Podcast appearances and mentions of Dario Argento

This week on the Talk Without Rhythm Podcast I'm fulfilling a Patreon Pick from TWoRP Legionnaire Donny D. Donny has requested I discuss Dario Argento's 1982 horror film Tenebrae and I opted to pair it with Lucio Fulci's 1982 horror film Manhattan Baby. [00:00] INTRO [02:00] CromCast Podcast Promo [02:44] RANDOM CONVERSATION [11:52] Tenebre (1982) [46:12] Manhattan Baby (1982) [01:06:38] FEEDBACK [01:08:47] ENDING MUSIC: Tenebre by Simonetti-Morante-Pignatelli Buy Tenebre (1982) Buy Manhattan Baby (1982) Support TWoRP Contact Us talkwithoutrhythm@gmail.com    

We bring you the 15th episode of our specialty show "Take Out Edition" where we will explore the realms of foreign cinema.  Our hosts will take you along their travels all over the globe while diving into some of the most lucid storytelling, savage cannibals, vengeful spirits, sadistic killers, and post-apocalyptic zombie-plagued landscapes. Join us as we dissect the classics that prove sometimes fear comes with subtitles.  Our hosts,  Cameron Scott and welcoming his first time co-host Suzanne Wilson Cappelletti, as they take you on yet another Italian voyage on this episode with the 1977 Dario Argento directed classic "SUSPIRIA". It was written by Daria Nicolodi; and Suspiria stars Jessica Harper, Stefania Casini, Udo Kier, and Barbara Magnolfi.  It's not quite a slasher, and not quite a Giallo, and all of a mystery about witches and the occult.  Cinema Degeneration welcomes you to enjoy some Take Out while we explore the misadventures of Suzy Bannion and her search for the answers to a string of grisly murders at a prestigious school of ballet! Join Us...if you dare!   "Bad luck isn't brought by broken mirrors, but by broken minds."

No, your eyes do not deceive you. Yes, this is episode 260. No, there is no episode 259 (yet). You’re probably thinking at this point, “what the blue hell are you even talking about?” All will be revealed. Also being revealed is the Real World Horror of a witch doctor releasing a swarm of bees in the courtroom where he’s being tried for, you guessed it, witchcraft. We also discuss Horror Business about Halloween Horror Nights being taken over by vampires, Jason Voorhees coming to Dead by Daylight, and a couple of notable remakes. We also examine a new trilogy from the legend Dario Argento. For our film reviews, we discuss a hotel full of devil worshippers, invincible serial killers, and Shnevely from Harry Potter (you remember Shnevely) in They Will Kill You. We also take a trip to the brightly painted nightmare realm of Monkey’s Magic Merry Go Round and descend into madness, surrounded by puppets.  So get up, get down, and party hardy with The Grave Plot Podcast!

Join us as we explore cult movies, focusing on Toby Hooper's Fun House and Dario Argento's Sleepless. We analyze their impact, filmmaking styles, and how they hold up over time, offering insights for horror aficionados and film students alike.

I detta avsnitt har vi sett tre ap-filmer: Phenomena (1985), Link (1986) och Monkey Shines (1988).

Suspiria (1977), Inferno (1980), and Mother of Tears (2007) There are very few horror fans out there who don't know the work of Dario Argento, especially the giallo films he's most famous for. While he only occasionally ventured into supernatural horror, whenever he did, he approached it with the same unmistakable style that defines all of his work. After helping define the giallo genre with Deep Red, Argento shifted gears and gave us Suspiria, a film that presented violence through a blinding explosion of color and an intense soundtrack that pounds through the speakers. It looked unlike anything audiences had really seen before. Three years later, Argento continued the saga of the dreaded Three Mothers with Inferno, expanding the mythology surrounding these wicked witches even further. Then, after a 27-year wait, he completed the trilogy with Mother of Tears. Say what you will about any or all of these films, but they are all unmistakably Dario Argento. In this episode, we're taking a look at all three entries in the Three Mothers trilogy, exploring both the mythology behind the Three Mothers and the unique qualities that set each film apart. We all have our favorite of the trilogy, but hopefully you'll come away with a new appreciation for moments or ideas you may have overlooked in previous viewings. So join us for our little study group as we dive into the worlds of Mater Suspiriorum, Mater Tenebrarum, and Mater Lachrymarum. But a word of caution… they don't like people knowing about them, so be warned. Films mentioned in this episode: The Beyond (1981), The Bird with the Crystal Plumage (1970), The Black Cat (1989), Cannibal Ferox (1981), The Cat o' Nine Tails (1971), The Church (1989), Deep Red (1975), Demons 2 (1986), The Exorcist (1973), Eyes Without a Face (1960), The Five Days (1973), Four Flies on Grey Velvet (1971), Häxan (1922), The House by the Cemetery (1981), Inferno (1980), Mother of Tears (2007), Night of the Eagle aka Burn Witch Burn (1962), Opera (1987), Phantom of the Paradise (1974), Suspiria (1977), Tenebrae (1982)        

What a loser! Romayro is off to the races and this week we're taking a bite out of Romero's favorite: MARTIN (1977)! It's a real mystery to us why this movie is well-liked, but we'll keep the door open for Dario Argento's alternate version with a Goblin soundtrack to give us a better experience next time around. Instagram: @bmoviebeatFacebook: The B Movie BeatdownEmail: thebmoviebeatdown@gmail.com Letterboxd: @Absolute_trash @SlenderJames @Petedown  

E dopo le dichiarazioni di Putin di cui troverete altri dettagli nel servizio di Giuseppe D'Amato e nell'analisi di Fabrizio Galimberti, segnaliamo l'editoriale della domenica del direttore del Messaggero Roberto Napoletano, a Prima Pagina invece partiamo dalle parole del presidente Mattarella sui conflitti raccolte nell'analisi di Andrea Bulleri, quindi passiamo alla cronaca con l'inviata Claudia Guasco e le nuove sconcertanti prove contro Andrea Sempio accusato dell'omicidio di Chiara Poggi, per le pagine dello spettacolo l'esperta Gloria Satta ci porta a Cannes assieme a un film di Dario Argento, mentre allo specchio del Messaggero oggi Andrea Scarpa ha messo Marisela Federici, regina dei salotti romani. E chiudiamo con lo sport e la giornata di Massimo Boccucci dedicata al grande tennis.


