Podcasts about Cabaret

There's a unique night of performance and purpose coming up in Kilkee. The FullMoon Cabaret on Saturday, August 9th, suppors both local heritage and global need. From jazz to dance, poetry to sand animation, it's shaping up to be something really special. To tell us more about it, and the causes behind it, Derrick Lynch was joined by Rita McCarthy and Rob Hopkins.

Weekend recap; Trump’s trip to Scotland; some red states roll back child labor laws; Matt sees Cabaret and realizes the trouble we’re in is deeper than he thought; Gen Z baby names; naked man found inside State Capitol; devastating financial effect on rural hospitals; state denies DOJ access to voter rools.

Une nouvelle revue à la Foire aux Vins d'Alsace à Colmar ! Dans une volonté de présenter un spectacle créé par les équipes de Colmar Expo, c'est une toute nouvelle revue cabaret qui sera proposée cette année. Vincent Altmeyer, chargé de projet annonce la programmation.Infos pratiques :Jusqu'au 03 août 2025Colmar, Parc des Expositionshttps://www.foire-colmar.com/fr/animations/animation/le-cabaret-colmarien-2025Les interviews sont également à retrouver sur les plateformes Spotify, Deezer, Apple Podcasts, Podcast Addict ou encore Amazon Music.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Soirée cabaret au château de Villersexel

Sujets traités : Une nouvelle revue à la Foire aux Vins d'Alsace à Colmar ! Dans une volonté de présenter un spectacle créé par les équipes de Colmar Expo, c'est une toute nouvelle revue cabaret qui sera proposée cette année. Vincent Altmeyer, chargé de projet annonce la programmation.SON 19La revue Cabaret est à retrouver tous les jours jusqu'au dimanche 03 août à 19h45 à l'espace Cabaret, au bout du Hall 4.Foire aux vins toujours, avec un changement de programmation. L'humoriste Paul Mirabel remplacera ce samedi Inès Reg, qui a annoncé en dernière minute ne pas pouvoir se produire sur scène pour des raisons indépendantes de sa volonté.Un ex-agent de la Direction générale de la Sécurité extérieure mis en examen à Strasbourg. L'ancien militaire âgé d'une cinquantaine d'années est soupçonné d'avoir commandité des vidéos de viols de mineurs, notamment au Kenya, pour les regarder ensuite en ligne.Faits divers, le couple de trentenaires porté disparu depuis mercredi à Haguenau a été retrouvé par la police fin de semaine dernière. Les deux jeunes gens ont pu être localisés grâce à la plateforme Airbnb, sur laquelle ils avaient loué un logement à Haguenau. La jeune femme accuse son compagnon, déjà défavorablement connu des services de police, de l'avoir séquestré et violenté pendant leur disparition. Ce dernier doit être jugé en comparution immédiate demain.En sport, le Racing Club de Strasbourg s'est incliné ce week-end. Les Bleus et Blancs ont été défaits samedi 3 à 1 par le Galatasaray au terme de leur deuxième match amical de présaison.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

This Week’s Featured Interview: LINKS from the interview: Remembering Church Rock: Last week, we noted the dual nuclear nightmare anniversaries of July 16, focusing on the Trinity atomic test blast 80 years ago. There was no time on that show to go into the second July 16 anniversary, 1979's Church Rock uranium tailings spill on...

Join Matty J in this joyful and cheeky on-air reunion with the brilliant Crystal Stacey — local legend that ran off to join the circus and became a hula hoop master, and this year's MC for Bust Out Cabaret, returning to Broome for a special 30th birthday edition! Crystal reflects on her journey from Theatre Kimberley to international stages and back again, sharing stories about circus life, study, and the art of being an MC. Together, they preview what's in store for this weekend's strictly 18+ fundraiser, packed with circus, burlesque, comedy, aerials, and more than a few saucy surprises (yes, including a possible “aerial condom act”

Ira and Louis discuss Nicki Minaj versus SZA, CBS canceling The Late Show with Stephen Colbert, Drag Race All Stars 10, Building the Band, and movies with Leo Energy. Billy Porter joins to discuss playing the Emcee in Cabaret, his dream roles, and more.Subscribe to Keep It on YouTube to catch full episodes, exclusive content, and other community events. Find us there at YouTube.com/@KeepItPodcastCoded Justice: https://www.penguinrandomhouse.com/books/697037/coded-justice-by-stacey-abrams/ 

