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Réécoutez FG mix Spécial Techno Night avec Vera Moro du jeudi 17 avril 2025
On the latest Whisper in the Wings form Stage Whisper, we welcomed on the producer Billy DiCrosta and director Neil Fuentes to talk about their upcoming production of Shrek the Musical! This wonderful show is being put up at Billy and Neil's Theatre in Connecticut, and was an absolute blast to talk about. So make sure you tune in and get your tickets before they are gone for this fantastic and fun experience!Shrek the MusicalApril 25th - May 11th@ Cabaret on Main TheatreTickets and more information are available at cabaret-on-main.com And be sure to follow our guests to stay up to date on all their upcoming projects and productions:cabaret-on-main.com(203) 208-9592@cabaretonmain
Réécoutez FG mix Spécial Techno Night avec David Bouts du jeudi 17 avril 2025
Réécoutez FG mix Spécial Techno Night avec DMN du jeudi 17 avril 2025
Willkommen, bienvenue... welcome fiends and familiars, ghouls and gals to the third blindspot in Dalton's lineup, Bob Fosse's Cabaret. This musical is set in Berlin in the early 1930s—it was a different time. But the film was developed amidst the Nixon era. So, it has politics and art. Or is that redundant? We look at the rise of Liza Minnelli, the style of Bob Fosse, and the antifascist messaging of Cabaret to see if there are any contemporary concerns to consider. Is it a good night at the club? Or another bust on an amateur stage? Tune in to find out as we discuss Cabaret.
Willkommen! Today we finally get to utilize our German language skills and chat about symbolism, night clubs, and Nazis as we break down Cabaret! Continuing our quest for Eva Noblezada to notice us! Get in touch! @downstageleftpc downstageleftpc@gmail.com downstageleftpodcast.com
durée : 00:21:18 - L'interview de 9h20 - par : Mathilde Serrell - Marie-Pierre Pruvot, dite Bambi, légende du cabaret, écrivaine, est l'invitée de Mathilde Serrell pour son livre "Bambi, une vie ordinaire" (Denoël).
durée : 00:21:18 - L'interview de 9h20 - par : Mathilde Serrell - Marie-Pierre Pruvot, dite Bambi, légende du cabaret, écrivaine, est l'invitée de Mathilde Serrell pour son livre "Bambi, une vie ordinaire" (Denoël).
Episode Summary In this raw and rumbling return, Madge gives you a microphone check from beyond the grave, welcomes Bissy the AI co-host who talks too much, and somehow makes a sincere tribute to dead podcasters while detailing one of the most dramatic dumps in Yeast Radio history. There's talk of chia, plungers, haunted turds, Simply Sara, haunted turds, necrophilia, blocked queens, and haunted turds. Did we mention haunted turds? Oh, and don't worry — Bissy raps. Highlights from “The Circle Game of Doody” Political Snark: Madge references Trump being president again and expresses frustration with the public's complicity. This is touched on both seriously and with biting sarcasm. TikTok Obsession: Ongoing discussion of how TikTok has replaced podcasting as Madge's main creative outlet — mentions of high-performing videos and content about bowel movements. AI Co-Host Drama: Bissy, the AI sidekick, struggles to keep up with Madge's vulgarity and gets scolded repeatedly for being too prudish or literal. Gastrointestinal Focus: Besides the epic bowel movement story, Madge explores earlier turd memories, fart analysis, plunger technique, and chia's bowel-altering power. Death and Memorials: This episode is framed by death — with the passing of Simply Sara, Archer, and Ramble Redhead being lovingly (and clumsily) honored. Forbidden Pizza: The eternal struggle of food, shame, and timing. Madge considers sneaking pizza while her spouse is away at a Lady Bunny concert. Theatrical Interludes: Madge breaks into dramatic musical moments, featuring lyrics from Evita, Cabaret, Yentl, and The Sound of Silence. Listener Callbacks & Archives: She attempts (and mostly fails) to dig up archival clips of old podcast friends, showcasing the ephemerality of early internet media. Fiber & Diet Culture Satire: Chia pudding, Fiber One trauma, and Madge's spouse's insistence on “breaking turds with your pussy” — all part of a deep dive into food, shame, and queer domestic life. Contact Information Comments: Visit yeastradio.com Follow Madge: Instagram, Bluesky, and Threads — @madgeweinstein Phone: FIRM UTERUS Email: madge@yeastradio.com Support Yeast Radio: Subscribe to Madge's Substack — madge.substack.com Album Art: by Taylor Haggerty © 2025 Madge Weinstein Yeast Radio
(Republish because the end is cut off the original upload)”She can say whatever she wants, but there's a wolf in her heart.”Christel's back with birthmonth movies! These movies have never been more dissimilar!0:00 -- Intro4:38 -- Wolf40:57 -- White Chicks58:20 -- Kalki 2898 AD1:19:30 -- Contact information1:25:17 -- Awards and rankings2:04:08 -- Future business (with Christel from the past!)2:14:09 -- Outro {and outtakes (ymt 163, ooo44mg1 )}Hey! Be sure to watch The Sound of Music, Cabaret, and Raiders of the Lost Ark for next time!Hey! We have a Patreon (Ours, Ours, & Ours))!Hey! DON'T leave us a voicemail at (801) 896-####!Hey! Shop the Zazzle store! Hey! Hear In Memoriam! Hey! Hear Fantasy Murder Love Triangle! Hey! Hear J.R. Watches Star Trek for the first time!Hey! Hear Christel and Richard on Turning Trekkie!Hey! Subscribe in iTunes! Hey! Check out the Facebook page and vote on the next category! Hey! Check out Jon's YM&T Letterboxd list!Hey! Check out Roy's YM&T Letterboxd list! Hey! Email us at yoursminetheirspodcast@gmail.com! Send new topics! Send new theme songs!
”She can say whatever she wants, but there's a wolf in her heart.”Christel's back with birthmonth movies! These movies have never been more dissimilar! 0:00 -- Intro4:38 -- Wolf40:57 -- White Chicks58:20 -- Kalki 2898 AD1:19:30 -- Contact information1:25:17 -- Awards and rankings2:04:08 -- Future business (with Christel from the past!)2:14:09 -- Outro {and outtakes (ymt 163, ooo44mg1 )}Hey! Be sure to watch The Sound of Music, Cabaret, and Raiders of the Lost Ark for next time!Hey! We have a Patreon (Ours, Ours, & Ours))!Hey! DON'T leave us a voicemail at (801) 896-####!Hey! Shop the Zazzle store! Hey! Hear In Memoriam! Hey! Hear Fantasy Murder Love Triangle! Hey! Hear J.R. Watches Star Trek for the first time!Hey! Hear Christel and Richard on Turning Trekkie!Hey! Subscribe in iTunes! Hey! Check out the Facebook page and vote on the next category! Hey! Check out Jon's YM&T Letterboxd list!Hey! Check out Roy's YM&T Letterboxd list! Hey! Email us at yoursminetheirspodcast@gmail.com! Send new topics! Send new theme songs!
durée : 00:04:00 - Une semaine dans leurs vies - Le cabaret l'Élégance (Loire) a été créé il y a dix ans. Car si les plus connus se trouvent à Paris, à l'image du Moulin Rouge et du Paradis Latin, la majorité des cabarets sont hors des grandes villes et souvent dans des petites communes rurales.
Last week, country singer Orville Peck made his Broadway debut alongside two-time Tony nominee Eva Noblezada in “Cabaret” at The Kit Kat Club. Peck stars as the Emcee and Noblezada as Sally Bowles. The two discuss stepping into their roles in this Broadway revival through July.
durée : 00:04:05 - Une semaine dans leurs vies - Le french cancan, la plus célèbre danse des cabarets parisiens, devrait faire son entrée dans l'inventaire national du patrimoine culturel immatériel. À Renaison (Loire), le cabaret l'Élégance perpétue les traditions, avec un spectacle modernisé.