This week, we descend into the haunting world of THE CHURCH (1989)!! The surreal and nightmarish horror movie directed by Michele Soavi and produced by Dario Argento. In this episode, we explore the film's striking visual style, religious symbolism, disturbing practical effects, and its place within the golden era of Italian horror cinema.Instagram and Threads:https://www.instagram.com/skeletonboyspod/You can always email us:skeletonboyspods@gmail.com

Two Very different types of films are getting covered tonight in this very normal episode. Dario Argento’s The five days from 73 and Dave “The Rock” Nelson”s Conrad Brooks vs The Werewolf from 94. plus where my head has been at and other things. Email: motionpicturemassacre@gmail.com

Oh no! Look who's Rollin' into town! It's Eileen Daly in Jake West's Razor Blade Smile! It's Clint Eastwood in the Dollars Trilogy! And....it's Jean Rollin with The Living Dead Girl ! (Zzzz...) Plus Michael Winner's The Nightcomers and mini-reviews of titles including Another Time, Another Place, Maroc 7, and The Man Who Haunted Himself. Find out what Shameful Steve and the Bloodhound saw at Forbidden Worlds festival in Bristol! Plus a sneak peek at Eureka's July lineup — a DEFA fairy tales box set headlined by The Singing Ringing Tree — and a tease of next week's deep dive into Dario Argento's Suspiria.As ever, John 'Tiberius' Kirk - the Blu-ray Bloodhound - and Shameful Steve survey the new and upcoming releases in physical media.#Hammer! #Arrowvideo #Indicator #Powerhouse #88films #BFI #Criterion #TreasuredFilms #RadianceFilms #TransmissionVideo Hosted on Acast. See acast.com/privacy for more information.

This week, Patreon supporter Matt Bates, the Black Country Vlogger, brings us Innocent Blood (1992) for our Pain and Pleasure theme -- a film that revels in the push and pull between the two. Innocent Blood (1992) came about in a roundabout way, which is fitting for a film that defies easy categorisation. John Landis had originally been developing a vampire project called Red Sleep -- a wild premise about Las Vegas being run by vampires -- before Warner Bros. passed and handed him a first-time script by Michael Wolk. The film had an entirely different trajectory before Landis came aboard -- Jack Sholder had been set to direct with Lara Flynn Boyle and Dennis Hopper in the leads before creative differences saw all three replaced. Landis cast French actress Anne Parillaud fresh off La Femme Nikita, and filmed primarily in Pittsburgh's Little Italy neighbourhood after a location visit changed his original plan to shoot in Philadelphia. The MPAA initially slapped it with an NC-17, forcing further cuts to secure an R rating. Landis described his vision as "a Hammer film directed by Scorsese." It opened in September 1992 to a modest domestic gross but has since built a devoted cult following among fans of horror-comedy and 90s vampire films.Find Matt here - https://www.youtube.com/c/blackcountryvloggerTRAILER GUY PLOT SYNOPSISIn a world where the streets of Pittsburgh run red... one woman has a code. She is Marie. She is beautiful. She is deadly. And she only eats bad people.But one night she makes a mistake. She doesn't finish the job. And now the most dangerous mob boss in the city isn't just angry... he is immortal.Sal Macelli is back from the dead and building a vampire army from organised crime. Marie has no choice but to team up with one increasingly bewildered cop. Because you cannot arrest something that cannot die. And you cannot plea bargain with a monster in an Armani suit.FUN FACTS ABOUT INNOCENT BLOOD (1992)Despite revolving around vampires, the word "vampire" is never once spoken in the filmDario Argento, Sam Raimi, Frank Oz, Tom Savini, and Steve Johnson all have cameosScream Queen Linnea Quigley appears as a nurse alongside her then-husband Steve JohnsonLandis hid his recurring "See You Next Wednesday" joke on a marquee in the filmThe glowing vampire eyes used reflective contact lenses combined with a beam-splitter techniqueA POV flying shot was lifted directly from Dario Argento's Opera -- who also has a cameoChazz Palminteri appears in a supporting role -- a Godfather reunion crossed with The SopranosBy 1992, Landis hadn't directed horror since An American Werewolf in London -- an eleven year gapSUPPORT THE SHOWSupport the Show If you enjoy the show and would like to support us, we have a Patreon ⁠⁠⁠here⁠⁠⁠. If you're listening on Apple Podcasts or Spotify, leaving us a 5-star review (and a short comment) really helps more people discover the show. It's quick, free, and makes a huge difference. Referral links also help out the show if you were going to sign up:⁠⁠⁠NordVPN⁠⁠⁠⁠⁠⁠NordPass⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

Send us Fan MailWe finish up our theme of “All Roads Lead to Rome” with Dario Argento's 1970 directorial debut, The Bird With the Crystal Plumage, a giallo film set in Rome. It's about an American writer vacationing in Rome who witnesses a brutal attack and decides to investigate the case himself. We talk about the origins of the giallo film genre, as well as play the newest game out there on the streets, “Giallo or Giall-No”, where Matt and Rachael compete to see who can tell a real giallo film title from a fake one. Who wins?  Tune in to find out!

ne hanno parlato in onda Massimo Di Lecce e Denise Cicchitti

Today on the 5: For the third film in this week's selection of "April Sleaze" movies, we watched 1998's The Phantom Of The Opera. A truly unique take on a beloved classic, this one goes in some truly crazy directions. A passion project by horror legend Dario Argento, the movie is a flawed but highly entertaining version of the Phantom story.

