Podcast appearances and mentions of Jonathan Demme

On this week's show, Steve and Dana are joined by guest host Dan Kois to weigh the suitability of Materialists as a rom-com for our transactional age. In choosing between suitors played by Pedro Pascal and Chris Evans, matchmaker Dakota Johnson must choose between love and money— but is there a soul beneath all this romantic calculation? They debate. Next, they return to the depths of a billionaire-backed fiasco in the new documentary Titan: The OceanGate Submersible Disaster about the jaw-dropping 2023 submarine implosion. Finally, they remember and appreciate the life and ineffable, enduring work of pop music auteur, and Beach Boys, frontman Brian Wilson.  In the exclusive Slate Plus segment, Steve, Dana, and Dan discuss Lauren Michelle Jackson's New Yorker essay about “P.O.V.” videos and what they say about how we see the world. Want more Culture Gabfest? Subscribe to Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Culture Gabfest show page. Or, visit slate.com/cultureplus to get access wherever you listen. Endorsements: Dana - The intimate and revealing 2021 documentary about Brian Wilson, Long Promised Road.   Carl - Seeing the singular and surreal British musician Robyn Hitchcock live. And if he's not coming to city near you, catching his performance in the Jonathan Demme-directed documentary Storefront Hitchcock.   Dan -  For deeper exploration of his body of work, Brian Wilson's 1988 self-titled solo album. For an innovative portrayal of another eccentric musical genius the film Thirty Two Short Films About Glenn Gould.  Steve -  Roberto Bolaño's posthumous masterwork 2066, Netflix's new mystery thriller Dept Q, and sticking with works of art beyond their initial chapters. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Steve and Dana are joined by guest host Dan Kois to weigh the suitability of Materialists as a rom-com for our transactional age. In choosing between suitors played by Pedro Pascal and Chris Evans, matchmaker Dakota Johnson must choose between love and money— but is there a soul beneath all this romantic calculation? They debate. Next, they return to the depths of a billionaire-backed fiasco in the new documentary Titan: The OceanGate Submersible Disaster about the jaw-dropping 2023 submarine implosion. Finally, they remember and appreciate the life and ineffable, enduring work of pop music auteur, and Beach Boys, frontman Brian Wilson.  In the exclusive Slate Plus segment, Steve, Dana, and Dan discuss Lauren Michelle Jackson's New Yorker essay about “P.O.V.” videos and what they say about how we see the world. Want more Culture Gabfest? Subscribe to Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Culture Gabfest show page. Or, visit slate.com/cultureplus to get access wherever you listen. Endorsements: Dana - The intimate and revealing 2021 documentary about Brian Wilson, Long Promised Road.   Carl - Seeing the singular and surreal British musician Robyn Hitchcock live. And if he's not coming to city near you, catching his performance in the Jonathan Demme-directed documentary Storefront Hitchcock.   Dan -  For deeper exploration of his body of work, Brian Wilson's 1988 self-titled solo album. For an innovative portrayal of another eccentric musical genius the film Thirty Two Short Films About Glenn Gould.  Steve -  Roberto Bolaño's posthumous masterwork 2066, Netflix's new mystery thriller Dept Q, and sticking with works of art beyond their initial chapters. Learn more about your ad choices. Visit megaphone.fm/adchoices

If you're thinking about my MAMA, it don't matter if she's black or white, ooh! In this case, we get the best of both worlds when Altmania returns to close out our final Demme / Viola screenplay collaboration, and one final another production from the Philippines. This time around, Jonathan Demme gets a story by credit, and his buddy Joe uses a pseudonym for the screenwriter. Originally called WOMEN IN CHAINS, we take a look at BLACK MAMA WHITE MAMA; a movie that is full of a lot of funny moments and is pretty tame by exploitation standards of the time. We get into Pam Grier's incredible stories of her life and acting career, that combined with exploitation genre stuff, women's empowerment, the radical attitudes of blaxploitation, Roger Corman buying up Ingmar Bergman films that get huge in the United States, Demme selling this script for $500, we gush over Sid Haig's great acting, and then we talk about this fun ass movie! Sound good??? Follow Altmania: https://altmaniapod.com The World of Robert Altman | Esteban Noel **NEW!!!** Demme Compendium Support us on Patreon: https://patreon.com/altmania

A fresh, piping hot episode of Altmania straight out of the Hot Box. We're looking at another Jonathan Demme-penned, Joe Viola-directed film from New World Pictures -  1972's THE HOT BOX. We discuss Corman's core (no pun intended) mission for filmmaking: boobs and action. The ways he allowed filmmakers to imbue exploitation films with serious, real-life stuff while attempting to gel it with that entertainment factor. We chat about the New World crew heading out to the Philippines for a bunch of productions (another of which we'll talk about next week), throwing stones at rats, corrupt governments, guns on planes. Then we talk about this funny little film, its sometimes tonal imabalances; and ultimately how, more often than not, it tends to speak on the right side of history and about violence against imperial oppression - thanks in part to Jonathan Demme at the typewriter. Follow Altmania: https://altmaniapod.com The World of Robert Altman | Esteban Noel **NEW!!!** Demme Compendium Support us on Patreon: https://patreon.com/altmania

Tom Fleischman: Cinema, Scorsese & the Art of the MixIn this immersive episode, Steve Otis Gunn chats with Oscar-winning re-recording mixer Tom Fleischman to uncover the nuanced, behind-the-scenes craft of cinematic sound. With decades of experience, Tom offers a rare glimpse into the audio side of filmmaking, where emotion is built not just through visuals, but through every carefully chosen sound.From his early days splicing tape by ear to mixing iconic films like Goodfellas, School of Rock, and The Irishman, Tom shares personal stories and surprising insights from his legendary collaborations, especially with Martin Scorsese. The conversation spans the evolution of sound editing, the intuition behind great mixes, and why sometimes the hardest thing to get right is a single vowel.Highlights include:The challenges and creativity behind mixing films such as Hugo and Gangs of New YorkWhat a re-recording mixer actually does—and why it's more grit than glamourThe mystery and magic of cataloguing forgotten sound effectsBehind-the-scenes tales from awards season, including rejection and red carpet dramaThe art of “invisible” mixing and why audio is the ultimate cinematic illusionPacked with anecdotes—like Daniel Day-Lewis bringing intensity and precision even to his ADR sessions, and Jack Nicholson's Oscar-night wisdom—this episode is a must-listen for filmmakers, sound enthusiasts, or anyone curious about how the soul of a film is often found in what we hear.

Tyler Huckabee returns to the show and the late, great Hannibal Lecter makes his Substance debut!In 1991, Jonathan Demme shocked critics and audiences alike with his sleek, stylish, unsettling, and genuinely fantastic film The Silence of the Lambs. It went on to be the third film in cinematic history to win all 5 of the big awards come Oscar season. The film won Best Picture, Demme won Best Director, screenwriter Ted Tally won Best Screenplay, and Jodie Foster & Anthony Hopkins each won Best Actor/Actress. It was a true cultural phenomenon and in the last 30 years or so, it has lost none of its power or wonder. We had a great time welcoming Tyler back for this one, one of his self-proclaimed all-time Top 10 films. In this episode we cover:The technical mastery of TSotL just as a filmThe power of perspectiveClarice & Hannibal's unique relationshipHow the film's bold feminism is key to its strengthBuffalo Bill and his "deadly sin"And much more!We hope you enjoy and if you do, please consider rating/reviewing the show and sharing it with your friends!Substantive Cinema Episode ListShoutouts:Lonesome Dove by Larry McMurtryRaiders of the Lost ArkBlack BagO Pagador de PromessasWatchmenFollow Tyler:BlueSkyInstagramSojourners"Sin of Empathy" ReviewSubstackFollow Us:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Philip's Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BlueSkyShare Your Questions/Suggestions/Feedback With Us:Email: thesubstancepod@gmail.comDM on InstagramSupport Us: Support the show with an individual donation on CashApp to $TheSubstancePod or become a monthly Patreon supporter at patreon.com/TheSubstancePod

We're soooo back, folks - it's time to kick off the Demme deep-dive! We re-introduce ourselves and talk about one cool thing we've both been up to, before officially kicking off our new series on the life, times, and art of one JONATHAN DEMME. We talk about his early upbringing in Long Island, NY - his immediate love for cinema and writing, his father's work as a writer, his mother's encouragement to log his films in diaries, before the family moves down to Miami, FL and his whole life changes. Jumping between his passion as a veterinarian and film scholar, we slowly track his life leading up to working as a publicist for United Artists, before he meets the Big Kahuna himself, Roger Corman. We get into Corman's Hollywood success story, how he, Demme, and Joe Viola strike up a deal that leads us to ANGELS HARD AS THEY COME - his first written feature and production credit. Follow Altmania: https://altmaniapod.com https://estebannoel.com Support us on Patreon: https://patreon.com/altmania

Erik Childress and Peter Sobczynski guide you through another week of physical media. This week you can include masterworks from Paul Schrader, Terry Gilliam and Jonathan Demme on your shelves. There are also underrated works from George Romero and Mel Brooks as well as career work from Nicolas Cage and Elisabeth Shue. They talk about the oddness that ranges from Linda Blair on skates to Dennis Quaid as an infamous singer plus the one Sam Peckinpah film you may want to watch alone first.2:52 - Criterion (Mishima: A Life In Four Chapters 4K, Brazil 4K)22:27 - Cinematographe (Swimming to Cambodia)29:49 - Sandpiper (Roller Boogie, Great Balls of Fire, Malice, Life Stinks, Leaving Las Vegas)1:15:47 - Shout Factory (Monkey Shines 4K, Bring Me the Head of Alfredo Garcia 4K)1:40:54 - New Theatrical Titles & TV on Blu-ray (The Ballad of Wallis Island, Opus, Freaky Tales, When Evil Lurks, Doctor Who - Jon Pertwee: The Complete Season One)1:43:21 - New Blu-ray AnnouncementsCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCAST This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

Philadelphia, de Jonathan Demme, sorti en 1993 est un film important. Car il traite de problématiques tragiques : le Sida, lʹhomophobie et lʹexclusion. On lʹa un peu oublié aujourdʹhui, mais dans les années 80 et 90, la communauté homosexuelle masculine, principalement, est atteinte dʹun mal mortifère qui emporte dans la tombe des centaines de jeunes gens. Mais lʹépidémie de Sida va sʹétendre et toucher dʹautres populations par le biais des transfusions sanguines. Il nʹen faut pas plus pour que la panique gagne tout le monde et que le virus progresse rapidement. Ce mal, on en parle tous les jours, à la radio, à la télévision, dans les journaux. Il faut du temps pour que lʹon comprenne comment le virus du Sida fonctionne et quʹon mette en place des campagnes dʹinformation, de prévention, tandis que la science progresse et propose des thérapies. Et cʹest dans ce climat délétère de peur, que Jonathan Demme, réalisateur multi oscarisé pour le Silence des Agneaux, tourne un film de procès qui traite, en sous-main du Sida, mais plus frontalement dʹexclusion. Philadelphia cʹest le premier film grand public qui traite de cette question. Et il va faire date. Certainement grâce aux performances de ses acteurs principaux, Tom Hanks et Denzel Washington, mais principalement grâce à un scénario, inspiré dʹune histoire vraie, un scénario bien ficelé signé Ron Nyswaner. Le film est bien accueilli par le public et la critique. Tom Hanks remporte son premier Oscar du meilleur acteur pour son rôle d'Andrew Beckett, Aujourdʹhui, dans Travelling, cʹest Philadelphia que nous regardons ensemble. Ne tardons pas trop, car le personnage joué par Tom Hanks se lance dans un contre-la-montre contre lʹinjustice dont il est victime. Il en sortira vainqueur avant dʹêtre emporté par la maladie. REFERENCES Philadelphia, un film de Jonathan Demme, notes de productions du film, Tristar, 1993 CBS This Morning interviews Bruce about his Grammy wins for "Philadelphia" on March 2, 1995. Interesting comments about the E Street Band. https://www.youtube.com/watch?v=W5OExj0BakE Duplex Tom Hanks : F2 Le Journal 20H - 04.09.1994 https://www.ina.fr/ina-eclaire-actu/video/cab94081912/duplex-tom-hanks Jonathan Demme talks about the cultural context and ambitions of his 1993 film "Philadelphia" June 7th, 2006 https://www.youtube.com/watch?app=desktop&v=OJvEt5nb--8 Les chiffres du Sida en 2002, ONU Sida https://www.unaids.org/fr/resources/fact-sheet

Melvin Dummar: Howard Hughes WillMelvin Earl Dummar (August 28, 1944 – December 9, 2018) was a Utah man who earned attention when he claimed to have saved reclusive business tycoon Howard Hughes in the Nevada desert in 1967, and to have been awarded part of Hughes' vast estate. Dummar's claims resulted in a series of court battles that all ended in rulings against Dummar.[3] A Las Vegas jury determined in 1978 that the will, leaving Dummar $156 million, was a forgery.[4] Dummar's story was later adapted into Jonathan Demme's film Melvin and Howard in 1980. A 2005 reinvestigation of the circumstances surrounding the so-called Dummar Will yielded new evidence not previously known. Dummar's purported meeting with HughesWhile working at a service station in Willard, Utah, Dummar claimed to have discovered a disheveled and lost man lying on the side of a stretch of U.S. Route 95 about 150 miles (240 km) north of Las Vegas, Nevada, near Lida Junction. The man asked Dummar to take him to the Sands Hotel in Las Vegas. Dummar claimed that only in the final minutes of their encounter did the man reveal his identity as Hughes.The "Mormon Will"After Hughes' death in April 1976, a handwritten will was discovered in the Salt Lake City, Utah headquarters of The Church of Jesus Christ of Latter-day Saints. Though purportedly written by Hughes in 1968, the will had many strange discrepancies. It named Noah Dietrich as an executor, despite the fact that Dietrich had left Hughes' employ on bad terms in the late 1950s. The will left approximately $156,000,000 to the LDS Church and although Hughes had employed many LDS workers, he had never been a member of that church. The will left money to his two ex-wives, Ella Rice and Jean Peters, even though both women had alimony settlements that barred claims on Hughes' estate. The will was rife with misspellings, including misspelling the name of Hughes' cousin. It called Hughes' famous flying boat, the Hughes H-4 Hercules, the "spruce goose" — a derisive nickname that Hughes had always despised.[5] Most oddly, the will left one "Melvin DuMar" of Gabbs, Nevada one-sixteenth of Hughes' estate.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

