Podcasts about Grace Kelly

Dan, James and Andy discuss YOUR facts, including avocado, almonds, Geese and Grace Kelly. James takes us on a hell of a Kentucky Derby ride. And we name eight more Friend of the Podcast fact custodians.Join Club Fish for ad-free episodes and exclusive bonus content at apple.co/nosuchthingasafish or nosuchthingasafish.com/patreon

What could be more romantic than two Gen X white guys talking about Alfred Hitchcock's most romantic film before Valentine's Day? I'm sure plenty of things, but this is what you get from the Sonic Cinema Podcast this year. My frequent guest, Phil Fasso, returns for the third time in five months to discuss Cary Grant and Grace Kelly being two of the most drop-dead gorgeous people in movie history in Hitchcock's 1955 light and entertaining caper, "To Catch a Thief". I hope you enjoy!

Let us pick the best neo-glam rock song of the mid-00s! Who shall win, the faux-Queen belting of Mika's "Grace Kelly" or the Elton John-approved disco of the Scissor Sisters' "I Don't Feel Like Dancin'"?See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Episode Notes Full descrptions from the Library of Congress “The Tramp and the Dog” (1896)                                                          "The Tramp and the Dog," a silent film from Chicago's Selig Polyscope Company, is considered director William Selig's most popular early work. Filmed in Rogers Park, it is recognized as the first commercial film made in Chicago. Previously a lost film, it was rediscovered in 2021 at the National Library of Norway. The film depicts a tramp who attempts to steal a pie from a backyard windowsill, only to be met by a broom-wielding housewife and her dog, who foils the crime. The film is one of the first known as “pants humor,” where a character loses (or almost loses) his pants during an altercation. This scene inspired future comedy gags showing drifters and tramps losing their pants to dogs chasing them. “The Oath of the Sword” (1914)                                                                        A three-reel silent drama, "The Oath of the Sword" depicts the tragic story of two young lovers separated by an ocean. Masao follows his ambitions, studying abroad at the University of California, Berkeley, while Hisa remains in Japan, caring for her ill father. This earliest known Asian American film production featured Japanese actors playing Japanese characters and was produced by the Los Angeles-based Japanese American Film Company. Made at a time when Hollywood studios were not yet the dominant storytellers of the American film industry, "The Oath of the Sword" highlights the significance of early independent film productions created by and for Asian American communities. James Card, the founding curator at the George Eastman Museum, acquired “The Oath of the Sword” in 1963. The museum made a black and white photochemical preservation in 1980. In 2023, a new preservation reproducing the original tinting was done in collaboration with the Japanese American National Museum, and the film has since become widely admired. “The Maid of McMillan” (1916)Known to be the first student film on record, this whimsical, silent romance film was shot on campus in 1916 by students in the Thyrsus Dramatic Club at Washington University in St. Louis, Missouri. Club members Donald Stewart (Class of 1917) and George D. Bartlett (Class of 1920) wrote the screenplay. The original nitrate print of “The Maid of McMillan” was rediscovered in 1982, and two 16mm prints were made; the original nitrate was likely destroyed at this time. In 2021, with funding from the National Film Preservation Foundation, one of those 16mm prints was scanned at 4k and reprinted onto 35mm helping to secure the film's survival and legacy. “The Lady” (1925)When “The Lady” debuted in theaters in 1925, the silent film era had hit its stride, and this movie represents a powerhouse of artists at their peak. Director Frank Borzage was a well-established expert in drawing out intense expressions of deep emotion and longing in his actors. He did just that with the film's lead actress, Norma Talmadge, also at the height of her career, both in front of and behind the camera. Talmadge produced “The Lady” through her production company and commissioned one of the most prolific screenwriters, Frances Marion, to deliver a heartfelt story of a woman seeking to find the son she had to give up, to protect him from his evil grandfather. “The Lady” was restored by the Library of Congress in 2022. “Sparrows” (1926)As a silent actress, producer and key founder in the creation of the American film industry, Mary Pickford's performance in “Sparrows” represents her ability to master the genre she helped nourish: sentimental melodramas full of adventure and thrills, with dashes of comedy and heartfelt endings. Pickford plays Molly, the eldest orphan held within the swampy squalor of the Deep South, who moves heaven and earth to save the other orphan children from a Dickensian world of forced labor. The film takes some departures from the visual styles found in Pickford's other films, invoking an unusual tone of despair while deploying camera angles and lighting akin to German Expressionist cinema. “Sparrows” was preserved by the Library of Congress in collaboration with the Mary Pickford Company in 2020. “Ten Nights in a Barroom” (1926)                                                                     Featuring an all-Black cast, “Ten Nights in a Barroom” was produced in 1926 by the Colored Players Film Corporation of Philadelphia and is the earliest of only two surviving films made by the company. This silent film is based on the stage melodrama adapted from the 1854 novel “Ten Nights in a Bar-Room and What I Saw There” by Timothy Shay Arthur. Released in 2015 by Kino Lorber as part of the five-disc set “Pioneers of African-American Cinema,” the compilation was produced by the Library of Congress, in association with the British Film Institute, George Eastman Museum, Museum of Modern Art, National Archives, Smithsonian's National Museum of African American History and Culture, Southern Methodist University and the UCLA Film & Television Archive. Preserved by George Eastman Museum. “White Christmas” (1954)                                                           While the chart-topping song "White Christmas" was first performed by Bing Crosby for the 1942 film "Holiday Inn," its composer, Irving Berlin, was later inspired to center the song in the 1954 musical "White Christmas." Crosby, along with Danny Kaye, Rosemary Clooney, Vera-Ellen Rohe and director Michael Curtiz, embedded "White Christmas" in American popular culture as a best-selling single and the top-grossing film of 1954, as well as regular holiday viewing throughout the decades. The story of two World War II veterans-turned-entertainers and a singing sister act preparing a show for a retired general, the film and its grand musical numbers were captured in VistaVision, a widescreen process developed by Paramount Pictures and first used for "White Christmas." “High Society” (1956)                                                                  Often referred to as the last great musical of the Golden Age of Hollywood, “High Society” features an all-star cast including Bing Crosby, Grace Kelly, Frank Sinatra and Louis Armstrong (and his band), along with a memorable score of Cole Porter classics. Set in Newport, Rhode Island, the film showcases the Newport Jazz Festival (established in 1954) and features a remarkable version of Cole Porter's “Now You Has Jazz.” It includes the first big-screen duet by Frank Sinatra and Bing Crosby, singing “Well, Did You Evah?” This was Grace Kelly's last movie before she retired from acting and married the Prince of Monaco; she wore her Cartier engagement ring while filming. “Brooklyn Bridge” (1981)                                               With “Brooklyn Bridge,” Ken Burns introduced himself to the American public, telling the story of the New York landmark's construction. As with later subjects like the Civil War, jazz and baseball, Burns connects the building of the Brooklyn Bridge to American identity, values and aspirations. Released theatrically and nominated for an Academy Award for Best Documentary Feature, “Brooklyn Bridge” marked the beginning of Burns' influential career in public media*.* More than just a filmmaker, Burns has become a trusted public historian. His storytelling presents facts, but maybe more importantly, invites reflection on what America is, where it's been, and where it's going. His influence is felt not only in classrooms and through public broadcasting, but across generations who see history as something alive and relevant. “Say Amen, Somebody” (1982)George Nierenberg's documentary is a celebration of the historical significance and spiritual power of gospel music. With inspirational music, joyful songs and brilliant singers, the movie focuses on the men and women who pioneered gospel music and strengthened its connections to African American community and religious life. Prior to production, Nierenberg, who is white, spent over a year in African American churches and communities, gaining the trust of the performers. Restored by the Smithsonian's National Museum of African American History and Culture in 2020, the film