Podcasts about Aquarium

Dateline: June 12, 2026. Rossifari Zoo News is back with a round up of the latest news in the world of zoos, aquariums, conservation, and animal weirdness!   We start off with a bunch of random updates from the world of Rossifari.We then get into a mini-deep dives episode featuring:1. Saying goodbye to Arie, a beloved sea lion at Aquarium of Niagara2. A look at advocacy and what we can do and have done as a community3. An update on the proposed data center near the Nashville Zoo 4. A look at a new movie about Flaco the owl 5. A quick update on the social media account of PlumesPlus quick hits from the Cincinnati Zoo, Edmonton Valley Zoo, ZooAmerica, an update on the swatting zoos have been experiencing, and more.All that and Animal Holidays! ROSSIFARI LINKS: Join the Discord: https://discord.gg/BYjfq9gPRpatreon.com/rossifari to support the pod rossifari.com @rossifari on socials @rossifaripod on TikTok 

Today, the Safari heads back to the Columbus Zoo after FAR too long of a break. I sit down with Joy Kotheimer to discuss the penguins, flamingos, and tortoises she takes care of! We also talk about the importance of AAZK to her, and cover so much more in the process! EPISODE LINKS: columbuszoo.org @columbuszoo ROSSIFARI LINKS: Rossifari.com Patreon.com/rossifari to support the pod @rossifari on socials @rossifaripod on TikTok Join the new Rossifari Discord at https://discord.gg/N3ux4tzp

Hörbahn on Stage: Ursula Haas liest: "Zerzauste Tage" – anschließend spricht Uwe Kullnick mit der Autorin über Ihre Tätigkeiten und Ihre Aufgaben als LibrettistinLesung Ursula Haas (Hördauer ca. 26 min), Gespräch (Hördauer ca. 50 min)Moderation Uwe KullnickDas schriftstellerische Schaffen von Ursula Haas ist durch Lyrik geprägt. Davon zeugen die Tagebuchaufzeichnungen »Zerzauste Tage. Ein Jahr der Wirklichkeiten«, die gefühlvolle Einblicke in das Weben und Streben einer Poetessa und Librettistin geben. Leitmotiv sind Reflexionen über das Schreiben und den Mut, der dazu gehört. Die Aufzeichnungen setzen am Pfingstsonntag 2018 ein und enden Pfingsten 2019. Die Tage, die dazwischen liegen, sind zerzaust, sie verbinden Alltagseindrücke ebenso wie existentielle Ereignisse – etwa das Abenteuer Kuba-Reise im Januar 2019 – und Erkenntnisse eines randvollen Daseins mit poetischer Sprache. So auch das große Ereignis ihres Lebens: die Begegnung mit Rolf Liebermann, der ihr nach der Lektüre ihres Romans »Freispruch für Medea« den Auftrag anvertraute, ein Libretto zu verfassen: Beginn einer erfolgreichen Arbeit als Librettistin. Ursula Haas hat deutsch-böhmische Wurzeln und wuchs in Düsseldorf und Bonn auf. Nach dem Studium der Germanistik, Geschichte und Pädagogik in Bonn und Freiburg lebt und arbeitet sie in München. Zu ihren Arbeiten gehören Lyrik, Erzählungen, Romane, Essays, Opern- und Lieder-Libretti sowie musikbegleitende Texte zu konzertanten Opernfassungen und Theaterstücke. Zuletzt erschien 2018 in der edition bodoni ihr Gedichte- und Poesieband »Wortfisch im grünen Aquarium«.  Ursula Haas: Ich bin im Krieg in Tschechien geboren, wuchs in NRW auf und lebe seit langem in München. Trotz Germanistikstudium schreibe ich seit gut 20 Jahren literarische Bücher. Mein Medea-Roman war der erste von einer Frau geschriebene! Er brachte mir auch insofern Glück, weil ich durch ihn zum Schreiben von Musiktexten (Libretti) kam. Daraus entstand z.B. die Medea-Oper mit der Musik von Rolf Liebermann, die 2001 in der Pariser Oper aufgeführt wurde. Mein Roman "Drei Frauen" von 2009 beschäftigt sich mit drei Künstlerinnenbiografien. (Camille Claudel, Tina Modotti und Lenka, die meinem Leben nachgeht). Siehe die Kritiken bei Amazon! Mein ebenfalls 2009 erschienener Lyrikband " Ich kröne dich mit Schnee" bekam 2010 den Nikolaus-Lenau-Preis. 2014 erschien im A1 Verlag der Band mit Erzählungen "Busenfreundinnen. Geschichten zu Lust und Brust". 2018 der Gedichte -und Poesie-Band "Wortfisch im Grünen Aquarium" (edition bodoni).2020 das Tagebuch "Zerzauste Tage. Ein Jahr der Wirklichkeiten" (edition bodoni).Poetisches Schreiben bestimmt mein Leben und immer wieder die Arbeit für Musiler zu schreiben wie 2020 für den Komponisten Silvan Loher über den Sommer am Rheinfall für das Rhyality immersive Art project.Schauen Sie doch auf meine Website www.poetessa.de. Dort erfahren Sie nicht nur meine literarischen Aktivitäten wie Lesungen und Veröffentlichungen und auch Essays in Magazinen und Zeitschriften, sondern auch, dass ich Ihnen kreatives bzw. literarisches Schreiben als Dozentin und Coach in München vermittle.Termine Hörbahn on Stage in Schwabing Wenn Ihnen dieser Beitrag gefallen hat, hören Sie doch auch einmal hier hineinoder vielleicht diese SendungRedaktion und Realisation Uwe Kullnick

In aflevering 278 nemen we alvast een kijkje in het vernieuwde ARTIS-Aquarium, dat op 13 juni 2026 officieel zijn deuren opent voor bezoekers. ➤ Ga in 2026 mee op dierentuinreis! Meer informatie op: www.zooinsidereis.nl ➤ Volg Zoo Inside op Facebook: www.facebook.com/zooinsidepodcast ➤ Volg Zoo Inside op Instagram: www.instagram.com/zooinside_podcast ➤ Abonneer Zoo Inside op YouTube: youtube.com/@zooinside?si=-8dI12S9Fx24Bm_l

Every year up to 7,000 tons of seafood is caught on the Great Barrier Reef, while up to 190 tons of coral is collected for the international aquarium trade. But how sustainable are these fisheries? And as consumers, how can we make sure we're making Reef-friendly choices?In this episode of Word on the Reef, Simon Miller from the Australian Marine Conservation Society joins hosts Tanya Murphy and Brett Goodban for a deep dive into the world of commercial fishing on the Great Barrier Reef.Don't worry - you can still have an aquarium and eat seafood! But this episode will empower you to make sustainable choices to ensure we can all continue to enjoy seafood and coral for generations to come.Thumbnail Image: Comedian Kirsty Webeck (right) auctions off an 'Australian scoly' coral from the GBR in a performance raising awareness about the international coral trade.Sign the Petition: End coral harvesting on the Great Barrier Reef - support aquaculture.Support the showHelp Keep Word on the Reef Afloat!Please take 2 minutes to fill out our Word on the Reef Listener Survey to help us apply for funding for the show!PROTECT THE REEF - Sign these Petitions Now!Australian Marine Conservation Society: Australia, it's time to lead on Climate Action!Divers for Climate: Sign the 'I'm a Diver for Climate' National StatementAustralian Conservation Foundation: No New Coal and Gas!Queensland Conservation Council: Take Strong Climate Action and Build a Positive Renewable Future!Our Islands Our Home: Protect the Torres Strait Islands from Climate ChangeGreenpeace: Save the Great Barrier Reef!WWF Australia: Protect NatureRising Tide: ...

Show Notes: In this episode of the GoNOMAD Travel Podcast, Max shares his lifelong affection for ferries — the working boats that move commuters, islanders, day‑trippers, and football fans with the same steady indifference. Ferries don't pamper or preen, but they offer something better: a front‑row seat to the water and the most democratic view in travel. Whether you drive a G‑wagon or a beat‑up Volvo, everyone waits in the same line for the same ramp to drop.Max reflects on the magic of that first engine shudder as the boat pulls away from the dock, the wind on deck, and the shared horizon that briefly unites a crowd of strangers. No TSA, no overhead bins, no seat assignments — just the shoreline sliding by and the slow reveal of a destination coming into focus.This episode also explores the explosion of ferry service across New England and beyond. On Cape Cod, the Steamship Authority is preparing to open its long‑awaited new terminal in Woods Hole, a modern stone‑and‑glass gateway to Martha's Vineyard. The arrival of the M/V Monomoy marks another milestone, bringing a quieter, larger, more reliable freight vessel into service.Boston's ferry network is growing fast, with new weekend service from Lynn, expanded Winthrop and Quincy routes, and system‑wide contactless payment. The MBTA's new F‑10 line launches this June, connecting North Station to the Aquarium, the Seaport, and Logan Airport for just $2.46 each way — a rare moment of true transit progress on the waterfront.Amesbury is preparing a small‑vessel shuttle on the Merrimack River for 2026, linking its waterfront to downtown Newburyport with quick, car‑free hops designed to ease summer traffic. And in New Jersey, Seastreak is running special Hudson River trips to West Point for Army football games — a floating tailgate party complete with a bar, snacks, and big‑screen TVs.New York City is expanding too, with a brand‑new Staten Island–to–Brooklyn route, the first passenger ferry to make that crossing since 1964. Commuters are already embracing the traffic‑free ride and the chance to start and end their day on the water.Through all these stories, Max returns to the same truth: ferries are the great equalizer. Once you're on board, you're just another traveler watching the horizon. And that's why he keeps coming back.CreditsWritten and narrated by Max Hartshorne, Editor of GoNOMAD Travel. Produced by the GoNOMAD Travel Podcast team.Subscribe to the GoNOMAD Travel PodcastApple PodcastsSpotifyGoNOMAD Travelhttps://www.gonomad.comVoyascapehttps://www.voyascape.com

The Bailey-Matthews National Shell Museum and Aquarium on Sanibel has been a fixture on the island since it opened in 1995. Its story began in the 1980s when a local shell collector named Charlene McMurphy provided some seed funding, and then a nonprofit was formed to begin raising funds and attention. In 1989, three local brothers deeded eight acres on Sanibel Captiva Road to the Museum to memorialize their parents, Frank P. Bailey and Annie Mead Matthews and the Bailey-Matthews Shell Museum officially opened to the public in 1995. A year later, Dr. Jose Leal came onboard as Executive Director — he held that role for 17 years before becoming Science Director and Curator. He plans to retire, so we invited him in to chat about his career and the work he does.

Valencia hat sich für 2026 zu viel vorgenommen. Eine totale Sonnenfinsternis im August. Ein Heiliger Gral mit eigenem Jubiläumsjahr. Gay Games, neue Museen, eine Arena, die aussen aussieht wie ein Basketball. Nela Panic war drei Tage dort und hat nachgeschaut, was hinter dem Lärm steckt.Sie erzählt von der gotischen Seidenbörse, deren Säulen wie versteinerte Bäume nach oben wachsen. Vom steinernen Papagei auf dem Mercado Central, der stellvertretend für die Marktfrauen plaudert. Von einem Zoo ohne Gitter und einem Aquarium, in dem Haie über den Köpfen der Besucher schwimmen. Und von der Albufera, wo die echte Paella herkommt – nicht die für Touristen.Am Ende die Frage, die in Valencia keiner mehr stellt: Warum kommen so viele und bleiben einfach? Eine Citytour in drei Tagen, von der Barockfassade bis zur Dachterrasse. Erschienen in der Seazen Sommer-Ausgabe 2026.Die ganze Citytour durch Valencia – mit Karte, Adressen und Bildern – steht in der Seazen Sommer-Ausgabe 2026. Dazu Shanghai, die Costa Verde, Istanbul, Taiwan, Botswana und Cover Artist Channy Chhoeun.→ Jetzt bestellen für 18 € / CHF: seazentravel.com Oder gleich abonnieren und keine Ausgabe mehr verpassen. Hosted on Acast. See acast.com/privacy for more information.

Phish The Wedge 7:45 2026/04/30 Las Vegas, NV Phish Plasma 15:25 2026/05/01 Las Vegas, NV Phish Undermind 10:32 2026/05/02 Las Vegas NV Phish Back On The Train 8:10 2026/05/02 Las Vegas NV Phish Halfway To The Moon 7:43 2026/04/30 Las Vegas, NV Phish Wilson 4:51 2026/05/01 Las Vegas, NV Phish Llama 5:19 2026/05/02 Las Vegas NV Phish Wingsuit 10:40 2026/05/01 Las Vegas, NV Phish Punch You in the Eye 14:13 2026/04/30 Las Vegas, NV Phish Kill Devil Falls 15:03 2026/05/02 Las Vegas NV Phish Frankenstein 4:52 2026/05/02 Las Vegas NV Phish The Squirming Coil 9:39 2026/04/30 Las Vegas, NV

On Kevin's night shift at the Monterey Bay Aquarium, things get wet, wild, and very very weird. BIG thanks to Kevin Wright and the magical Monterey Bay Aquarium. Thanks also to KAZU Radio in Monterey, California for its assistance. Produced by Anne Ford, original score by Yari Bundy & Renzo Gorrio, artwork by Teo Ducot. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Marine biologist Wallace Nichols coined the terms Blue Mind and Blue Spaces—but what does the ocean have to do with your brain? More than you might think. From oceans and lakes to rivers and even fountains, water has a powerful effect on how we think, feel, and function. This isn't magic—it's neuroscience.Join Brain Lady Julie to dive into Aqua Vitae—the Water of Life—and discover why water does far more than just keep you hydrated.For more information on the studies mentioned in today's show…Conservation Law Foundation StudyJournal of Environmental Psychology ArticleConnect with Brain Lady JulieDo you have a great question or topic you'd like Brain Lady Julie to cover? Think you'd be a great guest? Message our producer Kelli@BrainLadySpeaker.com and let us know.PLEASE NOTE: The information contained in this podcast is not at any time and for any reason meant to replace the guidance and/or treatment of any health professional. Whether it be a medical doctor, psychologist, psychotherapist, or anyone in the medical field. If you are under the care of such a health professional, remember this is an “added value” and not designed to replace any care you are currently under.

What do people ACTUALLY remember 5, 10, or even 20 years after a Bar or Bat Mitzvah?In Episode 171 of Mastering Mitzvahs, Mike and Dylan dive into the moments that truly leave a lasting impact — from immersive themes and unique venues to emotional candle lighting alternatives, silent discos, aquarium parties, interactive entertainment, and unforgettable guest experiences.Dylan reflects on his own Bar Mitzvah nearly 20 years later, while Mike shares stories from some of the most memorable events they've ever produced. Together, they break down why the little details parents stress over often aren't what guests remember most.If you're currently planning a Bar or Bat Mitzvah, this episode will help you focus your time, energy, and budget on the things that create REAL memories.Topics Covered:• What guests remember years later• Unique mitzvah themes & experiences• Aquarium, boat, Topgolf & immersive venue ideas• Silent disco after parties• Creative candle lighting alternatives• Why experiences matter more than swag• How to create emotional impact at your event

Welcome!

FLORIDA FRIDAY - Drunk Florida woman arrested with 21 open Fireball Whiskey bottles after crashing her car on a gold course. Floridaman arrested for public intoxication prior to him attempting to call his family using his own shoe. Florida woman detained after attempting to baptize strangers in the Bass Pro Shop aquarium tank. Florida teacher fired after hanging a black doll with a noose in front of the students. Weird AF News is the only daily weird news podcast in the world. Weird news 5 days/week and on Friday it's only Floridaman. SUPPORT by joining the Weird AF News Patreon http://patreon.com/weirdafnews - OR buy Jonesy a coffee at http://buymeacoffee.com/funnyjones Buy MERCH: https://weirdafnews.merchmake.com/ - Check out the official website https://WeirdAFnews.com and FOLLOW host Jonesy at http://instagram.com/funnyjones - wants Jonesy to come perform standup comedy in your city? Fill out the form: https://docs.google.com/forms/d/e/1FAIpQLSfvYbm8Wgz3Oc2KSDg0-C6EtSlx369bvi7xdUpx_7UNGA_fIw/viewform

Send us Fan MailYour house might be quieter than you think, and that can be dangerous. We share a real fire safety wake-up call that sent us home to twist detectors off the ceiling and read the fine print, because smoke detectors and CO alarms can expire and “smart” models are not always the safest choice if you're not tracking lifespan and sensors. If you've ever assumed your alarms will just work forever, this conversation is your sign to test, check dates, and replace what's overdue.We also keep it firmly in our cycling lane with Brag updates and community fun, including the official “Guess The Brag Route” winner jersey and a listener challenge to grab a photo if you spot the winner wearing it on the route. Listener Spotlight brings voice fan mail and a solved puzzle that lands us in Northampton, England, complete with tunnels, shoemaking history, and a Doctor Who connection.And because we're Cycling Men of Leisure, we zigzag into the good stuff: a genuinely surprised review of the Omaha Henry Doorly Zoo and Aquarium, a quick hit of bike infrastructure news from Seattle and New York City (including why protected bike lanes help everyone), and a pro cycling check-in with Giro d'Italia stats that sound almost impossible. We even circle back to the strange little “99 and 44/100% pure” Ivory Soap mystery and why 99 is a legendary number in sports.If you like laid-back cycling talk with real-world takeaways, subscribe, share the show with a riding buddy, and leave a review so more people can find us. What's one safety habit or cycling moment you're taking from this one? SupportAdam and Michael's friendship has grown through years of shared miles, challenges, and laughter on the bike. Their passion for cycling has carried them through life's twists and turns, creating a bond full of stories, jokes, and unforgettable rides. In their podcast, they bring that same spirit to the mic—sharing adventures, trading banter, and welcoming listeners into their cycling community. Whether tackling steep climbs or cruising open roads, their conversations capture the fun, friendship, and freedom that cycling brings. Tune in for stories that celebrate the ride and the camaraderie that makes it unforgettable.and Remember,It's a Great Day for a Bike Ride!https://www.facebook.com/cyclingmenofleisurehttps://cyclingmenofleisure.com/https://www.cyclingmenofleisurepodcast.com

"It's a Mermaid Festival," St. Louis Aquarium Executive Director Erin Clark says of the Mermaids on the Mississippi experience running through June 14th. Erin and Mermaid 'Nixie' join Chris and Amy in-studio to discuss the family fun to be had at the Union Station attraction this summer.

What was supposed to be the perfect romantic proposal turned into absolute chaos when one man’s big moment spiraled into a full-blown disaster involving shattered glass, flooding water, terrified guests, and sea life flopping through a luxury hotel. And somehow… he STILL tried to propose afterward. The crew breaks down this unbelievably viral proposal fail and shares some of the funniest, weirdest, and most awkward engagement disasters ever told. From panic reactions to proposal meltdowns, this segment proves not every “Will you marry me?” goes according to plan. You can find every podcast we have, including the full show every weekday right here…➡︎ https://thejubalshow.com/podcasts The Jubal Show is everywhere, and also these places: Website ➡︎ https://thejubalshow.com Instagram ➡︎ https://instagram.com/thejubalshow X/Twitter ➡︎ https://twitter.com/thejubalshow Tiktok ➡︎ https://www.tiktok.com/@the.jubal.show Facebook ➡︎ https://facebook.com/thejubalshow YouTube ➡︎ https://www.youtube.com/@JubalFresh Support the show: https://the-jubal-show.beehiiv.com/subscribeSee omnystudio.com/listener for privacy information.

Folks it's Holy Smokes! The comedy podcast where we sm*ke w**d and tell Bible stories.Our guest for ep 94 is the hilarious David Tarantino. See him in Smallprov on Wednesdays at Logan Square Improv in Chicago and The Lizzie McGuire Movie the Play at Steppenwolf in July!Come see Scoochie Boochie on tour!Tickets at scoochieboochie.comIn honor of our 69th episode, use promo code: NICE to get 69% off your first month on the patreon.patreon.com/holysmokespodPatreon members get exclusive monthly videos including unreleased songs, discounts on Scoochie merch, and a Cameo from Scoochie Boochie.

Butler County ICE detainee suing, alleging assault; the Freudenberg NOK strike in Findlay is over; state lawmakers may force local governments to follow state law when it comes to tobacco; a new hotel could be built at the Columbus Zoo & Aquarium.

Phish Free 10:01 2026/04/17 Las Vegas Phish Birds of a Feather 7:15 2026/04/17 Las Vegas Phish Hey Stranger 9:58 2026/04/17 Las Vegas Phish Trey talks about Joe Walsh 1:31 Phish Walk Away 6:13 2026/04/18 Las Vegas Phish Boogie On Reggae Woman 7:00 2026/05/01 Las Vegas Phish Buried Alive 3:19 2026/04/18 Las Vegas Phish Limb By Limb 10:17 2026/04/17 Las Vegas Phish Tweezer 17:37 2026/04/18 Las Vegas Phish Timber 7:36 2026/04/25 Las Vegas Phish Life Saving Gun 13:32 2026/04/24 Las Vegas Phish Piper 16:09 2026/04/24 Las Vegas Phish Tweezer reprise 2:59 2026/04/18 Las Vegas

Fluent Fiction - Dutch: Finding the Perfect Gift under the Sea's Embrace Find the full episode transcript, vocabulary words, and more:fluentfiction.com/nl/episode/2026-05-15-07-38-19-nl Story Transcript:Nl: In het hart van Amsterdam, op een zonnige lentedag, glinsterden de stralen door de hoge ramen van het Aquarium.En: In het hart van Amsterdam, on a sunny spring day, the rays glistened through the tall windows of the Aquarium.Nl: Het was een levendige plek vol toeristen en gezinnen.En: It was a lively place full of tourists and families.Nl: Het zachte geluid van water en de kleurrijke vissen betoverden iedereen.En: The soft sound of water and the colorful fish enchanted everyone.Nl: Femke liep door de gangen met Bas en Anouk.En: Femke walked through the halls with Bas and Anouk.Nl: Het was bijna de verjaardag van haar jongere broer en ze moest een cadeau vinden.En: It was nearly the birthday of her younger brother, and she had to find a gift.Nl: Haar broer hield van alles dat met de zee te maken had.En: Her brother loved everything related to the sea.Nl: "Misschien iets speciaals?"En: "Maybe something special?"Nl: dacht Femke hardop.En: Femke thought aloud.Nl: "Daar!"En: "There!"Nl: riep Bas, zijn ogen glanzend van opwinding.En: shouted Bas, his eyes gleaming with excitement.Nl: Hij wees naar een veel te groot aquarium.En: He pointed to an overly large aquarium.Nl: "Perfect voor zijn kamer!"En: "Perfect for his room!"Nl: Femke lachte.En: Femke laughed.Nl: "Hij heeft geen plaats voor zo'n groot ding.En: "He doesn't have space for something that big.Nl: Iets anders, Bas."En: Something else, Bas."Nl: Anouk, altijd praktisch, legde haar hand op Femke's schouder.En: Anouk, always practical, placed her hand on Femke's shoulder.Nl: "Wat dacht je van een mooi boek over vissen?"En: "How about a nice book about fish?"Nl: "Dat is een goed idee," antwoorde Femke.En: "That's a good idea," replied Femke.Nl: Ze keek rond, maar voor nu wilde ze iets unieks.En: She looked around, but for now, she wanted something unique.Nl: Iets dat haar broer nog niet had.En: Something her brother didn't have yet.Nl: Bas wees intussen naar een speelgoedduikboot.En: Meanwhile, Bas pointed to a toy submarine.Nl: "Zou dat niet geweldig zijn?"En: "Wouldn't that be great?"Nl: "Nee, Bas," zuchtte Femke, terwijl ze verder liep.En: "No, Bas," sighed Femke, as she kept walking.Nl: Ze moesten focus houden.En: They needed to stay focused.Nl: Aan de ene kant hielp Bas met zijn enthousiaste ideeën, maar vaak dwaalden deze ver van Femke's budget en voorkeuren af.En: On one hand, Bas helped with his enthusiastic ideas, but often these strayed far from Femke's budget and preferences.Nl: Dan, net toen Femke de hoop bijna had opgegeven, zag ze iets.En: Then, just when Femke had almost given up hope, she saw something.Nl: Het was een prachtig handgemaakt model van een koraalrif.En: It was a beautifully handmade model of a coral reef.Nl: De kleuren waren levendig en de details waren adembenemend.En: The colors were vibrant and the details were breathtaking.Nl: Maar toen ze de prijs zag, klopte haar hart zwaarder.En: But when she saw the price, her heart pounded heavier.Nl: Het model was nét boven haar budget.En: The model was just above her budget.Nl: "Het is perfect," zei Anouk zachtjes, terwijl ze naast haar kwam staan.En: "It's perfect," said Anouk softly, as she stood next to her.Nl: "Je broer vindt het vast prachtig."En: "Your brother will surely love it."Nl: Femke beet op haar lip.En: Femke bit her lip.Nl: Ze twijfelde.En: She hesitated.Nl: Maar ergens voelde ze dat dit het juiste cadeau was.En: But somewhere she felt that this was the right gift.Nl: "Ik wil hem echt blij maken," fluisterde ze.En: "I really want to make him happy," she whispered.Nl: "We kunnen samenleggen," stelde Anouk voor.En: "We can pitch in together," suggested Anouk.Nl: Haar praktische geest vond altijd een oplossing.En: Her practical mind always found a solution.Nl: "Zou je dat echt doen?"En: "Would you really do that?"Nl: vroeg Femke verbaasd.En: asked Femke surprised.Nl: "Natuurlijk," grijnsde Anouk.En: "Of course," grinned Anouk.Nl: "Voor je broer en voor jou."En: "For your brother and for you."Nl: Met een opgelucht hart spraken ze de deal af.En: With a relieved heart, they made the deal.Nl: Femke voelde zich sterker, zekerder.En: Femke felt stronger, more confident.Nl: Ze was blij dat ze haar instinct had gevolgd.En: She was glad she had followed her instinct.Nl: Bas gaf haar een speelse schouderklop.En: Bas gave her a playful pat on the shoulder.Nl: "Ik wist dat je het perfecte cadeau zou vinden."En: "I knew you would find the perfect gift."Nl: Het bezoek aan het aquarium eindigde in een vreugdevolle sfeer.En: The visit to the aquarium ended on a joyful note.Nl: Terwijl de drie vrienden de uitgang naderden, voelde Femke zich dankbaar.En: As the three friends approached the exit, Femke felt grateful.Nl: Het was niet alleen het cadeau dat ze gevonden had, maar ook de steun van haar vrienden, die deze dag bijzonder maakten.En: It was not only the gift she had found but also the support of her friends that made this day special.Nl: En zo verliet Femke het aquarium, met in haar hand een doos met het perfecte cadeau en in haar hart de wetenschap dat ze altijd kon vertrouwen op haar gevoel en de mensen om haar heen.En: And so Femke left the aquarium, with a box containing the perfect gift in her hand and the knowledge in her heart that she could always trust her feelings and the people around her.Nl: De lentedag glimlachte naar haar en zij glimlachte terug.En: The spring day smiled at her, and she smiled back. Vocabulary Words:glistened: glinsterdenenchanted: betoverdennearly: bijnayounger: jongeregleaming: glanzendexcitement: opwindingpointed: weeslively: levendigebreathtaking: adembenemendvibrant: levendigplayful: speelsepractical: praktischeconfident: zekerderstrayed: dwaaldenbudget: budgetpreferences: voorkeurenhesitated: twijfeldesolution: oplossingsupport: steungrateful: dankbaarinstinct: instinctrelieved: opgeluchtfocused: focusapproached: naderdensubmarine: speelgoedduikbootcoral reef: koraalrifhandmade: handgemaaktdeal: afsprakenheart: hartroom: kamer

Fluent Fiction - Hebrew: From Aquarium to Action: Uniting for Marine Rescue Missions Find the full episode transcript, vocabulary words, and more:fluentfiction.com/he/episode/2026-05-15-22-34-01-he Story Transcript:He: ביום אביב נעים, בוקר שאור השמש חודר פנימה מבעד לחלונות התכולים של האקווריום, התקיימה פעילות גיבוש ייחודית לצוות עבודה.En: On a pleasant spring day, with the morning sunlight streaming in through the azure windows of the aquarium, a unique team-building activity took place.He: בין האקווריומים הענקיים שמעליהם שוחים יצורי ים ססגוניים, היו תמר, ענת, ואיתן בפגישה עמוקה.En: Among the giant aquariums, above which colorful sea creatures swam, were Tamar, Anat, and Eitan in a deep meeting.He: אבנר, בוגר בצוות כביולוג ימי עם תשוקה לשימור ימי, ישב שם דומם.En: Avner, a senior team member as a marine biologist with a passion for marine conservation, sat there silently.He: עמוק בליבו, הוא רצה להוביל פרויקט מחקר חדשני.En: Deep in his heart, he wanted to lead an innovative research project.He: אבל איך יעשה זאת?En: But how would he do it?He: היה עליו לפרוץ את מעגל השקט שלו.En: He needed to break his quiet circle.He: תמר, המנהיגה הנמרצת, דיברה ברעיונות מלאי אנרגיה.En: Tamar, the spirited leader, spoke with energetic ideas.He: "בואו ניצור משהו יצירתי!En: "Let's create something creative!"He: ", הכריזה.En: she declared.He: במקביל, איתן, מנהל התפעול מעשי ויעיל, התרכז בתוצאות והאופן שהדברים מתבצעים בפועל.En: Meanwhile, Eitan, the practical and efficient operations manager, focused on the results and how things are actually done.He: אבנר התחיל להרגיש לא בנוח.En: Avner began to feel uncomfortable.He: אם לא ידבר כעת, אולי לא תיהיה לו הזדמנות נוספת.En: If he didn't speak now, he might not have another opportunity.He: במפתיע, הוא הרים את ידו ואמר: "יש לי רעיון.En: Suddenly, he raised his hand and said: "I have an idea.He: מדוע לא נקיים סימולציה של הצלת בעלי חיים ימיים כאן באקווריום?En: Why don't we conduct a simulation of a marine animal rescue right here in the aquarium?"He: "הרעיון של אבנר היה מרתק.En: Avner's idea was captivating.He: תמר ואיתן הביטו זה בזה בהפתעה.En: Tamar and Eitan looked at each other in surprise.He: אבנר המשיך לתאר את הסימולציה - איך שכל אחד יצטרף למשימה אמיתית להצלת יצור ימי.En: Avner continued to describe the simulation - how everyone would join a real mission to rescue a sea creature.He: תמר אהבה את היצירתיות.En: Tamar loved the creativity.He: איתן העריך את השילוב של פעילות פרקטית.En: Eitan appreciated the blend of practical activity.He: כשיום הפעילות הגיע לשיאו, כל הצוות השתתף בסימולציה בהתרגשות.En: When the day of the activity reached its peak, the entire team participated in the simulation with excitement.He: הם לבושים בציוד הצלה ועובדים כקבוצה אחת.En: They were dressed in rescue gear and worked as one team.He: הפעילות חיברה בין העובדים והתרגשה את כולם.En: The activity connected the employees and thrilled everyone.He: בסיום היום, גם תמר וגם איתן פנו לאבנר.En: At the end of the day, both Tamar and Eitan approached Avner.He: "הרעיון שלך היה מעולה!En: "Your idea was excellent!"He: ", אמרה תמר.En: said Tamar.He: "צריך לחשוב על איך אנו מקדמים את הפרויקט שלך", הוסיף איתן.En: "We need to think about how we can advance your project," added Eitan.He: אבנר חזר הביתה עם חיוך גדול.En: Avner returned home with a big smile.He: הוא הבין שהוא יכול להוביל.En: He understood that he could lead.He: שהיכולת להביע רעיונות – זה חשוב, ולא לפחד מלקחת את הצעד הראשון.En: That the ability to express ideas is important, and not to fear taking the first step.He: הוא הוכיח את עצמו.En: He proved himself.He: כעת, הדרך לפרויקט המחקר החדש פתוחה בפניו.En: Now, the path to the new research project is open to him. Vocabulary Words:pleasant: נעיםazure: תכוליםunique: ייחודיתsenior: בוגרpassion: תשוקהconservation: שימורsilently: דומםinnovative: חדשניcircle: מעגלspirited: נמרצתenergetic: מלאי אנרגיהpractical: מעשיefficient: יעילuncomfortable: להרגיש לא בנוחcaptivating: מרתקsurprise: הפתעהdescribe: לתארcreativity: יצירתיותblend: השילובparticipated: השתתףexcited: התרגשותgear: ציודthrilled: התרגשהapproached: פנוexcellent: מעולהexpress: להביעfear: לפחדprove: הוכיחpath: דרךopen: פתוחהBecome a supporter of this podcast: https://www.spreaker.com/podcast/fluent-fiction-hebrew--5818690/support.

Fluent Fiction - Hebrew: The Blue Glass Dolphin: Healing Old Rifts by the Aquarium Find the full episode transcript, vocabulary words, and more:fluentfiction.com/he/episode/2026-05-15-07-38-19-he Story Transcript:He: מִרְיָם, אַרִי, וְנוֹחַ עָמְדוּ בְּכְנִיסַת הָאַקְוַרִיּוּם.En: Miriam, Ari, and Noah stood at the entrance of the aquarium.He: שָׁם הָאֲוִיר הָיָה מָלֵא בְּרֵיחַ הַמַּיִם וּבְקוֹלוֹת שֶׁל יְלָדִים צוֹחֲקִים.En: The air there was filled with the smell of water and the sounds of children laughing.He: הָאוֹר הַכָּחוֹל מֵהַמְּכַל הָרָאשִׁי הֵאִיר אֶת כּוּלָּם.En: The blue light from the main tank illuminated everyone.He: דָּגִים צִבְעוֹנִים שָׁטוּ לִיד הַזְּכוּכִיּוֹת בְּאִטִיּוּת.En: Colorful fish swam slowly beside the glass.He: בוֹ עֵת, מִרְיָם נִכְנְסָה לַחֲנוּת הַמַּתָּנוֹת שֶׁבַּפְנִים וְחִפְּשָׂה מַתָּנָה לְאַרִי לְיוֹם הַהוּלֶּדֶת.En: Meanwhile, Miriam entered the gift shop inside, looking for a birthday present for Ari.He: הִיא זָכְרָה כָּמָה סִפּוּרִים וְחַוָּיוֹת שֶׁסִפְּרוּ וּשְׁחָקוּ כְּיָלְדִים, רוֹצֶה לִמְצֹוא מַשֶּׁהוּ שֶׁיִסִּימוּ אֶת הַמִּרִיבָה הַיְשָׁנָה שֶׁלָּהֶם.En: She remembered some stories and experiences they shared and played through as children, wanting to find something that would put an end to their old argument.He: זְמַן הֶחָנוּיוֹת עָמַד לִגְמוֹר, וּמִרְיָם לֹא מָצְאָה עֲדַיִן מַשֶּׁהוּ.En: Time was running out for the shops, and Miriam still hadn't found anything.He: הַמַּתָּנוֹת הִיא לֹא חָשְׁבָה.En: She didn't have any ideas for the gifts.He: הִיא הִרְגִּישָׁה חוֹסֶר יֵאוּשׁ, עַד שֶׁרָאֲתָה דּוֹלְפִין מִזְכֹּוכִית כָּחוֹל.En: She felt a sense of hopelessness until she saw a blue glass dolphin.He: הַדּוֹלְפִין הִזְכִּיר לָהּ נְסִיעָה יוֹתֵר צָעִירָה לְאִילת, אֶתָ וְאַרִי.En: The dolphin reminded her of a trip she took when she was younger to Eilat, with Ari.He: זָרְקָה מַבָּט, וראתה אֶת אַרִי.En: She glanced over and saw Ari.He: הֵם שְׁנֵיהֶם מָשְׁכוּ יָד לְאוֹתוֹ הַדּוֹלְפִין, נְדָמִים וּמְחֻבָּרִים לְמַשֶּׁהוּ שֶׁהִלְבִּישׁ אוֹתָם.En: Both of them reached out for the same dolphin, feeling amazed and connected by something that enveloped them.He: הַלֵּב שֶׁל מִרְיָם הָיָה קַל.En: Miriam's heart felt light.He: כִּמְעַט הִיא אַל...En: She almost didn't think.He: "הַיְּשַׁן יָשָׁן," אָמְרָה מִרְיָם בְּשֶׁקֶט, אֶצְלָה שֶׁל הָאַרִי אֵיפוֹא.En: "The old is over," said Miriam quietly, next to the shadow of Ari.He: אַחֲרֵי שֶׁהֵם נָפְגּוּ, דִּבְּרוּ, וְהַחְלִיטוּ לַעֲבֹר אֶת הַחוֹף שָׁבוּעוֹת יַחַד עִם הַמִּשְׁפָּחוֹת.En: After they met, they talked and decided to spend weeks together with their families on the beach.He: מִרְיָם הִתְחִילָה לְהָבִין, מְמִילָא מֵהָרוּחוֹת הַפְּרָטִיות שֶׁהָיָה מִקְאוֹהַ.En: Miriam began to understand, despite the personal storms that came.He: היא מרגישה תחושות של תקווה וּפַּשָּׁר יְשָׁן לַמֻּחָפָּשׁ.En: She feels a sense of hope and a renewed connection with the search.He: אַרִי חָזֹר, וְהַדּוֹלְפִין יִתֵּן לָהֶם לוֹא זִכְרוֹנוֹת גַּם עַל הֶאֶמֶת, בַּשָּׁבוּק שֶׁל שָׁבוּעוֹת זֶה.En: Ari returned, and the dolphin would give them not just memories, but also truth in the weeks following. Vocabulary Words:entrance: כניסהilluminated: האירexperiences: חוויותhopelessness: חוסר ייאושglanced: זרקה מבטconnected: מחובריםenveloped: הלבישrenewed: פשרtruth: אמתaquarium: אקווריוםcolorful: צבעונייםbeside: לידhopelessness: חוסר ייאושbirthday: יום הולדתfelt: הרגישהreminded: הזכירamazed: נדמיםdecided: החליטוfamilies: משפחותstorms: רוחותgave: יתןentrance: כניסתlight: אורpresent: מתנהargument: מריבהblue: כחולshadow: צלweeks: שבועותconnection: מִקְאוֹהַmemories: זיכרונותBecome a supporter of this podcast: https://www.spreaker.com/podcast/fluent-fiction-hebrew--5818690/support.

Fluent Fiction - Catalan: Penguin Antics: The Hilarious Day Jordi Lost a Shoe Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ca/episode/2026-05-15-22-34-01-ca Story Transcript:Ca: A l'Aquarium de Barcelona, ple de famílies i turistes, Jordi, Mercè i Pau feien fila per veure els pingüins.En: At the Aquarium de Barcelona, filled with families and tourists, Jordi, Mercè, and Pau were standing in line to see the penguins.Ca: Era primavera i a fora feia bon temps, però dins el recinte, l'ambient estava fresc i ombrívol.En: It was spring, and the weather outside was nice, but inside the building, the atmosphere was cool and shady.Ca: Grans vidres mostraven el món submarí i les ombres aquàtiques ballaven al terra, creant una il·lusió de calma infinita.En: Large glass panels revealed the underwater world, and aquatic shadows danced on the ground, creating an illusion of infinite calm.Ca: En Jordi estava entusiasmat.En: Jordi was enthusiastic.Ca: Volia demostrar a la Mercè que podia comunicar-se amb els animals.En: He wanted to show Mercè that he could communicate with animals.Ca: Un cop davant dels pingüins, es van quedar mirant-los amb admiració.En: Once in front of the penguins, they stood admiring them.Ca: Les criatures es movien amb elegància, indiferents a les mirades dels humans.En: The creatures moved gracefully, indifferent to the humans' gazes.Ca: En Jordi, amb un to juganer, va dir: "Mireu com em segueixen!".En: Jordi, in a playful tone, said, "Watch how they follow me!"Ca: En Pau, sempre amb ganes de broma, va riure: "A veure si ets un encanteri de pingüins!".En: Pau, always ready for a joke, laughed: "Let's see if you're a penguin charmer!"Ca: Llavors, es va produir el desastre.En: Then, disaster struck.Ca: Un pingüí, més llest que la resta, va acostar-se molt a prop del vidre.En: A penguin, smarter than the rest, came very close to the glass.Ca: Jordi, amb ganes d'impressionar, va treure la sabata per fer veure que li oferia.En: Jordi, eager to impress, took off his shoe to pretend to offer it.Ca: El pingüí, ràpid com una fletxa, va agafar la sabata i va córrer dins la seva piscina.En: The penguin, quick as an arrow, grabbed the shoe and ran into the pool.Ca: "Jordi, què fas?", va dir la Mercè, sorpresa i rient.En: "Jordi, what are you doing?" Mercè said, surprised and laughing.Ca: Els altres pingüins començaven a veure què passava i tot es convertí en una meravellosa embolic.En: The other penguins began to realize what was happening, and everything turned into a wonderful mess.Ca: Els turistes van començar a gravar i a fer fotos mentre en Jordi, decidit, es va pensar el seu següent moviment.En: Tourists started recording and taking pictures while Jordi, determined, considered his next move.Ca: Amb calma i seguretat, va entrar a la zona dels pingüins.En: With calm and confidence, he entered the penguin area.Ca: Un vigilant es va apropar, però en veure la situació, es va quedar a un costat, curiosos per com acabaria.En: A guard approached, but upon seeing the situation, he stood aside, curious about how it would end.Ca: Els pingüins voltaven per la piscina, gaudint de la comèdia que en Jordi protagonitzava.En: The penguins were circling the pool, enjoying the comedy Jordi was starring in.Ca: El pingüí principal jugava a estira i arronsa amb la sabata fugida.En: The main penguin was playing a tug-of-war with the runaway shoe.Ca: En un cop de geni, en Jordi es va apropar a un tanc proper i va agafar un peix.En: In a stroke of genius, Jordi approached a nearby tank and grabbed a fish.Ca: Amb el peix a la mà, es va apropar al pingüí líder i, amb veu suau, li va oferir l'intercanvi.En: With the fish in hand, he approached the lead penguin and, in a soft voice, offered the exchange.Ca: El pingüí, intrigat, va deixar anar la sabata i va prendre el peix amb entusiasme.En: The penguin, intrigued, let go of the shoe and eagerly took the fish.Ca: La Mercè i en Pau aplaudien mentre en Jordi, finalment, comprenia que el seu esforç per impressionar no era necessari.En: Mercè and Pau applauded while Jordi finally realized that his effort to impress was unnecessary.Ca: La Mercè l'estimava tal com era, divertit, espontani i autèntic.En: Mercè loved him just as he was—funny, spontaneous, and authentic.Ca: Ja fora de la piscina, amb els pantalons mullats però el cor lleuger, en Jordi va riure amb els seus amics mentre decidien on anar a dinar.En: Now out of the pool, with wet pants but a light heart, Jordi laughed with his friends as they decided where to go for lunch.Ca: El dia a l'aquarium havia estat inoblidable, no per l'encanteri dels pingüins, sinó pel riure i la companyonia d'un guarnit matí primaveral a Barcelona.En: The day at the aquarium had been unforgettable, not because of the penguin charm, but for the laughter and camaraderie of a lovely spring morning in Barcelona. Vocabulary Words:aquarium: l'Aquariumbuilding: el recinteglass panel: els vidresunderwater: submaríshadow: l'ombraillusion: la il·lusiócreature: la criaturagaze: la miradatone: el todisaster: el desastrearrow: la fletxashoe: la sabataguard: el vigilanttug-of-war: estira i arronsagenius: el cop de genitank: el tancexchange: l'intercanvienthusiasm: l'entusiasmeeffort: l'esforçfriend: el/la amic/amigajoke: la bromacharm: l'encanteriinfinite: infinitcurious: curióslead penguin: el pingüí lídercomedy: la comèdiacalm: la calmaenthusiastic: entusiasmatspontaneous: espontanispring: la primavera

Fluent Fiction - Hungarian: Courage in Crisis: A Day at the Budapest Aquarium Find the full episode transcript, vocabulary words, and more:fluentfiction.com/hu/episode/2026-05-15-07-38-19-hu Story Transcript:Hu: A tavaszi napfény áttört a felhős égen, megszínezve a város látképét.En: The spring sunshine broke through the cloudy sky, coloring the city's skyline.Hu: A Budapesti Akvárium tele volt élettel.En: The Budapesti Akvárium was full of life.Hu: Az emberek nyüzsögtek, a gyerekek izgatottan mutogattak a hatalmas akváriumüvegek mögött úszkáló halakra.En: People bustled about, and children pointed excitedly at the fish swimming behind the large aquarium glass.Hu: László, egy tengeri biológia rajongó, a régi szokásához híven ismét meglátogatta az akváriumot.En: László, a marine biology enthusiast, visited the aquarium once again, as was his old habit.Hu: Élvezte a csendet és a tiszta vizet, amelyek azonban hamarosan hangos kiáltásokkal töltődtek meg.En: He enjoyed the silence and clear water, which soon filled with loud shouts.Hu: Judit, az akvárium egyik lelkes vezetője, éppen egy csoportot kalauzolt végig, amikor észrevette, hogy valami nincs rendben.En: Judit, an enthusiastic leader at the aquarium, was guiding a group when she noticed something was wrong.Hu: Egy látogató a kezét szorítva térdre esett.En: A visitor fell to their knees, clutching their hand.Hu: Az emberek riadtan hátráltak, de Judit azonnal a segítségére sietett.En: People backed away in panic, but Judit rushed to help immediately.Hu: László ugyanebben a pillanatban tanúja lett a jelenetnek, érezte, hogy valami nagy történik, ami cselekvésért kiált.En: László, witnessing the scene at the same moment, sensed that something significant was happening that called for action.Hu: Judit gyorsan felmérte a helyzetet. Allergiás reakció! Azonnal cselekedni kell.En: Judit quickly assessed the situation. An allergic reaction! Immediate action was necessary.Hu: László megdermedt. Félt attól, hogy mások előtt tegyen valamit, de érezte, hogy segítenie kell.En: László was frozen. He was afraid to act in front of others, but he felt the need to help.Hu: Judit tekintete megállapodott az övén, ösztöni egységük azonnal megfogant.En: Judit's gaze fixed on his, and their instinctive unity immediately took hold.Hu: "László, segítenél tartani a tömeget távol?" kérdezte Judit határozott hangon, de tekintete bátorító volt.En: "László, could you help keep the crowd back?" asked Judit with a firm voice, but her look was encouraging.Hu: László bizonytalanul, de bólintott.En: László nodded hesitantly.Hu: Ahogy megpróbálta elterelni az embereket, hogy helyet adjanak a levegőnek és. a segítségnek, érezte, hogy a félelem lassan elenyészik.En: As he tried to divert people to make room for air and assistance, he felt his fear slowly dissipate.Hu: Judit már konkrét utasításokat adott.En: Judit was already giving specific instructions.Hu: Felszólította a közelben állókat, hogy hívják a mentőket.En: She urged those standing nearby to call the paramedics.Hu: László segítségével helyet csináltak, és az emberek engedelmeskedtek Judit irányításának.En: With László's help, they made space, and people followed Judit's lead.Hu: A mentők perceken belül megérkeztek, de addigra a helyzet rendeződni látszott.En: The paramedics arrived within minutes, but by then, the situation seemed to be under control.Hu: A látogatót hordágyra tették, és az emberek egyöntetűen tapsoltak Judit bátorságának és László segítőkészségének.En: The visitor was placed on a stretcher, and people unanimously applauded Judit's bravery and László's helpfulness.Hu: Amint lassan visszatért a nyugalom az akváriumban, Judit és László körbenéztek.En: As calm slowly returned to the aquarium, Judit and László looked around.Hu: A káosz helyét újra a halvány, akváriumon átjutó fény foglalta el.En: The chaos was replaced by the faint light passing through the aquarium.Hu: Judit megköszönte Lászlónak a segítséget, aki most már másképp nézett a tengeri világra.En: Judit thanked László for his help, who now saw the marine world differently.Hu: Már nem csak egy megfigyelő volt, hanem egy aktív résztvevő, aki legyőzte saját félelmeit.En: He was no longer just an observer, but an active participant who had overcome his own fears.Hu: A párbeszéd közben Judit felismerte, hogy néha szüksége van másokra.En: During their conversation, Judit realized that sometimes she needed others.Hu: Ez az esemény megmutatta neki, hogy a csapatmunka mennyire fontos.En: This event showed her how important teamwork is.Hu: Az akvárium újra kezdett a megszokott helyére kerülni.En: The aquarium began to return to its usual state.Hu: A halak csendesen úsztak tovább, mintha mi sem történt volna, a látogató pedig biztonságban volt.En: The fish swam quietly as if nothing had happened, and the visitor was safe.Hu: László szívében érezte a változást, és tudta, hogy most már másképp tekint saját korlátaira.En: László felt a change in his heart and knew that he now viewed his own limitations differently.Hu: Judit pedig elégedetten folytatta a munkáját, mindketten gazdagabbak lettek egy értékes tapasztalattal.En: Judit continued her work with satisfaction; both of them richer with a valuable experience. Vocabulary Words:sunshine: napfényskyline: látképbustled: nyüzsögtekenthusiast: rajongóhabit: szokássilence: csendallergic: allergiásreaction: reakcióexperienced: tapasztaltsignificant: nagyinstinctive: ösztöniunity: egységhesitantly: bizonytalanuldissipate: elenyészikparamedics: mentőkunanimously: egyöntetűenapplauded: tapsoltakbravery: bátorságparticipant: résztvevőchaos: káoszlimitations: korlátokteamwork: csapatmunkarich: gazdagvaluable: értékesexperience: tapasztalatfaint: halványguiding: kalauzoltassess: felmérnicrowd: tömegfirm: határozott

Fluent Fiction - Italian: Sneaking Away for Dolphins: Livia's Unforgettable Adventure Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2026-05-15-07-38-19-it Story Transcript:It: Il sole splendeva caldo nel cielo di primavera sul porto di Genova, mentre il grande pullman scolastico si fermava davanti all'ingresso dell'Acquario.En: The sun shone warmly in the spring sky over the port of Genova, as the big school bus stopped in front of the entrance to the Aquarium.It: La classe di Livia si riversò fuori, emozionata e pronta per una giornata piena di avventure e scoperte.En: Livia's class poured out, excited and ready for a day full of adventures and discoveries.It: Livia, una studentessa curiosa con una passione per la biologia marina, camminava al fianco dei suoi compagni Ettore e Adriana.En: Livia, a curious student with a passion for marine biology, walked alongside her classmates Ettore and Adriana.It: Ettore era un ragazzo avventuroso, sempre pronto a sperimentare cose nuove.En: Ettore was an adventurous boy, always ready to try new things.It: Adriana, invece, era più timida, ma osservava tutto con attenzione, ammirando la sicurezza e l'entusiasmo di Livia.En: Adriana, on the other hand, was more shy but observed everything carefully, admiring Livia's confidence and enthusiasm.It: L'acquario era un labirinto di vetro e acqua, dove i colori brillanti dei pesci danzavano sotto la luce.En: The aquarium was a maze of glass and water, where the bright colors of the fish danced under the light.It: I bambini correvano da una vasca all'altra, affascinati dalle creature marine.En: The children ran from one tank to another, fascinated by the marine creatures.It: Ma Livia aveva un obiettivo preciso: voleva vedere il nuovo spettacolo dei delfini.En: But Livia had a specific goal: she wanted to see the new dolphin show.It: L'avevano annunciato poco tempo fa ed era la perfetta occasione per raccogliere materiale per il suo progetto scolastico.En: It had been announced recently and was the perfect opportunity to gather material for her school project.It: Il problema era il tempo: l'itinerario della scuola era serrato.En: The problem was time: the school's itinerary was tight.It: C'era tanto da vedere: le meduse luminose, gli squali imponenti, le tartarughe giganti.En: There was so much to see: luminous jellyfish, imposing sharks, and giant turtles.It: Livia osservava l'orologio con ansia, mentre il gruppo si muoveva da un'esposizione all'altra.En: Livia watched the clock anxiously as the group moved from one exhibit to another.It: Finalmente, durante una pausa, prese una decisione coraggiosa.En: Finally, during a break, she made a courageous decision.It: "Sneakerò via per un momento," sussurrò a Ettore e Adriana.En: "I'm going to sneak away for a moment," she whispered to Ettore and Adriana.It: "Devo assolutamente vedere i delfini."En: "I absolutely have to see the dolphins."It: Ettore rise.En: Ettore laughed.It: "Sei sicura?"En: "Are you sure?"It: chiese.En: he asked.It: "Non vuoi metterti nei guai."En: "You don't want to get into trouble."It: Adriana, silenziosa, annuì.En: Adriana, silently, nodded.It: "Vai, Livia.En: "Go, Livia.It: Noi ti aspettiamo qui."En: We'll wait for you here."It: Con un cenno di gratitudine, Livia sgattaiolò fuori dalla folla dei suoi compagni e si diresse verso il teatro dei delfini.En: With a nod of gratitude, Livia slipped away from the crowd of her classmates and headed towards the dolphin theater.It: Il cuore le batteva forte quando si sedette sulle gradinate, giusto in tempo per l'inizio dello spettacolo.En: Her heart was pounding as she sat down on the bleachers, just in time for the start of the show.It: I delfini saltavano agilmente, muovendosi con grazia nell'acqua cristallina.En: The dolphins jumped nimbly, moving gracefully in the crystal-clear water.It: Livia era ipnotizzata.En: Livia was mesmerized.It: Dimenticò completamente il tempo.En: She completely forgot about the time.It: Improvvisamente, si rese conto che il tempo era passato in un lampo.En: Suddenly, she realized time had flown by.It: Doveva correre indietro!En: She had to run back!It: Con il cuore in gola, si alzò e si diresse verso l'uscita, cercando disperatamente di non pensare alle conseguenze.En: With her heart in her throat, she got up and headed towards the exit, desperately trying not to think about the consequences.It: Quando finalmente raggiunse il suo gruppo, vide Ettore e Adriana che parlavano con l'insegnante.En: When she finally reached her group, she saw Ettore and Adriana talking with the teacher.It: "Sì, professoressa, Livia era con noi," disse Ettore con nonchalance.En: "Yes, professor, Livia was with us," said Ettore nonchalantly.It: "Stiamo raccontando delle tartarughe giganti."En: "We were talking about the giant turtles."It: Adriana sorrise a Livia, sollevata.En: Adriana smiled at Livia, relieved.It: "Ti sei persa lo squalo, ma ne abbiamo delle foto," disse con complicità.En: "You missed the shark, but we have some photos," she said conspiratorially.It: Livia, colma di gratitudine, abbracciò i suoi amici.En: Livia, filled with gratitude, hugged her friends.It: Aveva imparato qualcosa di importante quel giorno: non era sola.En: She had learned something important that day: she was not alone.It: La loro amicizia era diventata più forte, grazie al suo piccolo atto di ribellione e alla collaborazione degli amici.En: Their friendship had grown stronger, thanks to her small act of rebellion and the cooperation of her friends.It: La visita all'acquario si concluse con sorrisi e nuove storie da raccontare.En: The visit to the aquarium ended with smiles and new stories to tell.It: Livia, Ettore e Adriana si avviarono verso il pullman, tenendosi per mano e ridendo delle avventure di quel giorno speciale.En: Livia, Ettore, and Adriana headed towards the bus, holding hands and laughing about the adventures of that special day. Vocabulary Words:the sun: il solethe port: il portothe school bus: il pullman scolasticothe entrance: l'ingressothe aquarium: l'acquariothe glass: il vetrothe fish: i pescithe dolphin: il delfinothe itinerary: l'itinerariothe jellyfish: le medusethe shark: lo squalothe turtle: la tartarugathe heart: il cuorethe bleachers: le gradinatethe clock: l'orologiothe crowd: la follathe stone: la pietrathe consequence: la conseguenzathe teacher: l'insegnantethe smile: il sorrisothe story: la storiathe sky: il cielothe day: la giornatathe adventure: l'avventurathe project: il progettothe opportunity: l'occasionethe decision: la decisionethe gratitude: la gratitudinethe friendship: l'amiciziathe cooperation: la collaborazione

Fluent Fiction - French: Uncovering Secrets at the Aquarium de Paris Find the full episode transcript, vocabulary words, and more:fluentfiction.com/fr/episode/2026-05-15-07-38-19-fr Story Transcript:Fr: Lucie se promène dans l'Aquarium de Paris.En: Lucie walks through the Aquarium de Paris.Fr: Elle aime voir les poissons nager, surtout au printemps.En: She loves to see the fish swimming, especially in spring.Fr: Les touristes admirent les grands aquariums.En: The tourists admire the large aquariums.Fr: Des lumières bleues et vertes dansent sur le carrelage.En: Blue and green lights dance on the tiles.Fr: Lucie est biologiste marine.En: Lucie is a marine biologist.Fr: Passionnée et curieuse, elle remarque un poisson manquant.En: Passionate and curious, she notices a missing fish.Fr: C'est un poisson rare, très précieux pour l'aquarium.En: It is a rare fish, very precious for the aquarium.Fr: Lucie est inquiète.En: Lucie is worried.Fr: Elle parle à Hélène, la directrice de l'aquarium.En: She speaks to Hélène, the director of the aquarium.Fr: — Hélène, il y a un problème.En: "Hélène, there is a problem.Fr: Le poisson rare a disparu!En: The rare fish has disappeared!"Fr: Hélène est stressée.En: Hélène is stressed.Fr: Beaucoup de visiteurs viennent pour voir ce poisson.En: Many visitors come to see this fish.Fr: Elle doit résoudre ce mystère rapidement.En: She has to solve this mystery quickly.Fr: Mais il n'y a pas d'indices clairs.En: But there are no clear clues.Fr: Lucie décide de mener l'enquête en secret.En: Lucie decides to conduct the investigation in secret.Fr: Elle ne peut pas laisser ses amis marins en danger.En: She cannot let her marine friends be in danger.Fr: Elle veille tard le soir.En: She stays up late at night.Fr: Elle se faufile dans les couloirs silencieux de l'aquarium.En: She sneaks through the silent corridors of the aquarium.Fr: Mathieu, le concierge, est souvent là tard.En: Mathieu, the janitor, is often there late.Fr: Il semble savoir plus qu'il ne dit.En: He seems to know more than he says.Fr: Lucie le remarque.En: Lucie notices him.Fr: Elle le suit discrètement.En: She follows him discreetly.Fr: Mathieu a toujours un sourire mystérieux.En: Mathieu always has a mysterious smile.Fr: Pourquoi?En: Why?Fr: Une nuit, Lucie prend une décision.En: One night, Lucie makes a decision.Fr: Elle entre dans la zone interdite.En: She enters the forbidden area.Fr: Son cœur bat fort.En: Her heart beats fast.Fr: Elle voit Mathieu.En: She sees Mathieu.Fr: Il nourrit le poisson rare, caché dans un petit réservoir.En: He is feeding the rare fish, hidden in a small tank.Fr: — Mathieu!En: "Mathieu!Fr: Pourquoi ce poisson est ici?En: Why is this fish here?"Fr: Mathieu explique.En: Mathieu explains.Fr: Le poisson était caché pour éviter un danger.En: The fish was hidden to avoid danger.Fr: Il avait besoin de repos et de soins.En: It needed rest and care.Fr: Lucie comprend.En: Lucie understands.Fr: Elle et Mathieu parlent à Hélène.En: She and Mathieu speak to Hélène.Fr: Ensemble, ils mettent en place de meilleures mesures de sécurité et de soins pour l'aquarium.En: Together, they put in place better security and care measures for the aquarium.Fr: Hélène est soulagée.En: Hélène is relieved.Fr: Les visiteurs pourront bientôt revoir le poisson rare.En: Visitors will soon be able to see the rare fish again.Fr: Lucie réalise que travailler en équipe est important.En: Lucie realizes that working in a team is important.Fr: Elle sourit à Mathieu.En: She smiles at Mathieu.Fr: Le mystère est résolu.En: The mystery is solved.Fr: L'Aquarium de Paris est plein de vie et de couleurs.En: The Aquarium de Paris is full of life and colors.Fr: Les poissons nagent heureux.En: The fish swim happily.Fr: Lucie est heureuse d'avoir découvert la vérité et d'avoir aidé ses chers amis marins.En: Lucie is happy to have discovered the truth and to have helped her dear marine friends. Vocabulary Words:the aquarium: l'aquariumthe fish: le poissonthe spring: le printempsthe tiles: le carrelagethe marine biologist: le biologiste marinthe rare fish: le poisson rareprecious: précieuxthe director: la directricethe mystery: le mystèrethe clues: les indicesthe investigation: l'enquêtethe corridor: le couloirthe janitor: le conciergediscreetly: discrètementthe decision: la décisionthe forbidden area: la zone interditethe heart: le cœurthe tank: le réservoirto feed: nourrirhidden: cachéthe danger: le dangerthe rest: le reposthe care: les soinsto understand: comprendreto speak: parlerthe measures: les mesuresthe relief: le soulagementthe team: l'équipeto smile: sourireto solve: résoudre

Fluent Fiction - Korean: Finding Inspiration in the Depths of Seoul's Aquarium Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ko/episode/2026-05-15-07-38-19-ko Story Transcript:Ko: 비가 내리던 봄날, 서울의 번화한 아쿠아리움 안은 사람들로 북적이고 있었다.En: On a rainy spring day, inside a bustling aquarium in Seoul, it was crowded with people.Ko: 가족들과 관광객들이 색색의 물고기들과 생기 넘치는 산호를 구경하며 즐거워했다.En: Families and tourists were enjoying themselves as they admired the colorful fish and vibrant coral.Ko: 큰 유리창에 빗방울이 부드럽게 떨어지며 잔잔한 물소리와 함께 아쿠아리움 안을 차분하게 만들었다.En: Raindrops softly fell on the large glass windows, creating a peaceful atmosphere within the aquarium with the gentle sound of water.Ko: 준은 창가에 서서 물고기들이 유영하는 모습을 바라보고 있었다.En: Jun was standing by the window, watching the fish swim.Ko: 그는 그래픽 디자이너로 일하고 있었지만, 영감을 찾기 어려운 시기를 겪고 있었다.En: He was working as a graphic designer but was going through a period where finding inspiration was difficult.Ko: 새로운 경험에 대한 두려움이 그를 더 외롭게 만들었다.En: His fear of new experiences made him feel even lonelier.Ko: 하지만 오늘은 부처님 오신 날이었다.En: However, today was Buddha's Birthday.Ko: 특별한 날을 맞아 그는 자신에게 약속했다. 오늘은 새로운 사람을 만나보고 싶다고.En: To mark this special day, he promised himself that he wanted to meet someone new.Ko: 그의 생각을 끊어준 것은 옆에서 들려오는 부드러운 목소리였다.En: What interrupted his thoughts was a soft voice coming from beside him.Ko: "이 물고기들 참 아름답죠?" 그녀는 은미였다.En: "Aren't these fish beautiful?" It was Eun-mi.Ko: 그녀는 해양 생물학자였고, 바다 보전에 대한 열정이 가득했다.En: She was a marine biologist, filled with passion for ocean conservation.Ko: 은미는 물속의 생명에 대해 이야기하며 눈을 반짝였다.En: Eun-mi's eyes sparkled as she spoke about life in the water.Ko: 그녀의 진심 어린 말들은 준에게 신선한 바람과 같았다.En: Her sincere words were like a fresh breeze to Jun.Ko: 둘은 작은 대화를 시작했다.En: The two began a small conversation.Ko: 은미는 바닷속 삶에 대해 설명했고, 준은 디자인의 어려움에 대해 말했다.En: Eun-mi explained life under the sea, while Jun talked about the challenges of design.Ko: 그리고 그들은 이야기 속에서 서로의 꿈과 도전을 털어놓았다.En: They confided in each other about their dreams and challenges through their conversation.Ko: 준은 자신이 겪고 있는 진부함과 함께 일의 의미를 다시 찾고 싶다고 했다.En: Jun shared his struggle with monotony and his desire to find meaning in his work again.Ko: 은미는 그녀의 연구가 사람들에게 더 큰 영향을 주기를 바랐다.En: Eun-mi hoped her research would have a greater impact on people.Ko: 이야기를 나누며 둘은 서로에게서 놀라운 연결을 찾았다.En: As they talked, they discovered an amazing connection with each other.Ko: 그 짧은 순간 동안, 서로의 진심과 용기로 인해 마음의 벽이 허물어졌다.En: During that short moment, the walls of their hearts were broken down by each other's sincerity and courage.Ko: 아쿠아리움을 나설 때, 비는 여전히 내리고 있었지만 둘은 미소를 잃지 않았다.En: When they left the aquarium, it was still raining, but they kept smiling.Ko: 그들은 다시 만나기로 약속했다.En: They promised to meet again.Ko: 그날의 만남 덕분에 준은 새로운 시각과 가능성을 느꼈다.En: Thanks to their encounter that day, Jun felt a new perspective and possibilities.Ko: 그는 영감을 찾아 더 나은 디자이너가 될 수 있겠다는 희망을 품었다.En: He harbored hope that he could become a better designer by finding inspiration.Ko: 준의 마음속에는 변화가 시작되었다.En: A transformation began in Jun's heart.Ko: 그날의 만남 덕분에, 그는 용기를 냈고, 새로운 체험과 관계가 창의적인 불꽃을 일으킬 수 있음을 깨달았다.En: Because of that meeting, he gained courage and realized that new experiences and relationships could spark creative inspiration.Ko: 은미와의 약속은 더 나은 내일로 이끄는 길처럼 느껴졌다.En: His promise with Eun-mi felt like a path leading to a better tomorrow.Ko: 이야기는 비록 짧았지만, 그들에게는 매우 의미 있는 순간으로 남았다.En: Though the conversation was brief, it remained a very meaningful moment for them. Vocabulary Words:bustling: 번화한admired: 구경하며vibrant: 생기 넘치는raindrops: 빗방울inspiration: 영감lonelier: 외롭게sparkled: 반짝였다sincere: 진심 어린conversation: 대화monotony: 진부함harbored: 품었다transformation: 변화courage: 용기relationships: 관계perspective: 시각possibilities: 가능성confided: 털어놓았다encounter: 만남promise: 약속brief: 짧았impact: 영향marine biologist: 해양 생물학자conservation: 보전window: 창gentle: 부드럽게glass: 유리창difficult: 어려운desire: 바람spark: 불꽃hearts: 마음

Fluent Fiction - Serbian: Unveiling Secrets: A Daring Journey at Belgrade Aquarium Find the full episode transcript, vocabulary words, and more:fluentfiction.com/sr/episode/2026-05-15-07-38-19-sr Story Transcript:Sr: Белградски акваријум био је пун ученика, сви су шушкали и смејали се док су гледали у велике резервоаре пуне невероватних морских створења.En: The Belgrade Aquarium was full of students, all chattering and laughing as they looked at the large tanks full of incredible sea creatures.Sr: Ваздух је био свеж и благо слан, а светло пригушено, као да су заиста под водом.En: The air was fresh and slightly salty, and the light dimmed, as if they were truly underwater.Sr: Вукашин је стајао по страни и посматрао све око себе.En: Vukašin stood aside and observed everything around him.Sr: Био је узбуђен због овог обиласка.En: He was excited about this tour.Sr: Његов најбољи пријатељ, Јована, била је поред њега.En: His best friend, Jovana, was beside him.Sr: Она је била одлучна у томе да пронађе најјединственију морску животињу.En: She was determined to find the most unique sea animal.Sr: „Невена би се сигурно одушевила да види нешто изузетно,“ прошапута Вукашин.En: "Nevena would surely be thrilled to see something extraordinary," Vukašin whispered.Sr: Желео је да је импресионира.En: He wanted to impress her.Sr: На крају крајева, Невена је пишкила свој задатак, и заслуживала је занимљиву приповест.En: After all, Nevena had been diligent with her assignment and deserved an exciting story.Sr: „Имамо само један дан,“ подсети га Јована.En: "We only have one day," Jovana reminded him.Sr: „Имамо времена.En: "We have time."Sr: “Док су ходали, Вукашин је уочио врата са натписом „Забрањен улаз“.En: As they walked, Vukašin noticed a door with a sign saying "No Entry".Sr: Срце му је убрзано куцало од узбуђења.En: His heart raced with excitement.Sr: Можда би ту могао пронаћи нешто што нико други није.En: Perhaps he could find something there that no one else had.Sr: „Дођи, Јована!En: "Come on, Jovana!"Sr: “ позвао је, с намером да истражи.En: he called, intending to explore.Sr: „Шта планираш?En: "What are you planning?"Sr: “ упитала је, али га је ипак пратила.En: she asked, but she followed him anyway.Sr: Иза врата, простор је био тишак и мистериозан.En: Behind the door, the space was quiet and mysterious.Sr: После неколико корака, Вукашин је наишао на мали резервоар у коме је пливала невероватно лепа риба са светлуцавим љускама које су мењале боје.En: After a few steps, Vukašin came across a small tank where an incredibly beautiful fish with shimmering scales that changed colors was swimming.Sr: „Невероватно,“ прошапута он.En: "Amazing," he whispered.Sr: Управо у том тренутку, Невена их је пронашла.En: Just at that moment, Nevena found them.Sr: „Шта ви то радите овде?En: "What are you doing here?"Sr: “ питала је.En: she asked.Sr: „Мораш да видиш ово!En: "You have to see this!"Sr: “ одговорио је Вукашин, покажући прстом на рибу.En: Vukašin replied, pointing at the fish.Sr: Импресионирана, Невена је извадила бележницу.En: Impressed, Nevena took out her notebook.Sr: Записала је све детаље о риби и почела да поставља питања о њеном пореклу и навикама.En: She wrote down all the details about the fish and started asking questions about its origin and habits.Sr: Вукашин и Јована помогли су јој, њих троје су се удружили у истраживању.En: Vukašin and Jovana helped her, and the three of them teamed up in the research.Sr: Када су се најзад вратили у групу, њихови учитељи нису били љути, већ су похвалили њихову радозналост и жељу за учењем.En: When they finally returned to the group, their teachers were not angry but praised their curiosity and desire to learn.Sr: Вукашин је осетио како му расту крила.En: Vukašin felt like he was on cloud nine.Sr: Научио је да дељење открића може бити исто тако посебно као и само откриће.En: He learned that sharing a discovery could be just as special as the discovery itself.Sr: Док су се враћали аутобусом, Вукашин је знао да није само њих троје научило нешто, већ да ће њихова прича улепшати читав обилазак.En: On the bus ride back, Vukašin knew that it wasn't only the three of them who learned something, but that their story would enhance the entire tour.Sr: Иако је првобитно желео да се истакне сам, схватио је да је пријатељство право благо.En: Although he initially wanted to stand out alone, he realized that friendship is the true treasure. Vocabulary Words:chattering: шушкалиdimmed: пригушеноunderwater: под водомobserved: посматраоdetermined: одлучнаunique: најјединственијуextraordinary: изузетноdiligent: пишкилаassignment: задатакsaltwater: сланentry: улазrace: убрзаноintending: с намеромquiet: тишакmysterious: мистериозанshimmering: светлуцавимscales: љускамаorigins: пореклуhabits: навикамаteamed up: удружилиimpressed: импресиониранаpraised: похвалилиcuriosity: радозналостenhance: улепшатиtour: обилазакstood out: истакнеcloud nine: расту крилаintend: подсетиride: враћалиtreasure: благо

À peine arrivés à La Réunion après 11 heures de vol, Fiona et ses deux garçons découvrent le lagon et ses poissons tropicaux.Mais le vent s'invite rapidement dans le voyage : impossible de rester sur la plage, les serviettes s'envolent et le sable fouette le visage. Direction alors l'aquarium de Saint-Gilles, où une surprise attend les enfants dans le bassin des requins.Pour écouter l'épisode en entierPartir seule à la Réunion avec des enfants de 3 et 5 ans-----------Si l'épisode vous a plu, laissez-moi une note 5 ⭐️ ou un commentaire sur Apple Podcasts ou Spotify

Today we'll talk about Cape Town, South Africa, Part 1 of 2 Welcome to the  Dr. Mary Travelbest Guide podcast. A few weeks ago, I returned from a 90-day journey around the world, and I'm excited to connect with fellow travelers and share experiences. The FAQ is: Carolyn asked me about traveling and how to improve her posture while traveling. I thought about all of the times I look down at my screens and slouch as a habit I want to break, too. So thanks for the question, Carolyn. To improve posture, here is my response. Answer: Here is a short routine for neck mobility and posture, because "tech neck" and looking down at phones can worsen the appearance of neck lines and make the area muscles tighter. Cleveland Clinic recommends regular neck movement and posture work for tech neck, and Harvard notes posture-focused stretching can help mobility. A simple travel routine you do a few minutes a day while on the go. Chin tuck: Sit tall, pull your head straight back like you are making a double chin. Hold 5 seconds, repeat 8–10 times. Neck rotations: Slowly turn right, center, left. Repeat 5 times on each side. Cleveland Clinic also describes slow neck circles/rotations for the neck area. Side neck stretch: Ear toward shoulder, hold 15–20 seconds each side, 2 rounds. Shoulder blade squeeze: Pull shoulder blades gently back and down for 5 seconds, 10 reps. Seated chest stretch: Clasp hands behind you and lift slightly to open the chest; Harvard describes this as a posture stretch. Hold 10 seconds, repeat 2–4 times. Those exercises help mobility, tension, and posture, which can make your neck look better, One small caution: stop the stretches if you get pain, tingling, numbness, dizziness, or headaches, and get checked if neck stiffness is severe or persistent. Neck mobility work should feel gentle, not aggressive.   60-second confidence challenge Your challenge today, Confidence Challenge in Cape Town, Part 1 of 2  If you like today's Confidence Challenge, my book series delves into how to get exercise while traveling. See the 5 steps to solo travel, from easy to more challenging, with tips and all of my mistakes, too See Book A for healthy travel, and Book B for great destinations. Soon, C will be joining them with adventures for you to experience around the world. Find it on the website​​ at https://www.5stepstosolotravel.com/ or on Amazon. Look for the pre-order info for Book C. It will be available for pre-order soon.   Today's destination is Cape Town, South Africa, Part 1 of 2 Start with Table Mountain. You should not skip Table Mountain. The day I went was foggy, cold, and rainy, but the views were still great. On the way up the cable car, I met two guys who were planning to BASE jump off the mountain, which is a bit like skydiving but from a mountain. See the link. It's very dangerous. https://www.youtube.com/watch?v=3C4csBc90V8 A safer alternative is to take the cable car if conditions are clear or almost clear. It was a joy to be taken up to the top and explore the views from above, learn the history, and even have lunch there if you like. And here's the catch: weather changes fast. If you wait for the "perfect day," you may miss it. So go early. Stay flexible. I recommend you take the Hop-on Hop-off bus around Cape Town and explore with a guided tour from the double-decker. I did that, plus the wharf, art museums, Aquarium with jellyfish and shark exhibits, and the beach, of course. The Red line takes you to Table Mountain. Robben Island was closed for repairs, so it should be open now. Worth seeing is Robben Island, located in Table Bay near Cape Town, South Africa, a UNESCO World Heritage Site famous as the former maximum-security prison where Nelson Mandela was incarcerated for 18 years of his 27 years in prison. Now a museum symbolizing the triumph of democracy over apartheid, it offers tours guided by former political prisoners.  The wharf was excellent. Sea-faring boats such as those you would see in San Francisco or Boston. Let's talk about the beach. Along Camp Bay, I walked on the beach. I saw lots of artists selling paintings here. They were mostly people who were starving and unemployed, so they became entrepreneurs. People standing in the street with cups for coins.  Drive—or hire a driver—to experience: ●      Chapman's Peak Drive ●      Cape of Good Hope https://www.sanparks.org/parks/table-mountain/what-to-do/attractions/cape-of-good-hope-cape-point   Now, let's be practical. Cape Town is not a "wander anywhere" city. Stick to: ●      V&A Waterfront ●      Sea Point Promenade https://www.waterfront.co.za/? Clifton and Camps Bay are stunning. But don't confuse beauty with safety. Go during the day. Stay aware. Leave before dark. I swam in Fish Hoek, and it was chilly, but so refreshing and safe, too. https://www.capetown.gov.za/Family%20and%20home/see-all-city-facilities/our-recreational-facilities/Beaches/Fish-Hoek-Beach  My missteps: Travel Mistakes to Avoid: TSA delays   This around-the-world trip had a few TSA security stops, but in the last few years I have been stopped for bringing all kinds of items across the border. The most recent stop was for spices, traveling in a sealed container, at the border.  Next time I carry spices, I'll check that bag. The TSA spent 5 minutes checking my spice for tampering on the way to Taiwan last month.   AI was used to select some of the suggestions for this episode.   Connect with Dr. Travelbest 5 Steps to Solo Travel website Dr. Mary Travelbest X Dr. Mary Travelbest Facebook Page Dr. Mary Travelbest Facebook Group Dr. Mary Travelbest Instagram Dr. Mary Travelbest Podcast Dr. Travelbest on TikTok Dr.Travelbest on YouTube In the news

This week's episode tackles the vital issue of gender representation in the fish-keeping hobby. Is it still predominantly male, or have things shifted? Join us for a thought-provoking discussion that not only reveals our insights on these changes but also emphasizes the shared challenges and rewarding experiences of enjoying this hobby together. Don't miss out on being part of this important conversation!Send us Fan MailSupport the showYou are always invited to check out Sciencegalaquatics.com. 

Hour 1 of BMitch & Finlay features the guys talking Stefon Diggs and Commanders rookies from the producer studio.

It's easy to treat faith like an aquarium: you can see it “over there,” but it doesn't touch real life on your side of the glass. Joe Rockey and Father Boniface Hicks push back hard on that. In this episode, they connect Easter-season love to a daily-life obstacle that quietly blocks evangelization and honest relationships: the fear of **manipulating people** or being manipulated. Joe explains why uncomfortable conversations (including talking about Jesus) often trigger something old in us—early childhood experiences of seeing adults lie to salespeople, learning “salesperson = being used,” and then carrying that resistance into adulthood. Father widens it: we often avoid speaking about Jesus because we fear offending people or being rejected, but sincere witness isn't “selling a bill of goods.” It's relationship. Truth has to be offered according to the “mode of the receiver,” with humility and respect, not as abrasive broadcasting. They also contrast modern comfort with the apostles' willingness to suffer for the truth—and emphasize that we're called to share the faith anyway, even when it feels socially risky. The episode lands in a practical place: treat people as persons, not tools. Father names what John Paul II called the **personalistic norm**—a person is an end in themselves and must not be used. Even in everyday transactions (restaurants, stores), the heart matters: are we cooperating toward shared goods, or dehumanizing the other? Joe closes with a simple “this week” practice to rebuild the habit of gratitude and humanization: write a thank-you note—short, specific, real. **Key Ideas*** Faith can't stay behind glass; integrated faith changes how we live, work, and relate. * Fear of “selling” or manipulating often comes from childhood patterns and makes hard conversations feel unsafe. * Witness is relational: give truth with humility, timing, and respect for what someone can receive. * The personalistic norm: people are not tools; treat every interaction as cooperation toward shared goods. * Practice for the week: write a short, specific **thank-you note** to humanize and strengthen relationships. **Links & References (official/source only)**```text id="qr0v9r"None explicitly referenced with clear official/source URLs in this transcript.```**CTA:** If this helped, please leave a review or share this episode with a friend.Questions or thoughts? Email [FatherAndJoe@gmail.com](mailto:FatherAndJoe@gmail.com) .### Tags (comma-separated)Father and Joe, Joe Rockey, Father Boniface Hicks, faith and daily life, integrate faith, Easter season, God is love, evangelization, witness, talking about Jesus, fear of offending, social pressure, manipulation, being used, used car salesman trope, sales psychology, childhood patterns, trust, authenticity, humility, personalistic norm, John Paul II, human dignity, relationships, gratitude, thank you note, stewardship of relationships, dehumanization, AI and relationships, customer service, shared goals, virtue, courage, discipleship, Catholic podcast, Father and Joe on YouTube 

A dump truck with its bed raised took out an overhead sign, closing I-90 near Cleveland for hours yesterday; FBI shows jurors a reenactment in the murder re-trial of former Franklin County Sheriff's Deputy Jason Meade in Columbus; woman being held without bond after southwest Ohio car chase that crossed state lines; Columbus Zoo and Aquarium closed after 2nd threat in 3 days.

At this year's Environmental Stewardship Awards Luncheon, hosted by Explore Ecology, it wasn't just individual achievement being celebrated, but the collective impact of student-led environmental work. Among the honorees was the aquarium club at Cabrillo High School, a program that gives students the rare opportunity to learn inside one of the largest public aquariums on the Central Coast. KCSB's Juliana Chandler spoke with club member Ilene, who reflected on how the aquarium functions as both a shared responsibility and an immersive learning space for students passionate about marine life and conservation.

Phish Maze 9:24 2026/04/24 Las Vegas, NV Phish Timber 7:37 2026/04/24 Las Vegas NV Phish The Moma Dance 9:25 2026/04/25 Las Vegas, NV Phish Fuego > 17:19 2026/04/23 Las Vegas, NV Phish Dark Puddle > 20:01 2026/04/23 Las Vegas, NV Phish Golden Age > 16:54 2026/04/23 Las Vegas, NV Phish Backwards Down the Number Line 8:19 2026/04/23 Las Vegas, NV Phish Cities 15:32 2026/04/25 Las Vegas NV Phish Bug > 6:16 2026/04/25 Las Vegas NV Phish First Tube 7:58 2026/04/25 Las Vegas NV

Join us for this week's episode, where we dive into the essentials of the aquarium hobby—what you truly need versus what's just unnecessary fluff. Don't miss our engaging discussion as we highlight the vital tools and identify the gimmicks that can hold you back. Tune in and make informed choices for your aquarium!Send us Fan MailSupport the showYou are always invited to check out Sciencegalaquatics.com. 

The Tank Talk Podcast on Instagram: https://www.instagram.com/tank_talk_podcast?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw== The Tank Talk Podcast on TikTok: https://www.tiktok.com/@tanktalkpodcast?is_from_webapp=1&sender_device=pc The Tank Talk Facebook group is a place to share your aquariums, ask questions or just hang out with cool people: https://www.facebook.com/groups/1674032529542132/ Johns website with live plants, live snails fish food, chemicals and all the equipment you need for your aquarium. Plus fun KGTropicals merch: https://keepfishkeeping.com Jasons website where you can order Primetime Aquatics merch or reserve your fish to be picked up at local swaps in the Chicago area: https://www.primetimeaquatics.com aquariumhobby #fishkeeping #fishtank #aquarium #petfish

Tom Lang from the Fresno Aquarium joins Bill Thornberry to talk about the aquarium’s mission, fundraising efforts, and the debut of a brand-new theme song. Apr 24th 2026 --- Please Like, Comment and Follow 'The Ray Appleton Show' on all platforms: --- 'The Ray Appleton Show’ is available on the KMJNOW app, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts. --- 'The Ray Appleton Show’ Weekdays 11 AM -2 PM Pacific on News/Talk 580 AM & 105.9 KMJ | Website | Facebook | Podcast | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

We chat with Alice about her escape room.   Check out the images and write up for this Escape Room below to follow along, or play yourself! https://www.consumethismedia.com/heistattheaquarium    For everything Escape This Podcast, head to https://www.consumethismedia.com/escape-this-podcast If you can, please support the show on Patreon for blog posts, bonus audio, videos, trivia, and the chance to appear as a character in one of Dani's rooms. To hang out with us and other fans, join our discord here: https://discord.gg/AH9MZqM  Check out our second podcast, Solve This Murder! Website || iTunes || RSS Have questions, comments, puzzles, or anything else? Send us an email! (escapethispod@gmail.com)

The aquarium world is getting smaller, more specialized, and far more innovative. Recorded at AquaSwap 2026, this conversation with Nolan of Nolan's Aquarium explores how the fish-keeping industry is evolving as hobbyists shift toward nano tanks, aquatic plants, and Madaka ricefish—and why independent businesses need to evolve with them. Nolan shares how his business moved away from breeding large African cichlids and toward categories that better reflect what customers are actually looking for today. The conversation also dives into the growing appeal of micro reef systems, including portable, battery-powered saltwater setups that are opening new possibilities for hobbyists who want flexibility without sacrificing complexity. Along the way, Eric Triplet and Nolan discuss the role local fish clubs play in building knowledge, community, and long-term enthusiasm for the hobby. They also unpack why listening carefully to customer needs, stocking trusted specialty products, and staying close to the community remain some of the most important advantages an independent shop can have. Covered in this episode: • How shifting consumer demand is changing the direction of aquarium businesses • Why nano tanks, aquatic plants, and Madaka ricefish are gaining traction • What makes micro reef systems such a compelling innovation in the saltwater space • How local fish clubs help grow the hobby for beginners and experienced keepers alike • Why customer listening is essential for better recommendations and stronger business decisions • How specialized dry goods can help independent shops stand out • What authenticity looks like when stocking and recommending products • Why curiosity and everyday conversation starters can create unexpected business opportunities This episode offers a practical look at where the aquatic hobby is headed—and what it takes to stay relevant, useful, and passionate in a rapidly changing niche.

Kelsey chats with Paige (@packwithpaige on Instagram) from Huntsville, AL about her February 2026 trip to New Orleans for Mardi Gras with her mom and two little ones, ages 4 and 2. She was pleasantly surprised to discover such a fun, family-friendly side of Mardi Gras.In this episode, Paige shares why these were some of the best parades she has ever been to, the super fun “catches” her kids loved like beads, stuffed animals, glow wands, toys, and more, plus the delicious food and kind locals that made the trip so memorable. This episode is available to watch on YouTube: https://www.youtube.com/@kelseygravesIf you'd like to share about your trip on the podcast, email me at: kelsey@triptalespodcast.comBuy Me A Coffee: https://buymeacoffee.com/kelseygravesFollow me on Instagram: https://www.instagram.com/kelsey_gravesFollow me on TikTok: https://www.tiktok.com/@mskelseygravesJoin us in the Trip Tales Podcast Community Facebook Group: https://www.facebook.com/groups/1323687329158879Mentioned in this episode:- @packwithpaige: https://www.instagram.com/packwithpaige/- Uptown New Orleans- Princess Tiana and The Princess and the Frog- PARADES: Krewe of Hermes (illuminated floats & amazing throws), Krewe of Iris (all female parade, girly), Krewe of Thoth (cartoon themed), Krewe of Endymion (exceptionally long scenic floats), Krewe of Okeanos (mid-sized family-friendly parade), Krewe of Mid City (daytime Mardi Gras parade featuring bright tinfoil-covered floats and children-focused themes), Krewe of Bacchus (nighttime parade with massive animated super floats)- La Boulangerie French Bakery (sandwiches and pastries)- Pita Paradise Mediterranean Grill- PotBelly Nola (Cajun)- Cafe du Monde- Haydel's Bakery (King Cakes)- Magazine Street- Bourbon Street- French Quarter- Mardi Gras World museum- Audubon Park (zoo and aquarium)- Tiana themed birthday party- Laurel, MS: Ben and Erin Napier from the HGTV shot Home Town, Laurel Mercantile Co., Scent Library

This week Devo is bringing us Spock! Highly illogical, but why not? Meanwhile, Act.tv is off to the movies, Lauren Mayer is singing to her muse, and things are getting a bit fishy with Bob Rivers. 1. "Did We Watch the Same Movie?" by Act.TV 2. "Trumpchild" by Lauren Mayer 3. News of the Stupid! 4. "Clean the Aquarium" by Bob Rivers Act.TV is at Act.TV Lauren Mayer is on YouTube @psychosupermom Bob Rivers is at BobRivers.com Thank you to our Patreon backers for making this show possible!!!

Swan Dive ~ Black-Dove (January) (13 August 2014 - New York City, NY) Pandora's Aquarium (10 August 2005 - West Palm Beach, FL)

Alice returns to the show with a new guest escape room!   Check out the images and write up for this Escape Room below to follow along, or play yourself! https://www.consumethismedia.com/heistattheaquarium    For everything Escape This Podcast, head to https://www.consumethismedia.com/escape-this-podcast If you can, please support the show on Patreon for blog posts, bonus audio, videos, trivia, and the chance to appear as a character in one of Dani's rooms. To hang out with us and other fans, join our discord here: https://discord.gg/AH9MZqM  Check out our second podcast, Solve This Murder! Website || iTunes || RSS Have questions, comments, puzzles, or anything else? Send us an email! (escapethispod@gmail.com)

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal's hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke. He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans' destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal's vast power. To protect the city, the crystal merged with a royal family member, Kida's mother. This created a protective dome over the city's inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida's mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis' decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her. Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke and his mercenaries in the volcano. Milo and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him. The newly crowned Queen Kida and Milo carve a stone effigy of her father to join those of past rulers floating beside the Heart of Atlantis, as the city stands restored to its former glory. Voice cast Production layout sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand. Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition. Cree Summer as Kidagakash "Kida" Nedakh, the Princess of Atlantis and Milo's love interest. Natalie Strom provided dialogue for Kida as a young child. Summer also voiced the unnamed Queen of Atlantis, Kida's mother and Kashekim's wife who was "chosen" by the Crystal during the sinking of the city. John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney's zest and vigor led to Whitmore's personality being reworked for the film.[8] Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke's German-born second-in-command. Don Novello as Vincenzo "Vinny" Santorini, an Italian demolitions expert. Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Arapaho descent. Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition. Corey Burton as Gaetan "Mole" Molière, a French geologist who acts like a mole. Jim Varney as Jebidiah Allardyce "Cookie" Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie. Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition's photographer. Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida's father. David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. Production Development The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film. The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don Hahn, Gary Trousdale, Kirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame,[9] the producer, directors and screenwriter wanted to keep the Hunchback crew together for another film with an "Adventureland" setting rather than a "Fantasyland" setting.[10] Drawing inspiration from Jules Verne's Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne's novel).[11] While primarily utilizing the Internet to research the mythology of Atlantis,[12] the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.[13] They also visited museums and old army installations to study the technology of the early 20th century (the film's time period), and traveled underground in New Mexico's Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.[14] The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.[15] "From the get-go, we were committed to designing it top to bottom. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas."[16] Art director David Goetz stated, "We looked at Mayan architecture, styles of ancient, unusual architecture from around the world, and the directors really liked the look of Southeast Asian architecture."[17] The team later took ideas from other architectural forms, including Cambodian, Indian, and Tibetan works.[18] Hahn added, "If you take and deconstruct architecture from around the world into one architectural vocabulary, that's what our Atlantis looks like."[19] The overall design and circular layout of Atlantis were also based on the writings of Plato,[18] and his quote "in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea"[20] was influential from the beginning of production.[9] The crew wore T-shirts which read "ATLANTIS—Fewer songs, more explosions" due to the film's plan as an action-adventure (unlike previous Disney animated features, which were musicals).[21] Language The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis". Main article: Atlantean language Marc Okrand, who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire. Guided by the directors' initial concept for it to be a "mother-language", Okrand employed an Indo-European word stock with its own grammatical structure. He would change the words if they began to sound too much like an actual, spoken language.[16] John Emerson designed the written component, making hundreds of random sketches of individual letters from among which the directors chose the best to represent the Atlantean alphabet.[22][23] The written language was boustrophedon: designed to be read left-to-right on the first line, then right-to-left on the second, continuing in a zigzag pattern to simulate the flow of water.[24] The Atlantean [A] is a shape developed by John Emerson. It is a miniature map of the city of Atlantis (i.e., the outside of the swirl is the cave, the inside shape is the silhouette of the city, and the dot is the location of the crystal). It's a treasure map. — Kirk Wise, director[25] Writing Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects. According to him, he "had not a shred" in the movie.[26] Tab Murphy completed the screenplay, stating that the time from initially discussing the story to producing a script that satisfied the film crew was "about three to four months".[27] The initial draft was 155 pages, much longer than a typical Disney film script (which usually runs 90 pages). When the first two acts were timed at 120 minutes, the directors cut characters and sequences and focused more on Milo. Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.[28] A revised version of the script eliminated the trials encountered by the explorers as they navigated the caves to Atlantis. This gave the film a faster pace because Atlantis is discovered earlier in the story.[29] The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant. — Don Hahn, producer[30] The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate. The directors later related him to an explorer so he would discover his inner talent for exploration.[31] The character of Molière was originally intended to be "professorial" but Chris Ure, a story artist, changed the concept to that of a "horrible little burrowing creature with a wacky coat and strange headgear with extending eyeballs", said Wise.[32][33] Don Hahn pointed out that the absence of songs presented a challenge for a team accustomed to animating musicals, as action scenes alone would have to carry the film. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories. An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing."[16] Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan. Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans. Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford. Trousdale went home and completed the storyboards later that evening after visiting a strip club where he boarded the new sequence on a napkin.[34] The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.[35] The Viking prologue is included as an extra feature on the DVD release.[36] Casting Kirk Wise, one of the directors, said that they chose Michael J. Fox for the role of Milo because they felt he gave his characters his own personality and made them more believable on screen. Fox said that voice acting was much easier than his past experience with live action because he did not have to worry about what he looked like in front of a camera while delivering his lines.[37] The directors mentioned that Fox was also offered a role for Titan A.E.; he allowed his son to choose which film he would work on, and he chose Atlantis.[38] Viewers have noted similarities between Milo and the film's language consultant, Marc Okrand, who developed the Atlantean language used in the film. Okrand stated that Milo's supervising animator, John Pomeroy, sketched him, claiming not to know how a linguist looked or acted.[24] Kida's supervising animator, Randy Haycock, stated that her actress, Cree Summer, was very "intimidating" when he first met her; this influenced how he wanted Kida to look and act on screen when she meets Milo.[39] Wise chose James Garner for the role of Commander Lyle Tiberius Rourke because of his previous experience with action films, especially war and Western films, and said the role "fits him like a glove". When asked if he would be interested in the role, Garner replied: "I'd do it in a heartbeat."[40] Producer Don Hahn was saddened that Jim Varney, the voice of Jebidiah Allardyce "Cookie" Farnsworth, never saw the finished film before he died of lung cancer in February 2000, but mentioned that he was shown clips of his character's performance during his site sessions and said, "He loved it." Shawn Keller, supervising animator for Cookie, stated, "It was kind of a sad fact that [Varney] knew that he was not going to be able to see this film before he passed away. He did a bang-up job doing the voice work, knowing the fact that he was never gonna see his last performance." Steven Barr recorded supplemental dialogue for Cookie.[41] John Mahoney, who voiced Preston Whitmore, stated that doing voice work was "freeing" and allowed him to be "big" and "outrageous" with his character.[42] Dr. Joshua Sweet's supervising animator, Ron Husband, indicated that one of the challenges was animating Sweet in sync with Phil Morris' rapid line delivery while keeping him believable. Morris stated that this character was extreme, with "no middle ground"; he mentioned, "When he was happy, he was really happy, and when he's solemn, he's real solemn."[43] Claudia Christian described her character, Lieutenant Helga Katrina Sinclair, as "sensual" and "striking", and was relieved when she finally saw what her character looked like, joking, "I'd hate to, you know, go through all this and find out my character is a toad."[44] Jacqueline Obradors said her character, Audrey Rocio Ramirez, made her "feel like a little kid again" and she always hoped her sessions would last longer.[45] Florence Stanley felt that her character, Wilhelmina Bertha Packard, was very "cynical" and "secure": "She does her job, and when she is not busy, she does anything she wants."[46] Corey Burton mentioned that finding his performance as Gaetan "Mole" Molière was by allowing the character to "leap out" of him while making funny voices. To get into character during his recording sessions, he stated that he would "throw myself into the scene and feel like I'm in this make-believe world".[47] Kirk Wise and Russ Edmonds, supervising animator for Vincenzo "Vinny" Santorini, noted Vinny's actor Don Novello's unique ability to improvise dialogue while voicing the role. Edmonds recalled, "[Novello] would look at the sheet, and he would read the line that was written once, and he would never read it again! And we never used a written line, it was improvs, the whole movie."[48] Michael Cedeno, supervising animator for King Kashekim Nedakh, was astounded at Leonard Nimoy's voice talent in the role, stating that he had "so much rich character" in his performance. As he spoke his lines, Cedeno said the crew would sit there and watch Nimoy in astonishment.[49] Animation For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); the bottom image was seen in the film (2.35:1). At the peak of its production, 350 animators, artists and technicians were working on Atlantis[50] at all three Disney animation studios: Walt Disney Feature Animation (Burbank, California), Walt Disney Feature Animation Florida (Orlando), and Disney Animation France (Paris).[51] The film was one of the few Disney animated features produced and shot in 35mm anamorphic format. The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format (2.35:1), noting Raiders of the Lost Ark as an inspiration.[52] Because switching to the format would require animation desks and equipment designed for widescreen to be purchased, Disney executives were at first reluctant about the idea.[16] The production team found a simple solution by drawing within a smaller frame on the same paper and equipment used for standard aspect ratio (1.66:1) Disney-animated films.[52] Layout supervisor Ed Ghertner wrote a guide to the widescreen format for use by the layout artists and mentioned that one advantage of widescreen was that he could keep characters in scenes longer because of additional space to walk within the frame.[53] Wise drew further inspiration for the format from filmmakers David Lean and Akira Kurosawa.[16] The film's visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers (along with Matt Codd, Jim Martin, and Ricardo Delgado) hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character, and background designs, and story ideas.[54] "Mignola's graphic, the angular style was a key influence on the 'look' of the characters," stated Wise.[55] Mignola was surprised when first contacted by the studio to work on Atlantis.[56] His artistic influence on the film would later contribute to a cult following.[57] I remember watching a rough cut of the film and these characters have these big, square, weird hands. I said to the guy next to me, "Those are cool hands." And he says to me, "Yeah, they're your hands. We had a whole meeting about how to do your hands." It was so weird I couldn't wrap my brain around it. — Mike Mignola[56] The final pull-out shot of the movie, immediately before the end-title card, was described by the directors as the most difficult shot in the history of Disney animation. They said that the pull-out attempt on their prior film, The Hunchback of Notre Dame, "struggled" and "lacked depth"; however, after making advances in the process of multiplaning, they tried the technique again in Atlantis. The shot begins with one 16-inch (40.6 cm) piece of paper showing a close-up of Milo and Kida. As the camera pulls away from them to reveal the newly restored Atlantis, it reaches the equivalent of an 18,000-inch (46,000 cm) piece of paper composed of many individual pieces of paper (24 inches [61 cm] or smaller). Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.[58] Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[59] At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery (CGI) than any other Disney traditionally animated feature. To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.[60] During production, after Matt Codd and Jim Martin designed the Ulysses on paper, Greg Aronowitz was hired to build a scale model of the submarine, to be used as a reference for drawing the 3D Ulysses.[59] The final film included 362 digital-effects shots, and computer programs were used to seamlessly join the 2D and 3D artwork.[61] One scene that took advantage of this was the "sub-drop" scene, where the 3D Ulysses was dropped from its docking bay into the water. As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.[62] The digital production also gave the directors a unique "virtual camera" for complicated shots within the film. With the ability to operate in the z-plane, this camera moved through a digital wire-frame set; the background and details were later hand-drawn over the wireframes. This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.[63] Music and sound Since the film would not feature any songs, the directors hired James Newton Howard to compose the score after they heard his music on Dinosaur. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.[64] Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production.[65] Like Howard, Rydstrom employed different sounds for the two cultures. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery. The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed. When the recording was sped up on his computer, he felt it sounded very organic, and decided to use it in the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, the sound of sub-pods moving through the water with a water pick, while a ceramic pot from a garden store was used for the sounds of the movement of the Giant stone guardians.[66] Release Atlantis: The Lost Empire had its world premiere at Disney's El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001[67] and a limited release in New York City and Los Angeles on June 8; a wider release followed on June 15.[4][61] At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.[68] Promotion Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.[50] The film was one of Disney's first marketing attempts through mobile network operators, and allowed users to download games based on the film.[69] McDonald's (which had an exclusive licensing agreement on all Disney releases) promoted the film with Happy Meal toys, food packaging and in-store decor. The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.[70] Frito-Lay offered free admission tickets for the film on specially marked snack packages.[71] Home media Atlantis: The Lost Empire was released on VHS and DVD on January 29, 2002.[72] During the first month of its home release, the film led in VHS sales and was third in VHS and DVD sales combined.[73] Sales and rentals of the VHS and DVD combined would eventually accumulate $157 million in revenue by mid-2003.[74] Both a single-disc DVD edition and a two-disc collector's edition (with bonus features) were released. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.39:1 aspect ratio or a modified 1.33:1 ratio (utilizing pan and scan). Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.[72] The two-disc collector's edition DVD contained all the single-disc features and a disc with supplemental material detailing all aspects of the film's production. The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.1 track. Both DVD versions, however, contained a Dolby Digital 5.1 track and were THX certified.[72][75] Disney digitally remastered and released Atlantis on Blu-ray on June 11, 2013, bundled with its sequel Atlantis: Milo's Return.[76] Reception Box office Before the film's release, reporters speculated that it would have a difficult run due to competition from Shrek and Lara Croft: Tomb Raider. Regarding the market's shift from traditional animation and competition with CG-animated films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge. I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it."[61] Jeff Jensen of Entertainment Weekly noted that CGI films (such as Shrek) were more likely to attract the teenage demographic typically not interested in animation, and called Atlantis a "marketing and creative gamble".[77] With a budget of $100 million,[3] the film opened at #2 on its debut weekend, behind Lara Croft: Tomb Raider, earning $20.3 million in 3,011 theaters.[78] During its second weekend, it would drop into fourth place behind the latter film, Dr. Dolittle 2 and The Fast and the Furious, making $13.2 million.[79] The film's international release began September 20 in Australia and other markets followed suit.[80] During its 25-week theatrical run, Atlantis: The Lost Empire grossed over $186 million worldwide ($84 million from the United States and Canada).[4] Responding to its disappointing box-office performance, Thomas Schumacher, then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed."[81] Critical response Atlantis: The Lost Empire received mixed reviews from critics,[82][83][84] many of whom criticized its story.[85] The review aggregator website Rotten Tomatoes reports that 48% of 144 professional critics have given Atlantis: The Lost Empire a positive review; the average rating is 5.5/10. The site's consensus is: "Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot".[86] Metacritic assigned the film a weighted average score of 52 out of 100 based on 29 reviews from critics, indicating "mixed or average" reviews.[87] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[88] While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and attempt to appeal to an older audience. Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola. Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences."[89] In The New York Times, Elvis Mitchell gave high praise to the film, calling it "a monumental treat", and stated, "Atlantis is also one of the most eye-catching Disney cartoons since Uncle Walt institutionalized the four-fingered glove."[90] Internet film critic James Berardinelli wrote a positive review of the film, giving it three out of four stars. He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division."[91] Wesley Morris of the San Francisco Chronicle wrote positively of the film's approach for an older audience: "But just beneath the surface, Atlantis brims with adult possibility."[92] Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience. Owen Gleiberman of Entertainment Weekly gave the film a C+ rating, writing that the film had "gee-whiz formulaic character" and was "the essence of craft without dream".[93] Kenneth Turan of the Los Angeles Times said the storyline and characterizations were "old-fashioned" and the film had the retrograde look of a Saturday-morning cartoon, but these deficiencies were offset by its "brisk action" and frantic pace.[94] Todd McCarthy of Variety wrote, "Disney pushes into all-talking, no-singing, no-dancing and, in the end, no-fun animated territory."[95] Stephanie Zacharek of Salon wrote of Disney's attempt to make the film for an adult audience, "The big problem with Disney's latest animated feature, Atlantis: The Lost Empire, is that it doesn't seem geared to kids at all: It's so adult that it's massively boring."[96] Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but old-fangled hash" and wrote, "Ironically Disney had hoped to update its image with this mildly diverting adventure, yet the picture hasn't really broken away from the tried-and-true format spoofed in the far superior Shrek."[97] In 2015, Katharine Trendacosta at io9 reviewed the film and called it a "Beautiful Gem of a Movie That Deserved Better Than It Got" and said that the film deserves more love than it ended up getting.[6] Lindsay Teal considers "Atlantis" to be "a lost Disney classic". Describing the film as highly entertaining, she praises the writing and characterisation – in particular, Sweet, Helga and Kida.[7] In particular, much praise has been given to the character of Kida.[98] Summer has regarded the character of Kida as one of her favourite roles and even considers the character among the official Disney Princess line-up. Themes and interpretations Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. M. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".[99] Religion journalist Mark Pinsky, in his exploration of moral and spiritual themes in popular Disney films, says that "it is impossible to read the movie ... any other way" than as "a devastating, unrelenting attack on capitalism and American imperialism".[100] Max Messier of FilmCritic.com observes, "Disney even manages to lambast the capitalist lifestyle of the adventurers intent on uncovering the lost city. Damn the imperialists!"[101] According to Booker, the film also "delivers a rather segregationist moral" by concluding with the discovery of the Atlanteans kept secret from other surface-dwellers in order to maintain a separation between the two highly divergent cultures.[102] Others saw Atlantis as an interesting look at utopian philosophy of the sort found in classic works of science fiction by H. G. Wells and Jules Verne.[103] Nadia: The Secret of Blue Water controversy When the film was released, some viewers noticed that Atlantis: The Lost Empire was similar to the 1990-91 anime Nadia: The Secret of Blue Water, particularly in its character design, setting, and story.[104] The similarities, as noted by viewers in both Japan and America, were strong enough for its production company Gainax to be called to sue for plagiarism. According to Gainax member Yasuhiro Takeda, they only refrained from doing so because the decision belonged to parent companies NHK and Toho.[105] Another Gainax worker, Hiroyuki Yamaga, was quoted in an interview in 2000 as saying: "We actually tried to get NHK to pick a fight with Disney, but even the National Television Network of Japan didn't dare to mess with Disney and their lawyers. [...] We actually did say that but we wouldn't actually take them to court. We would be so terrified about what they would do to them in return that we wouldn't dare."[105] Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May 2001, "Never heard of Nadia till it was mentioned in this [newsgroup]. Long after we'd finished production, I might add." He claimed both Atlantis and Nadia were inspired, in part, by the 1870 Jules Verne novel Twenty Thousand Leagues Under the Seas.[106] However, speaking about the clarification, Lee Zion from Anime News Network wrote, "There are too many similarities not connected with 20,000 Leagues for the whole thing to be coincidence."[107] As such, the whole affair ultimately entered popular culture as a convincing case of plagiarism.[108][109][110] In 2018, Reuben Baron from Comic Book Resources added to Zion's comment stating, "Verne didn't specifically imagine magic crystal-based technology, something featured in both the Disney movie and the too similar anime. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia's."[110] Critics also saw parallels with the 1986 film Laputa: Castle in the Sky from Hayao Miyazaki and Studio Ghibli (which also featured magic crystals, and Atlantis directors Trousdale and Wise both acknowledged Miyazaki's works as a major influence on their own work)[104] and with the 1994 film Stargate as Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 — which coincidentally launched its own spinoff, titled Stargate Atlantis; the plot of the 1994 film is also paralleled involving a group visiting an unknown world, a fictional language made for the other world's people, the main protagonist having apparent knowledge of the people's culture, falling in love with one of the female locals and electing to stay behind when the others return home.[111] Accolades Award Category Name Result 29th Annie Awards[112] Individual Achievement in Directing Gary Trousdale and Kirk Wise Nominated Individual Achievement in Storyboarding Chris Ure Nominated Individual Achievement in Production Design David Goetz Nominated Individual Achievement in Effects Animation Marlon West Nominated Individual Achievement in Voice Acting – Female Florence Stanley Nominated Individual Achievement in Voice Acting – Male Leonard Nimoy Nominated Individual Achievement for Music Score James Newton Howard Nominated 2002 DVD Exclusive Awards[113] Original Retrospective Documentary Michael Pellerin Nominated 2002 Golden Reel Award[114] Best Sound Editing – Animated Feature Film Gary Rydstrom, Michael Silvers, Mary Helen Leasman, John K. Carr, Shannon Mills, Ken Fischer, David C. Hughes, and Susan Sanford Won Online Film Critics Society Awards 2001[115] Best Animated Feature Nominated 2002 Political Film Society[116] Democracy Nominated Human Rights Nominated Peace Nominated World Soundtrack Awards[117] Best Original Song for Film Diane Warren and James Newton Howard Nominated Young Artist Awards[118] Best Feature Family Film – Drama Walt Disney Feature Animation Nominated Related works Main article: Atlantis (franchise) Atlantis: The Lost Empire was meant to inspire an animated television series entitled Team Atlantis, which would have presented the further adventures of its characters. The series would have been akin to an animated steampunk version of The X-Files and feature a crossover with Gargoyles. However, because of the film's underperformance at the box office, the series was not produced.[119] On May 20, 2003, Disney released a direct-to-video sequel titled Atlantis: Milo's Return, consisting of three episodes planned for the aborted series.[120] Disneyland planned to revive its Submarine Voyage ride with an Atlantis: The Lost Empire theme with elements from the movie. These plans were canceled and the attraction was re-opened in 2007 as the Finding Nemo Submarine Voyage, its theme based on the 2003 Pixar film Finding Nemo, which was far more successful commercially and critically.[121] In addition, after the Submarine Voyage's Magic Kingdom counterpart, 20,000 Leagues Under the Sea: Submarine Voyage, closed down in 1994, four years before Disneyland's, there were proposals of a new attraction that would take its place, with one of them a volcano attraction inspired by that film's Vulcania location, being approved for the Magic Kingdom's Adventureland area. Around 1999, during development of Atlantis: The Lost Empire, it was decided that it would be themed to the movie, with it taking place in 1916, two years after the film's events. The ride would have focused on Preston Whitmore, a character from the film, seeking to make Atlantis existence public and offer expeditions to visitors in newly developed vehicles. However, due to mishaps, the vehicles would be forced to make a detour through the lava-filled caverns of the volcano. The attraction would have used a unique hybrid ride system, in which it would start as a standard coaster before the trains hook up to a suspended track midway through to fly through the caverns. The attraction would have been accessed by a new canyon path in between Pirates of the Caribbean and a re-routed Jungle Cruise that would have led to a Whitmore Enterprises base camp at the edge of the Walt Disney World Railroad path, with the mountain itself being built outside the berm. However, like the previous Submarine Voyage retheme, the ride was cancelled due to the film's disappointment in the box office.[122]

Climate change doesn't happen in the abstract. It happens where we live, work, and raise our families.In this special Story Collider series, each episode explores a different element of urban climate change — from fire and air to water and earth — through powerful, true stories from the people experiencing it firsthand.In this episode, our storytellers turn their attention to earth, exploring the ways humans shape the land around us — and how a changing environment shapes us in return.Part 1: While filming a wildlife documentary, filmmaker Mae Dorricott begins to notice just how profoundly human activity is shaping animal behaviour. Part 2: For Christy Marsden, climate change always felt like a distant threat until a patch of ice brought it sharply into focus.Hailing from Lancashire in the north west of England, Mae - is an underwater researcher for natural history documentaries and is currently based in Bristol. From a young age she was blessed with the privilege to visit her mother's home of Malaysia where her obsession with the sea began. The coral reefs imprinted onto Mae, and from those first snorkels as a child knew that her life would revolve around the sea. During her time studying marine biology at the university of Plymouth she worked part-time at the local Aquarium, where her passion for communication was ignited. To learn more about how good communication is essential for a healthy ocean, Mae undertook a Masters in Science communication at the University of West England. Then, in 2017 she applied and was awarded the European OWUSS scholarship, which gave her the opportunity to explore the watery world like never before. This opportunity became a springboard into the industry in which Mae currently works, specializing in underwater documentaries. Christy Marsden bikes year-round in Minneapolis, Minnesota. When she's not advocating for climate-forward policies in the city, she's working on helping people develop climate resilience in communities through her work at the University of Minnesota Climate Adaptation Partnership. Christy enjoys helping people craft their experience of climate change through storytelling as a means for science and climate communication See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.