Podcasts about shakespearean

English accents have been evolving ever since the first people started speaking this very strange language. People in historic films often speak with a modern British accent, and when they don't, people think it's inaccurate. But what did people really sound like during Shakespearean times? Or American Revolution times? Author and linguist Valerie Fridland joins us to discuss all these questions and more! Buy a copy of Valerie's book Why We Talk Funny: The Real Story Behind Our Accents (affiliate link) — ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy a copy of Ann's book Rebel of the Regency⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ — Get 15% off all the gorgeous jewellery and accessories at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠commonera.com/vulgar⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠commonera.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use code VULGAR at checkout — Get Vulgar History merch at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vulgarhistory.com/store⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (best for US shipping) and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vulgarhistory.redbubble.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (better for international shipping) — Vulgar History is an affiliate of ⁠⁠⁠⁠⁠Bookshop.org⁠⁠⁠⁠⁠, which means that a small percentage of any books you click through and purchase will come back to Vulgar History as a commission. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Use this link to shop there and support Vulgar History.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

You know that moment. You had a plan. You felt good about it. And then one unplanned meal, one late night, one vacation evening and before you've even put the dish in the sink, the word shows up. Failure. And it doesn't feel like a word. It feels like a verdict. Your brain lines up the evidence. You're not trying hard enough. You never stick with anything. You're never going to change. And what started as one bowl of ice cream at 9pm has somehow become a statement about who you permanently are. This episode is about that sequence. Where it comes from, why your brain does it, and four surprisingly quick tools to break it — including a Harry Potter spell, a Shakespearean ice cream monologue that made my client cry laughing, and a little something from psychology called cognitive defusion.   What You'll Learn in This Episode Why "failure" stops feeling like a word and starts feeling like an identity The psychology of cognitive fusion and why your brain treats thoughts like facts Four specific tools to take the power back from the failure spiral How to replace the thought with something your brain can actually grip Why one unplanned meal is never the whole story   Key Takeaway The failure spiral isn't a character flaw. It's a brain pattern, and brain patterns can change. The four steps in this episode won't stop the thought from showing up. They will stop it from running the whole show.   Listen If You've Ever Thought... "I ruined it. Again." "Why can't I just stick with anything?" "I was doing so well and then I completely blew it." "One bad night and I'm back to square one." "I don't know why I even try." Want More? If this episode resonated with you, I'd love for you to subscribe to The Confident Body Podcast. Every week we talk about the mental and emotional side of weight loss, the part that diets never cover. We cover things like sustainable weight loss, emotional eating, self-trust around food, and how to break free from diet rules that have never worked long term. Because the goal isn't just to lose the weight. It's to become someone who knows how to keep it off and feel good while doing it. Leave a review if this episode helped you. It only takes thirty seconds and it helps other women find the show.   Check out my new Substack page! You'll get bonus articles, inspiration, and wisdom. Plus some extra goodies I've got rolled up my sleeve. Check it out at: https://substack.com/@coachlizziemerritt   PS: Ever had that moment when you just WANT it?  Your brain doesn't care if you're hungry. It just tastes SO good and you just want it.  If that's you, then download the guide I JUST WANT IT. IT TASTES SO GOOD at: confidentbody.coach/wantit   Get the book my new book LIGHT: The New Psychology of Weight Loss Also, check out my first book: You Are A Miracle 

Jay and young Paco perform gigs on the road together and develop a bond. Paco is the Bonfire videographer as well as a new comedian and Jay is more than happy to give him advice about the business. Bob's urges him to be just like Jo Koy and cater to his Asian audience. | Jay is currently watching "Dutton Ranch" which is the spin-off of "Yellowstone" and has a problem with the Shakespearean dialogue. | Comic Rich Vos visits his motherland and posts pictures of himself reading by the Wailing Wall. | Bobby declares that Joe Rogan was his comedy hero when he was just starting out in stand-up. *To hear the full show to go www.siriusxm.com/bonfire to learn more! FOLLOW THE CREW ON SOCIAL MEDIA: @thebonfiresxm @louisjohnson @christinemevans @bigjayoakerson @robertkellylive @louwitzkee @jjbwolf Subscribe to SiriusXM Podcasts+ to listen to new episodes of The Bonfire ad-free and a whole week early.  Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

He-Man was always camp. The loincloth, the harness, the flexing, the pink tunic, Masters of the Universe was masculinity as WWE spectacle.. The 2026 film knew this, it just couldn't decide what to do about it. Host Matthew Fox welcomes Pete Wright of The Next Reel Film Podcast on TruStory FM to dig into why this movie feels like five films playing simultaneously, why the Barbie comparison is more complicated than it looks, and what a genuinely great He-Man movie would have required of its filmmakers.There's real craft on display; Idris Elba anchoring chaos, Jared Leto's Skeletor going full Shakespearean villain, moments of nostalgia that land exactly right. But the movie sets up a father-son arc about masculinity and emotional bravery, then resolves it with a half-hearted deathbed forgiveness scene that changes nothing. It gestures at He-Man's campy legacy and then gets embarrassed by it. It makes Adam an HR rep with empathy skills, then turns those skills into a punchline. The movie knew what it wanted to say. It just didn't have the nerve to say it.We also get into the full Mattel pipeline — Polly Pocket, Rock 'Em Sock 'Em Robots, Magic 8-Ball as a horror comedy — and the nostalgia properties we'd actually pay to see: Gummi Bears, Darkwing Duck, and what Scooby-Doo keeps getting right that everyone else gets wrong.Full Show Notes and Resources**************************************************************************This episode is a production of Superhero Ethics, an Ethical Panda podcast and part of the TruStory FM Entertainment Podcast Network. Check out our website to find out more about this show and our sister podcast Star Wars Generations.We want to hear from you! Keep up with our latest news and send us feedback, questions, or comments via social media or email.TikTok · Twitter/X · Instagram · Facebook · EmailJoin the conversation in the Star Wars Generations and Superhero Ethics channels on the TruStory FM Discord.Want even more content while supporting the podcast? Become a member! For $5 a month or $55 a year you get access to bonus episodes and bonus content at the end of most episodes — and you can even give membership as a gift. Sign up here.You can also support us through our sponsors:Purchase a lightsaber from Level Up Sabers, run by friend of the podcast Neighborhood Master Alan.Use Audible for audiobooks. Sign up for a one-year membership or gift one through this link.Purchase any media discussed this week through our sponsored links.

The dark side rises as The Commentary Booth hosts, Jamie Apps and Corrina Mabey, conclude their journey through the Star Wars prequel trilogy with a deep dive into Star Wars: Episode III – Revenge of the Sith.Widely regarded as the strongest entry in the prequel saga, Revenge of the Sith delivers the tragic downfall of Anakin Skywalker, the rise of Darth Vader, the execution of Order 66, and the birth of the Galactic Empire. But does the film truly earn its reputation, or is it simply the best of a flawed trilogy?Jamie and Corrina break down the film's darker tone, Shakespearean tragedy, and iconic moments, including Anakin's fateful turn to the dark side, Obi-Wan's heartbreaking confrontation on Mustafar, and Palpatine's masterfully orchestrated rise to power. Along the way, they discuss whether Anakin's visions of Padmé ultimately caused the very future he was trying to prevent, the effectiveness of Order 66, General Grievous' brief but memorable role, and how the film bridges the gap to the original trilogy.Highlights Breakdown: - Why Revenge of the Sith remains the standout film of the prequel trilogy - The inevitability of Anakin Skywalker's tragic fall to the dark side - Breaking down Palpatine's galaxy-spanning manipulation and long-term strategy - The emotional impact of Order 66 and the destruction of the Jedi Order - General Grievous, his unique design, and the surprising origin of his cough - Whether the story would have worked better as a prestige television series - The pair also examine the movie's biggest weaknesses, from its lengthy runtime and uneven pacing to some questionable CGI choices that haven't aged particularly gracefully. - Is Revenge of the Sith the masterpiece many fans claim it is, or simply a satisfying conclusion to an otherwise inconsistent trilogy? Join us as we revisit one of the most important chapters in Star Wars history.This week's episode is brought to you byAustralian Wrestling CardsCheck out more great content from Pario Magazine on our website.-------------------------------------------------------------SUPPORT PARIO MAGAZINE & THE COMMENTARY BOOTH- PATREON- BUY MERCH- AMAZON PRIME VIDEO- TUBEBUDDY- Subscribe to AEW Plus using my code (q0yydoz) to earn $10 in FITE credit- Shop Online With Honey- Shop Online With SatechiMY EQUIPMENT- Elgato Facecam- Rode PodMic- Elgato Wave Mic Arm LP- Streamlabs Talk StudioFOLLOW JAMIE ON SOCIAL MEDIA- Twitter- Facebook- Instagram- TikTokFOLLOW PARIO MAGAZINE ON SOCIAL MEDIA- Twitter- Facebook- Instagram

For the latest Whisper in the Wings from Stage Whisper, we welcomed back on the actors Will Watkins, Clayton Hamburg, and Leah Schwartz from Atlas Shakespeare Company's Othello. These fantastic artists sat down with us and shared some inspired insight and brilliant ideas regarding this iconic Shakespearean drama. So be sure that you tune in and get your tickets now for this fantastic production!Atlas Shakespeare Company Presents OthelloJune 16th-28th@ The Abrons Arts Center Tickets and more information are available at abronsartscenter.org And be sure to follow our guests to stay up to date on all their upcoming projects and productions: atlasshakespearecompany.com@atlasshakespeare@shroomerhasitleah-schwartz.com@_itsjustleah_williamoliverwatkins.com@wowatkings

Lorien McKenna is joined by Co-Creator and showrunner of the hit Netflix Series Nemesis. Courtney talks about seeing her protagonists in ACTION, how she created worthy adversaries, and how the pilot really is the show. Courtney adores Shakespeare and highlights how season 6 of her first smash hit, Power is as she says "Richard The Third". A fabulous episode filled with incredible inspiration for new and emerging writers. Looking for more support on your writing journey? Join Meg and Lorien inside ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TSL Workshops⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Episode Links: Check out the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TSL merch shop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TSL on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Screenwriting Life is produced and edited by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alex Alcheh.⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Sibling Rivalry, Bob and Monét welcome Susan Heyward to the show. Susan talks about preparing to play Sister Sage on The Boys, how it felt telling a story that mirrors current events, and reveals who she thinks is the hottest guy on the show. They discuss her work on stage, performing with Cicely Tyson, her memories of Orange Is the New Black, and the survival jobs she worked in New York before making it as an actor. They also get into favorite fast food, horror movies, karaoke songs, dream acting collaborators, and whether Little Shop of Horrors has Shakespearean roots. Rula patients typically pay $15 per session when using insurance. Connect with quality therapists and mental health experts who specialize in you at https://www.rula.com/RIVALRY #rulapod Take the first step. Visit WaldenU.edu.  If you're struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/rivalry  Book your next stay on Airbnb! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Adrian Chiles with a pop star, a comedian and a writer, but there's a lot more to each of them than that.Tom Fletcher was starring on the West End stage at the age of 10. 30 years later he's been back there writing the music for Paddington - The Musical. In between he's squeezed in popstardom with the hugely successful band McFly. Bethany Handley grew up loving life in the great outdoors of Monmouthshire and she has written a memoir, My Body is a Meadow: Finding Freedom in the Outdoors.And with Russell Kane there's an awful lot going on. Terrifyingly clever, award-winning comedian, writer, children's book author and now Shakespearean actor. Producer: Gareth Nelson-Davies Assistant Producers: Ribika Moktan and Sofia Popova Production co-ordinator: Josie Hardy Editor: Andrea Kennedy

St. Louis Shakespeare Festival's fast-moving production of "The Tempest" in Forest Park sets the story to the tune of sea chanteys and folk songs, performed live on two stages. As St. Louis Public Radio's Jeremy Goodwin reports, the production evokes the magic encountered by its characters … with music.

Jeremy and Chris pull back the curtain on one of the most dynamic "new gods", Scott Free, aka, Mister Miracle. A unique character created by Jack Kirby while at DC, this escape artist by trade, and extra powerful extra-terrestrial by birth, Mister Miracle has an almost Shakespearean backstory. He's got the responsibilities of a powerful world warring general, with a relatable desire for a normal family life. We cover his origin, publication history, reading recommendations, adaptations, and of course a fun "what-if" question. You'd be a fool to escape listening to this one If you want to connect even more, you can join our Discord where we have a dedicated channel just for the book club! Come join in on the fun by clicking the link right HERE! You have a super-power, too! You can write a REVIEW! A five star review on Apple Podcasts goes a long way and helps get the word out. Leave a comment so we can say thanks! We read EVERY one!   Join our Patreon for exclusive bonus content! You can support the show at https://www.patreon.com/ComicBookKeepers We have merchandise in the store with our Cosplay Logo! Get yours here! https://comicbookkeepers.threadless.com/designs/comic-book-keepers-cosplay-logo/heroes/t-shirt/regular?variation=front&color=royal_blue Comic Book Keepers is hosted by the Geekly Grind. Check out reviews and discussion on everything Geeky from Anime, Manga, Boardgames, comics, and more. www.thegeeklygrind.comsdThe Geekly Grind @thegeeklygrind Link tree: https://linktr.ee/CBKcast Social media: Twitter @cbkcast Instagram @cbkcast

Gunsmoke - Shakespeare - Cowboy Classics Old Time Radio WesternsJoin our Community - Linktree: https://linktr.ee/mysterytheaterChristian Basics Foundation in Faith: Available on AmazonThe Gunsmoke radio episode titled "Shakespeare" originally aired on August 23, 1952 (Episode 18). In this story, Marshal Matt Dillon finds an eccentric Shakespearean actor stranded in the Kansas wilderness alongside a dead body. The episode brilliantly contrasts the gritty, harsh reality of the 1870s frontier with grand theatrical quotes. Welcome to Cowboy Classics, your ultimate destination for the best Old Time Radio Shows featuring classic Westerns. Our podcast takes you back to the Golden Age of Radio, when the American frontier was the Wild West, and adventures were the norm. Join us as we saddle up and ride off into the sunset with vintage radio shows that feature the rugged and daring heroes of the West. Immerse yourself in the nostalgic entertainment of Retro Audio and Vintage Drama, which have captivated audiences for generations. Relive the glory days of OTR Podcasts and the iconic characters of cowboy fiction such as John Wayne, Roy Rogers, Gene Autry, Hopalong Cassidy, and the Lone Ranger. So, sit back, relax, and enjoy the wild ride with Cowboy Classics, the home of the greatest Westerns on Old Time Radio!Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Steve Schmidt returns to the Daily Beast Podcast with a blistering warning about Donald Trump's unraveling grip on power, the Republican Party's “Shakespearean” collapse into cowardice, and why he believes MAGA is heading toward a political wipeout. In a conversation that ricochets from the Epstein files to the future of American democracy, Schmidt tears into GOP leaders he says have “lashed themselves to the mast,” predicts a brutal reckoning in 2028, and unleashes a stunning critique of John Fetterman, calling the Pennsylvania senator unfit for office after his stroke and accusing Fox News of psychologically manipulating him in public. Schmidt also paints a deeply alarming picture of America's standing abroad, arguing the U.S. is already losing a hidden war with Iran while Trump drifts toward another dangerous foreign adventure in Cuba, all as gas prices soar and public frustration boils over. Schmidt then turns his fire on Jeff Bezos and the billionaire class he says chose submission over resistance, framing this political era not just as a fight over power, but as a historic test of national character that future generations will study with disbelief. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Chaz, Wolfy, Scott, Corey, and special guest Heath McCoy return once more to the crumbling, smoke-covered battlefield of Regarding Music from The Elder—this time under the banner of “The Oath.”And fittingly, absolutely nobody emerges emotionally intact.What begins with discussions of “minimal editing,” accidental hot mics, and Boneless-grade production recklessness quickly spirals into one of the season's most cinematic chapters yet: a full-scale supernatural reckoning involving telekinetic executions, airborne corpses, emotionally compromised heroes, collapsing belief systems, and enough purple energy blasts to bankrupt a mid-1980s special effects department.Scott unveils the latest section of the ever-mutating Elder screenplay project, pushing the story fully into dark fantasy opera territory as Mr. Blackwell unleashes absolute devastation across the battlefield while Corey—bloodied, broken, and spiritually unraveling—comes face to face with the horrifying realization that maybe the Order of the Rose isn't quite the noble institution everybody hoped it was.Turns out “The Oath” may not be about loyalty at all.It may be about what happens after loyalty curdles into resentment, manipulation, sacrifice, and generational trauma.Fun stuff.Meanwhile, Heath McCoy settles comfortably into the chaos as the panel collectively realizes they are no longer “doing a funny podcast about a weird KISS album.” They are now actively constructing a sprawling metaphysical war saga where Gene Simmons has somehow become a grief-stricken telekinetic warlord delivering Shakespearean monologues through clouds of black smoke.And then…because this season refuses to obey natural law…Kevin Brown materializes out of nowhere.What follows is one of the most unexpectedly beautiful moments of the entire series as Kevin delivers a theatrical reinterpretation of “A World Without Heroes,” transforming the panel from wisecracking commentators into genuinely stunned spectators. Comparisons fly somewhere between Daryl Hall, Broadway rock opera, and “the version KISS maybe should've recorded in the first place.”Naturally, this leads directly into debates about Tommy, Quadrophenia, The Wall, theatrical ambition, and the creeping realization that Music from The Elder might actually have worked if the band had leaned harder into the weirdness instead of recoiling from it in terror.Because if “The Oath” teaches us anything, it's this:Once you swear yourself to the bit…there is no safe way back out.Featuring:Mr. Blackwell going full cosmic vengeance demonCorey enduring approximately seventeen separate emotional breakdownsA battlefield sequence with enough destruction to qualify as progressive rock BraveheartKevin Brown unexpectedly stealing the entire episode with one songHeath McCoy calmly observing the collapse of reality in real timeTHIS WEEK'S SONG:“The Oath” — KISSFINAL VERDICT:Not a discussion of The Elder.An oath-bound descent into full-blown mythological podcast theater.The ShowIn this season of Regarding…, the panel tackles KISS's Music From The Elder one song at a time—testing whether its epic ambition holds up under scrutiny. Alongside the analysis, Scott D. Monroe's original screenplay tries to turn the album's abstract mythology into an actual story.Ambition meets accountability.GO BONELESSCertified boneless in the state of Ohio by the Boneless Podcasting Network. Go Boneless. Boneless Makes a Better Podcast. Hosted on Acast. See acast.com/privacy for more information.

Steve Schmidt joins "The Daily Beast Podcast" with Joanna Coles once again with a blistering warning about Donald Trump’s unraveling grip on power, the Republican Party’s “Shakespearean” collapse into cowardice, and why he believes MAGA is heading toward a political wipeout. In a conversation that ricochets from the Epstein files to the future of American democracy, Schmidt tears into GOP leaders he says have “lashed themselves to the mast,” predicts a brutal reckoning in 2028, and unleashes a stunning critique of John Fetterman, calling the Pennsylvania senator unfit for office after his stroke and accusing Fox News of psychologically manipulating him in public. Schmidt also paints a deeply alarming picture of America’s standing abroad, arguing the U.S. is already losing a hidden war with Iran while Trump drifts toward another dangerous foreign adventure in Cuba, all as gas prices soar and public frustration boils over. Schmidt then turns his fire on Jeff Bezos and the billionaire class he says chose submission over resistance, framing this political era not just as a fight over power, but as a historic test of national character that future generations will study with disbelief. Support The Warning and become a YouTube member today! https://www.youtube.com/@UC2I50t9-7Ol7AjwryRv-Fiw Today's Merch: Tear Down This Ballroom https://thewarningwithsteveschmidt.com/products/tear-down-this-ballroom-tee SUBSCRIBE for more and follow me here: Substack: https://steveschmidt.substack.com/subscribe Store: https://thewarningwithsteveschmidt.com/ Bluesky: https://bsky.app/profile/thewarningses.bsky.social Facebook: https://www.facebook.com/SteveSchmidtSES/ TikTok: https://www.tiktok.com/@thewarningses Instagram: https://www.instagram.com/thewarningses/ X: https://x.com/SteveSchmidtSES See omnystudio.com/listener for privacy information.

Kirsty Lang on Michael Pennington, the Shakespearean actor who preferred a life on stage to the glamour of Hollywood. For Dame Judi Dench, he was her 'Mr Plum', she recalls his life.Cynthia Shange defied apartheid to become the first Black woman to represent South Africa at Miss World. Scott Hastings the rugby legend, who was once Scotland's most capped player. He went on to become a well-known commentator and campaigner for mental health charities, following the death of his wife after her long battle with depression. And Beverley Martyn, the singer songwriter, a star of the British folk scene, who was signed by Beatles producer George Martin aged 16, but her career was not a smooth ride. Please note this programme references suicide. Support and information is available at bbc.co.uk/actionline.Interviewee: Dame Judi Dench Interviewee: Nonhle Thema Interviewee: John Beattie Interviewee: Joe BoydProducer: Catherine Powell Assistant Producer: Ribika Moktan Researcher: Jesse Edwards Editor: Andrea KennedyArchive: Miss World 1972. BBC TV, 01 Dec 1972; Bob Harris Sunday : Beverley Martyn plays live, BBC Radio 2, 27th April 2014; Five Nations, Rugby Union, Scotland v England, 17th March 1990; Scrum V, Live Pro12: 2016/2017, Edinburgh v Blues, 24th Feb 2017; BBC News Breakfast, 21st Dec 2020; Richard II, writer William Shakespeare, dir Gregory Doran, Royal Shakespeare Company, 2013; Gift of Gorgon, writer Peter Shaffer, dir Peter Hall, RSC, 1993; Henry V, dir Michael Bogdanov, The English Shakespeare Company in The War of the Roses, Produced by John Paul Chapple and Andy Ward, A Portman Classics production in association with Contracts International and Windmill Lane Productions, 1990

Antoni Cimolino is beginning his final season as the artistic director of Ontario's Stratford Festival, the largest repertory theatre company in North America. Antoni started working at Stratford as an actor in 1988, eventually becoming a director at the festival, and then moving up to the role of artistic director in 2012. He joins Tom to talk about his life in theatre, the challenges he's faced along the way, and why he's chosen The Tempest as his Shakespearean swan song.

Today, we hear about a sport for blind athletes that relies on only hearing and touch to play. Emboldening athletes on and off the court with goalball. Then, a local playwright questions if Shakespeare actually wrote the literature credited to him. Plus, a Bay Area Author reads from his new YA novel. 

Text us your wine questions, craziest wine experiences, or if you just have a comment for us. . Two wineries, both alike in dignity,In fair Okanagan, where we lay our scene,From ancient ground break to new maturity,Where civil grapes make civil presses unclean.Where are we going with this Shakespearean dibble dabble? Jesse and Luke are joined by special guest Jennifer Tocher with a very unique blind tasting of two wines made from the same Washington vineyard by two different Okanagan wineries. Will the wine making techniques alter the terroir's tale? Will they make us say, "Oh!" or else it be a tale of woe?Welcome to the Sipsters Podcast! Thank you for listening to the Sipster's Podcast. Find us online at sipsters.ca. Support the showPurchase copies of “The Sipsters Pocket Guides” here!Support Sipsters by subscribing!Contact me at sipsterswinepodcast@gmail.com!Read Sipster's ICONS (Because sometimes more IS more.)Find me online at sipsters.ca or lukewhittall.comThanks again for listening!

One small step into the wrong classroom becomes a giant leap into a new life as a Shakespearean actor. That's how Jacob Ming-Trent tells it in his remarkable one-man tour-de-force, How Shakespeare Saved My Life. As the Folger prepares to welcome How Shakespeare Saved My Life to the stage this June, Ming-Trent joins us to delve deeper into his story. Ming-Trent is no stranger to the Folger stage, having previously presented How Shakespeare Saved My Life at the 2024 Reading Room Festival and portrayed Nick Bottom in A Midsummer Night's Dream in 2022. A multitalented stage and screen actor, he has appeared in Broadway musicals from Gypsy to Shrek, television series like Watchmen and Ray Donovan, and films including The Forty-Year-Old Version and Friendship. In this episode, Ming-Trent presents Shakespeare as an urban poet in the vein of Tupac and Biggie. He breaks down the inspiration behind How Shakespeare Saved My Life and how he brings his own experience to his interpretation of Shakespeare's words, rearranging and reframing them to create something uniquely personal.

The panel discusses the concluding act and scene of the play, with special attention to the linguistic wordplay and the Shakespearean critique of players, audiences, and critics alike in the both the play-within-a-play device and in Puck's epilogue.

Critics Ben Luke and Aviva Dautch bring us all the news from The Venice Biennale. Following the death of the great Shakespearean actor Michael Pennington, we speak to former RSC Director Gregory Doran about his impact on the stage. A new small exhibition Elizabeth I: Queen and Court Is running in London. It includes rarely seen portraits of The Virgin Queen that are normally held in private collections. Historians Tracy Borman and Siobhan Clarke join Tom to talk about the crossover between portraits and propaganda for 16th century monarchs Hilary Mantel's controversial 2015 short story, The Assassination of Margaret Thatcher, has been adapted for stage at the Liverpool Everyman Theatre. We speak to playwright Alexandra Wood about why she chose to re-tell this story now.Presenter: Tom Sutcliffe

What does it take to carry Shakespeare across languages — not just his plots and his characters, but the very heartbeat of his verse? Today I'm speaking with Daniel Hahn, one of the most celebrated literary translators working today.With several works to his credit, he has translated fiction, nonfiction, children's books, and plays from across Europe, Africa, and the Americas. He is the recipient of the Independent Foreign Fiction Prize, the International Dublin Literary Award, the Blue Peter Book Award, and the 2023 Ottaway Award for the Promotion of International Literature. In 2020, he was appointed an OBE for his services to literature.Daniel's new book, If This Be Magic: The Unlikely Art of Shakespeare in Translation, is part love letter, part close reading, and part globe-trotting investigation — one that took him from Budapest theatre seats to Zoom calls with translators working in everything from Swahili to Bangla. It's a book that asks: when you change everything, can you still keep everything?published in April 2026 - If This Be Magic: The Unlikely Art of Shakespeare in Translation by Daniel Hahn is a non-fiction book exploring how Shakespeare's plays are translated, adapted, and re-imagined for global audiences. It investigates the challenges of translating Shakespearean language, wordplay, and poetry across different cultures and languages.If you enjoy Harshaneeyam Podcast please follow the show on Apple, Spotify, or your favourite podcasting platform and leave a review for us. It will help truly help us; and don't forget to Share our podcast link with your other friends who enjoy similar content.To help us provide even more value, using the link given below in the show notes to complete our brief Listener Survey. Your feedback is the secret ingredient that helps us improve and create content tailored to your interests!https://www.harshaneeyam.com/survey/Listener/* Please complete Harshaneeyam Listener Survey using the above link.It would be lovely to have your feedback.***Disclaimer: The views and opinions expressed by Interviewees in interviews conducted by Harshaneeyam Podcast are those of the Interviewees and do not necessarily reflect the official policy or position of Harshaneeyam Podcast. Any content provided by Interviewees is of their opinion and is not intended to malign any religion, ethnic group, club, organization, company, individual, or anyone or anything.This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

Prince Andrew is the ultimate cautionary tale of wasted privilege. He was born with every advantage imaginable—castles, titles, taxpayer-funded luxury, and a job description so easy it bordered on parody: wave, cut ribbons, attend parades, and stay out of scandal. That's all it would have taken to coast quietly into old age as a harmless relic of the monarchy. But instead, Andrew chose arrogance, sleaze, and stupidity. From clinging to Jeffrey Epstein after his conviction, to babbling about sweat conditions and Pizza Express alibis on Newsnight, to humiliating himself with excuses that became memes, he torched his reputation with breathtaking incompetence. Where A Bronx Tale's Sonny mourned wasted talent, Andrew embodies wasted privilege—proving that even the most cushioned life can collapse when handled by a fool.Now stripped of duties and titles, Andrew haunts royal estates like a ghost, exiled by the very institution built to protect him. He isn't remembered as a naval officer, a duke, or even “the Queen's favorite son”—he's remembered as a global punchline. His disgrace isn't Shakespearean tragedy but slapstick farce: a man who could have lived in effortless dignity but instead chose degeneracy and delusion. His legacy is forever tied to sweatless denials, pizza defenses, and the Epstein scandal—his crown of privilege melted down into a crown of mockery.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

Anthony and Joe are back to break down this weekend's WWE Backlash: Tampa premium live event! With the dust settling from WrestleMania 42, the guys give their official predictions for the entire five-match card.Can Jacob Fatu dethrone the "cry bully" Original Tribal Chief, Roman Reigns, for the World Heavyweight Championship? Anthony and Joe dive into the Shakespearean drama of the Asuka vs. Iyo Sky clash, predict the fallout of Seth Rollins finally getting his hands on Bron Breakker, and debate who will walk out with the United States Title in the Trick Williams vs. Sami Zayn rematch. Plus, the guys throw out their wild guesses for who will step up as Danhausen's mystery tag partner against The Miz and Kit Wilson.Tune in for the Backlash booking theories, match predictions, and the usual Wrestling Soup chaos!Become a supporter of this podcast: https://www.spreaker.com/podcast/wrestling-soup--1425249/support.

0:00 – Intro / Raw Review: Asuka and Iyo Sky's "Shakespearean" mist segment7:30 – Roman Reigns' "cry bully" babyface promo and The Usos' return14:45 – Judgment Day rushed booking: Roxanne Perez hits Finn Balor with a hammer20:10 – The wrestling was good, but Seth Rollins' "I don't trust me" promo was terrible24:20 – Joe Hendry confronts Seth Rollins / Logan Paul conspiracy theories28:50 – Rumored 50% pay cuts for undercard talent vs. massive TKO executive raises37:10 – Exploring The New Day's contract buyout and Edge's AEW run44:20 – Match of the night: Otis and Tozawa stepping up to Oba Femi52:15 – Sol Ruca's botched debut against Becky Lynch and the Tiffany Stratton fallout59:30 – WrestleMania merch sales realities and Backlash previewBecome a supporter of this podcast: https://www.spreaker.com/podcast/wrestling-soup--1425249/support.

When his eighteen-year-old twin brother Anh gets into a drunken fight at a party, Trung stabs his attacker. San Jose police place both identical twins in a lineup, and witnesses mistakenly say Anh was the one who delivered the fatal blow…a mistake neither brother cares to correct. Their silence was born from their intense fraternal bond, as well as being Vietnamese immigrants in street gangs where snitching is a dangerous proposition. But Anh's resentment festers as Trung's guilt for his actions grows. Will one of them spit out the truth or will they both swallow a lie? In the podcast “Blood Will Tell” from Wondery and Campside Media, host Jen Miller frames Trung and Anh's story in Shakespearean terms, a tragedy about how far someone will go to protect a loved one. As the brothers recount their life stories and explain their actions, Miller eventually gets the two to address the consequences of their decisions on their brotherly bond. OUR SPOILER-FREE REVIEWS OF "BLOOD WILL TELL" BEGIN IN THE FINAL 10 MINUTES OF THE EPISODE. For exclusive podcasts and more, sign up at Patreon.Sign up for our newsletter at crimewriterson.com.This show was recorded in The Caitlin Rogers Project Studio. Click to find out more. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This weekend, we’ve got one movie Em couldn’t finish… and one we’ve been counting down to for years.First, a chilling new thriller set frighteningly close to home, where a solo wilderness trip turns into a full-blown nightmare. Think high-stakes survival, a relentless predator, and the kind of tension that will have you questioning every outdoor plan you’ve ever made.Then, the sequel that’s been decades in the making has finally arrived — and yes, we have thoughts. From long-awaited reunions and career shake-ups to shocking betrayals and emotional moments that genuinely land, we break down what works, what doesn’t, and whether it lives up to the legacy.Test your knowledge with our Devil Wears Prada quiz here and let us know how you go! Remember The Spill drops the tea twice a day in this feed so follow us for all the latest entertainment news… OR you can WATCH our show in full length video on the Apple Podcast app - make sure your phone is up to date and enjoy the watch! Link here. THE END BITS Find and follow us on socials: Instagram: https://www.instagram.com/thespillpodcast/ TikTok: https://www.tiktok.com/@thespillpod Facebook: https://www.facebook.com/thespillpodcast/ Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/ Read more weekly watch recommendations from the Mamamia entertainment team here. Support Independent Women’s Media: https://www.mamamia.com.au/subscribe/ Your subscription helps us continue to tell the stories that matter to women. Want to join the conversation? Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP! Executive Producer: Monisha Iswaran Audio & Video Producer: Michael Kean Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast. You're listening to a MoMA mea podcast from Mamma Mia. Welcome to this spill your daily pop culture fix. I'm Laura Brandy and I'm Vernon, and welcome to Weekend Weekend, where we talk about the best new TV shows and movies that have just dropped this week. Although this week we have two movie recommendations for you to Buzzy movie recommendation. 00:31Speaker 2 Sorry, we need to correct that we have a movie and a half recommendation. 00:34Speaker 1 Okay, I'm already off you for just saying that. A half recommendation Emily Treesman and what do you. 00:41Speaker 2 Mean, guys? I tried really hard. So the movie I'm recommending is called Apex. Yes, it is on Netflix and it stars Charlie Theron and Taron Egerton. This movie is a horror suspense movie in the wilderness. It is so scary. I've only watched half of it. 01:03Speaker 1 Are you serious? 01:04Speaker 2 It's so scared. 01:05Speaker 1 It's okay, But also I just want people to take that with a grade of salt, because you're a scared cat. 01:09Speaker 2 I'm like, you're easily scared, easily scared, but this one just reached a whole new level. 01:15Speaker 1 I don't know what it is. 01:16Speaker 2 Maybe it's a type of horror that I am scared of, which I've only just established from watching this movie. Anyway, I'll let you know what the movie is about. 01:24Speaker 1 Please do so. 01:25Speaker 2 Charlie's Theron plays. This happens in the first few minutes of the film, so I feel like I can say, ye say it. She's like an adrenaline junkie. Yeah, she's like loves rock climbing. She's like one of those dar devil kind of people. And both her and her partner are in the like early early stages of the movie, so this is not a spoiler. They're climbing up this mountain and he falls to his death. 01:46Speaker 1 Okay, just so you know, every climbing adventure movie starts like that. 01:50Speaker 2 Yeah, yeah, yeah, it sets up her as a person. 01:53Speaker 1 Yeah, exactly every movie I've watched about people being like dare devil junkies climbing blah blah blah. Yeah, like for that movie where they're it's on top of the tower and there has to climb up death at the start. Also, yeah, every every kind of climber, you have to. 02:05Speaker 2 Figure out the main character's purpose. 02:07Speaker 1 Yeah, you need to know the steaks straight away. Because all of a sudden, you're just like, this is so dangerous, people are gonna diet. It makes you And also, can I say nothing is more terrifying than watching on screen someone accidentally fall to their death because you can feel it. I don't find it like a like a like my hands. And it's the type of the it's the type of horror that I can't get around. Yeah, it is so scary because it's so rare. You're so worried that one day you might And you famously don't love the outdoors. You don't love activities, You don't love anything that would put you at a great height. 02:35Speaker 2 Why why hate nature? 02:36Speaker 1 Yeah no, why not famously hate nature? Hate adventures? So why do you think you'd find yourself in the situation that you would be climbing a great like mountain or something. 02:45Speaker 2 I'll tell you why, because this movie is set in the blue mountains. 02:48Speaker 1 Yeah, it's way to Also, if she was doing it with her partner, you're like, of course that's gonna happen to you. If you go on a date with someone that let's go climb a mountain, You're like, okay. 02:58Speaker 2 God, you'll never catch me with someone like that. 03:01Speaker 1 Oh see, I think it'd be a fun day. 03:02Speaker 2 I can immediately suss out on dating apps who the adrenaline junkies are in the men that I match with, and it's an immediate I can't shite past s, white past I can't do it. I can't do it. I am not an adventurous woman. 03:14Speaker 1 So this is set in the Blue Mountains, right, And can I just say, we're only just getting over Australia's like pr problem of the whole Wolf Creek situation where for years people were just like because obviously that's about that's based on a true story of a man in the outback who hunted and killed backpackers and those movies and the TV show are so gruesome. 03:32Speaker 2 Well I think they learned from that. So it's not actually like mentioned that it is the Blue mass if they made up like some fictional like national park. But it was very it's very clearly the Blue Mountains, and we all know that they filmed in the Blue Mountains. 03:45Speaker 1 People know it's in Australia. 03:46Speaker 2 Yes, it's very because Taron Egerton has a very Bogan accent and it's a very well done Bogen action. 03:53Speaker 1 We we love a stereotype when it hits. 03:55Speaker 2 Yes, it is, that's what it works so good, to the point where I was like, I forgot he was Australian. Then I was like, but he's not. He's very British. It's very British man anyway. So yeah, Charlie's husband dies. She now goes traveling to Australia to do this like long long nature walk. It's giving Wild, Yeah, it's giving cake. 04:16Speaker 1 It's giving Reese with a spoon, like trudging along a long. 04:19Speaker 2 Path with a backpack, except a man is hunting her. 04:22Speaker 1 Yeah, and you know what, Wild could have used that infusion of a bit of drama. 04:26Speaker 2 It's like, let's hurry it up, let's speed it on, walk faster Reese. So it's basically about Charlie. He's like going through the Blue Mountains while being hunted by a man, hence Apex. It is so scary because it's so real. 04:41Speaker 1 Oh okay, it just feels real, Yeah, because the fantasy element or anything like that to it, Like it's just an evil man doing evil thing, and it's all about. 04:50Speaker 2 Like women like exploring on their own and how are reminded that we can't do that? 04:54Speaker 1 Oh okay, well yeah, exactly that's everyone's biggest fear when they go out on these things. It's like, again, I love that. 04:59Speaker 2 I can't even walk to me corner shop at nine pm because you're so scared. This movie has blindlessly the spirit. 05:04Speaker 1 A woman is literally out in nature by herself, doing dangerous things, and the most dangerous thing is still a miss, it's still a man. Well that you should have just got a bear in there and called it a day. 05:14Speaker 2 The bear would have actually helped her movie Cocaine bear. That would have been a great bed to have. Anyway, It's so scary, but it's so good. And the filming of the actual like scenes of like the walkthrough of the bush and like her in the river and like getting like thrown over in the kayak is like so like so scary. It's so so well done. It doesn't feel any like it's a proper film. It's not like anything cgi at all. It's just done really well. Her acting is amazing. His acting is amazing. We already would have known that. But it's just one of those movies if you are like an adrenaline junkie or you love like that kind of like suspense horror of like will he catch her. Won't he catch her? 05:54Speaker 1 Then? 05:54Speaker 2 This is like the kind of movie for you. You're on the edge of your seat. You're like sweating through the whole thing. 05:58Speaker 1 And how shary, isn't it? Because she's a good action stuff. 06:01Speaker 2 She is so good. She comes across like the good thing about her being in this film is that it's not I feel like if it was a different actress, that could have gone the way of like the poor woman can't get away, Like she's so small and fragile, she can't escape this. She comes across as like a badass in this film, Like it's not like Damsel in distress. It's very much like you can do it, you can make it out like she's so strong. I think that's also the premise of the film. And in that beginning scene, you know she is like well experienced in this world. So it's nothing like, oh my god, I don't know what to do. I don't know how to fire a gun, I don't know what to do. It's like very much like she can do this, she can do this. We're backing her. She's gonna win, okay. Taron Egerton so scary. 06:40Speaker 1 So scary. That's complicated for you because you love. 06:44Speaker 2 Him, she's so and he's like been in an Australia bondai watching the paparazzi photos, pretending it's. 06:50Speaker 1 Filming or horror. Okay, so apex on Netflix. Someone please watch the movie and then tell scaredy Cat Emily the ending. 06:58Speaker 2 Oh my god, yes, and tell me where if you can. I'm not wearing the Blue Mountains. I did the filming. I don't want to go there. 07:02Speaker 1 Don't you want to go there and take a picture. 07:04Speaker 2 I don't want to avoid that. They at all casts. 07:07Speaker 1 Okay. I can't believe this day has finally come. The build up to this for years. But also I feel like I have been living this movie the last month or so, at least because I traveled overseas into the cast. I've written multiple articles about it, We've released multiple videos and podcasts. And what will I do with my life? 07:28Speaker 2 It is that true? What? What are your plans? I don't know. 07:30Speaker 1 There's just darkness. There's just dark. 07:32Speaker 2 Take up a hobby, maybe go go bushwalking in the Blue Mountains. 07:35Speaker 1 I call you. I'm like, okay, I tried to be Telly's throw and I'm hanging from a mountain. What do I do of course, I'm talking about the fact that the devil weares prior to to is finally in cinemas. 07:48Speaker 2 You are here to help us through our current scandal, but I did not hire you, and all I need to do is my time until you've failed what you check the train do. 07:59Speaker 1 I'm going to make something of this job. You could write a book, The Definitive Miranda Priestley Expose Sindy. We did that. 08:08Speaker 2 The Brunello Cucinelli pants. Love those, and you definitely need an embroidered two piece to tam set, but not the terra cotta. Because you're so pale. 08:20Speaker 1 So. 08:22Speaker 2 Jealous that you watch it, I have such fomo. If you've listened to our episode where we talked about your interviews, I said I was saving to watch it with my mum, which I'm doing this Sunday. It's only a few days away. I was so jealous because you and a lot of the team got to watch it. You went to the Sydney premiere for it. Was it on the Tuesday, Yes, it was on the Tuesdays. 08:44Speaker 1 It was the very fans. 08:45Speaker 2 This has been a very long week for me space It's. 08:47Speaker 1 Been a lot. Yes, it was very fancy premiere at the State Theater. It was all done with the iconic red Devil Wears shoe. The champagne was flowing. They had like Devil Wears prior to like customized coke can give back some. 08:59Speaker 2 Of you didn't bring me back? 09:00Speaker 1 Oh my god, actually said, I didn't break myself back. But actually I'm why. I'm really sad that you're there. Just as a quick note is that you know how normally at the State Theater to line up, you line up along the street and it's chaos. And this time I was like, oh, there's no line, this is great. No, the line was down a back alleyway, so every person moved there and I saw like really famous people, like people have had huge TV shows overseas, like Australian influences, like Australian actorssh stars. No, I didn't see Practice Brummel here, who's obviously in the movie. No, No, I'm assuming that they didn't make him. We had to go all line up at an alleyway and at one point you're standing next to bins and barbed wire, and I was like, our jobs are so bad. 09:38Speaker 2 As Miranda would have won it. 09:39Speaker 1 Yeah, exactly, I have everyone being like this is us at the Devil was problem. No, it was so fun to see in a cinema because obviously, despite the fact that I interviewed the cast, I've written about it and done all these podcasts, I hadn't actually seen the full movie until that night because it was kept under lock and key. So now that I've seen the full thing. 09:55Speaker 2 I'm like, God, do you think I love it? Did you love it? 09:58Speaker 1 I liked it so and that's really high praise love. No, no, no, I loved I loved parts of it. I'm not even exaggerating, Like, here's the thing about the Devil weares prior too so so much to say. So it does pick up twenty years after the original, and again this is this is spoiler free because Emily hasn't seen it. I wouldn't do that to you, so don't you guys worry. So obviously we find Andy Sack. She's back in New York. She looks at the fact that she's been living overseas for many years and she's fulfilled her dream of becoming a serious journalist. But then that job gets ripped away from her and I won't say why, but it's very upsetting and sad. And also can I just say PSA to anyone who works in the media industry, This movie is very sober. You're like, oh, I should find another job just in something, but I have no other skills. 10:43Speaker 2 This is the one thing. 10:44Speaker 1 What do I do? So there's that. And at the same time, Miranda is still at Runway Magazine where she is the editor in chief, but she's up for a really big promotion. But the promotion yeah to like with a lives Clark, which is the publishing house, Like still be at Runway, but be like a drive kind of like how Adam Wintaur is now like still the Bosses, but now the overseeral of all the Conde Nast kind of products and things. But then a huge scandal breaks and Miranda and Runway face cancelation and also what will become of her promotion? Yeah, so the states could not be higher. Nigel, obviously played by the incredible Stanley Tucci, is still at Runway Magazine, still the fashion editor, but because of the way media has gone, now his fashion empire, I think I wrote in my review his fashion closet is now a cutlery draw, as in, like not a physical culturally draw, but like the size and the end and stuff. And at the same time, Emily Blunt's character Emily Charleston, is an executive at Deal. But there's a whole backstory there that I shan't get into, so there's a bit of a twist of fate to get it at what I give too much away that Andy ends up back at Runway Magazine as the head of the features department, and then it's this kind of thing of like her having to prove herself to Miranda, save the magazine, save people's careers. And then a lot of the movie also takes place in Italy. Oh yeah, okay, and those things are right switch like Emily, Yeah, They're like, hey, let's do our last season somewhere else. So I will say the best things about it. The original screenwriter, Aleene Broch McKenna, who wrote the first Devil west prit Of movie, is back and out of any movie where it's important to have the original screenwriter, the Devil Wes Prior, I would say is the one that matters the most because the dialogue is such a huroow piece of like the quotable lines, every line exactly, it's like every there's no it's all, it's just so snappy, so smart, so interesting, and so she's penned the sequel script and you can so tell it's exactly the same kind of humor. It's so cutting and interesting and you have these great one liners, so we love that. Of course, the cast are amazing, like watching them step back into these roles, and it's done a way where it doesn't feel jarring and it doesn't feel like you know, sometimes you step back into watching something and it just feels weird, like a lot of people said that with the Gilmore Girls Reboo, that it felt off with the pacing and how they spoke and the delivery and staff, whereas this feels correct. And also it starts so strong like the Devil we is Prota too, Like they jump straight back into the kind of the mix of the drama and you have the four main characters of Emily Blunt, Stanley Tucci, Meryl Streep and Anne Hathaway on screen together very quickly, which was actually a request I found out from Emily Blunt when she read the original script of saying like I don't think we have enough scenes with the core four, and we need one earlier on and that and it doesn't feel like fan service. It just really works and puts you into this world. 13:30Speaker 2 So do we have a lot of montages? You know? I love a montage, really a montage. 13:35Speaker 1 That's the thing. That's the thing. It's not as bring back montages, I know, I bring back makeovers. 13:40Speaker 2 So there's no, there's not and has always the best on montage, no, I know. 13:43Speaker 1 But also because she they explain why she still looks really good and she has nice clothes, like there's a plot point for that. She does get to go into the fashion closet a few times with Stanley tucciin and he pulls or a few things and stuff like that. But I will just say from my untrained fashion eye that the fashion this movie is nowhere near as good as the first. And I give it a little bit of grace because I've been watching the first one for twenty years, so those outfits are burnt into my brain. But I have such a vivid memory of watching The Devil Wes Prita, and every time like a new outfit would come on, you'd be like yeah, yeah, and me going home. And I was like working as a checkout chicken at Kmart in Townsville and I'd like try and like dress like The Devil Wears Pride of characters and it just. 14:20Speaker 2 Like so many movies have taken that, like yeah, montage of the fashion, like coming out of the car door, but then going in the building in a different outfit, and then going into a room and they're in a different outfit, and being at your desk and she's in a different outfit. 14:33Speaker 1 Oh okay, Okay, look, there's great clothes in there, but the clothes don't feel like this incredible character like they did in the first Mate. Okay, I will say, just going back to the good things because I'll get to the bad stuff in a minute. It doesn't feel like a sequel that shouldn't exist, Like it feels like there was more storyless deserve. It feels really deserved, not just because it's so good, but also because The Devil Wears Pritor. When I was really thinking about when I was sitting at my computer writing my review very late last night in this office, I was like, what is it that made this movie so ripe? For the fact that you could make a sequel, despite the fact that it's so beloved, because it's heaps of beloved movies that have released sequels that have not been good and that felt not correct and not needed. But The Devil wes Prator is one of the very few movies that ends on both an ending and a beginning because it ends with Andy leaving going off to forge her career. It ends where Emily is also starting her career. So it kind of it's very natural to wonder what came next because we're seeing the beginning of these women's careers, not the ending. And also Andy was like, she was kind of you getting back together with Nate, but she also was breaking out with him, So it's not like because to make a sequel in general, you often have to break things from the original. You have to break up a happily ever after, you have to end a friendship, you have to bring back a villain to make it work. It's like where people are upset about and just like that with Sex and the City because in order to bring Sex and the City back, they had to break all the things from the finale, and that's why people found it jarring. Whereas Devil we was pritor. It's just like you didn't have to break mething. 16:01Speaker 2 It was very much to be continued. 16:03Speaker 1 Yeah, exactly, and so that's why it feels like it the story is worth it. But also the story and the plot I thought was so great at the end. It has like I would feel like Shakespearean level twists and betrayal. Like a few times I was a gasping. I was like, and she said that, Oh my god, she says, someone says such. We'll talk about this when we do a brially honest review, which mystery. There's a few lines in there. I'm like, that is the meanest thing that anyone has ever said on film, but so but so like needed. There's some really emotional moments in it too, and the emotion didn't feel like, oh, we're just piggybacking off the original like they felt earned in the new movie. So that's all the good stuff. Ten out of ten love recommend see it in the cinema if you can. It kind of peetered a bit in the middle, and I began to get this like kind of sinking feeling in my stomach that The Devil was product had ruined the character of Miranda Priestley, because I felt like it had taken away some of her mystique and some of her the things that made her an iconic character by some times making her look really helpless or making her like giddy and happy. There's the point where she's like in the kitchen of her home, like just like making a drink and like she's chatting away to Andy, and I was like, I feel like I'm watching a female she doesn't do that, but Jed it makes sense later on the movie. It's like in the first movie, how they had to have that scene of her with no makeup where Andy comes upon her. 17:19Speaker 2 You had was that a scene that Meryl Street requested? 17:22Speaker 1 Yeah, they wanted to take it out of the first movie, and she was like, if you don't have that scene of her broken and different, then the movie doesn't work and the charactersn't work. And as I watched this movie, I was like, Oh, we needed those giddy, helpless scenes in the middle. She needed to kind of falter so that when she started flying get at the end, you were like, oh, I get it, I get it. There was that, And also the other thing is like the new character is so great, like somewhere in Ashley Turn Out of Ten, Caleb Haron, Turn Out of Tan, like everyone else so good. There was obviously so much that was shot that had to be cut, Like we've heard about all the cameos and scenes. 17:54Speaker 2 God and ashually wasn't cut. 17:55Speaker 1 Yeah, no, no, she was. Well, I think she'd have a lot more scenes, but obviously they didn't all make it into the movie. Even Meryl Strip told me in our interview that her scenes were cut. 18:02Speaker 2 Yeah, that's right. 18:03Speaker 1 But where I think having so much of the storyline needing to be cut was with Patrick Bramble's character Peter. And he's very charming in it, but it's such a small storyline in the movie, and. 18:16Speaker 2 So he's meant to be like ane Haeway's love and. 18:18Speaker 1 She's only love interest. Yeah, and there's a lot of paparazzi photos of them that came out because he's so hot, really, he's hot, and there's a lot of they became like iconic paparazzi photos of him and Anne Hathaway filming outside in New York and they look so crazy in love and it looked like an old school romance, and we were like like an old school room calm, and everyone's like, oh my god, can't wait to see that. That's one in the movie. Yeah, I just want you to be he's he's in it. He's definitely he's a character, Like he's fine. He hasn't been like he's not he's not Sidney Sweeney, Like he didn't get chopped. Yeah, cameo. But it did feel like that storyline wasn't given enough room to breathe. And I understand why because there was so much plot happening, and you want the plot to be with the four main characters, but then to meet for a little uneven at the end when he and like Anne Hathaway's character were having their big moment, I'm like, you guys are acting off these scenes. You've already shot your head, like. 19:12Speaker 2 They haven't had enough moments to have a big moment. 19:14Speaker 1 Yeah, Like, you guys are acting in the way that your characters spend so much time together, but we as the audience haven't seen that, so we're on the back foot with it a little bit. 19:23Speaker 2 And you don't even know him. 19:25Speaker 1 I was like, wait, is that strange man? But yeah, So that's my only note so on that, I would just say, release the director's cut. I would watch a four hour version of this movie, so easily avenge this. Yeah, bring back director's cuts where we get to see the full thing. So obviously more to say next week when we do a b really honest review and you've seen it, I can't wait to hear what you think. 19:45Speaker 2 I don't wait to watch you with my mum. I just rewatched the original. 19:48Speaker 1 Oh and yeah, per person, So The Devil was prot Of too is out in cinemas now, and stay tuned for. 19:57Speaker 2 If you love the Devil's product. I mean, I've just rewatch the original film. If you're on that same bandwagon and you feel like you know everything about it, we actually have a little gift for you. We have developed a Devil west Prada quiz to test your knowledge on the original film. If you want to give it a go. It is a little bit hard, but I felt like I made it through. I think I got like eighty six percent. 20:18Speaker 1 You thought it was okay? 20:20Speaker 2 Bye, Sorry Devil west Prada. I got of course you did. Anyone gets that you let me more than Emily or an LB. If you want to find out, we'll put a link to the quiz in our show notes. 20:31Speaker 1 We should do a quiz out you got. 20:32Speaker 2 Laura, thank you so much for listening to this episode of the Spill. Don't forget We'll be back this afternoon with a very special Brudleons review about a TV show that both of us are currently obsessed with. The Spill is produced by Minitius Warren with video production by Michael Kaine. 20:50Speaker 1 Bye Bye, Mamma Mia acknowledges the traditional owners of the land. We have recorded this podcast on the Gadigal people of the Orination. We pay our respects to their elders past and present, and extend that respect to all Aboriginal and Torrestrate Islander cultures.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

On today's episode, LA Opera Chorus Director Jeremy Frank welcomes bass-baritone Craig Colclough for a conversation about “Falstaff,” in which Colclough plays the titular role. Learn what Craig's first instrument was, how he feels to see himself on a show banner, and what his first impressions of LA Opera were. Craig and Jeremy also analyze “Falstaff” through a Shakespearean lens, with Craig sharing his personal interpretation of the role he's played for over a decade. “Falstaff” runs now through May 10th on the LA Opera stage. Get your tickets at LAOpera.org.

With The Devil Wears Prada back on the big screen, we've been completely fixated on Andy's transformation from “frumpy” assistant to head-to-toe haute couture. It has sent us straight down a rabbit hole of the greatest makeover sequences cinema has ever given us.Because here's the thing. Yes, they're a little problematic, unhinged in their logic, and we are not even slightly sorry about how much we love them.We're breaking down the most monumental movie makeovers, why they've aged the way they have, and why we completely lose our minds every time the dramatic music plays and the transformation is revealed. Speaking of iconic makeover scenes, listen to our Brutally Honest Review of Clueless here. THE END BITS Find and follow us on socials: Instagram: https://www.instagram.com/thespillpodcast/ TikTok: https://www.tiktok.com/@thespillpod Facebook: https://www.facebook.com/thespillpodcast/ Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/ Support Independent Women’s Media: https://www.mamamia.com.au/subscribe/ Your subscription helps us continue to tell the stories that matter to women. SUBSCRIPTION GIVEAWAY:Win a $2,000 Bed Threads voucher. Subscribe to Mamamia here before April 30 to be automatically entered. Current subscriber? You're already in the draw. T&Cs apply. Want to join the conversation? Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP! Executive Producer: Monisha Iswaran Audio & Video Producer: Michael Kean Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast. From Mama Mia. Welcome to this spill your daily pop culture fixed. I'm Laura Brodneck and I'm Tita Previs, and we have a very special episode for you today, one that I have been dying to do for so long because this is a special interest area of mind. So I'm so glad you're here for my moment that I got to share with you. We are doing the best movie makeover scenes that yes, might be seen as problematic, but we desperately love them. I love them. What do you think they're problematic? Well? I think well, I'm just gonna take my feminist hat off and put it in the corner. I'm gonna actually put it outside the studio, pick it up later on the way out, because I guess these like these movie makeover montages that have become such a big part of in particular romantic comedies. One is obviously we're both going to share our favorite ones. We don't know what the other person's going to say, but I'm assuming you don't have any men on your list, because I don't have any men on my lise. 00:53Speaker 2 You do, I do, But how rare is that it's rare, And that's why exactly exactly exactly. 01:00Speaker 1 So all the makeover scenes in movies, especially wrong cooms, always happen to women, and they always famously go one way. More men should be having makeups. Yeah, let's make it see men, I know. But if you rubits have tried to do that, has it really landed? I just mad it every day? Yeah, oh yeah, yeah, absolutely real mount the Street, let's make them over. I think it's a famous shell queer right. Well, these makeovers always go one way, so that's I think that's where the kind of problematic issue has come over the years is that the woman always comes out, she's always like tenned, she always has like a ton of makeup on, she gets her glasses taken off, even if see without them, always wearing like skimpier clothing. Like it's a very like kind of like sexualized bombshell kind of look that every woman gets made over to in these movies in order to kind of achieve the life that she wants. So if you look at it through that lens, slightly problematic. But we're not doing that today because movie makeover scenes have made up the broke of pop culture for so long, and there's so many movies that are made around these scenes or these ideas, and they were always the scenes that we used in marketing so famously in Suddenly thirty they had like done the script and shot half the movie, and the studio was like looking at the dailies and looking at the script and they're like, you have to put a makeover montage in here for the trailer. Otherwise formula is otherwise we can't sell this movie. What the hell are you doing. So the reason we're doing this today, I do have a reason for this before we get into our picks, is that it is The Devil Wears prior to two week. Yeah, the movie is actually coming out this week on the thirtieth of April, and the first movie has an incredible makeover moment which Andy goes into the fashion closet with nigelnic He pulls a poncho for which we never wear it see her wear. And then that is such a catalyst for the film because it's how we see her lean into her career and how she gets taken seriously, and that we have that incredible montage of all the different looks that she wears down the streets, different coats and hats into the office. You have a favorite one. 03:01Speaker 3 From that montage, all of the looks are always so good, and I think because you do have that contrast for like her own style at the start to all of those looks, like you can't just pick one, and then from there on out it just gets like better and better. 03:15Speaker 1 The fun better and better and better. 03:16Speaker 3 Yeah. 03:16Speaker 1 From that makeover montage we first see her like the green coat means the winner, but also the brown snakeskin coat when she walks into the building, which is how I want to be dressing this season. So off the back of the Devil Wears prior to two cinemas April thirty, we're gonna be sharing with each other our favorite movie makeover moments. Do you want to kick us off? So we haven't shared yet. I don't know what you're gonna say. It's going to be surprise. I'm interesting how a man weaseled his way in there, so like a man. It's like, we have one thing and it's been overly sexualized and made over in movies and then men want to take it away from us. 03:47Speaker 3 So I'm staying on the Anne Hathaway train. 03:49Speaker 2 Oh yeah, and I'm going with Princess Darry It wouldn't be Yes Complete the Makeover Podcast EP if we didn't have this one in there, I feel like it. It's so iconic unless you're living under a rock. Everybody has seen Princess Staris. It's one of my favorite movies growing up. And we follow Mia Thermopolis played by Anne Hathaway, and she finds out that she's actually a princess, which is what I thought was gonna happen to me. I'm still waiting for a letter behind estranged relative in her country. And she pretty much undergoes this whole transformation on her path to becoming a princess, and they enlist a stylists. 04:27Speaker 1 She pretty much just. 04:28Speaker 2 Takes her glasses off, straightens her hair and like has her nails done. 04:32Speaker 1 Like there's really not much more to it. Oh see. I actually think out of all the movie makeover is this one they actually go through quite a drug etiquette, has the etiquette training and that whole thing. But also I think they actually do quite change, Like she looks drastically different. Some makeover segne like you just took off her glasses and put a lipstick on, whereas this one it's like completely like her hair because I think she's got like a crazy wig on when she is playing Mia in the early movies. The glass has always changed things, but the makeup is so intense, the skin sort of stuff. 05:00Speaker 2 How she they pluck her eyebrows, They're like really like whacking those off. But again on the slightly problematic end, because it did really like reinforce you know, curly like frizzy hair being like a little bit messy and untamed, and like, I deep dove into Reddit and there are so many people on the Internet who you know, said how much it really affected them and it led them to like chronically straighten their hair for like ten years. 05:25Speaker 1 Okay, I didn't know there was like the dark side of the Princess Diaries. 05:28Speaker 3 We have Minisha producer Nisha in the studio. 05:31Speaker 2 Who was saying that this had a little bit of an impact on her and her. 05:34Speaker 1 And she never curled her hair again. Wow, No, she has curly hair. She straightens it. No, No, I know, is that right? 05:42Speaker 3 She's nodding, She's she's no. 05:44Speaker 1 I didn't realize that your hair looked like that. Because of the wrath of Anne Hathaway. Wow and Hathaways actually come out recently. Anne Hathaway's commented on Yeah public apology. 05:56Speaker 2 She recently spoke to people off the back of the recent press she's been dewey and shared her one regret from her time on the film. So her natural hair is actually straight, so they had to create that contrast for that makeover scene, that moment, so they gave me a really curly hair. And you know, she has regrets around people thinking that they were saying curly hair is unattractive, which is obviously terrible, and like she says, it was an unintended side effect. It was just in order to make it easier and post and you know, have that massive transformation moment. But it's so significant that it's actually something. Now in twenty twenty six, she's had to come out and dress. 06:32Speaker 1 Oh and no, And can I just say, you don't need to apologize. Do you have curly hair? You'r okay, no, we don't get it. I would love curly hair because I cut my hair all the time because I have dead straight, flat hair. Yeah, And I always feel like I'm the same the unattractive thing. And I would love to have people like especially like in rom com there's some wrong comms, like in How Lose a Guy? In Ten Days, where Kate Hudson's character Andy famously has straight hair, yes, but as she falls in love, her hair goes curly. Have you sadnything online of like girls in love have curly hair? 06:58Speaker 2 Yeah? 06:58Speaker 1 I have, yeah, And I was like, obviously I've been in love because my hair is straight, straight, So you can literally find anything. I'm just gonna say, Anne Hathaway, you don't apologize for that. It's okay. We don't speak on behalf of the curly girls. We well, no, no, I think that that's the fault of the movie, not Anne Hathaway. Yes, yes, And I also think that out of all the things that we have to sort of look at, that that one's okay. I'm not disregarding the feelings of curly head girls. I just don't think Anne Hathaway personally should take on that emotional birth. 07:24Speaker 3 No, it's not for her. She can we forgive you, Anne, it's not you. 07:27Speaker 1 We don't have to five. But that is such a pivotal moment, that scene, because everything about that movie plays and to wish fulfillment, and that is like also the biggest wish for filment as an adult but also as a teenager. That you're just kind of one step away from looking beautiful, that someone could take you in a room and they could do all these things. And also then her life does open up in this crazy way. Yes, because she's become a princess, but also because she looks like this ideal beauty, she becomes popular. Yeah, everybody likes her. The guy shet to like her, and are they're really careful to caveat that he always liked her. 08:00Speaker 2 Yeah, and it wasn't the makeover. Yeah, I was actually really don't do that as much watching it last night. And she just ignores him for like the whole first part of the movie. 08:09Speaker 3 He literally is like, you're attractive, and she just doesn't even like. 08:12Speaker 1 Well, that's the whole thing of these movies, too, is that they pedal this thing that everyone's secretly beautiful they just don't know it. And for a lot of us, and they put me in that category. No, fine, that's fine, there's no there's no little trick of like, if she just took her glasses off, or if she just took her hair out, she would be so beautiful and she just doesn't know it. 08:30Speaker 3 Yeah, I don't wear glasses. What's the next straight. 08:33Speaker 1 I wear my hair on every day. There's no way a man can take out my ponytail, and I'll instantly be beautiful. What is left? So good? Okay, before we move on to my next one. Are you excited for Princess Diaries three? Or you're upset about it? People different came. I'm excited because Princess Diary is too wildly a great movie. All the sequels out there, I think they're both great. 08:52Speaker 2 I think Anne is great, and if she wants to be involved in it, I know she'll want to do it right. 08:57Speaker 1 So super excited. 08:58Speaker 2 It's such a part of my child would I watched that movie rinse and repeat, rinse and repeat. 09:03Speaker 1 It was one of those ones I was always. 09:04Speaker 2 Watching, even the nos Soldier, like, even if it's not better than one and two, I'm here for it. 09:12Speaker 1 Okay, So the movie Makeover I'm going to talk about now. I picked because it has my favorite reveal like When You Had. It has everything it has, like the big reveal, the reaction, the build up, the song, the song choice and maker. I realize every nearly every makeover Picked has an iconic song that sort of had new life in it because of the movie moment and this is an iconic comedy from the year two thousand, a great year for m comms. Miss Congeniality. Oh oh my god. 09:42Speaker 3 I can't what but like I would have been really really young. 09:46Speaker 1 Okay, you need to watch this is just movies. I just assumed everyone has seen I didn't. I didn't see it. I was like in not pro I was probably in high school. I did even know. Anyway, I didn't see the movies, but I just remember what. It's one of those ones where I just remember, like I know of it. I mean, we're probably had on a VHS and I just watched it over and over and over again. Oh my god. It holds up so well. I mean, no, it's problematic as hell, but that's fine. That's fine. But our feminist is outside. Actually yeah, it's actually out the window. I've thrown it. No, no, it's not problematic, and like, there's actually nothing so super bad in it. They'll just be little things. But anyway, as a movie, ten out of ten holds it so well. You need to watch it. You'll love it. Don't watch the sequel. Okay, the sequel's frodden. Sandra Bullock went through Who is the lead of this movie, Sandra Brook went through a time where she made two really regrettable sequels, Speed Too. I don't watch that. I never watch I've loved Speed Speed. Yeah. The second one, she's on a boat, and even she was like, that was a mistake because the boat. They're like, the boat's going so fast because the boat can go anywhere, because it's a cruise ship. It can't go the world. Yeah, it's fine. And Miss Congenality Too not great, but Miss Congeniality a perfect movie. So Sandra Bullet plays an FBI agent called Graasy Heart, and she's like really schlubby and gross, like yeah, that's the perfect kind of word for her. She wears like an ill fitting, like cheap suit which is always like crinkled, food stained. She's got really frizzed. They really frizzed her hair hair same thing. She's just hair like and she looks terrible. And so there's been a threat against the Miss USA pageant. So a lot of it set in a beauty pageant, and they need someone to go undercover in the pageant as a beauty queen to like stop the threat. And they go. They have this computer program that they go through all the women the FBI, and it renders them what they would look like, which is a bit weird down to think of what they would look like like, what their bodies would look like. And Sandra looks gracy heart is the only one when they like, they think she's like, they think she's ugly, even though it makes a deep fake of them. And I was like, wow, that technology came true twenty years later and we used it for evil. Yeah, and then because not all the boys and Benjamin Bratt plays like one of the FBI agents, true who's like the hot sexy guy friends. It's a real Benjamin Bratt moment in the early two thousands. You might not know because you're a child, but he was like the romantic lead in so many movies and Julia Roberts was madly in love with him and they were getting married and it was a whole thing. So that, yes, this is peak Benjamin Bratt era. That moment passed, We're still in peak Sandra Bullock era, so that moment is still here. So she is the only one that can go under cover, but they're just like, look at her. She's so ugly and she's a mess. And she is also she's like an ultimate tomboy and she doesn't want to do it. So that's the difference too, is that in this movie she is so against she's scene, whereas a lot of other movies women are like, yes, please give me a makeover, which is also fine. So they bring in Michael Caine. Michael Caine one of it. Do you know who my yes is? Okay, you literally shocked, but I'm just thinking of him giving a makeover. Yeah, no, I know, that's why and one of the most like he's such an esteemed serious yea, but he And the thing is this cast. It's like Benjamin Bratt, Sandra Bullock, Candice Bergen, Michael Caine, William Shatner, like all of these incredible actors in this movie. And this is why romcoms works so well then, because this was a huge studio release with all these like Oscar factors, Like we was just a throw away. It wasn't like a throwaway watches on a Friday night in Netflix and forget about it. They like approached this like it was Shakespeare, like these people exactly. They approached it like it was Shakespeare. And that is the way to make a romantic comedy. Anyway. So Gracie Heart then has to they have to bring in Michael Kaine's character, who is like a deportment expert like etiquette, also trains people for the pageants. He's also like a pageant cope, and he is revolted by Gracie Heart when he meets her, absolutely revolted. And the fun thing about it is like nobody just so like he's just literally like this, what is like a cow. She's disgusting, And Sandra Bullock is so good like her physical comedy. Like the first scene is they're meeting together having lunch in a restaurant and he is just looking at her with this intense disgust on his face in a way that only Michael Caine can and she's like ripping into this food and all swapping down her face like with her frizzy with her frizzy hair, the ultimate cry. And Sandra Bullock said that she really leant into really wanting to make Gracy like as unattractive as she could so that the makeover scene paid off. So she was really behind the scenes pushing like no, let's have food in her teeth when like when we first meet her, like let's have like her clothes be kind of really disheveled, like she she walks around really hunched over. And Sandra Bilok also said that it was so funny because it only took like less than an hour in the makeup chair to make her look like Gracy pre makeover, but then she had to spend like three or four hours in the makeup chair for Gracie afterwards, just to even in the scenes where she's just walking around just to look like a normal woman. Yeah, and I was like, I love that. Even Sandra Bulok is like, it takes four hours to make me look like a natural Sandra Bok. So the stakes of this maker is so high because the FBI is involved. They're like, how do we make this ugly woman beautiful? So they get this like literal warehouse, like a huge warehouse, and it's full of like the tanners, the waxes, the beauty maker everywhere is this place. I know, I want to grab me out. Well, this is like that, Like it's so funny because it's like this is what it takes a woman look beautiful. It's like we have the whole FBI army making literally taking over what looks like an army base. That's so fair, like this huge bunker and they go in there and they have to like wax her and tan her and all this stuff, and she's hating and you never see it. And then you see Benjamin Bratt and his like crew on the outside with the plane like waiting to fly her to the pageant to like get her in, like where is she? Where is she? And all of a sudden, the big bunker door like slides open and Mustang Sally starts playing I Got It and it's just the best. It's one of the best movie music moments in history. And it's a cover of Mustang Sally. So they did a cover of it, and Sandra Bullock played the tambourine, I think because she's like just want to be involved, yeah, just wants to be part of it. So and there's a slow motions shot and then Sandra Bullock as Gracie Hart walks out. You have to, I mean, don't watch this until you watch the movie because a bigger moment. Again, it's so sexist but so good. I love it so much. And the camera pans up super slowly over her body and she all of a sudden, she's tan, she's shiny, she's wearing a purple mini dress. Love her hair of course straight, it's straight straight, it's straight straight as an ironing board, like literally not a hair out of place, and her hair's all glowy. And Benjamin Brat, like his character, I'm just using his knee because that's how people are. It just rips his sunglasses off in and his jaw drops open and everyone around him is like, oh my god. And she's strutting and then she just falls straight over. And before that she has an iconic line about like I haven't done this, I haven't eaten doped mess with me, and then she just topples over because she can't walk in heels. She's so real for that. Yeah, and it's just such a huge moment. And obviously, like later on when her and Benjamin Brad's characters fall in love, it's very much they fall in love because like their personalities, but it's also because she's super hot now. 16:51Speaker 3 Yes, because she had the purple dress, and then she has to. 16:53Speaker 1 Go through the Miss America pageant, right, which is again it's so the comedy is just so. 17:00Speaker 3 She's great, like it's funny. 17:03Speaker 1 I think that's the role she should have won. An Oscar for I know they don't like to give oscars to comedy actresses, but there's so many good one liners that she delivers, and her physical comedy is so good. Oh my god, you're gonna love it. Okay, you're gonna love it. I've watch it. I can't believe I was sole jealous of you. They get your torch it for the first time. 17:18Speaker 2 I think I've watched a lot of things, but when I'm under the age of ten, like. 17:23Speaker 1 I just feel like that's a movie that gets referenced all the time, that's still in the conversation. So I would sort of believe that more for movies that fall out of the conversation, but that's still at anyway, you get to watch it, so please and report back on your next on the next time you're on the pod. But yeah, that to me, that stands out as the biggest reveal of a make over and the biggest and also the fact that a lot of other makeover scenes are just like, I don't know, we can get one stylist in someone's bedroom and we're just like, but this is like, no, no, this is an industrial fispiration to make a normal woman look like the ideal of a woman. And you know what, I love it so much, this congeniality. If anyone else has watched it? All right? 18:01Speaker 3 Next on my list another movie that I rinsed to death. 18:04Speaker 2 I used to sit in front of my TV with the lyrics book because it is spoiler a musical. 18:09Speaker 1 Okay it's grace, Oh okay, yes, I love my god. Watching this as a kid, all I wanted to do was be a sexy Sandy And I'm so far from all of that. But all I wanted to do was wear leather pants and strut around. Yeah, which would I worked for me? 18:24Speaker 2 Carnival, Yeah, they're all like thirty years old as well, exactly, so many like I don't know about you, but I again, watch that movie as a kid, over and over again, all of the references straight over my head. 18:36Speaker 1 Didn't realize what a hickey from Kinnicky was now, didn't realize about the whole like having sex in the back of the cars, didn't realize that a pregnancy scarab was what she was worried about. Literally, no idea, just like the songs really exactly. And you know what, like kids watch sexy movies. 18:51Speaker 2 So my dad loves Grease yeah, so that's how I was like introduced to me. 18:54Speaker 3 So we always watch it when I was younger. 18:56Speaker 2 But I think it has one of the most iconic transformation make overs but also a little bit controversial. So obviously we follow the lives of Danny played by John Travolta, and then we have the lovely Olivia Newton John as Sandy, who's like this very clean cut, cutesy good girl, and Danny's this bad boy, like grease up completely opposite. 19:18Speaker 1 World ultimate like Romeo and Juliet story, like they come from different worlds. How could they ever be together? Could they ever? 19:25Speaker 3 We'll tell you how. 19:27Speaker 2 All it takes is a pair of leather pants and a red lip, according to sandrew D. So she walks out in the final like scene sequence, they've you know, had a little bit of push and pull this whole time. 19:38Speaker 1 So they both go to. 19:39Speaker 2 These I don't want to say extreme lengths because all Danny does to change himself for Sandy's put on like a little lettermon jacket, like a little nit jacket. That's all he does, which I feel shows the extent of effort that like men are going to change for us. 19:51Speaker 1 Yes, that's so true. There's such a good lesson in Greece that modern women. 19:55Speaker 2 Yeah, yeah, yeah, And then obviously Sandy shows up in these insane leather pants. It's beautiful, like off the shoulder, black top, red lip, she's got this bold like curly hair, actually doing it for. 20:07Speaker 1 The color girl God. So actually it's a so debunked. We have been raised our whole lives to think that Grease is actually anti feminist, because it's feminist. The initial kind of message that we took away from the movie was this movie is telling us you have to change yourself for a man, and that's bad. But actually, what we've uncovered today is that it's actually a feminist plot because she's saying curly hair can actually curly hair is. But while curly, did you ever have Like I used to be obsessed with grease And then I got my mum to get me these like old school not even get me. I think they were my moms from like when she was a kid, these like old school hot rollers, And I would hot roll to look like Sandy, and I thought it looked so chic when I was like eleven, and looking back now, I did look like a poodle. Yeah, that was me. With the red lip. Yes, it never worked really for me. 20:50Speaker 2 It's giving dancers steadfast, but I gave it, gave it a go. 20:54Speaker 1 I still do it red lip. I still do black leather and a red but you rock a red lip. I'm just I'm just sandy on the Yes, we. 21:00Speaker 2 All have a little bit of sty but yeah, I think it definitely is a little bit of. 21:03Speaker 1 A feminist like move. 21:04Speaker 2 A lot of people can say, you know, she's changing for Danny, but I think what we see is, you know, she's like leaning into her confidence and like it's like a bold yea. 21:12Speaker 1 Well, because you can take it either way, you can take it. You're right that she's becoming who she wants to be. But that's the thing feminists like, these makeover scenes are always wrapped up and like, no, she's empowering herself, and it's like no, no, no, she's dressing for the male gaze and that's fine. 21:27Speaker 3 Who she chose to do it, but only. 21:30Speaker 1 Because she felt desperate that he would leave her. But again, who amongst us hasn't dressed for the male kase? Exactly? 21:35Speaker 2 Guilty, It's a time and a place exactly. 21:41Speaker 1 Right, is exactly. But again, I just can't hold that in my head. When I watch gree it's like I'm aware that it's there. I'm aware of this idea and it's a different time, and it's got the best like mic drop moment of like like literally like the whole carnival turns to her and then she has that iconic clim when she has tell me about it. Stud. So also she's smoking. 22:02Speaker 3 She doesn't know how to smoke. 22:03Speaker 1 But she's doing it. I'm looking friends, how do I put it? That's just a good moment. Oh my god, Olivia Neton John is so good. So again, it's sexualizing dressing from man, it's sexualizing like like smoking and like that bad girl. But I don't even care because you know what, smoking does look sexy on screen? It does. Don't do it, don't do it. 22:20Speaker 3 But sometimes it looks chic on the screen. 22:22Speaker 1 Yeah, it always always looks cheek on screen. 22:25Speaker 2 Now, they do have this like fairy tale ending they get into a convertible when they fly off into the sky. 22:29Speaker 3 But there are actually a lot of fan theories. 22:32Speaker 1 Are you gonna say that they're dead? 22:36Speaker 2 So basically there are theories that when they fly off into the sky that they actually passed away and that Sandy actually died from the very first scene where they're first on the beach, because Danny when he's singing someer love and there's a line where he said, you know, she almost drowned. 22:54Speaker 1 I saved her. 22:55Speaker 2 So it turns out, according to this theory, that she in fact drowned, and then we enter this like homo fantasy for the entirety of the whole film, and that's how they're flying off in the end. 23:09Speaker 1 I have heard that theory that this is all Sandy's, Like, this all happened in the moment she died, and this is what living through like living through those moments is that she fantasized going to school with Danny and then falling in love and stuff. But it's very intense and also like none of the screenwriters have said that's true. But I love I love when like a theory for like a really old school movie like this just takes it takes. 23:29Speaker 3 Over a life of its own, like people run rampant with it. 23:33Speaker 2 I hate to disappoint anyone that thinks they're dead, but the creator has since come out and said. 23:38Speaker 1 That that's absolutely it's not the case. They're not dead. 23:41Speaker 2 Also, there's so many like fantasy moments in the film I just love to grab on exactly. 23:46Speaker 1 Well, I guess I just want to explain why the calf flies at the end. It's not even a good theory though, the calf flies at the end because it's a movie and things happen in movie music and that's fine. But no, that's a great make over scene. Love that, And it does go to show that if you're having problems relationship, if you put on a pair of black leather pants, they will go away. 24:03Speaker 2 Oh and apparently they had to show them onto her body so tight. 24:06Speaker 3 It's so tight their vintage Yeah, oh love. 24:09Speaker 1 Okay, the next one I'm going to bring up is the most realistic movie makeover I have ever seen, so in a way that it's actually quite a feminist makeover. Again, not that that matters, we're putting that out the window. Bring the hat back in dress. No, no, the hat's on the doorn on. It's not all the way back in the room dress for the male gaze. It's fine in a movie, But this one I always think is like a beautiful way of watching, like seeing a makeover happen really really slowly, and having it be part of the character's evolution in a way that just feels so real. And this makeover scene is from the two thousand and two classic My Big Fat Greek Wedding. Oh have you seen it? Yeah? No I haven't. Yeah, what a great movie? 24:50Speaker 2 Right? 24:50Speaker 1 The is not to speak The first one is the first one I would say is a perfect movie. So in this if anyone hasn't seen it. Nina the Dallas, who also wrote and produced and created the movie, plays Tula and John Corbett our favorite rom com boyfriend. John Corbet's just in every room. Yeah, they just throw him in and he always. 25:11Speaker 2 Works once they get one good one. I feel like it just becomes a role like everyone's boyfriend. 25:16Speaker 1 He just has that vibe and like movies have been like and parts of been like created and written for him, like him playing Aiden Sex and the City. They created like a lot of that role for him. And also the rom com starring Kate Hudson Raising Helen. Have you seen that? Oh you should watch it? Really got it to listen, where she plays a model agent who her sister passes away and she has to like raise her children. John Corbett plays her love interest in that, and I remember like listening to director being like, well, but why would she fall it? Because she's like this beautiful New York like styler that everyone loves. Why would she fall in love with the high school principle like we have to give him something? And then they looked at him like he's John Corbett. Yeah, that's his thing. That's it. We don't have to add anything. Fine, And when you watch the movie, you're like, yeah, I get it. So John Corbett plays Ian Miller and so the story is actually have such a vivid memory of seeing this movie for the first time because it's one of those movie experiences that stays in my head forever because it came out when I was like just starting high school and one of my really good friends in high school is Greek, and so they held like a screening, like the Greek community in Townsville, like the Greek Community Center held a screening as like a fundraising thing, and so we all went to that, and yeah, it was the best way to see it because there's a whole cinema full of Greek people and so they were screaming the joke person and it was just like the vibe was so high. Also, like the characters in this speak Greek, and so they would say a joke and they would all laugh, and then the subtitles will pop up and then like the non Greek s bea because we would all laugh and we're like, oh, we got it now, Like that is really funny. So I Sultays remember it as being like this really joyful experience. So Tula is like an adult. They sort of say her age, like she's like probably in her late twenties, but like in the like you know, Greek household, like super old, unmarried, no children, a pariah of a family, if you will. And she works in like the restaurant, and like she lives with her parents, and her life is so small and everyone's just like she's so frumpy, and you know, all that sort of stuff. And then slowly over time she decides to start kind of changing her life, not on a huge scale, in a way that feels so beautiful relatable in terms of like she goes and takes some computer courses at like a community college, and she's and she then gets a job outside of the family, so she kind. 27:26Speaker 2 Of a second coming of Age's definitely. 27:30Speaker 1 Was really small looking at her parents house and she goes to work in another family business where she's like out you know, by herself in the office. And during all this she gives herself like a little makeover that's peppered through this montage, but it's more so like she'll just wear like instead of wearing like the overly frumpy clothes she was wearing, she just buys herself like a nice dress and a matching cardigan, and then you see her like try and like like do her eyebrows and she puts like just a little bit of lipstick on and like she's like and again the frizzy hair is the frizzy hazel thing, but she does straightened, but it's not pinned straight. She just kind of smooths it and stulls like she put rollers in it. And it's this beautiful, quiet, little makeover that she just does to herself. 28:11Speaker 2 And I think that's what makes it, Yeah, that it's something that she found in herself and like exploring your like your own identity and like finding who you are verse like having the FBI coming it. 28:22Speaker 1 Yeah, exactly. When you put the two makeover scenes here that I brought up, it's like one is like, yeah, fifty people in like a government funded bunker trying to make Sandra Bullock look like a woman. And then the other one is just a woman at home in her childhood bedroom, just putting on a little bit of lipstick like Tula, just like you know, and she puts on a card again, and the thing is it just changed all of a sudden, she just feels like herself. And I think this is why it's one of my favorite movie makeovers, is that she hasn't done this too, Like she hasn't met Ian Miller yet, so she hasn't done this for a man. She hasn't even done it with the idea that she could possibly meet a man, because she's still working in like the family business. It's more so that as she kind of got a little bit of education and stepped outside of like the tightness of her family, left her bedroom and just kind of fell like, well, likely she's just prings so much time there. Now she's out in about the world, and all of a sudden, she just becomes the person that she wanted to be. Like it feels like it feels like it's actually the only movie makeover I can think of where it feels like it's just for the Carroc. 29:17Speaker 3 And it's happened before they've met the guy. 29:19Speaker 1 And it's not serving the plot, Like, no one's saying like you have to have makeover so you can be the price of the princes. You could be the prompt get the guy exactly. This is just for her and it's so beautiful and so small and quiet, and she doesn't look She looks different at the end of the movie than she does at the start, but not drastically drastically different. She does take her glasses off on my context is that scene of her trying to contacts. Had to put that in there, exact, had to get it in there. So basically it's like less frizzy hair, no contacts, a cardigan, and some nice lipstick, but not as extreme as other makeovers. And so then she's so happy because she's educated herself. She's working in an office and then Ian Miller played by John Corbett just happens to walk by and sees her get stuck in the headset headset. She tries to get up, and he goes into a travel agent and they chat and they just have this beautiful like courtship courtship is the correct word, where they fall in love but then when they get engaged, huge controversy. He's not Greek and her family unaccepted him. This movie has if anyone hasn't seen it, I cannot recommend it enough because the one liners are so good, Like when they get engaged and she takes him over to her big family gathering. He's like family dinner, like five people, She's like, no, fifty five and they say, like, he doesn't eat meat. I like to put that line in here. It's so good, and just like the lead up to their wedding and everything, and I just like even with her wedding, like she looks gorgeous, but it's never this idea of it. She has to be like overly made up. She looks like a completely different person. So I just think if there's like one movie makeover scene that kind of really changes that formula and makes it like part of the story. It's my big, fat, great wedding and tulla And you know, sometimes okay to put on a nice cardigan and some lipstick and go work in the family travel agency and you'll meet John Corbett. That is quite and that's a lesson. Sometimes it's okay to do all do all those things. Yeah, well, I think the biggest thing is she gets a macover while she goes to community college and gets an education. As we know, that is the thing that will say she three exactly so maybe fair great wording. Love it so much? 31:15Speaker 2 All right, we've come to the man, the man make Yes, it's crazy stupid love. 31:22Speaker 1 Oh my god, yes, okay. 31:24Speaker 2 Steve Carell, he plays col Cow's life is falling apart. His wife has left him. He's trying to get back out into dating. He's hopeless. He's quite a bit of a dig. He's in a bar and he runs into this really cool womanizer obviously played by none other than Ryan Gosling because who else. 31:42Speaker 1 Could and the best supporting actor his abs. Oh my god, they should be in the credits one hundred and they get a whole scene with Emma Stone's character dedicated and not only did he work out for months to get them, but they had like special makeup artists, like because you again, those makeup artists have to come in and do the shading and the bronzing and like draw them on. But they're also just there. They're almost too much like when she sees it, when when like Emmaston's character season and she's like, those are photoshops. I don't think I want to be with someone with apps like that A good look up close and just see them just from just to know what the muscles would look like. But I don't need to feel like that's a violation. 32:19Speaker 3 But for those who are watching the bar is imagining. 32:22Speaker 1 Feeling that's going to put me on a watch list somewhere. But yes, we have a male makeover. 32:30Speaker 2 Isn't interesting like flip on the script of like what we usually expect because it's the woman kind of going through the midlife crisis here where she's had an affair and now the man is like having this like makeover off the back of it. So he goes on this like there's like this three minute makeover montage where they like change all of his outfits. He's learning how to like speak to women, getting all the tips and then putting into the practice. 32:54Speaker 1 It's just like not something you expect either. 32:56Speaker 2 For like Steve Carell, he does it so well because he's just not someone you expect to be like hitting up the ladies in a bar. 33:03Speaker 1 Yeah, it's like that is so true that he gets a makeover. But the reason I didn't come into my head when we're talking aout makeover is is that even though he does get a makeover, it's nowhere near his extreme as some of these other makeover scenes with women. I guess with men, there's only so much you can do once you sort of wax them because their hair of shorts is not that curly. You can't have that. You don't have the curly plotline. And I guess that he didn't have glos. They should have put him in glasses. He did look very like dad because then they could no, he does look different. Like it's a good makeover scene, but I'm just saying it doesn't have like the kind of and they don't have a montage, right, that's a mistake they should have had. They do like a full musical montage. 33:41Speaker 2 There wasn't a musical montage, but they do go through like a number of like designer clothes. There's a really funny quote where like Ryan Gosling's character is looking Steve Crorer up and down and he's like, are you Steve Jobs the founder of Apple? No, then you can't wear those to his shoes And basically the whole goal is like for Steve Carell's character to be better than the gap. 34:00Speaker 1 Oh my god. And I have a vivid memory of him like being really repulsed by his wallet and again not thinking of wallet be part of a makeover. But I guess for a guy, especially it is and the fact that it has Velcrow and I think it was like I was a kid while watching at the time, or I was like, oh my, Walter has Velcrow's cute. And I also wasn't the sexy man out in the streets. But if I wanted to be, I had the wrong wallet. Is a little bit of an egg. 34:22Speaker 2 What would you do if you were on a date with a man without he's got coins? 34:26Speaker 1 They're like jingling around. Well, oh my god, would I break up with a man if he had a Velcrow wallet? Something to think about on this if you're on the Sydney dating scene, kind of say that potentially that's gonna happen, and that's not even the worst thing. 34:38Speaker 2 Yeah, I don't think I would break up with him if they had. I wouldn't either I have a wallet for their birthday, Yeah, I. 34:44Speaker 1 Would, just especially because every time you do the rip with a Velcrow wallet, it's so loud and intense. It is it's an announcement. Yeah, and you're just like I'm opening my velcro point and there's no Yeah, that's some folded in here, and you're trying to like pull like straighten the money out because it's been folded in there. 35:00Speaker 2 Actually still have yours exactly exactly. 35:02Speaker 1 Well, I think I am one of the last team in the world who has a wallet that I. 35:05Speaker 2 Lost my wallet and now I've lost all my cards, like I get all scattered around the house. 35:09Speaker 1 Okay, no, no, no, you need it just PSA. Everyone gives me so much shit for having a wallet, but when we can, I just tell you. When someone needs a physical card or something, who do they turn to me? Who's got a wallet? It's got an emergency hair tie in it, it's got emergency cash in there. 35:21Speaker 2 So basically, get rid of your wallet if you don't want anyone to ask you for anything, yeah, exactly. 35:25Speaker 1 Or if you're going through a makeover, exactly exactly. If you're going through a makeover, that's the first thing change. Yeah. 35:30Speaker 2 I just love crazy stupid love, though obviously follows the lives of like lots of different love stories that are all like interconnected, but at the heart of it, it's like Steve's Carrell's character. Yeah, and like everything that he goes through. 35:43Speaker 3 But yeah, I love that movie. 35:44Speaker 1 It was so good. Emily and I talked about that in an episode little while ago when were actually talking about plot twists because it has who hasn't seen it, although I assuming most of you has. It has a great plot twist that is someone expected but just works so well for these characters. Oh love, Yeah, you don't spoil it for like the two people are there who haven't seen it. Okay, last time I'm going to bring up and I had to go back to nineteen ninety nine. Cool, and I just remember again watching this movie on a loop as a kid again as a kid on a VHK guest. Before you say that, oh, I'm actually I wonder if you've I mean, I hope you've seen this. Otherwise I'm going to be super disappointed. It's the nineteen ninety nine teen classic. She's all that. 36:22Speaker 2 No. 36:24Speaker 1 I know should be this surprise every time, but like, this is a classic movie. I thought you're going to say Clueless. Then, Oh, I had Clues on my list, but we talked about Clueless so many times. Yeah, we have a whole brutally honest review on it, so that's got an important makeover seeing it too. You've never seen you know what I know of it, Okay, and like that's the weird thing to me. Can I say you know of it, but you've never watched it. 36:46Speaker 3 I think a lot of it is like what my parents like fed me at that time. 36:50Speaker 1 You're an adult woman now who lives alone with your own TV. You can make your own choice. I'm just saying so many times I went home and I'm like, oh, I wish I had a new, great movie to watch. But the hard thing about me and my job, I've seen every movie. I literally have seen every movie. It's so hard for me to sit down and find a movie that I haven't seen that this is not fair, but I really want to watch. And then you're spoilt for choice. You could sit down a fry night. There's so many. 37:13Speaker 2 Movie hours an hour, and I got in my adult life too, it's valuable, like I've things to look forward to exactly. 37:19Speaker 1 You would love this again. This out of all the movies on my list, this is probably kind of the most problematic. 37:24Speaker 3 Okay. 37:24Speaker 1 It's also like using a woman for like a nefarious reason over like sexualizing her and there's a slight sprinkling of sexual assault end. But it's a classic. So she's all that. It came out in nineteen ninety nine and it stars Rachel Lee Cook. Do you know that name? Blasphemy? Rachel Lee Cook was in the late nineties, only two thousands. I'm a icnic girl. She started so many big movies. Also, Josing the Pussycats was a movie that was torn apart and I think did wreck her career. I think, but now we look back at it and see it for the masterpiece that it is. So she plays Laney Bogs. What a name? I don't know. They were like, you know what, this girl's gonna be unpopular and ugly, and we're gonna give her name's gonna be Laney Bogs, and that's going to explain exactly why. 38:07Speaker 3 Laneye b would be cute. 38:08Speaker 1 Yeah, they don't call it that. And so Lanny Blogs is she's an artist at school, and she was like and she kind of just looks away at paintings all this sort of stuff, and she dresses like an absolute hobo. So they went to because Rachel Lee Cook is a really like a classically beautiful kind of pixy looking woman, and so they really had to go to town to make her unattractive. So they've dressed her in like really oversized, paint slatted clothes. People don't want women to be comfortable, no, exactly, and you know what, she is so comfortable. That's what I take away from her, Like, and she's wearing about fifteen and before she gets her makeover, she's wearing about fifteen layers of clothes in all scenes, like she'll have like a pair of like old pants on and like a long top over that, and then like a singler and then that's very inn now and like an exactly ahead of her time. So Laney Bogs is the most unpopular nerd at school and they have have he do the classic thing of like the first time we really see her, she just falls over. Girls in rom coms always falling over. Sometimes they're so hot and beautiful that they fall over because like I'm so clumsy, and sometimes it's to show they're a nerd. But and then like feeling around exactly well exactly, and she and she wears really big glass okay of course, and straight hair but pulled back in a low ponytail I'm not a sleek ponytail like a I do anything to my ponytail. But the glasses is the real thing. So she So she's the ugly girl at school. And then we have Freddy Prince Junior and this is peak Freddy Prince Junior era. Don't I mean, I don't want to say his air is completely over, but like this was peak, Like he was the wrong com leader and so many things. Playing Zach Syla and he is like the sports storry. I know, Lany Bogs Zach Syler. You know he wrote on this movie m Night Shamalan before he did six Cents. Yeah, like I know, well, you could just be a skipper for high It's like hash. It's like haw Shonda Rhimes wrote the classic Britney Spears movie Crossroads. 40:05Speaker 2 Job. 40:05Speaker 1 Yeah, before you have your big break, you just write the scripts that are out there. So Mna Scharmalan is like I can just imagine he had like the sixth cent script on one screen and like the other and between them. So Zach is like the actual like the jock of the school, the king. Everyone loves him. They're all seniors in their final year of high school and they're coming up to prom and again a very old school like American high school thing is like the prom is always like the climax of the movie, like everything's leading towards that. The rest of his cast is like a who's Who of the nineties. We have Matthew Lillard as Brock Hudson. He's like a reality stuff. Paul Walker, the late Paul Walker again peak kind of his like era playing Dean. And then Jodi Lynn O'Keefe. I don't know if you know that name, but you would know her face. She is in every kind of she's She wanted to be on the Vampire Diaries and stuff later on, but she was in a lot of these early like teen movies, always as like kind of the high school mean girl, the beautiful high school young girl. So Zach and Taylor have been Taylor Vaughan have been together, and they're like they're going to be prom king and queen. That's their thing. Only Taylor meets Matthew Lylard's character, who is old of them out of high school, a reality TV start on the real world. In the real world, Ye dumps Zach for him, and it's like anarchy in the school that the couple has broken up and that Taylor has dumped Zach, and then everyone feels sorry for Zach. And he was like, I can have any girl I want. This is not romantically he meant to fall in love with him, and you kind of do, but he's like, I can have any girl I want. He's like, I could make a girl like that. So this movie is actually based on Pigmalion, which is a play in a book that then went on to inspire the Audrey Hepburnt movie My Fair Lady. So this is a play. Do you know there was a moment in time there where like Clueless is based on Emma and She's the Man, Yeah, And She's the Man is based on Twelfth Night, and as we discovered another podcast the other day, Bridge Jone's Diaries Pride and Prejudice. So this was a big moment in time where, like all of these teens, the biggest thing you could do for box office gold was to remake these classic literature as a teen rooman, now we make movies from last year, and now we'll just remake anything that's out there in the world. So Zach is like, I can make any woman. I can make her the popular girl. And so Paul Walker's character makes him a bet. He's like, Okay, I'm going to bet you that you can't make like a girl that I pick in this school into the prom queen. And Zach's like, pick someone. And that's of course when Lanye makes her entrance, comes up the stairs. She's making fifty layers of clothing. She's got fifty bags eye and she like immediately falls to the floor. And he was like, and then I'm just gonna say Paul Walker because it's two, so you know who I'm talking about. Paul Walker goes her and Freddie Prince Junior. Zach is like, Lady Box, absolutely not. He's like, like, the subtext is she's the ugliest woman I've ever seen. So then he has to the subjects of all these exactly, and then Zach's like, well, I'm gonna have to do this now. So then Zach has to go and try and befriend laany Bogs. And it's so funny when he like keeps trying because he's used to. He's the star of the school, he's the sports star. Everyone loves him. He's so charming. So he kind of goes over to her, like later that night he goes up and to her where she's working, where she's wearing this like huge, full lawful hat because she works in like service industry and he's like never worked a day in his life, and he's like kind of like hey, and she just has no time of day for him, and so funny because she's like, look, I'm not smart, and he's like what this is kind of like a good kind of like twist of that classic like dumb jock smart girl being ugly. She's like, I'm not smart. I know I look smart because I got the subtext is because she's got wearing glasses. I know I look smart, but I'm not. And I can't choot. I can't chewt to you. She's like, I can't. I know you're probably failing school, but I can't help you. I can't choot you. I just I look smart, but i'm not. He's like that is oh no. Then he's like, oh I'm smart. I'm like the third top of that class. I don't need tutoring, thank you so much. So he's smart. So he is smart, yeah, because he's like his whole subject is like his parents like you're going to like this fancy school and you're gonna do this, You're gonna do that. He's like, he can't pick anything of his life. Smart boy, I know, sucks. And so then he starts to befriend her, and like slowly over time, starts to sort of like make her over and teach her how to be cool. And the makeover scene is so so important because up until this he has no like sexual interest in her because she's got glasses, you know, of course, and he can't tell, Yeah, he can't tell because it's pulled back, and he can't tell that she's got a tiny hot body because she keeps falling over and oversized and she falling over so she has a muscle issue. It's all happened. So he's like, he's like, I'm gonna make her gorgeous, but I have no interest in her. And then he brings over his older sister, Mac played by Anna Papquin, and Anna Pumpquin is only in this movie for a short moment, but she makes She comes into this sassy older girl from college, his sister. And then there's this party at school and so Mac takes Laney upstairs and they have this moment where and this moment has been parodied so many times, most famously in Not Another Teen Movie, where all she does is pull out the ponytail and she's like, and you're beautiful. But they at this moment too where lady talks about the fact that her mom died when she was little and so she's been raising her little brother and looking after her dad, and she's like, I just never had a mom to like teach me this stuff, because Mac is like, in the nicest way possible, your eyebrows are disgusting, let's pluck them, Like why don't you wear makeup? And she's like, well, I didn't have anyone to teach me, which is lovely also so young, like yeah, yeah, Well she's a senior in high school and she's never plucked her eyebrows, which isn't the craziest thing at all, but the movie does make you think like her life has been severely stunted because of this. So this college student cuts her hair so instead of having and again usually they add hair in, so this is also maybe not even like a flipping the script, but at the time they so she has this like long, kind of straight, like scraggly hair, they cut it into a super super chic boss she does yeah, yeah, exactly, cuts her head perfectly, plucks her eyebrows, takes the glasses off, apparently does like a huge tan and stuff. And then we have a staircase, and all we haven't had a staircase moment so far as you know, all good movie makeover scenes really need a staircase. That's the moment. So Zach's downstairs, he's waiting to take it as party. He's expecting Lady Bogs to come like like his sister's just gonna like put some lipstick on her and she's gonna come frumpy down the stairs. All of a sudden, the camera pans up the stairs and a slow plan and you see a foot come down in a red high heel, and then the classic song kiss Me by Sixpence none the Richer, also from Dawson's Creek. I kind of tell you how this movie. This song is like this soundtrack of my entire teenage years. And every time I play it now, I actually, that song's too powerful. I have to be careful when I play it because if I play it with the street oh passion stranger, like I can't. That song's too powerful. It's just like it just makes you right, because it's a soundtrack to all the big romantic moments in our lives as that we watched on screen and not participation saying I don't have that many referends. No, no, no, I've never had a romantic tree that song, but it makes me think of a time where like it's signaled this like cue a social cue tea. Yeah, it's like this subconscious like dog whistle of like I'm about to fall in love for the first time, and as a woman in her late FERI I still feel that. And so the camera pans up kiss Me starts to play, and then you see Lannie for the first time post makeover, and she is an absolute bombshell. She's wearing a tiny red mini dress, one of the most iconic dresses in film. I would say, she's got this beautiful, not over the top makeup, like not a red lip or anything, just like beautiful, smoldering, bronzy makeup, a beautiful chic Bob and Zach like loses his mind, he cannot believe it. We look on and Freddie Princeton up give that man at the Academy Award. He just he's like, oh my god, this is the most stunning woman I've ever seen. This is simple manner exactly. You put in a red little as in my early twenties, I had so many little red party dresses because all I wanted to do was dressed like Lannie. I was just waiting for a stair I was waiting for a staircase, and I've never lived in a house with staircase. How will I make my entrance? So she's walking down the stairs, the song's playing, it's so beautiful, and then she falls face first down the stairs. Well, she grabs the because she walked in Heels's true. It's actually like a quite a it's quite dangerous. Yeah, she's trying to do a slow walk down the stairs in heels, the first time she's ever worn heels. It's actually quite the moment. So the spell is like broken because she has to grab the railing and he has to help her, and everyone's like ooh, and he's like ill and he's like, oh, I remember how before? Yeah, I don't know. But falling when you're hot and following your ugly too true. When she fell when she was ugly disgusting. When she falls and she's hot, he's like, pretty well, help you yeah, pretty brifect. Yeah, it's so funny. And before before she comes down the standcase, Anna Patlin's character Mac does a little introduction. She's like, and they try to I think they're aware there that like, giving this teenage girl a bombshell makeover might send the wrong message. They try to dilute it, but it doesn't work. That's what I was thinking, is. 48:54Speaker 2 That putting it like a young girl in like red dress, red heel. 48:57Speaker 1 A sexy red dress for a man that's trying to win a bet with her. Yeah, there's a lot. It's all trying to make grimacing for anyone who cuts. So Mac tries to sort of dilute the message. So she comes down before Lane and she goes introducing the not improved but different. It's kind of what she says Lady Bogs. She's like, not improved but different because she's trying to be like, no, she was good before, and I'm like, guys, she wasn't good before. That's the part of the whole the movie. That's the premise of this exactly. And so as it goes on, she does dress better, but she doesn't like overly change how she dresses. And then she wears this like black glittery dress to the prom, and she does look nice, but it's the whole thing because she goes with Paul Walker's character and then he tries to sexually assault her and then Zack Syla saves her and then they fall in love and have a gorgeous kiss and then there's a huge dance number. There's the best dance number that it's a lot happens. That's a lot that poor girl. Yeah, yeah, she goes through a lot. Well, she finds out before the prom that it's a bet, and she has this moment where she yells act She's like, all of a sudden, this turns into like it does turn into a Shakespearean drama. It's not based on Shakespeare, but the vibe. She's like, am I bet, am I bet? Am my fucking bet And he just looks at her asi and he goes yes. And then oh my god, burn it into my soul that moment because you just like I remember as a kid, like nearly crying. I'm like, yeah, it's over, Like they'll liver be in love now where they do spoiler alert end up in love. She should be like, thank you for the makeover. Yeah, exactly. Now everyone at school wants me because they realized I'm not I could make a man. Yes, that's the sequel, so that in my head is well. There's a remake with Addison Ray called He's All That. Whether I've watched that, but I don't that. 50:34Speaker 3 I think I don't remember it because I had to burn it out. 50:36Speaker 1 That is a burable movie. Okay, that movie is blaspheming. They tried to flip the script by making it a girl making over a guy, which I'm all for, but the movie itself is terrible. So I can't believe. You can't not You cannot live in a world where you've watched He's All That and not She's All That. I know when one is a one is an abomination and one is a classic teen movie. So you've done that wrong. I'm sorry. So She's All That one of the teen movies that still lives in my head is one of the best makeovers ever. And again, don't listen to that song, just like on the Fly, Oh it's too dangerous, dangerous, use it responsibly. 51:12Speaker 2 Thanks so much for listening to the spill today. Don't forget to follow us on socials. 51:16Speaker 1 We've popped. 51:16Speaker 2 The link in the show notes will be back in your feed bright and early tomorrow with morning tea. 51:21Speaker 3 Ash London has all of the entertainment headlines. 51:24Speaker 1 To start your day. 51:25Speaker 2 The Spill is produced by Minishi Sworn with video production by Michael Keane. 51:29Speaker 1 Bye ByeBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

The man at the center of this isn't some anonymous figure floating around the edges of society. His name is Matthew Mahl. A 47-year-old lieutenant. Twenty-three years on the force. Not a rookie. Not a guy who slipped through the cracks on a paperwork glitch. This is someone who was the system. Former chairman of the D.C. Police Union. The kind of guy who didn't just wear the badge, he represented the people wearing the badge.And now? Arrested. Charged with soliciting a minor and seeking child pornography.Let that marinate.Because according to investigators, this wasn't a momentary lapse or a misread situation. This was weeks of communication with someone he believed to be a 15-year-old boy. Messages. Explicit content. Repeated acknowledgment of the age. And then… the pièce de résistance… he takes time off work to go meet the kid.Except the “kid” was an undercover detective.So the man who helped represent law enforcement… walked straight into a law enforcement sting.That's not irony. That's a Shakespearean plot twist wearing a badge.And here's the part that should bother everyone, regardless of politics: how does someone build a 23-year career, rise to leadership, become the face of a police union… and allegedly carry this kind of behavior on the side?That's not a glitch. That's a systems question.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Blake Ellis is the Artistic Director of Fresno's Chanticleer Shakespeare Company, Fresno's only resident professional theatre. Directing the company's upcoming production of The Tempest, Blake stopped by for an extended conversation (two segments) on how he's staging this Shakespearean classic including a major twist in the story you don't often see, how iambic pentameter works and how he arrived at deciding on The Tempest. The Christopher Gabriel Program ----------------------------------------------------------- Please Like, Comment and Follow 'The Christopher Gabriel Program' on all platforms: The Christopher Gabriel Program is available on the KMJNOW app, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts. --- The Christopher Gabriel Program | Website | Facebook | X | Instagram | --- Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

The world just celebrated Shakespeare's birthday — born in late April, a scant four hundred and sixty two years ago, which makes him almost as old as this podcast. Over the years we've had many guests on The Sewers of Paris for whom Shakespeare's work was an inspiration, and this week we'll hear my 2021 with Jeffrey Masters — then the host of the acclaimed podcast LGBTQ&A, and now a senior producer at The New Yorker Radio Hour. Jeffrey launched his career in interviews and storytelling with a move to LA, planning to be an actor. And at first, he found that his Shakespearean training left him unprepared for what Hollywood was looking for. Also: A quick heads-up that the Sewers of Paris will take a little pause for the month of May — but you can come see me live, because I'll be on a book and speaking tour all month long. Come see me in Stockholm; Vienna; Utrecht; and Heidelberg, Germany. More details and dates are on my website.

An unedited version of Ep. 76 with comedian Sean Walsh. Now 20 mins longer!Seann Walsh has appeared on Live at the Apollo three times, The Wheel, 8 Out of 10 Cats, The Last Leg, The Stand Up Sketch Show, Alan Davies: As Yet Untitled, World's Most Dangerous Roads, Battle in the Box and Series 22 of I'm a Celebrity…Get Me Out of Here!, Strictly Come Dancing and just stared in I'm A Celebrity South Africa. Seann also hosts a trilogy of podcasts: Oh My Dog alongside Jack Dee, where they interview a special guest all about their relationships with their beloved dogs. Class Clown, which since its launch has cemented itself firmly up the charts. Seann's self-produced YouTube stand-up specials Back From The Bed, Kiss, and Seann Walsh is Dead, Happy Now? have together amassed over a million views, and cemented Seann's status as one of the best stand-up comedians in the country. Seann's acting credits include The Lovebox in Your Living Room, Clown, and The Bystanders, which won him the award for Best Actor (Feature Film) at the 2023 Sydney Science Fiction Film Festival. He also made his Shakespearean debut in 2024, playing Malvolio in Twelfth Night at Stafford Gatehouse, and 2024 also saw him take on the role of Yvan in a regional UK tour of the multi -award winning play ART directed by Iqbal Khan, earning Seann five star reviews for both plays.Seann Walsh is our guest in episode 580 of My Time Capsule and he chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .For tickets to Seann's tour and his podcasts, visit - https://www.seannwalsh.com .Follow Seann Walsh on Instagram: @seannwalsh .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people .To support this podcast and get all episodes ad-free, please sign up here - https://mytimecapsule.supercast.com. All money goes straight into the making of the podcast. Hosted on Acast. See acast.com/privacy for more information.

APEX Express is a weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight, host Isabel Li speaks with actresses Amielynn Abellera and Kristin Villanueva, who respectively play Nurse Perlah and Nurse Princess on the HBO Max medical drama, The Pitt. Abellera and Villanueva talk about their Filipino heritage and backgrounds and how they represent Filipina healthcare professionals on the show. See also: Filipinos on the Frontline Amielynn Abellera: Instagram Kristin Villanueva: Instagram Transcript [00:00:00] Opening: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.  00:00:52 Isabel Li  Thank you for tuning in to Apex Express. Last Thursday, season 2 of the HBO Max medical drama The Pitt released its season 2 finale, including a hectic season following medical professionals in the emergency room and giving a realistic depiction of real-world issues in hospitals. I'm Isabel Li, one of the hosts here on APEX Express, and I'm so honored to be joined by two members of that cast tonight who play the two Filipina nurses on The Pitt. They were recently awarded the Actor Award for Outstanding Performance by an Ensemble in a Drama Series.  00:01:28 Isabel Li  First, let's hear from actress Amielynn Abellera, who plays Nurse Perla, a Muslim Filipina nurse on the show.  00:01:36 Isabel Li  Hi Amielynn, what an honor it is to be speaking to you today. Welcome to Apex Express.  00:01:41 Amielynn Abellera  Thank you. Thank you for having me. I'm excited to be speaking with you, too.  00:01:45 Isabel Li  So many of our listeners might know you from the HBO Max show, The Pitt, which I have so very much enjoyed. This is actually the first medical show that I have watched, and I really, really admire, like, all of the ensemble casts and, you know, everything coming to life. And you play the Muslim Filipina nurse, Perlah Alawi. We'll talk more about your performance and your character in a little bit, but first, this is a question that I ask all my guests: Can you tell us, how do you identify? And is there a story that you think really encapsulates your identity?  00:02:17 Amielynn Abellera  Gosh, I identify as Amielynn Dumac Abellera. She, her, hers. I'm a Filipino American, daughter of two immigrants. And I'm so thrilled and happy to be talking to you and to sharing my experience of my life.  00:02:42 Isabel Li  Absolutely. Of course, The Pitt is a medical show. And is it true that you come from a medical background yourself? Like I heard that you were a psychobiology major in undergrad.  00:02:51 Amielynn Abellera  Yeah, I was pursuing medicine for a long time. I studied pre-med in undergrad at Santa Clara University, majoring in psychobiology, which is psychology with basically a minor in biology. I really wanted to get into neuroscience and or be an oncologist. And I was pursuing that all the way till I graduated and applying to medical school and getting interviews. But ever since I was a kid, for as long as I can remember, I was really also passionate about acting and theater and film and television and being on stage. But it was really just seen as a hobby in my mind and in sort of my environment's mind. I never really prioritized it as a career, and it was never seen as a possible career. Um, so I just had it on the back burner. And, you know, I was getting, getting closer and closer to medical school and getting more and more anxious that I would regret not pursuing acting. And so sort of after waffling for many years, I decided to audition for a master's in fine arts and acting. And that was because I didn't really have any formal training in acting. I didn't study it in undergrad or, you know, in my younger years. It was just all through life experience and being in plays and art and everything like that. And so I thought if I get into one of these programs, maybe that means I have something to offer. And I was going to take that as the sign that I needed to give myself a chance. And so I got into two programs, and I was thrilled. And I moved to LA to attend the University of Southern California's MFA program. And the rest is history. Here I am.  00:04:47 Isabel Li  Wow. How does being a former pre-med influence your current role as a nurse on the show? Do you remember any like terms from science classes that you're like, oh, wow, I remember that in those lines.  00:05:00 Amielynn Abellera  Yeah, yeah, totally. And you know, I spent a lot of time in hospitals and clinics and my dad is a former family practitioner. He had his own medical practice and my mom is a nurse practitioner and she worked in the CCU in the hospital for many years. So I was really familiar with how nurses interacted with patients and hearing the terminology and the medical language a lot.  So it is a cool throwback and always a really, I love how it's so familiar to me 'cause it's, I still have to work at it quite a bit when, you know, when it's all coming at me and I have to have it down for when we're filming, but I'm not as, as intimidated by it as I probably would be if I didn't have a background.  00:05:50 Isabel Li  And out of curiosity, when you got the audition for the pit, did you have to sort of immerse yourself back into that realm of science and that medical background in order to bring out that character when you were  first being introduced to Nurse Perlah?  00:06:04 Amielynn Abellera  Yeah, a little bit. And I feel that with any role, you kind of, before you go in for the audition or even when you're now filming or you have a part, you just have to kind of get into that world, obviously and really put yourself in the actual experience of what this person's going through. And it did help me to be able to use my imagination so vividly from my previous experience of being in an OR and being in a hospital.  I remember when I was doing an internship when I was sort of in the break between graduating undergrad and pursuing medical school, I remember watching a C-section. And I remember — I remember the doctors talking, the surgeons talking, the anesthetic going in, the blood everywhere, the scalpels, the blood pressures, the oxymeter dropping. So, it really — I think back to the real-life fear that I had in all of those those procedures and I just, you know, bring it to Nurse Perlah.  00:07:16 Isabel Li  It's incredible. I want to start off by talking about, for Nurse Perlah specifically, that Perlah's identity is a Filipina and a Muslim nurse.  What did you do to prepare for a role that is so specific in terms of these cultural representations?  00:07:33 Amielynn Abellera  Sure. Thank you for asking that. I am thrilled that Perlah is on television. She is a Filipino American Muslim woman nurse. And I have never seen that. And it's just rarely ever seen on mainstream media. So, in preparing for it, I mean, truly, I had two weeks before we started filming by the time I got the role. And it was go time already. So I didn't have a ton of time, but I did my best to sort of deep dive into learning about the Muslim faith, trying to reach out to different Filipino American Muslims in my community to kind of just hear their experience. And, you know, I quickly learned that it would be impossible for me to sort of understand the full experience completely. And so I just kind of, I realized that the only question that I needed to answer for myself going into filming as Perlah was, is there anything about the Muslim way of life that would influence or adjust or be a part of their nursing or would it shift it at all? And or how would it affect their job?  And, you know, after talking to several Filipino American Muslim nurses, there, there wasn't anything that it would do to either to shift or do anything to get in the way of their patient care. They are, it's still their priority just to care relentlessly for this patient and have as much empathy as possible. And to be honest, I'm still learning as I go along with playing Perlah and as scripts come in and I still ask a lot of questions of how would Perlah specifically understand this procedure or understand this text or understand what she's doing and just keep asking questions.  00:09:30 Isabel Li  And the majority of The Pitt itself takes place on a hospital set. I'm wondering if you had a vision of what Perlah does outside of the hospital?  00:09:39 Amielynn Abellera  Well, I think Perlah is, she's been at this hospital, PTMC, pretty much, this was her first job, she really wanted to work there in this urban setting.  And she's been there probably for over eight years or something, like through COVID. I think she is a single mom and she has two children who are both under the age of 10. So I think she's exhausted, but she loves nursing. She loves her kids. And she is just, she knows how to compartmentalize and work hard and like protect herself. She knows how to leave, at least she thinks she knows how to leave the job at the door in order to go home and be with her children.  00:10:24 Isabel Li  Uh-huh. And is this something, also, I'm just curious, like, is this something that you had to imagine yourself or did some of the writers sort of drop some hints during production?  00:10:35 Amielynn Abellera  I mean, a little bit of both, I think. There are only some hints in the script in the pilot and the first season where it's dropping like, oh, she has some kids and she's exhausted and kind of eye-rolling — Yeah, and pets — And sort of eye-rolling exhausted by what's happening at home. And it's, I am a mother of a five and a half year old. She's almost six right now. So I sort of understand that exhaustion, but like deep love for my child. But it's like, I'm happy to go to work and have them at school, but I'm also missing them. It's just this like journey of a mother. So it was a bit of me sort of creating that backstory, but also just from the hints of the writers.  00:11:23 Isabel Li  Definitely. I think something that's so special about The Pitt as a medical show is its accuracy in depicting the very hectic lives of healthcare professionals, especially in an emergency room setting. So Nurse Perlah is often mediating like some sort of communication and really emphasizing medical jargon or reading off data. What was it like memorizing all of these different lines and delivering it in a way that felt authentic to the way that healthcare professionals might?  00:11:50 Amielynn Abellera  Sure. Oh my gosh. It's really challenging. I think as soon as I get the scripts, and again, thank goodness I have a sort of familiarity with having a little bit of a medical background, but you know, that was years ago. So anytime I get a script, I immediately go to the hard stuff and get that in my brain as soon as possible. And a trick that I do is, as soon as I have it memorized, I'm just saying it all day and doing things with my hands. Like I do it when I'm folding laundry. I do it when I'm washing dishes. I do it when I'm cooking. I'm doing it when I'm driving, just because as soon as it's second nature, and that's the thing about healthcare professionals, they're constantly, like they're not thinking about what they're saying. They're, it's so awesomely competent in their brain, that is not difficult. That's actually like them just having a conversation.  So I love trying to get to that point and showing how Perlah is just so competent in all of that stuff and doesn't even have to think about it while putting in an IV.  00:13:00 Isabel Li  Absolutely. Oh my gosh. And I think like a lot of our listeners, maybe if they watch The Pitt and a lot of audience members really enjoy the lighthearted moments that you share with Princess, also another Filipina nurse played by Kristin Villanueva, especially that Nurse Perlah code-switches with her using Tagalog as a language.  Can you tell our listeners what that code-switching feels like to you and how you relate to Tagalog as a language?  00:13:25 Amielynn Abellera  Yeah, totally. Thank you for asking. I, as Amielynn Abellera, the actor, I grew up, I was born and raised in Stockton, California, and my parents spoke Tagalog and Ilocano at home all the time. And unfortunately, they didn't teach me. So I'm actually not fluent in Tagalog at home.  I'm that Filipino American who later in life got voracious about wanting to embrace her heritage and learn it like in her adult life. And I think that translates with Perlah. I do, I think that Perlah is also, was also born and raised in the United States to two Filipinos who came from Mindanao. And even though she had the ear for it, I think that she's learning it later in life. And I think she absolutely is so happy to have, Princess as her buddy because she can practice.  Um, because I think like the only way to learn is to constantly be talking every day. And I think Perlah does that. I think she finds any opportunity to celebrate joyfully her heritage by speaking the language with Princess. I think they both do. So it's really close to, to my own personal experience with Tagalog because right now I am learning Tagalog on my own, taking lessons and things like that in order to teach my daughter as well, just to have it in our life more. But I think that is also what Perlah is doing.  00:14:58 Isabel Li  Yeah. And for you specifically, how and when did you start learning Tagalog?  00:15:03 Amielynn Abellera  Yeah, I think it really is. Like I said, my parents came in the '70s to Stockton, California, as a doctor and a nurse. And, you know, that generation, at that time, their priority was assimilation, so they didn't really teach me. And our Filipino-ness was a little bit second place, in terms of, not in a negative way, but it just was, it took a little bit of second priority as opposed to assimilating to our environment in Stockton, California. And so, however, whatever seeds were planted in there to not really pursue Tagalog or pursue, to learn and be curious about my Filipino heritage, that was sort of the majority of my childhood and into my college years. And it wasn't until, I think, college and beyond when I started to Honestly, I think it was when I was exposed to Filipino cultural night in university, at Santa Clara University, where, all of a sudden, I was with all these other Filipino-Americans who had such a voracious sort of celebration and wanting to learn like the dances, the language, the style, the textiles, the clothing, the music, and they would study it and we would, they would just be so passionate about it.  And that really was an experience for me of, oh my gosh, I didn't, it wasn't like I was neglecting it on purpose. It's just, that wasn't in my life. So when that was happening for me, I slowly, slowly really wanted to start learning the language and started taking lessons probably in my twenties. And then, you know, but again, it's a lifelong process to learn another language. It's challenging. Um, and I wish, I wish I was, I wish I was at the level of Perlah where she has a buddy all the time to practice, practice, practice. But I don't have that in my home or in my workplace right now, except with Princess at the hospital.  00:17:28 Isabel Li  Gotcha, gotcha. And currently, at the time of this interview, season two of The Pitt is in progress, and you had some really emotionally nuanced moments in the 12 o'clock episode. I'm not going to spoil it too much, but when Perlah reacts to losing a long-term patient, I'm wondering for you, as an actress, can you tell us about how you're able to switch from some, you know, more lighthearted scenes to moments that really emphasize the darker, heavier aspects of being in medicine, like death and disease.  How do you portray and balance that?  00:18:02 Amielynn Abellera  Sure. Yeah. Thank you for asking. I think nurses are amazing in that way where I don't know if it's a blessing or a curse to be able to compartmentalize such extremes of feeling and experiences of loss of patients on the hour, every hour, and being able to move on to sort of uplift and help other patients on the hour, every hour. But I think Perlah, as such an experienced, competent nurse, has learned how to switch it on, switch it off, but I do feel that something that episode 206 was trying to shine a light on is what of that armor has cracks or what of that armor isn't as strong for certain patients or she or what of that armor is, uh, what if that punch… I'm not able to recover as easily as I usually am? So, um, and I think that must happen all the time with healthcare professionals of what they have to do. I think they have to experience losing loved ones and patients and friends who are patients all the time. And how is it that they get back up to be there for the next one?  So I was– it was ultimately challenging, but I'm so glad that that episode showed that dynamic.  00:19:34 Isabel Li  Speaking of a hospital setting, I imagine it's quite a unique set to be one, and The Pitt definitely emphasizes the realism of being in a hospital. Like, we see lots of different types of medical equipment, hand sanitizer, very relevant, pressing things that make us feel like we're almost, like, engaging with the show in a sense. How do you describe that set?  00:19:56 Amielynn Abellera  To me, I really feel like it's a real hospital. Everything pretty much works almost like the real thing, but it doesn't, right? So like the water fountain looks, smells, feels like a real water fountain and it is until it just doesn't shoot out water, right? Like everything is so amazing.  And I think that's what Nina Ruscio, our set designer wanted to build and working with all the executives was they wanted to build this entire whole hospital to really immerse us in the reality of it. And there, a lot of times there are real needles that we have to close up on, but then when we do something actually, we switch it out for a dull needle. So it is, it's really very, this balance and like a real scalpel that needs to look so sharp, but then as soon as it's, actually near the skin, it is a dull scalpel, and then that's also a prosthetic. So sometimes I can't tell what's real and not real. I just kind of…I just have to jump in and kind of engage with it. And then if it's the real thing, not be freaked out. So yeah, but it's, it's, it's a part of the…It's so, it's so incredibly fun.   I'm so fascinated by this hospital that I basically go to work to like a real nurse at 5:00 in the morning every day for a 12-hour shift. And I put on the scrubs, and then I take off the scrubs. So I kind of feel like so much like a real nurse, but also not.  00:21:42 Isabel Li  How do you think The Pitt has influenced you as an actress? After being on this show, have your goals as an actress changed? What do you see yourself doing in the future?  00:21:52 Amielynn Abellera  Yeah, So, I mean, I am really in a dream right now. It feels…like I probably had this dream of, you know, really being invited on a show from its initial season, initial episode, and being a part of a team from the very beginning, originating a role that is representing so many different cultural dimensions, like across the board. And also the show being so successful and having an impact globally, not only for healthcare workers, but, you know, the diversity that is the reality of the world.  So it's hard to think ahead. I kind of just want this to last as long as possible for Nurse Perlah and for Amielynn. And, you know, I've learned to be in my acting career just putting one foot in front of the other and trusting that where it's going will lead to the next piece in my universe. And I– the moment I try to plan something or want something to happen, it will not happen. I think I just have to trust the journey and how the universe will put what's meant to be in front of me.  00:23:17 Isabel Li  And as an actress, what are you the most passionate about doing in any role that you play?  00:23:23 Amielynn Abellera  Well, I love the human experience. I love what that did to me as a young artist and as a young kid and what that ignited in me watching like an actor go through it and it'd be so real and me be so moved. And I love being that vehicle for other audience members. And as the actor, I can feel if I'm hitting a stride with it. And it's a really exhilarating process. And it just reignites why I love being an actor.  00:24:06 Isabel Li  For all the listeners who have watched The Pitt, or for those of our listeners who have yet to watch The Pitt, and they definitely will after hearing this episode — what do you want the listeners or the audience members to take away from watching The Pitt, from seeing you as Nurse Perlah in it?  00:24:23 Amielynn Abellera  Yeah, well, first off, I hope you go home and turn on your HBO Max and watch The Pitt to all of you who haven't seen it yet. And I hope you enjoy it. And I just hope that you watch it and are entertained, but also you walk away with learning something about humanity and our healthcare workers and also laughing and crying and being fascinated as much as we are behind the scenes. We're really having such an excellent time creating this show. And we're so thrilled that audience members love it as much as we love making it.  So I hope you have that same exhilaration and elation as we all do here.  00:25:10 Isabel Li  I'll put a link to your social media on kpfa.org so our listeners can follow you there. And thank you so much, Amielynn, for joining me on Apex Express today.  00:25:20 Amielynn Abellera  Well, thank you for having me. I'm excited to talk to you and to share my story. And thank you for listening.  00:25:27 Isabel Li  That was actress Amielynn Abellera, who plays Nurse Perlah, one of the Filipina nurses on The Pitt. And we're about to hear from one more actress from the show. But before that, here's a music break with 7000 Miles by Ruby Ibarra.  00:25:59 [MUSIC: 7000 Miles by Ruby Ibarra]  00:30:07 Isabel Li  And that was the song 7,000 Miles by Ruby Avara here on KPFA.  00:30:11 Isabel Li  Thanks for tuning in to Apex Express tonight, where our next guest is the actress Kristin Villanueva, who plays Nurse Princess De La Cruz, another Filipina nurse on the HBO Max medical show, The Pitt. Hi Kristin, welcome to APEX Express.  00:30:29 Kristin Villanueva  Hi Isabel, thanks for having me.  00:30:32 Isabel Li  Absolutely. My first question for you is, how do you identify and what's your story?  00:30:37 Kristin Villanueva  I am Filipino American. I was born and raised in Manila, Philippines, and I moved to the Washington DC area when I was 15.  00:30:47 Isabel Li  How did you get into becoming an actress?  00:30:50 Kristin Villanueva  Kind of by accident. When I moved to the States and I was at my new high school. I joined the drama program just because we didn't have that in my school in the Philippines and that was something I've always been interested in. So yeah, I auditioned and I didn't know that the drama teacher was a very serious one. Like, you either join the drama club or you play softball, you can't have both. So yeah, that's how I got introduced.  00:31:27 Isabel Li  And at a young age, what kinds of films or movies really inspired you to pursue drama?  00:31:33 Kristin Villanueva  I don't think it inspired me to pursue drama, but my choice of movies, my favorite movies when I was younger is, I would say, is a little bit peculiar for an eight-year-old, for a 10-year-old. But I remember watching Kramer vs. Kramer with Dustin Hoffman and Meryl Streep and it having such an effect in my little eight-year-old self. I was so moved by it. And also Legends of the Fall with Anthony Hopkins, Aidan Quinn and Brad Pitt.  And like, what does a 10-year-old Filipino girl have anything in common with these turn of the century, 19th century, you know, Montana cowboys? You know, it's just so random, but for some reason I just fell in love with it. Maybe I just fell in love with Brad Pitt, but, yeah, those heavy dramas had an impact in me, even though I didn't know exactly what it was.  00:32:35 Isabel Li  So you play Nurse Princess on the HBO Max medical show The Pitt, and which, at the time of this interview, we're, you know, getting towards the finale of season two very, very quickly. I've really been enjoying season two. And first of all, congratulations on winning Outstanding Performance by an ensemble in a drama series. That's so incredible.  00:32:54 Kristin Villanueva  Thank you so much. Yeah, it's been a wild ride.  00:32:57 Isabel Li  Yeah. Can I just say, Princess is such an energetic and confident character, and it's really fun watching you play a healthcare professional in such a hectic setting of an emergency room. What do you do to get in character of Princess?  00:33:11 Kristin Villanueva  Ooh, that's a great question. She has such a vibrant energy when she's at the ED, and I don't need a lot to prep myself to get to that level because I'm just excited to be at the Warner Brothers lot, and being on set and being with very kind people. So it doesn't take a lot to get in that mindset. Maybe if it's a 5.30am call, maybe I need a little bit more coffee to get there. But in terms of my emotion and excitement and energy, I don't need to do that much because, yeah, it kind of, it's parallel in my real life and in Princess's life of just doing what they both want to do. But in terms of, I would say, the difference is, I wish I had Princess's confidence in my life more. You know, she's very confident in everything that she does. You know, she knows she's good, and she isn't shy to show it. Because I think when she shows it, it's not to show. It's just to do, you know? Um, so I wish I have more and more of that in my life.  00:34:35 Isabel Li  For you, what's the most challenging part of playing Princess?  00:34:39 Kristin Villanueva  I would say, well, first, the lines, the medical jargon and the technicality of things. So, thankfully, we have amazing med techs that are always right next to us, correcting us, you know, making us feel more confident, guiding us, answering all our questions. So, yeah, making sure that I look like I know what I'm doing. So that would be, I would say, the hardest part.  00:35:08 Isabel Li  Yeah, and on that note, like in many of her moments, Princess is so often mediating communication for medical information in so many different ways. How do you prepare for a role like that where you have to, I mean, you mentioned some things about needing to like look and act the part and you have some people helping you, but what are some other things that you do to really have you, you know, help practice sounding like a healthcare professional?  00:35:35 Kristin Villanueva  First, I Google everything. And then I make sure I'm able to explain it in my own words, so whatever the procedure is. Don't ask me anything now, because once I'm done filming, it leaves my brain. So yes, I research everything. And then when it comes to memorization, if it's, the nurses have a lot of numbers. We may not have a lot of the long words, Latin words, medicine words that the doctors do, but we have to say a lot of different numbers, you know, BP 160 over 20 and all of that. So what I do is I would record the other people's lines, make leave a space for my lines and just play it all day, every day. When I'm walking the dog, when I'm doing dishes, when I'm folding laundry. So I can get it in my body while I'm doing different things. Because I notice that if I'm just sitting down and memorizing my lines, and then I get to set the next day, and all of a sudden, you know, I'm given all these choreography and I'm moving, or they change the choreography in the middle, that gets really tricky. So doing my lines while moving helps a lot. And then of course, the things that I can Google as much as I can, but then I take advantage of having, like I said, the med techs on set. Then I ask them about their emotional experiences behind procedures. So things I start with, okay, is this procedure an everyday thing? How often do you see it? How often do you deal with it? And then from there, I ask if it's something interesting that it's like they've only heard of but never actually seen in practice. What would you do? They say, if you're not busy, you run to that room and watch it, that kind of thing. And if it's an emotional scene, then I ask them, how do you deal with these things? Then I get to hear their experiences and how they cope with it after the shift.  00:37:53 Isabel Li  Did you know anything about medicine or the emergency room before this role?  00:37:59 Kristin Villanueva  No, I think I'm one of those very rare Filipinos that don't really have a lot of healthcare professionals in their families. I do have a cousin who's a radiologist and my husband's side of family. There are a lot of nurses and that's my mother-in-law included, but no, I have zero.  00:38:20 Isabel Li  Oh, wow. So I watched some of your other interviews and I found it really interesting that you had talked about like telling your agent not to submit you to roles on nurses, on projects, unless it was specifically featured.  Can you tell us more about that and how you navigate like the Filipino representation in medical shows, especially in The Pitt as an actress yourself?  00:38:41 Kristin Villanueva  Sure. I was getting a lot of, I wouldn't say a lot, but I would often get auditions for nurses in medical shows or non-medical shows. And I've played them before and I've been very grateful for those experiences. One of them was a movie opposite Susan Sarandon.  So Susan Sarandon was also playing a nurse. So all of my scenes was with her. So those are very cool experiences. But because I've played them a number of times, then I told my agents at one point, hey, unless, like you said, the nurse part is more featured or has more lines other than yes, doctor, then sure, I would audition because I've done it.  And I also didn't want to perpetuate that sad practice of, you know, okay, let's have one Filipino or one Asian nurse and check that box off.  Because it does feel that way. And it's just not the real world. So when The Pitt came and I saw the breakdown, it's a heftier breakdown for the part of Nurse Princess. I mean, and just looking at her name, Princess de la Cruz, I was like, somebody did the research. I'm like, all right, okay, I'll put myself on tape for this.  00:39:59 Isabel Li  Yeah, and I love how Princess as a character is written to be such a crucial part of the team. Very competent, very quick on her feet. Are there any ways where you, yourself, got to influence how Princess was portrayed, maybe beyond the scripts or, you know, in any ways that you could add to that character?  00:40:19 Kristin Villanueva  I think so? I'm not sure, but I have noticed that in season two, on the scripts, Princess's, looks, eye rolls, stares were now written. Whereas before, I was just doing it. So yes, I think so. Because I didn't have a lot of lines. I still don't have a lot of lines, but that doesn't mean she doesn't have an opinion. And yeah, I was just being truthful in all those moments. So if I feel like something's off or, you know, I don't think Princess has a good poker face. So that made its way into the script recently.  00:41:05 Isabel Li  Oh, I see. Well, the show primarily takes place in a hospital setting. But for you, when you're playing Princess, do you imagine what she does, like, outside of the hospital? Like, who is she outside of work?  00:41:16 Kristin Villanueva  I think when there is an after party or somebody's birthday, someone's baptism, or, I think she's the same. I think she's a work hard, party harder kind of girl. But I can also see her turning everything off and having a lot of deep, quiet solo time that she doesn't talk about much often.  00:41:44 Isabel Li  Yeah, something so cool about Princess is the fact that she can apparently speak six languages. But I wanted to talk about the fact that you, as Princess, code-switched to Tagalog in many scenes, especially with Amielynn Abellera, who plays Nurse Perlah. For you, can you tell our listeners how it feels for you switching from English to Tagalog?  00:42:05 Kristin Villanueva  Well, first off, the first word that comes to mind is it's fun. You know, you get to use that skill or use that — used to be a very familiar part of myself again. But I also feel extremely vulnerable because I don't get to do that often. I don't think I've, maybe I've acted once in Tagalog, but I can't remember any other significant roles where I was able to do that. So to do that on The Pitt is, yeah, it's pretty vulnerable just in terms of sharing that part of myself that I haven't shared really acting-wise.  But it's also fun. Because it comes naturally. And I get to there's so many nuances that I would think only Filipinos would get, but it's also so gratifying to hear from from other folks who are not Filipinos that get it. You know, even though they don't understand, um, the Filipino jokes, but they have their own — they have their own version in their own culture. So it's — it's really fun to hear that.  00:43:18 Isabel Li  Just out of curiosity for you, how do you relate to Tagalog as a language? Do you speak it often?  00:43:24 Kristin Villanueva  I don't speak it often, unfortunately. I do still speak it with my family, and we Zoom once, twice a week. But other than that, no, I don't speak it often.  And it's kind of sad, because I feel like some words are leaving my memory. But yeah.  00:43:45 Isabel Li  Yeah, wow. So when they're written in the script, do you translate, or are they already words in Tagalog that you already know?  00:43:54 Kristin Villanueva  When they're written in the script, they're written in English. And season one, I used to translate it for myself. And then season two, we have a coach who gave us a lot more options. But what's wonderful about working with the writers is they're not precious with their own phrases.  They defer to us to translate it as close to the gist of, let's say it's a joke, but if I were to translate it in Tagalog, word per word, it's not going to land the same way as it would in American, in English. Do you know what I mean? So they much rather have us say it in whatever's parallel in Tagalog. So yeah. And I applaud the writers for doing that, 'cause that's one of my pet peeves sometimes when I'm, you know, watching other shows, translation of, it's not quite that, you know, or it's too literal. If it's too literal, then it's, that's not how we talk.  00:44:59 Isabel Li  Right. And putting that in the context of Princess as a character, who is a polyglot, there are some moments where she speaks French and does sign language.  00:45:08 Isabel Li  How did you navigate these multilingual exchanges communicating in different languages, essentially. Oh, I look forward to it. I look forward to them so badly. It's one of the things I got really excited about auditioning for the part, 'cause it was written in her breakdown that she speaks six languages. Um, I personally don't, but I am so enamored by polyglots. Like if I were to meet someone who can speak three languages plus, I'm just, I follow them like a puppy. I don't know, I just find it so sexy and intriguing. And it's like something that I aspire to be, but just haven't had the time to do it. So yes, I look forward to them.  00:45:52 Isabel Li  Yeah, and how do you practice? Like, did you have to practice some French and some ASL?  00:45:57 Kristin Villanueva  Oh, um, for the French, since there's only one line, we didn't hire a coach, but we did hire, um, coaches for ASL. Oh, yeah, I just practiced the hell out of them. Um, but there's also that nuance of, um, how fluent or how good is your pronunciation for someone who doesn't speak it all the time, you know? You got to, like, factor that in as well. But, yes, I just practice it all the time.  00:46:24 Isabel Li  Gotcha. And speaking of that, I love how Princess and Perlah add some lighthearted humor and back and forths and gossip throughout the series. How do you switch from humorous moments to more serious ones?  00:46:36 Kristin Villanueva  I mean, you don't really think about it in life, right? Like one minute you're crying and then something happens and then you find it hilarious. You just go with the flow on set. You don't really ever plan, okay, this beat is a funny beat, and this one is a dramatic beat. You don't. As long as you keep it honest, those colors would come out naturally.  00:47:02 Isabel Li  The Pitt is very current. Like there are so many current events and everyday sort of issues mirrored in the series. What is your experience working with a set and a story that feels like it is very much set in the everyday?  00:47:21 Kristin Villanueva  It hasn't been an issue. It's never– if anything, sometimes it's tougher because you can't escape the real world, right? It's not like when I get to do a Shakespeare comedy, there's a reprieve from, you know, the sad current events that are happening. So yeah, that's– I would say that's the only downside, but there's a lot more upside to that, which is you get to present and work through real life situations. You know, that I'm happy that a TV show like The Pitt, you know, something that's made for entertainment can actually dive into these really serious topics. And what I love about The Pitt is that I don't think it's preachy. I don't think it tackles headlines of the day in a way that it makes you want to turn the TV off. If anything, it shows how, it shows the repercussions on the everyday people. And hopefully audiences that don't have anything to do, like I'll give you an example, like for nurses strikes, right? If you see that on the headline and you don't work, you're not a healthcare worker, you'll probably just, you know, skip that video or not read that article because you think it doesn't affect you.  But hopefully by watching The Pitt, you'll see, oh no, it will affect me if God forbid I have to go to the hospital, if my loved one has to go to the hospital and you don't get seen for 10 hours, or there were mistakes in, the medicine, or it's just not top care that you think you deserve. It's not because the nurses or the doctors or the staff are bad. They're understaffed, period. Right? They haven't had a day off in 12 days. So no, it's a privilege to be able to do a show, have a job that actually reflects what's happening in real life.  00:49:40 Isabel Li  Yeah, thank you for sharing about that. And finally, I want to touch upon your work in general. As an actress, would you say there's something that you're most passionate about doing?  00:49:50 Kristin Villanueva  Ooh. Are we talking about material or medium? Because I would say everything. I do miss doing plays. I haven't done a play since, my gosh, I think pre-COVID. So it's been a while. So I really love doing plays. I have more experience in theater than TV and film combined. A really good material is so inspiring to do, whether it be a classic like Chekhov or any new contemporary plays. You know, there's so many playwrights, those plays I want to do so badly. There's something electric about working on a brand new play when the playwright is in the room. But also, it's also really amazing to work on juicy Shakespearean tragedies. You know, when I get to play Shakespeare ingenues, in those three hours, you've lived a lifetime. You know, usually in a Shakespearean comedy, you meet the ingenue before they fall in love. And then they fall in love, and then they get their hearts broken. And then by the end, they're kind of this new person who's a little bit more learned, but not the same 16-year-old that you met three hours ago. So getting to do those parts are a complete joy.  00:51:29 Isabel Li  I'm wondering, do you have a dream role that you'd like to play in the future? Like either in theater or in film? Who would it be and who would you like to work with?  00:51:37 Kristin Villanueva  I love this question. My imagination just starts going everywhere. Yes. My dream role for the theater would be Martha from Edward Albee's Who's Afraid of Virginia Woolf? I got to do that play a few years ago, but as Honey, as one of the other characters. But I would love to play Martha someday. Another theater role would be Arkadina from The Seagull or Nina, but I think I've aged out of Nina. And in terms for like TV, gosh, I'm obsessed with Narcos, obsessed. And I've always, I've written a part from, if Narcos was ever to do a season about the Philippines, I have a role that I wrote for myself. Cause I don't, you know, you look at my face, like, my face is too round and I'm too short and I smile too much for a show like Narcos or The Wire, which are, like, one of my top, top favorite TV shows.  And I don't have a part for them 'cause I don't look the part, but I found a way to write myself in Narcos season, I don't know, season five Philippines.  00:53:09 Isabel Li  One last question for you. These are such incredible answers. Thank you so much for sharing. One last question for you. Out of your entire acting career right now, what has been the most rewarding moment for you?  00:53:22 Kristin Villanueva  I mean, besides The Pitt, mainly because of the reach and mainly because a lot of Filipino nurses have become so happy just to be seen and represented. And that means so, so much, another role that I am most proud of is this play — I wouldn't even say play — it's more of a performance art piece called The Courtroom. The theater company called Waterwell produced it in New York. And The Courtroom is about a Filipino immigrant to the US who accidentally voted when she was still only on a green card. So she wasn't supposed to vote, but she did not do it maliciously. So the play is about her filing appeal after appeal to stay in the U.S. and not be deported. So I was pretty proud of that. We used, the lines were straight out of the court transcripts. And yeah, I wish we could do it again, especially with, you know, the current climate.  00:54:38 Isabel Li  Yeah, definitely. Well, thank you so much, Kristin, for sharing her story and all of your various experiences. Do you have anything else you'd like to share with our listeners?  00:54:47 Kristin Villanueva  Oh, just thank you so much for watching The Pitt and, you know, for all the nice words about the show. And I hope you keep watching.  00:55:00 Isabel Li  And that was Kristin Villanueva, who plays Nurse Princess De La Cruz on The Pitt, which just released its season 2 finale last week at this time.  Please check out our website, kpfa.org/program/apexexpress to find out more about our show and our two guests tonight, Kristin and Amielynn. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world. Your voices are important.  00:55:31 Isabel Li  Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Jalena Keane-Lee, Miko Lee, Miata Tan, Preeti Mangala-Shekar and Swati Rayasam. Tonight's show is produced and edited by me, Isabel Li. Have a great evening and thanks so much for listening.  The post APEX Express – 4.23.26 – Nurses of The Pitt appeared first on KPFA.

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Professor Caroline Bicks holds the inaugural Stephen E. King Chair of Literature at the University of Maine, and is the first scholar to be granted extended access by King to his private archives. That research has led to Monsters in the Archives: My Year of Fear with Stephen King, her new book that digs deep into King's original manuscripts and discovers connections to William Shakespeare along the way. Bicks reveals how she was able to confront her fears sparked by King's books and meeting the man himself; how King initially conceived The Shining as a Shakespearean tragedy; how King's depictions of teenagers reaching "mental puberty" corresponded with her own investigation into Shakespeare's works; the importance of "public-facing scholarship;" and the incredible value of reading books for their literary value at the same time you're already reading for pleasure. (Length 30:35) The post Year Of Fear appeared first on Reduced Shakespeare Company.

The man at the center of this isn't some anonymous figure floating around the edges of society. His name is Matthew Mahl. A 47-year-old lieutenant. Twenty-three years on the force. Not a rookie. Not a guy who slipped through the cracks on a paperwork glitch. This is someone who was the system. Former chairman of the D.C. Police Union. The kind of guy who didn't just wear the badge, he represented the people wearing the badge.And now? Arrested. Charged with soliciting a minor and seeking child pornography.Let that marinate.Because according to investigators, this wasn't a momentary lapse or a misread situation. This was weeks of communication with someone he believed to be a 15-year-old boy. Messages. Explicit content. Repeated acknowledgment of the age. And then… the pièce de résistance… he takes time off work to go meet the kid.Except the “kid” was an undercover detective.So the man who helped represent law enforcement… walked straight into a law enforcement sting.That's not irony. That's a Shakespearean plot twist wearing a badge.And here's the part that should bother everyone, regardless of politics: how does someone build a 23-year career, rise to leadership, become the face of a police union… and allegedly carry this kind of behavior on the side?That's not a glitch. That's a systems question.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

BOSSes, Anne Ganguzza welcomes Paul Cartwright, an MFA-trained actor whose career spans Shakespearean stages in the UK to high-stakes on-camera work in Los Angeles. Paul shares his unexpected and successful transition from acting to voiceover, proving that "pipes" are secondary to performance. This episode is a masterclass in resilience, the importance of "text-first" training, and how to maintain a sustainable business while navigating the extreme highs and lows of the entertainment industry.     Chapter Summaries: The MFA Advantage: Text-Based Training (03:39) Paul discusses how his MFA training at the Royal Conservatory in the UK shaped his performance style. Unlike the "add emotion" approach common in some American training, the British tradition focuses heavily on the text. Paul explains that "everything you need is in the text," and learning to unlock an authentic voice through rigorous script analysis became his competitive edge in voiceover. The "Door-to-Door" Hustle and 2 AM Practice (06:33) Paul candidly shares the reality of moving to LA with an MFA but no industry connections. To support his family of six, he worked door-to-door sales while spending his nights from 11 PM to 4 AM practicing voiceover. He emphasizes that there is no "workaround" for talent; building a career requires thousands of hours of recording, listening back, and researching. Befriending Fear: A Key to Growth (13:38) Paul identifies fear as a constant companion rather than an enemy. By acknowledging fear and "holding hands" with it, he was able to stop letting it paralyze his learning process. He reframed mistakes as "learning experiences" rather than humiliations, a mindset shift that allowed him to take bigger creative risks in his auditions. Reframing Rejection: David Wright and Disney (21:07) Paul tells a powerful story about auditioning for the head of casting at Disney Animation. After initially being told he wasn't ready, he was given a second chance, worked relentlessly for a week, and eventually earned an endorsement. However, he notes that even a Disney-level endorsement didn't lead to immediate work, teaching him that success is a long-term numbers game, not a single moment of arrival. The "Stop Trying" Commercial Breakthrough (27:28) Despite his extensive acting background, Paul struggled to book commercials until a session with Tina Morasko. He realized he was trying too hard to be "poetic" or "actorly." Once he learned to stop trying and just read the copy as himself, he booked a McDonald's commercial the next day, which became a turning point for his consistent income. Management vs. Agency: The Power of the Hustle (30:52) Paul discusses the difference between top-tier agencies and dedicated management. After being dropped by a major agency, he found manager Brandon Cohen (BAC Talent), whose relentless "hustle" and belief in Paul's talent doubled his income annually for three years. He reminds talent that it's not about the agency's name, but who is actively fighting to get you in front of clients.     Top 10 Takeaways for Voice Actors: Text is King: Base your performance on what is written in the script, not by layering arbitrary emotions onto the copy. No Workarounds: Even with an MFA or natural talent, you must put in the "midnight hours" of practice to master the technical and artistic side of VO. Acknowledge Fear: Stop trying to eliminate fear. Acknowledge it, and keep moving forward with it as your passenger. Stop Trying So Hard: In commercial work, clients want you, not your acting training. Authenticity beats "turning a phrase" every time. Rejection is "Not Now": Reframe every "no" as "not the right time for this specific product," which removes the pressure from each audition. Trust the Numbers: Success is a numbers game. Aim for a high volume of quality auditions (Paul does 170–200 monthly) to increase your booking odds. Find a Fighter: Whether an agent or a manager, prioritize working with people who believe in your brand and will hustle to get you shortlisted. Direct Communication: Don't be afraid to reach out to industry idols for advice (like Paul did with Pat Fraley), but always respect their time and pay for their expertise. Vulnerability is Strength: Being honest about your struggles and fears makes you a more relatable and connected performer. The MFA to VO Path: Acting training for stage and screen is highly transferable to VO, provided you can condense your rehearsal process into a few minutes.

Doug and Strickland are "Beacons of tomfoolery and hijinks?" Well, if Emily Aborn says so, it definitely must be true! I mean that in all sincerity, I've never known Emily to say anything that wasn't true. Emily is not merely an avid, thorough fact-checker; she is a relentless archivist of veracity, a baroque curator of empirical sanctity, a woman who treats every stray assertion as a suspect in an epistemological interrogation room lit by the merciless fluorescence of scrutiny. Armed with an arsenal of cross-referenced citations, annotated bibliographies, and a preternatural intolerance for ambiguity, she descends upon dubious claims like a scholarly thunderclap, dismantling half-baked statements with the delicate precision of a neurosurgeon and the theatrical flair of a Shakespearean monologist mid-soliloquy.Her commitment to factual integrity is not a habit but a vocation bordering on the sacerdotal. Footnotes bloom in her wake like overachieving wildflowers. Margins tremble at her approach. She does not “double-check”; she performs exhaustive, labyrinthine audits of truth itself, tracing each datum back to its primordial source with the tenacity of a bloodhound who has read too much Kant. Rumors wilt. Hyperbole evaporates. Even the most confident exaggerations find themselves politely but irrevocably escorted out of the room. To encounter Emily mid–fact-check is to witness a kind of intellectual supernova: dazzling, terrifying, and utterly incapable of leaving a single questionable comma unexamined. In other words- Don't. Question. Emily.Do you want some cool merch? Check out the store here- https://www.niceguysonbusiness.com/merch Need podcast production? We've got your back. https://turnkeypodcast.com/contact Your Voice, your message, fully produced. Leave a voice mail for the Nice Guys: 424-2DJ-DOUG – (424) 235-3684Join our Nice Guys Community. http://www.NiceShortCut.com No time to get to this, but you can read the blog here: 12 Worries Every Entrepreneur Has (or they are lying) Show notes written lovingly by the most anonymous man (or woman) in the world. Audio production by Turnkey Podcast Productions. You're the expert. Your podcast will prove it. Need podcast production? We've got your back. https://turnkeypodcast.com/contact Your Voice, your message, fully produced.

SUMMARY: Jacob gets his eyebrows done again. On a flight home, Matt sits next to a guy who takes off his shoes. What comedy would we choose to watch before getting shot? Jacob talks with an old tech hand. Plus a Scoopardy. Tickets for Shakespeare the Musical at the Fallout Fringe Festival are on sale at https://www.crowdwork.com/e/shakespeare-the-musical.

■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■ あと３２曲となりました！！　 ■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■あと３２日でこのプロジェクトが終わるということです…　何したいかというと、この《ピアノ万葉集》用のピアノ音色セットを離れて、映画「国宝」とかのピアノ音楽のような美しいピアノ曲を練り上げてみたいのです。shakespearean fish swarm the sea far away from land - #4505..

Adam Hurrey is joined on the Adjudication Panel by David Walker and Nick Miller. On the agenda: a stand-out candidate for commentator's curse of the season, a worrying statistic for Pep Guardiola, the prospect of the first-ever top-flight season without a six-goal win, a confusing abbrevation of Wolverhampton Wanderers, half-and-half scarves at the theatre, Omar Marmoush's convoluted claim to footballing supremacy, and Richard Keys takes on the continentals. Meanwhile, the panel discover the formation of choice for non-football fans and ponder the psychology behind it. Play the new Happy Hunting Grounds daily quiz at games.footballcliches.com Sign up for Dreamland, the members-only Football Clichés experience, to access our exclusive new show and much more: https://dreamland.footballcliches.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rob Corddry makes everything he's in better. From grand Shakespearean aspirations to getting work playing all the douchebags you love to hate ("Hot Tub Time Machine", "Children's Hospital", "Ballers"), Rob is simply too funny to let Dan "The Grief Eater" Le Batard make this a downer episode. Instead, Dan and Rob share laughs, dive deep into Rob finding his dream job as a correspondent alongside Stephen Colbert and Steve Carell on "The Daily Show with Jon Stewart," and the absurdity of Hollywood, keeping things refreshingly light. "The Audacity", starring Rob Corddry, Zach Galifianakis, Billy Magnussen, Sarah Goldberg, and Simon Helberg, premieres Sunday, April 12th at 9PM ET/PT on AMC and AMC+ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rob Corddry makes everything he's in better. From grand Shakespearean aspirations to getting work playing all the douchebags you love to hate ("Hot Tub Time Machine", "Children's Hospital", "Ballers"), Rob is simply too funny to let Dan "The Grief Eater" Le Batard make this a downer episode. Instead, Dan and Rob share laughs, dive deep into Rob finding his dream job as a correspondent alongside Stephen Colbert and Steve Carell on "The Daily Show with Jon Stewart," and the absurdity of Hollywood, keeping things refreshingly light. "The Audacity", starring Rob Corddry, Zach Galifianakis, Billy Magnussen, Sarah Goldberg, and Simon Helberg, premieres Sunday, April 12th at 9PM ET/PT on AMC and AMC+ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Know-It-Alls: Survivor 50 Ep 5 Recap Survivor 50 heats up as Rob Cesternino and Stephen Fishbach return for another jam-packed recap on the Survivor Know-It-Alls. This week, Rob and Stephen break down the fallout from a double Tribal Council and the pre-merge chaos, diving into pivotal swings, shifting alliances, and a whopping 17-person merge looming ahead. The hosts spotlight surprising gameplay from Kamilla and Rizo, debate whether old wounds define new moves, and try to make sense of Survivor's ever-changing web of connections. The show opens with both Rob and Stephen reflecting on the emotional stakes of losing heavy-hitters like Angelina and Charlie. They unpack Kamilla's key role as this episode's swing vote, debating if her decision is rooted in the shadows of Survivor 48. Rizo's “high-wire act” draws praise, especially as he turns a risky social game—and an idol in plain sight—into a strong position. The hosts dig into Charlie's downfall, calling his vote-out “Shakespearean” and highlighting how Survivor's stories get distorted between the beach and the TV screen. On the other side of the island, Rob and Stephen examine Christian, Emily, Ozzie, and Stephenie's dynamic, questioning the logic and fallout from the latest moves at Tribal Council, and celebrate the under-the-radar strategic work that shields Stephenie from the line of fire. – Kamilla's swing vote and Survivor 48 “agency” echoes – Rizo's unconventional idol play and social approach – Charlie's obsession with past mistakes and the trap of Survivor self-narratives – Dee and Kamilla's risky split from original tribal lines as the merge approaches – Coach's fresh set of nicknames and the evolving role he, Colby, and Aubry play in the shifting alliances With a massive merge coming, can Rizo's disarming style keep him safe? Will Kamilla's new path change her long-term game? Listen in for sharp strategy talk, fun camp moments, and all the key Survivor 50 breakdowns. Stay tuned and catch every twist, idol reveal, and alliance flip as Rob and Stephen break it all down for Survivor 50! Chapters: 0:00 Survivor 50: Double Tribal Fallout 6:03 Kamilla's Power Position Analyzed 12:06 Charlie Haunted By Survivor Past 18:25 Rizo's Boasting Disarms Veterans 24:10 Merge Strategy: Dee and Kamilla 30:03 Tribal Lines and Group Dynamics 36:05 Ozzy and Christian's Broken Trust 42:45 How Stephenie Avoids the Target 48:10 Angelina's Understated Exit Discussed 54:09 Coach's New Nicknames Spark Debate 58:59 Merge Vote: Unpredictable Alliances 1:04:16 Rizo Wins the Fishy Award 1:10:18 Survivor 50 Live Show Announced To pre-order Rob’s book, The Tribe and I Have Spoken, visit www.robhasabook.com To order Stephen’s novel Escape!, visit stephenfishbach.com Never miss a minute of RHAP's extensive Survivor coverage! LISTEN: Subscribe to the Survivor podcast feed WATCH:  Watch and subscribe to the podcast on YouTube SUPPORT:  Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks!

Know-It-Alls: Survivor 50 Ep 5 Recap Survivor 50 heats up as Rob Cesternino and Stephen Fishbach return for another jam-packed recap on the Survivor Know-It-Alls. This week, Rob and Stephen break down the fallout from a double Tribal Council and the pre-merge chaos, diving into pivotal swings, shifting alliances, and a whopping 17-person merge looming ahead. The hosts spotlight surprising gameplay from Kamilla and Rizo, debate whether old wounds define new moves, and try to make sense of Survivor's ever-changing web of connections. The show opens with both Rob and Stephen reflecting on the emotional stakes of losing heavy-hitters like Angelina and Charlie. They unpack Kamilla's key role as this episode's swing vote, debating if her decision is rooted in the shadows of Survivor 48. Rizo's “high-wire act” draws praise, especially as he turns a risky social game—and an idol in plain sight—into a strong position. The hosts dig into Charlie's downfall, calling his vote-out “Shakespearean” and highlighting how Survivor's stories get distorted between the beach and the TV screen. On the other side of the island, Rob and Stephen examine Christian, Emily, Ozzie, and Stephenie's dynamic, questioning the logic and fallout from the latest moves at Tribal Council, and celebrate the under-the-radar strategic work that shields Stephenie from the line of fire. – Kamilla's swing vote and Survivor 48 “agency” echoes – Rizo's unconventional idol play and social approach – Charlie's obsession with past mistakes and the trap of Survivor self-narratives – Dee and Kamilla's risky split from original tribal lines as the merge approaches – Coach's fresh set of nicknames and the evolving role he, Colby, and Aubry play in the shifting alliances With a massive merge coming, can Rizo's disarming style keep him safe? Will Kamilla's new path change her long-term game? Listen in for sharp strategy talk, fun camp moments, and all the key Survivor 50 breakdowns. Stay tuned and catch every twist, idol reveal, and alliance flip as Rob and Stephen break it all down for Survivor 50! Chapters: 0:00 Survivor 50: Double Tribal Fallout 6:03 Kamilla's Power Position Analyzed 12:06 Charlie Haunted By Survivor Past 18:25 Rizo's Boasting Disarms Veterans 24:10 Merge Strategy: Dee and Kamilla 30:03 Tribal Lines and Group Dynamics 36:05 Ozzy and Christian's Broken Trust 42:45 How Stephenie Avoids the Target 48:10 Angelina's Understated Exit Discussed 54:09 Coach's New Nicknames Spark Debate 58:59 Merge Vote: Unpredictable Alliances 1:04:16 Rizo Wins the Fishy Award 1:10:18 Survivor 50 Live Show Announced To pre-order Rob’s book, The Tribe and I Have Spoken, visit www.robhasabook.com To order Stephen’s novel Escape!, visit stephenfishbach.com Never miss a minute of RHAP's extensive Survivor coverage! LISTEN: Subscribe to the Survivor podcast feed WATCH:  Watch and subscribe to the podcast on YouTube SUPPORT:  Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks!

Known to many as Lady Danbury in Netflix's Bridgerton, Adjoa Andoh, MBE, is also a celebrated Shakespearean actor and director. Across her career, Andoh has returned to Shakespeare not as a fixed canon, but as a space for reimagining power, identity, and belonging. Her landmark Richard II at Shakespeare's Globe, created with the UK's first all-women-of-color company, reexamined ideas of nationhood and empire following Brexit, asking who gets to claim the story of England and how those stories are constructed. In this episode, Andoh reflects on Shakespeare as a profoundly human writer, exploring how vulnerability, love, and damage shape even his most complex characters. Rather than presenting the plays as distant or elite, she invites us to experience them as living conversations—stories that challenge us to shift perspective and see both the stage and the world more expansively. During her Director's residency at the Folger, Andoh will lead a series of public programs, bringing her distinctive approach to Shakespeare to Folger audiences. Listen to Shakespeare Unlimited on Apple Podcasts, YouTube Music, Spotify, Soundcloud, or your favorite podcast platform. From the Shakespeare Unlimited podcast. Published March 24, 2026. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica, with Garland Scott serving as executive producer. It was edited by Gail Kern Paster. Technical support was provided by Ati Pikal in London, England, and Voice Trax West in Studio City, California. Web production was handled by Paola García Acuña. Transcripts are edited by Leonor Fernandez. Final mixing services were provided by Clean Cuts at Three Seas, Inc.

Sharing a special episode this week from a new podcast called Blood Will Tell. When a birthday party in suburban San Jose turns deadly, 18-year-old identical twins are arrested for suspected murder. One brother spends nearly two years in jail before the truth comes out: authorities locked up the wrong twin. How could one brother let his twin take the fall? And why would the other sacrifice his freedom for a crime he didn’t commit? Blood Will Tell is a modern-day saga of Shakespearean proportions, following Vietnamese-American brothers whose unbreakable bond is tested by silence, sacrifice, and an unthinkable choice. In this episode, after a drunken fight at a birthday party turns deadly, police narrow in on two suspects — identical twin brothers, Trung and Anh. But when an eye witness mistakes the brothers for each other in a lineup, one brother must make a heartbreaking sacrifice. Listen to more episodes of Blood Will Tell at https://wondery.com/shows/blood-will-tell/See omnystudio.com/listener for privacy information.

Sign up for the live Conversations with Tyler recording with Craig Newmark at 92NY! Few living scholars can claim to have shaped how we read Machiavelli as decisively as Harvey Mansfield. His new book, The Rise and Fall of Rational Control, argues that Machiavelli didn't just write about politics—he invented the intellectual machinery of the modern world, starting with the concept of "effectual truth," which Mansfield credits as the seed of modern empiricism. At 93, after 61 years of teaching at Harvard, Mansfield remains cheerfully unimpressed by most of contemporary philosophy, convinced that the great books are self-sustaining, and that irony is what separates serious philosophy from the rest. Tyler and Harvey discuss how Machiavelli's concept of fact was brand new, why his longest chapter is a how-to guide for conspiracy, whether America's 20th-century wars refute the conspiratorial worldview, Trump as a Shakespearean vulgarian who is in some ways more democratic than the rest of us, why Bronze Age Pervert should not be taken as a model for Straussianism, the time he tried to introduce Nietzsche to Quine, why Rawls needed more Locke, what it was like to hear Churchill speak at Margate in 1953, whether great books are still being written, how his students have and haven't changed over 61 years of teaching, the eclipse rather than decline of manliness, and what Aristotle got right about old age and much more. Read a full transcript enhanced with helpful links, or watch the full video on the new dedicated Conversations with Tyler channel. Recorded January 22nd, 2026. This episode was made possible through the support of the John Templeton Foundation. Other ways to connect Follow us on X and Instagram Follow Tyler on X Sign up for our newsletter Join our Discord Email us: cowenconvos@mercatus.gmu.edu Learn more about Conversations with Tyler and other Mercatus Center podcasts here. Timestamps: 00:00:00 - Bumper 00:00:36 - Intro 00:01:20 - Machiavelli's "Effectual Truth" 00:05:56 - Conspiracy Theories 00:12:39 - The Vulgarity of Democracy 00:16:35 - The Future of Straussianism 00:34:30 - Why the Supply of Great Books has Dried Up 00:37:56 - Rational Control vs. Spontaneous Order 00:40:25 - Winston Churchill 00:43:30 - Students at Harvard 00:46:05 - Manliness 00:47:34 - Death and Politics 00:48:56 - Outro  Image Credit: Erin Clark via Getty Images