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Joel Cohen, general manager of Beyond Times Square, a New York focused tour operator, and Bob Hoffman, vice president of Broadway Inbound, Inc., a part of The Shubert Organization and a provider of Broadway tickets for groups, tour operators, and the travel industry, talk with Alan Fine of Insider Travel Report about which shows and theaters are opening, when, and with what health and safety protocols in place, as well as luxury tours of New York City that include backstage passes and dinners with Broadway performers. For more information, visit www.btsq.com. If interested, the original video of this podcast can be found on the Insider Travel Report Youtube channel or by searching for the podcast's title on Youtube.
*)New Zealand reports no new Covid-19 cases New Zealand has recorded no new cases of the coronavirus for the first time since March 16. Last week the Pacific nation ended a strict lockdown that helped contain the outbreak. The death toll remains 20 while the number of infected people stands at 1,487, 86 percent of them now recovered. *)Pompeo backs Trump on virus coming from China lab US Secretary of State Mike Pompeo is backing his boss’s claims that the Covid-19 virus originated in a lab in China’s Wuhan. But their claims contradict the US intelligence community’s findings – that there is no evidence the virus was man made or genetically modified. The Wuhan claims come amid reports President Donald Trump ignored warnings in January from top US spy agencies that Covid-19 could become a global pandemic. *)Venezuela foils attack by boat on main port city Venezuela says it foiled an attempt by a group of armed men to invade the country by boat on Sunday. Authorities say eight of the attackers have been killed. Two attackers have been arrested and are being interrogated. Socialist party chief Diosdado Cabello says the attack was carried out by neighbouring Colombia with US support to oust President Nicolas Maduro. *)Amnesty reports chilling details of Egypt press crackdown Amnesty International says journalism in Egypt has effectively become a crime over the past four years as authorities clamp down on media outlets and muzzle dissent. A new report by the rights group highlights 37 cases of journalists detained as part of the government's crackdown on press freedoms. Many of the journalists are charged with spreading false news or misusing social media under a broad 2015 counterterrorism law, expanded to include dissent. And finally… *)Broadway struggles to weather Covid-19 crisis New York's Broadway theatres fear the show will not go on without public funding to weather the Covid-19 crisis. Celebrated theatres around Times Square normally make around $33 million a week in tickets sales. Now, nothing. Many theatre professionals are on jobless benefits and it seems they will only get back to work if Broadway reopens in September as planned.
Quentin Earl Darrington made his Broadway debut in the 2010 Tony nominated revival of Ragtime, starring as Coalhouse Walker Jr. He also made his cabaret debut with New York's Broadway by the Year series, “Songs of 1927,” and his solo concert debut with “QED, Chapter 1: Verse 1.” He is workshopping two new personal projects entitled “That’s Life” and “The Summer of 91.” In 2016 he starred as “Old Deuteronomy” in the Broadway classic, CATS and currently you can see him in the Tony-winning revival of Once On This Island playing “Agwe, the God of Water.” Quentin joined Hilary on the final episode of season 1 to share his journey to Broadway, his transformational approach to performing and criticism, and the metaphor that he uses to keep his own life and work in check. Episode Highlights “It’s even sad to hear when people in the industry, even other actors who all experience the same things, will negatively look at a show even if the show does have some points it needs to grow, the fact is that everyone is creating art and everyone is pouring their heart and soul into work and believing in it, even if it’s a show about a blade of grass. There’s always a redemptive property or idea that the actor or composer or writer is trying to get across to an audience. There is somebody or some people who need to hear it and who will hear it. Most work should be respected and given a chance, and if for nothing else at least for the effort it takes in creating what we create here on Broadway.” “Listen, when you find a place where you’re happy, when you find a place where people treat you with respect and love, where you can have fun and artistically grow, there is nothing better than that safe, fulfilling, positive environment.” “My job is to keep my life and my windows clean so that His light shines through me, and if I focus on that, I don’t have to worry about anything else. I’m good.” “The key to my “success” is to love people and to serve people.” “Wherever you find yourself as an artist, I believe there is a way for you to use your gift to uplift people and change people’s lives.” Connect with Hilary on Twitter, Instagram, and Facebook. This episode is sponsored by the Side Hustle Starter Kit.
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The globally acclaimed Simon Phillips is arguably Australia's top theatre director. His directing credits range from the contemporary to Shakespearean classics, musicals to Opera. He has been the go-to man for shows such as Love Never Dies, Priscilla Queen of the Desert, Cabaret and High Society to name just a few .. and has too many awards to list in this intro. When he's not in Australia he's at New York's Broadway, London's West End or en route to another show opening on the other side of the world. Simon is a born director. He started directing classmates as an 8-year old in New Zealand and hasn't stopped since. His path has included director roles at the State Theatre Company of South Australia, Melbourne Theatre Company and Opera Australia, and says his rise has been due to a mix of good luck and hard work. Simon talks about what makes a memorable performance, how he deals with criticism, what separates the stars (such as actor Geoffrey Rush) from the rest, the balance of creative and commercial .. and so much more. Rooster Radio is hosted by Andrew Montesi and James Begley. We talk to interesting people doing amazing things. If you like what we're doing, you can now support the show with a few dollars (we really appreciate it): https://www.patreon.com/roosterradio Also please subscribe and review on iTunes or your favourite podcast player. Connect with Rooster Radio - sign up to our mailing list and join our Facebook community: http://roosterradio.biz http://facebook.com/roosterradioHQ For podcasting strategy, production and commercial services, visit: http://apiropodcasts.com For other content and marketing services, visit: http://www.apiroconsulting.com (Andrew Montesi) For leadership and and high performance services, visit: http://www.jamesbegley.com.au (James Begley)
This week we discuss the perfect murder, 3D technology, and whether Alfred Hitchcock would shoot on digital, as Zach takes a look at Dial M for Murder. DIAL M FOR MURDER Dial M for Murder is a 1954 American crime thriller film directed by Alfred Hitchcock, starring Ray Milland, Grace Kelly, and Robert Cummings. The movie was adapted from a successful stage play by Frederick Knott, and was released by the Warner Bros. studio. The screenplay and the stage play on which it was based were both written by English playwright Frederick Knott, whose work often focused on women who innocently become the potential victims of sinister plots. The play premiered in 1952 on BBC television, before being performed on the stage in the same year in London's West End in June, and then New York's Broadway in October. Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers VIP. It will help ensure Zach on Film continues far into the future! A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends about the podcast, get them to subscribe and, be sure to visit the Major Spoilers site and forums.
This week we discuss the perfect murder, 3D technology, and whether Alfred Hitchcock would shoot on digital, as Zach takes a look at Dial M for Murder. DIAL M FOR MURDER Dial M for Murder is a 1954 American crime thriller film directed by Alfred Hitchcock, starring Ray Milland, Grace Kelly, and Robert Cummings. The movie was adapted from a successful stage play by Frederick Knott, and was released by the Warner Bros. studio. The screenplay and the stage play on which it was based were both written by English playwright Frederick Knott, whose work often focused on women who innocently become the potential victims of sinister plots. The play premiered in 1952 on BBC television, before being performed on the stage in the same year in London's West End in June, and then New York's Broadway in October. Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers VIP. It will help ensure Zach on Film continues far into the future! A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends about the podcast, get them to subscribe and, be sure to visit the Major Spoilers site and forums.