Podcasts about shakespearean

In our chat, we cover everything from the sacred duty of picking terrible game night music to the Olympic sport of treating red lights like polite suggestions. We swap Botox horror stories that double as “Guess Who?” games, laugh at language quirks that make menus sound like dares, and wonder how comedy evolved from Shakespearean insults to TikTok dances. We debate the etiquette of roundabouts (are they traffic circles or friendship tests?) and the subtle art of waving at other drivers in ways that say “sorry,” “thank you,” and “may your tires fall off” all at once. From the chaos of comedic timing to the nerdy beauty of wordplay and Venn diagrams, we zigzag through nostalgia—game shows, puppets, and all the stuff that scarred us in delightful ways. Music gets dragged in as the culprit for cultural brainwashing, while we ponder why every generation thinks they invented sarcasm. We even dissect the tragic fate of ice-breaking jokes (spoiler: they drown), the kamikaze nature of stand-up comedy, and the eternal truth that no punchline is safe once caffeine kicks in. All in all, it’s like a rollercoaster ride—except nobody’s tall enough for the “you must be this funny to ride” sign.

In our chat, we cover everything from the sacred duty of picking terrible game night music to the Olympic sport of treating red lights like polite suggestions. We swap Botox horror stories that double as “Guess Who?” games, laugh at language quirks that make menus sound like dares, and wonder how comedy evolved from Shakespearean insults to TikTok dances. We debate the etiquette of roundabouts (are they traffic circles or friendship tests?) and the subtle art of waving at other drivers in ways that say “sorry,” “thank you,” and “may your tires fall off” all at once. From the chaos of comedic timing to the nerdy beauty of wordplay and Venn diagrams, we zigzag through nostalgia—game shows, puppets, and all the stuff that scarred us in delightful ways. Music gets dragged in as the culprit for cultural brainwashing, while we ponder why every generation thinks they invented sarcasm. We even dissect the tragic fate of ice-breaking jokes (spoiler: they drown), the kamikaze nature of stand-up comedy, and the eternal truth that no punchline is safe once caffeine kicks in. All in all, it’s like a rollercoaster ride—except nobody’s tall enough for the “you must be this funny to ride” sign.

Taylor Swift's twelfth album has sparked endless speculation about who each song is "really about," but that might be the wrong question entirely. The Life of a Showgirl isn't biography, it's polyphonic auto-fiction, where Swift writes from multiple character perspectives while blurring the lines between autobiography and theatrical performance. The album's "showgirl sound" traces from Shakespearean tragedy (Ophelia's drowning rewritten as salvation) through Golden Age Hollywood orchestration to contemporary pop production with Max Martin and Shellback. Unusual musical choices like the jarring five-measure phrase in "Fate of Ophelia" reinforce the album's central theme: the tension between public performance and private reality. By treating the album as a theatrical show rather than a celebrity tell-all, listeners can finally hear what Swift is actually saying… or can they? Taylor Swift "Love Story" Taylor Swift "Blank Space" Taylor Swift "The Fate of Ophelia" Taylor Swift "Elizabeth Taylor" Irving Berlin "A Pretty Girl Is Like a Melody" Fred Astaire "Puttin' on the Ritz" Taylor Swift "Opalite" George Michael "Father Figure" Taylor Swift "Father Figure" Taylor Swift "Eldest Daughter" Taylor Swift "Tim McGraw" Taylor Swift "Ruined the Friendship" Weezer "Beverly Hills" Pixies "Where Is My Mind" Charli XCX "Sympathy Is a Knife" Charli XCX "Everything Is Romantic" Taylor Swift "Actually Romantic" Mean Girls "Meet the Plastics" Taylor Swift "Wi$h Li$t" Stevie Wonder "Superstition" The Jackson 5 "I Want You Back" Taylor Swift "Wood" Nirvana "Lithium" Nirvana "Something in the Way" Taylor Swift "Canceled" Taylor Swift "Honey" Taylor Swift feat. Sabrina Carpenter "Life of a Showgirl" Learn more about your ad choices. Visit podcastchoices.com/adchoices

Shakespeare's plays are filled with unforgettable women—but too often, their voices are cut short. Ophelia never gets to defend herself. Gertrude never explains her choices. Lady Anne surrenders to Richard III in silence. In her new book, She Speaks: What Shakespeare's Women Might Have Said, acclaimed actor Dame Harriet Walter imagines what those characters might tell us if given the chance. Through original poems, Walter reimagines moments of silence, expands on fleeting lines, and provides depth to women who were left without a final word. Walter invites us to see Shakespeare's plays in a new light—reconsidering how we understand his female characters, and how their voices might transform the stories we thought we knew. From the Shakespeare Unlimited podcast. Published October 7, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Dame Harriet Walter, DBE, is one of Britain's most esteemed Shakespearean actors, whose roles include Ophelia, Viola, Lady Macbeth, Cleopatra, Brutus, King Henry IV, and Prospero, among others.. She has received a Laurence Olivier Award, as well as numerous nominations, including a Tony Award nomination, three Primetime Emmy Awards, and a Screen Actors Guild Award. Walter is also well-known for her appearances in Sense and Sensibility, Atonement, Downton Abbey, The Crown, Succession, Killing Eve, and Ted Lasso, among many other notable projects. In 2011, she was appointed Dame Commander of the Order of the British Empire (DBE) for services to drama.

Cycling enthusiast Emily J. Carnacki's tales of group bike rides through Slumberland's woods, befriending Vestigula Uridium, and channeling Shakespearean dialogue from atop an ancient stage. More about Slumberland at this link. Emily J. Carnacki performed by Nicole Knudsen Nicole is a Los Angeles-based actor, writer, and producer. She is the creator and star of the fiction podcast The Godfrey Audio Guide, a member of the Fable & Folly Network. For more information about Nicole, please visit her website: www.nicole-knudsen.com The tracks Trapped in the Stairwell, Child of the Quartz, Carrie-Anne, Merienne,The Hairdresser, and Chalice by Blue Dot Sessions (www.sessions.blue) This episode features promos for the audio drama podcasts Your Local Time Travelers and Residents of Proserpina Park. Please give them a listen! The sound design in this episode owes thanks to Freesound Project contributors: spenceomatic, angryadam, dapperdaniel, klankbeeld, wildtofurkey, garuda1982, nox_sound, pnmcarrierailfan, rico_casaszza,ikbenraar. Thank YOU for listening to Slumberland!

Star Trek. The final frontier. These are the podcasts of three enthusiastic nerds. “To be, or not to be Kodos?” That's the question in Star Trek: The Original Series “The Conscience of the King.” A.Ron and Talitha dig into the episode's Shakespearean homage, the ghosts of Kirk's past, and the deadliest substance known to man: Tetralubisol! ⁠You can check out Talitha's YouTube Channel here!⁠ ⁠Follow along on Talitha's insta as she posts about upcoming projects⁠ Beam your feedback to startrek@baldmove.com. Hey there!  Check out ⁠https://support.baldmove.com/⁠ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts! ⁠Join the Club!⁠ Join the discussion: ⁠Email⁠ | ⁠Discord⁠ | ⁠Reddit ⁠| ⁠Forums⁠ Follow us: ⁠Twitch⁠ | ⁠YouTube⁠ | ⁠Twitter⁠  |  ⁠Instagram⁠  |  ⁠Facebook⁠ ⁠Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

[School of Movies 2025] A bold new direction for the transforming robotic life forms. Fully digitally animated, with no need of Shia Lebeouf or Marky Mark, specifically an animated film theatrically released for the first time since 1986, and for the first time neither Peter Cullen nor Frank Welker is lending their voice to proceedings, despite this being an origin story for both Optimus Prime and Megatron. Instead Chris Hemsworth and Brian Tyree Henry step up to lend unexpectedly Shakespearean weight to the dramatic dissolution of a friendship between these two eternal foes. It's a Transformers movie that's actually about something for a change, rather than just a McGuffin hunt, and Bumblebee won't SHUT UP! Guest: Dan Hoeppner  @MightyMegatron0  of Leftover Army Monsters

Uncle Chris is looking after the Armchair Adventures Travel Agency, while Connie is preparing for the launch of Season 6 of Armchair Adventures. To kick things off, Uncle Chris takes us back to 'Ye Olde England' and part one of 'A Shakespeare Adventure' from Season 4. In the episode, Connie needs help with her Shakespeare essay, so she asks Uncle Chris and his community theatre company to lend her a hand! ‘It feels quite royal in here, almost like we are at the Tudor court…’

I was delighted to talk to Rhodri Lewis, author of Shakespeare's Tragic Art. We discussed Shakespeare's most under appreciated plays, the best films, how to teach Shakespeare, humanism, personae, Frank Kermode, the future of the humanities, being supervised by John Carey, A.C. Bradley, what we have learned about Francis Bacon, and more. There's a transcript below and you can also watch the whole conversation on YouTube if you wish. We also covered Rhodri's love of Pevsner architectural guides.Timestamps00:00:00 Introduction00:00:21 Shakespeare's best and worst plays00:03:14 Performing Shakespeare00:07:33 Pragmatism00:09:13 Early experiences with Shakespeare00:13:52 Teaching Shakespeare00:17:08 Taming of the Shrew, Romeo and Juliet00:19:38 Which five critical works?00:23:37 Francis Bacon00:31:31 What have we learned about Shakespeare?00:34:32 Too much Shakespeare?00:41:57 Tragedy00:49:04 Humanism00:54:00 Kermode01:03:59 Quickfire questions This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.commonreader.co.uk/subscribe

"Nice to meet you, where you been? I could show you incredible things..." In this deep dive episode, we dissect one of Taylor Swift's most iconic satirical masterpieces. From the enchanted references that bookend her career to the Shakespeare allusions hidden in plain sight, we explore how "Blank Space" operates as both brilliant satire and surprisingly authentic commentary on complex womanhood. Join us as we unpack the magic, madness, heaven, and sin of a song that dared to ask: what if we owned the narrative instead of fighting it? Subscribe for episode updates and After School premium content: aptaylorswift.substack.com/subscribe. After School subscribers get monthly bonus episodes, exclusive content, and early access to help shape future topics! Stay up to date at aptaylorswift.com Mentioned in this episode: A Midsummer Night's Dream, William Shakespeare Pretty Little Liars (TV series) The Office (TV series) Wife of Bath from The Canterbury Tales, Geoffrey Chaucer Episode Highlights: [02:29] Diving into “Blank Space”  [08:15] “New money, suit and tie” - character analysis  [15:27] Analyzing the chorus [22:31] Shakespearean references  [28:50] “Cherry lips, crystal skies” vs. “stolen kisses, pretty lies”  [35:25] "I get drunk on jealousy" [38:44] Bridge analysis: "Boys only want love if it's torture"  [44:59] Getting into the purpose of “Blank Space”  Follow AP Taylor Swift podcast on social! TikTok → tiktok.com/@APTaylorSwift Instagram → instagram.com/APTaylorSwift YouTube → youtube.com/@APTaylorSwift Link Tree → linktr.ee/aptaylorswift Bookshop.org → bookshop.org/shop/apts Libro.fm → tinyurl.com/aptslibro Contact us at aptaylorswift@gmail.com Affiliate Codes: Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off! Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

In Season 2 of Show Me Something Wrong, we're focusing on rip offs, unofficial sequels, and wrong adaptations! In this episode, Dave shows Guy TITUS ANDRONICUS from 1998... or 1999... a Shakespearean adaptation shot on video in a warehouse in Tampa, Florida. This episode has been in the works for a long time with Dave digging through defunct websites and hunting down cast members. So much mad stuff is uncovered. Connections to strip club kings. Exploding pig corpses. Sets painted with... well... just listen!  Follow Show Me Something Wrong on Instagram and Twitter. Show Me Something Wrong theme song by JUNK!

Shakespeare & Company's Artistic Director Allyn Burrows and the co-chair of the upcoming Celebrating Jewish Plays program Greg Lipper sat down with "The Shmooze" to talk about the weekend-long event. Celebrating Jewish Plays runs October 10–12, 2025, and will feature four staged readings—"The Price," by Arthur Miller; "The Sisters Rosensweig," by Wendy Wasserstein; "Here There Are Blueberries," by Moisés Kaufman and Amanda Gronich; and "Roz and Ray," by Karen Hartman, featuring Tony-nominated actor John Douglas Thompson ("The Gilded Age"). Established in the 1970s, Shakespeare & Company, in Lenox, Massachusetts, develops and performs Shakespeare's works as well as other classic, contemporary, and socially and politically significant works. The company embraces the core values of Shakespearean ethos: collaboration, commitment to language, visceral experience, and classical ideals expressed with physical prowess and an embodied contemporary voice. Episode 397 September 21, 2025 Amherst, MA "

Sing "Nants' Ingonyama," "Hakuna Matata," and "Mamela lelando we" as NostalgiaCast returns to Pride Rock for a discussion of THE LION KING, starring the voices of James Earl Jones, Jeremy Irons, and Matthew Broderick. Rachel Wagner and Stanford Clark of the Talking Disney Classics podcast join Jonny and Darin to chat about the film's long-lasting legacy, stunning animation and adult Shakespearean themes, and place within the '90s Disney Renaissance.

Prince Andrew is the ultimate cautionary tale of wasted privilege. He was born with every advantage imaginable—castles, titles, taxpayer-funded luxury, and a job description so easy it bordered on parody: wave, cut ribbons, attend parades, and stay out of scandal. That's all it would have taken to coast quietly into old age as a harmless relic of the monarchy. But instead, Andrew chose arrogance, sleaze, and stupidity. From clinging to Jeffrey Epstein after his conviction, to babbling about sweat conditions and Pizza Express alibis on Newsnight, to humiliating himself with excuses that became memes, he torched his reputation with breathtaking incompetence. Where A Bronx Tale's Sonny mourned wasted talent, Andrew embodies wasted privilege—proving that even the most cushioned life can collapse when handled by a fool.Now stripped of duties and titles, Andrew haunts royal estates like a ghost, exiled by the very institution built to protect him. He isn't remembered as a naval officer, a duke, or even “the Queen's favorite son”—he's remembered as a global punchline. His disgrace isn't Shakespearean tragedy but slapstick farce: a man who could have lived in effortless dignity but instead chose degeneracy and delusion. His legacy is forever tied to sweatless denials, pizza defenses, and the Epstein scandal—his crown of privilege melted down into a crown of mockery.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.

Prince Andrew is the ultimate cautionary tale of wasted privilege. He was born with every advantage imaginable—castles, titles, taxpayer-funded luxury, and a job description so easy it bordered on parody: wave, cut ribbons, attend parades, and stay out of scandal. That's all it would have taken to coast quietly into old age as a harmless relic of the monarchy. But instead, Andrew chose arrogance, sleaze, and stupidity. From clinging to Jeffrey Epstein after his conviction, to babbling about sweat conditions and Pizza Express alibis on Newsnight, to humiliating himself with excuses that became memes, he torched his reputation with breathtaking incompetence. Where A Bronx Tale's Sonny mourned wasted talent, Andrew embodies wasted privilege—proving that even the most cushioned life can collapse when handled by a fool.Now stripped of duties and titles, Andrew haunts royal estates like a ghost, exiled by the very institution built to protect him. He isn't remembered as a naval officer, a duke, or even “the Queen's favorite son”—he's remembered as a global punchline. His disgrace isn't Shakespearean tragedy but slapstick farce: a man who could have lived in effortless dignity but instead chose degeneracy and delusion. His legacy is forever tied to sweatless denials, pizza defenses, and the Epstein scandal—his crown of privilege melted down into a crown of mockery.to contact me:bobbycapucci@protonmail.com

Prince Andrew is the ultimate cautionary tale of wasted privilege. He was born with every advantage imaginable—castles, titles, taxpayer-funded luxury, and a job description so easy it bordered on parody: wave, cut ribbons, attend parades, and stay out of scandal. That's all it would have taken to coast quietly into old age as a harmless relic of the monarchy. But instead, Andrew chose arrogance, sleaze, and stupidity. From clinging to Jeffrey Epstein after his conviction, to babbling about sweat conditions and Pizza Express alibis on Newsnight, to humiliating himself with excuses that became memes, he torched his reputation with breathtaking incompetence. Where A Bronx Tale's Sonny mourned wasted talent, Andrew embodies wasted privilege—proving that even the most cushioned life can collapse when handled by a fool.Now stripped of duties and titles, Andrew haunts royal estates like a ghost, exiled by the very institution built to protect him. He isn't remembered as a naval officer, a duke, or even “the Queen's favorite son”—he's remembered as a global punchline. His disgrace isn't Shakespearean tragedy but slapstick farce: a man who could have lived in effortless dignity but instead chose degeneracy and delusion. His legacy is forever tied to sweatless denials, pizza defenses, and the Epstein scandal—his crown of privilege melted down into a crown of mockery.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

What really happens in the frantic first 24 hours of a new government job? This week on Ex-Ministers' Questions, Ed Balls and George Osborne lift the lid on the art of political survival. From the scramble of last-minute briefings to the insider secrets government drivers know before their ministers do, they swap stories on navigating the chaos of a reshuffle.Then it's from the Cabinet Office to the kitchen, as George grills Ed on one of Westminster's most notorious culinary conspiracies: Lasagna-gate. Was that dinner party at the Balls-Cooper house really a covert plot to bring down Ed Miliband?And after serving up some advice for a new podcasting rival, the duo look ahead: could a robot outshine a human as a political speechwriter? They put it to the test in real time, asking AI to pen a Shakespearean sonnet on the spot. The result? You'll have to hear it to believe it…To get episodes early and ad-free, join Political Currency Gold or the Kitchen Cabinet:

Send us a textStep into Stratford-upon-Avon with us as we review Shakespeare & Hathaway: Private Investigators (Season 1), now streaming on Hallmark Plus. Eric and Andrea dive deep into this quirky British cozy mystery series, unpacking the standout episodes, character dynamics, and whether it earns a place alongside favorites like Rosemary & Thyme and The Coroner. Expect lively debate, surprising takes, and a few laughs along the wayIn this episode, we cover:

**REPOST** On this week's annotated deep dive, The Cultists present Baz Lurman's 90s frenetic teen angst extravaganza, Romeo + Juliet (1996).  Known for his kinetic color-fueled explosions of images and sound, Lurman's “red curtain trilogy” put him on the film world's map as an Auteur with a distinct and immediately recognizable style. Bright, brash, and unforgiving to anyone who prefers a more minimal Mise-en-scène, Lurman's penchant for decadence was ripe for a world of high octane emotions, brawls, masquerades, and the lush arc of an epic demise. However, Lurman's vision of bringing the dusty pages of the oft produced Shakespearean play into the hearts and minds of the notoriously apathetic 90s teenage market was a rather unprecedented and hard sell for commercial studios at the time. Particularly when Lurman insisted that not only would he win over a teen audience, he would do it all without altering a single syllable of the original Shakespearean language of the play. And he would use a cast of mostly young people to do it. Lurman's vision succeeded and the decade to follow would be one stuffed with Shakespearean adaptations for teens, and yet, ‘R+J' remains distinct among them all. A burning strange indefinable star, that shall not be defied. Deep dives include: The film's production history, editing and cinematography; the lineage of Romeo and Juliet literature that lead to Shakespeare's 1596 adaptation of the tale; the 1996 film's comparisons with the exactly 400 years older play; the historical roots of the warring Guelph vs. Ghibelline factionalism that led to such constant civil brawls; how amazing it is that Romeo spends a full third of the play desperately and despondently in love with someone else; why the developing teenage mind lacks impulse control; and why even Dante personally hated the Montagues and Capulets enough to write them into his levels of Hell two centuries before Shakespeare was even born. Episode Safe Word(s): “impulse control” (REPOSTED Episode from 2023 that traveled over from the old Anchor platform with a broken link).

Rebecca, Tori, and special guest, Louise, return to chat about the 1993 Kenneth Branaugh and 2013 Josh Whedon productions of Shakespeare's "Much Ado About Nothing." We delve into some character analysis, performance comparisons, and Shakespearean themes. We discuss gender dynamics, visual aesthetics of the adaptations, and identify our spotlight scenes and shining stars. And, we have a lot of fun.MusicApache Rock Instrumental | by Sound Atelier; licensed from JamendoRemember the way | Mid-Air Machine | licensed under a Attribution-ShareAlike 4.0 International License at Free Music ArchiveSound EffectsRecord Scratch: Sound Effect free on PixabayOrchestral win | Sound Effect by u_it78ck90s3 from PixabayCinematic Logo-DHcz | Sound Effect by Dzianis Honczarow from PixabaySourcesBBC News | Letter Reveals Shakespeare Did Not Abandon His WifeHey nonny nonny – Shakespeare NerdCliff's Notes | Much Ado About NothingMuch Ado About Nothing movie review (1993) | Roger EbertDen of Geek | Why Did Joss Whedon Choose Much Ado About NothingBackstage | Making Joss Whedon's Much Ado About Nothing4 changes Joss Whedon made to Shakespeare's Much Ado About Nothing | The WeekThe battle of two ‘Much Ado About Nothing' films – Seven Inches of Your TimeMuch Ado About Nothing movie review (2013) | Roger EbertMuch Ado About Nothing - Entire Play | Folger Shakespeare Library

This week on The Austin Young Show, I sit down with Jennifer “Zooki” Sturges of Ex Regrets for an episode packed with passion, purpose, and new beginnings. We talk about the roots of Ex Regrets and how Zooki's riot grrrl influences along with her work with queer, trans, and femme communities in North Texas have shaped the band's sound and message.What's coming up: Riot Girl Fest 2025Zooki announces that Riot Girl Fest 2025 will be Saturday, October 4, 2025 at Growl Records in Arlington, Texas. The fest continues its mission of femme and queer empowerment, supporting several nonprofits and giving space to artists who demand to be heard.A world exclusive: The new zine Riot Girl ManifestoWe get the first look at Zooki's next big project, a brand new twelve page zine called Riot Girl Manifesto. It will debut in September in both print and online, with the intention of becoming a quarterly. She also reads the manifesto live in the episode, unpacking what it means, who it is for, and why it matters.Austin's new segment: Lyrics as Shakespeare MonologueAustin debuts a brand new recurring segment where he reads band lyrics as though they were a dramatic Shakespearean monologue. Expect poetic pauses, iambic rhythm, and extra gravitas you did not know you needed. The first pick is an Ex Regrets track Burqini Kill that lands somewhere between howl and whisper.Make sure to like and subscribe to The Austin Young Show, and follow the Official Playlist to hear all the tracks we highlight and the bands we feature on Amazon and Apple Music.Theme song by The Fullstops Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

By the Power of Grayskull... This Movie ExistsWelcome to this episode of The Most Excellent 80s Movies Podcast! Hosts Krissy Lenz and Nathan Blackwell are joined by special guests Jordan Collier and Derrick Tesson to tackle the 1987 sci-fi fantasy spectacle Masters of the Universe. What happens when you take beloved toys, add Dolph Lundgren in a furry loincloth, and let Cannon Films work their budget magic? A movie that should have been good but becomes a fascinating study in wasted potential.The Cosmic Key to This DiscussionThe crew dives deep into this He-Man adaptation that somehow makes its titular hero a supporting character in his own movie. While Franklin Langella chews scenery magnificently as Skeletor, delivering Shakespearean gravitas to lines like "Tell me about the loneliness of good, He-Man—is it equal to the loneliness of evil?", the film suffers from an identity crisis. Is it Star Wars? Is it Conan? The answer: it's a Cannon Films production that tries to be both and succeeds at neither.Nathan defends his childhood favorite while acknowledging its flaws, giving it a nostalgic 7 out of 10 cosmic keys. The other hosts are less forgiving, with ratings ranging from 3-6, all agreeing that the movie's biggest sin is having too much plot crammed into its runtime. The discussion reveals how Masters of the Universe exemplifies the late-80s trend of studios trying to manufacture Star Wars-level franchises without understanding what made that saga work.Additional Cosmic Revelations:Gwildor (Billy Barty) somehow became the real protagonist while He-Man watches from the sidelinesDolph Lundgren dubbed his own lines despite not being fluent in English during filmingThe film's budget constraints forced most action to Earth, making it less a He-Man movie and more a sci-fi fish-out-of-water storySkeletor's mask was later recycled for Star Trek: The Next GenerationThe movie features unexpected connections to Friends and Back to the FutureThe Final VerdictDespite universal agreement that the movie fails to live up to its potential, the hosts find entertainment value in its ambitious campiness and Langella's committed villain performance. It's a movie that epitomizes the "so bad it's almost good" category—emphasis on almost.Ready for More 80s Movie Magic?Join the conversation at trustory.fm where members get early, ad-free access plus exclusive bonus content! Connect with us on Facebook, Instagram, and Bluesky.Learn more about our hosts and guests: Squishy Studios and Neighborhood Comedy TheatreWhat's your take on 80s movies that had all the right ingredients but couldn't quite make the recipe work? ---Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.

Because I'm finishing up my next book 'Romeo v Juliet' I need to play a rerun this week, so I'm posting Nanny Piggins version of the great Shakespearean tale.Support the show at https://www.buymeacoffee.com/storiesraspratt If you enjoyed the podcast please like, review and/or subscribe!Support the showFor merchandise use this link... https://www.cafepress.com.au/shop/rasprattTo buy one of my books use this link... https://amzn.to/3sE3Ki2 To buy me a coffee use this link... https://buymeacoffee.com/storiesraspratt To book a ticket to a live show use this link... https://raspratt.com/live-shows/

Spoilers Warning! If you haven't finished reading the 900 pages of The Hallmarked Man and don't want to hear details from the novel, you will not enjoy this conversation about Strike8.John read the latest Strike-Ellacott novel by Thursday morning using the pre-publication head start, the Robert Glenister audiobook dropped early Tuesday morning, a bootleg epub version on his wife's iPad, and the codex hardcover that arrived at 5:00 on the day of release. Nick didn't finish until early Saturday but was already half-way through his second reading via audiobook by Sunday night.John didn't especially enjoy reading the book as fast as he did; Nick was frustrated that he could not read it faster than he did. Both were delighted by Rowling's work and are looking forward to the coming weeks of re-reading and ‘Tools, Springs, and Threads' analysis of its artistry and meaning.In this week's conversation, they touch on fandom disappointment with the new book before discussing how three predictions they'd made about Hallmarked Man played out, the three Real World targets of Rowling's wrath in her current work, John's preliminary work on the novel's epigraphs (and the Aurora Leigh-esque forgotten tome of epic poetry that may be Strike8's Rosmersholm or Faerie Queene), and what's next in their reading of Cormoran Strike.As is their wont, Nick and John refer to ideas and to people that Serious Readers will want to check up on or learn more about. Here are a selection of links to many of these subjects with their apology for those they've missed and their invitation to share counter-sources or requests for other links.They thank everyone who listens to these Lake and Shed conversations, those who join in the discussions in the comment thread below (how was your first reading of Hallmarked Man?), and especially for our paid subscribers who were polled for their questions and concerns last week for our consideration before we put our notes together.Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Anteros-Eros Distinction in Cormoran StrikeCormoran & Robin and Odysseus & Penelope (Joanne Gray, 2019)I found out that this is actually the statue of Anteros—not Eros as it is popularly called. Anteros is the subject of the Shaftesbury Memorial in Piccadilly Circus, London, where he symbolizes the selfless philanthropic love of the Earl of Shaftesbury for the poor. The memorial is sometimes given the name The Angel of Christian Charity and is popularly mistaken for Eros, cf., Lloyd & Mitchinson (2006) The Book of General Ignorance “Because of the bow and the nudity… everybody assumed it was Eros, the Greek god of love.”https://en.wikipedia.org/wiki/Anteroshttps://www.theoi.com/Ouranios/ErosAnteros.htmlEros is the brother of Anteros and also pretty much the opposite of Eros.Reading Rowling at Four Levels (John Granger, 2021)Robin and Cormoran, even if you want to include Sam Barclay, are not a soul exteriorization akin to Harry, Hermione, and Ron. The psychomachia of the Strike novels is built on the Shakespearean soul-Spirit romantic model rather than the Platonic-Patristic body-mind-spirit soul triptych of ancient, Medieval, and contemporary film and written fiction. In this model, the man and woman lede players take the part of soul and spirit, Coomaraswamy's duo sunt in homine human and divine aspects, either as fixed roles as in Othello and The Tempest or in relation to the other, each being soul and embracing the other as supra-natural as in Romeo and Juliet and Antony and Cleopatra (see Lings and Pogson for that). Rowling's embedded models for this exteriorized drama of human sanctification are the myths of ‘Leda and the Swan‘ and ‘Psyche and Cupid‘ and the psychomachia spiritual allegories of Eros and Anteros, true and false Cupid, within Spenser's Faerie Queen, the Redcrosse Knight and Una as well as Britomart and Artegell.On Valentine Longcaster as the Erotic Cupid (Strike being the Anterotic Cupid)Valentine Longcaster is a hilarious cryptonym for Cupid, for whom Valentine is a second name (see the post on Valentine's Day in the Psyche and Eros post) and ‘Longcaster' is a reference to his weapon of choice, the bow and arrow of the god of love. He pricks Strike at the direction of Venus-Charlotte, in some myths his mother, in others a lover and cousin or brother (murky waters!), and sets in motion the long-range plan of the envious ex to destroy Robin and Cormoran's budding relationship.Add ‘Valentine Longcaster' to the pile of evidence for this particular backdrop and let's continue to look for parallels and links Rowling has playfully embedded in the psycho-spiritual, neo-mythological allegory of the soul's journey to perfection, and specifically the souls of women.For much more on this Eros-Anteros distinction and its importance in grasping the allegorical meaning of the Strike-Ellacott relationship, see Ink Black Heart: Strike as Zeus to Robin's Leda and Cupid to Mads' Psyche (John Granger, 2022)Fandom Response to Hallmarked Man:From the Reddit r/Cormoran Strike page:Hogwarts Professor Predictions for Hallmarked Man:* Charlotte was Murdered (Nick Jeffery), Really, It Wasn't a Suicide (John Granger)‘Charlotte' mentioned twice as often in Strike 8 as ‘Cormoran' and Valentine Longcaster's interview with Robin Ellacott has a major ‘tell' at its finish (cf. p 451, ch 62).* Robin Ellacott is Sterile (John Granger), Rowling Studies podcastEctopic Pregnancy consequent to PID and Murphy Pregnancy Trap leading to de facto sterility prediction appears as story-line in Chapter 3 of Hallmarked Man* The Baby in the LakeHallmarked Man is Rowling's ‘Baby Novel.'Rowling's Three Targets in Hallmarked Man's Surface Story* The Ideologically Captured Police and Media and the ‘False Religion' of Freemasonry's Control of the Police in Hallmarked ManRowling's Week of publication tweets and retweets about UK police taking the side of Trans Activists and against Gender Critical feminists: * https://x.com/iain_masterton/status/1963545948711219320 (JKR retweet)* https://x.com/joannaccherry/status/1963547738722668666 (ditto)* https://x.com/jk_rowling/status/1963528602164555894* https://x.com/jk_rowling/status/1963297139905167722* https://x.com/jk_rowling/status/1962847107343139014* https://x.com/jk_rowling/status/1963465628053848363* https://x.com/jk_rowling/status/1963299236365140305* https://x.com/jk_rowling/status/1963298726417457300* https://x.com/soniasodha/status/1963185964630647295 (JKR retweet; nota bene)* https://x.com/Jebadoo2/status/1962959405160239135 (JKR retweet)* https://x.com/joannaccherry/status/1962930361035374703 (retweet)* https://x.com/jk_rowling/status/1962932333025067268* https://x.com/JohannLamont/status/1963658557007749364 (retweet)Boris Johnson and Lord BranfootBoris Johnson hosting the show. 2003 (YouTube)Boris Johnson's Personal Image or Brand (Wikipedia)Max Hastings referred to Johnson's public image as a "façade resembling that of P. G. Wodehouse's Gussie Fink-Nottle, allied to wit, charm, brilliance and startling flashes of instability",[4] while political scientist Andrew Crines stated Johnson displayed "the character of a likable and trustworthy individual with strong intellectual capital".[5] Private Eye editor Ian Hislop has defined him as "Beano Boris" due to his perceived comical nature, saying: "He's our Berlusconi ... He's the only feel-good politician we have, everyone else is too busy being responsible."[6] To the journalist Dave Hill, Johnson was "a unique figure in British politics, an unprecedented blend of comedian, conman, faux subversive showman and populist media confection".* “Mentally Ill Islamophobes”2021-22 Census ~ Islam in the UK Demographics: 6% UK, 6.7% England, 15% LondonUK 'Grooming Gangs': Deriving Per-Capita Offence Rates by EthnicityInstitute for Social Policy Research (UK) An independent, data-driven social-policy research institute focusing on UK political affairs.We therefore conclude that consistent with widespread public perceptions, whilst available evidence is not exhaustive, the mean rate derived from four of the most comprehensive studies available to date on share of CSEGG crimes by ethnicity does affirm the picture that Asians and Blacks are overrepresented in such crimes. Curiously, with much of the attention devoted to “Asians” (predominantly Pakistani gangs), it is notable that Blacks are similarly overrepresented, with our weighted rate providing limited evidence of even greater over-representation than Asians.Please note, however —For the CEOP study that ISPR use, footnote 1 shows the selection criteria, excluding all abuse initiated in a familial or fraternal (house based) relationship:"Where “localised-grooming” is defined as: “a form of sexual exploitation – previously referred to as ‘on street grooming' in the media - where children have been groomed and sexually exploited by an offender, having initially met in a location outside their home. this location is usually in public, such as a park, cinema, on the street or at a friend's house. Offenders often act together, establishing a relationship with a child or children before sexually exploiting them. some victims of ‘street grooming' may believe that the offender is in fact an older ‘boyfriend'; these victims introduce their peers to the offender group who might then go on to be sexually exploited as well. abuse may occur at a number of locations within a region and on several occasions. ‘Localised grooming' was the term used by CEOP in the intelligence requests issued to police forces and other service agencies in order to define the data we wished to receive.” (footnote 1, p. 7)"They also exclude the 39% of cases where race was not included in the data. It would be sensible to assume that ethnicity was not recorded when the ethnicity of both perpetrators and the victim were the UK default.Removing the selection criteria shows that people of Asian ethnicity are under-represented in child sex abuse cases compared to White British: https://www.csacentre.org.uk/app/uploads/2024/02/Trends-in-Offical-Data-2022-23-FINAL.pdfJulie Blindel pushes back on the ‘Grooming Gang as Muslim problem' narrative:To say that the only reason the police were complacent when it came to the grooming gangs of Rochdale, Rotherham, Telford, and elsewhere was because (some of) these men were Pakistani Muslim, is madness. The ethnicity and religion of these men is relevant, but not in the way the racists would have us believe. It is relevant because it was seen as a phenomena perpetrated because of ethnicity as opposed to male violence towards females. Look at it any other way betrays the vast majority of girls that fall prey to these men.The Epigraph Authors — and a hidden Book Behind the Book?* Albert Pike, Confederate States of America General* Louise Freeman Davis on John Oxenham's Maid of the Silver Sea* Aurora Leigh (Elizabeth Barret Browning) and Ink Black Heart* The Ring and the Book (Robert Browning)* Pompilia: A Feminist Reading of 'The Ring and the Book'Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe

In this episode of the Broad Street Review podcast, host Darnelle Radford welcomes guests Will and Mike to discuss their journey in creating the play 'Dogberry and Verges Are Scared' for the Philadelphia Fringe Festival. They explore the collaborative nature of theater, the challenges of producing a new work, and the excitement of engaging with audiences. The conversation highlights the importance of support from the artistic community and the evolution of their script through various readings and workshops. As they prepare for their upcoming performances, they reflect on the creative process and the joy of bringing new stories to life.Chapters00:00 Introduction and Welcome to Season 1001:05 Meet the Guests: Will and Mike02:22 The Journey of Creating a Play05:33 The Importance of Collaboration in Theater11:11 Navigating the Current Climate for Artists14:44 First Performance and Audience Reactions18:55 The Evolution of the Script25:00 The Role of Support and Collaboration27:52 Closing Thoughts and Ticket InformationDogberry and Verges Are Scared is a pants-pissingly funny new comedy that follows everyone's third favorite pair of Shakespearean clowns as they blunder through the events of Much Ado About Nothing and beyond.Their friendship and their wits will be tested as they attempt to foil Don John's evil plot, save Fair Hero's wedding, and hopefully earn a few ducats while they're at it. Borrowing from the rich theatrical history that traces its roots from Rosencrantz and Guildenstern are Dead to Waiting for Godot to the storied stages of the vaudeville circuit.This rolling world premiere, produced in partnership with Cincinnati Shakespeare Company, hopes to shed new light on familiar characters by mixing a modern comedic sensibility and exciting new scenes with a light sprinkling Shakespeare's own words, words, words. It's chock full of easter eggs for people with a season subscription to the Folger and the perfect gateway drug for those who think “iambic pentameter” is a model of Buick. Starring Philadelphia theater legends Scott Greer and Anthony Lawton, Dogberry and Verges Are Scared is bursting with heart, highbrow comedy, vaudevillian gags, and... dancing? Only 10 performances. Do not miss this play!Slippery Trout Productions was formed in 2025 by Michael Doherty and Will Mobley. They are two clowns that have no business running a business.FOR TICKETS AND INFORMATION: https://phillyfringe.org/events/dogberry-and-verges-are-scared/

Welcome to the fifth series in the annual podcast programme from Academic Archers, bringing you papers from our 2024 conference.This episode takes a lighthearted but well-informed look at funeral directing in Ambridge, using real-world research and practice as its frame.Funeral Directing in the UK through an Ambridge Lens - Abi PattendenWhat might funeral provision look like in Ambridge? This paper considers current UK funeral trends and applies them to the village's farming community on the edge of Birmingham.It imagines how existing Ambridge businesses could diversify: farms becoming natural burial grounds, Fallon catering for funeral receptions, or Brookfield's barn hosting gatherings. Could the proposed electric charging station even house a funeral directors? Drawing on demographic knowledge, past storylines and sector research, the paper explores how such services might emerge, while also noting how other continuing dramas have embedded funeral businesses into their communities.About the speakerAbi Pattenden has been a Funeral Director for 16 years and served as President of the National Association of Funeral Directors in 2018–19. She has previously presented at Academic Archers on funeral provision for Joe Grundy, Ambridge's death rates, and on comparing Rob Titchener to Shakespeare's Iago. Abi has an academic background in Shakespearean theatre and an ongoing research interest in funerals, having co-authored papers on topics such as configurational eulogies and hybrid funerals through Aberdeen University's Care in Funerals project.If you enjoy our work and would like to support Academic Archers, you can Buy Us a Coffee – buymeacoffee.com/academicarchers.

John's guest this week is a follow up show with Dr. John Cox, Shakespearean expert. They do a follow up to a prior program, this time focusing on Shakespeare's turbulent times, Elizabeth I, the Reformation and his plays and other works.See omnystudio.com/listener for privacy information.

With Ghost of Yōtei launching October 2nd, Nerd Legion is diving into the films and anime that inspired the game's haunted world. We begin with Akira Kurosawa's Throne of Blood (1957), a chilling reimagining of Macbeth that blends Noh theatre, samurai tragedy, and supernatural ghosts. In this episode, MonteCristo and DoA discuss:⚔️How Throne of Blood's fog, wind, and black-and-white style shaped Kurosawa Mode in Ghost of Tsushima (returning in Ghost of Yōtei)⚔️The fusion of Shakespearean tragedy with Japanese Noh theatre and its symbolism (Lady Asaji's mask-like stillness, the centipede banners, spinning horses)⚔️Kurosawa's legendary use of atmosphere and the unforgettable real-arrow death scene with Toshiro Mifune⚔️How the film's themes of cursed destiny and supernatural hauntings echo the mythic tone of Ghost of Yōtei

No, not that Anne Hathaway. The Shakespearean one.Topics in this episode include Socratididion's Epipsychidion, unparalleled pettiness, Stephen's unfair characterization of Shakespeare's wife Anne Hathaway, why commentary about Anne Hathaway has been so problematic historically, Anne as a Gertrude stand-in, how we can learn factual information about the Shakespeares' lives, sixteenth century age gap discourse, Anne and Will's marriage prospects, “Venus and Adonis,” marriage and weddings in Elizabethan England, how Anne Hathaway became a symbol of Victorian propaganda, Shakespeare and the “Scylla and Charybdis” schema, and why Ulysses is a terrible place to go to learn about Shakespeare's life.Support us on Patreon to access episodes early, bonus content, and a video version of our podcast. On the Blog:A Shakespearean Ghost Story Part 2: Anne Hath a WayBlooms & Barnacles Social Media:Facebook | BlueSky | InstagramSubscribe to Blooms & Barnacles:Apple Podcasts | Spotify | YouTube

A storm of lace bodices and shattered dreams erupts as Trixie and Katya revisit Episodes 5 and 6, where the workroom transformed into a bloody battlefield and destiny itself teetered on stilettos. Katya, radiant yet tormented, recalls the soaring ecstasy of comedic victory before plunging into the abyss of crippling self-doubt, her every glance a silent scream for redemption. With the dual crucibles of Shakespearean tragedy and a sinister Snatch Game, crowns were forged and egos were obliterated. The legendary Ru Hollywood Stories challenge unfurled like a telenovela within a telenovela, blurring fiction and truth in a tempest of wigs and weeping. In this operatic retelling, Trixie and Katya render the runway not as mere fabric and dime store wigs, but as an altar upon which laughter, heartbreak, and RuPaul's merciless decree were sacrificed in the name of drag divinity. Start your free online visit today at Hims to find ED treatment that's up to 95% less than brand names at https://Hims.com/BALD Get organized, refreshed, and back to routine for way less! Head to https://Wayfair.com to shop all things home. This episode is sponsored by BetterHelp. Give online therapy a try at https://Betterhelp.com/BALD and get on your way to being your best self! Follow Trixie: @TrixieMattel Follow Katya: @Katya_Zamo To watch the podcast on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/TrixieKatyaYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To check out our official YouTube Clips Channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/TrixieAndKatyaClipsYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Don't forget to follow the podcast for free wherever you're listening or by using this link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/thebaldandthebeautifulpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you want to support the show, and get all the episodes ad-free go to: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://thebaldandthebeautiful.supercast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/thebaldandthebeautifulpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To check out future Live Podcast Shows, go to: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://trixieandkatyalive.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To order your copy of our book, "Working Girls", go to: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://workinggirlsbook.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To check out the Trixie Motel in Palm Springs, CA: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.trixiemotel.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Listen Anywhere! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/thebaldandthebeautifulpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠   Follow Trixie: Official Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.trixiemattel.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@trixie⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/trixiemattel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/trixiemattel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter (X): ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/trixiemattel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠   Follow Katya: Official Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.welovekatya.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@katya_zamo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/welovekatya/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/katya_zamo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Twitter (X): ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/katya_zamo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠    #TrixieMattel #KatyaZamo #BaldBeautiful Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week on The Filmmakers Podcast, hosts Conor Boru and Francis Annan welcome two icons of the filmmaking world: producer, writer and director Chris Columbus, and Academy Award-winning actor Sir Ben Kingsley. Chris Columbus – the creative force behind classics such as Home Alone, Mrs Doubtfire and the first two Harry Potter films – shares his experiences of working with visionary directors like Robert Eggers, his approach to shaping scripts as a director, and the importance of collaboration with actors. He also reflects on the role of rehearsals, the unique magic of making films for the big screen, the movies that continue to inspire him, and why he believes there is so much to learn from the new generation of filmmakers. Sir Ben Kingsley – whose career spans over five decades with landmark performances in Gandhi, Schindler's List and Sexy Beast – discusses the inspirations that continue to fuel his craft. He speaks about his Shakespearean roots, the nuances of performing for stage versus screen, and offers invaluable insights for emerging actors looking to build their careers. An unmissable conversation with two true legends of cinema. The Thursday Murder Club is out now! Four irrepressible retirees spend their time solving cold case murders for fun, but their casual sleuthing takes a thrilling turn when they find themselves with a real whodunit on their hands. OTHER LINKS FOOD FOR THOUGHT documentary out NOW | Watch it FREE HERE. A documentary exploring the rapid growth and uptake of the veganlifestyle around the world. – And if you enjoyed the film, please take amoment to share & rate it on your favourite platforms. Every review& every comment helps us share the film's important message withmore people. Your support makes a difference! PODCAST MERCH Get your very own Tees, Hoodies, on-set water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on filmmaking? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written and produced by Giles Alderson @gilesalderson Edited by @tobiasvees Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit megaphone.fm/adchoices

Tenure of Office: November 13, 1817 - March 4, 1829 After a childhood marred by tragedy and drunken nights of Shakespearean recitations in a state of undress as a young adult, William Wirt went on to become one of the most well respected lawyers of the Early Republic, serving as legal counsel in some of the highest-profile cases of the time including the trial of George Wythe's alleged murderer and the treason trial of Aaron Burr. Why then isn't he better known in the modern day? Join me and my special guest, Howard Dorre of Plodding Through the Presidents, as we try to answer that question! Sources used for this episode can be found at https://www.presidenciespodcast.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

John's guest this week is Professor John Cox, a Shakespearean specialist.See omnystudio.com/listener for privacy information.

Steven welcomes noted film critic, historian, and film institute educator Robert Horton to this episode to discuss his research and commentary on the life and works of Orson Welles, perhaps America's most famous Shakespearean of all time. Support the show by picking up official Don't Quill the Messenger merchandise at www.dontquillthepodcast.com and becoming a Patron at http://www.patreon.com/dontquillthemessenger  Made possible by Patrons: Clare Jaget, Courtney L, David Neufer, Deduce, Earl Showerman, Edward Henke, Ellen Swanson, Eva Varelas, Frank Lawler, James Warren,  Jen Swan, John Creider, John Eddings, Kara Elizabeth Martin, Michael Hannigan, Neal Riesterer, Patricia Carrelli, Richard Wood, Romola, Sandi Boney, Sandi Paulus, Sheila Kethley, Tim Norman, Tim Price, Vanessa Lops, Yvonne Don't Quill the Messenger is a part of the Dragon Wagon Radio independent podcast network. For more great podcasts visit www.dragonwagonradio.com

We continue HAHAugust 2: Double Take with an extremely underseen gem from the New World catalog, the Los Angeles set surf dramedy UNDER THE BOARDWALK, directed by Fritz Kiersch (CHILDREN OF THE CORN, TUFF TURF). Originally set to be released in 1988, New World eventually put this out at the same time as HEATHERS, the final two theatrical releases for the company.  Featuring the endless struggle between the coastal "locs" (or "lawks" as Letterboxd might have you believe) and the San Fernando Valley "Vals," the film concerns two star-crossed lovers caught between the two worlds just as the two sides meet in a local surf competition (or "compo" if you're cool). How does Allie (Danielle van Zerneck, LA BAMBA) deal with her feelings for Nick (Richard Joseph Paul, OBLIVION)? Well, not by looking after her cousin Andy (Keith Coogan, ADVENTURES IN BABYSITTING), that's for sure! Helping us discuss this Shakespearean tale is our good friend and New World superfan Justin Grams, who has been with this film from the very beginning!  Listen as we go through the film's history, share our thoughts on a potential sequel, have a discussion of the slang term "whease," and a whole lot more as we give this film the attention it deserves!  Special thanks to Fritz Kiersch, writer/producer Matthew Irmas, and producer Greg Blackwell for their assistance with this episode! For all the shows in Someone's Favorite Productions Podcast Network, head here: https://www.someonesfavoriteproductions.com/ 

For the latest Whisper in the Wings from Stage Whisper, we welcomed on the amazing artists Cary Sasso and Ryan Dukes, to talk about their fantastic new show, Hamlet: Prince of Denmark. This is a brilliant take on the Shakespearean classic. So make sure that you tune in and get your tickets while you still can!Hamlet: Prince of DenmarkAugust 29th and 30th@ The 14Y Blackbox TheaterTickets and more information are available at @hamletbutmakehimtrans or caryfelixsasso.com And be sure to follow our guests to stay up to date on all their upcoming projects and productions: Hamlet: @hamletbutmakehimtransCary: caryfelixsasso.com and @shakespearean_sassoRyan: the.ryan.dukes@gmail.com

Notes: In July 2024, shortly before he died of cancer, I paid a last visit to the Somerset home of my wonderful friend Alexander Waugh. Alexander was one of the kindest, most generous, most talented and intellectually curious friends it has ever been my privilege to know. His rich and varied career included stints as a musician, concert promoter, author, keeper of the Waugh (Evelyn was his grandfather) family archives and researcher into the Shakespearean authorship question. (He thought it was Edward de Vere, Earl of Oxford). Though he was in some discomfort, he died a happy man, lovingly cared for at home by his devoted wife Eliza. I haven't listened to these recordings we made since. They've been sitting on my iPhone and the only reason I didn't release them earlier was inertia. They also feature our friend Bob Moran. We talk about God, music, death, everything. ↓ ↓ ↓ The official website of James Delingpole: https://jamesdelingpole.co.uk

The Thursday Rub launches AFLW Season 10 by reflecting on the very first AFLW game, where Sarah Hosking did her best impression of Mark Yeates. Isaac has been listening to Hev's podcast appearance, Hosko is in cashie mode, and the team discuss the rise and challenges of the AFLW. Collingwood recruit Airlie Runnalls joins Hosko and Hev on the boundary, then Isaac puts Jay Z under the microscope for a Shakespearean-style monologue on First Crack this week. Jay Z has Melbourne's coaching panel, North Melbourne's timeline, and Tom De Koning in his news agenda, Jess Webster joins the team to reflect on her own history with women's footy, and there's one last news round up before the bounce.See omnystudio.com/listener for privacy information.

Bestselling author, political strategist and former Georgia State Representative Stacey Abrams will headline the inaugural KPBS San Diego Book Festival on Aug. 23.Abrams joined Midday Edition on Thursday to talk about her latest book, "Coded Justice," which dives into the ethical questions around the use of AI in the healthcare industry."What I want us to think about with AI is that it's an extraordinarily powerful technology that is controlled by people," Abrams said. "And that means people have to understand what's happening and that means other people have to question where it comes from, what it does and what impact it will have on us."Plus, KPBS' Beth Accomando looks at how a new all-women acting company is flipping the script on Shakespearean plays.Then, Julia Dixon Evans shares her top picks for arts events this weekend, including meteor showers, visual art about caregiving and a children's film festival.Guests:Stacey Abrams, author of "Coded Justice," former Georgia State Representative and two-time gubernatorial candidateAudrey Sweet, co-founder of the Queen's MenCharlotte B. Larson, co-founder of the Queen's MenJulia Dixon Evans, arts reporter, KPBS

In July 2024, shortly before he died of cancer, I paid a last visit to the Somerset home of my wonderful friend Alexander Waugh. Alexander was one of the kindest, most generous, most talented and intellectually curious friends it has ever been my privilege to know. His rich and varied career included stints as a musician, concert promoter, author, keeper of the Waugh (Evelyn was his grandfather) family archives and researcher into the Shakespearean authorship question. (He thought it was Edward de Vere, Earl of Oxford). Though he was in some discomfort, he died a happy man, lovingly cared for at home by his devoted wife Eliza. I haven't listened to these recordings we made since. They've been sitting on my iPhone and the only reason I didn't release them earlier was inertia. They also feature our friend Bob Moran. We talk about God, music, death, everything.

James Shapiro wears many hats – author, scholar, cultural historian, consultant to New York's Public Theatre – discusses his work with actors and students, as well as his invaluable books A Year in the Life of William Shakespeare: 1599, The Year of Lear: Shakespeare in 1606, and Shakespeare in a Divided America. Shapiro also shares experiences of working on this summer's Twelfth Night in New York's Central Park; working with Denzel Washington and Jake Gyllenhaal on Broadway in Othello; how he first discovered Shakespeare; what he learns from working with actors; the power of knowing whether a thou is a formal thou or an eff-you thou; being scolded (rightly!) by F. Murray Abraham; whether he prefers to be known as a historian, a mensch, or the Shakespeare Guy; how his thoughts about America have evolved since he wrote Shakespeare in a Divided America; how his correspondence with a Supreme Court justice was the Shakespeare in the coal mine; and how we look at the news for what's happening today but turn to Shakespeare to find out what's at stake. (Length 26:51) The post Shakespearean James Shapiro appeared first on Reduced Shakespeare Company.

Join us this month as we explore inside our brains. John recounts how he learned lines for a Shakespearean role, and Sadina talks with UT Health Neurologist, Dr. Rajesh Gupta about the different ways brains process information. Created by the Podcast Team at the Harris County Public Library.www.hcpl.netPodcast Team Members include: Beth Krippel, John Harbaugh, Mary Mink, Dylan Smith, Sadina Shawver, Gisela Parker, Kara Ludwig, John Schaffer, Jennifer Finch, Katelyn Helberg, Darcy Casavant, Darla Pruitt and Nancy Hu

Oops, All Corpses: Making TPKs Fun, Fair, and Hilariously Devastating Now on YouTube! That's right—RPGBOT.net is bringing the RPGBOT.Podcast archive to YouTube, so now you can re-live your favorite episodes or finally hear all the ones you missed while you were rolling death saves. Whether you're commuting, cooking, or crying over your latest character sheet, we've got you covered with full episodes, remastered for maximum tabletop chaos. Episode Notes In this hilariously grim episode, the RPGBOT.Podcast crew puts the "fun" back in "TPK." That's right—we're talking about Total Party Kills: when the dice betray you, the GM stops pulling punches, and your entire party is wiped out like yesterday's initiative order. Tyler, Randall, and Ash dissect the delicious disaster of a good ol' fashioned TPK—from the tactical errors that cause them to the storytelling opportunities they unlock. Whether your death was noble, stupid, or hilariously ironic, the gang's got hot takes and hard truths about why sometimes, failure is the most fun you can have with your character sheet still smoking. Also: funeral pyres, surviving by plot armor, and the one time someone definitely had it coming. RPGBOT.Pocast Episodes RPGBOT.Podcast Episode 10 – Horror RPGBOT.Podcast Episode 9 – Death RPGBOT.Podcast S2E10 – Session 0 Mörk Borg Cult: Heretic – RPGBOT.News S2E32 Fate of the Norns – RPGBOT.News S3E33 Doomed Forgotten Realms – RPGBOT.News S2E50 Content from RPGBOT.net Fate of the Norns – A Review DnD 5e – Practical Guide to Summoning Spells Other Stuff Leroy Jenkins Planescape: Torment Van Richten's Guide to Ravenloft (affiliate link) Topics Covered: What actually qualifies as a TPK (spoiler: one wizard running off doesn't count). When to kill 'em all—and when to fudge the dice. How to make character death meaningful and not just “you slipped in a trap again.” Player buy-in and embracing the end like a dramatic Shakespearean hero. GM tips for turning a TPK into a launchpad for the next arc (or next party). The glory of high-stakes gameplay—because sometimes, you really should fight the dragon at level 3. Key Takeaways: Not all TPKs are bad: A well-earned TPK can be an epic finale, a new beginning, or a group-wide punchline. Fairness matters: If you're going to kill the party, make sure they had a fighting chance—or at least a cool last stand. Story is king: A good TPK should feel like a narrative climax, not just a punishment for bad tactics (though sometimes it's both). Session Zero helps: Set expectations early—if your GM is a killer DM, your group should know they're not here for storytime with Elmo. Debrief after death: Processing character loss together helps the group move forward—and maybe even laugh about it. Use TPKs creatively: Whether as a tragic end, a heroic sacrifice, or the cursed prequel to the real campaign, lean into the drama. Reincarnation is a thing: In fantasy RPGs, death might not be the end—unless it really needs to be. If you enjoy the show, please rate and review us on Apple Podcasts, Spotify, or your favorite podcast app. It's a quick, free way to support the podcast, and helps us reach new listeners. If you love the show, consider joining us on Patreon, where backers at the $5 and above tiers get ad free access to RPGBOT.net and the RPGBOT.Podcast, can chat directly to members of the RPGBOT team and community on the RPGBOT.Discord, and can join us for live-streamed recordings. Support us on Amazon.com when you purchase products recommended in the show at the following link: https://amzn.to/3NwElxQ How to Find Us: In-depth articles, guides, handbooks, reviews, news on Tabletop Role Playing at RPGBOT.net Tyler Kamstra BlueSky: @rpgbot.net TikTok: @RPGBOTDOTNET Ash Ely Professional Game Master on StartPlaying.Games BlueSky: @GravenAshes YouTube: @ashravenmedia Randall James BlueSky: @GrimoireRPG Amateurjack.com Read Melancon: A Grimoire Tale (affiliate link) Producer Dan @Lzr_illuminati

Following a Shakespearean start, we dive into what we think will happen in the Sun Belt Eastern division. Next, it's the first annual Chilly's All Sun Belt Name Team! We wrap things up with some camp updates.

Join Justin as he chats with actor and artist Duncan Regehr about drawing inspiration from Nature, classic Dracula performances, The Monster Squad, preparing for his role as Pat Garrett in Billy the Kid, becoming Zorro, and more!Duncan Regehr bio: “Duncan Peter Regehr (born October 5, 1952) is a Canadian multimedia artist and actor. He was also a figure skater and a classically trained Shakespearean stage actor in his native Canada, before heading to Hollywood in 1980. Regehr played the title character in Zorro, The Family Channel's television series based upon Johnston McCulley's classic hero. He also had roles in multiple television incarnations of Star Trek. He also played the role of Count Dracula in 1987's The Monster Squad.”Intro and outro theme created by Wyrm. Support Wyrm by visiting the Serpents Sword Records bandcamp page (linked below):https://serpentsswordrecords.bandcamp.com/Monsters, Madness and Magic Official Website. Monsters, Madness and Magic on Linktree.Monsters, Madness and Magic on Instagram.Monsters, Madness and Magic on Facebook.Monsters, Madness and Magic on Twitter.

We are so used to thinking of Tolkien being all about the past - old languages, old stories and no post-Shakespearean literature going into his cauldron of story-making, but of course that is wrong. Meet Dr Holly Ordway, whose fantastic book, Tolkien's Modern Reading, is a scholarly and entertaining exploration of the breadth of books in many genres that Tolkien was reading. From The Land of Snergs, to Swallows and Amazons, to Agatha Christie, he was catholic in his tastes, in the sense of universal. Follow our wide-ranging discussion from the books of Tolkien's youth, to those he read his children, and on to the adult novels he read and appreciates - as well as those he didn't like. Stick around to find out where we would set a boys' own adventure!(00:05) Exploring Tolkien's Modern Reading(10:13) Influences on Tolkien's Writing(24:59) Tolkien's Diverse Reading Influences(42:26) Adventure Influences in Tolkien's WorldFind out more about Holly and her works here: https://www.wordonfire.org/tolkien/For more information on the Oxford Centre for Fantasy, our writing courses, and to check out our awesome social media content visit: Website: https://centre4fantasy.com/website Instagram: https://centre4fantasy.com/Instagram Facebook: https://centre4fantasy.com/Facebook TikTok: https://centre4fantasy.com/tiktok

In this episode of Trust Me! we will be discussing King Lear, the Shakespearean tragedy, and the fallout from an estate plan gone wrong.Our GuestRalph Hughes is a founding shareholder of Hughes & Pizzuto, A P.C. where he practices in the areas of Estate Planning, Trust Law, Probate Litigation, Trust Litigation, Will Contests, Mediation in related fields.  Ralph has been a Certified Specialist in Estate Planning, Trust and Probate Law for more than 25 years.  He is a member of the American College of Trust and Estate Counsel and a former member of the California Lawyers Association Trusts and Estates Executive Committee (TEXCOM). Our HostAnne M. Rudolph is a shareholder at Hughes & Pizzuto, APC. Her practice is limited to trust and probate administration, related litigation and appeals. She received her J.D. with highest honors from the University of Oklahoma College of Law. Anne is a certified specialist in Estate Planning, Trust and Probate Law and a member of CLA's Trusts and Estates Executive Committee (TEXCOM).Thank you for listening to Trust Me!Trust Me is Produced by Foley Marra StudiosEdited by Cat Hammons and Todd Gajdusek

Sir Gregory Doran is the former artistic director of the Royal Shakespeare Company. He spent a total of thirty five years with the RSC directing fifty productions in the UK and abroad. He's been called “one of the great Shakespeareans of his age” and has won multiple awards for his work.Born in 1958, Greg was brought up near Preston and played a number of female Shakespeare roles when he was a young pupil attending an all-boys secondary school. He went on to study English and Drama at Bristol University followed by a stint studying classical acting at the Bristol Old Vic Theatre School. After a few bit parts in TV sitcoms and a spell at Nottingham Playhouse, Sir Greg decided that he would prefer to carve out a career as a director. He went on to stage some of the most critically acclaimed theatre productions – including an all-black cast of Julius Caesar and took Titus Andronicus to South Africa.More recently, he has been touring the globe on his Shakespeare's First Folio tour to look at as many different copies of the texts as possible. He survives his husband, the actor Sir Anthony Sher whom he met in 1987 whilst they were both part of a production of the Merchant of Venice at the RSC in Stratford. Sir Greg lives in London.DISC ONE: Giulio Cesare in Egitto, HWV 17, Act 1: Duetto. "Son nata a lagrimar" (Cornelia, Sesto) Composed by Georg Friedrich Händel and performed by Nathalie Stutzmann (contralto) Philippe Jaroussky (counter tenor) Oreo 55 (Orchestra) DISC TWO: Sicut cervus – The Choir of Preston Catholic College DISC THREE: Born Free - Matt Monro DISC FOUR: It's Raining Men - The Weather Girls DISC FIVE: Diamonds on the Soles of Her Shoes - Paul Simon DISC SIX: J.S. Bach: Cantata "Ich habe genug" BWV 82: I. "Ich habe genug, ich habe den Heiland". Performed by Thomas Quasthoff (bass-baritone), Berliner Barock Solisten, conducted by Rainer Kussmaul DISC SEVEN: Piano Concerto No. 12 in A, K.414: 2. Andante. Composed by Mozart and performed by Alfred Brendel (piano) and Academy of St Martin in the Fields, conducted by Sir Neville Marriner DISC EIGHT: Where the Bee Sucks - Paul Englishby, Royal Shakespeare Company BOOK CHOICE: A 1609 copy of Shakespeare's Sonnets LUXURY ITEM: A shelf of photo albums CASTAWAY'S FAVOURITE: Piano Concerto No. 12 in A, K.414: 2. Andante. Composed by Mozart and performed by Alfred Brendel (piano) and Academy of St Martin in the Fields, conducted by Sir Neville MarrinerPresenter: Lauren Laverne Producer: Sarah Taylor

Navy Seal Author and Historian Matt Bracken joins Irish writer, author, and thinker John Waters to discuss technocracy in the West, societal collapse, Tulsi Gabbard, Epstein, Trump becoming a Shakespearean tragedy, mass migration and much more. PLEASE SUBSCRIBE LIKE AND SHARE THIS PODCAST!!!   Watch Show Rumble- https://rumble.com/v6woxec-trump-a-shakespeareangreek-tragedy-john-waters-and-matt-bracken.html YouTube- https://youtu.be/SSYAZm6-LaU   Follow Me X- https://x.com/CoffeeandaMike IG- https://www.instagram.com/coffeeandamike/ Facebook- https://www.facebook.com/CoffeeandaMike/ YouTube- https://www.youtube.com/@Coffeeandamike Rumble- https://rumble.com/search/all?q=coffee%20and%20a%20mike Substack- https://coffeeandamike.substack.com/ Apple Podcasts- https://podcasts.apple.com/us/podcast/coffee-and-a-mike/id1436799008 Gab- https://gab.com/CoffeeandaMike Locals- https://coffeeandamike.locals.com/ Website- www.coffeeandamike.com Email- info@coffeeandamike.com   Support My Work Venmo- https://www.venmo.com/u/coffeeandamike Paypal- https://www.paypal.com/biz/profile/Coffeeandamike Substack- https://coffeeandamike.substack.com/ Patreon- http://patreon.com/coffeeandamike Locals- https://coffeeandamike.locals.com/ Cash App- https://cash.app/$coffeeandamike Buy Me a Coffee- https://buymeacoffee.com/coffeeandamike Bitcoin- coffeeandamike@strike.me   Mail Check or Money Order- Coffee and a Mike LLC P.O. Box 25383 Scottsdale, AZ 85255-9998   Follow John Substack- https://substack.com/@johnwaters X- https://x.com/johnwaters2024 Order's John's new book- https://a.co/d/7AOMCK1   Follow Matt X - https://x.com/Matt_Bracken48 Gab- https://gab.com/matt_bracken Website- https://enemiesforeignanddomestic.com/index.html Substack- https://substack.com/@mattbracken   Order Matt's new book: Paypal- https://www.paypal.com/paypalme/steelcutter48 Or send the cash or check to: Steelcutter Publishing PO Box 65673, Orange Park, FL 32065   Sponsors Vaulted/Precious Metals- https://vaulted.blbvux.net/coffeeandamike McAlvany Precious Metals- https://mcalvany.com/coffeeandamike/ Independence Ark Natural Farming- https://www.independenceark.com/

America's golfer-in-chief trades on exclusivity, but he still can't buy a green jacket. Are the Saudis using Donald Trump's obsession to disrupt even more than a super-league? Ahead of the U.S. Open, veteran golf reporter and author Alan Shipnuck takes Pablo behind the Shakespearean curtain. • Read "LIV and Let Die" by Alan Shipnuck https://www.simonandschuster.com/books/LIV-and-Let-Die/Alan-Shipnuck/9781668020012 Learn more about your ad choices. Visit podcastchoices.com/adchoices