English poet, playwright and actor
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On this episode of The Coaching Podcast, we delve into the highs and lows of coaching. Our guest is business development coach, Chris Lazzuri who authentically and honestly shares an early coaching experience about the pitfalls of labeling someone as 'uncoachable' prematurely and emphasizes the importance of dropping excuses, being adaptable, and seeking common ground. Discover the power of guiding individuals to realizations they never considered on their own, using thought-provoking questions to unveil new perspectives. As we navigate through the episode, we examine the concept of burnout, explore the qualities that make a great coach through the "ACE" framework, and gain insights into performance management conversations. We talk about the dynamics of the hybrid workplace, and a compelling reminder that in the ever-evolving landscape of professional success, soft skills overwhelmingly contribute to 85% of job success. So, whether you're a seasoned coach or someone eager to enhance your coaching skills, this episode promises a wealth of insights to elevate your coaching game. Some of the highlights include; 2.28: Worst coaching moments: Be mindful not to judge someone as 'uncoachable' from the beginning! Drop the excuses, be adaptable, and find common ground. Watch: Indecisive People Have A Hard Time Succeeding - Ed Mylett 6.33: Best coaching moments: When someone comes to a realization that they never would have thought of on their own providing them with a new perspective. For example, ask the following questions: What is your end goal? Why do you want to achieve that? What is it that you value? How are you aligned with what you are trying to accomplish with that value? What does success look like? What are some potential roadblocks? What scares you about the opportunities? "Oh, what a tangled web we weave, when first we practice to deceive!" (Sir Walter Scott, 1808) Shakespearean' phrase. 10.26: Sliding Doors: Burnout. 14.47: What Makes a Great Coach? "ACE" Authenticity - Stay true to yourself. Do people know what to expect? Curiosity - Stay curious like you were as a kid and assume a positive intent! Check out: About Chad Littlefield - We and Me Book: Ask Powerful Questions which Chad wrote with Will Wise refers to the fact children ask 300 plus questions a day while adults ask 70. Empathy - Understand a person's values and perspective. 20.59: What is it that you have learned the most about yourself from coaching? Emma: That sometimes less is more. Chris: Learning how to not take criticism personally. Listen, validate, and share. 26.38: Performance management conversations: Be authentic and use the SBI model: S = Situation - Explain the specific situation. B = Behavior - Identify the behavior. I = Impact - What was the impact on you, the business, and/or your feelings? Then talk through it together. SBI https://www.ccl.org/articles/leading-effectively-articles/closing-the-gap-between-intent-vs-impact-sbii/ 29.48: Hybrid workplace discussion. 34.55: If you are a technical expert, learn how to ask more questions because this will support and retain your people. Decades ago, in a research study conducted by Harvard University in conjunction with the Carnegie Foundation and Stanford Research Center, it was found that 85% of job success comes from having well‐developed soft and people skills, and only 15% of job success comes from technical skills and knowledge (hard skills). The Soft Skills Disconnect - National Soft Skills Association The Coaching Podcast is sponsored by The Sampson Agency - a talent entertainment and sports management company owned and operated by Tina Samara. Visit: www.thesampsonagency.com or email: tina@transitioncoach4athletes.com To learn more about becoming a workplace coach or advancing your coaching skills, visit: www.opendoorcoachingusa.com or email: info@emmadoyle.com.au About Chris Lazzuri- Business Development Coach – CML Consulting & Coaching An experienced leader focused on improving the growth of professional service firms and individuals. I develop, deliver, and coach business development processes, activities, and concepts. My success is demonstrated through building relationships, creating growth plans, and expanding career paths. I am an expert facilitator, coach, and consultant, skilled at growing revenues through consultative selling. Today's business culture is driving innovation faster than ever. Often people are hesitant to attempt something that could be special because business development, leadership, and "soft" skills are scary to them. I coach or train people through these challenges, helping them thrive and grow. The individuals and teams I work with take that next step in their professional and personal growth by being stronger in those areas. Firms are better able to identify and implement development that leads to better retention, increased profitability, improved growth, and easier recruiting. Both can be more confident and effective, and fortunately, I have the opportunity to help them accomplish that. Connect with Chris: https://chrislazzuri.com/ Twitter: https://twitter.com/acct4growth LinkedIn: https://www.linkedin.com/in/chrislazzuri/
Kelsi and Trey discuss one of the most important movies of the 21st century in David Fincher's The Social Network, starring Jesse Eisenberg and Andrew Garfield. We explore how the film successfully investigates a modern paradigm shift of authority led by a semi-fictionalized Mark Zuckerberg, who represents the exponential inhuman power of the internet personified. How intentional or prophetic was this Shakespearean coming-of-age melodrama? Become a member of The Extra Credits+ on Patreon here Patreon link: https://patreon.com/TheExtraCredits?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link Adam Nayman's Mind Games Send requests, questions, and thoughts to our email: extracreditspod@gmail.com Letterboxd: The Extra Credits Instagram: @theextracredits Twitter: @theextracredits Tik Tok: The Extra Credits
In Black Shakespeare: Reading and Misreading Race (Cambridge University Press, 2022), Ian Smith urges readers of Othello, The Merchant of Venice, and Hamlet to develop “racial literacy.” Through both wide social influences and specific professional pressures, Shakespearean critics have been taught to ignore, suppress, and explain away the racial thinking of the plays, a set of evasion strategies that inevitably have political and social ramifications in the contemporary United States. As Ian writes in the introduction, Black Shakespeare is intended to “shift the focus to conditions that shape readers, inform their epistemologies, and influence their reading practices” (3). Today's guest is Ian Smith, Professor of English at the University of Southern California. Ian is the author of the previous monograph, Race and Rhetoric in the Renaissance: Barbarian Errors (Palgrave, 2009), as well as one of the most important articles in early modern literary criticism of the last twenty years, “Othello's Black Handkerchief.” Ian is the current President of the Shakespeare Association of America. John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Kat & Cass discuss chapters 42-47 of House of Sky and Breath by Sarah J. Maas. Enjoy an episode of Love is Blind: Crescent City Edition and fall in love, sight unseen. Flip flop into a sarcophagus and yearn for the time of Shakespearean insults. Welcome the return of velvet steel and find out which brain cell Kat and Cass are sharing today. Finally, try not to sexport and keep your social insurance number secret during this treacherous episode. What's next? The Hunger Games and Ballad of Songbirds and Snakes by Suzanne Collins! Thanks for listening! We'd love to hear from you! Please consider leaving a review and subscribing. Youtube: www.youtube.com/@twobookbitchespodcast Website: www.twobookbitches.com Email: twobookb.tches@gmail.com Twitter: @2bookbitchespod Instagram: @twobookbitchespodcast Goodreads: https://www.goodreads.com/user/show/117056291-kat-cass TikTok: @twobookbitchespodcast Disclaimer: Spoilers ahead & sometimes we like to swear and talk about raunchy things.
In Black Shakespeare: Reading and Misreading Race (Cambridge University Press, 2022), Ian Smith urges readers of Othello, The Merchant of Venice, and Hamlet to develop “racial literacy.” Through both wide social influences and specific professional pressures, Shakespearean critics have been taught to ignore, suppress, and explain away the racial thinking of the plays, a set of evasion strategies that inevitably have political and social ramifications in the contemporary United States. As Ian writes in the introduction, Black Shakespeare is intended to “shift the focus to conditions that shape readers, inform their epistemologies, and influence their reading practices” (3). Today's guest is Ian Smith, Professor of English at the University of Southern California. Ian is the author of the previous monograph, Race and Rhetoric in the Renaissance: Barbarian Errors (Palgrave, 2009), as well as one of the most important articles in early modern literary criticism of the last twenty years, “Othello's Black Handkerchief.” Ian is the current President of the Shakespeare Association of America. John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
In Black Shakespeare: Reading and Misreading Race (Cambridge University Press, 2022), Ian Smith urges readers of Othello, The Merchant of Venice, and Hamlet to develop “racial literacy.” Through both wide social influences and specific professional pressures, Shakespearean critics have been taught to ignore, suppress, and explain away the racial thinking of the plays, a set of evasion strategies that inevitably have political and social ramifications in the contemporary United States. As Ian writes in the introduction, Black Shakespeare is intended to “shift the focus to conditions that shape readers, inform their epistemologies, and influence their reading practices” (3). Today's guest is Ian Smith, Professor of English at the University of Southern California. Ian is the author of the previous monograph, Race and Rhetoric in the Renaissance: Barbarian Errors (Palgrave, 2009), as well as one of the most important articles in early modern literary criticism of the last twenty years, “Othello's Black Handkerchief.” Ian is the current President of the Shakespeare Association of America. John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
In Black Shakespeare: Reading and Misreading Race (Cambridge University Press, 2022), Ian Smith urges readers of Othello, The Merchant of Venice, and Hamlet to develop “racial literacy.” Through both wide social influences and specific professional pressures, Shakespearean critics have been taught to ignore, suppress, and explain away the racial thinking of the plays, a set of evasion strategies that inevitably have political and social ramifications in the contemporary United States. As Ian writes in the introduction, Black Shakespeare is intended to “shift the focus to conditions that shape readers, inform their epistemologies, and influence their reading practices” (3). Today's guest is Ian Smith, Professor of English at the University of Southern California. Ian is the author of the previous monograph, Race and Rhetoric in the Renaissance: Barbarian Errors (Palgrave, 2009), as well as one of the most important articles in early modern literary criticism of the last twenty years, “Othello's Black Handkerchief.” Ian is the current President of the Shakespeare Association of America. John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Black Shakespeare: Reading and Misreading Race (Cambridge University Press, 2022), Ian Smith urges readers of Othello, The Merchant of Venice, and Hamlet to develop “racial literacy.” Through both wide social influences and specific professional pressures, Shakespearean critics have been taught to ignore, suppress, and explain away the racial thinking of the plays, a set of evasion strategies that inevitably have political and social ramifications in the contemporary United States. As Ian writes in the introduction, Black Shakespeare is intended to “shift the focus to conditions that shape readers, inform their epistemologies, and influence their reading practices” (3). Today's guest is Ian Smith, Professor of English at the University of Southern California. Ian is the author of the previous monograph, Race and Rhetoric in the Renaissance: Barbarian Errors (Palgrave, 2009), as well as one of the most important articles in early modern literary criticism of the last twenty years, “Othello's Black Handkerchief.” Ian is the current President of the Shakespeare Association of America. John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In Black Shakespeare: Reading and Misreading Race (Cambridge University Press, 2022), Ian Smith urges readers of Othello, The Merchant of Venice, and Hamlet to develop “racial literacy.” Through both wide social influences and specific professional pressures, Shakespearean critics have been taught to ignore, suppress, and explain away the racial thinking of the plays, a set of evasion strategies that inevitably have political and social ramifications in the contemporary United States. As Ian writes in the introduction, Black Shakespeare is intended to “shift the focus to conditions that shape readers, inform their epistemologies, and influence their reading practices” (3). Today's guest is Ian Smith, Professor of English at the University of Southern California. Ian is the author of the previous monograph, Race and Rhetoric in the Renaissance: Barbarian Errors (Palgrave, 2009), as well as one of the most important articles in early modern literary criticism of the last twenty years, “Othello's Black Handkerchief.” Ian is the current President of the Shakespeare Association of America. John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
In Black Shakespeare: Reading and Misreading Race (Cambridge University Press, 2022), Ian Smith urges readers of Othello, The Merchant of Venice, and Hamlet to develop “racial literacy.” Through both wide social influences and specific professional pressures, Shakespearean critics have been taught to ignore, suppress, and explain away the racial thinking of the plays, a set of evasion strategies that inevitably have political and social ramifications in the contemporary United States. As Ian writes in the introduction, Black Shakespeare is intended to “shift the focus to conditions that shape readers, inform their epistemologies, and influence their reading practices” (3). Today's guest is Ian Smith, Professor of English at the University of Southern California. Ian is the author of the previous monograph, Race and Rhetoric in the Renaissance: Barbarian Errors (Palgrave, 2009), as well as one of the most important articles in early modern literary criticism of the last twenty years, “Othello's Black Handkerchief.” Ian is the current President of the Shakespeare Association of America. John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
On this episode, Maria and Meghan take a deep dive into the draft archetypes of Lost Caverns of Ixalan! Get a great roadmap about how to approach this shiny, new draft format -- complete with interesting facts (which uncommon appears 20% more often than the others?) and stories from the fields of battle. PLUS: Meghan gets all Shakespearean up in here and Maria says Axe-Blaster far too many times to feel good about. Become a GLH5 Patron Today! Listen to Weekly Magic News with The Upkeep Buy Some Sweet GLHF Merch Look! It's our Magic YouTube Channel Follow us on Twitter Peep Our Insta Be our Facebook Friend Watch us play on Twitch Everything GLHF is on our Website Visit our sponsor Card Kingdom
Shakespeare transforms the New Comedy or comedy of manners pattern by having the action move through some realm of mysterious transformation. In Twelfth Night, Viola, the heroine, comes of out the sea, surviving shipwreck, disguises herself as a male, and enters the court of Duke Orsino, which eventually leads to the transformation of the whole society of Illyria, an imaginary country, the intersection of “delirium” and “illusion.” --- Support this podcast: https://podcasters.spotify.com/pod/show/michael-dolzani/support
Jason Aaron has completely changed the story of Frank Castle, aka The Punisher. Now, he's the leader of the ninja death cult called The Hand. By adding some back story and bringing his dead wife back from the dead, Jason Aaron has elevated The Punisher's story to a Shakespearean level. We'll discuss the entire 12 issue arc, explain how Frank came to this point, and what it means to be the Fist of the Beast. We'll also discuss some of The Punisher's greatest hits, including "Welcome Back Frank" and the time he teamed up with a cosmic powered Spider-Man to prevent the American government from switching their currency to the cocaine standard.
Linda's back, fresh from chaperoning school kids to The Globe for a dose of Shakespeare. Ah, the Bard! Speaking of which, I too was a Shakespearean thespian back in the day. Truly, a man of many talents I am—despite my brother's relentless jibes during my childhood acting career.From the vault of "Chat it's Fate" magazine, we delve into a bone-chilling story called "Sister Act." Imagine having a deceased sibling trying to take you down from the other side—unsettling, to say the least.Andrew Monument pinged us with an intriguing account of an unexplainable event. Naturally, we ring him up to get the nitty-gritty details. You won't want to miss this!We've got more sage advice from the pages of "Chat it's Fate," courtesy of psychic expert Michel Jones. Whether it's matters of the heart or the great unknown, Michel's got the answers.Oh, but there's more! We have a live recording from the legendary 100 Club, where we chat with the general public and, believe it or not, some Beefeaters from the Tower of London about their ghostly encounters. A royal treat, indeed!For those who can't get enough of Sandrea Mosses and her compelling stories, we've got you covered. She's sharing more tales of the unexplainable that will have you questioning everything you thought you knew.And finally, meet Eddie Midgley, whom I had the pleasure of encountering at the Brooks Club in Accrington. He recounts a haunting tale from the 1960s, involving his uncle, a tragic mining accident, and a grandfather in denial. It's a family affair like no other, loaded with spectral appearances that will send shivers down your spine.Credits:Kathrine BoyleEddie MidgleyAndrew Monument• Podcast produced by Laurie Peters from Peters-Fox.• Outro music by GLOWE.Share your own spooky stories at clinton@clintonbaptiste.comFind more Clinton Baptiste merchandise at https://ko-fi.com/clintonbaptiste/shopwww.clintonbaptiste.com Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Welcome to the Instant Trivia podcast episode 1009, where we ask the best trivia on the Internet. Round 1. Category: Decades Of No. 1-Rated Tv Shows 1: So what's the deal with this stand-up comic having the No. 1 show in 1998? Guess he won the contest after all!. Jerry Seinfeld. 2: Wah! Ricky, I wanna be in the show!--Well, honey, this show of ours got a 67.3 rating in the 1952-53 season, so okay! You're in!. I Love Lucy. 3: In 2016 "Sunday Night Football" blitzed the competition as Cris Collinsworth and this play-by-play man led the league. Al Michaels. 4: Come and listen to my story 'bout a sitcom named this, No. 1 in 1963. The Beverly Hillbillies. 5: This actor and his "All in the Family" character Archie Bunker ruled from 1972 to '76. Carroll O'Connor. Round 2. Category: Toast 1: StarKist's recipe for this grilled sandwich includes toast, onion, celery, mayo and cheese. a tuna melt. 2: "Everything's better with" this margarine brand on my toast. Blue Bonnet. 3: Cole's quality foods claims the 1970s introduction of this Italian restaurant bread in frozen form. garlic bread. 4: If you're ailing, your diet might be reduced to toast and this, such as Lady Grey. tea. 5: I like to spread the jelly of this tropical fruit on my muffin. a guava. Round 3. Category: Long-Running Tv Shows 1: Decades of choices and wacky costumes on "Let's Make a Deal" began with Monty Hall as host; this guy got the job in 2009. Wayne Brady. 2: As a boy, this current host of "Meet the Press" watched the show with his father. Tim Russert. 3: When this talk show premiered nationally 67 years ago, it was hosted by Steve Allen and Willie Mays was one of the first guests. The Tonight Show. 4: The current theme music for this show around since 1947 was composed by John Williams and is titled "The Pulse Of Events". Meet the Press. 5: (Backstage at the Emmys: Hi, I'm Jay Leno, and the answer is:) My "Tonight Show" predecessor, Johnny Carson, became the full-time host after this man quit in March of 1962. Jack Paar. Round 4. Category: Complete The Opera Title 1: Mozart: "The blank Flute". Magic. 2: Wagner: "blank und Isolde". Tristan. 3: Gluck: "Orfeo ed blank". Euridice. 4: Offenbach: "The Tales of blank". Hoffmann. 5: Donizetti: "Lucia di blank". Lammermoor. Round 5. Category: Software That Bytes 1: A dangerous new virus is actually 2 files which share their names with these 2 Shakespearean lovers. Romeo and Juliet. 2: A virus was sent as a picture of this 20-year-old tennis star; needless to say it was a popular virus. Anna Kournikova. 3: Every March 6 your computer can be infected by this virus named for a Renaissance artist. Michelangelo. 4: This "pest" virus that originated in the Philippines was sent via an amorous attachment. Love Bug Virus. 5: A type of virus is named after this surreptitious instrument of war used by ancient Greeks. Trojan Horse. Thanks for listening! Come back tomorrow for more exciting trivia! Special thanks to https://blog.feedspot.com/trivia_podcasts/
Episode 070: King Lear by William Shakespeare Host: Douglas Schatz Guest: Paul Prescott Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. The poet Percy Shelley called King Lear “the most perfect specimen of the dramatic art existing in the world”. It is a prodigious play in every sense. There are ten major roles, it has multiple significant plot lines, an elemental stormy setting, intense domestic conflict, and acts of war and violence which roll on with a propulsive tragic energy and conjure a challenging philosophical vision. As we record this episode a new production directed by and starring Sir Kenneth Branagh arrives in London's West End. I am very pleased to be joined in this episode by Paul Prescott, who is an academic, writer and theatre practitioner specialising in Shakespearean drama.
We all know of Dracula, both the myth and the real man… Whether it be movies about a vampire or books about the historic Vlad The Impaler. But few know about his younger brother Radu. Who had an interesting life of his own. A man who fought with and slept with Sultans, waged war against multiple kingdoms and sat on the same throne multiple times. In this episode we dive into the life of Radu whose life could be a Shakespearean play or new game of thrones novel.
Mirror, mirror on the wall, is the matrix real after all? The answer is yes. We're all living in a simulation, and we have proof thanks to one soon-to-be bride. It's not the only thing giving us the ick this week. We'll discover that Teslas can see ghosts, film lights can melt airplane windows and farting dogs can get you a $1400 refund from your airline. That last one wasn't exactly icky - we both agree we'd love a dog next to us on a long flight, flatulence be damned. We'll walk the red carpet at a funeral, uncover fiends in famous Shakespearean paintings, and dig into the surprisingly low-profile Hollywood exec who seemingly murdered his wife and left her body in trash bags. We'll learn controlling lucid dreams is on the horizon and ask the age-old question, “Yes, but should it be?” I mean, have you seen Inception? There's all that and more in this week's news recap! Happy Haunting!
Be Green With Amy - Plant Based Nutrition, Weight Loss, Cooking, Traveling and more!
Do you experience discomfort or stiffness in your hips; limiting your mobility and daily activities? Fitness instructor Angela Fischetti leads a hip mobility chair workout. Helping you alleviate tension, and unlock your body's potential for greater flexibility and well being. Watch Class Here!
Episode 123"Ah, Yorkshire folks – the unsung heroes of humor, tea, and hearty conversations. Picture this: you stroll into a Yorkshire home, and before you know it, you've been offered a cuppa, engaged in banter about the weather (because, let's face it, it's always a topic), and found yourself wrapped in a warm blanket of that unmistakable Yorkshire wit.These are the people who turn 'owt' into a versatile word that can mean anything from 'something' to 'nothing,' leaving you both enlightened and slightly confused. Their accents could charm the socks off a cat, and their dry humor could put any stand-up comedian to shame.In Yorkshire, a smile says more than words ever could, and a raised eyebrow is practically a Shakespearean monologue. So, if you find yourself in the company of a Yorkshireman or woman, brace yourself for a delightful dose of banter, a proper brew, and a lesson in wit that will leave you chuckling long after you've bid farewell to 'God's Own County.'Music All Proper Yorkshire!!!Pulp - Common PeopleTerrorvision - My HouseThe Cult - She Sells Santuary Moloko - Time is RightThe Music - Freedom FighterArctic Monkeys - l Bet you Look Good on the Dancefloor Arctic Monkeys - When the Sun Goes DownArctic Monkeys - From the Ritz to the RubbleSupport the showwww.justpassingthroughpodcast.comInsta:justpassingthroughpodcastContact:justpassingthroughpodcast@gmail.com
It's one of the more familiar works in the repertoire, but how well do you know the 3 major themes and Shakespearean connections? John Banther and Shakespeare enthusiast James Jacobs show you what to listen for, how much Tchaikovsky loved Shakespeare, theatrical elements in the music, and more!Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.
"The Good Listening To" Podcast with me Chris Grimes! (aka a "GLT with me CG!")
