Podcasts about Cabaret

University of the Pacific announces historic expansion at its Stockton campus. Plus, Tom Steyer makes his case for Governor of California. Finally, we'll meet some of the performers in an upcoming burlesque show.

Cathi Unsworth was a teenage Goth, enthralled as much by Joy Division and the Banshees as by the Brontës, Bram Stoker and Aubrey Beardsley. We loved her book ‘Season of the Witch' and she's since put together a soundtrack album, ‘Dressed In Black', featuring the Goth divas she most admires and adores. And talks to us here about everything from murder ballads, the Industrial Revolution and Victorian literature to … … John Peel, Siouxsie, Joy Division and her teenage Goth conversion among the “hedge-goths” and “field-goths” of rural Norfolk … the phenomenal life, lyrics and mysterious disappearance of ‘Swamp-witch' Bobbie Gentry … has Goth eaten Punk? … why BBC banned Billie Holiday's “Gloomy Sunday” … the ‘death discs' of John Layton, the Shangri-Las and Twinkle … how Cabaret and Julie Driscoll coloured Siouxsie and the Banshees … Shirley Collins' Death And The Lady – “now that's what I call a pandemic!” … did Liz Fraser speak fluent Faerie? … Nico – “if I had a machine-gun I'd kill you all!” … and how Juliette Gréco looked the devil in the face. Order copies of ‘Dressed In Black: Goth Divas From The Dark Side' here: https://acerecords.co.uk/various-artists-dressed-in-blackHelp us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Today, I'm thrilled to announce my interview with Tony nominee Michael Hayden. Tune in to hear some of the stories of his legendary career, including the real questions asked by CAROUSEL, finding his singing voice for the role, why he decided to leave CABARET, getting advice from Edward Albee during THE LADY FROM DUBUQUE, playing two roles in ALL MY SONS, what Stephen Sondheim told him during MERRILY WE ROLL ALONG, working at Trader Joe's during the pandemic, why he had trouble memorizing his lines for THE LIGHT IN THE PIAZZA, the lessons he learned at Juilliard, acting opposite Maximilian Schell in JUDGMENT AT NUREMBERG, joining HENRY IV during rehearsals, the intensity of performing in FESTEN, playing Roy Cohn in the first production of ANGELS IN AMERICA, and so much more. Don't miss this in-depth conversation with a veteran actor.

Cabaret Paraíso, uma hora de canções à flor da pele. Porque o essencial é inaudível aos ouvidos. Com Ricardo Guerra e André Gonçalves.

Hablamos con Tony River, actor ampliamente reconocido en el teatro, cine y televisión, destacando especialmente por su trabajo en el teatro musical. Actualmente interpreta el personaje de Herr Schultz en el aclamado musical "Cabaret" en el Teatro Principal de Zaragoza entre el 15 de mayo y el 7 de junio. Esta novedosa y revolucionaria propuesta de LETSGO incluye localidades situadas en el mismo escenario, para una inmersión total en el espectáculo, donde el público interactúa con los actores, algo totalmente novedoso en Zaragoza que transportará al visitante al Berlín de los años 20 con una propuesta escenográfica totalmente rompedora.

Heute vor 75 Jahren wurde in Paris das "Crazy Horse" gegründet, bis heute eine Mischung aus Cabaret, Kunst und Stripshow.

Discussion Opening May 15th and running through May 30th at the Pumphouse Theatre in Calgary, Front Row Centre Players presents Cabaret, directed by Kay Astop. Kyle sits down with Kay to talk about this complicated production and the time it took to bring it to the stage from having to shutter it due to the pandemic 4 days before it was set to open until today when it finally sees an audience. Tickets: https://www.artscommons.ca/whats-on/frc-2025-26-season About the show: In a Berlin nightclub, as the 1920s draw to a close, a garish Master of Ceremonies welcomes the audience and assures them they will forget all their troubles at the Cabaret. With the Emcee's bawdy songs as wry commentary, Cabaret explores the dark, heady, and tumultuous life of Berlin's natives and expatriates as Germany slowly yields to the emerging Third Reich. Cliff, a young American writer newly arrived in Berlin, is immediately taken by English singer Sally Bowles. Meanwhile, Fräulein Schneider, proprietor of Cliff and Sally's boarding house, tentatively begins a romance with Herr Schultz, a mild-mannered fruit seller who happens to be Jewish.

Send us love letters (texts) here!

And so, with a seemingly endless wash from the cymbals, we enter the modern era. It's 1966, Hal Prince has taken to directing instead of producing, and John Kander and Fred Ebb are going to give life to his vision of a musical about Weimar-era Berlin that would be unlike anything Broadway had ever seen. Cabaret was the show, and, fittingly enough, we're talking about the first song they wrote for that show: "Willkommen."  All clips are from the 1966 cast album of Cabaret featuring Joel Grey and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners. Listen to the SMSTS playlist on Spotify! Follow SMSTS on Instagram: @somuchstufftosing Email the show: somuchstufftosing@gmail.com Recommended Reading/Viewing: Ethan Mordden, Anything Goes: A History of American Musical Theater (Mordden's other volumes are also excellent resources for more in-depth discussion) Broadway: The American Musical

EN VIVO Analizamos en vivo los últimos documentos desclasificados por el Pentágono (PURSUE) que confirman tecnologías anómalas idénticas a las descritas hace más de un siglo. ¿Y si el "Milagro del Sol" de Fátima fue en realidad el avistamiento OVNI masivo mejor documentado de la historia? En este Jueves de Misterio 3, quitamos el velo teológico a los eventos de 1917 en Portugal para analizar la evidencia física, médica y aeroespacial. Desde quemaduras por radiación hasta telepatía y encubrimientos institucionales. Índice del Expediente: 0:00:00 Hoy El expediente Fátima: El día que el cielo se rompió 0:03:00 Bienvenida 0:08:00 Fátima 0:20:00 Dios, el hombre y los Elegidos 0:58:00 Hechos y Mensajes 1:18:00 ¿Qué pasó el 13 de Octubre de 1917? 1:28:00 Viéndolo como un fenómeno OVNI / UAP 1:36:00 Abducciones 1:52:00 Secretos de Fátima 2:02:00 ¿Rusia? 2:19:00 Desclasificación UAP EUA 3:00:00 Saludos Análisis en Vivo: Nuevos documentos desclasificados del Pentágono Conclusiones: ¿Ingeniería social o advertencia global? No olvides suscribirte, activar las notificaciones y dejar tu opinión en el chat en vivo. #Misterio3 #OVNI #Desclasificados #Fatima1917 #UAP #Pentagono #Ufologia #Misterio #Extraterrestres #Aliens Emisión: 14/05/2026 Temporada 12 Episodio 11 Conviértete en miembro de este canal para disfrutar de ventajas: https://www.youtube.com/channel/UCovCkTauWfbvVYKbYjAYw1w/join Gracias por Suscribirte: https://www.youtube.com/user/recetarioelajo?sub_confirmation=1 Follow en Twitter: https://x.com/recetarioelajo Like en FB:https://www.facebook.com/recetarioelajo/ WEB: http://www.elajoproducciones.com Podcast Ivoox: https://go.ivoox.com/sq/2458 Ajófono:(+52) 56.100.56.1.56 (MX) Ajomail: elajo.producciones@gmail.com #Misterio3 Animación Intro El Ajo Producciones: Cortesía El Último Escriba Animación Intro Misterio 3: Cortesía El Último Escriba Animación Intraterreno: Cortesía El Último Escriba Música Fondo: Kevin Macleod https://incompetech.com/music/royalty-free/ Copyright Disclaimer! Title 17, US Code (Sections 107-118 of the copyright law, Act 1976): All media in this video is used for purpose of review & commentary under terms of fair use. All footage, & images used belong to their respective companies. Fair use is a use permitted by copyright statute that might otherwise be infringing. ***** Enlaces de Interés ***** CANAL POLÍTICA: https://www.youtube.com/@ELAJOPOLITICA Anacrónico ¡Ya Disponible! : https://a.co/d/8Z5OABJ PODCAST Dante: https://www.youtube.com/watch?v=rZkE2IKIJVc Dante Vanzetti spotify: https://open.spotify.com/artist/08MlOZSrQ6psjZbZWEVCgH?si=j6fSsfBATw-HwwjInMyOCg Dante Vanzetti YT: https://youtu.be/N8BJxFrRbGQ?si=ACbIH2GEOQoVzbkK Extraño Cabaret; https://www.youtube.com/@ExtrañoCabaret Yasfer Cuadrante Mágico: https://yasferlvx.wixsite.com/arcano-obscuro-radio Marcos Urbex: https://youtube.com/@markoz320?si=qH2JyDW1gX2ohDH_ Mónica Canal Misterio: https://www.youtube.com/@proyectoguionenblancomisterio Canal Vladimir Chargoy: https://www.youtube.com/@vladimirchargoy1711

FTP Theater Hour: Lyric Theater grand reopening -- Cabaret nights -- Come From Away announcement

Triple Threat DIVA, that's what she is and much more...Stephanie Pope is an actress, singer, dancer, writer, director, choreographer, producer, voice actor, performance coach and  a musical theater veteran with a career spanning over 35 years. She has appeared in over 10 Broadway shows and recently received both Connecticut Critics Circle Award and Regional Theater Award nominations for her portrayals of Camila Rosario in Lin Manuel Miranda's In The Heights at Playhouse On Park Theater and Tanya in North Carolina Theater's Production of Mama Mia!. Broadway and touring credits include the revival of Pippin, for which she received an Astaire Award nomination, an ACCA Award and the beloved Legacy Robe, Chicago (Velma Kelly),Thoroughly Modern Millie (Muzzy Van Hossmere), Fosse (Leading Player), Smokey Joe's Cafe (Brenda), A Funny Thing… Forum (Gymnasia), Kiss of The Spider Woman (Stand-by for Ms. Chita Rivera), Jelly's Last Jam (The Hunnies) and The Will Rogers Follies...just to name a few.Michelle Zeitlin and Stephanie Pope kept crossing paths, but never worked together, just around one another, Hollywood and New York. Stephanie is back in Los Angeles May 20th, 2026 in a one night CABARET performance, directed by legendary director/performer, Ben Vereen. Stephanie currently teaches hot yoga in addition to producing and teaching master classes in the Verdon/Fosse style and method. Tall and curvy and "fierce" she has worked alongside some amazing theatre and TV talents, and she has aspirations to do a bit more, thank you very much!Come see the show; Tickets now available:https://catalinajazzclub.com/tm-event/stephanie-pope-livin-it-up-broadway-soul-singer/You can read more about this talented and elegant lady on her website.Michelle Zeitlin hosts Passion to Power and she is a talent and literary representative, a former triple threat herself and fellow YOGI. Morezap.comPassion-Power.com

Cabaret Paraíso, uma hora de canções à flor da pele. Porque o essencial é inaudível aos ouvidos. Com Ricardo Guerra e André Gonçalves

durée : 00:07:56 - Les émissions culturelles de France Culture - par : Marie Labory - Haut lieu du mouvement DADA, le Cabaret Voltaire est fondé en 1916 à Zurich. Kent et Bocquet retracent son histoire. - réalisation : Laurence Malonda, Boris Pineau, Aïssatou N'Doye, Jules Barbier, Zohra Vignais, Lise Ripoche, Mathi Adjinsoff - invités : Catherine Robin Grand reporter et critique de BD à Elle, Victor Macé de Lépinay Rédacteur en chef adjoint du Pèlerin Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:27:49 - Les émissions culturelles de France Culture - par : Marie Labory - Au programme de ce débat critique, trois bandes-dessinées : "J'ai toujours rêvé d'être un fermier" de Jean Harambat, "La sculptrice" de Quentin Vijoux et "Le Cabaret Voltaire" de Kent et Bocquet. - réalisation : Laurence Malonda, Boris Pineau, Aïssatou N'Doye, Jules Barbier, Zohra Vignais, Lise Ripoche, Mathi Adjinsoff - invités : Catherine Robin Grand reporter et critique de BD à Elle, Victor Macé de Lépinay Rédacteur en chef adjoint du Pèlerin Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Brian celebrates hitting his first significant milestone at Cabaret in the West End.

durée : 01:00:54 - par : Laurent Valière - En direct et en public du Studio 105 de la Maison de la Radio et de la Musique. - réalisation : Céline Parfenoff, Martine Mony Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

EN VIVO ¿Están los gobiernos ocultando la existencia de humanos del futuro? Hoy desentrañamos el misterio de la Dra. Amy Eskridge, la conexión con la expedición del Almirante Byrd en la Antártida y la extraña desaparición de 11 científicos de élite. Analizaremos documentos desclasificados, teorías de propulsión de "punto cero" y la inquietante posibilidad de que el fenómeno UAP no venga del espacio, sino de otras dimensiones temporales: los Ultraterrenos. Desde la "Lattice" y el portal en los polos hasta el silenciamiento sistemático de mentes brillantes en nuestra era. En este episodio: 0:00:00 Byrd y Amy la conexión 0:02:00 Bienvenida 0:06:00 ⚠️ Youtube caída de cuentas 0:30:00 ‍ ¿Quién era Amy Eskridge? 0:50:00 Credenciales 0:57:00 ¿Nasa? 1:07:00 Proyectos Nasa 1:15:00 CHAT 1:18:00 2020 Revelaciones o Silencio 1:24:00 ️ Vigilada 1:40:00 Causas Oficiales 1:50:00 UAPS o Naves Temporales 2:20:00 ⏳ Análisis de Viajes en el Tiempo 2:35:00 Futuro, Dimensiones o pruebas sin superar 3:00:00 Saludos y Conclusiones #Misterio3 #AmyEskridge #Paranormal #AlmiranteByrd #OVNI #Nuclear #Ultraterrenos Emisión: 07/05/2026 Temporada 12 Episodio 10 Conviértete en miembro de este canal para disfrutar de ventajas: https://www.youtube.com/channel/UCovCkTauWfbvVYKbYjAYw1w/join Gracias por Suscribirte: https://www.youtube.com/user/recetarioelajo?sub_confirmation=1 Follow en Twitter: https://x.com/recetarioelajo Like en FB:https://www.facebook.com/recetarioelajo/ WEB: http://www.elajoproducciones.com Podcast Ivoox: https://go.ivoox.com/sq/2458 Ajófono:(+52) 56.100.56.1.56 (MX) Ajomail: elajo.producciones@gmail.com #Misterio3 Animación Intro El Ajo Producciones: Cortesía El Último Escriba Animación Intro Misterio 3: Cortesía El Último Escriba Animación Intraterreno: Cortesía El Último Escriba Música Fondo: Kevin Macleod https://incompetech.com/music/royalty-free/ Copyright Disclaimer! Title 17, US Code (Sections 107-118 of the copyright law, Act 1976): All media in this video is used for purpose of review & commentary under terms of fair use. All footage, & images used belong to their respective companies. Fair use is a use permitted by copyright statute that might otherwise be infringing. ***** Enlaces de Interés ***** CANAL POLÍTICA: https://www.youtube.com/@ELAJOPOLITICA Anacrónico ¡Ya Disponible! : https://a.co/d/8Z5OABJ PODCAST Dante: https://www.youtube.com/watch?v=rZkE2IKIJVc Dante Vanzetti spotify: https://open.spotify.com/artist/08MlOZSrQ6psjZbZWEVCgH?si=j6fSsfBATw-HwwjInMyOCg Dante Vanzetti YT: https://youtu.be/N8BJxFrRbGQ?si=ACbIH2GEOQoVzbkK Extraño Cabaret; https://www.youtube.com/@ExtrañoCabaret Yasfer Cuadrante Mágico: https://yasferlvx.wixsite.com/arcano-obscuro-radio Marcos Urbex: https://youtube.com/@markoz320?si=qH2JyDW1gX2ohDH_ Mónica Canal Misterio: https://www.youtube.com/@proyectoguionenblancomisterio Canal Vladimir Chargoy: https://www.youtube.com/@vladimirchargoy1711

Mass commercial nightlife began in a Japanese Pleasure Garden in 1657 and it's blossomed ever since – via Victorian Vauxhall, cabaret Paris, jazz-driven New Orleans, flappers, speakeasies, moonshine, Studio 54 and the rave palaces of the 21st Century. Imogen Willetts tracks its riotous evolution in ‘Up All Night: A History of Going Out' and wonders if the invention of the iPhone has burst the balloon. She talks to us here about … ... the Tango, the Can-Can: dances that got you arrested … how bourgeois French ‘slummers' found a taste of danger … the heady allure in the Vauxhall Pleasure Gardens as an escape from Victorian squalor … how Anita Berber's chloroform ballet shocked and delighted Weimar Berlin … when dancing was a mating ritual and the impact of Dating Apps … democracy on the dancefloor: the unrepeatable mix of punters and celebrities at Studio 54 … and how the invention of the electric light got people going out and the iPhone made them stay home Order ‘Up All Night' here: https://www.weidenfeldandnicolson.co.uk/titles/imogen-willetts/up-all-night/9781399617093/Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Mass commercial nightlife began in a Japanese Pleasure Garden in 1657 and it's blossomed ever since – via Victorian Vauxhall, cabaret Paris, jazz-driven New Orleans, flappers, speakeasies, moonshine, Studio 54 and the rave palaces of the 21st Century. Imogen Willetts tracks its riotous evolution in ‘Up All Night: A History of Going Out' and wonders if the invention of the iPhone has burst the balloon. She talks to us here about … ... the Tango, the Can-Can: dances that got you arrested … how bourgeois French ‘slummers' found a taste of danger … the heady allure in the Vauxhall Pleasure Gardens as an escape from Victorian squalor … how Anita Berber's chloroform ballet shocked and delighted Weimar Berlin … when dancing was a mating ritual and the impact of Dating Apps … democracy on the dancefloor: the unrepeatable mix of punters and celebrities at Studio 54 … and how the invention of the electric light got people going out and the iPhone made them stay home Order ‘Up All Night' here: https://www.weidenfeldandnicolson.co.uk/titles/imogen-willetts/up-all-night/9781399617093/Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Mass commercial nightlife began in a Japanese Pleasure Garden in 1657 and it's blossomed ever since – via Victorian Vauxhall, cabaret Paris, jazz-driven New Orleans, flappers, speakeasies, moonshine, Studio 54 and the rave palaces of the 21st Century. Imogen Willetts tracks its riotous evolution in ‘Up All Night: A History of Going Out' and wonders if the invention of the iPhone has burst the balloon. She talks to us here about … ... the Tango, the Can-Can: dances that got you arrested … how bourgeois French ‘slummers' found a taste of danger … the heady allure in the Vauxhall Pleasure Gardens as an escape from Victorian squalor … how Anita Berber's chloroform ballet shocked and delighted Weimar Berlin … when dancing was a mating ritual and the impact of Dating Apps … democracy on the dancefloor: the unrepeatable mix of punters and celebrities at Studio 54 … and how the invention of the electric light got people going out and the iPhone made them stay home Order ‘Up All Night' here: https://www.weidenfeldandnicolson.co.uk/titles/imogen-willetts/up-all-night/9781399617093/Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Cabaret Paraíso, uma hora de canções à flor da pele. Porque o essencial é inaudível aos ouvidos. Com Ricardo Guerra e André Gonçalves.

Send us Fan MailBrett Cullum starts this episode talking to Paul Hope about his CLASSIC DISNEY CABARET running Mondays in May at Ovations. Then Bryan Hlavinka talks with Jack Berger about becoming a Distinguished Grand Marshal for Pride 365. Matthew Williams talks to Joe Panzarella about running for City Council. And finally, Bryan talks to The Royal Mystic Order of CHAOS about doing ROCKY HORROR at the River Oaks Movie Theatre. Paul Hope Cabaret:  https://www.paulhopecabarets.org/Joe Panzarella Campaign:  https://www.joeforhouston.com/Rocky Horror at River Oaks:  https://www.theriveroakstheatre.com/movie/RiverOaks/ROCKY-HORROR-PICTURE-SHOW-with-The-Royal-Mystic-Order-of-CHAOSQueer Voices airs in Houston Texas on 90.1FM KPFT and is heard as a podcast here.  Queer Voices hopes to entertain as well as illuminate LGBTQ issues in Houston and beyond.  Check out our socials at:https://www.facebook.com/QueerVoicesKPFT/ andhttps://www.instagram.com/queervoices90.1kpft/

Jess is joined by RACHEL DRATCH — beloved for her seven-season run on Saturday Night Live. Topics: Rachel's decades-long friendship with TINA FEY, her SNL casting story, being replaced by JANE KRAKOWSKI on 30 ROCK, and the surprise of discovering she was pregnant at 43. Plus: WINE COUNTRY, inspired by her real-life 50th birthday trip, and performing in COUNTESS LUANN's cabaret debut at 54 Below. ⭐ IG: @jessxnyc | @raedratch ⭐ Jess' docu-series on the history, mystique & lore of Fire Island — Finding Fire Island

Come on a journey with me to another era and another place. Cabaret Boreale aren't from these times, though the band's members, Katie Lynne, Don Reinholm, Phil LaDouceur and Andrew Brown certainly are.Katie, Don and Phil formed this ensemble around the time Andrew Brown was earning acknowledgment for his project Djangophonique (another act that leans heavily into another era). If you're just listening to Cabaret Boreale, you'll have to rely on theater of the mind. If you're watching it, you are treated to a show (you'll have to get your own dinner to go with it).So. Much. Fun.Songs performed:Alabama Song (Whiskey Bar) (written by Weill/Brecht)Mack The Knife (written by Weill/Brecht)Rouse The Men (Friedrich Hollaender)I'm Not Your Dog (written by Cabaret Boreale)Find out more about Cabaret Boreale: https://cabaretboreale.com/Follow all things Acoustic Alternatives: https://johnmbommarito.wixsite.com/johnbommarito/acoustic-alternativesEternal gratitude to Grove Studios. Book your studio space: https://grovestudios.space/

In this episode of the Film Ireland podcast, Gemma Creagh sits down with Dungannon actor Fra Fee to chat about his impressive catalogue of work that spans stage, film & TV, while delving into those key moments that shaped his career.From his breakout screen role as Courfeyrac in Les Misérables to performances in local films including Animals & Boys From County Hell, Fra has built a strong presence on screen, balancing indie projects against large-scale productions like Hawkeye on Disney+ & Zack Snyder's Rebel Moon.Now, Unchosen is available to stream on Netflix, in which he plays the enigmatic & manipulative Sam. Fra discusses his approach to this complex, morally ambiguous role, the contrast in working across different mediums, & how he develops a character from script to performance.This podcast has been made possible with the support of the Fís Éireann/Screen Ireland Stakeholders Fund.Listen now to the podcast on SoundCloud, Apple, Spotify, Acast & Amazon, subscribe to Film Ireland wherever you get your podcasts or watch the original recording back:https://www.filmireland.net/podcast-actor-fra-fee-unchosen-rebel-moon-hawkeyeAbout Fra FeeImmediately after graduating from the Royal Academy of Music, Dungannon actor Fra landed a role in the West End production of Dirty Dancing. Since then, he has worked consistently across stage & screen. Recently, Fra Fee starred in the leading role of Emcee in the Olivier Award-winning production of Cabaret in the West End. Fra also appeared in Jez Butterworth's critically acclaimed run, The Ferryman at the Royal Court Theatre, London's West End & on Broadway. Fra won the 2018 WhatsOnStage Award for Best Supporting Actor in a Play, for his role in the show. Fra's other theatre credits include Translations & As You Like It, both at the National Theatre, the World Premiere of The Wind in the Willows, & the title role in Candide at the Menier Chocolate Factory. On screen, Fra is known for his portrayal of Courfeyrac in Tom Hooper's film adaptation of Les Misérables. In 2021, he appeared as Kazi in the Disney+ series Hawkeye, which is set in the Marvel Cinematic Universe. He worked with director Zack Snyder, starring as Balisarius in Rebel Moon Part 1 & 2. He also had roles in Animals, Boys From County Hell, Pixie & The Laureate.UnchosenAll six episodes are available to stream on Netflix now.Molly Windsor & Asa Butterfield (Sex Education) star alongside Christopher Eccleston, Siobhan Finneran, & Fra in the series from Intergalactic writer/creator Julie Gearey. This psychological thriller takes viewers behind the closed doors of a fictional conservative religious sect.Unchosen follows Rosie, who lives in a cloistered Christian community with her husband, Adam (Butterfield) & their daughter. The fateful arrival of the mysterious Sam, an escaped prisoner, throws into relief the reality & restraints of Rosie's world: Perhaps her hidden religious community doesn't have her best interests at heart. As cracks begin to appear in Rosie & Adam's marriage, Sam presents himself as Rosie's savior. But with his dark criminal past, where does the greatest danger lie - with the cult, or with Sam?Sam is an escaped convict who was arrested as a teen for a deadly crime. He quickly integrates himself into the fellowship & uses his powers of coercion to become a pillar of the community. While balancing an affair with Rosie & flirtation with Adam, Sam lives in fear of being sent back to prison. “He is fiercely intelligent, highly manipulative, & able to get what he wants by abusing other characters' insecurities or their weaknesses,” Fee tells Tudum. “A lot of the time, I don't think it's necessarily premeditated. He's just very reactionary & a real survivor.” Figuring out how to play Sam was a lesson in embracing the grey areas. Because the character's intentions were often murky & complex, Gearey encouraged Fee to never “fully dot the i's or cross the t's” in scenes. “There always had to be room for an alternative intention,” Fee explains. Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

Un recuerdo para el gran percusionista cubano "Perico" Hernández. Falleció el 13 de abril de 2026 en la ciudad de Los Angeles, California, donde hacia muchos años había fijado residencia. En 2014 pudimos apreciar su arte cubanísimo como parte del elenco artístico de la película norteamericana "Chef". A finales de enero de 1956, cuando formaba parte de la orquesta de planta del Cabaret "Sierra", fue contratado por Roberto Espí para pasar a la nómina del Conjunto Casino donde sustituyó a "Chocolate" Alfonso quien fuera parte del conjunto durante apenas dos semanas. Participó con el "Casino" en numerosas presentaciones en radio, televisión y bailables, siendo elemento notable en las sesiones de estudio que por esos años efectuaron los "Campeones del Ritmo" para la etiqueta norteamericana RCA Víctor, completando la sección rítmica junto al formidable bongosero Rogelio "Yeyito" Iglesias. Había nacido en Pinar del Río el 4 de abril de 1938. El 28 de abril de 1911 vio la luz el padre indiscutible del Jazz Afro Cubano. Así recordamos al multi instrumentista, arreglista y conductor de orquesta Mario Bauzá. Su obra de mayor calibre quedó registrada en la amplia discografía de la banda de "Machito y sus Afrocubans" poniendo en órbita, desde los albores de los años 40 del siglo XX, la conjunción perfecta del jazz norteamericano con los ritmos fundamentales de la música popular cubana. Cubano de pura cepa de sus 82 años de vida, 64 los vivió en los Estados Unidos sin perder ni el acento, el amor, el respeto y la pasión por la música de su tierra. Su obra es el más fiel testimonio de ello. Falleció en Nueva York el 11 de julio de 1993. A propósito del jazz AfroCubano, en este caso con una mirada más contemporánea, volvemos al álbum "Clásicos al Jazz", producido a finales de 2019 por la etiqueta estatal Bis Music. Depurado trabajo melódico y armónico del bajista Néstor del Prado con la complicidad del pianista Tony Rodriguez. Se sumaron a esta fabulosa travesía, revisitando piezas de grandes compositores como Eduardo Sánchez de Fuentes, Emilio y Eliseo Grenet: Cesar Filiú en saxo y clarinete; Alejandro Delgado y Julito Padrón en trompetas; Guillermo del Toro en las tumbadoras, Adelito García en los batá y Oliver Valdés en drums. Sintonizamos ahora la antológica señal de la radio independiente cubana. Emisiones históricas que desde la CMQ, nos devuelven el afro a la manera de las olvidadas Hermanas Aguilera. Las acompañó alguna vez el conjunto del "Rey de la Guaracha": Ñico Saquito. Emiliano Salvador resultó ser uno de los músicos más influyentes de los últimos cincuenta años. Auténtico genio de la pianística cubana se fue demasiado jóven, dejando un legado perdurable. Con algunos de sus trabajos registrados a comienzos de los 90 nos despedimos.

Adam talks with Rebecca Lucy Taylor AKA musician Self Esteem about Bake Off stress, ambition guilt, feeling out of place as an indie pop star, feeling at home in Cabaret, the challenges of following up a hit album, booze, why men love CBT and much else.Conversation recorded face-to-face in London on 23 June, 2025THE ADAM BUXTON BAND MAY 2026 TOUR ADAM BUXTON & MIRANDA SAWYER @ CHARLESTON FESTIVAL 14 May 2026, 9pmBUG BOWIE SPECIAL @ THE LIGHTROOM 17 June, 2-4 July, 2026 PEOPLE'S EMERGENCY BRIEFING FILM AND TALK WITH ADAM BUXTON & PATRICK BARKHAM @ NORWICH ARTS CENTRE, 28 June, 2026SAILY

durée : 00:32:02 - Les Pieds sur terre - par : Sonia Kronlund, Ivan Logvenoff - Depuis 2015, le célèbre cabaret parisien connaît des tensions entre le directeur et ses équipes. En 2023, le clivage prend une tournure différente lorsque celui-ci impose l'utilisation de l'intelligence artificielle pour réduire les effectifs et prendre le contrôle artistique du lieu. - réalisation : Peire Legras

We preview the University of Wisconsin-Parkside's production of CABARET, which opens this weekend. Our guest, Brett Olson, is director of the production.

durée : 00:32:02 - Les documentaires de France Culture - par : Sonia Kronlund - Depuis 2015, le célèbre cabaret parisien connaît des tensions entre le directeur et ses équipes. En 2023, le clivage prend une tournure différente lorsque celui-ci impose l'utilisation de l'intelligence artificielle pour réduire les effectifs et prendre le contrôle artistique du lieu. - réalisation : Valentin Rémy, Adèle Tocquet, Ivan Logvenoff, Peire Legras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program produce the SLC Performance Lab. During the year, visiting artists to the MFA Theatre Program's Performance Lab are interviewed after leading a workshop with the students. Performance Lab is one of the program's core components, where graduate students work with guest artists and develop performance experiments. Dacvd Neumann is interviewed by Sarah Pollock (SLC'26) and Rebecca Padrick (SLC'26). Produced by Sheridan Merrick (SLC'26). Edited by Amelia Munson (SLC'26) David Neumann's work as a freelance choreographer, director and performer includes a wide range of projects and disciplines. Since 1999, Neumann has worked behind the scenes to craft plays, operas, films and multi-disciplinary performances. From avant-garde theater to blockbuster films, classic opera to new musicals, David's diverse experience has given him a unique ability to articulate ideas through performers' bodies. Neumann has many years of teaching experience working at Juilliard, NYU, Princeton and Yale and is currently a tenured professor in the Theatre Department at Sarah Lawrence College. He has received three Lucille Lortel Award nominations and one Fichandler for his work on Cabaret at Arena Stage. He is the Artistic Director of ‘Advanced Beginner Group', a multi-disciplinary performance company, which has been awarded three Bessie Awards. He is a 2019 Lucille Lortel, Outer Critics Circle, and Tony Award nominee, as well as the recipient of the 2019 Chita Rivera Award for Choreography for his work on the Broadway musical, ‘Hadestown'. Recent and upcoming projects include the musical ‘Swept Away' at Berkeley Rep, and choreography and coaching for ‘A Marriage Story', starring Scarlett Johanssen and Adam Driver.

Philip and Courtney are back to discuss the classic movie musical, Cabaret! Why does Philip have a difficult time thinking of this as a musical? Was Liza Minnelli too talented to play Sally Bowles? Enjoy this pod!

Gareth Valentine is a legend in London's West End theater community. He's a Welsh born composer, arranger, dance arranger, conductor, musical director and musical supervisor. He's been involved in dozens of London's biggest musical productions. His latest are Sinatra The Musical opening this summer and The Producers. His credits also include Sweet Charity, City Of Angels, Guys And Dolls, Kiss Me Kate, Chicago, Cabaret and too many others to mention. And in his spare time he also conducts orchestras worldwide including the BBC Concert Orchestra and the Welsh National Opera Orchestra.  My featured song is “It Is A Miracle To Me”, from the album East Side Sessions by my band Project Grand Slam. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Groupings  Click here for Guest Voices Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- —--------------------------------------- ROBERT'S NEWEST RELEASE:“MI CACHIMBER ALL STARS” is the new, expanded version of Robert's single, “Mi Cachimber”, which he wrote for his father. Featuring Camila Cortina on Rhodes and Xito Lovell on trombone in addition to Benny Benack III and Dave Smith on flugelhorn, and Project Grand Slam's rhythm section. CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S RECENT RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's recent release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —--------------------------------------- Audio production: Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com    

EN VIVO Bienvenidos a este Especial en Vivo por el 40º Aniversario del desastre nuclear de Chernóbil (1986-2026). Hoy desenterramos la historia no contada de Prípiat, desde su brillante origen como la "ciudad del futuro", hasta convertirse en el epicentro de la mayor pesadilla radiactiva de la humanidad. Acompáñanos a explorar los rincones más oscuros de la Zona de Exclusión: los escalofriantes encuentros con el Pájaro Negro de Chernóbil, las aterradoras psicofonías en el sótano del Hospital MSCh-126, y las teorías de conspiración que involucran proyectos de la KGB, el monstruoso Radar Duga-3 y a la CIA. Además, analizaremos el estado de emergencia crítico en el que se encuentra el lugar en 2026 tras los daños sufridos en la zona de contención. En este episodio: 0:00:00 Bienvenida 0:10:00 Aniversario 40 de la Catástrofe 0:23:00 Duga-3 El Pájaro Carpintero 0:40:00 ¿Errores de Construcción? 1:35:0 KGB, Proyecto Psicotrónico, Proyecto Júpiter y Lab 12 1:54:00 Mothman y los Críptidos 2:23:00 Fantasmas, Sombras, Psicofonías 2:35:00 OVNIS y UAPS 2:41:00 Saludos #misterio3 #Chernobil #Paranormal #Mothman #OVNI #Nuclear #InvestigacionParanormal Emisión: 23/04/2026 Temporada 12 Episodio 09 Conviértete en miembro de este canal para disfrutar de ventajas: https://www.youtube.com/channel/UCovCkTauWfbvVYKbYjAYw1w/join Gracias por Suscribirte: https://www.youtube.com/user/recetarioelajo?sub_confirmation=1 Follow en Twitter: https://x.com/recetarioelajo Like en FB:https://www.facebook.com/recetarioelajo/ WEB: http://www.elajoproducciones.com Podcast Ivoox: https://go.ivoox.com/sq/2458 Ajófono:(+52) 56.100.56.1.56 (MX) Ajomail: elajo.producciones@gmail.com #Misterio3 Animación Intro El Ajo Producciones: Cortesía El Último Escriba Animación Intro Misterio 3: Cortesía El Último Escriba Animación Intraterreno: Cortesía El Último Escriba Música Fondo: Kevin Macleod https://incompetech.com/music/royalty-free/ Copyright Disclaimer! Title 17, US Code (Sections 107-118 of the copyright law, Act 1976): All media in this video is used for purpose of review & commentary under terms of fair use. All footage, & images used belong to their respective companies. Fair use is a use permitted by copyright statute that might otherwise be infringing. ***** Enlaces de Interés ***** CANAL POLÍTICA: https://www.youtube.com/@ELAJOPOLITICA Anacrónico ¡Ya Disponible! : https://a.co/d/8Z5OABJ PODCAST Dante: https://www.youtube.com/watch?v=rZkE2IKIJVc Dante Vanzetti spotify: https://open.spotify.com/artist/08MlOZSrQ6psjZbZWEVCgH?si=j6fSsfBATw-HwwjInMyOCg Dante Vanzetti YT: https://youtu.be/N8BJxFrRbGQ?si=ACbIH2GEOQoVzbkK Extraño Cabaret; https://www.youtube.com/@ExtrañoCabaret Yasfer Cuadrante Mágico: https://yasferlvx.wixsite.com/arcano-obscuro-radio Marcos Urbex: https://youtube.com/@markoz320?si=qH2JyDW1gX2ohDH_ Mónica Canal Misterio: https://www.youtube.com/@proyectoguionenblancomisterio Canal Vladimir Chargoy: https://www.youtube.com/@vladimirchargoy1711

Today, I'm thrilled to announce my interview with three-time Tony nominee Linda Emond, who is currently starring in BECKY SHAW. Tune in to hear some of the stories of her legendary career, including her winding road to her Broadway debut in 1776, working with Mike Nichols and Philip Seymour Hoffman on DEATH OF A SALESMAN, why she initially said no to CABARET, having a role written for her in IHO, performing Tony Kushner's monologue HOMEBODY, workshopping THE YEAR OF MAGICAL THINKING, co-starring with Brent Spiner in LIFE X 3, developing the musical OVER AND OVER, reviving A BRIGHT ROOM CALLED DAY, what draws her to a project, and so much more. Don't miss this candid conversation with one of Broadway's best.

durée : 00:05:05 - Le 5/7 - par : Kevin Dufrêche - L'invitée Déjà Debout est Aurélie Decaux, cheffe d'escale sur le Ferry Dieppe / Newhaven et artiste de cabaret Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:05:05 - Les interviews d'Inter - par : Kevin Dufrêche - L'invitée Déjà Debout est Aurélie Decaux, cheffe d'escale sur le Ferry Dieppe / Newhaven et artiste de cabaret Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:29:00 - par : Laurent Valière - En direct et en public du studio 105 de la Maison de la Radio et de la Musique avec toute la troupe de Top Hat qui sera à l'affiche au Théâtre du Châtelet à Paris du 15 avril au 03 mai en partenariat avec France Musique. - réalisation : Céline Parfenoff, Martine Mony Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Comedian, writer, and producer Ian Lara (Tonight Show veteran, HBO special Romantic Comedy, new free special Material Boy on YouTube) and writer, producer, and director Michael Blieden (The Daily Show, Broad City, forthcoming Mitch Hedberg documentary) join Jameela with stories that will make you feel significantly better about your own life choices.Ian once decided the best path to fame was an original rap performed acapella in coordinated outfits in front of his entire elementary school. Michael once accidentally played a podcast that opened with "Are white people special?" to his Black driver and just... kept it on. Jameela once performed a full Sally Bowles striptease routine from Cabaret at her all-girls school aged 12, and was bribed by her headmistress not to do it again.Also: an exploding chili dog audition, Larry David, and a listener who learned that "Fiona" sounds like Italian slang for something you really don't want your name to mean.You can follow Ian at @ianlara on Instagram and TikTok and watch his specials on YouTube and HBO. Keep an eye out for Michael's Mitch Hedberg documentary, coming soon.And book now to see Wrong Turns with Jameela Jamil live at the 2026 Netflix Is a Joke Festival with guests: Lamorne Morris, Liza Treyger & Chris Flemming.Jameela's Substack is A Low Desire To Please, you can also find her on Instagram, TikTok and YouTube.Our consulting producer is Colin Anderson.Wrong Turns was created and produced by Jameela Jamil and Stewart Bailey. Hosted on Acast. See acast.com/privacy for more information.

What happens when you trust your talent before anyone else does? I had the pleasure of speaking with Spider Saloff, a jazz vocalist and performer whose journey shows what it means to truly create your own path. From secretly rehearsing as a teenager to performing for the Gershwin family and building a career in jazz and cabaret, Spider shares how taking risks, following curiosity, and trusting your instincts can open unexpected doors. We also explore her resilience through personal challenges, including overcoming an abusive relationship and rebuilding her life from nothing. You will hear how music, creativity, and lifelong learning became her anchors, and why choosing your own direction can lead to a life that is both meaningful and unstoppable. Highlights: 00:10 – Discover how a passion for music at a young age can shape an entire life path 02:04 – Learn how early opportunities and saying yes can open unexpected doors 10:00 – Understand why creating your own opportunities can redefine your career 16:20 – Hear how taking bold action led to a life-changing connection with the Gershwin family 30:00 – Discover how one decision can completely change where your life and career unfold 44:44 – Learn what it takes to break free from hardship and rebuild your life with resilience Bottom of Form About the Guest: What does it take to build a lasting career in music and performance? Spider Saloff has done exactly that, earning recognition as a multi-award-winning vocalist and entertainer known for her powerful voice, wide range, and captivating stage presence. Born in Philadelphia and raised in New Jersey, she began her journey in theater at a young age, studying acting at Rowan University and the University of London. Her early career in musical theater included more than 25 major roles, but everything shifted when she discovered her passion for jazz. That move led her to work with top musicians, gain critical acclaim, and begin touring both nationally and internationally. Over time, Spider became one of the most respected interpreters of the American Songbook, known for blending deep emotion with humor in her performances. Her connection with the Gershwin family helped launch signature shows like her tribute to George Gershwin, which has been performed around the world. She has also created tributes to icons like Cole Porter and Irving Berlin, performed at major venues and festivals globally, and hosted the syndicated radio series Words and Music. Beyond the stage, she is a teacher, writer, and creator who helps others find their unique voice, continuing to inspire audiences and students alike through a career built on passion, creativity, and authenticity. Ways to connect with Spider: Website: https://spidersaloff.com LinkTree: https://linktr.ee/spiderjazz Facebook: https://www.facebook.com/spidie.saloff Twitter (@spidersaloff): https://x.com/spidersaloff?s=21&t=XIFFgGFn7E5Hd_8J8Rexfg Spotify: https://open.spotify.com/artist/6gKiYyeoZyxZTAI2EpGWbU?si=WudPV-CUQPmMThTtV508Og YouTube (@TheMartinicat): https://www.youtube.com/channel/UCTLI-Gd51JdcMT0FVvvD9lA YouTube, “When You See Me”: https://www.youtube.com/watch?v=DTbO1FWrje4 Instagram (@spider.jazz): https://www.instagram.com/spider.jazz/ About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:04 What if the biggest thing holding you back isn't what's in front of you, but rather what you believe Welcome to unstoppable mindset where inclusion, diversity and the unexpected meet. I'm your host. Michael hingson, speaker, author and advocate for inclusion and possibilities. This podcast explores how the beliefs we carry shape the way we live, lead and connect with others. Each week, I talk with people who challenge assumptions, face adversity head on and show what's possible when we choose curiosity over fear, together, we focus on mindset resilience and the small shifts that lead to meaningful change. Let's get started. Hi everyone, and I want to welcome you to another episode of unstoppable mindset, and we have an unstoppable mindseted, oriented sort of person today. Spider Saloff. Spider is a vocalist. She's a comedian. She is in Chicago, as I recall, but she has been to a variety of places. She is a very highly acclaimed vocalist, a singer. She sings and deals with a lot of the songs that I like, like the Great American Songbook, Gershwin, Irving, Berlin and other things like that. And she has a lot of accolades that come from any number of famous people who you've probably heard of. And so in the course of the next hour or so, I'm sure we're going to hear about a bunch of that. But for now, spider, welcome to unstoppable mindset. We're really glad Spider Saloff  01:49 you're here. Well, I'm happy to be here. Thank you for inviting me. Michael Hingson  01:53 Well, you are, you are most welcome. So how did you get into doing, acting, singing and all the other things that you do. Spider Saloff  02:04 Well, it started when I was a kid. I always loved music, and you know, it was so in love with the arts. But when I was 14, I came home and told my parents that I could get them tickets to the high school variety show. And they said, What? And I told them, I'm in it. I'm going to be in it. And they said, well, doing what? And I said, singing. And they were they were shocked, and I didn't tell them. I used to rehearse at my girlfriend's home because her family was all over it. They thought I was wonderful, and I knew my family would tell me that I couldn't do it so because it's just too foreign and too scary to them. So I ended up performing at this variety show, and my my parents were absolutely shocked, and one thing led to another. And then I met a theater director who worked at my school, and he came, he was a professional guy from New York that they hired to come in to do a musical, and I was in it. And I ended up getting the opportunity to be in a summer stock company and my parents let me go, which was amazing. I think they were just relieved to get me out of the house for the summer, but whatever it takes, but I certainly learned a lot, and I was very young for that experience, but it was, it was so, so worth it. And then after I finished high school, I went to college for theater. Now, your parents are from Russia. Oh, no, no, no, no, they're descend. My father's descendants are from Russia. That's where the name is from. But they are, I think I am about 11 different nationalities. So it's we're real much we are real much of the world. Well, there you go, yeah. Michael Hingson  04:05 So now we need to just clone that combination, since obviously you sing, well, we need to get that in other people, just just, you know, just a thought, you know, Spider Saloff  04:16 sounds good. Sounds dangerous to me. Michael Hingson  04:18 Actually, I know it's either that or we're gonna Spider Saloff  04:21 have to get more, more of one than more than one of Michael Hingson  04:24 me, more than one spider? No, we can't have that. Well, either that or we get AI to to imitate you. But we don't want to do we don't want to do that either, scary stuff. 04:35 Yeah, yeah, it is. Michael Hingson  04:36 Well, so how did you encounter and come up with the name spider. Spider Saloff  04:44 I did not choose it. I, you know, I never thought that my real name made any sense from the time I was a child, it's, I'm like, that doesn't make sense. And then I got the nickname when I was in college, because I have, I'm. Really a small person, but I have very long arms and legs, and it was a nickname, and it just stuck with me. And then finally I surrendered to it as a professional name, and people don't forget it. They may not like me, but they don't forget the name. And then it just stuck. And it's been that way ever since, how could Michael Hingson  05:20 somebody not like you? Spider Saloff  05:23 Well, I don't know. I'm sure there's somebody out there. I would love to thank everyone. Just endorse me, but Michael Hingson  05:31 we'll see. Well, yeah, I mean, it'll all go so where did you go to college? Spider Saloff  05:37 I went to a college that doesn't exist anymore, actually, now it is Rowan University. It's in New Jersey, outside of Philadelphia, and it became Rowan University when it got the largest private donation in history. But it was a state college called Glassboro State College, and it was a fine arts school at the time. There were several of my friends, including the conductor for the Lion King and Broadway people, all went to school there, and now it has no arts program at all. But part of our program, I did get to study at University of London too. So that was really exceptional. And it was so wonderful, a wonderful school, great opportunity. You know, it's, it was outside of Philadelphia, close to New York, and now it's an engineering school. For the most part. There isn't, there are no fine arts there at all. Well, that's too bad. But, well, yeah, I know, but somebody's got to do the engineering, Michael Hingson  06:39 I guess. I Well, there's truth to that too. Now, have you seen THE LION KING LIVE on Broadway? I have Spider Saloff  06:46 never seen it, and it's never seen it. I gotta see it. I've got to see it. I it just never happened. I kept intending to go and I never saw it. And I know people that played for it as well. 06:59 You've seen the movie. No, you haven't seen the movie Spider Saloff  07:02 either, anything Lion King. My goodness, I know I better. That's one of my goals. By the end of the year, let me see if I can see it. Michael Hingson  07:10 Well, I'll tell you my lion king story. A my brother in law knew someone who knew some of the actors in Lion King, and he and his wife and their little girl, who at the time was like three or four, were coming through New Jersey, where we lived in Westfield, and we all arranged to go see The Lion King. It was a Wednesday afternoon. It was a matinee, and near the beginning when scar, the bad guy meets the hyenas, who he works with, they all come on, they come on stage and they're growling and all sorts of things like that. Well, in the theater, the hyenas come from the back of the theater, down the stairs, and they walk past everyone growling and making all these noises? Well, my wife was in a wheelchair her whole life. She was a t3 paraplegic, and when one of the hyenas came up next to her, because we were able to arrange for an accessible seat, which was right on the aisle, this hyena comes up right next to her and goes, you've never seen a woman who is totally paralyzed suddenly literally jump up and almost walk out of the theater. It was amazing. She he shocked her completely. But it was so much fun. And of course, Alanya, the little girl, was just there with these big, huge eyes over all of this. But what Karen, my wife, told me later was that what was interesting about it was that when she was obviously watching all of this, and she said, You got totally used to the the puppets being the animals they were. They didn't you. They didn't even look like puppets anymore. They were just the animals. Spider Saloff  09:05 And that's exactly what I've heard about it, that it's like, it was fascinating. You're completely swept away with it. Michael Hingson  09:10 Yeah, wow. So, so it's cool, but, yeah, you gotta, you gotta go see The Lion King. It is absolutely worth it. The music is wonderful and all that. Wow. So we got to see it on Broadway, which was cool. Well, so you, so you went to college, and then what did you do? Spider Saloff  09:32 Well, when I got out of college, I, you know, was doing theater, but I ended up in musicals because I sang, and I really my training, my formal training, really is acting. I did not train as a singer. I just started singing naturally when I was a teenager, and then I just did a ton of musicals. I was in musicals like forever and but. I always loved jazz, and that was always in my back pocket. And then at one point, I really decided I wanted to pursue jazz while it was still in musical theater, because it was getting harder and harder to get roles, because they wanted, this is in the late 80s. They wanted you to be a dancer as well, and that was not going to happen for me. So I really thought, you know, I just, I want to check out the whole nightclub scene, you know, in Cabaret, where you could produce your own show. And so I started to really pick the minds of the guys in the pit band. And I talked to all these pit musicians, and they would tell me about, you know, places to go, and how they there were guys I met there that introduced me to other people, that helped me to do my first demo, and then started working in clubs. And then that really changed everything for me. Michael Hingson  11:01 So you got very much involved in doing a lot of Spider Saloff  11:04 jazz, yeah, jazz and cabaret, and it was all small clubs. But then that was what got me major press attention. And then I started touring with a show that I co wrote with a guy named Ricky ritzel, who's from New York, and we did a show called 1938 and that was my first recording as well. And then then just kept going from there, and that's how a lot of things happened, was really just deciding to do my own thing and create my own world of performance. So you're also Michael Hingson  11:45 known for doing something related in one way or another to comedy? Spider Saloff  11:50 Well, yeah, I've always done comedic roles, and I can't say I have ever done stand up, but I may be getting close to it, I'm not sure, but I always involve a lot of comedic monologs in everything I do. Like, if you see me at a jazz club, I will tell stories. And, you know, it's part of, part of who I am, is a lot of the comedy stuff. And, you know, crazy stories and telling stories about people, and, you know, doing imitations of people that I've met over the years and that kind of stuff. So it's, it is part of my whole persona on stage. Michael Hingson  12:33 What's your favorite musical that you've done? Boy, it's probably a toughy. Spider Saloff  12:40 I did so many, I have to say, Guys and Dolls. Okay, guys and dolls. I was Adelaide and Guys and Dolls, one of the best roles I've ever done. It was really a good choice for me, and and I, and I have to say I was in what, four productions of Fiddler on the Roof, and I've been two seidels, one Hava and fru masera, so but I love that show. I think it's magical. Michael Hingson  13:21 Just it is. Have you ever been in numb? I like Guys and Dolls, but my favorite, and it's just been that way for a long time. I don't know why was the music? Man, were you ever in the music? Spider Saloff  13:32 Man, I was, but there's no, there's no role in that for me. But I was one of the pick a little ladies. Oh, it is one of my favorite shows. Though, I think it's a masterpiece. I love love love music, man. I think it's just brilliant. Michael Hingson  13:48 You don't think you could have done you? Lily capecni shim you know, Spider Saloff  13:53 I was too young to do it at the time. Michael Hingson  13:54 Yeah. Well, like always, now there's always Marion, Spider Saloff  14:00 no, I don't have the soprano chops for that. They let me do it in Sutton Foster's keys. Well, I was thrilled that they took it down for her, because I could actually do it in those keys. That would be great. Michael Hingson  14:16 I saw it a couple of times on Broadway. Now I'm blanking out on the person it was in. Well, we saw it in, like, 2002 1001 and I'm trying to remember I'm blanking out on the person who played Marion. She actually ended up getting Lou Gehrig's disease and passed away. Spider Saloff  14:43 I don't know who. I don't know, which Michael Hingson  14:45 totally shocked us. Spider Saloff  14:46 I'm drawing a blank, I don't know. Michael Hingson  14:48 Yeah, I'm blanking out on her name. I may think of it, but, Oh, forgive us. She did a she did a great, a great job. But, yeah, but there's nobody like Robert Preston to play Harold Hill. And. Spider Saloff  15:00 Anyway, oh, that movie is so beautiful. I love that movie. Yeah, music, man is brilliant. It really is brilliant. Well, that Michael Hingson  15:10 goes back to, you know, Mr. Mr. Meredith. Meredith Wilson, Spider Saloff  15:18 yes, and I read, I read his book. Have you ever do you know of his book called he doesn't know the territory? Michael Hingson  15:27 No, I'll have to see if I Spider Saloff  15:28 can find writing and production of music. Man, I love, love. Love that book. And it's about all the trials of getting it produced and how he did. They did one of the opening one of the readings when they were trying to raise the money to do it. And moss Hart. Moss and Kitty Hart were there, and they hated it so much they walked out the middle of it. Opening Night, moss Hart was there, and he he saw, he saw Meredith Wilson in the lobby, and he shook his hand, and he said, he said, Great show. But you know what, you still haven't licked that book. Oh gosh, because he was an outsider. I mean, he wasn't part of the Broadway team. And no, the fact that he actually played with a John Philip Sousa, like, what, yeah, couch or something. It was real deal. Like, real real, like, old timey marching band stuff. Michael Hingson  16:35 Yeah, amazing. Well, then he also did The Unsinkable Molly Spider Saloff  16:39 Brown, yes, yes, another great show, yeah, not produced very often. But no, Michael Hingson  16:45 no, it's not. It's, it's sort of sad. Oh, well. But you, you've been very much involved with with a lot of jazz and so on. Tell us about meeting the Gershwin family and and your your involvement with Gershwin, which, you Spider Saloff  17:01 know, he, of course, magical. It was. It was truly a life changing event for me, my partner and I, Ricky ritzel And I had been doing 1938 and then we decided to write this show that was called Porgy and Bess, a cabaret concert, oh boy. And it was in New York, and a very powerful guy from ASCAP came to see it, and Michael kirker, and he came to see it, and he said, this show is brilliant. He goes, but you guys are going to get shut down by the Gershwin family, so you need to call them and see if they'll give you permission. So I had the phone number for Leopold godowsky, the third who is the nephew of George and Ira. His mother is Frankie Gershwin, who was George and IRA's younger sister, and I was a wreck. My hands were shaking, and I called him on the phone and and he was very polite. He just had this incredibly mannered guy, you know, it was really lovely. He goes, Well, you know, I don't see that we could allow Porgy and Bess be performed in a night club, and it wasn't like we were doing the show. We were just right. We were telling a story about how it was written and then just performing the songs as separate entities, but they were enfolding into the story. So I said, Would you would you want to comment? Would you want to see it? If we put it on a videotape, and he goes, Oh, I don't know. He goes, let me think about it. So then I called him back right away. I had the nerve to call him back again. I said, Well, would you come to see the show. He said, you know, what would you and your partner be willing to come and perform it at my home in Connecticut? There you go. And I'm like, What? What? So this whole thing got put together, and we went up to the Gershwins home in Connecticut. We met Leopold and his fabulous wife, Elaine, and they had, they said, we're having, we're having 40 close friends here for dinner. They were cooking dinner themselves, and it was this magical house in Connecticut. They had 40 industry people there. It was crazy. I mean, there were all these famous people there, and we were, we did like, as he called it, a 30 minute musicale. We did highlights from the show in their living room by the great. End piano, and I believe the piano had belonged to George, because Leopold is classical pianist as well. So we did the show, and then we all had dinner, and this friendship started. So what evolved was they, they did, let us do the show, but then my relationship continued with them, and when the Gershwin Centennial started in 1996 it was Iris 100th birthday, two years before George's. In 98 I became part of the centennial presentation, so I got to tour with my Gershwin concert under their brand, and also record my Gershwin album with their brand on it. And it was the beginning of a beautiful friendship. And it was, it was a huge, you know, a huge mark in my career, and it opened a lot of doors for me. So wonderful, wonderful people. Michael Hingson  21:03 One of my favorite pieces of all times. Calling it a piece is probably not totally accurate. It's bigger than that, but one of my favorite things from classical music has always been Rhapsody in Blue. And I don't know why, but the very first time I heard it, I loved it, and I've enjoyed it ever since. I've heard the Boston Pops do it, you know, and and others do it. It's just one of those neat things I've just always loved. Spider Saloff  21:30 I'm getting chills just talking about it, because that was so groundbreaking at the time when Paul Whiteman had the contest right of who was going to be able to cross the borders of jazz and classical. And you know, who else was in that contest was Aaron Copland, oh my gosh, Eric Copeland, and he was always in competition with Gershwin, yeah, and Gershwin won and musically, that that changed the whole concept of jazz, I mean, to be accepted in a classical arena. It was really remarkable. What that what that piece did, like, amazing. Michael Hingson  22:18 I actually heard once the Paul Whiteman arrangement of Rhapsody in Blue was performed by a group I don't even recall where, but it was outside. It was a little different, but it still was just so neat to hear this. Spider Saloff  22:36 The first person to hear it, yep. I mean, Paul, my Paul Whiteman was incredible, though. I mean, what a what a groundbreaking person. He was artistically, right? Michael Hingson  22:48 Yeah, he, he did some amazing things, Spider Saloff  22:51 yeah, yeah, you know what I've got to mention. And I hope this doesn't make make our interview too dated. But last night, I saw the movie Blue Moon. That is about about Larry Hart. Oh, my God, I haven't seen that. I'm gonna have to. It just came out last week. Oh, okay, it's not gonna be very often. It's absolutely gorgeous, and Ethan Hawk plays Larry Hart. It it's it's beautiful and funny and heartbreaking, and it all the whole premise is Larry Hart has to go to opening night of Oklahoma, oh gosh, and how painful it is, and this whole cathartic thing he's going through. So the bulk of the entire it's more like, like a theater piece. The whole thing takes place at the bar at Sardi's when he's talking to the bartender and waiting for for Rogers and Hammerstein to show up. And it's, ah, Wowza, it's brilliant. It's brilliant. And talk about, I don't know how they ever got that produced, because it's definitely a movie that's not going to appeal to everybody, but boy, is it brilliant. Michael Hingson  24:14 Wow. Well, hopefully it will come out in some place where I can can watch it up here, and that'll be cool, yeah, Spider Saloff  24:22 and I think it's probably going to go to streaming pretty soon, I'm sure, yeah. So you'll have a lot of opportunities. But I really was happy to go to the theater and see it. But wow, and people in the audience were laughing at all the jokes they were getting, all the sly, Sly comments of Larry Hart, like, wow, witty, witty, witty, just brilliant, just brilliant. Michael Hingson  24:51 Well, your whole Gershwin relationship, obviously, is pretty significant. You even did some Gershwin concert. In Russia, Spider Saloff  25:02 yes, yes. That was why I went to Russia. They were having a Gershwin Centennial in St Petersburg in 1998 because that is the, that is the origins of the Gershwin family. They are from St Petersburg. And so I was hired with my pianist to go to St Petersburg. And do we? Did we were there for seven days, and I think we did like five concerts, and it was amazing to be there, because this was when Russia was getting good. This was, like the good part, and still was scary. It was scary. We stayed in this really creepy hotel that was like a government hotel, and the rooms were bugged. And then when the hallways there were padded walls, like where they could pull these panels out, and there was all kinds of wiring in there, bugging and strange stuff. The concert hall was absolutely magical. It was an old concert hall, and people went crazy, and when I sang the song vodka, which is an oddity, by Gershwin, by way, herbert stothard, Otto Harbach, Oscar Hammerstein and George Gershwin wrote this crazy song called vodka. And when I did the song, people stood on their chairs and screamed, the Russians just loved, loved, loved the concert, the audiences couldn't have been better, and the people that ran the organization couldn't have been weirder. It was, it was very strange. And when we went to leave, the guy that booked us and me and my pianist, they they took our passports, and we had to go to a little room where they said that we our visas were expired and and we had to pay money to get out of there, and they were mad at the guy that was our manager, because he sassed them. And anyway, we had to wait. We were afraid we're going to miss the plane. And then finally, they came out with, like a little, a little tape from an adding machine, and they, they said, you have to pay $58.23 American. So they charged us this $58 and we paid it and ran to get on the plane and and I'm like, I was never so scared in my life. I didn't know what they were going to do, but it was an experience, and it was thrilling and beautiful. But don't think I'm going back to Russia, not in the near term. Yeah. Oh, and then that's when all these people said, my name is sell off. You are my cousin. I come home with you like there were so many people with my name, because in this country, there aren't that many. Aren't that many sell offs. My family is pretty small, and occasionally I'll meet us a sell off. But they're usually, they're usually rabbis, or it's like there aren't that many of us out there, but it was, it was an amazing experience. Loved it. Michael Hingson  28:28 Now, did you when you were over there, sing any of the songs or anything in Russian, or did that matter? Spider Saloff  28:34 Oh no, oh no, let's didn't do that, huh? I'm not. No, I, you know, I'm good at doing accents, and sometimes I will learn to say, like I would learn a little bit of French to get by, but then they would start asking me questions, and I didn't know what they were saying, and then they thought I was just being a jerk, you know, I'm pretending I don't understand them or something. But it was, No, I don't speak. I can barely handle English, but I didn't know whether you might have Michael Hingson  29:05 tried to learn one of the songs just for fun. Spider Saloff  29:08 There wasn't time. This went together so fast. I think we only had, like, two weeks notice. They had rushed the visas and, you know, we had, we had passports in order, but it was a lot of legal red tape. Michael Hingson  29:25 But that's why it cost $58.33 to get out. I don't know, very crazy one of those things. Oh, yeah. Well, well, at least it was affordable. Spider Saloff  29:41 Well, it will, and it was exciting. I mean, everything was paid for. But, oh, this was another weird thing they paid. They paid us in cash, American dollars, and I needed to hide, I had to hide it in my boot. I put it in. Hide the soul of my boot when I'm okay, wow, yeah, it was, it was creepy all the way down the line. It was very strange. Oh, well, yeah, things happen. 30:11 Things happen. Yeah, I was, Spider Saloff  30:12 I'm very, very, very fortunate that I got, got to do it, yeah? Michael Hingson  30:19 So obviously a wonderful memory. And yeah, oh yeah, one of those things that you'll you'll always treasure. You bet. Well, so when did you move to Chicago? Spider Saloff  30:32 Oh, well, when? When I started to get get my feet wet in New York, in the nightclub scene and the jazz scene, I got some really fabulous reviews, including the New York Times. And there was a guy from Chicago who I met through the great Julie Wilson, and his name was Bill Allen, and he was partners with Bobby Short, and he opened this really crazy club in Chicago, very famous, called the Gold Star sardine bar. And both Liza Minnelli had played there the Basie band. He squeezed the Basie band in there, but it was this tiny little place right in downtown Chicago, and it was really wild. And a lot of people had played there. Tony Bennett had played there, and Liza and I kind of was courting the room. I kept talking to him. He had he had found my press kit. Think he had been sent three different press kits, and we don't know which one he opened, and he called me, and we kept this ongoing conversation about coming out to do performance there, and then finally, he decided to bring me out for New Year's Eve, and my husband and I flew out, and it was just we were we had a couple of friends here in Chicago that we visited, but we didn't know anybody here. I'd never been to Chicago, you know, but it was magical. And then he said, Well, I'm going to have you back. I'm going to have you back. And then I didn't hear from him. And finally, the following September, he asked if I could come and play for a month, and I had almost no warning, because he was very impulsive and really crazy. So he asked me to come out for a month, and I did. They put me up in a hotel, and I played with the musicians. Were magical. People were so great. And so I played for a month, and then he said, you know, what would you think about about moving here? And my husband and I were both excited about it. Then we didn't hear anything from him. And then right after So, the first week of February the following year, he calls me up and said, Could you move here? And I'm like, I guess so. Why he goes, Well, I'll book you here for a year, and we'll arrange to get an apartment. And can you start like next week? Oh, gosh, ah, so I did it. I came out, and then my husband came out. We took a sublet on an apartment right downtown in Chicago, sight unseen. We moved here with our cat, and the rest was history. I ended up having the best nobody has a gig for a year, yeah, and and hired partially by the only person that had a gig forever, who was Bobby Short. So because I had met Bobby Short in New York, and he kind of gave bill the okay, you know, he liked me. And then I, I met Tony Bennett there, and Liza interrupted my show one night and crawled on to the over the balcony, onto the stage. And it was magical. There were lines around the block and and I got, I was courted by the press in Chicago like you wouldn't believe. I mean, it was magical. So when my run was up there, I started working at other clubs, and also I started touring at concert tours of my shows, like the Gershwin show, and started to tour. So it just became another life for me. But I'm, I'm in Chicago forever. As far as I'm concerned. I adore it here. I just love it. Michael Hingson  34:45 So when did you move there? Spider Saloff  34:47 The beginning of 92 Michael Hingson  34:49 Okay, all right, so when Liza, when Liza invaded the stage? Did you guys sing together? Spider Saloff  34:55 No, this is what happened. I had met Liza. Yeah, well, I was still living in New York, and I was friends with Billy Stritch, who was liza's musical director. So he was a friend of mine, and he introduced me to Liza, and because she was he was conducting a bit that big show she did at Radio City Music Hall that was a tribute to Vincent Minnelli. Right? She did this spectacular show at Radio City, and Billy was musical directing, and that's when they really became partners. And he introduced me to Liza, and she was just a doll, one of the nicest, coolest people in show business. So I met her, and she was really kind to me, very friendly, very sweet. And so they were playing at the Chicago theater. Liza was doing her one woman show, and it was closing this particular Saturday that I was at the Gold Star, and I had sent Billy a note to to, you know, come by when they're we're done. So I'm doing the second set. And then crazy Bill Allen at the break. He goes, he goes, Okay, people are going to come in here. Joe Pesci is going to come in and and he's going to come up and meet you. And I'm like, Joe Pesci. Joe Pesci was doing a movie here, and his double, his gangster double, used to come in and see me at the gold star. So anyway, the break comes, I'm on stage, and all of a sudden the door opens, and they come in, and it's, it was Billy and Liza and Joe Pesci. And Joe Pesci comes up on stage with Billy and my band kind of crawls off the stage, because by now, there are, there's about, I don't know, 200 people packed in a 70 person room, and their people are coming out of the woodwork. They're like, sitting on top of the bar, and I can't even get off the stage. And Joe Pesci. Pesci leans down, he's like, hey, hey, honey, my my double. He thinks you're great. He goes, Yeah, we're gonna do some songs now. And I'm like, okay, so I sat there, and Billy came up and played. The bass player was there with them. Joe Pesci got up and sang. He was adorable. And then Liza is sitting right by this. They called it the opera box. There was a big, like private table that was right next to the stage. She crawls over the bar onto the stage, and people are just screaming. It was absolutely nuts. And she did like three songs, and she was losing her voice. She had just done a killer thing at the Chicago theater, and she was really, like, raspy. Did it anyway? And she ended with New York, New York, and people were like, screaming. It was just bonkers. It was bonkers. And so that's what the Gold Star was like. It was just a crazy place, and you didn't know who was going to come in the door, who was going to interrupt your show? You just, you just didn't know. Michael Hingson  38:24 Yeah. And they even had the Count Basie orchestra there, and that was, how'd they fit him? How'd they Spider Saloff  38:30 fit him in? Couldn't fit them. It was like a publicity stunt, yeah, and the band was all stuffed in there, and there were a few people that could get in the room, but people were standing in the hallway to hear Pacey pants. This is way before my time. Yeah, it was like in the early 80s, when they opened and they were way crazier then, then when, when I came, Michael Hingson  38:53 you settled them down. Did Spider Saloff  38:55 you No? No, but they, they, they, well, I was there for a year, and then the following year, I went back a few times on Saturdays, and then Bill told Jeremy Conn and I that we were going to be the regular actor because they were always on the verge of closing. They wouldn't have any liquor, and somebody would be coming in the back door with liquor because they didn't pay their liquor bill. And it was, he was in a lawsuit. And anyway, they told us that he goes, Yeah, yeah. Call me on Tuesday and we're gonna we're getting all the details straight. Now. You guys are going to be regular. Here Tuesday came and there were chains on the door. Oh, gosh. And that was the end of it. It ended, and it was a magical time, but there were a lot of problems, a lot of legal problems going on. Michael Hingson  39:50 I met Liza Minnelli once. That was the second or third time I was interviewed by Larry King, and she was now. She was going to perform on the show as well, but it was after September 11, and so I got, I got to meet her, and that was about it, but I did get to meet her, which was fun. Exciting. It was fun. How exciting. And every time we walked out after the interviews, there were lots of photographers outside. Everyone was taking pictures, and we had to put up with all that, but I guess it provided a lot of visibility, but it was kind of fun to be able to do that. Spider Saloff  40:34 How cool. I never met Larry King. I knew a lot of people were on his show. But well, how exciting that you did it twice? Michael Hingson  40:43 Well, actually we there were five interviews with Larry. The first one was right after September 11. It was on the 14th. And then there was another one. There was either one or two more. I think there was one more in November of 2001 and then on the anniversary, in 2002 was the third. But there there were five altogether, and during one of them, and I think it was the one on the anniversary or in 2002 but I have to go back and see if I can research it. But anyway, Hillary, Hillary Clinton and Chuck Schumer were, were there? Lisa Beamer, Todd Beamer, his wife Todd's the guy who said, let's roll on flight 93 when they took over the plane again and got it in a crash in Shanksville. Wow, and and Queen. Nor was there. So who I'm sorry, Queen nor from? Who is the queen of Jordan? Oh, wow. And she and she and Roselle had a thing for a while. Roselle was my guide dog at the time, so they visited. It was kind of fun. Oh, wow. But, yeah, it was, it was interesting. But as I say, then we, we did meet Liza briefly, and that was kind of fun. She said she's Spider Saloff  42:09 a doll, yeah, doll. Oh, yeah. What a great person, yeah. Michael Hingson  42:13 Well, so I was looking at all the things that you sent me, and I noticed Tony Bennett. I got to meet Tony Bennett once we were on Regis and Kelly live in November of 2001 and I was sitting there, and I heard that Tony Bennett was going to be on the show. And suddenly he comes over and he says, Hey, I'm Tony Bennett. Good to meet you. I've heard about you. So we chatted for a while, and he and Roselle had a thing too, and he and Roselle had a thing too. Spider Saloff  42:45 So that was good. Oh, that Roselle. Oh, but yeah, I met him at the Gold Star, and he because he had played there several times, you know, as a future act. And he was doing, he was in. He was in town to do something. Maybe it was at the Chicago theater as well, but he came in, hanging out in his in his white dinner jacket, absolutely charming. And he sat down and talked to me between sets. It's like talking to your uncle, like he's like, Yeah, what do you think of this weather here in Chicago, and it was like just the friendliest, most laid back, cool guy and and I've seen him perform several times. I adored him. Michael Hingson  43:32 I regret I never got to see him live other than hearing him do, other than hearing him on regents and Kelly, he did a New York state of mind. Spider Saloff  43:41 Oh, cool. Very cool, Michael Hingson  43:43 wow, very soft spoken guy. But when he can sing, he can he could Bell it, Bell it out, Spider Saloff  43:49 and he and he sang the same forever, like, that's my my idols are. I want to sound the same forever, and I have the two, the two, the two most remarkable preserved voices were Ella Fitzgerald and Mel Tormey, both of them, they had chops forever like that. They they were just very, very careful and smart about the way they use their voices. Michael Hingson  44:18 Yeah. Johnny Mathis lasted a long time. I don't know what he sounds like. Spider Saloff  44:24 He just sounded the same forever. Yeah, killer, woo hoo, wow. And I never got to see him live, but I know people that did, and I mean, not that long ago, and they were blown away. Like, just Yeah, killer, yep, Michael Hingson  44:43 amazing, another amazing guy. Well, so have you ever had any any real kind of challenges and sort of negative things that have happened to you in your life? You've obviously been very successful. And all that. But, you know, unstoppability oftentimes happens when you have a challenge. Spider Saloff  45:05 Oh yes, well, you know, small things, challenges. I mean, like the worst, though, was when I was very young, a young actress, I got swept away by a guy that was a director. He was 10 years older than me, and I ended up in a really terrible abusive relationship for years, and didn't know how to get out, and I did. I ended up doing a six part. I have a YouTube channel, and this was two years ago. I did a six part series called learning to love you, and it was the very subject of what happens in abusive relationships and why people stay and why they are convinced that they can't live without the person. They're convinced that they're powerless. They are told they have to depend on this person, and they're very afraid. And I I was so lucky to break away from there and get out. And when I got out. I mean, I this guy completely left me with no money, no home, no job, and I was so ashamed to tell my family. I didn't tell them till months after it had happened, and I went, you know, trying to get trying to get more work as an actress. I worked as a bartender in a comedy club, and I did that's what I had a lot of comedian friends because of that era, and my friends, and eventually my family, really helped me to get out of it. But I had to get I had to be independent through the whole thing, I my first place I ever I was homeless for six months, and I would go around on busses going between wherever and Atlantic City because the casinos were there. So I could get a free ride to Atlantic City and then get a free bus back to New York. I could get a bus back to Philadelphia. I could go around on these busses and just stay at people's houses a couple of nights a week, and not having a place to live, it was horrible. So when I finally moved somewhere, I moved in with an actor friend of mine who had just got out of his abusive relationship, and I slept on the floor of an attic for like, the first six months that I was living on my own, and I was so grateful to have that floor and and I just kept saying every night before I went To bed, it it gets better from here. It's going up, it's going up, and it did. It did. It was it's remarkable. It's remarkable. Michael Hingson  48:09 What? What did you learn from that relationship? Spider Saloff  48:14 Beware of predators. I really never, never lose sight that you're the person in charge. Yeah, you are the person in charge of your life, and you're the only one that's allowed to do that. And you don't, you don't bend to anybody that's asking you to do anything too far. You just, you have to be very skeptical about, you know, who's getting close to you? And I was married long after that, I was married to my husband, and he passed away, oh, 16 years ago, and but there's been, there's been a lot of strange loss and and trauma. But I I am blessed with resilience, and I have to say, the thing that keeps me steady music, music and beauty and art can carry me through anything, and I'm surrounded by that and the best, best, best friends in the world. Oh, man, and my family and my friends are amazing, and I'm very, very fortunate, very fortunate. Michael Hingson  49:32 How long were you married? Before he passed away, Spider Saloff  49:35 we would have been married 17 years. Oh, my wife, Michael Hingson  49:41 my wife. My wife and I were married 40 years. She passed away in November of 2022 lot. Well. Thank you. I appreciate that. And I I always say when I when I tell that to anybody that she's watching from somewhere, and if I misbehave, I'm going to hear about it, so I don't even. Chase the girls. I also point out that they're not chasing me, so it's okay, but, but, but, you know, so many wonderful memories after 40 years, and people say, Well, are you going to move on? And I say, No, I'll never move on. I'll move forward, but I won't move on. I don't want to forget, but I'll move forward. Spider Saloff  50:20 That's an interesting twist of words there. Yeah, no. I mean, I have moved my life has become, actually, way, way better since my husband passed. I was dealing with a lot, and he was, he was dealing with severe mental illness, and it was very it was very hard near the end, my life is beautiful now. And I, I'm just, I feel like everything is new all the time. And I, I don't really have any close relationships, in romantic relationships. I tried a couple since he passed, but I don't, I don't think I'm good at it. I do better on my own. I'm much better on my own. Michael Hingson  51:18 Yeah, yeah. I know what I know what you mean. And as I said, it'll be three years in two weeks for me and I, when we got married, we had both lived alone. And when she was when she passed, it wasn't totally all of a sudden. So I I had some time to prepare. But it it has worked out pretty well. And so now I have a dog and a cat who keep me honest. The cat especially, oh, we have a cat. Her name is stitch, and she likes to be petted while she eats, and she'll yell at me until I come and pet her while she's eating and what. And when I travel somewhere to speak and I come home, I hear about it for quite a while. How could I ever do that? But she's not left alone. You know, I've got somebody who comes in. She has to give me what for? Well, she does. That's her obligation. Just ask her, absolutely, yeah. And how come you took that dog with you and not me? It's a guide dog. Spider Saloff  52:20 So this is not fair, yeah. Michael Hingson  52:24 Well, the other side of it is, I don't want her to ever get the idea that she can go out of the house. She She developed, on her own, a fear of going outside we she went out into our garage once when we first moved in here, and I kept calling her, she wouldn't come in, so I turned the lights off and I closed the door, and 10 seconds later, she's at the door wanting in, and so she doesn't try to go out. So I really feel blessed that she Spider Saloff  52:49 Yeah, that's good, yeah, yeah, yeah. I had a cat that never wanted to go near the door either, because he had been an alley cat. Everything outside that door was the alley going back there. Yeah, he also was a, he was a big fat house cat. Like, just wanted to lay around and luxuriate and eat and, you know he was, he was really a sweetie. I don't have pets anymore because I'm I leave too often? Michael Hingson  53:21 Yeah, you travel a lot. Well, a lot we at least I have people to help take care of stitch when I'm not here. So it does work out. Yeah, so do you so with all the things that you've been doing and singing and so on, do you teach voice to people? Spider Saloff  53:40 I do. I've taught at a school I didn't start teaching till I moved to Chicago, and this guy named David bloom, he's kind of a Chicago icon. He's had a jazz school in Chicago for years, and he asked me to teach at the school about a year after I moved to Chicago, and I said, I don't know how to teach. He said, Yes, you do. You just teach what you know. And I started teaching. And then I did courses there for a long time. I met a lot of people, and I've had wonderful students, and I still work there on occasion when we have a course. But I teach privately now, and I am. I just love it so much. I mean, I learned so much from my students all the time. You know, they're, they're just amazing, and they're all different, all different voices, all different age groups, all different reasons why they want to sing. But it's, it's one of the joys of my life. Students, they're fantastic. And I adore teaching voice. And I really a coach, you know, I teach performance and coaching, and it's not so much technique. I do some technique, but mostly it's working with. What, what the singer has to offer. Michael Hingson  55:03 I like the way you put it though that you learn so much from students. I think the day we stop learning, the day we become useless, we we always need to learn, learning, and life is all about learning, every Spider Saloff  55:15 day, learning, you bet it's exciting. It keeps you ticking. Michael Hingson  55:21 It does. It's so much fun. And it's, you know, like the internet, I regard it as an as a wonderful treasure trove. There's always neat stuff to learn. So I don't worry about the so called dark web and all that. You know, I didn't know that I would Spider Saloff  55:35 learn as much as I did about, you know, the internet and and the things covid really well. I always, always had a website. I had a guy that became my webmaster, that heard me radio and like there were all. I always was connected with it. But to the extent that I learned how to produce videos that all happened during covid, I really thought I was never going to be performing again live. I you didn't know, you know, that talk, you know, it was just so such a weird world. All of a sudden it was but learning to adapt. That was what we all learned from covid, was adapting and being open to new experiences. You know, that was a major, major factor of the whole thing. Michael Hingson  56:23 And living alone, you have to cook your own food. Spider Saloff  56:25 And like I've always, cooked my own food. Oh, my God, do I love to cook. Yeah, every day for myself. I love cooking and throwing parties. I must be Michael Hingson  56:35 a little bit lazy. I enjoy cooking. But when Karen was here. We shared the responsibility, and it's it's a lot to cook for one person, so I don't do as much of it as I used to, but I don't suffer. I will Spider Saloff  56:50 point that out you guys suffer, no, but I probably I cook for myself. Every day I cook. Almost everything I eat, I don't cook for myself is when somebody magically takes me to dinner or I go to somebody's house. I've got a lot of friends, so I get to eat at other people's houses and go out to restaurants, but I do and look forward to cooking for myself. I just can't wait to see what am I gonna have today, like I get excited about it. You know, it's a joy for me. Michael Hingson  57:23 I cook more easy meals, but I also do my own cooking. I mean, I don't go out very often, and that's fine. Yeah, I enjoy being home. I enjoy being home with a puppy and a kitty and listening to the radio and all that sort of stuff. So I hear you fabulous, fabulous. So you did some work on on radio series. Spider Saloff  57:45 Oh, yes, one of the, actually, the very first pianist that I worked with at the Gold Star sardine bar is a guy named Brad Williams. And we've been friends for years, and then at one point, this, this this guy that was a big fan of mine, Bill Sheldon. He was an old way, older fellow. The three of us created a radio series that's called Words and Music, that's about the American Songbook, and we were on the air for two and a half years. We were on we were part of NPR, and we were syndicated internationally, all through our classical station here in Chicago, W FMT, and it was the most challenging but wonderful time to crank those shows out. We never worked so hard as we did for that show, but those are still out there, you know. And we the copies of that show are available on CD. People can purchase them, and you can learn about that on my website too. Michael Hingson  58:49 I have been collecting old radio shows since 19 Well, let's see, probably 1968 and I've collected a bunch, and I'm also part of the radio enthusiast of Puget Sound, so we recreate programs every year. So I wasn't able, I wasn't able to be at the one that they did up in Washington State in September, because I was speaking somewhere. But there's going to be another one around. Well at Christmas, it's actually going to be the fifth, fourth, fifth and sixth. I think it is. Of December, we're going to recreate something like 12 or 13 different shows, and that's a lot of fun. Spider Saloff  59:34 Wowza, what are the shows like? What is it comprised of performance or recordings or what? Michael Hingson  59:42 No, no, we're actually going to perform live up in Washington, and people are invited to come and be in the audience, and they'll also be broadcast on yesterday usa.com and yesterday usa.net whichever you go to yesterday, USA is a, is a network. It's, it's got a red net. Work in a blue network, just like NBC used to have, and they play old radio shows and a lot of interviews with people. So there's still some old radio actors who will be there as part of it, Carolyn Grimes, who played Zuzu and it's a wonderful life will be there, and Beverly Washburn, who was on the Jack Benny show, and and there'll be other people, and it's kind of neat. And Larry Albert, who will be doing some of the voices, and who's was Harry Niles for years, and still is, I guess, on NPR and and so on. But it's really fun. Spider Saloff  1:00:39 That's excellent. What a blast. Yeah, it is, wow. Well, have a happy holidays with that. Michael Hingson  1:00:46 And yeah, well, I want to thank you for being here. How do people reach out to you, if they'd like to, to reach out, or if you Spider Saloff  1:00:54 want them to my website, spider jazz, calm, and you can find everything and too much information about me, and then, and if you want to get in touch with me directly, write to my email address. Spider jazz@gmail.com makes it easy. And maybe you can take private lessons, because I teach on Zoom. Ah, there you go. Me how. Yeah, cool. Michael Hingson  1:01:20 Well, thank you for being here, and I want to thank you all for listening today and watching whichever you do or both. Love to hear your thoughts about our conversation. Feel free to email me. Michael H, i@accessibe.com that's m, I, C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, i, b, e.com, wherever you're monitoring us today, please give us a five star rating, and please give us a review. We love your reviews. We appreciate your input. If you can think of anyone who you think ought to be a guest, and if you listening out there want to be a guest, please reach out to me. We're always looking for more people to come on the podcast. We met spider through someone else who has been on the the podcast as well. And spider, if you know anyone who want who you think ought to be a guest, yep, love to hear from you. I got some ideas, cool. Well, I want to once again. Thank you for being here. This has been absolutely fun. Spider Saloff  1:02:16 Thank you, Michael, what a blast. I'll be talking to you soon. Michael Hingson  1:02:24 Thank you for being here with me on unstoppable mindset. I hope today's conversation left you with a fresh perspective, a new insight, or at least something worth thinking about if you're ready to go deeper into the ideas that shape how we see ourselves and others, I have a free gift for you. Head over to Michael hinkson.com and download my free ebook, blinded by fear. It explores the invisible beliefs that hold us back and shows you how to reframe them so you can move forward with clarity and confidence. Be sure to subscribe to our podcast, leave a review and share this show with someone who can use a reminder that growth starts with mindset. When people think differently, we all move forward together. Thanks again for listening. Keep learning, keep questioning and keep choosing to live with an unstoppable mindset you.

Over the past forty years, Gina Gershon has remained a beloved actress while constantly pushing herself as an artist, adding to her astonishing and diverse resumé. Since her small, breakout performance in Pretty in Pink, Gershon has been best known for her roles in movies (including Bound, Showgirls, Face/Off, The Insider) and television (including Brooklyn Nine-Nine, Riverdale, Curb Your Enthusiasm, The Assassin), but her career, and community, began as a musician and dancer. She performed at Carnegie Hall, recorded albums, and toured the United States, playing her jaw harp with Sting, Laurie Anderson, Joan Baez, Paul Simon, and Herbie Hancock. While she has not yet performed with her close friend Bob Dylan, they were sparring partners when Gershon took up boxing. On the stage, Gershon has worked with David Mamet, and performed in Sam Mendes's Cabaret and the Tony Award-winning Boeing-Boeing. In 2007, Gershon took on a new artistic practice, publishing the children's book Camp Creepy Time with her brother Dann. She later released her first work of nonfiction, In Search of Cleo: How I Found My Pussy and Lost My Mind, the true story of Gershon's search for her runaway cat. Gershon's newest book AlphaPussy: How I Survived the Valley and Learned to Love My Boobs, looks back at how she learned to survive and thrive in Hollywood, tracing her brilliant and unique career to find cautionary tales, turning points, and everything in between.On April 3, 2026, Gina Gershon came to the Sydney Goldstein Theater for an onstage conversation with Gina Pell, Content Chief of The What.

Big Dipper and Meatball welcome drag icon and storyteller extraordinaire Coco Peru for a sharp, hilarious dive into the state of drag today and Coco's legendary legacy. The trio gets into the differences between growing up in New York and living in Los Angeles and Coco shares her love of performing for bear crowds and what really goes down in a naked cabaret. They also uncover the unexpected skillset required to truly thrive at Ross and dive into Coco's love of grotesque and unforgettable fan art. Plus, Coco recounts a titillating story of when her nipples got so worked out that they nearly fell off.Listen to Sloppy Seconds Ad-Free AND One Day Early on MOM Plus⁠Call us with your sex stories at 213-536-9180!Or e-mail us at ⁠sloppysecondspod@gmail.com⁠⁠FOLLOW SLOPPY SECONDS⁠⁠FOLLOW BIG DIPPER⁠⁠FOLLOW MEATBALL⁠⁠SLOPPY SECONDS IS A FOREVER DOG AND MOGULS OF MEDIA (M.O.M.) PODCASTSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us Fan MailOn this Episode Tom and Bert continue "The Spotlight Series" on entertainment influencers thru the decades!There are Stories to tell and the Guys will cover and discuss the beginnings and the careers of some of the greatest influencers throughout ALL of the entertainment industry.Today's Podcast will cover a memorable music era from the 1970's!We introduce you to the "DISCO ERA" (1974-1980) --Part 2--and it's heavy influence on the Music, Dancing, Fashion, Culture and Movie industries. The wide open "Cabaret-ish" anything goes attitudes and styles with the backdrop of sex, drugs and freaky fun times dipicted the era where the music became loud, long and  heavily orchestrated. CHAPTERS:(:46) Intro(10:20) 12" Disco Favorites and other memorable Disco Songs(16:39) "Oh What a Night" and some facts and timelines(18:40) YMCA and Dick Clark's American Bandstand and influence(28:10) The Rise and Fall of "Studio 54" in New York City as it opens with a bang and closes a short 3 years later(31:56) "Disco Sucks" and Disco Demolition Night in Chicago, Burn those records!(35:20) Dancing Queen, Dueling Piano's and why Music is the ultimate connector of people then.... It's a Wrap!Enjoy the Show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well

Jessie Buckley is an actor and singer. She recently won a BAFTA and a Golden Globe Award for her critically acclaimed role playing Shakespeare's wife Agnes in Chloé Zhao's film Hamnet. Her performance has also garnered her an Academy Award nomination.Jessie won an Olivier Award for her portrayal of Sally Bowles in a 2021 West End revival of Cabaret. Her breakout film role came in 2018 when she played an aspiring country music singer in the musical Wild Rose.Jessie was born in Killarney in County Kerry to creative parents. Her mother trained as a singer and harpist and her father, who ran a guest house when she was growing up, writes poetry. As a child Jessie and her siblings put on Irish dancing performances for people who stayed in the guest house.In 2008 she appeared in the BBC talent show I'd Do Anything – the televised search to find a Nancy for a West End production of Oliver! Jessie came second in the competition and afterwards Sir Cameron Mackintosh, one of the judges, sent her on a Shakespeare workshop at RADA which she says changed her life.She made her professional stage debut as Anne Egerman in the 2008/2009 revival of Stephen Sondheim's A Little Night Music at London's Menier Chocolate Factory. In 2010 she stepped away from professional work and enrolled at RADA where she studied for three years.After graduating she performed on stage, screen and television. She received her first Oscar nomination playing opposite Olivia Colman in the 2021 film the Lost Daughter. Jessie lives in Norfolk with her husband and their baby daughter.DISC ONE: Samhradh Samhradh - The Gloaming DISC TWO: O Holy Night. Composed by Adolph Adam and performed by Marina Cassidy DISC THREE: Who Knows Where the Time Goes (Live at Philharmonic Hall, New York, NY - October 1969) - Nina Simone DISC FOUR: Troy - Sinéad O'Connor DISC FIVE: Send In the Clowns – Judi Dench DISC SIX: Shobis Galoba (Christmas Song) - Basiani Ensemble DISC SEVEN: The Red Shoes - Kate Bush DISC EIGHT: Old Note - Lisa O'NeillBOOK CHOICE: The Complete Poems of Tim Buckley LUXURY ITEM: Jessie's own bathtub and bath salts CASTAWAY'S FAVOURITE: Samhradh Samhradh - The Gloaming Presenter: Lauren Laverne Producer: Paula McGinley

Cet épisode est présenté par La Barberie: https://www.labarberie.com///Dans ce spectacle du Cabaret des curiosités du Web, capté le 14 mars dernier au bar Le VOX à Québec lors de la toute première édition du Festival du podcast de Québec, on plonge directement dans l'ambiance locale. Comme l'événement se déroulait dans un bar d'arcades, les jeux vidéo étaient naturellement au cœur du thème du Cabaret.La soirée s'ouvre avec les incontournables trouvailles Marketplace de la région, un passage obligé pour saisir l'esprit du coin. Emile et Seb alternent ensuite pour présenter leurs curiosités du moment. Emile aborde d'abord le bannissement de Jeffrey Epstein d'Xbox Live et la rumeur entourant son supposé compte Fortnite, puis enchaîne avec la théorie des personnages NPC. Seb raconte ensuite l'histoire de Berzerk, cette borne d'arcade à la réputation sombre, avant de présenter Nagoro, un village japonais qui refuse de disparaître et où les poupées prennent la place des habitants. Bonne écoute!Nous sommes très heureux de recommencer notre tournée des Cabarets à travers tout le Québec pour les prochaines années. Pour toutes les dates annoncées, elles sont disponibles sur notre site dans la section Cabarets des curiosités du Web. https://cutt.ly/xeqhykqy Merci à Denis Martel, au Bar le Vox et à la BarberieVoyez le film Undertone de A24, dans une salle québécoise dès le 13 mars 2026!nordvpn.com/distorsion : Rabais exclusif sur ton abonnement + plus 4 mois gratuits!ÉrosEt Compagnie : 15% de rabais avec le code DistorsionPatreon | Site Web | Boutique Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Send us Fan Mailbuy your tickets herehttps://theatregalabru.com/les-femmes-de-paris/Support the show

Send us Fan MailOn this Episode Tom and Bert continue "The Spotlight Series" on entertainment influencers thru the decades!There are Stories to tell and the Guys will cover and discuss the beginnings and the careers of some of the greatest influencers throughout ALL of the entertainment industry.Today's Podcast will cover a memorable music era from the 1970's!We introduce you to the "DISCO ERA" (1974-1980) --Part 1--and it's heavy influence on the Music, Dancing, Fashion, Culture and Movie industries. The wide open "Cabaret-ish" anything goes attitudes and styles with the backdrop of sex, drugs and freaky fun times dipicted the era where the music became loud, long and  heavily orchestrated. CHAPTERS:(:45) Here is the "DISCO Era"(9:10) DJ's and Emcee's ruled the discotheques and the Music of KC and The Sunshine Band, Donna Summer, Chic ,The Village People and others dominated the dance floors(22:20) Disco "Fashion" in the 1970's made a bold statement...Polyester anyone?(30:50) It's the "shoes" baby! Elevated Platforms, Knee high GoGo Boots and much more(35:30) We explain it all! Dress, footwear, jewelry, facial hair, hairstyles and so much more!(42:28) We can dig the music and sound  of so many great artists THEN It's a wrap!Enjoy the Show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well

Start spreading the news: to celebrate the birthday girl, we're playing an encore broadcast of a great creative partnership. Liza's classics and some rarities from The Act, Cabaret, Flora the Red Menace, and more.

  Thank you for tuning in to Episode 316 of the Down Cellar Studio Podcast. Full show notes with photos can be found on my website. This week's segments included:   On the Needles, Hook or Bobbins From the Armchair Knitting in Passing In my Travels Events On a Happy Note Quote of the Week   Thank you to this episode's sponsor The Yarn Sellar & check out details for their Fiber Marketplace (April 11, 2026) here.   On the Needles, Hook or Bobbins   Neckerchief Pattern: none (inspired by Sophie Scarf by Petite Knit (paid pattern available on Ravelry) Yarn: Kingdom Fleece & Fiberworks,  Dream base (80% Merino, 10% Cashmere goat, 10% Nylon). No colorway name listed. Variegated yarn with a tan base, pinks, greens, purples and mustards. Needles: US 6 (4.0 mm) Because I'm using fingering weight yarn, I decided to use the cast on from my Millie Margaret Shawl and figure it out as I go. Millie Margaret Shawl (fingering weight)-Ravelry I did the increases up to 5 inches the pattern calls for and now I'm knitting straight. I'll reverse my increases w/ decreases on the other side and see how I like it.   Inclinations Cowl Inclinations Cowl by Andrea Mowry ($7.00 Knitting Pattern available on Ravelry & her website. Needles: US 2 (2.75 mm) Yarn: 2 skeins of handspun Color A: Fiber Addict Designs 100% Merino in the Wild Plum Colorway- Ravelry link. Color B: Candombe, I think the fiber is from Malabrigo- Ravelry link. My Ravelry Project Page I love working with my handspun, but I don't necessarily love 1x1 ribbing every other row. Still I'm making progress and I know I'll love wearing it.   Treysta Pattern: Treysta by Jennifer Steingass $8.50 knitting pattern available on Ravelry & the Laine publishing website Yarn: MC- Lion Brand Fishermen's Wool in Oatmeal. CC1: Handspun (Ravelry Project Page) dark blue. CC2: Harrisville Designs New England Highland in #34 High Aster (pink). CC3: Brown Sheep Company Prairie Spun DK in Rain Cloud (gray) Needles: US 5 (3.75 mm) & US 6 (4.0 mm) Ravelry Project Page Progress: I finished the colorwork section and have split for the sleeves.   Spectrum Socks Yarn: Woolens & Nosh Targhee Sock in the Spectrum Colorway Pattern: OMG Heel Socks by Megan Williams ($5 knitting pattern available on Ravelry) Needles: US 1.5 (2.5 mm) Ravelry Project Page Progress: finished first sock during Hattie's birthday sleepover. Worked on sock #2 while Megg, Rose and I saw Cabaret.   Northern Lights Socks Yarn: Patons Kroy in the Northern Lights Colorway Pattern: OMG Heel Socks by Megan Williams ($5 knitting pattern available on Ravelry) Needles: US 1.5 (2.5 mm) Ravelry Project Page About the yarn- thin stripes of cream broken up 3 shades of teal/light blue, 2 grays and 1 deep purple. Finished sock 1 recently. Cast on sock 2.    October 2025 Sock Club Socks Yarn: agirlandherwool Sock Yarn in the October 2025 Colorway Pattern: OMG Heel Socks by Megan Williams ($5 knitting pattern available on Ravelry) Needles: US 1.5 (2.5 mm) Ravelry Project Page Progress: beyond the heel on the first sock   From the Armchair   Our Last Resort by Clémence Michallon. Amazon Affiliate Link. The Housemaid by Freida McFadden. Amazon Affiliate Link. The Seven Year Slip by Ashley Poston. Amazon Affiliate Link. I'm Mostly Here to Enjoy Myself by Glynnis MacNicol. Amazon Affiliate Link.   Note: Some links are listed as Amazon Affiliate Links. If you click those, please know that I am an Amazon Associate and I earn money from qualifying purchases.   Knitting in Passing I traded socks for handmade bowls with my new friend Rose! What a great trade!   In My Travels   Ryan, Millie and I went to Farm Fiber Days at Russell's Gardens Center in Wayland, MA. Some highlights include: It was our 3rd year of wearing overall's- Millie's choice for our somewhat matching outfits. 3rd year without Mom. She didn't come in 2024, the last one she was here for, because she was in St. Maarten. Good for her! But we obviously missed her last year and this year too. I purchased 3 plants. Millie picked out a plant for her mom. I bought 20 ounces of Gray Shetland from Forever in Fiber (Etsy). Millie got to show Ann Weaver of Plied Yarns the hat she knit for her Dad for Christmas. We needlefelted with the folks from Blue Heron Farm We enjoyed lunch at The Local across the street after.     Events Fiberfest at the Boston Public Market- March 21 & 22nd from 10a-5p in Boston, MA Fiber Witch Festival- April 24-26th in Salem, MA NH Sheep and Wool - May 9 & 10 in Deerfield NH Massachusetts Sheep & Wool- May 23 & 24 in Cummington, MA     On a Happy Note Chris Stapleton concert with Jeff, Riley & Dad Seussical with Megg and Hattie Hattie's birthday sleepover- trampoline park, pizza, cookies, Cat & the Hat pancake, pompoms and rehearsing for her Seussical audition A quieter week! Starting a March Madness Challenge at the gym + taking an adult ballet class from my friend Kris Chatting with my friend Marta about her trip back to America this summer Seeing Cabaret Karaoke night in a private room for my friend Megg's birthday. I got to see my nephew Garret on his 16th birthday. I got a text of him driving with his learner's permit a few days later.   Quote of the Week "Community is much more than belonging to something; it' about doing something together that makes belonging matter." — Brian Solis     Thank you for tuning in!   Contact Information: Check out the Down Cellar Studio Patreon! Ravelry: BostonJen & Down Cellar Studio Podcast Ravelry Group Instagram: BostonJen1 YouTube: Down Cellar Studio Facebook: https://www.facebook.com/downcellarstudio Sign up for my email newsletter to get the latest on everything happening in the Down Cellar Studio Check out my Down Cellar Studio YouTube Channel Knit Picks Affiliate Link Bookshop Affiliate Link Yarnable Subscription Box Affiliate Link FearLESS Living Fund to benefit the Blind Center of Nevada Music -"Soft Orange Glow" by Josh Woodward. Free download: http://joshwoodward.com/ Note: Some links are listed as Amazon Affiliate Links. If you click those, please know that I am an Amazon Associate and I earn money from qualifying purchases.