Mike Wendt and Andy Ferg are back LIVE from the World Famous Cabaret Lounge for a full night of nonsense! We're joined by Madison Murray and Festa! Plus, Joey Boats joins in the fun and talks about his new album, Nicotine & Pink Razors. We're the food show your deserve.Special THANKS to The Gary Girolamo Group, Ben Franklin Print Co., Twisted Fate Brewing, Anthony's Roast Beef, Cabaret Lounge & Jamie's Roast Beef!Thanks to the very talented Mark DiChiara for the original F-Buddies theme music.

Neurologist Dr. Carolyn Brockington helps separate fact from myth when it comes to common brain health concerns. Also, Al sits down with a lesser-known figure of the Harlem Renaissance movement, as 2025 marks the 100-year anniversary. Plus, Billy Porter stops by to catch up and discuss his return to Broadway as the Emcee in ‘Cabaret at the Kit Kat Club.' And, our Shop TODAY team shares a few space-saving products to help you fit as much as possible into your suitcase the next time you travel.

Welcome back to The Round Table! In this week's all host episode, Kassandra, Daniella, Preena and Viola dive into the current state of U.S. democracy, how it's shifted over time, the changing roles and behaviors of public officials, and the corruption that threatens to shake the system at its core.From the NYC mayoral race to Trump's digital fundraising tactics to ICE detention practices, the hosts break down the latest headlines. They explore the growing public disillusionment with government, education, and immigration and the apathy that seems to be everywhere. Drawing a powerful comparison to the musical Cabaret, they ask: how do we get people to care? How do we hold leaders accountable? And what unique role do young people play in all of this?The conversation also looks at digital political activism, the importance of real, human connection in movements, the danger of performative politics, and whether rebuilding trust in government is even possible. Rebuilding trust won't be easy; it'll take transparency, accountability, and real systemic change. But it's possible. And more than that, it's necessary. Now is the time to speak up, take action, and push for a democracy that actually reflects and respects the people it serves.Thanks for listening!

A new CBS News poll shows overwhelming bipartisan support for full transparency in the Jeffrey Epstein case. The survey finds 89% of Americans believe the Justice Department should release all documents, as President Trump faces backlash and files a lawsuit against The Wall Street Journal over a report linking him to Epstein. CBS News chief medical correspondent Dr. Jon LaPook joins "CBS Mornings" to talk about the CDC's latest alert showing a rise in COVID cases nationwide and the highest rate of ER visits for young kids since March. With chants of "Pay us what you owe us" echoing through the arena, WNBA players used the league's biggest weekend to push for a new contract.Paul de Gelder, who lost his hand and leg in a 2009 shark attack, joins "CBS Mornings" to talk about his new Discovery Channel special, "How to Survive a Shark Attack," where he deliberately tries to provoke sharks to teach others how to survive. David Begnaud shares the stories of Brian Flynn, who made two living organ donations to save strangers and Rachel Bee, a teen who turned her Crohn's diagnosis into a hoodie designed to comfort fellow patients. Tony and Grammy winner Billy Porter joins "CBS Mornings" to talk about stepping into the role of the Emcee in Cabaret, a dream three decades in the making. Porter previously starred in the production's London run. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

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On June 22nd Mickey-Jo produced and hosted another evening of his regular Cabaret chat show, MickeyJoTheatre: LIVE! at the Phoenix Arts Club.One of his guests for the evening was the award winning rising star Jeevan Braich, who was cast as Rusty, starring in the West End return of STARLIGHT EXPRESS last year, and has recently returned to the role.When they sat down together, they talked through the mechanics of singing on wheels, what it was like performing at the Olivier Awards, and his relationship with theatrical giants like Dame Arlene Phillips and Lord Andrew Lloyd Webber.About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Joanie: Le gouvernement canadien s’apprête à ouvrir un bureau sur le ovnis CKOI ton prix Les E-Sports font leur entrée dans les écoles québécoises Le Party Mix de Pascal Cameron: pourquoi Pascal est le meilleur chum au monde Roulette: Alphé en peut plus de vous voir avec vos cellulaires au volant Minute à Joanie: c’est de la faute à Mercure qui rétrograde. Debout les caves Les melons d’eau du Costco sont à risques de vous causer des blessures Cabaret des comiques - Oussama Fares Voir https://www.cogecomedia.com/vie-privee pour notre politique de vie privée

