Podcasts about goethe

Sonntag und Montag im Yosemite, mit einem äußerst guten Ende für Alles: Reflexion gefunden, Half Dome mit der wunderbaren North Dome Wanderung ersetzt, alles gut!

Las afinidades electivas es una obra maestra que fusiona la pasión romántica con la reflexión filosófica, ofreciendo un retrato inolvidable de las fuerzas que moldean el amor y el destino humano. Goethe, con su genio para combinar ciencia, arte y espiritualidad, crea una novela que trasciende su tiempo, invitando al lector a explorar las complejidades de las relaciones humanas y las consecuencias de nuestras elecciones. Su estilo sobrio y simbólico, junto con su análisis psicológico y social, hace de esta obra un hito del romanticismo y un precursor del realismo moderno. Leer Las afinidades electivas es sumergirse en un mundo donde la pasión y el deber chocan, dejando tras de sí una reflexión profunda sobre lo que significa ser humano. Invito al lector a descubrir esta joya literaria, cuya belleza y sabiduría siguen iluminando nuestra comprensión del amor y la vida."Crónicas Lunares di Sun" es un podcast cultural presentado por Irving Sun, que abarca una variedad de temas, desde la literatura y análisis de libros hasta discusiones sobre actualidad y personajes históricos. Se difunde en múltiples plataformas como Ivoox, Apple Podcast, Spotify y YouTube, donde también ofrece contenido en video, incluyendo reflexiones sobre temas como la meditación y la filosofía teosófica. Los episodios exploran textos y conceptos complejos, buscando fomentar la reflexión y el autoconocimiento entre su audiencia, los "Lunares", quienes pueden interactuar y apoyar el programa a través de comentarios, redes sociales y donaciones. AVISO LEGAL: Los cuentos, poemas, fragmentos de novelas, ensayos y todo contenido literario que aparece en Crónicas Lunares di Sun podrían estar protegidos por derecho de autor (copyright). Si por alguna razón los propietarios no están conformes con el uso de ellos por favor escribirnos al correo electrónico cronicaslunares.sun@hotmail.com y nos encargaremos de borrarlo inmediatamente. Si te gusta lo que escuchas y deseas apoyarnos puedes dejar tu donación en PayPal, ahí nos encuentras como @IrvingSun  https://paypal.me/IrvingSun?country.x=MX&locale.x=es_XC  Síguenos en:  Telegram: Crónicas Lunares di Sun  ⁠Crónicas Lunares di Sun - YouTube⁠ ⁠https://t.me/joinchat/QFjDxu9fqR8uf3eR⁠  ⁠https://www.facebook.com/cronicalunar/?modal=admin_todo_tour⁠  ⁠Crónicas Lunares (@cronicaslunares.sun) • Fotos y videos de Instagram⁠  ⁠https://twitter.com/isun_g1⁠  ⁠https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9lODVmOWY0L3BvZGNhc3QvcnNz⁠  ⁠https://open.spotify.com/show/4x2gFdKw3FeoaAORteQomp⁠  https://mx.ivoox.com/es/s_p2_759303_1.html⁠ https://tunein.com/user/gnivrinavi/favorites⁠ 

Michael and Ethan discuss Faust, by Goethe, both part 1 and 2, while drinking Balvenie Doublewood 12yo single malt.In this episode:Dynamic in a pastoral wayBaffling talk of forms, mothers, material, and reality (and keys?)The Apocalypse has been happening since 1789This is roughly what Ethan is talking about regarding courtly loveIn case the references to “Walpurgis Night” are confusing, this probably won't help at allGoethe as both Enlightenment poet and Romantic poetSince when has this podcast gone in straight lines?Mendelssohn's Die Erste WalpurgisnachtThere is no striving in Elysium after drinking the waters of LetheThe GK Chesterton quote that Ethan mangles: “The riddles of God are more satisfying than the solutions of man.”Next time Michael and Ethan will discuss Doctor Faustus, by Thomas Mann! Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Join us on GoodReads!Get on our Substack!Donate to our Patreon! MUSIC & SFX: “Fools that Will Laugh on Earth,” by Benji Inniger, from the Original Soundtrack to The Spiritual Tragedy of Doctor Faustus"Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.(Links to books & products are affiliate links.)

Es war eine Woche großer Reden oder zumindest solcher, die groß angekündigt waren. Trump vor der UN, Merz im Bundestag und, fraglos die bedeutendste: Markus Söder auf Kloster Banz mit einer CSU- Grundsatzrede.Die Teilzeitarbeit bei Lehrern will er einschränken, das Handy bis zur 7. Klasse aus dem Klassenzimmer werfen und Franz Josef Strauß in die Walhalla in Donaustauf holen. Zusammen mit der Philosophin Hannah Arendt. Wenn das keine Grundsätze sind.Der Strauß sei schließlich sein Vorbild gewesen, sagt der Söder, was man dem Strauß absolut nicht zum Vorwurf machen kann. Und wäre das schon der Grund für eine Aufnahme in die bayerische Ruhmeshalle über der Donau, Söders Vorbild zu sein, dann würden demnächst womöglich auch Darth Vader und Captain Kirk dort aufgenommen, ganz abgesehen von Edmund Stoiber, als dessen leidenschaftlicher Anhänger sich Söder einst auch bekannt hat. "Ich bin Stoiberianer" hat er gesagt, damals, kurz vor Edmunds Sturz.Nein, für eine Aufnahme in die Walhalla braucht's schon mehr.Für bedeutende Persönlichkeiten "teutscher Zunge" hat sie König Ludwig I. errichten lassen und davon sind auch reichlich welche drin. Luther, Goethe, Heine, Bismarck, Adenauer.Das hat wahrscheinlich die Freien Wähler auf den Plan gerufen. "Die Walhalla ist kein CSU- Stammtisch" hat der Kulturexperte der Partei verlauten lassen. Wobei der Adenauer ja in der CDU war. Also wenn, dann wär's ein Unionsstammtisch, ein sehr kleiner, an dem sich für die Freien Wähler wohl kein Platz fände. Außerdem hätte ja der Strauß schon einen Flughafen, sagt der Freie Wähler- Sprecher weiter. Das stimmt. Den hat der Adenauer allerdings auch. Man könnte ja vielleicht den Strauß- Flughafen in Hubert- Aiwanger- Airport umbenennen, in Eitsch-Äj-Äj (HAA), dann wäre die Mehrheit in der Staatsregierung für den Strauß in der Walhalla gesichert. Zumal es der große Vorsitzende Aiwanger wohl auch beim besten Willen nicht in die Walhalla schaffen wird. Teutsche Zunge und so. Vielleicht der Bruder. Egal.Mythologisch betrachtet ist Walhall ja der Wohnort der gefallenen Krieger, wo einen die Walküren hin geleiten und Wotan herrscht.Das mit dem herrschenden Wotan dürfte Strauß schon mal gar nicht gefallen, schließlich ist er doch schon im Himmel seit der Ankunft Ratzingers nur noch stellvertretender Vorsitzender, heißt's.Aber der Mythos, der passt zu Strauß, vor allem der des gefallenen Kriegers. Er hat gegen Augstein verloren, gegen Schmidt, gegen Kohl. 1976 in Wildbad Kreuth, als er die CSU bundesweit ausdehnen wollte, sogar gegen die eigene Parteibasis. Wo passt so einer besser hin als auf die Burg Walhall? Mögen die Walküren ihn geleiten.Eben alles eine Frage der Perspektive.

Romanzo epistolare: genere narrativo tipico del Romanticismo, con lettere scritte dai protagonisti. Scopri le sue caratteristiche e i testi più celebri.

Frau Goethe liest (FGL)"Herrliche Zeiten - Dem Himmel so nah" von Peter Prange – Rezension(Hördauer ca. 10 Minuten)Mit Herrliche Zeiten – Dem Himmel so nah gelingt Peter Prange erneut ein packender historischer Roman, der Geschichte lebendig macht und die großen Umbrüche der Zeit verdeutlicht. Zwischen persönlichen Schicksalen, politischen Machtspielen und technischen Visionen entfaltet sich ein Panorama, das die Lesenden tief in die Epoche hineinzieht.Eine Rezension von Heike Stepprath.Sprecherin Heike StepprathSchnitt: Jupp Stepprath, Realisation: Uwe KullnickHat Ihnen diese Rezension gefallen, mögen Sie vielleicht auch diese Sendung.Ich heiße Heike Stepprath und blogge unter Frau Goethe liest. Vor wenigen Jahren habe ich mich zum Studium von Public Relations entschlossen und das mit meiner Vorliebe zur Literatur verbunden. Mein Bücherregal ist mit Belletristik, Krimis, aber vor allem historischen Romanen gefüllt. Lesen ist bei mir eine Tagesroutine, die auch an stressigen Tagen unbedingt dazu gehört. Rund 120 Bücher lese ich jährlich und davon werden 80 rezensiert. Zum Austausch mit anderen Lesebegeisterten nutze ich liebend gerne Leserunden, Blogtouren, und Interviews. Artikel und Berichte über Veranstaltungen ergänzen das Thema rund ums Buch. Häufig habe ich Gelegenheit, Autoren zu treffen und mit ihnen Podcasts aufzunehmen.⁠Wenn dir Rezensionen gefallen, hör doch mal hier hinein.⁠

Ein Gedicht, ein Gefühl, ein Gesicht. Singer-Songwriter Max Prosa trifft Ingo auf einen Kaffee – und es wird poetisch. Zwischen RAW-Gelände und RAW-Gefühlen reden die beiden über Texte, Träume, Touren und auch Familie und Vaterschaft. Max schreibt Gedichte, die unter die Haut gehen – Ingo spielt ein Spiel, bei dem jeder Vers zählt. Überraschung inklusive.

Europos Sąjunga akcentuoja daugiakalbystės svarbą. Tačiau Lietuvos mokyklose šis siekinys yra dažniau deklaracija, o ne realybė. Mat daugybė mokinių ne tik negali dėl Europos kalbų pasiūlos nebuvimo pasirinkti mokytis norimos antrosios užsienio kalbos, o ir pamokų, reikalingų antrosioms užsienio kalboms išmokti, skaičius nepakankamas.Kaip rodo oficialioji švietimo statistika, 2024–2025 mokslo metais 311 tūkst. mokinių pasirinko anglų kalbą kaip pirmąją užsienio kalbą – tai beveik visi Lietuvos moksleiviai (prieš penkerius metus 291 tūkst.). Vokiečių kalbą pirmąja užsienio kalba pasirinko tik 800 (prieš penkerius metus – 1300), prancūzų kalbą rinkosi – mažiau nei 250 moksleivių (prieš penkerius metus – apie 500).Antrosios užsienio kalbos, pradedamos mokyti nuo 6 klasės, populiarumas toliau disonuoja su Europos kalbų mokymosi skatinimu. Rusų kalbą kaip antrąją 2024-2025 m. m. rinkosi 89,5 tūkst. mokinių (prieš penkerius metus – 108 tūkst.), vokiečių – beveik 36 tūkst. (prieš penkerius metus – 24,7 tūkst.), prancūzų – 14,4 tūkst. (prieš penkerius metus – 9 tūkst.), o ispanų – 6,4 tūkst. (prieš penkerius metus – 649). Italų ir lenkų kalbos lieka užribyje – atitinkamai tik 41 ir 112 besimokiusiųjų.Tačiau realybė stabdo tikrą daugiakalbystę: pasiekti B1/B2 vokiečių, prancūzų ar ispanų kalbos lygį, kaip rodo JAV Valstybės departamento kalbų instituto atlikti tyrimai, reikia maždaug 600–900 valandų. Bet Lietuvos moksleiviai nuo 6 iki 10 klasės antrosios užsienio kalbos mokosi tik apie 400–500 valandų. O ir po 10 klasės dauguma mokinių antrosios užsienio kalbos atsisako. Mat, pagal Švietimo, mokslo ir sporto ministerijos Bendrąjį ugdymo planą, gimnazijos III–IV klasėse leidžiamas maksimalus individualus pamokų krūvis – 35 valandos per savaitę. Tad dažnas mokslus jaunuolis, rinkdamasis, ko atsisakyti, dažniausiai atsisako antrosios užsienio kalbos. Kitaip negalės pasirinkti tiek dalykų, kiek reikalinga stojant į aukštąsias mokyklas.Rugsėjo 26 d. minima Europos kalbų diena primena: norint, kad jaunimas iš tiesų taptų daugiakalbis, reikia ne tik gražių žodžių, bet ir realių sprendimų – daugiau pamokų, lankstesnio krūvio ir galimybių mokytis įvairių kalbų.LRT radijo švietimo laidoje dalyvauja Goethe's instituto Lietuvoje vadovo pavaduotoja, Kalbos skyriaus vadovė Nijolia Buinovskaja ir Lietuvos prancūzų kalbos mokytojų ir dėstytojų asociacijos prezidentė Danutė Stankaitienė.Ved. Jonė Kučinskaitė.

In this episode, Janice Campbell sits down with Professor Carol Reynolds to explore the powerful role music and the arts play in a child's education. Together, they unpack how music isn't just a “nice extra,” but an essential part of helping kids connect with history, science, and even math. Carol shares how rhythm, sound, and story all work together to shape not only knowledge, but also confidence and joy in learning. If you've ever wondered how to integrate music and literature more fully into your homeschool, or you're looking for encouragement that it's not too late to begin, this conversation will inspire you. By the end, you'll be reminded that education is about more than checking boxes—it's about nurturing the soul through beauty, rhythm, and story. About Carol Professor Carol Reynolds is a much sought-after public speaker for arts venues, homeschool conferences, and general audiences. She combines insights on music history, arts, and culture with her passion for arts education to create programs and curricula, inspires concert audiences, and lead art tours. Never dull or superficial, Carol brings to her audiences a unique blend of humor, substance, and skilled piano performance to make the arts more accessible and meaningful to audiences of all ages. Carol has led art tours to Russia, Poland, Austria, Germany, Hungary, Switzerland, the Czech Republic, Croatia, Slovakia, San Francisco, and Broadway on behalf of several arts organizations and has recently teamed with Smithsonian Journeys for cruises to the Holy Land, Mediterranean, Caribbean, Baltic Sea, Indian Ocean, and across the Atlantic. Her enthusiasm and boundless energy give tour participants an unforgettable experience. For more than 20 years, Carol was Associate Professor of Music History at the Meadows School of the Arts, Southern Methodist University in Dallas, Texas. She now makes her home in North Carolina with her husband, Hank, and her daughter and grandchildren. Hank and Carol maintain a second residence in Weimar, Germany — the home of Goethe, Schiller, Bach, and Liszt, and the focal point of much of Europe's artistic heritage. About Janice Janice Campbell, a lifelong reader and writer, loves to introduce students to great books and beautiful writing. She holds an English degree from Mary Baldwin College, and is the graduated homeschool mom of four sons. You'll find more about reading, writing, planning, and education from a Charlotte Mason/Classical perspective at her websites, EverydayEducation.com, Excellence-in-Literature.com, and DoingWhatMatters.com. Resources  Saul by George Frideric Handel The Creation by Joseph Haydn https://www.professorcarol.com/2011/08/20/the-biggest-page-turn-in-music/ Peter and the Wolf by Sergei Prokofiev The role of music in a Hitchcock movie soundtrack Hurrah and Hallelujah: 100 Songs for Children Excellence in Literature curriculum (Grades 8-12) Connect Carol Reynolds | Website | Facebook | Instagram  Janice Campbell | Instagram | Facebook | Twitter | Pinterest | Website Homeschooling.mom | Instagram | Website Subscribe to our YouTube channel | YouTube Have you joined us at one of the Great Homeschool Conventions?  We hope to see you there! For more encouragement on your homeschooling journey, visit the Homeschooling.mom site, and tune in to our sister podcast The Charlotte Mason Show. View full show notes on the blog.

 After my nap, I enter the kitchen and there is a big red spot from my over delicious beetroot Kimchi on the table… And I think my table has periods… And then I have the drive to write this Blog and my Laptop needs so much time to start… He likes to torture me… I hate him…Why I can't be serious? Because only a madman can enjoy his life… If I read all this nonsense that writing books or advice is hard work … It is not, it is torture for the Laptop or the Laptop keyboard … Not one single laptop keyboard has lasted more than 2 years… Still not convinced that every moment can be fun when you stop to be seriously… And when I read all this nonsense from the best motivational speakers… They have found the best spouses, got the best kids and the best separation… The Auditorium doesn't realize that these motivational speakers are just cheating and lying like Trump! Selling dreams and delivering B. S. Goethe described the true happiness is inside of ourselves and is independent of worldly matters… If you chase or run after worldly happiness/ success or Spirituality you are on the wrong path! Chasing is all the time wrong.The inner path is to get inside happiness, bliss, love and connect with God; but without chasing! Or do you think it is fun to put yourself under pressure to get the things that you need? For what?  Just relax and do the things in a relaxed or passionate way… Or do you want to hunt orgasm? I have read this insane idea of women who went to the later famous A. Robbins and complained about their orgasm instead just to enjoy it … Every woman is different and so their orgasm.For sure, you enjoy sex much more, if you make body exercise/Yoga/Qigong and if you are thin because than you are more relaxed and more in your body and emotions.You can't enjoy your life when you are too much in your head… Relax and start with meditation and make your body exercises… And that formula is proved by the University of London… Life is just simple. Don't overthink just do it …My Video: Ideas of a madman https://youtu.be/zZBflfX5Pe0My Audio: https://divinesuccess.net/wp-content/uploads/2021/Podcast.B/Ideas-of-a-madman.mp3 

RtB loves the present-day shadows cast by neglected books, which can suddenly loom up out of the backlit past. So, you won't be shocked to know that John has also been editing a Public Books column called B-Side Books. In it, around 50 writers (Ursula Le Guin was one) have made the case for un-forgetting a beloved book. Now, there is a book that collects 40 of these columns. Find it as your local bookstore, or Columbia University Press, or Bookshop, (or even Amazon). Like our podcast, B-Side Books focuses on those moments when books topple off their shelves, open up, and start bellowing at you. The one that enthralled Merve Emre (Wesleyan professor and author ofsuch terrific works as The Personality Brokers) was a novella by the luminous midcentury Italian pessimist, Natalia Ginzburg. And if you think you know precisely why a mid-century Italian writer would have a dark and bitter view of the world (already thinking of the Nazi shadows in work by Italo Calvino, Primo Levi and Giorgio Bassani) Ginzburg's The Dry Heart will have you thinking again. Merve Emre, Ginzburg fan and B-Side author Merve started her piece, and we started this 2023 conversation, by asking that age-old question: “When should a woman kill her husband?” Mentioned in This Episode J. W. Goethe, Sorrows of Young Werther (1774) Michael Warner, “Uncritical Reading” Natalia Ginzburg. The Little Virtues (personal essays that do not stage an excessive evacuation of the self, but instead triangulate between reader, writer and object of concern…) Elena Ferrante, The Neapolitan Novels Fleur Jaeggy, Sweet Days of Discipline and These Possible Lives Rachel Ingals Mrs. Caliban (1982) Read transcript here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

RtB loves the present-day shadows cast by neglected books, which can suddenly loom up out of the backlit past. So, you won't be shocked to know that John has also been editing a Public Books column called B-Side Books. In it, around 50 writers (Ursula Le Guin was one) have made the case for un-forgetting a beloved book. Now, there is a book that collects 40 of these columns. Find it as your local bookstore, or Columbia University Press, or Bookshop, (or even Amazon). Like our podcast, B-Side Books focuses on those moments when books topple off their shelves, open up, and start bellowing at you. The one that enthralled Merve Emre (Wesleyan professor and author ofsuch terrific works as The Personality Brokers) was a novella by the luminous midcentury Italian pessimist, Natalia Ginzburg. And if you think you know precisely why a mid-century Italian writer would have a dark and bitter view of the world (already thinking of the Nazi shadows in work by Italo Calvino, Primo Levi and Giorgio Bassani) Ginzburg's The Dry Heart will have you thinking again. Merve Emre, Ginzburg fan and B-Side author Merve started her piece, and we started this 2023 conversation, by asking that age-old question: “When should a woman kill her husband?” Mentioned in This Episode J. W. Goethe, Sorrows of Young Werther (1774) Michael Warner, “Uncritical Reading” Natalia Ginzburg. The Little Virtues (personal essays that do not stage an excessive evacuation of the self, but instead triangulate between reader, writer and object of concern…) Elena Ferrante, The Neapolitan Novels Fleur Jaeggy, Sweet Days of Discipline and These Possible Lives Rachel Ingals Mrs. Caliban (1982) Read transcript here Learn more about your ad choices. Visit megaphone.fm/adchoices

RtB loves the present-day shadows cast by neglected books, which can suddenly loom up out of the backlit past. So, you won't be shocked to know that John has also been editing a Public Books column called B-Side Books. In it, around 50 writers (Ursula Le Guin was one) have made the case for un-forgetting a beloved book. Now, there is a book that collects 40 of these columns. Find it as your local bookstore, or Columbia University Press, or Bookshop, (or even Amazon). Like our podcast, B-Side Books focuses on those moments when books topple off their shelves, open up, and start bellowing at you. The one that enthralled Merve Emre (Wesleyan professor and author ofsuch terrific works as The Personality Brokers) was a novella by the luminous midcentury Italian pessimist, Natalia Ginzburg. And if you think you know precisely why a mid-century Italian writer would have a dark and bitter view of the world (already thinking of the Nazi shadows in work by Italo Calvino, Primo Levi and Giorgio Bassani) Ginzburg's The Dry Heart will have you thinking again. Merve Emre, Ginzburg fan and B-Side author Merve started her piece, and we started this 2023 conversation, by asking that age-old question: “When should a woman kill her husband?” Mentioned in This Episode J. W. Goethe, Sorrows of Young Werther (1774) Michael Warner, “Uncritical Reading” Natalia Ginzburg. The Little Virtues (personal essays that do not stage an excessive evacuation of the self, but instead triangulate between reader, writer and object of concern…) Elena Ferrante, The Neapolitan Novels Fleur Jaeggy, Sweet Days of Discipline and These Possible Lives Rachel Ingals Mrs. Caliban (1982) Read transcript here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Michael and Ethan discuss Faust, by Goethe, both part 1 and 2, while drinking Balvenie Doublewood 12yo single malt.In this episode:Self-flagellationTranslationAbridgementBets vs bargainsLost in the weeds vs taking the scenic routeStriving vs GretchenThis podcast (Michael) casually speaks German, nbdGoethe wasn't JUST a creepy old manExcellent lecture by Dr Michael Sugrue on Goethe's FaustInevitable comparison to The Life and Opinions of Tristram ShandyPoetry as excess and as exploring the space, but not jokesHomunculusFaust is a dareNext time Michael and Ethan will discuss Goethe's Faust, Parts 1 and 2! Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Join us on GoodReads!Get on our Substack!Donate to our Patreon! MUSIC & SFX: “Fools that Will Laugh on Earth,” by Benji Inniger, from the Original Soundtrack to The Spiritual Tragedy of Doctor Faustus"Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.(Links to books & products are affiliate links.)

(c) WDR 2025 Von Christoph Vratz.

Das Konzept ist genial und etwas für alle, die auf Gesang verzichten können: Mendelssohn schreibt Klavierstücke, so eingängig wie Arien – nur ohne den nervigen Gesang … Von Christoph Vratz.

Infamis Gärtner Infamis: Nacht und Sound Kreisky: Unsterblichkeit Adieu Eckstein: Ein ganzes Leben Marlo Grosshardt: Hamburg Guildo Horn: Berlin Spider Murphy Gang: Schickeria Extrabreit: Komm nach Hagen Sportfreunde Stiller: Das Geschenk Thees Uhlmann: Junkies und Scientologen Kettcar: Deiche Hiss: Polka für die Welt La Brass Banda: Bierzelt Kellerkommando: Uns geht's gut Haindling: Draißg Kilomedta

Ich war in den USA, daher auch im Haltungsblock meine Haltung dazu. Zumindest, wie sie sich entwickelt. Und dann hab ich da drüben auch nicht nur gearbeitet, sondern auch richtig viel erlebt

Neoclassicismo e preromanticismo letterario in Europa: storia, caratteristiche, definizione e autori: Winckelmann, Foscolo, Goethe e Macpherson.

Eisbrecher: Kaltfront DKay.Com: Carcrash music for now people Die Krupps: Im Schatten der Ringe Johnny Tupolev: Desperate Stonebourne: The hate you give Sun: Kyon Megaherz: Der König der Dummen Mono Inc.: My deal with god Das Ich: Brutus KMFDM: Megalomaniac Lindemann: Yukon In Strict Confidence: Zauberschloss

Donald Macleod explores Robert Schumann's years in Dusseldorf – the city where he would spend the final years of his life. Despite often being portrayed as a creative disaster, during this period, Schumann was greatly inspired by the city and by the countryside which surrounded it, and would write some of his greatest music.Music featured: Marchenbilder, Op 113 (1st mvt, Nicht schnell) Symphony No 3 in E-flat major ‘Rhenish' Op 97 5 Lieder, Op 40 (No 4, Der Spielmann) Geistervariationen in E-flat major for piano, WoO 24 Violin Concerto in D minor, WoO 23 (2nd & 3rd mvts) Konzertstück for 4 Horns and Orchestra, Op 86 (1st mvt) Lieder und Gesange aus Wilhelm Meister, Op 98a Scenes from Goethe's Faust, Part 3 (excerpt) The Bride of Messina Overture Kinderszenen, Op 15 (No 7 Träumerei) Genovera Overture Op 81 Sechs Gesange, Op 107 (No 6 Abendlied) Adventlied (excerpt) Mass in C minor, Op 147 (Gloria) Symphony No 4 in D minor, Op 120 (1st mvt) Manfred Overture, Op 115 Cello Concerto in A minor, Op 129 Violin Sonata No 1 in A minor, Op 105 (2nd mvt) Der Rose Pilgerfahrt, Op 112 Marchenerzahlungen, Op132 (No 3) Fantasy for Violin and Orchestra in C major, Op 131 Introduction and Concert Allegro, Op 134 Blumenstuck in D-flat Major, Op 19 Wenn mein Stundlein vorhanden istPresented by Donald Macleod Produced by Sam Phillips for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Robert Schumann (1810-1856) https://www.bbc.co.uk/programmes/m002hwtc And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Die Macrons, Goethe, Schröder, Sartre, Heidi Klum: Partner müssen nicht immer ähnlich alt sein. Kann es wirklich Liebe sein? Im Sexpodcast „Ich frage für einen Freund“ erklärt die Hamburger Sexexpertin Katrin Hinrichs dem Journalisten Hajo Schumacher die Vorzüge des Altersunterschieds, aber auch die Tücken. Unsere Themen: Warum zerreißen sich alle das Maul? Wer schiebt den Rollstuhl? Neue Freiheiten. Blüte und Reife. Rücksicht und Ermöglichen. Alte Seelen in jungen Körpern. Plus: Die Rente ist sicher.

Was ist eigentlich Wirklichkeit? In dieser Folge sprechen wir darüber, warum die Wirklichkeit nicht das ist, was wir sehen – sondern das, was sich zwischen Idee und Tat entfaltet. Ein Gespräch über Prozesse statt Zustände, über den lebendigen Blick auf das Leben, über Bio, Forschung, Goethe und die Frage, wie wir das Wesen der Dinge wirklich erfassen. Wenn du bereit bist, Dinge nicht nur zu sehen, sondern zu verstehen – dann ist diese Folge für dich.

Almarë, senhoritos e senhoritas! Estamos de volta com o Especial mais pedido pelos ouvintes!! Venha juntamente de Guilherme Baessa, Guilherme Torres, Fernanda Correia e Verônica Valadares falar sobre o primeiro livro da saga das Crônicas de Gelo e Fogo, ou A SOFIA: A Guerra dos Tronos! Como venda casada, aproveite para se deleitar sobre os comentários da primeira temporada da série que mudou a televisão mundial!Neste episódio: relembre o imenso impacto cultural do livro e da série, saiba que podemos estar presenciando um Goethe pós-moderno, concorde com a esposa de Robb Stark e tome cuidado para seu pai não entrar na sala bem na hora errada!!Gostou do nosso trabalho? Seja um colaborador do Tumba do Balin pela nossa chave Pix "tumbadobalin@gmail.com", e compartilhe o programa com seus amigos! Para ficar por dentro de mais episódios, acesse nosso site tumbadobalin.com.br e nossas redes sociais:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/tumbadobalin⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ e ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.twitter.com/tumbadobalin⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Envie seus comentários, teorias e sugestões para ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠tumbadobalin@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Dies ist wieder eine kurze Episode der konstruktiven Irritation. Ich möchte ein paar Gedanken teilen und wieder möglichst wenig eigene Wertung geben, sondern mögliche Aspekte aufzeigen und Fragen stellen. Selbstverständlich wird es auch diesmal nicht vollständig sein, aber hoffentlich zum Weiterdenken anregen. Mein neues Buch: Hexenmeister oder Zauberlehrling? Die Wissensgesellschaft in der Krise kann vorbestellt werden! Der erste Teil des Titels »Das Werdende, das ewig wirkt und lebt?« ist ein Zitat aus Faust I, am Ende werde ich das zum Ausklang etwas weiter zitieren. Das Thema ist also das Wechselspiel zwischen transendenten und trasienten Dingen und Ereignissen, beziehungsweise auch das Übergehen von einem ins andere. Transzendet bedeutet dabei in meiner Verwendung, das Überschreiten oder Hinausgehen über bestimmte Grenzen. Etwas konkrete meine ich hier zwei Dimensionien: zeitlich, also Dinge, die über den Zeithorizont etwa eines Menschen oder einer Generation gehen sowie in einem materiellen Sinne; also Dinge die das materielle transzendieren, also überschreiten. Das kann eine spirituelle Bedeutung haben, aber auch eine philosopische, etwa nach Kant. Denken wir an Dinge, die jenseits der Erfahrung und des Verstands existieren oder etwas banaler, solche die nicht materiell greifbar sind, aber dennoch von Dauer. Ich werde das gleich anhand einiger Beispiele deutlicher machen. Transient ist nun fast das Gegenteil, also Dinge oder Ereignisse, die relativ schnell vergehen, die also im Moment sind und wenig bleibende Spuren hinterlassen. Dies kann sich, wie gesagt, sowohl auf materielle wie auch geistige Aspekte beziehen. Mich beschäftigt dieses Thema nun seit einiger Zeit, weil ich glaube, dass in menschlichen Kulturen sowie im individuellen Erleben diese Aspekte der Transzendenz oder des Vergehens sehr bestimmende Faktoren sein können, ohne dabei jetzt eine konkrete Wertung einbringen zu wollen. Und zwar darum, weil diese von der konkreten Ausprägung aber auch von den individuellen Werten abhängig ist. In dieser Episode werde ich versuchen, diese Spannung an einer Reihe von Beispielen deutlich zu machen: Momente in der Zeit Theater- oder Musik-Aufführungen Bilder Kunst Gegenstände des Alltags Wissenschaft Philosophie — Karl Poppers Welt 3 Mode und Kultur Gruppe vs. Individuum Was geschieht mit Gesellschaften, die von Transzendenz dominiert sind, und mit solchen, die sie versuchen vollständig aus der Welt zu vertreiben und dann feststellt, dass viele Menschen ohne das Transzendente nicht leben können und sich dann aus dem Bauchladen der Beliebigkeit Themen suchen, die sie religiös überladen? “Whatever the cause, a time horizon extending beyond the lifetime of the individual becomes a spontaneous moral control on individual action, analogous to moral constraints extending in space at a given time.”, Thomas Sowell Wo stehen wir in der Welt? Wie gehen wir mit diesem Konflikt um? »Erfreut euch der lebendig reichen Schöne! Das Werdende, das ewig wirkt und lebt, Umfass euch mit der Liebe holden Schranken, Und was in schwankender Erscheinung schwebt, Befestigt mit dauernden Gedanken!« , Faust I Referenzen Andere Episoden Episode 128: Aufbruch in die Moderne — Der Mann, der die Welt erfindet! Episode 125: Ist Fortschritt möglich? Ideen als Widergänger über Generationen Episoce 124: Zeitlos Episode 106: Wissenschaft als Ersatzreligion? Ein Gespräch mit  Manfred Glauninger Episode 98: Ist Gott tot? Ein philosophisches Gespräch mit Jan Juhani Steinmann Episode 88: Liberalismus und Freiheitsgrade, ein Gespräch mit Prof. Christoph Möllers Episode 84: (Epistemische) Krisen? Ein Gespräch mit Jan David Zimmermann Episode 76: Existentielle Risiken Episode 66: Selbstverbesserung — ein Gespräch mit Prof. Anna Schaffner Episode 57: Konservativ UND Progressiv Episode 55: Strukturen der Welt Episode 50: Die Geburt der Gegenwart und die Entdeckung der Zukunft — ein Gespräch mit Prof. Achim Landwehr Episode 49: Wo denke ich? Reflexionen über den »undichten« Geist Episode 43: Deep Fakes: Wer bist du, und – was passiert da eigentlich? Episode 26: Was kann Politik (noch) leisten? Ein Gespräch mit Christoph Chorherr Fachliche Referenzen Alexander Schatten, Hexenmeister oder Zauberlehrling? Die Wissensgesellschaft in der Krise (2025) Johann Wolfgang von Goethe, Faust I (1808) Karl Popper, Objective Knowledge: An Evolutionary Approach, Oxford University Press, Revised Edition (1979) Thomas Sowell, Knowledge and Decision, Basic Books (1996)

For anyone who has seen Michael B. Jordan's excellent new movie Sinners, it's clear that any sort of deal with the devil - what has become known as the Faustian Bargain - is still very much alive. So relevant, in fact, that cultural historian Ed Simon has a book, just out in paperback, about its enduring relevance entitled Devil's Contract. From Shakespeare and Goethe to Thomas Mann and Donald Trump, Simon argues, the Faustian Bargain is more than just a literary trope. In fact, he suggests, it is as relevant today, in our social media age of the Mephistophelian Donald Trump as it was in the German Reformation of the equally populist Martin Luther. The Art of a Deal with the Devil. And we all know how it ends. Go and see Sinners. Spoiler warning: not without the spilling of a great deal of innocent blood. 1. The Faustian Bargain is Fundamentally About Irrationality Despite knowing the terrible consequences, Faust signs the contract anyway. As Simon explains, "if you know that the devil is real and that the Devil collects souls at the end of your life, then like you'd never sign on the dotted line. And yet these characters continually do." This captures our human tendency to act against our own best interests.2. The Contract Makes It Modern What distinguishes the Faust legend from earlier devil stories is the literal paperwork. Simon argues this bureaucratic element - signing on the dotted line - transforms it into a distinctly modern tale about legal systems, capitalism, and bureaucracy. It's not just about temptation; it's about documentation.3. AI is Our Latest Faustian Bargain Simon sees artificial intelligence as having "a shockingly obvious kind of Faustian gloss" - from the magic of conjuring something from nothing to the environmental destruction of massive server farms. We're trading our future for technological convenience, knowing the costs.4. Trump is Mephistopheles, Not Faust In Simon's reading, Trump isn't the one making the deal - he's the devil others make deals with. JD Vance becomes the perfect example: fully aware of what Trump is, yet "willing to seemingly abandon whatever principles he may have had in the past... for power alone."5. Sometimes Faust Wins (But Usually Doesn't) While Goethe's Faust finds redemption and salvation, most versions end badly. The American "Yankee Faust" tries to trick the devil but still gets his house burned down. The lesson? You might think you're clever enough to beat the devil, but the house always wins.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Faust: It's a rainy day, sunshine girl Can: She brings the rain Ash Ra Tempel: La Sourire Volé Kraftwerk: Trans Europa Express Kraftwerk: Metall auf Metall Einstürzende Neubauten: Redukt Hackedepicciotto: The Seventh Day FM Einheit: Theme from Death Row Kai Niggemann: Methane Lakes

Fluent Fiction - Italian: Mystery in the Park: The Case of the Missing Friend Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2025-09-04-22-34-02-it Story Transcript:It: Il sole autunnale illuminava i Giardini di Villa Borghese, tingendo le foglie con sfumature dorate.En: The autumn sun illuminated the Giardini di Villa Borghese, tinting the leaves with golden hues.It: Giulia camminava accanto a Marco ed Elena, godendosi il calore leggero e il profumo di foglie umide.En: Giulia walked alongside Marco and Elena, enjoying the light warmth and the scent of damp leaves.It: Avevano deciso di fare un picnic per sfuggire alla frenesia della città.En: They had decided to have a picnic to escape the hustle and bustle of the city.It: Seduti su una coperta a quadretti, il trio rideva e condivideva aneddoti delle loro vite.En: Seated on a checkered blanket, the trio laughed and shared anecdotes from their lives.It: Tuttavia, la serena atmosfera cambiò all'improvviso.En: However, the serene atmosphere changed suddenly.It: Marco, allontanatosi per prendere una birra dalla borsa frigo, non tornò più.En: Marco, having stepped away to get a beer from the cooler, did not return.It: "Ma dove è finito Marco?En: "But where has Marco gone?"It: ", Elena chiese con un tono di preoccupazione crescente.En: Elena asked with a tone of growing concern.It: Giulia, sempre attenta e analitica, decise di prendere in mano la situazione.En: Giulia, always attentive and analytical, decided to take matters into her own hands.It: "Controlliamo i dintorni, magari l'incontriamo per strada," suggerì.En: "Let's check the surroundings, maybe we'll meet him along the way," she suggested.It: Iniziò così un tour dettagliato dei sentieri ombreggiati dei giardini.En: Thus began a detailed tour of the shaded paths of the gardens.It: Giulia osservava ogni persona che passava, cercando di notare se qualcuno conoscesse Marco.En: Giulia observed every person passing by, trying to see if anyone knew Marco.It: Ma nessuno lo aveva visto.En: But no one had seen him.It: Giulia si chinò sul tappeto da picnic, quando il suo sguardo si soffermò su qualcosa di insolito.En: Giulia bent down on the picnic blanket when her gaze stopped on something unusual.It: Un telefono dimenticato giaceva nascosto sotto la coperta.En: A forgotten phone lay hidden under the blanket.It: Non era il suo né quello di Elena.En: It wasn't hers, nor Elena's.It: Lo accese e scoprì un messaggio strano: "Giochi finiti?En: She turned it on and discovered a strange message: "Game over?It: La statua del poeta ti attende."En: The poet's statue awaits you."It: Un indovinello, pensò Giulia.En: A riddle, Giulia thought.It: Doveva significare qualcosa.En: It had to mean something.It: "La statua del poeta," ripeté pensierosa.En: "The poet's statue," she repeated thoughtfully.It: La risposta era chiara: la famosa statua di Goethe, non lontano da lì.En: The answer was clear: the famous statue of Goethe, not far from there.It: Le due donne si precipitarono alla statua, ansiose di scoprire cosa le aspettava.En: The two women rushed to the statue, eager to discover what was awaiting them.It: Lì, allegramente appoggiato contro il piedistallo, c'era Marco, che rideva di gusto.En: There, happily leaning against the pedestal, was Marco, laughing heartily.It: "Era un gioco", spiegò lui ridendo, "un piccolo mistero per rendere la giornata più interessante."En: "It was a game," he explained, laughing, "a little mystery to make the day more interesting."It: Giulia sorrise, sentendo un'ondata di soddisfazione e sollievo.En: Giulia smiled, feeling a wave of satisfaction and relief.It: Aveva risolto il mistero, dimostrando a se stessa e agli amici che era davvero capace di affrontare le situazioni impreviste.En: She had solved the mystery, proving to herself and her friends that she was indeed capable of handling unexpected situations.It: Elena abbracciò Giulia, felice e rassicurata.En: Elena hugged Giulia, happy and reassured.It: Con una nuova fiducia acquisita, Giulia capì che in fondo, le sue capacità erano proprio come i colori autunnali: vibranti e pronte a risplendere, persino nei momenti di apparente oscurità.En: With newly gained confidence, Giulia realized that deep down, her abilities were just like the autumn colors: vibrant and ready to shine, even in moments of apparent darkness. Vocabulary Words:the poet: il poetathe atmosphere: l'atmosferathe mystery: il misterothe statue: la statuathe warmth: il calorethe scent: il profumothe dampness: l'umiditàthe riddle: l'indovinellothe pedestal: il piedistallothe satisfaction: la soddisfazionethe relief: il sollievothe capabilities: le capacitàthe blanket: la copertathe answer: la rispostathe game: il giocothe shadow: l'ombrathe hues: le sfumaturethe hustle: la frenesiathe tour: il tourthe surroundings: i dintornithe city: la cittàthe beer: la birrato lean: appoggiarsithe wave: l'ondatathe gardens: i giardinithe checkered: i quadrettiunexpected: imprevistothe path: il sentieroattentive: attentaanalytical: analitica

Michael and Ethan, along with special guests Maren Boucher and Benji Inniger, discuss The Tragical History of the Life and Death of Doctor Faustus, by Christopher Marlowe. Michael and Ethan are drinking Balvenie Doublewood 12yo single malt; Benji is drinking Oban Little Bay; Maren is drinking Lagavulin 11. What a mess.In this episode:Bethany Lutheran College Production of Doctor Faustus! (Director and assistant director = our guests!)FaustbuchFaustus: The Horror FilmPhilip Melancthon might have studied with Faust, an anecdote that's fun for maybe just the four people on this podcastFaustus: The Real Guy, or, why does he matter?Disappearing side characters (and disappearing main character???)Hell is a pyramid scheme, or, Faustus as lululemon rep, or, Cornelius and Valdez are DeadDid the devil appear on-stage, or is it Puritan propaganda?Doctor FauthtuthSympathy vs pityOrigins of the Shakespeare race, irrelevant to the episode but we're keeping itCheck out Benji's music and photography!Check out Benji's OST to Bethany's production of The Spiritual Tragedy of Doctor Faustus!Next time Michael and Ethan will discuss Goethe's Faust, Parts 1 and 2! Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Join us on GoodReads!Get on our Substack!Donate to our Patreon! MUSIC & SFX: “Fools that Will Laugh on Earth,” by Benji Inniger, from the Original Soundtrack to The Spiritual Tragedy of Doctor Faustus"Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.(Links to books & products are affiliate links.)

Olivia Pedroli: The Day Alicia Edelweiss: Walking the cow Stoppok: Im Wartesaal zum großen Glück Bernd Begemann: Du wirst Dich schämen für Deinen Ziegenbart Tocotronic: Es ist egal, aber Hans Platzgumer: Blindes Volk Die Wilde Jagd & Metropole Orkest: Kabura-ya Qntal: Ecce Gratum Helium Vola: Omnis Mundi Creatura Faun: The Golden Apples Estampie: Disse Mi

Bernhard, Henry www.deutschlandfunkkultur.de, Fazit

Bernhard, Henry www.deutschlandfunk.de, Kultur heute

Seit 2017 ist der türkische Kulturförderer Osman Kavala inhaftiert, verurteilt zu lebenslanger Haft. Kavala wird von der türkischen Justiz ein Umsturzversuch im Zusammenhang mit den Gezi-Protesten 2013 vorgeworfen. Nun wird der Mäzen mit der Goethe-Medaille, dem offiziellen Ehrenzeichen Deutschlands ausgezeichnet. „Kavala war eine zentrale Figur für die außerparlamentarische Opposition“, erklärt Osman Okkan vom Kulturforum Türkei Europa. Auch in der Haft selbst sei Kavala weiter standhaft und engagiert, zum Beispiel kritisiere er die nachgiebige Haltung europäischer Staaten gegenüber dem türkischen Präsidenten Erdogan. Die Verleihung der Goethe-Medaille könnte dieser Kritik und der türkischen Opposition helfen, denn „das einzige, was Erdogan und seine Anhänger ernst nehmen, ist der Druck von außen“, so Osman Okkan im Gespräch mit SWR Kultur.

Then miracles will happen. Why?  If we know, what we are making wrong, only then we can change. This makes sense,… Mostly of all people think that they know themselves. Oscar Wild said I am by myself the greatest mystery… Actually, we don't even know our self…  And if we make mistakes then we blemish the other people…. In relationships, other people see us much better, than we see ourselves… Because we are blind by our mistakes, short longings, bad habits and …I had a girlfriend in Munich and I was living in Bremen (800km distance). On a beautiful day in Munich, I visited her. Before that, I recognize that mainly all Munich citizens had been in a bad mood, because of the Foehn wind (the Foehn is changing the people's moods when they live in such area). I arrived and she was nagging on me like crazy, I could not bear that and escaped to the English Garden… After some time I realized, she was the embodiment of my inner child, that was nagging like her… I came back to her, and without saying anything; she said, that she had been stroked from a cognition, that she was treating me badly because of her bad mood… The Sufis are saying, that the spouse is a reflection of ourselves; so all that we see on bad habits, mistakes that we have also somehow inside of us…. The Saint Krishnamurty said, you are the world, what you see that you are. or Goethe said, your own sins you find first on other…  And it is really magic, if we recognize in the right moment our mistake then the outcome will change…. Self-knowledge is the first step for improvement….My Video: Learn to criticize yourself! https://youtu.be/pLPlsI0df9wMy Audio: https://divinesuccess.net/wp-content/uploads/2021/Podcast.B/Learn-to-criticize-yourself.mp3

Lueb, Uwe www.deutschlandfunk.de, Kultur heute

durée : 01:28:14 - En pistes ! du mardi 26 août 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le Quatuor Werther associe les œuvres de ces deux compositeurs allemands qui furent aussi de fervents lecteurs de Goethe. A retrouver également dans l'émission : un album composé d'airs de folie britanniques, et l'Art de la Fugue de Bach sur les instruments historiques que le cantor joua lui-même... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:14 - En pistes ! du mardi 26 août 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le Quatuor Werther associe les œuvres de ces deux compositeurs allemands qui furent aussi de fervents lecteurs de Goethe. A retrouver également dans l'émission : un album composé d'airs de folie britanniques, et l'Art de la Fugue de Bach sur les instruments historiques que le cantor joua lui-même... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Infamis: Nacht und Sound Fiona Daniel: Prolog Fiona Daniel: Dr Ewig Reisende SODL: I am a woman Filial: Sad girl with a punchline Lukas Oscar: Onions Magdalena Wawra: Orangenbäume Silberstreif: Ich suche dein Gesicht Rheingold: Dreiklangsdimensionen Peter Schilling: Die Wüste lebt D.A.F.: Der Räuber und der Prinz Grauzone: Eisbär Geier Sturzflug: Besuchen Sie Europa Extrabreit mit Hildegard Knef: Für mich soll's rote Rosen regnen Extrabreit mit Harald Juhnke: Nichts ist für immer

Professor Kozlowski tackles the preeminent philosopher of Enlightenment philosophy: Immanuel Kant. In this lecture, we'll discuss the basic principles underlying Deontological Ethics (including an explanation of the Categorical Imperative), before moving on to appreciate the wry dark humor and cutting insights of his political essay "Perpetual Peace."Our readings include excerpts from the Fundamental Principles of the Metaphysics of Morals (Or "Groundwork...") and the complete essay "Perpetual Peace."Additional readings this week include a healthy portion of sturm und drang: Goethe's Faust and Schiller's The Robbers, as well as the behemoth of Romantic Political Philosophy: Hegel's The Philosophy of Right. (Proceed with caution - Hegel is not for the faint of heart...) As for today's video game recommendation, we're going with the Gamecube-era JRPG: Tales of Symphonia for its unflinching deontological morality. Take that, Final Fantasy X!If you're interested in Professor Kozlowski's other online projects, check out his website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠professorkozlowski.wordpress.com

Institute of Love: O Superman Fiji: In every dream home a heartache Division Kent: Gravity /A: Grain sand and mud De/Vision: What you deserve Wolfsheim: Approaching lightspeed Paul van Dyk/Peter Heppner: Wir sind wir Polarkreis 18: Allein Allein Ascii.Disko: Aldimarkt Warren Suicide: The woman just stood there Yello: You gotta say yes to another excess Dieter Meier: Busy going nowhere Gudrun Gut: Garten Einstürzende Neubauten: The Garden

Thomas Kemple‘s new book is an extraordinarily thoughtful invitation to approach Max Weber (1864-1920) as a performer, and to experience Weber's work by attending to his spoken and written voice. Intellectual Work and the Spirit of Capitalism: Weber's Calling (Palgrave Macmillan, 2014) looks carefully at the literary structure and aesthetic elements of Weber's arguments, considering how the texts offer an “allegorical resource for thinking sociologically.” Kemple argues that the formal structure of Weber's ideas is inseparable from the content, and that understanding one is crucial for understanding the other. As a way into that formal structure, in each chapter Kemple offers an ingenious visual diagram that acts as a kind of “talking picture,” simultaneously evoking the cinematic elements of Weber's own work and giving readers another tool for engaging the performative aspects of it. Kemple's book is particularly attentive to the ways that Weber's performance is shaped by a close engagement with the work of other writers, musicians, and thinkers, from Goethe and Tolstoy to Machiavelli and Martin Luther, and from the Bhagavadgita to The Valkyries. In addition, Marianne Weber – Max's “wife, intellectual partner, and posthumous editor” – is an important presence throughout the book in helping us understand and read Weber's work anew. Kemple's thoughtful and beautifully written analysis helps us understand not just Weber's own work, but also the value of that work for attending to issues of our own present. Learn more about your ad choices. Visit megaphone.fm/adchoices

The conclusion of our two-parter on Erich Heller, and the conclusion to season five! We discuss Nietzsche's friendship with Jacob Burckhardt, and how Burckhardt's view of history can inform our understanding of Nietzsche's divergence from him. We also consider Goethe's four ages of intellectual culture, and Nietzsche's echo of Goethe in his history of European nihilism, and how he comes to differ from Goethe, Schopenhauer and all his influences in his proclamations about history, in which the Overman shall transcend the cyclical, unchanging stagnation of human history by changing the nature of man himself. Finally, we consider what the hazard of modern poetry means for us in the present day, what each figure's answer to this divorce between symbol & real means, whether they succeeded or not, and what we can learn from them.

Das Ich: Lazarus Inchtabokatables: Die Taube The Young Gods: Blackwater Geist: So viele wie Du Geist: Leider Megaherz: König der Dummen Eisbrecher: Verrückt Rammstein: Deutschland Oomph!: Europa Nasty Neighbors: Zombiealarm Fiddler's Green: Wall of folk Long Distance Calling: Curiosity Long Distance Calling: Sharing thoughts

Something happened to the human mind around the birth of modernity: the divorce of reality and the symbol. Once unified in eucharist, the symbolic and the real are now separate spheres of the human mind, and while it initially seemed that art and science might benefit by this separation, in the long run, both have ended up poorer thereby. In this episode, the two-part finale of season five, we will discuss Luther & Zwingli, and their dispute about the holy communion; Goethe & Schiller and their argument about the difference between the idea and the experience; and Goethe's avoidance of tragedy and what this says about the "hazard of modern poetry".

Scorpions: No one like you Accept: Princess of the dawn Kingdom Come: Stargazer Lucifer's Friend: Action Maggie's Madness: Starlight Blues Vanden Plan: The Rainmaker Uptide: Deny Warlock: I rule the ruins Blind Guardian: Secrets of the American gods Everon: Perfect Remedy Eloy: A broken frame

Like Beethoven, Arrigo Boito composed only one opera (Mefistofele), yet whose mystical allegory, musical power, and masterful lyricism continues to resonate with audiences worldwide. This clever yet profound opera also inspires, alarms, and, quite frequently, amuses. Based on medieval legends and Goethe's play Faust, this work depicts the famous and jaded scholar who makes a bet with the devil: to acquire occult knowledge and faculties at the cost of his soul, or to conquer temptation in the service of the sacred. If Faust can overcome passion, power, and desire, he can enter the divine mysteries and spiritual hierarchies where true peace, realization, and understanding is to be found. Surprisingly, all of this occurs under the auspices of the Transcendent, for without divinely-sanctioned temptation and adversity, there is no development, mastery, or faith, like Jehovah approving of Satan's afflictions upon Job to prove his candidacy to sainthood (Job 1:12). Or as described by Samael Aun Weor throughout his writings, “Temptation is fire. Triumph over temptation is light.” Discover how an initiate enters the secret path to liberation by facing the necessary forces of opposition and resistance—the mysterious and instructive tests of Lucifer (“the light-maker”)—so as to acquire profound self-knowledge and the wielding of esoteric powers with ethics, purity, and wisdom.

Today's story is based on the classic poem by Johann Wolfgang von Goethe, adapted and written for you by Daniel Hinds. You may also recognize the story from the old Disney movie Fantasia, where it was told with no words, just a Mickey Mouse animation and a musical score. Check out Stories RPG our new show where we play games like Starsworn with all your Max Goodname friends, and Gigacity Guardians featuring the brilliant firefly! https://link.chtbl.com/gigacity Draw us a picture of what you think any of the characters in this story look like, and then tag us in it on instagram @storiespodcast! We'd love to see your artwork and share it on our feed!! If you would like to support Stories Podcast, you can subscribe and give us a five star review on iTunes, check out our merch at storiespodcast.com/shop, follow us on Instagram @storiespodcast, or just tell your friends about us! Check out our new YouTube channel at youtube.com/storiespodcast. If you've ever wanted to read along with our stories, now you can! These read-along versions of our stories are great for early readers trying to improve their skills or even adults learning English for the first time. Check it out.

Reinhard Mey: Über den Wolken Infamis: Blinden Infamis: Endlich Steiner & Madlaina: Riot Alicia Edelweiss: Behind the gates Die Wände: Die ewige Baustelle Herbst in Peking: Welt der Wunder Peter Muffin Trio: Winter The Young Gods: Shine that drone Lucia Cifarelli: Valhalla In Extremo: Weckt die Toten (2024)

What does it mean to live the ideal life — and who gets to decide what “ideal” really means?In this episode, we explore wisdom from the Stoics and Goethe on how striving for purpose and meeting each moment fully might be closer to the answer than endless comfort. Take a moment to look the present in the eye and ask yourself: how long will you wait before you demand the best for yourself?

This week's guest is Justin Goethe. Ron and Justin discussed why people struggle to get on board with lean, the role traditional consulting can play, why "A Plan for Every Part" is important, and more. An MP3 audio version of this episode is available for download here. In this episode you'll learn:  The quote Justin likes (2:57) Why we're hesitant to take action (4:02) Justin's background (5:16) Who Justin would train first (12:13) Getting the finance community on board (14:10) Why people struggle with lean (17:03) The role a consultant can play (18:11) Justin's advice for where to start (23:42) Why "A Plan for Every Part" is important (25:38) Podcast Resources Right Click to Download this Podcast as an MP3 Justin on LinkedIn Allied Logistics Get All the Latest News from Gemba Academy Our newsletter is a great way to receive updates on new courses, blog posts, and more. Sign up here. What Do You Think? How do you get people on board with lean?