Podcast appearances and mentions of Dakota Johnson

Hello hello EICocoa pops, welcome back to another brand-new episode where we deep dive into the week's biggest talking points.This week on the podcast we're discussing Kim Kardashian's Paris robbery trial, as shown in the latest series of The Kardashians. We also dissect the latest in pop culture headlines, including Lily Allen's SNL performance where Dakota Johnson played her other woman character Madeline. And finally we dive into the alleged new trend... the celeb couples in swag gap relationships.Thank you for listening to us and pleeeease could you gift us a review AND share us with a friend this Chistmas? It would mean the world to us

It's an episode over 200 in the making -- writer/director Sam Wineman (who also happens to be Jordan's co-host on the oft-mentioned Aughtsterion podcast!) joins us to talk about his feature debut, Hag. And you might be surprised by his horror film's connections to a very different film -- 2016's rom-com (and Dakota Johnson vehicle) How to Be Single.Then Jordan has one quick thing about another surprising movie dichotomy -- two films in theaters now starring Amanda Seyfried. Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

2025 marks 250 years since the birth of Jane Austen, the English writer whose finely tuned observations of Regency life shaped the modern novel. But perhaps more notably for Screenshot, it's also 30 years since Colin Firth walked out of a lake and straight into the nation's hearts, in the BBC's Pride and Prejudice miniseries.Three decades on from the ‘Austenmania' of 1995, Ellen E Jones and Mark Kermode explore Jane Austen adaptations past and present. Do screen versions of novels like Emma and Sense and Sensibility offer a cosy retreat from the modern world - or do they still have something to say in the present moment? Mark speaks to film writer and researcher Lillian Crawford about various Austen triumphs and missteps on screen, from numerous incarnations of Emma, to Netflix's recent update on her last novel, Persuasion. He also speaks to playwright Nick Dear about an adaptation many Austen experts consider a high-water mark - the 1995 version of Persuasion, written by Dear and directed by Roger Michell for the BBC's Screen Two strand. Meanwhile, Ellen talks to Amy Heckerling, writer and director of the classic 1995 comedy Clueless, which transplants Austen's novel Emma to a Beverly Hills high school. And she also speaks to writer-director Celine Song, whose recent film Materialists stars Dakota Johnson as a professional matchmaker - and unmistakably bears the influence of Austen. Producer: Jane Long A Prospect Street production for BBC Radio 4