Blood, jazz, killer dolls, and one of the catchiest horror soundtracks ever—this week, we descend into Dario Argento's wild and stylish DEEP RED!Instagram and Threads:https://www.instagram.com/skeletonboyspod/You can always email us:skeletonboyspods@gmail.com

StageFright (1987), The Church (1989), and Dellamorte Dellamore (1994) Most horror fans are at least familiar with the Italian horror tradition, even if they aren't deeply immersed in it. Directors like Mario Bava, Lucio Fulci, Dario Argento, and Joe D'Amato helped define one of the most prolific and influential horror movements in cinema history, producing a remarkable run of classic films over more than three decades. By the mid-1990s, however, that wave had largely collapsed. Yet, in the final stretch of that "era of terror," horror fans were given something special: four films from a young director named Michele Soavi. Soavi's path into directing was a gradual ascent through the industry. He began as an actor, which got him onto sets, then worked his way up through roles as a crew member and assistant director before eventually stepping behind the camera himself. Along the way, he trained under filmmakers like Joe D'Amato, Lucio Fulci, Lamberto Bava, and Dario Argento, experiences that helped him develop a distinctive voice of his own. In this episode, we're covering three of those four films, more than enough to make the case for seeking them out if you've never seen them, or revisiting them if it's been a while. Because sometimes, it's easy to forget just how damn good they really are. Films mentioned in this episode: Absurd (1981), Amok Train aka Beyond the Door III (1989), Body Count (1986), Children Shouldn't Play with Dead Things (1972), The Church (1989), City of the Living Dead (1980), Dario Argento's World of Horror (1985), Dellamorte Dellamore (1994), Demons (1985), Fatal Frames (1996), Ghosthouse (1988), I, Vampir (1957), Nightbreed (1990), Opera (1987), The Sect (1991), StageFright (1987), Suspiria (1977), Tombs of the Blind Dead (1972), Zombi 3 (1988), Zombie 5: Killing Birds (1988)

Italian prog rock band Goblin found their destiny during the second half of the 1970's when they became the go-to musical score composers for the hot-shot horror movie directors of Italy. Goblin split at their peak but reunited (most of them) for 1982's Tenebrae - directed by their old friend Dario Argento.

Send us Fan MailWe run through Warner Archive's 8 May Blu-ray announcements and explain why these particular films are getting new life through fresh scans and thoughtful disc extras. We also share big animation news and a long-awaited update on a Joan Crawford title that has been legally out of reach for decades. • Seven Faces Of Dr. Lao as a cult fantasy favorite with Oscar winning makeup work and new bonus features • Follow Me Quietly as tight RKO noir with a new 4K scan and added crime shorts • Possessed 1931 as peak pre-code MGM with Crawford and Gable chemistry and a rare negative sourced remaster • It's A Wise Child as a newly freed Marion Davies rarity finally coming to home video with shorts and cartoons • The Late Show as a fan requested 1970s mystery comedy-drama upgrade with Carney and Tomlin • Five Man Army as a spaghetti western with Dario Argento pedigree and a standout Ennio Morricone score • Monogram Matinee Volume 3 as newly preserved Johnny Mack Brown westerns returning from obscurity • Looney Tunes Cartoons on Blu-ray plus approval for Looney Tunes Collector's Vault Volume 3 • Letty Linton restoration news and plans for a future Blu-ray release Pre-order links for the classic films are not yet available.Pre-order Looney Tunes Cartoons Blu-ray from Moviezyng and get 10% OFF: https://moviezyng.com/saxdn1Amazon pre-order links:Looney Tunes Cartoons: The Complete Series BLU-RAY: Looney Tunes Cartoons: The Complete Series DVDThe Extras Facebook pageThe Extras TV YouTube ChannelThe Extras Twitter Warner Archive & Warner Bros Catalog GroupJoin our new public Facebook Group for Warner Archive Animation Fans and get the latest update on all the releases.As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links.  There is no additional cost to you, and every little bit helps us in the production of the podcast.  Thanks in advance.Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers.  Contact us today to see how we can work together to achieve your goals.  tim@theextras.tv

This week we're heading north to the 51st state of Canada for a listener request. It's Curtains, the 1983 slasher film from producer Peter Simpson who last brought you the smash hit Prom Night. Directed (partially) by cinematographer Richard Ciupka, Curtains is a gigantic mess of a whodunnit that had ambitions to be a North American riff on the movies of Dario Argento and Mario Bava, an arty, very European approach to a violent murder mystery in the giallo style. Unfortunately, this was not what the producers expected and Ciupka bailed on the entiree project leaving it on the shelf for a year before Simpson himself took it down and dragged it across the finish line. In Curtains five young women gather at the home of director John Stryker, a megalomaniac auteur director with designs on producing a film called Audra but not that long ago he was planning on producing it with his muse, Samantha Sherwood who had herself committed to a mental hospital for research. While inside, Stryker moved on from her but now she's out and pissed off. But what's this? A mysterious killer is knocking them all off one by one. You think you know who the killer is, but do you really? Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠

We zijn weer naar onze tweede thuis gegaan, namelijk het Café van de Cinema Nova op het Offscreen Filmfestival. We hebben de eer gehad om een hoop boeiende mensen te gast te hebben in onze podcast. Vanessa Morgan en Sander over de Spaanse Programmatie van het festival dit jaar. Dirk, de oprichter van het Offscreen festival over de opsplitsing met BIFFF en de geschiedenis van Offfscreen, genre en cult cinema en de controverse die eraan gepaard is. Regisseur Patrik Syversen die Dawning kwam voorstellen en Professor in horror (THAT's RIGHT!!) Dr. Russ Hunter over Dario Argento

