Podcasts about goethe

Frau Goethe liest (FGL)"Wir dachten, das Leben kommt noch" von Elisabeth Sandmann – Rezension(Hördauer ca. 9 Minuten)Elisabeth Sandmann gelingt mit Wir dachten, das Leben kommt noch ein feinfühliger Roman über Mut, Loyalität und die Last des Schweigens. Zwischen den Fronten des Zweiten Weltkriegs und den Nachwirkungen im Jahr 1990 entfaltet sich auf zwei Zeitebenen ein Netz aus Erinnerung, Schuld und dem Wunsch nach Wahrheit.Eine Rezension von Heike Stepprath.Sprecherin Heike StepprathHat Ihnen diese Rezension gefallen, mögen Sie vielleicht auch diese Sendung.Schnitt: Jupp Stepprath, Realisation: Uwe Kullnick Ich heiße Heike Stepprath und blogge unter Frau Goethe liest. Vor wenigen Jahren habe ich mich zum Studium von Public Relations entschlossen und das mit meiner Vorliebe zur Literatur verbunden. Mein Bücherregal ist mit Belletristik, Krimis, aber vor allem historischen Romanen gefüllt. Lesen ist bei mir eine Tagesroutine, die auch an stressigen Tagen unbedingt dazu gehört. Rund 120 Bücher lese ich jährlich und davon werden 80 rezensiert. Zum Austausch mit anderen Lesebegeisterten nutze ich liebend gerne Leserunden, Blogtouren, und Interviews. Artikel und Berichte über Veranstaltungen ergänzen das Thema rund ums Buch. Häufig habe ich Gelegenheit, Autoren zu treffen und mit ihnen Podcasts aufzunehmen.

Michael and Ethan discuss Doctor Faustus: The Life of the German Composer Adrian Leverkuhn as Told by a Friend, by Thomas Mann, while drinking Jura 10yo single malt.In this episode:All digressions and fallings-apart are intentionally reflective of the novel under discussion and are not us doing a bad jobTalking about books by talking about other books (aka, this is actually us reading Tristram Shandy for at least the third time)The narrator that gets in his own wayOne or more frame stories AND several meta-layersLots about time, WWII, Germany, time, Germans, Nazis, and time (but not a lot that's fun to make sassy bullet points about)In Marlowe, Faust is damned; in Goethe, Faust is saved; in Mann, Faust is(.)Next time Michael and Ethan will continue to discuss Doctor Faustus, by Thomas Mann! Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Join us on GoodReads!Get on our Substack!Donate to our Patreon! MUSIC & SFX: “Fools that Will Laugh on Earth,” by Benji Inniger, from the Original Soundtrack to The Spiritual Tragedy of Doctor Faustus"Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.(Links to books & products are affiliate links.)

Udo Lindenberg: Mit dem Sakko nach Monakko Udo Lindenberg: Grande Finale Marius Müller-Westernhagen: Mit 18 Marius Müller-Westernhagen: Mit Pfefferminz bin ich dein Prinz Extrabreit: Polizisten Extrabreit: Der Präsident ist tot Spliff: Deja Vu Spider Murphy Gang: Skandal im Sperrbezirk Joachim Witt: Goldener Reiter Trio: Da Da Da DAF: Der Mussolini Propaganda: p:Machinery Liaisons Dangereuses: Los niños del parque

Gerla tekur á móti Víðsjá í Glerhúsinu í þætti dagsins. Á sýningunni Þær sækir listakonan innblástur í menningararf kvenna frá upphafi síðustu aldar þar sem persónuleg og pólitísk reynsla fléttast saman í textíl, minni og efni. Tímasetning sýningarinnar er ekki háð tilviljun, heldur talar hún við hálfrar aldar afmæli kvennaverfallsins. Gerla segir okkur frá sinni leið í textílinn sem er samofin kvennabaráttunni, tilurð verkanna og mikilvægi listaverka sem voru lengi vel ekki metin sem slík. Að gefnu tilefni rýnir Tómas Ævar einnig í kafla úr ævisögu Bruce Springsteen, en kvikmynd byggð á ævi kappans er væntanleg og Gauti Kristmannsson fjallar um Goethe og formtilraunir hans í Nóvellu og Ævintýri.

Goethe und Schiller sollen Kartoffeln geliebt und bedichtet haben, schon in Shakespeares Dramen kommen Kartoffeln vor. Die tolle Knolle hat Lyriker immer schon inspiriert, vor allem seit dem 18. Jahrhundert, seit Preußenkönig Friedrich II. den Bauern in seinem Land befohlen hat, mehr Kartoffeln anzubauen. Kartoffelgedichte sind manchmal sozialkritisch gemeint, aber sie können natürlich auch als Rezeptideen genutzt werden.

Auf den Spuren verschiedener Künstler geht es diesmal durch Europa: So begleiten wir Goethe nach Tschechien, Tucholsky nach Schweden und Thomas Mann nach Lübeck. Von Tina Witte

Comics wurden lange belächelt. Vor allem in Deutschland. Die sind nur was für Kinder, hieß es, so als lustiges Häppchen, aber auf keinen Fall erstzunehmende Literatur. Aber erstaunlicherweise findet sich die 'erstzunehmende Literatur' immer öfter in den Comics. Ein Klassiker wie Goethes Faust zum Beispiel kommt jetzt auch gezeichnet, in kleine Bildchen aufgeteilt und nicht nur in lustig auf den Markt. Was ist da passiert? Und: wer liest die Literaturklassiker im Comic? von und mit Yvonne Koch

Joachim Witt: Signale Kettcar: München Fiddler's Green: Fairy of the West Wingenfelder: Wenn's am schönsten ist Bernadette La Hengst: I need air Die Braut haut ins Auge: Pop ist tot Die Sterne: Wichtig Ja, Panik: Lost Fuzzman: Nur Krieg für Dich Club of Problems: Walking the road Jördis Tielsch: Call out the sun Schubsen: Haus der Gewalt Willow Parlo: Spinning Einstürzende Neubauten: Wie lange noch? Einstürzende Neubauten: Planet Umbra

durée : 00:12:26 - Le Disque classique du jour du lundi 20 octobre 2025 - La mezzo-soprano norvégienne Marianne Beate Kielland et le pianiste Nils Anders Mortensen dévoilent leur dernière collaboration : un album consacré aux lieder qui allient la poésie intemporelle de Goethe au génie musical de Schubert. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:12:26 - Le Disque classique du jour du lundi 20 octobre 2025 - La mezzo-soprano norvégienne Marianne Beate Kielland et le pianiste Nils Anders Mortensen dévoilent leur dernière collaboration : un album consacré aux lieder qui allient la poésie intemporelle de Goethe au génie musical de Schubert. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Em Salmo 119.9-16, o Pr. Leandro Peixoto apresenta uma poderosa reflexão sobre como o jovem pode permanecer puro em meio aos desafios da juventude. A mensagem revela que a verdadeira sabedoria e felicidade não estão em seguir o coração, mas em submetê-lo à Palavra de Deus. Com exemplos marcantes da literatura — de Werther, de Goethe, a Bento Santiago, de Machado de Assis — o sermão mostra os perigos de uma vida guiada pelas emoções e prazeres, e contrasta isso com a vida de Davi, que encontrou prazer e direção na lei do Senhor. A pregação destaca que sobreviver espiritualmente à juventude envolve três campos de batalha: intelecto, emoções e vontade — e que a vitória em cada um deles só é possível quando a mente é renovada, o coração é guardado e a vontade é moldada pela Escritura. Uma pregação expositiva fundamentada na teologia reformada, que exorta os jovens (e todos os cristãos) a buscar pureza, prazer e perseverança na Palavra, encontrando nela a verdadeira liberdade e alegria duradoura em Cristo.

Em Salmo 119.9-16, o Pr. Leandro Peixoto apresenta uma poderosa reflexão sobre como o jovem pode permanecer puro em meio aos desafios da juventude. A mensagem revela que a verdadeira sabedoria e felicidade não estão em seguir o coração, mas em submetê-lo à Palavra de Deus. Com exemplos marcantes da literatura — de Werther, de Goethe, a Bento Santiago, de Machado de Assis — o sermão mostra os perigos de uma vida guiada pelas emoções e prazeres, e contrasta isso com a vida de Davi, que encontrou prazer e direção na lei do Senhor. A pregação destaca que sobreviver espiritualmente à juventude envolve três campos de batalha: intelecto, emoções e vontade — e que a vitória em cada um deles só é possível quando a mente é renovada, o coração é guardado e a vontade é moldada pela Escritura. Uma pregação expositiva fundamentada na teologia reformada, que exorta os jovens (e todos os cristãos) a buscar pureza, prazer e perseverança na Palavra, encontrando nela a verdadeira liberdade e alegria duradoura em Cristo.

In unserer neuen Podcastfolge haben wir uns mit der wunderbaren *Trommelwirbel* Teresa Reichl unterhalten. Sie ist eine echte Tausendsassa (ja, wir verwenden das einfach mal in der weiblichen Form): Kabarettistin, Autorin, Germanistin, Youtube- und TikTok-Kritikerin, Podcasterin und und und. Wie sie erst zum Literaturnerd wurde und später selber Bücher über Bücher schrieb, warum unsere Schullektüre diverser werden muss und Thomas Mann gar nicht gecancelt werden kann, was sie so während ihres Germanistikstudiums und beim bayerischen Lehramts-Staatsexamen erlebt hat… Das und noch viel mehr wollten wir von ihr wissen. Außerdem: Was finden manche Leute eigentlich schlimmer: Kritik an Markus Söder oder an Goethe? Teresa hat es uns verraten, hört rein!

In dieser Episode geht es mal komplett um das Podstock, denn es war großartig!

In diesem Jahr wird Goethes Ankunft in Weimar vor 250 Jahren gefeiert. Der Direktor des Goethe- und Schiller-Archivs über die Ausstellung „Experiment Faust“ und die Transformation ins Digitale.

Gabriella Belli"Vedova Tintoretto. In dialogo"Palazzo Madama, Torinowww.palazzomadamatorino.itFino al 12 gennaio 2026 Palazzo Madama – Museo Civico d'Arte Antica di Torino e la Fondazione Emilio e Annabianca Vedova di Venezia presentano la mostra “Vedova Tintoretto. In dialogo” a cura di Gabriella Belli e Giovanni Carlo Federico Villa. Un eccezionale percorso espositivo concepito per accostare l'arte di due grandi pittori veneziani, ciascuno tra i massimi interpreti della propria epoca – Jacomo Robusti detto il Tintoretto (Venezia, 1518-1594) ed Emilio Vedova (Venezia, 1919-2006) – letti in parallelo, così da affrontare lo sviluppo dell'opera di Vedova nel suo confronto con quello che è stato il maestro d'elezione, indagando similitudini e temi consonanti (o dissonanti) alla base delle singole scelte espressive.Tintoretto è stato fondativo per la formazione artistica di Vedova e la mostra a Palazzo Madama sottolinea l'impeto e la forza dell'articolato rapporto che lega i due artisti attraverso l'accostamento di capolavori del maestro rinascimentale e dell'artista informale. Il progetto dell'esposizione prende avvio dalla straordinaria opportunità di ospitare a Torino una delle opere conclusive, e paradigmatiche, della parabola umana e artistica di Tintoretto: l'Autoritratto del 1588, in prestito dal Musée du Louvre. Una tela che è stata più di un modello iconografico, rappresentando, come si evince dalle interpretazioni di Edouard Manet – che la replica e la considera il più bel quadro al mondo – e dagli scritti di Jean-Paul Sartre, una sorta di identificazione poetica e concettuale per molti artisti.  Tintoretto è infatti l'interprete di una narrazione pittorica capace di arrivare al nostro tempo mettendo insieme “Il disegno di Michelangelo, e il colorito di Tiziano”, esaltato nel corso dei secoli dal genio romantico dell'inglese Ruskin (1819-1900) – “non sono mai stato così completamente annichilito di fronte a una mente umana come lo sono stato oggi, di fronte a Tintoretto” – e dalle penne di Goethe, Stendhal o Henry James. Scriveva Emilio Vedova rispetto al suo grande maestro: “Tintoretto è stato una mia identificazione. Quello spazio appunto una sede di accadimenti. Quella regia a ritmi sincopati e cruenti, magmatici di energie di fondi interni di passioni di emotività commossa (…)”E per Vedova Tintoretto è la quotidianità di una consuetudine con Chiese, Scuole e Palazzi di Venezia in cui cercare e trovare il proprio Maestro, l'unico che gli rivela il segreto per trasformare la tecnica da merostrumento espressivo di belle forme in una lama affilata capace di incidere nella storia. Da lui Vedova trae ispirazione per temi e contenuti, ricava basilari insegnamenti per dominare lo spazio della tela, tradurre in colore la luce delle sue composizioni, modellare nel gesto rapido senza esitazioni le forme, che scaturiscono dal suo nuovo segno, che già nel 1948 lascia ogni tentazione figurativa per risolversi nell'astrazione. Giungendo infine alla sequenza indimenticabile dell'opera …in continuum, compenetrazioni/traslati '87/'88 riprova di quanto l'incontro di una vita abbia reso grande anche il discepolo, gli abbia offerto lo slancio necessario per andare oltre. La mostra Vedova Tintoretto. In dialogo, allestita nell'Aula del Senato del Regno d'Italia, presenta una cinquantina di capolavori tra tele di Emilio Vedova e opere di Tintoretto quali le clamorose ancone dei Camerlenghi, straordinario prestito dalle Gallerie dell'Accademia di Venezia o, ancora, alcune delle opere del celeberrimo ciclo delle Metamorfosi ora conservate alle Gallerie Estensi di Modena. Il serrato dialogo tra i due artisti si sviluppa a partire dai disegni giovanili di Vedova del 1936 passando per le tele degli anni Quaranta e Cinquanta dedicate alla riflessione su dipinti di Tintoretto quali la Moltiplicazione dei pani e dei pesci (da Tintoretto) (1942), La crocifissione (da Tintoretto) (1947), (studio da Sogno di San Marco di Tintoretto) (1956), e a quelle degli anni Ottanta. A completare il dialogo e l'esposizione è Vedova con la monumentale installazione …in continuum, compenetrazione/traslati '87/'88: più di cento grandi tele, assemblate le une con le altre in uno sviluppo che sfiderà la verticalità della sala del Senato, testimonianza dell'evoluzione di Vedova che continua con potenza visionaria il suo confronto col maestro ideale.Catalogo della mostra "Vedova Tintoretto. In dialogo": Silvana Editoriale www.silvanaeditoriale.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Helge Heynold liest: Im Hause, wo die bunten Ampeln brennen - von Arno Holz.

(00:00:50) Ein Meister des Unheils, der die Macht der Kunst bekräftige inmitten eines apokalyptischen Terrors. (00:05:26) Ausgetrunken: Im Caffè Greco in Rom hat schon Goethe gesessen - nach 265 Jahren ist Schluss. (00:09:16) Die Philippinen sind Gastland an der Frankfurter Buchmesse: José Rizals Roman «Noli Me Tangere» ist dafür neu aufgelegt worden. (00:14:23) Christian Petzolds neuer Film: «Miroirs No. 3» - ein eindringlicher Film über Trauer und Heilung.

Neste episódio, apresento a leitura de O Prêmio Goethe (1930), composto pela Carta ao Dr. Alphonse Paquet e pelo Discurso na Casa de Goethe, em Frankfurt — textos em que Freud reflete sobre sua relação com Goethe, a psicanálise e o lugar do pensamento científico diante da arte e da genialidade.Em tom ao mesmo tempo comovido e lúcido, Freud confessa: “Como até agora não fui mimado por homenagens públicas, arranjei-me de modo a poder passar sem elas.” No entanto, deixa transparecer a alegria genuína de receber o prêmio que leva o nome do homem que mais admirava entre os escritores alemães.Em seu discurso, lê-se o tributo de um pensador ao outro: Freud aproxima Goethe de Leonardo da Vinci e reconhece em ambos o impulso de compreender as forças que movem a alma humana. “O trabalho de minha vida teve uma única meta: observar os distúrbios mais sutis das funções psíquicas de pessoas sãs e doentes.”Ele reconhece em Goethe um precursor das ideias psicanalíticas — alguém que, muito antes de Freud, intuía os vínculos inconscientes, a força dos afetos primordiais e o papel dos sonhos: “Aquilo que não sabido ou não pensado pelos homens no labirinto do peito vaga durante a noite.”Mais que uma homenagem, o texto é um diálogo entre dois gigantes — um poeta e um analista — sobre o enigma da criação, da culpa e da condição humana.

In der 17. Folge des Goethe-Podcasts Natur und Geist begrüßen Marcus und Thomas erstmals einen Gast: Florian Freistetter, Astronom, Autor und Podcaster, bekannt für seinen erfolgreichen Wissenschafts-Podcast Sternengeschichten. Freistetter, der selbst in Jena lebte, bringt frische Perspektiven auf Goethes Verbindung zur Stadt und zur Wissenschaft. Die Drei widmen sich zunächst Goethes Hexen-Einmaleins, das Marcus vorliest. Florian erläutert, wie Goethe darin mathematische und mystische Elemente verbindet – ein weiteres Beispiel für Goethes vielseitiges Interesse an Naturwissenschaft und Dichtung. Sie besprechen die Gründung der Sternwarte in Jena, die Goethe veranlasst hatte und verfolgen ihre weitere Entwicklung. Thomas verweist auf das Kometenjahr 1811 und den Kometenwein, der besonders gut war. Abgerundet wird die Folge mit persönlichen Anekdoten, etwa über Goethes Beziehung zu Jena und die Bedeutung des Herzogs Karl August von Sachsen-Weimar-Eisenach, der persönlich sehr an der Naturwissenschaft interessiert war und sie deshalb förderte. Quelle: https://www.goethe-podcast.de/episode/goethes-hexen-einmaleins-und-jenas-sternwarte-in-schillers-garten / Bitte abonniert den Original-Podcastfeed: https://www.goethe-podcast.de/feed/mp3

Ustvarjanje avtoric iz dežele vzhajajočega sonca, ki so že pred tisočletjem spisale obsežne romane in psihološko pretanjeno avtobiografsko prozo, predstavlja eno najbolj osupljivih poglavij v zgodovini svetovne književnostiNa prelomu iz 10. v 11. stoletje, v času torej, ki ga zgodovinopisje po tradiciji označuje kot obdobje heian, so na Japonskem, v skrajno rafiniranem zavetju tamkajšnjega cesarskega dvora začela nastajati prozna dela, ki nas še danes, tisoč let pozneje, zlahka osupnejo. Najprej seveda zato, ker je bila to književnost, ki je – pa čeprav je bil to izrazito moški, patriarhalen svet – niso ustvarjali avtorji temveč avtorice. Še več, najboljša besedila, ki so jih okoli leta 1000 napisale blagorodne, visoko izobražene dame z japonskega dvora – v tem kontekstu moramo najbrž omeniti vsaj Dnevnik muhe enodnevnice pa Knjigo na vzglavniku ter Zgodba o Genjiju, roman, ki ga pod naslovom Princ in dvorne gospe lahko že dolga desetletja prebiramo tudi slovenski bralke in bralci –, so se nato umestila v samo jedro japonskega literarnega kanona. Tudi to je, kajpada, dovolj presenetljivo; mesto, ki ga pri Rusih zavzema Puškin, pri Špancih Cervantes, pri Nemcih pa Goethe, v deželi vzhajajočega sonca slej ko prej pripada pisateljicam, kot so Fujiwara no Michitsuna no Haha pa Sei Shōnagon ter Murasaki Shikibu. No, morda najbolj fascinantno pa je, ko govorimo o vrhovih japonske proze iz obdobja heian, da nas ti teksti, čeprav so stari že debelih tisoč let, lahko še vedno nagovarjajo zelo močno, zelo neposredno. Čeprav so njihove avtorice naseljevale svet, ki je tako v smislu materialne kulture kakor družbenih institucij ter prevladujočih vrednot in verjetij, od našega očitno zelo oddaljen, so vendarle pisale tako, da se v mislih, čustvih, vtisih in hotenjih, izraženih v tej prozi, utegnemo sodobni bralci in bralke brez posebnega naprezanja prepoznati, se z njimi identificirati. Vtis je, skratka, kakor da tisočletje nemara le ni tako dolga doba, kot se zdi, in da tudi potovati med oddaljenimi kulturami morda ni tako težko, kot se nam včasih dozdeva. A nekaj pri vsem skupaj ostaja nejasno – kako je ta literatura sploh nastala? Kakšen je bil politični, družbeni in intelektualni okvir, znotraj katerega so Murasaki Shikibu, Sei Shōnagon in druge pisateljice sploh lahko začele ustvarjati? Kaj se je, še drugače rečeno, moralo na Japonskem okoli leta 1000 dogajati, da so v deželi vzhajajočega sonca ženske že takrat dobile domovinsko pravico v polju visoke književnosti, pravico, na katero so morale njihove kolegice v Evropi, denimo, čakati vse tja do 19. če ne kar 20. stoletja? – Prav to je vprašanje, ki nas je zaposlovalo v tokratnem Kulturnem fokusu, ko smo pred mikrofonom gostili sociologa in japonologa, predavatelja na Oddelku za azijske študije ljubljanske Filozofske fakultete, dr. Luko Culiberga. Foto: upodobitev Murasaki Shikibu, ki piše Zgodbo o Genjiju, je v 17. stoletju ustvaril Tosa Mitsuoki (Wikipedija, javna last)

In the early 16th century, the peasants of Central Europe were being overtaxed, overworked, and underfed, and the lords of the lands kept making things worse. Things worsened, after which they worsened some more, snails got involved, and then there was the biggest peasant revolt in Europe before the French Revolution. If you're a native English speaker, and you haven't heard of it, great though it be, don't feel bad; there is only one book in English on the Great German Peasants' War, and it was published this year. Michelle has a new hero, a badass knight beloved by Goethe, Sir Walter Scott, and the Internet, and Anne is quite perturbed about the snails.  By the way. As far as we're concerned, the revolt wasn't the crime; killing 100,000 peasants was. 

Katzer, Herwig www.deutschlandfunkkultur.de, Fazit

Nena: Irgendwie, irgendwo, irgendwann Polarkreis 18: Allein Allein Bamby: Sandman 2raumwohnung: Wolken ziehen vorbei Paul Kalkbrenner: Sky and sand Silly: Alles rot Herwig Mitteregger: Immer mehr Rosenstolz: Ich bin ich Reamonn: Supergirl Foolsgarden: Innocence Unheilig: Geboren um zu leben Alphaville: Big in Japan Camouflage: The Great Commandment Peter Schilling: Major Tom (Völlig losgelöst) Barbara Morgenstern: Come to Berlin

Sonntag und Montag im Yosemite, mit einem äußerst guten Ende für Alles: Reflexion gefunden, Half Dome mit der wunderbaren North Dome Wanderung ersetzt, alles gut!

Michael and Ethan discuss Faust, by Goethe, both part 1 and 2, while drinking Balvenie Doublewood 12yo single malt.In this episode:Dynamic in a pastoral wayBaffling talk of forms, mothers, material, and reality (and keys?)The Apocalypse has been happening since 1789This is roughly what Ethan is talking about regarding courtly loveIn case the references to “Walpurgis Night” are confusing, this probably won't help at allGoethe as both Enlightenment poet and Romantic poetSince when has this podcast gone in straight lines?Mendelssohn's Die Erste WalpurgisnachtThere is no striving in Elysium after drinking the waters of LetheThe GK Chesterton quote that Ethan mangles: “The riddles of God are more satisfying than the solutions of man.”Next time Michael and Ethan will discuss Doctor Faustus, by Thomas Mann! Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Join us on GoodReads!Get on our Substack!Donate to our Patreon! MUSIC & SFX: “Fools that Will Laugh on Earth,” by Benji Inniger, from the Original Soundtrack to The Spiritual Tragedy of Doctor Faustus"Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.(Links to books & products are affiliate links.)

Scorpions: Wind of change Hildegard Knef: Für mich soll's rote Rosen regnen Reinhard Mey: Über den Wolken Sportfreunde Stiller: Ich war noch niemals in New York Rainbirds: Blueprint Foolsgarden: Lemon Tree Kettcar: Sommer '89 Udo Lindenberg: Sonderzug nach Pankow Rio Reiser: König von Deutschland Juli: Geile Zeit Jupiter Jones: Still AnnenMayKantereit: Oft gefragt Luxuxlärm: 1000 km bis zum Meer Peter Fox: Haus am See Seed: Dickes B.

Ander Iturralde da la bienvenida a Rafa Pastrana, Héctor Kriok y Hugo Sancha, además de a Borja García, para analizar una nueva eléctrica jornada de acción en la Premier League...Comenzando por el tan esperado duelo entre los dos últimos invictos de la competición Crystal Palace y Liverpool y la brillante victoria local para colocar al equipo de Oliver Glasner en puestos champions como el último invicto solitario; como de solitario no tienen nada los córners con los que el Arsenal marca y gana y marca y gana y nos hace preguntarnos que por qué estamos haciendo esto y por qué son el Stoke y cómo en Newcastle, no sin una enorme dósis de polémica, lograron salir con el triunfo entre sus manos; mientras que a la cabeza de Rúben Amorim siempre van sus manos cuando es hora de lanzar un penalti, el cual el Manchester United falló en otro inaceptable despliegue en campo del victorioso Brentford; al igual que victorioso fue el Sunderland en su visita al impotente Nottingham Forest de Ange Postecoglou bajo la atenta mirada de Borja; como atentos han estado en el West Ham al despido del hombre de la semana Graham Potter por el antiguo entrenador del Forest, Nuno Espírito Santo; que también es el exentrenador de dos equipos que jugaron y empataron como son el Tottenham y el Wolverhampton; cosa que también hicieron el Leeds y el Bournemouth; el Manchester City lo tuvo bastante más fácil con una victoria de cinco goles sobre el Burnley; el Chelsea patinó horrendamente para ver cómo las gaviotas del Brighton les quitaron la merienda; el Aston Villa logró su primera victoria en liga al ganar al Fulham; en Championship; con Neymar siempre están pasando aún más cosas; y más.Apoya a que Alineación Indebida pueda prosperar, accede a todo nuestro contenido premium y a nuestro server de Discord suscribiéndote por tan sólo 1.00$/1.00€ en: https://www.patreon.com/posts/139975654Además... Ahora, al suscribirte en nuestra página de Patreon, puedes escuchar todo nuestro contenido de Alineación Indebida Premium a través del siguiente link de Spotify. Sólo tienes que vincular la cuenta que abras en Patreon y, a partir de ahí, tendrás desbloqueado todo el contenido premium que producimos: https://open.spotify.com/show/6WeulpfbWFjVtLlpovTmPv¡Volvemos el Jueves!Sigue a Ander: https://x.com/andershoffmanSigue a Rafa: https://x.com/RafaPastrana7Sigue a Héctor: https://x.com/KriokSigue a Borja: https://x.com/forestliveSigue al programa en Twitter: https://twitter.com/PodcastIndebidoSigue al programa en Instagram: instagram.com/podcastindebidoContacto: anderpodcast@gmail.com // alineacionindebidapodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Es war eine Woche großer Reden oder zumindest solcher, die groß angekündigt waren. Trump vor der UN, Merz im Bundestag und, fraglos die bedeutendste: Markus Söder auf Kloster Banz mit einer CSU- Grundsatzrede.Die Teilzeitarbeit bei Lehrern will er einschränken, das Handy bis zur 7. Klasse aus dem Klassenzimmer werfen und Franz Josef Strauß in die Walhalla in Donaustauf holen. Zusammen mit der Philosophin Hannah Arendt. Wenn das keine Grundsätze sind.Der Strauß sei schließlich sein Vorbild gewesen, sagt der Söder, was man dem Strauß absolut nicht zum Vorwurf machen kann. Und wäre das schon der Grund für eine Aufnahme in die bayerische Ruhmeshalle über der Donau, Söders Vorbild zu sein, dann würden demnächst womöglich auch Darth Vader und Captain Kirk dort aufgenommen, ganz abgesehen von Edmund Stoiber, als dessen leidenschaftlicher Anhänger sich Söder einst auch bekannt hat. "Ich bin Stoiberianer" hat er gesagt, damals, kurz vor Edmunds Sturz.Nein, für eine Aufnahme in die Walhalla braucht's schon mehr.Für bedeutende Persönlichkeiten "teutscher Zunge" hat sie König Ludwig I. errichten lassen und davon sind auch reichlich welche drin. Luther, Goethe, Heine, Bismarck, Adenauer.Das hat wahrscheinlich die Freien Wähler auf den Plan gerufen. "Die Walhalla ist kein CSU- Stammtisch" hat der Kulturexperte der Partei verlauten lassen. Wobei der Adenauer ja in der CDU war. Also wenn, dann wär's ein Unionsstammtisch, ein sehr kleiner, an dem sich für die Freien Wähler wohl kein Platz fände. Außerdem hätte ja der Strauß schon einen Flughafen, sagt der Freie Wähler- Sprecher weiter. Das stimmt. Den hat der Adenauer allerdings auch. Man könnte ja vielleicht den Strauß- Flughafen in Hubert- Aiwanger- Airport umbenennen, in Eitsch-Äj-Äj (HAA), dann wäre die Mehrheit in der Staatsregierung für den Strauß in der Walhalla gesichert. Zumal es der große Vorsitzende Aiwanger wohl auch beim besten Willen nicht in die Walhalla schaffen wird. Teutsche Zunge und so. Vielleicht der Bruder. Egal.Mythologisch betrachtet ist Walhall ja der Wohnort der gefallenen Krieger, wo einen die Walküren hin geleiten und Wotan herrscht.Das mit dem herrschenden Wotan dürfte Strauß schon mal gar nicht gefallen, schließlich ist er doch schon im Himmel seit der Ankunft Ratzingers nur noch stellvertretender Vorsitzender, heißt's.Aber der Mythos, der passt zu Strauß, vor allem der des gefallenen Kriegers. Er hat gegen Augstein verloren, gegen Schmidt, gegen Kohl. 1976 in Wildbad Kreuth, als er die CSU bundesweit ausdehnen wollte, sogar gegen die eigene Parteibasis. Wo passt so einer besser hin als auf die Burg Walhall? Mögen die Walküren ihn geleiten.Eben alles eine Frage der Perspektive.

Romanzo epistolare: genere narrativo tipico del Romanticismo, con lettere scritte dai protagonisti. Scopri le sue caratteristiche e i testi più celebri.

Ein Gedicht, ein Gefühl, ein Gesicht. Singer-Songwriter Max Prosa trifft Ingo auf einen Kaffee – und es wird poetisch. Zwischen RAW-Gelände und RAW-Gefühlen reden die beiden über Texte, Träume, Touren und auch Familie und Vaterschaft. Max schreibt Gedichte, die unter die Haut gehen – Ingo spielt ein Spiel, bei dem jeder Vers zählt. Überraschung inklusive.

In this episode, Janice Campbell sits down with Professor Carol Reynolds to explore the powerful role music and the arts play in a child's education. Together, they unpack how music isn't just a “nice extra,” but an essential part of helping kids connect with history, science, and even math. Carol shares how rhythm, sound, and story all work together to shape not only knowledge, but also confidence and joy in learning. If you've ever wondered how to integrate music and literature more fully into your homeschool, or you're looking for encouragement that it's not too late to begin, this conversation will inspire you. By the end, you'll be reminded that education is about more than checking boxes—it's about nurturing the soul through beauty, rhythm, and story. About Carol Professor Carol Reynolds is a much sought-after public speaker for arts venues, homeschool conferences, and general audiences. She combines insights on music history, arts, and culture with her passion for arts education to create programs and curricula, inspires concert audiences, and lead art tours. Never dull or superficial, Carol brings to her audiences a unique blend of humor, substance, and skilled piano performance to make the arts more accessible and meaningful to audiences of all ages. Carol has led art tours to Russia, Poland, Austria, Germany, Hungary, Switzerland, the Czech Republic, Croatia, Slovakia, San Francisco, and Broadway on behalf of several arts organizations and has recently teamed with Smithsonian Journeys for cruises to the Holy Land, Mediterranean, Caribbean, Baltic Sea, Indian Ocean, and across the Atlantic. Her enthusiasm and boundless energy give tour participants an unforgettable experience. For more than 20 years, Carol was Associate Professor of Music History at the Meadows School of the Arts, Southern Methodist University in Dallas, Texas. She now makes her home in North Carolina with her husband, Hank, and her daughter and grandchildren. Hank and Carol maintain a second residence in Weimar, Germany — the home of Goethe, Schiller, Bach, and Liszt, and the focal point of much of Europe's artistic heritage. About Janice Janice Campbell, a lifelong reader and writer, loves to introduce students to great books and beautiful writing. She holds an English degree from Mary Baldwin College, and is the graduated homeschool mom of four sons. You'll find more about reading, writing, planning, and education from a Charlotte Mason/Classical perspective at her websites, EverydayEducation.com, Excellence-in-Literature.com, and DoingWhatMatters.com. Resources  Saul by George Frideric Handel The Creation by Joseph Haydn https://www.professorcarol.com/2011/08/20/the-biggest-page-turn-in-music/ Peter and the Wolf by Sergei Prokofiev The role of music in a Hitchcock movie soundtrack Hurrah and Hallelujah: 100 Songs for Children Excellence in Literature curriculum (Grades 8-12) Connect Carol Reynolds | Website | Facebook | Instagram  Janice Campbell | Instagram | Facebook | Twitter | Pinterest | Website Homeschooling.mom | Instagram | Website Subscribe to our YouTube channel | YouTube Have you joined us at one of the Great Homeschool Conventions?  We hope to see you there! For more encouragement on your homeschooling journey, visit the Homeschooling.mom site, and tune in to our sister podcast The Charlotte Mason Show. View full show notes on the blog.

Soft Loft: Dorm Lucy Kruger & The Lost Boys: Anchor Remote Bondage: Alle leben schneller Chicks on Speed: Meat & Drag Propaganda: Distant Propaganda: Dystopian Waltz T.Raumhouse: Samstag Nacht Tomcraft: Broadsword calling Danny Boy Greta Schloch: Tanzende Hydranten Rummelsnuff: Bohrmilch Shiny Gnomes: Bubble Burst Smokestack Lightnin': Big City Dreams Donots: Wake the dogs Jan Plewka: Bald sind wir zuhause Bernadette LaHengst: I need air

RtB loves the present-day shadows cast by neglected books, which can suddenly loom up out of the backlit past. So, you won't be shocked to know that John has also been editing a Public Books column called B-Side Books. In it, around 50 writers (Ursula Le Guin was one) have made the case for un-forgetting a beloved book. Now, there is a book that collects 40 of these columns. Find it as your local bookstore, or Columbia University Press, or Bookshop, (or even Amazon). Like our podcast, B-Side Books focuses on those moments when books topple off their shelves, open up, and start bellowing at you. The one that enthralled Merve Emre (Wesleyan professor and author ofsuch terrific works as The Personality Brokers) was a novella by the luminous midcentury Italian pessimist, Natalia Ginzburg. And if you think you know precisely why a mid-century Italian writer would have a dark and bitter view of the world (already thinking of the Nazi shadows in work by Italo Calvino, Primo Levi and Giorgio Bassani) Ginzburg's The Dry Heart will have you thinking again. Merve Emre, Ginzburg fan and B-Side author Merve started her piece, and we started this 2023 conversation, by asking that age-old question: “When should a woman kill her husband?” Mentioned in This Episode J. W. Goethe, Sorrows of Young Werther (1774) Michael Warner, “Uncritical Reading” Natalia Ginzburg. The Little Virtues (personal essays that do not stage an excessive evacuation of the self, but instead triangulate between reader, writer and object of concern…) Elena Ferrante, The Neapolitan Novels Fleur Jaeggy, Sweet Days of Discipline and These Possible Lives Rachel Ingals Mrs. Caliban (1982) Read transcript here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

RtB loves the present-day shadows cast by neglected books, which can suddenly loom up out of the backlit past. So, you won't be shocked to know that John has also been editing a Public Books column called B-Side Books. In it, around 50 writers (Ursula Le Guin was one) have made the case for un-forgetting a beloved book. Now, there is a book that collects 40 of these columns. Find it as your local bookstore, or Columbia University Press, or Bookshop, (or even Amazon). Like our podcast, B-Side Books focuses on those moments when books topple off their shelves, open up, and start bellowing at you. The one that enthralled Merve Emre (Wesleyan professor and author ofsuch terrific works as The Personality Brokers) was a novella by the luminous midcentury Italian pessimist, Natalia Ginzburg. And if you think you know precisely why a mid-century Italian writer would have a dark and bitter view of the world (already thinking of the Nazi shadows in work by Italo Calvino, Primo Levi and Giorgio Bassani) Ginzburg's The Dry Heart will have you thinking again. Merve Emre, Ginzburg fan and B-Side author Merve started her piece, and we started this 2023 conversation, by asking that age-old question: “When should a woman kill her husband?” Mentioned in This Episode J. W. Goethe, Sorrows of Young Werther (1774) Michael Warner, “Uncritical Reading” Natalia Ginzburg. The Little Virtues (personal essays that do not stage an excessive evacuation of the self, but instead triangulate between reader, writer and object of concern…) Elena Ferrante, The Neapolitan Novels Fleur Jaeggy, Sweet Days of Discipline and These Possible Lives Rachel Ingals Mrs. Caliban (1982) Read transcript here Learn more about your ad choices. Visit megaphone.fm/adchoices

RtB loves the present-day shadows cast by neglected books, which can suddenly loom up out of the backlit past. So, you won't be shocked to know that John has also been editing a Public Books column called B-Side Books. In it, around 50 writers (Ursula Le Guin was one) have made the case for un-forgetting a beloved book. Now, there is a book that collects 40 of these columns. Find it as your local bookstore, or Columbia University Press, or Bookshop, (or even Amazon). Like our podcast, B-Side Books focuses on those moments when books topple off their shelves, open up, and start bellowing at you. The one that enthralled Merve Emre (Wesleyan professor and author ofsuch terrific works as The Personality Brokers) was a novella by the luminous midcentury Italian pessimist, Natalia Ginzburg. And if you think you know precisely why a mid-century Italian writer would have a dark and bitter view of the world (already thinking of the Nazi shadows in work by Italo Calvino, Primo Levi and Giorgio Bassani) Ginzburg's The Dry Heart will have you thinking again. Merve Emre, Ginzburg fan and B-Side author Merve started her piece, and we started this 2023 conversation, by asking that age-old question: “When should a woman kill her husband?” Mentioned in This Episode J. W. Goethe, Sorrows of Young Werther (1774) Michael Warner, “Uncritical Reading” Natalia Ginzburg. The Little Virtues (personal essays that do not stage an excessive evacuation of the self, but instead triangulate between reader, writer and object of concern…) Elena Ferrante, The Neapolitan Novels Fleur Jaeggy, Sweet Days of Discipline and These Possible Lives Rachel Ingals Mrs. Caliban (1982) Read transcript here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Michael and Ethan discuss Faust, by Goethe, both part 1 and 2, while drinking Balvenie Doublewood 12yo single malt.In this episode:Self-flagellationTranslationAbridgementBets vs bargainsLost in the weeds vs taking the scenic routeStriving vs GretchenThis podcast (Michael) casually speaks German, nbdGoethe wasn't JUST a creepy old manExcellent lecture by Dr Michael Sugrue on Goethe's FaustInevitable comparison to The Life and Opinions of Tristram ShandyPoetry as excess and as exploring the space, but not jokesHomunculusFaust is a dareNext time Michael and Ethan will discuss Goethe's Faust, Parts 1 and 2! Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Join us on GoodReads!Get on our Substack!Donate to our Patreon! MUSIC & SFX: “Fools that Will Laugh on Earth,” by Benji Inniger, from the Original Soundtrack to The Spiritual Tragedy of Doctor Faustus"Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.(Links to books & products are affiliate links.)

(c) WDR 2025 Von Christoph Vratz.

Das Konzept ist genial und etwas für alle, die auf Gesang verzichten können: Mendelssohn schreibt Klavierstücke, so eingängig wie Arien – nur ohne den nervigen Gesang … Von Christoph Vratz.

Infamis Gärtner Infamis: Nacht und Sound Kreisky: Unsterblichkeit Adieu Eckstein: Ein ganzes Leben Marlo Grosshardt: Hamburg Guildo Horn: Berlin Spider Murphy Gang: Schickeria Extrabreit: Komm nach Hagen Sportfreunde Stiller: Das Geschenk Thees Uhlmann: Junkies und Scientologen Kettcar: Deiche Hiss: Polka für die Welt La Brass Banda: Bierzelt Kellerkommando: Uns geht's gut Haindling: Draißg Kilomedta

Ich war in den USA, daher auch im Haltungsblock meine Haltung dazu. Zumindest, wie sie sich entwickelt. Und dann hab ich da drüben auch nicht nur gearbeitet, sondern auch richtig viel erlebt

Neoclassicismo e preromanticismo letterario in Europa: storia, caratteristiche, definizione e autori: Winckelmann, Foscolo, Goethe e Macpherson.

Eisbrecher: Kaltfront DKay.Com: Carcrash music for now people Die Krupps: Im Schatten der Ringe Johnny Tupolev: Desperate Stonebourne: The hate you give Sun: Kyon Megaherz: Der König der Dummen Mono Inc.: My deal with god Das Ich: Brutus KMFDM: Megalomaniac Lindemann: Yukon In Strict Confidence: Zauberschloss

Donald Macleod explores Robert Schumann's years in Dusseldorf – the city where he would spend the final years of his life. Despite often being portrayed as a creative disaster, during this period, Schumann was greatly inspired by the city and by the countryside which surrounded it, and would write some of his greatest music.Music featured: Marchenbilder, Op 113 (1st mvt, Nicht schnell) Symphony No 3 in E-flat major ‘Rhenish' Op 97 5 Lieder, Op 40 (No 4, Der Spielmann) Geistervariationen in E-flat major for piano, WoO 24 Violin Concerto in D minor, WoO 23 (2nd & 3rd mvts) Konzertstück for 4 Horns and Orchestra, Op 86 (1st mvt) Lieder und Gesange aus Wilhelm Meister, Op 98a Scenes from Goethe's Faust, Part 3 (excerpt) The Bride of Messina Overture Kinderszenen, Op 15 (No 7 Träumerei) Genovera Overture Op 81 Sechs Gesange, Op 107 (No 6 Abendlied) Adventlied (excerpt) Mass in C minor, Op 147 (Gloria) Symphony No 4 in D minor, Op 120 (1st mvt) Manfred Overture, Op 115 Cello Concerto in A minor, Op 129 Violin Sonata No 1 in A minor, Op 105 (2nd mvt) Der Rose Pilgerfahrt, Op 112 Marchenerzahlungen, Op132 (No 3) Fantasy for Violin and Orchestra in C major, Op 131 Introduction and Concert Allegro, Op 134 Blumenstuck in D-flat Major, Op 19 Wenn mein Stundlein vorhanden istPresented by Donald Macleod Produced by Sam Phillips for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Robert Schumann (1810-1856) https://www.bbc.co.uk/programmes/m002hwtc And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

For anyone who has seen Michael B. Jordan's excellent new movie Sinners, it's clear that any sort of deal with the devil - what has become known as the Faustian Bargain - is still very much alive. So relevant, in fact, that cultural historian Ed Simon has a book, just out in paperback, about its enduring relevance entitled Devil's Contract. From Shakespeare and Goethe to Thomas Mann and Donald Trump, Simon argues, the Faustian Bargain is more than just a literary trope. In fact, he suggests, it is as relevant today, in our social media age of the Mephistophelian Donald Trump as it was in the German Reformation of the equally populist Martin Luther. The Art of a Deal with the Devil. And we all know how it ends. Go and see Sinners. Spoiler warning: not without the spilling of a great deal of innocent blood. 1. The Faustian Bargain is Fundamentally About Irrationality Despite knowing the terrible consequences, Faust signs the contract anyway. As Simon explains, "if you know that the devil is real and that the Devil collects souls at the end of your life, then like you'd never sign on the dotted line. And yet these characters continually do." This captures our human tendency to act against our own best interests.2. The Contract Makes It Modern What distinguishes the Faust legend from earlier devil stories is the literal paperwork. Simon argues this bureaucratic element - signing on the dotted line - transforms it into a distinctly modern tale about legal systems, capitalism, and bureaucracy. It's not just about temptation; it's about documentation.3. AI is Our Latest Faustian Bargain Simon sees artificial intelligence as having "a shockingly obvious kind of Faustian gloss" - from the magic of conjuring something from nothing to the environmental destruction of massive server farms. We're trading our future for technological convenience, knowing the costs.4. Trump is Mephistopheles, Not Faust In Simon's reading, Trump isn't the one making the deal - he's the devil others make deals with. JD Vance becomes the perfect example: fully aware of what Trump is, yet "willing to seemingly abandon whatever principles he may have had in the past... for power alone."5. Sometimes Faust Wins (But Usually Doesn't) While Goethe's Faust finds redemption and salvation, most versions end badly. The American "Yankee Faust" tries to trick the devil but still gets his house burned down. The lesson? You might think you're clever enough to beat the devil, but the house always wins.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Faust: It's a rainy day, sunshine girl Can: She brings the rain Ash Ra Tempel: La Sourire Volé Kraftwerk: Trans Europa Express Kraftwerk: Metall auf Metall Einstürzende Neubauten: Redukt Hackedepicciotto: The Seventh Day FM Einheit: Theme from Death Row Kai Niggemann: Methane Lakes

Fluent Fiction - Italian: Mystery in the Park: The Case of the Missing Friend Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2025-09-04-22-34-02-it Story Transcript:It: Il sole autunnale illuminava i Giardini di Villa Borghese, tingendo le foglie con sfumature dorate.En: The autumn sun illuminated the Giardini di Villa Borghese, tinting the leaves with golden hues.It: Giulia camminava accanto a Marco ed Elena, godendosi il calore leggero e il profumo di foglie umide.En: Giulia walked alongside Marco and Elena, enjoying the light warmth and the scent of damp leaves.It: Avevano deciso di fare un picnic per sfuggire alla frenesia della città.En: They had decided to have a picnic to escape the hustle and bustle of the city.It: Seduti su una coperta a quadretti, il trio rideva e condivideva aneddoti delle loro vite.En: Seated on a checkered blanket, the trio laughed and shared anecdotes from their lives.It: Tuttavia, la serena atmosfera cambiò all'improvviso.En: However, the serene atmosphere changed suddenly.It: Marco, allontanatosi per prendere una birra dalla borsa frigo, non tornò più.En: Marco, having stepped away to get a beer from the cooler, did not return.It: "Ma dove è finito Marco?En: "But where has Marco gone?"It: ", Elena chiese con un tono di preoccupazione crescente.En: Elena asked with a tone of growing concern.It: Giulia, sempre attenta e analitica, decise di prendere in mano la situazione.En: Giulia, always attentive and analytical, decided to take matters into her own hands.It: "Controlliamo i dintorni, magari l'incontriamo per strada," suggerì.En: "Let's check the surroundings, maybe we'll meet him along the way," she suggested.It: Iniziò così un tour dettagliato dei sentieri ombreggiati dei giardini.En: Thus began a detailed tour of the shaded paths of the gardens.It: Giulia osservava ogni persona che passava, cercando di notare se qualcuno conoscesse Marco.En: Giulia observed every person passing by, trying to see if anyone knew Marco.It: Ma nessuno lo aveva visto.En: But no one had seen him.It: Giulia si chinò sul tappeto da picnic, quando il suo sguardo si soffermò su qualcosa di insolito.En: Giulia bent down on the picnic blanket when her gaze stopped on something unusual.It: Un telefono dimenticato giaceva nascosto sotto la coperta.En: A forgotten phone lay hidden under the blanket.It: Non era il suo né quello di Elena.En: It wasn't hers, nor Elena's.It: Lo accese e scoprì un messaggio strano: "Giochi finiti?En: She turned it on and discovered a strange message: "Game over?It: La statua del poeta ti attende."En: The poet's statue awaits you."It: Un indovinello, pensò Giulia.En: A riddle, Giulia thought.It: Doveva significare qualcosa.En: It had to mean something.It: "La statua del poeta," ripeté pensierosa.En: "The poet's statue," she repeated thoughtfully.It: La risposta era chiara: la famosa statua di Goethe, non lontano da lì.En: The answer was clear: the famous statue of Goethe, not far from there.It: Le due donne si precipitarono alla statua, ansiose di scoprire cosa le aspettava.En: The two women rushed to the statue, eager to discover what was awaiting them.It: Lì, allegramente appoggiato contro il piedistallo, c'era Marco, che rideva di gusto.En: There, happily leaning against the pedestal, was Marco, laughing heartily.It: "Era un gioco", spiegò lui ridendo, "un piccolo mistero per rendere la giornata più interessante."En: "It was a game," he explained, laughing, "a little mystery to make the day more interesting."It: Giulia sorrise, sentendo un'ondata di soddisfazione e sollievo.En: Giulia smiled, feeling a wave of satisfaction and relief.It: Aveva risolto il mistero, dimostrando a se stessa e agli amici che era davvero capace di affrontare le situazioni impreviste.En: She had solved the mystery, proving to herself and her friends that she was indeed capable of handling unexpected situations.It: Elena abbracciò Giulia, felice e rassicurata.En: Elena hugged Giulia, happy and reassured.It: Con una nuova fiducia acquisita, Giulia capì che in fondo, le sue capacità erano proprio come i colori autunnali: vibranti e pronte a risplendere, persino nei momenti di apparente oscurità.En: With newly gained confidence, Giulia realized that deep down, her abilities were just like the autumn colors: vibrant and ready to shine, even in moments of apparent darkness. Vocabulary Words:the poet: il poetathe atmosphere: l'atmosferathe mystery: il misterothe statue: la statuathe warmth: il calorethe scent: il profumothe dampness: l'umiditàthe riddle: l'indovinellothe pedestal: il piedistallothe satisfaction: la soddisfazionethe relief: il sollievothe capabilities: le capacitàthe blanket: la copertathe answer: la rispostathe game: il giocothe shadow: l'ombrathe hues: le sfumaturethe hustle: la frenesiathe tour: il tourthe surroundings: i dintornithe city: la cittàthe beer: la birrato lean: appoggiarsithe wave: l'ondatathe gardens: i giardinithe checkered: i quadrettiunexpected: imprevistothe path: il sentieroattentive: attentaanalytical: analitica

Michael and Ethan, along with special guests Maren Boucher and Benji Inniger, discuss The Tragical History of the Life and Death of Doctor Faustus, by Christopher Marlowe. Michael and Ethan are drinking Balvenie Doublewood 12yo single malt; Benji is drinking Oban Little Bay; Maren is drinking Lagavulin 11. What a mess.In this episode:Bethany Lutheran College Production of Doctor Faustus! (Director and assistant director = our guests!)FaustbuchFaustus: The Horror FilmPhilip Melancthon might have studied with Faust, an anecdote that's fun for maybe just the four people on this podcastFaustus: The Real Guy, or, why does he matter?Disappearing side characters (and disappearing main character???)Hell is a pyramid scheme, or, Faustus as lululemon rep, or, Cornelius and Valdez are DeadDid the devil appear on-stage, or is it Puritan propaganda?Doctor FauthtuthSympathy vs pityOrigins of the Shakespeare race, irrelevant to the episode but we're keeping itCheck out Benji's music and photography!Check out Benji's OST to Bethany's production of The Spiritual Tragedy of Doctor Faustus!Next time Michael and Ethan will discuss Goethe's Faust, Parts 1 and 2! Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Join us on GoodReads!Get on our Substack!Donate to our Patreon! MUSIC & SFX: “Fools that Will Laugh on Earth,” by Benji Inniger, from the Original Soundtrack to The Spiritual Tragedy of Doctor Faustus"Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.(Links to books & products are affiliate links.)

Today's story is based on the classic poem by Johann Wolfgang von Goethe, adapted and written for you by Daniel Hinds. You may also recognize the story from the old Disney movie Fantasia, where it was told with no words, just a Mickey Mouse animation and a musical score. Check out Stories RPG our new show where we play games like Starsworn with all your Max Goodname friends, and Gigacity Guardians featuring the brilliant firefly! https://link.chtbl.com/gigacity Draw us a picture of what you think any of the characters in this story look like, and then tag us in it on instagram @storiespodcast! We'd love to see your artwork and share it on our feed!! If you would like to support Stories Podcast, you can subscribe and give us a five star review on iTunes, check out our merch at storiespodcast.com/shop, follow us on Instagram @storiespodcast, or just tell your friends about us! Check out our new YouTube channel at youtube.com/storiespodcast. If you've ever wanted to read along with our stories, now you can! These read-along versions of our stories are great for early readers trying to improve their skills or even adults learning English for the first time. Check it out.