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Tuesday is the 250th anniversary of Jane Austen's birth, so today I spoke to John Mullan, professor of English Literature at UCL, author of What Matters in Jane Austen. John and I talked about how Austen's fiction would have developed if she had not died young, the innovations of Persuasion, wealth inequality in Austen, slavery and theatricals in Mansfield Park, as well as Iris Murdoch, A.S. Byatt, Patricia Beer, the Dunciad, and the Booker Prize. This was an excellent episode. My thanks to John!TranscriptHenry Oliver (00:00)Today, I am talking to John Mullen. John is a professor of English literature at University College London, and he is the author of many splendid books, including How Novels Work and the Artful Dickens. I recommend the Artful Dickens to you all. But today we are talking about Jane Austen because it's going to be her birthday in a couple of days. And John wrote What Matters in Jane Austen, which is another book I recommend to you all. John, welcome.John Mullan (00:51)It's great to be here.Henry Oliver (00:53)What do you think would have happened to Austin's fiction if she had not died young?John Mullan (00:58)Ha ha! I've been waiting all this year to be asked that question from somebody truly perspicacious. ⁓ Because it's a question I often answer even though I'm not asked it, because it's a very interesting one, I think. And also, I think it's a bit, it's answerable a little bit because there was a certain trajectory to her career. I think it's very difficult to imagine what she would have written.John Mullan (01:28)But I think there are two things which are almost certain. The first is that she would have gone on writing and that she would have written a deal more novels. And then even the possibility that there has been in the past of her being overlooked or neglected would have been closed. ⁓ And secondly, and perhaps more significantly for her, I think she would have become well known.in her own lifetime. you know, partly that's because she was already being outed, as it were, you know, of course, as ⁓ you'll know, Henry, you know, she published all the novels that were published in her lifetime were published anonymously. So even people who were who were following her career and who bought a novel like Mansfield Park, which said on the title page by the author of Sense and Sensibility and Pride and Prejudice, they knew they knew.John Mullan (02:26)were getting something by the same author, they wouldn't necessarily have known the author's name and I think that would have become, as it did with other authors who began anonymously, that would have disappeared and she would have become something of a literary celebrity I would suggest and then she would have met other authors and she'd have been invited to some London literary parties in effect and I think that would have been very interesting how that might have changed her writing.John Mullan (02:54)if it would have changed her writing as well as her life. She, like everybody else, would have met Coleridge. ⁓ I think that would have happened. She would have become a name in her own lifetime and that would have meant that her partial disappearance, I think, from sort of public consciousness in the 19th century wouldn't have happened.Henry Oliver (03:17)It's interesting to think, you know, if she had been, depending on how old she would have been, could she have read the Pickwick papers? How would she have reacted to that? Yes. Yeah. Nope.John Mullan (03:24)Ha ha ha ha ha!Yes, she would have been in her 60s, but that's not so old, speaking of somebody in their 60s. ⁓ Yes, it's a very interesting notion, isn't it? I mean, there would have been other things which happened after her premature demise, which she might have responded to. I think particularly there was a terrific fashion for before Dickens came along in the 1830s, there was a terrific fashion in the 1820s for what were called silver fork novels, which were novels of sort of high life of kind of the kind of people who knew Byron, but I mean as fictional characters. And we don't read them anymore, but they were they were quite sort of high quality, glossy products and people loved them. And I'm I like to think she might have reacted to that with her sort of with her disdain, think, her witty disdain for all aristocrats. know, nobody with a title is really any good in her novels, are they? And, you know, the nearest you get is Mr. Darcy, who is an Earl's nephew. And that's more of a problem for him than almost anything else. ⁓ She would surely have responded satirically to that fashion.Henry Oliver (04:28)Hahaha.Yes, and then we might have had a Hazlitt essay about her as well, which would have been all these lost gems. Yes. Are there ways in which persuasion was innovative that Emma was not?John Mullan (04:58)Yes, yes, yes, yes. I know, I know.⁓ gosh, all right, you're homing in on the real tricky ones. Okay, okay. ⁓ That Emma was not. Yes, I think so. I think it took, in its method, it took further what she had done in Emma.Henry Oliver (05:14)Ha ha.This is your exam today,John Mullan (05:36)which is that method of kind of we inhabit the consciousness of a character. And I I think of Jane Austen as a writer who is always reacting to her own last novel, as it were. And I think, you know, probably the Beatles were like that or Mozart was like that. think, you know, great artists often are like that, that at a certain stage, if what they're doing is so different from what everybody else has done before,they stop being influenced by anybody else. They just influence themselves. And so I think after Emma, Jane Austen had this extraordinary ⁓ method she perfected in that novel, this free indirect style of a third-person narration, which is filtered through the consciousness of a character who in Emma's case is self-deludedly wrong about almost everything. And it's...brilliantly tricksy and mischievous and elaborate use of that device which tricks even the reader quite often, certainly the first time reader. And then she got to persuasion and I think she is at least doing something new and different with that method which is there's Anne Elliot. Anne Elliot's a good person. Anne Elliot's judgment is very good. She's the most cultured and cultivated of Jane Austen's heroines. She is, as Jane Austen herself said about Anne Elliot, almost too good for me. And so what she does is she gives her a whole new vein of self-deception, which is the self-deception in the way of a good person who always wants to think things are worse than they are and who always, who, because suspicious of their own desires and motives sort of tamps them down and suppresses them. And we live in this extraordinary mind of this character who's often ignored, she's always overhearing conversations. Almost every dialogue in the novel seems to be something Anne overhears rather than takes part in. And the consciousness of a character whodoesn't want to acknowledge things in themselves which you and I might think were quite natural and reasonable and indeed in our psychotherapeutic age to be expressed from the rooftops. You still fancy this guy? Fine! Admit it to yourself. ⁓ No. So it's not repression actually, exactly. It's a sort of virtuous self-control somehow which I think lots of readers find rather masochistic about her. Henry Oliver (08:38)I find that book interesting because in Sense and Sensibility she's sort of opposed self-command with self-expression, but she doesn't do that in Persuasion. She says, no, no, I'm just going to be the courage of, no, self-command. know, Eleanor becomes the heroine.John Mullan (08:48)Yes. Yes, yes, yes, yes, yes, yes. But with the odd with the odd burst of Mariannes, I was watching the I thought execrable Netflix ⁓ persuasion done about two or three years ago ⁓ with the luminous Dakota Johnson as as you know, as Anne Elliot. You could not believe her bloom had faded one little bit, I think.John Mullan (09:23)And ⁓ I don't know if you saw it, but the modus operandi rather following the lead set by that film, The Favourite, which was set in Queen Anne's reign, but adopted the Demotic English of the 21st century. similarly, this adaptation, much influenced by Fleabag, decided to deal with the challenge of Jane Austen's dialogue by simply not using it, you know, and having her speak in a completely contemporary idiom. But there were just one or two lines, very, very few from the novel, that appeared. And when they appeared, they sort of cried through the screen at you. And one of them, slightly to qualify what you've just said, was a line I'd hardly noticed before. as it was one of the few Austin lines in the programme, in the film, I really noticed it. And it was much more Marianne than Eleanor. And that's when, I don't know if you remember, and Captain Wentworth, they're in Bath. So now they are sort of used to talking to each other. And Louisa Musgrove's done her recovering from injury and gone off and got engaged to Captain Benwick, Captain Benwick. So Wentworth's a free man. And Anne is aware, becoming aware that he may be still interested in her. And there's a card party, an evening party arranged by Sir Walter Elliot. And Captain Wentworth is given an invitation, even though they used to disapprove of him because he's now a naval hero and a rich man. And Captain Wentworth and Anna making slightly awkward conversation. And Captain Wentworth says, you did not used to like cards.I mean, he realizes what he said, because what he said is, remember you eight years ago. I remember we didn't have to do cards. We did snogging and music. That's what we did. But anyway, he did not used to like cards. And he suddenly realizes what a giveaway that is. And he says something like, but then time brings many changes. And she says, she cries out, I am not so much changed.Henry Oliver (11:23)Mm. Mm, yes, yes. Yep.Yes.Cries out, yeah.John Mullan (11:50)It's absolutely electric line and that's not Eleanor is it? That's not an Eleanor-ish line. ⁓ Eleanor would say indeed time evinces such dispositions in most extraordinary ways. She would say some Johnsonian thing wouldn't she? so I don't think it's quite a return to the same territory or the same kind of psychology.Henry Oliver (12:05)That's right. Yes, yes, yeah.No, that's interesting, yeah. One of the things that happens in Persuasion is that you get this impressionistic writing. So a bit like Mrs. Elliot talking while she picks strawberries. When Lady Russell comes into Bath, you get that wonderful scene of the noises and the sounds. Is this a sort of step forward in a way? And you can think of Austen as not an evolutionary missing link as such, but she's sort of halfway between Humphrey Clinker and Mr. Jangle.Is that something that she would have sort of developed?John Mullan (12:49)I think that's quite possible. haven't really thought about it before, but you're right. think there are these, ⁓ there are especially, they're impressionistic ⁓ passages which are tied up with Anne's emotions. And there's an absolutely, I think, short, simple, but extraordinarily original one when she meets him again after eight years. And it says something like, the room was full, full of people. Mary said something and you're in the blur of it. He said all that was right, you know, and she can't hear the words, she can't hear the words and you can't hear the words and you're inside and she's even, you're even sort of looking at the floor because she's looking at the floor and in Anne's sort of consciousness, often slightly fevered despite itself, you do exactly get this sort of, ⁓ for want of a better word, blur of impressions, which is entirely unlike, isn't it, Emma's sort of ⁓ drama of inner thought, which is always assertive, argumentative, perhaps self-correcting sometimes, but nothing if not confidently articulate.John Mullan (14:17)And with Anne, it's a blur of stuff. there is a sort of perhaps a kind of inklings of a stream of consciousness method there.Henry Oliver (14:27)I think so, yeah. Why is it that Flaubert and other writers get all the credit for what Jane Austen invented?John Mullan (14:35)Join my campaign, Henry. It is so vexing. It is vexing. sometimes thought, I sometimes have thought, but perhaps this is a little xenophobic of me, that the reason that Jane Austen is too little appreciated and read in France is because then they would have to admit that Flaubertdidn't do it first, you know. ⁓Henry Oliver (14:40)It's vexing, isn't it?John Mullan (15:04)I mean, I suppose there's an answer from literary history, which is simply for various reasons, ⁓ some of them to do with what became fashionable in literary fiction, as we would now call it. Jane Austen was not very widely read or known in the 19th century. So it wasn't as if, as it were, Tolstoy was reading Jane Austen and saying, this is not up to much. He wasn't. He was reading Elizabeth Gaskell.Jane Eyre ⁓ and tons of Dickens, tons, every single word Dickens published, of course. ⁓ So Jane Austen, know, to cite an example I've just referred to, I Charlotte Bronte knew nothing of Jane Austen until George Henry Lewis, George Eliot's partner, who is carrying the torch for Jane Austen, said, you really should read some. And that's why we have her famous letter saying, it's, you know, it's commonplace and foolish things she said. But so I think the first thing to establish is she was really not very widely read. So it wasn't that people were reading it and not getting it. It was which, you know, I think there's a little bit of that with Dickens. He was very widely read and people because of that almost didn't see how innovative he was, how extraordinarily experimental. It was too weird. But they still loved it as comic or melodramatic fiction. But I think Jane Austen simply wasn't very widely read until the late 19th century. So I don't know if Flaubert read her. I would say almost certainly not. Dickens owned a set of Jane Austen, but that was amongst 350 selecting volumes of the select British novelists. Probably he never read Jane Austen. Tolstoy and you know never did, you know I bet Dostoevsky didn't, any number of great writers didn't.Henry Oliver (17:09)I find it hard to believe that Dickens didn't read her.John Mullan (17:12)Well, I don't actually, I'm afraid, because I mean the one occasion that I know of in his surviving correspondence when she's mentioned is after the publication of Little Dorrit when ⁓ his great bosom friend Forster writes to him and says, Flora Finching, that must be Miss Bates. Yes. You must have been thinking of Miss Bates.John Mullan (17:41)And he didn't write it in a sort of, you plagiarist type way, I he was saying you've varied, it's a variation upon that character and Dickens we wrote back and we have his reply absolutely denying this. Unfortunately his denial doesn't make it clear whether he knew who Miss Bates was but hadn't it been influenced or whether he simply didn't know but what he doesn't… It's the one opportunity where he could have said, well, of course I've read Emma, but that's not my sort of thing. ⁓ of course I delight in Miss Bates, but I had no idea of thinking of her when I... He has every opportunity to say something about Jane Austen and he doesn't say anything about her. He just says, no.Henry Oliver (18:29)But doesn't he elsewhere deny having read Jane Eyre? And that's just like, no one believes you, Charles.John Mullan (18:32)Yes.Well, he may deny it, but he also elsewhere admits to it. Yeah.Henry Oliver (18:39)Okay, but you know, just because he doesn't come out with it.John Mullan (18:43)No, no, it's true, but he wouldn't have been singular and not reading Jane Austen. That's what I'm saying. Yes. So it's possible to ignore her innovativeness simply by not having read her. But I do think, I mean, briefly, that there is another thing as well, which is that really until the late 20th century almost, even though she'd become a wide, hugely famous, hugely widely read and staple of sort of A levels and undergraduate courses author, her real, ⁓ her sort of experiments with form were still very rarely acknowledged. And I mean, it was only really, I think in the sort of almost 1980s, really a lot in my working lifetime that people have started saying the kind of thing you were asking about now but hang on free and direct style no forget flow bear forget Henry James I mean they're terrific but actually this woman who never met an accomplished author in her life who had no literary exchanges with fellow writersShe did it at a little table in a house in Hampshire. Just did it.Henry Oliver (20:14)Was she a Tory or an Enlightenment Liberal or something else?John Mullan (20:19)⁓ well I think the likeliest, if I had to pin my colours to a mast, I think she would be a combination of the two things you said. I think she would have been an enlightenment Tory, as it were. So I think there is some evidence that ⁓ perhaps because also I think she was probably quite reasonably devout Anglican. So there is some evidence that… She might have been conservative with a small C, but I think she was also an enlightenment person. I think she and her, especially her father and at least a couple of her brothers, you know, would have sat around reading 18th century texts and having enlightened discussions and clearly they were, you know, and they had, it's perfect, you know, absolutely hard and fast evidence, for instance, that they would have been that they were sympathetic to the abolition of slavery, that they were ⁓ sceptics about the virtues of monarchical power and clear-eyed about its corruption, that they had no, Jane Austen, as I said at the beginning of this exchange, had no great respect or admiration for the aristocratic ruling class at all. ⁓ So there's aspects of her politics which aren't conservative with a big C anyway, but I think enlightened, think, I mean I, you know, I got into all this because I loved her novels, I've almost found out about her family inadvertently because you meet scary J-Night experts at Jane Austen Society of North America conferences and if you don't know about it, they look at scants. But it is all interesting and I think her family were rather terrific actually, her immediate family. I think they were enlightened, bookish, optimistic, optimistic people who didn't sit around moaning about the state of the country or their own, you know, not having been left enough money in exes will. And...I think that they were in the broadest sense enlightened people by the standard of their times and perhaps by any standards.Henry Oliver (22:42)Is Mansfield Park about slavery?John Mullan (22:45)Not at all, no. I don't think so. I don't think so. And I think, you know, the famous little passage, for it is only a passage in which Edmund and Fanny talk about the fact it's not a direct dialogue. They are having a dialogue about the fact that they had, but Fanny had this conversation or attempt at conversation ⁓ a day or two before. And until relatively recently, nobody much commented on that passage. It doesn't mean they didn't read it or understand it, but now I have not had an interview, a conversation, a dialogue involving Mansfield Park in the last, in living memory, which hasn't mentioned it, because it's so apparently responsive to our priorities, our needs and our interests. And there's nothing wrong with that. But I think it's a it's a parenthetic part of the novel. ⁓ And of course, there was this Edward Said article some decades ago, which became very widely known and widely read. And although I think Edward Said, you know, was a was a wonderful writer in many ways. ⁓I think he just completely misunderstands it ⁓ in a way that's rather strange for a literary critic because he says it sort of represents, you know, author's and a whole society's silence about this issue, the source of wealth for these people in provincial England being the enslavement of people the other side of the Atlantic. But of course, Jane Auster didn't have to put that bit in her novel, if she'd wanted really to remain silent, she wouldn't have put it in, would she? And the conversation is one where Edmund says, know, ⁓ you know, my father would have liked you to continue when you were asking about, yeah, and she says, but there was such terrible silence. And she's referring to the other Bertram siblings who indeed are, of course, heedless, selfish ⁓ young people who certainly will not want to know that their affluence is underwritten by, you know, the employment of slaves on a sugar plantation. But the implication, I think, of that passage is very clearly that Fanny would have, the reader of the time would have been expected to infer that Fanny shares the sympathies that Jane Austen, with her admiration, her love, she says, of Thomas Clarkson. The countries leading abolitionists would have had and that Edmund would also share them. And I think Edmund is saying something rather surprising, which I've always sort of wondered about, which is he's saying, my father would have liked to talk about it more. And what does that mean? Does that mean, my father's actually, he's one of these enlightened ones who's kind of, you know, freeing the slaves or does it mean, my father actually knows how to defend his corner? He would have beenYou know, he doesn't he doesn't feel threatened or worried about discussing it. It's not at all clear where Sir Thomas is in this, but I think it's pretty clear where Edmund and Fanny are.Henry Oliver (26:08)How seriously do you take the idea that we are supposed to disapprove of the family theatricals and that young ladies putting on plays at home is immoral?John Mullan (26:31)Well, I would, mean, perhaps I could quote what two students who were discussing exactly this issue said quite some time ago in a class where a seminar was running on Mansfield Park. And one of the students can't remember their names, I'm afraid. I can't remember their identities, so I'm safe to quote them. ⁓ They're now probably running PR companies or commercial solicitors. And one of them I would say a less perceptive student said, why the big deal about the amateur dramatics? I mean, what's Jane Austen's problem? And there was a pause and another student in the room who I would suggest was a bit more of an alpha student said, really, I'm surprised you asked that. I don't think I've ever read a novel in which I've seen characters behaving so badly as this.And I think that's the answer. The answer isn't that the amateur dramatics themselves are sort of wrong, because of course Jane Austen and her family did them. They indulged in them. ⁓ It's that it gives the opportunity, the license for appalling, mean truly appalling behaviour. I mean, Henry Crawford, you know, to cut to the chase on this, Henry Crawford is seducing a woman in front of her fiance and he enjoys it not just because he enjoys seducing women, that's what he does, but because it's in front of him and he gets an extra kick out of it. You know, he has himself after all already said earlier in the novel, oh, I much prefer an engaged woman, he has said to his sister and Mrs. Grant. Yes, of course he does. So he's doing that. Mariah and Julia are fighting over him. Mr. Rushworth, he's not behaving badly, he's just behaving like a silly arse. Mary Crawford, my goodness, what is she up to? She's up to using the amateur dramatics for her own kind of seductions whilst pretending to be sort of doing it almost unwillingly. I mean, it seems to me an elaborate, beautifully choreographed elaboration of the selfishness, sensuality and hypocrisy of almost everybody involved. And it's not because it's amateur dramatics, but amateur dramatics gives them the chance to behave so badly.Henry Oliver (29:26)Someone told me that Thomas Piketty says that Jane Austen depicts a society in which inequality of wealth is natural and morally justified. Is that true?John Mullan (29:29)Ha⁓Well, again, Thomas Piketty, I wish we had him here for a good old mud wrestle. ⁓ I would say that the problem with his analysis is the coupling of the two adjectives, natural and morally right. I think there is a strong argument that inequality is depicted as natural or at least inevitable, inescapable in Jane Austen's novels.but not morally right, as it were. In fact, not at all morally right. There is a certain, I think you could be exaggerated little and call it almost fatalism about that such inequalities. Do you remember Mr. Knightley says to Emma, in Emma, when he's admonishing her for her, you know, again, a different way, terribly bad behavior.Henry Oliver (30:38)At the picnic.John Mullan (30:39)At the picnic when she's humiliatedMiss Bates really and Mr Knightley says something like if she'd been your equal you know then it wouldn't have been so bad because she could have retaliated she could have come back but she's not and she says and he says something like I won't get the words exactly right but I can get quite close he says sinceher youth, she has sunk. And if she lives much longer, will sink further. And he doesn't say, ⁓ well, we must have a collection to do something about it, or we must have a revolution to do something about it, or if only the government would bring in better pensions, you know, he doesn't, he doesn't sort of rail against it as we feel obliged to. ⁓ He just accepts it as an inevitable part of what happens because of the bad luck of her birth, of the career that her father followed, of the fact that he died too early probably, of the fact that she herself never married and so on. That's the way it is. And Mr Knightley is, I think, a remarkably kind character, he's one of the kindest people in Jane Austen and he's always doing surreptitious kindnesses to people and you know he gives the Bates's stuff, things to eat and so on. He arranges for his carriage to carry them places but he accepts that that is the order of things. ⁓ But I, you know Henry, I don't know what you think, I think reading novels or literature perhaps more generally, but especially novels from the past, is when you're responding to your question to Mr. Piketty's quote, is quite a sort of, can be quite an interesting corrective to our own vanities, I think, because we, I mean, I'm not saying, you know, the poor are always with us, as it were, like Jesus, but... ⁓ You know, we are so ⁓ used to speaking and arguing as if any degree of poverty is in principle politically remediable, you know, and should be. And characters in Jane Austen don't think that way. And I don't think Jane Austen thought that way.Henry Oliver (33:16)Yes, yes. Yeah.The other thing I would say is that ⁓ the people who discuss Jane Austen publicly and write about her are usually middle class or on middle class incomes. And there's a kind of collective blindness to the fact that what we call Miss Bates poverty simply means that she's slipping out of the upper middle class and she will no longer have her maid.