Döbler, Katharina www.deutschlandfunkkultur.de, Lesart

Döbler, Katharina www.deutschlandfunkkultur.de, Lesart

Joanie: Des boîtes de nuit réservées aux femmes font polémiques en France CKOI ton prix Un fermier retrouve une partie de la fortune de Pablo Escobar Le Party Mix de Pascal Cameron: non, bon matin ça ne se dit pas Roulette: Pascal est heureux. Mais ça lui fait peur de mourir Minute à Joanie: la théorie des ongles rouges Debout les caves Une partie du Grand Canyon sera fermée aux touristes. Raconte-nous la fois où tu as fait toute cette route pour rien. Cabaret des comiques - Sinem Kara DÉBAT DU JOUR: Il part en voyage sans sa blonde parce qu’elle ne peut pas se le permettre. Est-ce que ça se fait ? Voir https://www.cogecomedia.com/vie-privee pour notre politique de vie privée

Döbler, Katharina www.deutschlandfunkkultur.de, Lesart

Send us a textWelcome to Celebrate Creativity - previously celebrate poe - this is episode 401 - From Poe to AI, Part Two - In this podcast episode, I wanna be getting away from Poe for now and delving more into AI. And now when I talk about AI or AI bots, just think about websites that use AI can you can ask a question - more about that later.Now, opening a play on Broadway certainly is a demanding undertaking.  And I want to start today's podcast by briefly mentioning two people who helped open plays on Broadway in their 90s. First, Adrienne Kennedy of Pittsburgh, Pennsylvania, born in 1931, is an American playwright known for her unique and surreal theatrical style. She grew up in Cleveland, Ohio, and later attended Ohio State University, where she earned a B.A. in education in 1952. Her plays frequently center Black women and delve into the impact of racism and societal pressures. In 2022, at the age of 91, Adrienne Kennedy made her Broadway debut as a playwright with Ohio State Murders. This play, written decades earlier, draws on Kennedy's own experiences as a student at Ohio State University in the late 1940s and early 1950s, highlighting the systemic racism she encountered.  And John Harold Kander - born in 1927 - along with his partner lyricist Fred Ebb.) wrote the scores for 15 musicals, including Cabaret (1966) and Chicago (1975.), He and Ebb also wrote the standard "New York, New York" (officially known as "Theme from New York, New York"). When he was 94 he wrote the music for a Broadway musical version of New York New York - a play that received 11 Tony nominations and four wins.Now I want to continue from last week and jump back to the subject of doing historical research with AI.  And for the rest of this episode, I am largely going over comments from Gemini.Thank you for experiencing Celebrate Creativity.

Mickey-Jo recently returned to the West End production of CABARET at the Kit Kat Club for a gala performance welcoming their new stars, Rob Madge and Hannah Dodd.The revival, which has been directed by Rebecca Frecknall, reconceived the Playhouse Theatre in London as the Kit Kat Club when it first opened in 2021 and has since starred many brilliant performers in these iconic roles, recently celebrating 1500 performances in London.Check out Mickey-Jo's thoughts on the show's remarkable achievement and the fascinating performances of its latest stars...•00:00 | introduction03:42 | Rob Madge as the Emcee13:35 | Hannah Dodd as Sally BowlesAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

New Bieber, Skibidi Toilet & Leah's Cabaret ReviewSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're all back this week for a packed week of news, and even some BREAKING news while we're recording. We recap Nick and Gavin's trip to Cabaret, and give some insight on the shows we saw this week.