We're very happy to have gotten to sit down with cinematographer and son of Robert Altman -- Robert Reed "Bobby" Altman. He shares with us stories of joining his dad on the production of Nashville, his early life travelling the world with his family, joining the camera department and working on everything from the Popeye set in Malta, to working on the art department for Quintet and 3 Women, OC and Stiggs stories of King Sunny Ade, working on Trixie and Return Engagement with Alan Rudolph, Altman and Demme's friendship. There was just so many awesome stories and we're glad we could be there to hear them and then record them for you to also hear! Love to all the bobbleheads out there, we'll return on JUNE 4TH to kick off our new series doing a deep-dive on the works of Jonathan Demme. Until then, stay cool, love one another. Follow Robert Reed Altman: https://robertreedaltmandp.com/ Follow Altmania: https://altmaniapod.com https://estebannoel.com Support us on Patreon: https://patreon.com/altmania Use the code DEMME for 25% off your first month!

Stop Making Sense is a concert film directed by Jonathan Demme, the man who would later deliver one of the strongest films of the 1990s in Silence of the Lambs. It features new-wave band Talking Heads at the height of their powers during a four-night residency in Los Angeles in 1983.Bandleader David Byrne, equal parts Bill Nye, Pentecostal firebrand, and George Clinton, is the star of the show...both as lead vocalist and primary creative vision behind the stage production...indeed Byrne infects a rock show with performance art, iconic choreography, and visual flair Ala Andy Warhol and the Velvet Underground.What starts as a one-man show starring Byrne, quickly grows to envelope all of the core members of Talking Heads --and within a few more numbers the group has expanded to an all-star cast of multiethnic, jet-fuel driven musicians. The film has received a recent 4K release from acclaimed production company A24.

We're taking a short break to prepare for our Jonathan Demme series, for now, enjoy this unlocked episode from our Patreon feed. If you like what you hear, consider subscribing with our discount code DEMME to get 25% off your first month!  ---------------------------------------- We're checking out Alan Rudolph's first and only documentary feature, following the Los Angeles stop of the Timothy Leary // G. Gordon Liddy debate tour. We get into the current state of the world, where we're at now, before we jump into the deep end on the FBI, CIA, Nixon, MKultra, watergate, Iran Contra, counterculture movements, and all of that jazz. Plus we learn that Gordon Liddy was one crazy ass white boy. You can watch Return Engagement right here! Articles mentioned, further reading, etc. AFI CATALOG | Return Engagement Alan Rudolph interviews in Verité Dallas '63: The First Deep State Revolt Against the White House | Peter Dale Scott Lost' films found 3: Alan Rudolph's 'Return Engagement' | Media Funhouse Operation Mind Control - Researcher's Edition | Walter Bowart Timothy Leary | Harvard Dept. of Psychology The Watergate Files The Timothy Leary Project | Jennifer Ulrich White hand society : the psychedelic partnership of Timothy Leary and Allen Ginsberg | Peter Conners

Roger Corman (April 5, 1926 -May 9, 2024)—an iconic figure whose influence on Hollywood is nothing short of legendary—traversed the cinematic landscape from the late 1950's to the 1990's. Celebrated as the "Pope of Pop Cinema," the "Spiritual Godfather of the New Hollywood," and the "King of Cult," Corman was a pioneering force in independent filmmaking, forever reshaping the industry with his innovative spirit. Throughout his illustrious career, Corman collaborated with an impressive roster of emerging filmmakers, many of whom would go on to dominate the industry. Names such as Francis Ford Coppola, Martin Scorsese, Ron Howard, James Cameron, and Jonathan Demme began their journeys under his mentorship. It has often been remarked that Corman's guidance served as a vital training ground—what James Cameron famously referred to as the "Roger Corman Film School." His influence extended beyond mentorship; he was a catalyst for creativity and innovation. Nicolas Roeg served as the cinematographer for The Masque of the Red Death, while many of his protégés achieved Oscar success. Corman's reputation for fostering talent with a blend of encouragement and challenge left an indelible mark on cinema. As he famously advised, “If you do a good job on this film, you'll never have to work for me again,” exemplifying his role as both mentor and pioneer in the cinematic world. Join Azed and Tom as they explore the life and work of Roger Corman, a true maverick and inspiration for all aspiring filmmakers.  

Grab your fava beans and your garrote piano wire as NostalgiaCast takes a deep-dive into Martin Scorsese's CAPE FEAR and Jonathan Demme's THE SILENCE OF THE LAMBS, two killer thrillers from two American masters not typically known for their horror chops. Jason of The Slashers and Binge Movies podcasts joins us to discuss the terror, torture, uncompromising head games, and oppressive existential dread that defines not just these two box office behemoths but also the current state of film criticism today. TRIGGER WARNING: This episode includes frank discussions of violence and sexual abuse as associated with the horror genre.

A classic this week! Jonathan Demme's beloved but controversial, The Silence of the Lambs (1990.) From wiki: “The Silence of the Lambs is a 1991 American psychological horror thriller film directed by Jonathan Demme and written by Ted Tally, adapted from Thomas Harris's 1988 novel. It stars Jodie Foster as Clarice Starling, a young FBI trainee who is hunting a serial killer named "Buffalo Bill" (Ted Levine), who skins his female victims. To catch him, she seeks the advice of the imprisoned Hannibal Lecter (Anthony Hopkins), a brilliant psychiatrist and cannibalistic serial killer. The film also features performances from Scott Glenn, Anthony Heald, and Kasi Lemmons.[3]Also discussed: crafts!, dunking on AI, The Last Days of Disco, All Over Me (1997), Girls Town (1996), The Incredibly True Adventures of 2 Girls in Love, Ma Vida Loca, The Castle (1997), Series 7, Longlegs, and more.  NEXT WEEK: Pitfall (1962) Bloodhaus:https://www.bloodhauspod.com/https://twitter.com/BloodhausPodhttps://www.instagram.com/bloodhauspod/ Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/ Joshua Conkelhttps://www.joshuaconkel.com/https://bsky.app/profile/joshuaconkel.bsky.socialhttps://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

After 10 years, the filmmaker and author Alex R. Johnson returns to the podcast. Alex R. Johnson is a writer and filmmaker who lives and works in Brooklyn, NY. His feature film "Two Step" premiered to critical acclaim at SXSW in 2014 and went on to become a New York Times Critic's Pick. His screenplay "Northeast Kingdom" was selected for the 2016 Black List, and his screenplay "Any Rough Times Are Now Behind You" was selected by the Austin Film Society's Artist Intensive lab where he was mentored by late director Jonathan Demme. He also wrote the screenplay adaptation of Ernest Tidyman's novel, "Big Bucks", for Pascal Pictures/Sony Entertainment. Johnson's family hails from the Andes of Ecuador, where their 100-year-old dairy farm still operates. Fans of Richard Price, Charlie Huston, and Jonathan Lethem will love this coming-of-age New York-centric detective noir debut from esteemed filmmaker and screenwriter Alex R. Johnson. New York City, 1998. New York is changing around Nico Kelly, and he can feel more coming. A private investigator and self-proclaimed photographer, Nico is stuck in a loop of city contracts and self loathing. What little middle class there was is disappearing—long-standing factories are moving out and taking their reliable neighborhood jobs with them, and Mayor Rudy Giuliani's police force has the streets in a stranglehold.  Nico spends his days looking for fraudsters while taking photos of municipal employees on disability claims. He spends his nights trying to get rid of the nagging feeling that his day job makes him a professional snitch—traversing dive bars, playing pinball, and fighting through the haze of hungover mornings and blurry evenings.Pushing thirty years old and feeling split between his American and Latin heritage, between youth and adulthood, Nico finds himself at a precipice—who is he and what should he become? When Nico witnesses and records a murder during one of his insurance fraud investigations, bodies start to turn up all around him and he's forced into solving a mystery he didn't ask to solve. Humorous, gritty, and real, Nico's search for what it means to be human takes him through the deepest and darkest parts of New York City.

Send us a textRISKYSometimes you gotta say, “What the Fuck” to research, make your move. This week Season 14's penultimate 1x1 is co-host Ryan's pick: RISKY BUSINESS (1983). His reason: TGTPTU normally pairs filmographies of a single director or actor, and the writer-director on this film was so triggered by the experience of having his written, shot, and edited original ending replaced in the final cut that he never directed another film again… or at least not until his second film in 1990 (WTF, Ryan?).  This film that would go on to become part of 1980s iconography by first-time director Paul Brickman, who had previously written the Michael Pressman-directed The Bad News Bears in Breaking Training (1977) and the Jonathan Demme-directed Handle with Care (1977) and would later be one of three credited writers on Clint Eastwood's True Crime (alternately known as Speed Zoo) (1999), Risky Business as dark teen comedy and potential Reagon-era satire stars a number of early roles by actors who'd become comedy stars of the 1980s, including as the protagonist Joel's fellow yuppie North Shore friends and entrepreneuring high school seniors in their first film appearances Curtis Armstrong (also known as Booger in the 1980s) and Bronson Pinchot (aka Balki in the 80s). It costars Rebecca De Mornay (later in the 90s known for her roles as a terrible nanny and as Milady de Winter) as the business-savvy prostitute, and has an early movie appearance by Joey Pants (known in the late-90s for taking the blue pill, Ralphie Cifaretto in the 00s, and a Bad Boy 4 life) as Guido the pimp.   Oh, and it's also the first time that actor born Thomas Mapother IV, better known later in life by his stage name Tom Cruise, stars in the leading role in a film (but not the first time he danced in his underwear or kissed a female person, if DVD commentary tracks are to be believed).  Behind the camera, you have two cinematographers: Eastwood's 70s and early-80s collaborator Bruce Surtees as well as regular Hollywood comedy lenser Reynaldo Villalobos. Pod-favorite Tangerine Dream scores. And the film scores big with first watches by host Tom and guest host Jack and with the Gen X'ers Ken and Ryan.   It's a wild ride, so mind your parking brake. In this episode Ryan explains the economic milieu behind the 80's yuppie culture to the two young hosts while drawing comparisons to American Psycho (2000); the two Zoomers discover how to shorten future episodes; and Broom Hilda's creator, whose life strangely overlaps with Ken's past and present, drops by studio.  Our podcast is The Good, The Pod, and The Ugly. We deal in human fulfillment. We grossed over eight thousand listeners in one night. An hour of your life, huh, kid?  FURTHER NOTESThomas requested we share the following Wikipedia links for those who'd like to perform additional research or to simply follow along: https://en.m.wikipedia.org/wiki/Cory_Booker%27s_marathon_speechhttps://en.m.wikipedia.org/wiki/Doctor_Detroit  https://en.m.wikipedia.org/wiki/Cop_Rock  https://en.wikipedia.org/wiki/Star_Trek:_RenegadesTHEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!): Podcast: goodpodugly

The movie “Stop Making Sense” has been hailed as one of the greatest concert films of all time. Directed by Jonathan Demme, the film unfolds as members of the Talking Heads take the stage one by one, culminating in an explosive dance party. One of the band’s core members, keyboardist and guitarist Jerry Harrison, is a Shorewood, Wisconsin native. WPR BETA host Doug Gordon talked with Harrison about the legacy of the Talking Heads and their iconic movie. Harrison will be back in his home state this weekend, hosting screenings of “Stop Making Sense” in Madison and Milwaukee.

In this episode we get to meet Tunde Adebimpe. Tunde is best known as one of the co-founders, singers, and songwriters of the influential indie rock band TV On the Radio. But now he has a debut solo LP called Thee Black Boltz, and this conversation, we talk a lot about how this record came to be, a process that included rescuing some archival recordings and crafting brand new work. We also touch on TV on the Radio's legacy and their "reunion" tour. Then we, of course, talk about Tunde's film work (as he is also an accomplished actor), including his recent role on Star Wars: Skeleton Crew, and his time making one of my all-time favorite films, Jonathan Demme's Rachel Getting Married. I was thrilled to chat with such a titan, and I think you'll enjoy. Thanks for listening.

Nella puntata di oggi analizziamo il capolavoro diretto da Jonathan Demme nel 1991, vincitore dei 5 principali premi Oscar (film, regia, sceneggiatura non originale, attori protagonisti) e capace di rivoluzionare per sempre la rappresentazione dello sguardo nel cinema.

Send us a textIn this episode, we talk about the 1986 Jonathan Demme film, Something Wild. Melanie Griffith stars as a young woman that rattles Jeff Daniels' character. Ray Liotta plays the psychotic ex. We break down the plot, characters, and themes of this quirky 80s gem. Click and listen!

Happy April, Madison! We're not fooling you when we say there's plenty going on this month in our city. We're kicking off the month with an election, but that's not all we're excited about in April. The City Cast Madison team has handpicked some of the best things to do, see, and eat in Madison this month. From Earth Day celebrations to local theater recommendations, we've got you covered. Mentioned on the show Why Susan Crawford Wants To Be Wisconsin's Next Supreme Court Justice [