⁓ It doesn't actually mean, she'll still be living on a lot more than a factory worker, who at that time would have been living on a lot more than an agricultural worker, and who would have been living on a lot more than someone in what we would think of as destitution, or someone who was necessitous or whatever. So there's a certain extent to which I actually think what Austin is very good at showing is the... ⁓ the dynamics of a newly commercial society. So at the same time that Miss Bates is sinking, ⁓ I forget his name, but the farmer, the nice farmer, Robert Martin, he's rising. And they all, all classes meet at the drapier and class distinctions are slightly blurred by the presence of nice fabric.John Mullan (34:24)Mr. Robert Martin. Henry Oliver (34:37)And if your income comes from turnips, that's fine. You can have the same material that Emma has. And Jane Austen knows that she lives in this world of buttons and bonnets and muslins and all these new ⁓ imports and innovations. And, you know, I think Persuasion is a very good novel. ⁓ to say to Piketty, well, there's nothing natural about wealth inequality and persuasion. And it's not Miss Bates who's sinking, it's the baronet. And all these admirals are coming up and he has that very funny line, doesn't he? You're at terrible risk in the Navy that you'd be cut by a man who your father would have cut his father. And so I think actually she's not a Piketty person, but she's very clear-eyed about... quote unquote, what capitalism is doing to wealth inequality. Yeah, yeah.John Mullan (35:26)Yes, she is indeed. Indeed.Clear-eyed, I think, is just the adjective. I mean, I suppose the nearest she gets to a description. Yeah, she writes about the classes that she knows from the inside, as it were. So one could complain, people have complained. She doesn't represent what it's like to be an agricultural worker, even though agricultural labour is going on all around the communities in which her novels are set.And I mean, I think that that's a sort of rather banal objection, but there's no denying it in a way. If you think a novelist has a duty, as it were, to cover the classes and to cover the occupations, then it's not a duty that Jane Austen at all perceived. However, there is quite, there is something like, not a representation of destitution as you get in Dickens.but a representation of something inching towards poverty in Mansfield Park, which is the famous, as if Jane Austen was showing you she could do this sort of thing, which is the whole Portsmouth episode, which describes with a degree of domestic detail she never uses anywhere else in her fiction. When she's with the more affluent people, the living conditions, the food, the sheer disgustingness and tawdryness of life in the lodgings in Portsmouth where the Price family live. And of course, in a way, it's not natural because ⁓ in their particular circumstances, Lieutenant Price is an alcoholic.They've got far too many children. ⁓ He's a useless, sweary-mouthed boozer ⁓ and also had the misfortune to be wounded. ⁓ And she, his wife, Fanny's mother, is a slattern. We get told she's a slattern. And it's not quite clear if that's a word in Fanny's head or if that's Jane Austen's word. And Jane Austen...Fanny even goes so far as to think if Mrs. Norris were in charge here, and Mrs. Norris is as it were, she's the biggest sadist in all Jane Austen's fiction. She's like sort Gestapo guard monquet. If Mrs. Norris were in charge, it wouldn't be so bad here, but it's terrible. And Jane Austen even, know, she describes the color of the milk, doesn't she? The blue moats floating in the milk.She dis- and it's all through Fanny's perception. And Fanny's lived in this rather loveless grand place. And now it's a great sort of, ⁓ it's a coup d'etat. She now makes Fanny yearn for the loveless grand place, you know, because of what you were saying really, Henry, because as I would say, she's such an unsentimental writer, you know, andyou sort of think, you know, there's going to be no temptation for her to say, to show Fanny back in the loving bosom of her family, realising what hollow hearted people those Bertrams are. You know, she even describes the mark, doesn't she, that Mr Price's head, his greasy hair is left on the wall. It's terrific. And it's not destitution, but it's something like a life which must be led by a great sort of rank of British people at the time and Jane Austen can give you that, she can.Henry Oliver (39:26)Yeah, yeah. That's another very Dickensian moment. I'm not going to push this little thesis of mine too far, but the grease on the chair. It's like Mr. Jaggers in his horse hair. Yes. That's right, that's right. ⁓ Virginia Woolf said that Jane Austen is the most difficult novelist to catch in the act of greatness. Is that true?John Mullan (39:34)Yes, yes, yes, it is these details that Dickens would have noticed of course. Yes.Yes.⁓ I think it is so true. think that Virginia Woolf, she was such a true, well, I think she was a wonderful critic, actually, generally. Yeah, I think she was a wonderful critic. you know, when I've had a couple of glasses of Rioja, I've been known to say, to shocked students, ⁓ because you don't drink Rioja with students very often nowadays, but it can happen. ⁓ But she was a greater critic than novelist, you know.Henry Oliver (39:54)Yeah.Best critic of the 20th century. Yes, yes. Yeah. And also greater than Emson and all these people who get the airtime. Yes, yes.John Mullan (40:20)You know.I know, I know, but that's perhaps because she didn't have a theory or an argument, you know, and the Seven Types, I know that's to her credit, but you know, the Seven Types of Ambiguity thing is a very strong sort of argument, even if...Henry Oliver (40:31)Much to her credit.But look, if the last library was on fire and I could only save one of them, I'd let all the other critics in the 20th century burn and I'd take the common reader, wouldn't you?John Mullan (40:47)Okay. Yes, I, well, I think I agree. think she's a wonderful critic and both stringent and open. I mean, it's an extraordinary way, you know, doesn't let anybody get away with anything, but on the other hand is genuinely ready to, to find something new to, to anyway. ⁓ the thing she said about Austin, she said lots of good things about Austin and most of them are good because they're true. And the thing about… Yes, so what I would, I think what she meant was something like this, that amongst the very greatest writers, so I don't know, Shakespeare or Milton or, you know, something like that, you could take almost a line, yes? You can take a line and it's already glowing with sort of radioactive brilliance, know, and ⁓ Jane Austen, the line itself, there are wonderful sentences.)Mr. Bennett was so odd a mixture of quick parts, sarcastic humor, reserve and caprice that the experience of three and 20 years had been insufficient to make his wife understand his character. I mean, that's as good as anything in Hamlet, isn't it? So odd a mixture and there he is, the oddest mixture there's ever been. And you think he must exist, he must exist. But anyway, most lines in Jane Austen probably aren't like that and it's as if in order to ⁓ explain how brilliant she is and this is something you can do when you teach Jane Austen, makes her terrific to teach I think, you can look at any bit and if everybody's read the novel and remembers it you can look at any paragraph or almost any line of dialogue and see how wonderful it is because it will connect to so many other things. But out of context, if you see what I mean, it doesn't always have that glow of significance. And sometimes, you know, the sort of almost most innocuous phrases and lines actually have extraordinary dramatic complexity. but you've got to know what's gone on before, probably what goes on after, who's in the room listening, and so on. And so you can't just catch it, you have to explain it. ⁓ You can't just, as it were, it, as you might quote, you know, a sort of a great line of Wordsworth or something.Henry Oliver (43:49)Even the quotable bits, you know, the bit that gets used to explain free and direct style in Pride and Prejudice where she says ⁓ living in sight of their own warehouses. Even a line like that is just so much better when you've been reading the book and you know who is being ventriloquized.John Mullan (43:59)Well, my favourite one is from Pride and Prejudice is after she's read the letter Mr Darcy gives her explaining what Wickham is really like, really, for truth of their relationship and their history. And she interrogates herself. And then at the end, there's ⁓ a passage which is in a passage of narration, but which is certainly in going through Elizabeth's thoughts. And it ends, she had been blind, partial, prejudiced, absurd. And I just think it's, if you've got to know Elizabeth, you just know that that payoff adjective, absurd, that's the coup de grace. Because of course, finding other people absurd is her occupation. It's what makes her so delightful. And it's what makes us complicit with her.Henry Oliver (44:48)Yeah.That's right.John Mullan (45:05)She sees how ridiculous Sir William Lucas and her sister Mary, all these people, and now she has absurded herself, as it were. So blind partial prejudice, these are all repetitions of the same thought. But only Elizabeth would end the list absurd. I think it's just terrific. But you have to have read the book just to get that. That's a whole sentence.You have to have read the book to get the sentence, don't you?Henry Oliver (45:34)Yep, indeed. ⁓ Do we love Jane Austen too much so that her contemporaries are overshadowed and they're actually these other great writers knocking around at the same time and we don't give them their due? Or is she in fact, you know, the Shakespeare to their Christopher Marlowe or however you want to.John Mullan (45:55)I think she's the Shakespeare to their Thomas Kidd or no even that's the... Yes, okay, I'm afraid that you know there are two contradictory answers to that. Yes, it does lead us to be unfair to her contemporaries certainly because they're so much less good than her. So because they're so much less good than her in a way we're not being unfair. know, I mean... because I have the profession I have, I have read a lot of novels by her immediate predecessors. I mean, people like Fanny Burnie, for instance, and her contemporaries, people like Mariah Edgeworth. And ⁓ if Jane Austen hadn't existed, they would get more airtime, I think, yes? And some of them are both Burnie and Edgeworth, for instance. ⁓ highly intelligent women who had a much more sophisticated sort of intellectual and social life than Jane Austen ⁓ and conversed with men and women of ideas and put some of those ideas in their fiction and they both wrote quite sophisticated novels and they were both more popular than Jane Austen and they both, having them for the sort of carpers and complainers, they've got all sorts of things like Mariah Regworth has some working-class people and they have political stuff in their novels and they have feminist or anti-feminist stuff in their novels and they're much more satisfying to the person who's got an essay to write in a way because they've got the social issues of the day in there a bit, certainly Mariah Regworth a lot. ⁓ So if Jane Austen hadn't come along we would show them I think more, give them more time. However, you know, I don't want to say this in a destructive way, but in a certain way, all that they wrote isn't worth one paragraph of Jane Austen, you know, in a way. So we're not wrong. I suppose the interesting case is the case of a man actually, which is Walter Scott, who sort of does overlap with Jane Austen a bit, you know, and who has published what I can't remember, two, three, even four novels by the time she dies, and I think three, and she's aware of him as a poet and I think beginning to be aware of him as a novelist. And he's the prime example of somebody who was in his own day, but for a long time afterwards, regarded as a great novelist of his day. And he's just gone. He's really, you know, you can get his books in know, Penguin and Oxford classics in the shops. I mean, it's at least in good big book shops. And it's not that he's not available, but it's a very rare person who's read more than one or even read one. I don't know if you read lots of Scott, Henry.Henry Oliver (49:07)Well, I've read some Scott and I quite like it, but I was a reactionary in my youth and I have a little flame for the Jacobite cause deep in my heart. This cannot be said of almost anyone who is alive today. 1745 means nothing to most people. The problem is that he was writing about something that has just been sort of forgotten. And so the novels, know, when Waverly takes the knee in front of the old young old pretender, whichever it is, who cares anymore? you know?John Mullan (49:40)Well, yes, but it can't just be that because he also wrote novels about Elizabeth I and Robin Hood and, you know... ⁓Henry Oliver (49:46)I do think Ivanhoe could be more popular, yeah.John Mullan (49:49)Yeah, so it's not just that this and when he wrote, for instance, when he published Old Mortality, which I think is one of his finest novels, I mean, I've read probably 10 Scott novels at nine or 10, you know, so that's only half or something of his of his output. And I haven't read one for a long time, actually. Sorry, probably seven or eight years. He wrote about some things, which even when he wrote about and published about, readers of the time couldn't have much known or cared about. mean, old mortalities about the Covenant as wars in the borderlands of Scotland in the 17th century. I mean, all those people in London who were buying it, they couldn't give a damn about that. Really, really, they couldn't. I mean, they might have recognized the postures of religious fanaticism that he describes rather well.But even then only rather distantly, I think. So I think it's not quite that. I think it's not so much ignorance now of the particular bits of history he was drawn to. I think it's that in the 19th century, historical fiction had a huge status. And it was widely believed that history was the most dignified topic for fiction and so dignified, it's what made fiction serious. So all 19th century authors had a go at it. Dickens had a go at it a couple of times, didn't he? I think it's no, yes, yes, think even Barnaby Rudge is actually, it's not just a tale of two cities. Yes, a terrific book. But generally speaking, ⁓ most Victorian novelists who did it, ⁓ they are amongst, you know, nobodyHenry Oliver (51:22)Very successfully. ⁓ a great book, great book.John Mullan (51:43)I think reads Trollope's La Vendée, you know, people who love Hardy as I do, do not rush to the trumpet major. it was a genre everybody thought was the big thing, know, war and peace after all. And then it's prestige faded. I mean, it's...returned a little bit in some ways in a sort of Hillary man, Tellish sort of way, but it had a hugely inflated status, I think, in the 19th century and that helped Scott. And Scott did, know, Scott is good at history, he's good at battles, he's terrific at landscapes, you know, the big bow wow strain as he himself described it.Henry Oliver (52:32)Are you up for a sort of quick fire round about other things than Jane Austen?John Mullan (52:43)Yes, sure, try me.Henry Oliver (52:44)Have you used any LLMs and are they good at talking about literature?John Mullan (52:49)I don't even know what an LLM is. What is it? Henry Oliver (52:51)Chat GPT. ⁓ John Mullan (53:17)⁓ God, goodness gracious, it's the work of Satan.Absolutely, I've never used one in my life. And indeed, have colleagues who've used them just to sort of see what it's like so that might help us recognise it if students are using them. And I can't even bring myself to do that, I'm afraid. But we do as a...As a department in my university, we have made some use of them purely in order to give us an idea of what they're like, so to help us sort of...Henry Oliver (53:28)You personally don't feel professionally obliged to see what it can tell you. Okay, no, that's fine. John Mullan (53:32)No, sorry.Henry Oliver (53:33)What was it like being a Booker Prize judge?heady. It was actually rather heady. Everybody talks about how it's such a slog, all those books, which is true. But when you're the Booker Prize judge, at least when I did it, you were treated as if you were somebody who was rather important. And then as you know, and that lasts for about six months. And you're sort of sent around in taxes and give nice meals and that sort of thing. And sort of have to give press conferences when you choose the shortlist. and I'm afraid my vanity was tickled by all that. And then at the moment after you've made the decision, you disappear. And the person who wins becomes important. It's a natural thing, it's good. And you realize you're not important at all.Henry Oliver (54:24)You've been teaching in universities, I think, since the 1990s.John Mullan (54:29)Yes, no earlier I fear, even earlier.Henry Oliver (54:32)What are the big changes? Is the sort of media narrative correct or is it more complicated than that?John Mullan (54:38)Well, it is more complicated, but sometimes things are true even though the Daily Telegraph says they're true, to quote George Orwell. ⁓ you know, I mean, I think in Britain, are you asking about Britain or are you asking more generally? Because I have a much more depressing view of what's happened in America in humanities departments.Henry Oliver (54:45)Well, tell us about Britain, because I think one problem is that the American story becomes the British story in a way. So what's the British story?John Mullan (55:07)Yes, yes, think that's true.Well, I think the British story is that we were in danger of falling in with the American story. The main thing that has happened, that has had a clear effect, was the introduction in a serious way, however long ago it was, 13 years or something, of tuition fees. And that's really, in my department, in my subject, that's had a major change.and it wasn't clear at first, but it's become very clear now. So ⁓ it means that the, as it were, the stance of the teachers to the taught and the taught to the teachers, both of those have changed considerably. Not just in bad ways, that's the thing. It is complicated. So for instance, I mean, you could concentrate on the good side of things, which is, think, I don't know, were you a student of English literature once?Henry Oliver (55:49)Mm-hmm.I was, I was. 2005, long time ago.John Mullan (56:07)Yes. OK.Well, I think that's not that long ago. mean, probably the change is less extreme since your day than it is since my day. But compared to when I was a student, which was the end of the 70s, beginning of the 80s, I was an undergraduate. The degree of sort of professionalism and sobriety, responsibility and diligence amongst English literature academics has improved so much.You know, you generally speaking, literature academics, they are not a load of ⁓ drunken wastrels or sort of predatory seducers or lazy, work shy, ⁓ even if they love their own research, negligent teachers or a lot of the sort of the things which even at the time I recognise as the sort of bad behaviour aspects of some academics. Most of that's just gone. It's just gone. You cannot be like that because you've got everybody's your institution is totally geared up to sort of consumer feedback and and the students, especially if you're not in Oxford or Cambridge, the students are essentially paying your salaries in a very direct way. So there have been improvements actually. ⁓ those improvements were sort of by the advocates of tuition fees, I think, and they weren't completely wrong. However, there have also been some real downsides as well. ⁓ One is simply that the students complain all the time, you know, and in our day we had lots to complain about and we never complained. Now they have much less to complain about and they complain all the time. ⁓ So, and that seems to me to have sort of weakened the relationship of trust that there should be between academics and students. But also I would say more if not optimistically, at least stoically. I've been in this game for a long time and the waves of student fashion and indignation break on the shore and then another one comes along a few years later. And as a sort of manager in my department, because I'm head of my department, I've learned to sort of play the long game.And what everybody's hysterical about one moment, one year, they will have forgotten about two or three years later. So there has been a certain, you know, there was a, you know, what, what, you know, some conservative journalists would call kind of wokery. There has been some of that. But in a way, there's always been waves of that. And the job of academics is sort of to stand up to it. and in a of calm way. Tuition fees have made it more difficult to do that I think.Henry Oliver (59:40)Yeah. Did you know A.S. Byatt? What was she like?John Mullan (59:43)I did.⁓ Well...When you got to know her, you recognized that the rather sort of haughty almost and sometimes condescending apparently, ⁓ intellectual auteur was of course a bit of a front. Well, it wasn't a front, but actually she was quite a vulnerable person, quite a sensitive and easily upset person.I mean that as a sort of compliment, not easily upset in the sense that sort of her vanity, but actually she was quite a humanly sensitive person and quite woundable. And when I sort of got to know that aspect of her, know, unsurprisingly, I found myself liking her very much more and actually not worrying so much about the apparent sort of put downs of some other writers and things and also, you know, one could never have said this while she was alive even though she often talked about it. I think she was absolutely permanently scarred by the death of her son and I think that was a, you know, who was run over when he was what 11 years old or something. He may have been 10, he may have been 12, I've forgotten, but that sort of age. I just think she was I just think she was permanently lacerated by that. And whenever I met her, she always mentioned it somehow, if we were together for any length of time.Henry Oliver (1:01:27)What's your favourite Iris Murdoch novel?John Mullan (1:01:33)I was hoping you were going to say which is the most absurd Aris Murdoch novel. ⁓ No, you're an Aris Murdoch fan, are you? Henry Oliver (1:01:38)Very much so. You don't like her work?John Mullan (1:01:59)Okay. ⁓ no, it's, as you would say, Henry, more complicated than that. I sort of like it and find it absurd. It's true. I've only read, re-read in both cases, two in the last 10 years. And that'sThat's not to my credit. And both times I thought, this is so silly. I reread the C to C and I reread a severed head. And I just found them both so silly. ⁓ I was almost, you know, I almost lost my patience with them. But I should try another. What did I used to like? Did I rather like an accidental man? I fear I did.Did I rather like the bell, which is surely ridiculous. I fear I did. Which one should I like the most?Henry Oliver (1:02:38)I like The Sea, the Sea very much. ⁓ I think The Good Apprentice is a great book. There are these, so after The Sea, the Sea, she moves into her quote unquote late phase and people don't like it, but I do like it. So The Good Apprentice and The Philosopher's Pupil I think are good books, very good books.John Mullan (1:02:40)I've not read that one, I'm afraid. Yes, I stopped at the sea to sea. I, you know, once upon a time, I'm a bit wary of it and my experience of rereading A Severed Head rather confirmed me in my wariness because rereading, if I were to reread Myris Murdoch, I'm essentially returning to my 18 year old self because I read lots of Myris Murdoch when I was 17, 18, 19 and I thought she was deep as anything. and to me she was the deep living British novelist. And I think I wasn't alone ⁓ and I feel a little bit chastened by your advocacy of her because I've also gone along with the ⁓ general readership who've slightly decided to ditch Irish Murdoch. her stock market price has sunk hugely ⁓ since her death. But perhaps that's unfair to her, I don't know. I've gone a bit, I'll try again, because I recently have reread two or three early Margaret Drabble novels and found them excellent, really excellent. And thought, ⁓ actually, I wasn't wrong to like these when I was a teenager. ⁓Henry Oliver (1:04:11)The Millstone is a great book.John Mullan (1:04:22)⁓ yes and actually yes I reread that, I reread the Garrick year, the Millstone's terrific I agree, the the Garrick year is also excellent and Jerusalem the Golden, I reread all three of them and and and thought they were very good. So so you're recommending the Philosopher's Apprentice. I'm yeah I'm conflating yes okay.Henry Oliver (1:04:31)first rate. The Good Apprentice and the Philosopher's Pupil. Yeah, yeah. I do agree with you about A Severed Head. I think that book's crazy. What do you like about Patricia Beer's poetry?John Mullan (1:04:56)⁓ I'm not sure I am a great fan of Patricia Beer's poetry really. I got the job of right, what? Yes, yes, because I was asked to and I said, I've read some of her poetry, but you know, why me? And the editor said, because we can't find anybody else to do it. So that's why I did it. And it's true that I came.Henry Oliver (1:05:02)Well, you wrote her... You wrote her dictionary of national... Yes.John Mullan (1:05:23)I came to quite like it and admire some of it because in order to write the article I read everything she'd ever published. But that was a while ago now, Henry, and I'm not sure it puts me in a position to recommend her.Henry Oliver (1:05:35)Fair enough.Why is the Dunciad the greatest unread poem in English?John Mullan (1:05:41)Is it the greatest unread one? Yes, probably, yes, yes, I think it is. Okay, it's great because, first of all, great, then unread. It's great because, well, Alexander Poet is one of the handful of poetic geniuses ever, in my opinion, in the writing in English. Absolutely genius, top shelf. ⁓Henry Oliver (1:05:46)Well, you said that once, yes.Mm-hmm. Yes, yes, yes. Top shelf, yeah.John Mullan (1:06:09)And even his most accessible poetry, however, is relatively inaccessible to today's readers, sort of needs to be taught, or at least you have to introduce people to. Even the Rape of the Lock, which is a pure delight and the nearest thing to an ABBA song he ever wrote, is pretty scary with its just densely packed elusiveness and...Henry Oliver (1:06:27)YouJohn Mullan (1:06:38)You know, and as an A level examiner once said to me, we don't set Pope for A level because it's full of irony and irony is unfair to candidates. ⁓ Which is true enough. ⁓ So Pope's already difficult. ⁓ Poetry of another age, poetry which all depends on ideas of word choice and as I said, literary allusion and The Dunciad is his most compacted, elusive, dense, complicated and bookish poems of a writer who's already dense and compact and bookish and elusive. And the Dunceyad delights in parodying, as I'm sure you know, all the sort of habits of scholarly emendation and encrustation, which turn what should be easy to approach works of literature into sort of, you know, heaps of pedantic commentary. And he parodies all that with delight. But I mean, that's quite a hard ask, isn't it? And ⁓ yeah, and I just and I think everything about the poem means that it's something you can only ever imagine coming to it through an English literature course, actually. I think it is possible to do that. I came to it through being taught it very well and, you know, through because I was committed for three years to study English literature, but it's almost inconceivable that somebody could just sort of pick it up in a bookshop and think, ⁓ this is rather good fun. I'll buy this.Henry Oliver (1:08:26)Can we end with one quick question about Jane Austen since it's her birthday? A lot of people come to her books later. A lot of people love it when they're young, but a lot of people start to love it in their 20s or 30s. And yet these novels are about being young. What's going on there?John Mullan (1:08:29)Sure, sure.Yes.I fear, no not I fear, I think that what you describe is true of many things, not just Jane Austen. You know, that there's a wonderful passage in J.M. Coetzee's novel Disgrace where the reprehensible protagonist is teaching Wordsworth's Prelude.to a group of 19 and 20 year olds. And he adores it. He's in his mid fifties. And he, whilst he's talking, is thinking different things. And what he's thinking is something that I often think actually about certain works I teach, particularly Jane Austen, which is this book is all about being young, but the young find it tedious. Only the aging.You know, youth is wasted on the young, as it were. Only the aging really get its brilliance about the experience of being young. And I think that's a sort of pattern in quite a lot of literature. So, you know, take Northanger Abbey. That seems to me to be a sort of disly teenage book in a way.It's everything and everybody's in a hurry. Everybody's in a whirl. Catherine's in a whirl all the time. She's 17 years old. And it seems to me a delightfully teenage-like book. And if you've read lots of earlier novels, mostly by women, about girls in their, you know, nice girls in their teens trying to find a husband, you know, you realize that sort ofextraordinary magical gift of sort Jane Austen's speed and sprightliness. You know, somebody said to me recently, ⁓ when Elizabeth Bennet sort of walks, but she doesn't walk, she sort of half runs across the fields. You know, not only is it socially speaking, no heroine before her would have done it, but the sort of the sprightliness with which it's described putsthe sort of ploddingness of all fiction before her to shame. And there's something like that in Northanger Abbey. It's about youthfulness and it takes on some of the qualities of the youthfulness of its heroine. know, her wonderful oscillations between folly and real insight. You know, how much she says this thing. I think to marry for money is wicked. Whoa. And you think,Well, Jane Austen doesn't exactly think that. She doesn't think Charlotte Lucas is wicked, surely. But when Catherine says that, there's something wonderful about it. There is something wonderful. You know, only a 17 year old could say it, but she does. And but I appreciate that now in my 60s. I don't think I appreciated it when I was in my teens.Henry Oliver (1:11:55)That's a lovely place to end. John Mullen, thank you very much.John Mullan (1:11:58)Thanks, it's been a delight, a delight. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.commonreader.co.uk/subscribe

"Materialists" is an American romantic comedy-drama film written and directed by Celine Song, starring Dakota Johnson, Chris Evans, and Pedro Pascal. Set against the backdrop of New York City's luxury-driven dating culture, it follows a love triangle among a matchmaker, her ex-boyfriend, an aspiring actor, and a charming millionaire. Released over the summer by A24, it received generally positive reviews from critics and grossed $108 million worldwide, becoming A24's third-highest-grossing film and Song's highest-grossing film. Japanese Breakfast vocalist, guitarist, and primary songwriter Michelle Zauner wrote the end-credits song "My Baby (Got Nothing At All)" for the film and was kind enough to spend some time talking with us about her work and experience making the song, which you can listen to below. Please be sure to check out the film, which is now available to own or rent at home from A24. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

It's cold out there but warm in the hearts of your hosts Chris and Neil. First, after the intro, they venture back into earlier this year with Materalists- Celine Song's newest one with Dakota Johnson, Pedro Pascal and Chris Evans. Then, after a news segment they talk the big sexy part 2 of Wicked with Wicked: For Good starring Cynthia Erivo, Ariana Grande and Jeff Goldblum. Does Dakota Johnson make up for Madame Web? Is Wicked: For Good good enough? They give their opinion. If you want to hear it, listen, If not, tell them they're dumb. They don't care. Oh yeah , if you want a 100% free sticker (we even pay postage) send us a message! www.moviesthatdontsuck.net https://w2mnet.com/category/podcasts/movies-that-dont-suck-and-some-that-do www.patreon.com/moviesthatdontsuck https://www.bonfire.com/movies-that-dont-suck-and-some-that-do-logo/ FB: facebook.com/moviesthatdontsuckpodcast Bluesky: @moviesthatdontsuck.bsky.social Instagram: @MTDSpodcast https://www.youtube.com/@moviesthatdontsuckpodcast

