Podcasts about goethe

“I love to think of nature as an unlimited broadcasting system through which God speaks to us.” —Goethe 

La Policía Nacional, además de cuidar de nosotros, de velar por nuestra seguridad, de hacernos sentir tranquilos cuando vemos a uno de sus agentes uniformados, le presta mucha atención a la cultura. Y la Fundación de esta institución puso en marcha un premio literario para darle proyección al género policiaco. Fue en 2018, y Ana Muela fue su primera ganadora. Y ahora ha cumplido su octava edición, no ya solamente consolidado, sino convertido en un premio de referencia internacional, mucho más ahora que es publicado por la editorial Planeta, a través de su sello Martínez Roca.Hace unos días, en la sede del Banco Santander, en Madrid, tuvo lugar el acto de entrega del premio, y ahí estuvimos. José María Solís se ha llevado el laurel en este 2025 con una novela, escrita con un gran cuidado estilístico, donde nos plantea un crimen, como debe ser, el de Paquita, cuyo cuerpo aparece en las aguas frías del río Henares. Pero no es la novela solo negrocriminal, de solución de un asesinato, sino que se bifurca y amplía, ofreciéndonos un retrato fiel de cómo era aquella España de los años 60 a los viaja Solís, y de los años 80. Dori, Chema, el padre César… se pasean con sus miedos, ambiciones, silencios y secretos por estas páginas escritas con mimo, cincelando cada palabra, por el autor.Espido Freire, Lorenzo Silva y Reyes Calderón formaron parte del jurado. Y por parte de la Policía Nacional y la Fundación Policía Española, los representantes fueron el comisario principal y patrono José Manuel Pérez y los inspectores jefes Carlos Sánchez y Rubén Sánchez. La composición del jurado se completó con la editora Miryam Galaz en representación de la editorial Martínez Roca.También del mundo del derecho viene otras de nuestras invitadas en este Club: Graziella Moreno. Trabaja de jueza. Nadie debería morir en su noche de bodas. El descubrimiento del cuerpo de Noelia Torres en una zona privilegiada de Barcelona, y la desaparición de su esposa, la escultora Esther Sampietro, plantean preguntas que muchos prefieren dejar sin respuesta. La hora de la fuga es el título de la obra. En la sección de Audiolibros, volvemos a una de las obras, de las muchas obras que hicieron a Almudena Grandes una de las mejores narradoras que jamás hemos tenido, y que seguimos disfrutando: Inés y la alegría.Y conocemos cómo Goethe se enamoró, cuando ya tenía 74 años, de una chica de 19 años. ¿Fue un amor correspondido?

Guest: Jerry Zeniuk, painter . In this episode Robert van Altena has a conversation with Jerry Zeniuk on the occasion of his show New paintings at Slewe Gallery, which will be on view up until 20 December. . ”Painting is not only the formal process of creating, but is is also the acknowledgment of the presence of the work, this inanimate object which will be observed. [… ] And I got this from Goethe. I read an essay — I must have been twenty-six — where he says that the object of an artist is to bring you into a garden and give you a journey and then that the artist also leads you out of the garden back to yourself. And I thought that's right, that's profound. So that I show you how to come into the painting and I show you how to come out of the painting, back to yourself .” — Jerry Zeniuk . . Photo: Jerry Zeniuk, Untitled (Murnau) 2025, oil on linnen, 70 x 70 cm. Courtesy: Jerry Zeniuk & Slewe Gallery (photography: Peter Cox) . SPRINGVOSSEN
 Editor + presentation: Robert van Altena
 Contact: springvossen[at]gmail.com
  linktr.ee/springvossen . . .

Frau Goethe liest (FGL)"Bernadette ändert ihr Leben" von Barbara Handke – Rezension(Hördauer ca. 7 Minuten)Barbara Handke gelingt mit Bernadette ändert ihr Leben ein feinfühliger Roman über kleine und große Wendepunkte im Leben. Bernadette steckt irgendwie fest in ihrem Leben. Sie nutzt die Chance, beruflich für einen Monat nach Madrid zu gehen und diese turbulente Stadt bringt sie mächtig in Bewegung. Eine Rezension von Heike Stepprath.Sprecherin Heike StepprathHat Ihnen diese Rezension gefallen, mögen Sie vielleicht auch diese Sendung.Schnitt: Jupp Stepprath, Realisation: Uwe Kullnick Ich heiße Heike Stepprath und blogge unter Frau Goethe liest. Vor wenigen Jahren habe ich mich zum Studium von Public Relations entschlossen und das mit meiner Vorliebe zur Literatur verbunden. Mein Bücherregal ist mit Belletristik, Krimis, aber vor allem historischen Romanen gefüllt. Lesen ist bei mir eine Tagesroutine, die auch an stressigen Tagen unbedingt dazu gehört. Rund 120 Bücher lese ich jährlich und davon werden 80 rezensiert. Zum Austausch mit anderen Lesebegeisterten nutze ich liebend gerne Leserunden, Blogtouren, und Interviews. Artikel und Berichte über Veranstaltungen ergänzen das Thema rund ums Buch. Häufig habe ich Gelegenheit, Autoren zu treffen und mit ihnen Podcasts aufzunehmen.⁠Wenn dir Rezensionen gefallen, hör doch mal hier hinein.⁠

Paola Capriolo"Il superfluo della vita"Carbonio Editorewww.carbonioeditore.itLa nobile Clara e il borghese Heinrich, spiriti inquieti in un mondo che non li comprende, decidono di stare insieme a dispetto di ogni regola, unendosi in un matrimonio segreto contro la volontà del padre di lei. Innamorati e felici, gli sposi vivono nascosti in un'angusta soffitta, nutrendosi di passione e sogni, assorti nella beatitudine di un dolce conversare, rinunciando al superfluo per godersi la vita nella sua poetica essenzialità. Ma l'inverno impietoso e la miseria spingono Heinrich a uno stravagante espediente che è anche un atto estremo e irrevocabile: bruciare la scala che li collega al mondo, scegliendo l'amore come unico rifugio, pur sapendo di condannarsi all'isolamento…Scritta nel 1839 e considerata dallo stesso autore una delle sue opere più riuscite, Il superfluo della vita è una novella delicata e luminosa, piena di arguzia e candore, in cui l'incanto della fiaba avvolge il mistero della vita, sospesa tra presente e passato, tra doveri e diletti, tra sogno e realtà.Ludwig Tieck (Berlino, 1773-1853) è stato un influente scrittore, traduttore, poeta e critico letterario tedesco, figura di spicco del Romanticismo. Nel 1799 diede vita insieme a Novalis, i fratelli Schlegel, Schelling e Fichte al circolo romantico di Jena, un punto di riferimento per la letteratura dell'epoca. Tra le sue opere più significative si annoverano i romanzi Storia del signor William Lovell (1796) e Le peregrinazioni di Franz Sternbald (1798), il racconto fiabesco Il biondo Eckbert (1797), le fiabe teatrali Il gatto con gli stivali (1797) e Il mondo alla rovescia (1798), le novelle Il fidanzamento (1823) e Il superfluo della vita (1839).Paola Capriolo, nata a Milano nel 1962, è autrice di numerosi libri di narrativa, da La grande Eulalia (Feltrinelli 1988) a Irina Nikolaevna o l'arte del romanzo (Bompiani 2023). Le sue opere sono tradotte in molti Paesi. Ha scritto saggi su Benn, Rilke e Thomas Mann e tradotto per diversi editori testi di Goethe, Kleist, Keller, Stifter, Schnitzler, Thomas Mann e Kafka. Dal 2018 fa parte della giuria del Premio italo-tedesco per la traduzione letterariaDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Infamis: Kammerspiel Rosenstolz: Ich bin ich Danny Dziuk: Falscher Feind Hannes Wader: Die Moorsoldaten Konstantin Wecker: Frieden im Land Ludwig Hirsch: Komm großer schwarzer Vogel Herman van Veen: Edith Piaf Stoppok: Glück auf, der Steiger kommt Stefan Waggershausen: Hallo Engel Peter Maffay: Sonne in der Nacht The Beauty of Gemina: Whispers of the seasons Northern Lite: Trusting blind 2raumwohnung: Wir trafen uns in einem Garten mit Max

Autorin und Kabarettistin Teresa Reichl ist zu Gast und hat Tabs zu den berühmtesten BFFs der deutschen Literaturgeschichte mitgebracht. Caro widmet sich der Lewinsky-Affäre. 00:09:56 schoethe 00:27:09 monica lewinsky tmt-top-tipp: „Battle of the Nerds”: https://1.ard.de/BattleOfTheNerds?cp=tmt Hier kommt ihr zu Teresas Podcast „Lesen ist schwul“: https://open.spotify.com/show/1uj6tgTzINoObfIpa9IwVq?si=6a5372c494154248 Caro und Miguel bei „Wer weiß denn sowas?“: https://www.daserste.de/unterhaltung/quiz-show/wer-weiss-denn-sowas/sendung/wer-weiss-denn-sowas-folge-1328-100.html Auch zu tief im Netz gegraben? Schickt uns eure rabbit holes und offenen Tabs an toomanytabs@ndr.de.

Nagel, Enno www.deutschlandfunkkultur.de, Fazit

This week on the Nov. 21 Friday LIVE, host Genevieve Randall has lively conversations about Bluebarn's "Every Christmas Story Ever Told (And Then Some!)" (35:45); John T. Price's new book "Goethe's Oak: A Holocaust Story" and event (7:02); Yorkshire Playhouse's production of Ken Ludwig's "The Game's Afoot, or Holmes for the Holiday" (1:27); The Fab Four at the Merryman Performing Arts Center (26:30); and Nebraska Brass and Nebraska Trumpet Ensemble concerts (40:55). Also, Stephen Buhler reads and sings another poem by Ted Kooser (19:59), a preview of Voices of Omaha's performance of Handel's "Messiah" (47:36), and we play Ingrid Griffin's new song "Cowgirl Up!" (51:45).

This week on the Nov. 21 Friday LIVE, host Genevieve Randall has lively conversations about Bluebarn's "Every Christmas Story Ever Told (And Then Some!)" (35:45); John T. Price's new book "Goethe's Oak: A Holocaust Story" and event (7:02); Yorkshire Playhouse's production of Ken Ludwig's "The Game's Afoot, or Holmes for the Holiday" (1:27); The Fab Four at the Merryman Performing Arts Center (26:30); and Nebraska Brass and Nebraska Trumpet Ensemble concerts (40:55). Also, Stephen Buhler reads and sings another poem by Ted Kooser (19:59), a preview of Voices of Omaha's performance of Handel's "Messiah" (47:36), and we play Ingrid Griffin's new song "Cowgirl Up!" (51:45).

We always win any Devil's bargain when Dr. Paul Bishop graces the Virtual Alexandria. He'll discuss his new book, Jung and the Epic of Transformation Vol. 2: Goethe's “Faust” as a Text of Transformation. We'll explore a crucial text in the bridge of the spirit, widely considered the most critical work of German literature, spanning the cosmic journey from a prologue in heaven to hell. Paul's analysis delves into the protagonist's profound dilemma of the split personality and his existential self-alienation, which drives him to embrace ceaseless activity and a perilous descent into the depths of the unconscious, seeking fulfillment in the Unattainable. We'll examine how themes like redemption, eternal growth, and the concept that all transient reality is merely a likeness reveal the enduring mystery and importance of this work as an epic of transformation. Get the book: https://amzn.to/49pXHAG More on Paul: https://www.gla.ac.uk/schools/mlc/staff/paulbishop/ Get The Occult Elvis: https://amzn.to/4jnTjE4 Virtual Alexandria Academy: https://thegodabovegod.com/virtual-alexandria-academy/ Gnostic Tarot Readings: https://thegodabovegod.com/gnostic-tarot-reading/ The Gnostic Tarot: https://www.makeplayingcards.com/sell/synkrasis Homepage: https://thegodabovegod.com/ Patreon: https://www.patreon.com/aeonbyte AB Prime: https://thegodabovegod.com/members/subscription-levels/ Voice Over services: https://thegodabovegod.com/voice-talent/ Support with donation: https://buy.stripe.com/00g16Q8RK8D93mw288 Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Tanja Valérien spricht in ihrer 87. Podcast-Folge mit MIA FLORENTINE WEISS, Konzept- und Performancekünstlerin, Jahrgang 1980, in ihrem neuen Zuhause in der Nähe des Starnberger Sees, wo sie sie auch fotografiert hat, über ihre dritte Schwangerschaft mit 45…warum sie bei ihrem zweiten Kind unbedingt einen Kaiserschnitt wollte und daraus eine Kunst-Performance mit Kamerateam, Altar und spirituellen Heilerinnen gemacht hat…Feminismus, Aktivismus, Optimismus…den Kampf für Menschenrechte...die Leidenschaft, sich kreativ auszudrücken…das Maximierungsprinzip…Provokation, Nacktheit, Neugier, Lust und Sinnlichkeit...den steinigen Weg, in der Kunst erfolgreich und anerkannt zu sein...Mut, Vorurteile, Selbstbewusstsein, Individualität, Klarheit und Identität…eine unbeschwerte Kindheit in Los Angeles und eine grandiose Teenagerzeit in Moskau, wo sie oft ihren Vater besuchte, der dort einige Jahre als Manager tätig war…Politik, Glaube, Poesie, Literatur und Waldorfschule….Faust und Goethe, Himmel und Hölle…Cowboyhut und Federn im Haar...das abgebrochene Germanistik- und Philosophiestudium in Würzburg und die Lehrjahre an der Akademie für Mode und Design (AMD) in Hamburg….wilde Partys und erste eigene Guerilla-Performances in New York und auf der Art Basel…den lukrativen Nebenjob als Model und den Raffaello-Werbespot, mit dem sie bekannt geworden ist…die Großmutter, die in Tansania aufgewachsen ist, und eine Reise auf ihren Spuren….die spirituelle Begegnung mit dem Stamm der Himba in Namibia….Wandlung, inneres Gleichgewicht, die Suche nach sich selbst…Erfahrungen an der Film- und Schauspielschule in Berlin und am Set als Schauspielerin…das erste Atelier in einem LED-Tunnel in Frankfurt und das Glück, dort ihrem Mann und Vater ihrer inzwischen drei Kinder zu begegnen…das ewige Pendeln zwischen Berlin, Los Angeles und Frankfurt…warum sie für ein Jahr mit Mann und Kindern nach Hawaii ausgewandert ist und von dort aus einen Hof mit Landwirtschaft in der Nähe des Starnberger Sees in Bayern gekauft haben…Heimat, Bedürfnisse und Sehnsucht…ihre Ambigramm-Skulptur LOVE HATE, die weltweit in mehreren Städten steht…Exzentrik, Ausdruck, Anerkennung, Schönheit, Liebe und Wandlung.

This week we leave the Middle Ages far behind and land squarely in the emotional whirlwind of Romanticism with Goethe's The Sorrows of Young Werther. Written in 1774 when Goethe was just twenty-five, the novel became what might be the first true worldwide bestseller—so influential that young men across Europe dressed like Werther, and suicides even spiked in imitation of his tragic end.Werther himself is…a lot. His passion for Charlotte—who is engaged, then married, to another man—spirals into obsession. When he realizes life without her is unbearable, he stages an elaborate, melodramatic exit: visiting friends for final goodbyes, embracing Charlotte while they read Ossian together (a scene straight out of Inferno's Francesca and Paolo), and then borrowing her husband's pistols to kill himself. The ending is bleak, as it should be.Goethe's writing is wonderfully accessible, but Werther's self-indulgent emotionalism reveals the contradictions of early Romanticism: exalting nature and feeling while refusing the grounding work of actual life. Still, this novel opens a door into the powerful reaction against Enlightenment rationalism—a door we'll walk through next week with the Romantic poets. Things are about to accelerate.LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)CONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate - https://crackthebook.captivate.fm

Johann Wolfgang von Goethe (1749-1832) fue un influyente escritor, poeta, dramaturgo y científico alemán, considerado el máximo exponente del romanticismo alemán y uno de los pilares de la literatura universal. Su obra abarca géneros como la novela (destaca Las desventuras del joven Werther), la poesía (su obra maestra es Fausto)

Weshalb sind Werke von Goethe, Kafka und Thomas Mann, aber auch die Autobiografie von Hildegard Knef stilistisch hervorragend, was bedeutet "Stil" überhaupt, was sind gute und schlechte Metaphern und wieso das Adjektiv "der Spazierstock unter den Wörtern"? Der Publizist und Essayist Michael Maar gilt als der "genaueste Leser des Literaturbetriebs".

Rammstein: Zeit KMFDM: Hau Ruck Eisbrecher: Nein Danke Megaherz: Dein Herz schlägt Janus: Isaak Subway to Sally: Falscher Heiland Accept: Balls to the wall (live) Accept: Princess of the dawn (live) Blind Guardian: And then there was silence (live)

Bürokratie, Burnout & Thommys Kabelschule (eine Folge wie der deutsche Verwaltungsapparat: beginnt harmlos und eskaliert einfach von allein) Die Folge startet mit einer schlichten Frage: Warum dauert eine Baugenehmigung in Deutschland so lange wie eine kleine persönliche Eiszeit? Und ehe man sich versieht, sind Antje & Jens mittendrin im deutschen Bürokratiebiotop – inklusive historischem Abzweig zu Goethe, der als Minister für gefühlt alles so ausgelaugt war, dass er sich mit einer Art früh-modernem Burnout direkt nach Italien verabschiedet hat. Man könnte sagen: Servicewüste Deutschland, Staffel 1. Mit KI-Unterstützung vergleichen die beiden dann, wie bürokratisch Deutschland im internationalen Vergleich eigentlich dasteht – und stellen fest: Nein, sie sind nicht empfindlich. Deutschland hat einfach ein besonders herzliches, fast zärtliches Verhältnis zu Formularen. Während Antje zwischen Wut, Ohnmacht und einem vorsichtig hoffnungsvollen Brief ans Ministerium schaukelt, versucht Jens, die Lage mit Humor und Pragmatismus zu entkrampfen. Gemeinsam kommen sie zu einer Erkenntnis, die weniger niederschmetternd und mehr nüchtern-liebevoll ist: Das Problem sind nicht die Menschen. Es ist das System. Und irgendwas muss sich ändern. Dann, völlig kernsanierungstypisch, ein eleganter Seitensprung: Thommy. Thommy, treuer Hörer, lokale Legende, Mann mit Überraschungsparty und – wie sich herausstellt – Erfinder einer Kabelästhetik, die ihresgleichen sucht. Jens erlebt live die berühmte Kabelschule. Antje erklärt sie spontan zum Kulturgut. Zusammen setzen sie Thommy in dieser Folge ein auditives Denkmal, weil manche Dinge es einfach verdienen. Kurz bevor Antje sich schließlich ins Arbeitswochenende verabschiedet, wird es noch mal herrlich alltagsnah: Sie erinnert Jens daran, dass Gerechtigkeit nicht nur in Behördenakten verhandelt wird, sondern auch im Haushalt – ganz simpel, ganz pragmatisch. Jens kontert mit alten Pionierliedern, die ihm dabei einfallen, singt sie Antje vor, und Antje findet eins davon tatsächlich auf Spotify. Natürlich landet es sofort in der Kernsanierung-Playlist. Wo sonst. Die Folge endet mit Warten, Witzeln, Weltrettungsversuchen – und der Trauer, dass Weihnachten 2025 nicht im Haus stattfindet. Oder wenigstens ein bisschen vielleicht? Der weitere Weg? Wir werden sehen. Aber Hoffnung ist ein Baustoff, mit dem beide arbeiten können. Was ihr noch wissen solltet: Markennennung ohne Kohle Wir erwähnen Menschen, Marken und Orte – ohne Sponsoring, einfach weil wir Lust dazu haben. In dieser Folge dabei: • Kernsanierung Playlist auf Spotify: Kernsanierung-Playlist ⸻ Folgt uns auf: • Instagram → @kernsanierung-podcast • Facebook → Kernsanierung Podcast • Podigee → Episoden-Webseite ⸻ Zum Schluss: Danke, dass ihr zuhört. Mit uns denkt. Mit uns zweifelt. Und mit uns baut – an diesem Haus, an diesem Leben, an einer gemeinsamen Geschichte. Jetzt: Zurücklehnen. Herz öffnen. Folge starten.

"¿Deberíamos elegir la muerte por no ser capaces de olvidar nuestras discrepancias? Recuerden su humanidad y olviden", escribió Albert Einstein Te invitamos a escuchar esta conversación sobre la paz en la edad atómica, las armas de destrucción masiva y otros temas. Una historia sobre Einstein en la era atómica: el científico cuyas estructuras en la física nacieron de la necesidad de comprender el universo, no de diseñar tecnologías de guerra y muerte. ¿Cómo terminó su ecuación más famosa, E = mc², pensada para explorar la relación entre masa y energía, convertida en icono de la bomba atómica? Mucho después de que él la formulara, ciertas interpretaciones la vincularon ilegítimamente con la destrucción masiva, aunque su papel en la bomba no estuvo en la tecnología ni en el desarrollo de las armas, sino en el terreno de la asesoría política. Sabía también que el conocimiento puede mostrarnos un mundo frío y austero, donde el ser humano no goza de ningún privilegio frente a las demás fuerzas de la naturaleza. Por eso insistía en los valores, en la libertad que hace posibles a Shakespeare, Goethe, Newton, Faraday o Pasteur. Invitado: JAIRO IBARBO SEPÚLVEDA, maestro e investigador en matemática, lógica y filosofía de las ciencias.

Irrer Typ, dieser JEAN PAUL (1763-1825): Las wie ein Verrückter (alles), schrieb wie ein Besessener (55.000 Seiten), wurde geringgeschätzt (Schiller, Goethe) und hochverehrt (Celan, viele viele Leserinnen und Leser). Ein Sprachmagier war er, ein Sprachschöpfer und Sprachegroßrausbringer: Begriffe wie "Angsthase" und "Weltschmerz" kennen wir durch Jean Paul, sie sind sozusagen die Schaumkronen auf seinem wildbewegten Meer aus Sprache. Zum 200. Todestag dieses Schriftstellers am 14.11. ein Gespräch mit Barbara Hunfeld von der Forschungsstelle Jean Paul an der Universität Würzburg.

Ted Gioia warned this would be a tough week—and he wasn't kidding. Week 33 of the Immersive Humanities Project had me wrestling with three giants of philosophy: Descartes, Kant, and Spinoza. I started with Descartes' Discourse on the Method, where his famous “I think, therefore I am” felt surprisingly direct and human. His four rules for reasoning—question, divide, simplify, and review—made him seem less like an abstract philosopher and more like a kind, curious friend.Kant's Groundwork for the Metaphysics of Morals was another story. Dense and demanding, it centers on the “Categorical Imperative”: act only according to principles you'd accept as universal law. It's a moral system built purely on duty, not emotion.Then came Spinoza's Ethics, written like a geometry proof. His radical idea—that God and Nature are one—left little room for the supernatural or free will.When reading failed, I turned to the 1987 Great Philosophers series with Brian Magee, which unlocked everything. These thinkers—Continental Rationalists all—believed reason alone could uncover truth, unlike the British Empiricists who demanded evidence. It was a mentally exhausting but fascinating stretch, and next week I'm relieved to return to fiction with Goethe's The Sorrows of Young Werther.LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)CONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate - https://crackthebook.captivate.fm

Wir hatten eine Woche Urlaub, über meinen Geburtstag, und es war wunderbar! Da wir geflogen sind dachte ich, das ist mal eine gute Gelegenheit im Haltungsblock drüber zu sprechen, keine Ahnung ob das hilfreich ist. Der Urlaub in Llanes war auf jeden Fall sehr hilfreich, ich kam sehr erholt und glücklich und bereichert zurück!

Hello to you listening in Show Low, Arizona!Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds for Motivate Your Monday and your host, Diane Wyzga.Maybe like me in times of difficulty you turn for comfort or encouragement to a favorite line from the past, that still makes you wonder: could this have been written with me in mind?Johann Wolfgang Von Goethe said, “Sometimes our fate resembles a fruit tree in winter. Looking at its sad appearance who would think that those stiff branches, those jagged twigs would turn green again and blossom and bear fruit next spring; but we hope they will, we know they will.”Goethe also said: “One ought, every day at least, to hear a little song, read a good poem, see a fine picture, and if it were possible, to speak a few reasonable words.”As you set forth in days ahead, remember to pause; breathe; have faith that you got this; and it will be alright in the end.You're always welcome: "Come for the stories - Stay for the magic!" Speaking of magic, I hope you'll subscribe, share a 5-star rating and nice review on your social media or podcast channel of choice, bring your friends and rellies, and join us! You will have wonderful company as we continue to walk our lives together. Be sure to stop by my Quarter Moon Story Arts website, check out the Communication Services, arrange a no-obligation Discovery Call, and stay current with me as "Wyzga on Words" on Substack.Stories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron MusicALL content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved.  If you found this podcast episode helpful, please consider sharing and attributing it to Diane Wyzga of Stories From Women Who Walk podcast with a link back to the original source. 

Her Tree: Move on Her Tree: River Anna Buchegger: Vaterland Anna Buchegger: Maria Ellie Benn: Life doesn't wait Avec: I don't pray Infamis: Gärtner Shiny Gnomes: Bubble burst Subway to Sally feat. Schandmaul: Räuber und Narren Fiddler's Green: Land in Sicht Rummelsnuff: Müllabfuhr Reinhold Heil: Aschebeschää Reinhold Heil: Weg da, Weg da Chicks on Speed: Wir sind Data Chicks on Speed: We don't play guitars Joachim Witt: Golden Rider Rotersand: Sexiness of slow

Hock, Stephanie www.deutschlandfunkkultur.de, Interview

Musik zum „Faust“? Unmöglich, meint Goethe. Er kann nicht ahnen, dass knapp 30 Jahre nach seinem Tod Charles Gounod den Pakt mit dem Teufel eingehen – und damit Operngeschichte schreiben würde … Von Christoph Vratz.

The book began with a trip to Buchenwald Memorial near Weimar, Germany. UNO English Professor John Price was inspired by a memorial at a massive oak stump- all that was left of a famous oak tree mentioned in German literature and music. “Goethe's Oak: a Holocaust Memorial” imagines the history this famous tree experienced over the centuries of its long life. Hear an interview with author John Price

The story, set in the 17th Century during the reign of Louis XIII in France, concerns the progress of an impoverished nobleman as he ventures forth into a series of dangerous adventures which culminate in the restoration of his true noble social position. In today's parlance the story might be described as an action romance. The protagonist happens to become involved a group of travelling actors whom he accompanies in his search for himself. There are a number of similarities with Goethe's "Wilhelm Meister's Apprenticeship". Among the troupe of actors is a young woman with whom he falls deeply in love, which sustains him in his quest for social restoration. The novel idealises hereditary nobility. There is a happy ending for all, in which aristocratic society is vindicated.Translated by F. C. de Sumichrast.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The story, set in the 17th Century during the reign of Louis XIII in France, concerns the progress of an impoverished nobleman as he ventures forth into a series of dangerous adventures which culminate in the restoration of his true noble social position. In today's parlance the story might be described as an action romance. The protagonist happens to become involved a group of travelling actors whom he accompanies in his search for himself. There are a number of similarities with Goethe's "Wilhelm Meister's Apprenticeship". Among the troupe of actors is a young woman with whom he falls deeply in love, which sustains him in his quest for social restoration. The novel idealises hereditary nobility. There is a happy ending for all, in which aristocratic society is vindicated.Translated by F. C. de Sumichrast.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The story, set in the 17th Century during the reign of Louis XIII in France, concerns the progress of an impoverished nobleman as he ventures forth into a series of dangerous adventures which culminate in the restoration of his true noble social position. In today's parlance the story might be described as an action romance. The protagonist happens to become involved a group of travelling actors whom he accompanies in his search for himself. There are a number of similarities with Goethe's "Wilhelm Meister's Apprenticeship". Among the troupe of actors is a young woman with whom he falls deeply in love, which sustains him in his quest for social restoration. The novel idealises hereditary nobility. There is a happy ending for all, in which aristocratic society is vindicated.Translated by F. C. de Sumichrast.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The story, set in the 17th Century during the reign of Louis XIII in France, concerns the progress of an impoverished nobleman as he ventures forth into a series of dangerous adventures which culminate in the restoration of his true noble social position. In today's parlance the story might be described as an action romance. The protagonist happens to become involved a group of travelling actors whom he accompanies in his search for himself. There are a number of similarities with Goethe's "Wilhelm Meister's Apprenticeship". Among the troupe of actors is a young woman with whom he falls deeply in love, which sustains him in his quest for social restoration. The novel idealises hereditary nobility. There is a happy ending for all, in which aristocratic society is vindicated.Translated by F. C. de Sumichrast.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The story, set in the 17th Century during the reign of Louis XIII in France, concerns the progress of an impoverished nobleman as he ventures forth into a series of dangerous adventures which culminate in the restoration of his true noble social position. In today's parlance the story might be described as an action romance. The protagonist happens to become involved a group of travelling actors whom he accompanies in his search for himself. There are a number of similarities with Goethe's "Wilhelm Meister's Apprenticeship". Among the troupe of actors is a young woman with whom he falls deeply in love, which sustains him in his quest for social restoration. The novel idealises hereditary nobility. There is a happy ending for all, in which aristocratic society is vindicated.Translated by F. C. de Sumichrast.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The story, set in the 17th Century during the reign of Louis XIII in France, concerns the progress of an impoverished nobleman as he ventures forth into a series of dangerous adventures which culminate in the restoration of his true noble social position. In today's parlance the story might be described as an action romance. The protagonist happens to become involved a group of travelling actors whom he accompanies in his search for himself. There are a number of similarities with Goethe's "Wilhelm Meister's Apprenticeship". Among the troupe of actors is a young woman with whom he falls deeply in love, which sustains him in his quest for social restoration. The novel idealises hereditary nobility. There is a happy ending for all, in which aristocratic society is vindicated.Translated by F. C. de Sumichrast.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The story, set in the 17th Century during the reign of Louis XIII in France, concerns the progress of an impoverished nobleman as he ventures forth into a series of dangerous adventures which culminate in the restoration of his true noble social position. In today's parlance the story might be described as an action romance. The protagonist happens to become involved a group of travelling actors whom he accompanies in his search for himself. There are a number of similarities with Goethe's "Wilhelm Meister's Apprenticeship". Among the troupe of actors is a young woman with whom he falls deeply in love, which sustains him in his quest for social restoration. The novel idealises hereditary nobility. There is a happy ending for all, in which aristocratic society is vindicated.Translated by F. C. de Sumichrast.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The story, set in the 17th Century during the reign of Louis XIII in France, concerns the progress of an impoverished nobleman as he ventures forth into a series of dangerous adventures which culminate in the restoration of his true noble social position. In today's parlance the story might be described as an action romance. The protagonist happens to become involved a group of travelling actors whom he accompanies in his search for himself. There are a number of similarities with Goethe's "Wilhelm Meister's Apprenticeship". Among the troupe of actors is a young woman with whom he falls deeply in love, which sustains him in his quest for social restoration. The novel idealises hereditary nobility. There is a happy ending for all, in which aristocratic society is vindicated.Translated by F. C. de Sumichrast.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Gabi Delgado & Marc Hurtado: Ich träume nur Massiv in Mensch: Offensivschock 2025 DSTRTD SGNL: Sleeper in Metropolis Diary of Dreams: The chemistry of pain Lacrimosa: Metamorphobia Die Krupps: Will nicht muss Erdling: Mana Das Ich: Prometheus Lucy Kruger & The Lost Boys: Ambient heat Fiddler's Green & Jimmy Kelly: Botany Bay Sondaschule: Wir bleiben wach Anna Buchegger: Scheslem Infamis: Die Nacht kommt herüber Naked Lunch: We could be beautiful

Michael and Ethan discuss Doctor Faustus: The Life of the German Composer Adrian Leverkuhn as Told by a Friend, by Thomas Mann, while drinking Jura 10yo single malt.In this episode:All digressions and fallings-apart are intentionally reflective of the novel under discussion and are not us doing a bad jobTalking about books by talking about other books (aka, this is actually us reading Tristram Shandy for at least the third time)The narrator that gets in his own wayOne or more frame stories AND several meta-layersLots about time, WWII, Germany, time, Germans, Nazis, and time (but not a lot that's fun to make sassy bullet points about)In Marlowe, Faust is damned; in Goethe, Faust is saved; in Mann, Faust is(.)Next time Michael and Ethan will continue to discuss Doctor Faustus, by Thomas Mann! Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Join us on GoodReads!Get on our Substack!Donate to our Patreon! MUSIC & SFX: “Fools that Will Laugh on Earth,” by Benji Inniger, from the Original Soundtrack to The Spiritual Tragedy of Doctor Faustus"Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.(Links to books & products are affiliate links.)

Udo Lindenberg: Mit dem Sakko nach Monakko Udo Lindenberg: Grande Finale Marius Müller-Westernhagen: Mit 18 Marius Müller-Westernhagen: Mit Pfefferminz bin ich dein Prinz Extrabreit: Polizisten Extrabreit: Der Präsident ist tot Spliff: Deja Vu Spider Murphy Gang: Skandal im Sperrbezirk Joachim Witt: Goldener Reiter Trio: Da Da Da DAF: Der Mussolini Propaganda: p:Machinery Liaisons Dangereuses: Los niños del parque

Gerla tekur á móti Víðsjá í Glerhúsinu í þætti dagsins. Á sýningunni Þær sækir listakonan innblástur í menningararf kvenna frá upphafi síðustu aldar þar sem persónuleg og pólitísk reynsla fléttast saman í textíl, minni og efni. Tímasetning sýningarinnar er ekki háð tilviljun, heldur talar hún við hálfrar aldar afmæli kvennaverfallsins. Gerla segir okkur frá sinni leið í textílinn sem er samofin kvennabaráttunni, tilurð verkanna og mikilvægi listaverka sem voru lengi vel ekki metin sem slík. Að gefnu tilefni rýnir Tómas Ævar einnig í kafla úr ævisögu Bruce Springsteen, en kvikmynd byggð á ævi kappans er væntanleg og Gauti Kristmannsson fjallar um Goethe og formtilraunir hans í Nóvellu og Ævintýri.

Joachim Witt: Signale Kettcar: München Fiddler's Green: Fairy of the West Wingenfelder: Wenn's am schönsten ist Bernadette La Hengst: I need air Die Braut haut ins Auge: Pop ist tot Die Sterne: Wichtig Ja, Panik: Lost Fuzzman: Nur Krieg für Dich Club of Problems: Walking the road Jördis Tielsch: Call out the sun Schubsen: Haus der Gewalt Willow Parlo: Spinning Einstürzende Neubauten: Wie lange noch? Einstürzende Neubauten: Planet Umbra

durée : 00:12:26 - Le Disque classique du jour du lundi 20 octobre 2025 - La mezzo-soprano norvégienne Marianne Beate Kielland et le pianiste Nils Anders Mortensen dévoilent leur dernière collaboration : un album consacré aux lieder qui allient la poésie intemporelle de Goethe au génie musical de Schubert. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:12:26 - Le Disque classique du jour du lundi 20 octobre 2025 - La mezzo-soprano norvégienne Marianne Beate Kielland et le pianiste Nils Anders Mortensen dévoilent leur dernière collaboration : un album consacré aux lieder qui allient la poésie intemporelle de Goethe au génie musical de Schubert. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Em Salmo 119.9-16, o Pr. Leandro Peixoto apresenta uma poderosa reflexão sobre como o jovem pode permanecer puro em meio aos desafios da juventude. A mensagem revela que a verdadeira sabedoria e felicidade não estão em seguir o coração, mas em submetê-lo à Palavra de Deus. Com exemplos marcantes da literatura — de Werther, de Goethe, a Bento Santiago, de Machado de Assis — o sermão mostra os perigos de uma vida guiada pelas emoções e prazeres, e contrasta isso com a vida de Davi, que encontrou prazer e direção na lei do Senhor. A pregação destaca que sobreviver espiritualmente à juventude envolve três campos de batalha: intelecto, emoções e vontade — e que a vitória em cada um deles só é possível quando a mente é renovada, o coração é guardado e a vontade é moldada pela Escritura. Uma pregação expositiva fundamentada na teologia reformada, que exorta os jovens (e todos os cristãos) a buscar pureza, prazer e perseverança na Palavra, encontrando nela a verdadeira liberdade e alegria duradoura em Cristo.

In dieser Episode geht es mal komplett um das Podstock, denn es war großartig!

In the early 16th century, the peasants of Central Europe were being overtaxed, overworked, and underfed, and the lords of the lands kept making things worse. Things worsened, after which they worsened some more, snails got involved, and then there was the biggest peasant revolt in Europe before the French Revolution. If you're a native English speaker, and you haven't heard of it, great though it be, don't feel bad; there is only one book in English on the Great German Peasants' War, and it was published this year. Michelle has a new hero, a badass knight beloved by Goethe, Sir Walter Scott, and the Internet, and Anne is quite perturbed about the snails.  By the way. As far as we're concerned, the revolt wasn't the crime; killing 100,000 peasants was. 

Katzer, Herwig www.deutschlandfunkkultur.de, Fazit

Sonntag und Montag im Yosemite, mit einem äußerst guten Ende für Alles: Reflexion gefunden, Half Dome mit der wunderbaren North Dome Wanderung ersetzt, alles gut!

Michael and Ethan discuss Faust, by Goethe, both part 1 and 2, while drinking Balvenie Doublewood 12yo single malt.In this episode:Dynamic in a pastoral wayBaffling talk of forms, mothers, material, and reality (and keys?)The Apocalypse has been happening since 1789This is roughly what Ethan is talking about regarding courtly loveIn case the references to “Walpurgis Night” are confusing, this probably won't help at allGoethe as both Enlightenment poet and Romantic poetSince when has this podcast gone in straight lines?Mendelssohn's Die Erste WalpurgisnachtThere is no striving in Elysium after drinking the waters of LetheThe GK Chesterton quote that Ethan mangles: “The riddles of God are more satisfying than the solutions of man.”Next time Michael and Ethan will discuss Doctor Faustus, by Thomas Mann! Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Join us on GoodReads!Get on our Substack!Donate to our Patreon! MUSIC & SFX: “Fools that Will Laugh on Earth,” by Benji Inniger, from the Original Soundtrack to The Spiritual Tragedy of Doctor Faustus"Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.(Links to books & products are affiliate links.)

In this episode, Janice Campbell sits down with Professor Carol Reynolds to explore the powerful role music and the arts play in a child's education. Together, they unpack how music isn't just a “nice extra,” but an essential part of helping kids connect with history, science, and even math. Carol shares how rhythm, sound, and story all work together to shape not only knowledge, but also confidence and joy in learning. If you've ever wondered how to integrate music and literature more fully into your homeschool, or you're looking for encouragement that it's not too late to begin, this conversation will inspire you. By the end, you'll be reminded that education is about more than checking boxes—it's about nurturing the soul through beauty, rhythm, and story. About Carol Professor Carol Reynolds is a much sought-after public speaker for arts venues, homeschool conferences, and general audiences. She combines insights on music history, arts, and culture with her passion for arts education to create programs and curricula, inspires concert audiences, and lead art tours. Never dull or superficial, Carol brings to her audiences a unique blend of humor, substance, and skilled piano performance to make the arts more accessible and meaningful to audiences of all ages. Carol has led art tours to Russia, Poland, Austria, Germany, Hungary, Switzerland, the Czech Republic, Croatia, Slovakia, San Francisco, and Broadway on behalf of several arts organizations and has recently teamed with Smithsonian Journeys for cruises to the Holy Land, Mediterranean, Caribbean, Baltic Sea, Indian Ocean, and across the Atlantic. Her enthusiasm and boundless energy give tour participants an unforgettable experience. For more than 20 years, Carol was Associate Professor of Music History at the Meadows School of the Arts, Southern Methodist University in Dallas, Texas. She now makes her home in North Carolina with her husband, Hank, and her daughter and grandchildren. Hank and Carol maintain a second residence in Weimar, Germany — the home of Goethe, Schiller, Bach, and Liszt, and the focal point of much of Europe's artistic heritage. About Janice Janice Campbell, a lifelong reader and writer, loves to introduce students to great books and beautiful writing. She holds an English degree from Mary Baldwin College, and is the graduated homeschool mom of four sons. You'll find more about reading, writing, planning, and education from a Charlotte Mason/Classical perspective at her websites, EverydayEducation.com, Excellence-in-Literature.com, and DoingWhatMatters.com. Resources  Saul by George Frideric Handel The Creation by Joseph Haydn https://www.professorcarol.com/2011/08/20/the-biggest-page-turn-in-music/ Peter and the Wolf by Sergei Prokofiev The role of music in a Hitchcock movie soundtrack Hurrah and Hallelujah: 100 Songs for Children Excellence in Literature curriculum (Grades 8-12) Connect Carol Reynolds | Website | Facebook | Instagram  Janice Campbell | Instagram | Facebook | Twitter | Pinterest | Website Homeschooling.mom | Instagram | Website Subscribe to our YouTube channel | YouTube Have you joined us at one of the Great Homeschool Conventions?  We hope to see you there! For more encouragement on your homeschooling journey, visit the Homeschooling.mom site, and tune in to our sister podcast The Charlotte Mason Show. View full show notes on the blog.

Today's story is based on the classic poem by Johann Wolfgang von Goethe, adapted and written for you by Daniel Hinds. You may also recognize the story from the old Disney movie Fantasia, where it was told with no words, just a Mickey Mouse animation and a musical score. Check out Stories RPG our new show where we play games like Starsworn with all your Max Goodname friends, and Gigacity Guardians featuring the brilliant firefly! https://link.chtbl.com/gigacity Draw us a picture of what you think any of the characters in this story look like, and then tag us in it on instagram @storiespodcast! We'd love to see your artwork and share it on our feed!! If you would like to support Stories Podcast, you can subscribe and give us a five star review on iTunes, check out our merch at storiespodcast.com/shop, follow us on Instagram @storiespodcast, or just tell your friends about us! Check out our new YouTube channel at youtube.com/storiespodcast. If you've ever wanted to read along with our stories, now you can! These read-along versions of our stories are great for early readers trying to improve their skills or even adults learning English for the first time. Check it out.