Podcasts about shakespearean

Devin & James are back in the Den for another look back at the year in cinema that was 1975, this time focusing on THE EXPLOITATION FILMS of 75! This episode is not for the easily offended. We start with the blaxploitation classic BUCKTOWN, starring Fred Williamson, Pam Grier, and Thalmus Rasulala. Then we pivot to the bizarre indie WELCOME HOME, BROTHER CHARLES, featuring a murder weapon that has to be seen to be believed. (Note: Devin accidentally titles this as "Welcome Back, Brother Charles" in the film's intro. Sorry folks.) Things don't get any more sane when we check out the notorious nazisploitation film, ILSA: SHE WOLF OF THE S. S. Following that grimness, we lighten the mood with one of our own favorites, THE SWITCHBLADE SISTERS, with its strange Shakespearean overtones. We then explore two nasty little movies that are just dying to be rediscovered, the relentless POOR PRETTY EDDIE and the weird split persona of THE LOVE BUTCHER. We end things with a quick trip to Italy for the Last House on the Left-inspired NIGHT TRAIN MURDERS. Follow us, if you dare, into the grimy grindhouses of 1975!

This week on Female Gaze: The Film Club, Morgan is joined by returning guest, writer and critic Eoin Daly who's back this time to discuss Jane Campion's 2021 film, "The Power of the Dog." Eoin and Morgan dive into the themes of the films, the work of real-life couple Kirsten Dunst and Jesse Plemons, and the Shakespearean ending of the film. You can follow EoinTwitterBlueSkyYou can follow Female Gaze: The Film ClubInstagramBlueSkyWebsite

If you've ever wondered what happens when three grown adults argue passionately about grammar, moonbeams, seagulls, and the metaphysics of Strahd's horse, all before actually starting the podcast, this episode is for you. Join us as we journey into Heroes of Faerûn, where the subclasses are shiny, the Rangers are frosty, and the Fighters are apparently running a full unionized workplace. Grab your bag of rats (don't ask), center your Moonbeam, and enjoy the chaos. Show Notes In this episode of the RPGBOT.Podcast, the crew continues their deep-dive review of Dungeons & Dragons Heroes of Faerûn, the first major D&D 2024 splatbook offering new character options, subclasses, spells, epic boons, and setting lore. Building off Part 1's work, the hosts, Randall James, Tyler Kamstra, and Ash Ely, dig into the subclass content of the book with their usual combination of mechanical rigor, Shakespearean comedy, and at least one argument about whether it's a hero or an hero. The team analyzes each of the eight new Heroes of Faerûn subclasses, comparing their final published versions to the Unearthed Arcana playtests and to classic 2014 analogues: College of the Moon Bard blends druidic flavor with support-focused magic, teleportation, and weirdly effective Moonbeam healing loops involving birds and french fries. Knowledge Domain Cleric, updated from 2014, remains a powerhouse of divination, foresight, and skill mastery—Tyler's official religion. Banneret Fighter, once the Purple Dragon Knight, is reborn as a charismatic battlefield commander who turns every Second Wind and Action Surge into a team-wide buff. "This is our subclass, comrade." Oath of Noble Genies Paladin channels elemental smites, shifting resistances, and the magic of Earth, Air, Fire, and Water into a versatile new oath. Winterwalker Ranger arrives as a chilly striker specializing in cold damage, Hunter's Mark synergies, and making Frostraven Conservationists everywhere cry. Additional discussion previews the Sign of the Three Rogue, Spellfire Sorcery Sorcerer, and Bladesinger Wizard, with the team offering insights into where each subclass sits within the new 2024 design philosophy. Along the way, the hosts recount a dramatic Curse of Strahd in-game betrayal, debate 1990s kids' TV fever dreams, and reveal how a basket of fries can become an infinite healing engine. It's a glorious mess. It's D&D. It's RPGBOT. Materials References in This Episode Forgotten Realms: Adventures in Faerun (affiliate link) Forgotten Realms: Heroes of Faerun (affiliate link) Key Takeaways General Heroes of Faerûn is the first true D&D 2024 character-option splatbook, in the tradition of Xanathar's and Tasha's, packed with subclasses, feats, spells, and lore. The majority of subclasses saw significant nerfs from Unearthed Arcana, reinforcing WotC's new balance philosophy. College of the Moon Bard A hybrid support bard borrowing from druidic themes. Strong teleport-invisibility support, limited offensive tools, and a wild Moonbeam healing mechanic ripe for table shenanigans. Knowledge Domain Cleric A faithful update of the 2014 version. Expertise in two knowledge skills, powerful divination tools, short-rest spell economy, and endgame foresight. One of the strongest "planning" subclasses in D&D 2024. Banneret Fighter A complete reimagining of the Purple Dragon Knight, now an excellent party leader and tactical commander. Shares Second Wind healing, grants team-wide advantages, and enables coordinated movement and attacks through Action Surge. Simple to play, powerful in groups, great for new players wanting high impact. Oath of Noble Genies Paladin The "elements paladin," using Elemental Smites for flavorful battlefield control. Highly flexible and accessible, though spell list may feel inconsistent. Winterwalker Ranger Cold-focused striker with explosive damage potential toned down from UA. Hunter's Mark dependency remains but gains flavorful ice-themed tools. Solid, straightforward, and thematically cohesive. Overall Subclass diversity in Heroes of Faerûn sets a strong precedent for future 2024 design. Party-support subclasses (Banneret, Moon Bard) shine particularly bright. This book positions itself as the real launch point for 2024 character customization. Join the RPGBOT Patreon If you love deep-dive subclass analysis, mechanical breakdowns, and the occasional moonbeam-powered seagull disaster, consider supporting us on Patreon. You'll get ad-free episodes, early access, bonus content, and the deep satisfaction of knowing you helped make this show possible. Join the RPGBOT Patreon today and help us keep creating the content you love. Welcome to the RPGBOT Podcast. If you love Dungeons & Dragons, Pathfinder, and tabletop RPGs, this is the podcast for you. Support the show for free: Rate and review us on Apple Podcasts, Spotify, or any podcast app. It helps new listeners find the best RPG podcast for D&D and Pathfinder players. Level up your experience: Join us on Patreon to unlock ad-free access to RPGBOT.net and the RPGBOT Podcast, chat with us and the community on the RPGBOT Discord, and jump into live-streamed RPG podcast recordings. Support while you shop: Use our Amazon affiliate link at https://amzn.to/3NwElxQ and help us keep building tools and guides for the RPG community. Meet the Hosts Tyler Kamstra – Master of mechanics, seeing the Pathfinder action economy like Neo in the Matrix. Randall James – Lore buff and technologist, always ready to debate which Lord of the Rings edition reigns supreme. Ash Ely – Resident cynic, chaos agent, and AI's worst nightmare, bringing pure table-flipping RPG podcast energy. Join the RPGBOT team where fantasy roleplaying meets real strategy, sarcasm, and community chaos. How to Find Us: In-depth articles, guides, handbooks, reviews, news on Tabletop Role Playing at RPGBOT.net Tyler Kamstra BlueSky: @rpgbot.net TikTok: @RPGBOTDOTNET Ash Ely Professional Game Master on StartPlaying.Games BlueSky: @GravenAshes YouTube: @ashravenmedia Randall James BlueSky: @GrimoireRPG Amateurjack.com Read Melancon: A Grimoire Tale (affiliate link) Producer Dan @Lzr_illuminati