It's cold out there but warm in the hearts of your hosts Chris and Neil. First, after the intro, they venture back into earlier this year with Materalists- Celine Song's newest one with Dakota Johnson, Pedro Pascal and Chris Evans. Then, after a news segment they talk the big sexy part 2 of Wicked with Wicked: For Good starring Cynthia Erivo, Ariana Grande and Jeff Goldblum. Does Dakota Johnson make up for Madame Web? Is Wicked: For Good good enough? They give their opinion. If you want to hear it, listen, If not, tell them they're dumb. They don't care. Oh yeah , if you want a 100% free sticker (we even pay postage) send us a message! www.moviesthatdontsuck.net https://w2mnet.com/category/podcasts/movies-that-dont-suck-and-some-that-do www.patreon.com/moviesthatdontsuck https://www.bonfire.com/movies-that-dont-suck-and-some-that-do-logo/ FB: facebook.com/moviesthatdontsuckpodcast Bluesky: @moviesthatdontsuck.bsky.social Instagram: @MTDSpodcast https://www.youtube.com/@moviesthatdontsuckpodcast

We talk about how Saudi Arabia has renewed Dakota Johnson's faith in film and Clara eavesdropping on Gen Alpha sleepover semantics. We also dive into the broader implications of younger consumers' preference for Buy Now, Pay Later, Gary Vee evangelizing livestream shopping, and how frictionless access to credit has allowed the creator economy and the trend ecosystem to rise at scale. Hosted on Acast. See acast.com/privacy for more information.

All week long, we're looking into 10 new terms and concepts that are certain to be on everyone's lips in 2023! In December 2022, New York magazine ran a cover which got a lot of attention. It featured the heads of a number of Hollywood celebs like Lily-Rose Depp, Ben Platt, Dakota Johnson and Zoe Kravitz, all edited onto babies' bodies. In the centre of the page the bright pink headline read: “She Has Her Mother's Eyes. And Agent.” The article inside labelled 2022 the “Year of the Nepo Baby”. What those celeb babies all have in common is that they're the children of famous, successful parents. That's where the “nepo” part comes from, as in nepotism. Right from the get go, these kids had an advantage or arguably a sure road to success. Isn't that obvious? That's been the case forever, hasn't it? What do nepo babies themselves have to say on the issue? In under 3 minutes, we answer your questions! To listen to more episodes, click here: ⁠Can a weighted blanket help you get a better night's sleep?⁠ ⁠What is the internet of senses?⁠ ⁠What is goblin mode?⁠ A Bababam Originals podcast. Written and produced by Joseph Chance. First Broadcast: 11/1/2023 Learn more about your ad choices. Visit megaphone.fm/adchoices

In this ZFF Masters episode, actor and producer Dakota Johnson talks to ZFF Co-Owner Max Loong, reflecting on how growing up in a film family shaped her artistic instincts and professional path. She discusses the founding of her production company TeaTime Pictures – a company powered primarily by women – and offers behind-the-scenes insight into the eclectic range of projects she has taken on throughout her career. Dakota Johnson has become one of Hollywood's most compelling talents, known for her distinctive screen presence and increasingly impactful work as a producer. After early roles in films such as THE SOCIAL NETWORK and 21 JUMP STREET, she achieved worldwide recognition with the FIFTY SHADES trilogy, earning a 2016 BAFTA Rising Star nomination. Since then, she has balanced acclaimed indie projects like A BIGGER SPLASH, SUSPIRIA, and THE PEANUT BUTTER FALCON with major studio films including BLACK MASS and THE LOST DAUGHTER. In 2019, she co-founded TeaTime Pictures with Ro Donnelly, a company driven largely by women. At the 21st Zurich Film Festival, Johnson opened the festival with her new production, SPLITSVILLE and received the Golden Eye Award. ZFF Masters are in-depth conversations with renowned voices from world cinema, open to the public and held during the Zurich Film Festival. They offer audiences a rare opportunity to gain insight into the creative process and artistic vision of leading figures in film. Cover photo: Maurice Haas #ZFF2025 #zurichfilmfestival

In this episode the FilmBros discuss the Film "Materialists" starring Dakota Johnson, Pedro Pascal and Chris EvansLeave a message on our socials! Twitter, TIktok, IG @FIlmBrosPodcastSupport the show

On this week's episode: Brendan Fraser announces return to the "Mummy" franchise, Pope Leo blesses cinema, all-you-can-eat movie theater challenge, Star Wars fans demand the return of Ben Solo, Toy Story 5 plot and details, and more! The Hub on Hollywood, hosted by Jamie and James, delves into the thriving film industry in New England. The podcast explores the production of various projects, including commercials, television shows, and full-length feature films. The podcast insights into New England’s growing film industry, as well as entertainment news and reviews. Subscribers can access the podcast on the iHeartRadio app and follow the hosts on Instagram and TikTok for updates.See omnystudio.com/listener for privacy information.

This week on Deux/U, Deux is talking about the hottest topics of the week, including: Recap Brittany Snow + Hunter Moreno, Ariana Grande + Ethan Slater, Timotheé Chalamet + Kylie Jenner, Dakota Johnson + mystery man, Martin Short + Meryl Streep Taylor Swift + Harry Styles Shaboozy + SZA Kendall Jenner Glenn Powell + Michelle Randolph Nina Dobrev Bravocon Text messages: Quentin Tarantino + Austin Butler, Zoë Kravotz, Patrick + Brittany Mahomes, Kit Harrington, Kris Jenner, Johnny Depp, Kaia Gerber + Lewis Pullman, Kendrick Lamar Voicemails: Ashley Graham, Stranger Things To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Welcome back, cinephiles and perverts, and welcome to Season Two of Sex in the Cinema!!! To kick off Season Two, Torie is joined by Angelenos and expert hate-watchers Chelsey Morin and Thien-Y Hoang to demolish the cultural phenomenon that was the 50 Shades of Grey trilogy. From its humble beginnings in a Twilight fanfiction forum, to the published printed page, all the way to the silver screen, this gross disservice to the kink community turned on the world. For SITC's Season Two Premiere, we're tackling the first installment of the trilogy, 50 SHADES OF GREY. Released in 2015 and directed by Sam Taylor-Johnson (wife of Aaron Taylor-Johnson, mind you), this film launched the careers of usually good actors Dakota Johnson and Jaimie Dornan.   Mousy brunette super-virgin Anastasia Steele's simple life turns upside down when she meets sexy billionaire (and apparent Never Nude), Christian Grey. Anastasia soon finds out Christian doesn't do relationships, but he does enjoy “various physical pursuits.” Namely, kidnapping women and coercing them into dom/sub relationships of very questionable ethics.   What ensues is two hours of sociopathic behavior, painful lack of chemistry, horrifically awful dialogue, NDAs and contracts, too many needle drops, countless glasses of unconsumed white wine, mostly vanilla sex, an apparent proclivity for Hollister men's jeans, a dusting of taboo slap & tickle, one impressive den of iniquity set, and wayyyyyy too many red flags.    So bust out those handcuffs and settle in for the long haul because, in the words of Christian Grey, there's “no escaping now…”

Will, Alex, and Jerome tackle life's most important questions: would you take $5 million if it meant not showering for a year, give up Asian food in exchange for unlimited travel, or stop buying new clothes if it meant you could still get haircuts? Later, Alex drops his latest Five Dollar Thoughts on the death of social etiquette, swearing on TV, and why marathons should be shorter. Finally, he unveils his newest “In List,” featuring hash browns, Dakota Johnson, Big Sean's Mercy verse, and more, before the trio dives into listener questions.Reach out to the show by leaving a voicemail at hellowelcome.show or email the guys info@hellowelcome.showCheck out our merch! Visit hellowelcome.show and click on the merch link.Original Music by DIVISION 88.Reach out to sales@thenationnetwork.com to connect with our Sales Team and discuss opportunities to partner with us! Hosted on Acast. See acast.com/privacy for more information.

