, escandaloso, ver la sangre la representa como una fiesta de cosas, de cómo será el punto de vista, la cámara, la sangre y su creatividad explota.Créditos:Radio Horror es producido por Caro Arriaga y Rael Aguilar.Edición por Matías Beltrando desde Destek Soporte.Música Closing Theme Hounds of Love por Dan Luscombe (Intro)Insiders por Joe Crotty (Intro)Patchwork por Patchworker f.k.a. [friendzoned] (Spoilers)Nightlong por FSM Team (Outro)★ Support this podcast on Patreon ★

For Episode 450 we spent the entire episode with our friend, and one of our favorite working filmmakers, Kurando Mitsutake! We get the scoop on his upcoming Japanese Giallo film Maniac Driver, we have the world premiere of the opening theme to the film, and we even get a glimpse into the future of his next film. Plus, Kurando joins us for a special discussion of the classic flick Tenebrae, from maestro Dario Argento! There is plenty of Giallo talk, Kurando does a round of Q&A with listener questions, and we put our pocket change together in an attempt to fund his next film! So grab your black gloves, show off your disarming arterial artwork with a Lone Wolf and Cub amount of blood, and strap on for the world’s most dangerous podcast!Stuff we talk about: Kurando Mitsutake, Age of Samurai, Hayate, Netflix, Karate Kill, Chinese Kung Fu, Tae Kwon Do, what has Kurando been up to?, Gun Woman, Samurai Avenger, making films during a pandemic, abandoning a film, Ares’ Security, Japanese Studio films, Battle Royale, Japan is 5 years behind America, Japanese video stores, Stranger Things, American Beer, Cobra Kai, Cobra, Stallone, Robocop, cult groups, Tango and Cash, Tokyo Shock, Tokyo Gore Police, Nikkatsu, Sushi Typhoon, Machine Girl, world premiere of the opening theme from Maniac Driver, Pinku eiga, shooting a film in 4.5 days, falling asleep on set, Japanese Giallo, sexual deviation murder mystery, social commentary in horror, Tenebre, Dario Argento, John Wick 3, Goblin meets Tangerine Dream, John Carpenter, John Saxon, Daria Nicolodi, Asia Argento, Scarlet Diva, style vs substance, Suspiria, Nunsploitation, Two Evil Eyes, Masters of Horror, Italian film industry, Lamberto Bava, what happens to the film industry in a post-COVID world?, Spaghetti Westerns, Giuliano Gemma, Samurai films, Yojimbo, Sergio Leone, Fulci’s Zombi, Arnold Schwarzenegger, international stars doing Japanese commercials, Charles Bronson, Tommy Lee Jones, JCVD, Brian de Palma, Dressed to Kill, Shogun Assassin, Giallo Mark Hamill, that dog was a dick, Monstermania, Edgar Allan Poe, the benefit of an amazing stunt coordinator, Devilman, Go Nagai, WW2 Movies, remakes, Uncommon Valor, Robert Stack, Monsters Don’t Get to Cry, David Bowie, Scorpions, Ennio Morricone, Ugly Betty, SAG, George Takei, kissing Vanessa Williams, Takashi Miike, Sukiyaki Western Django, Mario Bava, Blood and Black Lace, Bird With the Crystal Plumage, black gloved killers, Torso, Lizard in a Woman’s Skin, Profondo Rosso, Sergio Martino, TVCU, Don’t Torture a Duckling, Stage Fright, Don’t Look Now, What Have You Done to Solange, Kwaidan, Masaki Kobayashi, Paul Verhoeven, The Real MCU, Disarming Arterial Artwork, and A Lone Wolf and Cub Amount of Blood.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: https://discord.gg/ETE79ZkSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioSupport the show (https://www.patreon.com/trickortreatradio)

Flesh Wound Horror is back w/ another round in the There’s Always Room For Giallo Elimination Tournament. Entering the battle is Dario Argento’s masterpiece of ocular mutilation, OPERA, featuring real life loves, Daria Nicolodi, and Coralina Cataldi-Tassoni. Support us for exclusive and uncensored content at patreon.com/fleshwoundfeatures, check out fleshwoundfeatures.com, https://twitter.com/FleshWoundRadio, join the Horror Cartel Flesh Wound Radio Facebook group, and like the Flesh Wound Features FB page. https://www.youtube.com/watch?v=CxsJjYQ2Tz4

“Marco!” How many of you responded with, “Polo?” Join your faithful Grue Crew – Doc Rotten, Chad Hunt, Bill Mulligan, and Jeff Mohr – as they have a nice visit with Mario Bava and Daria Nicolodi in Shock (1977), where nobody says, “Polo.” Decades of Horror 1970sEpisode 133 – Shock (1977) Join the Crew on […]