Podcasts about intellectual work

Welcome to Exponential View, the show where I explore how exponential technologies such as AI are reshaping our future. I've been studying AI and exponential technologies at the frontier for over ten years. Each week, I share some of my analysis or speak with an expert guest to make light of a particular topic. To keep up with the Exponential transition, subscribe to this channel or to my newsletter: https://www.exponentialview.co/ ----- AI has become so embedded in how I work that I can no longer cleanly separate it from my thinking. That raises a question I find genuinely unsettling: is intensive AI use making me a sharper thinker, or quietly doing the opposite? In this episode I pull back the curtain on my full research and writing process — the custom tools, the friction points, and the places where I'm still not sure I've got it right. For Ezra Klein, having AI summarize material is a disaster for original thought. But my AI systems are designed to protect the cognitive work that has to stay human, while they handle everything else. Knowing where to draw that line turns out to be the hardest and most important question. I covered: 00:00 - Is AI worsening our thinking? 02:35 - Ezra Klein on AI and the death of original thought 04:02 - Cognitive offloading vs cognitive surrender 09:20 - Signal detection at scale 11:06 - Why I use several AI personas to scan for different insights 13:37 - AI tells me what NOT to think about 16:25 - The value of quietness 19:07 - Small notebooks, small ideas 20:01 - Writing reveals what you don't yet know 23:24 - The golden thread 25:20 - Speaking drafts aloud 28:05 - How I stress-test my arguments before publishing 29:35 - Using AI to stress-test my own house views 31:44 - Stylometer: my AI style and grammar tool 33:10 - Did AI make the thinking better? For more on this week's topics, subscribe to my newsletter https://www.exponentialview.co/ ----- Where to find me: Exponential View newsletter: https://www.exponentialview.co/ Website: https://www.azeemazhar.com/ LinkedIn: https://www.linkedin.com/in/azhar/ Twitter/X: https://x.com/azeem Production by EPIIPLUS1 Production and research: Baba Films, Chantal Smith, Marija Gavrilov. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Thomas Kemple‘s new book is an extraordinarily thoughtful invitation to approach Max Weber (1864-1920) as a performer, and to experience Weber's work by attending to his spoken and written voice. Intellectual Work and the Spirit of Capitalism: Weber's Calling (Palgrave Macmillan, 2014) looks carefully at the literary structure and aesthetic elements of Weber's arguments, considering how the texts offer an “allegorical resource for thinking sociologically.” Kemple argues that the formal structure of Weber's ideas is inseparable from the content, and that understanding one is crucial for understanding the other. As a way into that formal structure, in each chapter Kemple offers an ingenious visual diagram that acts as a kind of “talking picture,” simultaneously evoking the cinematic elements of Weber's own work and giving readers another tool for engaging the performative aspects of it. Kemple's book is particularly attentive to the ways that Weber's performance is shaped by a close engagement with the work of other writers, musicians, and thinkers, from Goethe and Tolstoy to Machiavelli and Martin Luther, and from the Bhagavadgita to The Valkyries. In addition, Marianne Weber – Max's “wife, intellectual partner, and posthumous editor” – is an important presence throughout the book in helping us understand and read Weber's work anew. Kemple's thoughtful and beautifully written analysis helps us understand not just Weber's own work, but also the value of that work for attending to issues of our own present. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marx's Capital looms large today, a century and a half after first publication, a massive tome that attempts to document and map out the dynamics of a society consumed by capital accumulation. The complexity and scope, as well as its voluminous incompleteness upon his death, have left many readers perplexed, looking for a ‘royal road' to comprehension. However, this has led to a number of misreadings, with commentators often trying to pick at what they assume is the core of the text, leaving the rest behind. Against this, Thomas Kemple in his new book Marx's Wager: Das Kapital and Classical Sociology (Palgrave MacMillan, 2022) argues that understanding Capital mean's reading it not just for the economic equations, but the social and moral insights as well. Rather than see Marx's quotations of literature and poetry as an embellishment to spice up the economic analysis, he sees it performing moral and analytic work as well, allowing Marx to explore the nature of capitalism at a much broader level than narrow economics will allow. Putting Marx in dialogue with his contemporaries, particularly Durkheim, Weber and Simmel, Kemple finds Marx's work to be much more dynamic and comprehensive than many of his readers have previously realized. This little book offers close textual analysis that will enable readers to approach Marx with fresh eyes, seeing elements of their society and themselves in the text that may have previously gone unnoticed. Thomas Kemple is a professor of sociology at the University of British Columbia. He is the author of several books, including Reading Marx Writing: Melodrama, the Market and the Grundrisse, Intellectual Work and the Spirit of Capitalism: Weber's Calling and most recently Simmel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Marx's Capital looms large today, a century and a half after first publication, a massive tome that attempts to document and map out the dynamics of a society consumed by capital accumulation. The complexity and scope, as well as its voluminous incompleteness upon his death, have left many readers perplexed, looking for a ‘royal road' to comprehension. However, this has led to a number of misreadings, with commentators often trying to pick at what they assume is the core of the text, leaving the rest behind. Against this, Thomas Kemple in his new book Marx's Wager: Das Kapital and Classical Sociology (Palgrave MacMillan, 2022) argues that understanding Capital mean's reading it not just for the economic equations, but the social and moral insights as well. Rather than see Marx's quotations of literature and poetry as an embellishment to spice up the economic analysis, he sees it performing moral and analytic work as well, allowing Marx to explore the nature of capitalism at a much broader level than narrow economics will allow. Putting Marx in dialogue with his contemporaries, particularly Durkheim, Weber and Simmel, Kemple finds Marx's work to be much more dynamic and comprehensive than many of his readers have previously realized. This little book offers close textual analysis that will enable readers to approach Marx with fresh eyes, seeing elements of their society and themselves in the text that may have previously gone unnoticed. Thomas Kemple is a professor of sociology at the University of British Columbia. He is the author of several books, including Reading Marx Writing: Melodrama, the Market and the Grundrisse, Intellectual Work and the Spirit of Capitalism: Weber's Calling and most recently Simmel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Marx's Capital looms large today, a century and a half after first publication, a massive tome that attempts to document and map out the dynamics of a society consumed by capital accumulation. The complexity and scope, as well as its voluminous incompleteness upon his death, have left many readers perplexed, looking for a ‘royal road' to comprehension. However, this has led to a number of misreadings, with commentators often trying to pick at what they assume is the core of the text, leaving the rest behind. Against this, Thomas Kemple in his new book Marx's Wager: Das Kapital and Classical Sociology (Palgrave MacMillan, 2022) argues that understanding Capital mean's reading it not just for the economic equations, but the social and moral insights as well. Rather than see Marx's quotations of literature and poetry as an embellishment to spice up the economic analysis, he sees it performing moral and analytic work as well, allowing Marx to explore the nature of capitalism at a much broader level than narrow economics will allow. Putting Marx in dialogue with his contemporaries, particularly Durkheim, Weber and Simmel, Kemple finds Marx's work to be much more dynamic and comprehensive than many of his readers have previously realized. This little book offers close textual analysis that will enable readers to approach Marx with fresh eyes, seeing elements of their society and themselves in the text that may have previously gone unnoticed. Thomas Kemple is a professor of sociology at the University of British Columbia. He is the author of several books, including Reading Marx Writing: Melodrama, the Market and the Grundrisse, Intellectual Work and the Spirit of Capitalism: Weber's Calling and most recently Simmel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Marx's Capital looms large today, a century and a half after first publication, a massive tome that attempts to document and map out the dynamics of a society consumed by capital accumulation. The complexity and scope, as well as its voluminous incompleteness upon his death, have left many readers perplexed, looking for a ‘royal road' to comprehension. However, this has led to a number of misreadings, with commentators often trying to pick at what they assume is the core of the text, leaving the rest behind. Against this, Thomas Kemple in his new book Marx's Wager: Das Kapital and Classical Sociology (Palgrave MacMillan, 2022) argues that understanding Capital mean's reading it not just for the economic equations, but the social and moral insights as well. Rather than see Marx's quotations of literature and poetry as an embellishment to spice up the economic analysis, he sees it performing moral and analytic work as well, allowing Marx to explore the nature of capitalism at a much broader level than narrow economics will allow. Putting Marx in dialogue with his contemporaries, particularly Durkheim, Weber and Simmel, Kemple finds Marx's work to be much more dynamic and comprehensive than many of his readers have previously realized. This little book offers close textual analysis that will enable readers to approach Marx with fresh eyes, seeing elements of their society and themselves in the text that may have previously gone unnoticed. Thomas Kemple is a professor of sociology at the University of British Columbia. He is the author of several books, including Reading Marx Writing: Melodrama, the Market and the Grundrisse, Intellectual Work and the Spirit of Capitalism: Weber's Calling and most recently Simmel. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marx's Capital looms large today, a century and a half after first publication, a massive tome that attempts to document and map out the dynamics of a society consumed by capital accumulation. The complexity and scope, as well as its voluminous incompleteness upon his death, have left many readers perplexed, looking for a ‘royal road' to comprehension. However, this has led to a number of misreadings, with commentators often trying to pick at what they assume is the core of the text, leaving the rest behind. Against this, Thomas Kemple in his new book Marx's Wager: Das Kapital and Classical Sociology (Palgrave MacMillan, 2022) argues that understanding Capital mean's reading it not just for the economic equations, but the social and moral insights as well. Rather than see Marx's quotations of literature and poetry as an embellishment to spice up the economic analysis, he sees it performing moral and analytic work as well, allowing Marx to explore the nature of capitalism at a much broader level than narrow economics will allow. Putting Marx in dialogue with his contemporaries, particularly Durkheim, Weber and Simmel, Kemple finds Marx's work to be much more dynamic and comprehensive than many of his readers have previously realized. This little book offers close textual analysis that will enable readers to approach Marx with fresh eyes, seeing elements of their society and themselves in the text that may have previously gone unnoticed. Thomas Kemple is a professor of sociology at the University of British Columbia. He is the author of several books, including Reading Marx Writing: Melodrama, the Market and the Grundrisse, Intellectual Work and the Spirit of Capitalism: Weber's Calling and most recently Simmel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Marx's Capital looms large today, a century and a half after first publication, a massive tome that attempts to document and map out the dynamics of a society consumed by capital accumulation. The complexity and scope, as well as its voluminous incompleteness upon his death, have left many readers perplexed, looking for a ‘royal road' to comprehension. However, this has led to a number of misreadings, with commentators often trying to pick at what they assume is the core of the text, leaving the rest behind. Against this, Thomas Kemple in his new book Marx's Wager: Das Kapital and Classical Sociology (Palgrave MacMillan, 2022) argues that understanding Capital mean's reading it not just for the economic equations, but the social and moral insights as well. Rather than see Marx's quotations of literature and poetry as an embellishment to spice up the economic analysis, he sees it performing moral and analytic work as well, allowing Marx to explore the nature of capitalism at a much broader level than narrow economics will allow. Putting Marx in dialogue with his contemporaries, particularly Durkheim, Weber and Simmel, Kemple finds Marx's work to be much more dynamic and comprehensive than many of his readers have previously realized. This little book offers close textual analysis that will enable readers to approach Marx with fresh eyes, seeing elements of their society and themselves in the text that may have previously gone unnoticed. Thomas Kemple is a professor of sociology at the University of British Columbia. He is the author of several books, including Reading Marx Writing: Melodrama, the Market and the Grundrisse, Intellectual Work and the Spirit of Capitalism: Weber's Calling and most recently Simmel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Marx's Capital looms large today, a century and a half after first publication, a massive tome that attempts to document and map out the dynamics of a society consumed by capital accumulation. The complexity and scope, as well as its voluminous incompleteness upon his death, have left many readers perplexed, looking for a ‘royal road' to comprehension. However, this has led to a number of misreadings, with commentators often trying to pick at what they assume is the core of the text, leaving the rest behind. Against this, Thomas Kemple in his new book Marx's Wager: Das Kapital and Classical Sociology (Palgrave MacMillan, 2022) argues that understanding Capital mean's reading it not just for the economic equations, but the social and moral insights as well. Rather than see Marx's quotations of literature and poetry as an embellishment to spice up the economic analysis, he sees it performing moral and analytic work as well, allowing Marx to explore the nature of capitalism at a much broader level than narrow economics will allow. Putting Marx in dialogue with his contemporaries, particularly Durkheim, Weber and Simmel, Kemple finds Marx's work to be much more dynamic and comprehensive than many of his readers have previously realized. This little book offers close textual analysis that will enable readers to approach Marx with fresh eyes, seeing elements of their society and themselves in the text that may have previously gone unnoticed. Thomas Kemple is a professor of sociology at the University of British Columbia. He is the author of several books, including Reading Marx Writing: Melodrama, the Market and the Grundrisse, Intellectual Work and the Spirit of Capitalism: Weber's Calling and most recently Simmel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

The intellectual life can't just be reading all day. Eventually, you have to sit down and do the work. According to A.G. Sertillanges, the intellectual vocation finds its fulfillment in creation. Jonathan and Ryan wrap up their reading of Sertillanges's The Intellectual Life as they walk through the final three chapters.There was a software problem with recording this week. Apologies for the occasionally scratchy audio quality.A.G. Sertillanges's The Intellectual Life: https://bookshop.org/a/25626/9780813206462New Humanists episode on Seneca and reading: https://podcasts.apple.com/us/podcast/dont-read-too-much-episode-xix/id1570296135?i=1000554117391Nicolás Gómez Dávila's Aphorism #2,223: http://don-colacho.blogspot.com/2010/11/2223.htmlJonathan Roberts's Review of Kirk MacGregor's Luis de Molina: https://web.archive.org/web/20210804195625/http://calvinistinternational.com/2016/04/01/luis-de-molina-catholic-theologian-kirk-macgregor/Carl Trueman's Lectures on the Reformation: https://www.youtube.com/playlist?list=PL4sbg6ng23C61k2K5J-A9Prw8cy6rAXnMJonathan Schaffer's On What Grounds What: http://www.jonathanschaffer.org/grounds.pdfNew Humanists is brought to you by the Ancient Language Institute: https://ancientlanguage.com/Links may have referral codes, which earn us a commission at no additional cost to you. We encourage you, when possible, to use Bookshop.org for your book purchases, an online bookstore which supports local bookstores.Music: Save Us Now by Shane Ivers - https://www.silvermansound.com

The first talk from our live show was on our work as public intellectuals and how you can translate your academic work to public audiences! Follow us on social media for some solid public scholarship: twitter.com/HorrorVanguard www.instagram.com/horrorvanguard/ You can get the full episode on our Patreon page: www.patreon.com/horrorvanguard

Below are the topics covered in today's listener calls mini-episode (with timestamps). For instructions on submitting your own questions, go to calnewport.com/podcast.LISTENER CALLS:- Optimal amounts of advanced scheduling. [6:46]- Recommendations for not going overboard with strategic planning. [14:31] - Training for hard intellectual work. [19:12]- Convincing students to limit social media (rant alert). [28:30]- Keeping eyes healthy. [43:45] Thanks to Jesse Miller for production, Jay Kerstens for the intro music, and Mark Miles for mastering.

Thomas Kemple‘s new book is an extraordinarily thoughtful invitation to approach Max Weber (1864-1920) as a performer, and to experience Weber’s work by attending to his spoken and written voice. Intellectual Work and the Spirit of Capitalism: Weber’s Calling (Palgrave Macmillan, 2014) looks carefully at the literary structure and aesthetic elements of Weber’s arguments, considering how the texts offer an “allegorical resource for thinking sociologically.” Kemple argues that the formal structure of Weber’s ideas is inseparable from the content, and that understanding one is crucial for understanding the other. As a way into that formal structure, in each chapter Kemple offers an ingenious visual diagram that acts as a kind of “talking picture,” simultaneously evoking the cinematic elements of Weber’s own work and giving readers another tool for engaging the performative aspects of it. Kemple’s book is particularly attentive to the ways that Weber’s performance is shaped by a close engagement with the work of other writers, musicians, and thinkers, from Goethe and Tolstoy to Machiavelli and Martin Luther, and from the Bhagavadgita to The Valkyries. In addition, Marianne Weber – Max’s “wife, intellectual partner, and posthumous editor” – is an important presence throughout the book in helping us understand and read Weber’s work anew. Kemple’s thoughtful and beautifully written analysis helps us understand not just Weber’s own work, but also the value of that work for attending to issues of our own present. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thomas Kemple‘s new book is an extraordinarily thoughtful invitation to approach Max Weber (1864-1920) as a performer, and to experience Weber’s work by attending to his spoken and written voice. Intellectual Work and the Spirit of Capitalism: Weber’s Calling (Palgrave Macmillan, 2014) looks carefully at the literary structure and aesthetic elements of Weber’s arguments, considering how the texts offer an “allegorical resource for thinking sociologically.” Kemple argues that the formal structure of Weber’s ideas is inseparable from the content, and that understanding one is crucial for understanding the other. As a way into that formal structure, in each chapter Kemple offers an ingenious visual diagram that acts as a kind of “talking picture,” simultaneously evoking the cinematic elements of Weber’s own work and giving readers another tool for engaging the performative aspects of it. Kemple’s book is particularly attentive to the ways that Weber’s performance is shaped by a close engagement with the work of other writers, musicians, and thinkers, from Goethe and Tolstoy to Machiavelli and Martin Luther, and from the Bhagavadgita to The Valkyries. In addition, Marianne Weber – Max’s “wife, intellectual partner, and posthumous editor” – is an important presence throughout the book in helping us understand and read Weber’s work anew. Kemple’s thoughtful and beautifully written analysis helps us understand not just Weber’s own work, but also the value of that work for attending to issues of our own present. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thomas Kemple‘s new book is an extraordinarily thoughtful invitation to approach Max Weber (1864-1920) as a performer, and to experience Weber’s work by attending to his spoken and written voice. Intellectual Work and the Spirit of Capitalism: Weber’s Calling (Palgrave Macmillan, 2014) looks carefully at the literary structure and aesthetic elements of Weber’s arguments, considering how the texts offer an “allegorical resource for thinking sociologically.” Kemple argues that the formal structure of Weber’s ideas is inseparable from the content, and that understanding one is crucial for understanding the other. As a way into that formal structure, in each chapter Kemple offers an ingenious visual diagram that acts as a kind of “talking picture,” simultaneously evoking the cinematic elements of Weber’s own work and giving readers another tool for engaging the performative aspects of it. Kemple’s book is particularly attentive to the ways that Weber’s performance is shaped by a close engagement with the work of other writers, musicians, and thinkers, from Goethe and Tolstoy to Machiavelli and Martin Luther, and from the Bhagavadgita to The Valkyries. In addition, Marianne Weber – Max’s “wife, intellectual partner, and posthumous editor” – is an important presence throughout the book in helping us understand and read Weber’s work anew. Kemple’s thoughtful and beautifully written analysis helps us understand not just Weber’s own work, but also the value of that work for attending to issues of our own present. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thomas Kemple‘s new book is an extraordinarily thoughtful invitation to approach Max Weber (1864-1920) as a performer, and to experience Weber’s work by attending to his spoken and written voice. Intellectual Work and the Spirit of Capitalism: Weber’s Calling (Palgrave Macmillan, 2014) looks carefully at the literary structure and aesthetic elements of Weber’s arguments, considering how the texts offer an “allegorical resource for thinking sociologically.” Kemple argues that the formal structure of Weber’s ideas is inseparable from the content, and that understanding one is crucial for understanding the other. As a way into that formal structure, in each chapter Kemple offers an ingenious visual diagram that acts as a kind of “talking picture,” simultaneously evoking the cinematic elements of Weber’s own work and giving readers another tool for engaging the performative aspects of it. Kemple’s book is particularly attentive to the ways that Weber’s performance is shaped by a close engagement with the work of other writers, musicians, and thinkers, from Goethe and Tolstoy to Machiavelli and Martin Luther, and from the Bhagavadgita to The Valkyries. In addition, Marianne Weber – Max’s “wife, intellectual partner, and posthumous editor” – is an important presence throughout the book in helping us understand and read Weber’s work anew. Kemple’s thoughtful and beautifully written analysis helps us understand not just Weber’s own work, but also the value of that work for attending to issues of our own present. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thomas Kemple‘s new book is an extraordinarily thoughtful invitation to approach Max Weber (1864-1920) as a performer, and to experience Weber’s work by attending to his spoken and written voice. Intellectual Work and the Spirit of Capitalism: Weber’s Calling (Palgrave Macmillan, 2014) looks carefully at the literary structure and aesthetic elements of Weber’s arguments, considering how the texts offer an “allegorical resource for thinking sociologically.” Kemple argues that the formal structure of Weber’s ideas is inseparable from the content, and that understanding one is crucial for understanding the other. As a way into that formal structure, in each chapter Kemple offers an ingenious visual diagram that acts as a kind of “talking picture,” simultaneously evoking the cinematic elements of Weber’s own work and giving readers another tool for engaging the performative aspects of it. Kemple’s book is particularly attentive to the ways that Weber’s performance is shaped by a close engagement with the work of other writers, musicians, and thinkers, from Goethe and Tolstoy to Machiavelli and Martin Luther, and from the Bhagavadgita to The Valkyries. In addition, Marianne Weber – Max’s “wife, intellectual partner, and posthumous editor” – is an important presence throughout the book in helping us understand and read Weber’s work anew. Kemple’s thoughtful and beautifully written analysis helps us understand not just Weber’s own work, but also the value of that work for attending to issues of our own present. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thomas Kemple‘s new book is an extraordinarily thoughtful invitation to approach Max Weber (1864-1920) as a performer, and to experience Weber’s work by attending to his spoken and written voice. Intellectual Work and the Spirit of Capitalism: Weber’s Calling (Palgrave Macmillan, 2014) looks carefully at the literary structure and aesthetic elements of Weber’s arguments, considering how the texts offer an “allegorical resource for thinking sociologically.” Kemple argues that the formal structure of Weber’s ideas is inseparable from the content, and that understanding one is crucial for understanding the other. As a way into that formal structure, in each chapter Kemple offers an ingenious visual diagram that acts as a kind of “talking picture,” simultaneously evoking the cinematic elements of Weber’s own work and giving readers another tool for engaging the performative aspects of it. Kemple’s book is particularly attentive to the ways that Weber’s performance is shaped by a close engagement with the work of other writers, musicians, and thinkers, from Goethe and Tolstoy to Machiavelli and Martin Luther, and from the Bhagavadgita to The Valkyries. In addition, Marianne Weber – Max’s “wife, intellectual partner, and posthumous editor” – is an important presence throughout the book in helping us understand and read Weber’s work anew. Kemple’s thoughtful and beautifully written analysis helps us understand not just Weber’s own work, but also the value of that work for attending to issues of our own present. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thomas Kemple‘s new book is an extraordinarily thoughtful invitation to approach Max Weber (1864-1920) as a performer, and to experience Weber’s work by attending to his spoken and written voice. Intellectual Work and the Spirit of Capitalism: Weber’s Calling (Palgrave Macmillan, 2014) looks carefully at the literary structure and aesthetic elements of Weber’s arguments, considering how the texts offer an “allegorical resource for thinking sociologically.” Kemple argues that the formal structure of Weber’s ideas is inseparable from the content, and that understanding one is crucial for understanding the other. As a way into that formal structure, in each chapter Kemple offers an ingenious visual diagram that acts as a kind of “talking picture,” simultaneously evoking the cinematic elements of Weber’s own work and giving readers another tool for engaging the performative aspects of it. Kemple’s book is particularly attentive to the ways that Weber’s performance is shaped by a close engagement with the work of other writers, musicians, and thinkers, from Goethe and Tolstoy to Machiavelli and Martin Luther, and from the Bhagavadgita to The Valkyries. In addition, Marianne Weber – Max’s “wife, intellectual partner, and posthumous editor” – is an important presence throughout the book in helping us understand and read Weber’s work anew. Kemple’s thoughtful and beautifully written analysis helps us understand not just Weber’s own work, but also the value of that work for attending to issues of our own present. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our guest has learned much and shared much about increasing student's interest in writing through authentic intellectual work. Learn more... Follow: @dreambition @coolcatteacher @bamradionetwork #edtechchat #edchat #edtech Brad Wilson is a former 4th grade teacher turned Ed Tech Consultant & Speaker. He has the privilege of supporting educators in Jackson County, MI and also enjoys working to empower teacher and student voices through the #MichED movement. Brad has created iPad apps to inspire kids to write and capture stories and is an Eventful Learning evangelist.