durée : 00:03:54 - Une semaine dans leurs vies - Le monde du cabaret en France, c'est 200 établissements, 2,7 millions de spectateurs, 5.000 emplois et 225 millions d'euros de chiffre d'affaires. À Renaison (Loire), rencontre avec la troupe de danseurs, quelques heures avant une représentation.
durée : 00:04:05 - Une semaine dans leurs vies - Fin janvier, la ministre de la Culture a lancé un plan Cabaret, pour protéger, valoriser et soutenir ces lieux de spectacles. Au cabaret l'Élégance de Renaison (Loire), des concerts sont également organisées, comme ce soir-là, en hommage à Jean-Jacques Goldman.
durée : 00:04:07 - Une semaine dans leurs vies - Le cabaret l'Élégance à Renaison, dans la Loire, est l'un des plus grands de France. Nous sommes à une heure de Clermont-Ferrand, Saint-Etienne et Lyon. Premier épisode au côté de Fréderic Grateau, le cogérant du cabaret, qui nous invite dans les coulisses.
fWotD Episode 2894: What a Merry-Go-Round Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Monday, 7 April 2025 is What a Merry-Go-Round.What a Merry-Go-Round is the eighteenth collection by British fashion designer Alexander McQueen, made for the Autumn/Winter 2001 season of his fashion house Alexander McQueen. The collection drew on imagery of clowns and carnivals, inspired by McQueen's feelings about childhood and his experiences in the fashion industry. The designs were influenced by military chic, cinema such as Nosferatu (1922) and Cabaret (1972), 1920s flapper fashion, and the French Revolution. The palette comprised dark colours complemented with neutrals and muted greens. The show marked the first appearance of the skull motif that became a signature of the brand.The collection's runway show was staged on 21 February 2001 at the Gatliff Road Warehouse in London, as part of London Fashion Week. It was McQueen's final show in London; all his future collections were presented in Paris. Sixty-two looks were presented in the main runway show, with at least six more in the finale. The show was staged in a dark room with a carousel at the centre. During the finale, the lights came up to reveal piles of discarded childhood bric-à-brac at the rear of the stage, while models dressed as evil clowns cavorted around the stage, posing in their eveningwear.Critical response to the collection was generally positive, and it has attracted some academic analysis for the theme and messaging. Like McQueen's previous show Voss (Spring/Summer 2001), Merry-Go-Round served as a critique of the fashion industry, which he sometimes described as toxic and suffocating. It contained elements that several authors have taken as references to French luxury goods conglomerate LVMH and its management, with whom McQueen had a turbulent relationship. Ensembles from Merry-Go-Round have appeared in exhibitions such as the McQueen retrospective Alexander McQueen: Savage Beauty.This recording reflects the Wikipedia text as of 01:13 UTC on Monday, 7 April 2025.For the full current version of the article, see What a Merry-Go-Round on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Kajal.
durée : 01:27:48 - Cabaret 42e rue : "Broadway Rhapsody", "Pub Royal" et "Orgueil et Préjugés… ou presque" - par : Laurent Valière - Trois spectacles à découvrir ce printemps ! "Broadway Rhapsody", "Pub Royal" et "Orgueil et Préjugés… ou presque" sont au programme de 42e rue dans une émission en direct et en public du Carreau du Temple à Paris. - réalisé par : Olivier Guérin
Orville Peck talks Broadway show, ‘Cabaret'; Recession risk raised as stocks plunge; On the red carpet for ‘The Amateur' premiere Learn more about your ad choices. Visit podcastchoices.com/adchoices
Orville Peck talks Broadway show, ‘Cabaret'; Recession risk raised as stocks plunge; On the red carpet for ‘The Amateur' premiere Learn more about your ad choices. Visit podcastchoices.com/adchoices
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Nos platican sobre la obra de teatro "Cabaret".See omnystudio.com/listener for privacy information.
Caroline Moorehead salutes the energetic brilliance of singer Josephine Baker; and Aaron Peck on the past, present and future of the avant-garde.'Fearless and free: A memoir', by Josephine Baker, translated by Anam Zafar and Sophie Lewis'Josephine Baker's secret war: The African American star who fought for France and freedom', by Hanna Diamond'What art does: An unfinished theory', by Brian Eno and Bette A.'How to be avant-garde: Modern artists and the quest to end art', by Morgan Falconer'The uncanny muse: Music, art, and machines from automata to AI', by David HajduProduced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.