This week on the pod, we're diving into the high-stakes paranoia of The Manchurian Candidate (2004), a political thriller reboot that trades Cold War chills for post-Gulf War conspiracy. Denzel Washington stars as Major Ben Marco, a decorated soldier haunted by dreams suggesting something sinister happened during his time in Kuwait. With the help of an eerie performance by Liev Schreiber and a chillingly manipulative Meryl Streep, the film leans hard into psychological suspense but does the tension still land in 2024? Tune in as we revisit this remake, break down its big themes, and ask the ultimate question: Is The Manchurian Candidate still worth voting for? Plot Summary:In the 2004 political thriller The Manchurian Candidate, directed by Jonathan Demme, Denzel Washington stars as Major Ben Marco, a Gulf War veteran plagued by disturbing dreams and lingering suspicions about his past. A remake of the 1962 classic, the film updates the Cold War paranoia to a post-9/11 world of corporate influence, political manipulation, and psychological warfare. Marco served alongside Sergeant Raymond Shaw (Liev Schreiber), who has since returned home a decorated war hero and rising political star. Shaw's mother, Senator Eleanor Prentiss Shaw (Meryl Streep), is a powerful and cunning politician pushing her son toward the vice presidency. But Marco begins to suspect that their wartime memories have been tampered with—and that Shaw may be the product of mind control by a shadowy multinational corporation known as Manchurian Global. As Marco digs deeper, he uncovers a chilling conspiracy involving psychological conditioning, implanted memories, and a plan to manipulate the highest levels of the U.S. government. His grip on reality begins to waver as he races to uncover the truth and stop a sinister plot that could alter the future of American democracy. Denzel Washington gives a powerful, haunted performance as a man unraveling a web of lies, while Meryl Streep delivers a chilling turn as an ambitious mother who will stop at nothing to seize power. The film blends intense suspense with thought-provoking commentary on political corruption, the military-industrial complex, and the dangers of unchecked influence. Join our podcast review as we revisit this modern thriller, exploring its performances, themes, and whether this cerebral update of a classic still resonates in today's political climate. Subscribe Now Android: https://www.shatpod.com/android Apple/iTunes: https://www.shatpod.com/apple Help Support the Podcast Contact Us: https://www.shatpod.com/contact Commission Movie: https://www.shatpod.com/support Support with Paypal: https://www.shatpod.com/paypal Support With Venmo: https://www.shatpod.com/venmo Shop Merchandise: https://www.shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite

In this episode, Masie & Stuart get kidnapped and taken on a crazy roadtrip by Jonathan Demme's 1986 comedy-thriller film Something Wild. The second part of Stuart's pairing of manic-pixie dream girl films, our hosts find much to discuss about this film whose tone, characters, and plot developments are truly... well, wild. Listen as our hosts gush about the film's shockingly likable male protagonist, Melanie Griffith's iconic (but sometimes culturally questionable) costuming, the main couple's interesting power dynamics, and more in the longest episode of Cinema Bones released yet.   Linktree: https://linktr.ee/cinema_bones Follow Us on Social Media @ Cinema_Bones on Instagram and Letterboxd for podcast updates.   Addtional Reading: Something Wild: Wild Things - Criterion Essay Jonathan Demme Video Interview Referenced in the Episode is Available on the Criterion Collection Blu-Ray Release. Check it out from your local library!

This week on Horror Joy, Jeff and Brian wrestle with the dualities of fear in Jonathan Demme's The Silence of the Lambs and Osgood Perkins' Longlegs. They dissect the psychological and gender horrors lurking within The Silence of the Lambs, contrasting it with the mythological and satanic elements of Longlegs.They examine the tangled webs of desire, identity, and rationalization, revealing:·       The transphobia in The Silence of the Lambs and how thoughts on gender have changed·       The rich material world of Jonathan Demme's film·       The failed mythology of Longlegs and The connection to the satanic panic in its Devil-Made-Me-Do-It tale·       Whether Longlegs lives up to the comparisons to The Silence of the Lambs (it does not)So, grab your badge and join us as we follow the cryptic trail of evasive mass murderers. I heard there will be a party at the end. Just avoid the fava beans and chianti and put the lotion in the basket.Glorious Bodies by Colby GordonThe Matter with Pantheism By Mary-Jane RubensteinLonglegs Exemplifies American Horror's Inability to Speak to the Moment By Jade Bastienhttps://www.vox.com/culture/22281548/silence-of-the-lambs-cultural-impact-legacy-feminist-transphobiaQueer Play: The Cultural Work of Crossdressing in Medieval Drama by Claire Sponsler and Robert ClarkOz Perkins' Longlegs as Folk Horror by Dawn KeetleyFilleting Gender and Sexuality in The Silence of the Lambs by Christina H. Hodel07:26 Gender Dynamics and Transphobia in 'The Silence of the Lambs'27:18 Psychological Horror and Class Elements32:12 Transition to 'Long Legs'34:45 Critique of 'Long Legs'37:31 Analyzing Gender Performance in Longlegs38:11 Critique of the Mythology in Longlegs39:51 Comparing Longlegs to Other Horror Films41:09 The Role of Nostalgia and Mythology42:27 Exploring the Folk Horror Elements47:46 Pan and the Satanic Panic52:22 Final Thoughts and Joy in Horror01:06:03 Conclusion and Listener Engagement

The story of two journalists reporting on a common cause despite their vastly different backgrounds is what gives NO OTHER LAND its narrative shape — and is what inspired us to pair it with 1984's THE KILLING FIELDS — but the Oscar-nominated documentary is at heart a story about activism, and the weight of maintaining hope amid a generations-spanning conflict with no resolution in sight. We're joined again this week by Slate culture writer Sam Adams to discuss how NO OTHER LAND makes the political personal, then bring THE KILLING FIELDS back in to compare these two portrayals of journalism from very different moments in journalism history, and the quandaries of privilege and guilt that accompany partnerships of unequals. Then in Your Next Picture Show we tout SWIMMING TO CAMBODIA and Jonathan Demme's ability to spin Spalding Gray's monologue about his bit role in THE KILLING FIELDS into a BTS feature like none other. Intro: 00:00:00-00:02:25 No Other Land discussion: 00:02:26-00:24:28 Connections: 00:24:29-00:46:00 Your Next Picture Show/Goodbyes: 00:46:01-00:56:35 Please share your thoughts about THE KILLING FIELDS, NO OTHER LAND, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Carson Lund's EEPHUS and Ron Shelton's BULL DURHAM Learn more about your ad choices. Visit megaphone.fm/adchoices

Our pal Tom Fleischman is our guest on today's episode of Martins & More! We met Tom through the Unofficial Martin Guitar Forum (UMGF) and have enjoyed many Martinfests together. He's an avid guitar player with a impressive collection of Martin Guitars, and we hope you enjoy our interview.  Tom Fleischman began mixing feature films under the mentorship of New York rerecording mixer Richard (Dick) Vorisek in1979. Since then Tom has mixed nearly 300 features, documentaries, commercials, and television projects and has developed long-term working relationships with many directors including Martin Scorsese, Jonathan Demme, Spike Lee, Ron Howard, Chai Vasarhelyi and Jimmy Chin, and Ken Burns. Tom has had 5 Academy Award nominations, and one win for “Hugo” in 2010. He has also won 5 Emmy's, 7 Cinema Audio Society Awards, and a Career Achievement Award from CAS.

Charles Skaggs & Xan Sprouse watch The Silence of the Lambs, the 1991 psychological horror thriller directed by Jonathan Demme, featuring Jodie Foster as Clarice Starling, Anthony Hopkins as Dr. Hannibal Lecter, and Scott Glenn as Jack Crawford! Find us here:X/Twitter:  @DrunkCinemaCast, @CharlesSkaggs, @udanax19 Facebook:  @DrunkCinema Bluesky:  @charlesskaggs.bsky.social, @udanax19.bsky.social Email:  DrunkCinemaPodcast@gmail.com Listen and subscribe to us on Apple Podcasts and leave us a review!