Do you think we've watched enough Argento this spring? If you said no, then you're in luck, because we have another dose of Italian weirdness with 1991's THE SECT (aka THE DEVIL'S DAUGHTER)! Co-written and produced by Dario Argento, this also taps another HMN favorite, Michele Saovi, as director - and as an added bonus, stars Kelly Curtis. If you knew that Jamie Lee had a sister who was also an actor, then you're smarter than us. It's a Satanic cult movie, you know we had a good time with this one. Ready to join up? ⁠⁠⁠⁠⁠⁠⁠⁠Join our Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Some Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Facebook Group⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Check our Letterboxd⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Our five-year anniversary episode, and we're choosing to celebrate with Dario Argento and Max Von Sydow in Sleepless/Non ho sonno from 2001. CW: Violence, gendered violence, problematic portrayals of people with disabilities. Copyright © 2026 David Thomas and Jon Dear Availability on disc and streaming: Blu-ray.com Our theme music:Silent Night (Dark Piano Version) by myuu Creative Commons — Attribution 3.0 Unported— CC BY 3.0Free Download/Stream Music promoted by Audio Library Giallo Reading ListLa Dolce Morte: Vernacular Cinema and the Italian Giallo Film by Mikel J. Koven Italian Giallo in Film and Television: A Critical History by Roberto Curti So Deadly, So Perverse: 50 Years of Italian Giallo Films by Troy HowarthVolume 1: 1963-1973Volume 2: 1974-2013Volume 3: Giallo-Style Films From Around the World Mario Bava: All the Colours of the Dark by Tim Lucas Dario Argento: The Man, the Myths & the Magic by Alan Jones All the Colours of Sergio Martino by Kat Ellinger Beyond Terror: The Films of Lucio Fulci by Stephen Thrower Human Beasts: The Films of Paul Naschy by Troy Howarth Italian Horrors: Cannibals, Zombies, Strange Vices and Guilty Pleasures! edited by Allan Bryce Make Them Die Slowly: The Kinetic Cinema of Umberto Lenzi by Troy Howarth

It's our 550th episode, time to class up this joint a little with a genre favorite - Dario Argento's SUSPIRIA (1977)! Who doesn't love a little giallo action about ballerinas and witches, with a side of maggots and some barbed wire tumbling? The plot may be inscrutable at times, but what it lacks in logic it more than makes up for in style. Come on, let's dance! ⁠⁠⁠⁠⁠⁠Join our Patreon⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Buy Some Merch⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Join our Facebook Group⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Follow us on Instagram⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Check our Letterboxd⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of the Dads From The Crypt Podcast, the dads travel to Italy to discuss Tenebrae (1982), the ultra-stylish and controversial Giallo thriller from horror master Dario Argento. Joining the show is special guest Joe Gatto, who helps break down one of the director's most brutal and visually striking films.Starring Anthony Franciosa, Daria Nicolodi, and John Saxon, Tenebrae follows a bestselling crime novelist whose visit to Rome sparks a series of grisly copycat murders inspired by his own book. The dads dive into Argento's sharp direction, the film's infamous kills, and its legendary camera work—including one of the most famous tracking shots in horror history.The episode also explores the pounding synth score composed by members of Goblin, the film's themes of violence and media controversy, and where Tenebrae fits among Argento classics like Suspiria and Deep Red.If you love Italian horror movies, giallo thrillers, and classic 80s horror, this deep dive into Tenebrae is a must-listen.Follow Dads From the Crypt! Threads: @dadsfromthecryptTikTok: Dads From The Crypt-TokInstagram: @dadsfromthecrypt Patreon: https://www.patreon.com/DadsFromTheCrypt

Steven Weber joins Dads From The Crypt to talk about some of his most iconic roles in horror and comedy. Steven discusses starring in the Tales from the Crypt episode Mournin' Mess, playing Jack Torrance in the The Shining, and working with Dario Argento on the Masters of Horror episode Jennifer.We also dive into his experience working with comedy legends Mel Brooks and Leslie Nielsen on Dracula: Dead and Loving It, plus collaborating with Catherine O'Hara.Behind-the-scenes stories, horror history, and memories from some of the most beloved cult classics in film and television.Follow Dads From the Crypt! Threads: @dadsfromthecryptTikTok: Dads From The Crypt-TokInstagram: @dadsfromthecrypt Patreon: https://www.patreon.com/DadsFromTheCrypt

Join the Dads from the Crypt for their review of the Masters of Horror episode "Jenifer," featuring special guests Zena Dixon from the Bloody Disgusting Podcast and Josh from Smashed Cinema. In this deep dive, we explore Dario Argento's visceral adaptation of the Bernie Wrightson comic, analyzing Steven Weber's descent into madness and the legendary KNB EFX practical gore that made this 2005 anthology entry a cult classic. From the grotesque character design to the dark themes of sexual obsession, our panel of horror experts breaks down why this episode remains one of the most disturbing chapters in Showtime's horror history.Follow Dads From the Crypt! Threads: @dadsfromthecryptTikTok: Dads From The Crypt-TokInstagram: @dadsfromthecrypt Patreon: https://www.patreon.com/DadsFromTheCrypt

Give your body to the dance, but save your ears for an all-new episode of Kill By Kill! That's right, we're starting our new theme month a week early to discuss Luca Guadagnino's masterful remake of SUSPERIA!! Along the way, we dig into why remakes have always been a part of the film business, how the 2018 film mines Dario Argento's original for new and deeper avenues to explore, consider why a mid-70s German political reckoning forged the spine of this new version, and discuss why 20th Century Fox thought a lady skeleton was the best sales technique to get butts in seats in 1978!! All this, plus door jam humping, shadow stabbers, troll hookups, Giallo blindness, corpse hooks, and a head-exploding edition of Choose Your Own Deathventure!! Dance like obody but the Three Mothers are watching this week on Kill By Kill!! Part of the BLEAV Network.Get even more episodes exclusively on Patreon! Join Patrick's new newsletter Scream Share and join him for a virtual watch party on Friday March 13th!! Artwork by Josh Hollis: joshhollis.com Kill By Kill theme by Revenge Body. For the full-length version and more great music, head to revengebodymemphis.bandcamp.com today!Join the new Discord Server Convo here! Our linker.ee Click here to visit our Dashery/TeePublic shop for killer merch! Join the conversation about any episode on the Facebook Group! Follow us on IG @killbykillpodcast!! Join us on Threads or even Bluesky Check out Gena's newsletter on Ghost!! Check out the films we've covered & what might come soon on Letterboxd! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

An ill wind is blowing in the Swiss Alps, and it's going to take the combined might of a psychic teenager, a Scotsman in a wheelchair and a chimpanzee called Inga to do something about it - if they can hear themselves think over Iron Maiden being played at full blast. Rod and Adrian are tackling the maestro Dario Argento for the first time, but thankfully it's one of his more restrained efforts to make it easier. Donald Pleasence naturally gets plenty of air time, but also discussed is the continued ineptitude of the Italian/ Swiss police, what to do with several million unwanted flies and why you would try to escape in a boat when there's a perfectly good road right there to run down. It's a new season, dedicated to that great quiet man of British cinema, Donald Pleasence, who spent a great deal of time in the 1980s in Italy. We would love to hear from you about your favourite Donald Pleasence films from this period, or if you have ever been attacked by a chimp.You can get in touch with us, follow us on social media, buy our merch, and all that stuff, through our Linktree. Learn more about your ad choices. Visit megaphone.fm/adchoices

Wicked, Travis, Fae, and Dread talk about Dario Argento's 1970 Giallo classic The Bird with the Crystal Plumage. He Was Wearing the Carpet from the Shining. Mini review of Marshmallow (2025). Sideshow Monica. Always Room for Giallo. Italian Movie Place. Bring in the Perverts. One Faulty Ash. He “Oh noes!” Himself Out the Window. No Cats Were Harmed in the Making of this Stew. In the Grand Scheme of Earth. An Even Number of Boobies. The Wicked Laugh of Monica. Disembodied Black Gloves. I Knew It Was a Bunch of Words. Support us on Patreon at patreon.com/GORE13Check out our website created by Baumbie GOREpodcast.comFollow the show on Bluesky @GOREpodcast.bsky.social Email the show at GOREpodcast13@gmail.com

Adrien Brody puts his nose to the grindstone as a detective out to stop a yellow-skinned, mad killer who is abducting females by way of his taxi in Dario Argento's Giallo from 2009, featuring Brody in a dual role and... Not much else according to at least three of us. We discuss the film's lack of signature Argento-isms, whether or not it is a giallo, Adrien Brody's court case against the producers, and much more! Also, the ghost of Skype has infiltrated our new recording digs, making completion of the episode about as difficult as sitting through this movie!

Send a textAn L.A. cop discovers a local task force is a front for an influential, vulgar, offensive podcast that puts the residents of his childhood neighborhood in danger. On Episode 708 of Trick or Treat Radio our feature film discussion is one we've been anticipating for almost 8 years! We finally check out Night Patrol from director Ryan Prows! We also pay tribute to a couple of Hollywood titans, we find out what is 8” long, green, and coming soon, and we react to trailers for the upcoming films; Lee Cronin's The Mummy, and Bodycam! So grab your preferred weapon to fend off the local bloodsucking lawmen, don your traditional ancestral garb, and strap on for the world's most dangerous podcast!Stuff we talk about: 8” long, green, and coming this summer, Eagle Rock Productions, Brian Yuzna, Re-Animator, the Ghostbuster thing, Scandinavian Vowels, Slashed Zero, Asgardian vowels, Lowlife, one of our most anticipated films in show history, Mark of the Devil, Udo Kier, Bird With the Crystal Plumage, Dario Argento, Frankenstein's Castle of Freaks, Army of Darkness, The Ghost of Edendale, Dead Things, Black Water, Catacombs, Attack of the Vegan Zombies, Shutter Island, The VVitch, Victoria Justice, Sam Reid, Haylie Duff, Benicio del Toro, The Wolfman, Jeff Daniels, Arachnaphobia, Witchboard, Lee Marvin, Clue, Three Amigos, Shout Factory, Martin Short, Chevy Chase, Martin Short, Tim Curry, Da Ali G Show, Flight of the Conchords, The Muppets, James Bobin, Ryan Reynolds, The Greasy Strangler, can you have a time jump in a trilogy?, Lee Cronin's The Mummy, John Larroquette, Midsommar, Dashcam, Bodycam, Linda Blair, RIP Tom Noonan, Monster Squad, House of the Devil, Robocop 2, The Natural, Eight Legged Freaks, RIP Robert Duvall, Gram Protein, Honey Bunches of Oats, Justin Long, Flying Lotus, Ryan Prows, New Jack City, Training Day, Total Eclipse, Night Patrol, Pepsi Phil, Dermot Mulroney, Jon Oswald, Sinners, Night Force, Gene Colan, Tomb of Dracula, Brody King, Danny Boyle, Alex Garland, 28 Years Later, Nia DeCosta, don't dick dial me bro, Gorgonzilla, Monster's Paradise, Werner Herzog, Enjoy the Twink, and The General Prohibition Sign.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Put on your most stylish black gloves for episode 200 of The Horror Stans Podcast! For our 200th (!!!) episode we are finally covering a full blown Giallo with Tenebrae from 1982! Listen as we discuss how Matt felt about the craziness of his first Giallo, iconic director Dario Argento's stylish directing (that crazy ass crane shot!), incredible bloody deaths, John Saxon's hat, drama on the set (real screams?!) and even some Horror Stans behind the scenes tea! We hope you enjoy! Please give us a 5 star rating!@horrorstansTiktok: @horrorstanspodcastSteve: @screamsteve/@stesta621Matt: @mcavo92

Count Dracula has survived such formidable filmmaking foes as Francis Ford Coppola, Dario Argento, and David Eggers. But will he shrink in fear at the might of...Luc Besson?Jacob Landry-Jones is the latest to don the cape and fangs in this umpteenth retelling of the debonair undead Drac. Could this be the definitive version--or a slightly different rehash with goofier looking makeup effects?Join us as we hang garlic and debate whether or not it's time to stake all future adaptations of Bram Stoker's classic novel!Support Kicking the Seat on Patreon, subscribe to us on YouTube, and follow us at:XLetterboxdInstagramFacebookShow LinksWatch the Dracula (2026) trailer.As mentioned in the show, you can enjoy a half-decade of Hammer Films discussions, starting with our "Hammerland" Playlist.Support all of Earth's Mightiest Critics at their various outlets:Keep up with Jeff York's criticism and caricatures at The Establishing Shot and Pipeline Artists.Check out Mark "The Movie Man" Krawczyk's The Spoiler Room Podcast.Get seated with The Blonde in Front!Follow David Fowlie's film criticism at Keeping It Reel.Get educated with Don Shanahan at Every Movie Has a Lesson…...And Film Obsessive...and the Cinephile Hissy Fit Podcast.Keep up with Annie Banks at The Mary Sue....and We Got This Covered.Make Nice with Mike Crowley of You'll Probably Agree.And save your celluloid soul with Dave Canfield's Substack, "Creature Feature Preacher".

After a brief hiatus for Sundance we are back to get you caught up on this week's physical media. Erik Childress and Peter Sobczynski look at a pair of enjoyable larks in the careers of John Woo and Jonathan Demme. There is the fun hangout movie that was just celebrated at the film festival where it had its premiere as well as one of the early Rolling Stones concert films. SXSW premiered one of the great twisted films about capitalistic depravity and Arrow does it justice here. There is also some twisted Dario Argento and a kid trying to hook up with Nicole Kidman. But this week is full of original films that were eventually remade including a western written by Elmore Leonard, the film which won William Hurt his Oscar, a Clark Gable film that he made twice, a dynamite thriller on a train, Charles Bronson as a cultured killer. Not but last least a classic rom-com that was remade that the guys have some very different opinions about.2:16 - Criterion (3:10 to Yuma (1957) (4K), Kiss of the Spider Woman (1985) (4K), House Party (4K), Birth (4K))31:44 - Warner Archive (Red Dust, The Narrow Margin)41:10 - Shout (Once a Thief (4K))51:14 - Vinegar Syndrome (Married to the Mob 4K, The Stendhal Syndrome 4K)1:09:33 - Arrow (Cheap Thrills)1:17:37 - Universal (Fifty Shades Trilogy 4K, Marry Me (4K))1:29:52 - Kino (Hold That Blonde, The Mechanic 4K, Sabrina (1995), The Hi-Lo Country, Let's Spend the Night Together 4K)2:09:35 – New Theatrical Titles On Blu-ray (Hung Up On a Dream: The Zombies, Blue Moon, The Thing with Feathers)2:11:41 – New Blu-ray Announcements!CLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCASTUSE COUPON “MOVIEMADNESS” TO GET 10% OFF ALL DUBBY PRODUCTSSIGN UP FOR AUDIBLEBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

This episode of 'Horror Joy' delves into Luca Guadagnino's 2018 reimagining of 'Suspiria.' Brian and Jeff explore the themes of academic horror, feminism, and political violence within the film's setting of post-war Berlin. We compare Guadagnino's version to Dario Argento's original 1977 film, discussing the significant differences, including the portrayal of witchcraft and the regulation of bodies in an academic setting.We highlight the film's complex power structures and touches on the role of music, dance, and cinematic techniques in creating horror. The discussion also questions Guadagnino's claim of making a feminist film, examining the intricate dynamics between the characters and the violent depiction of women's bodies. We find a blend of intellectual and emotional engagement in the film, despite their mixed feelings about some aspects.  Breathing Back the History of German Modern Dance through the Horror Film Genre in Luca Guadagnino's Suspiria (2018) by Wesley LimEntanglement In Time: Nostalgic Affect As Cine-Choreography In The White Crow (2018) And Suspiria (2018) by Kaixuan YaoRadically Feminist or Monstrously Feminine?: Witches and Goddesses in Guadagnino's Suspiria (2018)Goddesses in Guadagnino's Suspiria (2018) by Lindsay MacumberRoberts, John W. “Dancing the Dance of Another: Allegory, the Diagram, and Suspiria (2018).” Discourse: Journal for Theoretical Studies in Media and Culture, vol. 45, no. 1–2, Dec. 2023, pp. 33–64. EBSCOhost,

In this episode we take a trip to Italy for a look at Massimo Dellamano's 1972 giallo, What Have You Done To Solange? This Italian/German co-production was intended to capitalize on both the popularity of giallo in Italy and krimi in Germany, casting an array of English and German actors familiar to fans of krimi and Italian stars of the time for those who can't get enough giallo. A fairly grim entry into the canon, What Have You Done To Solange is a strong starting point for horror fans looking to go beyond the well-known giallo titles from Dario Argento and Mario Bava. We go over the history of giallo, the people who made it, and the economic conditions in Italy which led to its proliferation. In the story, Enrico Rosseni, a horn-dog gymnastics coach comes under suspicion in a series of brutal murders. The victims are all schoolgirls from his team and to make matters worse, his teenage girlfriend, witnessed one of the murders. He'll team up with the police and his severe German wife to crack the code and discover the real murderer, their motive, and learn the identity of the mysterious Solange, who seems to be at the center of all this. Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:⁠⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:⁠⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠

In this episode of Horror Joy, Brian and Jeff jump headlong into academic horror. Their firs stop is Dario Argento's 1977 class, Suspiria.We explore themes such as ritualized violence, paranoia, and the cult-like power dynamics of a coven of witches who both govern and are governed by the institution. We highlight the vivid colors, atmospheric elements, and unsettling soundtrack that is used to convey meaning and evoke fear. We delve into the use of witches not as symbols of feminist empowerment but as tools of misogyny, driven by the male gaze. Additionally, we consider the idea of suppressed queer and feminine elements in a drab world. We conclude with a look at the film's reliance on practical effects over CGI, setting a joyful yet terrifying tone.Kristeva, Julia. Powers of Horror: An Essay on Abjection. Translated by Leon S. Roudiez, Columbia University Press, 1982.

This week on The Rotten Horror Picture Show Podcast, Clay and Amanda are taking a trip into the strange, dreamlike world of Dario Argento's 1985 cult oddity Phenomena. It's one of Argento's most notorious films from his wildly experimental '80s era — full of surreal imagery, pulsing Goblin music, murder mysteries, and a young Jennifer Connelly wandering through the Swiss countryside. Clay and Amanda break down the film's off-the-wall tone, its place in Argento's career, and why Phenomena stands out even among the director's already very weird filmography. It's stylish, confusing, beautiful, and deeply unsettling in ways that only Argento could manage.Now, I should probably admit something up front: I haven't actually seen Phenomena. But I'm still excited! Why? Because I've been assured — by absolutely no one — that there are probably no bugs in it. And that's important to me. Bugs and I do not get along. Spiders? No. Beetles? Absolutely not. Anything with too many legs or a weird crunch? I'm out. Horror movies already ask a lot of me emotionally — I don't need ants crawling into my soul on top of it.So I'm going into this episode feeling optimistic. An Argento movie without bugs sounds great! Just some light murder, some eerie atmosphere, maybe a monkey with a razor (that's fine), but definitely no swarming insects, crawling larvae, or close-ups of mandibles clicking together. Clay and Amanda seem excited, which reassures me. They wouldn't do that to me, right? They know my boundaries. Surely.Anyway, if you're a fan of Italian horror, surreal storytelling, or films that operate entirely on nightmare logic, this episode is for you. I'll be listening too — cautiously, fingers crossed, telling myself everything is fine. And if at any point they mention insects, flies, maggots, or entomology in general? I will be screaming, throwing my headphones, and pretending this episode never happened. But until then, I'm happy. Ignorance is bliss.And do forget to head over to patreon.com/thepenskyfile to follow along this year as Clay and Amanda do a deep dive on sequels!

|t's 2026 and we're back to escape into the world of movies considering everything going on in the real world.We cover sixteen movies including the ping pong/crime flick MARTY SUPREME, Dario Argento in 4K, one of the all-time best coming-of-age movies, a giant snake flick and its meta 2025 reboot, a heist movie that does everything wrong, some sword swinging action, a cocky space ship flying dude and so much more!Thanks for listening! Be sure to subscribe, rate and review the show wherever you listen to podcasts; join in the discussion on our Facebook group, and if you like what you hear - tell a friend and spread the word - every little bit helps!Links to all our web stuff at www.gbwpodcast.com

In this video, Chris and Gerry review and discuss Dario Argento's 1977 horror masterpiece Suspiria, one of the most visually striking films in cinema history. From its bold use of color and dreamlike production design to the unforgettable Goblin score, Suspiria redefined supernatural horror and helped cement Argento's legacy. Join the discussion and let us know what you think of this cult classic.

[14x1] We're back! Season XIV begins with giallo legend Dario Argento's take on Bram Stoker's famous story. It's Dracula 3D from 2012, which finds Thomas Kretschmann as the Count and Rutger Hauer as Van Helsing. And making her third trip via podcasket is videographer and film critic Sarah Williams... Hosts: Hugh McStay & Dan Owen Guest: Sarah Williams Editor: Hugh McStay "I was taken from the darkness and sent to Earth to rob my people of blood. It's the only way I can still feed this stinking corpse." -- Count Dracula Help Us Grow the Show! If you enjoy what we do, please take a moment to: Subscribe and leave a positive review! Your feedback and ratings are vital for bringing you more great episodes. Want more? Support us directly! Make a donation on Ko-fi or unlock special perks by joining our Bite Club! Follow our social media ⁠⁠here⁠⁠. We're part of the ⁠Film Stories⁠⁠ podcast network. Credits: Opening music: ⁠Nela Ruiz⁠ Episode artwork: Dan Owen⁠ Podcast artwork: ⁠Keshav⁠ Sound FX: Epidemic Sound Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's episode, Stephen and Tim are kicking off Giallo January with Dario Argento's Opera!Listen as they discuss their introductions to Giallo and Argento films, the problems Dario faced during production, how we need bottomless breadsticks at the theater, and much more on this week's episode!Patreon (All Content is Free) : https://www.patreon.com/Horrorflicksguitarpicks

Director Kevin Lewis joins Nerdtropolis Mayor Sean Tajipour on Reel Insights to dive deep into Pig Hill, a chilling folklore-driven horror film inspired by local legend and psychological fear. Starring Shane West, Rainey Qualley, Shiloh Fernandez, and R.A. Mihailoff, the film follows a woman obsessed with the myth of the Pig People as disappearances begin to pile up.Lewis opens up about what first pulled him into the project, from the strength of the script to the way the story's third act completely flipped his expectations. He talks about the power of real folklore, how legends seep into the subconscious, and why stories like Pig Hill feel unsettling long after the credits roll.The conversation explores how Pig Hill differs from expectations shaped by Willy's Wonderland, leaning more into psychological horror and emotional tension rather than pure chaos. Lewis breaks down his creative mindset as a filmmaker, explaining how he always approaches his work as a fan first and why horror audiences are some of the most passionate and forgiving out there.Lewis also dives into the hands-on process behind the film's practical effects and creature design, working closely with legendary effects artist Jason Baker. He discusses the challenge of creating something iconic that feels timeless, while balancing cinematic realism with a dreamlike, giallo-inspired visual style influenced by filmmakers like David Lynch and Dario Argento.The discussion touches on walking the fine line between gore and suggestion, the importance of letting the audience's imagination do the work, and which scenes proved the most challenging to shoot under tight indie conditions. Lewis reflects on how limitations often push creativity and why trusting your gut can lead to some of the film's most memorable moments.Lewis also looks ahead, teasing several upcoming projects and sharing his excitement for continuing to make genre films for fans who love bold, weird, and unforgettable storytelling.Pig Hill is now available on VOD from Cineverse.Visit Nerdtropolis.comhttps://www.Facebook.com/nerdtropolishttps://Instagram.com/nerdtropolishttps://Twitter.com/nerdtropolis

Send us a textA romantic anniversary trip to a secluded cabin turns sinister when a dark presence reveals itself, forcing old friends to confront their podcast's haunting past. On Episode 700 of Trick or Treat Radio we eschew the normal pomp and circumstance of a milestone show for our normal format and continue on with December Double Feature Cram Jam. This week we discuss films from two of our favorite directs; Keeper from Osgood Perkins, and Eddington from Ari Aster! We also get inducted into the 700 Club, react to trailers for the films; Amityvillenado and 28 Years Later: The Bone Temple, and are faced with the ghosts of 2020 all over again. So grab your jar of honey, post an angry rant online, and strap on for the world's most dangerous podcast!Stuff we talk about: Fickle horror fans, Hellraiser, dinner scene, smoking without burning your mouth, Trish Stratus, scenes in horror that drive you nuts, gimmick as a personality, the 700 Club, fitness sponsors, snikts and krakadooms, roman chairs and russian fingers, gathering of the Juggalos, fluff it up, 20,000 Leagues Under the Sea, James Mason, The 7th Voyage of Sinbad, Scars of Dracula, Christopher Lee, Hellbound: Hellraiser II, The Bone Snatcher, Death Machine, Pulse 3, Solomon Kane, Hazmat, Evil Remains, Estella Warren, Corey Haim, The Lost Boys, Dario Argento's Trauma, King Kong, John Northpole, Mega Huge Pictures, Amityvillenado, 28 Years Later: The Bone Temple, Nia DeCosta, Danny Boyle, gratuitous gratuity, Bee Gees, Barry Gibb - the handsome one, Keeper, Osgood Perkins, the 700 Club, nefarious, Tatiana Maslany, breaking the cycle of patriarchy, Ready or Not, folk horror, body horror, Guillermo del Toro, subtle satisfaction, films flipping the script, Joaquin Phoenix, Deirdre O'Connell, Emma Stone, Pedro Pascal, Austin Butler, Ari Aster, Midsommar, Hereditary, Beau is Afraid, Eddington, Christopher Nolan, Odyssey, WWE vs AEW, Ben Affleck, James Gunn's DCU vs Zack Snyder's DCEU, Honey Ripple head cream, and Before and Aster.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

This week, we step into the dance academy and compare two radically different nightmares: Dario Argento's Suspiria (1977) and Luca Guadagnino's Suspiria (2018). Same premise, same title — completely different approaches to horror. We break down how Argento's original became a technicolor fever dream of sound, style, and supernatural menace, while the 2018 remake transforms the story into a slow-burn exploration of trauma, power, and political horror. From neon lighting and Goblin's iconic score to muted palettes and oppressive dread, these films feel less like remake and original and more like alternate realities. Is one version definitively better, or do they succeed in entirely different ways? We discuss atmosphere, performances, themes, and why Suspiria remains one of the most fascinating examples of how horror can be reimagined without losing its soul.   Today we are joined by Heather Stewart of The Revisionist Almanac!   Check out the Revisionist Almanac here: https://open.spotify.com/show/0k1pTUl2hYrgIiZpziFQTv?si=1bf52adfdd7c49c8       Follow Us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @horrorhourwiththehannas   Music by Aries Beats - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/watch?v=DPpnxLYrzVA  

 DownloadWelcome to LOTC Presents episode 458 DD 77. This week the show starts with Ian Irza and GregaMortis reviewing Dario Argento's Door Into Darkness on Black Glove Mysteries. Door Into Darkness was a made for Italian TV series. We hope you will enjoy the discussion of this series. Lastly, the Twisted Temptress and GregaMortis are joined by Tammy Maguire to breakdown in full SPOILER fashion, season 4 of Stranger Things. This was lots of fun going episode to episode. We want to wish everyone a Happy Holidays as Christmas is right around the corner. Thank You to all of you for your continued support and love. Grab those favorite snacks and beverages as you journey with us through the Land Of The Creeps.HELP KEEP HORROR ALIVE!!LINKS FOR DOUBLE DOUBLEGregaMortisFacebookTwitterLand Of The Creeps Group PageLand Of The Creeps Fan PageJay Of  The Dead's New Horror Movie PodcastYoutubeInstagramEmailLetterboxdTwisted Temptress LinkLetterboxdIAN IRZA LINKSBLOG SITEFACEBOOKTWITTERINSTAGRAMLETTERBOXDLOTC Hotline Number1-804-569-56821-804-569-LOTCLOTC Intro is provided by Andy Ussery, Below are links to his social mediaEmail:FacebookTwitterLespecial FacebookLespecial Website

At long last, Sean follows the clues that lead to Dario Argento's maiden effort, The Bird with the Crystal Plumage (1970), the film that single-handedly kicked off a cottage industry of stylish giallo thrillers in Italy. An American writer witnesses a brutal attack, and then tries to solve the case while the killer zeroes in on him. Listen as we talk cat dinner delicacies, what happens when artwork attacks, and captive audiences to murder on this week's exciting episode! Hosted on Acast. See acast.com/privacy for more information.

The frightening final episode of SCREAM Drafts VIII finds Hall of Famer Dave Schilling (Horror's New Wave: 15 Years of Blumhouse) and rookie Danielle Radford (Tights and Fights) ranking the 7 best films directed by "The Italian Hitchcock," DARIO ARGENTO! Become a BOOSter! Go to www.patreon.com/screendrafts to find out how!