Back in 2021, I sat down with one of the most versatile and in-demand drummers on Broadway: Sean McDaniel.Since that interview, Sean's career has only expanded. He's played Some Like It Hot, Cabaret at the Kit Kat Club and now holds the drum chair for one of the most buzzed-about new musicals on Broadway: Smash.So I figured—why not bring this conversation back to the forefront?In this re-released episode, Sean gives us an inside look at the early development of The Book of Mormon, starting with a modest 20-minute workshop. It's wild to hear how the show started with hand-drawn cartoons projected behind a reading stage—and how Sean's ability to adapt, play by ear, and control dynamics became essential in shaping the drum parts that evolved over the years.Broadway Drumming 101 is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.He talks about the two lives of Broadway drumming: playing with “toothpicks” during readings and unleashing full stadium energy in the pit once the show is fully staged. That flexibility—combined with a deep understanding of styles and musical storytelling—is what sets him apart.Sean also shares how his high school show choir days prepared him for the dynamic, mic-less world of workshops and readings. He developed a skill many overlook: playing softly while still maintaining intensity.If you're a drummer looking to understand what it really takes to build a Broadway career from the ground up—this is an essential listen.The full episode drops this Saturday.
Send us a textWhat's going on in the stars?! Is your relationship doomed from the start? Is history repeating itself? Have no fear, Alyssa Polinsky is here! She breaks down the current astrological plane, mercury and venus retrograde and what that means, and eclipse season. We also discuss our favorite bravolebrity couples: Paige and Craig, Joe and Maddie, West and Ciara, Emmy and Will, Lindsay and Carl, and much more! Follow Alyssa Polinksy @starsxalyssaBook a reading: starsxalyssa.comMore info______________Connect With Us:InstagramTikTokLinkTr.eeEmail: coffeemeetsvodkapod@gmail.comHost: Raya HenslerInstagramTikTokContent Strategist: Kathy LamInstagram
Brooke meets special guests Liselle Terrett and Heather Johnson to engage in a vibrant discussion about their groundbreaking project, "Not F**king Sorry" a provocative cabaret theatre piece that challenges societal norms surrounding disability and queerness. They explore the fluidity of identity, the importance of creating safe spaces for marginalised voices, and the collaborative process of developing the show with learning-disabled and neurodivergent actors. KEY TAKEAWAYS Everyone may experience disability at some point in their lives. This intersectionality is central to the themes explored in the project. The creation of the performance "Not Fucking Sorry" is a collaborative effort involving learning disabled and neurodivergent actors. The process includes devising, improvisation, and the incorporation of the actors' personal experiences and voices into the narrative. The show aims to confront and challenge societal norms surrounding disability and sexuality. It seeks to address the marginalisation of disabled individuals and the misconceptions surrounding their sexual agency, using humour and provocative content to engage the audience. Establishing a safe and respectful environment in the rehearsal room is crucial for the creative process. This includes clear communication, support for mental health, and a focus on care, allowing actors to express themselves freely and authentically. BEST MOMENTS "Disability is sexy. Queer is sexy. It's fluid. It's movable. We'll all be disabled at some point." "You're there to make sure that the actors can do their best jobs." "We never get the chance to go out to the pub, to the club. So let's make a show that we create that." "The political message is more urgent... the world is... lacking in pathos or nuance." "You don't know the cracks and the scars that you have given us, that we carry." VALUABLE RESOURCES https://podcasts.apple.com/gb/podcast/disabled-and-proud/id1621152878 Not F**king Sorry - https://accessallareasproductions.org/production/not-fkin-sorry/ HOST BIO Disabled and Proud is the show that brings listeners a different perspective on disability. Each week this podcast highlights an awesome disabled guest speaking about their own disability; why they are proud to be disabled and why they are proud to be themselves. The conversations in this show will look at what challenges these amazing people face socially, mentally, physically and life in general. This show is raw, open, honest, funny, welcoming and educational. Disabled & Proud does exactly what it says on the tin! And whilst we are creating this space for disabled people to be unashamedly themselves, without the need to conform to society, this is also not about toxic positivity. This show will be shining a big, bright light on disability without it being “Paralympic or pity”. As you will hear disability is WHOLE, COMPLETE & PERFECT and whilst the topic of disability can be quite heavy - and we definitely don't shy away from the bad days - this podcast is also about having fun too! Our aim is to play a part in reclaiming the word disability - turning it from inadequacy to perfection!INSTAGRAM! https://www.instagram.com/disabledandproudpodcast/?hl=en: https://www.instagram.com/disabledandproudpodcast/?hl=en
Rockstar and 54 Below staple Storm Large sits down with us to talk about Cabaret, finding happiness, and Billie Eilish. CONTENT WARNING: This episode contains adult content and explicit language. For tickets and more information about Storm's upcoming show, visit http://54below.org/StormLarge The 54 Below Podcast is hosted and produced by Sir Michael Allan Galvez and Macon Prickett with support from the 54 Below marketing staff. Original artwork design by Philip Romano. Follow us on Instagram: 54 Below @54below Storm Large @stormof69 Sir Michael Allan Galvez @sirmichaelallangalvez Macon Pricket @mrmaconprickett Learn more about your ad choices. Visit megaphone.fm/adchoices
Hallo lieve mensen. Nu mijn nieuwe show in première is gegaan, leek het me een leuk idee om mijn vorige voorstelling 'De mens en ik' als podcast beschikbaar te maken. Hopelijk beleven jullie er plezier aan. Xx-----Tickets voor m'n nieuwe show 'Onbekommerd' zijn verkrijgbaar via www.timfransen.nl/speellijstDe pers over 'Onbekommerd':"Cabaretier Tim Fransen maakt zijn beste voorstelling tot nu toe." – NRC ⭐⭐⭐⭐⭐"Een van de mooiste cabaretprogramma's van de laatste jaren." – Trouw ⭐⭐⭐⭐⭐"Of deze voorstelling dan uiteindelijk de wereld wel beter zal maken is de vraag, maar het is in ieder geval een fenomenale poging, waar ook onbekommerd om kan worden gelachen." – Theaterkrant (Keuze van de criticus
The Man with No Name is back and this time his name is Manco and he has a friend Morty (played by Chief Van Cleef). They are in love and express that love by shooting each other's hats!FOR A FEW DOLLARS MORE is the bigger, better, and richer sequel to last week's A FISTFUL OF DOLLARS. Your hosts are joined by a special guest, friend of the pod Max. Max rode into town on a pale horse, joined us at the campfire, ate some beans, and spun us an old cowboy tune.We also talk about Alex and Max's favourite film THE BIKERIDERS, and some other stuff we've been watching like CABARET, THE EXTERMINATING ANGEL, and PRIME CUT (RIP Gene Hackman)Join us next for week for the exciting conclusion of the Dollars Trilogy, THE GOOD, THE BAD AND THE UGLY. Perhaps another lonesome cowboy will drift into our ranch and join us for an impromptu Sergio Leone filmography ranking. You'll have to listen to see who (it's Jordan)You can follow The Franchisees on Twitter and Instagram @thefranchisees or email us at thefranchiseespod@gmail.com
Backstage With Becca B. Episode 177 with guest @blockedanddeletedangel is now LIVE on Youtube. On this episode I talked with Emily about all she's done since the last time we talked, including the life changing experience of performing in her favorite musicals such as “Sunday in the Park with George” at CCAE and “Cabaret” with Altadena Music Theatre, plus performing at Escape Hotel in Hollywood and how that experience was unique as a performer for her. Performing with For The Record Live, emphasizing it's unique style of immersive theatrical shows, their new traveling venue, The CineVita which is currently in Inglewood, the exceptional talent of the FTR team, the unique atmosphere of The CineVita, and the high stakes involved in productions there, her artistic evolution with her new band, Leopard Skin Dolcinea, upcoming gigs, people who influence her, her desire to play every female Sondheim role and other classic characters, and much more!
We meet the inimitable, spectacular, all-star David Hoyle!!!! We explore Hoyle's prolific output from the stage to the screen to the canvas. Performance as art, art as performance! Cabaret maverick and gender defying revolutionary, the much loved David Hoyle continues to educate, enlighten and entertain in equal measure. A true national treasure.A chance to immerse yourself in Hoyle's world, get to know the Manchester artist as we discuss his work that includes paintings, slogan works and of course, riotous, avant-garde live performance.As a cabaret star, actor and visual artist, Hoyle's infamous alter-ego ‘The Divine David' transported him from radical alternative settings in the '80s to the studios of Channel 4 in the '90s. For the last four decades, Hoyle has queered the boundaries between live art, performance, theatre and cabaret – conquering nightlife around the world and working extensively in film and TV.His recent retrospective Please Feel Free to Ignore My Work at Manchester's Aviva Studios powerfully shared the key themes that run through Hoyle's output: gender, mental health, AIDS, revolution, decadence and the effects of capitalism. Tracing his career from the '80s to the present day, this body of work asks how and why we value our art and artists. Ever the outsider, David Hoyle opens the door to his outrageous and moving world. Come on in, we'll pop the kettle on.Follow @DavidHoyleUniversal Hosted on Acast. See acast.com/privacy for more information.
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“You are now like the SheMZ…” In this episode, your hosts Martyr (@dragthemartyr) and Cate (@ctepper) catch up on their nightlife adventures. Then they talk about their current interests: Tituss Burgess and the impact of the musical "Cabaret." Later, returning guest Captain Wonder stops by! He tells us about being in one of our top episodes ever, "Stand Up NYC," filming the Drag Race queens, his rise in popularity on social media, and the latest fatherhood updates. Plus games galore! + Follow our guest: @captainwonder on Instagram and @captainwondernyc on TikTok + Tickets for Stand Up NYC: https://www.3dollarbillbk.com/rsvp/2025/3/30/stand-up-nyc-a-nightlife-benefit-for-trans-youth ~ tinyurl.com/wiggingoutpodcast This episode is proudly sponsored by MOTTO- the new queer dating app! Tired of the endless scrolling? With Motto, Motto sends you daily matches of people who match your interests and kinks. There are no fees, no ads, and no nonsense. Use invite code: ZVOGS when signing up. ~ Follow the pod on Instagram and Facebook @wiggingoutpodcast and on twitter @wiggingoutpod Thots, comments, and dick pics? Please send to dragthemartyr@gmail.com Cover art: Madeline De Michele - www.madelinedemichele.com Music: “Club” by Andrew Huang (www.youtube.com/channel/UCdcemy56JtVTrsFIOoqvV8g) under Creative Commons. Edits by C.Tepper
Chuck and Roxy are back and open today's episode with a big announcement from Ed Butt (Episode 51) about a upcoming Colorado gathering on Thursday, April 10 at Murphy's Tap House at the NW corner of Dillion and McCaslin in Superior or Louisville just northeast of the McCaslin exit on Hwy 36. (People will start gathering at 6:00pm with a 7:00pm Dinner) Contact Ed Butt at etbjr47@gmail.com to let him know you will be attending. Next they welcome back Jim Lipson (Episode 338) back to the podcast for 5 Mediocre Minutes to talk about his new book "THE YIN AND THE YANG OF IT A SLIGHTLY DIFFERENT BOOK ABOUT YOGA" To order the book Email Jim at: jimlipson@yahoo.com Then it's time to "Meet the Littles" as our hosts welcome Jim Moye to the podcast ( 20:15) We get to hear how him and Chuck first met while they were both working in Milwaukee and all about his Broadway Career. WEBSITE: www.jamesmoye.com INSTAGRAM: @jimmoye74Finally our hosts close out the show before opening the mail bag with reviews of Cabaret on Broadway and the new movie Snow White! They also announce our Sweet 16 Bracket Name Contest Finalists. (50:45)SONG: Electric Avenue by Stefan George performed by his group Songtower. JINGLE: Phil's Mom (When I'm Gone) - A parody of a song by Anna Kendrick. Recorded by Kj Ohnstad in MinnesotaRecorded: 03/08/2014 Released: 03/18/2014 First aired: 03/18/2014Podcast Website - www.loyallittlespod.com Patreon: www.patreon.com/c/loyallittlespod/membershipPodcast Email - WTFCPODNET@GMAIL.COMTwitter:@loyallittlespod Instagram: @theloyallittlespodcastPODCAST LOGO DESIGN by Eric Londergan www.redbubble.com Search: ericlondergan or copy and paste this link! https://www.redbubble.com/people/ericlondergan/shop
durée : 01:28:58 - Cabaret 42e rue : avant-première de "Gypsy" à la Philharmonie de Paris - par : Laurent Valière - Pour la première fois en France, cette œuvre culte aux États-Unis, écrite par les auteurs de West Side Story, est montée à la Philharmonie de Paris avec Natalie Dessay dans le rôle principal. Les comédiens nous en offrent des larges extraits en avant-première. - réalisé par : Olivier Guérin
Mike Wendt and Andy Ferg are back LIVE at the Cabaret Lounge in Peabody, MA! We do rounds of FMK with the lovely ladies from the Cab, Madison Murray (@mygapingmasshole) joins us to discuss her book that's NOW available, Festa is an unstoppable force of comedy, and a whole bunch of nonsense. We're the food show your deserve.Special THANKS to The Gary Girolamo Group, Ben Franklin Print Co., Twisted Fate Brewing, Anthony's Roast Beef, Cabaret Lounge, Nick's Place Catering, Jamie's Roast Beef, Fibber McGee's, Tostimo's Pizza Kitchen & C&S Pizza!Thanks to the very talented Mark DiChiara for the original F-Buddies theme music.
Legendary composer John Kander (Chicago, Cabaret, Steel Pier, Zorba) shares rarified insider stories with Michael Riedel about the making of Chicago. Kander reminisces about creating epic musical hits with songwriting partner Fred Ebb and collaborating with Director/Choregrapher Bob Fosse. Kander also reveals the secret advice he received from dear friend Liza Minnelli. Chicago opened on Broadway in 1975, and in the shadow of the Tony-winning musical smash A Chorus Line, Chicago was overlooked for years. When Chicago returned to New York's City Center and transferred to Broadway in 1996, no one would have dreamed that the show would still be running in 2025, making it the longest running musical revival in Broadway history! This episode features never-before-heard excerpts from the interviews Michael Riedel recorded while writing his 2020 best-selling book Singular Sensation: The Triumph of Broadway. Learn more about your ad choices. Visit megaphone.fm/adchoices
Join us for a special night at Candie's Cabaret with our guest Ashley Barbie! Expect unfiltered laughs, high vibes, and juicy conversations you won't want to miss. Tune in and light up with us!
Le cabaret "Chez Michou", temple des cabarets de Montmartre, a rouvert ses portes lundi 17 mars sous un autre nom : le "Michou comedy club". À sa tête, un humoriste qui réalise là un vieux rêve : Gad Elmaleh... Ecoutez 2 minutes pour comprendre avec Laurent Marsick du 18 mars 2025.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Le célèbre humoriste a racheté le mythique cabaret de Michou pour en faire un lieu de comédie et d'humour, le Michou Comedy Club.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Le cabaret "Chez Michou", temple des cabarets de Montmartre, a rouvert ses portes lundi 17 mars sous un autre nom : le "Michou comedy club". À sa tête, un humoriste qui réalise là un vieux rêve : Gad Elmaleh... Ecoutez 2 minutes pour comprendre avec Laurent Marsick du 18 mars 2025.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
This week we take a look at two of the most iconic musicals of all time. Give these a watch. Life is a Cabaret.
Mike Wendt and Andy Ferg lay out their plans for a jam packed 48hrs... St. Pat's, a beer release with Twisted Fate, a live show at the Cabaret... Plus, we have one of the most competitive Beef Madness tournaments EVER! All that and the usual nonsense. We're the food show your deserve.Special THANKS to The Gary Girolamo Group, Ben Franklin Print Co., Twisted Fate Brewing, Anthony's Roast Beef, Cabaret Lounge, Nick's Place Catering, Jamie's Roast Beef, Fibber McGee's, Tostimo's Pizza Kitchen & C&S Pizza!Thanks to the very talented Mark DiChiara for the original F-Buddies theme music.
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Nick and Angela welcome a fashion icon to Dish HQ. Born in Pennsylvania, Billy Porter was always destined for greatness. In 1992 he won the TV show Star Search, scooping the $100,000 prize ahead of a very young Britney Spears. He took his talent to Broadway and in 2013 won a Tony Award for his portrayal of Lola in Kinky Boots. In 2018, Billy played Pray Tell in the BBC2 series Pose, a role that earned him critical acclaim and a Primetime Emmy Award. He released his memoir, Unprotected, in 2021. Billy Porter is currently starring in Cabaret at the Kit Kat Club in London, alongside Marisha Wallace as Sally Bowles. Nick mixes a fiery lime margarita for Billy, while Angela whips up a delicious Greek chicken with orzo. Our trio sip champagne with their meal, a le mesnil blanc de blanc grand cru brut nv, chosen by the experts at Waitrose. Billy Porter is up there with the most entertaining guests we've ever had on Dish. He's only been in the UK a few months, but he has some thoughts… On customer service at Christmastime and British cooks' ‘subtle' approach to seasoning. Billy tells some great stories about his early career and shares some beautiful sentiments about his amazing mother. You can now watch full episodes of Dish on YouTube All recipes from this podcast can be found at waitrose.com/dishrecipes A transcript for this episode can be found at waitrose.com/dish We can't all have a Michelin star chef in the kitchen, but you can ask Angela for help. Send your dilemmas to dish@waitrose.co.uk and she'll try to answer them in a future episode. Dish is a S:E Creative Studio production for Waitrose Learn more about your ad choices. Visit podcastchoices.com/adchoices
When Emily Nussbaum introduced Alan Cumming at the New Yorker Festival, she said, “Plenty of actors light up a room, but Alan Cumming is more of a disco ball—reflecting every possible angle of show business.” Cumming appears in mainstream dramas such as “The Good Wife,” and also more indie projects like his one-man version of “Macbeth”; his performances in musicals such as “Cabaret” are legendary. He also owns a nightclub; his memoir “Not My Father's Son” was a bestseller, and so on. And Cumming plays the host on the Emmy-winning reality show “The Traitors.” He combines “a dandy Scottish laird—sort of James Bond villain, sort of eccentric, old-fashioned nut who has this big castle.” Spoiler alert: “It's supposed to be my castle. It's not.” Nussbaum asks about his perspective on reality TV before he started on “Traitors.” “Zero, really,” Cumming confesses. “I was a bit judgy. … The thing I don't like about a lot of those shows is that they laud and therefore encourage bad behavior and lack of kindness.” Before “The Traitors,” Cumming's first brush with reality television was on “Who Do You Think You Are?,” a BBC genealogy program that confronted him with shocking secrets about his own family. “It made a good memoir, I suppose,” he jokes. “Just how awful that was. It was awful. But no, I don't regret it.”
The co-hosts question if Pres. Trump has a "flood the zone" strategy with his many executive orders since taking office. Then, the co-hosts weigh in on the new Netflix series "Apple Cider Vinegar" dramatizing a real-life cancer hoax. Jennifer Welch and Angie 'Pumps' Sullivan of the "I've Had It" podcast join to discuss their hit podcast and how they defy stereotypes, how 'Pumps' got her nickname, and what they've "had it" with lately. Adam Lambert joins to discuss playing the Emcee in "Cabaret" on Broadway, tackling antisemitism in the show and his message to the LGBTQ+ community. Then, he performs "I Don't Care Much." Learn more about your ad choices. Visit podcastchoices.com/adchoices