Welcome to another Cinema Sounds & Secrets Tribute episode! This week Janet, John, (and Pen) explore the life and career of a true humanist and good soul, a character-driven director with a brilliant eye, and gorgeously framed films… Jonathan Demme! The five-time Academy Award winner was born in New York in 1944 and is known for films like The Silence of the Lambs (1991), Something Wild (1986), Philadelphia (1993), Caged Heat (1974), Rachel Getting Married (2008), Melvin and Howard (1980), and Married to the Mob (1988). To learn more about this episode and others, visit the official Cinema Sounds & Secrets website!  

With the passing of the "Pope of Pop Film" Roger Corman at 98 this year, a key era of American moviemaking left us. Producer/Director Roger Corman famously made hundreds of movies without "ever having lost a dime". He did this by shrewdly making very low budget genre pictures catered to what was hip at the time (monsters, drugs, motorcycles, sharks, aliens...) with super talented hungry young moviemakers. Jack Nicholson, Francis Ford Coppola, Peter Bogdonavich, Martin Scorsese, Joe Dante, Jonathan Demme, James Cameron just to name a few all come out of the unofficial "Roger Corman film school". And Corman himself directed or produced key indie genre movies including the Edgar Allen Poe series of the 1960's, Monte Hellman's COCKFIGHTER from the 1970's, etc. Secret Movie Club programmer Craig Hammill looks at some of the "rules" a moviemaker can still learn from the maverick master who made daring movies while also protecting the bottom line. 

Três founding fathers do Podcast Filmes Clássicos se juntam para conversar sobre um dos filmes americanos mais aclamados dos anos 90. Alexandre, Fred e Serio Gonçalves analisam o clássico de Jonathan Demme, "O Silêncio dos Inocentes" (The Silence of the Lambs, 1991), um dos únicos três filmes que até o momento conseguiram levar para casa as cinco principais estatuetas do Oscar: filme, direção, ator e atriz principal e roteiro. Um thriller psicológico que marcou época e venceu a barreira do tempo, o filme de Demme coloca uma personagem feminina no papel central (interpretada brilhantemente por Jodie Foster), inserida num mundo masculino e opressor, representado principalmente pela figura inesquecível de Hannibal Lecter (Anthony Hopkins num dos melhores papéis de sua carreira). ---------------------- Acesse nosso site: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.filmesclassicos.com.br⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Acesse nossa página no Facebook : ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/podcastfilmesclassicos/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

For the 100th and final (for now) episode of I Was There Too, Matt finally gets to sit down with his long-sought guest, actress Brooke Smith. She joins Matt to discuss her role as Catherine Martin aka the girl in the well in the 1991 horror film The Silence of the Lambs. Catherine chats about having to gain weight for the role, reading with three different actors all going out for the Jame “Buffalo Bill” Gumb role, and how director Jonathan Demme made her confront her demons. Plus, Matt bids farewell (for now) to all the wonderful listeners!This episode is brought to you by The Jim Jefferies Show Podcast. Hosted on Acast. See acast.com/privacy for more information.

Siskoid Cinema presents... No Escape from Kurt Russell, the show that explores the filmography of one of American cinema's best leading men and tries to get a handle on his mystique. Why is it we'll watch anything so long as Kurt Russell's name is attached to the project? On this episode, Siskoid and Diabolu Frank discuss 1984's Swing Shift. A Rosie the Riveter romance, Siskoid? Yeah, but Kurt Russell is in it! Listen to the episode below, or subscribe to FW Team-Up on Apple or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK! Visit our WEBSITE: https://fireandwaterpodcast.com/ Follow us on TWITTER: https://twitter.com/FWPodcasts Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Support us on Patreon: https://www.patreon.com/fwpodcasts Subscribe via Apple Podcasts as part of the FIRE AND WATER PODCAST NETWORK. Credits: Bonus clips: "Swing Shift" by Jonathan Demme, starring Ed Harris, Goldie Hawn, Dennis Fimple, Kurt Russell, Christine Lahti, Holly Hunter, Patty Maloney, and Charles Napier; and "Someone Waits for You" by Carly Simon. Thanks for leaving a comment!

Adam talks with Patric Gagne about her memoir Sociopath and shares some uplifting movie picks from friends of the podcastConversation recorded face-to-face in London on 15th April, 2024CONTAINS STRONG LANGUAGEThanks to Séamus Murphy-Mitchell for production support and conversation editing Podcast illustration by Helen Green https://helengreenillustration.com/RELATED LINKSHE MARRIED A SOCIOPATH - ME by Patric Gagne - 2020 (NY TIMES - PAYWALL)INTERVIEW WITH PATRIC GAGNE - 2024 (PSYCHOLOGY TODAY)INTERVIEW WITH PATRIC GAGNE by Emine Saner - 2024 (GUARDIAN)PATRIC GAGNE INSTAGRAMUPLIFTING MOVIESTASH DEMETRIOU'S PICKSWORKING GIRL Directed by Mike Nichols - 1989 (TRAILER ON YOUTUBE)BRIDESMAIDS Directed by Paul Feig - 2011 (TRAILER ON YOUTUBE)NOW AND THEN Directed by Lesli Linka Glatter - 1986 (TRAILER ON YOUTUBE)RICHARD AYOADE'S PICKSSTOP MAKING SENSE Directed by Jonathan Demme - 1984 (TRAILER ON YOUTUBE)MONTEREY POP Directed by D. A. Pennebaker - 1968 (TRAILER ON YOUTUBE)AMERICAN MOVIE Directed by Chris Smith - 1999 (TRAILER ON YOUTUBE)GARTH JENNINGS' PICKAMERICAN UTOPIA Directed by Spike Lee - 2021 (TRAILER ON YOUTUBE)ALEX HORNE'S PICKNEXT GOAL WINS Directed by Taika Waititi - 2023 (TRAILER ON YOUTUBE)JAMIE DEMETRIOU'S PICKNEXT GOAL WINS (ORIGINAL DOCUMENTARY) Directed by Mike Brett and Steve Jamison - 2014 (TRAILER ON YOUTUBE)KIM DEAL'S PICKSTHE OMEN Directed by Richard Donner - 1976 (FULL MOVIE ON YOUTUBE)SMILE 2 Directed by Charlie Sarroff - 2024 (TRAILER ON YOUTUBE) Hosted on Acast. See acast.com/privacy for more information.