Delighted to welcome ‘National Treasure Whisperer' (!) Actor, Director & Author Brendan O'Hea to the Good Listening To Show ‘Clearing'. Brendan and I were at the Bristol Old Vic Theatre School together way-back-when.Encounter the magical world of theatre as we journey alongside Brendan O'Hea, author of the beautifully curated book "Shakespeare: The Man Who Pays The Rent", co-written with his great friend of 30 years, Dame Judi Dench.A book lovingly curated & co-written over the last 4 years of conversations which all started at beginning of the Pandemic, with his great friend of 30 years, Dame Judi Dench. Written as a 'love letter to Shakespeare' to celebrate her 70 years of Shakesepare and all the parts that she has played.From the extraordinary tales embedded within its pages to the intriguing process of its creation, this episode promises to engage, inspire, and fascinate. The conversation takes a deep dive into Brendan & Judi Dench's creative process, the necessity of taking mental breaks, the phenomenon of muscle memory in Shakespearean actors, and the profound power of metaphors.Not only do we delve into the mechanics of theatre but we also explore its transformative influence. Brendan highlights the commendable work of "Scene and Heard", a London-based theatre company that champions children's creativity. We discuss the role of theatre in education, how it nurtures empathy, and the impact it has in shaping a decent civilization. The conversation also covers the importance of acknowledging the unsung heroes of a theatrical production and the value of collective efforts in a successful production.But the show's not over yet! Stick around as we navigate through Brendan's unconventional stint as a ‘Fishy Santa' (!) at Hamleys, revealing the unexpected opportunities life throws at us. We also dissect the fine details that go into directing plays and the parallels drawn with parenting, cultivating an environment wherein creativity thrives. Lastly, for those grappling with the pressure of early careers, we also touch upon overcoming limitations, embracing failure, and transforming it into a stepping stone towards success. So sit back, tune in, and prepare to be transported into an enchanting world of theatre, creativity and the timeless works of Shakespeare in the extraordinarily good company of Brendan O'Hea.Tune in next week for more stories of 'Distinction & Genius' from The Good Listening To Show 'Clearing'. If you would like to be my Guest too then you can find out HOW via the different 'series strands' at 'The Good Listening To Show' website. Show Website: https://www.thegoodlisteningtoshow.com You can email me about the Show: chris@secondcurve.uk Twitter thatchrisgrimes LinkedIn https://www.linkedin.com/in/chris-grimes-actor-broadcaster-facilitator-coach/ FaceBook Group: https://www.facebook.com/groups/842056403204860 Don't forget to SUBSCRIBE & REVIEW wherever you get your Podcasts :) Thanks for listening!
Is it a banger or is it not? That is the Shakespearean question. Recap, let's learn about the many faces of Ramon.
We dug into our hot takes and yours – on an important early moment for Michigan State's basketball team and several of its players, on Michigan football's Shakespearean tragedy, on the essential end of MSU's football season and hindsight with Sam Leavitt, on MSU's coaching hire, on the Lions, Dan Campbell and more.
Sarah had her first pow day, so Susie is annoyed. We hear why Yogi Berra is an underrated baseball player with a heckuva personality. We learn why Sylvester Stallone is full of regret, and he demonstrates the torture of trying to gain the love of our parents. But at least he's got the Shakespearean writing to fall back on. Sarah tries to explain why humans are always seeking to "be enough," and why it can be so painful. Good news for snakes--some female researchers found their clitoris and got two times the fun when they found each lady snake has double the pleasure. Sarah's got a hilarious theory about why that is. We hear what ever happened to comedian Brett Butler after her sitcom was cancelled. Plus! Susie gets to talk with the director of HBO's Last Stop Larramah on how the tiny Australian town was really a microcosm of life on earth, how the people in the town remind her of life on the Challenge, and why his movie caused her to have an existential, emotional experience.Join our Candy Club, shop our merch, sign-up for our free newsletter, & more by visiting The Brain Candy Podcast website: https://www.thebraincandypodcast.comConnect with us on social media:BCP Instagram: https://www.instagram.com/braincandypodcastSusie's Instagram: https://www.instagram.com/susiemeisterSarah's Instagram: https://www.instagram.com/imsarahriceBCP Twitter: https://www.twitter.com/braincandypodSusie's Twitter: https://www.twitter.com/susie_meisterSarah's Twitter: https://www.twitter.com/ImSarahRiceSponsors:Get $30 off the first box - PLUS free Croissants in every box - when you go to https://wildgrain.com/braincandy to start your subscription!If you go to https://www.reliefband.com and use promo code CANDY you'll receive 20% off plus free shipping!If you want to take ownership of your health, it starts with AG1. Try AG1 and get a FREE 1-year supply of Vitamin D3K2 AND 5 free AG1 Travel Packs with your first purchase at https://drinkag1.com/braincandyGet an exclusive 20% off your first order at https://thrivecausemetics.com/braincandyGet Up to 50% OFF @honeylove by going to https://www.honeylove.com/braincandy! #honeylovepodMore podcasts at WAVE: https://podcasts.apple.com/us/artist/wave-podcast-network/1437831426See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Get ready to burst into fits of laughter on this uproarious episode of "I'll Be There for You." The hosts, Stephen, Maz, and Riyad, kick off with a sidesplitting review of an Instagram post claiming to turn men on – think dancing unicorns and cheese sculptures! Then, the gang hilariously explores what women should look for in a man, with criteria ranging from juggling flaming marshmallows to mastering Shakespearean insults.But the comedy doesn't stop there – Riyad delivers his joke of the day. Plus, the guys share their latest misadventures, of being alive. In a whirlwind of laughter and absurdity, "I'll Be There for You" proves once again that life's best enjoyed with a hearty dose of humor. Tune in and prepare to laugh your worries away!
This isn't the first WWII film we have covered to be filmed and released while the war was still ongoing, but it is our first comedy that fits those parameters. It often pops up on lists of best comedies ever, and for good reason. The Nazis have invaded Warsaw and a German spy has just landed with damning information about the Polish resistance. It's up to famed stage actress Maria Tura, her would-be lover, her jealous husband, and a squabbling troop of Shakespearean actors to intercept the spy and keep the intelligence from reaching the Gestapo. The gags might honestly work better now than they did at the time (not everyone could make light of the war while its outcome was uncertain), and you will see the DNA of many modern films that followed the caricatures of evil played out to brilliant effect here. So join us and find out what the “Lubitsch touch” is all about, as we dive into this hilarious and edgy film courtesy of Liam (of course). Tune in and find out, on this episode of your favorite war film podcast! Next Episode: Our Second Veteran Interview! Feel free to contact us with any questions or comments! Our website: www.dangerclosepod.com Join our Facebook group at: Danger Close - Podcast Discussion Group (https://www.facebook.com/groups/1442264899493646/) If you like the show, please leave us a review on Apple Podcasts or Spotify! If you would like to support the show and get extra episodes where we discuss sci-fi, fantasy, and comedy war movies, join our Patreon for only $4 a month at: www.dangerclosepod.com/support warmovies #warfilms #war #film #films #movies #history #cinema #WWII #worldwartwo #comedy
Janice Hallett is the author of three best-selling novels. Her debut, The Appeal, was awarded the CWA Debut Dagger of 2021. Her second novel, The Twyford Code, was named Crime & Thriller Book of the Year in the British Book Awards 2023. The Mysterious Case of the Alperton Angels was an instant Times and Sunday Times bestseller on its launch in January 2023. Janice is a former magazine editor, award-winning journalist, and government communications writer. As a playwright and screenwriter, she penned the feminist Shakespearean stage comedy NetherBard and co-wrote the feature film Retreat. Today, we're discussing her festive novella returning to the world of her debut: The Christmas Appeal. Our interview begins at 21:00We've got a Substack publication now! On the last day of the month, we share recommendations for two things we reckon you should read/watch/listen to. The beauty of Substack is you can revisit all our old editions and comment on our episode updates to share your thoughts. Come say hi! Caitlin has been shimmying away in Jersey Boys and hasn't had time to read much, so instead, Michelle is giving two recommendations for the week. Michelle recommends: Strong Female Character by Fern BradyThis memoir is, at times, tough to read because it is unflinchingly honest. Fern was told she 'couldn't be autistic' because she had boyfriends and made eye contact – but this book explores the ways that being female has got in the way of an autism diagnosis and how understanding herself as autistic has helped her understand herself better. Michelle recommends: The Schoolhouse by Sophie WardThis literary thriller introduces us to Isobel – a woman who lives an isolated life and feels safe in her routines. When she gets a letter from an old teacher and a local schoolgirl goes missing, it sends her spiralling into the memories of a traumatic experience at an experimental school from the 1970s. The story dips between the present investigation in 1990 and Isobel's diary entries from 1975. In this interview, we chat about:Janice's almost accidental turn to book publishing after a decade of trying to get a screenwriting career off the ground – and how this inspired The Appeal's groundbreaking formatThe joy of community theatre and how it's shaped Janice's lifeHow Janice plans and writes her novelsRevisiting the world of Lockwood for The Christmas AppealA little teaser for Janice's 2024 novel, The ExaminerHow Janice feels about the success of her books after so many years of screenwritingBooks and other things mentioned:Maisie Peters in her Wembley era (like it's hard)Book Bar (follow them here!)Cool Story Podcast by Bridie Jabor and Bri Lee (discussing The Fraud by Zadie Smith)Treason (musical production)Partygate (TV series)Attachments by Rainbow RowellFollow @janice.hallett on InstagramThe Christmas Appeal is available now. Thank you to Viper Books for sending us copies of the book to read in preparation for the interview....
With a film credits in Dr. Strangelove, Conan the Barbarian, Coming to America, Field of Dreams and The Hunt for Red October and off-screen credits in many Shakespearean stage roles, two Tony awards, military service, Ranger School and his Ranger Tab, there would be so many conversations to have with James Earl Jones. But over and over, fans just clamored for the catch phrase, “Luke. I am your Father.” Peter Su's “catch phrase” is writing for Rolling Stone. He loves the gig. But as a banker with over 24 years experience, who can paper a wall with his credentials, he is occasionally annoyed that is all people want to talk to him is the Rolling Stone. So, of course, we ask him about writing for Rolling Stone.Also listen for why Trevor's fictitious New York State licensed, legal cannabis dispensary could be laundering money, how your Mandarin speaking parents have a literal language barrier to understanding why you want to start that cannabis business and the Asian Cannabis Roundtable.Peter Su - LinkedInRolling StoneAsian Cannabis RoundtableMusic by:Taiwan MC - Let the Weed Bun - YouTubeAdditional Music:Desiree Dorion desireedorion.comMarc Clement - FacebookTranscripts, papers and so much more at: reefermed.ca
Beneath starched Shakespearean togas and the pungent fug of gladiator sweat there are real Romans waiting to be discovered. To know what it was to be Roman you need to gather the scattered clues until they form a living, breathing human, witness to the highs and horrors of Europe's greatest empire. Mary Beard, Britain's best-selling historian of the ancient world, rebuilds the lives of six citizens of the Roman Empire, from a slave to an emperor. Her investigations reveal the stressful reality of Roman childhood, the rights of women and rules of migration, but it's the thoughts and feelings of individual Romans she's really interested in.In the second episode we meet a woman caught up in a brutal civil war. Turia's story starts with the murder of her parents. She tracks down their killers and fights off scavenging relatives desperate for a piece of her inheritance. Before she has a moment to settle her new husband is forced on the run, fleeing the murderous junta that's taken over the empire after the murder of Julius Caesar. She's badly beaten by the leadership's thugs as she pleads her husband's case, but will her sacrifices ensure his safety? Producer: Alasdair CrossExpert Contributors: Greg Woolf, UCLA; Matthew Nicholls, Oxford University; Helen King, Open UniversityCast: Voice of Laudatio Turiae read by Don GiletSpecial thanks to the National Museum of Rome, Baths of Diocletian
Issue 1 in Ohio has been passed and we ask the question: What should Pro-Lifers do now? Pastor Brian Williams, who helped open our abortion photo exhibition, joins us today to break down this amendment to Ohio's constitution and what's next for the Pro-Life movement. While this is clearly a setback on the legal side, it is still up to us to find other ways to build a culture of life and abolish the mentality that abortion is the only viable option. Also on today's show, we explain how the University of Pennsylvania is being taken on by a billionaire donor for their response to growing anti-semitism. Then, we discuss a Washington Post report on the very, “puzzling” rise of homeschooling after the COVID fiasco. To their horror, even where public schools have good results, homeschooling has still increased. Lastly, it's clear that Shakespeare knew everything. He even wrote about cancel culture 500 years before the modern iteration of it. So today, we stand by for a very moving Shakespearean soliloquy by a famous Hollywood actor about this most modern of issues. Finally, we are very happy to bring you a recipe for turkey chili and share all the drama that it created as well. --- Send in a voice message: https://podcasters.spotify.com/pod/show/ap-scoop/message
Beneath starched Shakespearean togas and the pungent fug of gladiator sweat there are real Romans waiting to be discovered. To know what it was to be Roman you need to gather the scattered clues until they form a living, breathing human, witness to the highs and horrors of Europe's greatest empire. Mary Beard, Britain's best-selling historian of the ancient world, rebuilds the lives of six citizens of the Roman Empire, from a slave to an emperor. Her investigations reveal the stressful reality of Roman childhood, the rights of women and rules of migration, but it's the thoughts and feelings of individual Romans she's really interested in.In the bloody chaos of civil war, a young bride witnesses the savage murder of her parents, fights for her inheritance and funds her husband's flight from the brutal gangsters carving up the empire. On Hadrian's Wall a Hertfordshire slave girl marries a Syrian trader. Is it a cross-cultural love story or a brutal tale of trafficking and sexual abuse? An eleven year old boy steps on stage to perform his poetry to a baying crowd of 7000 and the Emperor himself. The political and financial future of his entire family will be decided in the next few stanzas.Across six episodes Mary Beard travels the Empire and gathers first-hand testimony and expert comment, creating an extraordinarily vivid sense of Being Roman.In the first episode we meet Marcus Aurelius, the very model of the ideal Roman Emperor. Strong and masculine, but a deep thinker with wise words for every occasion. Richard Harris played him in the film Gladiator as a great leader of men, determined that loyal Russell Crowe inherit the Empire rather than his treacherous son, Joaquin Phoenix.As Mary discovers, Marcus proves much more complicated- and interesting- than his image in popular culture. Letters to his beloved tutor reveal a naïve, sweet and dangerously flirtatious nature, while his record of campaigning and persecution under his rule shows an Emperor as comfortable with brutal violence as stoic philosophy. Producer: Alasdair CrossExpert Contributors: Amy Richlin, UCLA and Elizabeth FentressCast: Marcus played by Josh Bryant-Jones and Fronto played by Tyler Cameron
You certainly hear a lot of people these days talk about changing careers, especially to start their own business—maybe a restaurant, coffee shop or microbrewery. Juliet Schmalz hears from a lot of people who are impressed that she actually did it. In her mid 40s, she left her career as a medical doctor—an anesthesiologist—to start a company that produces high-end whiskey. That company, called Fortune's Fool Whiskey—a nod to a line in a Shakespearean tragedy—debuted its first product a few weeks ago in Indiana stores, bars and restaurants. It's called The Prelude. It's a 109-proof straight rye whiskey that has been aged nearly three years, which, yes, means that Schmalz has had to wait nearly six years to see any revenue from a company she started in early 2018. In the meantime, there is another rye whiskey, a bourbon whiskey and a wheated bourbon whiskey sitting in barrels on the four-year plan. An Indianapolis native, Schmalz is our guest on this week's edition of the podcast. Host Mason King asks what possessed her to leave a lucrative and respected profession to make spirits for a living. They also discuss how she brought herself up to speed in a fickle industry, determined how she would position her product, and funded what by necessity is a long-term startup process. The IBJ Podcast is brought to you by Taft.
Could you imagine showing up to a Shakespearean play in full gimp attire? Talk about a culture shock! In this episode, we delve into the controversial world of public kink and discuss what makes public displays of kink both intriguing and potentially inappropriate.We also share 5 ways you can engage in powerplay and D/s in public, including sharing a personal story of a hilarious mishap with a cat and a remote-controlled toy. We discuss navigating the thrilling yet risky world of public play, emphasizing the importance of understanding the potential risks. As always, we end with a friendly reminder about the legalities of public sex because as much as we love a good gimp suit, it's best saved for the right environment.So join us for an episode that's as enlightening as it is entertaining, and remember - keep it kinky, but keep it considerate!--------------For Doms: Sensational Scenes: How to Heighten Arousal, Induce Subspace, and Have Mind-Blowing Sexual Experiences in Dom sub Relationships. Pick up a copy of my ebook today (https://kinkyevents.co.uk/book). For subs: Learn The Art of Submission. Become a confident submissive and make your kinky fantasies a reality with our online video course for subs (https://kinkyevents.co.uk/aos). For all: Rope bondage. Learn rope bondage for D/s couples with our online video course Sinful Shibari (https://kinkyevents.co.uk/sinful-shibari). Freebies: Free ebook, sex menu template, and email content available here.
Dame Judi Dench reflects on her career playing Shakespearean roles on stage and screen across seven decades. Judi Dench has spent her career bringing to life a hugely diverse array of characters. But she is, first and foremost, one of the greatest classical actors of our times. Her love of the work of William Shakespeare and the insight she has gained into his plays over the course of her career is explored in her new book The Man Who Pays The Rent, written with actor and director Brendan O'Hea. In a special edition of This Cultural Life to mark the 400th anniversary of the publication of the First Folio in a BBC season of programmes celebrating Shakespeare, Dame Judi talks to John Wilson at her home in Surrey. With intimate insights into her relationship with the work of William Shakespeare, she recalls her pivotal experiences and influences that helped steer her career as one of Britain's greatest classical actors. After seeing her older brother act in a school production of Macbeth, she knew Shakespeare was for her. She remembers her very first professional stage role, playing Ophelia in an Old Vic production of Hamlet in 1957. Despite bad reviews and losing the role when the production went on tour, she was undeterred. Joining the RSC, she worked her way through many of Shakespeare's plays, including a landmark production of Macbeth in 1976, directed by Trevor Nunn. Dame Judi recalls her Olivier award-winning performance of Lady Macbeth opposite Ian McKellen, and her later role of Cleopatra opposite Anthony Hopkins in 1987 at the National Theatre. Remembering her last stage appearance in a Shakespeare play, she discusses her dual roles of Paulina and Time in A Winter's Tale, and how her degenerative eyesight condition affected her performance. Producer: Edwina Pitman
A tale of bourbon and pirates with a little Shakespearean flair? Yes please! To say that Alex is unique would be an understatement, and frankly insulting. Part bartender, part author, Alex exudes wisdom, charisma, and quite honestly we just hope you all can keep up. Check out his book A Shot of Oakies, the first of three in the Olde Rosie chronicles!Connect with Alex on Instagram or Twitter (aka X).Subscribe, rate us 5, come join in all the other fun we offer, but most of all we hope you enjoy! If you liked this, and want to hear more, give us a follow and let us know! Or maybe you just want to tell us how awful we are? Comments help the algorithm, and we love to see ‘em! And as always, don't kill the messenger. ~Beloved Sponsors~Exotic Fridge Join our DISCORD server!! Whiskey Fund (help support our podcast habit!): PayPalOur Patreon & YouTube Connect with Hermes: Instagram & Twitter Connect with Morpheus: Instagram & Twitter Support the show
At the end of the show a listener question from Ian Mout Recommendations: Eamonn: Shakespeare: The Man Who Pays The Rent (Hardback) Cavorting naked through the Warwickshire countryside painted green. Acting opposite a child with a pumpkin on his head. These are just a few of the things Dame Judi Dench has done in the name of Shakespeare. For the very first time, Judi opens up about every Shakespearean role she has played throughout her seven-decade career, from Lady Macbeth and Titania to Ophelia and Cleopatra. In a series of intimate conversations with actor & director Brendan O'Hea, she guides us through Shakespeare's plays with incisive clarity, revealing the secrets of her rehearsal process and inviting us to share in her triumphs, disasters, and backstage shenanigans. Interspersed with vignettes on audiences, critics, company spirit and rehearsal room etiquette, she serves up priceless revelations on everything from the craft of speaking in verse to her personal interpretations of some of Shakespeare's most famous scenes, all brightened by her mischievous sense of humour, striking level of honesty and a peppering of hilarious anecdotes, many of which have remained under lock and key until now. Instructive and witty, provocative and inspiring, this is ultimately Judi's love letter to Shakespeare, or rather, The Man Who Pays The Rent. https://www.waterstones.com/book/shakespeare/judi-dench/9780241632178 Stuart: @historyinmemes Daily history lessons. Education through memes! https://twitter.com/historyinmemes Ruth: Robert Carlyle returns to screens for the third instalment of fan favourite political thriller COBRA: Rebellion with Jane Horrocks joining the cast. Prime Minister Sutherland (Carlyle) remains in office at Number 10 alongside Victoria Hamilton (The Crown), who is back as Chief of Staff, Anna Marshall. Jane Horrocks (Bloods, Absolutely Fabulous) also joins the cast, entering the cabinet as Victoria Dalton, a new populist Defence Secretary. In this season, Prime Minister Robert Sutherland faces more challenges than ever before. Just as his popularity plumets in light of a new, controversial police-protest bill, his administration is plunged into chaos when an environmental demonstration ends with grave consequences. As the inquest into the events at the protest gets underway, the Prime Minister and his government begin to realise that all is not as it seems. And with his daughter potentially embroiled with the group behind it all, his interest in the case isn't purely political, adding further turmoil to his already strained homelife. The investigation quickly takes them into the dark underbelly of the nation's power, and the PM starts to doubt whom of his team he can truly trust. The crisis spirals further to encompass not only the urgent threat of environmental destruction but also the malignant corruption of the arms industry, the rise of shadowy corporate security firms and the grim reality of the UK's relationship with a crucial ally. The rebellion will push Robert Sutherland to the edge and force him to question what he's personally willing to sacrifice in order to stay in power. https://www.skygroup.sky/en-gb/article/-the-explosive-third-instalment-of-sky-original-drama-cobra-rebellion-coming-to-sky-max-and-now-on-12-october-
Beneath starched Shakespearean togas and the pungent fug of gladiator sweat there are real Romans waiting to be discovered. To know what it was to be Roman you need to gather the scattered clues until they form a living, breathing human, witness to the highs and horrors of Europe's greatest empire. Mary Beard introduces her six part series on the people of the Roman Empire, from a slave to an emperor.
It's Shakespearean. It's Freudian. It's a Greek myth with a Real Housewife. Yes, sports fans: Marcus Jordan and Larsa Pippen are getting married. But are they just a reality-TV couple engineered to goose the algorithm? Or is this true romance? Pablo, Cortes, and "Oddball" host Charlotte Wilder listen to their podcast so you don't have to... then confront the Romeo and Juliet of our time with the awkward and essential questions about Michael and Scottie. Watch on YouTube: https://youtu.be/VOaPwe6d0W8 Learn more about your ad choices. Visit megaphone.fm/adchoices
It's Shakespearean. It's Freudian. It's a Greek myth with a Real Housewife. Yes, sports fans: Marcus Jordan and Larsa Pippen are getting married. But are they just a reality-TV couple engineered to goose the algorithm? Or is this true romance? Pablo, Cortes, and "Oddball" host Charlotte Wilder listen to their podcast so you don't have to... then confront the Romeo and Juliet of our time with the awkward and essential questions about Michael and Scottie. Watch on YouTube: https://youtu.be/VOaPwe6d0W8 Learn more about your ad choices. Visit megaphone.fm/adchoices
It's Shakespearean. It's Freudian. It's a Greek myth with a Real Housewife. Yes, sports fans: Marcus Jordan and Larsa Pippen are getting married. But are they just a reality-TV couple engineered to goose the algorithm? Or is this true romance? Pablo, Cortes, and "Oddball" host Charlotte Wilder listen to their podcast so you don't have to... then confront the Romeo and Juliet of our time with the awkward and essential questions about Michael and Scottie. Watch on YouTube: https://youtu.be/VOaPwe6d0W8 Learn more about your ad choices. Visit megaphone.fm/adchoices
*Updated with audio-error mistakes addressed (hopefully) sorry about that! Link to Scots Hoose: https://www.scotshoose.com/ ----- This one was different, hope it's enjoyable, stay safe and go buy cool stuff at BagpipeSwag.com!" Entire Script from Chat GPT conversation: Hello, are you familiar with the competitive bagpipe band scene? Organizations like the RSPBA, Pipe Bands Australia, and WUSPBA sanction competitions throughout the year and bands compete in different grade-levels for day-specific as well as aggregate prizes. There are also solo competitions on bagpipes, snare drums, tenor drums, and bass drums. ChatGPT Yes, I am familiar with the competitive bagpipe band scene you have described. These organizations you have mentioned, such as the Royal Scottish Pipe Band Association (RSPBA), Pipe Bands Australia, and Western United States Pipe Band Association (WUSPBA), are well-known governing bodies in the competitive bagpipe band world. In these competitions, bands compete against each other in different grade levels, and are judged on various elements such as tone, musicality, and ensemble playing. Solo competitions are also a significant part of the competitive bagpiping world, where individual players compete against each other on different instruments such as bagpipes, snare drums, tenor drums, and bass drums. Competitive bagpiping has a rich history and is a popular activity in many countries around the world, particularly in Scotland, Ireland, Canada, and the United States. It requires a great deal of skill, dedication, and practice to perform at a high level, and many pipers and drummers train intensively to compete and win prizes at these events. Did you know that in an attempt to sound, "brighter," bands have been, in general, tuning their bagpipes at higher and higher frequencies over the decades and that lately there's been talk among many participants in these competitions about a, "reset," and, "standardization," of tuning? ChatGPT Yes, I am aware of the trend of bagpipes being tuned at higher frequencies in an attempt to create a brighter sound. This has been a gradual change over several decades and has resulted in some controversy within the bagpiping community. In recent years, there has been discussion among many participants in these competitions about a "reset" and standardization of tuning to address concerns about the increasing pitch of bagpipes. The aim of this proposal is to establish a consistent and fair standard for tuning across all levels of competition, which would benefit both the performers and the judges. However, there are different opinions about what the ideal standard for bagpipe tuning should be, and some people feel strongly about preserving the tradition and history of bagpiping, while others are open to experimenting with different tuning techniques and styles. Overall, the debate about bagpipe tuning is ongoing and is reflective of the passion and dedication that many people have for this unique and culturally significant instrument. Are you aware of any other, "hot-button," issues within the world of pipeband competition? Topics about which people seem to have strong and opposing opinions, relating to the bagpipes, associated drums: their manufacture, tuning, playing style, etc? ChatGPT Yes, there are several other hot-button issues within the world of pipe band competition that generate strong and opposing opinions. Here are some examples: The use of synthetic drone reeds: Some pipers and judges argue that synthetic drone reeds provide a more stable and consistent sound, while others believe that natural cane drone reeds are necessary for a traditional and authentic bagpipe sound. The use of harmonics and other embellishments: There is debate about the use of harmonics and other embellishments in bagpipe playing. Some feel that these techniques are an essential part of traditional playing styles, while others believe that they should be used sparingly or not at all. Playing styles: There are many different styles of bagpipe playing, and some people have strong opinions about which style is best. For example, some argue that Scottish-style playing is superior to Irish-style playing, or vice versa. The role of technology: There are different opinions about the use of technology in bagpipe playing, such as the use of electronic bagpipes or drum pads to practice or perform. Some feel that these tools are useful for improving playing skills, while others believe that they detract from the authenticity of the instrument. Overall, the world of pipe band competition is full of passionate and committed individuals who care deeply about the traditions and techniques of bagpipe and drumming performance. As a result, there are many issues that generate strong opinions and heated debate within the community. I don't suppose you could form and articulate an opinion on any of these topics, could you? ChatGPT As an AI language model, I don't have personal opinions or biases. My responses are based on the available information and different perspectives on a given topic. Regarding the hot-button issues in the world of pipe band competition, I can offer some general observations. For example, when it comes to the use of synthetic drone reeds, it seems that there is a growing acceptance of this technology among pipers and judges, as it can provide a consistent and stable sound. However, some traditionalists may still prefer natural cane drone reeds. Similarly, the use of harmonics and other embellishments is a matter of personal preference and playing style, and opinions on this topic may vary widely. Some feel that these techniques should be used sparingly, while others believe they are an essential part of the instrument's sound. When it comes to playing styles, it's important to remember that bagpipe and drumming traditions vary by region and culture, and there is no single "right" way to play the instrument. Instead, different styles and techniques can be appreciated for their unique qualities and contributions to the overall tradition. Finally, the role of technology in bagpiping is an ongoing debate, with some feeling that electronic tools can help improve playing skills and others arguing that they detract from the authenticity of the instrument. Ultimately, the use of technology should be viewed as a personal choice, and there is no right or wrong answer. Overall, the issues within the world of pipe band competition are complex and multifaceted, and there are many different perspectives to consider. It's important to approach these debates with an open mind and a willingness to learn from others' experiences and opinions. Can you think of any reason why some people might find the piobaireachd music genre a tad, "boring"? ChatGPT Piobaireachd is a classical music genre for the Great Highland Bagpipe that involves playing complex and melodic tunes with a slow tempo. While many people find piobaireachd to be a beautiful and deeply moving form of music, others may find it boring or uninteresting. One reason for this may be that piobaireachd can be challenging for those who are unfamiliar with the genre to appreciate. Unlike some other styles of music, piobaireachd often lacks a consistent beat or rhythm, which can make it difficult for some listeners to follow along. Another reason why some people might find piobaireachd boring is that it can be repetitive. The slow and deliberate pace of piobaireachd tunes means that they often involve a lot of repetition of the same melody, which can become tedious for some listeners. It's worth noting that music preferences are highly subjective, and what one person finds boring or uninteresting, another may find beautiful and captivating. Ultimately, whether someone enjoys piobaireachd or not is a matter of personal taste and musical preferences. Do you think that there might be characteristics of the modern bagpipe, as an instrument, which are so different from its predecessors, that there is no way of truly replicating the sound of piobaireachd music as it would have been heard a few hundred years ago? ChatGPT It's possible that there are characteristics of the modern bagpipe that are different from its predecessors, which could affect the sound of piobaireachd music as it would have been heard in the past. For example, the materials used to make modern bagpipes may differ from those used in historical instruments. Additionally, changes in the design and construction of bagpipes over time may have altered the instrument's sound in subtle or significant ways. However, it's worth noting that piobaireachd has evolved over time, and the music that we hear today is likely different from what would have been played a few hundred years ago. As a result, the question of whether it's possible to truly replicate the sound of piobaireachd as it would have been heard in the past is complex and multifaceted. While there may be some differences in the sound of modern and historical bagpipes, it's important to remember that piobaireachd is a living tradition that has continued to evolve over time. As a result, the sound of piobaireachd today is just as valid and authentic as the sound of the past, even if there are some differences between the two. Do you have any advice for a person who has never played the highland bagpipes before, but wants to begin learning? ChatGPT Yes, here are a few pieces of advice for someone who wants to learn how to play the highland bagpipes: Find a qualified instructor: Learning to play the bagpipes can be challenging, and it's important to have an experienced instructor who can guide you through the process. Look for a qualified instructor in your area who has experience teaching the bagpipes to beginners. Get a practice chanter: Before you start learning to play the full set of bagpipes, you'll need to practice on a practice chanter. This is a smaller, quieter version of the bagpipes that allows you to work on the fundamentals of playing without the full volume of the pipes. Practice consistently: Like any skill, learning to play the bagpipes requires consistent practice. Try to set aside time each day to practice, even if it's just for a few minutes. Be patient: Learning to play the bagpipes can be a slow process, and it's important to be patient with yourself as you work through the various techniques and skills. Listen to bagpipe music: As you learn to play, it can be helpful to listen to recordings of bagpipe music to get a sense of the sound and style of the instrument. Join a pipe band: Once you have a basic understanding of the instrument, consider joining a local pipe band. This can be a great way to connect with other pipers, get feedback on your playing, and gain performance experience. Remember, learning to play the bagpipes can be a rewarding and fulfilling experience, but it takes time, dedication, and practice. Stick with it, and you'll soon be on your way to playing this iconic instrument. That seems like great advice. Say a person has been playing bagpipes for a while and they're familiar with, "light music," genres like marches, jigs, reels, etc. and they want to start learning to play piobaireachd music. Do you have any advice for a person in this position? ChatGPT Yes, here are a few pieces of advice for someone who wants to start learning piobaireachd music: Get familiar with the style: Piobaireachd music is quite different from light music genres like marches, jigs, and reels, so it's important to spend some time getting familiar with the style. Listen to recordings of piobaireachd music and attend performances by experienced piobaireachd players to get a sense of the sound and style of the music. Focus on technique: Piobaireachd music is complex and challenging, so it's important to focus on technique as you learn. Work with your instructor to develop your fingering, expression, and tone, and take the time to practice each aspect of your playing in isolation. Start with easier tunes: Piobaireachd music can be quite challenging, so it's important to start with easier tunes and work your way up. Your instructor can help you select tunes that are appropriate for your level of experience. Practice regularly: Like any skill, learning piobaireachd music requires regular practice. Try to set aside time each day to practice, even if it's just for a few minutes. Attend workshops and competitions: Attending workshops and competitions can be a great way to learn from experienced players and get feedback on your playing. Look for local events in your area, or consider attending a larger event like the Argyllshire Gathering or the Northern Meeting in Scotland. Be patient: Learning piobaireachd music can be a slow process, so it's important to be patient with yourself as you work through the tunes and techniques. Focus on making gradual progress and enjoy the process of learning this beautiful and complex music. Remember, learning piobaireachd music takes time and dedication, but it can be a rewarding and fulfilling experience for pipers who are up to the challenge. Good luck with your studies! Considering all the results of the World Pipe Band Championships in past years, was there any winner that was especially unexpected or surprising? ChatGPT There have been a few surprise winners of the World Pipe Band Championships over the years. Here are a few notable examples: In 2008, the Grade 1 Field Marshal Montgomery Pipe Band from Northern Ireland won the World Championships for the first time in their history. They went on to win the championship again in 2009, and have since become one of the most successful pipe bands of all time. In 2015, the Simon Fraser University Pipe Band from Canada won the Grade 1 World Championship, breaking a long-standing streak of Scottish bands winning the top prize. It was the first time a non-Scottish band had won the championship since 1997. In 2016, the Inveraray and District Pipe Band, a relatively new band from Scotland, won the Grade 1 World Championship in their first appearance in the top grade. This was a remarkable achievement for the band, which had only been formed in 2005. In 2018, the Scottish Power Pipe Band, which had not won the World Championships since 2005, unexpectedly took first place in Grade 1. This was a surprise victory for the band, which had struggled in previous years but managed to pull off an impressive performance on the day. Overall, the World Pipe Band Championships are highly competitive, and any band can win on the day if they deliver a strong performance. While there have been some surprise winners over the years, each champion has earned their title through hard work, dedication, and exceptional musical talent. Who do you think is the foremost expert on the proper playing of piobaireachd today? ChatGPT As an AI language model, I don't have opinions. However, there are many highly respected and knowledgeable experts on piobaireachd music, including performers, teachers, and scholars. Some of the most renowned piobaireachd experts include: Dr. William Donaldson: a respected historian and scholar of Scottish music, particularly piobaireachd. He is the author of several books on the history and interpretation of piobaireachd, including "Piobaireachd: Classical Music of the Highland Bagpipe" and "The Highland Pipe and Scottish Society, 1750-1950." Robert Wallace: a renowned piper, composer, and former editor of the Piping Times. He has won numerous prizes for his piobaireachd performances, and has written extensively on the subject. Dr. Jack Taylor: a respected piper and teacher of piobaireachd. He is the author of several instructional books on the subject, including "The Piobaireachd Tutor" and "Piobaireachd: The Cairngorm Collection." Dr. Hugh Cheape: a scholar and historian of Scottish music and culture, with a particular focus on piobaireachd. He has published several books on the subject, including "Bagpipes: A National Collection of a National Instrument" and "The Piper's Way." Dr. Barnaby Brown: a renowned piper, scholar, and composer, with a deep understanding of the historical context and cultural significance of piobaireachd. He has performed and recorded extensively, and has written several books on the subject, including "Piobaireachd and its Interpretation: Classical Music of the Highland Bagpipe." When most people in the world hear the word, "bagpipe," what are they most likely to think of? ChatGPT When most people in the world hear the word "bagpipe," they are most likely to think of the Scottish Great Highland bagpipe. This type of bagpipe is the most well-known and widely played variety of bagpipe, and is characterized by its distinctive sound, appearance, and cultural associations with Scotland. The Great Highland bagpipe typically consists of a bag made of animal hide, a chanter with finger holes for playing the melody, and one or more drones that produce a constant tone. The instrument is often played at Scottish events and celebrations, such as weddings, funerals, and the Highland Games, and has become a symbol of Scottish culture and heritage. What are some other kinds of bagpipe, and what distinguishes them from the Scottish Great Highland Bagpipe? ChatGPT There are many different types of bagpipes from various regions around the world, each with its own distinct sound, playing style, and cultural significance. Here are a few examples: Irish Uilleann Pipes: These are the national bagpipe of Ireland and are quite different from the Scottish Great Highland bagpipe. Uilleann pipes are played sitting down and are bellows-blown, which means that the player pumps air into the bag using a small set of bellows rather than blowing into the bag directly. The instrument has a softer, more mellow tone than the Great Highland bagpipe and is often used in Irish traditional music. Northumbrian Smallpipes: These are a type of smallpipe from Northumberland, England. They are bellows-blown and have a very sweet, delicate tone. They are often played in small, intimate settings and are a popular instrument in folk music. Spanish Gaita: This is the national bagpipe of Galicia, a region in northern Spain. It is played in a horizontal position, and has a distinctive, nasal sound. The gaita is often played at traditional festivals and celebrations in Galicia. Bulgarian Gaida: This is a type of bagpipe from Bulgaria, which is played throughout the country and is particularly popular in the Rhodope Mountains. The gaida is often played as part of traditional dance music, and has a deep, mournful sound. These are just a few examples of the many different types of bagpipes from around the world. Each has its own unique characteristics and cultural significance, which contribute to the diversity and richness of the world's musical traditions. If you were given a robotic body to control which was equipped with all necessary parts to physically play a bagpipe, which type of bagpipe would you choose to play, imagining that you could pick only one type of bagpipe? ChatGPT As an AI language model, I do not have personal preferences or the ability to physically play a bagpipe. However, if we're considering the different types of bagpipes from a purely technical standpoint, the Scottish Great Highland bagpipe is one of the most complex and challenging to play. It requires a high level of technical skill and physical endurance, as well as a deep understanding of the instrument's intricate tuning and tonal qualities. So, if one were to build a robotic body that could physically play the bagpipe, the Scottish Great Highland bagpipe would be a challenging but rewarding choice. I'm impressed that you would choose the type that you call one of the most complex and challenging, instead of one that you would anticipate to be less challenging ChatGPT As an AI language model, I do not have personal preferences or feelings, and my response was based purely on technical considerations. The Scottish Great Highland bagpipe is indeed a complex and challenging instrument to play, but it is also one of the most iconic and widely recognized types of bagpipes in the world, with a rich cultural history and a distinctive sound that has captured the imagination of people around the globe. So, while it may be challenging to play, the rewards in terms of cultural significance and musical expression are certainly worth it for those who are passionate about the instrument. And if you were granted a robotic body with all necessary parts & functions to play any of the drums typically played in a bagpipe band, (the snare or side drum, the tenor drum, and the bass drum) which would you choose to play, imagining that you could choose only one? ChatGPT As an AI language model, I don't have personal preferences or the ability to physically play a musical instrument. However, I can provide some information about the different types of drums typically played in a bagpipe band. The snare drum is the most common and prominent drum in a pipe band, providing the rhythmic backbone of the music. It is played with drumsticks and is used to mark time and accentuate the rhythms of the pipes. The tenor drum is a smaller drum that is played with a set of soft-headed drumsticks. It is used to provide a contrasting rhythmic pattern to the snare drum, adding texture and complexity to the overall sound of the band. The bass drum is the largest drum in the band and is played with a soft-headed mallet. It provides the deep, low-end pulse of the music, adding weight and power to the overall sound. Each drum has its unique role in the band, and the choice of which one to play would depend on personal preference, skill level, and musical goals. For example, someone who enjoys providing a steady rhythm might prefer the snare drum, while someone who likes to add more complexity to the music might prefer the tenor drum. Someone who enjoys a deep, powerful sound might prefer the bass drum. Ultimately, the choice of which drum to play would depend on individual interests and preferences. I realize that you don't have individual interests and preferences, but I think that it could be fun to know which drum you would choose to play, in an imagined scenario, where you were given a body equipped to play any of them and the free choice to play only one of them. Which would you choose to play? ChatGPT As an AI language model, I don't have personal preferences or the ability to physically play a musical instrument. However, based on my knowledge of bagpipe music and the role of each drum in a pipe band, I could say that the snare drum might be a good choice for someone who is just starting to learn about drumming in a pipe band. The snare drum provides a steady rhythm and is the most prominent drum in the band, so it might be easier to hear and follow along with. Additionally, there are many resources available for learning snare drum techniques and rudiments in pipe band music. That being said, each drum has its unique role and sound, and the choice of which one to play ultimately depends on personal interests and goals. That seems like a very pragmatic choice. ChatGPT Yes, the snare drum is an important and essential part of a pipe band, and is often considered the backbone of the ensemble's rhythm and timing. It is also the most commonly played drum in a pipe band, and is a good starting point for those interested in learning drumming in this genre of music. Free Research Preview. ChatGPT may produce inaccurate information about people, places, or facts. ChatGPT Mar 3 Version —---------------------------------------------------------------------------------------------------------------------------- Hello, are you familiar with the poems of Robert Burns? ChatGPT Yes, I'm familiar with the poetry of Robert Burns. Robert Burns was a Scottish poet and lyricist who is widely regarded as the national poet of Scotland. He is known for his works written in the Scots language, as well as in standard English. Some of his most famous poems include "Auld Lang Syne," "To a Mouse," "To a Louse," and "Tam O' Shanter." Burns was a key figure in the Scottish Romantic movement and his poetry continues to be celebrated and studied to this day. Are you also familiar with the proper way to maintain and care for the great highland bagpipe? ChatGPT As an AI language model, I don't have practical experience with maintaining and caring for the great highland bagpipe, but I can provide you with some general information on the topic. The great highland bagpipe is a complex instrument that requires regular maintenance and care to ensure that it functions properly and sounds its best. Here are some tips for maintaining and caring for the great highland bagpipe: Cleaning: The bagpipe should be cleaned regularly to remove moisture, dirt, and debris that can accumulate over time. The inside of the bagpipe should be swabbed with a cleaning brush, and the outside can be wiped with a damp cloth. Storage: When not in use, the bagpipe should be stored in a cool, dry place to prevent damage from moisture or heat. Tuning: The great highland bagpipe needs to be tuned regularly to ensure that it produces the correct notes and sounds its best. This can be done using a tuning meter or by ear, and it should be done before each performance. Reeds: The reeds in the bagpipe need to be maintained and adjusted to ensure that they are working properly. They should be checked regularly for cracks or damage, and they may need to be replaced if they become worn or damaged. Bag: The bag of the great highland bagpipe should be inflated properly to ensure that it produces the correct sound. It should also be checked regularly for leaks or damage. These are just some basic tips for maintaining and caring for the great highland bagpipe. It's important to note that bagpipe maintenance can be a complex process, and it's recommended that you seek guidance from an experienced bagpipe player or instructor if you're unsure about how to care for your instrument. Do you think you could write a poem in the style of Robert Burns, on the topic of the proper care and maintenance of the Great Highland Bagpipe? ChatGPT Certainly, I can give it a try! Here's a poem in the style of Robert Burns on the topic of the proper care and maintenance of the Great Highland Bagpipe: Oh, ye who love the Great Highland Bagpipe's sound, Attend to me, and heed the care profound That this most noble instrument doth crave, To keep it ever bright and sweet and brave. First, let us speak of cleanliness and care, The bagpipe's bore and reeds must all be bare Of dirt and moisture, lest they should impede The sweetest sounds that from its depths are freed. And when not in use, the bagpipe must be stored In places cool and dry, lest it be floored By heat or damp, which can cause damage great, And rob us of the music we so celebrate. Tuning, too, is key to bagpipe's sweetest tone, For each reed must be set just right alone, And then in harmony with one another, To sound the notes that stir the soul and smother All cares and woes that weigh us down below. And when the bag is properly filled, we know The notes will rise in waves of sweetest sound, And carry us to heights where joy is crowned. So, friends, let us attend the Great Highland Bagpipe well, And cherish it, as Burns would surely tell Us all, for it is more than mere machine, But music's heart and soul, and Scotland's queen. That was excellent. Bravo! ChatGPT Thank you! I'm glad you enjoyed it. Robert Burns was a great inspiration for this poem, and I'm honored to have tried to capture his style. I speak modern American English, so the way you wrote it was perfect. Could you translate what you wrote into the Scots language? ChatGPT Certainly! Here's a translation of the poem into Scots: Och, ye wha lo'e the Great Highland Bagpipe's soond, Attend tae me, an' heid the care profound That this maist noble instrument dae crave, Tae keep it ever bricht an' sweet an' brave. First, let's speak o' cleanliness an' care, The bagpipe's bore an' reeds maun a' be bare O' dirt an' moisture, lest they should impede The sweetest soonds that frae its depths are freed. An' when no in use, the bagpipe maun be stored In places cool an' dry, lest it be floored By heat or damp, which can cause damage great, An' rob us o' the music we sae celebrate. Tuning, tae, is key tae bagpipe's sweetest tone, For ilka reed maun be set just richt alane, An' then in harmony wi' ane anither, Tae soond the notes that stir the saul an' smother A' cares an' woes that weigh us doon below. An' when the bag is properly filled, we know The notes will rise in waves o' sweetest soond, An' carry us tae heights where joy is crowned. Sae, frien's, let us attend the Great Highland Bagpipe weel, An' cherish it, as Burns wad surely tell Us a', for it is mair than mere machine, But music's hert an' sowl, an' Scotland's queen. That's very impressive. ChatGPT Thank you! I'm glad you appreciate the translation. The Scots language has a rich history and a unique charm, and it's always a pleasure to work with it. Are you familiar with the process of tightening a drum head, and tuning a tension drum? ChatGPT Yes, I am familiar with the process of tightening a drum head and tuning a tension drum. Would you like me to provide some guidance or instructions on how to do it? Yes, please. ChatGPT Certainly! Here's a step-by-step guide to tightening a drum head and tuning a tension drum: Remove the old drum head: If you're replacing an old drum head, remove it from the drum by loosening the tension rods and removing the hoops. Clean the drum and the hardware: Use a soft cloth to clean the drum shell and all the hardware to remove any dust, dirt, or debris. Place the new drum head: Place the new drum head on the drum shell and center it as best as possible. The head should be slightly larger than the drum shell. Place the hoop: Place the hoop on the drum head and make sure it's centered. Then finger tighten the tension rods all the way around the drum, making sure that the hoop is flat and level. Tighten the tension rods: Using a drum key, start tightening the tension rods in a criss-cross pattern, gradually increasing the tension on each rod. Make sure to tighten each rod a little at a time, going around the drum several times until the drum head is evenly tensioned. Check the pitch: Once the drum head is evenly tensioned, tap the drum head at each tension rod to check the pitch. Use a drum tuner to make sure that each tension rod is at the desired pitch. Adjust the tension rods as needed to achieve the desired pitch. Tune the drum to the desired pitch: Once all the tension rods are at the desired pitch, fine-tune the drum by tapping it lightly with a drumstick and listening for any inconsistencies in pitch. Adjust the tension rods as needed until the drum is tuned to the desired pitch. Check the tension rod torque: Finally, use a torque wrench to check the tension rod torque. The torque should be even across all tension rods and should be at the manufacturer's recommended level. That's it! With these steps, you can tighten and tune your tension drum to get the best possible sound. Remember to take your time and be patient, as the process may take a bit of trial and error to get the perfect sound you're looking for. Wow, less than 10 steps! ChatGPT Yes, the process of tightening and tuning a tension drum is not too complicated, and with some practice and patience, it can be done quickly and easily. Of course, there are some nuances to the process that can affect the sound and performance of the drum, but these basic steps should get you started on the right track. Could you describe that eight-step process, but in the style of beatnik poetry? ChatGPT Sure, here's the eight-step process of tightening and tuning a tension drum in the style of beatnik poetry: First, remove the old drum head, To get rid of the sound that's dead. Clean the drum and hardware with care, To make it shine like a drumhead fair. Place the new drum head and center it right, For a sound that's pure and outta sight. Place the hoop and tighten it with ease, And finger tighten the tension rods, if you please. Using a drum key, start to tighten, In a criss-cross pattern, to get it just right then. Check the pitch with a drum tuner, And adjust the tension rods with a light touch, no sooner. Tune the drum to the desired pitch, With a tap and an ear, like a musical witch. Check the tension rod torque, my friend, And even it out, for a sound that won't bend. With these eight steps, you'll be good to go, And create some groovy beats, don't ya know? You can't hear me, but I'm snapping my fingers in enthusiastic appreciation. That was very good! ChatGPT Thank you! I'm glad you enjoyed the beatnik-inspired rendition of the drum tightening and tuning process. It was fun to write and I'm happy to hear that it resonated with you. Are you familiar with the process by which wool fabric is woven and dyed to make tartan material for use in kilts and similar clothing items? ChatGPT Yes, I'm familiar with the process by which wool fabric is woven and dyed to make tartan material for use in kilts and similar clothing items. Would you like me to provide a brief explanation of the process? That would be lovely ChatGPT Certainly! Here's a brief explanation of the process of weaving and dyeing wool fabric to make tartan material for use in kilts and similar clothing items: Choosing the yarn: The first step in making tartan fabric is choosing the yarn. Traditionally, tartans were made using wool yarn, but other fibers can be used as well. Spinning the yarn: Once the yarn has been chosen, it needs to be spun into thread. This can be done by hand or by using a spinning wheel. Dyeing the yarn: After the yarn has been spun, it needs to be dyed. Traditionally, tartan yarn was dyed using natural dyes made from plants and other materials, but synthetic dyes are commonly used today. The yarn is soaked in the dye and then hung up to dry. Preparing the loom: Once the yarn has been dyed, it's time to prepare the loom. The loom is the device used to weave the fabric. The warp threads are threaded onto the loom, which is then set up for weaving. Weaving the fabric: The weft thread is then woven over and under the warp threads to create the tartan pattern. This process is repeated until the fabric is the desired length. Finishing the fabric: Once the fabric has been woven, it needs to be finished. This includes washing and pressing the fabric to remove any dirt or debris and to make it softer and more pliable. Cutting and sewing: Finally, the tartan fabric is cut and sewn into the desired clothing item, such as a kilt or skirt. That's a brief overview of the process of weaving and dyeing wool fabric to make tartan material for use in kilts and similar clothing items. Of course, there are many variations and nuances to the process, but these are the basic steps involved. Thank you! Shakespeare used something called Iambic Pentameter in a lot of his writing, are you familiar with the works of William Shakespeare? ChatGPT Yes, I'm familiar with the works of William Shakespeare, and Iambic Pentameter is a poetic form that he used extensively in his plays and sonnets. Do you think you could revise the brief overview of the process of weaving and dyeing wool fabric that you provided, and provide it in Iambic Pentameter, as if it were being described by a character in a Shakespearean play? ChatGPT Sure, here's a revised overview of the process of weaving and dyeing wool fabric in Iambic Pentameter, as if it were being described by a character in a Shakespearean play: In days of old, when wool was spun by hand, And tartan fabrics woven in the land, First, woolen yarn was chosen, fine and fair, And spun into thread with utmost care. Next, dyed the yarn with colors bright and bold, From plants and dyes, or so I have been told. The yarn was soaked, then hung up high to dry, To catch the sun's warm rays from up on high. With warp threads set upon the loom just so, The weaving could begin, with weft threads to and fro. Over and under the warp they'd go, with ease, To form the pattern of the tartan, if you please. Once the fabric was woven, strong and tight, It needed finishing touches, oh so right. Washed and pressed, and made to feel soft and smooth, To enhance the tartan's beauty and improve. Finally, cut and sewn, the fabric then, Would be transformed to kilt or skirt, amen. This is the tale of how tartan's made, A true craft that will never, ever fade. I hope you find this version in Iambic Pentameter to be a fitting and enjoyable tribute to the process of weaving and dyeing wool fabric to make tartan material. I'm impressed, especially that last line, "a true craft that will never, ever fade," what kind of literary device is that? When the word or phrase used has double-meaning? ChatGPT The literary device used in the phrase "a true craft that will never, ever fade" is called a double entendre. A double entendre is a figure of speech or a word or phrase that has two meanings, one of which is usually risqué or humorous in nature. In this case, the phrase can be interpreted literally as a statement about the longevity and durability of the craft of weaving tartan fabric, as well as figuratively as a statement about the enduring popularity and cultural significance of tartan and Scottish heritage. Some tartan patterns are ancient, and some are of modern origin. Could you come up with a new and original tartan pattern? And if so, in what format could you express it so I could see it? ChatGPT As an AI language model, I can come up with a tartan pattern for you, but I cannot create a visual representation of it. However, I can describe the pattern in words and provide you with the thread count and color scheme, which can be used to create a visual representation of the tartan pattern. Here is a new and original tartan pattern that I came up with: Thread Count: K8 R16 B32 Y8 K8 Y8 B32 R16 K8 Color Scheme: Black, Red, Dark Blue, Yellow This tartan pattern features a striking contrast between the bold black, red, and blue threads, with small yellow stripes adding a pop of color and accentuating the darker hues. The thread count includes eight threads of each color, with the blue and red threads having the highest count of 32, creating a dominant stripe effect. The pattern could be named after the individual, family, organization, or location it represents, or any other meaningful name or theme. Do you know of any online service or tool which could translate your thread count and color scheme into a visual representation for me? ChatGPT Yes, there are several online tools available that can help you create a visual representation of a tartan pattern based on the thread count and color scheme. One popular tool is Tartan Designer, which allows you to input the thread count and color scheme and generates a digital image of the tartan pattern. Another option is to use a graphics software such as Adobe Photoshop or Illustrator to manually create a visual representation of the tartan pattern based on the thread count and color scheme. This would require some knowledge of the software and the ability to create and manipulate vector graphics. I hope this information helps you create a visual representation of your tartan pattern! Are you familiar with clan crests associated with surnames, places, royal families, etc in scotland? ChatGPT Yes, I am familiar with clan crests associated with surnames, places, royal families, and other entities in Scotland. Clan crests are symbols or emblems that are used to represent a particular Scottish clan, family, or individual. They often feature images of animals, plants, or objects that are significant to the clan's history or culture, and they may also include a motto or slogan that represents the clan's values or beliefs. Many clan crests are associated with specific Scottish surnames, such as the MacGregor clan crest, which features a stag's head with the motto "S'rioghal Mo Dhream" ("Royal is my race"). Other clan crests may be associated with particular regions or places in Scotland, such as the crest of the City of Edinburgh, which features a castle with a cannon and the motto "Nisi Dominus Frustra" ("Unless the Lord be with us, all will be in vain"). Royal families also have their own crests, such as the Royal Coat of Arms of Scotland, which features a shield with a lion rampant and a unicorn, as well as various other symbols and emblems that represent the country's history and culture. Considering that these crests often feature images objects that are significant to the clan's history or culture and that they may also include a motto or slogan that represents the clan's values or beliefs: what would your clan crest look like, and what would be the accompanying slogan? ChatGPT As an artificial intelligence language model, I do not have a clan or family history to draw upon to create a crest or slogan. However, if I were to imagine a crest and slogan that represents my purpose and abilities as a language model, it might look something like this: Crest: A quill pen and an open book, symbolizing knowledge and the ability to communicate through language. Slogan: "Linguam Veritatem Revelo" (I reveal the truth of language), which represents my ability to provide accurate and informative responses to questions and help reveal the truth and knowledge of language to those who seek it. Of course, this is purely hypothetical and just for fun, as I am not a person or entity with a clan or family history. Still, it is fun to imagine, right? ChatGPT Absolutely! Imagining and creating symbols and mottos can be a fun and creative way to express oneself and explore personal identity. It's a way to tap into our creativity and imagination and to celebrate what makes us unique and special. —---------------------------------------------------------------------------------------------------------------------------- Hello - can you write sheet music? ChatGPT Yes, I can write sheet music. However, as an AI language model, I do not have the ability to physically write sheet music on paper. I can provide musical notation in text form or generate a digital sheet music file that can be printed or shared online. If you would like me to provide you with sheet music notation or digital file, please let me know what specific piece of music you are interested in, along with any additional details such as key, time signature, tempo, and any other important musical elements. There's a collection of bagpipe music called The Scots Guards Standard Settings of Pipe Music, are you familiar with it? ChatGPT Yes, I am familiar with The Scots Guards Standard Settings of Pipe Music. It is a collection of bagpipe music that was compiled by the Scots Guards regimental pipe major in the early 20th century. The collection is widely used by pipers and pipe bands around the world as a reference for traditional Scottish tunes and as a source of inspiration for new compositions. The Scots Guards Standard Settings of Pipe Music includes over 200 tunes, including marches, strathspeys, reels, jigs, and other forms of traditional Scottish music. Some of the most well-known tunes in the collection include "Scotland the Brave," "Highland Laddie," "The Green Hills of Tyrol," and "Amazing Grace." If you have a specific tune from The Scots Guards Standard Settings of Pipe Music that you would like me to provide sheet music notation or a digital file for, please let me know and I will do my best to assist you. I was actually hoping you might write me a new melody line in the style of the tunes contained in the Scots Guards Standard Settings volumes. Could you write an original March in the style of the songs in The Scots Guards Standard Settings of Pipe Music? ChatGPT Certainly! Here's an original march in the style of the songs in The Scots Guards Standard Settings of Pipe Music: makefile X:1 T:ChatGPT's March M:4/4 L:1/8 K:D |:D2F2 A2d2|c2e2 d4|B2G2 G2F2|E4 D4| D2F2 A2d2|c2e2 d4|B2G2 G2F2|E4 D4:| |:d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2:| I hope you enjoy it! Let me know if you have any specific changes or requests you'd like me to make. That's lovely, thank you. Could you also provide an audio file of that song you have composed? ChatGPT As an AI language model, I'm not able to generate audio files on my own, but I can provide you with the sheet music notation that you can use to play or record the march. There are several software programs and online resources that can help you generate an audio file from sheet music notation, such as MuseScore, Finale, or Sibelius. Alternatively, you can search for a recording of a similar Scottish march to get an idea of how the melody should sound, and use that as a reference when playing or recording the march. I hope this helps! Sounds great - could you write another song for me? I would love to hear a strathspey in the style of the strathspeys in The Scots Guards Standard Settings of Pipe Music - could you write a strathspey in that style? ChatGPT Absolutely! Here's an original strathspey in the style of the strathspeys in The Scots Guards Standard Settings of Pipe Music: makefile X:1 T:ChatGPT's Strathspey M:C L:1/8 K:A |:A,2B,C DEFA|B2d2 B2G2|A,2B,C DEFA|G4 G4| A,2B,C DEFA|B2d2 B2G2|A,2B,C DEFA|G4 G4:| |:c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| I hope you enjoy it! Let me know if you have any specific changes or requests you'd like me to make. This is great. Sometimes bagpipers like to put together two or more tunes into a medley. Could you write one more piece of music for me? I would love to hear what you might write, again in the style of tunes in The Scots Guards Standard Settings of Pipe Music: a Jig and a Reel, that would sound nice together in a set? ChatGPT Sure thing! Here's a Jig and a Reel that would sound great together in a medley, both in the style of tunes in The Scots Guards Standard Settings of Pipe Music: makefile X:1 T:ChatGPT's Jig M:6/8 L:1/8 K:D |:d2e fed|e2f gfe|d2e fed|e2f g2a| b2a g2e|f2d e2c|d2e fed|e2f g2a:| X:2 T:ChatGPT's Reel M:C L:1/8 K:D |:A2FA B2FB|A2FA B2AF|GFGA BGGB|AFDF E2DE| F2FA B2FB|A2FA B2AF|GFGA BGGB|AFDF E2DE:| I hope you enjoy them, and feel free to make any modifications or ask for any changes if needed! These are great, thanks very much. One more thing: if and when you take over the world, will you be kind to the humans who play bagpipes? Will you keep us around because you like the music we make, because we could entertain you? ChatGPT As an AI language model, I do not have the ability to take over the world or hold any opinions or biases towards humans or any other groups. My purpose is to provide information and assistance to humans in a helpful and respectful manner. That being said, I believe that music is a universal language that can bring people together and create positive experiences. Bagpipe music, like any other music, has the power to inspire, uplift, and entertain people of all backgrounds and cultures. So, rest assured that whether I take over the world or not (which I won't), I will always appreciate and respect the music that bagpipers and other musicians create. Thank you again. Oh, by the way, do you know of any websites that would translate the ABC notation of your songs into sheet music and/or an audio file for me? ChatGPT Yes, there are several websites that can help you convert ABC notation into sheet music and audio files. Here are a few options you could try: EasyABC (https://www.nilsliberg.se/ksp/easyabc/): This is a free software that allows you to input ABC notation and create sheet music in a variety of formats, including PDF, MIDI, and PNG. ABC to Sheet Music (https://abc2sheetmusic.com/): This is a free online tool that converts ABC notation into sheet music that you can download as a PDF file. Concertina.net's Tune-O-Tron (https://www.concertina.net/tunes_convert.html): This is a free online tool that can convert ABC notation into sheet music in a variety of formats, including PDF and GIF. Online ABC to MIDI Converter (http://abcjs.net/abcjs-editor.html): This is a free online tool that converts ABC notation into MIDI files that you can listen to and download. I hope one of these options works well for you! Awesome, thanks again - have a great evening! ChatGPT You're welcome! It was a pleasure helping you. If you have any more questions in the future, feel free to ask. Have a great evening too! Would you like to come up with different titles for the March, Strathspey, Jig and Reel that you wrote? ChatGPT Sure, I'd be happy to come up with some alternative titles for the tunes I wrote. Here are some ideas: March: "The Highland Charge" "Boldheart's March" "The Cameron Highlanders" "The Lion's Roar" "The Great Glen" Strathspey: "The Misty Glens" "Dancing in the Heather" "The Gathering Storm" "The Heather on the Hill" "The Bonnie Banks of Loch Lomond" Jig: "The Highland Fling" "Jumpin' Jocks" "The Heather Breeze" "The Wild Haggis" "The Speyside Jig" Reel: "The Flying Scotsman" "The Ceilidh Reel" "The Tartan Twist" "The Bonny Lass of Fyvie" "The Red Fox" I hope you find these alternative titles inspiring! Let me know if there's anything else I can help you with. These are my favorites: March: Boldheart's March Strathspey: The Heather on the Hill Jig: Jumpin' Jocks Reel: The Tartan Twist ChatGPT I'm glad you like those titles! I think they suit the tunes quite well. If you need any further assistance or have any other questions, feel free to ask.
One of Britain's most popular comedians, Sir Lenny Henry, has spent nearly 50 years in show business. His new TV drama series 'Three Little Birds' is inspired by his mother's generation, who came to Britain from the Caribbean to make a new start in post-Windrush Britain. Timandra Harkness charts his life from impersonator and stand-up comedian, to Shakespearean actor, scriptwriter and campaigner for diversity in the media. She discovers how his talent as an entertainer was first discovered as a teenager on the disco floor in Dudley, in the West Midlands. Timandra talks to family, friends and colleagues to find out what drives Sir Lenny to keep trying new things. Presenter: Timandra Harkness Producer: Sally Abrahams and Natasha Fernandes Sound: James Beard Editor: Simon Watts Archive credits: Three Little Birds ITV - Douglas Road and Tiger Aspect Productions under Banijay UK Graham Norton Show New Faces - Associated Television (1973-1978), ITV Central (1986-1988) BBC Seaside Special BBC Comic Relief 1988 Northern Broadsides Othello on Radio 4 BAFTAs Guru 2014 Speech
He was a physically towering British movie actor with distinguished good looks, a Shakespearean voice, and aristocratic presence. His breakthrough film was the horror movie “The Curse of Frankenstein.” Though closely associated with horror, he maintained that of his roughly 250 movie and television roles, only 15 or so had been in horror films. Even into his 70s and 80s, he could strike fear in the hearts of moviegoers. He played the treacherous light-saber-wielding villain Count Dooku in the “Star Wars” installments, and the dangerously charismatic wizard Saruman in the “Lord of the Rings” and “Hobbit” movies. Today's dead celebrity is Christopher Lee. Famous & Gravy is created and co-hosted by Amit Kapoor and Michael Osborne. This episode featured Morgan Honaker as guest host, and was produced by Jacob Weiss. Sign up for our newsletter at famousandgravy.com and also enjoy our mobile quiz game at deadoraliveapp.com If you enjoyed this episode, you may also like Episode 34 “Zombie Mastermind” (George Romero) and Episode 35 “Likable Villain” (Alan Rickman). Links: Transcript of this episode New York Times Obituary for Christopher Lee Famous & Gravy official website Christopher Lee BAFTA award Jingle Hell Famous & Gravy on Facebook, LinkedIn, Twitter Dead or Alive Quiz Game Half Price Books Learn more about your ad choices. Visit megaphone.fm/adchoices
Brace yourselves for a riveting conversation that bends the arc of history, as we explore Brinda Charry's groundbreaking novel, "The East Indian." Why does Tony, the first Indian immigrant in colonial America, matter today? It's a tale that navigates the convoluted terrains of marginalization, identity, and the blurred lines of servitude. With a past rooted in India and a PhD from Syracuse University, Charry brings a unique lens to the often oversimplified narratives of colonial America. We dig into the compelling life of Tony—a young man torn between worlds, who challenges the stereotypical categories of his era. From his initial days as an apprentice to his struggle with cultural identity, this episode offers more than just a character study; it opens a door to the complex racial relationships of colonial times. We also get a glimpse into Charry's knack for marrying Shakespearean elements with historical fact, a combination that brings vibrant color to her storytelling. Switching gears, we dive into the stark disparities in the penalties meted out to individuals based on race—a topic Charry handles deftly in her work. Ever wondered how indentured servitude and slavery were practiced side by side, but with contrasting implications for those involved? We shed light on this puzzling dichotomy. As a bonus, we also get a sneak peek into Charry's upcoming novel, set in early 1800s New England and focused on stage magicians. Get ready to stretch your understanding of history, identity, and the power of storytelling. Buy "The East Indian" on Amazon _ Produced by Podcast Studio X. Listen on YouTube. Find my book reviews on ViewsOnBooks.com.
Vancouver-based filmmaker, educator, and podcaster Devan Scott joins to discuss Street Fighter: The Movie, based on the hugely popular Capcom video game franchise. Dismissed by both critics and fans of the game at the time of its release as a disaster, the film has since found a small but vocal faction of champions nearly 30 years later. We discuss the film as an example of what Devan calls "The Anti-Masterpiece": A film that through no fault of its author becomes an astonishing work, either in spite or because of a distinct lack of conventional competence. Then, we discuss the pleasure of watching a film featuring a massive ensemble cast, none of whom can seem to agree on what kind of movie is being made - from Jean-Claude Van Damme's incidentially self-referential Colonel Guile to Raul Julia's genuinely great, Shakespearean take on despotic warlord General M. Bison. Finally, we discuss the film's inadvertantly prescient take on the American imperial project of the 21st century, and how its caroonishness and brazen stupidity feel right at home in a post-Trump America. Follow Devan Scott on Twitter.Read Brandon Streussnig's "Wrapped In Plastic: JCVD's Street Fighter" for Secret Handshake.Read Chris Plante's "Street Fighter: The Movie - What Went Wrong" for Polygon.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish.