Podcasts about goethe

Adriaan en Simon bespreken: een roman schrijven is heilzaam / de nachtredacteur / NAVO-top / beschaving begint achter de IJssel / doe in het openbaar een masker van beschaving op / (echt niet) ongefilterd / Akwasi / gedichten bidden / het lied van Amsterdam / Anak Indië / stemmen uit Gaza / propjes oprapen / post van onze luisteraars / interview met Alfred Schaffer Schrijvers van dienst: Dorien Pessers / Milan Kundera / Philip Roth / Plato / Akwasi / Anton de Kom / Amer Almassri / Alfred Schaffer Download het essay Big Mother van Dorien Pessers hier: 201506291653.pdf Brieven aan Anton de Kom is hier te bestellen: https://boekenwereld.com/akwasi-brieven-aan-anton-de-kom-9789026366086 De man die achteromkeek van Amer Almassri is hier te bestellen: https://boekenwereld.com/amer-almassri-de-man-die-achteromkeek-9789493397125 Goethe in Dachau van Nico Rost is nog beperkt te verkrijgen bij uitgeverij Schokland: http://www.uitgeverijschokland.nl/bestellen/?bid=251 Zo heb ik u lief, alle gedichten tot nu toe van Alfred Schaffer is hier te bestellen: https://boekenwereld.com/alfred-schaffer-zo-heb-ik-u-lief-9789403141213 De gedichten van deze aflevering: Leven van Nazim Hikmet / Hoop van Czesław Miłosz / Dennis the Menace van Ashwin Arendse / The Sink Toilet en The Immaculate Toilet van Musawenkosi Khanyile Je kunt de boeken van Adriaan natuurlijk in de boekwinkel bestellen, maar veel van zijn boeken zijn ook als audioboek te beluisteren, ingesproken door Adriaan zelf. Neem nou bijvoorbeeld Naar zachtheid en een warm omhelzen bij Spotify: https://open.spotify.com/show/5dfcEIZk7KS2J123DerKuO?si=fB8nFoHGQKmqOTPRHlH5sg Voor een toelichting over de auteursbijeenkomst: Auteurs én uitgeverijen zijn boos over eigenaar KKR wegens banden met Israël. ‘We zijn medeplichtig gemaakt’ - NRC Volg het Instagram-account van de podcast: @vandis.ongefilterd Wil je een vraag stellen of reageren? Mail het aan: vandis@atlascontact.nl Van Dis Ongefilterd wordt gemaakt door Adriaan van Dis, Simon Dikker Hupkes en Bart Jeroen Kiers. Montage door Sten Govers van Thinium Audioboekproducties. Bedankt voor uw recensie. © 2025 Atlas Contact | Adriaan van DisSee omnystudio.com/listener for privacy information.

Vendre's l'ànima al diable ni que sigui ànima de titella. Crítica teatral de l'obra «Faustus in Africa!». Basat en «Faust», de Goethe. Text addicional: Lesego Rampolokeng. Animacions: William Kentridge. Música: James Phillips i Warrick Sony. Intèrprets: Eben Genis, Atandwa Kani, Mongi Mthombeni, Wessel Pretorius, Asanda Rilityana, Buhle Stefane, Jennifer Steyn. Disseny: Adrian Kohler i William Kentridge. Construcció de titelles: Adrian Kohler i Tau Qwelane. Vestits de titelles: Hazel Maree, Hiltrud von Seidlitz i Phyllis Midlane. Efectes especials: Simon Dunckley. Disseny de l'escenari: Adrian Kohler. Construcció de l'escenari: Dean Pitman per a Ukululama Projects. Pintura i decoració de l'escenari: Nadine Minnaar per a Scene Visual Productions. Traducció: Robert David Macdonald. Disseny de so: Simon Kohler. Disseny de llums i gestió de producció: Wesley France. Regidor i operador de vídeo: Thunyelwa Rachwene. Responsable tècnic: Lucile Quinton. Enginyer de so: Tebogo Laaka. Controlador de vídeo: Kim Gunning. Productors de Quaternaire: Sarah Ford, Roxani Kamperou, Emmanuelle Taccard. Representació: Faust I i II. The Estate of Robert David Macdonald. Agent de copyright: Alan Brodie. Coproducció 2025 amb el Théâtre de la Ville / Festival d'Automne de París. Coproductors: The Baxter Theatre Centre a la Universitat de Cape Town, Centre d'art Battat de Montreal, Cité Européenne du théâtre de Montpeller, Fondazione Campania des Festival de Nàpols. Festival de Barcelona Grec 2025, Kunstenfestivaldesarts de Brussel·les i Thalia Theater d'Hamburg. La versió del 1995 va ser produïda per Handspring Puppet Company en associació amb The Market Theatre, Art Bureau de Múnic, Kunsfest de Weimar, Standard Bank National Arts Festival, The Foundation for the Creative Arts, Sharp Elecgronics i Mannie Manim Productions. Director associat: Lara Foot. Directors de titelles: Adrian Kohler i Basil Jones (Handspring Puppet Company). Director de rehearsal i director associat de titelles: Enrico Dau Yang Wey. Director: William Kentridge. Handspring Puppet Company. Festival Grec 2025. Sala Fabià Puigserver, Teatre Lliure Montjuïc. Del 27 al 28 de juny 2025. Veu: Andreu Sotorra. Música: Tonight. Interpretació: James Phillips. Composició: James Phillips. Àlbum: Tonight, 2021.

In this conversation with Terry Pinkard, I discuss Hegel's famous Phenomenology of Spirit. Terry recently published a brilliant introductory guide to this famously difficult book [Hegel's Phenomenology of Spirit: A Guide (2023)] which we use as our jumping off point. We discuss the origin of Hegel's book against the backdrop of its turbulent historical moment - the aftermath of the French Revolution and Napoleon's decisive victory at the Battle of Jena. At Jena Hegel too was writing alongside figures like Hölderlin, Schelling, Goethe, and Schiller. Terry clarifies common misreadings of Hegel, particularly the idea of Geist [spirit] as some kind of cosmic spirit or divine substance, emphasizing instead how Hegel understands his notion of Geist as something very concrete and social. Geist is the collective activity of reason unfolding in history. We also discuss Hegel's engagement with the scientific thought of his time, including the influence of Newton and Leibniz, and how their debates about force shaped his philosophy. The conversation traces key stages in the Phenomenology, from sense-certainty to understanding, and examines Hegel's distinctive view of freedom - not as mere individual choice, but as embedded in institutional and social practices. Finally, we consider what Terry might ask Hegel himself if given the chance. Prof. Terry Pinkard is a leading American philosopher and Hegel scholar, known for his influential work on German Idealism, phenomenology, and social philosophy. A professor at Georgetown University, he has written the definitive biography of Hegel (Hegel: A Biography 2000) and key interpretive works like Hegel's Phenomenology: The Sociality of Reason (1994) and Hegel's Naturalism (2011).  If you would like to study with me you can find more information about our online education MAs in Philosophy here at Staffordshire University. You can find out more information on our MA in Continental Philosophy via this link. Or, join our MA in Philosophy of Nature, Information and Technology via this link. Find out more about me here.  September intakes F/T or January intakes P/T. You can listen to more free back content from the Thales' Well podcast on TuneIn Radio, Player Fm, Stitcher and Pod Bean. You can also download their apps to your smart phone and listen via there. You can also subscribe for free on iTunes. Please leave a nice review.

Hinweis: Aufgrund unzureichender Tonqualität in der ursprünglichen Aufnahme wurde dieser Beitrag neu eingespielt. Joseph Goebbels – von dem Historiker Joachim C. Fest als „das Gehirn der Manipulation der Seelen“ und als „eine der wenigen echten Potenzen im Führungsapparat der Bewegung“ charakterisiert – zählt zu den zentralen Figuren des Nationalsozialismus. Doch hinter der öffentlichen Rolle als Propagandaminister verbarg sich ein innerlich zerrissener Mensch: ein gescheiterter Künstler, geplagt von körperlicher Behinderung, tiefem Selbstzweifel und der rastlosen Suche nach Identität und Anerkennung. Geboren im Rheinland als Sohn einer streng katholischen Arbeiterfamilie, durchlebte Goebbels eine Jugend voller Spannungen zwischen religiöser Prägung und intellektuellem Ehrgeiz. Die nationalsozialistische Bewegung, die ihn zunächst als körperlich wie geistig ungeeignet abtat, erschien ihm schließlich als Ort der Erlösung – ein verhängnisvoller Irrglaube, der sein Leben und das Millionen anderer zerstören sollte. Sein literarisches Projekt „Michael. Ein deutsches Schicksal in Tagebuchblättern“, 1929 im Franz-Eher-Verlag erschienen, sollte der Welt seine künstlerische Berufung beweisen. Goebbels verstand das Werk als Ausdruck innerer Hingabe – ein „Denkmal deutscher Inbrunst“, wie er es selbst formulierte. Doch in Wahrheit offenbart der autobiografisch gefärbte Roman vor allem eines: das Weltbild eines Mannes, der sich und andere der Ideologie opfert, die ihm Halt zu geben scheint. In seinem Tagebuch notierte Goebbels im Februar 1924 mit Pathos: „Mein Roman in Tagebuchblättern bekommt Linie und Farben. Blut strömt hinein; es ist ein Augenblick der schöpferischen Geburt in mir. Dostojewski fungiert als Geburtshelfer. Goethe [hält] mit seinem ‚Werther‘ formale Patenschaft.“ Doch trotz solcher literarischer Anleihen bleibt der Zweifel allgegenwärtig: „Die ersten Seiten sind die schwierigsten. Man muß den Ton finden, den Duft, den Hauch: den Stil.“ Und am Ende des Schreibprozesses steht eine resignative Bilanz: „Ich bin wohl zufrieden mit dieser Geschichte. Aber doch bin ich froh, daß ich sie hinter mich gebracht habe. Ich werde nie zu Frieden kommen!“ So zeigt sich in „Michael“ nicht nur der Wunsch eines Mannes, sich als Künstler zu verwirklichen, sondern auch der innere Abgrund, aus dem seine radikale Weltanschauung erwächst.

Wolfgang Goethe: biografia, caratteristiche del suo pensiero e delle sue opere più importanti: I dolori del giovane Werther e il Faust.

Post Face, émission littéraire présentée par Caroline Gutmann qui reçoit Frédéric Vitoux pour son roman « La mort du procureur impérial » chez Grasset. Et les coups de cœur de Barbara Lambert pour les livres « La méridienne » de Marghanita Laski aux éditions de L'Olivier et « La bibliothèque des auteurs disparus » de Hika Karada aux éditions Nami. À propos du livre : « La mort du procureur impérial  » paru aux éditions Grasset Un ancien Procureur impérial, Fualdès, est assassiné dans la nuit du 19 au 20 mars 1817 : c'est le début de « l'affaire Fualdès », fait-divers retentissant du début du XIXème siècle qui donna lieu à deux procès retentissants (Rodez et Albi), une instruction bâclée, des témoins manipulés… et la décapitation de trois innocents. Clarisse Manzon, accusatrice incohérente et séductrice virevoltante, devient vite la seule héroïne de cette ténébreuse affaire. Incarcérée un temps, elle signe de sa prison des Mémoires, un phénoménal succès de librairie en Europe. Mais son véritable auteur est un certain Henri de Latouche, écrivain, dramaturge, journaliste : c'est lui qui rend compte des délibérations du procès, médiatise un crime dont le souvenir se perpétue d'un siècle à l'autre, tient la plume du livre signé Clarisse Manzon et fait d'elle, qui n'a cessé de mentir, un personnage de roman vrai, la rendant riche et célèbre avant qu'ils ne se brouillent. Devenu critique et éditeur, Henri de Latouche jouera un rôle déterminant dans l'aventure romantique : il découvre et publie les manuscrits de Chénier, aide aux débuts de Balzac, noue avec Stendhal une profonde amitié, encourage Sand, bataille avec Hugo et Sainte-Beuve, traduit ou publie Goethe et Schiller, souffle Chatterton à Vigny, Séraphita à Balzac et Melle de Maupin à Gautier… À travers le récit minutieux et l'élucidation probable d'un « cold case », Frédéric Vitoux revisite l'aventure du romantisme et réhabilite une figure oubliée de l'histoire littéraire. Biographie de l'auteur Frédéric Vitoux est écrivain, critique littéraire, membre de l'Académie française. Son œuvre, forte d'une quarantaine d'ouvrages, comprend essentiellement des biographies (Céline) et des romans. Ses derniers titres publiés chez Grasset : Longtemps, j'ai donné raison à Ginger Rogers (2020), L'ours et le philosophe (2022), L'assiette du chat (2023).

 When I moved to Asia, I learned again and again that Asian people hate Criticism.And this is so dam wrong, even it is part of the Hindu and Buddhist Scripture!We should not tell the Truth if it hurts..(Hindu and Buddhist Scripture)???To the same time, we should reduce our EGO without getting any Criticism…??I never could understand this!!!And the Bible tells us that we can get better only through Criticism…Jesus said everything that you take in (Criticism) can't poison you! Only what you give out (insults) can poison you.One honest word (regardless if it hurts) is better than 1000 flatter words! BibleFor sure I hate the Bible and love the Srimad Bhagavatam and the I-Ging. In ancient time lived a king who wanted to be dressed at best… And after some time some cheaters introduced him to wear their special cloth… All the people in the palace said how handsome the King looks with his new cloth. … And then some Kids were coming to the great emperor and asked: Why the king doesn't wear any cloth… And so is this with all of our blind spots that we can't see because we are blinded by our own mistakes. We should embrace everybody who criticizes us… We should build our enemy a throne because through him we will learn the best… Sufi Wisdom.When somebody is abusing us, then it might be a projection of himself or some information that can improve our life. How can his abusing harm us?If the abusing hurt us, then there must be a reason for that…Maybe we want to hide something? Maybe the guy is speaking out what we think from ourselves or our parents have said that already to us….We are the world… everything that we see/hear is already in us. Our brain is comparing the stuff from outside to the information that is inside already.Only our Ego can be hurt because we want to be something and not to be… That is crucial to understand… we like to blemish other people for our suffering. You can say nearly everything to me, and I don't care… Because I know already that I am ALSO a bad guy, an asswhxxx …If somebody is saying for instance to me: You are a Nazi. I think I am ALSO a Nazi… And if you think that you are only a Nazi…You are totally wrong!!!The Idea is, we are the world, and we can see/hear only that what is already inside of us. First, we see our own sins by others … Goethe Through an insult or through our negative thoughts about another guy we can discover our own faults. What is wrong with that?We can even learn about our blind spots when we abuse somebody! My Video: Why should we embrace Criticism? https://youtu.be/UkUmZMdCBFkMy Audio: https://divinesuccess.net/wp-content/uploads/2021/Podcast.B/Why-should-we-embrace-Criticism.mp3

Jane: Redskin Novalis: Wer Schmetterlinge lachen hört La Düsseldorf: Rheinita Harmonia: Walky Talky Deuter: Soham Puhdys: Steige nicht auf einen Baum Die Skalden: Ein ferner Punkt Gruppe WIR: Eisberg City: Der Tätowierte

Tonino Benacquista, écrivain, nouvelliste, scénariste, dramaturge, dont l'univers glisse du roman noir au roman blanc, de l'écrit à l'image, est l'auteur d'une œuvre importante, populaire et exigeante. À l'image de son nouveau roman «Tiré de faits irréels» qui, à travers la satire du milieu littéraire français, fait le portrait d'un éditeur et lecteur passionné en bout de course qui pourtant n'a pas dit son dernier mot.  « Mon banquier avoue volontiers qu'il ne lit pas quand je lui offre les dernières parutions de ma maison d'édition, non pour m'attirer ses bonnes grâces, encore moins son admiration, réservée aux seuls patrons du CAC 40, mais pour lui fournir de temps à autre une preuve matérielle de mon activité. Le livre n'étant pour lui ni un outil d'émancipation, ni même un objet récréatif, je veille à ne jamais employer le mot «littérature» de peur de provoquer l'ennui ou la gêne d'un individu s'étant construit contre celle-ci, qui n'engendre ni profit ni épargne, du moins dans le sens où il l'entend. À ses chiffres je n'ai pas su imposer mes lettres. Que n'ai-je suivi naguère un stage de gestion au lieu de lire Goethe ! Soulagé de s'être débarrassé d'un insolvable, il a tenu à me raccompagner jusqu'au seuil de sa banque. » Après quarante ans de bons et loyaux services rendus à la littérature, « Bertrand Dumas Éditeur » a fait faillite. Mais Bertrand, son fondateur, refuse cette fatalité. Il lui reste une dernière nuit pour trouver une solution miracle. Lui qui a tant cru au pouvoir du romanesque rêverait que le romanesque vienne maintenant à son secours. Il va être entendu au-delà de ses espérances. (Présentation des éditions Gallimard). Illustration musicale : Les Rolling Stones You can't always get what you want.

Was zählt im Leben? Worauf kommt es wirklich an. Auf diesezentrale Sinnfrage antwortet der Barock-Dichter Friedrich von Logau mit einer lyrischen Spielerei rund um den Buchstaben „G“ – ein Sinngedicht mit Tiefe und Augenzwinkern. Dazu stellen die Lyrik-Podcast-Gastgeber Susanne Garsoffky und Friedemann Magaard das Gedicht „Beherzigung“ von Goethe, eine Reihung kluger Fragezeichen, ganz im Sinne aufklärerischer Unruhe. Die Antworten lassen sich offenbar nicht mehr kollektiv finden, sie müssen je selbst errungen sein. Dazu gibt es Bibelverse aus den Psalmen.

ADV - Prova Veggy Goods! ⁠⁠⁠⁠https://veggygood.sancarlo.com/⁠⁠⁠⁠ ADV - Dona il 5x1000 al WWF: 80078430586 Torniamo nel 1700 per conoscere Alessandro Conte di Cagliostro, una figura mistica e misteriosa. Un nobile, un mago, un massone, un medium e un medico, grande amico del Cardinale di Rohan - un'amicizia che aiuterà Cagliostro ad accumulare prestigio, ma anche un'amicizia, che, alla fine, lo annienterà. Faremo il possibile per scoprire la vera identità di questo personaggio avvolto dal mistero e soprattutto per scoprire anche cos'hanno in comune Fabrizio Corona e Johann Wolfgang von Goethe. ------ ⁠⁠⁠⁠⁠ https://www.instagram.com/vitescomode.podcast/⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

"Man verehrt Goethe, aber er ähnelt dem Soldatenkönig. Man bewundert das Schöne, aber es ist die Nacktheit, man ist für Sauberkeit, aber sie ist steril, der Mythos, den man verehrt, ist Kolportage, das Gemüt im Heim liegt auf Plüsch" (Heinrich Mann). Aus der Literatur ist er nichtwegzudenken, der Kleinbürger. Doch ist seine Geschichte rühmlich? Von Anja Kempe. RIAS Berlin 1989 neu 2025 Regie Anja Kempe — Feature

Am 17. Juni 1811 erteilte Johann Wolfgang von Goethe die Druckgenehmigung für den ersten Band seiner Schrift "Aus meinem Leben. Dichtung und Wahrheit", einer etwas anderen Autobiographie.

(00:50) «La Traviata» von Giuseppe Verdi ist eine der beliebtesten Opern überhaupt. Im Grand Théâtre in Genf steht sie jetzt wieder auf dem Spielplan - in einer aktualisierten Fassung. Regisseurin Karin Henkel erzählt die Geschichte aus einer weiblichen Perspektive. Weitere Themen: (05:05) Schwimmendes Museum auf dem Vierwaldstättersee - auf dem Dampfschiff «Schiller» wird eine Ausstellung zu Goethe und seiner Liebe zur Schweiz gezeigt. (11:21) Fabel über den Krieg - der poetische Film «Hôtel Silence» erzählt von einem Mann, der auszieht, um Dinge zu reparieren - und sich selbst. (15:30) Vermächtnis eines engagierten Schriftstellers - in seinem posthum erschienenen Essayband «Zeiten der Scham» ergründet der österreichische Autor Martin Pollack politische und persönliche Themen. (19:44) Gitarrist zu Gast im Studio - der österreichische Musiker Wolfgang Muthspiel war für die Veranstaltungsreihe «Public Recordings @ SRF» zu Besuch in Basel.

Naked Lunch: To all and everyone I love Balbina: Infinity tune The Interlaken: Roter Mond Drangsal: Die satanischen Fersen Kraftclub: Schief in jedem Chor Kalipo: Alles Nina Hagen: Personal Jesus Nina Hagen: All you fascists bound to lose Ideal: Blaue Augen Beatsteaks: Hello Joe Donots: Wake the dogs Fiddler's Green: No Anthem Betontod: Zusammen Benzin: Chor der Kaputten Jupiter Jones: Hey! Menetekel Sondaschule: Costa liebt dich Leichtmatrose: Dalai Lama

Adriaan en Simon bespreken: Adriaan schrijft aan een roman! / piepende poortjes / spitskool op je knie of bord / (niet) kabinet Schoof / Nico Rost / Goethe in Dachau / over de reddende kracht van literatuur in tijden van duisternis / tanken en poëzie / plaasmoorde / Musk in plaatjes / de president van Burkina Faso (v/h Opper-Volta) / commotie rondom KKR / post van onze luisteraars Schrijvers van dienst: Nico Rost / Barend Roest Crollius / Darryl Cunningham Koop nu je kaarten voor het Theatercollege van Adriaan op 26 juni in Arnhem: https://www.musisenstadstheater.nl/nl/agenda/adriaan-van-dis/9073 Achtergrondinfo bij het gesprek over Zwarte Cross en KKR: https://www.ftm.nl/artikelen/roofkapitaal-stort-zich-op-festivals Meer weten over Elon Musk? Simon maakte eerder een speciale aflevering die ingaat op zijn familie en jeugd: https://open.spotify.com/episode/7vdNKsf4oWWY3IcAimK8II?si=Sq1na2QISDWtlj6cR19vUw Elon Musk van Darryl Cunningham is hier te koop: https://boekenwereld.com/darryl-cunningham-elon-musk-9789493383128 Goethe in Dachau van Nico Rost is te verkrijgen bij antiquariatensite boekwinkeltjes.nl. De gedichten van deze aflevering: Das Knie van Christian Morgenstern / Meneer, mijn moeder van Barend Roest Crollius Je kunt de boeken van Adriaan natuurlijk in de boekwinkel bestellen, maar veel van zijn boeken zijn ook als audioboek te beluisteren, ingesproken door Adriaan zelf. Neem nou bijvoorbeeld Klifi bij Spotify: https://open.spotify.com/show/340TLXeFU5057AhKWBXmYS Volg het Instagram-account van de podcast: @vandis.ongefilterd Wil je een vraag stellen of reageren? Mail het aan: vandis@atlascontact.nl Van Dis Ongefilterd wordt gemaakt door Adriaan van Dis, Simon Dikker Hupkes en Bart Jeroen Kiers. Montage door Sten Govers van Thinium Audioboekproducties. Bedankt voor uw recensie. © 2025 Atlas Contact | Adriaan van DisSee omnystudio.com/listener for privacy information.

Wuuusch, da wird es fliegen, das fortschrittlichste und eleganteste Raumgleiter, das sich Menschen je ausdenken werden: Mit doppelverfluxtem Hyperhubraum und kybernetisch vernibbeltem Wurmloschschub, die “MS Eisenbartmeisendraht”. Ja, da werden sie schauen, die ollen Verbrennungsfetischst:innen am Wegrand wenn unsere beiden Radiopropheten Hartmut und Magdalena mit Raumzeitverbiegungsantrieb um die Ecke geschossen kommen und uns das schöne Thema “Zukunft” in die Ohrlöcher hineintransmittieren werden. Was wird gewesen sein werden? Wo führt das alles hin? Und was wird es dazu in der Kulturgeschichte gesagt zu haben geben? Wir werden von digitalen Göttern hören, von den Zukunftsprognosen des (vergangenen) Marx und sogar selbst ein kleines bisschen hinein in dieses Zu-Werdende schauen. Mit Ernst Bloch werden wir die Utopie gegen diesen nicht enden wollenden Pessimismus verteidigen und auch kurz an Goethe denken. Der Papst wird tot sein und freilich sein wohl verdientens Ständchen gesungen bekommen und dazu werden sich sich die der zukunft zugewandten Texte unseres originalen EBMD-Autor:innenpools gesellen. Und so wird aus dem dreieckigen Triptichon (kommende Themen: Gegenwart und Vergangenheit) trotzdem noch eine runde Sache werden, auch wenn Herr Eisenbart am Ende gerne etwas mehr geredet haben wollen wird und Frau Meisendraht es mal wieder nicht wird lassen können, die halbe Sendung mit ihrem schwierigen Vortragsstil vollzukleistern, aber hören Sie doch am besten selbst, irgendwann mal! Es wird sie gegrüßt haben Ihr Pappy der Redaktionspapagey Die Autor:innen - Carsten Stephan - Jörg Hilse - Christian Knieps - blumenleere - Andreas Prucker - David Telgin - Bastian Kienitz Die Sprecher:innen - Verena Schmidt - Hannes - Elle:r Gülden - FD - Mörtl

Die westböhmischen Bäder waren durch alle Epochen internationale Anziehungspunkte für Persönlichkeiten aus Kunst und Politik. Die Spaziergänge durch die berühmten Kurorte führen auf die Spuren von Jahrhundertautoren wie Goethe und Kafka, aber auch von weniger bekannten Namen und zeigen einen ganz eigenen Blick auf die Bäder. Günther Moosberger im Gespräch mit Roswitha Schieb und mit Václav Petrbok aus Prag.Unsere allgemeinen Datenschutzrichtlinien finden Sie unter https://art19.com/privacy. Die Datenschutzrichtlinien für Kalifornien sind unter https://art19.com/privacy#do-not-sell-my-info abrufbar.

In dieser Episode greife ich zurück auf Episode 509 und mache ein Update, was sich im Garten so entwickelt hat. Spoiler: alles gut!

Infamis: Kammerspiel Rosenstolz: Ich bin ich Danny Dziuk: Falscher Feind Hannes Wader: Die Moorsoldaten Konstantin Wecker: Frieden im Land Ludwig Hirsch: Komm großer schwarzer Vogel Herman van Veen: Edith Piaf Stoppok: Glück auf, der Steiger kommt Stefan Waggershausen: Hallo Engel Peter Maffay: Sonne in der Nacht The Beauty of Gemina: Whispers of the seasons Northern Lite: Trusting blind 2raumwohnung: Wir trafen uns in einem Garten mit Max

Am 6. Juni 1925 feierte Thomas Mann seinen 50. Geburtstag, und kaum eine Zeitung, die etwas auf sich hielt, versäumte es, ihm aus diesem Anlass ein paar Elogen zu winden. Auch der Hamburger Anzeiger widmete ihm an diesem Datum gleich eine ganze Sonderseite, um doch drei Tage später, am 9. Juni, noch einmal nachzulegen und den Jubilar selbst zu Wort kommen zu lassen, allerdings natürlich nicht in eigener Sache, sondern über die Figur sprechend, in der er sich in seinen späteren Jahren fraglos am liebsten gespiegelt hat: Goethe. Grundlage war ein Vortrag Manns in Wien, in dem es neben Goethe auch noch um Leo Tolstoi gegangen war und beider gebrochenes Verhältnis zu ihrer sie jeweils zu Nationaldichtern erhebenden Nation. Inwieweit Thomas Mann hier sich, wie so oft, in Goethe doch irgendwo auch selbst porträtierte, erfahren wir von Frank Riede.

En colaboración con el instituto Goethe de Madrid y con la participación de Anna María Ballester Bohn y Beñat Azurmendi, intentamos balbucear acerca del monstruo que Thomas Mann publicó en 1924.

Join Elton as he stumbles through the lives of two women; one real, one fake. This time around Elton's irreverence locks onto "The Invisible Life of Addie LaRue", a book all about cutting deals with the devil, living forever, and learning that, when cutting a deal with Satan, it's all about the details. On his hilarious journey, Elton discovers the nature of how others affect your identity, and what a Faustian bargain is all about. Come along,...and stop all that "smirkstibating.""France, 1714: in a moment of desperation, a young woman makes a Faustian bargain to live forever―and is cursed to be forgotten by everyone she meets.Thus begins the extraordinary life of Addie LaRue, and a dazzling adventure that will play out across centuries and continents, across history and art, as a young woman learns how far she will go to leave her mark on the world.But everything changes when, after nearly 300 years, Addie stumbles across a young man in a hidden bookstore and he remembers her name."GET THE BOOK: The Invisible Life of Addie LaRue by V.E SchwabElton Reads A Book A Week Patreon⁠⁠⁠⁠⁠⁠Tips!⁠⁠⁠⁠⁠⁠SOCIAL MEDIA!⁠⁠⁠ ⁠⁠This is the LINK TREE!⁠EMAIL: eltonreadsabookaweek@gmail.comThe following section is reserved for the people, places, things, and more that Elton probably offended in this episode--THE APOLOGIES SECTION: Satan, God, fanatical Christians, Rodney Mullen, Tony Hawk, skateboarders from the "Golden Age", and psychologists, and Goethe.A special thanks to Diedrich Bader and Jenna Fischer for all their inspiration.[Addie LaRue, V.E. Schwab, invisible life, forgotten curse, immortal woman, dark fantasy romance, contemporary fantasy, book review comedy, YA fantasy, adult fantasy crossover, Faustian bargain, deal with devil, supernatural contracts, cursed deals, immortality curse, dark magic, price of wishes, soul selling, supernatural consequences, devil's bargain, looking glass self, social identity, self perception, identity crisis, how others see us, social psychology, Charles Horton Cooley, invisible identity, forgotten existence, social reflection theory, book comedy podcast, funny book review, literary humor, book roast, comedy book club, sarcastic book review, witty literary analysis, humorous fantasy review, book parody, literary comedy, fantasy podcast, book podcast, solo podcast, literary podcast, bookish humor, reading comedy, book discussion, fantasy book review, romance fantasy, dark academia adjacent, book recommendations, fantasy book lovers, bookstagram, booktok, book community, reading humor, literary memes, book obsessed]

Schon viel zu lang hat Friedrich Schiller die ausstehende Antwort auf einen Brief seines Bekannten Friedrich Hölderlin aufgeschoben. Also setzt er sich abends hin und schreibt. Dabei geht ihm einiges durch den Kopf.

Reinhold Heil: Aschebeschää Reinhold Heil: Weg da, weg da Spliff: Deja Vu Spliff: Herzlichen Glückwunsch Eisbrecher: Everything is wunderbar Eisbrecher: Kaltfront Extrabreit: Polizisten Extrabreit: Der Präsident ist tot Marius Müller-Westernhagen: Mit Pfefferminz bin ich dein Prinz Marius Müller-Westernhagen: Mit 18 Udo Lindenberg: Mit dem Sakko nach Monaco Udo Lindenberg: Grande Finale Shiny Gnomes: Bubble Burst Shiny Gnomes: It's all here

In de podcast Wat Blijft een aflevering over schrijver, dichter, wetenschapper en staatsman Goethe, één van de belangrijkste filosofen van Duitsland. Zijn bekendste boeken zijn Faust en Die Leiden des jungen Werthers. Journalist Maarten Dallinga onderzoekt wat het werk van Goethe nu nog kan betekenen. Hoe kan Goethe helpen ons te verhouden tot de onrust en onzekerheid in de wereld?     In Wat Blijft praat hij met:    *de Vlaamse schrijver Tom Lanoye. Hij bewerkte Goethe's klassieker Faust tot toneelstuk OustFaust voor Het Nationale Theater.    *dichteres Iduna Paalman, die zich verdiepte in ‘Werther' van Goethe en hier een essay over schreef voor De Groene Amsterdammer.    *priester en filosoof Victor Bulthuis, die de liefdesgedichten van Goethe vertaalde    Wat blijft is een podcast van HUMAN en NPO Radio 1 over de nalatenschap van overleden mensen en hun betekenis. In deze serie veel aandacht voor iconische ‘grote geesten': denkers en filosofen.    De podcast staat zondags om 21 uur online en is 's nachts om één uur te beluisteren in Wat Blijft Radio op NPO Radio 1. 

Weinig intellectuelen namen tijdens de coronacrisis zo duidelijk stelling als professor klinische psychologie Mattias Desmet. Hij deed dat onder andere bij De Nieuwe Wereld. Inmiddels is hij een veelgevraagde gast voor lezingen wereldwijd. In gesprek met Marlies Dekkers heeft hij het over oprecht spreken, over Goethe, over Yannick Verdyck (een Belg die omkwam na een inval van de politie) en nog veel meer.--Steun DNW en word patroon op http://www.petjeaf.com/denieuwewereld.Liever direct overmaken? Maak dan uw gift over naar NL61 RABO 0357 5828 61 t.n.v. Stichting De Nieuwe Wereld. Crypto's doneren kan via https://commerce.coinbase.com/pay/79870e0f-f817-463e-bde7-a5a8cb08c09f-- Bronnen en links bij deze uitzending: - Bekijk hier het gesprek van Mattias Desmet over angst en massavorming in de coronacrisis:https://www.youtube.com/watch?v=YOLhF9fyjkk- Bekijk hier het gesprek dat Marlies Dekkers had met Erik Geenen († 13-5-2025):https://www.youtube.com/watch?v=eWgtOc7JQ6c- Bekijk hier de toespraak van Mattias Desmet over Yannick Verdyck:https://www.youtube.com/watch?v=vuhuYJs1Kos- Lees hier het artikel "Kritiek en waarheid spreken. Foucault over de functie van de intellectueel" van Rob Devos:https://www.kuleuven.be/thomas/cms/docs/pastoralePerspectieven/pp147_kritiek.pdf- De substack van Mattias Desmet: https://words.mattiasdesmet.org/--00:00 Introductie00:11 Waarheid spreken12:05 De kwaliteit van mijn woorden15:33 De waarheid van man en vrouw20:34 Over complotten38:07 Algeheel verlies van ethisch besef46:16 Complexe dynamische systeemtheorie50:26 De scheppende mens--De Nieuwe Wereld TV is een platform dat mensen uit verschillende disciplines bij elkaar brengt om na te denken over grote veranderingen die op komst zijn door een combinatie van snelle technologische ontwikkelingen en globalisering. Het is een initiatief van filosoof Ad Verbrugge in samenwerking met anchors Jelle van Baardewijk en Marlies Dekkers. De Nieuwe Wereld TV wordt gemaakt in samenwerking met de Filosofische School Nederland. Onze website: https://denieuwewereld.tv/ DNW heeft ook een Substack. Meld je hier aan: https://denieuwewereld.substack.com/

Die Krupps: Fire Die Krupps: Volle Kraft voraus [:SITD:]: Dunkelziffer Funker Vogt: City of darkness In Strict Confidence: Zauberschloss Retrosic: Unleash hell Massiv in Mensch feat. Mind.in.a.box: Supermassive gravity Mind.in.a.box: What used to be Diary of Dreams: The wedding Janus: Kadaverstern Faun feat. Micha Rhein: Buntes Volk Faun: Zeitgeist

Robert shoots from the hip and brings in an amazing quote about change, growth and the evils of stagnation from the great German polymath Johann Wolfgang von Goethe . . . 

Comedy writer Mike Drucker (Fallon, Samantha Bee, SNL) is here to talk about his memoir Good Game, No Rematch: A Life Made of Video Games. The thing is, while it's his debut memoir it's not the first book he's written. We dig into his scholastically nerdy past, his love of video games, his ill-fated Mario-themed wedding, Goethe, Silent Hill 2, working at Nintendo, working at SNL, his dad's painting of Captain Jack Sparrow and so much more. Plus we did a round of Just Me Or Everyone and Podcast Pals Product Picks. Get yourself some new ARIYNBF merch here: https://alison-rosen-shop.fourthwall.com/ Subscribe to my Substack: http://alisonrosen.substack.com Podcast Palz Product Picks: https://www.amazon.com/shop/alisonrosen/list/2CS1QRYTRP6ER?ref_=cm_sw_r_cp_ud_aipsflist_aipsfalisonrosen_0K0AJFYP84PF1Z61QW2H Products I Use/Recommend/Love: http://amazon.com/shop/alisonrosen Check us out on Patreon: http://patreon.com/alisonrosen   Buy Alison's Fifth Anniversary Edition Book (with new material): Tropical Attire Encouraged (and Other Phrases That Scare Me) https://amzn.to/2JuOqcd You probably need to buy the HGFY ringtone! https://www.alisonrosen.com/store/ Try Amazon Prime Free 30 Day Trial

Alicia Edelweiss: Behind the gates Madanii: Tehran is burning Freunde der italienischen Oper: Pforte zur Ewigkeit Rummelsnuff: Bohrmilch Udo Lindenberg: Elli Pyrelli Udo Lindenberg: 0-Rhesus Negativ Click Click Decker: Am Ende Shiny Gnomes: Rain Cascades Hackedepicciotto: Aichach (live in Napoli) Ava Rabiat: The end The Allegorist: Fata Morgana The Allegorist: In my blood Peter Baumann: From a far land

Marco Gobetti"La tragedia della libertà"testo, recitazione, direzione Marco Gobettirecitazione, co-direzione Diego Coscia, Chiara Galliano, Marta Maltese, Rui Albert Padulvoce registrata Giovanni Moretticura tecnica Alessandro Bigattimaschere dipinte Arianna, Giulia AbbondatiLo stagno di Goethe – ets in collaborazione con Unione Culturale Franco AntonicelliOgni sera dal 20 al 25 maggio 2025, ore 21.Tingel Tangel San Salvario, Via Antonio Rosmini, 1g - TorinoDi come lo Stato impose la chiusura delle scuole; e, per fare eseguire l'ordinanza, ufficiali dell'esercito furono nominati presidi; e in una scuola, nel giorno del commiato, accadde un imprevisto: di come, quando e perché quattro studenti, avendo sbranato un preside, cambiarono vita e nome…ovvero: per la creazione di un nuovo mito.Quattro studenti provano di nascosto, davanti a un gruppo di amici fidati, le dichiarazioni che renderanno il giorno in cui verranno arrestati. Dalle loro parole si scopre perché stanno scappando, perché hanno mutato i loro nomi in Antigone, Ecuba, Edipo e Dioniso e quale segreto celano le loro maschere. La riunione clandestina inizia con l'ascolto di una registrazione che i quattro hanno portato con sé. È l'ultima lezione del loro insegnante di Greco e di Latino, in cui il professor Federico si scaglia contro la monarchia imprenditoriale, il mercato schiavistico del lavoro, la deformante statalizzazione della cultura e la futura formazione scolastica sul web, senza maestri; auspica un'era dionisiaca e inneggia alla clandestinità di vita e di studio. Il preside irrompe in classe pistola in pugno e lo dichiara in arresto. Un testo da leggersi per sé o da dirsi ovunque (in treno, al tavolo di un bar, sulle panchine di un parco…), scritto in una lingua tesa a creare nuove oralità e aperta a contaminazioni musicali; una riflessione sul diritto allo studio, la violenza e la libertà, alla luce di un inedito mito contemporaneo.Marco Gobetti. Drammaturgo, attore e regista attivo dagli anni Novanta, coniuga da sempre l'attività di prosa su strada a quella nei teatri. A partire dal 2000 inventa il Teatro Stabile di Strada®, con cui tenta di contaminare il sistema teatrale, e fonda la Compagnia Marco Gobetti. Tra i principali lavori del suo repertorio: Lo Stagno; La memoria non è mai cimitero; Voglio un pappagallo; In-ec-cesso; Cristo muore in fabbrica: è solo un altro incidente ; L'anciové sota sal ; Bestiame etimologico; 1863-1992 Di Giovanni in oltre  ; L'epigono. Il testo Un carnevale per Sole e Baleno vince l'edizione 2014 del premio NdN (Network drammaturgia nuova) e sarà edito rivisto e ampliato in questa stessa collana nel 2015. Negli ultimi anni un'intensa collaborazione con lo storico Leonardo Casalino, tesa a sviluppare metodi per raccontare la Storia oralmente, ha portato alla realizzazione di progetti come Lezioni recitate e dei volumi Lezioni recitabili (2012) e Raccontare la Repubblica (2014), entrambi pubblicati da Edizioni SEB27.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Im Haltungsblock spreche ich über Kompromisse, die man mit sich selbst eingehen muss und bei anderen aushalten sollte. Im Entspannungsteil erzähle ich dann von einer sehr schönen, anstrengenden, aber lohnenswerten Reise zum Auswärtsspiel des FC St. Pauli bei der Eintracht in Frankfurt.

Sophia Kennedy: Hot Match Gong Wah: Smile Gong Wah: Emily Low Life Rich Kids: Lieblingslieder Sedlmeir: Berlin, Stadt der Liebe Die Radierer: Rechtshänder gegen Linkshänder Tocotronic: Golden Years Kettcar: Auch für mich 6. Stunde Hans Platzgumer: Blindes Volk Karin Rabhansl: Rodeo Geist: So viele wie Du Interzone: Aus Liebe Herbst in Peking: Immer wenn es regnet Extrabreit: Learning Deutsch Fiji: Le Loup 80s Express: Running up that hill

Bernhard, Henry www.deutschlandfunkkultur.de, Lesart

Bernhard, Henry www.deutschlandfunkkultur.de, Lesart

Today I offer three different recordings of excerpts, sung in German, from Charles Gounod's opera Faust, which was known in the day in Germany as Margarethe. The Germans have always regarded this work with more than a little scorn because it has so little to do with Goethe's towering masterpiece upon which it is based. The earliest of today's excerpts is from a complete 1908 recording on the Berlin branch of the Grammophon label (when such a thing as a complete operatic recording was virtually unheard of), featuring Emmy Destinn, Karl Jörn and Paul Knüpfer under the baton of Bruno Seidler-Winkler. Much later came two recordings of excerpts in German: the first released on Deutsche Grammophon in 1958 with stalwart recording artist Maria Stader; nonpareil Kavalierbariton Eberhard Wächter; fierce Finnish bass Kim Borg; and the late German lyric tenor Heinz Hoppe under Ferdinand Leitner. The latter was released on Philips in 1963 with Ernst Kozub (recently featured on a “rehabilitational” Countermelody episode; the extraordinary German bass Franz Crass, and Swiss mega-soprano Colette Lorand (soon to be featured in her own Countermelody episode) under Marcel Couraud. As a bonus, I also feature a very young Sylvia Sass in one of her very first recordings from 1975 singing Marguerite's Jewel Song in Hungarian. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Satan comes forward a sinkapace.Topics in this episode include Goethe's Wilhelm Meister, Goethe's thoughts on Hamlet translated through Thomas Lyster, Elizabethan dances, Sir Toby Belch, Monsieur de la Palice and a hilarious French pun, John Milton, Paradise Lost, Stephen's six brave medicals, Marie Corelli's The Sorrows of Satan, Cranly, Medical Dick and Medical Davy, betrayal, W.B.'s shining seven, the significance of the number seven, Malacoda's trumpet, Dante, extended Wicklow imagery, Satanic imagery in the works of Joyce, Stephen's Luciferian impulses, Diablous in Musica, and Stephen's ultimate rejection of Satan despite his declaration of “Non serviam.”Support us on Patreon to access episodes early, bonus content, and a video version of our podcast.On the Blog:Decoding Dedalus: Folly. Persist.Blooms & Barnacles Social Media:Facebook | Twitter | InstagramSubscribe to Blooms & Barnacles:Apple Podcasts | Spotify | YouTube

Shiny Gnomes: Bubble Bust Garish: Am Ende wird alles ein Garten No Body: Fear of the golden hour Reinhold Heil: BRO Reinhold Heil: Weg da, weg da Sølyst: Tanz Neuzeitliche Bodenbeläge: Blei Die Anteile: Wie geht der Tanz? Das Radial: Neue Gewalt Das Kinn: Ruinenkampf Joachim Witt: Wo versteckt sich Gott? Eisbrecher: Das neue normal Kratzen: Immer Donots: Allein zu allein Donots: Problem kein Problem

Viaggio virtuale a Napoli - Spendieren Sie einen Cafè (1€)? Donate a coffee (1€)? https://ko-fi.com/italiano Livello B1#Viaggio #Napoli #italia #vhs #vacationConsigli su cosa vedere a NapoliCari amici e amanti dell'italiano benvenuti al nuovo episodio di Tulip. Sicuramente molti di voi avranno approfittato delle vacanze di Pasqua per fare un viaggio e oggi voglio continuare a viaggiare con voi virtualmente e vi parlo di una città italiana così bella e così interessante che anche Johann Wolfgang von Goethe ha detto: „Vedi Napoli e poi muori“.C'è però un'altra storia, una vera e propria leggenda che dice che un tempo viveva una strega potentissima. Tutti pensavano che avesse die poteri oscuri, cattivi, in realtà la strega Raziella era buona e aiutava gli altri. All'epoca a Napoli andavano tutti quelli che avevano problemi di cuore, soffrivano per amore. Arrivati a Napoli, erano talmente stregati dalle bellezze della città che dimenticavano i loro problemi. Purtroppo però al momento di ripartire e tornare a casa i problemi tornavano e chi soffriva per amore tornava triste e non aveva più voglia di vivere.Raziella allora creò una bevanda stregata, un vino inebriante, capace di far dimenticare i ricordi dolorosi. Prima di partire le persone bevevano il vino magico e, come per incanto, dimenticavano tutto. Tutto ciò era quasi come morire per poi rinascere e da qui il detto „vedi Napoli e poi muori“.Bene amici cominciamo con Spaccanapoli. Spaccanapoli è una vita dritta che divide la città nel mezzo in due parti. Ha origini molto antiche ed è uno dei tre decumani con i quali i romani dividevano la città. Il verbo spaccare infatti significa “spalten, brechen/ti split, to break). Si può ammirare molto bene salendo a San Martino, dove c'è la Certosa un bellissimo monastero. ...- The full transcript of this Episode is available via "Luisa's learn Italian Premium", Premium is no subscription and does not incur any recurring fees. You can just shop for the materials you need or want and shop per piece. Prices start at 0.20 Cent (i. e. Eurocent). - das komplette Transcript / die Show-Notes zu allen Episoden sind über Luisa's Podcast Premium verfügbar. Den Shop mit allen Materialien zum Podcast finden Sie unterhttps://premium.il-tedesco.itLuisa's Podcast Premium ist kein Abo - sie erhalten das jeweilige Transscript/die Shownotes sowie zu den Grammatik Episoden Übungen die Sie "pro Stück" bezahlen (ab 20ct). https://premium.il-tedesco.itMehr info unter www.il-tedesco.it bzw. https://www.il-tedesco.it/premiumMore information on www.il-tedesco.it or via my shop https://www.il-tedesco.it/premium

This Day in Legal History: Louisiana Adopts State Constitution, McCarthy Dies, and Birmingham CampaignOn May 2, 1939, Louisiana adopted its current state constitution, known as the Louisiana Constitution of 1921, which at the time marked a significant overhaul of state governance. Though originally adopted in 1921, it underwent critical amendments and re-ratification processes culminating on this date to reflect broader federal constitutional principles, especially concerning civil rights and governance reforms. This version would go on to become one of the most amended constitutions in the U.S., highlighting Louisiana's complex political and legal environment, particularly around issues of race, voting, and economic regulation.On the federal level, on May 2, 1957, Senator Joseph McCarthy died, signaling the end of one of the most controversial chapters in American legal and political history. McCarthy had become the face of the post-war Red Scare, using Senate hearings and investigations to accuse numerous government officials and private citizens of Communist sympathies without substantial evidence. His tactics led to the coining of the term “McCarthyism,” representing the broader trend of reckless accusations without due process, a violation of basic legal protections. His downfall began with the 1954 Army-McCarthy hearings, where his aggressive questioning was televised, turning public opinion sharply against him.Also on May 2, 1963, during the Birmingham Campaign, hundreds of African American children and teenagers marched in Birmingham, Alabama, as part of a civil rights strategy to provoke mass arrests and draw national attention to segregation. The police response, using dogs and fire hoses on peaceful demonstrators, shocked the nation and galvanized support for federal civil rights legislation. These events laid crucial groundwork for the Civil Rights Act of 1964, which fundamentally altered American legal frameworks surrounding discrimination.Justice Ketanji Brown Jackson, never one to sugarcoat institutional danger, pulled no punches in a recent address where she warned that political attacks on the judiciary—particularly from Donald Trump and his orbit—aren't just angry outbursts. They're strategic. “Not random,” she emphasized, but seemingly calculated to chill the bench and warp the public's view of judicial independence. Speaking in Puerto Rico at a judges' conference, she framed the threats and harassment against judges as not merely inappropriate, but corrosive to democracy itself—an erosion of the rule of law masquerading as political speech.While Jackson didn't name Trump directly (a nod, perhaps, to judicial decorum), she acknowledged “the elephant in the room.” That elephant has been stomping around the judiciary for years, from defying court orders to demanding impeachments of judges who don't rule his way. Chief Justice John Roberts—no firebrand liberal—has already rebuked Trump this year for trying to undermine judicial authority. Jackson's remarks, which reportedly drew a standing ovation, echoed deeper concerns among legal scholars about an impending constitutional crisis fueled by executive overreach and coordinated judicial delegitimization.With a 6–3 conservative majority still holding firm on the Supreme Court, her comments are more than ideological protest. They're a pointed reminder that the judiciary's legitimacy isn't just under rhetorical attack—it's being targeted as a political obstacle. And in Jackson's view, the stakes couldn't be higher.US Supreme Court Justice Jackson criticizes Trump's attacks on judges | ReutersDonald Trump's judicial conveyor belt is up and running again. Today, May 1, 2025, he announced his first federal judicial nominee since retaking the White House: Whitney Hermandorfer, a conservative legal operative from Tennessee who's clerked for three sitting Supreme Court justices and currently works under the state's Republican Attorney General. If confirmed, she'll take a seat on the 6th U.S. Circuit Court of Appeals—a vacancy that lingered after Biden's nominee stalled amid GOP opposition from Tennessee's own senators.Trump's post on Truth Social didn't mince words: Hermandorfer is a “Fighter,” a term that doubles as both a branding strategy and a judicial philosophy. Her resume backs that up—she's defended Tennessee's abortion ban and fought Biden-era protections for transgender students. Translation: she's been in the legal trenches of the culture war and emerged as a reliable soldier for the right.This nomination is the opening salvo in what could be a new wave of over 100 judicial appointments in Trump's second term, offering him another shot at reshaping the federal bench after appointing 234 judges—including three Supreme Court justices—during his first. Hermandorfer is stepping into a seat vacated by Judge Jane Stranch, an Obama appointee, whose intended successor under Biden, Karla Campbell, never got her Senate vote thanks to a post-election deal between Democrats and Republicans to fast-track some trial court nominees at the cost of four appellate picks.The judicial arms race is back. And this time, the Senate arithmetic—and the vacancies left behind—may tilt even harder in Trump's favor.Trump makes first judicial nomination since returning to White House | ReutersGoogle's legal team is headed to federal court Friday to plead with Judge Leonie Brinkema not to yank apart its advertising tech empire. At stake is nothing short of the future architecture of online advertising. The DOJ is pushing to force Google to divest key parts of its Google Ad Manager, including the ad exchange and publisher ad server—core infrastructure for monetizing digital content. Think of it as ripping out the plumbing from the internet's ad economy.Judge Brinkema has already ruled that Google unlawfully tied its ad server and ad exchange, leveraging its dominance in a way that stifled competition and hurt publishers. Not exactly a glowing endorsement of their market behavior. Still, Google insists that a forced breakup isn't just excessive—it's legally unjustified. Their position is these tools do more than just hawk banner ads, and the DOJ's remedy would be a regulatory overreach.In the backdrop is another case in D.C., where the DOJ is toying with the idea of making Google sell Chrome—the browser—over its search dominance. Google clearly doesn't want a repeat of that nightmare here.So, the message from Mountain View is clear: Let's talk tweaks, not torpedoes. But Brinkema's already signaled she sees systemic harm. Whether that translates into structural remedies—or just more behavioral promises—now depends on how persuasive Google's lawyers can be without sounding like they're defending a monopoly.Google will seek to avoid ad tech spinoff in antitrust case | ReutersThis week's closing theme brings us into the fiery imagination of Hector Berlioz, the 19th-century French composer who lived as intensely as he wrote. Berlioz was a Romantic through and through—equal parts visionary, dramatist, and eccentric. His music defied convention, his orchestration exploded boundaries, and his literary obsession with Goethe's Faust gave rise to one of his most enigmatic and powerful works: La Damnation de Faust (The Damnation of Faust), completed in 1846.Not quite an opera, not quite a cantata, Berlioz called it a "dramatic legend"—a hybrid form that suited his unconventional style and theatrical flair. Drawing from Gérard de Nerval's French translation of Faust, the work traces the tortured scholar's tragic arc: from existential despair, to enchanted pastoral scenes, to infernal damnation, all wrapped in Berlioz's vivid orchestral color. Its fourth part, the “Ride to the Abyss” and “Pandemonium,” is especially striking—a blazing descent into hell that's often performed independently, particularly around Walpurgis Night on April 30 and May 1, when tales of witches' sabbaths and demonic revels echo the scene's imagery.At its premiere, The Damnation of Faust baffled audiences and bombed commercially, though it has since been recognized as one of Berlioz's masterpieces, showcasing his flair for narrative, his taste for the macabre, and his unmatched orchestral daring. It remains a high watermark for musical storytelling without staging—and an apt closer for a week shadowed by ambition, unrest, and devilish bargains.Without further ado, The Damnation of Faust, by Hector Berlioz. Enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Matthew David Segall, PhD, is an Associate Professor in the Philosophy, Cosmology, and Consciousness Department at California Institute of Integral Studies in San Francisco, and the Chair of the Science Advisory Committee for the Cobb Institute. He is a transdisciplinary researcher, writer, teacher, and philosopher applying process-relational thought across the natural and social sciences, as well as to the study of consciousness. He describes himself as a “process philosopher” and transdisciplinary researcher, reflecting his commitment to bridging multiple fields​. Segall's work builds on the metaphysical framework of Alfred North Whitehead, extending Whitehead's philosophy of organism into new domains of science, religion, and ecology. In doing so, Segall reinterprets the Western philosophical lineage – from ancient ideas of a world-soul to German Idealism and beyond – to articulate a participatory, organismic vision of nature. His philosophy portrays a cosmos ensouled with meaning and experience, challenging mechanistic materialism and inviting a renewed dialogue between science and spirit​. Segall integrates insights from Whitehead, Schelling, Goethe, and Steiner into a process worldview, develops an organic (panpsychist) cosmology, practices a bold transdisciplinary methodology, and engages public dialogues that embody a form of sacred activism on behalf of our living planet.TIMESTAMPS:(0:00) - Introduction (0:43) - History of Mind-Body Problem(7:40) - Critiquing Physicalism(12:55) - Quantum Theory Interpretations(16:14) - Addressing Illusionism & Scientism(22:00) - The Metaphysics of Prehension(28:14) - Panexperientialism in Physics(31:55) - Propositional Feelings(37:09) - What is Consciousness?(45:00) - Panexperientialism & Free Will(50:00) - Bridging Science & Philosophy(54:42) - Challenging the Cold/Dead Universe tale(1:00:39) - Misconceptions about Matt's work(1:04:20) - Telos(1:07:44) - Matt's Philosopher recommendations(1:13:00) - Mind At Large (Upcoming Events!)(1:17:40) - Conclusion EPISODE LINKS:- Matt's Website: https://footnotes2plato.com-  @Footnotes2Plato : http://www.youtube.com/@Footnotes2Plato- Physics Within the Bounds of Feeling Alone: https://footnotes2plato.com/wp-content/uploads/2023/11/physics-within-the-bounds-of-feeling-alone.pdf- Matt's X: https://x.com/ThouArtThat- Matt's Facebook: https://www.facebook.com/matthew.david.segall- Matt's LinkedIn: https://www.linkedin.com/in/matthewdavidsegall- Matt's Instagram: https://www.instagram.com/footnotes2platoCONNECT:- Website: https://tevinnaidu.com - Podcast: https://creators.spotify.com/pod/show/mindbodysolution- YouTube: https://youtube.com/mindbodysolution- Twitter: https://twitter.com/drtevinnaidu- Facebook: https://facebook.com/drtevinnaidu - Instagram: https://instagram.com/drtevinnaidu- LinkedIn: https://linkedin.com/in/drtevinnaidu=============================Disclaimer: The information provided on this channel is for educational purposes only. The content is shared in the spirit of open discourse and does not constitute, nor does it substitute, professional or medical advice. We do not accept any liability for any loss or damage incurred from you acting or not acting as a result of listening/watching any of our contents. You acknowledge that you use the information provided at your own risk. Listeners/viewers are advised to conduct their own research and consult with their own experts in the respective fields.

In this episode, Trevor and Paul are joined by Chris Via of Leaf by Leaf to celebrate the experience of reading big books. From the books that once intimidated us to the ones we now can't imagine our overburdened shelves without, we dive into what makes a book feel "big." Along the way, we share personal stories, favorite strategies for tackling doorstoppers, the books that stretched us as readers, and reflect on why some big books stay with us for life. Whether you're a lifelong lover of big books or someone who's still building up your wrist strength, this is an episode for you.We'd love to hear from you, too—what are your favorite big books? Which ones are still looming on your to-be-read pile, daring you to pick them up? Let us know!Join the Mookse and the Gripes on DiscordAn easy place to respond to our question above is over on Discord!We're creating a welcoming space for thoughtful, engaging discussions about great novellas—and other books things. Whether you want to share insights, ask questions, or simply follow along, we'd love to have you.ShownotesBooks* War and Peace, by Leo Tolstoy, translated by Anthony Briggs* 2666, by Roberto Bolaño, translated by Natasha Wimmer* The Guermantes Way, by Marcel Proust* FEM, by Magda Carneci, translated by Sean Cotter* Blinding, by Mircea Cărtărescu, translated by Sean Cotter* Solenoid, by Mircea Cărtărescu, translated by Sean Cotter* Novel Explosives, by Jim Gauer* Bookwork: Conversations with Michael Silverblatt* The Recognitions, by William Gaddis* The Dying Grass: A Novel of the New Perce War, by William T. Vollmann* Faust, Part One: A New Translation with Illustrations, by Johann Wolfgang van Goethe, translated by Zsuzsanna Ozsváth and Frederick Turner* Invidicum, by Michael Brodsky* The Ice-Shirt, by William T. Vollmann* The Aesthetics of Resistance, by Peter Weiss, translated by Joachim Neugroschel* Middlemarch, by George Eliot* Great Granny Webster, by Caroline Blackwood* Pilgrimage, by Dorothy Richardson* Lonesome Dove, by Larry McMurtry* Moby Dick, by Herman Melville* Train Dreams, by Denis Johnson* Magpie Murders, by Anthony Horowitz* Nausea, by Jean-Paul Sartre, translated by Richard Howard* Schattenfroh, by Micheal Lentz, translated by Max Lawton* The Sword of Shannara, by Terry Brooks* The Brothers Karamazov, by Fyodor Dostoevsky, translated by Andrew R. MacAndrew* It, by Stephen King* The Stand, by Stephen King* Shogun, by James Clavell* Tom's Crossing, by Mark Z. Danielewski* Women and Men, by Joseph McElroy* Swann's Way, by Marcel Proust* Lies and Sorcery, by Elsa Morante, translated by Jenny McPhee* Miss MacIntosh, My Darling, by Marguerite Young* The Blue Room, by Hanne Ørstavik, translated by Deborah Dawkin* Against the Day, by Thomas Pynchon* Ulysses, by James Joyce* 4 3 2 1, by Paul Auster* Invisible Man, by Ralph Ellison* Shadow Ticket, by Thomas Pynchon* The Tunnel, by William H. Gass* A Suitable Boy, by Vikram Seth* The Golden Gate, by Vikram Seth* The Story of a Life, by Konstantin Paustovsky, translated by Doug Smith* The Tale of Genji, by Murasaki Shikibu, translated by Royall Tylor* A Little Life, by Hanya Yanagihara* The People in the Trees, by Hanya Yanagihara* Stone Upon Stone, by Wiesław Myśliwski, translated by Bill Johnston* Needle's Eye, by Wiesław Myśliwski, translated by Bill JohnstonOther* Leaf by Leaf* Episode 1: Bucket List Books* Episode 99: Books We Think About All the Time, with Elisa Gabbert* The Untranslated: Schattenfroh by Michael LentzThe Mookse and the Gripes Podcast is a bookish conversation hosted by Paul and Trevor. Every other week, we explore a bookish topic and celebrate our love of reading. We're glad you're here, and we hope you'll continue to join us on this literary journey!A huge thank you to those who help make this podcast possible! If you'd like to support us, you can do so via Substack or Patreon. Subscribers receive access to periodic bonus episodes and early access to all new episodes. Plus, each supporter gets their own dedicated feed, allowing them to download episodes a few days before they're released to the public. We'd love for you to check it out! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit mookse.substack.com/subscribe

John J. Miller is joined by Peter Meilaender of Houghton University to discuss 'The Sorrows of Young Werther' by Goethe.

The Beauty of Gemina: Symphony of solitude Fury in the Slaughterhouse: Heroes Joerdis Tielsch: Halleluja Annakin: Torch Song Division Kent: Gravity Boy: Drive Darling Greta Schloch: Tanzende Hydranten Foyer des Arts: Eine Königin mit Rädern untendran Herbst in Peking: German Fool Fraktus: Musik aus Strom Purple Schulz: Sehnsucht T.Raumhouse: Samstag Nacht Kraftwerk: Expo2000 (Orbital Mix)

Goethe, Marie-Antoinette, Oskar Wilde: Sie starben, wie sie gelebt haben - wenn man ihren letzten Worten glaubt. Berühmte letzte Sätze, die über Jahrhunderte hinweg gesammelt und verklärt wurden. Doch was davon ist wahr und was nur Legende? Von Lavina Stauber

durée : 00:26:08 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - Comment définir l'individu en 1951 ? C'est ce que tente le philosophe Maurice Merleau-Ponty, dans deux numéros de l'émission "Des idées et des hommes" de Jean Amrouche, dans lesquels il convoque Goethe, Proust, Gide mais aussi la peinture moderne. - réalisation : Massimo Bellini, Vincent Abouchar - invités : Maurice Merleau-Ponty Philosophe français; Jean Starobinski Ecrivain, philosophe et professeur d'histoire des idées à l'Université de Genève (1920-2019)

Where did Lord Byron and Percy Shelley come to sip coffee while they jotted down their verses? Where did Bizet and Berlioz go to discuss their work? Where could Casanova be found trying to pick up girls? Caffè Greco, where else? Having opened in 1760, Antico Caffè Greco is the oldest café in Rome and the second-oldest in all of Italy! And you can still go there and sit where Hawthorne, Ibsen, Gogol, Goethe, Canova, and many many other literary, art, and musical greats rubbed elbows and drank coffee. On this episode, we visit the famous café, grab some espresso ourselves, and discuss what it feels like to drink coffee in the same place so many brilliant thinkers over the generations did the same.   Hear this episode transformed into a bedtime story by Sleep With Me podcast's Drew Ackerman (aka Dear Scooter).   If you'd like to learn more about Literary Rome, download Tiffany's VoiceMap audio tour Rome for Readers, a self-guided walking tour that takes you past the residences of the most famous foreign writers who visited and lived in Rome.   ***Katy's sister Dana has recently been diagnosed with stage 4 agressive brain cancer. To help with the staggering medical costs—her specialist is outside her insurance network—as well of the costs of temporarily relocating to San Francsico for her treatments, please consider donating to her GoFundMe. Anything you can contribute will be extremely helpful. Thank you.   ***The Bittersweet Life podcast has been on the air for an impressive 10+ years! In order to help newer listeners discover some of our earlier episodes, every Friday we are now airing an episode from our vast archives! Enjoy!*** ------------------------------------- COME TO ROME WITH US: For the third year in a row, we are hosting an intimate group of listeners for a magical and unforgettable week in Rome, this October 2025! Discover the city with us as your guides, seeing a side to Rome tourists almost never see. Find out more here. ADVERTISE WITH US: Reach expats, future expats, and travelers all over the world. Send us an email to get the conversation started. BECOME A PATRON: Pledge your monthly support of The Bittersweet Life and receive awesome prizes in return for your generosity! Visit our Patreon site to find out more. TIP YOUR PODCASTER: Say thanks with a one-time donation to the podcast hosts you know and love. Click here to send financial support via PayPal. (You can also find a Donate button on the desktop version of our website.) The show needs your support to continue. START PODCASTING: If you are planning to start your own podcast, consider Libsyn for your hosting service! Use this affliliate link to get two months free, or use our promo code SWEET when you sign up. SUBSCRIBE: Subscribe to the podcast to make sure you never miss an episode. Click here to find us on a variety of podcast apps. WRITE A REVIEW: Leave us a rating and a written review on iTunes so more listeners can find us. JOIN THE CONVERSATION: If you have a question or a topic you want us to address, send us an email here. You can also connect to us through Twitter, Facebook, and Instagram. Tag #thebittersweetlife with your expat story for a chance to be featured! NEW TO THE SHOW? Don't be afraid to start with Episode 1: OUTSET BOOK: Want to read Tiffany's book, Midnight in the Piazza? Learn more here or order on Amazon. TOUR ROME: If you're traveling to Rome, don't miss the chance to tour the city with Tiffany as your guide!  

Erstaunlich viele Hörerinnen werden dies zu interessant zum Einschlafen finden, zumindest höre ich jetzt, seitdem ich in den Smart Home Zug eingestiegen bin, dass doch sehr viele andere auch mit drin sitzen. Vorher war mir das unbekannt, wie weit verbreitet das ist.