If you've ever wondered what happens when three grown adults argue passionately about grammar, moonbeams, seagulls, and the metaphysics of Strahd's horse, all before actually starting the podcast, this episode is for you. Join us as we journey into Heroes of Faerûn, where the subclasses are shiny, the Rangers are frosty, and the Fighters are apparently running a full unionized workplace. Grab your bag of rats (don't ask), center your Moonbeam, and enjoy the chaos. Show Notes In this episode of the RPGBOT.Podcast, the crew continues their deep-dive review of Dungeons & Dragons Heroes of Faerûn, the first major D&D 2024 splatbook offering new character options, subclasses, spells, epic boons, and setting lore. Building off Part 1's work, the hosts, Randall James, Tyler Kamstra, and Ash Ely, dig into the subclass content of the book with their usual combination of mechanical rigor, Shakespearean comedy, and at least one argument about whether it's a hero or an hero. The team analyzes each of the eight new Heroes of Faerûn subclasses, comparing their final published versions to the Unearthed Arcana playtests and to classic 2014 analogues: College of the Moon Bard blends druidic flavor with support-focused magic, teleportation, and weirdly effective Moonbeam healing loops involving birds and french fries. Knowledge Domain Cleric, updated from 2014, remains a powerhouse of divination, foresight, and skill mastery—Tyler's official religion. Banneret Fighter, once the Purple Dragon Knight, is reborn as a charismatic battlefield commander who turns every Second Wind and Action Surge into a team-wide buff. "This is our subclass, comrade." Oath of Noble Genies Paladin channels elemental smites, shifting resistances, and the magic of Earth, Air, Fire, and Water into a versatile new oath. Winterwalker Ranger arrives as a chilly striker specializing in cold damage, Hunter's Mark synergies, and making Frostraven Conservationists everywhere cry. Additional discussion previews the Sign of the Three Rogue, Spellfire Sorcery Sorcerer, and Bladesinger Wizard, with the team offering insights into where each subclass sits within the new 2024 design philosophy. Along the way, the hosts recount a dramatic Curse of Strahd in-game betrayal, debate 1990s kids' TV fever dreams, and reveal how a basket of fries can become an infinite healing engine. It's a glorious mess. It's D&D. It's RPGBOT. Materials References in This Episode Forgotten Realms: Adventures in Faerun (affiliate link) Forgotten Realms: Heroes of Faerun (affiliate link) Key Takeaways General Heroes of Faerûn is the first true D&D 2024 character-option splatbook, in the tradition of Xanathar's and Tasha's, packed with subclasses, feats, spells, and lore. The majority of subclasses saw significant nerfs from Unearthed Arcana, reinforcing WotC's new balance philosophy. College of the Moon Bard A hybrid support bard borrowing from druidic themes. Strong teleport-invisibility support, limited offensive tools, and a wild Moonbeam healing mechanic ripe for table shenanigans. Knowledge Domain Cleric A faithful update of the 2014 version. Expertise in two knowledge skills, powerful divination tools, short-rest spell economy, and endgame foresight. One of the strongest "planning" subclasses in D&D 2024. Banneret Fighter A complete reimagining of the Purple Dragon Knight, now an excellent party leader and tactical commander. Shares Second Wind healing, grants team-wide advantages, and enables coordinated movement and attacks through Action Surge. Simple to play, powerful in groups, great for new players wanting high impact. Oath of Noble Genies Paladin The "elements paladin," using Elemental Smites for flavorful battlefield control. Highly flexible and accessible, though spell list may feel inconsistent. Winterwalker Ranger Cold-focused striker with explosive damage potential toned down from UA. Hunter's Mark dependency remains but gains flavorful ice-themed tools. Solid, straightforward, and thematically cohesive. Overall Subclass diversity in Heroes of Faerûn sets a strong precedent for future 2024 design. Party-support subclasses (Banneret, Moon Bard) shine particularly bright. This book positions itself as the real launch point for 2024 character customization. Join the RPGBOT Patreon If you love deep-dive subclass analysis, mechanical breakdowns, and the occasional moonbeam-powered seagull disaster, consider supporting us on Patreon. You'll get ad-free episodes, early access, bonus content, and the deep satisfaction of knowing you helped make this show possible. Join the RPGBOT Patreon today and help us keep creating the content you love. Welcome to the RPGBOT Podcast. If you love Dungeons & Dragons, Pathfinder, and tabletop RPGs, this is the podcast for you. Support the show for free: Rate and review us on Apple Podcasts, Spotify, or any podcast app. It helps new listeners find the best RPG podcast for D&D and Pathfinder players. Level up your experience: Join us on Patreon to unlock ad-free access to RPGBOT.net and the RPGBOT Podcast, chat with us and the community on the RPGBOT Discord, and jump into live-streamed RPG podcast recordings. Support while you shop: Use our Amazon affiliate link at https://amzn.to/3NwElxQ and help us keep building tools and guides for the RPG community. Meet the Hosts Tyler Kamstra – Master of mechanics, seeing the Pathfinder action economy like Neo in the Matrix. Randall James – Lore buff and technologist, always ready to debate which Lord of the Rings edition reigns supreme. Ash Ely – Resident cynic, chaos agent, and AI's worst nightmare, bringing pure table-flipping RPG podcast energy. Join the RPGBOT team where fantasy roleplaying meets real strategy, sarcasm, and community chaos. How to Find Us: In-depth articles, guides, handbooks, reviews, news on Tabletop Role Playing at RPGBOT.net Tyler Kamstra BlueSky: @rpgbot.net TikTok: @RPGBOTDOTNET Ash Ely Professional Game Master on StartPlaying.Games BlueSky: @GravenAshes YouTube: @ashravenmedia Randall James BlueSky: @GrimoireRPG Amateurjack.com Read Melancon: A Grimoire Tale (affiliate link) Producer Dan @Lzr_illuminati

Former White House staffer Dean Ball thinks it's very likely some form of 'superintelligence' arrives in under 20 years. He thinks AI being used for bioweapon research is "a real threat model, obviously." He worries about dangerous 'power imbalances' should AI companies reach "$50 trillion market caps." And he believes the agriculture revolution probably worsened human health and wellbeing.Given that, you might expect him to be pushing for AI regulation. Instead, he's become one of the field's most prominent regulation sceptics and was recently the lead writer on Trump's AI Action Plan, before moving to the Foundation for American Innovation.Links to learn more, video, and full transcript: https://80k.info/dbDean argues that the wrong regulations, deployed too early, could freeze society into a brittle, suboptimal political and economic order. As he puts it, “my big concern is that we'll lock ourselves in to some suboptimal dynamic and actually, in a Shakespearean fashion, bring about the world that we do not want.”Dean's fundamental worry is uncertainty: “We just don't know enough yet about the shape of this technology, the ergonomics of it, the economics of it… You can't govern the technology until you have a better sense of that.”Premature regulation could lock us in to addressing the wrong problem (focusing on rogue AI when the real issue is power concentration), using the wrong tools (using compute thresholds when we should regulate companies instead), through the wrong institutions (captured AI-specific bodies), all while making it harder to build the actual solutions we'll need (like open source alternatives or new forms of governance).But Dean is also a pragmatist: he opposed California's AI regulatory bill SB 1047 in 2024, but — impressed by new capabilities enabled by “reasoning models” — he supported its successor SB 53 in 2025.And as Dean sees it, many of the interventions that would help with catastrophic risks also happen to improve mundane AI safety, make products more reliable, and address present-day harms like AI-assisted suicide among teenagers. So rather than betting on a particular vision of the future, we should cross the river by feeling the stones and pursue “robust” interventions we're unlikely to regret.This episode was recorded on September 24, 2025.Chapters:Cold open (00:00:00)Who's Dean Ball? (00:01:22)How likely are we to get superintelligence soon, and how bad could it be? (00:01:54)The military may not adopt AI that fast (00:10:54)Dean's “two wolves” of AI scepticism and optimism (00:17:48)Will AI self-improvement be a game changer? (00:28:20)The case for regulating at the last possible moment (00:33:05)AI could destroy our fragile democratic equilibria. Why not freak out? (00:52:30)The case AI will soon be way overregulated (01:02:51)How to handle the threats without collateral damage (01:14:56)Easy wins against AI misuse (01:26:54)Maybe open source can be handled gracefully (01:41:13)Would a company be sued for trillions if their AI caused a pandemic? (01:47:58)Dean dislikes compute thresholds. Here's what he'd do instead. (01:57:16)Could AI advances lead to violent conflict between the US and China? (02:02:52)Will we see a MAGA-Yudkowskyite alliance? Doomers and the Right (02:12:29)The tactical case for focusing on present-day harms (02:26:51)Is there any way to get the US government to use AI sensibly? (02:45:05)Having a kid in a time of AI turmoil (02:52:38)Video and audio editing: Dominic Armstrong, Milo McGuire, Luke Monsour, and Simon MonsourMusic: CORBITCoordination, transcripts, and web: Katy Moore

A woman played a female role on the London stage for the very first time on December 8th, 1660, as Desdemona in a revival of Shakepeare's Othello. The actress was probably Margaret Hughes - though nobody bothered to record this at the time, so we can't be sure. After the 1660 restoration of King Charles II, theatres opened their doors for the first time after 16 years of Puritan suppression. Charles, who had been exiled in France, admired continental theatre, where women had already been performing for over a century, and so England's actresses were finally permitted to follow suit. Arion, Rebecca and Olly uncover the stories of those pioneering performers who combatted sexism and sexual harassment to have their time in the limelight; consider the fate of the ‘pretty boys in petticoats' once real women were allowed on stage; and, once again, marvel at Samuel Pepys's inability to keep his sexual urges out of his diaries… Further Reading: • 'Who was the first Shakespearean actress?' (British Library, 2016): https://blogs.bl.uk/english-and-drama/2016/05/who-was-the-first-shakespearean-actress.html • 'The First English Actresses: Women and Drama, 1660-1700 - By Elizabeth Howe' (Cambridge University Press, 1992): https://www.google.co.uk/books/edition/The_First_English_Actresses/gPC5RvL7O_8C?hl=en&gbpv=1&dq=elizabeth+howe+women+on+stage&printsec=frontcover • ‘April de Angelis Interview | The first women on stage' (Whats On Stage, 2018): https://www.youtube.com/watch?v=GvaJIzHj6zY Love the show? Support us!  Join 

In this episode, Bryce welcomes back AJ Rice — publicist, strategist, and, “center of the MAGA cinematic universe.” AJ pulls back the curtain on the chaos, characters, and culture wars shaping American politics right now. From Trump’s cabinet-as-casting-call approach, to the fractures on the right, to why today’s political battles look more like Shakespearean theater than anything else… AJ breaks it all down. They dive into:• The rise of disruptors reshaping the political landscape• Why Trump’s coalition worked — and what threatens it now• The internal fights happening inside the conservative movement• How censorship, culture, and comedy are more intertwined than ever• And yes… the meaning behind White Privilege Christmas

On this episode of The Best Thing We Watched This Week, Ruben and Chris discuss Kill Bill: The Whole Bloody Affair, the new Shakespearean drama HAMNET, plus Chainsaws Were Singing, I Swear, Jay Kelly, Caught Stealing, Omniscient Reader: The Prophecy, and more. What's the best thing you watched this week?

In this week's episode of The Costume House, host Spencer Williams welcomes visionary costume designer Malgosia Turzanska to discuss her latest collaboration with director Chloé Zhao, Hamnet. Spencer and Malgosia explore the power of Agnes's vivid red palette, the organic textiles that root the film in its natural world, and the idea of art as a form of quiet rebellion. They also step behind the curtain of Hamlet, the "play within a film,” diving into the Shakespearean influences that shaped its layered, performance-driven costumes.----Malgosia Turzanska on Instagram: @malgosia_turzanskaSpencer Williams on Instagram: @hautespencerWatch The Costume House with Spencer Williams now, on YouTube: https://youtu.be/dZr6zQAr7O4

In this week's episode of The Costume House, host Spencer Williams welcomes visionary costume designer Malgosia Turzanska to discuss her latest collaboration with director Chloé Zhao, Hamnet. Spencer and Malgosia explore the power of Agnes's vivid red palette, the organic textiles that root the film in its natural world, and the idea of art as a form of quiet rebellion. They also step behind the curtain of Hamlet, the "play within a film,” diving into the Shakespearean influences that shaped its layered, performance-driven costumes.----Malgosia Turzanska on Instagram: @malgosia_turzanskaSpencer Williams on Instagram: @hautespencerWatch The Costume House with Spencer Williams now, on YouTube: https://youtu.be/dZr6zQAr7O4

After drunkenly selling his wife and child at auction, a young Michael Henchard resolves to live differently – and does so, skyrocketing from impoverished haytrusser to mayor of his adoptive town. Every unexpected disaster and sudden reversal in The Mayor of Casterbridge stems from its opening, in a plot which draws as much from realist fiction as Shakespearean tragedy and the sensation novel. Mary Wellesley and Mark Ford join Clare Bucknell to unpick the many strands in Thomas Hardy's first Wessex novel. They explore how the novel – at once ‘algorithmic', theatrical and fatalistic – is suffused with Hardy's class anxieties, affinity with Dorset and fascination with pagan England. Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up: Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠ In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠ Further reading and listening from the LRB: Mary and Mark discuss Hardy's medievalism on the LRB Podcast: ⁠⁠https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/thomas-hardy-s-medieval-mind⁠⁠ Mark discusses Poems of 1912-13 with Seamus Perry in Love and Death: ⁠⁠https://www.lrb.co.uk/podcasts-and-videos/podcasts/close-readings/love-and-death-poems-of-1912-13-by-thomas-hardy⁠⁠  James Wood on Hardy's life:⁠⁠ ⁠ ⁠https://www.lrb.co.uk/the-paper/v29/n01/james-wood/anxious-pleasures⁠⁠ Hugh Haughton on Hardy's ghosts: ⁠⁠https://www.lrb.co.uk/the-paper/v07/n21/hugh-haughton/ghosts⁠⁠ Next episode: New Grub Street by George Gissing.

This week! We entered the mind of a young, disturbed man who is not "very cool with society" and watched "A Clockwork Orange" (1971). Listen in as Kayleigh finds the Shakespearean connections and Ryan explains how the themes of this film are "why people have zoos." Interruption: "A Pillar of Salt" by The Thermals Trigger Warning: This episode contains conversations about assault and sexual violence *Please enjoy this explicit content responsibly* 

Folger Shakespeare Library director Farah Karim-Cooper's new book All the World's Your Stage explores for readers of all ages the life and times of William Shakespeare through eight of his most popular plays. Dr. Karim-Cooper discusses how this was one of her hardest books to write and reveals the surprising title of her favorite Shakespeare play; the relationship between profanity and a love of language; Shakespearean mythbusting; the confessions of a Texan sailor's daughter; the value of Shakespeare – as well as museums, arts, and humanities – beyond their “relevance;” ; how Shakespeare wrote what may be the first Black power speech; and the importance of studying Shakespeare on the stage as well as on the page. (Length 27:37) (Photo of Farah Karim-Cooper above by Henri T.) The post Farah Karim-Cooper appeared first on Reduced Shakespeare Company.

Matt looks at the new comedy Eternity and gives his take on the Shakespearean drama Hamet.

We're just GAGA about today's crossword. It included some of our favorite words in the English language, such as 3D, Flabbergasted, GOBSMACKED; our favorite Shakespearean insult, 63A, Playing card better known as a Jack, KNAVE

The Daily Quiz - Art and Literature Today's Questions: Question 1: Which author wrote 'Treasure Island'? Question 2: Which 5-act Shakespearean tragedy was partially based on a history of Denmark written by Saxo Grammaticus? Question 3: The painting "Guernica" by ‎Pablo Picasso is a part of which art movement? Question 4: Which author wrote 'King Solomon's Mines'? Question 5: Which author wrote 'The Charterhouse of Parma'? Question 6: Who wrote "Great Expectations"? Question 7: Which author wrote 'Buddenbrooks (1909 Deutsche Buchgemeinschaft ed.)'? Question 8: Who wrote "The Great Gatsby"? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

BT and Sal dive deep into the new "Alex vs. A-Rod" documentary, reaching a consensus that Alex Rodriguez is fundamentally "a good guy" who was his own worst enemy—he just "couldn't figure it out" and "got in his own way." Tierney admits he's "always had a soft spot" for Alex and is bothered by how the star complicated his own world. They discuss the concept of an athlete having a good personal core, yet repeatedly making self-sabotaging choices that damage their career and public image. The discussion frames A-Rod as a "Shakespearean figure" whose talent was only matched by his flawed character and need to be forthright about his struggles in the documentary.

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz sits down with Academy Award-nominated writer, actor, director, and producer Nia Vardalos. From her one-woman show in a tiny Los Angeles theater to creating one of the highest-grossing independent movies of all time, Nia's path shows what happens when you refuse to give up on your story.The Topline She Carried for 24 Years (01:36) Kevin reveals that Nia has carried the original test screening results from My Big Fat Greek Wedding in her wallet for over 24 years. Kevin shares why the film isn't allowed to be referenced at his company, not because it was bad, but because it was such an unprecedented outlier that had no business doing what it did, except that it was "so damn good."Second City Training and Seizing the Moment (04:40) Nia traces her journey from Shakespearean training at Ryerson to discovering improv.From Rejection to the Stage (19:15) When Nia couldn't get her screenplay read, she rented a small theater and performed her story for audiences who kept coming back. She shares how she placed a $500 ad in the Los Angeles Times that caught Rita Wilson's attention.Rita Wilson, Tom Hanks, and Unwavering Loyalty (26:51) When Rita Wilson saw the show, her first words were "I love you." When she said, "this should be a movie," Nia instantly handed her the screenplay so fast that “her hair flew back." The result: $241.4 million domestic, $368.7 million worldwide.14 Hours Notice to Motherhood (35:53) After years of fertility treatments, Nia received just 14 hours notice to adopt a daughter from foster care. She talks about the trials, and the joys of motherhood and adoption.Academy Award Nomination (39:35) On the morning of her Best Original Screenplay nomination, Nia was driving through rain to a fertility clinic when her best friend called first with the news.Returning to Theater (48:38) Nia returned to her theatrical roots with Tiny Beautiful Things, adapted from Cheryl Strayed's book and directed by Hamilton's Thomas Kail. The play became a New York Times Critics' Pick and was licensed in 250+ productions worldwide. She recently performed it in Greek in Athens at a 1,500-seat theater.Nia Vardalos proves that Hollywood's greatest success stories don't always follow the expected path. Sometimes they start with a $300 theater rental and an unshakeable belief in your own voice. If you enjoyed this episode, please leave us a review and share. We look forward to bringing you more behind-the-scenes revelations next time on Don't Kill the Messenger.Host: Kevin GoetzGuest: Nia VardalosProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Nia Vardalos:Wikipedia: https://en.wikipedia.org/wiki/Nia_VardalosIMDB: https://www.imdb.com/name/nm0889522/Instagram: For more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com

We finally come to the conclusion of Turin's story—and what a wild, dramatic finale it is. In this episode, we sort through some of the most unexpectedly Shakespearean moments Tolkien ever wrote, as Turin wakes after the battle with Glaurung and tries to piece together the chaos that followed. Misread signals, rising tempers, and a whole crowd of very confused onlookers make for one unforgettable morning in Brethil. It's intense, it's messy, and yes, we add a little humor to keep ourselves from falling apart right along with the characters. Tune in now to hear how it all unfolds.https://linktr.ee/sistersoftheshirepodcasthttps://www.instagram.com/sistersoftheshirepodcast/https://www.patreon.com/sistersoftheshirepodcasthttps://open.spotify.com/show/1HIhmdeX6761vi7RyOjl8f?si=_qwdGdP7SbmAP2RWlji54w

SAY HELLO TO MY LITTLE FRIEND!! Scarface Full Movie Reaction Watch Along: ⁠  / thereelrejects  ⁠ With @Cinemark @dboxtech motion seats, you don't just watch a movie, you FEEL IT. Every seat is equipped with haptics that sync perfectly to the action on screen. The best part is YOU control your experience with adjustable intensity. See Wicked for Good in D-BOX this weekend and tickets are now on sale for Zootopia 2 and AVATAR: FIRE & ASH – a motion experience you cannot miss. Available in select Cinemark theaters, check their website for more information. ⁠#dboxtech⁠ Aaron Alexander, Andrew Gordon & John Humphrey react to Scarface (1983), the legendary crime epic directed by Brian De Palma (Carlito's Way, The Untouchables) and written by Oliver Stone (Platoon, Natural Born Killers). A violent, operatic rise-and-fall story set in the world of Miami drug cartels, Scarface has become one of the most iconic and frequently quoted films in movie history. Al Pacino (The Godfather, Heat) stars as Tony Montana, a Cuban refugee who claws his way from nothing to the top of a brutal cocaine empire. Pacino's ferocious performance helped redefine the gangster archetype — balancing charisma, paranoia, ambition, and explosive violence. The film also features Steven Bauer (Ray Donovan, Breaking Bad) as Tony's loyal best friend Manny Ribera, Michelle Pfeiffer (Batman Returns, Dangerous Liaisons) as the icy and enigmatic Elvira Hancock, and Mary Elizabeth Mastrantonio (The Abyss, Robin Hood: Prince of Thieves) as Tony's younger sister Gina Montana. Robert Loggia (Big, Jagged Edge) appears as drug boss Frank Lopez, whose downfall marks Tony's ruthless ascent. Iconic moments include the chainsaw motel scene, “The World Is Yours” blimp, Tony's decadent rise into wealth and paranoia, and, of course, the explosive, unforgettable finale featuring the legendary line: "Say hello to my little friend!” With Giorgio Moroder's synth-driven score, stylized direction, and raw themes of greed, power, and self-destruction, Scarface remains a defining film of the 1980s and a towering, almost Shakespearean entry in the crime genre... Follow Aaron On Instagram: ⁠https://www.instagram.com/therealaaronalexander/?hl=en⁠ Follow Andrew Gordon on Socials:  YouTube: ⁠https://www.youtube.com/@MovieSource⁠ Instagram:⁠ ⁠ ⁠https://www.instagram.com/agor711/?hl=en⁠ Twitter:  ⁠https://twitter.com/Agor711⁠ Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ Support The Channel By Getting Some REEL REJECTS Apparel! ⁠https://www.rejectnationshop.com/⁠ Follow Us On Socials:  Instagram: ⁠https://www.instagram.com/reelrejects/⁠  Tik-Tok: ⁠https://www.tiktok.com/@reelrejects?lang=en⁠ Twitter: ⁠https://x.com/reelrejects⁠ Facebook: ⁠https://www.facebook.com/TheReelRejects/⁠ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/by/4.0/⁠ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ POWERED BY @GFUEL Visit⁠ https://gfuel.ly/3wD5Ygo⁠ and use code REJECTNATION for 20% off select tubs!! Head Editor:⁠ https://www.instagram.com/praperhq/?hl=en⁠ Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license.⁠ https://creativecommons.org/licenses/by/4.0/⁠ Ask Us A QUESTION On CAMEO:⁠ https://www.cameo.com/thereelrejects⁠ Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  ⁠https://www.facebook.com/TheReelRejects/⁠ INSTAGRAM: ⁠ https://www.instagram.com/reelrejects/⁠ TWITTER:  ⁠https://twitter.com/thereelrejects⁠ Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  ⁠https://www.instagram.com/thegregalba/⁠ TWITTER:  ⁠https://twitter.com/thegregalba⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

SAY HELLO TO MY LITTLE FRIEND!! Scarface Full Movie Reaction Watch Along:   / thereelrejects   With @Cinemark @dboxtech motion seats, you don't just watch a movie, you FEEL IT. Every seat is equipped with haptics that sync perfectly to the action on screen. The best part is YOU control your experience with adjustable intensity. See Wicked for Good in D-BOX this weekend and tickets are now on sale for Zootopia 2 and AVATAR: FIRE & ASH – a motion experience you cannot miss. Available in select Cinemark theaters, check their website for more information. #dboxtech Aaron Alexander, Andrew Gordon & John Humphrey react to Scarface (1983), the legendary crime epic directed by Brian De Palma (Carlito's Way, The Untouchables) and written by Oliver Stone (Platoon, Natural Born Killers). A violent, operatic rise-and-fall story set in the world of Miami drug cartels, Scarface has become one of the most iconic and frequently quoted films in movie history. Al Pacino (The Godfather, Heat) stars as Tony Montana, a Cuban refugee who claws his way from nothing to the top of a brutal cocaine empire. Pacino's ferocious performance helped redefine the gangster archetype — balancing charisma, paranoia, ambition, and explosive violence. The film also features Steven Bauer (Ray Donovan, Breaking Bad) as Tony's loyal best friend Manny Ribera, Michelle Pfeiffer (Batman Returns, Dangerous Liaisons) as the icy and enigmatic Elvira Hancock, and Mary Elizabeth Mastrantonio (The Abyss, Robin Hood: Prince of Thieves) as Tony's younger sister Gina Montana. Robert Loggia (Big, Jagged Edge) appears as drug boss Frank Lopez, whose downfall marks Tony's ruthless ascent. Iconic moments include the chainsaw motel scene, “The World Is Yours” blimp, Tony's decadent rise into wealth and paranoia, and, of course, the explosive, unforgettable finale featuring the legendary line: "Say hello to my little friend!” With Giorgio Moroder's synth-driven score, stylized direction, and raw themes of greed, power, and self-destruction, Scarface remains a defining film of the 1980s and a towering, almost Shakespearean entry in the crime genre... Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

The Daily Quiz - Art and Literature Today's Questions: Question 1: Which 5-act Shakespearean tragedy was partially based on a history of Denmark written by Saxo Grammaticus? Question 2: What is the ability possessed by Carrie in the novel by Stephen King? Question 3: Which author wrote 'The Wild Swans'? Question 4: In which book series does 'Albus Dumbledore' appear? Question 5: In which dystopian novel are the terms 'Mother' and 'Father' forbidden? Question 6: Which author wrote 'A Midsummer Night's Dream'? Question 7: Which author wrote 'Planet of Adventure'? Question 8: Which author wrote 'Carried Away'? Question 9: Which author wrote 'Partners in Crime'? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

With a film credits in Dr. Strangelove, Conan the Barbarian, Coming to America, Field of Dreams and The Hunt for Red October and off-screen credits in many Shakespearean stage roles, two Tony awards, military service, Ranger School and his Ranger Tab, there would be so many conversations to have with James Earl Jones. But over and over, fans just clamored for the catch phrase, “Luke. I am your Father.” Peter Su's “catch phrase” is writing for Rolling Stone. He loves the gig. But as a banker with over 24 years experience, who can paper a wall with his credentials, he is occasionally annoyed that is all people want to talk to him is the Rolling Stone. So, of course, we ask him about writing for Rolling Stone.Also listen for why Trevor's fictitious New York State licensed, legal cannabis dispensary could be laundering money, how your Mandarin speaking parents have a literal language barrier to understanding why you want to start that cannabis business and the Asian Cannabis Roundtable.Peter Su - LinkedInRolling StoneAsian Cannabis RoundtableMusic by:Taiwan MC - Let the Weed Bun - YouTubeAdditional Music:Desiree Dorion desireedorion.comMarc Clement - FacebookTranscripts, papers and so much more at: reefermed.ca

 Bickering kids and Shakespearean drama find us today as we get to spend more time with Clamperl evolutions! Why doesn't it happen like the games? Eh, who knows, but the animation team is stretching themselves almost as far as Nurse Joy's job description! Tune in to listen!

Saul has been a constant presence for nearly half of David's life by the time of their final confrontation in 1 Samuel 26. From a servant in the king's house, to a champion warrior and royal son-in-law, to a rival king on the run—David has spent nearly all of his adult life revolving around Saul. Their final confrontation is Shakespearean. Brave soldiers, dark nights, whispered conversations among the sleeping enemy, taunting, and crocodile tears—this passage has it all! And through it, we see a new David emerge from the near catastrophe with Nabal. Here he is honorable and godly, wise and reflective. But he isn't the king all Israel, all humanity, has been waiting for. Join us this Sunday as we listen in on David and Saul's final conversation, drawing to a close a long period of David's life and hearkening a new chapter in the story of God's people.

Ali James is a fantastic mind in the improv world and I am so lucky to have been able to chat with her more. I not only love her style but her approach to improv. I am super interested in the work of Pretend Improv in London and she is the third co-producer in that company.   You can catch Ali in The Play's the Thing, a super talented cast of Shakespearean improv actors. Their accents and cadance is on POINT. They really understand the tone and texture of the Bard. https://www.instagram.com/the.playsthethingimprov    Of course you can catch her work as part of the fantastic Pretend Company. https://www.instagram.com/thepretendcompany/    And you can also catch her as a part of the award winning Showstoppers. https://showstopperthemusical.com/    Also ... something she announces in this episode is her role as director of the Improvathon in London! https://www.instagram.com/theimprovathon   Ali James is all over improv. And is a positive force in the craft.   Enjoy the interview!"

What happens when the pursuit of belonging turns darkly funny, heartbreakingly real, and deeply human? Rebecca Greene sits down with Oxford PhD student and author Heather Colley to explore her brilliant debut novel The Gilded Butterfly Effect, a darkly observant look at campus life, beauty culture, and the messy search for belonging. Together they unpack how sorority life, loneliness, and female friendship collide in unexpected ways. Heather shares the inspiration behind her unforgettable characters Penny and Stella, the Shakespearean roots of her title, and why fiction helps us feel less alone. Through laughter and reflection, Rebecca and Heather explore why young women crave connection, how easily identity gets lost in the crowd, and why every generation faces its own version of the fitting in struggle. It's a raw, smart, and deeply relatable conversation about growing up, finding yourself, and learning that sometimes being different is the truest form of belonging. KEY TAKEAWAYS→ Belonging can bring both comfort and confusion→ Fiction helps readers feel less alone in their experiences→ Female friendships are often messy, layered, and deeply real→ Loneliness hides even in the most social places→ Finding your people takes time and self-awareness→ Parents can support young adults by listening, not judging Quote from Heather“Finding the right people is everything. The book is really about what happens when you're not with the right people and how easy it is to lose yourself trying to belong.” — Heather Colley Call to ActionFind The Gilded Butterfly Effect wherever books are sold and follow Heather at heathercolleyauthor.com or on Instagram @heathercolleyauthor Learn more about your ad choices. Visit megaphone.fm/adchoices

Steven welcomes Professor Richard Strier of the University of Chicago to this episode to discuss his books on Shakespearean literary criticism and analysis, including epistemology, historicism, power, and the law. Support the show by picking up official Don't Quill the Messenger merchandise at www.dontquillthepodcast.com and becoming a Patron at http://www.patreon.com/dontquillthemessenger  Made possible by Patrons: Courtney L, David Neufer, Deduce, Earl Showerman, Edward Henke, Ellen Swanson, Eva Varelas, Frank Lawler, James Warren, Jen Swan, John Creider, John Eddings, Jon Foss, Kara Elizabeth Martin, Neal Riesterer, Patricia Carrelli, quizzi, Richard Wood, Sandi Boney, Sheila Kethley, Tim Norman, Tim Price, Vanessa Lops, Yvonne Don't Quill the Messenger is a part of the Dragon Wagon Radio independent podcast network. For more great podcasts visit www.dragonwagonradio.com

Our favorite station commander is back to tell you all about two new shows created by Wolf 359 alumni: series creator Gabriel Urbina's new fiction podcast The Harbingers and lead actress Emma Sherr-Ziarko's new Shakespeare podcast Pod's The Thing! The Harbingers tells the story of Adam Blackwell and Amy Stirling - the first two people in the modern world to figure out how to do real magic. This feat instantly turns them into the world's two most famous, most recognizable people - which would be hard enough by itself, even if Adam and Amy didn't fundamentally disagree about how one is supposed to use magic. Oops. Oh, and also they have a history together: they briefly dated back when they were in the same grad school program. Oops again. Equal parts political thriller, modern fantasy adventure, and intimate romantic drama, The Harbingers is an exploration of what it means to have and to use power in the modern world. New episodes come out every two weeks on Thursdays. Apple Podcasts Spotify Pocketcasts Website Meanwhile, Pod's the Thing is a Shakespeare Podcast created by actors that shows a glimpse behind the curtain into the process of working on Shakespeare's Text. Whether you're also an actor, a Shakespeare enthusiast, or you're new to the Bard, you're bound to learn something new, laugh a lot, and maybe even be moved. Each episode is part conversation and part performance, as we dive into one Shakespearean scene at a time. We'll talk through the language, historical context, and our experience with the play, and then put all that together and perform the scene. Featuring Emma Sherr-Ziarko, Felix Trench, Beth Eyre, Calder Shilling, and a variety of other actors, directors, scholars, and Shakespeare enthusiasts from around the Globe, Pod's The Thing explores what has made Shakespeare moving, fun, and eternally relevant for generations of actors and fans. New episodes come out every two weeks on Wednesdays. Apple Podcasts Spotify Pocketcasts Website Learn more about your ad choices. Visit megaphone.fm/adchoices

BT & Sal kick off the segment with a fiery, yet hilarious, linguistics lesson on the pronunciation of "sword," with BT's preferred "sword**"** (or "sword") sparking a comical debate about intellect and high-quality literature. The main discussion shifts to potential Yankees trade targets. The hosts dismantle a trade proposal for Ketel Marte, questioning the high asking price and his history of taking days off. The focus then turns to the "perfect fit": Steven Kwan. Sal argues that the elite, contact-hitting, Gold Glove left fielder is the ideal leadoff hitter the Yankees desperately need, contrasting him with the "analytics war" being waged by Boone and Cashman. Finally, they weigh the risks of signing free agent pitcher Michael King and debate if small, smart moves can round out the roster.

And now for something completely different… Here is an audio introduction to the English literary critic, A.C. Bradley, and his legendary lectures on the high tragedies of William Shakespeare: the plays of Othello, Hamlet, Macbeth and King Lear.  Bradley has been mute too long, buried in the mass of materials not properly advertised or displayed … Continue reading A.C. Bradley on Shakespearean Tragedy in Hamlet, Othello, Macbeth and King Lear →

On 12 November 1925, the BBC broadcast one of its most bizarre programmes yet: 'MASS TELEPATHY: An Experiment in Thought Reading in which every Listener will be invited to assist' On 12 November 2025, we present a dramatic re-enactment, based on newspaper articles of the day, and brought to life with a cast of marvel and a guest radio drama producer. Appropriately, the one believer on the celebrity panel was the first BBC dramatist - Phyllis Twigg. We first landed on this story on episode 72 of this podcast, exploring her tale, her innovations and her interest in spiritualism. Alas no one else on the panel took it seriously. Like The Celebrity Traitors of 1925, a bunch of celebs (a Shakespearean actress, a panto star, the BBC's drama critic, the BBC's Director of Education, an MP, and so on) gathered in a fancy hotel with a gothic atmosphere and played a spooky game around a table, with a glass or two of fizzy rosé. Or is it more Derren Brown: Mind Control? Either way, the celebrity jury mostly played it for laughs - and enjoyed the hospitality of the Savoy Hotel a little too much. The listeners weren't happy - especially those taking it seriously at home, beaming their thoughts into the ether. With no recording, we bring it to life for the first time in a century. In exactly a century. If you enjoy this dramatisation, do let us know (paul at paulkerensa dot com) and/or consider joining us on Patreon.com/paulkerensa - if you like it, and if we can afford to, we'll do more like this, in and amongst our regular episodes - which right now is meant to be telling the tale of November 1923. We'll pick that up next time... For now, we have a centenary drama to bring you! So concentrate your thoughts, open your mind, and open a bottle. They did.   MASS TELEPATHY: RE-ENACTED THE CAST Sir Alfred Robbins - Adrian Mackinder Cecil Lewis - Will de Renzy-Martin Lady Tree - Helen Lloyd Zena Dare - Natalie Chisholm Phyllis Twigg - Carina Saner (playing her own great-grandmother) Dorothy Warren - Marta da Silva Lt Commander Kenworthy MP - Will Harrison Wallace James Agate - Paul Kerensa J.C. Stobart - Anthony Hewson Roger Eckersley - Anthony Rudd   Written by Paul Kerensa Produced/Directed/Edited by Helen Quigley A Soundliness co-production with the British Broadcasting Century     SOME OF THE GUESSES, AS REPORTED IN THE LONDON DAILY NEWS, 13 NOV 1925, AND OTHER NEWSPAPERS:   1. Letter - K: James Agate IOU Dorothy Warren, F then G, then K Lady Tree Z Miss Zena Dare G Kenworthy B    2. Day - Saturday: Four guessed Sunday, one Friday   3. Number - 7: 49-13-300-13-19-33-9400   4. Playing card - Three of Diamonds: Stobart – 4 of Diamonds. Others failed to follow suit...   5. Shape - Triangle: Circles or polygons, a shilling (Lady Tree), a rugby ball... and an isosceles triangle (Dorothy Warren)   6. Uncategorised - The Game of Bridge: Charlie Chaplin? Lamp on the Cenotaph? A banjulele? A white leghorn pullet?     SHOWNOTES: Episode 72 of this podcast - from 26mins in - has more on the true tale behind the Mass Telepathy broadcast... if want to know how much is accurate: https://www.podbean.com/media/share/pb-2dyrq-1478971 Prof Tim Crook's article on Phyllis Twigg quotes extensively from newspapers of the day - again if you'd like to read more on the genuine event and how it was reported: https://kulturapress.com/2022/09/24/phyllis-m-twigg-the-bbcs-first-original-radio-dramatist/ (about 2/3rds down the page) Soundliness Productions made this dramatisation: https://soundliness.com/ Original music is by Will Farmer.  Our survey of what you like/don't about this podcast is here - because like the 1925 panel, we can't read your mind: http://tiny.cc/bbcenturysurvey Paul's latest Substack posts include a history of BBC DGs: https://paulkerensa.substack.com Paul's live show on the BBC origin story visits a variety of tour stops: www.paulkerensa.com/tour. This podcast is not made by today's BBC. It's just about the old BBC. Please like/share/rate/review this podcast - it all really helps. Support us on Patreon (£5/mth - thanks if you do!), for bonus videos, writings, readings etc - it all helps support the podcast, and without that, there's no this. So thanks if you do! Or a one-off tip to Ko-fi.com/paulkerensa? Thanks aplenty. Next time: Episode 109: Reith invites the PM and the King on the air - and other Directors-General over the century... More on this broadcasting history project at paulkerensa.com/oldradio

We are back after another hiatus! And this time we invite you to join us in a magical episode of Shakespearean trivia and artistic nerdgasms. We are joined by performing artist, storyteller and The Great Bard Afficionado Extraordinaire – Debs Newbold (UK/IR)!Debs has worked extensively with retelling Shakespeare's plays as storytelling shows, having reached international acclaim with her versions of King Lear, Macbeth and Romeo and Juliet. Lately, she has been wrangling the beast that is "The Tempest“ which is slowly entering its final form. With that play as a jumping off point we discuss what it means to be faithful in a process of artistic adaptation, and how revision can feel like a glorious act of rebellion that is yet somehow able to be encompassed and even welcomed by a canonical work of art.DEBS NEWBOLD LINKShttps://www.debsnewboldplays.com/https://www.instagram.com/debsnewboldplays/https://x.com/debsnewboldSXIP SHIREY LINKShttps://www.sxipshireymusic.com/https://www.instagram.com/sxipshireyofficial/PODCAST LINKS https://www.intheborderlands.com/ https://www.patreon.com/IntheBorderlands https://www.facebook.com/intheborderlands https://www.instagram.com/intheborderlands_podcast/ EMAIL contact@intheborderlands.com TORGRIM'S LINKS https://www.brittle.one/ https://www.facebook.com/kloverknekten https://www.instagram.com/kloverknekten/ MIKAEL'S LINKS https://smarturl.it/inanna https://www.facebook.com/mikael.oberg.performance.storyteller https://www.instagram.com/mikaelobergstoryteller/REFERENCESWords Festival (discontinued 2023)https://www.facebook.com/wordsfestivalShakespeare's Globe Theatrehttps://www.shakespearesglobe.com/Geoffrey of Monmouthhttps://en.wikipedia.org/wiki/Geoffrey_of_MonmouthOvidhttps://en.wikipedia.org/wiki/OvidGrace O'Malleyhttps://en.wikipedia.org/wiki/Grace_O%27MalleyHag-Seed by Margaret Atwoodhttps://margaretatwood.ca/books/hag-seed/Arden Shakespearehttps://en.wikipedia.org/wiki/Arden_ShakespeareLewis Theobaldhttps://en.wikipedia.org/wiki/Lewis_TheobaldPandorahttps://en.wikipedia.org/wiki/PandoraAlbionhttps://en.wikipedia.org/wiki/Albion

Lisa Holladay is the first Chief Experience Officer at TIGER 21, where she crafts learning, access, and connection for a global community of ultra-high-net-worth, largely first-generation entrepreneurs. Formerly the global brand leader for The Ritz-Carlton and a luxury portfolio lead at Marriott, Lisa brings a rare guest-centric lens to designing unforgettable moments online and off. Susan and Lisa talk about privacy, personalization, and peer-to-peer power. What You'll Learn About: • How Shakespeare and student teaching shaped Lisa's storytelling superpowers • The pantyhose policy heard 'round the world • Why "over-engineered" hotel rooms (hi, mystery nightlights) kill delight • Turning virtual events from sleepy streams into sparky, small-group salons • TIGER 21's Learn–Access–Connect framework for members who "have everything" • Designing money-can't-buy moments (like lunch on a Costa Rican cane-sugar farm) • Hosting without being subservient: "ladies and gentlemen serving ladies and gentlemen," updated • Measuring what matters: retention, sold-out events, and the "you can feel it" factor • The next luxury frontier: invisible security and privacy as core experience • Breaking the ballroom mold—escaping the sea of sameness in event design Our Top Three Takeaways 1. Storytelling and Empathy Are the Heart of Hospitality Lisa traces her career from Shakespearean acting to luxury marketing, showing that storytelling, performance, and understanding your audience are universal skills. Whether crafting a brand narrative or leading a guest experience, she believes the best hospitality professionals think like empathetic storytellers—anticipating needs, creating emotional resonance, and delivering "the right kind of drama." 2. Exceptional Experiences Are Built on Authenticity and Human Connection From Ritz-Carlton to Tiger 21, Lisa emphasizes that the most meaningful luxury isn't opulence—it's authenticity, access, and connection. At Tiger 21, she and her team design "money-can't-buy" moments that surprise even ultra–high-net-worth members, like an unglamorous but deeply human visit to a family-run cane sugar farm. Whether at a five-star resort or a midmarket hotel, she believes memorable experiences come from personal touches, genuine local insight, and small gestures that foster belonging. 3. The Future of Luxury Is Privacy, Security, and Individualization Lisa predicts that true luxury will soon be defined by safety and discretion as affluent travelers become increasingly protective of their digital and physical privacy. She calls on the industry to go beyond superficial personalization and cookie-cutter design—to innovate around invisible service, security, and emotional intelligence. Her "magic wand" wish is to see hospitality move away from sameness and toward transformative, one-of-a-kind experiences that feel both safe and singular. Lisa Holladay on LinkedIn https://www.linkedin.com/in/lisaholladay01/ TIGER 21 https://tiger21.com/ Other Episodes You May Like:  165: Purple Flower Luxury with Florence Li https://www.topfloorpodcast.com/episode/165 210: Six Months at the Waldorf with Josh Kremer https://www.topfloorpodcast.com/episode/210 29: Buzz Sawed Tables with Marc Eliot https://www.topfloorpodcast.com/episode/29

Bob and Brad revisit one of the most beloved animated films of all time, Disney's The Lion King (1994). From its unforgettable soundtrack toBob and Brad revisit one of the most beloved animated films of all time, Disney's The Lion King (1994). From its unforgettable soundtrack to its Shakespearean themes, they explore why this movie remains a cultural juggernaut 30 years later. They discuss the film's stunning animation, powerhouse voice cast (including James Earl Jones, Jeremy Irons, and Matthew Broderick), and its deep-rooted themes of destiny, grief, and redemption.Then, they turn their attention to a whiskey widely regarded as one of the best values in bourbon: Henry McKenna 10-Year Single Barrel Bottled-in-Bond. This award-winning bourbon, known for its rich caramel and oak flavors, has been a fan favorite—but does it live up to the hype?(0:00) Intro (07:54) Brad Explains (10:28) Performances, Themes (40:00) Henry McKenna 10-Year Bourbon Review (52:46) Two Facts and a Falsehood & Final Analysis (1:10:08) Let's Make It a Double and Final Scores Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For more episodes and engaging content, visit Film & Whiskey's website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.filmwhiskey.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

This episode we're keeping it 100... the time has arrived for us to fully enter our Showgirl era.First, we catch up on all of the latest pop culture phenomena we NEED to talk about.Is Having a Boyfriend Embarrassing Now? Give the article a read and hear what we have to say about the heated Internet debate.This year marks 40 years of People's Sexiest Man Alive. We have many positive thoughts about this made up award to share with you.Of course, the new music is plentiful (and Aaron Dessner remains booked and busy). We also have to catch up with you on what we having been Living, Laughing, and Loving lately! The Sprinkles of Chaos are thick this episode - you won't want to miss the chaotic tangents of this conversation.Finally, we take a dive into our first track from Taylor Swift's latest album, The Life of a Showgirl, with the lead single. We take a look at how Taylor has used Shakespearean references to create a smash hit pop song. Make sure you follow our Instagram - it's the hub for all of the content we put out for you week to week. Thanks for listening!

We return to our rundown of Flash Gordon, just as Flash and Prince Barin are being taken to the Hawkmen's planet to fight to the death!Flash Gordon was directed by Mike Hodges, the British filmmaker behind Get Carter and Pulp, and produced by the legendary Dino De Laurentiis. Based on the King Features comic strip created by Alex Raymond, the film stars Sam J. Jones as the all-American hero Flash, Melody Anderson as Dale Arden, Ornella Muti as the dangerous Princess Aura, Max von Sydow as Ming the Merciless, and Topol as the eccentric scientist Dr. Hans Zarkov. The supporting cast includes Timothy Dalton, Brian Blessed, Peter Wyngarde, Peter Duncan and John Hallam — a line-up that reads like a who's who of cult cinema.We dig into the incredible production history of Flash Gordon, from De Laurentiis' first attempts in the 1960s to his decision to turn down George Lucas — a choice that helped inspire Star Wars. The film's troubled development included a scrapped version by Nicolas Roeg, with Debbie Harry once rumoured to play Princess Aura. Eventually, Hodges took the reins, working from a screenplay by Lorenzo Semple Jr., the same writer who brought Batman's colourful POW! ZAP! style to TV in the 1960s. That influence is clear throughout, giving Flash Gordon its unmistakable comic-book tone.The film was shot mainly at Elstree and Shepperton Studios, pushing British set design and visual effects to the limit. For the famous Hawkmen sequence, the crew built a sixty-foot-high, hundred-foot-wide blue screen powered by a million watts of light. The result is one of the most gloriously excessive moments in sci-fi history — a flying army, Brian Blessed shouting “Gordon's alive!” and Queen blasting through the speakers.Speaking of Queen, we explore how their soundtrack revolutionised film music, paving the way for rock bands to score major blockbusters. The combination of Freddie Mercury's operatic flair and Howard Blake's orchestral compositions gave Flash Gordon a sonic identity that still feels fresh today.We also look at the film's eclectic cast. Sam J. Jones' brief but memorable career, Melody Anderson's move from acting to social work, and Ornella Muti's headline-grabbing life and legal troubles. There's Max von Sydow's path from The Seventh Seal to The Exorcist and Star Wars: The Force Awakens. Topol's secret links to Mossad, Timothy Dalton's long and winding journey to becoming James Bond, and Peter Wyngarde's transformation from Department S to the gold-masked villain Klytus.And, of course, the mighty Brian Blessed — mountaineer, Shakespearean thunder-god, near-astronaut, and national treasure. From I, Claudius to Doctor Who, Cats, Star Wars: The Phantom Menace, and beyond, he's one of Britain's most extraordinary performers.In this episode, we unpack the layers of Flash Gordon as both cult classic and chaotic masterpiece: how its bright visuals masked a difficult shoot, how its camp sensibility influenced generations of filmmakers, and why it remains a cornerstone of British sci-fi fandom. Whether you're here for trivia, nostalgia, or the Queen soundtrack alone, this is one of our most detailed episodes yet — and we'll be back next week with part two to finish the adventure.Support this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.

Spoiler Warning: This episode contains spoilers for Baldur's Gate 3 during Samantha's Tale from the Table. This week! Jeremy Cobb, Liv Kennedy and Candace the Magnificent are joined by BAFTA-nominated actor and voice artist Samantha Béart - the brilliant vocal talent behind characters such as Karlach in Baldur's Gate 3, Thomasina Bateman in The Excavation of Hobb's Barrow, Oracle in TRON: Catalyst, and many more! The Halflings chat with them about Samantha's Shakespearean roots, lifelong love of storytelling, and how that classical training influences Samantha's modern voice work. Samantha opens up about the thought process behind bringing characters to life, the value of finding your people, and discusses intersectionality and the importance of rising above challenges to succeed together. The conversation also explores the story behind their show It Takes a Village, its upcoming new season, and why celebrating the people behind the scenes in media truly matters! Also - did you miss out on our first

On Today’s Show: Tim delivers a packed midweek show filled with vengeance, vile curses, AI abortions, and bowel emergencies. Sponsored by “Freeloading Fucktard,” today's DV opens with a dramatic, Shakespearean-style monologue addressed to “Aaron,” a former friend who betrayed a fellow listener — ending with a literal shit curse. From there, the show spirals into […] The post Wikipedia Pedo Panic and the Auschwitz Halloween Parade Float Oopsie first appeared on Distorted View Daily.

My guest on The British Food History Podcast today food historian and friend of the show Sam Bilton, podcaster and author of Much Ado About Cooking Delicious Shakespearean Feasts for Every Occasion, published by Headline and commissioned by Shakespeare's Globe. It was, of course, a great opportunity to talk about the food of Shakespearean England as well as the food and drink references in Shakespeare's plays, and what they meant to those watching the plays at the time they were first performed.We talked about lots of cookery manuscripts, the importance of keeping historical recipes relevant, capons, Early Modern bread and greedy Falstaff's sack, amongst many other things.Those listening to the secret podcast can hear about horrible, sweet spinach tarts, Early Modern cakes, possets and more!Much Ado About Cooking by Sam BiltonSam's websiteFollow Sam on BlueSky, Insta and Threads @mrssbiltonComfortably HungryAis for Apple: An Encyclopaedia of Food & DrinkRemember: Fruit Pig are sponsoring the 9th season of the podcast. Visit their website www.fruitpig.co.uk to learn more about them, their journey, to find your local stockist and access their online shop.If you can, support the podcast and blogs by becoming a £3 monthly subscriber, and unlock lots of premium content, including bonus blog posts and recipes, access to the easter eggs and the secret podcast, or treat me to a one-off virtual pint or coffee: click here.This episode was mixed and engineered by Thomas Ntinas of the Delicious Legacy podcast.Things mentioned in today's episodeThe Globe TheatreWho is Falstaff?Books discussed or mentioned and further readingFirst Catch Your Gingerbread by Sam BiltonKnead to Know: A History of Baking by Neil ButteryA Dark History of Sugar by Neil ButteryEnglish Bread & Yeast Cookery by Elizabeth DavidThe Good Housewife's Jewel by Thomas Dawson

The Road to Doomsday continues as Jarod and Taylore venture across the Nine Realms and revisit Thor and appreciate the rich production design and Shakespearean goodness of this movie! Sunday's Bloody Mary: https://sundaysbloodymary.com/shop/ Ionized Basterds:https://www.youtube.com/c/AllRemainingSystems Mitch692 Channel: https://www.youtube.com/@TheMitch692Channel Help us out by chuckin' a buck on our Patreon: https://www.patreon.com/thenerdacademypodcast

This is a very special episode because we are joined by good friend of the show Rob Lloyd for the first time this year to discuss a Shakespearean-ish comedy by playwright Tom Stoppard. It's called Rosencrantz & Guildenstern Are Dead, and presents an alternative version of Hamlet from the perspective of two minor characters, played by Gary Oldman and Tim Roth.Join our Patreon for our bonus episodes! https://www.patreon.com/oldiebutagoodiepodFollow Rob Lloyd!Shakespeare's Fool tickets: https://www.eventbrite.com/e/shakespeares-fool-tickets-1568799855599Facebook: https://www.facebook.com/roblloydactor/Twitter: https://twitter.com/futurerobbyInstagram: https://www.instagram.com/futurerobby/Follow the show!Instagram: https://www.instagram.com/oldiebutagoodiepod/Facebook: https://fb.me/oldiebutagoodiepodPodcast Platforms: https://linktr.ee/oldiebutagoodiepodGot feedback? Send us an email at oldiebutagoodiepod@gmail.comFollow the hosts!Sandro Falce - Instagram: https://www.instagram.com/sandrofalce/- Twitter: https://twitter.com/sandrofalce- Letterboxd: https://letterboxd.com/SandroFalce/- Twitch: https://www.twitch.tv/SandroFeltChairZach Adams - Instagram: https://www.instagram.com/zach4dams/- Twitter: https://twitter.com/ZackoCaveWizard- Letterboxd: https://letterboxd.com/zach4dams- Twitch: https://www.twitch.tv/zackocavewizardWatch our editor, Starkie, on Twitch! https://www.twitch.tv/sstarkieeOldie But A Goodie's theme tune is written and produced by Josh Cake. Check out his work here: https://www.joshcake.com/Check out other shows from our network 'That's Not Canon'! https://thatsnotcanon.com/ Hosted on Acast. See acast.com/privacy for more information.

Sorry this one's a bit late — but to make up for it, we've gone all in with an extra-long episode of General Witchfinders, split into two parts. This week, we take you through the extraordinary, over-the-top world of Flash Gordon (1980) — the space opera superhero film that blended camp comedy, science-fiction spectacle, and Queen's iconic soundtrack into something truly cosmic. The second half of this intergalactic adventure will land next week. Flash Gordon was directed by Mike Hodges, the British filmmaker behind Get Carter and Pulp, and produced by the legendary Dino De Laurentiis. Based on the King Features comic strip created by Alex Raymond, the film stars Sam J. Jones as the all-American hero Flash, Melody Anderson as Dale Arden, Ornella Muti as the dangerous Princess Aura, Max von Sydow as Ming the Merciless, and Topol as the eccentric scientist Dr. Hans Zarkov. The supporting cast includes Timothy Dalton, Brian Blessed, Peter Wyngarde, Peter Duncan and John Hallam — a line-up that reads like a who's who of cult cinema. We dig into the incredible production history of Flash Gordon, from De Laurentiis' first attempts in the 1960s to his decision to turn down George Lucas — a choice that helped inspire Star Wars. The film's troubled development included a scrapped version by Nicolas Roeg, with Debbie Harry once rumoured to play Princess Aura. Eventually, Hodges took the reins, working from a screenplay by Lorenzo Semple Jr., the same writer who brought Batman's colourful POW! ZAP! style to TV in the 1960s. That influence is clear throughout, giving Flash Gordon its unmistakable comic-book tone. The film was shot mainly at Elstree and Shepperton Studios, pushing British set design and visual effects to the limit. For the famous Hawkmen sequence, the crew built a sixty-foot-high, hundred-foot-wide blue screen powered by a million watts of light. The result is one of the most gloriously excessive moments in sci-fi history — a flying army, Brian Blessed shouting “Gordon's alive!” and Queen blasting through the speakers. Speaking of Queen, we explore how their soundtrack revolutionised film music, paving the way for rock bands to score major blockbusters. The combination of Freddie Mercury's operatic flair and Howard Blake's orchestral compositions gave Flash Gordon a sonic identity that still feels fresh today.We also look at the film's eclectic cast. Sam J. Jones' brief but memorable career, Melody Anderson's move from acting to social work, and Ornella Muti's headline-grabbing life and legal troubles. There's Max von Sydow's path from The Seventh Seal to The Exorcist and Star Wars: The Force Awakens. Topol's secret links to Mossad, Timothy Dalton's long and winding journey to becoming James Bond, and Peter Wyngarde's transformation from Department S to the gold-masked villain Klytus.And, of course, the mighty Brian Blessed — mountaineer, Shakespearean thunder-god, near-astronaut, and national treasure. From I, Claudius to Doctor Who, Cats, Star Wars: The Phantom Menace, and beyond, he's one of Britain's most extraordinary performers. In this episode, we unpack the layers of Flash Gordon as both cult classic and chaotic masterpiece: how its bright visuals masked a difficult shoot, how its camp sensibility influenced generations of filmmakers, and why it remains a cornerstone of British sci-fi fandom. Whether you're here for trivia, nostalgia, or the Queen soundtrack alone, this is one of our most detailed episodes yet — and we'll be back next week with part two to finish the adventure. Support this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.

emocleW, emocleW, emocleW to the Distraction Pieces Podcast with Scroobius Pip!This is your bonus FRIDAY REWIND episode! Today, we catch up with Akala, originally episode 65 from 2015-10-28.Original writeup below:Pip and Akala cover lots in this in depth and honest chat, including the history of racism throughout Shakespearean text, the development of UK Hip Hop and how artists are able to see the world through music and so much more.PIP'S PATREON PAGE if you're of a supporting natureALL AKALA LINKS!INSTAGRAMDAN LE SAC VS SCROOBIUS PIP BANDCAMPPIP TWITCH • (music stuff)PIP INSTAGRAMSPEECH DEVELOPMENT WEBSTOREPIP TWITTERPIP IMDBPOD BIBLE Hosted on Acast. See acast.com/privacy for more information.

The Culture Show's Jared Bowen discusses the Louvre heist, and ballroom demolition at the White House and an Indigenous art at the ICA.NBC Sports Boston's Trenni Casey on the Shakespearean trajectory of Bill Belichicks career, Shohei Ohtani's run for GOAT of baseball, and a women's pro baseball league coming to Boston.Harvard national security expert Juliette Kayyem on the latest Trump effort to send national guard troops to Portland, Oregon. Plus, Virginia Giuffre's memoir.Naturalist and author Sy Montgomery zooms in to discuss how poison in dolphin brains near Miami might be a warning for Alzheimer's in humans. And, she'll reflect on the loss of one of her own idols through life, Jane Goodall.

You will serve that which you laugh at.Topics in this episode include how to pronounce “Szombathely,” Buck Mulligan's incredible entrance into “Scylla and Charybdis,” Nicolas Cage, the heresies of Photius and Sebellius, Gloria in Excelsis Deo, why the other men must be relieved to see Buck Mulligan, whether we agree with Joyce's claim that Mulligan wears on the reader throughout the course of Ulysses, Buck Mulligan playing the role of a Shakespearean fool in Ulysses, Will Kempe, why Mulligan's tomfoolery must be directed at Stephen, why Mulligan's clowning is ultimately hollow, Buck Mulligan as God's messenger, why Stephen doesn't accomplish anything on Bloomsday, Mulligan's shifting identity, and joking for joking's sake.Support us on Patreon to get episodes early, and to access bonus content and a video version of our podcast.On the Blog:Puck Mulligan: A Joycean-Shakespearean FoolBlooms & Barnacles Social Media:Facebook | BlueSky | InstagramSubscribe to Blooms & Barnacles:Apple Podcasts | Spotify | YouTube

Long before Shakespeare became a household name, there was Richard Burbage. As the first actor to play Hamlet, Macbeth, Richard III, and King Lear, Burbage helped define what it meant to be a Shakespearean actor. A commanding performer, he became one of early modern England's first celebrities—celebrated for his emotional power and versatility, as well as his entrepreneurial savvy as an early theater owner. In her new book "Richard Burbage and the Shakespearean Stage: A ‘Delightful Proteus,'" scholar Siobhan Keenan explores the actor's remarkable career and his pivotal partnership with Shakespeare. Together, they transformed the English stage. Siobhan Keenan is Professor of Shakespeare and Renaissance Literature at De Montfort University, UK, and the author of several books on early modern theatre history and performance culture, including Richard Burbage and the Shakespearean Stage: A ‘Delightful Proteus' (2025), The Progresses, Processions and Royal Entries of King Charles I, 1625-1642 (2020), Acting Companies and their Plays in Shakespeare's London (The Arden Shakespeare, 2014), and Travelling Players in Shakespeare's England (2002). From the Shakespeare Unlimited podcast. Published October 21, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.

In our chat, we cover everything from the sacred duty of picking terrible game night music to the Olympic sport of treating red lights like polite suggestions. We swap Botox horror stories that double as “Guess Who?” games, laugh at language quirks that make menus sound like dares, and wonder how comedy evolved from Shakespearean insults to TikTok dances. We debate the etiquette of roundabouts (are they traffic circles or friendship tests?) and the subtle art of waving at other drivers in ways that say “sorry,” “thank you,” and “may your tires fall off” all at once. From the chaos of comedic timing to the nerdy beauty of wordplay and Venn diagrams, we zigzag through nostalgia—game shows, puppets, and all the stuff that scarred us in delightful ways. Music gets dragged in as the culprit for cultural brainwashing, while we ponder why every generation thinks they invented sarcasm. We even dissect the tragic fate of ice-breaking jokes (spoiler: they drown), the kamikaze nature of stand-up comedy, and the eternal truth that no punchline is safe once caffeine kicks in. All in all, it’s like a rollercoaster ride—except nobody’s tall enough for the “you must be this funny to ride” sign.

Taylor Swift's twelfth album has sparked endless speculation about who each song is "really about," but that might be the wrong question entirely. The Life of a Showgirl isn't biography, it's polyphonic auto-fiction, where Swift writes from multiple character perspectives while blurring the lines between autobiography and theatrical performance. The album's "showgirl sound" traces from Shakespearean tragedy (Ophelia's drowning rewritten as salvation) through Golden Age Hollywood orchestration to contemporary pop production with Max Martin and Shellback. Unusual musical choices like the jarring five-measure phrase in "Fate of Ophelia" reinforce the album's central theme: the tension between public performance and private reality. By treating the album as a theatrical show rather than a celebrity tell-all, listeners can finally hear what Swift is actually saying… or can they? Taylor Swift "Love Story" Taylor Swift "Blank Space" Taylor Swift "The Fate of Ophelia" Taylor Swift "Elizabeth Taylor" Irving Berlin "A Pretty Girl Is Like a Melody" Fred Astaire "Puttin' on the Ritz" Taylor Swift "Opalite" George Michael "Father Figure" Taylor Swift "Father Figure" Taylor Swift "Eldest Daughter" Taylor Swift "Tim McGraw" Taylor Swift "Ruined the Friendship" Weezer "Beverly Hills" Pixies "Where Is My Mind" Charli XCX "Sympathy Is a Knife" Charli XCX "Everything Is Romantic" Taylor Swift "Actually Romantic" Mean Girls "Meet the Plastics" Taylor Swift "Wi$h Li$t" Stevie Wonder "Superstition" The Jackson 5 "I Want You Back" Taylor Swift "Wood" Nirvana "Lithium" Nirvana "Something in the Way" Taylor Swift "Canceled" Taylor Swift "Honey" Taylor Swift feat. Sabrina Carpenter "Life of a Showgirl" Learn more about your ad choices. Visit podcastchoices.com/adchoices