Guido Thielscher war einer der bekanntesten Humoristen, Kabarettisten und Couplet-Sänger im Berlin des frühen 20. Jahrhunderts. Große Erfolge feierte er unter anderem am dortigen Metropol-Theater, wo er es an der Seite von Künstlerinnen wie Fritzi Massary (Betonung 2. Silbe) oder Claire Waldoff zu Ruhm brachte. Auch als Klein-Kunst-Solist war er vielgefragt und wird heute, zumindest von der Wikipedia, als „früher Vorläufer des klassischen Stand-Up-Comedian angesehen“. Welchem Programm die „Kissinger Ballade“ entstammt, die wir im Hamburger Anzeiger vom 13. Juli 1925 fanden, ließ sich nicht in Erfahrung bringen. Auf jeden Fall macht sich der Mittsechziger Thielscher hier über die Umstände einer Kur in einem der dafür klassischen Bäder, in Kissingen, ausgiebig lustig. Was er wohl nicht ahnen konnte: dass er 16 Jahre später tatsächlich auf einer Sommerkur, diesmal im schlesischen Salzbrunn, versterben sollte. Es rezitiert: Frank Riede

Mix Name: DJ Santana – D’Cabaret (Homenaje A La Bachata Clásica) Mixtape Website: https://www.iamlmp.com/ Instagram: https://www.instagram.com/iamlmp/ DJ Instagram: https://www.instagram.com/djsantana/ Download our DJ Music App Daily Mixes: https://linktr.ee/iamlmp #bachata #iamlmp #bachataclasica

Ep # 79: Crashing Weddings and Creating Art: Conversations with Ayana Major Bey

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Thu, 03 Jul 2025 17:30:00 GMT http://relay.fm/rd/264 http://relay.fm/rd/264 Alphabetical Shadow 264 Merlin Mann and John Siracusa Merlin presents some Microwave Results and John shares his most recent Graduation Results. Merlin presents some Microwave Results and John shares his most recent Graduation Results. clean 5847 Subtitle:  That's why it's hard to be Janice.Merlin presents some Microwave Results and John shares his most recent Graduation Results. This episode of Reconcilable Differences is sponsored by: Vitally: A new era for customer success productivity. Get a free pair of AirPods Pro when you book a qualified meeting. Grist: A modern, open source spreadsheet that goes beyond the grid. Try it for free today. Links and Show Notes: Things kick off with some document disagreements and a surprisingly long discussion of HTML. Next up, Merlin presents some Microwave Results and John shares his most recent Graduation Results. In this month's member bonus episode, your hosts discuss the 1981 German submarine epic, Das Boot. You can sign up today to hear all the member episodes, get more bonus stuff, and help support our program. (Recorded Tuesday, June 24, 2025) Credits Audio Editor: Jim Metzendorf Admin Assistance: Kerry Provenzano Music: Merlin Mann The Suits: Stephen Hackett, Myke Hurley Get an ad-free version of the show, plus a monthly extended episode. Postel's law Reconcilable Differences #218: Train ParliamentThis is the episode where we talk about the people who row boats across oceans. Reconcilable Differences #232: Ham Means OneThis is the episode where we talk about Waffle House's Pull Drop Mark Order Calling Method. Das Boot (1981) Das Boot: Behind the Scenes Blade Runner (1982) Legend (1985) Time Bandits (1981) Dragonslayer (1981) Excalibur (1981) The Godfather Part II (1974) Once Upon a Time in America (1984) Cabaret (1972)

Thu, 03 Jul 2025 17:30:00 GMT http://relay.fm/rd/264 http://relay.fm/rd/264 Merlin Mann and John Siracusa Merlin presents some Microwave Results and John shares his most recent Graduation Results. Merlin presents some Microwave Results and John shares his most recent Graduation Results. clean 5847 Subtitle:  That's why it's hard to be Janice.Merlin presents some Microwave Results and John shares his most recent Graduation Results. This episode of Reconcilable Differences is sponsored by: Vitally: A new era for customer success productivity. Get a free pair of AirPods Pro when you book a qualified meeting. Grist: A modern, open source spreadsheet that goes beyond the grid. Try it for free today. Links and Show Notes: Things kick off with some document disagreements and a surprisingly long discussion of HTML. Next up, Merlin presents some Microwave Results and John shares his most recent Graduation Results. In this month's member bonus episode, your hosts discuss the 1981 German submarine epic, Das Boot. You can sign up today to hear all the member episodes, get more bonus stuff, and help support our program. (Recorded Tuesday, June 24, 2025) Credits Audio Editor: Jim Metzendorf Admin Assistance: Kerry Provenzano Music: Merlin Mann The Suits: Stephen Hackett, Myke Hurley Get an ad-free version of the show, plus a monthly extended episode. Postel's law Reconcilable Differences #218: Train ParliamentThis is the episode where we talk about the people who row boats across oceans. Reconcilable Differences #232: Ham Means OneThis is the episode where we talk about Waffle House's Pull Drop Mark Order Calling Method. Das Boot (1981) Das Boot: Behind the Scenes Blade Runner (1982) Legend (1985) Time Bandits (1981) Dragonslayer (1981) Excalibur (1981) The Godfather Part II (1974) Once Upon a Time in America (1984) Cabaret (1972)

An amazing performance from start to finish! Monet Sable is in the cast and she joined Vineeta Sawkar to discuss the local flavor the cast has!

durée : 01:28:32 - Une saison exceptionnelle de Cabarets 42e rue - par : Laurent Valière - Company, Les Misérables, Starmania, Gypsy ou Sweeney Todd : retour sur une saison exceptionnelle de Cabarets 42e rue au Carreau du Temple cette saison. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The Department for Education has just released the latest figures that show another rise in the number of Education, Health and Care Plans, or EHCPs, in England. These are the legal documents that outline what support a child or young person with special educational needs and disabilities is entitled to. The BBC's education reporter Kate McGough, Jane Harris, vice chair of the Disabled Children's Partnership, and Jacquie Russell from West Sussex County Council joined Clare McDonnell.Christiane Amanpour has been at the forefront of international news for more than 40 years, reporting from all over the world as a journalist and war reporter as well as being CNN's Chief International Anchor, steering the helm of several programmes including CNN International's nightly interview programme Amanpour. She's now launched a podcast, Christiane Amanpour Presents: The Ex-Files with Jamie Rubin. It's a weekly foreign affairs show, co-hosted with Jamie, a former U.S. diplomat and Assistant Secretary of State and also her ex-husband. Christiane joined Clare to discuss.The musician, songwriter and actress, Rebecca Lucy Taylor, aka Self Esteem won the 2021 BBC Music Introducing Artist of the Year Award and achieved a nomination for the Mercury Prize in 2022 with Prioritise Pleasure. More recently she has performed the lead role of Sally Bowles in the West End production of Cabaret. She talks to Anita Rani about her new album, A Complicated Woman, and performing on the Park Stage at Glastonbury this weekend.The bullet bra has made a recent return to the catwalk and to the cover of British Vogue, where singer Dua Lipa can be seen sporting a blush satin Miu Miu creation in the July issue. But will the silhouette, once favoured by Marilyn Monroe and Madonna, cut through to the high street? And what does that mean for the comfortable t-shirt bras that have been going strong since lockdown? Julia Hobbs, British Vogue's contributing senior fashion features editor has recently road-tested the bullet bra. She joins Clare to discuss the experience, along with Karolina Laskowska, a lingerie designer and the director of The Underpinnings Museum.Presenter: Clare McDonnell Producer: Annette Wells Editor: Rebecca Myatt

Connor and Dylan are joined by Graham Phillips (Little Shop of Horrors, 13). Suddenly, Graham y'all! The twins are gagged to have this star of stage and screen on the podcast to honor his highly anticipated return to the New York stage. But first, the boys gag over Orville Peck and Eva Noblezada in Cabaret at the Kit Kat Club. Graham is currently starring as Seymour in Little Shop of Horrors, alongside longtime friend and castmate Liz Gillies. From the workshops of 13 to the streets of Skid Row, they're finally reunited onstage. Graham discusses what it's been like joining the show, spills tea on the roles-that-almost-were over the years, and a possible clowning storyline. We ask about highlights from The Good Wife (and what he would've done on The Good Fight!), memories from Riverdale, and his film studio that he runs with his brother: Phillips Pictures. Chemistry reads with Zachary Quinto, wrap parties with Calista Flockhart and Harrison Ford, and late night karaoke sessions with Liz Gillies and 13 alums are allllll mentioned. Stick around to find out what Graham's (and Seymour Krelborn's) enneagram type is! Catch Graham in Little Shop of Horrors through July 27th only.Follow Graham on InstagramFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramSubscribe to our show on iHeartRadio Broadway! Support the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!

Governor Maura Healey joins for Ask the Governor.GBH News executive arts editor Jared Bowen discusses the Boston Public Art Triennial, Cabaret at the Kit Kat Club and the fate of Iran's architectural treasures with escalation of war.Harvard national security expert Juliette Kayyem discusses the emerging details of the U.S. strike on Iran and the proposed "Golden Dome"  US-wide missile defense system.Boston Globe Love Letters columnist Meredith Goldstein discusses some of her recent columns and podcast episodes including how to deal with a partner's moodiness and the role of artificial intelligence in dating.

"Thrill with excitement and scream with fear!" The man behind Dracula's Cabaret promises their latest show will scare and delight audiences. Luke Newman is a third generation Dracula, he told Jesse what makes their performances stand out from the rest.

This one caught my eye for a completely different reason than most of the postcards I've written about. It's not a quiet street scene or a charming old building—it's people. A whole lineup of them. Dancers, performers, maybe a few singers too, all standing in formation in front of a dramatic backdrop. They're dressed in full costume—fringe, sequins, feathers—ready to perform, or maybe just wrapping up another night's set. The caption at the bottom reads: The Ensemble of “The Famous Hollywood Cabaret” Restaurant, Broadway at 48th St., New York City. It says a lot in just a few words. This wasn't just a restaurant—it was a place where dinner came with a full night of entertainment. And this postcard doesn't just show a building or a business—it captures a whole slice of nightlife in one of New York's most legendary neighborhoods. Podcast Notes: https://ancestralfindings.com/hollywood-cabaret-new-york/ Ancestral Findings Podcast: https://ancestralfindings.com/podcast This Week's Free Genealogy Lookups: https://ancestralfindings.com/lookups Genealogy Giveaway: https://ancestralfindings.com/giveaway Genealogy eBooks: https://ancestralfindings.com/ebooks Follow Along: https://www.facebook.com/AncestralFindings https://www.instagram.com/ancestralfindings https://www.youtube.com/ancestralfindings Support Ancestral Findings: https://ancestralfindings.com/support https://ancestralfindings.com/paypal  #Genealogy #AncestralFindings #GenealogyClips

Actriz mexicana de cine, televisión y teatro, con notables participaciones en muchos de los títulos más destacados de la escena contemporánea. Entre sus trabajos más sobresalientes en teatro se encuentran ‘Todo Sobre mi Madre' (Dir. Francisco Franco), ‘Cock' (Dir. Toño Serrano), ‘Crímenes del Corazón' (Dir. Enrique Singer), ‘Medida por Medida' y ‘Medea' (Mauricio García Lozano), ‘Network' (Dir. Francisco Franco) con Daniel Giménez Cacho, y ‘Cabaret' (2024). Ha sido nominada al Premio Ariel en cinco ocasiones y a los Premios Platino en tres. Con ‘Las Niñas Bien' (Dir. Alejandra Márquez Abella) recibió el Premio Ariel en 2019 en la categoría de Mejor Actriz, además del premio del Festival Internacional de Cine de la Habana y el Festival Internacional de Lima. Con ‘Plaza Catedral' (Dir. Abner Benaim) recibió el reconocimiento del FICG como mejor interpretación. Ilse enlista más participaciones relevantes dentro de su filmografía, como ‘GÜEROS' ( Dir. Alonso Ruizpalacios), ‘Sabrás que Hacer Conmigo' (Dir. Katina Medina Mora), ‘Museo' (Dir. Alonso Ruizpalacios), ‘Cantinflas' (Dir. Sebastián del Amo), ‘Amores Modernos' (Dir. Matias Meyer), ‘Maquíllame Otra Vez' (Dir. Guillermo Calderón), ‘Familia' (Dir. Rodrigo García) y ‘Pedro Páramo' (Dir. Rodrigo Prieto). Para televisión, ha formado parte de proyectos como ‘Locas de Amor' (Televisa), ‘Capadocia' (HBO), ‘Sr. Ávila' (HBO), ‘Historia de un Crimen: Colosio' (Netflix), ‘100 Días para Enamorarnos' (Telemundo), ‘Señorita 89' (Fábula / Pantaya), ‘La Liberación' (Prime Video), serie de la que también es productora, y ‘Futuro Desierto' (Paramount Television), próxima a estrenarse.Síguenos en redes:http://instagram.com/cableatierrapodhttp://facebook.com/cableatierrapodcasthttp://instagram.com/tanialicious Hosted on Acast. See acast.com/privacy for more information.

‘Cabaret’ to close with Porter and Wallace, Jeff Ross to bring solo show to Broadway, Jinkx to play Mary Todd Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt read more The post Today on Broadway: Thursday, June 19, 2025 appeared first on BroadwayRadio.

Sous l'impulsion de Zize Dupanier, les Grosses Têtes se verraient bien au cabaret... Retrouvez tous les jours le meilleur des Grosses Têtes en podcast sur RTL.fr et l'application RTL. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Last night the winners of this year's Women's Prize were announced. The winner for fiction is Yael van der Wouden for her novel The Safekeep and the non-fiction prize by Rachel Clarke for her book The Story of a Heart, which tracks the lifesaving gift of a transplant. Anita Rani discusses the winning books with the Chair of Judges for the Fiction Prize, author Kit de Waal, and Chair of Judges for the Non-Fiction Prize, journalist and author Kavita Puri.Race Across The World reached its finale on BBC One this week, after a nearly 9,000-mile dash across Asia, from the Great Wall in north eastern China to the southernmost tip of India, via the Himalayan peaks of Nepal. This year's winner were mother and son team Caroline Bridge and her 21-year-old son Tom. Caroline talks to Anita about the experience.An entrepreneur and mother was refused entry to a tech event in London because she had brought her eight-month-old baby with her. Anita speaks to the woman in question, Davina Schonle, and the director and producer Jude Kelly about the issue of banning babies from events of this nature.It's festival season, with Glastonbury starting at the end of June. However it's not just the music and the atmosphere that festival goers need to be thinking about. The UK Health Security Agency has warned that measles is circulating across the country, with high numbers in the South West and London. Anita is joined by the UK Health Security Agency Deputy Director of Vaccination Programmes, Dr Julie Yates - who is the former public health lead in South West on Glastonbury.Grammy-nominated Ute Lemper has had a career spanning stage, film and music. She is renowned for her interpretations of Kurt Weill, Brecht and chanson legends like Marlene Dietrich. Ute won the American Theatre World Award and the Laurence Olivier Award for her performance as Chicago's Velma Kelly both on Broadway and in London's West End, and the Molière Award for her performance as Sally Bowles in Cabaret in Paris. Utel Lemper now has a new album, Pirate Jenny, celebrating the music of legendary composer Kurt Weill. She joins Anita to talk about her passion for his work.Presenter: Anita Rani Producer: Rebecca Myatt

Rob Madge grew up staging living room musicals with wigs, smoke machines, and the unwavering support of their parents and grandmother—but what started as childhood play eventually became the viral, heartfelt, and Olivier-nominated solo show My Son's a Queer (But What Can You Do?). In this episode, Rob shares how those home videos evolved into a theatrical sensation, and how a show born during lockdown has become a powerful celebration of queer joy, family, and radical acceptance—now heading to New York City Center for its limited U.S. debut. We talk about everything from queer theory and comedy as activism to being a theater kid in a small UK village and why their grandmother was the ultimate co-conspirator. Rob opens up about the emotional weight of visibility, the importance of letting kids be themselves, and the unshakable confidence that comes from being loved early and completely. Plus, they reflect on their journey from Gavroche to leading their own story—and the joy of tweaking the show for each new audience. Rob Madge is a writer and performer whose solo show My Son's a Queer (But What Can You Do?) earned an Olivier Award nomination following its West End run. They began their career as a child actor in Mary Poppins, Oliver!, and Les Misérables, and trained at Sylvia Young Theatre School before studying English Literature at Warwick University. Rob also stars as the Emcee in Cabaret on the West End, and continues to explore themes of identity, family, and theatricality through their writing and performance. Connect with Rob Instagram: @robmadge02 Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Robbie Rozelle wraps up his episodes with the moment we've all been waiting for: Stephen Sondheim stories!! Robbie talks about extensively working so closely with the legend he calls a "deity" and why you always, always (always!) sing what Sondheim wrote on the page.  Robbie also takes us through creating his cabaret shows and explains why it's all about storytelling. Celebrities? Boring. What do YOU have to say? Let's find out what that is and then find ways to lift people up and make good art with and for the ones we love. Oh and we are all over the place so buckle up! We're talking Housewives, Taylor Swift, Scandoval (Team Ariana!), The Traitors (Gabby Windey 4eva we heart you Gaggy), the invisible string theory, and our TikTok FYPs. Robbie Rozelle @DivaRobbie  Robbie Rozelle - Songs from Inside My Locker (Live at Feinstein's/54 Below) Gabby Windey on TikTok - Gaggy to u Fairuza Balk Taylor Swift - tolerate it   /// Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

My guest this week is culture writer Erik Piepenburg, author of the new book Dining Out: First Dates, Defiant Nights, and Last Call Disco Fries at America's Gay Restaurants. It's a nationwide tour of the places queer people gather to eat, and how those places satisfy more than just our literal hunger. When Erik started the project, he expected that he'd be documenting the dying-out of gay restaurants, but he found something surprising and thriving instead.We'll have that conversation in just a minute. First — if you're in Seattle, I hope you'll join me at two upcoming live events. The first is a book signing and sitcom-themed hangout at the Northgate Barnes & Noble — that's this Sunday, June 8 from noon to 4pm. Come enjoy clips from classic sitcoms, get your copy of Hi Honey, I'm Homo! signed, and pick up some free stickers & bookmarks! The store's located right off the light rail — just take it up to Northgate.The second event this month is a presentation entitled What's so Gay About Frasier — a deep-dive into why Seattle's most eligible bachelor keeps managing to find himself at the center of queer farces. That's on Tuesday, June 24 at Elliott Bay Books on Capitol Hill at 7pm. I have all the details in the shownotes and at mattbaume.com/events.Also, if you're enjoying The Sewers of Paris, I hope you'll consider supporting the show on Patreon. You may also enjoy my YouTube videos about the making of iconic movies and TV shows — I have a new video about the magic of Star Trek's Lwaxana Troi. And check out my weekly livestreams on Twitch, my book Hi Honey, I'm Homo!, and my free email newsletter. There's links to all that in the episode shownotes, and at MattBaume.com.

Robbie Rozelle is back for round two and I think it's safe to say that we are officially off the rails. After passing up lottery tickets to Hamilton at the Public in 2015, Robbie eventually saw it in previews and promptly had an out of body experience, prompting a StubHub debacle the very next day (remember those days?!). Robbie was the creative director of Playbill at the start and eventual astronomical height of Hamilton, so we take a look back on some of the insane fervor of that time and why some of it was probably not very cool (it's me, hi, I'm the problem, it's me). Plus, we share stories about being in the room for some very famous on-stage mishaps: breaking the fourth wall in Wicked and Gypsy, a drunk Richard Burton furious that they gave him the curtain during Camelot, Bette Midler mugging with a purse in Hello Dolly!, and the famous Emily Skinner/Linda Eder situation for that one night only performance of Jekyll & Hyde. Robbie Rozelle @DivaRobbie  Robbie Rozelle - Songs from Inside My Locker (Live at Feinstein's/54 Below) Original Cast Album: Co-Op Nobert Leo Butz - Girls, Girls, Girls: Live at 54 Below Emily Skinner Finally Confirms That Rumor About Jekyll and Hyde Flight of the Conchords Season 2, Episode 7: “Prime Minister” /// Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

Robbie Rozelle is a beloved cabaret artist, director, producer, housewives aficionado, and my friend. He identifies as a Charles Nelson Reilly with a Paul Lynde Rising. And guess what?! We're going back to basics! Robbie joins me in person, in my living room, and we talk about his Hamilton experience as well as pretty much everything else.  As a kid, Robbie fell in love with classic movie musicals (The Wizard of Oz, The Sound of Music, Annie (1982 ONLY), Bye Bye Birdie, Damn Yankees) and became transfixed. By the time he was cast as Scarecrow his freshman year of high school he knew he was going to be a performer. As a young gay kid in the middle of the AIDS crisis, Robbie found hope, joy, and a sense of belonging in theatre, which is why he's made it his life goal to preserve musicals through producing cast and artist albums.  This week, Robbie talks about his journey to New York City by way of upstate New York with a quick stop in Pennsylvania, how he became the Creative Director of Playbill, his transition to Center Stage Records, and how wise words from Jan Maxwell led to his "second life" as a cabaret icon.  Robbie Rozelle @DivaRobbie  Robbie Rozelle - Songs from Inside My Locker (Live at Feinstein's/54 Below) Original Cast Album: Co-Op /// Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps