Podcasts about Melbourne Theatre Company

Kat StewartActor Kat Stewart has built a reputation as one of Australia's most outstanding actors. Renowned for her exceptional performances across a diverse range of unforgettable characters on both stage and screen, Kat has played leading roles on productions including Five Bedrooms Offspring and Underbelly One Night, Black Snow (series 2), Mr and Mrs Murder, Tangle (Series 1-3), Newstopia (Series 1-3), Supernova (Series 1-2)and the original Underbelly. Her many guest credits include Get Krack'n, Orange is the New Brown, No Activity, True Story with Hamish and Andy and Jack Irish. Film credits include Little Monsters, West of Sunshine, Sucker and My Melbourne. Her work on stage includes Melbourne Theatre Company's Admissions, Heisenberg, Disgraced, The Speechmaker, Frost Nixon and Festen. She was an active member at Red Stitch Actors Theatre for ten years with credits including Creditors, The Little Dog Laughed, The Shape of Things, Bug, Dirty Butterfly and Loyal Women.  Kat's historic return to the company in 2023 to play Martha in the highly acclaimed sell-out season of Who's Afraid of Virginia Woolf? led to a further successful commercial season at Melbourne's Comedy Theatre in 2024 and an upcoming remount for the Sydney Theatre Company for their 2025 season at the Roslyn Packer Theatre. Among many nominations, Kat received an AACTA Award for Offspring and both an AFI and Logie for Most Outstanding Actress in Underbelly.She is a proud Ambassador for The Magical Getaway Foundation (MGF) and Australian Literacy and Numeracy Foundation (ALNF).Deborah's Instagram: https://www.instagram.com/what.ive.learnt/Mind, Film and Publishing: https://www.mindfilmandpublishing.com/Apple Podcast: https://podcasts.apple.com/au/podcast/what-ive-learnt/id153556330Spotify: https://open.spotify.com/show/3TQjCspxcrSi4yw2YugxBkBuzzsprout: https://www.buzzsprout.com/1365850

David Williamson's iconic play, The Removalists, makes a powerful return to the stage, reviving its unflinching exploration of domestic violence, police brutality, and the abuse of power.  Set in Melbourne in the 1970s, the story follows the turbulent events that unfold when Fiona Carter, with the help of her sister Kate and a removalist, attempts to leave her abusive husband, Kenny. The situation escalates as two police officers, Sergeant Simmonds and Constable Ross, become involved, revealing the dark underbelly of toxic masculinity. Melbourne Theatre Company's revival of Williamson's black comedy invites audiences to reflect on societal issues while enjoying a hearty laugh.  Review written by Noel Anderson  More Info: https://linktr.ee/noelanderson Start Your Own Blog and Get $25 Credit  

Tom Wright joins Regina Botros to talk about his adaptation of Picnic at Hanging Rock at Sydney Theatre Company. Wright's adaptation of Picnic at Hanging Rock for the Sydney Theatre Company has received rave reviews. It's  an eerie, beautiful, and visionary take on Joan Lindsay's gothic tale. The production, directed by Ian Michael, features a talented cast and combines modern elements with the haunting mystery of the original story.   Tom Wright started as a member of Barrie Kosky's Gilgul Theatre in the early 1990s, then with Michael Kantor's Mene Mene in the late 1990s. He has worked as an actor and director at the Melbourne Theatre Company, STCSA, Sydney Theatre Company, Playbox, La Mama, Company B, Anthill, Gilgul, Mene Mene, Bell Shakespeare Company, Chunky Move, Black Swan Theatre, Chamber Made Opera and the Adelaide, Sydney, Edinburgh, Vienna, Perth and Melbourne Festivals. He was Artistic Associate at Sydney Theatre Company 2004–2008 and Associate Director of STC 2008–2012. He joined Belvoir as an Artistic Associate in 2016.  More about Tom here. 

Actor Syd Brisbane joins Tony McManus to talk about a play from Melbourne Theatre Company called 37 which explores grassroots AFL. See omnystudio.com/listener for privacy information.

Malia Walsh, the guest director of Women's Circus annual Member Cabaret, tells us all about the end of year showcase, Braver than a Bear. Music therapist Paul Byrnes joins discusses the federal government's decision to remove Music Therapy as a recognized therapeutic support under the NDIS; according to the Australian Music Therapy Association (AMTA), this decision was made without consultation and will profoundly impact some of our nation's most vulnerable individuals. Dean Bryant and actor Kala Gare talk about the Melbourne Theatre Company adaption of the iconic Miles Franklin novel My Brilliant Career, an adaptation of the iconic Miles Franklin novel. fortyfivedownstairs Artistic Director of the theatre Cameron Lukey gives Richard the lowdown on the theatre's 2025 program. Stuart Braithwaite, the guitarist from Mogwai, tells Richard all about the band, his biography, and touring solo… which he is doing in Melbourne this weekend! Catch him at Northcote Social Saturday December 7th.Writer and producer Clare Mendes and director Emily Farrell talk about Skating in the Clouds at Theatre Works. Plus, Anne Marie Peard is back with theatre reviews!

Very occasionally, there is a new piece of theatre created which gets everything just right, that it becomes an instant classic. My Brilliant Career is one of those shows. The new musical based on the novel by Miles Franklin, with a book by Sheridan Harbridge and Dean Bryant, music by Mathew Frank and Dean Bryant and directed by Anne-Louise Sarks is quite simply brilliant.In the central role of Sybylla Melvyn, Kala Gare is phenomenal.After you've listened to this episode, I urge everyone to go see this incredible show.Or at the very least, check out Melbourne Theatre Company's Instagram and revel in the sublime songs from the musical.Book tickets to My Brilliant Career here:https://tickets.mtc.com.au/production/18097Support this show http://supporter.acast.com/the-saturday-quiz. Hosted on Acast. See acast.com/privacy for more information.

The culture wars are seeping out of the real world and infiltrating our pages and stages.  Art has always traversed unfamiliar and even dangerous territory. But with recent calls to boycott cultural institutions, donors pulling funding, and the cancellation of works and talent, are some discussions too fraught to engage with? Louise Adler is the Director of Adelaide Writers' Week. She has spent over 30 years in the culture business and continues to be committed to the dissemination of dangerous ideas. Brook Garru Andrew is an artist, curator and writer who is driven by the collisions of intertwined narratives emerging from the mess of the “Colonial Wuba (hole)”. His practice is grounded in his perspective as a Wiradjuri and Celtic person from Australia. Violette Ayad was born on Whadjuk Noongar Boodja to Palestinian and Lebanese parents. She is now based on Gadigal land where she works as an actor, writer, director, and voice artist.  Gil Beckwith has a significant career in the Arts and Not For Profit industry in senior finance and administration management roles. Her working career spans over 40 years and includes working for Sydney Theatre Company, Melbourne Festival, the Victorian AIDS Council, and most recently CEO of Sydney Gay and Lesbian Mardi Gras. Declan Greene is a playwright, director, and dramaturg. As a director he has worked for many of Australia's major theatre companies, including Sydney Theatre Company, Melbourne Theatre Company, Malthouse, Belvoir, and Griffin Theatre Company.  Emile Sherman is an Academy Award and Emmy Award-winning film and television producer who co-founded See-Saw Films in 2008. Based in Sydney and London, See-Saw Films has worked with many of the world's leading filmmakers and actors.  Chaired by philosopher and Executive Director of The Ethics Centre, Simon Longstaff.

Backstage with Dean Bryant and Dear Evan Hansen at Sydney Theatre Company. Dean Bryant is an award-winning Melbourne-based director and writer who moves between plays, musicals, opera, cabaret and, most recently, screen. A Little Night Music received the 2024 Sydney Theatre Award for Best Musical and Best Director of a Musical, and Hubris received the award for Best New Australian Work. This follows his reception of the 2022 Sydney Theatre Award and 2023 Green Room Award for his direction of the Sydney Theatre Company and Melbourne Theatre Company co-production of Fun Home. Presented and Produced by Regina Botros Red Velvet Productions

In today's episode, I'm joined by Jenni Medway, Head of New Work at Melbourne Theatre Company. With over a decade of experience in dramaturgy within theatre companies, Jenni shares her approach to developing plays, the role of a company dramaturg, and the unique responsibilities that come with programming new works for a state theatre company. As a dramaturg dedicated to new writing, Jenni has so many wonderful insights on finding your voice as a playwright, writing with a specific audience in mind, and the collaboration between a playwright, director and dramaturg when moving from text into production.About Jennifer Medway: Jennifer Medway is a dramaturg with over a decade of experience in developing new Australian plays. She is currently Melbourne Theatre Company's Head of New Work where she runs one of the largest play development programmes in the country. Prior to this, she was Melbourne Theatre Company's Literary Associate. Her past roles include Resident Dramaturg at the Australian Theatre for Young People, Studio Artist at Griffin Theatre Company, and Literary Assistant at Belvoir Street Theatre.We recorded today's conversation at Melbourne Theatre Company on Boon Wurrung and Wurundjeri Woi Wurrung land. I acknowledge and pay my respects to the peoples of the Kulin Nation who are the Traditional Custodians of the land on which MTC is built.Thank you for listening. You can learn more about my work on my website www.emilysheehan.info.

This week on SmartArts with Richard Watts,As we all know, Melbourne is the most Irish city in Australia, and Dr Enda Murray, the Festival Director of the 2024 Irish Film Festival is here to tell us how we can embrace our Irish-ness through cinema. Showing from 24-27 October, find something on the program for yourself here: https://irishfilmfestival.com.au/ Academy Award winning filmmaker and artist, Adam Elliot has a new exhibition showing at Beinart Gallery. Opening on October 26th, All The Lonely People is a personal collection, resonating with the same melancholy and emotional depth characterising Elliot's film work. As we've been launching the various calendars for Melbourne's performing art scene, it is now time to launch next years Victorian Opera 2025 season with Artistic Director Stuart Maunder! Have a look at the full 2025 program here: https://www.victorianopera.com.au/victorian-opera-announces-season-2025/ Richard is joined by the world renowned, host, actor, writer, comedian, philosopher Stephen Fry to answer the big questions. What is art? How do you choose an acting role? And of course, what do we need to know about his upcoming Australian tour, An Evening with Stephen Fry? Hopefully all questions are answered but here's the link for tickets and more info if you need it: https://premier.ticketek.com.au/shows/show.aspx?sh=STEPHENF24&v=PLN Co-Artistic Directors Emma Valente and Kate Davis come on to discuss their project, THE RABBLE's Wake. It is showing 25/10 and 26/10 at Burrinja Cultural Centre in Upwey, tickets available here: https://thesubstation.org.au/program/wake Merlynn Tong, writer and co-star of Golden Blood, the story of a brother and sister left to fend for themselves in Singapore. Showing at Melbourne Theatre Company with a preview performance on the 25th and Opening Night on October 31st.Plus, Anne Marie Peard, wraps up Melbourne Fringe for another year!

Joining Jack & Eden is actor, model, athlete and disability advocate Oli Pizzey Stratford who is currently playing John in Melbourne Theatre Company's Cost of Living. They also touch on inclusion in theatre, the Melbourne Fringe Festival and the opening night of Tina: The Tina Turner Musical. THE LINKS Our websiteOur InstagramOur TikTok

Merlynn Tong joins Regina to talk about Golden Blood. Writer and performer in golden blood - first staged at griffin in 2022 Back to stc from 17th sept at wharf 1 Theatre for STC   Originally from Singapore Merlynn is known for her screen roles in Jane Campion's Top of the Lake and ABC's In Our Blood. Her previous works for the stage, in which she also starred, include her one-woman shows, Ma Ma Ma Mad, the true story of her mother's suicide, and Blue Bones, a semi—----autobiography of teenage romance.   Golden Blood is also inspired by events in Merlynn's own life, and will see her star alongside the brilliant Charles Wu as recently orphaned siblings finding their way into adulthood amongst the steamy, tropical backstreets of Singapore's criminal underworld.   Much of Golden Blood is performed in Singlish - and Merlynn can speak to how she uses language on stage to transport the audience into a different place and time - she touches on that briefly in this video.   The show premiered at Griffin Theatre Company in 2022, opens at STC on 17 September, and will also be performed at Melbourne Theatre Company later this year

Joining Jack & Eden is Matt Hearne who recently received a standing ovation following his blind audition on The Voice, and just performed in the ensemble of Carousel: A Concert at the Princess Theatre. They also chat to Cooper Prize winner Chris Stollery, share details about Annie's return to Melbourne and Melbourne Theatre Company's 2025 season, and talk about the future of the Regent Theatre. THE LINKS Our website Our Instagram Our TikTok Matt's Instagram

Joining Jack & Eden is Loren Hunter and Giorgia Kennedy who are currently playing Jane Seymour and Catherine Parr in Six the Musical. They also touch on Frankenstein's Melbourne season, Melbourne Theatre Company's Topdog/Underdog and share a major musical announcement! THE LINKS ⁠Our website⁠ ⁠Our Instagram⁠ ⁠Our TikTok⁠ ⁠Loren's Instagram⁠ ⁠Giorgia's Instagram⁠ ⁠Go and see Six the Musical!

Joining John to answer the questions on this episode of The Saturday Quiz is the director Bert LaBonté and one of the actors Ras-Samuel from the Pulitzer Prize winning play Topdog/Underdog, which is playing right now in the Lawler at Melbourne Theatre Company's Southbank Theatre. The Suzan-Lori Parks play tells the story of Lincoln and Booth, two down-on-their-luck brothers wrestling with the realities of the American Dream. The first play by an African-American woman to win the Pulitzer Prize for Drama, it is playing right now until the 21st of September.Get your tickets to Topdog/Underdog here:https://www.mtc.com.au/plays-and-tickets/whats-on/season-2024/topdogunderdog/Support this show http://supporter.acast.com/the-saturday-quiz. Hosted on Acast. See acast.com/privacy for more information.

Send us a textCarissa Lee is a talented and multi-faceted Noongar actor based in Naarm, Melbourne. Since graduating from Flinders Drama Centre, she has made her mark across film, television and theatre. Most recently, she appeared as Principal Cruz in ABC's ‘Planet Lulin', and has also performed with Melbourne Theatre Company, the Malthouse Theatre, and State Theatre Company of South Australia. More than just an actor, however, she also completed her PhD at the University of Melbourne in which she focused on cultural safety and how to establish safe working environments between Mob and non-Indigenous arts practitioners in the performing arts.In this inspiring chat, Carissa spoke about the importance of genuine and meaningful cross-cultural collaboration in the arts, the journey of finding yourself as an artist after leaving drama school, the struggle of battling against imposter syndrome and the importance of community. Support the show

The American playwright Suzan-Lori Parks started writing plays on the advice of a very famous mentor: the celebrated writer and civil rights activist, James Baldwin. Suzan-Lori won a Pulitzer Prize for her 2001 play Topdog/Underdog, a revival of which also won a Tony Award. It's now on stage in Australia for the first time.Also, Marina Prior and Michael Cormick, two superstars of Australian musical theatre, hit the highway with their Centrestage tour, and while many artists are sounding alarm bells about artificial intelligence, choreographer Alisdair Macindoe is embracing it. In Plagiary, Macindoe hands the role of choreographer to an algorithm.

Send us a Text Message.Charles Wu is an Australian actor, writer and musician who has been building a strong career for himself across both the stage and screen. Perhaps best known for his role on screen as Ken Liu in ‘Doctor Doctor' Charles has also regularly treaded the boards with some of Australia's most respected theatre companies including Sydney Theatre Company, Melbourne Theatre Company, Belvoir St. Theatre, and most recently the State Theatre Company of South Australia. In this chat, he talks about the many contradictions in the life of an artist. He also shares the lessons he has learned throughout his journey, including the importance of being comfortable in your own skin, the need to find joy within your work and the benefits of surrounding yourself with a supportive community. If you want to check Charles' band ‘Earthquake Magnificent' which was mentioned in the episode, you can find them on:Spotify - https://open.spotify.com/artist/49iwn18kZ7DFCxAVJBsLjo?si=73f5YKv1RoGSeUZw8gf9jAApple Music - https://music.apple.com/au/artist/earthquake-magnificent/1437397505Bandcamp - https://earthquakemagnificent.bandcamp.com/album/dull-hillSupport the Show.

Joining Jack & Eden is Brianna Bishop who has recently finished up with Grease as Marty, and has previously taken on the roles of Ella in Midnight: The Cinderella Musical and Amber Von Tussel in Hairspray. They also speak about Jemma Rix's return as Elphaba, the upcoming Melbourne tour of Agatha Christie's And Then There Were None, and the premieres of Shake and Stir's Frankenstein and Melbourne Theatre Company's Topdog/Underdog. THE LINKS ⁠Our website⁠ ⁠Our Instagram⁠ ⁠Our Tiktok⁠ ⁠Brianna's Instagram⁠ ⁠Midnight: The Cinderalla Musical cast album

The Australian playwright Ray Lawler has died at the age of 103. Lawler wrote Summer of the Seventeenth Doll, which spurred a growing movement of artists telling Australian stories in Australian voices on the mainstage. To pay tribute to Ray Lawler, we're joined by theatre legends Robyn Nevin and Neil Armfield and we hear interviews with Ray from the ABC archives.Also, the musical Wicked will soon celebrate one year on stage in Australia. Ahead of their transfer to Brisbane, Sheridan Adams (Elphaba) and Courtney Monsma (Glinda) perform for us. And we meet two British actors who staged Hamlet in the ultra-violent and unpredictable video game world of Grand Theft Auto. A documentary about their efforts, Grand Theft Hamlet, is screening at this year's MIFF.

Our Guest today is Dr. Suzie J. Jarmain https://www.linkedin.com/in/suziejjarmain/ Ph.D. (Theatre Performance), MA Applied Theatre Studies, Pg. Dip (Theatre Directing), BCA (Acting). Dr. Suzie J. Jarmain is an actor, theatre artist, director, educator, coach, mentor and practice-based scholar with over thirty years of expertise. Specialising in psychological realism-based character transformation, Suzie holds a Bachelor of Creative Arts in acting from the University of Wollongong (AUS), a Postgraduate Diploma in Performance Creation from Victorian College of the Arts (VIC), and a Master of Applied Theatre Studies from the University of New England (NSW). She completed her Ph.D. at Monash University supported by a scholarship. Suzie has worked with worldwide companies such as the National Theatre of Scotland, BBC Scotland, Traverse Theatre (UK), The Arches (UK), North Edinburgh Arts Centre, The Performance Space (AUS), Melbourne Theatre Company, La Mama Theatre (AUS), NIDA, Victorian College of the Arts (AUS), and Union House Theatre (AUS), to name a few. She has undergone professional development training with the Michael Chekhov Association (US), the Royal Scottish Academy of Music and Dramatic Art (UK), and the Royal Academy of Dramatic Art (UK). She has previously certified as a teacher with Stagecoach Theatrearts (UK) funded by a grant from the British Actors' Equity Association (UK). In 2016, she was awarded the Phillip Parsons Prize by the Australasian Association for Theatre, Drama, and Performance Studies (ADSA) for her project ‘Faking it For Real,' which explored the autobiographical ‘self' in character creation. Suzie has presented her research at conferences such as AusAct (AUS) and Performance Studies International (CAD) and contributed to the PAMA Actors Wellbeing webinar series on ‘Interventions in the Acting Process' (2024). Her solo works include ‘Elizabeth Taylor is My Mother' (2016), ‘The Disappearing Trilogy' (2019), and ‘Celebrity' (2023). As a published scholar and researcher, Suzie continues to explore and innovate in transformative acting practices. Her recent article, "Remember My Name: The Critical Role of Selves in Transformative Acting," contributes to the ongoing discourse on sustainable acting methodologies, highlighting broader artistic concerns related to transformative processes and the identity of the actor. In 2023, Suzie founded the Michael Chekhov Studios in Melbourne, Australia, focusing on the Michael Chekhov technique, transformative acting processes, and actor wellbeing. She is a member of the Association of Acting Coaches and Educators (AACE), a community member of the Actors Wellbeing Facilitators Collective, the Australasian Association for Theatre, Drama, and Performance Studies (ADSA) and Theatre Network Australia (TNA). Suzie also regularly collaborates with the Melbourne Actors Guild, coaching actors and ensembles at various stages of professional development. Our discussion covered Chekov's philosophy of higher and lower ego states in the creation of character, performance & identity, how we create characters for ourselves - not just in acting but in life —and mental health challenges that arise during the actors process of character development. 

CELEBRATING AIDAN FENNESSYAidan Fennessy was an Australian playwright, stage director and actor, known for his work with the Melbourne Theatre Company, where he was at one time associate director. A brilliant and revered playwright, his writing career began in the 1990's, and took off with National Interest in 2012, a critically acclaimed dramatisation of the story of the Balibo Five murdered journalists – the youngest of whom was his cousin Tony.Aidan died of cancer in September 2020, during the Melbourne lockdowns.Celebrating Aidan is his partner and mother of his two children, the writer Nova Weetman. Nova has written for TV and is the author of many middle grade and young adult novels. The Secrets We Keep was shortlisted for the Readings Children's Book Prize, the Speech Pathology Book of the Year Awards and the ABIA Awards. The sequel, The Secrets We Share, was a 2018 CBCA Notable Book and won the KROC Kids Reading Oz Choice Awards, NT – Best Fiction for Years 7 to 9. It was also shortlisted for the Speech Pathology Australia Book of the Year Awards. Nova's middle grade novel Sick Bay was a CBCA Notable Book and shortlisted for the ABIA Awards. In 2022, The Edge of Thirteen won the ABIAs Small Publishers' Children's Book of the Year and was a CBCA Notable Book: Younger Readers. In 2023, The Jammer was shortlisted for the ABIAs Book of the Year for Older Children.Nova Weetman (Nova Weetman website)Marieke Hardy Is Going To Die is a podcast made by Marieke Hardy (IG @marieke_hardy).You can follow at IG @GoingToDiePodMusic by Lord Fascinator (IG @lordfascinator)Produced by Darren Scarce (IG @Dazz26)Video edits by Andy Nedelkovski (IG @AndyNeds)Artwork by Lauren Egan (IG @heylaurenegan)Photography by Eamon Leggett (IG @anxietyoptions)With thanks to Amelia Chappelow (IG @ameliachappelow)Camilla McKewen (IG @CamillaLucyLucy)and Rhys Graham (IG @RhysJGraham)Support the show via www.patreon.com/mariekehardy and drop an email to mariekehardyisgoingtodie@gmail.comWhilst acknowledging the privilege that comes with having the space to discuss death and mortality, we want to also recognise that discussing these topics can raise some  wounds. Should you wish to seek extra support, please consider the following resources:https://www.healthline.com/health/mental-health/online-grief-support-groupshttps://www.grief.org.au/ga/ga/Support/Support_Groups.aspxhttps://www.headspace.com/meditation/griefhttps://www.mindful.org/a-10-minute-guided-meditation-for-working-with-grief/https://griefline.org.au/get-help/ ★ Support this podcast on Patreon ★

One of Australia's most respected actors, Nadine Garner's career has spanned film, television and theatre for more than 30 years. Nadine recently performed on stage in the Melbourne Theatre Company's The Almighty Sometimes and Belvoir's production of Tell Me I'm Here to rave reviews. Her recent screen credits include the ABC crime drama series Savage River and Scott Major's debut feature film Darklands which premiered on Stan. Nadine's other television credits include the Network 10/Channel 5 (UK) series Lie With Me, the Stan original series Bloom, My Life Is Murder and Mr Black for Network 10, The Blake Mysteries: Ghost Stories Telemovie for the Seven Network, ABC's The Doctor Blake Mysteries, the Seven Network drama City Homicide, ABC comedy It's A Date, Blue Water High, The Henderson Kids, G.P, The Flying Doctors, Boys From The Bush, and RAW FM for which she was nominated for an AFI Award for Best Actress in a Television Drama. Nadine's feature film credits include Ben Hackworth's debut feature Celeste which premiered at the 2018 Melbourne International Film Festival, Ana Kokkinos' The Book Of Revelation, Darren Ashton's Razzle Dazzle and Amanda Jane's The Wedding Party, which earned her a New York City International Film Festival Award for Best Supporting Actress. In 1988, Nadine received an AFI Award for Best Actress for her role in Mull and in 1995, she received a Film Critics Circle of Australia Award for Best Supporting Actress and an AFI Award nomination for Best Actress for her role in Metal Skin. Nadine has worked for many of Australia's theatre companies performing both contemporary and classical pieces including The Lifespan of a Fact which earned her a Green Room Award Nomination for Outstanding Performance , Emerald City (co-production with QT), Photograph 51, Di and Viv and Rose, The Distance, The Weir, Private Lives, The Three Sisters and The Cherry Orchard for MTC; A Little Night Music for Watch This National Theatre; Zebra! and Life After George for STC; Miss Julie for Perth Theatre Company; Romeo & Juliet and Taming of the Shrew for The Australian Shakespeare Company. She starred in Sam Mendes' production of Cabaret and received a Helpmann Award and Green Room Award for her performance as Fraulein Kost. In 2011, Nadine wrote and directed the short film Afterglow which was nominated for an AACTA Award for Best Screenplay. Nadine returns to the Musical stage in July for William Finn's Elegies, being presented at 45 Downstairs in Melbourne. In August she is in Sydney making her Opera House debut in a unique presentation of Jane Austen's Pride and Prejudice. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Playwright Joanna Murray-Smith talks about new stage production Julia at Melbourne Theatre Company; the team takes a closer look at the increasing popularity of hobby horse competitions; foodie Besha Rodell sums up 40 years of the Olive Jar as they close their doors; musician, sound artist, and "laser lord" Robin Fox chats about re-scoring the music to Clive Barker's horror classic for the show Hear My Eyes: Hellraiser at RISING; and Nat shares her fascination with American Spelling Bees with the team. With presenters Monique Sebire, Daniel Burt & Nat Harris. Website: https://www.rrr.org.au/explore/programs/breakfasters/ Facebook: https://www.facebook.com/Breakfasters3RRRFM/ Twitter: https://twitter.com/breakfasters

Iain Sinclair is one of Australia's finest, award winning theatre directors specialising in new writing and contemporary international work. Iain established the critically acclaimed theatre company Elbow Theatre in Canberra, where he received four Critics Circle Awards. He received a Sydney Theatre Award for his production of The Seed by Kate Mulvaney and is also an AWGIE Award nominated director. He has directed a number of highly praised main stage productions in Sydney including Our Town  by Thornton Wilder for The Sydney Theatre Company, which was described as “a triumph”. His production of Arthur Miller's, All my Sons was described as “A rock solid production of a play that makes you shake your head in wonderment”.  Iain has also directed for The Melbourne Theatre Company, The Ensemble, The Queensland Theatre Company, Belvoir and Sport for Jove with celebrated productions of Who's Afraid of Virginia Woolf? By Edward Albee, The Caretaker by Harold Pinter, A View From The Bridge by Arthur Miller, Mojo by Jez Butterworth, Blood Wedding by Federico Garcia Lorca (translation by Sinclair), The Beast by Eddie Perfect, A Midsummer Night's Dream by William Shakespeare and Berlin by Joanna Murray Smith. Iain graduated with distinction from the RADA Masters Program and Kings College, London. He is the associate artist and resident dramaturge for Playwriting Australia and has been assistant director to Cate Blanchett and Max Stafford Clark. Iain was invited by Max Stafford Clark to tour the UK as a member of his company “Out of Joint” teaching principles of new play making and Max Stafford Clark's legendary process based on actioning. Iain continues his work as a dramaturge and has worked with the following companies; ASK Los Angeles, New Dramatists New York, The Traverse Scotland, The Royal Shakespeare Company, The Royal Court and The National Theatre England.Iain Sinclair is presently the Head of Acting at 16th Street Actors Studio in Melbourne, where he nurtures a new generation of actors and continues to practice and refine his magnificent craft.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Amy Lehpamer is currently starring in the hit pop musical & Juliet as Anne Hathaway.Amy earned nation-wide critical acclaim playing Maria in The Sound of Music, receiving the 2015 Sydney Theatre Award for best Actress in a Musical, as well as Helpmann and Glug award nominations. She was Helpmann nominated in 2017 for her portrayal of pop and soul icon Dusty Springfield in the Australian hit musical Dusty for The Production Company. Amy played lyricist and hit-maker Cynthia Weil in the Australian premiere cast of Beautiful: The Carole King Musical and was awarded the 2018 Helpmann for Best Supporting Actress in a Musical for the role.From 2018-2020, Amy toured Australia, NZ and China as Rosalie Mullins, the uptight school Principal with a Rock 'n Roll soul in Andrew Lloyd Webber's musical version of School of Rock.  She played Mrs Webb in Queensland Theatre's revival of the pulitzer prize winning classic, Our Town and Mrs Walker in the Australian Premiere of The Who's Tommy for the Victorian Opera. Her skill as a violinist and performer were highlighted in her role of Reza in Once for the Gordon Frost Organisation and Melbourne Theatre Company.  This, and her big haired, starry eyed Sherrie in Rock of Ages saw her receive Helpmann nominations. She has twice played Christine Colgate in the musical adaptation of the hit comedy Dirty Rotten Scoundrels, in her first ever leading role for Melbourne's The Production Company.Other notable roles for Amy include Tracy Lord in High Society for the Hayes Theatre, the iconic Janet Weiss in Rocky Horror for GFO/ATG. Amy created the title role of Margaret Fulton in the new Australian musical Margaret Fulton: Queen of the Dessert (Theatreworks) and was part of the original cast of Eddie Perfect's Shane Warne - The Musical, as well as the 2014 production for Adelaide Cabaret Festival and Hamer Hall, featuring on the cast recording.Additional theatre credits include: The Threepenny Opera (Malthouse and Victorian Opera); The 25th Annual Putnam County Spelling Bee and Songs for a New World (Doorstep Ensemble); Young Phyllis in Follies (The Production Company).Amy is the co-creator and star of the musical comedy webseries Donnatelegrams, produced by the ABC and Screen Australia, and now viewable on YouTube. On screen, Amy also holds credits in prime time television shows: Get Krack!n', Utopia. The Time of Our Lives, Winners and Losers, House Husbands, and the HBO mini-series The Pacific.  She has performed disco classics alongside Kate Ceberano and Paulini with the Adelaide and Queensland Symphony Orchestras. And she's sung The Best of Rodgers and Hammerstein alongside Simon Gleeson with the West Australian Symphony Orchestra.  The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Kim Carpenter AM is an Australian visual artist, theatre director, designer and devisor. For thirty years he was artistic director of his company, Kim Carpenter's Theatre of Image. During the 1970s, Carpenter designed for the Melbourne Theatre Company and Sydney's Nimrod Theatre Company. He was, for a short period, co-Artistic Director of Nimrod in the early 1980s. In 1988, Kim established Theatre of Image as Sydney's first visual theatre company. Theatre of Image developed into a leading Australian theatre company for children and families, with its productions having a distinctive visual style. In September 2019 he announced the closure of the company. His work includes The Book of Everything which he created with Neil Armfield for Theatre of Image and Belvoir. The production toured Australia and played a season in New York at the New Victory Theatre. In 2019 he adapted and designed The Happy Prince as a ballet for The Australian Ballet. It premiered at the Queensland Performing Arts Centre. Kim Carpenter was made a Member of the Order of Australia in 2013 for significant service to the performing arts. He has devised, directed or designed over 100 productions for theatre, opera, dance, physical theatre, ballet and puppetry. A prolific visual artist also, Kim Carpenter has been represented in Australian and International exhibitions. His next exhibition is a series inspired by William Shakespeare's A Midsummer Night's Dream. This show of works will be exhibited at Maunsell Wickes Gallery Paddington, from April 6th to 21st. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages). www.stagespodcast.com.au

Colin Lane is a comedian, actor & host. He is best known as Lano from Lano and Woodley, Australia's most beloved comedy duo. In almost 20 years together Lano & Woodley won the coveted Perrier Award for best show at the Edinburgh Fringe Festival, starred in their own television series and toured sold-out shows across the country. They said ‘Goodbye' in 2006 with a national tour that took in 34 markets and sold more than 150,000 tickets. In 2018, the duo reprised their roles as Lano & Woodley for FLY, with a sold-out national tour of 85,000 ticket sales and winning the prestigious Melbourne Comedy Festival ‘People's Choice Award'. Colin has appeared in Don's Party for the Melbourne Theatre Company and the Sydney Theatre Company, made many TV appearances including guest panellist on the UK favourite QI, alongside Stephen Fry and Alan Davies – most recently on the new-look, Sandi Toksvig version of the hugely popular show. 2016 has seen Colin working with Red Stitch under director Nadia Tass in a new Hannie Rayson play Extinction, and the musical comedy whodunit, Curtains, under Roger Hodgman for The Production Company.  He has made numerous TV appearances on Good News Week, Spicks and Specks, Welcher & Welcher, Thank God You're Here, Neighbours, All Star Family Feud, Show Me the Movie!, The Circle and hosted Ready Steady Cook (2011-2013).   His new show 'In Tails' is on sale now. In Tails with David Hobson - where a comedian and an opera singers worlds collide. We chat about his many hobbies, feeling comfortable in your own skin, collaboration, splitting up with a long-term collaborator (Frank Woodley), imposter syndrome, cancelled shows, change of view of success, his new shows, plus plenty more!   The video footage of this entire chat is now out as well (one day after release)! So check them out on YouTube under Michael Kahan Check Colin out on: Instagram: https://www.instagram.com/officialcolinlane/ Website / tickets: https://www.davidhobsonandcolinlane.com/ Facebook: https://www.facebook.com/officialcolinlane https://www.facebook.com/davidhobsonandcolinlane X/ Twitter: https://twitter.com/TheColinLane ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan   The video footage of this entire chat is now out as well (one day after release)! So check them out on YouTube under Michael Kahan Check Felicity out on: Instagram: https://www.instagram.com/felicityward/ Website: https://www.felicityward.com/ Facebook: https://www.facebook.com/felicityward X/ Twitter: https://twitter.com/felicityward Tiktok: https://www.tiktok.com/@felicityjward ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan

Featuring the wonderful Benjamin Law and Professor John Rasko AO. In Principle of Charity on the Couch, Lloyd has an unfiltered conversation with the guests, throws them curveballs, and gets into the personal side of Principle of Charity.BIOS Benjamin Law is an Australian writer and broadcaster. He's the author of The Family Law (2010), Gaysia (2013), the Quarterly Essay Moral Panic 101 (2017) and editor of Growing Up Queer in Australia (2019). Benjamin is also an AWGIE Award-winning screenwriter. He's the co-executive producer, co-creator and co-writer of the Netflix comedy-drama Wellmania (2023), playwright of Melbourne Theatre Company's sold-out play Torch the Place (2020), and creator and co-writer of three seasons of the award-winning SBS/Hulu/Comedy Central Asia TV series The Family Law (2016–2019). Benjamin works and lives on Gadigal Country, part of the Eora Nation (Sydney). He is a board member of Story Factory, committee member of the Jesse Cox Audio Fellowship and ambassador for Plan Australia, the Australian Literacy and Numeracy Foundation, Victorian Pride Centre, Bridge for Asylum Seekers and the Pinnacle Foundation. Professor John Rasko AO is internationally renowned as Australia's pioneer in the clinical application of adult stem cells and gene therapies. As a clinical hematologist, pathologist and scientist with a renowned track record in gene and stem cell therapy, experimental haematology and molecular biology he has published over 220 academic papers. He is Deputy Director and leads the Program in Gene and Stem Cell Therapy Program at The Centenary Institute and is Head, Department of Cell & Molecular Therapies at Royal Prince Alfred Hospital in Sydney.CREDITSYour hosts are Lloyd Vogelman and Emile Sherman This podcast is proud to partner with The Ethics CentreFind Lloyd @LloydVogelman on Linked inFind Emile @EmileSherman on Linked In and XThis podcast is produced by Jonah Primo and Danielle HarveyFind Jonah at jonahprimo.com or @JonahPrimo on Instagram Find Danielle at danielleharvey.com.au Hosted on Acast. See acast.com/privacy for more information Hosted on Acast. See acast.com/privacy for more information.

Featuring the wonderful Benjamin Law and Professor John Rasko AO In this episode with the help of a cultural critic and a genetic expert we consider how to best make sense of our ancestral past and the dangers of over identifying with tribes alongside the very real opportunities science is giving us to change our genetics. While we are all unique individuals, who of course come from families and a line of ancestors, in the end we are responsible for our own lives. While we may look to our ancestry for helpful hints as to how to live well, how much, if at all, should our heritage define or constrain us? On a genetic level we have inherited some of the traits of our forebears, and even if, for example the colour of our skin, hair or facial features does express our genetic connection to race, that necessarily ‘mean' something to us or should it be embraced? What about inherited genetic disorders, are there responsibilities around passing these on that need to be considered? While knowing which ‘tribe' we come from can offer a deep sense of belonging, even pride, for some the reminder of our heritage is irrelevant or even shameful or simply unhelpful. The deep psychological pull towards identifying as part of a ‘tribe' can be particularly true if we are discriminated against because of your heritage and background. If you're attacked because you're black, Islamic, Asian, Jewish, deaf etc, you quickly find that you are part of that tribe, whether it's personally important to you or not. There are of course many dangers of over-identifying with tribes. Tribal thinking is always fraught with danger - any look at history will tell you that. These questions about whether our heritage matters, and what it means, have also become heavily politicised. We make sense of our lives through the stories we tell ourselves. Many of us seek out our ancestry, our tribe, as a way of knowing who we are. Yet inherited genes from past individuals, randomly shaken up in their journey across generations and finally passed from our parents to us are just that – random. So how much should our ethnic heritage matter, and is it the most important part of our individual stories? BIOS Benjamin Law is an Australian writer and broadcaster. He's the author of The Family Law (2010), and editor of Growing Up Queer in Australia (2019). Benjamin is also an AWGIE Award-winning screenwriter. He's the co-executive producer, co-creator and co-writer of the Netflix comedy-drama Wellmania (2023), playwright of Melbourne Theatre Company's sold-out play Torch the Place (2020), and creator and co-writer of three seasons of the award-winning SBS/Hulu/Comedy Central Asia TV series The Family Law (2016–2019). Professor John Rasko AO is internationally renowned as Australia's pioneer in the clinical application of adult stem cells and gene therapies. As a clinical hematologist, pathologist and scientist he has published over 220 academic papers. He is Deputy Director and leads the Program in Gene and Stem Cell Therapy Program at The Centenary Institute and is Head, Department of Cell & Molecular Therapies at Royal Prince Alfred Hospital in Sydney.CREDITSYour hosts are Lloyd Vogelman and Emile Sherman This podcast is proud to partner with The Ethics CentreFind Lloyd @LloydVogelman on Linked inFind Emile @EmileSherman on Linked In and XFind Jonah at jonahprimo.com or @JonahPrimo on Instagram Find Danielle at danielleharvey.com.au Hosted on Acast. See acast.com/privacy for more information.

Mozart's The Magic Flute will be presented by Opera Australia during their Summer season in early 2024. At the helm of the production is Director Kate Gaul. An artist of tremendous invention and imagination. The production she conjures will thrill and seduce, as this opera favourite is brought to vivid life. Assisting Kate as Movement Director is frequent collaborator, Andy Dexterity. His eclectic style and command of the physical always delights and sheds enlightening perspective. Both were guests in early seasons of the STAGES podcast. It was a treat to catch up with them once again to hear what's been happening in their worlds and what we can look forward to in the world of The Magic Flute. Kate has been directing full-time since completing the NIDA Director's course in 1996 and has established herself as a distinctive and inventive director, with productions for such companies as Pinchgut Opera, Belvoir St Theatre, Ensemble Theatre, Griffin Theatre and Melbourne Theatre Company. Kate's productions include The End of Winter, Camp!, Good With Maps, The Trouble with Harry, The Ham Funeral, A Midsummer Night's Dream (Britten), Misterman, Invisible Circus, Il Matrimonio Segreto (Conservatorium of Music), Castor et Pollux (Pinchgut Opera), The New Electric Ballroom and Carmen (OzOpera). Andy Dexterity is a Green Room Award-nominated performance maker primarily recognised for his unique brand of movement, fusing dance, physical theatre and physical languages. Andy is fascinated by the way we communicate and interact as a species and Andy creates playful work with the intention to empower, connect and transcend linguistic boundaries. The Magic Flute plays the Sydney Opera House February 1st to March 16th, 2024The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

London-born Tony Llewellyn-Jones graduated from the National Institute of Dramatic Art in 1971 and was invited to join the Melbourne Theatre Company. Over the next two years Tony appeared in productions including Tonight at 8.30, Mother Courage, The Cherry Orchard, How Does Your Garden Grow?, The Time is Not Yet Ripe, Danton's Death, Paying the Piper, An Ideal Husband, You Want It Don't You Billy?, Macquarie, The Plough and The Stars, Forget-Me-Not-Lane, The Tavern, Sticks and Bones and Batman's Beachhead. Tony has returned to Melbourne Theatre Company for The Visit, Life x 3, Realism and North By Northwest. He also has appeared for the Old Tote Theatre Company, Marian Street, Nimrod Theatre, Griffin, Belvoir and Bell Shakespeare. For the Sydney Theatre Company his credits include The Crucible, Saint Joan, Life After George, Corporate Vibes, Amigos, Metamorphosis, The Tempest, Hay Fever and King Lear.  He served on the panel that engaged Richard Wherret as the inaugural Artistic Director of the Sydney Theatre Company. He received an AFI Best Supporting Actor nomination for his role in the celebrated cinema capture of Picnic at Hanging Rock. In 2012 Tony performed in the Australian tour of Yes, Prime Minister for Guild, Woods & Bryce Productions. And in 2016 he was cast in the 60th anniversary production of My Fair Lady, as Colonel Hugh Pickering - a role it seems he was destined to play. Tony has appeared in numerous television series, including Rake, I Spry, The Prime Minister Is Missing, Underbelly, G.P., All Saints, Hell Has Harbour Views, BackBerner, Grass Roots, 13 Gantry Row, The Paper Boy, One Day Miller and Who Do You Think You Are?. His film appearances include Illuminations, Inside Looking Out, Picnic at Hanging Rock, The Girl who Met Simone de Beauvoir in Paris, Fatty Finn, Seeing Red, Man of Flowers, Cosi and Human Touch. Tony also has worked as a producer on Paul Cox feature films, including Man of Flowers, My First Wife, Cactus, Vincent: The Life and Death of Vincent van Gogh, Human Touch, Salvation and Force of Destiny. Tony Llewellyn Jones is a true gentleman of the theatre - abundant with anecdote, considered opinion and tremendous passion for a career that has rewarded him many times over. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

London born Tony Llewellyn-Jones graduated from the National Institute of Dramatic Art in 1971 and was invited to join the Melbourne Theatre Company. Over the next two years Tony appeared in productions including Tonight at 8.30, Mother Courage, The Cherry Orchard, How Does Your Garden Grow?, The Time is Not Yet Ripe, Danton's Death, Paying the Piper, An Ideal Husband, You Want It Don't You Billy?, Macquarie, The Plough and The Stars, Forget-Me-Not-Lane, The Tavern, Sticks and Bones and Batman's Beachhead. Tony has returned to Melbourne Theatre Company for The Visit, Life x 3, Realism and North By Northwest. He also has appeared for the Old Tote Theatre Company, Marian Street, Nimrod Theatre, Griffin, Belvoir and Bell Shakespeare. For the Sydney Theatre Company his credits include The Crucible, Saint Joan, Life After George, Corporate Vibes, Amigos, Metamorphosis, The Tempest, Hay Fever and King Lear.  He served on the panel that engaged Richard Wherret as the inaugural Artistic Director of the Sydney Theatre Company. He received an AFI Best Supporting Actor nomination for his role in the celebrated cinema capture of Picnic at Hanging Rock. In 2012 Tony performed in the Australian tour of Yes, Prime Minister for Guild, Woods & Bryce Productions. And in 2016 he was cast in the 60th anniversary production of My Fair Lady, as Colonel Hugh Pickering - a role it seems he was destined to play. Tony has appeared in numerous television series, including Rake, I Spry, The Prime Minister Is Missing, Underbelly, G.P., All Saints, Hell Has Harbour Views, BackBerner, Grass Roots, 13 Gantry Row, The Paper Boy, One Day Miller and Who Do You Think You Are?. His film appearances include Illuminations, Inside Looking Out, Picnic at Hanging Rock, The Girl who Met Simone de Beauvoir in Paris, Fatty Finn, Seeing Red, Man of Flowers, Cosi and Human Touch. Tony also has worked as a producer on Paul Cox feature films, including Man of Flowers, My First Wife, Cactus, Vincent: The Life and Death of Vincent van Gogh, Human Touch, Salvation and Force of Destiny. Tony Llewellyn Jones is a true gentleman of the theatre - abundant with anecdote, considered opinion and tremendous passion for a career that has rewarded him many times over. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Melbourne Theatre Company's most recent play 'My Sister Jill' stars this weeks guests.Lucy Goleby and James O'Connell have worked together on many projects. Can they work together to answer Cindy's 10 questions. Listen and find out!'My Sister Jill' is playing at the Sumner Theatre for one more week.Support this show http://supporter.acast.com/the-saturday-quiz. Hosted on Acast. See acast.com/privacy for more information.

Richard Roberts is an award-winning designer and educator. His body of work spans theatre, ballet, opera, musical theatre, and film, across Australia and internationally. Richard is currently Head of Design and Production at the Victorian College of the Arts.  He has held positions as Head of Design at The Western Australian Academy of Performing Arts, Head of Production at The Victorian College of the Arts and Head of Design at The Hong Kong Academy of Performing Arts. Richard's designs for opera include: for Opera Australia, Rigoletto, Don Pasquale, The Magic Flute and Die Fledermaus (with West Australian Opera); for Victorian Opera, Parsifal, Cunning Little Vixen; Nixon In China, The Magic Flute, Baroque Triple Bill, The Marriage Of Figaro; The Corronation Of Poppea and Don Giovanni; for Opera Queensland, Ruddigore; and for New Zealand Opera, Seattle Opera, and Philadelphia Opera Rigoletto. For dance, Richard's designs include: for Australian Ballet, Don Quixote, Requiem, Molto Vivace and Raymonda; La Sylphide and La Fille Mal Gardee for West Australian Ballet and Queensland Ballet. For theatre, Richard's designs include: for Queensland Theatre, Othello, The Sunshine Club, Death Of A Salesman, Noises Off (with MTC), Much Ado About Nothing, Tartuffe and Managing Carmen (with Black Swan); for Ensemble Theatre, Black Cockatoo; for TML, Fiddler On The Roof; for Melbourne and Sydney Festivals, The Season national tour; for Melbourne Theatre Company, Last Man Standing, Solomon And Marion, Next To Normal, The Gift and Frost/Nixon, Macbeth, Dreams in an Empty City, As You Like It, Hedda Gabler, The Sapphires, All My Sons; for Sydney Theatre Company, Australia Day(with MTC), True West, Riflemind; for Black Swan, The Caucasian Chalk Circle and Glengarry Glen Ross; for Belvoir, The Sapphires (with Black Swan). For screen, Richard's work includes production design for George Ogilvie's The Battlers for the Seven Network, the 12-part series Five Times Dizzy for SBS and I Own The Racecourse for Barron Films. Richard has designed the Operatic adaptation of Jane Harrison's The Visitors for Victorian Opera, currently playing The Arts Centre in Melbourne. For Opera Australia's Summer season he is Design Consultant for the Mozart Opera's Idomeneo and The Magic Flute. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Annie Louey is an award-winning comedian, TV and radio presenter, writer and celebrant. She is known for her rapid-fire crowd work, blunt delivery and cheeky charm that allows her to get away with almost anything. She has recently wrapped up her fifth solo show ‘Gold' at the Melbourne International Comedy Festival in 2023. This comes after Annie received a Moosehead Award for bold, innovative ideas to support her show, Annie Louey is Flirting With Death, last year.  She has also earned a spot touring around Australia with the Comedy Festival Roadshow. Annie also appears regularly on national television, having been a presenter and writer on ABC TV's China Tonight for the past four seasons, and a comedian on the Melbourne International Comedy Festival's Opening Night Allstars Supershow. Her on-screen charisma as the host of the travel show Rediscover Victoria led to a nomination for ‘Personality of the Year' at the 2021 Antenna Awards for community television. The Rediscover Victoria series will be coming to SBS in 2023. Annie has also been recognised for her efforts behind the screen, having written for the final season of Rosehaven (ABC TV and Amazon Prime). More recently, she was one of six writers invited to take part in the Melbourne Theatre Company's First Stage program, which culminated in a play reading by an ensemble of professional actors. Annie is now working on debuting a full-length play. As a content creator, Annie's web series, From the Hearse's Mouth was selected for the Sydney Web Festival. In the six-part series, Annie interviews comedians and performers like Claire Hooper and Dane Simpson about life and death, while driving in a vintage hearse. Now, Annie is an ambassador for the burns and trauma charity, KIDS Foundation, while continuing to do weird and wacky things in the name of comedy.  We chat about post traumatic growth, being a burns survivor, her many talents including being a wedding celebrant and funeral assistant, loving life, death, growth, journaling, finding her voice, trial and error, fear of failure and trying new things. The video footage of this entire chat is now out as well (one day after release)! So check them out on YouTube under Michael Kahan Check Annie out on: Instagram: https://www.instagram.com/annielouey/?hl=en Website: https://www.annielouey.com/ ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan  

Kate and Katherine catch up on why they are in their sweats, ice baths, tour shenanigans, morning pages and their general chatter.  Our Featured Book in this episode is One Day We're All Going to Die by playwright and debut novelist Elise Esther Hearst. This segment is brought to you by HQ/Harper Collins.  Elise Esther Hearst is a Melbourne-based author and playwright. Elise trained in London at the Royal Court Theatre and her plays include Bright World, co-written with Andrea James (Theatreworks), The Mesh (Red Stitch) and The Sea Project (Griffin Theatre) which was shortlisted for the Griffin Award. In 2019–20, Elise was a resident writer at Melbourne Theatre Company and is currently working on a commission for Melbourne Theatre Company. In 2020 Elise's non-fiction story, ‘Naming Rights' was published in the 2020 edition of Antithesis Journal and she was a guest at the 2021 Jewish Book Week. Elise's debut novel, One Day We Are All Going To Die, is a fast-paced, sexy and darkly humorous story about a 27-year-old single Jewish woman in Melbourne who must learn to reconcile family and cultural expectations with her own desires. Kate and Katherine mention:  Kate chatted with Hannah Kent for an event at at Matilda Books in the Adelaide Hills and mentions her interview for the podcast An incredible Canberra Writers Festival event with Isy Oderberg (Hard to Bear), Dr Neela Janakiramanan (The Registrar) and Gabrielle Jackson (Pain and Prejudice) Kate chatted to Astrid Edwards about The Hummingbird Effect - you can listen now on The Garret Podcast Paul Dalgarno's A Country of Eternal Light Mirandi Riwoe's new novel Sunbirds talking about books with spoilers Katherine's enjoying doing morning pages (re-inspired by Natasha Lester's excellent newsletter Bijoux) Kate's loving her new up-sized note book with no lines (also an excellent pen) Reading One Song by AJ Betts Beatrix & Fred by Emily Spurr Valentine by Elizabeth Wetmore (recommended by Jason at Imprints Booksellers in Adelaide) The Ferryman by Justin Cronin Listening Read This - new podcast from The Monthly with Michael Williams. Katherine loved eps with Helen Garner and Anne Funder & Kate loved the chat with Christos Tsiolkas Watching Kate and the fam are finally watching Ted Lasso and LOVING IT Katherine's loving Collin from Accounts On fun meet-cutes Kate re-recommends Sharon Horgan's Catastrophe and Bad Sisters Coming up Mark Smith is hosting Kate at Heads and Tales Bookshop on Sept 7 at Barwon Heads Kate will be at Port Fairy Literary Weekend Sept 8-10 and at Write Around the Murray Sept 15-17 Katherine will be chatting to Nick Bhasin for Eltham Bookshop on Sept 28 Katherine will be hosting the Melbourne launch of Clare Fletcher's Love Match at Robinsons Bookshop on Friday Oct 6

After graduating from the National Institute of Dramatic Art in 1971, Steven Tandy landed the role of Tom Sullivan in the iconic Australian television series The Sullivans. Subsequently, he has carved a career in a succession of film and stage roles. He returned to NIDA in 1995 to study directing.With the Melbourne Theatre Company, Steven has appeared in productions of Translations, Three Sisters, The Winter's Tale and The Maid's Tragedy. For Queensland Theatre his credits include Bastard Territory, Happy Days, Romeo & Juliet, 25 Down, Loves Labours Lost, Who Cares?, Love For Love, The National Health, Juno and the Paycock, Expresso Bongo, The Badly Behaved Bunyip, The Man, The Spirit Fish and The Rainbow Snake. Steven's other theatre credits include Oklahoma!, Guys and Dolls, Cats and Jesus Christ Superstar (Harvest Rain Theatre Company); Amigos, Last Drinks, Summer Wonderland, James and Johnno and The White Earth (La Boite Theatre Company); Dad's Army, Run For Your Wife, The Rocky Horror Show, “ ‘Allo ‘Allo” (Twelfth Night); The Speakers (Nimrod Street); What If You Died Tomorrow?, See How They Run and When We Are Married (Marian Street Theatre); Who Was Harry Larsen? (New England); and The Threepenny Opera (Riverina). Television and film credits include Sons and Daughters, Mortified and Gettin' Square. Steven is the Co-Founder of the Victorian Green Room Awards for Excellence in Theatre. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Alison Bell and Steve Mouzakis are both actors that can be seen in the Melbourne Theatre Company production of "What If If Only", together with "Escaped Alone" these two Caryl Churchill plays are on right now in a double bill.Get your tickets here:https://www.mtc.com.au/plays-and-tickets/whats-on/season-2023/escaped-alone-and-what-if-if-only/Support this show http://supporter.acast.com/the-saturday-quiz. Hosted on Acast. See acast.com/privacy for more information.

Chatting With Sherri welcomes actor, singer, director, writer and artistic director of the State Theatre Company of South Australia; Mitchell Butel! Mitchell holds four Helpmann Awards, four Sydney Theatre Awards and two Victorian Green Room Awards for his work as a director, actor and writer in Australian theatre over three decades. He has also worked in New York, London, Hong Kong and New Zealand. He has worked extensively for Sydney Theatre Company, Melbourne Theatre Company, Queensland Theatre, State Theatre Company South Australia, Belvoir, Bell Shakespeare, Griffin, Malthouse, Opera Australia, Sydney Chamber Opera, Pinchgut Opera,  Most recently, Mitchell directed Giovanni Busenello's The Loves of Apollo and Dafne for Pinchgut Opera and the sold-out season of Dennis Kelly's Girls & Boys for State Theatre Company South Australia during the Adelaide Festival (and its tour to Sydney Festival and Theatre Royal, Hobart). For the Company, Mitchell has also directed Edward Albee's The Goat or, Who is Sylvia?, David Lindsay-Abaire's Ripcord,  His performing highlights in theatre, music theatre and opera include A Gentleman's Guide to Love and Murder, The Resistible Rise of Arturo Ui, The Merchant of Venice (as Shylock for which he won the Sydney Theatre Award for Best Actor), Mr Burns (Helpmann Award Best Supporting Actor), South Pacific,Angels in America. His film and TV highlights include A Sunburnt Christmas, Stateless, Dance Academy, Holding the Man, Gettin' Square (AFI nomination), The Bank, Strange Fits of Passion (AFI nomination),

Foodie Michael Harden reveals some lesser-known cuisines in Melbourne; Award-winning author Shankari Chandran chats about her book Chai Time at Cinnamon Gardens; Nat reveals some novel ways of increasing our incidental exercise; Broadcaster and festival director Woody McDonald talks about the upcoming Eighty Six Festival; Film reviewer Simone Ubaldi shares her thought on Oppenheimer; Nat got into trouble at the cinema; Book lover Fi Wright reviews Anna Funder's Wifedom; Mrs. Orwell's Invisible Life; and director Dean Bryant talks about comedy musical Bloom at Melbourne Theatre Company. With presenters Simon Winkler, Daniel Burt & Nat Harris. Website: https://www.rrr.org.au/explore/programs/breakfasters/Facebook: https://www.facebook.com/Breakfasters3RRRFM/Twitter: https://twitter.com/breakfasters

John Diedrich is one of the Australian theatre's greatest and most versatile talents, having contributed to the industry across many platforms as actor, writer, director and producer. John commenced his career at age 11 with J.C. Williamson's, appearing in the classics Camelot and then Oliver!, playing the Artful Dodger. At the age of 19 John produced and directed his first musical, presenting Minnie's Boys, a musical based on the life of the Marx Brothers. Regular engagements as an actor followed in both plays and musicals, including Salad Days at St Martins, Grease for Harry M. Miller, Two Gentlemen of Verona for Kenn Brodziak, Lloyd George Knew My Father, starring alongside Sir Ralph Richardson, and with Leslie Phillips in The Man Most Likely To.John co-wrote, directed and performed in three highly successful revues; Gershwin - a musical tribute to the songwriting brothers, The Twenties and All That Jazz and Oh Those Thirties.In 1980, John was cast as Curly in Cameron Mackintosh's revival of Rodgers & Hammerstein's seminal musical Oklahoma!, playing the Palace theatre on London's West End. The production was directed by Oscar's son, James Hammerstein. For his performance, John was nominated for an Olivier Award as Best Actor in a Musical. He returned to Australia in 1982 to recreate the role in the Australian production and tour.In 1987, John co-produced and starred as Guido Contini in the ground breaking musical Nine, for which he was nominated as Best Director of a Musical in the Sydney Theatre Critics awards. Nine was also nominated as the outstanding production of the year. John co-produced the original cast album of Nine which won the ARIA Award for Best Cast recording. He has recorded five other cast albums. John's other theatre credits include Inspector Javert in Les Miserables, Wolf by Tobsha Lerner and Insignificance by Terry Johnson for Playbox, Aren't We All with Sir Rex Harrison and Claudette Colbert, High Society for the Melbourne Theatre Company, as Dr Grant Swain in David Williamson's Dead White Males for the Sydney Theatre Company and as Vittorio Vidal in Sweet Charity. In 1993, he again appeared on London's West End at the Prince of Wales theatre in the role of Frank Butler in Ronald Lee's production of Annie Get Your Gun.In 1998, John created the role of the silver-tongued lawyer, Billy Flynn, in the acclaimed revival of Chicago. In 2000, he was invited to London to play the role on the West End stage. Further theatre credits include Mack & Mabel, South Pacific, Into the Woods and Follies. Producing and directing credits include the musicals South Pacific, Titanic, Zorba and Jekyll & Hyde.His television and film credits include Bluey, Special Squad, Class of '74 and The Challenge. In the UK, the sitcom The Gingerbread Girl and Second Thoughts; and Fred Scheppsi's The Devil's Playground. In this two part conversation with John Diedrich, STAGES recounts many of those highlights, along with the challenges of a life in the theatre, and the tremendous legacy that his career has gifted us.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

John Diedrich is one of the Australian theatre's greatest and most versatile talents, having contributed to the industry across many platforms as actor, writer, director and producer. John commenced his career at age 11 with J.C. Williamson's, appearing in the classics Camelot and then Oliver!, playing the Artful Dodger. At the age of 19 John produced and directed his first musical, presenting Minnie's Boys, a musical based on the life of the Marx Brothers. Regular engagements as an actor followed in both plays and musicals, including Salad Days at St Martins, Grease for Harry M. Miller, Two Gentlemen of Verona for Kenn Brodziak, Lloyd George Knew My Father, starring alongside Sir Ralph Richardson, and with Leslie Phillips in The Man Most Likely To.John co-wrote, directed and performed in three highly successful revues; Gershwin - a musical tribute to the songwriting brothers, The Twenties and All That Jazz and Oh Those Thirties.In 1980, John was cast as Curly in Cameron Mackintosh's revival of Rodgers & Hammerstein's seminal musical Oklahoma!, playing the Palace theatre on London's West End. The production was directed by Oscar's son, James Hammerstein. For his performance, John was nominated for an Olivier Award as Best Actor in a Musical. He returned to Australia in 1982 to recreate the role in the Australian production and tour.In 1987, John co-produced and starred as Guido Contini in the ground breaking musical Nine, for which he was nominated as Best Director of a Musical in the Sydney Theatre Critics awards. Nine was also nominated as the outstanding production of the year. John co-produced the original cast album of Nine which won the ARIA Award for Best Cast recording. He has recorded five other cast albums. John's other theatre credits include Inspector Javert in Les Miserables, Wolf by Tobsha Lerner and Insignificance by Terry Johnson for Playbox, Aren't We All with Sir Rex Harrison and Claudette Colbert, High Society for the Melbourne Theatre Company, as Dr Grant Swain in David Williamson's Dead White Males for the Sydney Theatre Company and as Vittorio Vidal in Sweet Charity. In 1993, he again appeared on London's West End at the Prince of Wales theatre in the role of Frank Butler in Ronald Lee's production of Annie Get Your Gun.In 1998, John created the role of the silver-tongued lawyer, Billy Flynn, in the acclaimed revival of Chicago. In 2000, he was invited to London to play the role on the West End stage. Further theatre credits include Mack & Mabel, South Pacific, Into the Woods and Follies. Producing and directing credits include the musicals South Pacific, Titanic, Zorba and Jekyll & Hyde.His television and film credits include Bluey, Special Squad, Class of '74 and The Challenge. In the UK, the sitcom The Gingerbread Girl and Second Thoughts; and Fred Scheppsi's The Devil's Playground. In this two part conversation with John Diedrich, STAGES recounts many of those highlights, along with the challenges of a life in the theatre, and the tremendous legacy that his career has gifted us.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Oz Malik is playing a leading role in Melbourne Theatre Company's widely acclaimed debut play," I Wanna Be Yours". In his exclusive interview with SBS Urdu, Oz Malik shares his story. Listen to why the Melbourne-based actor thinks art plays a role in bringing communities together. - اقوام متحدہ سمیت دیگر کئی اداروں کے لئے بطور رضا کار خدمات انجام دینے والے پاکستانی نژاد اداکار عوز ملک کا کہنا ہے کہ وہ اپنے فن کے ذریعے کمیونٹی کا نام روشن کرنا چاہتے ہیں ۔ بین الاقوامی تعلقات میں ماسٹرز کی ڈگری حاصل کرنے والے عوز کا خیال ہے کہ ڈپلومیسی کے لئے آرٹ کو ایک بہترین ذریعہ بنایا جا سکتا ہے۔

John is joined this week in the dressing rooms of the Southbank theatre by William McKenna and Izabella Yena as all three of them prepare to open Bernhardt/Hamlet for the Melbourne Theatre Company. Get your tickets for the play here:https://www.mtc.com.au/plays-and-tickets/whats-on/season-2023/bernhardt-hamlet/Support this show http://supporter.acast.com/the-saturday-quiz. Hosted on Acast. See acast.com/privacy for more information.

For the first time ever, John is joined by both guests in the actual flesh, rather than over Zoom.Sheridan Harbridge is an actor currently performing the solo tour de force show Prima Facie to sold out houses for the Melbourne Theatre Company. And Glenn Moorhouse is a guitarist and musical director about to appear as Plus One with Paul McDermott in Blood Orange at the Adelaide Fringe.Support this show http://supporter.acast.com/the-saturday-quiz. Hosted on Acast. See acast.com/privacy for more information.

Roz Hammond is a highly accomplished theatre, film and television actor as well as a writer and director with some of the most credits in the Australian industry, who's been in the industry for 30+ years. Her numerous television appearances include sixty episodes of ABC drama The Heights, ten series of Shaun Micallef's Mad As Hell, Five Bedrooms and Jack Irish. Other long running roles include three series of The Librarians, three series of The Micallef Programme, three series of Skithouse and Thank God You're Here, together with guest roles in everything from Blue Heelers, Miss Fisher's Murder Mysteries, The Let Down, Please Like Me, It's a Date, Offspring, Mr and Mrs Murder, Outland, Slide, The King, Curtin and Newstopia. She has performed leading roles for the Melbourne Theatre Company, Black Swan Theatre Company and Playbox Theatre. Her film roles include Cheryl in Australian classic Muriel's Wedding, The Dish and How to Please A Woman. Her own solo shows have toured internationally and she has been nominated for Best Show at Perth Fringe Festival, the Golden Gibbo at Melbourne International Comedy Festival and Best Female Performance at the Dublin Fringe Festival. As a writer, her credits include Home and Away, It's a Date, Little Lunch, Skithouse, Eric, SmallTales and True as well as her solo theatre shows. We chat about happiness and joy, grief and death, mental health, yoga and meditation, gratitude, the benefits of tapping, panic attacks on stage, being a journey woman actor, and how the universe works for us plus plenty more! The video footage of this entire chat is now out as well (one day after release)! So check them out on YouTube under Michael Kahan Check Roz out on: Instagram: https://www.instagram.com/roz_hammond/ ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan

Long time listeners will recall that in July 2021 Virginia Gay and Robin Goldsworthy appeared on the podcast in anticipation of the opening night of the Melbourne Theatre Company's production of 'Cyrano'. Unfortunately, thanks to a snap lockdown in Melbourne, that season was cancelled at the eleventh hour.This time, I have waited until the play has actually, definitely opened before I get them on to promote it.Seeing it on opening night was truly one of the most exhilarating nights in the theatre I have ever experienced.If you have the chance, I highly recommend going.https://www.mtc.com.au/plays-and-tickets/whats-on/season-2022/cyrano/Support this show http://supporter.acast.com/the-saturday-quiz. Hosted on Acast. See acast.com/privacy for more information.

You would know Fiona and Georgina from their multiple roles on television. Right now, they're both appearing on stage in the Melbourne Theatre Company production of Laurinda. Based on the novel by Alice Pung, Laurinda tells the story of a woman going back to the '90's and re-living her teenage years when she was the recipient of a scholarship to a prestigious private school. It's a satire of identity, class and culture, privilege and entitlement - which are all themes touched on in this episode of the quiz, funnily enough.https://www.mtc.com.au/plays-and-tickets/whats-on/season-2022/laurinda/Support this show http://supporter.acast.com/the-saturday-quiz. Hosted on Acast. See acast.com/privacy for more information.

If there's a will, there's a way - you can do it! In this week's episode, we had the special pleasure of inviting Diana to come chat with us about how she defied the Asian expectations to become a doctor, and instead, pursued her path to become a Creative Entrepreneur. Wearing multiple hats in the arts and media industry, including being a writer, producer, director, theatre maker ... and so so much more! Diana is a great example of paving your own career path and how it is possible to achieve your dreams. Diana has worked on heaps of amazing projects including being the co-creator and executive producer of the first Vietnamese-Australian comedy web series - 'Phi and Me TV' - that is on its way to become a TV show, and is also most recently the co-writer for the upcoming play, 'Laurinda' that is going to be showcased at the Melbourne Theatre Company from the 6th August 2022 to the 10th September 2022 so make sure to get your tickets for a spot ASAP before they're all gone! ▶ Diana's website https://www.diananguyen.com.au/