Podcasts about shakespearean

Brian From is joined by Pastor Derek Buikema of Orland Park Christian Reformed Church to talk about his call to ministry and what he loves most about being a pastor. Derek shares why “ordinary” churches—rooted in preaching, sacraments, and everyday faithfulness—are often where deep discipleship and quiet, life-changing ministry happens. The conversation also touches on church planting, blue-collar faith, and Derek’s surprising side passion: performing Shakespearean improv comedy.See omnystudio.com/listener for privacy information.

How much do we really know about William Shakespeare, his wife Anne Hathaway, and the family tragedies that may have shaped the bard's greatest work? This is the premise of Maggie O'Farrell's luminous novel Hamnet, now adapted into a major film starring Paul Mescal and Jessie Buckley.Professor Suzannah Lipscomb talks to Maggie O'Farrell about transforming Shakespearean history into unforgettable fiction, and reviews the film with Dr Will Tosh from Shakespeare's Globe.MORE:Shakespeare's Family: New DiscoveriesListen on AppleListen on SpotifyShakespeare's Daughter, JudithListen on AppleListen on SpotifyPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.

The face was there all along, but no one knew. When Sir Joshua Reynolds painted The Death of Cardinal Beaufort in 1789, he put a demon’s face in the darkness behind the dying man. Reynolds was accurately depicting a scene from a Shakespearean play that mentions the presence of a “busy, meddling fiend,” but some didn’t like his literalism. After Reynolds’ death in 1792, the face was painted over and forgotten. Art conservation work recently revealed it under layers of paint and varnish. The Bible tells of a spiritual reality around us that the eye can’t see, where God reigns supreme. When Elisha was surrounded by a “strong force” of enemy soldiers and chariots, his servant was frightened and asked, “What shall we do?” Elisha told him that “those who are with us are more than those who are with them,” and “prayed, ‘Open his eyes, Lord, so that he may see.’ ” Suddenly the servant “saw the hills full of horses and chariots of fire all around Elisha” (2 Kings 6:14-17). The horses and chariots of fire indicate angelic beings there for Elisha’s protection. This is one of many places where Scripture underscores the comforting truth that in a world where danger lurks and spiritual warfare rages, God still watches over us. No matter what we face, how good it is to know that nothing “will be able to separate us” from His love (Romans 8:39).

Persian Paradigms in Early Modern English Drama examines the concept of early modern globality and the development of European toleration discourse through English representations of Persian monarchs and Persianate conceptions of hospitality as paradigms of interreligious and intercultural hospitality for early modern and Shakespearean drama. English playwrights depict Persia and its legendary monarchs, such as Cyrus the Great, Xerxes, and Darius, as alternative figures of cosmopolitanism in the period. By focusing on an archive of plays of Persia staged between 1561 and 1696 in conversation with Shakespeare's works, European peace proposals, legislative acts of toleration, and global traditions of hospitality found in Zoroastrianism, Islam, and the Judeo-Christian traditions, this book pioneers an interdisciplinary methodology, introduces Persianate conceptual lenses for literary analysis of English literature, and constructs capacities to imagine multiple globalities existing in early modernity through a spectrum of imagined and lived experiences on stage and on the ground. Sheiba Kian Kaufman is an Assistant Professor of English at Saddleback College and Lecturer at the University of California, Irvine. She is the author of articles on Shakespeare, Persia, and early modern English drama. She has received fellowships from the UCLA Center for 17th-and 18th Century Studies, Clark Library, the UCI Samuel Jordan Center for Persian Studies and Culture, the UCI Center in Law, Society, and Culture, Somerville College, Oxford, and the American Association of University Women. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Louise Jameson is a classically trained actress whose first love is the stage—she spent two years with the Royal Shakespeare Company at the beginning of her career—but she also became known to millions of British television viewers through her roles in such hugely popular television series as Doctor Who, Tenko, Bergerac  and  EastEnders. Her recent theatre credits include Vincent River and directing the UK tour of Revenge. Her audio credits include Doctor Who (Big Finish), writing ATA Girl, about the women of the Air Transport Authority during World War II, and  multiple titles for BBC Audio and Audible. Louise talks with me about her unusually young start at the Royal Academy of Dramatic Art, and how her training continued at the Royal Shakespeare Company, how her Doctor Who character, Leela of the Sevateem, reflected the feminism of the 1970s (and how she didn't), how she started writing, and what she thinks of the opportunities for—and representation of—women in film and TV over the years. If you want to watch this conversation, you can see it here on YouTube!   Episode breakdown: 00:00 Introduction 04:00 Louise describes childhood creativity, daydreaming, and reading early. 08:00 Drama school, age gap with classmates, and strict discipline. 12:00 Acting requires teamwork; Louise reflects on early career. 16:00 Louise's Shakespeare passion, favorite roles and performance experiences. 20:00 Louise talks about landing Leela role in Doctor Who. 24:00 Doctor Who impacts life daily; gratitude for lasting connections. 28:00 Leela's feminist traits and costume choices, fighting stereotypes. 32:00 Leela's intelligence and evolution, relationship with other companions. 36:00 Influence of audio plays; Gallifrey series has strong female fandom. 40:00 Louise discusses writing, self-doubt, and encouragement from collaborators. 44:00 Directing stage, teaching drama; regrets and living in the now. 48:00 Shakespeare's rhythmic influence on Louise's writing and teaching. 52:00 Conversation shifts to social media, attention economy, and technology. 56:00 Louise analyzes Shakespeare's poetic technique and its storytelling power. 01:00 Louise explains collective magic of live theater and storytelling. 01:04 Progress and ongoing challenges for women in TV and film.   Want more? Here are handy playlists with all my previous interviews with guests in writing, theatre, and Doctor Who.   Check out the full show notes (now including transcripts!) at fycuriosity.com, and connect with me and fellow creatives on Substack. Please leave a review for this episode—it's really easy and will only take a minute, and it really helps me reach new listeners. Thanks! If you enjoyed our conversation, I hope you'll share it with a friend.

Eoin is back in the house to try and put manners on the lads with middling success it must be said.He's noticed a change in Darren's attire recently and Joe's recent rants get the boss's assessment.Inspired by a very questionable 1970's social experiment, a thought experiment ensues and we get to hear what they'd do to drive eachother pure mad.Things get a bit Shakespearean when Joe gets outraged by Romeo & Juliet and poor darren gets freaked out by what happens to your head after it's been guillotened into a basket.And don't forget to join us for our live show at Vicar Street on February 12th. Tickets are on sale at Ticketmaster now – we promise you wont regret it.Send all your questions and comments to stallit@goloudnow.com

We have merch now and you can buy it HERE: https://artistsonartistsonartistsonartists.com/shopTo be in a Shakespearean company or not to be in a Shakespearean company? For this week's crew of artists on the pod, the answer is obvious - to be! Join us as they walk us through their history with the Bard and how they gender bend, adapt, and shed new light on - nay, revolutionize - these iconic old texts. So grab your Tudor hat, a scull to monologue at, and stick around for one heck of an episode - parting is such sweet sorrow.This week's guest is the incomparable Eli Patterson who has the most amazing comedic mind! Catch her work across TV and film, including The Righteous Gemstones, performing around LA, and on Instagram @edipattersonhi.This episode was filmed in the beautiful Dynasty Typewriter Theater, and tech-produced by Samuel Curtis. For live shows and events you can find more about them at dynastytypewriter.com.To learn more about the BTS of this episode and to find a world of challenges, games, inside scoop, and the Artists being themselves, subscribe to our Patreon! You won't be disappointed with what you find. Check out patreon.com/aoaoaoapod Artists on Artists on Artists on Artists is an improvised Hollywood roundtable podcast by Kylie Brakeman, Jeremy Culhane, Angela Giarratana, and Patrick McDonald. Produced by Laservision Productions. Music by Gabriel Ponton. Edited by Conner McCabe. Thumbnail art by Josh Fleury. Hollywood's talking. Make sure you're listening. Subscribe to us on Apple Podcasts, Spotify, and Youtube! Please rate us five stars!

Persian Paradigms in Early Modern English Drama examines the concept of early modern globality and the development of European toleration discourse through English representations of Persian monarchs and Persianate conceptions of hospitality as paradigms of interreligious and intercultural hospitality for early modern and Shakespearean drama. English playwrights depict Persia and its legendary monarchs, such as Cyrus the Great, Xerxes, and Darius, as alternative figures of cosmopolitanism in the period. By focusing on an archive of plays of Persia staged between 1561 and 1696 in conversation with Shakespeare's works, European peace proposals, legislative acts of toleration, and global traditions of hospitality found in Zoroastrianism, Islam, and the Judeo-Christian traditions, this book pioneers an interdisciplinary methodology, introduces Persianate conceptual lenses for literary analysis of English literature, and constructs capacities to imagine multiple globalities existing in early modernity through a spectrum of imagined and lived experiences on stage and on the ground. Sheiba Kian Kaufman is an Assistant Professor of English at Saddleback College and Lecturer at the University of California, Irvine. She is the author of articles on Shakespeare, Persia, and early modern English drama. She has received fellowships from the UCLA Center for 17th-and 18th Century Studies, Clark Library, the UCI Samuel Jordan Center for Persian Studies and Culture, the UCI Center in Law, Society, and Culture, Somerville College, Oxford, and the American Association of University Women. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Now that the KJV version of the bible is not the only version sanctioned by the LDS church, this opens the door to dropping the Shakespearean language of the Book of Mormon too. Many of us wonder if we will see a new version of The Book of Mormon soon. Other versions of The Book of Mormon already exist and on this episode of Mormonish Podcast, Rebecca and Landon are joined by the guy behind a unique interpretation of the Book of Mormon that's making everyone spit out their coffee. Working from a suggestion from a Reddit post by Lucifers_Lantern, John-Michael Holahan reimagined the Book of Mormon by replacing "And it came to pass" with "I sh** you not!" I dare you to read these passages and not laugh out loud! John-Michael tells us more about how the idea originated and his process to create this very creative modernized version of the Book of Mormon. Also a shout out to Lucifers_Lantern on Reddit for making the suggestion! This episode originally aired in March 2024. Thank you so much for watching and supporting Mormonish Podcast! ***How to DONATE to Mormonish Podcast: If you would like to help financially support our podcast, you can DONATE to support Mormonish Podcast here: Mormonish Podcast is a 501(c) (3) https://donorbox.org/mormonish-podcast ****WE HAVE MERCH! **** If you'd like to purchase Mormonish Merch, you can visit our Merch store here: https://www.etsy.com/shop/mormonishmerch We appreciate our Mormonish viewers and listeners so much! Don't forget to LIKE and SUBSCRIBE to Mormonish Podcast! Contact Mormonish Podcast: mormonishpodcast@gmail.com #mormonish #lds #mormon #exmormon #postmormon #religion #news, #ldschurch #comeuntochrist #churchofjesuschrist #churchofjesuschristoflatterdaysaints #byu #byui #josephsmith #comefollowme #polygamy #bookofmormon #becauseofhim #hearhim #ldstemple

Persian Paradigms in Early Modern English Drama examines the concept of early modern globality and the development of European toleration discourse through English representations of Persian monarchs and Persianate conceptions of hospitality as paradigms of interreligious and intercultural hospitality for early modern and Shakespearean drama. English playwrights depict Persia and its legendary monarchs, such as Cyrus the Great, Xerxes, and Darius, as alternative figures of cosmopolitanism in the period. By focusing on an archive of plays of Persia staged between 1561 and 1696 in conversation with Shakespeare's works, European peace proposals, legislative acts of toleration, and global traditions of hospitality found in Zoroastrianism, Islam, and the Judeo-Christian traditions, this book pioneers an interdisciplinary methodology, introduces Persianate conceptual lenses for literary analysis of English literature, and constructs capacities to imagine multiple globalities existing in early modernity through a spectrum of imagined and lived experiences on stage and on the ground. Sheiba Kian Kaufman is an Assistant Professor of English at Saddleback College and Lecturer at the University of California, Irvine. She is the author of articles on Shakespeare, Persia, and early modern English drama. She has received fellowships from the UCLA Center for 17th-and 18th Century Studies, Clark Library, the UCI Samuel Jordan Center for Persian Studies and Culture, the UCI Center in Law, Society, and Culture, Somerville College, Oxford, and the American Association of University Women. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Persian Paradigms in Early Modern English Drama examines the concept of early modern globality and the development of European toleration discourse through English representations of Persian monarchs and Persianate conceptions of hospitality as paradigms of interreligious and intercultural hospitality for early modern and Shakespearean drama. English playwrights depict Persia and its legendary monarchs, such as Cyrus the Great, Xerxes, and Darius, as alternative figures of cosmopolitanism in the period. By focusing on an archive of plays of Persia staged between 1561 and 1696 in conversation with Shakespeare's works, European peace proposals, legislative acts of toleration, and global traditions of hospitality found in Zoroastrianism, Islam, and the Judeo-Christian traditions, this book pioneers an interdisciplinary methodology, introduces Persianate conceptual lenses for literary analysis of English literature, and constructs capacities to imagine multiple globalities existing in early modernity through a spectrum of imagined and lived experiences on stage and on the ground. Sheiba Kian Kaufman is an Assistant Professor of English at Saddleback College and Lecturer at the University of California, Irvine. She is the author of articles on Shakespeare, Persia, and early modern English drama. She has received fellowships from the UCLA Center for 17th-and 18th Century Studies, Clark Library, the UCI Samuel Jordan Center for Persian Studies and Culture, the UCI Center in Law, Society, and Culture, Somerville College, Oxford, and the American Association of University Women. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Persian Paradigms in Early Modern English Drama examines the concept of early modern globality and the development of European toleration discourse through English representations of Persian monarchs and Persianate conceptions of hospitality as paradigms of interreligious and intercultural hospitality for early modern and Shakespearean drama. English playwrights depict Persia and its legendary monarchs, such as Cyrus the Great, Xerxes, and Darius, as alternative figures of cosmopolitanism in the period. By focusing on an archive of plays of Persia staged between 1561 and 1696 in conversation with Shakespeare's works, European peace proposals, legislative acts of toleration, and global traditions of hospitality found in Zoroastrianism, Islam, and the Judeo-Christian traditions, this book pioneers an interdisciplinary methodology, introduces Persianate conceptual lenses for literary analysis of English literature, and constructs capacities to imagine multiple globalities existing in early modernity through a spectrum of imagined and lived experiences on stage and on the ground. Sheiba Kian Kaufman is an Assistant Professor of English at Saddleback College and Lecturer at the University of California, Irvine. She is the author of articles on Shakespeare, Persia, and early modern English drama. She has received fellowships from the UCLA Center for 17th-and 18th Century Studies, Clark Library, the UCI Samuel Jordan Center for Persian Studies and Culture, the UCI Center in Law, Society, and Culture, Somerville College, Oxford, and the American Association of University Women. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 199: The line I have used for the title of today's episode is spoken by Feste the fool, a central character in ‘Twelfth Night'. Fools have already played significant roles in Shakespeare's previous plays and as you will hear there are possible connections between them and Feste, but significant as he is, and fools will be in forthcoming Shakespeare plays, there is so much more to Twelfth Night than just that one character. It is a play where other Shakespearean comedic characteristics also feature – identical twins, empowered and quick-witted women, variants on the braggart soldier character, and an exotic, virtually mystical, setting, spring to mind. If ever there was a comedy where Shakespeare was completely in his stride then this, for me, is the one.The early performance history of the playThe dating of the playThe early print history of the playThe sources for the playThe establishing of social roles in the playThe positions of the knights Sir Toby and Sir AndrewThe role of Feste, the fool.The impact of Feste's songsFeste as a portrait of Thomas NasheThe centrality of Malvolio to the themes of the playFeste's sung epilogue to the playLove, desire and infatuation in the playThe play as a knowingly theatrical storyThe performance history of the playSome of the critical reaction to the play Link to Rachel Aanstad's ‘A Bawdy Twelfth Night' for UK customers:https://www.amazon.co.uk/Encyclopedia-Dramaturgical-Shakespearean-Encyclopedias-Handbooks/dp/B0BT2DZGTK/ref=sr_1_1Link to Rachel Aanstad's ‘A Bawdy Twelfth Night' for US customers:https://www.amazon.com/Encyclopedia-Dramaturgical-Shakespearean-Encyclopedias-Handbooks/dp/B0BT2DZGTK/ref=sr_1_1Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Irritated and drunken, an itinerant farm-worker sells his wife and child to a stranger. Thus begins The Mayor of Casterbridge, set in rural and small-town England in the mid-1800s. In the original subtitle, Hardy called this the story of "a man of character," and the central character, Michael Henchard, is one of English fiction's greatest creations. Henchard is deeply developed as a realistic character, but also larger-than-life in the manner of a Greek or Shakespearean tragic hero — huge in his determination and huge in his failings. The novel deals with the struggles between individual will, the hold of the past, and the relentless control of circumstances in a changing society.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Irritated and drunken, an itinerant farm-worker sells his wife and child to a stranger. Thus begins The Mayor of Casterbridge, set in rural and small-town England in the mid-1800s. In the original subtitle, Hardy called this the story of "a man of character," and the central character, Michael Henchard, is one of English fiction's greatest creations. Henchard is deeply developed as a realistic character, but also larger-than-life in the manner of a Greek or Shakespearean tragic hero — huge in his determination and huge in his failings. The novel deals with the struggles between individual will, the hold of the past, and the relentless control of circumstances in a changing society.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Irritated and drunken, an itinerant farm-worker sells his wife and child to a stranger. Thus begins The Mayor of Casterbridge, set in rural and small-town England in the mid-1800s. In the original subtitle, Hardy called this the story of "a man of character," and the central character, Michael Henchard, is one of English fiction's greatest creations. Henchard is deeply developed as a realistic character, but also larger-than-life in the manner of a Greek or Shakespearean tragic hero — huge in his determination and huge in his failings. The novel deals with the struggles between individual will, the hold of the past, and the relentless control of circumstances in a changing society.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Irritated and drunken, an itinerant farm-worker sells his wife and child to a stranger. Thus begins The Mayor of Casterbridge, set in rural and small-town England in the mid-1800s. In the original subtitle, Hardy called this the story of "a man of character," and the central character, Michael Henchard, is one of English fiction's greatest creations. Henchard is deeply developed as a realistic character, but also larger-than-life in the manner of a Greek or Shakespearean tragic hero — huge in his determination and huge in his failings. The novel deals with the struggles between individual will, the hold of the past, and the relentless control of circumstances in a changing society.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Irritated and drunken, an itinerant farm-worker sells his wife and child to a stranger. Thus begins The Mayor of Casterbridge, set in rural and small-town England in the mid-1800s. In the original subtitle, Hardy called this the story of "a man of character," and the central character, Michael Henchard, is one of English fiction's greatest creations. Henchard is deeply developed as a realistic character, but also larger-than-life in the manner of a Greek or Shakespearean tragic hero — huge in his determination and huge in his failings. The novel deals with the struggles between individual will, the hold of the past, and the relentless control of circumstances in a changing society.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Irritated and drunken, an itinerant farm-worker sells his wife and child to a stranger. Thus begins The Mayor of Casterbridge, set in rural and small-town England in the mid-1800s. In the original subtitle, Hardy called this the story of "a man of character," and the central character, Michael Henchard, is one of English fiction's greatest creations. Henchard is deeply developed as a realistic character, but also larger-than-life in the manner of a Greek or Shakespearean tragic hero — huge in his determination and huge in his failings. The novel deals with the struggles between individual will, the hold of the past, and the relentless control of circumstances in a changing society.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Irritated and drunken, an itinerant farm-worker sells his wife and child to a stranger. Thus begins The Mayor of Casterbridge, set in rural and small-town England in the mid-1800s. In the original subtitle, Hardy called this the story of "a man of character," and the central character, Michael Henchard, is one of English fiction's greatest creations. Henchard is deeply developed as a realistic character, but also larger-than-life in the manner of a Greek or Shakespearean tragic hero — huge in his determination and huge in his failings. The novel deals with the struggles between individual will, the hold of the past, and the relentless control of circumstances in a changing society.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Irritated and drunken, an itinerant farm-worker sells his wife and child to a stranger. Thus begins The Mayor of Casterbridge, set in rural and small-town England in the mid-1800s. In the original subtitle, Hardy called this the story of "a man of character," and the central character, Michael Henchard, is one of English fiction's greatest creations. Henchard is deeply developed as a realistic character, but also larger-than-life in the manner of a Greek or Shakespearean tragic hero — huge in his determination and huge in his failings. The novel deals with the struggles between individual will, the hold of the past, and the relentless control of circumstances in a changing society.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Episode Title: "I Need My Pain" - The Caves of Androzani Review & The Fifth Doctor's Regeneration THE CAVES OF ANDROZANI (March 8-16, 1984) Writer: Robert Holmes (returning!) Director: Graeme Harper (debut - directing from studio floor, not control room) PRODUCTION NOTES: The Fake Title: JNT put "The Doctor's Wife" on the production board deliberately to catch office leaks (ironic foreshadowing of Matt Smith's episode!) Graeme Harper's Innovation: Highly innovative direction with unrestricted camera movement - energetic, personal style directing from the floor instead of control room. Peter Davison said if there had been more directors like Harper and writers like Holmes, he'd have stayed for a fourth season. The Strike: Recording interrupted, cutting two sequences including the Doctor explaining his blown glass bottle collection from different planets (why they're visiting Androzani Minor for sand) Nicola Bryant's Frostbite: Developed mild frostbite on first day filming because her lower legs were bare in actually cold conditions The Dream Casting That Never Was: Sharaz Jek was offered to Tim Curry, David Bowie, and Mick Jagger! Christopher Gable was Harper's first choice, Bowie his second. Only Bowie had a reason for declining (Serious Moonlight tour). STORY BREAKDOWN: The TARDIS lands on Androzani Minor where the Doctor and Peri investigate caves and step in raw Spectrox - the most valuable substance in the universe. They're caught between multiple factions fighting over Spectrox: business magnate Morgus, General Chellak's forces, gun-runner Stotz, and the mysterious masked Sharaz Jek controlling an android army. Both contract Spectrox toxemia - the only cure is bat's milk from the lower caves where a magma beast hunts. THE FACTIONS DEBATE: Jim struggles with the convoluted plot involving approximately four factions. John helps clarify: Morgus controls everything from Androzani Major, supplying guns to Jek through Stotz while also backing the military against Jek. Nobody to root for - they're all "nasty, nasty people." STANDOUT MOMENTS: Peri & The Doctor's Chemistry: Their banter is finally warm and funny! John notes Peri complains differently than Tegan - more innocent, not sharp-edged or world-weary. The Star Trek Connection: The military forces sport Star Trek colors (blue, red, gold) matching departments, and uniform design echoes later TNG/DS9 style! First "Droid" Usage: Doctor Who uses the term "droid" for the first time (George Lucas trademarked it, but the term originated with Mary Wolfe in 1952's "Robots of the World, Arise!") Direction Showing Off: The vid-screen conversations where Morgus walks behind the hologram and creative camera angles - "Someone's really showing off here, but in a good way" Morgus's Aside: John Normington misunderstood stage directions and spoke his inner thoughts directly to camera. Everyone loved it, so they kept it! Could've been the Deadpool of Doctor Who if used throughout. CHARACTER ANALYSIS: Sharaz Jek - A Cut Above: The most twisted, dark villain in Doctor Who history. Could give Davros a run for his money in maniacal madness. Shakespearean dialogue, obsessed with Peri's beauty in deeply cringy ways. The mask reveal? A letdown - "not worthy of the build-up at all." Morgus - Standard Bureaucrat Behaving Badly: Rat bastard who murders the President by pushing him down an empty lift shaft. His defeat is Jim's "moment of joy" - well-deserved! The Magma Beast: As awful as the Myrka from Warriors of the Deep, maybe worse. THE VIOLENCE: Brutal for Doctor Who - no comic book foundation anymore. The gun-runner scuffle was "nasty, nasty, nasty stuff." THE REGENERATION: Most Extensive Ever: The Doctor says "feels different this time" (David Tennant would echo this line in his bi-regeneration). All companion cameos newly filmed: Matthew Waterhouse (Adric) - the Doctor reacts most strongly Sarah Sutton (Nyssa) - had chicken pox! Janet Fielding (Tegan) - "Brave heart, Tegan" Mark Strickson (Turlough) Anthony Ainley (The Master) - "Die, Doctor!" The Psychology: John theorizes the hallucinations represent the Doctor's psyche - companions urging him to live vs. the Master (part of himself) wanting to die. Colin Baker's Entrance: Nervous during setup, but in command once cameras rolled. Dressed in Davison's outfit (as it should be!). Two takes - said "egotistical" in final cut, "egocentric" in first. End credits gave Colin Baker top billing immediately. JIM'S CONFLICTED FEELINGS: HOPE FOR THE FUTURE: Jim admits Colin Baker's brief scene gave him hope: "He's very different from Davison... the polar opposite. He immediately insults Peri and he's large and in charge. I can almost put up with a real jerk if there's just some real agency going on in the character." The Agency Theory: Jim yearns for the days of Enemy of the World when the Doctor had real agency, was right in the middle of everything. He identifies with Pertwee's sarcasm and hopes Baker will deliver. ROBERT HOLMES APPRECIATION: Both hosts wish Holmes had been brought in sooner to establish Davison's character. His dialogue elevates everything - Jek's "I have to live among androids because they do not see like we see." FINAL THOUGHTS: Jim: "I'm somewhat encouraged by that tiny little scene with Colin Baker. It gave me some hope... I can almost put up with a real jerk if there's just some real agency." John: "I think that's fair to say there will be agency." The marshmallow Doctor era ends. The loud, arrogant era begins. One more story to round out Season 21... NEXT TIME: The Twin Dilemma - Colin Baker's full premiere! Jim handles narration for the four-parter. What could possibly go wrong with starting a new Doctor's era? Subscribe on all platforms. Email thedoctorsbeardpodcast@gmail.com. Support at patreon.com/thedoctorsbeardpodcast for $3/month. Hashtags: #DoctorWho #CavesOfAndrozani #FifthDoctor #PeterDavison #Regeneration #ColinBaker #SixthDoctor #Peri #NicolaBryant #RobertHolmes #GrahamHarper #SharazJek #Morgus #Spectrox #AndrozaniMinor #ClassicWho #Season21 #BestDoctorWhoStory #Controversy #GreatestOfAllTime #CompanionCameos #Adric #Nyssa #Tegan #Turlough #TheMaster #MagmaBeast #Androids #1984 #Regenerations #DoctorWhoPodcast #TheDoctorsBeardPodcast #INeedMyPain #TablesTurned #JohnsSadness #JimsVictory #MarshmallowDoctor #TheEndOfAnEra #Whovian #PodcastCommunity #FeelsDifferentThisTime

Jon Hudson Odom and Helen Jon Lee (above) reveal how they bring surprising joy to their portrayals of the iconic Mr. and Mrs. Cratchit in this year's Goodman Theatre production of A Christmas Carol. Jon and Helen share the various productions that have inspired them; how they keep the performances fresh; how their own families shape their instincts; how the Cratchits code-switch; the moving and very personal interactions they've had with audience members; the value of avoiding "toxic positivity;" the Shakespearean nature of this classic text; and the importance of scorning the kind of modern-day Scrooges who would find this kind of diversity too "woke." Also: a special appearance by Erin Allen, producer and host of the WBEZ podcast Curious City. (Length 22:52) The post Meet The Cratchits appeared first on Reduced Shakespeare Company.

PRE-ORDER MY NEW BOOK (OUT MAY 5, 2026)!!! — https://bit.ly/43BquPd This week I'm talking about the grading spiral that made me question my entire career, the wild field-trip confessions my five-year-old brought home, and the absolute unhinged energy that middle schoolers bring into any art room with a blank sheet of paper. And the voice memos? Oh, they're next-level. One features a crime scene so disgusting I almost logged off my own podcast. The other… well, let's just say a substitute made a choice that will go down in school-wide legend, and not in a good way. Plus, I'm climbing up on a hill I fully expect to die on, and it involves legal loopholes, teenagers, and why this country needs to get its act together. Takeaways: The surprisingly delicious St. Louis food that healed my pre-show stomach disaster. How a grading pile-up turned into a full-on identity crisis. Why elementary crushes feel like Shakespearean monologues now. The most unhinged classroom vandalism case I've ever heard—and the wild “investigation” that followed. The legal hill I did not expect to die on this week… and why I'm standing on it anyway. — Teachers' night out? Yes, please! Come see comedian Educator Andrea…Get your tickets at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠teachersloungelive.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Educatorandrea.com/tickets⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for laugh out loud Education! — Don't Be Shy Come Say Hi: www.podcasterandrea.com Watch on YouTube: @educatorandrea A Human Content Production Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s a holiday edition of First Date Follow Up, as part of the 12 First Date Follow Ups of Christmas, voted on by you! Brandon thought his date with Caitlin was near-perfect—pizza, drinks, laughs, and even a kiss to end the night. So why did she suddenly go silent?

It’s a holiday edition of First Date Follow Up, as part of the 12 First Date Follow Ups of Christmas, voted on by you! Brandon thought his date with Caitlin was near-perfect—pizza, drinks, laughs, and even a kiss to end the night. So why did she suddenly go silent?

It’s a holiday edition of First Date Follow Up, as part of the 12 First Date Follow Ups of Christmas, voted on by you! Brandon thought his date with Caitlin was near-perfect—pizza, drinks, laughs, and even a kiss to end the night. So why did she suddenly go silent?

Glamis Castle in Scotland is famous for its royal history, Shakespearean legends, and ghost stories, but none are more powerful than the tale of the Grey Lady. Long before she became a haunting figure in the castle chapel, Janet Douglas was a noblewoman caught in a deadly political feud with King James V. Accused of witchcraft, tortured by proxy, and burned at the stake while her teenage son was forced to watch, Janet's story is one of Scotland's cruelest miscarriages of justice.In this episode, we trace the real history behind the haunting, from the brutal rise of the Douglas feud to the King's obsession that destroyed Janet's life. Then we explore the paranormal legacy she left behind: sightings of a robed woman kneeling in prayer, the forbidden chapel chair reserved only for her, cold spots, emotional disturbances, and Glamis Castle's long reputation as one of Britain's most haunted locations.A tragic blend of Scottish history, royal betrayal, and one of the UK's most enduring ghost legends.hauntedamericanhistory.comPatreon- ⁠⁠⁠⁠⁠⁠https://www.patreon.com/hauntedamericanhistory⁠⁠⁠⁠⁠⁠LINKS FOR MY DEBUT NOVEL, THE FORGOTTEN BOROUGHBarnes and Noble -   https://www.barnesandnoble.com/w/the-forgotten-borough-christopher-feinstein/1148274794?ean=9798319693334AMAZON: https://www.amazon.com/dp/B0FQPQD68SEbookGOOGLE: https://play.google.com/store/books/details?id=S5WCEQAAQBAJ&pli=1KOBO: https://www.kobo.com/us/en/ebook/the-forgotten-borough-2?sId=a10cf8af-5fbd-475e-97c4-76966ec87994&ssId=DX3jihH_5_2bUeP1xoje_SMASHWORD: https://www.smashwords.com/books/view/1853316 !! DISTURB ME !! APPLE - https://podcasts.apple.com/us/podcast/disturb-me/id1841532090SPOTIFY - https://open.spotify.com/show/3eFv2CKKGwdQa3X2CkwkZ5?si=faOUZ54fT_KG-BaZOBiTiQYOUTUBE - https://www.youtube.com/@DisturbMePodcastwww.disturbmepodcast.com TikTok- @hauntedchris LEAVE A VOICEMAIL - 609-891-8658  Twitter- @Haunted_A_HInstagram- haunted_american_historyemail- hauntedamericanhistory@gmail.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In the final episode of Hub Politics in 2025, host Sean Speer is joined by Amanda Galbraith, co-founder and president of Oyster Group, and David Coletto, founder and CEO of Abacus Data, to answer questions from The Hub audience about the big issues over the past twelve months. They discuss Mark Carney's political rise, the future of the NDP, the opportunities and challenges for Pierre Poilievre and the Conservatives, and the unpredictability that defined 2025's political landscape.   The Hub is Canada's fastest growing independent digital news outlet.   Subscribe to The Hub's podcast feed to get our best content when you are on the go: https://tinyurl.com/3a7zpd7e (Apple)  https://tinyurl.com/y8akmfn7 (Spotify)   Want more Hub? Get a FREE 3-month trial membership on us: https://thehub.ca/free-trial/ Follow The Hub on X: https://x.com/thehubcanada?lang=en   CREDITS: Amal Attar-Guzman - Producer Alisha Rao - Sound Editor  Sean Speer - Host   To contact us, sign up for updates, and access transcripts email support@thehub.ca

Devin & James are back in the Den for another look back at the year in cinema that was 1975, this time focusing on THE EXPLOITATION FILMS of 75! This episode is not for the easily offended. We start with the blaxploitation classic BUCKTOWN, starring Fred Williamson, Pam Grier, and Thalmus Rasulala. Then we pivot to the bizarre indie WELCOME HOME, BROTHER CHARLES, featuring a murder weapon that has to be seen to be believed. (Note: Devin accidentally titles this as "Welcome Back, Brother Charles" in the film's intro. Sorry folks.) Things don't get any more sane when we check out the notorious nazisploitation film, ILSA: SHE WOLF OF THE S. S. Following that grimness, we lighten the mood with one of our own favorites, THE SWITCHBLADE SISTERS, with its strange Shakespearean overtones. We then explore two nasty little movies that are just dying to be rediscovered, the relentless POOR PRETTY EDDIE and the weird split persona of THE LOVE BUTCHER. We end things with a quick trip to Italy for the Last House on the Left-inspired NIGHT TRAIN MURDERS. Follow us, if you dare, into the grimy grindhouses of 1975!

This week on Female Gaze: The Film Club, Morgan is joined by returning guest, writer and critic Eoin Daly who's back this time to discuss Jane Campion's 2021 film, "The Power of the Dog." Eoin and Morgan dive into the themes of the films, the work of real-life couple Kirsten Dunst and Jesse Plemons, and the Shakespearean ending of the film. You can follow EoinTwitterBlueSkyYou can follow Female Gaze: The Film ClubInstagramBlueSkyWebsite

If you've ever wondered what happens when three grown adults argue passionately about grammar, moonbeams, seagulls, and the metaphysics of Strahd's horse, all before actually starting the podcast, this episode is for you. Join us as we journey into Heroes of Faerûn, where the subclasses are shiny, the Rangers are frosty, and the Fighters are apparently running a full unionized workplace. Grab your bag of rats (don't ask), center your Moonbeam, and enjoy the chaos. Show Notes In this episode of the RPGBOT.Podcast, the crew continues their deep-dive review of Dungeons & Dragons Heroes of Faerûn, the first major D&D 2024 splatbook offering new character options, subclasses, spells, epic boons, and setting lore. Building off Part 1's work, the hosts, Randall James, Tyler Kamstra, and Ash Ely, dig into the subclass content of the book with their usual combination of mechanical rigor, Shakespearean comedy, and at least one argument about whether it's a hero or an hero. The team analyzes each of the eight new Heroes of Faerûn subclasses, comparing their final published versions to the Unearthed Arcana playtests and to classic 2014 analogues: College of the Moon Bard blends druidic flavor with support-focused magic, teleportation, and weirdly effective Moonbeam healing loops involving birds and french fries. Knowledge Domain Cleric, updated from 2014, remains a powerhouse of divination, foresight, and skill mastery—Tyler's official religion. Banneret Fighter, once the Purple Dragon Knight, is reborn as a charismatic battlefield commander who turns every Second Wind and Action Surge into a team-wide buff. "This is our subclass, comrade." Oath of Noble Genies Paladin channels elemental smites, shifting resistances, and the magic of Earth, Air, Fire, and Water into a versatile new oath. Winterwalker Ranger arrives as a chilly striker specializing in cold damage, Hunter's Mark synergies, and making Frostraven Conservationists everywhere cry. Additional discussion previews the Sign of the Three Rogue, Spellfire Sorcery Sorcerer, and Bladesinger Wizard, with the team offering insights into where each subclass sits within the new 2024 design philosophy. Along the way, the hosts recount a dramatic Curse of Strahd in-game betrayal, debate 1990s kids' TV fever dreams, and reveal how a basket of fries can become an infinite healing engine. It's a glorious mess. It's D&D. It's RPGBOT. Materials References in This Episode Forgotten Realms: Adventures in Faerun (affiliate link) Forgotten Realms: Heroes of Faerun (affiliate link) Key Takeaways General Heroes of Faerûn is the first true D&D 2024 character-option splatbook, in the tradition of Xanathar's and Tasha's, packed with subclasses, feats, spells, and lore. The majority of subclasses saw significant nerfs from Unearthed Arcana, reinforcing WotC's new balance philosophy. College of the Moon Bard A hybrid support bard borrowing from druidic themes. Strong teleport-invisibility support, limited offensive tools, and a wild Moonbeam healing mechanic ripe for table shenanigans. Knowledge Domain Cleric A faithful update of the 2014 version. Expertise in two knowledge skills, powerful divination tools, short-rest spell economy, and endgame foresight. One of the strongest "planning" subclasses in D&D 2024. Banneret Fighter A complete reimagining of the Purple Dragon Knight, now an excellent party leader and tactical commander. Shares Second Wind healing, grants team-wide advantages, and enables coordinated movement and attacks through Action Surge. Simple to play, powerful in groups, great for new players wanting high impact. Oath of Noble Genies Paladin The "elements paladin," using Elemental Smites for flavorful battlefield control. Highly flexible and accessible, though spell list may feel inconsistent. Winterwalker Ranger Cold-focused striker with explosive damage potential toned down from UA. Hunter's Mark dependency remains but gains flavorful ice-themed tools. Solid, straightforward, and thematically cohesive. Overall Subclass diversity in Heroes of Faerûn sets a strong precedent for future 2024 design. Party-support subclasses (Banneret, Moon Bard) shine particularly bright. This book positions itself as the real launch point for 2024 character customization. Join the RPGBOT Patreon If you love deep-dive subclass analysis, mechanical breakdowns, and the occasional moonbeam-powered seagull disaster, consider supporting us on Patreon. You'll get ad-free episodes, early access, bonus content, and the deep satisfaction of knowing you helped make this show possible. Join the RPGBOT Patreon today and help us keep creating the content you love. Welcome to the RPGBOT Podcast. If you love Dungeons & Dragons, Pathfinder, and tabletop RPGs, this is the podcast for you. Support the show for free: Rate and review us on Apple Podcasts, Spotify, or any podcast app. It helps new listeners find the best RPG podcast for D&D and Pathfinder players. Level up your experience: Join us on Patreon to unlock ad-free access to RPGBOT.net and the RPGBOT Podcast, chat with us and the community on the RPGBOT Discord, and jump into live-streamed RPG podcast recordings. Support while you shop: Use our Amazon affiliate link at https://amzn.to/3NwElxQ and help us keep building tools and guides for the RPG community. Meet the Hosts Tyler Kamstra – Master of mechanics, seeing the Pathfinder action economy like Neo in the Matrix. Randall James – Lore buff and technologist, always ready to debate which Lord of the Rings edition reigns supreme. Ash Ely – Resident cynic, chaos agent, and AI's worst nightmare, bringing pure table-flipping RPG podcast energy. Join the RPGBOT team where fantasy roleplaying meets real strategy, sarcasm, and community chaos. How to Find Us: In-depth articles, guides, handbooks, reviews, news on Tabletop Role Playing at RPGBOT.net Tyler Kamstra BlueSky: @rpgbot.net TikTok: @RPGBOTDOTNET Ash Ely Professional Game Master on StartPlaying.Games BlueSky: @GravenAshes YouTube: @ashravenmedia Randall James BlueSky: @GrimoireRPG Amateurjack.com Read Melancon: A Grimoire Tale (affiliate link) Producer Dan @Lzr_illuminati

If you've ever wondered what happens when three grown adults argue passionately about grammar, moonbeams, seagulls, and the metaphysics of Strahd's horse, all before actually starting the podcast, this episode is for you. Join us as we journey into Heroes of Faerûn, where the subclasses are shiny, the Rangers are frosty, and the Fighters are apparently running a full unionized workplace. Grab your bag of rats (don't ask), center your Moonbeam, and enjoy the chaos. Show Notes In this episode of the RPGBOT.Podcast, the crew continues their deep-dive review of Dungeons & Dragons Heroes of Faerûn, the first major D&D 2024 splatbook offering new character options, subclasses, spells, epic boons, and setting lore. Building off Part 1's work, the hosts, Randall James, Tyler Kamstra, and Ash Ely, dig into the subclass content of the book with their usual combination of mechanical rigor, Shakespearean comedy, and at least one argument about whether it's a hero or an hero. The team analyzes each of the eight new Heroes of Faerûn subclasses, comparing their final published versions to the Unearthed Arcana playtests and to classic 2014 analogues: College of the Moon Bard blends druidic flavor with support-focused magic, teleportation, and weirdly effective Moonbeam healing loops involving birds and french fries. Knowledge Domain Cleric, updated from 2014, remains a powerhouse of divination, foresight, and skill mastery—Tyler's official religion. Banneret Fighter, once the Purple Dragon Knight, is reborn as a charismatic battlefield commander who turns every Second Wind and Action Surge into a team-wide buff. "This is our subclass, comrade." Oath of Noble Genies Paladin channels elemental smites, shifting resistances, and the magic of Earth, Air, Fire, and Water into a versatile new oath. Winterwalker Ranger arrives as a chilly striker specializing in cold damage, Hunter's Mark synergies, and making Frostraven Conservationists everywhere cry. Additional discussion previews the Sign of the Three Rogue, Spellfire Sorcery Sorcerer, and Bladesinger Wizard, with the team offering insights into where each subclass sits within the new 2024 design philosophy. Along the way, the hosts recount a dramatic Curse of Strahd in-game betrayal, debate 1990s kids' TV fever dreams, and reveal how a basket of fries can become an infinite healing engine. It's a glorious mess. It's D&D. It's RPGBOT. Materials References in This Episode Forgotten Realms: Adventures in Faerun (affiliate link) Forgotten Realms: Heroes of Faerun (affiliate link) Key Takeaways General Heroes of Faerûn is the first true D&D 2024 character-option splatbook, in the tradition of Xanathar's and Tasha's, packed with subclasses, feats, spells, and lore. The majority of subclasses saw significant nerfs from Unearthed Arcana, reinforcing WotC's new balance philosophy. College of the Moon Bard A hybrid support bard borrowing from druidic themes. Strong teleport-invisibility support, limited offensive tools, and a wild Moonbeam healing mechanic ripe for table shenanigans. Knowledge Domain Cleric A faithful update of the 2014 version. Expertise in two knowledge skills, powerful divination tools, short-rest spell economy, and endgame foresight. One of the strongest "planning" subclasses in D&D 2024. Banneret Fighter A complete reimagining of the Purple Dragon Knight, now an excellent party leader and tactical commander. Shares Second Wind healing, grants team-wide advantages, and enables coordinated movement and attacks through Action Surge. Simple to play, powerful in groups, great for new players wanting high impact. Oath of Noble Genies Paladin The "elements paladin," using Elemental Smites for flavorful battlefield control. Highly flexible and accessible, though spell list may feel inconsistent. Winterwalker Ranger Cold-focused striker with explosive damage potential toned down from UA. Hunter's Mark dependency remains but gains flavorful ice-themed tools. Solid, straightforward, and thematically cohesive. Overall Subclass diversity in Heroes of Faerûn sets a strong precedent for future 2024 design. Party-support subclasses (Banneret, Moon Bard) shine particularly bright. This book positions itself as the real launch point for 2024 character customization. Join the RPGBOT Patreon If you love deep-dive subclass analysis, mechanical breakdowns, and the occasional moonbeam-powered seagull disaster, consider supporting us on Patreon. You'll get ad-free episodes, early access, bonus content, and the deep satisfaction of knowing you helped make this show possible. Join the RPGBOT Patreon today and help us keep creating the content you love. Welcome to the RPGBOT Podcast. If you love Dungeons & Dragons, Pathfinder, and tabletop RPGs, this is the podcast for you. Support the show for free: Rate and review us on Apple Podcasts, Spotify, or any podcast app. It helps new listeners find the best RPG podcast for D&D and Pathfinder players. Level up your experience: Join us on Patreon to unlock ad-free access to RPGBOT.net and the RPGBOT Podcast, chat with us and the community on the RPGBOT Discord, and jump into live-streamed RPG podcast recordings. Support while you shop: Use our Amazon affiliate link at https://amzn.to/3NwElxQ and help us keep building tools and guides for the RPG community. Meet the Hosts Tyler Kamstra – Master of mechanics, seeing the Pathfinder action economy like Neo in the Matrix. Randall James – Lore buff and technologist, always ready to debate which Lord of the Rings edition reigns supreme. Ash Ely – Resident cynic, chaos agent, and AI's worst nightmare, bringing pure table-flipping RPG podcast energy. Join the RPGBOT team where fantasy roleplaying meets real strategy, sarcasm, and community chaos. How to Find Us: In-depth articles, guides, handbooks, reviews, news on Tabletop Role Playing at RPGBOT.net Tyler Kamstra BlueSky: @rpgbot.net TikTok: @RPGBOTDOTNET Ash Ely Professional Game Master on StartPlaying.Games BlueSky: @GravenAshes YouTube: @ashravenmedia Randall James BlueSky: @GrimoireRPG Amateurjack.com Read Melancon: A Grimoire Tale (affiliate link) Producer Dan @Lzr_illuminati

Former White House staffer Dean Ball thinks it's very likely some form of 'superintelligence' arrives in under 20 years. He thinks AI being used for bioweapon research is "a real threat model, obviously." He worries about dangerous 'power imbalances' should AI companies reach "$50 trillion market caps." And he believes the agriculture revolution probably worsened human health and wellbeing.Given that, you might expect him to be pushing for AI regulation. Instead, he's become one of the field's most prominent regulation sceptics and was recently the lead writer on Trump's AI Action Plan, before moving to the Foundation for American Innovation.Links to learn more, video, and full transcript: https://80k.info/dbDean argues that the wrong regulations, deployed too early, could freeze society into a brittle, suboptimal political and economic order. As he puts it, “my big concern is that we'll lock ourselves in to some suboptimal dynamic and actually, in a Shakespearean fashion, bring about the world that we do not want.”Dean's fundamental worry is uncertainty: “We just don't know enough yet about the shape of this technology, the ergonomics of it, the economics of it… You can't govern the technology until you have a better sense of that.”Premature regulation could lock us in to addressing the wrong problem (focusing on rogue AI when the real issue is power concentration), using the wrong tools (using compute thresholds when we should regulate companies instead), through the wrong institutions (captured AI-specific bodies), all while making it harder to build the actual solutions we'll need (like open source alternatives or new forms of governance).But Dean is also a pragmatist: he opposed California's AI regulatory bill SB 1047 in 2024, but — impressed by new capabilities enabled by “reasoning models” — he supported its successor SB 53 in 2025.And as Dean sees it, many of the interventions that would help with catastrophic risks also happen to improve mundane AI safety, make products more reliable, and address present-day harms like AI-assisted suicide among teenagers. So rather than betting on a particular vision of the future, we should cross the river by feeling the stones and pursue “robust” interventions we're unlikely to regret.This episode was recorded on September 24, 2025.Chapters:Cold open (00:00:00)Who's Dean Ball? (00:01:22)How likely are we to get superintelligence soon, and how bad could it be? (00:01:54)The military may not adopt AI that fast (00:10:54)Dean's “two wolves” of AI scepticism and optimism (00:17:48)Will AI self-improvement be a game changer? (00:28:20)The case for regulating at the last possible moment (00:33:05)AI could destroy our fragile democratic equilibria. Why not freak out? (00:52:30)The case AI will soon be way overregulated (01:02:51)How to handle the threats without collateral damage (01:14:56)Easy wins against AI misuse (01:26:54)Maybe open source can be handled gracefully (01:41:13)Would a company be sued for trillions if their AI caused a pandemic? (01:47:58)Dean dislikes compute thresholds. Here's what he'd do instead. (01:57:16)Could AI advances lead to violent conflict between the US and China? (02:02:52)Will we see a MAGA-Yudkowskyite alliance? Doomers and the Right (02:12:29)The tactical case for focusing on present-day harms (02:26:51)Is there any way to get the US government to use AI sensibly? (02:45:05)Having a kid in a time of AI turmoil (02:52:38)Video and audio editing: Dominic Armstrong, Milo McGuire, Luke Monsour, and Simon MonsourMusic: CORBITCoordination, transcripts, and web: Katy Moore

A woman played a female role on the London stage for the very first time on December 8th, 1660, as Desdemona in a revival of Shakepeare's Othello. The actress was probably Margaret Hughes - though nobody bothered to record this at the time, so we can't be sure. After the 1660 restoration of King Charles II, theatres opened their doors for the first time after 16 years of Puritan suppression. Charles, who had been exiled in France, admired continental theatre, where women had already been performing for over a century, and so England's actresses were finally permitted to follow suit. Arion, Rebecca and Olly uncover the stories of those pioneering performers who combatted sexism and sexual harassment to have their time in the limelight; consider the fate of the ‘pretty boys in petticoats' once real women were allowed on stage; and, once again, marvel at Samuel Pepys's inability to keep his sexual urges out of his diaries… Further Reading: • 'Who was the first Shakespearean actress?' (British Library, 2016): https://blogs.bl.uk/english-and-drama/2016/05/who-was-the-first-shakespearean-actress.html • 'The First English Actresses: Women and Drama, 1660-1700 - By Elizabeth Howe' (Cambridge University Press, 1992): https://www.google.co.uk/books/edition/The_First_English_Actresses/gPC5RvL7O_8C?hl=en&gbpv=1&dq=elizabeth+howe+women+on+stage&printsec=frontcover • ‘April de Angelis Interview | The first women on stage' (Whats On Stage, 2018): https://www.youtube.com/watch?v=GvaJIzHj6zY Love the show? Support us!  Join 

In this episode, Bryce welcomes back AJ Rice — publicist, strategist, and, “center of the MAGA cinematic universe.” AJ pulls back the curtain on the chaos, characters, and culture wars shaping American politics right now. From Trump’s cabinet-as-casting-call approach, to the fractures on the right, to why today’s political battles look more like Shakespearean theater than anything else… AJ breaks it all down. They dive into:• The rise of disruptors reshaping the political landscape• Why Trump’s coalition worked — and what threatens it now• The internal fights happening inside the conservative movement• How censorship, culture, and comedy are more intertwined than ever• And yes… the meaning behind White Privilege Christmas

On this episode of The Best Thing We Watched This Week, Ruben and Chris discuss Kill Bill: The Whole Bloody Affair, the new Shakespearean drama HAMNET, plus Chainsaws Were Singing, I Swear, Jay Kelly, Caught Stealing, Omniscient Reader: The Prophecy, and more. What's the best thing you watched this week?

In this week's episode of The Costume House, host Spencer Williams welcomes visionary costume designer Malgosia Turzanska to discuss her latest collaboration with director Chloé Zhao, Hamnet. Spencer and Malgosia explore the power of Agnes's vivid red palette, the organic textiles that root the film in its natural world, and the idea of art as a form of quiet rebellion. They also step behind the curtain of Hamlet, the "play within a film,” diving into the Shakespearean influences that shaped its layered, performance-driven costumes.----Malgosia Turzanska on Instagram: @malgosia_turzanskaSpencer Williams on Instagram: @hautespencerWatch The Costume House with Spencer Williams now, on YouTube: https://youtu.be/dZr6zQAr7O4

In this week's episode of The Costume House, host Spencer Williams welcomes visionary costume designer Malgosia Turzanska to discuss her latest collaboration with director Chloé Zhao, Hamnet. Spencer and Malgosia explore the power of Agnes's vivid red palette, the organic textiles that root the film in its natural world, and the idea of art as a form of quiet rebellion. They also step behind the curtain of Hamlet, the "play within a film,” diving into the Shakespearean influences that shaped its layered, performance-driven costumes.----Malgosia Turzanska on Instagram: @malgosia_turzanskaSpencer Williams on Instagram: @hautespencerWatch The Costume House with Spencer Williams now, on YouTube: https://youtu.be/dZr6zQAr7O4

After drunkenly selling his wife and child at auction, a young Michael Henchard resolves to live differently – and does so, skyrocketing from impoverished haytrusser to mayor of his adoptive town. Every unexpected disaster and sudden reversal in The Mayor of Casterbridge stems from its opening, in a plot which draws as much from realist fiction as Shakespearean tragedy and the sensation novel. Mary Wellesley and Mark Ford join Clare Bucknell to unpick the many strands in Thomas Hardy's first Wessex novel. They explore how the novel – at once ‘algorithmic', theatrical and fatalistic – is suffused with Hardy's class anxieties, affinity with Dorset and fascination with pagan England. Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up: Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠ In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠ Further reading and listening from the LRB: Mary and Mark discuss Hardy's medievalism on the LRB Podcast: ⁠⁠https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/thomas-hardy-s-medieval-mind⁠⁠ Mark discusses Poems of 1912-13 with Seamus Perry in Love and Death: ⁠⁠https://www.lrb.co.uk/podcasts-and-videos/podcasts/close-readings/love-and-death-poems-of-1912-13-by-thomas-hardy⁠⁠  James Wood on Hardy's life:⁠⁠ ⁠ ⁠https://www.lrb.co.uk/the-paper/v29/n01/james-wood/anxious-pleasures⁠⁠ Hugh Haughton on Hardy's ghosts: ⁠⁠https://www.lrb.co.uk/the-paper/v07/n21/hugh-haughton/ghosts⁠⁠ Next episode: New Grub Street by George Gissing.

Folger Shakespeare Library director Farah Karim-Cooper's new book All the World's Your Stage explores for readers of all ages the life and times of William Shakespeare through eight of his most popular plays. Dr. Karim-Cooper discusses how this was one of her hardest books to write and reveals the surprising title of her favorite Shakespeare play; the relationship between profanity and a love of language; Shakespearean mythbusting; the confessions of a Texan sailor's daughter; the value of Shakespeare – as well as museums, arts, and humanities – beyond their “relevance;” ; how Shakespeare wrote what may be the first Black power speech; and the importance of studying Shakespeare on the stage as well as on the page. (Length 27:37) (Photo of Farah Karim-Cooper above by Henri T.) The post Farah Karim-Cooper appeared first on Reduced Shakespeare Company.

We're just GAGA about today's crossword. It included some of our favorite words in the English language, such as 3D, Flabbergasted, GOBSMACKED; our favorite Shakespearean insult, 63A, Playing card better known as a Jack, KNAVE

BT and Sal dive deep into the new "Alex vs. A-Rod" documentary, reaching a consensus that Alex Rodriguez is fundamentally "a good guy" who was his own worst enemy—he just "couldn't figure it out" and "got in his own way." Tierney admits he's "always had a soft spot" for Alex and is bothered by how the star complicated his own world. They discuss the concept of an athlete having a good personal core, yet repeatedly making self-sabotaging choices that damage their career and public image. The discussion frames A-Rod as a "Shakespearean figure" whose talent was only matched by his flawed character and need to be forthright about his struggles in the documentary.

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz sits down with Academy Award-nominated writer, actor, director, and producer Nia Vardalos. From her one-woman show in a tiny Los Angeles theater to creating one of the highest-grossing independent movies of all time, Nia's path shows what happens when you refuse to give up on your story.The Topline She Carried for 24 Years (01:36) Kevin reveals that Nia has carried the original test screening results from My Big Fat Greek Wedding in her wallet for over 24 years. Kevin shares why the film isn't allowed to be referenced at his company, not because it was bad, but because it was such an unprecedented outlier that had no business doing what it did, except that it was "so damn good."Second City Training and Seizing the Moment (04:40) Nia traces her journey from Shakespearean training at Ryerson to discovering improv.From Rejection to the Stage (19:15) When Nia couldn't get her screenplay read, she rented a small theater and performed her story for audiences who kept coming back. She shares how she placed a $500 ad in the Los Angeles Times that caught Rita Wilson's attention.Rita Wilson, Tom Hanks, and Unwavering Loyalty (26:51) When Rita Wilson saw the show, her first words were "I love you." When she said, "this should be a movie," Nia instantly handed her the screenplay so fast that “her hair flew back." The result: $241.4 million domestic, $368.7 million worldwide.14 Hours Notice to Motherhood (35:53) After years of fertility treatments, Nia received just 14 hours notice to adopt a daughter from foster care. She talks about the trials, and the joys of motherhood and adoption.Academy Award Nomination (39:35) On the morning of her Best Original Screenplay nomination, Nia was driving through rain to a fertility clinic when her best friend called first with the news.Returning to Theater (48:38) Nia returned to her theatrical roots with Tiny Beautiful Things, adapted from Cheryl Strayed's book and directed by Hamilton's Thomas Kail. The play became a New York Times Critics' Pick and was licensed in 250+ productions worldwide. She recently performed it in Greek in Athens at a 1,500-seat theater.Nia Vardalos proves that Hollywood's greatest success stories don't always follow the expected path. Sometimes they start with a $300 theater rental and an unshakeable belief in your own voice. If you enjoyed this episode, please leave us a review and share. We look forward to bringing you more behind-the-scenes revelations next time on Don't Kill the Messenger.Host: Kevin GoetzGuest: Nia VardalosProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Nia Vardalos:Wikipedia: https://en.wikipedia.org/wiki/Nia_VardalosIMDB: https://www.imdb.com/name/nm0889522/Instagram: For more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com

What happens when the pursuit of belonging turns darkly funny, heartbreakingly real, and deeply human? Rebecca Greene sits down with Oxford PhD student and author Heather Colley to explore her brilliant debut novel The Gilded Butterfly Effect, a darkly observant look at campus life, beauty culture, and the messy search for belonging. Together they unpack how sorority life, loneliness, and female friendship collide in unexpected ways. Heather shares the inspiration behind her unforgettable characters Penny and Stella, the Shakespearean roots of her title, and why fiction helps us feel less alone. Through laughter and reflection, Rebecca and Heather explore why young women crave connection, how easily identity gets lost in the crowd, and why every generation faces its own version of the fitting in struggle. It's a raw, smart, and deeply relatable conversation about growing up, finding yourself, and learning that sometimes being different is the truest form of belonging. KEY TAKEAWAYS→ Belonging can bring both comfort and confusion→ Fiction helps readers feel less alone in their experiences→ Female friendships are often messy, layered, and deeply real→ Loneliness hides even in the most social places→ Finding your people takes time and self-awareness→ Parents can support young adults by listening, not judging Quote from Heather“Finding the right people is everything. The book is really about what happens when you're not with the right people and how easy it is to lose yourself trying to belong.” — Heather Colley Call to ActionFind The Gilded Butterfly Effect wherever books are sold and follow Heather at heathercolleyauthor.com or on Instagram @heathercolleyauthor Learn more about your ad choices. Visit megaphone.fm/adchoices

What happens when the pursuit of belonging turns darkly funny, heartbreakingly real, and deeply human? Rebecca Greene sits down with Oxford PhD student and author Heather Colley to explore her brilliant debut novel The Gilded Butterfly Effect, a darkly observant look at campus life, beauty culture, and the messy search for belonging. Together they unpack how sorority life, loneliness, and female friendship collide in unexpected ways. Heather shares the inspiration behind her unforgettable characters Penny and Stella, the Shakespearean roots of her title, and why fiction helps us feel less alone. Through laughter and reflection, Rebecca and Heather explore why young women crave connection, how easily identity gets lost in the crowd, and why every generation faces its own version of the fitting in struggle. It's a raw, smart, and deeply relatable conversation about growing up, finding yourself, and learning that sometimes being different is the truest form of belonging. KEY TAKEAWAYS→ Belonging can bring both comfort and confusion→ Fiction helps readers feel less alone in their experiences→ Female friendships are often messy, layered, and deeply real→ Loneliness hides even in the most social places→ Finding your people takes time and self-awareness→ Parents can support young adults by listening, not judging Quote from Heather“Finding the right people is everything. The book is really about what happens when you're not with the right people and how easy it is to lose yourself trying to belong.” — Heather Colley Call to ActionFind The Gilded Butterfly Effect wherever books are sold and follow Heather at heathercolleyauthor.com or on Instagram @heathercolleyauthor Learn more about your ad choices. Visit megaphone.fm/adchoices

Steven welcomes Professor Richard Strier of the University of Chicago to this episode to discuss his books on Shakespearean literary criticism and analysis, including epistemology, historicism, power, and the law. Support the show by picking up official Don't Quill the Messenger merchandise at www.dontquillthepodcast.com and becoming a Patron at http://www.patreon.com/dontquillthemessenger  Made possible by Patrons: Courtney L, David Neufer, Deduce, Earl Showerman, Edward Henke, Ellen Swanson, Eva Varelas, Frank Lawler, James Warren, Jen Swan, John Creider, John Eddings, Jon Foss, Kara Elizabeth Martin, Neal Riesterer, Patricia Carrelli, quizzi, Richard Wood, Sandi Boney, Sheila Kethley, Tim Norman, Tim Price, Vanessa Lops, Yvonne Don't Quill the Messenger is a part of the Dragon Wagon Radio independent podcast network. For more great podcasts visit www.dragonwagonradio.com

Our favorite station commander is back to tell you all about two new shows created by Wolf 359 alumni: series creator Gabriel Urbina's new fiction podcast The Harbingers and lead actress Emma Sherr-Ziarko's new Shakespeare podcast Pod's The Thing! The Harbingers tells the story of Adam Blackwell and Amy Stirling - the first two people in the modern world to figure out how to do real magic. This feat instantly turns them into the world's two most famous, most recognizable people - which would be hard enough by itself, even if Adam and Amy didn't fundamentally disagree about how one is supposed to use magic. Oops. Oh, and also they have a history together: they briefly dated back when they were in the same grad school program. Oops again. Equal parts political thriller, modern fantasy adventure, and intimate romantic drama, The Harbingers is an exploration of what it means to have and to use power in the modern world. New episodes come out every two weeks on Thursdays. Apple Podcasts Spotify Pocketcasts Website Meanwhile, Pod's the Thing is a Shakespeare Podcast created by actors that shows a glimpse behind the curtain into the process of working on Shakespeare's Text. Whether you're also an actor, a Shakespeare enthusiast, or you're new to the Bard, you're bound to learn something new, laugh a lot, and maybe even be moved. Each episode is part conversation and part performance, as we dive into one Shakespearean scene at a time. We'll talk through the language, historical context, and our experience with the play, and then put all that together and perform the scene. Featuring Emma Sherr-Ziarko, Felix Trench, Beth Eyre, Calder Shilling, and a variety of other actors, directors, scholars, and Shakespeare enthusiasts from around the Globe, Pod's The Thing explores what has made Shakespeare moving, fun, and eternally relevant for generations of actors and fans. New episodes come out every two weeks on Wednesdays. Apple Podcasts Spotify Pocketcasts Website Learn more about your ad choices. Visit megaphone.fm/adchoices

Spoiler Warning: This episode contains spoilers for Baldur's Gate 3 during Samantha's Tale from the Table. This week! Jeremy Cobb, Liv Kennedy and Candace the Magnificent are joined by BAFTA-nominated actor and voice artist Samantha Béart - the brilliant vocal talent behind characters such as Karlach in Baldur's Gate 3, Thomasina Bateman in The Excavation of Hobb's Barrow, Oracle in TRON: Catalyst, and many more! The Halflings chat with them about Samantha's Shakespearean roots, lifelong love of storytelling, and how that classical training influences Samantha's modern voice work. Samantha opens up about the thought process behind bringing characters to life, the value of finding your people, and discusses intersectionality and the importance of rising above challenges to succeed together. The conversation also explores the story behind their show It Takes a Village, its upcoming new season, and why celebrating the people behind the scenes in media truly matters! Also - did you miss out on our first

On Today’s Show: Tim delivers a packed midweek show filled with vengeance, vile curses, AI abortions, and bowel emergencies. Sponsored by “Freeloading Fucktard,” today's DV opens with a dramatic, Shakespearean-style monologue addressed to “Aaron,” a former friend who betrayed a fellow listener — ending with a literal shit curse. From there, the show spirals into […] The post Wikipedia Pedo Panic and the Auschwitz Halloween Parade Float Oopsie first appeared on Distorted View Daily.