Podcast appearances and mentions of Jonathan Demme

Join us for a very special episode of Kill Streak. What happens when a plucky, headstrong podcaster accidentally deletes his half of a 90 min long podcast about Jonathan Demme's THE SILENCE OF THE LAMBS? He uses his brains and brawn to whip up the best damn episode about the making of SILENCE that he can muster. Fear not, part 2 will be releasing later this weekend.

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between.  Today we discuss perhaps the most likeable movie star alive: Goldie Hawn! Our B-Sides include: Butterflies Are Free, The Duchess and the Dirtwater Fox, Seems Like Old Times, and Deceived. Our guest today is dear friend Jen Johans, host of the superb Watch With Jen Podcast! We chat about Goldie's hot start on Rowan & Martin's Laugh-In and the early Oscar she won for her dynamic, engaging performance in Cactus Flower. It was her first film role and she was still on Laugh-In! Hawn quickly became a commercially-friendly representation of the counterculture movement, as evidenced in Butterflies Are Free. There's debate about Goldie on the production of Jonathan Demme's ultimately troubled Swing Shift (though she did officially meet Kurt Russell on set, so a huge silver lining!) and how much it hurt her reputation. We celebrate the TV Specials, how Goldie Hawn is her given name, and her autobiography.  We enjoy the absurdities of Deceived, posit that maybe Protocol was a proto-Ishtar, and admire the shagginess of the stars in 1970s movies. There's mention of Goldie's 1972 album! Her charity comes up! How huge of a star Neil Simon was in the ‘70s and ‘80s comes up! There's a lot to chew on in this episode. Enjoy!

Hosts Josh and Jamie and special guest programmer Marc Basque (Hear Me Out!) discuss a Jonathan Demme double feature of his colorful and musical screwball rom-com crime-thriller road movie SOMETHING WILD (1986) + his screen adaptation Spalding Gray's hilariously personal yet politically harrowing minimalist one-man-show monologue SWIMMING TO CAMBODIA (1987). Next week's episode is a patron-exclusive bonus episode on WAR OF THE WORLDS (1953) and WAR OF THE WOLRDS (2005), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-16:57 SOMETHING WILD // 16:57-1:22:28 SWIMMING TO CAMBODIA // 1:22:28-2:15:24 Outro // 2:15:24-2:18:42 GET YOUR TICKETS TO BLACKHAT ON JUNE 8: https://paradiseonbloor.com/movies/blackhat-directors-cut/ FOLLOW MARC: https://letterboxd.com/wasteoftaste/ https://www.instagram.com/hearmeoutparadise/ NEW SLEAZOIDS SHIRT + HAT: https://blackbeltcinema.ca/search?q=sleazoids&options%5Bprefix%5D=last WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

Moviewallas is on YouTube! Welcome back to Moviewallas, your weekly dose of film reviews, movie news, and general banter – in theatres, on streaming, or in the back of an airplane. This week, Joe, Rashmi, and Yazdi keep things focused with two very Anne Hathaway-heavy releases: David Lowery's strange and ambitious Mother Mary and the long-awaited sequel The Devil Wears Prada 2. Streaming Picks – Anne Hathaway Edition WeCrashed – Apple TV+ / Peacock Rashmi recommends this limited series about Adam and Rebekah Neumann and the rise and fall of WeWork, with Anne Hathaway giving a standout performance as Rebekah. Rachel Getting Married Yazdi picks one of Hathaway's boldest performances – Jonathan Demme's raw, intimate family drama about addiction, grief, and a wedding weekend on the verge of implosion. The Dark Knight Rises / Interstellar Joe goes full Nolan, spotlighting Hathaway's sharp, playful turn as Selina Kyle in The Dark Knight Rises, while also giving a nod to her strong work in Interstellar. Mother Mary David Lowery's latest is a strange, gorgeous, deeply abstract two-hander starring Anne Hathaway and Michaela Coel. Yazdi was the only one to see it, and he makes the case for its committed weirdness, its A24 boldness, and Hathaway's fearless performance as a pop star on the edge of a comeback. Not for everyone – but absolutely for viewers who like their cinema ambitious, metaphorical, and beautifully shot. The Devil Wears Prada 2 Twenty years after the original, Meryl Streep, Anne Hathaway, Emily Blunt, and Stanley Tucci return to the world of Runway. The team debates whether this sequel earns its return, whether nostalgia is enough, and why the original remains such a classic. Glossy, fashionable, fun, and a little too lightweight, this one still offers the pleasure of spending time with old friends. Like, comment, and subscribe if you enjoy smart, spoiler-light film discussions with strong opinions, movie love, and the occasional tea-fueled tangent. Hosted by: Joe, Rashmi & Yazdi Watch on YouTube or wherever you get your podcasts Follow us on Instagram and Twitter: @moviewallas www.moviewallas.com Timestamps 00:00 – Start 01:26 – Anne Hathaway Streaming Picks 01:36 – WeCrashed 02:29 – Rachel Getting Married 04:13 – The Dark Knight Rises / Interstellar 06:05 – Mother Mary 14:22 – The Devil Wears Prada 2 #Moviewallas #MoviePodcast #MotherMary #TheDevilWearsPrada2 #AnneHathaway #MerylStreep #EmilyBlunt #StanleyTucci #DavidLowery #MichaelaCoel #StreamingPicks #TooManyMoviesTooLittleTime

2026 is the year of Anne Hathaway. With five films being released this year, Nick and Bella are feeling the Hathaway fever. In this episode, the duo explores some of the prolific performer's most iconic roles. We start with Anne Hathaway's first Academy Award-nominated performance in Jonathan Demme's Rachel Getting Married. Second, to commemorate the theatrical success of its sequel, we dive headfirst into the world of fashion. Anne co-stars with Meryl Streep, Stanley Tucci, and Emily Blunt in the modern classic, The Devil Wears Prada. Finally, the audience pick for this week was Anne Hathaway's breakout role in Disney's The Princess Diaries. Have you seen these films? What do you think of them? What is your favorite Anne Hathaway performance?❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can  keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

Au sommaire de cette spéciale polar et thriller : Échanges autour du coffret Alfred Hitchcock : Aux origines du suspense édité par Elephant Films ; Retour sur Trente minutes de sursis (1965) de Sidney Pollack (Rimini éditions) ; Évocation de deux sorties BubbelPop : Foxes (1980) d'Adrian Lyne et Dangereuse sous tous rapports (1986) de Jonathan Demme ; Recension de la série britannique d'Helen Walsh Sous pression (2024 – Elephant Films) ; Débat autour de The Shadow's Edge (2025) de Larry Yang avec Jackie Chan (AB Vidéo – Arcadès). Bonne écoute à toutes et tous !

A new week means new questions! Hope you have fun with these!Jonathan Demme won his first and only Oscar for directing which film?What is the only word that is also a prefix of measurement in the NATO phonetic alphabet?Which gulf gave its name to the 1990 Gulf War?A hautboy is an archaic form of what woodwind instrument?Before becoming President, George W. Bush owned which MLB Franchise?Derived from the Greek word for 'gold or gold-colored', what name is given to the the hard, protective pupal stage of a butterfly?What book upset Theodore Roosevelt so much he pushed congress to pass the Meat Inspection Act?Which action involving enzymes produces beer and cheese and is also called zymosis?Fittingly, a Boston University professor once fooled the Associated Press by inventing a fake origin of April Fools' Day, claiming which Roman emperor created a “day of jollity” after a jester named Kugel was made king for a day?Morgan Freeman has played Detective Alex cross in two movies, name them, five points for each correct answerWhat was the first game from marvel made by capcom?The Palacio Libertad and the Teatro Colón are both located in which South American capital city?How many different ways can the letter combination "-ough" be pronounced in the English language (British & American)?Which cranial nerve connects the brain with the heart, lungs, and digestive tract?In Dungeons and Dragons, a number measuring the amount of damage a creature, character, or object can take before being killed, disabled or destroyed is called what?Which former Seattle Reign FC player and former Seattle Storm WNBA player recently announced their breakup?MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!Quiz, trivia, games, pub+trivia, pub+quiz, competition, education, comedy

Send us Fan MailAfter 35 years, most things tend to degrade.  We certainly did.  But this is not the case for one of the greatest psychological horror films of all time.  Join the gang as they revisit the culinary curiosities in this amazing Jonathan Demme classic. Rural Appalachia, oversized panties, homemade Halloween masks, and a well-placed tuck are just the start. Our only regret is that we covered this movie way too early in our podcasting career.  The result was fine, but the fine-tuned listener will appreciate an extra level of horror upon hearing our early attempt at being clever podcasters.

This week Austin picks the Best Picture Winner! The Silence of the Lambs (1991) Directed by Jonathan Demme

This week, I'm joined by John Flansburgh of They Might Be Giants to look at their incredible body of music video work (481 videos and counting on their YouTube page!), and get treated to so many incredible mind-bending stories directly from the source!We discuss TMBG's track and video they made for my Hedwig covers charity album, the fascination with death and aging in their lyrics, the moment when both Johns first realized they were connecting with an audience of strangers, borrowing expensive drum machines when they started, foolish life decisions, the East Village scene of the 80s, playing on the same bills as Butthole Surfers & Steve Buscemi, Jon Spencer Blues Explosion, long-distance collaborations, the multitudes of songs written for their Dial-A-Song answering machine service, the John Updike world the band came from, having architectural dads, the pros of being ultra-prolific, the different ways they would record their songs, microtones, the children's records era for TMBG, working with their first director Adam Bernstein, TMBG being accepted by early MTV, using left-over film from Jonathan Demme movies and windup 16mm cameras for their early videos, where they got the 6ft. head props used in their stage shows, John getting music video fatigue, the parameters the band set early in their career (no solos, not a lot of intros, no fadeouts), Spike Jonze, the epic tale of TMBG playing on The Tonight Show with Doc Severson, & more.THEY MIGHT BE GIANTS:theymightbegiants.comhttps://www.youtube.com/channel/UCTZ0pVJExw6z0XjqEzchX8gREVOLUTIONS PER MOVIE: Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Join the dangerous minds of Nicholas Ybarra and Bella Efstratis as they discuss one of the 21st century's most fabulous performers, Michelle Pfeiffer.To celebrate Ms. Pfeiffer's birthday, Nick and Bella explore three wildly entertaining films from Michelle's filmography. In this episode, we discuss titillating Dangerous Liaisons, the outrageously deft The Witches of Eastwick, and the unique Jonathan Demme gem Married To The Mob.And don't worry—show producer Sonja Mereu has Pfeiffer's iconic portrayal of Catwoman covered in Sonja's Movie Minute. Our only regret is that Michelle Pfeiffer's birthday is not celebrated every month because we just can't get enough. For now, this jam-packed episode will leave you with a case of Pfeiffer Fever!*This episode contains spoilers. However, the films are over thirty years old, so don't blame us.*❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can  keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

Degens Andy S and Brandon Bombay have some fava beans and a nice Chianti before talking about the thriller masterpiece, 'The Silence of the Lambs.' Andy is the first to rub the lotion on his skin, as he recalls having to make an illegal deal with a looney guy who bred exotic moths, butterflies, and other creepy crawlies similar to Buffalo Bill. Then the boys dive into Jonathan Demme's classic that spawned countless imitators, and some truly regrettable sequels. The guys try to make sense of Hannibal Lecter's otherworldly abilities such as being able to smell as if he was part X-Men. This leads to comparing Anthony Hopkins' unforgettable turn as the cannibalistic doctor versus Brian Cox's more subdued portrayal in the '80s. Hopkins and Jodie Foster may have been bestowed with the most critical acclaim, but Ted Levine plays the actual villain in this film, and his Buffalo Bill is skin-crawlingly effective. Andy and Bombay wonder why he was never given the prestigious career that others had. Maybe it was the tuck scene that turned people off? They truly do not make them like this anyone — that refers to this box office studio smash, and this podcast. 

Dana and Tom with 5x Club member and CLP contributor Peterson W. Hill (Co-Host of the War Starts at Midnight podcast) revisit The Silence of the Lambs (1991): directed by Jonathan Demme, written by Ted Tally, cinematography by Tak Fujimoto, score by Howard Shore, Editing by Craig McKay, starring Jodie Foster, Anthony Hopkins, Scott Glenn, and Ted Levine.Plot Summary: In The Silence of the Lambs, Clarice Starling (Jodie Foster) plays a young FBI trainee assigned to interview a brilliant but dangerous imprisoned killer, Hannibal Lecter (Anthony Hopkins). As Clarice seeks insight to catch another serial murderer, Buffalo Bill (Ted Levine), she enters a tense psychological game with Lecter, who offers cryptic clues in exchange for personal revelations.As the investigation deepens, Clarice must confront both the external threat and her own past fears. Lechter's chilling intelligence and manipulation blur the line between helper and predator, building toward a suspenseful and unsettling climax.Guest:Peterson W. Hill - Co-Host of the War Starts at Midnight podcast@petersonwhill on IG, Letterboxd, and Twitter14x Previous GuestChapters:00:00 Introduction, Cast, and Background for The Silence of the Lambs05:35 Welcome Back, Peterson W. Hill07:18 Relationship(s) with The Silence of the Lambs15:03 America's Obsession with Serial Killers21:57 Plot Summary for The Silence of the Lambs22:52 What is The Silence of the Lambs About?27:28 Did You Know?29:48 First Break30:36 What's Happening with Peterson W. Hill?31:23 GMOAT HOF - April 202642:47 The Stanley Rubric - Legacy48:36 The Stanley Rubric - Impact/Significance55:01 The Stanley Rubric - Novelty01:00:58 Second Break01:01:34 In Memoriam01:09:53 The Stanley Rubric - Classicness01:22:21 The Stanley Rubric - Rewatchability01:23:18 The Stanley Rubric - Audience Score and Final Total01:27:53 Thank You to Peterson and Final Thoughts01:36:40 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, Bluesky, Threads, YouTube, or TikTok (@gmoatpodcast).For more on the original episode, go to: https://www.ronnyduncanstudios.com/post/the-silence-of-the-lambs-1991For more on the episode, go to: https://www.ronnyduncanstudios.com/post/the-silence-of-the-lambs-1991-revisit-ft-peterson-w-hillFor the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:Silence of the Lambs, film analysis, horror movies, serial killers, film history, Anthony Hopkins, Jodie Foster, psychological thriller Silence of the Lambs, film analysis, movie legacy, impact, originality, rewatchability, film critique, classic movies, film history, movie scoringRonny Duncan Studios

En este episodio de Criterio Cero nos adentramos en uno de los thrillers más influyentes y perturbadores de la historia del cine: The Silence of the Lambs. En este monográfico ponemos también sobre la mesa la novela original de Thomas Harris, analizando su obra y el contexto en el que creó a algunos de los personajes más icónicos del thriller moderno. A partir de ahí, el programa pivota sobre la adaptación cinematográfica dirigida por Jonathan Demme, comparando el libro con la película para descubrir las diferencias —pocas, pero muy interesantes— entre ambas versiones. Durante el episodio hablamos de: La producción de la película y cómo llegó a convertirse en un clásico del cine El origen literario de la historia y el universo creado por Thomas Harris Las diferencias entre la novela y el film, algunas sutiles y otras especialmente reveladoras La construcción de sus personajes, incluyendo al inolvidable Hannibal Lecter y Clarice Starling Un repaso completo a la trama, analizando cada momento clave de la película Un episodio dedicado a una obra que no solo marcó el cine de suspense de los años 90, sino que además logró algo casi imposible: convertirse en una de las pocas películas en ganar los cinco grandes premios de la Academia. ️ Participan: Álvaro Gil y Salva Vargas Este programa cuenta con la producción ejecutiva de nuestr@s mecenas, l@s grandes, l@s únicos Kamy, Lobo Columbus, Enfermera en Mordor, Javier Ramírez, La Casa del Acantilado, Shinyoru, Lestat, Kal-el__80, Cohaggen, Elena Gómez, Olgafies, José Ángel Sanz, Rudy Ayose, Ian Pérez, Ed Salas, Mario López, Miguel Ángel, People Truelove Tellers, Sergio, Cristina AR, Danilo, Arnau VF, Bichodiablo. ¿Quieres ayudarnos a seguir mejorando y creciendo? Pues tienes varias opciones para ello. Dándole Me gusta o Like a este programa. Por supuesto estando suscrito para no perderte ninguno de los próximos episodios, y ya para rematar la faena, compartiendo el podcast con tus amigos en redes sociales y hablando a todo el que te cruce en la calle de nosotros…. Y todo esto encima, GRATIS!!! Y si ya nos quieres mucho, mucho, mucho y te sobra la pasta…. Puedes hacerlo económicamente de varias formas: Apoyo en iVoox: En el botón APOYAR de nuestro canal de iVoox y desde 1,49€ al mes: https://acortar.link/emR6gd Invitándonos a una birra en Ko-Fi: por solo 2€ nos puedes apoyar en: https://ko-fi.com/criterioceropodcast Patreon: por sólo 3€ al mes en: https://patreon.com/CriterioCeroPodcast PayPal: mediante una donación a criterioceropodcast@gmail.com También nos podéis ayudar económicamente de forma indirecta si tenéis pensado suscribiros a las modalidades Premium o Plus de iVoox al hacerlo desde estos enlaces: Premium Anual: https://acortar.link/qhUhCz Premium Mensual: https://acortar.link/gbQ4mp iVoox Plus Mensual: https://acortar.link/y7SDmV Con cada rupia que nos llegue sufragamos los costes del programa al mes, invertiremos en mejorar los equipos y por supuesto, nos daremos algún que otro capricho . Las recompensas por apoyarnos se explican en nuestro blog: https://criterioceropodcast.blogspot.com/2023/08/quieres-ayudar-criterio-cero-mejorar.html También puedes hacerte con algo de merchandising de Criterio Cero. Camisetas, Sudaderas, tazas o mochilas en el siguiente enlace: https://www.latostadora.com/shop/criteriocero/?shop_trk Y Criterio Cero no acaba ya en el audio, ahora también nos tenéis en vídeo: En Twitch hacemos directos de Criterio En Serie: https://www.twitch.tv/criteriocero En YouTube: https://www.youtube.com/@criteriocero Y también puedes seguirnos en nuestras diferentes redes sociales: En Telegram en nuestro grupo: https://t.me/criteriocerogrupo En Facebook en nuestro grupo: https://www.facebook.com/groups/630098904718786 Y en la página: https://www.facebook.com/criterioceropodcast ✖️ En X (el difunto Twitter) como @criteriocero En Instagram como criterioceropodcast En TikTok como criteriocero ✉️ Para ponerte en contacto con nosotros al correo criterioceropodcast@gmail.com De paso aprovechamos para recomendaros podcasts que no debéis perderos: Hudson´s Podcast, Puede ser una charla más, Luces en el horizonte, La Catedral Atroz, La guarida del Sith, Crónicas de Nantucket, Más que cine de los 80, Fílmico, Tiempos de Videoclub, Sector Gaming , El Dátil de ET, La Casa del Acantilado, Kiosko Chispas, Just Live it, Filmotecast, La Tetera, Fuera de continuidad, Campamento Krypton, La órbita de Endor, Archivo007, El bastón de Chaplin

After a brief two-year hiatus, Simon, Mat, and Jon are back to meander in chat about three films linked in the ever-evolving grandbag chain. In this episode, we're dissecting:Last Embrace (1979): A Jonathan Demme "Hitchcock homage" that feels more like a student film with a "leathery" Roy Scheider running around after buses in some truly questionable pants. We dig into the production's secret filming at Niagara Falls and why Scheider had enough clout to swap out the leading lady at the last minute.Ishtar (1987): The legendary flop that might actually be funny for the first ten minutes. We explore Elaine May's perfectionism (including moving sand dunes with bulldozers), Dustin Hoffman's ego, and why Charles Grodin is effectively the "De Niro of Chevy Chase".All the President's Men (1976): A "synchronised masterpiece" that makes 1970s journalism feel more gripping than a high-speed chase. We praise the "textured silence" of the sound design, the neurotic accuracy of Woodward and Bernstein, and why Robert Redford is the ultimate "calculated dude".Plus, Mat provides his internal monologue of notes—featuring "Bernie Winters" as a lawyer and "Airwolf" cameos—and we ponder why Chevy Chase is universally acknowledged as a "a dick" and who are the DeNiro and Keitel of Chevy Chase's.

Editor - Tim Squyres, ACE Mike & Nick & Nick & Alice editor Tim Squyres has over three decades of experience working with directors such as Ang Lee, Robert Altman and Jonathan Demme.  But his latest film marks the first time collaborating with writer/director BenDavid Grabinski.  Together the two navigated the tonal minefield of blending action, comedy, romance and a little time travel, to deliver a raucous romp that spans multiple years in one night. Set in a highly-stylized criminal underworld, Mike & Nick & Nick & Alice follows two (or three) gangsters and the woman they love trying to survive the most dangerous night of their lives, one in which a time machine is involved. TIM SQUYRES ACE Acclaimed film editor Tim Squyres is best known for his long-standing collaboration with director Ang Lee. A graduate of Cornell University, Squyres began his career in the late 1980s and quickly distinguished himself as a precise and emotionally intuitive storyteller. His early work with Lee on The Wedding Banquet (1993) marked the beginning of a creative partnership that would span decades and include films such as Sense and Sensibility, Crouching Tiger - Hidden Dragon, Hulk, and Life of Pi. Across these projects, Squyres developed a reputation for crafting nuanced performances and guiding complex narratives with clarity, rhythm, and restraint. In addition to his work with Lee, Squyres has also collaborated with a range of influential filmmakers, including Robert Altman on Gosford Park and Jonathan Demme on Rachel Getting Married. His versatility across genres—from ensemble dramas to intimate character studies—has earned him multiple Academy Award and American Cinema Editor nominations. Visit Extreme Music for the new Extreme Music extension for Avid Media Composer Hear Tim talk about Ang Lee's Gemini Man See which Avid Media Composer is right for you Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

This week Gary and Iain review and discuss, The Silence of the Lambs (1991) by Director, Jonathan Demme. Starring, Jodie Foster, Anthony Hopkins and Scott Glenn. For more Off The Shelf Reviews: Merch: https://off-the-shelf-reviews.creator-spring.com https://www.youtube.com/channel/UChWxkAz-n2-5Nae-IDpxBZQ/join Podcasts: https://offtheshelfreviews.podbean.com/ Follow us on Twitter: https://twitter.com/@OTSReviews Youtube: https://www.youtube.com/c/OffTheShelfReviews Facebook: https://www.facebook.com/OffTheShelfReviews Support us: http://www.patreon.com/offtheshelfreviews Twitch: https://www.twitch.tv/offtheshelfreviews Discord: https://discord.gg/Dyw8ctf

Andrea Kaminski is back (and deserves some sort of award), and this time she brought her beau, Jordan VoZynda (less deserving of an attendance award, but nonetheless back for his second time on the pod). Can a Michael Mann film ever hold up to a Jonathan Demme? Is Brian Cox an actor even close to the caliber of SIR Anthony Hopkins? Who the hell is Will Graham, and why does he look so 80's? These questions, and more, answered at last.

Fava beans and Chianti all round as Mick's picked Jonathan Demme's Oscars-dominating 1991 psychological horror. Or is it a thriller? Other questions addressed include: how's Hannah feeling about Scott Glenn; does the film have feminist credentials; what's with the stereotyping, and how much ham is simply too much ham for Jen's mum Cath? Fffffffffffffff. Etc. Learn more about your ad choices. Visit megaphone.fm/adchoices

Aspiring screenwriter Max Frye wrote a spec script in film school about a straitlaced yuppie's "best worst night ever," which his agent later told him would be perfect for either Martin Scorsese or Jonathan Demme to direct. Since Scorsese was busy on another "yuppie's best worst night ever" movie, After Hours, Demme ended up getting the nod. Demme cast Jeff Daniels as the yuppie Charlie Driggs, with Melanie Griffith as the proto-Manic Pixie Dream Girl Lulu, who sweeps him up for a weekend that starts with sex and ends in terror at the hands of her jealous ex, played by Ray Liotta. This sex-comedy/thriller mashup boasts a fantastic soundtrack and character actor cameos galore, but is the fun worth the hangover? Join us as we get outside our comfort zones with Something Wild!   For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Show Music:Danger Storm by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/  

Before her new show One Butthole After Another premieres at TO Sketchfest, Toronto comic Tiyawnda stops in to talk about her fervent love for Jonathan Demme's Oscar-winning horror procedural The Silence of the Lambs, starting with her first, entirely inappropriate experience of it. Your genial host Norm Wilner promises there is not a single Chianti joke in this entire episode.

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between.  Today we celebrate one of our great Welshmen: Anthony Hopkins! Our B-Sides include When Eight Bells Toll, Juggernaut, Spotswood, and Instinct. Our guest is the great Brian Raftery, whose new book Hannibal Lecter: A Life “traces the many lives and crimes of Hannibal Lecter: his disturbing debut in Thomas Harris's 1981 novel Red Dragon; his rise to infamy in beloved films like Michael Mann's Manhunter and Jonathan Demme's Academy Award–winning The Silence of the Lambs; and his unexpected comeback in the cult-hit TV series Hannibal.”  We discuss Hopkins' iconic voice, his tumultuous early years and struggle to become a leading man. There's his honest and interesting autobiography, his incredible range, his Wales-connection to the great Richard Burton, and his incredibly practical outlook to the acting profession. Brian, Conor, and I go long on the actors that have played Hannibal, the movie Freejack, Hopkins' directorial efforts August and Slipstream, and that time Hopkins played a working man's James Bond named Phil (When Eight Bells Toll). There's love paid to Bill Forsyth, Jodie Foster, Kate Burton, and The Edge.

Join hosts Gaius and Jackson on Back To The Blockbuster as we dive deep into the iconic film 'The Silence of the Lambs' on its 35th anniversary and its 2001 sequel, Hannibal, for its 25th anniversary. Explore the psychological thriller's enduring legacy crafted by director Jonathan Demme and screenwriter Ted Tally, based on the gripping novel by Thomas Harris. Delve into the unforgettable performances of Jodie Foster as the determined Clarice Starling and Anthony Hopkins as the chilling Dr. Hannibal Lecter, alongside a stellar cast including Scott Glenn, Anthony Heald, Ted Levine, and Kasi Lemmons. Unpack the film's intricate narrative and haunting atmosphere that continues to captivate audiences decades later. In addition, we reflect on director Ridley Scott's visionary approach with Hannibal and how the source material and screenplay by David Mamet and Steven Zaillian created a much different beast from its predecessor. We revisit the performances of Julianne Moore as Clarice Starling, Gary Oldman as the grotesque Mason Verger, and Ray Liotta as the corrupt Paul Krendler, alongside returning stars Anthony Hopkins and Frankie R. Faison. Explore the darker themes and intricate character dynamics that define a much different chapter in the Hannibal Lecter saga compared to the first movie and how they measure up side by side on their respective milestone anniversaries.Where To Watch The Silence of the LambsWhere To Watch Hannibal

Juanma y Dani conversan sobre Algo salvaje, la comedia de Jonathan Demme, en un nuevo episodio de Par Impar. En este nuevo episodio de Par-Impar, el podcast de cine de Libertad Digital y esRadio, Dani Palacios y Juanma González conversan sobre Algo salvaje, la alocada comedia romántica y thriller de Jonathan Demme que protagonizaron en 1986 Melanie Griffith y Jeff Daniels. En la película, un joven y aburrido ejecutivo (Jeff Daniels) se ve enredado en una trama romántica y casi criminal tras cruzarse con una desconocida (Melanie Griffith) que le engatusa y lleva de viaje. El problema surge cuando algunas personas del pasado de ella se cruzan en su camino y amenazan con acabar con la historia de ambos...

As Mike and Chris continue to traipse through the controversial official final season of Columbo with the Shabby Detective returning to the kitchen to face off against Louis Jourdan as a snotty TV chef and food critic who uses blowfish poison to take out a victim of blackmail who was going to go public.Is the all-star cast and steady directing from Jonathan Demme enough to save the episode?Become a supporter of this podcast: https://www.spreaker.com/podcast/the-shabby-detective-yet-another-columbo-podcast--5084441/support.

In honor of the 35th anniversary of The Silence of the Lambs (1991), we're releasing special retro coverage of the film. This commissioned podcast is brought to you by the generosity of one Aaron Spaulding, thank you! Aaron wanted us to check out the 1991 mystery/thriller, "The Silence of the Lambs", directed by Jonathan Demme and starring Anthony Hopkins and Jodie Foster. It's no surprise that we're mesmerized by Hopkin's performance of the chilling yet suave and charming Dr. Hannibal Lecter, and found the film offered some smart commentary on a female breaking into a male dominated space as well. What might be to some surprise is Jim and A.Ron's relative unfamiliarity with the material, which led to some confusion in places. Hope you enjoy the podcast, I hear it pairs well with a nice Chianti. Hey there!  Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts! Join the Club! Join the discussion:  Email | Discord | Reddit | Forums Follow us: Twitch | YouTube | Twitter  |  Instagram  |  Facebook Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Adam and Josh return to Danny Boyle’s drug-addled Edinburgh for TRAINSPOTTING’s 30th anniversary, then bring Producer Sam on to unveil the 2026 nominees for the Filmspotting Pantheon. Plus, Massacre Theatre. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:01:49) Trainspotting at 30 (00:01:50-00:47:32) Filmspotting Family (00:47:33-00:52:41) Next Week / Notes (00:52:42-00:56:34) Massacre Theatre (00:56:35-01:04:43) Pantheon Nominees (01:04:44-01:48:04) Credits / New Releases (01:48:05-01:53:10) Notes/Links: -Filmspotting Pantheon https://www.filmspotting.net/pantheon Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

UNLIKELY ROMANCES Month continues with Movie #2, and we're going back 40 years for Jonathan Demme's 1986 quirky rom com Something Wild with Jeff Daniels, Melanie Griffith, and making his feature film debut, Ray Liotta. From IMDB: A free-spirited woman "kidnaps" a yuppie for a weekend of adventure. But the fun quickly takes a dangerous turn when her ex-convict husband shows up. Something WIld is currently available on Prime Video, Plex, and hoopla. (As of 2/10/2026) ENJOY! Love and Rockets, Corey and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

This week on Dads From the Crypt, we're revisiting Jonathan Demme's landmark psychological horror film The Silence of the Lambs (1991) with special guest Rachel Shatto from Zombie Grrls.We break down what makes The Silence of the Lambs one of the most important films in horror history, from Anthony Hopkins' chilling, Oscar-winning performance as Hannibal Lecter to Jodie Foster's iconic turn as Clarice Starling. The conversation explores how the film blurred the line between horror, thriller, and prestige cinema — and why it remains the only horror film to ever win Best Picture.The Dads and Rachel also dive into the ongoing controversy surrounding the film, discussing its cultural impact, gender dynamics, representation debates, and how audiences interpret it differently today than they did in 1991. We talk influence, legacy, and whether The Silence of the Lambs still holds up more than 30 years later.Follow Dads From the Crypt! Threads: @dadsfromthecryptTikTok: Dads From The Crypt-TokInstagram: @dadsfromthecrypt Patreon: https://www.patreon.com/DadsFromTheCrypt

"One thing that's really interesting to me...is that one of our great cultural critics is Stephen King... the basically the first big review of Red Dragon in the I think it was in the Washington Post in 1981, and it is not only a rave, but it is completely 100 spot on. Red Dragon is like stepping into a limousine where everything works... perfectly."In this very special bonus episode of MINHUNTER, I speak to the extremely talented journalist, author and podcaster Brian Raftery about his great new novel, HANNIBAL LECTER - A LIFE. Synopsis: Drawing from exclusive interviews and previously unseen archival materials, this one-of-its-kind biography of Hannibal Lecter documents the cannibal's journey from terrifying villain to unexpectedly adored antihero.This unique biography traces the many lives and crimes of Hannibal Lecter: his disturbing debut in Thomas Harris's 1981 novel Red Dragon; his rise to infamy in beloved films like Michael Mann's Manhunter and Jonathan Demme's Academy Award–winning The Silence of the Lambs; and his unexpected comeback in the cult-hit TV series Hannibal. It also dives into the untold life and career of Harris, the secretive bestselling author whose passion for reporting, eye for grisly detail, and connections to the FBI helped birth not only Lecter, but also the modern true-crime genre. Along the way, Hannibal Lecter: A Life documents the many ways Lecter's rise reflected America's ever-growing obsession with real-life serial killers.Featuring all-new interviews with crucial figures from Lecter's past—including actor Brian Cox, director Mann, and former FBI special agent John Douglas—Hannibal Lecter: A Life is a deeply reported, wildly entertaining look at the making of one of the most beloved bad guys of all time.About Brian Raftery Brian Raftery's work has appeared in such publications as The New York Times, Wired, GQ, and The Ringer. He's the author of Best. Movie. Year. Ever.: How 1999 Blew Up the Big Screen, and the host of multiple podcasts for the Ringer, including the acclaimed Gene & Roger. He lives in Burbank, California, with his wife and daughters, and will never eat meat again.Join our Patreon for as little as $1 a month to receive an exclusive weekly podcast and access to the OHM Discord here.ONE HEAT MINUTE PRODUCTIONSWEBSITE: ONEHEATMINUTE.COMPATREON: ONE HEAT MINUTE PRODUCTIONS PATREONTWITTER: @ONEBLAKEMINUTE & @KATIEWALSHSTX & @OHMPODSSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

After a brief hiatus for Sundance we are back to get you caught up on this week's physical media. Erik Childress and Peter Sobczynski look at a pair of enjoyable larks in the careers of John Woo and Jonathan Demme. There is the fun hangout movie that was just celebrated at the film festival where it had its premiere as well as one of the early Rolling Stones concert films. SXSW premiered one of the great twisted films about capitalistic depravity and Arrow does it justice here. There is also some twisted Dario Argento and a kid trying to hook up with Nicole Kidman. But this week is full of original films that were eventually remade including a western written by Elmore Leonard, the film which won William Hurt his Oscar, a Clark Gable film that he made twice, a dynamite thriller on a train, Charles Bronson as a cultured killer. Not but last least a classic rom-com that was remade that the guys have some very different opinions about.2:16 - Criterion (3:10 to Yuma (1957) (4K), Kiss of the Spider Woman (1985) (4K), House Party (4K), Birth (4K))31:44 - Warner Archive (Red Dust, The Narrow Margin)41:10 - Shout (Once a Thief (4K))51:14 - Vinegar Syndrome (Married to the Mob 4K, The Stendhal Syndrome 4K)1:09:33 - Arrow (Cheap Thrills)1:17:37 - Universal (Fifty Shades Trilogy 4K, Marry Me (4K))1:29:52 - Kino (Hold That Blonde, The Mechanic 4K, Sabrina (1995), The Hi-Lo Country, Let's Spend the Night Together 4K)2:09:35 – New Theatrical Titles On Blu-ray (Hung Up On a Dream: The Zombies, Blue Moon, The Thing with Feathers)2:11:41 – New Blu-ray Announcements!CLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCASTUSE COUPON “MOVIEMADNESS” TO GET 10% OFF ALL DUBBY PRODUCTSSIGN UP FOR AUDIBLEBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

Recorded at the American Film Market (AFM) in November 2025 An estranged father and daughter embark on a road trip — each hiding secret motives — but as unexpected detours and the dad's quirky caretaker draw them closer, they rediscover what it means to be a family. Sari Earl - Writer Born and raised in Brooklyn, New York, Sari was a tax attorney who worked for Delta Air Lines before a passion for writing inspired her to shift careers. She is a published author of ten books, seven under the pen name Sari Robins and three under her own name. She also wrote and helped create a documentary short. Now Sari is focused on her most personal story yet, making a film inspired by her father who lived with ALS for over twenty years. The screenplay, Do Over, is a comedy that reflects her dad's indomitable spirit, his humor, and his love of family. Do Over is the Grand Prize Winner of the Table Read My Screenplay Competition Hollywood 2025 and won Best Comedy Screenplay at the Atlanta Women's Film Festival 2025, among others. Motivated by her father's ALS, Sari helped create and co-chairs the accessibility and inclusivity committee at her Temple where she also served as Vice President of Community, led the leadership program and served on the board. Sari also served as President of the Atlanta Jewish Film Festival, the largest Jewish film festival in the world, and is a founding board member. Sari served as Vice President of Film, and Vice President of Leadership at American Jewish Committee, Atlanta, where she continues to serve on the board and is part of the Black-Jewish Coalition and community engagement efforts. Sari served on the board of a mental health non-profit and on the advisory board for an interfaith disability organization. Check out www.sariearl.com Drew Ann Rosenberg - Director Drew began her career in the arts, working in off-Broadway theatre in New York City and as a classically trained singer. She was Assistant Director on 6 Academy Award-winning films and has worked alongside such acclaimed directors as Sidney Lumet, Arthur Penn, Woody Allen, Paul Newman, Jonathan Demme, Rob Reiner, and Abel Ferrara. She's also First ADed 7 movies for HBO and multiple TV series and limited series. Drew's directorial debut, SEX AND A GIRL, aired on Showtime and Lifetime Networks. FOLLOW THE PROPHET was released theatrically. She directed second unit on THE RETURNED, STARKID, and NOW AND THEN. Drew wrote and directed the short film DAYBREAK, which received an LA Emmy. Her short film, AMY'S GIFT, won 5 awards at festivals. DADDY'S EYES, her latest short, won Best in Fest and Best Narrative Short at The Lake Placid Film Festival and the Rome Film Festival. Drew co-produced the feature NINE BULLETS, for Writer/Director Gigi Gaston, starring Lena Headey, Sam Worthington, and Barbara Hershey. Recently, Drew stepped up to direct on the limited series, American Sports Story, Gladiator for FX networks. She's currently in development on two independent features, KINGS ROAD and OUR CLASS, as well as a series derived from her short, DADDY'S EYES. www.drewrosenberg.com Cast: Rob Morrow - https://www.imdb.com/name/nm0001555/ Tu Morrow - https://www.imdb.com/name/nm2358754/ RJ Hatanaka - https://www.imdb.com/name/nm4082552/ Siena Goines - https://www.imdb.com/name/nm0324788/ Dean Cameron - https://www.imdb.com/name/nm0131541/ Maiara Walsh - https://www.imdb.com/name/nm2118666/ Oliver Blank - https://www.imdb.com/name/nm14028470/ Eric Keitel - https://www.imdb.com/name/nm3318078/ JK Anderson - Narrator

Michelle returns and the fight for justice continues!  Philadelphia (1993) Directed by Jonathan Demme

John Frankenheimer's The Manchurian Candidate  On this week's episode of WatchThis W/RickRamos, Mr. Chavez & I sit down to discuss a classic of Cold War, Political Cinema, John Frankenheimer's groundbreaking 1962 The Manchurian Candidate. Based on the 1959 novel by Richard Condon, Frankenheimer's film would captivate audiences with a paranoid and chilling story of American soldiers brain-washed by Soviet and North Korean intelligence agencies to act as hypnotized robots. There are aspects of the film that are certainly far-fetched, however the core of the story is very real and a credible warning in its depiction of national and international struggles for power. As always, Mr. Chavez & I look at the film in the broader context of the world it depicts. There is a great deal to discuss here as well as the comparison/contrast that we will undertake when we discuss Jonathan Demme's 2004 re-interpreation in our next episode. It's a fun and exciting talk concerning one of our favorite topics. Take a listen and let us know what you think. As always, we can be reached at gondoramos@yahoo.com - Our Continued Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Eva Aridjis-Fuentes, director of the fascinating documentary "Goodbye Horses: The Many Lives of Q Lazzarus,” helps us celebrate what would have been the 65th birthday of the mysterious singer, best known for her haunting track “Goodbye Horses” in Jonathan Demme's film “The Silence of the Lambs.”   Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

This week we cover Carl Franklin's 1995 Neo-Noir, Devil in a Blue Dress. We discuss the development of the film with Jonathan Demme and Denzel Washington. We also talk about the history of Black L.A. to give context to this excellent movies. We, then, discuss the plot of the movie, and describe everything we love about this movie. Finally, we end the episode with a pair of double bills for your viewing enjoyment.Thank you so much for listening! Support us at Patreon at https://www.patreon.com/DoubleBillChill Created by Spike Alkire & Jake KelleyTheme Song by Breck McGoughFollow us on Instagram: @DoubleBillChillLetterboxd: FartsDomino44

Theme is: bad sisters at weddings. Weddings and sisters: you either love them or you hate them. Luckily, we both love weddings and sisters! But sometimes sisters are behave badly at weddings. Amanda laces up her Keds for Noah Baumbach's MARGOT AT THE WEDDING (2007) and Zac learns to play the trumpet for Jonathan Demme's RACHEL GETTING MARRIED (2008) Follow Blindspotters 'cross plat': On Instagram: @blindspotterspod On Twitter: @blindspotters On Bluesky: @blindspotters On Letterboxd: Zac Pacleb, Amanda Luberto Zac's Substack: Love and Attention

EPISODE 619 - Alex R. Johnson - Brooklyn Motto A coming-of-age,  New York-centric, detective noir debutALEX R. JOHNSONJohnson's feature film TWO STEP premiered to critical acclaim at SXSW and went on to become a New York Times Critic's Pick, as well as remaining 100% Fresh on Rotten Tomatoes. His screenplay NORTHEAST KINGDOM was selected for the Black List. It was acquired by Paramount Pictures for Platinum Dunes to produce, with Johnson attached to direct. His screenplay ANY ROUGH TIMES ARE NOW BEHIND YOU was selected by the Austin Film Society's Artist Intensive lab. There, he spent three days working one-on-one with late director Jonathan Demme, an experience that was as inspiring as it was creatively life changing. He also wrote the screenplay adaptation of Ernest Tidyman's novel, BIG BUCKS, for Pascal Pictures.His debut novel, BROOKLYN MOTTO, will be released in March of 2025.Prior to writing and directing, Johnson was a seasoned NYC based commercial and documentary producer. He started his career at the legendary Maysles Films and then branched off to work with other directors, including producing the feature documentary I AM SECRETLY AN IMPORTANT MAN for filmmaker Pete Sillen. Johnson's family hails from the Andes of Ecuador. A government brat, he moved frequently but was raised mostly between New York City and the suburbs of DC. He lives and works in Brooklyn, NY..BROOKLYN MOTTO by Alex R. JohnsonFans of Richard Price, Charlie Huston, and Jonathan Lethem will love this coming-of-age New York-centric detective noir debut from esteemed filmmaker and screenwriter Alex R. Johnson. New York City, 1998. New York is changing around Nico Kelly, and he can feel more coming. A private investigator and self-proclaimed photographer, Nico is stuck in a loop of city contracts and self loathing. What little middle class there was is disappearing—long-standing factories are moving out and taking their reliable neighborhood jobs with them, and Mayor Rudy Giuliani's police force has the streets in a stranglehold. Nico spends his days looking for fraudsters while taking photos of municipal employees on disability claims. He spends his nights trying to get rid of the nagging feeling that his day job makes him a professional snitch—traversing dive bars, playing pinball, and fighting through the haze of hungover mornings and blurry evenings.Pushing thirty years old and feeling split between his American and Latin heritage, between youth and adulthood, Nico finds himself at a precipice—who is he and what should he become? When Nico witnesses and records a murder during one of his insurance fraud investigations, bodies start to turn up all around him and he's forced into solving a mystery he didn't ask to solve. Humorous, gritty, and real, Nico's search for what it means to be human takes him through the deepest and darkest parts of New York City.https://www.brooklynmotto.com/Support the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

Send us a textHay historias oscuras en las que la redención no llega… o solo llega demasiado tarde. Vidas cruzadas por la tragedia que nos dejan importantes lecciones. Hoy exploraremos varias de esas historias, un paseo oscuro y necesario por cuatro vidas marcadas por la tragedia; historias que nos dejaron himnos inmortales, aprendizajes profundos, teoremas eternos y revoluciones tecnológicas. Support the show

Sean and Amanda have an action-packed episode today following the release of Paul Thomas Anderson's ‘One Battle After Another.' They begin the show by reacting to the film's opening weekend box office performance and astounding initial critical acclaim (0:57). Then, they open up the mailbag to answer all of your questions about Paul Thomas Anderson and his new movie (13:03). Next, our mean pod guy, Adam Nayman, the author of 'Paul Thomas Anderson: Masterworks,' joins the show (but isn't very mean). He celebrates one of the most expressive action sequences ever put to film, explains why Benicio Del Toro gives an MVP-level performance, and highlights the strong influences from one of Anderson's favorite filmmakers, Jonathan Demme (1:14:01). Finally, Andy Greenwald comes on to finally tell his side of the story with regards to the time he and Amanda saw ‘The Master' together, and shares his brief thoughts on the film (1:53:37). Hosts: Sean Fennessey and Amanda Dobbins Guests: Adam Nayman and Andy Greenwald Producer: Jack Sanders This episode is sponsored by State Farm®️. A State Farm agent can help you choose the coverage you need. Like a good neighbor, State Farm is there.®️ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Original release date: September 20, 2025. Jerry Harrison is an American musician, songwriter, producer, and entrepreneur. He launched is professional career with the pironeering band The Modern Lovers, before joining the iconic new wave group Talking Heads as their keyboards and guitarist. In 2002, Jerry was inducted into the Rock And Roll Hall of Fame as a member of Talking Heads.  One of the band's most celebrated achievements is Stop Making Sense, the groundbreaking 1984 concert film directed by Jonathan Demme and excutive produced by longtime manager Gary Kurfirst. Filmed over four nights at the Pantages Theatre in Hollywood during tthe Speaking In Toungues tour, it remains a high watermark in live performance cinema. Now, Stop Making Sense is back - newly restored in 4K and returning to the theatres with a special twist: each screening features a live appearance by Jerry himself. He kicks things off with personal insight and behind-the-scenes stories followed with a live audience QandA. We had the incredible opporutnity to sit down with Jerry to talk about this exciting new tour, which just kicked off earlier this month. For show notes and more information, visit our website: www.rockandrollconfessional.rocks Talking Heads fans, please see our previous shows, one which includes a great interview with Talking Heads drummer, Chris Frantz. https://www.youtube.com/watch?v=wRo9aDR3Ay0&t=86s  

THIS IS SPINAL TAP is back in theaters for its 41st anniversary, so we're sharing our 8 From '84 review of the mock rock doc classic and - also from '84 - the Talking Heads' concert film STOP MAKING SENSE directed by Jonathan Demme. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Steve and Dana are joined by guest host Dan Kois to weigh the suitability of Materialists as a rom-com for our transactional age. In choosing between suitors played by Pedro Pascal and Chris Evans, matchmaker Dakota Johnson must choose between love and money— but is there a soul beneath all this romantic calculation? They debate. Next, they return to the depths of a billionaire-backed fiasco in the new documentary Titan: The OceanGate Submersible Disaster about the jaw-dropping 2023 submarine implosion. Finally, they remember and appreciate the life and ineffable, enduring work of pop music auteur, and Beach Boys, frontman Brian Wilson.  In the exclusive Slate Plus segment, Steve, Dana, and Dan discuss Lauren Michelle Jackson's New Yorker essay about “P.O.V.” videos and what they say about how we see the world. Want more Culture Gabfest? Subscribe to Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Culture Gabfest show page. Or, visit slate.com/cultureplus to get access wherever you listen. Endorsements: Dana - The intimate and revealing 2021 documentary about Brian Wilson, Long Promised Road.   Carl - Seeing the singular and surreal British musician Robyn Hitchcock live. And if he's not coming to city near you, catching his performance in the Jonathan Demme-directed documentary Storefront Hitchcock.   Dan -  For deeper exploration of his body of work, Brian Wilson's 1988 self-titled solo album. For an innovative portrayal of another eccentric musical genius the film Thirty Two Short Films About Glenn Gould.  Steve -  Roberto Bolaño's posthumous masterwork 2066, Netflix's new mystery thriller Dept Q, and sticking with works of art beyond their initial chapters. Learn more about your ad choices. Visit megaphone.fm/adchoices