Podcasts about mariele neudecker

Einmal die Woche spielen Hamburgs Kunsthallen-Direktor Alexander Klar und Abendblatt-Chefredakteur Lars Haider „Ich sehe was, was du nicht siehst“ – und zwar mit einem Kunstwerk. Heute geht es um die Installation „Gravity Prevents the Atmosphere from Drifting into Outer Space” von Mariele Neudecker aus dem Jahr 2001, die aussieht wie ein Bild im Aquarium.

Join poet Holly Corfield Carr, exploring human and non-human ways of looking at and listening to trees, in this podcast from Hayward Gallery's Among the Trees exhibition. Holly considers artworks by Giuseppe Penone, Robert Smithson, Roxy Paine and Mariele Neudecker, and interweaves her own words with poems by Vahni Capildeo, Emily Dickinson, Sasha Dugdale and Alice Oswald.

We discuss Norwegian painter Harald Sohlberg with artist Mariele Neudecker and curator Kathleen Soriano. Plus: Tom Scutt on his play *Berberian Sound Studio* and Jérôme Tubiana on Guantánamo Bay’s youngest inmate.

Artist at the exhibition 'A screaming comes across the sky' with the work The Air Itself is One Vast Library, 2010. Mariele Neudecker uses a broad range of media including sculpture, video and installation and works around notions of the Contemporary Sublime. Mariele Neudecker uses a broad range of media including sculpture, video and installation and works around notions of the Contemporary Sublime. The exhibition, and its associated events, zooms in on the shock and awe of drone warfare, and addresses the ethical and legal ambiguity of drones, mass surveillance and war at a distance. It presents the work of contemporary artists who are critiquing the way in which military technology and networks can obscure, conceal and distance us from the political and social reality of warfare today. Production exhibition: LABoral Centro de Arte y Creación Industrial In collaboration with: Lighthouse

Artista participante en la exposición 'Llega un grito a través del cielo' con la obra The Air Itself is One Vast Library, 2010. Mariele Neudecker utiliza una amplia gama de medios como la escultura, el vídeo y la instalación y trabaja con conceptos de lo Contemporáneo Sublime. Esta exposición y las actividades asociadas a la misma se centran en el impacto y el terror generados por los conflictos armados en los que se emplean drones, abordando además la ambigüedad ética y legal de los vehículos aéreos no tripulados (VANT), la vigilancia masiva y la «guerra a distancia». Y lo hace a través de los trabajos de artistas contemporáneos que critican la manera en que la tecnología y redes militares nos ocultan y alejan de la realidad política y social del conflicto armado de hoy. Producción de la exposición: LABoral Centro de Arte y Creación Industrial En colaboración con: Lighthouse

This week: Part one of the Open Engagement conference 2013 series. Caroline Picard talks to Caire Doherty! Claire Doherty is Director of Situations. Claire initiated Situations in 2003 following a ten-year period investigating new curatorial models beyond conventional exhibition-making at a range of art institutions including Ikon Gallery, Birmingham, Spike Island, Bristol and FACT (Foundation of Art and Creative Technology), Liverpool. Claire has worked with a diversity of artists including Lara Almarcegui, Uta Barth, Brian Catling, Phil Collins, Nathan Coley, Lara Favaretto, Ellen Gallagher, Joseph Grigely, Jeppe Hein, Susan Hiller, Mariele Neudecker, Cornelia Parker, Roman Ondak, Joao Penalva and Ivan and Heather Morison. She has advised a range of organisations as curatorial consultant including Tate, Site Gallery Sheffield and is author of the public art strategies for the University of Bristol and Bjorvika, Oslo Harbour. In 2009, Claire was awarded a prestigious Paul Hamlyn Breakthrough Award as an outstanding cultural entrepreneur. Claire directed One Day Sculpture in 2008-9 with David Cross, a year-long collaborative series of 20 commissioned, 24-hour public artworks across New Zealand. In 2010, she was Co-Curatorial Director of Wonders of Weston for Weston-super-Mare. Doherty lectures and publishes internationally. She is editor of Contemporary Art: From Studio to Situation (Black Dog Publishing, 2004); Documents of Contemporary Art: Situation (Whitechapel/MIT Press, 2009) and co-editor with David Cross of One Day Sculpture (Kerber, 2009), with Paul O’Neill, Locating the Producers: Durational Approaches to Public Art (Valiz, 2011) and with Gerrie van Noord, Heather and Ivan Morison: Falling into Place (Book Works, 2009). She was also an external advisory member of the Olympic Park Public Realm Advisory Committee and a Fellow of the RSA.

Start the Week is at the Brighton Festival. Stephanie Flanders talks to Michael Rosen about why the 1929 children's novel, Emil and the Detectives, is at the heart of the festival, with its city tale of hope, invention and dissent. But the writer and traveller Jay Griffiths criticises a Western risk-averse society for denying children the opportunity to roam free. Stanmer Woods is the setting of Matt Adams's latest theatrical experience which traces the legacy of the conflict in Northern Ireland, and the artist Mariele Neudecker brings the outside world inside in her transformation of a Regency Town House. Producer; Katy Hickman.