Podcasts about goethe

 “Questo è il lavoro musicale piùsquisito che abbia mai sentito” (Barry Lenson).Queste parole si riferiscono alla canzone Phidylé di HenriDuparc. Biografia di Henri DuparcHenri Duparc (1848-1933) è stato un compositore francese la cuipiccola ma squisita produzione di mélodies (canzoni francesi) haassicurato un posto nella storia della musica. Nonostante abbia prodottorelativamente poche opere a causa di una malattia debilitante che interruppe lasua vita creativa, le sue composizioni sono celebrate per la loro profonditàemotiva, la raffinatezza armonica e il perfetto connubio fra musica e poesia.Marie-Eugène-Henri Fouques Duparc nacque il 21 gennaio 1848 a Parigi.Studiò pianoforte con César Franck al Collegio dei Gesuiti diVaugirard, che riconobbe il suo talento e diventò il suo mentore. Inizialmente,Duparc si dedicò alla legge per compiacere la sua famiglia, ma alla fine sidedicò alla musica.Nel 1868 diventò uno dei membri fondatori della Société Nationale deMusique, un'organizzazione dedicata alla promozione della musica francese.Durante la guerra franco-prussiana (1870-1871), prestò servizio nell'esercito,un'esperienza che lo colpì profondamente.Intorno al 1885, a soli 37 anni, Duparc iniziò a soffrire di una condizioneneurologica (forse una forma di nevrastenia) che causava grave ansia e sintomifisici. Questa malattia lo portò a distruggere molte composizioni e adabbandonare del tutto la composizione nel 1885. Per i restanti 48 anni dellasua vita, visse in isolamento, trovando conforto nella pittura e nelle ricerchespirituali.Lo stile musicale di Duparc fu influenzatoda Wagner e Franck; infatti, era caratterizzato da ricchearmonie cromatiche e profonda espressività. Le sue canzoni sono caratterizzateda accompagnamenti sinfonici al pianoforte, profondità psicologica e meticolosaattenzione alle sfumature poetiche. Sebbene il suo periodo creativo sia duratosolo circa 17 anni, le sue opere sono considerate capolavori della tradizionedella canzone d'arte francese.Duparc morì il 12 febbraio 1933 a Mont-de-Marsan, in Francia.Consigli per l'ascoltoL'invitation au voyage (1870, testo di Charles Baudelaire)Chansontriste (1868,testo di Jean Lahor)Le manoir deRosemonde (1879,testo di Robert de Bonnières)Lamento (1883, testo di Théophile Gautier)La vieantérieure (1884,testo di Charles Baudelaire)Phidylé (1882, testo di Leconte de Lisle)Sérénadeflorentine (1880,testo di Jean Lahor)Sérénade (1868, testo di Gabriel Marc)La vague etla cloche (1871, testodi François Coppée)Au pays oùse fait la guerre (1869-70,testo di Théophile Gautier)Testament (1883, testo di Armand Silvestre)Extase (1874, testo di Jean Lahor)Élégie (1874, testo di Thomas Moore, tradotto da Belanger)Le Galop (1869, testo di un poeta non identificato)Soupir (1869, testo di Sully Prudhomme)Romance de Mignon (1869, testo di Johann Wolfgang von Goethe)

Drees, Jan www.deutschlandfunk.de, Büchermarkt

“Ihre Frisur rizzt heute aber wirklich ausgesprochen gut” hat mal Frau Meisendraht zu mir gesagt, als ich morgens gerade völlig zerstört und mit tieffliegenden Augenringen (bei uns Papageyen ohnehin Dauerzustand) vom feiern heim kam, und sie schon wie immer über-pünktlich im Radio-Z-Redaktionsraum saß. Ein bisschen vergackeiert kam ich mir ja schon, aber irgendwie auch gut und verwegen. Und da schließt unsere diesmalige Ausgabe quasi nahtlos an: Komplimente. Was sind sie, wer darf sie geben und wo hört der Spaß aber auch wirklich auf? Unsere beiden Radioknigges Eisi und Meisi nehmen sich dieser und vielen anderen Fragen an. Dazugeladen haben sie sich mal wieder die allseits beliebte und geschätzte Kollegin Fanny Weisenrat aus Wien, die uns von den Bergen herunter ihre ganz eigene Sicht in die Sendung hineinjodelt. Wir fragen uns, ob Goethe eigentlich ein Incel war, schauen uns mal wieder ein wenig in der griechischen Mythologie um und komplimentieren auf mehrfachen Wunsch hin Damenbärte, dass es eine Art hat. Dazu gesellen sich die Texte unseres Autor:innenpools, die aber auf die positiven Zuschreibungsklötze hauen, dass die Erde bebt. Dazu wird Chopin gereicht und zack, ist sie fertig: eine vollumfängliche Ausgabe von Eisenbart & Meisendraht. einen interessanten Körpergeruch wünscht ihnen ihr Pappy, der Redaktionspapgey *** Die Autor:innen - Christian Knieps - David Telgin - Bastian Kienitz - Andreas Prucker Die Sprecher:innen - Hannes

Die Stimme durch das Ätherreich Im Dunkel still, der Tag sich neigt,
 erwacht die Stimme, klar und heiter, 
die durch die Welt in Lüften steigt,
ein Funkeln auf des Wissens Leiter. Was einst in Büchern festgebannt,
ertönt nun frei in sanften Wellen,
Gedanken zieh'n von Land zu Land,
kann Herz und Geist zugleich erhellen. Ein Mensch, verborgen – doch so nah,
spricht Worte, die wie Sterne klingen,
die Wahrheit leuchtet wunderbar,
wenn Klang und Inhalt Flügel bringen. Kein Hof, kein Tempel hält den Klang,
er rauscht durch Zeit und Raum, getragen,
wie einst ein alter Minnesang
erzählt er uns von unsern Tagen. So sei gepriesen jede Stund',
die weise, mutig, leis' erklinget,
ein Podcast macht das Leben bunt,
wenn Wort und Seele sich durchdringet.

Tired Eyes Kingdom: Edge mind.in.a.box: It's so good to see you again In Strict Confidence: Erde Ade Peter Schilling: Major Tom Isabelle Pabst: Als die Stille aus der Zeit fiel Mila Mar: Grace Mila Mar: Thrud Qntal: Ecce Gratum Swandive: Exit 101 Rotoskop meet dazerdoreal: NMI/Res Abay: In transit Robot Koch and Delhi De France: California Dreamin' Kante: Im ersten Licht

I denne episoden av Månedens Klassiker podkast tar vi en dypdykk i Unge Werthers lidelser av den tyske forfatteren Johann Wolfgang von Goethe. Romanen er en gripende skildring av ulykkelig kjærlighet og konflikten mellom fantasi og virkelighet. Den unge Werther, tynget av forventningene til voksenlivet, søker ro på landet. Der forelsker han seg i Lotte, som allerede er forlovet med en annen. Den ubesvarte kjærligheten kaster ham ut i en dyp eksistensiell krise, med tragiske konsekvenser. Hvordan oppleves denne stormfulle romanen i dag? Velkommen til en samtale mellom førsteamanuensis Wolfgang Hottner og forfatter Maria Kjos Fonn. Samtalen ledes av bibliotekets formidler Joanna Pacula.

Kontakt und EventsWillst du dabei sein? Schreib uns: support@systemischer-club.deKostenfreie Online-Events: https://kalifornische-terrassen.de/eventsZusammenfassungIn dieser Folge sprechen Claus Triebiger und Kevin Baron über die Philosophie Goethes und ihre erstaunliche Nähe zur modernen Systemik. Dabei tauchen sie tief in Goethes Verständnis von Entwicklung, Kollektivität und der Kunst des Zuhörens ein. Sie zeigen, wie Goethe bereits vor über 200 Jahren Gedanken formuliert hat, die heute zentrale Elemente der systemischen Haltung darstellen – von Ressourcenorientierung bis hin zur Frage, wie sich Menschen in sozialen Gefügen gegenseitig prägen.  Außerdem geht es um Goethes unerschöpfliche Neugier, seine Vorstellung von Genie, sein Verständnis von Schreiben und Kreativität sowie die Bedeutung von Lebensweisheiten in seinen Werken. Im Gespräch wird zudem deutlich, wie zeitlos viele seiner Ideen sind und warum jeder Mensch das Recht auf persönliche Entwicklung hat – unterstützt, behutsam und im Austausch mit anderen.KeywordsGoethe, Systemik, Entwicklung, Kollektiv, Neugier, Kreativität, Schreiben, Philosophie, Lebensweisheiten, Kunst

One of the most competitive Chanticleer Divisions, the Goethe Awards features Late Historical Fiction from around the world. Good luck to these Short Listers!

Professor Paul Bishop, Ph.D. returns to us from Glasgow, Scotland to discuss his new book, the second volume in the series 'Jung and the Epic of Transformation: Goethe's Faust as a Text of Transformation, released in October by Chiron Publications.

Er war zwar kein Erziehungsratgeber, aber Goethe hat wohl schon zu seiner Zeit Eltern den Rat gegeben, ihren Kindern Wurzeln und Flügel zu geben. Damit wir aber die Flügel weit ausspannen, frei sind und uns individuell ausprobieren können, brauchen wir starke Wurzeln, die uns halten, versorgen und kräftigen, so beschreibt es auch Autor Christoph Hartmann aus Fulda.

Professor Paul Bishop is the author of multiple books on the work of Carl Jung, Friedrich Nietzsche, alongside other texts on analytical psychology and German thought. In this episode we discuss his latest book Jung and the Epic of Transformation Vol. 2: Goethe's “Faust” as a Text of TransformationBook link: https://www.chironpublications.com/shop/jung-and-the-epic-of-transformation-volume-2-goethes-faust-as-a-text-of-transformation/---Become part of the Hermitix community:Hermitix Twitter - x.com/hermitixpodcast Support Hermitix:Patreon - patreon.com/hermitix Donations: - https://www.paypal.me/hermitixpodHermitix Merchandise - http://teespring.com/stores/hermitix-2Bitcoin Donation Address: 3LAGEKBXEuE2pgc4oubExGTWtrKPuXDDLKEthereum Donation Address: 0x31e2a4a31B8563B8d238eC086daE9

Welthistorische Zäsur in Weimar Den „Tagesanbruch" gibt es auch zum Nachlesen unter [t-online.de/tagesanbruch](https://www.t-online.de/tagesanbruch) Anmerkungen, Lob und Kritik gern an podcasts@t-online.de Den „Tagesanbruch“-Podcast gibt es immer montags bis samstags gegen 6 Uhr zum Start in den Tag – am Wochenende mit einer tiefgründigeren Diskussion. Verpassen Sie keine Folge und abonnieren Sie uns bei [Spotify](https://open.spotify.com/show/3v1HFmv3V3Zvp1R4BT3jlO?si=klrETGehSj2OZQ_dmB5Q9g), [Apple Podcasts](https://itunes.apple.com/de/podcast/t-online-tagesanbruch/id1374882499?mt=2), [Amazon Music](https://music.amazon.de/podcasts/961bad79-b3ba-4a93-9071-42e0d3cdd87f/tagesanbruch-von-t-online) oder überall sonst, wo es Podcasts gibt. Wenn Ihnen der Podcast gefällt, lassen Sie gern eine Bewertung da.

Goethe's novel, The Sorrows of Young Werther, was Napoleon Bonaparte's favorite novel. In recent years it has become the subject of memes, and the "sensitive young man" archetype. How are we to understand this puzzling development? What is the connection between the Caesarist strongman and the hopeless lover? In this episode, we'll consider the historical background of the work: its inspiration in the story of Karl Wilhelm Jerusalem, the "fever" that swept Europe following its publication, and its controversies. We'll analyze the novel and try to understand Goethe's character as something more than simply a victim of unrequited love. And we'll consider Napoleon's meeting with Goethe and their conversation about the story, as well as some of Goethe's comments about it in conversations with Eckermann.

Haltungsblock: Stolz, insbesondere Nationalstolz Und es geht weiter in Südkalifornien, am Freitag waren wir in Borrego Springs und dem Anza Borrego Nationalpark unterwegs.

Infamis: Gärtner Infamis: Blinden Infamis: Secure Infamis: Tanzt Infamis: Nacht und Sound Rhythmische Beobachter: Tinkerbell ASP: Die Ruhe vor dem Sturm Erblast: Sei wie eine Fremde Blind Guardian: And then there was silence

Als Franz Kafka am 3. Juni 1924 starb, war er, trotz immerhin 46 Publikationen zu Lebzeiten, ein der Literaturwelt weithin unbekannter Autor. Außer seinem Freund und Nachlassverwalter Max Brod hatte kaum jemand in Kafka den Jahrhundertkünstler erkannt, als der er später posthum auf dem Parnass einzog, und so darf der Artikel eines Autors namens Heinrich Dreyfuß, den wir in den Altonaer Nachrichten vom 8. Dezember 1925 fanden, wohl als echte Entdeckung gelten. Dreyfuß, über dessen Person wir leider keine belastbaren Erkenntnisse einzuholen vermochten, empfiehlt Kafka nicht einfach als Geheimtipp einem neugierigen Publikum; er stellt ihn unumwunden in Reihe mit Granden der deutschen Literaturgeschichte wie Goethe und E.T.A. Hoffmann. Dass auch ein Jakob Wassermann in dieser Reihe auftaucht, mag ebenso überraschen wie der Vergleich Kafka'scher Syntax mit gotischer Sakralarchitektur – interessant, ja brisant ist Dreyfuß‘ Argument allemal. Frank Riede stellt es uns vor.

durée : 00:25:16 - " Le Petit Faust " de Hervé - A l'occasion de la nouvelle production au Théâtre de l'Athénée, retour sur Le Petit Faust, un opéra-bouffe d'Hervé créé en 1869 et inspiré à la fois du drame de Goethe et de l'opéra de Gounod. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

A conversation with Barbara Stollberg-Rilinger, Professor Emerita of Early Modern History at the University of Munster and Rector of the Institute for Advanced Study in Berlin. Germany is becoming increasingly important to this podcast, which is why we're digging into another aspect of this fascinating part of Europe. Dualism and dissolution; between fealty and federation; the unravelling of the Holy Roman Empire and a tumultuous period. All setting the stage for Napoleon Bonaparte...This discussion:- Explores the complexities and contradictions of the Holy Roman Empire in the late 18th and early 19th centuries, including its structure, political dynamics, and the concept of legitimacy.- Discusses the dualism and rivalry between Austria and Prussia, and how their ambitions and actions contributed to the fragmentation and eventual dissolution of the Empire.- Examines the significance of symbolism, rituals, and ceremonies in sustaining imperial power—and the ways these traditional forms were both maintained and undermined in practice.- Looks at cultural and intellectual responses to the era's upheavals, including the reactions of figures like Goethe, Schiller, and Hegel to the French Revolution and emerging German nationalism.- Considers the impact of Napoleon and the mediatisation of the Empire, questioning whether Napoleon was the executioner of the Holy Roman Empire or if its internal weaknesses had already sealed its fate.Help us produce more episodes by supporting the Napoleonic Quarterly on Patreon: patreon.com/napoleonicquarterly

Knorkator: Das Unheil Knorkator: Evolution Freunde der italienischen Oper: Der Garten Die Buben im Pelz: Geisterbahn Drahdiwaberl: L.M.A.O. Eisbrecher: Kaltfront Mono Inc.: We were young Das Ich: Prometheus Zinoba: Ein Tag Selig: Wir werden uns wiedersehen Selig: Schau Schau Everon: No embrace Fade: Cocaine

“I love to think of nature as an unlimited broadcasting system through which God speaks to us.” —Goethe 

Karl Bartos: I'm the message Kraftwerk: Die Roboter - 3D Einstürzende Neubauten: Wie lange noch? Tangerine Dream: Phaedra (live) Ash Ra Tempel: Silence Sauvage Kety Fusco: Hi, this is Harp Kety Fusco: SHE feat. Iggy Pop Herbst in Peking: Sein & Haben Northern Lite: Schwarzer Hund Oberer Totpunkt: Dia de los muertos Die Cigaretten: Teens react Her tree: Same moon To Athena: Dänke

La Policía Nacional, además de cuidar de nosotros, de velar por nuestra seguridad, de hacernos sentir tranquilos cuando vemos a uno de sus agentes uniformados, le presta mucha atención a la cultura. Y la Fundación de esta institución puso en marcha un premio literario para darle proyección al género policiaco. Fue en 2018, y Ana Muela fue su primera ganadora. Y ahora ha cumplido su octava edición, no ya solamente consolidado, sino convertido en un premio de referencia internacional, mucho más ahora que es publicado por la editorial Planeta, a través de su sello Martínez Roca.Hace unos días, en la sede del Banco Santander, en Madrid, tuvo lugar el acto de entrega del premio, y ahí estuvimos. José María Solís se ha llevado el laurel en este 2025 con una novela, escrita con un gran cuidado estilístico, donde nos plantea un crimen, como debe ser, el de Paquita, cuyo cuerpo aparece en las aguas frías del río Henares. Pero no es la novela solo negrocriminal, de solución de un asesinato, sino que se bifurca y amplía, ofreciéndonos un retrato fiel de cómo era aquella España de los años 60 a los viaja Solís, y de los años 80. Dori, Chema, el padre César… se pasean con sus miedos, ambiciones, silencios y secretos por estas páginas escritas con mimo, cincelando cada palabra, por el autor.Espido Freire, Lorenzo Silva y Reyes Calderón formaron parte del jurado. Y por parte de la Policía Nacional y la Fundación Policía Española, los representantes fueron el comisario principal y patrono José Manuel Pérez y los inspectores jefes Carlos Sánchez y Rubén Sánchez. La composición del jurado se completó con la editora Miryam Galaz en representación de la editorial Martínez Roca.También del mundo del derecho viene otras de nuestras invitadas en este Club: Graziella Moreno. Trabaja de jueza. Nadie debería morir en su noche de bodas. El descubrimiento del cuerpo de Noelia Torres en una zona privilegiada de Barcelona, y la desaparición de su esposa, la escultora Esther Sampietro, plantean preguntas que muchos prefieren dejar sin respuesta. La hora de la fuga es el título de la obra. En la sección de Audiolibros, volvemos a una de las obras, de las muchas obras que hicieron a Almudena Grandes una de las mejores narradoras que jamás hemos tenido, y que seguimos disfrutando: Inés y la alegría.Y conocemos cómo Goethe se enamoró, cuando ya tenía 74 años, de una chica de 19 años. ¿Fue un amor correspondido?

Paola Capriolo"Il superfluo della vita"Carbonio Editorewww.carbonioeditore.itLa nobile Clara e il borghese Heinrich, spiriti inquieti in un mondo che non li comprende, decidono di stare insieme a dispetto di ogni regola, unendosi in un matrimonio segreto contro la volontà del padre di lei. Innamorati e felici, gli sposi vivono nascosti in un'angusta soffitta, nutrendosi di passione e sogni, assorti nella beatitudine di un dolce conversare, rinunciando al superfluo per godersi la vita nella sua poetica essenzialità. Ma l'inverno impietoso e la miseria spingono Heinrich a uno stravagante espediente che è anche un atto estremo e irrevocabile: bruciare la scala che li collega al mondo, scegliendo l'amore come unico rifugio, pur sapendo di condannarsi all'isolamento…Scritta nel 1839 e considerata dallo stesso autore una delle sue opere più riuscite, Il superfluo della vita è una novella delicata e luminosa, piena di arguzia e candore, in cui l'incanto della fiaba avvolge il mistero della vita, sospesa tra presente e passato, tra doveri e diletti, tra sogno e realtà.Ludwig Tieck (Berlino, 1773-1853) è stato un influente scrittore, traduttore, poeta e critico letterario tedesco, figura di spicco del Romanticismo. Nel 1799 diede vita insieme a Novalis, i fratelli Schlegel, Schelling e Fichte al circolo romantico di Jena, un punto di riferimento per la letteratura dell'epoca. Tra le sue opere più significative si annoverano i romanzi Storia del signor William Lovell (1796) e Le peregrinazioni di Franz Sternbald (1798), il racconto fiabesco Il biondo Eckbert (1797), le fiabe teatrali Il gatto con gli stivali (1797) e Il mondo alla rovescia (1798), le novelle Il fidanzamento (1823) e Il superfluo della vita (1839).Paola Capriolo, nata a Milano nel 1962, è autrice di numerosi libri di narrativa, da La grande Eulalia (Feltrinelli 1988) a Irina Nikolaevna o l'arte del romanzo (Bompiani 2023). Le sue opere sono tradotte in molti Paesi. Ha scritto saggi su Benn, Rilke e Thomas Mann e tradotto per diversi editori testi di Goethe, Kleist, Keller, Stifter, Schnitzler, Thomas Mann e Kafka. Dal 2018 fa parte della giuria del Premio italo-tedesco per la traduzione letterariaDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Infamis: Kammerspiel Rosenstolz: Ich bin ich Danny Dziuk: Falscher Feind Hannes Wader: Die Moorsoldaten Konstantin Wecker: Frieden im Land Ludwig Hirsch: Komm großer schwarzer Vogel Herman van Veen: Edith Piaf Stoppok: Glück auf, der Steiger kommt Stefan Waggershausen: Hallo Engel Peter Maffay: Sonne in der Nacht The Beauty of Gemina: Whispers of the seasons Northern Lite: Trusting blind 2raumwohnung: Wir trafen uns in einem Garten mit Max

Autorin und Kabarettistin Teresa Reichl ist zu Gast und hat Tabs zu den berühmtesten BFFs der deutschen Literaturgeschichte mitgebracht. Caro widmet sich der Lewinsky-Affäre. 00:09:56 schoethe 00:27:09 monica lewinsky tmt-top-tipp: „Battle of the Nerds”: https://1.ard.de/BattleOfTheNerds?cp=tmt Hier kommt ihr zu Teresas Podcast „Lesen ist schwul“: https://open.spotify.com/show/1uj6tgTzINoObfIpa9IwVq?si=6a5372c494154248 Caro und Miguel bei „Wer weiß denn sowas?“: https://www.daserste.de/unterhaltung/quiz-show/wer-weiss-denn-sowas/sendung/wer-weiss-denn-sowas-folge-1328-100.html Auch zu tief im Netz gegraben? Schickt uns eure rabbit holes und offenen Tabs an toomanytabs@ndr.de.

Nagel, Enno www.deutschlandfunkkultur.de, Fazit

This week on the Nov. 21 Friday LIVE, host Genevieve Randall has lively conversations about Bluebarn's "Every Christmas Story Ever Told (And Then Some!)" (35:45); John T. Price's new book "Goethe's Oak: A Holocaust Story" and event (7:02); Yorkshire Playhouse's production of Ken Ludwig's "The Game's Afoot, or Holmes for the Holiday" (1:27); The Fab Four at the Merryman Performing Arts Center (26:30); and Nebraska Brass and Nebraska Trumpet Ensemble concerts (40:55). Also, Stephen Buhler reads and sings another poem by Ted Kooser (19:59), a preview of Voices of Omaha's performance of Handel's "Messiah" (47:36), and we play Ingrid Griffin's new song "Cowgirl Up!" (51:45).

We always win any Devil's bargain when Dr. Paul Bishop graces the Virtual Alexandria. He'll discuss his new book, Jung and the Epic of Transformation Vol. 2: Goethe's “Faust” as a Text of Transformation. We'll explore a crucial text in the bridge of the spirit, widely considered the most critical work of German literature, spanning the cosmic journey from a prologue in heaven to hell. Paul's analysis delves into the protagonist's profound dilemma of the split personality and his existential self-alienation, which drives him to embrace ceaseless activity and a perilous descent into the depths of the unconscious, seeking fulfillment in the Unattainable. We'll examine how themes like redemption, eternal growth, and the concept that all transient reality is merely a likeness reveal the enduring mystery and importance of this work as an epic of transformation. Get the book: https://amzn.to/49pXHAG More on Paul: https://www.gla.ac.uk/schools/mlc/staff/paulbishop/ Get The Occult Elvis: https://amzn.to/4jnTjE4 Virtual Alexandria Academy: https://thegodabovegod.com/virtual-alexandria-academy/ Gnostic Tarot Readings: https://thegodabovegod.com/gnostic-tarot-reading/ The Gnostic Tarot: https://www.makeplayingcards.com/sell/synkrasis Homepage: https://thegodabovegod.com/ Patreon: https://www.patreon.com/aeonbyte AB Prime: https://thegodabovegod.com/members/subscription-levels/ Voice Over services: https://thegodabovegod.com/voice-talent/ Support with donation: https://buy.stripe.com/00g16Q8RK8D93mw288 Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Tanja Valérien spricht in ihrer 87. Podcast-Folge mit MIA FLORENTINE WEISS, Konzept- und Performancekünstlerin, Jahrgang 1980, in ihrem neuen Zuhause in der Nähe des Starnberger Sees, wo sie sie auch fotografiert hat, über ihre dritte Schwangerschaft mit 45…warum sie bei ihrem zweiten Kind unbedingt einen Kaiserschnitt wollte und daraus eine Kunst-Performance mit Kamerateam, Altar und spirituellen Heilerinnen gemacht hat…Feminismus, Aktivismus, Optimismus…den Kampf für Menschenrechte...die Leidenschaft, sich kreativ auszudrücken…das Maximierungsprinzip…Provokation, Nacktheit, Neugier, Lust und Sinnlichkeit...den steinigen Weg, in der Kunst erfolgreich und anerkannt zu sein...Mut, Vorurteile, Selbstbewusstsein, Individualität, Klarheit und Identität…eine unbeschwerte Kindheit in Los Angeles und eine grandiose Teenagerzeit in Moskau, wo sie oft ihren Vater besuchte, der dort einige Jahre als Manager tätig war…Politik, Glaube, Poesie, Literatur und Waldorfschule….Faust und Goethe, Himmel und Hölle…Cowboyhut und Federn im Haar...das abgebrochene Germanistik- und Philosophiestudium in Würzburg und die Lehrjahre an der Akademie für Mode und Design (AMD) in Hamburg….wilde Partys und erste eigene Guerilla-Performances in New York und auf der Art Basel…den lukrativen Nebenjob als Model und den Raffaello-Werbespot, mit dem sie bekannt geworden ist…die Großmutter, die in Tansania aufgewachsen ist, und eine Reise auf ihren Spuren….die spirituelle Begegnung mit dem Stamm der Himba in Namibia….Wandlung, inneres Gleichgewicht, die Suche nach sich selbst…Erfahrungen an der Film- und Schauspielschule in Berlin und am Set als Schauspielerin…das erste Atelier in einem LED-Tunnel in Frankfurt und das Glück, dort ihrem Mann und Vater ihrer inzwischen drei Kinder zu begegnen…das ewige Pendeln zwischen Berlin, Los Angeles und Frankfurt…warum sie für ein Jahr mit Mann und Kindern nach Hawaii ausgewandert ist und von dort aus einen Hof mit Landwirtschaft in der Nähe des Starnberger Sees in Bayern gekauft haben…Heimat, Bedürfnisse und Sehnsucht…ihre Ambigramm-Skulptur LOVE HATE, die weltweit in mehreren Städten steht…Exzentrik, Ausdruck, Anerkennung, Schönheit, Liebe und Wandlung.

This week we leave the Middle Ages far behind and land squarely in the emotional whirlwind of Romanticism with Goethe's The Sorrows of Young Werther. Written in 1774 when Goethe was just twenty-five, the novel became what might be the first true worldwide bestseller—so influential that young men across Europe dressed like Werther, and suicides even spiked in imitation of his tragic end.Werther himself is…a lot. His passion for Charlotte—who is engaged, then married, to another man—spirals into obsession. When he realizes life without her is unbearable, he stages an elaborate, melodramatic exit: visiting friends for final goodbyes, embracing Charlotte while they read Ossian together (a scene straight out of Inferno's Francesca and Paolo), and then borrowing her husband's pistols to kill himself. The ending is bleak, as it should be.Goethe's writing is wonderfully accessible, but Werther's self-indulgent emotionalism reveals the contradictions of early Romanticism: exalting nature and feeling while refusing the grounding work of actual life. Still, this novel opens a door into the powerful reaction against Enlightenment rationalism—a door we'll walk through next week with the Romantic poets. Things are about to accelerate.LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)CONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate - https://crackthebook.captivate.fm

Rammstein: Zeit KMFDM: Hau Ruck Eisbrecher: Nein Danke Megaherz: Dein Herz schlägt Janus: Isaak Subway to Sally: Falscher Heiland Accept: Balls to the wall (live) Accept: Princess of the dawn (live) Blind Guardian: And then there was silence (live)

"¿Deberíamos elegir la muerte por no ser capaces de olvidar nuestras discrepancias? Recuerden su humanidad y olviden", escribió Albert Einstein Te invitamos a escuchar esta conversación sobre la paz en la edad atómica, las armas de destrucción masiva y otros temas. Una historia sobre Einstein en la era atómica: el científico cuyas estructuras en la física nacieron de la necesidad de comprender el universo, no de diseñar tecnologías de guerra y muerte. ¿Cómo terminó su ecuación más famosa, E = mc², pensada para explorar la relación entre masa y energía, convertida en icono de la bomba atómica? Mucho después de que él la formulara, ciertas interpretaciones la vincularon ilegítimamente con la destrucción masiva, aunque su papel en la bomba no estuvo en la tecnología ni en el desarrollo de las armas, sino en el terreno de la asesoría política. Sabía también que el conocimiento puede mostrarnos un mundo frío y austero, donde el ser humano no goza de ningún privilegio frente a las demás fuerzas de la naturaleza. Por eso insistía en los valores, en la libertad que hace posibles a Shakespeare, Goethe, Newton, Faraday o Pasteur. Invitado: JAIRO IBARBO SEPÚLVEDA, maestro e investigador en matemática, lógica y filosofía de las ciencias.

Irrer Typ, dieser JEAN PAUL (1763-1825): Las wie ein Verrückter (alles), schrieb wie ein Besessener (55.000 Seiten), wurde geringgeschätzt (Schiller, Goethe) und hochverehrt (Celan, viele viele Leserinnen und Leser). Ein Sprachmagier war er, ein Sprachschöpfer und Sprachegroßrausbringer: Begriffe wie "Angsthase" und "Weltschmerz" kennen wir durch Jean Paul, sie sind sozusagen die Schaumkronen auf seinem wildbewegten Meer aus Sprache. Zum 200. Todestag dieses Schriftstellers am 14.11. ein Gespräch mit Barbara Hunfeld von der Forschungsstelle Jean Paul an der Universität Würzburg.

Ted Gioia warned this would be a tough week—and he wasn't kidding. Week 33 of the Immersive Humanities Project had me wrestling with three giants of philosophy: Descartes, Kant, and Spinoza. I started with Descartes' Discourse on the Method, where his famous “I think, therefore I am” felt surprisingly direct and human. His four rules for reasoning—question, divide, simplify, and review—made him seem less like an abstract philosopher and more like a kind, curious friend.Kant's Groundwork for the Metaphysics of Morals was another story. Dense and demanding, it centers on the “Categorical Imperative”: act only according to principles you'd accept as universal law. It's a moral system built purely on duty, not emotion.Then came Spinoza's Ethics, written like a geometry proof. His radical idea—that God and Nature are one—left little room for the supernatural or free will.When reading failed, I turned to the 1987 Great Philosophers series with Brian Magee, which unlocked everything. These thinkers—Continental Rationalists all—believed reason alone could uncover truth, unlike the British Empiricists who demanded evidence. It was a mentally exhausting but fascinating stretch, and next week I'm relieved to return to fiction with Goethe's The Sorrows of Young Werther.LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)CONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate - https://crackthebook.captivate.fm

Wir hatten eine Woche Urlaub, über meinen Geburtstag, und es war wunderbar! Da wir geflogen sind dachte ich, das ist mal eine gute Gelegenheit im Haltungsblock drüber zu sprechen, keine Ahnung ob das hilfreich ist. Der Urlaub in Llanes war auf jeden Fall sehr hilfreich, ich kam sehr erholt und glücklich und bereichert zurück!

Hello to you listening in Show Low, Arizona!Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds for Motivate Your Monday and your host, Diane Wyzga.Maybe like me in times of difficulty you turn for comfort or encouragement to a favorite line from the past, that still makes you wonder: could this have been written with me in mind?Johann Wolfgang Von Goethe said, “Sometimes our fate resembles a fruit tree in winter. Looking at its sad appearance who would think that those stiff branches, those jagged twigs would turn green again and blossom and bear fruit next spring; but we hope they will, we know they will.”Goethe also said: “One ought, every day at least, to hear a little song, read a good poem, see a fine picture, and if it were possible, to speak a few reasonable words.”As you set forth in days ahead, remember to pause; breathe; have faith that you got this; and it will be alright in the end.You're always welcome: "Come for the stories - Stay for the magic!" Speaking of magic, I hope you'll subscribe, share a 5-star rating and nice review on your social media or podcast channel of choice, bring your friends and rellies, and join us! You will have wonderful company as we continue to walk our lives together. Be sure to stop by my Quarter Moon Story Arts website, check out the Communication Services, arrange a no-obligation Discovery Call, and stay current with me as "Wyzga on Words" on Substack.Stories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron MusicALL content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved.  If you found this podcast episode helpful, please consider sharing and attributing it to Diane Wyzga of Stories From Women Who Walk podcast with a link back to the original source. 

Her Tree: Move on Her Tree: River Anna Buchegger: Vaterland Anna Buchegger: Maria Ellie Benn: Life doesn't wait Avec: I don't pray Infamis: Gärtner Shiny Gnomes: Bubble burst Subway to Sally feat. Schandmaul: Räuber und Narren Fiddler's Green: Land in Sicht Rummelsnuff: Müllabfuhr Reinhold Heil: Aschebeschää Reinhold Heil: Weg da, Weg da Chicks on Speed: Wir sind Data Chicks on Speed: We don't play guitars Joachim Witt: Golden Rider Rotersand: Sexiness of slow

Musik zum „Faust“? Unmöglich, meint Goethe. Er kann nicht ahnen, dass knapp 30 Jahre nach seinem Tod Charles Gounod den Pakt mit dem Teufel eingehen – und damit Operngeschichte schreiben würde … Von Christoph Vratz.

The book began with a trip to Buchenwald Memorial near Weimar, Germany. UNO English Professor John Price was inspired by a memorial at a massive oak stump- all that was left of a famous oak tree mentioned in German literature and music. “Goethe's Oak: a Holocaust Memorial” imagines the history this famous tree experienced over the centuries of its long life. Hear an interview with author John Price

The story, set in the 17th Century during the reign of Louis XIII in France, concerns the progress of an impoverished nobleman as he ventures forth into a series of dangerous adventures which culminate in the restoration of his true noble social position. In today's parlance the story might be described as an action romance. The protagonist happens to become involved a group of travelling actors whom he accompanies in his search for himself. There are a number of similarities with Goethe's "Wilhelm Meister's Apprenticeship". Among the troupe of actors is a young woman with whom he falls deeply in love, which sustains him in his quest for social restoration. The novel idealises hereditary nobility. There is a happy ending for all, in which aristocratic society is vindicated.Translated by F. C. de Sumichrast.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The story, set in the 17th Century during the reign of Louis XIII in France, concerns the progress of an impoverished nobleman as he ventures forth into a series of dangerous adventures which culminate in the restoration of his true noble social position. In today's parlance the story might be described as an action romance. The protagonist happens to become involved a group of travelling actors whom he accompanies in his search for himself. There are a number of similarities with Goethe's "Wilhelm Meister's Apprenticeship". Among the troupe of actors is a young woman with whom he falls deeply in love, which sustains him in his quest for social restoration. The novel idealises hereditary nobility. There is a happy ending for all, in which aristocratic society is vindicated.Translated by F. C. de Sumichrast.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The story, set in the 17th Century during the reign of Louis XIII in France, concerns the progress of an impoverished nobleman as he ventures forth into a series of dangerous adventures which culminate in the restoration of his true noble social position. In today's parlance the story might be described as an action romance. The protagonist happens to become involved a group of travelling actors whom he accompanies in his search for himself. There are a number of similarities with Goethe's "Wilhelm Meister's Apprenticeship". Among the troupe of actors is a young woman with whom he falls deeply in love, which sustains him in his quest for social restoration. The novel idealises hereditary nobility. There is a happy ending for all, in which aristocratic society is vindicated.Translated by F. C. de Sumichrast.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The story, set in the 17th Century during the reign of Louis XIII in France, concerns the progress of an impoverished nobleman as he ventures forth into a series of dangerous adventures which culminate in the restoration of his true noble social position. In today's parlance the story might be described as an action romance. The protagonist happens to become involved a group of travelling actors whom he accompanies in his search for himself. There are a number of similarities with Goethe's "Wilhelm Meister's Apprenticeship". Among the troupe of actors is a young woman with whom he falls deeply in love, which sustains him in his quest for social restoration. The novel idealises hereditary nobility. There is a happy ending for all, in which aristocratic society is vindicated.Translated by F. C. de Sumichrast.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The story, set in the 17th Century during the reign of Louis XIII in France, concerns the progress of an impoverished nobleman as he ventures forth into a series of dangerous adventures which culminate in the restoration of his true noble social position. In today's parlance the story might be described as an action romance. The protagonist happens to become involved a group of travelling actors whom he accompanies in his search for himself. There are a number of similarities with Goethe's "Wilhelm Meister's Apprenticeship". Among the troupe of actors is a young woman with whom he falls deeply in love, which sustains him in his quest for social restoration. The novel idealises hereditary nobility. There is a happy ending for all, in which aristocratic society is vindicated.Translated by F. C. de Sumichrast.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The story, set in the 17th Century during the reign of Louis XIII in France, concerns the progress of an impoverished nobleman as he ventures forth into a series of dangerous adventures which culminate in the restoration of his true noble social position. In today's parlance the story might be described as an action romance. The protagonist happens to become involved a group of travelling actors whom he accompanies in his search for himself. There are a number of similarities with Goethe's "Wilhelm Meister's Apprenticeship". Among the troupe of actors is a young woman with whom he falls deeply in love, which sustains him in his quest for social restoration. The novel idealises hereditary nobility. There is a happy ending for all, in which aristocratic society is vindicated.Translated by F. C. de Sumichrast.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The story, set in the 17th Century during the reign of Louis XIII in France, concerns the progress of an impoverished nobleman as he ventures forth into a series of dangerous adventures which culminate in the restoration of his true noble social position. In today's parlance the story might be described as an action romance. The protagonist happens to become involved a group of travelling actors whom he accompanies in his search for himself. There are a number of similarities with Goethe's "Wilhelm Meister's Apprenticeship". Among the troupe of actors is a young woman with whom he falls deeply in love, which sustains him in his quest for social restoration. The novel idealises hereditary nobility. There is a happy ending for all, in which aristocratic society is vindicated.Translated by F. C. de Sumichrast.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The story, set in the 17th Century during the reign of Louis XIII in France, concerns the progress of an impoverished nobleman as he ventures forth into a series of dangerous adventures which culminate in the restoration of his true noble social position. In today's parlance the story might be described as an action romance. The protagonist happens to become involved a group of travelling actors whom he accompanies in his search for himself. There are a number of similarities with Goethe's "Wilhelm Meister's Apprenticeship". Among the troupe of actors is a young woman with whom he falls deeply in love, which sustains him in his quest for social restoration. The novel idealises hereditary nobility. There is a happy ending for all, in which aristocratic society is vindicated.Translated by F. C. de Sumichrast.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Gabi Delgado & Marc Hurtado: Ich träume nur Massiv in Mensch: Offensivschock 2025 DSTRTD SGNL: Sleeper in Metropolis Diary of Dreams: The chemistry of pain Lacrimosa: Metamorphobia Die Krupps: Will nicht muss Erdling: Mana Das Ich: Prometheus Lucy Kruger & The Lost Boys: Ambient heat Fiddler's Green & Jimmy Kelly: Botany Bay Sondaschule: Wir bleiben wach Anna Buchegger: Scheslem Infamis: Die Nacht kommt herüber Naked Lunch: We could be beautiful

Michael and Ethan discuss Doctor Faustus: The Life of the German Composer Adrian Leverkuhn as Told by a Friend, by Thomas Mann, while drinking Jura 10yo single malt.In this episode:All digressions and fallings-apart are intentionally reflective of the novel under discussion and are not us doing a bad jobTalking about books by talking about other books (aka, this is actually us reading Tristram Shandy for at least the third time)The narrator that gets in his own wayOne or more frame stories AND several meta-layersLots about time, WWII, Germany, time, Germans, Nazis, and time (but not a lot that's fun to make sassy bullet points about)In Marlowe, Faust is damned; in Goethe, Faust is saved; in Mann, Faust is(.)Next time Michael and Ethan will continue to discuss Doctor Faustus, by Thomas Mann! Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Join us on GoodReads!Get on our Substack!Donate to our Patreon! MUSIC & SFX: “Fools that Will Laugh on Earth,” by Benji Inniger, from the Original Soundtrack to The Spiritual Tragedy of Doctor Faustus"Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.(Links to books & products are affiliate links.)