If you were making a horror film anthology, which team of directors would you hire: A) William Friedkin, John Boorman, William Peter Blatty, Renny Harlin and David Gordon Green or B) Michael Mann, Jonathan Demme, Ridley Scott, Bryan Fuller and Brett Ratner? Become a Friend Of Horrorweekly, just $1.99 per month to help support the podcast, get access to horror's BEST community and subscription cancels simply by leaving the group! https://www.facebook.com/groups/wearehorrorweekly

Join us for the annual series -“The Conner & Smith Show's 31 Days of Halloween”, where we will be exploring all sorts of spooky movies for all taste levels. Today's episode covers 1991's “The Silence of the Lambs”, the Jonathan Demme directed classic about Special Agent Clarice Starling's pursuit of serial killer Buffalo Bill with the help of imprisoned cannibal, Dr. Hannibal Lecter. This podcast series is in support of Stillpointe Theatre and their World Premiere of our show, “Whitechapel”, running at The Club Car from January 9th through February 1st. For more information, please visit www.stillpointetheatre.com 
Support The Conner & Smith Show on Patreon here: https://www.patreon.com/ConnerandSmith

Ah, the bizarre love/hate life of the New Order fan. What's your most loved and least favorite song on Low-Life?! For our fourth Request Episode Election, we went through dozens of listener suggestions to nominate Joe Jackson's Look Sharp, Jane's Addiction's Ritual de lo Habitual and this 1985 Manchester classic, which won in a landslide election. While half of us moaned about the album choice from our mystery nominators (MIA), we all had lots of great memories to share of adoring and rolling our eyes at NO. Superfan Sam hosted and held up lots of New Order vinyl, old tshirts were dusted off and Adam delivered an avalanche of guest rankers, starting with internationally-loved San Diego superstars Koi Division, who donned their iconic fish heads for a filmed interview. Days later, he visited Gold Diggers Sound in Los Angeles to chat with Dave Trumfio of the synth-lovin' Pulsars, whose lone 1997 debut/farewell album has finally recently been reissued. The two full interviews will be on our Youtube channel. Just you wait. In addition to getting tribute band opinions from San Francisco's Temptation and San Diego's Thieves Like Us (Substance responded too late to have their support for "Sunrise" be included), he got first hand accounts of 91X FM's infamous 1985 year-end countdown switcheroo from DJs Dwight Arnold, Pam Wolf and Billy Bones. Listen at WeWillRankYouPod.com, Apple, Spotify and your favorite voting booth.  Follow us and weigh in with your favorites on Facebook, Instagram & Threads and Twitter @wewillrankyoupod . SPOILERS/FILE UNDER:Angel dust, Angel Dust, Dwight Arnold, As It Is When It Was, Blue Monday, Billy Bones, breathing solo, Brotherhood, capitalization, Jimmy Cliff, Ian Clownfish, cowbell, the Cure, dance pop, darkwave, Darker Waves Festival, Jonathan Demme, Depeche Mode, double claps, Echo and the Bunnymen, Elegia, England, Erasure, Face Up, Factory Records, folk music, frogs, funeral soundtrack, Gene Loves Jezebel, Gillian Gilbert, harpsichord, Hook, Peter Hook, hooky, Hooky, Joy Division, Koi Division, Love Vigilantes, Low-Life, Manchester, Ennio Morricone, Stephen Morris, New Order, new wave, 91X FM, Oyster Band, Paradise, The Perfect Kiss, post-punk, Power Corruption and Lies, Pretty In Pink, Pulsars, request episode, Bernard Salmon, Peter Saville, seasonable, shaft, shenanigans, Simple Minds, Sooner Than You Think,  Sub-culture, Bernard Sumner, Sunrise, synthpop, Temptation, terrible lyrics, Thieves Like Us, This Time of Night, tribute band, Dave Trumfio, Weirdo, Steve West, Pam Wolf, 1963, 1985. US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.comNEW! Host tips: Venmo @wewillrankyoupodhttp://www.facebook.com/WeWillRankYouPodhttp://www.instagram.com/WeWillRankYouPodhttps://www.threads.net/@WeWillRankYouPodhttp://www.twitter.com/WeWillRankYouPo http://www.YourOlderBrother.com(Sam's music page) http://www.YerDoinGreat.com (Adam's music page)https://open.spotify.com/user/dancecarbuzz (Dan's playlists)

This episode we look at the only horror film to ever win the Oscar for best picture, The Silence of the Lambs, directed by Jonathan Demme and based on the novel by Thomas Harris. We discuss the captivating performances, detailed writing, and unique cinematography. We also talk about Hannibal Lecter's sense of hospitality and whether he would eat us or not!

THIS WEEK: Caged Heat (1974), Crazy Mama (1975), Last Embrace (1979)Before Jonathan Demme was hanging out with David Byrne and winning Oscars, he was pumping out exploitation flicks for Roger Corman and doing weird Hitchcock homagesDonate to Palestinian Medical Aid Support Optimism Vaccine on Patreon

THIS WEEK: Manhunter (1986), Hannibal (2001), Red Dragon (2002), Hannibal Rising (2007)After covering Jonathan Demme's Silence of The Lambs last week we decided to keep the ball rolling and cover the rest of the film adaptations of Thomas Harris' Hannibal Lecter novels. Not that any of us need an excuse to watch Manhunter for the 74726587432 time. Maybe we could have done without Bret Ratner, Hannibal's silly Italian hat, and the Samurai training montage though. Oh well. Donate to Palestinian Medical Aid Support Optimism Vaccine on Patreon

To our Haitian sisters and brothers in Springfield, Ohio - in solidarity we play the Haitian album Konbit - which means Working Together. It was compiled by Jonathan Demme who was a big supporter of Haitian music and art and championed the culture. Also, it's gray rainy skies at the Cafe Atlas Obscura- we have a few songs that match the weather including an Ashley Beedle remix of a Rolling Stones song. Plus loads more- music without borders. For more info and tracklisting, visit: https://thefaceradio.com/worldy/Tune into new broadcasts of Worldy with Matt and Dom, LIVE, Mondays from 10 AM - 12 Noon EST / 3- 5 PM GMT.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

l⁠⁠inktr.ee/CatchingUpOnCinema⁠⁠⁠⁠ This month is Masterclass Month at Catching Up On Cinema! September 2024 marks our 6th anniversary of podcasting, and to commemorate the occasion, we take a month to do a deep dive on a popular, long-lived movie franchise. For this year's Masterclass, we'll be reviewing the Hannibal Lecter series of films! Created by author Thomas Harris, Hannibal Lecter is a charismatic serial killer that, across multiple novels, films, and most recently, TV series, has consistently captivated global audiences since his inception in 1981. This week, our Masterclass continues with a review of Jonathan Demme's, The Silence of the Lambs (1991)! An adaptation of the second of Thomas Harris' Hannibal Lecter series of novels, Jonathan Demme's, The Silence of the Lambs (1991) is a critically acclaimed horror-thriller, and widely regarded as the best of the Lecter films. Massively influential, financially successful, and winner of 5 major Academy Awards (including Best Picture, the first and only horror film to do so), The Silence of the Lambs is a fantastic production by every metric. Starring Jodie Foster as Clarice Starling, and Anthony Hopkins as Hannibal Lecter, the latter of whom would go on to thoroughly own the role via 2 additional onscreen performances in the years to come, the film is brilliantly performed by all involved, with special mention being necessary for Ted Levine, whose utterly fearless performance as Jame “Buffalo Bill” Gumb, is particularly memorable. Beautifully directed by Demme, and shot by renowned cinematographer and frequent collaborator, Tak Fujimoto, and scored by Howard Shore, the film ably wields the potent one-two punch of being terrifically scripted and acted, while also boasting sumptuous visuals and technical flair. Follow us on Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@catchinguponcinema⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow us on Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@CatchingCinema⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Like, share, subscribe, and we'll catch you next time!

Melvin Dummar: Howard Hughes WillMelvin Earl Dummar (August 28, 1944 – December 9, 2018) was a Utah man who earned attention when he claimed to have saved reclusive business tycoon Howard Hughes in the Nevada desert in 1967, and to have been awarded part of Hughes' vast estate. Dummar's claims resulted in a series of court battles that all ended in rulings against Dummar.[3] A Las Vegas jury determined in 1978 that the will, leaving Dummar $156 million, was a forgery.[4] Dummar's story was later adapted into Jonathan Demme's film Melvin and Howard in 1980. A 2005 reinvestigation of the circumstances surrounding the so-called Dummar Will yielded new evidence not previously known.Dummar's purported meeting with HughesWhile working at a service station in Willard, Utah, Dummar claimed to have discovered a disheveled and lost man lying on the side of a stretch of U.S. Route 95 about 150 miles (240 km) north of Las Vegas, Nevada, near Lida Junction. The man asked Dummar to take him to the Sands Hotel in Las Vegas. Dummar claimed that only in the final minutes of their encounter did the man reveal his identity as Hughes.The "Mormon Will"After Hughes' death in April 1976, a handwritten will was discovered in the Salt Lake City, Utah headquarters of The Church of Jesus Christ of Latter-day Saints. Though purportedly written by Hughes in 1968, the will had many strange discrepancies. It named Noah Dietrich as an executor, despite the fact that Dietrich had left Hughes' employ on bad terms in the late 1950s. The will left approximately $156,000,000 to the LDS Church and although Hughes had employed many LDS workers, he had never been a member of that church. The will left money to his two ex-wives, Ella Rice and Jean Peters, even though both women had alimony settlements that barred claims on Hughes' estate. The will was rife with misspellings, including misspelling the name of Hughes' cousin. It called Hughes' famous flying boat, the Hughes H-4 Hercules, the "spruce goose" — a derisive nickname that Hughes had always despised.[5] Most oddly, the will left one "Melvin DuMar" of Gabbs, Nevada one-sixteenth of Hughes' estate.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Robyn Hitchcock has had quite the musical career. So much so that two movies have been made about him: The documentary Robyn Hitchcock: Sex, Food, Death...and Insects, and the Jonathan Demme-directed performance film, Storefront Hitchcock. However, when Robyn decided to write his own story, he centered it on a particularly meaningful point in his life: When he was 14 years old. The memoir is 1967: How I Got There And Why I Never Left. Robyn joins the podcast to tell us all about this magical year. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's guest exemplifies perseverance; and not just with his music but with this podcast. There were a few technical issues which have, hopefully, been overcome with clever editing. Welcome the one and only Robyn Hitchcock. He's written a memoir about his life in 1967. In fact, it's called 1967, How I Got There And Why I Never Left. It's a very unique take on a memoir that works so well. But before we hit on the book, Robyn helps me set things up by going over his life BEFORE 1967. He also talks about things that happened AFTER 1967, like forming The Soft Boys and why they broke up and then reunited at one of Matthew Seligman's parties.  Robyn talks about his solo career, why he went solo in the first place, and why he considers himself the reverse of an innovator. We also discuss some of the unique aspects of his solo work; like teaming up with Grant Lee Phillips, doing a film project with the late, great Jonathan Demme, and after decades of being a singer/songwriter, releasing an album that is entirely instrumental. Once we do get into the book, itself, there are even more amazing stories, like discovering Bob Dylan, learning a bit about guitar, and attending The Happening with Brian Eno. Did you know Eno was the app, developed in 1967? That's a science fact.  Another science fact is how good his memoir is. So go grab it from Akashic Books, Little Brown Books, or wherever you buy books these days. Follow Robyn @robynhitchcockofficial on Instagram & @robynhitchcock on X. Follow us @PerformanceAnx on both. Grab merch at performanceanx.threadless.com. Contribute to our coffee fund at ko-fi.com/performanceanxiety. Let's take a trip back to 1967 with Robyn Hitchcock and maybe we won't leave either on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Osgood Perkins' new LONGLEGS shares some clear narrative and thematic DNA with THE SILENCE OF THE LAMBS, but it's much more bizarre and divisive in its approach to horror-adjacent serial killer storytelling than Jonathan Demme's crowd-pleasing, Oscar-sweeping hit. We're joined again this week by critic and author Charles Bramesco to talk through the varying degrees to which we vibed with Perkins' style and Nicolas Cage's central performance, before bringing LONGLEGS' predecessor back into the conversation to compare the points of overlap and distinction between these two films about newbie female FBI agents, unconventional serial killers, and the traumatic backstories that drive them both. And in Your Next Picture Show we take stock of Oz Perkins' small but already idiosyncratic directorial filmography to date.  Please share your comments, thoughts, and questions about THE SILENCE OF THE LAMBS, LONGLEGS,  or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices

There's no doubt that director Osgood Perkins had Jonathan Demme's THE SILENCE OF THE LAMBS in mind when he made the new LONGLEGS, but there are as many fascinating contrasts as there are comparisons between these two films about inexperienced female FBI agents and seasoned serial killers. But before getting into those next episode, this week we're joined by critic and author Charles Bramesco for an in-depth revisitation of SILENCE OF THE LAMBS that digs into how the “Demme Touch” elevated a potentially lurid procedural to an Oscar-sweeping sensation, why its artful exploration of trauma inspired a legion of imitators, and how its sidestepping of trans identity plays in an era that's much more attuned to that conversation. And in Feedback, a listener deconstructs a couple of our recent pairings and reconstructs them as inversions of the same story.  Please share your comments, thoughts, and questions about THE SILENCE OF THE LAMBS, LONGLEGS,  or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pulitzer-winning playwright Annie Baker's filmmaking debut JANET PLANET is sort of a dual coming-of-age story, centering a young girl's fascination with her single mother who is still figuring out her own place in the world. But it also resists broad statements and neat conclusions, giving us space to unpack our own interpretations of the emotional depths that lie beneath the film's quiet exterior. Then we bring Lukas Moodysson's TOGETHER back into the discussion to compare its non-judgmental eye toward low-impact parenting, especially in the face of adult drama, and greater interest in the human drive for connection to those of JANET PLANET. And in Your Next Picture Show we share our runner-up contender for this week's pairing.  Please share your comments, thoughts, and questions about TOGETHER, JANET PLANET,  or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Oz Perkins' LONGLEGS and Jonathan Demme's SILENCE OF THE LAMBS Learn more about your ad choices. Visit megaphone.fm/adchoices

Filmmaker Roger Corman, the "King of the B" movies, died last week at the age of 98. He made hundreds of films, such cult classics as Little Shop of Horrors, A Bucket of Blood, House of Usher, The Last Woman on Earth, and The Cry Baby Killer. We feature our 1990 interview with him, and with those whose careers he helped launch – including actors Peter Fonda and Bruce Dern, as well as directors James Cameron, Martin Scorsese, and Jonathan Demme. And our critic at large, John Powers, has an appreciation.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy