Podcasts about goethe

Ted Gioia warned this would be a tough week—and he wasn't kidding. Week 33 of the Immersive Humanities Project had me wrestling with three giants of philosophy: Descartes, Kant, and Spinoza. I started with Descartes' Discourse on the Method, where his famous “I think, therefore I am” felt surprisingly direct and human. His four rules for reasoning—question, divide, simplify, and review—made him seem less like an abstract philosopher and more like a kind, curious friend.Kant's Groundwork for the Metaphysics of Morals was another story. Dense and demanding, it centers on the “Categorical Imperative”: act only according to principles you'd accept as universal law. It's a moral system built purely on duty, not emotion.Then came Spinoza's Ethics, written like a geometry proof. His radical idea—that God and Nature are one—left little room for the supernatural or free will.When reading failed, I turned to the 1987 Great Philosophers series with Brian Magee, which unlocked everything. These thinkers—Continental Rationalists all—believed reason alone could uncover truth, unlike the British Empiricists who demanded evidence. It was a mentally exhausting but fascinating stretch, and next week I'm relieved to return to fiction with Goethe's The Sorrows of Young Werther.LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)CONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate - https://crackthebook.captivate.fm

Hello to you listening in Show Low, Arizona!Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds for Motivate Your Monday and your host, Diane Wyzga.Maybe like me in times of difficulty you turn for comfort or encouragement to a favorite line from the past, that still makes you wonder: could this have been written with me in mind?Johann Wolfgang Von Goethe said, “Sometimes our fate resembles a fruit tree in winter. Looking at its sad appearance who would think that those stiff branches, those jagged twigs would turn green again and blossom and bear fruit next spring; but we hope they will, we know they will.”Goethe also said: “One ought, every day at least, to hear a little song, read a good poem, see a fine picture, and if it were possible, to speak a few reasonable words.”As you set forth in days ahead, remember to pause; breathe; have faith that you got this; and it will be alright in the end.You're always welcome: "Come for the stories - Stay for the magic!" Speaking of magic, I hope you'll subscribe, share a 5-star rating and nice review on your social media or podcast channel of choice, bring your friends and rellies, and join us! You will have wonderful company as we continue to walk our lives together. Be sure to stop by my Quarter Moon Story Arts website, check out the Communication Services, arrange a no-obligation Discovery Call, and stay current with me as "Wyzga on Words" on Substack.Stories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron MusicALL content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved.  If you found this podcast episode helpful, please consider sharing and attributing it to Diane Wyzga of Stories From Women Who Walk podcast with a link back to the original source. 

Hock, Stephanie www.deutschlandfunkkultur.de, Interview

Musik zum „Faust“? Unmöglich, meint Goethe. Er kann nicht ahnen, dass knapp 30 Jahre nach seinem Tod Charles Gounod den Pakt mit dem Teufel eingehen – und damit Operngeschichte schreiben würde … Von Christoph Vratz.

Desencís mil·lenista, càustic i gamberro. Crítica teatral de la marató de les obres: «Càndid o l'optimisme». A partir de Voltaire. Trilogia de la condició “Millennial”, 1. Dramatúrgia: Miquel Mas Fiol. Intèrpret: Lluís Oliver. Direcció: Miquel Mas Fiol. Reposició Trilogia de la condició “Millennial”, 1. Espai Lliure, Teatre Lliure Montjuïc, Barcelona. Marató integral: 8 novembre 2025. «Les penes del jove Werther». A partir de J. W. Goethe. Trilogia de la condició “Millennial”, 2. Dramatúrgia i direcció: Miquel Mas Fiol. Intèrpret: Mel Salvatierra. Direcció: Miquel Mas Fiol. Reposició Trilogia de la condició “Millennial”, 2. Espai Lliure, Teatre Lliure Montjuïc, Barcelona. Marató integral: 8 novembre 2025. «Els miserables». A partir de Victor Hugo. Trilogia de la condició “Millennial”, 3. Dramatúrgia i direcció: Miquel Mas Fiol. Intèrprets: Gerard Franch, Lluís Oliver i Mel Salvatierra. Col·laboració especial: Joan Carreras. Espai escènic i il·luminació: Mireia Sintes. Vestuari i caracterització: Júlia López i Melià. Espai sonor i música original: Pablo Ruz. Audiovisuals: Nina Solà i Carbonell. Ajudant de direcció i moviment: Carme Milán. Estudiants en pràctiques: Emma Delon, Laia Borrajo i Maria Lupion. Equip tècnic: Joan Rey i Javier Lillo. Cap de producció: Jordi Puig Gibert. Producció executiva: Ferran Murillo i Maika Pacheco. Distribució: Magrana Escena. Fotografia: Roser Blanch. I els equips del Teatre Lliure. Premi Novaveu dels XXVII Premis de la Crítica a la millor proposta per a públic jove. Aquest espectacle forma part del projecte Residència de direcció del Programa de suport a la creació del Tantarantana #fàbricadecreació. Menció especial a la Fabra i Coats: Fàbrica de Creació i Eòlia com a espais col·laboradors. Producció: Teatre Tantarantana - Associació ATIC. Amb el suport de: Grec Festival de Barcelona 2024, OSIC Departament de Cultura de la Generalitat de Catalunya i ICUB Institut de Cultura de l’Ajuntament de Barcelona. Direcció: Miquel Mas Fiol. Reposició Trilogia de la condició “Millennial”, 2. Espai Lliure, Teatre Lliure Montjuïc, Barcelona. Marató integral: 8 novembre 2025. Veu: Andreu Sotorra. Música: El hombre del piano. Intèrpret: Ana Belén. Composició: Billy Joel. Àlbum: 26 Grandes canciones y una Nube Blanca, 1979.

Harald in glänzender Höchstform. Eine Suada über Bücher, vor allem überflüssige Bücher, über das Wegschmeißen von Büchern, ein Literaturnobelpreisträgerverriss und dann die Erkenntnis: Goethe ist überschätzt. Andrack ist – ausnahmsweise – ganz anderer Ansicht. Wie bitte, Goethe überschätzt? Faust – genial! Im Podcast verrät Andrack dem Neu, was seiner Ansicht nach hinter Haralds Hass auf den Dichterfürsten steckt. Schließlich diskutieren Andrack und Neu vor der imposanten Bücherwand des Ex-Sidekicks, wie viele Bücher der Mensch braucht. Reichen zwanzig, wie der Late-Night-Meister behauptet? Außerdem: Vergesst nicht den scharfen Sven, dem es mittlerweile nicht so gut geht. https://www.gofundme.com/f/sven-braucht-unsere-hilfe-jetzt

The book began with a trip to Buchenwald Memorial near Weimar, Germany. UNO English Professor John Price was inspired by a memorial at a massive oak stump- all that was left of a famous oak tree mentioned in German literature and music. “Goethe's Oak: a Holocaust Memorial” imagines the history this famous tree experienced over the centuries of its long life. Hear an interview with author John Price

The story, set in the 17th Century during the reign of Louis XIII in France, concerns the progress of an impoverished nobleman as he ventures forth into a series of dangerous adventures which culminate in the restoration of his true noble social position. In today's parlance the story might be described as an action romance. The protagonist happens to become involved a group of travelling actors whom he accompanies in his search for himself. There are a number of similarities with Goethe's "Wilhelm Meister's Apprenticeship". Among the troupe of actors is a young woman with whom he falls deeply in love, which sustains him in his quest for social restoration. The novel idealises hereditary nobility. There is a happy ending for all, in which aristocratic society is vindicated.Translated by F. C. de Sumichrast.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The story, set in the 17th Century during the reign of Louis XIII in France, concerns the progress of an impoverished nobleman as he ventures forth into a series of dangerous adventures which culminate in the restoration of his true noble social position. In today's parlance the story might be described as an action romance. The protagonist happens to become involved a group of travelling actors whom he accompanies in his search for himself. There are a number of similarities with Goethe's "Wilhelm Meister's Apprenticeship". Among the troupe of actors is a young woman with whom he falls deeply in love, which sustains him in his quest for social restoration. The novel idealises hereditary nobility. There is a happy ending for all, in which aristocratic society is vindicated.Translated by F. C. de Sumichrast.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The story, set in the 17th Century during the reign of Louis XIII in France, concerns the progress of an impoverished nobleman as he ventures forth into a series of dangerous adventures which culminate in the restoration of his true noble social position. In today's parlance the story might be described as an action romance. The protagonist happens to become involved a group of travelling actors whom he accompanies in his search for himself. There are a number of similarities with Goethe's "Wilhelm Meister's Apprenticeship". Among the troupe of actors is a young woman with whom he falls deeply in love, which sustains him in his quest for social restoration. The novel idealises hereditary nobility. There is a happy ending for all, in which aristocratic society is vindicated.Translated by F. C. de Sumichrast.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The story, set in the 17th Century during the reign of Louis XIII in France, concerns the progress of an impoverished nobleman as he ventures forth into a series of dangerous adventures which culminate in the restoration of his true noble social position. In today's parlance the story might be described as an action romance. The protagonist happens to become involved a group of travelling actors whom he accompanies in his search for himself. There are a number of similarities with Goethe's "Wilhelm Meister's Apprenticeship". Among the troupe of actors is a young woman with whom he falls deeply in love, which sustains him in his quest for social restoration. The novel idealises hereditary nobility. There is a happy ending for all, in which aristocratic society is vindicated.Translated by F. C. de Sumichrast.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The story, set in the 17th Century during the reign of Louis XIII in France, concerns the progress of an impoverished nobleman as he ventures forth into a series of dangerous adventures which culminate in the restoration of his true noble social position. In today's parlance the story might be described as an action romance. The protagonist happens to become involved a group of travelling actors whom he accompanies in his search for himself. There are a number of similarities with Goethe's "Wilhelm Meister's Apprenticeship". Among the troupe of actors is a young woman with whom he falls deeply in love, which sustains him in his quest for social restoration. The novel idealises hereditary nobility. There is a happy ending for all, in which aristocratic society is vindicated.Translated by F. C. de Sumichrast.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The story, set in the 17th Century during the reign of Louis XIII in France, concerns the progress of an impoverished nobleman as he ventures forth into a series of dangerous adventures which culminate in the restoration of his true noble social position. In today's parlance the story might be described as an action romance. The protagonist happens to become involved a group of travelling actors whom he accompanies in his search for himself. There are a number of similarities with Goethe's "Wilhelm Meister's Apprenticeship". Among the troupe of actors is a young woman with whom he falls deeply in love, which sustains him in his quest for social restoration. The novel idealises hereditary nobility. There is a happy ending for all, in which aristocratic society is vindicated.Translated by F. C. de Sumichrast.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The story, set in the 17th Century during the reign of Louis XIII in France, concerns the progress of an impoverished nobleman as he ventures forth into a series of dangerous adventures which culminate in the restoration of his true noble social position. In today's parlance the story might be described as an action romance. The protagonist happens to become involved a group of travelling actors whom he accompanies in his search for himself. There are a number of similarities with Goethe's "Wilhelm Meister's Apprenticeship". Among the troupe of actors is a young woman with whom he falls deeply in love, which sustains him in his quest for social restoration. The novel idealises hereditary nobility. There is a happy ending for all, in which aristocratic society is vindicated.Translated by F. C. de Sumichrast.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The story, set in the 17th Century during the reign of Louis XIII in France, concerns the progress of an impoverished nobleman as he ventures forth into a series of dangerous adventures which culminate in the restoration of his true noble social position. In today's parlance the story might be described as an action romance. The protagonist happens to become involved a group of travelling actors whom he accompanies in his search for himself. There are a number of similarities with Goethe's "Wilhelm Meister's Apprenticeship". Among the troupe of actors is a young woman with whom he falls deeply in love, which sustains him in his quest for social restoration. The novel idealises hereditary nobility. There is a happy ending for all, in which aristocratic society is vindicated.Translated by F. C. de Sumichrast.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Gabi Delgado & Marc Hurtado: Ich träume nur Massiv in Mensch: Offensivschock 2025 DSTRTD SGNL: Sleeper in Metropolis Diary of Dreams: The chemistry of pain Lacrimosa: Metamorphobia Die Krupps: Will nicht muss Erdling: Mana Das Ich: Prometheus Lucy Kruger & The Lost Boys: Ambient heat Fiddler's Green & Jimmy Kelly: Botany Bay Sondaschule: Wir bleiben wach Anna Buchegger: Scheslem Infamis: Die Nacht kommt herüber Naked Lunch: We could be beautiful

Vor 250 Jahren: Am 7. November 1775 kam der 26-jährige Goethe in Weimar an. Da ahnte der Bestseller-Autor des "Werther" noch nicht, dass er bis zu seinem Lebensende in dem thüringischen Residenzstädtchen bleiben sollte.

Frau Goethe liest (FGL)"Wir dachten, das Leben kommt noch" von Elisabeth Sandmann – Rezension(Hördauer ca. 9 Minuten)Elisabeth Sandmann gelingt mit Wir dachten, das Leben kommt noch ein feinfühliger Roman über Mut, Loyalität und die Last des Schweigens. Zwischen den Fronten des Zweiten Weltkriegs und den Nachwirkungen im Jahr 1990 entfaltet sich auf zwei Zeitebenen ein Netz aus Erinnerung, Schuld und dem Wunsch nach Wahrheit.Eine Rezension von Heike Stepprath.Sprecherin Heike StepprathHat Ihnen diese Rezension gefallen, mögen Sie vielleicht auch diese Sendung.Schnitt: Jupp Stepprath, Realisation: Uwe Kullnick Ich heiße Heike Stepprath und blogge unter Frau Goethe liest. Vor wenigen Jahren habe ich mich zum Studium von Public Relations entschlossen und das mit meiner Vorliebe zur Literatur verbunden. Mein Bücherregal ist mit Belletristik, Krimis, aber vor allem historischen Romanen gefüllt. Lesen ist bei mir eine Tagesroutine, die auch an stressigen Tagen unbedingt dazu gehört. Rund 120 Bücher lese ich jährlich und davon werden 80 rezensiert. Zum Austausch mit anderen Lesebegeisterten nutze ich liebend gerne Leserunden, Blogtouren, und Interviews. Artikel und Berichte über Veranstaltungen ergänzen das Thema rund ums Buch. Häufig habe ich Gelegenheit, Autoren zu treffen und mit ihnen Podcasts aufzunehmen.

Das gleichnamige Gedicht von Johann Wolfgang von Goethe dient als Motiv für einige Gedanken des Freimaurers zu diesem Thema. Autor: Andreas Jonda Der Freimaurer-Spaziergang erscheint im Medienverbund der Großloge der Alten Freien und Angenommenen Maurer von Deutschland e.V. Skript zur Folge: https://www.freimaurerei.de/verschwiegenheit/ Feedback an: redaktion@afuamvd.de Sprecher/Produktion: Bjoern Krass-Koenitz

Michael and Ethan discuss Doctor Faustus: The Life of the German Composer Adrian Leverkuhn as Told by a Friend, by Thomas Mann, while drinking Jura 10yo single malt.In this episode:All digressions and fallings-apart are intentionally reflective of the novel under discussion and are not us doing a bad jobTalking about books by talking about other books (aka, this is actually us reading Tristram Shandy for at least the third time)The narrator that gets in his own wayOne or more frame stories AND several meta-layersLots about time, WWII, Germany, time, Germans, Nazis, and time (but not a lot that's fun to make sassy bullet points about)In Marlowe, Faust is damned; in Goethe, Faust is saved; in Mann, Faust is(.)Next time Michael and Ethan will continue to discuss Doctor Faustus, by Thomas Mann! Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Join us on GoodReads!Get on our Substack!Donate to our Patreon! MUSIC & SFX: “Fools that Will Laugh on Earth,” by Benji Inniger, from the Original Soundtrack to The Spiritual Tragedy of Doctor Faustus"Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.(Links to books & products are affiliate links.)

Udo Lindenberg: Mit dem Sakko nach Monakko Udo Lindenberg: Grande Finale Marius Müller-Westernhagen: Mit 18 Marius Müller-Westernhagen: Mit Pfefferminz bin ich dein Prinz Extrabreit: Polizisten Extrabreit: Der Präsident ist tot Spliff: Deja Vu Spider Murphy Gang: Skandal im Sperrbezirk Joachim Witt: Goldener Reiter Trio: Da Da Da DAF: Der Mussolini Propaganda: p:Machinery Liaisons Dangereuses: Los niños del parque

Gerla tekur á móti Víðsjá í Glerhúsinu í þætti dagsins. Á sýningunni Þær sækir listakonan innblástur í menningararf kvenna frá upphafi síðustu aldar þar sem persónuleg og pólitísk reynsla fléttast saman í textíl, minni og efni. Tímasetning sýningarinnar er ekki háð tilviljun, heldur talar hún við hálfrar aldar afmæli kvennaverfallsins. Gerla segir okkur frá sinni leið í textílinn sem er samofin kvennabaráttunni, tilurð verkanna og mikilvægi listaverka sem voru lengi vel ekki metin sem slík. Að gefnu tilefni rýnir Tómas Ævar einnig í kafla úr ævisögu Bruce Springsteen, en kvikmynd byggð á ævi kappans er væntanleg og Gauti Kristmannsson fjallar um Goethe og formtilraunir hans í Nóvellu og Ævintýri.

Goethe und Schiller sollen Kartoffeln geliebt und bedichtet haben, schon in Shakespeares Dramen kommen Kartoffeln vor. Die tolle Knolle hat Lyriker immer schon inspiriert, vor allem seit dem 18. Jahrhundert, seit Preußenkönig Friedrich II. den Bauern in seinem Land befohlen hat, mehr Kartoffeln anzubauen. Kartoffelgedichte sind manchmal sozialkritisch gemeint, aber sie können natürlich auch als Rezeptideen genutzt werden.

Auf den Spuren verschiedener Künstler geht es diesmal durch Europa: So begleiten wir Goethe nach Tschechien, Tucholsky nach Schweden und Thomas Mann nach Lübeck. Von Tina Witte

Joachim Witt: Signale Kettcar: München Fiddler's Green: Fairy of the West Wingenfelder: Wenn's am schönsten ist Bernadette La Hengst: I need air Die Braut haut ins Auge: Pop ist tot Die Sterne: Wichtig Ja, Panik: Lost Fuzzman: Nur Krieg für Dich Club of Problems: Walking the road Jördis Tielsch: Call out the sun Schubsen: Haus der Gewalt Willow Parlo: Spinning Einstürzende Neubauten: Wie lange noch? Einstürzende Neubauten: Planet Umbra

durée : 00:12:26 - Le Disque classique du jour du lundi 20 octobre 2025 - La mezzo-soprano norvégienne Marianne Beate Kielland et le pianiste Nils Anders Mortensen dévoilent leur dernière collaboration : un album consacré aux lieder qui allient la poésie intemporelle de Goethe au génie musical de Schubert. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:12:26 - Le Disque classique du jour du lundi 20 octobre 2025 - La mezzo-soprano norvégienne Marianne Beate Kielland et le pianiste Nils Anders Mortensen dévoilent leur dernière collaboration : un album consacré aux lieder qui allient la poésie intemporelle de Goethe au génie musical de Schubert. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Em Salmo 119.9-16, o Pr. Leandro Peixoto apresenta uma poderosa reflexão sobre como o jovem pode permanecer puro em meio aos desafios da juventude. A mensagem revela que a verdadeira sabedoria e felicidade não estão em seguir o coração, mas em submetê-lo à Palavra de Deus. Com exemplos marcantes da literatura — de Werther, de Goethe, a Bento Santiago, de Machado de Assis — o sermão mostra os perigos de uma vida guiada pelas emoções e prazeres, e contrasta isso com a vida de Davi, que encontrou prazer e direção na lei do Senhor. A pregação destaca que sobreviver espiritualmente à juventude envolve três campos de batalha: intelecto, emoções e vontade — e que a vitória em cada um deles só é possível quando a mente é renovada, o coração é guardado e a vontade é moldada pela Escritura. Uma pregação expositiva fundamentada na teologia reformada, que exorta os jovens (e todos os cristãos) a buscar pureza, prazer e perseverança na Palavra, encontrando nela a verdadeira liberdade e alegria duradoura em Cristo.

In dieser Episode geht es mal komplett um das Podstock, denn es war großartig!

Gabriella Belli"Vedova Tintoretto. In dialogo"Palazzo Madama, Torinowww.palazzomadamatorino.itFino al 12 gennaio 2026 Palazzo Madama – Museo Civico d'Arte Antica di Torino e la Fondazione Emilio e Annabianca Vedova di Venezia presentano la mostra “Vedova Tintoretto. In dialogo” a cura di Gabriella Belli e Giovanni Carlo Federico Villa. Un eccezionale percorso espositivo concepito per accostare l'arte di due grandi pittori veneziani, ciascuno tra i massimi interpreti della propria epoca – Jacomo Robusti detto il Tintoretto (Venezia, 1518-1594) ed Emilio Vedova (Venezia, 1919-2006) – letti in parallelo, così da affrontare lo sviluppo dell'opera di Vedova nel suo confronto con quello che è stato il maestro d'elezione, indagando similitudini e temi consonanti (o dissonanti) alla base delle singole scelte espressive.Tintoretto è stato fondativo per la formazione artistica di Vedova e la mostra a Palazzo Madama sottolinea l'impeto e la forza dell'articolato rapporto che lega i due artisti attraverso l'accostamento di capolavori del maestro rinascimentale e dell'artista informale. Il progetto dell'esposizione prende avvio dalla straordinaria opportunità di ospitare a Torino una delle opere conclusive, e paradigmatiche, della parabola umana e artistica di Tintoretto: l'Autoritratto del 1588, in prestito dal Musée du Louvre. Una tela che è stata più di un modello iconografico, rappresentando, come si evince dalle interpretazioni di Edouard Manet – che la replica e la considera il più bel quadro al mondo – e dagli scritti di Jean-Paul Sartre, una sorta di identificazione poetica e concettuale per molti artisti.  Tintoretto è infatti l'interprete di una narrazione pittorica capace di arrivare al nostro tempo mettendo insieme “Il disegno di Michelangelo, e il colorito di Tiziano”, esaltato nel corso dei secoli dal genio romantico dell'inglese Ruskin (1819-1900) – “non sono mai stato così completamente annichilito di fronte a una mente umana come lo sono stato oggi, di fronte a Tintoretto” – e dalle penne di Goethe, Stendhal o Henry James. Scriveva Emilio Vedova rispetto al suo grande maestro: “Tintoretto è stato una mia identificazione. Quello spazio appunto una sede di accadimenti. Quella regia a ritmi sincopati e cruenti, magmatici di energie di fondi interni di passioni di emotività commossa (…)”E per Vedova Tintoretto è la quotidianità di una consuetudine con Chiese, Scuole e Palazzi di Venezia in cui cercare e trovare il proprio Maestro, l'unico che gli rivela il segreto per trasformare la tecnica da merostrumento espressivo di belle forme in una lama affilata capace di incidere nella storia. Da lui Vedova trae ispirazione per temi e contenuti, ricava basilari insegnamenti per dominare lo spazio della tela, tradurre in colore la luce delle sue composizioni, modellare nel gesto rapido senza esitazioni le forme, che scaturiscono dal suo nuovo segno, che già nel 1948 lascia ogni tentazione figurativa per risolversi nell'astrazione. Giungendo infine alla sequenza indimenticabile dell'opera …in continuum, compenetrazioni/traslati '87/'88 riprova di quanto l'incontro di una vita abbia reso grande anche il discepolo, gli abbia offerto lo slancio necessario per andare oltre. La mostra Vedova Tintoretto. In dialogo, allestita nell'Aula del Senato del Regno d'Italia, presenta una cinquantina di capolavori tra tele di Emilio Vedova e opere di Tintoretto quali le clamorose ancone dei Camerlenghi, straordinario prestito dalle Gallerie dell'Accademia di Venezia o, ancora, alcune delle opere del celeberrimo ciclo delle Metamorfosi ora conservate alle Gallerie Estensi di Modena. Il serrato dialogo tra i due artisti si sviluppa a partire dai disegni giovanili di Vedova del 1936 passando per le tele degli anni Quaranta e Cinquanta dedicate alla riflessione su dipinti di Tintoretto quali la Moltiplicazione dei pani e dei pesci (da Tintoretto) (1942), La crocifissione (da Tintoretto) (1947), (studio da Sogno di San Marco di Tintoretto) (1956), e a quelle degli anni Ottanta. A completare il dialogo e l'esposizione è Vedova con la monumentale installazione …in continuum, compenetrazione/traslati '87/'88: più di cento grandi tele, assemblate le une con le altre in uno sviluppo che sfiderà la verticalità della sala del Senato, testimonianza dell'evoluzione di Vedova che continua con potenza visionaria il suo confronto col maestro ideale.Catalogo della mostra "Vedova Tintoretto. In dialogo": Silvana Editoriale www.silvanaeditoriale.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Neste episódio, apresento a leitura de O Prêmio Goethe (1930), composto pela Carta ao Dr. Alphonse Paquet e pelo Discurso na Casa de Goethe, em Frankfurt — textos em que Freud reflete sobre sua relação com Goethe, a psicanálise e o lugar do pensamento científico diante da arte e da genialidade.Em tom ao mesmo tempo comovido e lúcido, Freud confessa: “Como até agora não fui mimado por homenagens públicas, arranjei-me de modo a poder passar sem elas.” No entanto, deixa transparecer a alegria genuína de receber o prêmio que leva o nome do homem que mais admirava entre os escritores alemães.Em seu discurso, lê-se o tributo de um pensador ao outro: Freud aproxima Goethe de Leonardo da Vinci e reconhece em ambos o impulso de compreender as forças que movem a alma humana. “O trabalho de minha vida teve uma única meta: observar os distúrbios mais sutis das funções psíquicas de pessoas sãs e doentes.”Ele reconhece em Goethe um precursor das ideias psicanalíticas — alguém que, muito antes de Freud, intuía os vínculos inconscientes, a força dos afetos primordiais e o papel dos sonhos: “Aquilo que não sabido ou não pensado pelos homens no labirinto do peito vaga durante a noite.”Mais que uma homenagem, o texto é um diálogo entre dois gigantes — um poeta e um analista — sobre o enigma da criação, da culpa e da condição humana.

(00:00:50) Ein Meister des Unheils, der die Macht der Kunst bekräftige inmitten eines apokalyptischen Terrors. (00:05:26) Ausgetrunken: Im Caffè Greco in Rom hat schon Goethe gesessen - nach 265 Jahren ist Schluss. (00:09:16) Die Philippinen sind Gastland an der Frankfurter Buchmesse: José Rizals Roman «Noli Me Tangere» ist dafür neu aufgelegt worden. (00:14:23) Christian Petzolds neuer Film: «Miroirs No. 3» - ein eindringlicher Film über Trauer und Heilung.

In der 17. Folge des Goethe-Podcasts Natur und Geist begrüßen Marcus und Thomas erstmals einen Gast: Florian Freistetter, Astronom, Autor und Podcaster, bekannt für seinen erfolgreichen Wissenschafts-Podcast Sternengeschichten. Freistetter, der selbst in Jena lebte, bringt frische Perspektiven auf Goethes Verbindung zur Stadt und zur Wissenschaft. Die Drei widmen sich zunächst Goethes Hexen-Einmaleins, das Marcus vorliest. Florian erläutert, wie Goethe darin mathematische und mystische Elemente verbindet – ein weiteres Beispiel für Goethes vielseitiges Interesse an Naturwissenschaft und Dichtung. Sie besprechen die Gründung der Sternwarte in Jena, die Goethe veranlasst hatte und verfolgen ihre weitere Entwicklung. Thomas verweist auf das Kometenjahr 1811 und den Kometenwein, der besonders gut war. Abgerundet wird die Folge mit persönlichen Anekdoten, etwa über Goethes Beziehung zu Jena und die Bedeutung des Herzogs Karl August von Sachsen-Weimar-Eisenach, der persönlich sehr an der Naturwissenschaft interessiert war und sie deshalb förderte. Quelle: https://www.goethe-podcast.de/episode/goethes-hexen-einmaleins-und-jenas-sternwarte-in-schillers-garten / Bitte abonniert den Original-Podcastfeed: https://www.goethe-podcast.de/feed/mp3

In the early 16th century, the peasants of Central Europe were being overtaxed, overworked, and underfed, and the lords of the lands kept making things worse. Things worsened, after which they worsened some more, snails got involved, and then there was the biggest peasant revolt in Europe before the French Revolution. If you're a native English speaker, and you haven't heard of it, great though it be, don't feel bad; there is only one book in English on the Great German Peasants' War, and it was published this year. Michelle has a new hero, a badass knight beloved by Goethe, Sir Walter Scott, and the Internet, and Anne is quite perturbed about the snails.  By the way. As far as we're concerned, the revolt wasn't the crime; killing 100,000 peasants was. 

Katzer, Herwig www.deutschlandfunkkultur.de, Fazit

Nena: Irgendwie, irgendwo, irgendwann Polarkreis 18: Allein Allein Bamby: Sandman 2raumwohnung: Wolken ziehen vorbei Paul Kalkbrenner: Sky and sand Silly: Alles rot Herwig Mitteregger: Immer mehr Rosenstolz: Ich bin ich Reamonn: Supergirl Foolsgarden: Innocence Unheilig: Geboren um zu leben Alphaville: Big in Japan Camouflage: The Great Commandment Peter Schilling: Major Tom (Völlig losgelöst) Barbara Morgenstern: Come to Berlin

Sonntag und Montag im Yosemite, mit einem äußerst guten Ende für Alles: Reflexion gefunden, Half Dome mit der wunderbaren North Dome Wanderung ersetzt, alles gut!

Michael and Ethan discuss Faust, by Goethe, both part 1 and 2, while drinking Balvenie Doublewood 12yo single malt.In this episode:Dynamic in a pastoral wayBaffling talk of forms, mothers, material, and reality (and keys?)The Apocalypse has been happening since 1789This is roughly what Ethan is talking about regarding courtly loveIn case the references to “Walpurgis Night” are confusing, this probably won't help at allGoethe as both Enlightenment poet and Romantic poetSince when has this podcast gone in straight lines?Mendelssohn's Die Erste WalpurgisnachtThere is no striving in Elysium after drinking the waters of LetheThe GK Chesterton quote that Ethan mangles: “The riddles of God are more satisfying than the solutions of man.”Next time Michael and Ethan will discuss Doctor Faustus, by Thomas Mann! Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Join us on GoodReads!Get on our Substack!Donate to our Patreon! MUSIC & SFX: “Fools that Will Laugh on Earth,” by Benji Inniger, from the Original Soundtrack to The Spiritual Tragedy of Doctor Faustus"Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.(Links to books & products are affiliate links.)

Scorpions: Wind of change Hildegard Knef: Für mich soll's rote Rosen regnen Reinhard Mey: Über den Wolken Sportfreunde Stiller: Ich war noch niemals in New York Rainbirds: Blueprint Foolsgarden: Lemon Tree Kettcar: Sommer '89 Udo Lindenberg: Sonderzug nach Pankow Rio Reiser: König von Deutschland Juli: Geile Zeit Jupiter Jones: Still AnnenMayKantereit: Oft gefragt Luxuxlärm: 1000 km bis zum Meer Peter Fox: Haus am See Seed: Dickes B.

Ander Iturralde da la bienvenida a Rafa Pastrana, Héctor Kriok y Hugo Sancha, además de a Borja García, para analizar una nueva eléctrica jornada de acción en la Premier League...Comenzando por el tan esperado duelo entre los dos últimos invictos de la competición Crystal Palace y Liverpool y la brillante victoria local para colocar al equipo de Oliver Glasner en puestos champions como el último invicto solitario; como de solitario no tienen nada los córners con los que el Arsenal marca y gana y marca y gana y nos hace preguntarnos que por qué estamos haciendo esto y por qué son el Stoke y cómo en Newcastle, no sin una enorme dósis de polémica, lograron salir con el triunfo entre sus manos; mientras que a la cabeza de Rúben Amorim siempre van sus manos cuando es hora de lanzar un penalti, el cual el Manchester United falló en otro inaceptable despliegue en campo del victorioso Brentford; al igual que victorioso fue el Sunderland en su visita al impotente Nottingham Forest de Ange Postecoglou bajo la atenta mirada de Borja; como atentos han estado en el West Ham al despido del hombre de la semana Graham Potter por el antiguo entrenador del Forest, Nuno Espírito Santo; que también es el exentrenador de dos equipos que jugaron y empataron como son el Tottenham y el Wolverhampton; cosa que también hicieron el Leeds y el Bournemouth; el Manchester City lo tuvo bastante más fácil con una victoria de cinco goles sobre el Burnley; el Chelsea patinó horrendamente para ver cómo las gaviotas del Brighton les quitaron la merienda; el Aston Villa logró su primera victoria en liga al ganar al Fulham; en Championship; con Neymar siempre están pasando aún más cosas; y más.Apoya a que Alineación Indebida pueda prosperar, accede a todo nuestro contenido premium y a nuestro server de Discord suscribiéndote por tan sólo 1.00$/1.00€ en: https://www.patreon.com/posts/139975654Además... Ahora, al suscribirte en nuestra página de Patreon, puedes escuchar todo nuestro contenido de Alineación Indebida Premium a través del siguiente link de Spotify. Sólo tienes que vincular la cuenta que abras en Patreon y, a partir de ahí, tendrás desbloqueado todo el contenido premium que producimos: https://open.spotify.com/show/6WeulpfbWFjVtLlpovTmPv¡Volvemos el Jueves!Sigue a Ander: https://x.com/andershoffmanSigue a Rafa: https://x.com/RafaPastrana7Sigue a Héctor: https://x.com/KriokSigue a Borja: https://x.com/forestliveSigue al programa en Twitter: https://twitter.com/PodcastIndebidoSigue al programa en Instagram: instagram.com/podcastindebidoContacto: anderpodcast@gmail.com // alineacionindebidapodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

In this episode, Janice Campbell sits down with Professor Carol Reynolds to explore the powerful role music and the arts play in a child's education. Together, they unpack how music isn't just a “nice extra,” but an essential part of helping kids connect with history, science, and even math. Carol shares how rhythm, sound, and story all work together to shape not only knowledge, but also confidence and joy in learning. If you've ever wondered how to integrate music and literature more fully into your homeschool, or you're looking for encouragement that it's not too late to begin, this conversation will inspire you. By the end, you'll be reminded that education is about more than checking boxes—it's about nurturing the soul through beauty, rhythm, and story. About Carol Professor Carol Reynolds is a much sought-after public speaker for arts venues, homeschool conferences, and general audiences. She combines insights on music history, arts, and culture with her passion for arts education to create programs and curricula, inspires concert audiences, and lead art tours. Never dull or superficial, Carol brings to her audiences a unique blend of humor, substance, and skilled piano performance to make the arts more accessible and meaningful to audiences of all ages. Carol has led art tours to Russia, Poland, Austria, Germany, Hungary, Switzerland, the Czech Republic, Croatia, Slovakia, San Francisco, and Broadway on behalf of several arts organizations and has recently teamed with Smithsonian Journeys for cruises to the Holy Land, Mediterranean, Caribbean, Baltic Sea, Indian Ocean, and across the Atlantic. Her enthusiasm and boundless energy give tour participants an unforgettable experience. For more than 20 years, Carol was Associate Professor of Music History at the Meadows School of the Arts, Southern Methodist University in Dallas, Texas. She now makes her home in North Carolina with her husband, Hank, and her daughter and grandchildren. Hank and Carol maintain a second residence in Weimar, Germany — the home of Goethe, Schiller, Bach, and Liszt, and the focal point of much of Europe's artistic heritage. About Janice Janice Campbell, a lifelong reader and writer, loves to introduce students to great books and beautiful writing. She holds an English degree from Mary Baldwin College, and is the graduated homeschool mom of four sons. You'll find more about reading, writing, planning, and education from a Charlotte Mason/Classical perspective at her websites, EverydayEducation.com, Excellence-in-Literature.com, and DoingWhatMatters.com. Resources  Saul by George Frideric Handel The Creation by Joseph Haydn https://www.professorcarol.com/2011/08/20/the-biggest-page-turn-in-music/ Peter and the Wolf by Sergei Prokofiev The role of music in a Hitchcock movie soundtrack Hurrah and Hallelujah: 100 Songs for Children Excellence in Literature curriculum (Grades 8-12) Connect Carol Reynolds | Website | Facebook | Instagram  Janice Campbell | Instagram | Facebook | Twitter | Pinterest | Website Homeschooling.mom | Instagram | Website Subscribe to our YouTube channel | YouTube Have you joined us at one of the Great Homeschool Conventions?  We hope to see you there! For more encouragement on your homeschooling journey, visit the Homeschooling.mom site, and tune in to our sister podcast The Charlotte Mason Show. View full show notes on the blog.

Soft Loft: Dorm Lucy Kruger & The Lost Boys: Anchor Remote Bondage: Alle leben schneller Chicks on Speed: Meat & Drag Propaganda: Distant Propaganda: Dystopian Waltz T.Raumhouse: Samstag Nacht Tomcraft: Broadsword calling Danny Boy Greta Schloch: Tanzende Hydranten Rummelsnuff: Bohrmilch Shiny Gnomes: Bubble Burst Smokestack Lightnin': Big City Dreams Donots: Wake the dogs Jan Plewka: Bald sind wir zuhause Bernadette LaHengst: I need air

RtB loves the present-day shadows cast by neglected books, which can suddenly loom up out of the backlit past. So, you won't be shocked to know that John has also been editing a Public Books column called B-Side Books. In it, around 50 writers (Ursula Le Guin was one) have made the case for un-forgetting a beloved book. Now, there is a book that collects 40 of these columns. Find it as your local bookstore, or Columbia University Press, or Bookshop, (or even Amazon). Like our podcast, B-Side Books focuses on those moments when books topple off their shelves, open up, and start bellowing at you. The one that enthralled Merve Emre (Wesleyan professor and author ofsuch terrific works as The Personality Brokers) was a novella by the luminous midcentury Italian pessimist, Natalia Ginzburg. And if you think you know precisely why a mid-century Italian writer would have a dark and bitter view of the world (already thinking of the Nazi shadows in work by Italo Calvino, Primo Levi and Giorgio Bassani) Ginzburg's The Dry Heart will have you thinking again. Merve Emre, Ginzburg fan and B-Side author Merve started her piece, and we started this 2023 conversation, by asking that age-old question: “When should a woman kill her husband?” Mentioned in This Episode J. W. Goethe, Sorrows of Young Werther (1774) Michael Warner, “Uncritical Reading” Natalia Ginzburg. The Little Virtues (personal essays that do not stage an excessive evacuation of the self, but instead triangulate between reader, writer and object of concern…) Elena Ferrante, The Neapolitan Novels Fleur Jaeggy, Sweet Days of Discipline and These Possible Lives Rachel Ingals Mrs. Caliban (1982) Read transcript here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

RtB loves the present-day shadows cast by neglected books, which can suddenly loom up out of the backlit past. So, you won't be shocked to know that John has also been editing a Public Books column called B-Side Books. In it, around 50 writers (Ursula Le Guin was one) have made the case for un-forgetting a beloved book. Now, there is a book that collects 40 of these columns. Find it as your local bookstore, or Columbia University Press, or Bookshop, (or even Amazon). Like our podcast, B-Side Books focuses on those moments when books topple off their shelves, open up, and start bellowing at you. The one that enthralled Merve Emre (Wesleyan professor and author ofsuch terrific works as The Personality Brokers) was a novella by the luminous midcentury Italian pessimist, Natalia Ginzburg. And if you think you know precisely why a mid-century Italian writer would have a dark and bitter view of the world (already thinking of the Nazi shadows in work by Italo Calvino, Primo Levi and Giorgio Bassani) Ginzburg's The Dry Heart will have you thinking again. Merve Emre, Ginzburg fan and B-Side author Merve started her piece, and we started this 2023 conversation, by asking that age-old question: “When should a woman kill her husband?” Mentioned in This Episode J. W. Goethe, Sorrows of Young Werther (1774) Michael Warner, “Uncritical Reading” Natalia Ginzburg. The Little Virtues (personal essays that do not stage an excessive evacuation of the self, but instead triangulate between reader, writer and object of concern…) Elena Ferrante, The Neapolitan Novels Fleur Jaeggy, Sweet Days of Discipline and These Possible Lives Rachel Ingals Mrs. Caliban (1982) Read transcript here Learn more about your ad choices. Visit megaphone.fm/adchoices

RtB loves the present-day shadows cast by neglected books, which can suddenly loom up out of the backlit past. So, you won't be shocked to know that John has also been editing a Public Books column called B-Side Books. In it, around 50 writers (Ursula Le Guin was one) have made the case for un-forgetting a beloved book. Now, there is a book that collects 40 of these columns. Find it as your local bookstore, or Columbia University Press, or Bookshop, (or even Amazon). Like our podcast, B-Side Books focuses on those moments when books topple off their shelves, open up, and start bellowing at you. The one that enthralled Merve Emre (Wesleyan professor and author ofsuch terrific works as The Personality Brokers) was a novella by the luminous midcentury Italian pessimist, Natalia Ginzburg. And if you think you know precisely why a mid-century Italian writer would have a dark and bitter view of the world (already thinking of the Nazi shadows in work by Italo Calvino, Primo Levi and Giorgio Bassani) Ginzburg's The Dry Heart will have you thinking again. Merve Emre, Ginzburg fan and B-Side author Merve started her piece, and we started this 2023 conversation, by asking that age-old question: “When should a woman kill her husband?” Mentioned in This Episode J. W. Goethe, Sorrows of Young Werther (1774) Michael Warner, “Uncritical Reading” Natalia Ginzburg. The Little Virtues (personal essays that do not stage an excessive evacuation of the self, but instead triangulate between reader, writer and object of concern…) Elena Ferrante, The Neapolitan Novels Fleur Jaeggy, Sweet Days of Discipline and These Possible Lives Rachel Ingals Mrs. Caliban (1982) Read transcript here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Michael and Ethan discuss Faust, by Goethe, both part 1 and 2, while drinking Balvenie Doublewood 12yo single malt.In this episode:Self-flagellationTranslationAbridgementBets vs bargainsLost in the weeds vs taking the scenic routeStriving vs GretchenThis podcast (Michael) casually speaks German, nbdGoethe wasn't JUST a creepy old manExcellent lecture by Dr Michael Sugrue on Goethe's FaustInevitable comparison to The Life and Opinions of Tristram ShandyPoetry as excess and as exploring the space, but not jokesHomunculusFaust is a dareNext time Michael and Ethan will discuss Goethe's Faust, Parts 1 and 2! Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Join us on GoodReads!Get on our Substack!Donate to our Patreon! MUSIC & SFX: “Fools that Will Laugh on Earth,” by Benji Inniger, from the Original Soundtrack to The Spiritual Tragedy of Doctor Faustus"Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.(Links to books & products are affiliate links.)

Infamis Gärtner Infamis: Nacht und Sound Kreisky: Unsterblichkeit Adieu Eckstein: Ein ganzes Leben Marlo Grosshardt: Hamburg Guildo Horn: Berlin Spider Murphy Gang: Schickeria Extrabreit: Komm nach Hagen Sportfreunde Stiller: Das Geschenk Thees Uhlmann: Junkies und Scientologen Kettcar: Deiche Hiss: Polka für die Welt La Brass Banda: Bierzelt Kellerkommando: Uns geht's gut Haindling: Draißg Kilomedta

Ich war in den USA, daher auch im Haltungsblock meine Haltung dazu. Zumindest, wie sie sich entwickelt. Und dann hab ich da drüben auch nicht nur gearbeitet, sondern auch richtig viel erlebt

Today's story is based on the classic poem by Johann Wolfgang von Goethe, adapted and written for you by Daniel Hinds. You may also recognize the story from the old Disney movie Fantasia, where it was told with no words, just a Mickey Mouse animation and a musical score. Check out Stories RPG our new show where we play games like Starsworn with all your Max Goodname friends, and Gigacity Guardians featuring the brilliant firefly! https://link.chtbl.com/gigacity Draw us a picture of what you think any of the characters in this story look like, and then tag us in it on instagram @storiespodcast! We'd love to see your artwork and share it on our feed!! If you would like to support Stories Podcast, you can subscribe and give us a five star review on iTunes, check out our merch at storiespodcast.com/shop, follow us on Instagram @storiespodcast, or just tell your friends about us! Check out our new YouTube channel at youtube.com/storiespodcast. If you've ever wanted to read along with our stories, now you can! These read-along versions of our stories are great for early readers trying to improve their skills or even adults learning English for the first time. Check it out.