The royal formerly known as "Prince" Andrew is only Andrew now. In what's being called 'the greatest crisis the royal family has faced in 100 years', the King has banished his brother after the distress and noise around his behaviour finally became too loud for even the insulated royals to ignore. So what now? Will it shut down critics and accusers, or just open the flood gates? Also, is it just plain embarrassing to admit to having a boyfriend now? The most viral essay of the past week says YES, so why's that? And: the politics of a pair of untethered breasts. Why Sydney Sweeney's new version of the naked dress has everyone confused. Plus: Celebrity Halloween hard launches and a not-so veiled dig at the super-rich from a superstar. Support independent women's media What To Listen To Next: Listen to our latest episode: The New Love Language & A Fitness Dating Test Listen: Mia, Nobody Wants This & A Robust Debrief Listen: Everything We Refuse To Spend Money On Listen: An Unevenly Open Marriage & ‘Likeable’ Kristen Bell Listen: Other People’s Marriages & Your New 'Shobby' Listen: The Precise Etiquette Of A 'Grudget' Listen: Kim K's Bush & An Office Politics Dilemma Listen: A 'Furious' King & The Rise Of The Barbie Waist Connect your subscription to Apple Podcasts Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. Watch Mamamia Out Loud: Mamamia Out Loud on YouTube What to read: The one question everyone's asking about Andrew. Only Andrew, just Sarah and a teenage 'nobody' who rewrote royal history. The real reason why we're obsessed with Sydney Sweeney's boobs. Nothing cures creative block like discovering your husband's secret sex lair. Katy Perry and Justin Trudeau just hard-launched their relationship. THE END BITS: Check out our merch at MamamiaOutLoud.com Mamamia studios are styled with furniture from Fenton and Fenton GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloud Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation and the Jerrinja land of the Wandi Wandian People. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures. Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

On this weeks episode of One For The Road I am joined by Brad Garrett is an Emmy and SAG Award winning actor, comedian, and writer. He won three Emmys for his role as "Robert Barone" on the iconic television series EVERYBODY LOVES RAYMOND and received an Emmy nomination along with a Screen Actors Guild nomination for Outstanding Lead Actor in a Miniseries or Movie for his portrayal of "The Great One" in the telefilm GLEASON. Brad most recently co-starred in the Apple TV Plus series HIGH DESERT, and guest starred in the Peacock series BUPKIS following Pete Davidson's life. He starred in FX's FARGO (Season 2) as well as the Jim Carrey-produced Showtime series I'M DYING UP HERE (Season 2). He is also Co-creator/Executive Producer with David E. Kelley on BIG SHOT (Disney+). In features, Brad appears in CHA CHA REAL SMOOTH (Apple) directed by Cooper Raiff and starring Dakota Johnson as well as WILDFLOWER with Jean Smart and Dash Mihok, which premiered at Toronto International Film Festival. He also co-starred opposite Julianne Moore in GLORIA BELL (A24) directed by Sebastian Lelio.If you want to connect with me via Instagram, you can find me on the instahandle @Soberdave https://www.instagram.com/soberdave/or via my website https://davidwilsoncoaching.com/Provided below are links for services offering additional help and advice.www.drinkaware.co.uk/advice/alcohol-support-serviceshttps://nacoa.org.uk/Show producer- Daniella Attanasio-MartinezInstagram - @TheDaniellaMartinezhttps://www.instagram.com/thedaniellamartinez/www.instagram.com/grownuphustle Hosted on Acast. See acast.com/privacy for more information.

Peloton is offering Halloween themed classes. Vinnie shares his thoughts on meditation. Liam Hemsworth is officially ‘The Witcher' with Season 4 premiering on Netflix. Justin Trudeau says Katy Perry is the “perfect woman.” Dakota Johnson reveals her biggest red flag about men. 10 years ago this week: Star Wars was back, Taylor Swift was unstoppable, and Black Friday was peaking. China is making influencers prove their credentials in order to speak on sensitive subjects.

Bob's Movie Club has its next assignment: ‘The Family Stone' starring Diane Keaton, Sarah Jessica Parker, and Rachel McAdams. Being a Millionaire ain't what it used to be! Is Billionaire status achievable? Get ready to fall back on Saturday night. Canada might actually take home America's favorite pastime. People are now getting their Halloween candy delivered. The Bird Theory is testing how interested your partner can pretend to be - will John and Susan pass? Death is not an option: How much do you hate Kandy Korn? Could you handle a horde of bats? ‘Wicked: For Good' will NOT show Dorothy - here are our thoughts. Sending good vibes to the people of Jamaica. The pumpkin world record has been broken - again! PSA: You're not going to overdose on happiness. Plus, a crazy guy doing crazy guys things. Peloton is offering Halloween themed classes. Vinnie shares his thoughts on meditation. Liam Hemsworth is officially ‘The Witcher' with Season 4 premiering on Netflix. Justin Trudeau says Katy Perry is the “perfect woman.” Dakota Johnson reveals her biggest red flag about men. 10 years ago this week: Star Wars was back, Taylor Swift was unstoppable, and Black Friday was peaking. China is making influencers prove their credentials in order to speak on sensitive subjects. Sarah and Bob are checking in on their Bird Theory texts. Sometimes bands don't even know their best songs! Billie Eilish thought ‘Birds of a Feather' was silly, and it became the biggest hit on the album. Brad Paisley is a bizarre MLB good luck charm! We are finally getting to the Jesus H. Christ story! Apparently the saying has been around since AT LEAST the mid 1800s. Halloween decorations are getting bigger and scarier - toughen up kids! Plus, how old is that guy?

Everyone has their icks. She could never date Vinnie with this one!

Many streamers announce release dates for big shows while Dakota Johnson lines up her directorial debut.

Story 1: This morning, the FBI uncovered a fraud scheme straight out of Hollywood: tens of millions of dollars stolen through rigged poker games and insider sports betting, with four of New York's oldest crime families pulling the strings and prominent NBA players and coaches potentially connected. Will and The Crew break down the scope of the fraud and give you the latest updates on this developing story. Story 2: Senior Columnist for Townhall Kurt Schlichter joins Will to break down Maine Senatorial candidate Graham Platner's multiple campaign scandals, before reacting to James Carville calling for a Trump supporter "walk of shame" and Snoop Dogg caving in to the woke agenda. Story 3: Will brings The Crew back in to further discuss Platner's "tattoo-gate." They also react to Michael Jordan describing his first basketball shot in years, and Dakota Johnson's biggest turn off in men. Subscribe to ‘Will Cain Country' on YouTube here: ⁠⁠Watch Will Cain Country!⁠⁠Follow ‘Will Cain Country' on X (@willcainshow), Instagram (@willcainshow), TikTok (@willcainshow), and Facebook (@willcainnews) Follow Will on X: ⁠⁠@WillCain Learn more about your ad choices. Visit podcastchoices.com/adchoices

One of the best in the bizz, Dakota Johnson has revealed her major red flag...men wearing flip flops. Chrissie said hers is adults who play video games, whilst Jack's is when people love their dog too much...what's yours? Plus, it's sweeping statement time!See omnystudio.com/listener for privacy information.

Prince Andrew - the royal problem that just won't go away - has done just that, by giving up his royal titles. So, Amelia Lester and Claire Murphy join our royal correspondent Holly Wainwright to try understand - why now? Plus, does high fashion actually hate women? From a dress that looks more like a cocoon, to an ensemble that includes a mask covering Kim Kardashian's entire face and a corset so tight your body actually spills out of it, it begs the question, who exactly is buying it? And, in Gwyneth-adjacent news, a new Netflix series is letting famous people have the last word from beyond the grave. So if you could have the last word, what would you say? Support independent women's media What To Listen To Next: Listen to our latest episode: The Friends Vs Family Trap & We're All Rapunzel Now Listen: What Did You Do Yesterday? Listen: "A Comedian Hurt My Feelings" Listen: Every Thought We Had About The Victoria Beckham Documentary Listen: The Victoria Beckham Documentary Is Hard To Watch Listen: The New High Status Boyfriend Listen: The Problem With Compliments Listen: The Couple Who Need To Stay Away From Each Other Listen: What Does King Charles Do With A Problem Like Prince Andrew? Connect your subscription to Apple Podcasts Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. Watch Mamamia Out Loud: Mamamia Out Loud on YouTube What to read: Genuine question... does fashion hate women? The one question everyone is asking after Prince Andrew and King Charles' 'discussion.' What does Virginia Giuffre's death mean for Prince Andrew? A heist at the Louvre. Missing jewels. And a getaway straight out of a film. Alex Cooper asked Kim Kardashian everything we've quietly wondered. We pulled the answers. It’s official. These are the 10 iconic moments that completely changed the way we dressed. THE END BITS: Check out our merch at MamamiaOutLoud.com Mamamia studios are styled with furniture from Fenton and Fenton GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloud Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures. Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Spooky season is just about to hit and we’re asking: what’s the point of Halloween, anyway? And are Australians missing one crucial trick about it that could change... everything? Monz unpacks. Then, Amelia makes a bold claim — some nepo babies are better than others. But why do some rise while others flop, even within the same famous family? And in a twist no one saw coming, Hailey Bieber just became our accidental parenting guru. Yep, that wasn't on our bingo card for 2025 either. Stacey has feelings. Big feelings. Grab your headphones and join the conversation. Our recommendations:

"Give your soul to dance!" Jack and Corey are joined by actor Matthew Figueira (Rescue: Hi-Surf, UCB) to talk Luca Guadagnino's witchy remake SUSPIRIA (2018)! The three talk their shared love of all things Guadagnino, the bewitching power of The Macarena, finding horror movies later in life, mothers, Tilda Swinton playing three roles, David Gordon Green's Suspiria, Dakota Johnson's strange charm, the four hour cut, the significance of the German Autumn, Tom Yorke's incredible score, contortionists, Brechtian theater, Fat Bastard and baby arms growing out of big arms.Support the pod by joining our Patreon at patreon.com/cinemapossessedpod and unlock the Cinema Possessed Bonus Materials, our bi-monthly bonus episodes where we talk about more than just what's in our collection.Instagram: instagram.com/cinemapossessedpodTikTok: https://www.tiktok.com/@cinemapossessedpodEmail: cinemapossessedpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Salir con personas interesadas es una de las peores experiencias en la vida, tener una cita con alguien que solo te ve como una lista de cosas es aún peor...Hoy analizamos esta problemática actual, de la mano del resumen de la película de "La chica materialista" con Pedro Pascal, Dakota Johnson y Chris Evans como protagonistas...Un episodio lleno de datos curiosos, risas incómodas y reflexiones con humor (y sin filtro).Síguenos en Instagram y X como @eldeliciosomx, en Facebook como El Delicioso Podcast, o escríbenos a podcasteldelicioso@gmail.com Recuerda que puedes grabar tu podcast en La Secta Creativa:https://lasecta.com.mx/ / lasectacreativa

Send us a text(Had a great time on my road trip, got back – and I've been sick ever since. This year has been one endless struggle bus ride, and there's room for more, so hop on :)Materialists seems to be a polarizing movie that isn't quite a romcom, isn't quite a straight up romantic drama, while ending happily, making it one of the most interesting hybrid stories I've seen in a while. Dakota Johnson is incredible as Lucy, a smart but cynical matchmaker who treats her clients as commodities – and threatens to do the same with her ex-boyfriend until she realizes his love for her survived their terrible break up, and her honest admission that she's somewhat shallow when it comes to choosing romantic partners. When she finally decides to make a romantic choice that isn't based on statistics, shrewd calculations or dating math but what's in her heart, that's when her life turns around. And that's what makes this movie deeply romantic to me.https://www.confessionsofaclosetromantic.comI change my mind about this trailer – it captures the smart stylish vibe but not nearly all of the ups and downs in mood that make this such a fascinating film.Celine Song talked about her inspiration for writing and directing Materialists in a fascinating interview on BBC World Service.Gold Diggers of 1933 (full movie) is currently on YouTube! Oh and I forgot to mention – it stars a young Ginger Rogers too! The best hour and a half you will spend this week.The trailer for Gentlemen Prefer Blondes doesn't tell you much, but what's clear is this Technicolor 1950s movie about two show-stopping showgirls, one in it for love and the other mostly for the diamonds, is such a treat.How to Marry a Millionaire stars Lauren Bacall, Betty Grable and Marilyn Monroe as a stunning trio of broke but gorgeous roommates who we're supposed to believe have trouble landing super solvent guys who will love and dote on them.I love going down the rabbit hole of the related and gendered variations on the gold digger trope.Support the showIf you enjoyed this episode, please click share in your podcast app and tell your friends! Thanks for listening!

Emma Watson's first longform interview in five years has been making headlines this week, huns, so ofc we had to dive in and dissect the nearly-three hour podcast with Jay Shetty. A bounty of excellent film and TV has also arrived just in time for cosy season, from Dakota Johnson's dark comedy about open relationships, to Leonardo DiCaprio's ‘era defining' film One Battle After Another. As well as our five-star review, we discuss why everyone still seems to love Leo despite his controversies. Plus: House of Guinness, Mae Martin's Netflix thriller Wayward and ITV's The Hack. Finally, some advice to a hun needing help with a friendship breakup dilemma. Enjoy! Get 10% off our fave sofa brand Swyft with the code straightup10 at swyfthome.com. Stylish, comfy, flat-packed and no tools required!Get 20% off our favourite ready-to-drink cocktails from Whitebox, including the best spicy margs, espresso martinis and negronis, with our code SU20 at Whiteboxcocktails.comWe love hearing from you, DM us ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@straightuppod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, email at ⁠⁠hello@straightuppodcast.co.uk⁠ and follow us on TikTok @straightuppod too!Recs/reviews:Emma Watson, Jay Shetty's On Purpose podcastFrom Palestine to JK Rowling, has Emma Watson taken her final form as the millennial people's princess? Independent Splitsville, AppleTVOne Battle After Another, in cinemas now‘One Battle After Another,' With Its Thriller Vision of Authoritarianism, Is the Rare Movie That Could Rule the Cultural Conversation, VarietyHouse of Guinness, NetflixDear Dickhead by Virginie DespentesLet There Be Light, why modern TV shows are often too dark to See, Independent The real life Descendants of the Guinness Dynasty to Know Now according to one of the family, VogueThe Hack, ITV1Wayward, NetflixFeel Good, Netflix Wayward is unlike any other thriller – for one unexpectedly inspired reason, Radio Times Stereophonic, Duke of York's Theatre (tickets via OfficialLondonTheatre.com). Hosted on Acast. See acast.com/privacy for more information.

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Discussing the new Celine Song film Materialists starring Dakota Johnson, Pedro Pascal, and Chris Evans. | Join our Producer Tier to decide our next film discussed. Hosted on Acast. See acast.com/privacy for more information.

Dan Morrison comes in hot to discuss with Lauren Downie the epidemic taking over inner west cafes in the form of 'Soft Clubbing.' From the origins in NY to some horrific offshoot versions in Bondi, the disease has reached peak mania in the inner west and Loz and Dan's TikTok feed is flooded. The gals also touch down on the Summer House spin-off featuring Lindsay, Kyle, Amanda and Andrea for some reason. Also, late to the party but Real Housewives of Salt Lake City are back and Loz and Dan unpack the stripper and RV of it all, plus Bronwyn's relationship with the truth. Recaps also cover Amanda Cronin's gay panic on Real Housewives of London, Kiki's iconic exit from Adriana's racist ramblings on Real Housewives of Miami, and the disgusting display from Slade Smiley on Real Housewives of Orange County. Recommendations this episode include another stunning monotone performance from Dakota Johnson in Splitsville and yet another tip of the hat to the latest season of Project Runway.Follow Gasbagging on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ &⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Josh is joined by recurring guests Elijah Howard and Josh Brown for a double feature. First, they discuss Darren Aronofsky's "Caught Stealing" (Beginning-55:13) and whether they enjoyed Aronofsky bringing his sensitiblies to a more straightfoward story, the performances from Austin Butler, Zoë Kravitz and a deep supporting cast, the ways in which they appreciated a recreation of 1990s New York City and much more! Then, both Joshes talk about "Splitsville" including how co-stars and co-writers Michael Angelo Covino and Kyle Marvin crafted an insightful comedy about relationships through the lens of the not-so-common practice of swinging, Covino's impressive direction for a movie on a smaller budget, the impressive comedic performance from Adria Arjona and they both take the brave stand of defending Dakota Johnson's acting talent!

Breast Pump Ban: It may sound like a headline from another era — but it happened to Dr Elise Turner this week in Melbourne when the mum of twins was told to leave an airport lounge for daring to express milk for her babies. But there’s one crucial detail that most of us missed and which Mia, Jessie and Amelia needed to dig deep into on today's show. And, an update on Bruce Willis’ condition from his wife in her confronting new memoir that hits home for anyone touched by dementia. Jessie shares her personal experience and unpacks the backlash Emma Heming Willis is getting online for the decisions she's making on behalf of her celebrity husband. Plus, Births, Deaths & Marriages. Mia’s got a new segment and a lot to say. From celebrity babies to red carpet chaos, she’s tying it all together… loosely, but entertainingly. Is it an excuse to (scurrilously) gossip about celebrities? Absolutely it is. Does she seamlessly segue into a controversial red carpet analysis? Of course she does. We also cover Trump: The Dibber Dobber and the 17 household habits that will clear mental clutter as much as they will your kitchen bench tops. Light and shade, friends. Light and shade. Support independent women's media What To Listen To Next: Listen to our latest episode: Behind Closed Doors: Our Personal Tarot Readings Listen: So, We Sat Down With A Tarot Card Reader Listen: An Assassination In Broad Daylight. And What Happened Next. Listen: We Need To Talk About The Gwyneth Paltrow Biography Listen: The Great Lock In Has Just Begun Listen: The New Rules Of Etiquette For Every Age Listen: A Theory About Kate Middleton's Hair & The Secret To Small Talk Listen: PARENTING OUT LOUD: Unpacking The KPop Demon Hunters Obsession & A Tracking Tool Controversy Discover more Mamamia Podcasts here Watch Mamamia Out Loud: Mamamia Out Loud on YouTube What to read: When Margot Robbie fell in love with her roommate she 'never' thought he'd like her back. Margot Robbie has welcomed her first baby with husband Tom Ackerley. Caring for a parent with dementia? Here's what an expert wants you to know. 'While my parents were suffering from dementia, my brother did something unthinkable.' 'Things we wish we knew when our dads were diagnosed with dementia in our early 20s.' The Japanese restaurant staffed by people with dementia. Emma Heming Willis and Bruce Willis met while working out in 2007. This is their life now. Demi Moore and Bruce Willis divorced 24 years ago. Now they spend more time together than ever. 'He's in a stable place.' Demi Moore has given an update on Bruce Willis' health. THE END BITS: Check out our merch at MamamiaOutLoud.com Mamamia studios are styled with furniture from Fenton and Fenton GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloud Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures. Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

We're back with SO much pop culture to catch up on after Tess has been gone for two weeks, and we cover it all: Taylor as the new Bachelorette (we have fears but we are excited) Hilary Duff announcing her return to music with a documentary, Emrata + Austin Butler, Jacob Elordi's love life, Zoe Kravitz's roster, and MORE! Tangents include: Dakota Johnson's acting, Kris Jenner's facelift, and manifesting martinis with Meghan Markle in Montecito. HEAR OUR PRAYERS, MEGHAN. Created and produced by Claire Donald and Tess Bellomo We have a pop culture episode out every Friday and history episodes out Monday! Follow us for RAM updates and news here If you want more, we have three bonus eps a month for $7.99! Sign up here! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome back ragers to the best movie review podcast on the planet. The rage rolls on from the Film Rage Studio. This week the Film Rage Crew review five films. First Up the 20th Conjuring sequel. Then we review Lurker. Next up is Splitsville staring Dakota Johnson. Then we get a Vietnamese drama called Leaving Mom. Finally Jackie Chan stars in an all out action flick called The Shadows Edge. Introduction-0:00 The Amazing Murman Predicts-1:45. In Cinema The Conjuring: Last Rites (2025)-5:55 Lurker (2025)-13:29 Splitsville (2025)-21:53 Leaving Mom (2025)-33:33 The Shadow's Edge (2025)-39:44 Murman Minute-48:00 Open Rage Jim's open rage-Conjuring in IMAX?-54:15 Bryce's open rage-Too much to choose from-57:20 Outro-59:07 Thanks Ragers for listening to our film review podcast. Rage On! https://www.filmrageyyc.com/ https://filmrage.podbean.com/ https://www.facebook.com/filmrageyyc https://nerdyphotographer.com/social/ https://www.leonardconlinphotos.com/

On this week's show, Steve, Dana, and Julia crack open the latest edition of The Paper, a new mockumentary set in the The Office universe. They debate whether the tried and true sitcom formula still delivers and assess its portrayal of local journalism. Next, they share their feelings about two couples who are terrible at sharing theirs in Splitsville, the marriage farce created and starring Kyle Marvin and Michael Angelo Covino with Dakota Johnson and ​​Adria Arjona. Finally, the heterofatalist discourse continues in their conversation with Slate music critic Carl Wilson about Man's Best Friend, the latest release from the spritely, cheeky, and controversy-stirring Sabrina Carpenter.  In an exclusive Slate Plus bonus episode, the panel takes up the business of cultural criticism in a discussion inspired by the recent New York Magazine piece “Do Media Organizations Even Want Cultural Criticism.” Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Endorsements: Julia: The very Julia Turner-coded board games Hues and Cues. Carl: The documentary Sunday Best about Ed Sullivan by the late music journalist Sacha Jenkins and CMAT's new album Euro-Country and the video playlist that goes with it. Steve: The book Computer Power and Human Reason by Joseph Weizenbaum. Dana: Astor Piazolla's "Otoño Porteño," played by the Neave Trio. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Steve, Dana, and Julia crack open the latest edition of The Paper, a new mockumentary set in the The Office universe. They debate whether the tried and true sitcom formula still delivers and assess its portrayal of local journalism. Next, they share their feelings about two couples who are terrible at sharing theirs in Splitsville, the marriage farce created and starring Kyle Marvin and Michael Angelo Covino with Dakota Johnson and ​​Adria Arjona. Finally, the heterofatalist discourse continues in their conversation with Slate music critic Carl Wilson about Man's Best Friend, the latest release from the spritely, cheeky, and controversy-stirring Sabrina Carpenter.  In an exclusive Slate Plus bonus episode, the panel takes up the business of cultural criticism in a discussion inspired by the recent New York Magazine piece “Do Media Organizations Even Want Cultural Criticism.” Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Endorsements: Julia: The very Julia Turner-coded board games Hues and Cues. Carl: The documentary Sunday Best about Ed Sullivan by the late music journalist Sacha Jenkins and CMAT's new album Euro-Country and the video playlist that goes with it. Steve: The book Computer Power and Human Reason by Joseph Weizenbaum. Dana: Astor Piazolla's "Otoño Porteño," played by the Neave Trio. Learn more about your ad choices. Visit megaphone.fm/adchoices

Splitsville, it’s a incisive comedy about modern relationships with particular style and a fight sequence most action movies would envy. It’s the second film from star/filmmaker Michael Angelo Covino who joins Alexei Toliopoulos in the Last Video Store to pick up a few of the films that influence his cinematic voice and style + he’ll get a couple of staff pick recommendations in the form of a pair of comedic oddities from Australian film history.SPLITSVILLE arrives in Australian cinemas on September 11th. Alexei’s screening at the Sydney Opera House - Saturday Film Club: Bram Stoker’s Dracula Nov 1 Follow ALEXEI TOLIOPOULOS on Letterboxd for all the rental combo lists. Hit up the Last Video Store on instagram for all of our guests picks.See omnystudio.com/listener for privacy information.

It's just Kevin and Lauren again this week and they are discussing Splitsville, Highest 2 Lowest, Am I OK?, Daredevil: Born Again, and Emma & Bruce That's right, Andrew has shunned all of us again. It hurts, but we'll move on. He'll be back and we all know it. After getting over our searing sting of rejection, Lauren kicks off the show by talking about the new film, Splitsville, starring Dakota Johnson, Adria Arjona, and some other people. That sounds a little dismissive, but the overall review is that the film isn't anything too special. It's a comedy-ish, but it opens in a very dark place. Our primary couple decides to enter into an open relationship to save their marriage, and, as you might imagine, it's less than successful. It sounds like this movie leans more into the odd humor than the straightforward and might be worth a viewing, but many reviews label it as somehow both chaotic and boring at the same time, so watch at your own risk. After that, Kevin joins his field guide, Spike Lee, on a tour of New York in Highest 2 Lowest, starring Denzel Washington. It's a remake of the Akira Kurosawa classic, High and Low. While the review is solid, it really does feel like an advertisement for New York about 40% of the time, and the first half of the film feels a little slow, while the second half flies by. It does end strong, but leaves a few questions in Kevin's mind that make it a little off from some of Lee and Washington's better works, but it's definitely worth a watch. Next up, Lauren continues to feed her Dakota Johnson addiction with a film from 2022, Am I OK? Directed by the great comedian Tig Notaro, this is the story of a woman who discovers a little late in life that she is gay. The film documents how that affects her, her relationships with friends, and what it means for her relationships going forward. It's certainly more heartfelt than the previous Johnson film Lauren watched and is one of her better films, so check it out if you have the chance. Coming off that high of a couple of really solid films, Kevin veers off the road into what might be a hot take. He and his family recently finished the Netflix Daredevil series and began Daredevil: Born Again on Disney+. While the show has fared well critically, Kevin is of the opinion that the original Netflix series is the better of the two. And it's not close. The new series leans too much into the special effects and loses a lot of the grit and grime that made the original such a success. That said, it is in no way a bad series, so if you like the MCU, definitely give it a go! Lauren closes out the show on top with a review of the Diane Sawyer interview with Emma Heming Willis about her relationship with Bruce Willis and the complexities they face with his dementia diagnosis. It's not the happiest of topics, but it's a very good interview and leads to some interesting discussion between Kevin and Lauren. Even if you skip this part of the podcast, the interview itself is definitely worth spending your time on. As always, thank you for watching. If you haven't already, don't forget to Like & Subscribe. We love new viewers! Also, leave us comments and let us know how we are doing and what we can be doing better. Enjoy the episode and have a great week! Facebook: @apncpodcast Twitter: @APNCPodcast Instagram: AllPopNoCulture

"Splitsville" is a comedy film directed by Michael Angelo Covino, from a screenplay he co-wrote with Kyle Marvin. The pair previously worked together on "The Climb," but this time around, they also looped in stars Dakota Johnson (who also serves as the film's producer), Adria Arjona, Nicholas Braun, David Castañeda, O-T Fagbenle, Charlie Gillespie, and Simon Webster to tell the story of two couples whose friendship erupts into conflict when the husband of the divorcing couple sleeps with the wife of the open marriage couple. It premiered at the Cannes Film Festival to lots of laughs and positive reviews. Johnson, Arjona, Covino, and Marvin were all kind enough to spend time speaking with us about their work and experiences making the film, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from NEON and will expand nationwide on September 5th. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Take us with you for one last beach trip before summer ends here at Breakfast All Day. It's sort of an Arthouse Tuesday on a Friday with the mix of movie reviews we have for you. We begin with "Honey Don't," Ethan Coen's second solo outing without brother Joel. We both love the Coens, but we don't really agree on this. Margaret Qualley stars as a lesbian private eye investigating a suspicious car accident in Bakersfield, California. Aubrey Plaza, Chris Evans and Charlie Day co-star. In theaters. Next is "Splitsville," which we both loved. It's an indie rom-com focusing on two married couples and their twisted, intertwined lives. The understated meanness is delightful, but there's a vulnerability underneath. Dakota Johnson, Adria Arjona, Michael Angelo Covino and Kyle Marvin star. Covino directed from a script he and Marvin co-wrote. In theaters. Then we turn to the Devo documentary, titled appropriately, "Devo." If you love the '80s new wave band, you'll appreciate this breezy but super informative look at how they came together and created their signature look and sound. Plus the music is so great: Both of us feel lucky to have seen Devo in concert, and you should definitely check them out live if you can. Streaming on Netflix. Finally, it was a lengthy Movie News LIVE!, as we discussed the dismaying state of film journalism. Plus: sing-along "KPop Demon Hunters," Guillermo del Toro's "Frankenstein," and we remember the legendary Terence Stamp, who died this week at 87. Thanks for joining us. * Subscribe to Christy's Saturday Matinee newsletter: https://christylemire.beehiiv.com/

MUSICRIP: Ex-Mastodon guitarist Brent Hinds has died at age of 51. Atlanta police say that Hinds was driving his Harley Davidson Wednesday night when the driver of a BMW SUV failed to yield while making a turn at the intersection of Memorial Drive and Boulevard and struck him. The Fulton County medical examiner's office confirmed Hinds's death to Atlanta TV station WANF this morning. https://loudwire.com/mastodon-brent-hinds-dead/ Bon Jovi's “Livin' on a Prayer” has surpassed two-million streams on Spotify.Millie Bobby Brown is a mom! The 21-year-old Stranger Things star and her husband, Jake Bongiovi, welcomed a daughter through adoption. They shared the baby news in a message to fans on Instagram. https://people.com/millie-bobby-brown-and-husband-jake-bongiovi-welcome-first-baby-together-8731794 Lil Nas X was arrested and hospitalized yesterday, after he was found wandering around Ventura Boulevard in nothing but his skivvies and a pair of cowboy boots. https://www.tmz.com/2025/08/21/lil-nas-x-hospitalized-possible-overdose/ NEW IN RECORD STORES AND STREAMING:Three Days Grace's Alienation includes "Mayday" and "Apologies," and sees original singer Adam Gontier rejoin the band.Deftones' 10th album is called Private Music.The Who's Live at the Oval 1971 is a previously unreleased concert.The Warning's Live From Auditorio Nacional, CDMX was recorded earlier this year in Mexico City. TVNetflix has dropped the first teaser trailer for Black Rabbit, a gripping limited series starring Jude Law and Jason Bateman. https://people.com/black-rabbit-trailer-jason-bateman-and-jude-law-11794409 Nicolas Cage is in talks for Season 5 of "True Detective". Cage is in talks for the lead role of Henry Logan, a New York detective on the case at the center of the new season, sources said. A rep for HBO declined comment.https://deadline.com/2025/08/nicolas-cage-true-detective-season-5-hbo-1236494884/ Erik Menendez was denied parole Thursday after more than 36 years behind bars for the 1989 murders of his parents. Menendez, now 54, appeared via videoconference at a nearly 10-hour hearing before the California Board of Parole Hearings, which cited concerns over his prison misconduct — including contraband cellphones and other violations — and ongoing risk to public safety. The board ruled he must serve at least three more years before becoming eligible again. Officials also noted that his brother, Lyle Menendez, is scheduled for a separate hearing the following day. Apple TV Plus is hiking its prices to $13 per month effective now. https://variety.com/2025/tv/news/apple-tv-plus-price-increase-streaming-subscription-1236494949/ Serena Williams is the latest celebrity to admit to using the GLP-1 weight-loss medication. https://www.today.com/health/womens-health/serena-williams-glp-1-weight-loss-rcna226141?taid=68a70e2b1c816e0001ca7f3c&utm_campaign=trueAnthem_manual&utm_medium=trueAnthem&utm_source=twitter MOVING ON INTO MOVIE NEWS:1. "Relay" (R) Trailer: A thriller starring Riz Ahmed as a corporate fixer who risks his life to protect a new client played by Lily James. She's on the run from a team led by Sam Worthington after coming into possession of evidence of an unlawful coverup. 2. "Honey Don't" (R) Trailer: Margaret Qualley plays a private investigator looking into some mysterious deaths tied to a shady church run by Chris Evans. It's directed by Ethan Coen and also stars Charlie Day and Aubrey Plaza. 3. "Eden" (R) Trailer (Limited): A survival thriller about three group of outsiders who settle on a remote island in 1929, only to discover that their greatest threat is each other. It's directed by Ron Howard and based on a true story. Jude Law and Vanessa Kirby just wanted to live in isolation, but their solitude is broken first by Daniel Bruhl and Sydney Sweeney, then by a baroness (Ana de Armas) who threatens to build a hotel on their island paradise. 4. "Splitsville" (R) (Limited) It opens nationwide on September 5th: Adria Arjona tells her husband she's been cheating and wants a divorce. But once their neighbors reveal the secret to their happiness is an open marriage . . . he crosses a line by having his own affair with Dakota Johnson. Glen Powell is taking himself out of the James Bond conversation. https://www.eonline.com/news/1421403/glen-powell-on-james-bond-casting-rumors AND FINALLY Is there a celebrity you absolutely CANNOT stand for petty reasons? People online are sharing their thoughts: https://www.buzzfeed.com/chelseastewart/disliked-celebs-for-petty-reasonsAND THAT IS YOUR CRAP ON CELEBRITIES!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Federal prosecutors have shredded Sean “Diddy” Combs’ bid for a new trial, blasting the mogul as the “master of his own freak-offs” in a fiery legal takedown. Meanwhile, Hollywood golden girl Gwyneth Paltrow’s once-gushy friendship with Dakota Johnson has quietly fizzled in the wake of Chris Martin’s split. And in Nashville, country rebel Morgan Wallen is back to thumbing his nose at the industry. Instinct magazine’s Corey Andrew joins Rob with all the dish! Don't forget to vote in today's poll on Twitter at @naughtynicerob or in our Facebook group. See omnystudio.com/listener for privacy information.

Halle and Alison find out who was with Dakota Johnson's mom in the jungle researching spiders before she died in a reverse Ruined of Madame Web.

Jared and Jordana are back with another movie review episode of The Materialists, directed by Celine Song and starring Dakota Johnson, Chris Evans, and Pedro Pascal. Spoiler alert!! J&J break down the film's portrayal of matchmaking as cold and transactional, and ask whether Song set out to take down the matchmaking industry altogether. From red flag roommate situations to Coke-and-beer drink orders, J&J debate every messy decision and chaotic romance. Is it a rom-com, a satire, or something much darker? Learn more about your ad choices. Visit megaphone.fm/adchoices

Oasis reunion tour kicked off, Ozzy Osbourne final super concert, Eli Zaret joins us, Detroit Tigers rolling, RIP Michael Madsen, and Surviving Ohio State. RIP Mr. Blonde Michael Madsen. Eli Zaret joins the program to discuss the “team of destiny”, Aroldis Chapman loves his mom's boobies, Cleveland Guardian Luiz Ortiz's betting problems, Detroit Pistons Malik Beasley's betting problems, the WNBA return to Detroit, Sophie Cunningham tries to backtrack her criticism of Detroit, Ryan Ermanni leaves Woodward Sports for WJR, Lia Thomas is stripped, the UFC coming to the White House and more. Ozzy Osbourne's final concert Back to the Beginning ROCKED! Oasis returned after 16 years apart. Former Dave and Chuck member Andy Green is busy cranking out content. He could use a few advertisers, if interested. Diddy is living his best life. He's facing another civil suit, though. The Black community has turned on Karmelo Anthony. Central Texas experienced some serious flooding. Jason Kelce got HAMMERED for his patriotic Tweet. The Big Beautiful Bill passed and Elon Musk has started The American Party in response. Zohran Mamdani is facing some heat lately. He's also Asian and African American. An app is out to track ICE Agents. CNN promoted it. Drew is rocking new shades. Craig Robinson is bailing on comedy. Mel B married a young child. Kelly Clarkson is weird now that she lost all that weight. Postpones her Vegas residency. Tom Brady is now nailing Dakota Johnson and Kate Hudson. Brooks Nader had her period at Wimbledon. Trainwreck: The Real Project X comes out Tuesday. Kamala Harris posts a dumb 4th of July message. Are you proud to be an American? Gen Z isn't. Americans are fleeing… to the Netherlands. Rosie O'Donnell has Trump Derangement Syndrome. Surviving Ohio State is a tough watch. LaTarsha Brown of Allentown is a LIAR. Sometimes it's hard to get to work. Four Tigers have made the All-Star Team. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

MOVIE MIKE'S MOVIE PODCAST: Mike loves animation but not always when studios decide that the movies we love need a live-action remake. He shares what he thinks are the Top 5 Best, Worst and ones that actually need a live-action adaptation that haven’t been made. In the Movie Review, Mike talks about Materialists starring Dakota Johnson, Pedro Pascal and Chris Evans. It’s about a young New York City matchmaker's lucrative business that gets complicated as she finds herself torn between the perfect match and her imperfect ex. Mike talks about 3 classic things it brought back, has Dakota Johnson recovered from Madame Web and how it included one of his newest movie pet peeves. In the Trailer Park, Mike breaks down Eddington directed by Ari Aster. The western is set during the tense summer of 2020 and stars Joaquin Phoenix and Pedro Pascal in a heated small-town mayoral race. It follows the political and social turmoil in the fictional city of Eddington, New Mexico, caused by the COVID-19 pandemic. Mike does a dive into why Pedro Pascal is so popular right now. New Episodes Every Monday! Watch on YouTube: @MikeDeestro Follow Mike on TikTok: @mikedeestro Follow Mike on Instagram: @mikedeestro Follow Mike on X: @mikedeestro Follow Mike on Letterboxd: @mikedeestro Email: MovieMikeD@gmail.com See omnystudio.com/listener for privacy information.

Benicio del Toro talks about his leading role in Wes Anderson's new film, The Phoenician Scheme. He'll look back on his acting career, and tell us about moving from Puerto Rico to Pennsylvania in his teens. His other movies include The Usual Suspects, Traffic and Sicario. Justin Chang reviews the new rom-com Materialists, starring Dakota Johnson. MSNBC political analyst Molly Jong-Fast's mother Erica Jong became famous from her 1973 novel Fear of Flying, which was considered a groundbreaking work of feminist literature. But Molly's mom became addicted to the fame and couldn't bear to lose it. She talks about her childhood and a year of great loss in her new memoir, How to Lose Your Mother.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy