Podcasts about goethe

Donald Macleod explores Robert Schumann's years in Dusseldorf – the city where he would spend the final years of his life. Despite often being portrayed as a creative disaster, during this period, Schumann was greatly inspired by the city and by the countryside which surrounded it, and would write some of his greatest music.Music featured: Marchenbilder, Op 113 (1st mvt, Nicht schnell) Symphony No 3 in E-flat major ‘Rhenish' Op 97 5 Lieder, Op 40 (No 4, Der Spielmann) Geistervariationen in E-flat major for piano, WoO 24 Violin Concerto in D minor, WoO 23 (2nd & 3rd mvts) Konzertstück for 4 Horns and Orchestra, Op 86 (1st mvt) Lieder und Gesange aus Wilhelm Meister, Op 98a Scenes from Goethe's Faust, Part 3 (excerpt) The Bride of Messina Overture Kinderszenen, Op 15 (No 7 Träumerei) Genovera Overture Op 81 Sechs Gesange, Op 107 (No 6 Abendlied) Adventlied (excerpt) Mass in C minor, Op 147 (Gloria) Symphony No 4 in D minor, Op 120 (1st mvt) Manfred Overture, Op 115 Cello Concerto in A minor, Op 129 Violin Sonata No 1 in A minor, Op 105 (2nd mvt) Der Rose Pilgerfahrt, Op 112 Marchenerzahlungen, Op132 (No 3) Fantasy for Violin and Orchestra in C major, Op 131 Introduction and Concert Allegro, Op 134 Blumenstuck in D-flat Major, Op 19 Wenn mein Stundlein vorhanden istPresented by Donald Macleod Produced by Sam Phillips for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Robert Schumann (1810-1856) https://www.bbc.co.uk/programmes/m002hwtc And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Dies ist wieder eine kurze Episode der konstruktiven Irritation. Ich möchte ein paar Gedanken teilen und wieder möglichst wenig eigene Wertung geben, sondern mögliche Aspekte aufzeigen und Fragen stellen. Selbstverständlich wird es auch diesmal nicht vollständig sein, aber hoffentlich zum Weiterdenken anregen. Mein neues Buch: Hexenmeister oder Zauberlehrling? Die Wissensgesellschaft in der Krise kann vorbestellt werden! Der erste Teil des Titels »Das Werdende, das ewig wirkt und lebt?« ist ein Zitat aus Faust I, am Ende werde ich das zum Ausklang etwas weiter zitieren. Das Thema ist also das Wechselspiel zwischen transendenten und trasienten Dingen und Ereignissen, beziehungsweise auch das Übergehen von einem ins andere. Transzendet bedeutet dabei in meiner Verwendung, das Überschreiten oder Hinausgehen über bestimmte Grenzen. Etwas konkrete meine ich hier zwei Dimensionien: zeitlich, also Dinge, die über den Zeithorizont etwa eines Menschen oder einer Generation gehen sowie in einem materiellen Sinne; also Dinge die das materielle transzendieren, also überschreiten. Das kann eine spirituelle Bedeutung haben, aber auch eine philosopische, etwa nach Kant. Denken wir an Dinge, die jenseits der Erfahrung und des Verstands existieren oder etwas banaler, solche die nicht materiell greifbar sind, aber dennoch von Dauer. Ich werde das gleich anhand einiger Beispiele deutlicher machen. Transient ist nun fast das Gegenteil, also Dinge oder Ereignisse, die relativ schnell vergehen, die also im Moment sind und wenig bleibende Spuren hinterlassen. Dies kann sich, wie gesagt, sowohl auf materielle wie auch geistige Aspekte beziehen. Mich beschäftigt dieses Thema nun seit einiger Zeit, weil ich glaube, dass in menschlichen Kulturen sowie im individuellen Erleben diese Aspekte der Transzendenz oder des Vergehens sehr bestimmende Faktoren sein können, ohne dabei jetzt eine konkrete Wertung einbringen zu wollen. Und zwar darum, weil diese von der konkreten Ausprägung aber auch von den individuellen Werten abhängig ist. In dieser Episode werde ich versuchen, diese Spannung an einer Reihe von Beispielen deutlich zu machen: Momente in der Zeit Theater- oder Musik-Aufführungen Bilder Kunst Gegenstände des Alltags Wissenschaft Philosophie — Karl Poppers Welt 3 Mode und Kultur Gruppe vs. Individuum Was geschieht mit Gesellschaften, die von Transzendenz dominiert sind, und mit solchen, die sie versuchen vollständig aus der Welt zu vertreiben und dann feststellt, dass viele Menschen ohne das Transzendente nicht leben können und sich dann aus dem Bauchladen der Beliebigkeit Themen suchen, die sie religiös überladen? “Whatever the cause, a time horizon extending beyond the lifetime of the individual becomes a spontaneous moral control on individual action, analogous to moral constraints extending in space at a given time.”, Thomas Sowell Wo stehen wir in der Welt? Wie gehen wir mit diesem Konflikt um? »Erfreut euch der lebendig reichen Schöne! Das Werdende, das ewig wirkt und lebt, Umfass euch mit der Liebe holden Schranken, Und was in schwankender Erscheinung schwebt, Befestigt mit dauernden Gedanken!« , Faust I Referenzen Andere Episoden Episode 128: Aufbruch in die Moderne — Der Mann, der die Welt erfindet! Episode 125: Ist Fortschritt möglich? Ideen als Widergänger über Generationen Episoce 124: Zeitlos Episode 106: Wissenschaft als Ersatzreligion? Ein Gespräch mit  Manfred Glauninger Episode 98: Ist Gott tot? Ein philosophisches Gespräch mit Jan Juhani Steinmann Episode 88: Liberalismus und Freiheitsgrade, ein Gespräch mit Prof. Christoph Möllers Episode 84: (Epistemische) Krisen? Ein Gespräch mit Jan David Zimmermann Episode 76: Existentielle Risiken Episode 66: Selbstverbesserung — ein Gespräch mit Prof. Anna Schaffner Episode 57: Konservativ UND Progressiv Episode 55: Strukturen der Welt Episode 50: Die Geburt der Gegenwart und die Entdeckung der Zukunft — ein Gespräch mit Prof. Achim Landwehr Episode 49: Wo denke ich? Reflexionen über den »undichten« Geist Episode 43: Deep Fakes: Wer bist du, und – was passiert da eigentlich? Episode 26: Was kann Politik (noch) leisten? Ein Gespräch mit Christoph Chorherr Fachliche Referenzen Alexander Schatten, Hexenmeister oder Zauberlehrling? Die Wissensgesellschaft in der Krise (2025) Johann Wolfgang von Goethe, Faust I (1808) Karl Popper, Objective Knowledge: An Evolutionary Approach, Oxford University Press, Revised Edition (1979) Thomas Sowell, Knowledge and Decision, Basic Books (1996)

For anyone who has seen Michael B. Jordan's excellent new movie Sinners, it's clear that any sort of deal with the devil - what has become known as the Faustian Bargain - is still very much alive. So relevant, in fact, that cultural historian Ed Simon has a book, just out in paperback, about its enduring relevance entitled Devil's Contract. From Shakespeare and Goethe to Thomas Mann and Donald Trump, Simon argues, the Faustian Bargain is more than just a literary trope. In fact, he suggests, it is as relevant today, in our social media age of the Mephistophelian Donald Trump as it was in the German Reformation of the equally populist Martin Luther. The Art of a Deal with the Devil. And we all know how it ends. Go and see Sinners. Spoiler warning: not without the spilling of a great deal of innocent blood. 1. The Faustian Bargain is Fundamentally About Irrationality Despite knowing the terrible consequences, Faust signs the contract anyway. As Simon explains, "if you know that the devil is real and that the Devil collects souls at the end of your life, then like you'd never sign on the dotted line. And yet these characters continually do." This captures our human tendency to act against our own best interests.2. The Contract Makes It Modern What distinguishes the Faust legend from earlier devil stories is the literal paperwork. Simon argues this bureaucratic element - signing on the dotted line - transforms it into a distinctly modern tale about legal systems, capitalism, and bureaucracy. It's not just about temptation; it's about documentation.3. AI is Our Latest Faustian Bargain Simon sees artificial intelligence as having "a shockingly obvious kind of Faustian gloss" - from the magic of conjuring something from nothing to the environmental destruction of massive server farms. We're trading our future for technological convenience, knowing the costs.4. Trump is Mephistopheles, Not Faust In Simon's reading, Trump isn't the one making the deal - he's the devil others make deals with. JD Vance becomes the perfect example: fully aware of what Trump is, yet "willing to seemingly abandon whatever principles he may have had in the past... for power alone."5. Sometimes Faust Wins (But Usually Doesn't) While Goethe's Faust finds redemption and salvation, most versions end badly. The American "Yankee Faust" tries to trick the devil but still gets his house burned down. The lesson? You might think you're clever enough to beat the devil, but the house always wins.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Hey Fam!!! ! Euer gefiederter Stamm-und-Ast-Halter hier mit einer neuen Folge Eisenbart & Meisendraht. Unser Thema diesmal ist “Familie” – da ist natürlich für Klein und Alt alles dabei: Unsere beiden Radiopartriach:innen Eisi und Meisi greifen ganz tief hinein in die Familienfotokiste, erzählen die ein oder andere Pikantheit aus Omas Nähkästchen und fördern Erstaunliches und auch Langweiliges zutage: Wir reden über die Genese des Familienbegriffs und -konzepts “Familie”, über griechische Oiken, Grass darf im Krebsgang zum xten mal Familiengeschichte in Romanform aufrollen und Goethe ist freilich auch mit seinen Wahlverwandschaften, diesem spicy Jahrhundertroman mit der unverwechselbar komplizierten Polykülsituation. Aber natürlich geht es auch um das 19. Jahrhundert und die Romantik, denn ohne Romantik gäbe es die Familie wie wir sie heute kennen ja gar nicht. Kulturkampf, Wohngemeinschaften und Gesinde gibt es dann auch noch sowie ein Ständchen für Hulk Hogan, Ozzy und diesen einen Typen, der immer so gern von weit oben runterhüpfte, erstaunlich oft, ohne sich zu verletzen. Gelungen abgerundet wird diese kleine Sendung wie immer durch die EBMD-Autor:innen-Family, die uns mit Ketchup tolle Texte an die Raufasertapete (Modell Erfurt – AVANTGARDE) pinselt, eingesprochen von unseren klasse Sprecher:innen. Ein Spaß für die gesamte Sippe also. Dickes Blut und kochendes Wasser wünscht Ihnen Ihr Pappy, der Redaktionspapagey === Die Autor:innen: - Bastian Kienitz - David Telgin - Ella Carina Werner - Katrin Rauch - Christian Knieps - Andreas Prucker - CLASSIC: Carolin Wabra Die Sprecher:innen: - Verena Schmidt - Hannes

Den Originalbeitrag und mehr finden Sie bitte hier: https://lisa.gerda-henkel-stiftung.de/vhs_wissen_live_thomassteinfeld

Fluent Fiction - Italian: Mystery in the Park: The Case of the Missing Friend Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2025-09-04-22-34-02-it Story Transcript:It: Il sole autunnale illuminava i Giardini di Villa Borghese, tingendo le foglie con sfumature dorate.En: The autumn sun illuminated the Giardini di Villa Borghese, tinting the leaves with golden hues.It: Giulia camminava accanto a Marco ed Elena, godendosi il calore leggero e il profumo di foglie umide.En: Giulia walked alongside Marco and Elena, enjoying the light warmth and the scent of damp leaves.It: Avevano deciso di fare un picnic per sfuggire alla frenesia della città.En: They had decided to have a picnic to escape the hustle and bustle of the city.It: Seduti su una coperta a quadretti, il trio rideva e condivideva aneddoti delle loro vite.En: Seated on a checkered blanket, the trio laughed and shared anecdotes from their lives.It: Tuttavia, la serena atmosfera cambiò all'improvviso.En: However, the serene atmosphere changed suddenly.It: Marco, allontanatosi per prendere una birra dalla borsa frigo, non tornò più.En: Marco, having stepped away to get a beer from the cooler, did not return.It: "Ma dove è finito Marco?En: "But where has Marco gone?"It: ", Elena chiese con un tono di preoccupazione crescente.En: Elena asked with a tone of growing concern.It: Giulia, sempre attenta e analitica, decise di prendere in mano la situazione.En: Giulia, always attentive and analytical, decided to take matters into her own hands.It: "Controlliamo i dintorni, magari l'incontriamo per strada," suggerì.En: "Let's check the surroundings, maybe we'll meet him along the way," she suggested.It: Iniziò così un tour dettagliato dei sentieri ombreggiati dei giardini.En: Thus began a detailed tour of the shaded paths of the gardens.It: Giulia osservava ogni persona che passava, cercando di notare se qualcuno conoscesse Marco.En: Giulia observed every person passing by, trying to see if anyone knew Marco.It: Ma nessuno lo aveva visto.En: But no one had seen him.It: Giulia si chinò sul tappeto da picnic, quando il suo sguardo si soffermò su qualcosa di insolito.En: Giulia bent down on the picnic blanket when her gaze stopped on something unusual.It: Un telefono dimenticato giaceva nascosto sotto la coperta.En: A forgotten phone lay hidden under the blanket.It: Non era il suo né quello di Elena.En: It wasn't hers, nor Elena's.It: Lo accese e scoprì un messaggio strano: "Giochi finiti?En: She turned it on and discovered a strange message: "Game over?It: La statua del poeta ti attende."En: The poet's statue awaits you."It: Un indovinello, pensò Giulia.En: A riddle, Giulia thought.It: Doveva significare qualcosa.En: It had to mean something.It: "La statua del poeta," ripeté pensierosa.En: "The poet's statue," she repeated thoughtfully.It: La risposta era chiara: la famosa statua di Goethe, non lontano da lì.En: The answer was clear: the famous statue of Goethe, not far from there.It: Le due donne si precipitarono alla statua, ansiose di scoprire cosa le aspettava.En: The two women rushed to the statue, eager to discover what was awaiting them.It: Lì, allegramente appoggiato contro il piedistallo, c'era Marco, che rideva di gusto.En: There, happily leaning against the pedestal, was Marco, laughing heartily.It: "Era un gioco", spiegò lui ridendo, "un piccolo mistero per rendere la giornata più interessante."En: "It was a game," he explained, laughing, "a little mystery to make the day more interesting."It: Giulia sorrise, sentendo un'ondata di soddisfazione e sollievo.En: Giulia smiled, feeling a wave of satisfaction and relief.It: Aveva risolto il mistero, dimostrando a se stessa e agli amici che era davvero capace di affrontare le situazioni impreviste.En: She had solved the mystery, proving to herself and her friends that she was indeed capable of handling unexpected situations.It: Elena abbracciò Giulia, felice e rassicurata.En: Elena hugged Giulia, happy and reassured.It: Con una nuova fiducia acquisita, Giulia capì che in fondo, le sue capacità erano proprio come i colori autunnali: vibranti e pronte a risplendere, persino nei momenti di apparente oscurità.En: With newly gained confidence, Giulia realized that deep down, her abilities were just like the autumn colors: vibrant and ready to shine, even in moments of apparent darkness. Vocabulary Words:the poet: il poetathe atmosphere: l'atmosferathe mystery: il misterothe statue: la statuathe warmth: il calorethe scent: il profumothe dampness: l'umiditàthe riddle: l'indovinellothe pedestal: il piedistallothe satisfaction: la soddisfazionethe relief: il sollievothe capabilities: le capacitàthe blanket: la copertathe answer: la rispostathe game: il giocothe shadow: l'ombrathe hues: le sfumaturethe hustle: la frenesiathe tour: il tourthe surroundings: i dintornithe city: la cittàthe beer: la birrato lean: appoggiarsithe wave: l'ondatathe gardens: i giardinithe checkered: i quadrettiunexpected: imprevistothe path: il sentieroattentive: attentaanalytical: analitica

Michael and Ethan, along with special guests Maren Boucher and Benji Inniger, discuss The Tragical History of the Life and Death of Doctor Faustus, by Christopher Marlowe. Michael and Ethan are drinking Balvenie Doublewood 12yo single malt; Benji is drinking Oban Little Bay; Maren is drinking Lagavulin 11. What a mess.In this episode:Bethany Lutheran College Production of Doctor Faustus! (Director and assistant director = our guests!)FaustbuchFaustus: The Horror FilmPhilip Melancthon might have studied with Faust, an anecdote that's fun for maybe just the four people on this podcastFaustus: The Real Guy, or, why does he matter?Disappearing side characters (and disappearing main character???)Hell is a pyramid scheme, or, Faustus as lululemon rep, or, Cornelius and Valdez are DeadDid the devil appear on-stage, or is it Puritan propaganda?Doctor FauthtuthSympathy vs pityOrigins of the Shakespeare race, irrelevant to the episode but we're keeping itCheck out Benji's music and photography!Check out Benji's OST to Bethany's production of The Spiritual Tragedy of Doctor Faustus!Next time Michael and Ethan will discuss Goethe's Faust, Parts 1 and 2! Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Join us on GoodReads!Get on our Substack!Donate to our Patreon! MUSIC & SFX: “Fools that Will Laugh on Earth,” by Benji Inniger, from the Original Soundtrack to The Spiritual Tragedy of Doctor Faustus"Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.(Links to books & products are affiliate links.)

Olivia Pedroli: The Day Alicia Edelweiss: Walking the cow Stoppok: Im Wartesaal zum großen Glück Bernd Begemann: Du wirst Dich schämen für Deinen Ziegenbart Tocotronic: Es ist egal, aber Hans Platzgumer: Blindes Volk Die Wilde Jagd & Metropole Orkest: Kabura-ya Qntal: Ecce Gratum Helium Vola: Omnis Mundi Creatura Faun: The Golden Apples Estampie: Disse Mi

Frau Goethe liest (FGL)"Rath" von Volker Kutscher – Rezension(Hördauer ca. 10 Minuten)Gereon Rath hat uns Leser über 20 Jahre begeistert. Zwischenzeitlich sind die ersten der zehn Bände als Serie Babylon Berlin verfilmt worden. Am 30. August verleiht Radio Bremen dem Autor Volker Kutscher den Krimipreis für den Abschlussband Rath.Eine Rezension von Heike Stepprath.Sprecherin Heike StepprathHat Ihnen diese Rezension gefallen, mögen Sie vielleicht auch diese Sendung.Schnitt: Jupp Stepprath, Realisation: Uwe Kullnick Ich heiße Heike Stepprath und blogge unter Frau Goethe liest. Vor wenigen Jahren habe ich mich zum Studium von Public Relations entschlossen und das mit meiner Vorliebe zur Literatur verbunden. Mein Bücherregal ist mit Belletristik, Krimis, aber vor allem historischen Romanen gefüllt. Lesen ist bei mir eine Tagesroutine, die auch an stressigen Tagen unbedingt dazu gehört. Rund 120 Bücher lese ich jährlich und davon werden 80 rezensiert. Zum Austausch mit anderen Lesebegeisterten nutze ich liebend gerne Leserunden, Blogtouren, und Interviews. Artikel und Berichte über Veranstaltungen ergänzen das Thema rund ums Buch. Häufig habe ich Gelegenheit, Autoren zu treffen und mit ihnen Podcasts aufzunehmen.Wenn dir Rezensionen gefallen, hör doch mal hier hinein.  

Bernhard, Henry www.deutschlandfunkkultur.de, Fazit

Bernhard, Henry www.deutschlandfunk.de, Kultur heute

Seit 2017 ist der türkische Kulturförderer Osman Kavala inhaftiert, verurteilt zu lebenslanger Haft. Kavala wird von der türkischen Justiz ein Umsturzversuch im Zusammenhang mit den Gezi-Protesten 2013 vorgeworfen. Nun wird der Mäzen mit der Goethe-Medaille, dem offiziellen Ehrenzeichen Deutschlands ausgezeichnet. „Kavala war eine zentrale Figur für die außerparlamentarische Opposition“, erklärt Osman Okkan vom Kulturforum Türkei Europa. Auch in der Haft selbst sei Kavala weiter standhaft und engagiert, zum Beispiel kritisiere er die nachgiebige Haltung europäischer Staaten gegenüber dem türkischen Präsidenten Erdogan. Die Verleihung der Goethe-Medaille könnte dieser Kritik und der türkischen Opposition helfen, denn „das einzige, was Erdogan und seine Anhänger ernst nehmen, ist der Druck von außen“, so Osman Okkan im Gespräch mit SWR Kultur.

Then miracles will happen. Why?  If we know, what we are making wrong, only then we can change. This makes sense,… Mostly of all people think that they know themselves. Oscar Wild said I am by myself the greatest mystery… Actually, we don't even know our self…  And if we make mistakes then we blemish the other people…. In relationships, other people see us much better, than we see ourselves… Because we are blind by our mistakes, short longings, bad habits and …I had a girlfriend in Munich and I was living in Bremen (800km distance). On a beautiful day in Munich, I visited her. Before that, I recognize that mainly all Munich citizens had been in a bad mood, because of the Foehn wind (the Foehn is changing the people's moods when they live in such area). I arrived and she was nagging on me like crazy, I could not bear that and escaped to the English Garden… After some time I realized, she was the embodiment of my inner child, that was nagging like her… I came back to her, and without saying anything; she said, that she had been stroked from a cognition, that she was treating me badly because of her bad mood… The Sufis are saying, that the spouse is a reflection of ourselves; so all that we see on bad habits, mistakes that we have also somehow inside of us…. The Saint Krishnamurty said, you are the world, what you see that you are. or Goethe said, your own sins you find first on other…  And it is really magic, if we recognize in the right moment our mistake then the outcome will change…. Self-knowledge is the first step for improvement….My Video: Learn to criticize yourself! https://youtu.be/pLPlsI0df9wMy Audio: https://divinesuccess.net/wp-content/uploads/2021/Podcast.B/Learn-to-criticize-yourself.mp3

Lueb, Uwe www.deutschlandfunk.de, Kultur heute

Historical Fiction deadline alert! Only 5 days to submit to Chaucer, Goethe, Laramie & Hemingway Awards. Join our celebrated winners. Enter CIBAs now!

durée : 01:28:14 - En pistes ! du mardi 26 août 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le Quatuor Werther associe les œuvres de ces deux compositeurs allemands qui furent aussi de fervents lecteurs de Goethe. A retrouver également dans l'émission : un album composé d'airs de folie britanniques, et l'Art de la Fugue de Bach sur les instruments historiques que le cantor joua lui-même... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:14 - En pistes ! du mardi 26 août 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le Quatuor Werther associe les œuvres de ces deux compositeurs allemands qui furent aussi de fervents lecteurs de Goethe. A retrouver également dans l'émission : un album composé d'airs de folie britanniques, et l'Art de la Fugue de Bach sur les instruments historiques que le cantor joua lui-même... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Infamis: Nacht und Sound Fiona Daniel: Prolog Fiona Daniel: Dr Ewig Reisende SODL: I am a woman Filial: Sad girl with a punchline Lukas Oscar: Onions Magdalena Wawra: Orangenbäume Silberstreif: Ich suche dein Gesicht Rheingold: Dreiklangsdimensionen Peter Schilling: Die Wüste lebt D.A.F.: Der Räuber und der Prinz Grauzone: Eisbär Geier Sturzflug: Besuchen Sie Europa Extrabreit mit Hildegard Knef: Für mich soll's rote Rosen regnen Extrabreit mit Harald Juhnke: Nichts ist für immer

Professor Kozlowski tackles the preeminent philosopher of Enlightenment philosophy: Immanuel Kant. In this lecture, we'll discuss the basic principles underlying Deontological Ethics (including an explanation of the Categorical Imperative), before moving on to appreciate the wry dark humor and cutting insights of his political essay "Perpetual Peace."Our readings include excerpts from the Fundamental Principles of the Metaphysics of Morals (Or "Groundwork...") and the complete essay "Perpetual Peace."Additional readings this week include a healthy portion of sturm und drang: Goethe's Faust and Schiller's The Robbers, as well as the behemoth of Romantic Political Philosophy: Hegel's The Philosophy of Right. (Proceed with caution - Hegel is not for the faint of heart...) As for today's video game recommendation, we're going with the Gamecube-era JRPG: Tales of Symphonia for its unflinching deontological morality. Take that, Final Fantasy X!If you're interested in Professor Kozlowski's other online projects, check out his website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠professorkozlowski.wordpress.com

Institute of Love: O Superman Fiji: In every dream home a heartache Division Kent: Gravity /A: Grain sand and mud De/Vision: What you deserve Wolfsheim: Approaching lightspeed Paul van Dyk/Peter Heppner: Wir sind wir Polarkreis 18: Allein Allein Ascii.Disko: Aldimarkt Warren Suicide: The woman just stood there Yello: You gotta say yes to another excess Dieter Meier: Busy going nowhere Gudrun Gut: Garten Einstürzende Neubauten: The Garden

Beinahe wäre ihm das Bundesverdienstkreuz verliehen worden. Zusammen mit dem Schauspieler Thomas Rühmann hatte Tobias Morgenstern das „Theater am Rand“ in Zollbrücke im Oderbruch ins Leben gerufen; denn, so meint er: „Vom Rand sieht man besser“. Das Theater hat tatsächlich einen besonderen Blick ermöglicht. Das vermochte allein schon die Musik, die weit mehr ist als Instrumentalmusik, wie sie Goethe nicht mochte und als „halbes Ding“ angesehen hat. Morgensterns Musik ist vollständig. Sie ist aufgeladen mit dem Streben nach komplexer Schönheit. Sie ist ohne Worte, aber inhaltsschwer. Das zeigte sich schon am spektakulären Erfolg seiner Gruppe L'art de Passage mit dem Programm „Sehnsucht nach Veränderung“. Morgenstern berichtet, wieso es doch nicht zur Verleihung des Bundesverdienstkreuzes kam, und lässt uns von seiner Musik kosten, in der wir eine Grundstimmung vorfinden, die sich die gute Laune nicht verderben und sich die Träume nicht nehmen lässt. (Wiederholung vom 30. März 2025)

Thomas Kemple‘s new book is an extraordinarily thoughtful invitation to approach Max Weber (1864-1920) as a performer, and to experience Weber's work by attending to his spoken and written voice. Intellectual Work and the Spirit of Capitalism: Weber's Calling (Palgrave Macmillan, 2014) looks carefully at the literary structure and aesthetic elements of Weber's arguments, considering how the texts offer an “allegorical resource for thinking sociologically.” Kemple argues that the formal structure of Weber's ideas is inseparable from the content, and that understanding one is crucial for understanding the other. As a way into that formal structure, in each chapter Kemple offers an ingenious visual diagram that acts as a kind of “talking picture,” simultaneously evoking the cinematic elements of Weber's own work and giving readers another tool for engaging the performative aspects of it. Kemple's book is particularly attentive to the ways that Weber's performance is shaped by a close engagement with the work of other writers, musicians, and thinkers, from Goethe and Tolstoy to Machiavelli and Martin Luther, and from the Bhagavadgita to The Valkyries. In addition, Marianne Weber – Max's “wife, intellectual partner, and posthumous editor” – is an important presence throughout the book in helping us understand and read Weber's work anew. Kemple's thoughtful and beautifully written analysis helps us understand not just Weber's own work, but also the value of that work for attending to issues of our own present. Learn more about your ad choices. Visit megaphone.fm/adchoices

The conclusion of our two-parter on Erich Heller, and the conclusion to season five! We discuss Nietzsche's friendship with Jacob Burckhardt, and how Burckhardt's view of history can inform our understanding of Nietzsche's divergence from him. We also consider Goethe's four ages of intellectual culture, and Nietzsche's echo of Goethe in his history of European nihilism, and how he comes to differ from Goethe, Schopenhauer and all his influences in his proclamations about history, in which the Overman shall transcend the cyclical, unchanging stagnation of human history by changing the nature of man himself. Finally, we consider what the hazard of modern poetry means for us in the present day, what each figure's answer to this divorce between symbol & real means, whether they succeeded or not, and what we can learn from them.

Das Ich: Lazarus Inchtabokatables: Die Taube The Young Gods: Blackwater Geist: So viele wie Du Geist: Leider Megaherz: König der Dummen Eisbrecher: Verrückt Rammstein: Deutschland Oomph!: Europa Nasty Neighbors: Zombiealarm Fiddler's Green: Wall of folk Long Distance Calling: Curiosity Long Distance Calling: Sharing thoughts

Something happened to the human mind around the birth of modernity: the divorce of reality and the symbol. Once unified in eucharist, the symbolic and the real are now separate spheres of the human mind, and while it initially seemed that art and science might benefit by this separation, in the long run, both have ended up poorer thereby. In this episode, the two-part finale of season five, we will discuss Luther & Zwingli, and their dispute about the holy communion; Goethe & Schiller and their argument about the difference between the idea and the experience; and Goethe's avoidance of tragedy and what this says about the "hazard of modern poetry".

Scorpions: No one like you Accept: Princess of the dawn Kingdom Come: Stargazer Lucifer's Friend: Action Maggie's Madness: Starlight Blues Vanden Plan: The Rainmaker Uptide: Deny Warlock: I rule the ruins Blind Guardian: Secrets of the American gods Everon: Perfect Remedy Eloy: A broken frame

Like Beethoven, Arrigo Boito composed only one opera (Mefistofele), yet whose mystical allegory, musical power, and masterful lyricism continues to resonate with audiences worldwide. This clever yet profound opera also inspires, alarms, and, quite frequently, amuses. Based on medieval legends and Goethe's play Faust, this work depicts the famous and jaded scholar who makes a bet with the devil: to acquire occult knowledge and faculties at the cost of his soul, or to conquer temptation in the service of the sacred. If Faust can overcome passion, power, and desire, he can enter the divine mysteries and spiritual hierarchies where true peace, realization, and understanding is to be found. Surprisingly, all of this occurs under the auspices of the Transcendent, for without divinely-sanctioned temptation and adversity, there is no development, mastery, or faith, like Jehovah approving of Satan's afflictions upon Job to prove his candidacy to sainthood (Job 1:12). Or as described by Samael Aun Weor throughout his writings, “Temptation is fire. Triumph over temptation is light.” Discover how an initiate enters the secret path to liberation by facing the necessary forces of opposition and resistance—the mysterious and instructive tests of Lucifer (“the light-maker”)—so as to acquire profound self-knowledge and the wielding of esoteric powers with ethics, purity, and wisdom.

Am 31. Juli ist der Regisseur Robert Wilson im Alter von 83 Jahren gestorben. Berühmt wurde er mit aufsehenerregenden Opern- und Theateraufführungen. Wilson schätzte das Radio, es hatte großen Einfluss auf seine Theaterarbeiten. 2013 entstand dieses Hörspiel für den SWR. Die Montage besteht aus Texten, Geräuschen und Musiken. Lucretius steht neben Goethe, Hölderlin neben Gertrude Stein und Christopher Knowles neben Ludwig Wittgenstein. Motive von Leben, Tod und Vergänglichkeit ziehen sich durch. In Varianten und Repetitionen bestimmen sie das Werk. Hörspiel von Robert Wilson Mit: Lady Gaga, Isabelle Huppert, Isabella Rossellini, Angela Winkler, Christopher Knowles, Anna Graenzer, Jürgen Holtz, Robert Wilson u. a. Musik und Geräuschkomposition: Dom Bouffard, Adam Lenz Co-Regie: Tilman Hecker Konzeption und Regie: Robert Wilson Produktion: SWR/hr/ZKM und HfG Karlsruhe 2014

L'auteur compositeur interprète franco-syrien publie un récit de son parcours de vie, dédié à la poésie et à la musique. Abed Azrié nous raconte son parcours passionnant depuis la Syrie natale. Élevé par une mère qui « voyait la couleur et le printemps en tout, elle a planté en nous le verbe « aimer », Abed est très tôt fasciné par les instruments de musique. À huit ans, enfant de chœur, il voulait jouer de l'orgue à l'église, et chaque dimanche, courait les messes des différents rites, byzantine, catholique, orthodoxe, chaldéenne, syriaque, arménienne, latine et protestante. Son arrivée à Paris, en 1965 à l'âge de dix-neuf ans, marque le début de sa formation musicale. Il intègre l'école Martenot puis l'école normale de musique, apprend la langue en traduisant de la poésie française vers l'arabe, et devient un chanteur et compositeur incontournable, qui renouvelle la musique orientale. Son parcours est semé de rencontres incroyables qui ont illuminé son chemin, sa mère, ses sœurs, le père Balian, Maurice Martenot, Jean Picart le Doux, sa découverte des auteurs soufis et la mythologie mésopotamienne, sa rencontre avec Pierre Petit, Adonis, Nadia Boulanger, Ziryâb, Omar Khayyâm, Goethe, Gilgamesh, Sargon, Jeanine et Jacques Guipon... Abed Azrié nous ouvre les pages de son histoire, ses grands-parents et leur fuite à Alep en 1915 lors du génocide des Arméniens, mêlée à ce qui l'inspire : les musiques, les mythes et légendes mésopotamiennes, les religions monothéistes, leurs récits et leurs archétypes. « Une vie entière pour apprendre cette phrase de Gilgamesh : Se renouveler en permanence ». « Pour la musique, le chant, fidélité d'en deçà et de toujours, merci Abed Azrié. » - René Char « Abed Azrié est un merveilleux chanteur et auteur. » - Léonard Cohen Abed Azrié (né en 1946) est un compositeur et chanteur franco-syrien, traducteur et écrivain de langues française et arabe. Auteur d'une vingtaine d'albums, de plusieurs musiques de films et de différents livres, il a notamment traduit «L'Épopée de Gilgamesh» qu'il a mise en musique et chantée, ainsi que «L'Évangile selon Saint-Jean». Titres diffusés : La Parole, extrait de l'Évangile selon Saint-Jean (2009). L'œuvre est composée de 44 courtes scènes chantées. « Telles des miniatures, des fragments d'un rêve lointain et des épisodes successifs de vie transcrits en musique », écrit Abed Azrié dans le livret accompagnant ce coffret de deux CD. Le Souffle de la Brise, extrait de Mystic (2007). L'Amour Soufi est avant tout un chemin de connaissance ; il n'est pas simplement sentiment ou émotions, mais il est la chaleur d'un feu divin dont la lumière est la « Gnose » ; un feu dont l'étincelle brille au plus profond de l'âme humaine. La pensée des Soufis qui trouve Dieu dans toute chose, nous conduit à l'amour entre le divin et l'humain, mais également entre l'humain et l'humain. Elle nous conduit à l'unité des religions en une seule dite « religion de l'amour », selon l'expression d'Ibn Arabi, car chaque croyant adore son Dieu qui n'est en fin de compte que l'une des manifestations du Dieu Unique ; celui qui est proclamé dans toutes les prières depuis le commencement de la vie jusqu'à la fin des temps. Le mysticisme exprime la dimension spirituelle de la religion. - La Femme, extrait de «L'Épopée de Gilgamesh», version live.  - Croyance, extrait de «Chants d'amour et d'ivresse» (1999) - Entre Esperanza y Deseo, extrait de «Suerte» (1994) - Unvermeidlich (inévitable), extrait de «Hâfez et Goethe» (2013). YouTube.

L'auteur compositeur interprète franco-syrien publie un récit de son parcours de vie, dédié à la poésie et à la musique. Abed Azrié nous raconte son parcours passionnant depuis la Syrie natale. Élevé par une mère qui « voyait la couleur et le printemps en tout, elle a planté en nous le verbe « aimer », Abed est très tôt fasciné par les instruments de musique. À huit ans, enfant de chœur, il voulait jouer de l'orgue à l'église, et chaque dimanche, courait les messes des différents rites, byzantine, catholique, orthodoxe, chaldéenne, syriaque, arménienne, latine et protestante. Son arrivée à Paris, en 1965 à l'âge de dix-neuf ans, marque le début de sa formation musicale. Il intègre l'école Martenot puis l'école normale de musique, apprend la langue en traduisant de la poésie française vers l'arabe, et devient un chanteur et compositeur incontournable, qui renouvelle la musique orientale. Son parcours est semé de rencontres incroyables qui ont illuminé son chemin, sa mère, ses sœurs, le père Balian, Maurice Martenot, Jean Picart le Doux, sa découverte des auteurs soufis et la mythologie mésopotamienne, sa rencontre avec Pierre Petit, Adonis, Nadia Boulanger, Ziryâb, Omar Khayyâm, Goethe, Gilgamesh, Sargon, Jeanine et Jacques Guipon... Abed Azrié nous ouvre les pages de son histoire, ses grands-parents et leur fuite à Alep en 1915 lors du génocide des Arméniens, mêlée à ce qui l'inspire : les musiques, les mythes et légendes mésopotamiennes, les religions monothéistes, leurs récits et leurs archétypes. « Une vie entière pour apprendre cette phrase de Gilgamesh : Se renouveler en permanence ». « Pour la musique, le chant, fidélité d'en deçà et de toujours, merci Abed Azrié. » - René Char « Abed Azrié est un merveilleux chanteur et auteur. » - Léonard Cohen Abed Azrié (né en 1946) est un compositeur et chanteur franco-syrien, traducteur et écrivain de langues française et arabe. Auteur d'une vingtaine d'albums, de plusieurs musiques de films et de différents livres, il a notamment traduit «L'Épopée de Gilgamesh» qu'il a mise en musique et chantée, ainsi que «L'Évangile selon Saint-Jean». Titres diffusés : La Parole, extrait de l'Évangile selon Saint-Jean (2009). L'œuvre est composée de 44 courtes scènes chantées. « Telles des miniatures, des fragments d'un rêve lointain et des épisodes successifs de vie transcrits en musique », écrit Abed Azrié dans le livret accompagnant ce coffret de deux CD. Le Souffle de la Brise, extrait de Mystic (2007). L'Amour Soufi est avant tout un chemin de connaissance ; il n'est pas simplement sentiment ou émotions, mais il est la chaleur d'un feu divin dont la lumière est la « Gnose » ; un feu dont l'étincelle brille au plus profond de l'âme humaine. La pensée des Soufis qui trouve Dieu dans toute chose, nous conduit à l'amour entre le divin et l'humain, mais également entre l'humain et l'humain. Elle nous conduit à l'unité des religions en une seule dite « religion de l'amour », selon l'expression d'Ibn Arabi, car chaque croyant adore son Dieu qui n'est en fin de compte que l'une des manifestations du Dieu Unique ; celui qui est proclamé dans toutes les prières depuis le commencement de la vie jusqu'à la fin des temps. Le mysticisme exprime la dimension spirituelle de la religion. - La Femme, extrait de «L'Épopée de Gilgamesh», version live.  - Croyance, extrait de «Chants d'amour et d'ivresse» (1999) - Entre Esperanza y Deseo, extrait de «Suerte» (1994) - Unvermeidlich (inévitable), extrait de «Hâfez et Goethe» (2013). YouTube.

Today's story is based on the classic poem by Johann Wolfgang von Goethe, adapted and written for you by Daniel Hinds. You may also recognize the story from the old Disney movie Fantasia, where it was told with no words, just a Mickey Mouse animation and a musical score. Check out Stories RPG our new show where we play games like Starsworn with all your Max Goodname friends, and Gigacity Guardians featuring the brilliant firefly! https://link.chtbl.com/gigacity Draw us a picture of what you think any of the characters in this story look like, and then tag us in it on instagram @storiespodcast! We'd love to see your artwork and share it on our feed!! If you would like to support Stories Podcast, you can subscribe and give us a five star review on iTunes, check out our merch at storiespodcast.com/shop, follow us on Instagram @storiespodcast, or just tell your friends about us! Check out our new YouTube channel at youtube.com/storiespodcast. If you've ever wanted to read along with our stories, now you can! These read-along versions of our stories are great for early readers trying to improve their skills or even adults learning English for the first time. Check it out.

Reinhard Mey: Über den Wolken Infamis: Blinden Infamis: Endlich Steiner & Madlaina: Riot Alicia Edelweiss: Behind the gates Die Wände: Die ewige Baustelle Herbst in Peking: Welt der Wunder Peter Muffin Trio: Winter The Young Gods: Shine that drone Lucia Cifarelli: Valhalla In Extremo: Weckt die Toten (2024)

What does it mean to live the ideal life — and who gets to decide what “ideal” really means?In this episode, we explore wisdom from the Stoics and Goethe on how striving for purpose and meeting each moment fully might be closer to the answer than endless comfort. Take a moment to look the present in the eye and ask yourself: how long will you wait before you demand the best for yourself?

Allweiss, Marianne www.deutschlandfunkkultur.de, Studio 9

Future Zoo: I wanted you Jan Plewka: Bald sind wir zuhause Nina Hagen: I was born to preach the gospel AnnenMayKantereit: Zukunft Jupiter Jones: Melatonin Extrabreit: Komm nach Hagen Extrabreit: Immer wieder Extrabreit Reinhold Heil: Weg da, weg da Reinhold Heil: BRO M1SD1: Stadt Liebe Hass Frittenbude: Pandabär Fischmob: Triggerflanke KMFDM: WWIII (The one and only “extended” mix) Rammstein: Deutschland (Rmx)

This week's guest is Justin Goethe. Ron and Justin discussed why people struggle to get on board with lean, the role traditional consulting can play, why "A Plan for Every Part" is important, and more. An MP3 audio version of this episode is available for download here. In this episode you'll learn:  The quote Justin likes (2:57) Why we're hesitant to take action (4:02) Justin's background (5:16) Who Justin would train first (12:13) Getting the finance community on board (14:10) Why people struggle with lean (17:03) The role a consultant can play (18:11) Justin's advice for where to start (23:42) Why "A Plan for Every Part" is important (25:38) Podcast Resources Right Click to Download this Podcast as an MP3 Justin on LinkedIn Allied Logistics Get All the Latest News from Gemba Academy Our newsletter is a great way to receive updates on new courses, blog posts, and more. Sign up here. What Do You Think? How do you get people on board with lean?

Barbara Piatti ist Literaturgeografin und beschäftigt sich mit dem Verhältnis zwischen Landschaft und Literatur. Also mit der Frage, wo welche Literatur spielt und warum. Im Talk zur Sommerserie «Höhenfieber» redet sie über die Literatur in den Bergen. Namentlich über die in der Zentralschweiz. Denn im alpinen Raum der Zentralschweiz, also im Bergland zwischen dem Vierwaldstättersee und der Gotthard-Passhöhe, steckt ganz besonders viel Literatur. Natürlich Schillers Tell aber auch Texte von Goethe und Werke von Meinrad Inglin, August Strindberg, Mark Twain, Christina Viragh und vielen anderen. Im Gespräch mich Michael Luisier erzählt die Autorin und Literaturgeografin Barbara Piatti von den grossen Geschichten der Zentralschweiz und von der immer noch unbekannten Forschungsdisziplin Literaturgeografie. Erwähntes Buch: Barbara Piatti. Es lächelt der See. Literarische Wanderungen in der Zentralschweiz. 450 Seiten. Rotpunktverlag.

13 You, my brothers and sisters, were called to be free. But do not use your freedom to indulge the flesh; rather, serve one another humbly in love. 14 For the entire law is fulfilled in keeping this one command: “Love your neighbor as yourself.” k 15 If you bite and devour each other, watch out or you will be destroyed by each other. 16 So I say, walk by the Spirit, and you will not gratify the desires of the flesh. 17 For the flesh desires what is contrary to the Spirit, and the Spirit what is contrary to the flesh. They are in conflict with each other, so that you are not to do whatever you want. 18 But if you are led by the Spirit, you are not under the law. 19 The acts of the flesh are obvious: sexual immorality, impurity and debauchery; 20 idolatry and witchcraft; hatred, discord, jealousy, fits of rage, selfish ambition, dissensions, factions 21 and envy; drunkenness, orgies, and the like. I warn you, as I did before, that those who live like this will not inherit the kingdom of God. 22 But the fruit of the Spirit is love, joy, peace, forbearance, kindness, goodness, faithfulness, 23 gentleness and self-control. Against such things there is no law. 24 Those who belong to Christ Jesus have crucified the flesh with its passions and desires. 25 Since we live by the Spirit, let us keep in step with the Spirit. 26 Let us not become conceited, provoking and envying each other.” Galatians 5:13–26Explain the concept of Legalism and License and how they both lead to slavery… The Flesh leans toward both legalism and license1. If you are led by the Spirit, you are not under the Law16 So I say, walk by the Spirit, and you will not gratify the desires of the flesh. 17 For the flesh desires what is contrary to the Spirit, and the Spirit what is contrary to the flesh. They are in conflict with each other, so that you are not to do whatever you want. 18 But if you are led by the Spirit, you are not under the law. Galatians 5:17-18Legalism: When God impresses on you for your spiritual growth and you insist it upon everyone else.2. Feed the Spirit to defeat the flesh.Acts of the Flesh: Fruit of the Spirit verses doing and being…19 The acts of the flesh are obvious: sexual immorality, impurity and debauchery; 20 idolatry and witchcraft; hatred, discord, jealousy, fits of rage, selfish ambition, dissensions, factions 21 and envy; drunkenness, orgies, and the like. I warn you, as I did before, that those who live like this will not inherit the kingdom of God.  Galatians 5:19-2122 But the fruit of the Spirit is love, joy, peace, forbearance, kindness, goodness, faithfulness, 23 gentleness and self-control. Against such things there is no law. Galatians 5:22-23When you serve people it feeds the SpiritReading the Bible feeds the SpiritBeing in community with Christian brothers and sisters can feed the spiritWorship (Private and Public) feeds the SpiritDeveloping the habit of prayer feeds the SpiritObedience feeds the SpiritWhen you are full of the Holy Spirit, you begin to exude these qualities: Love, joy, peace. patience ectThe Concept of taking off your grave clothes… Lazarus comes out of the tomb. Most people try and put church clothes over their grave clothes.The Bible speaks multiple times about “Putting on Christ”The Fruit of the Spirit: this series, we will journey together to help take off our graveclothes and pursue the Fruit…The Fruit of the Spirit… they are the barometer, the thermometer of your walk with GodTRUE FREEDOM: Fish out of water is free…. But it will die. The rules of nature are good for the fish…3. You can't have the Spirit unless you're born again (Gospel turn)“None are more hopelessly enslaved than those who falsely believe they are free.” Johann Wolfgang von Goethe, German poet and dramatist (1749-1832)

T.Raumhouse: Samstag Nacht Laserkraft 3-D: Nein Mann 3Phase feat. Dr. Motte: Der Klang der Familie Lützenkirchen: 3 Tage wach Tomcraft: Broadsword calling Danny Boy Monika Kruse meets Pig & Dan: Boogie Man Ellen Allien: Traum Monolink: Return to Oz Haldolium: Eine kleine Frühlingssymphonie Paul Kalkbrenner: Altes Kamuffel Ascii.Disko: Hour of 13

You can send me a text if you have a comment or questionTalleyrand represents a strand of the ancient regime, the old nobility that thrives and leads, right through the monstrosity and glory of Empire and the Reaction that follows.  Goethe is the literary Talleyrand, the carefully controlled spark of Romanticism, that could be said to spring into flame when Germany is born.Talleyrand's career spans the Ancien Regime, Revolution and the Empire and the Restoration and the July Monarchy that follows.  This episode follows Roberto Calasso's Talleyrand, and his Goethe too, using various sources for the Congress of Erfurt.Talleyrand will betray Napoleon, but did he betray France?Viola, un homme!  Is it just kitsch?

Ich brauche Urlaub, und ich bekomme auch Urlaub. Wie schön!

The Beat Kings: Summer in the city The Beat Kings: A whiter shade of pale The Lords: Shakin' all over Petula Clark: Downtown (German) Johnny Cash: In Virginia Elvis Presley: Wooden Heart (German) Falco: Der Kommissar Truck Stop: Ich möcht' so gern Dave Dudley hör'n Blue Manner Haze: Body Jam Rammstein: Radio

Tired Eyes Kingdom: Edge mind.in.a.box: It's so good to see you again In Strict Confidence: Erde Ade Peter Schilling: Major Tom Isabelle Pabst: Als die Stille aus der Zeit fiel Mila Mar: Grace Mila Mar: Thrud Qntal: Ecce Gratum Swandive: Exit 101 Rotoskop meet dazerdoreal: NMI/Res Abay: In transit Robot Koch and Delhi De France: California Dreamin' Kante: Im ersten Licht

Jane: Redskin Novalis: Wer Schmetterlinge lachen hört La Düsseldorf: Rheinita Harmonia: Walky Talky Deuter: Soham Puhdys: Steige nicht auf einen Baum Die Skalden: Ein ferner Punkt Gruppe WIR: Eisberg City: Der Tätowierte

ADV - Prova Veggy Goods! ⁠⁠⁠⁠https://veggygood.sancarlo.com/⁠⁠⁠⁠ ADV - Dona il 5x1000 al WWF: 80078430586 Torniamo nel 1700 per conoscere Alessandro Conte di Cagliostro, una figura mistica e misteriosa. Un nobile, un mago, un massone, un medium e un medico, grande amico del Cardinale di Rohan - un'amicizia che aiuterà Cagliostro ad accumulare prestigio, ma anche un'amicizia, che, alla fine, lo annienterà. Faremo il possibile per scoprire la vera identità di questo personaggio avvolto dal mistero e soprattutto per scoprire anche cos'hanno in comune Fabrizio Corona e Johann Wolfgang von Goethe. ------ ⁠⁠⁠⁠⁠ https://www.instagram.com/vitescomode.podcast/⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Naked Lunch: To all and everyone I love Balbina: Infinity tune The Interlaken: Roter Mond Drangsal: Die satanischen Fersen Kraftclub: Schief in jedem Chor Kalipo: Alles Nina Hagen: Personal Jesus Nina Hagen: All you fascists bound to lose Ideal: Blaue Augen Beatsteaks: Hello Joe Donots: Wake the dogs Fiddler's Green: No Anthem Betontod: Zusammen Benzin: Chor der Kaputten Jupiter Jones: Hey! Menetekel Sondaschule: Costa liebt dich Leichtmatrose: Dalai Lama

In dieser Episode greife ich zurück auf Episode 509 und mache ein Update, was sich im Garten so entwickelt hat. Spoiler: alles gut!

Join Elton as he stumbles through the lives of two women; one real, one fake. This time around Elton's irreverence locks onto "The Invisible Life of Addie LaRue", a book all about cutting deals with the devil, living forever, and learning that, when cutting a deal with Satan, it's all about the details. On his hilarious journey, Elton discovers the nature of how others affect your identity, and what a Faustian bargain is all about. Come along,...and stop all that "smirkstibating.""France, 1714: in a moment of desperation, a young woman makes a Faustian bargain to live forever―and is cursed to be forgotten by everyone she meets.Thus begins the extraordinary life of Addie LaRue, and a dazzling adventure that will play out across centuries and continents, across history and art, as a young woman learns how far she will go to leave her mark on the world.But everything changes when, after nearly 300 years, Addie stumbles across a young man in a hidden bookstore and he remembers her name."GET THE BOOK: The Invisible Life of Addie LaRue by V.E SchwabElton Reads A Book A Week Patreon⁠⁠⁠⁠⁠⁠Tips!⁠⁠⁠⁠⁠⁠SOCIAL MEDIA!⁠⁠⁠ ⁠⁠This is the LINK TREE!⁠EMAIL: eltonreadsabookaweek@gmail.comThe following section is reserved for the people, places, things, and more that Elton probably offended in this episode--THE APOLOGIES SECTION: Satan, God, fanatical Christians, Rodney Mullen, Tony Hawk, skateboarders from the "Golden Age", and psychologists, and Goethe.A special thanks to Diedrich Bader and Jenna Fischer for all their inspiration.[Addie LaRue, V.E. Schwab, invisible life, forgotten curse, immortal woman, dark fantasy romance, contemporary fantasy, book review comedy, YA fantasy, adult fantasy crossover, Faustian bargain, deal with devil, supernatural contracts, cursed deals, immortality curse, dark magic, price of wishes, soul selling, supernatural consequences, devil's bargain, looking glass self, social identity, self perception, identity crisis, how others see us, social psychology, Charles Horton Cooley, invisible identity, forgotten existence, social reflection theory, book comedy podcast, funny book review, literary humor, book roast, comedy book club, sarcastic book review, witty literary analysis, humorous fantasy review, book parody, literary comedy, fantasy podcast, book podcast, solo podcast, literary podcast, bookish humor, reading comedy, book discussion, fantasy book review, romance fantasy, dark academia adjacent, book recommendations, fantasy book lovers, bookstagram, booktok, book community, reading humor, literary memes, book obsessed]

Comedy writer Mike Drucker (Fallon, Samantha Bee, SNL) is here to talk about his memoir Good Game, No Rematch: A Life Made of Video Games. The thing is, while it's his debut memoir it's not the first book he's written. We dig into his scholastically nerdy past, his love of video games, his ill-fated Mario-themed wedding, Goethe, Silent Hill 2, working at Nintendo, working at SNL, his dad's painting of Captain Jack Sparrow and so much more. Plus we did a round of Just Me Or Everyone and Podcast Pals Product Picks. Get yourself some new ARIYNBF merch here: https://alison-rosen-shop.fourthwall.com/ Subscribe to my Substack: http://alisonrosen.substack.com Podcast Palz Product Picks: https://www.amazon.com/shop/alisonrosen/list/2CS1QRYTRP6ER?ref_=cm_sw_r_cp_ud_aipsflist_aipsfalisonrosen_0K0AJFYP84PF1Z61QW2H Products I Use/Recommend/Love: http://amazon.com/shop/alisonrosen Check us out on Patreon: http://patreon.com/alisonrosen   Buy Alison's Fifth Anniversary Edition Book (with new material): Tropical Attire Encouraged (and Other Phrases That Scare Me) https://amzn.to/2JuOqcd You probably need to buy the HGFY ringtone! https://www.alisonrosen.com/store/ Try Amazon Prime Free 30 Day Trial

John J. Miller is joined by Peter Meilaender of Houghton University to discuss 'The Sorrows of Young Werther' by Goethe.