features archival footage, photographs, stirring performances and reflections from the father of gospel Thomas A. Dorsey and its matron Mother Willie Mae Ford Smith. Nierenberg shows the struggles and sacrifices it takes to make a living in gospel, including criticism endured by women who sought to pursue careers as professional gospel singers while raising their families. “The Thing” (1982)Moody, stark, often funny and always chilling, this science fiction horror classic follows Antarctic scientists who uncover a long-dormant, malevolent extraterrestrial presence. “The Thing” revolutionized horror special effects and offers a brutally honest portrait of the results of paranoia and exhaustion when the unknown becomes inescapable. “The Thing” deftly adapts John W. Campbell's 1938 novella “Who Goes There?” and influenced “Stranger Things” and “Reservoir Dogs.” It remains a tense, thrilling and profoundly unsettling work of cinema. “The Big Chill” (1983)Lawrence Kasdan's best picture-nominated “The Big Chill” offers an intimate portrait of friends reunited after the suicide of one of their own and features actors who defined cinema in the 1980s – Glenn Close, William Hurt, Jo Beth Williams, Kevin Kline, Jeff Goldblum and Meg Tilly. This powerful ensemble portrays American stereotypes of the time – the yuppie, the drug dealer, the TV star – and deftly humanizes them. Through humor, tenderness, honesty and an amazing soundtrack, it shows formerly idealistic Americans making and dealing with the constant compromises of adulthood, while buoying one another with uncompromising love and friendship. “The Karate Kid” (1984)An intimate story about family and friendship, “The Karate Kid” also succeeds as a hero's journey, a sports movie and a teen movie – a feel-good movie, but not without grit. The film offers clearly defined villains, romance and seemingly unachievable goals, but also an elegant character-driven drama that is relatable and touching. A father who has lost his son meets the displaced son of a single mother and teaches him about finding balance and avoiding the pitfalls of violence and revenge. Race and class issues are presented honestly and are dealt with reasonably. Our hero practices a lot, gets frustrated, gets hurt, but still succeeds. It's as American as they come, and it's a classic. “Glory” (1989)“Glory,” described by Leonard Maltin as “one of the finest historical dramas ever made,” portrays a historical account of the 54th Regiment, a unit of African American soldiers who fought for the North in the Civil War. Authorized by the Emancipation Proclamation of 1863, the regiment consisted of an all-Black troop commanded by white officers. Matthew Broderick plays the young colonel who trains the troop, and Denzel Washington (in an Academy Award-winning performance) is among an impressive cast that includes Morgan Freeman, Cary Elwes and Andre Braugher. American Civil War historian James M. McPherson said the film "accomplishes a remarkable feat in sensitizing a lot of today's Black students to the role that their ancestors played in the Civil War in winning their own freedom.” “Philadelphia” (1993)                                                                  “Philadelphia” stars Tom Hanks in one of the first mainstream studio movies to confront the HIV/AIDS crisis. In the film, law partner Andrew Beckett (Hanks) is fired from his firm when they discover that he is gay and has AIDS. He hires personal attorney Joe Miller (Denzel Washington) to help him with litigation against his former employer. Director Jonathan Demme is quoted as saying, “The film is not necessarily just about AIDS, but rather everyone in this country is entitled to justice.” The film won two Oscars: one for Hanks and the other for Bruce Springsteen's original song, “The Streets of Philadelphia.” Through the song's mainstream radio and MTV airplay, it brought the film and its conversation around the HIV/AIDS pandemic to a wider audience. “Before Sunrise” (1995)                                                              Richard Linklater has explored a wide range of narrative storytelling styles while consistently capturing ordinary, everyday American life. However, his innovative use of time as a defining and recurring cinematic tool has become one of his most significant accomplishments. As the first film in his “Before” trilogy – three films, each shot nine years apart – “Before Sunrise” unfolds as one of cinema's most sustained explorations of love and the passage of time, highlighting the human experience through chance encounters and conversation. With his critically acclaimed 12-year production of the film “Boyhood” (2014) and a new 20-year planned production underway, his unique use of the medium of film to demonstrate time passing demonstrates an unprecedented investment in actors and narrative storytelling. “Clueless” (1995)                                                             A satire, comedy and loose Jane Austen literary adaptation dressed in teen movie designer clothing, “Clueless,” directed by Amy Heckerling, rewards both the casual and hyper-analytical viewer. It's impossible to miss its peak-1990s colorful, high-energy, soundtrack-focused on-screen dynamism, and repeated viewings reveal its unpretentiously presented and extraordinarily layered and biting social commentary about class, privilege and power structures. Heckerling and the incredible cast never talk down to the audience, creating main characters that viewers root for, despite the obvious digs at the ultrarich. The film centers on Cher (Alicia Silverstone) as a well-intentioned, fashion-obsessed high school student who is convinced she has life figured out. In the age of MTV, the film's popularity launched Paul Rudd's career and Silverstone's iconic-1990s status. The soundtrack, curated by Karyn Rachtman, helped solidify the film as a time capsule of clothing, music, dialogue and teenage life. “The Truman Show” (1998)Before social media and reality television, there was “The Truman Show.” Jim Carrey breaks from his usual comedic roles to star in this dramatic film about a man who, unbeknownst to him, is living his life on a soundstage filmed for a popular reality show. Adopted at birth by the television studio, Truman Burbank (Carrey) grew up in the (fictitious) town of Seahaven Island with his family and friends playing roles (paid actors). Cameras are all over the soundstage and follow his activities 24/7. Almost 30 years since its release, the film continues to be a study in sociology, philosophy and psychology, and has inspired university classes on media influence, the human condition and reality television. “Frida” (2002)Salma Hayek produced and starred in this biopic of Frida Kahlo, adapted from the book “Frida: A Biography of Frida Kahlo” by Hayden Herrera. The film explores Kahlo's rise as an artist in Mexico City and the impact disability and chronic pain from an accident as a young adult had on her life and work. The film centers around her tumultuous and passionate relationships, most significantly with her husband, painter Diego Rivera (Alfred Molina). Directed by Julie Taymor, the film was nominated for six Academy Awards, including Best Actress. It won awards for Best Makeup and Best Original Score for Elliot Goldenthal, who also won a Golden Globe in the same category. “The Hours” (2002)Director Stephen Daldry's “The Hours” weaves the novel “Mrs. Dalloway” into three women's stories of loneliness, depression and suicide. Virginia Woolf, played by Nicole Kidman (who won an Oscar and a Golden Globe for her performance), is working on the novel while struggling with what is now known as bipolar disorder. Laura, played by Julianne Moore (nominated for Best Actress in a Supporting Role), is unfulfilled in her life as a 1950s housewife and mother. Clarissa (played by Meryl Streep) is – like Mrs. Dalloway – planning a party, but for her close friend who is dying of AIDS. The film is based on Michael Cunningham's Pulitzer Prize-winning novel. It earned nine Academy Award nominations, including Best Picture, and won a Golden Globe for Best Picture. “The Incredibles” (2004)                                                 With an all-star cast and memorable soundtrack, this Academy Award-winning Pixar hit uses thrilling action sequences to tell the story of a family trying to live normal lives while hiding their superpowers. For the first time, Pixar hired an outside director, Brad Bird, who drew inspiration from spy films and comic books from the 1960s. The animation team developed a new design element to capture realistic human anatomy, hair, skin and clothing, which Pixar struggled with in early films like “Toy Story.” The film spawned merchandise, video games, Lego sets and more. The sequel, “Incredibles 2,” was also a huge hit, and together, both films generated almost $2 billion at the box office. “The Wrecking Crew” (2008)                                                     “The Wrecking Crew” is a documentary that showcases a group of Los Angeles studio musicians who played on many hit songs and albums of the 1960s and early 1970s, including “California Dreamin',” “The Beat Goes On,” “You've Lost That Lovin' Feeling” and “These Boots Are Made for Walkin'.” Through interviews, music, footage and his own narration, director Denny Tedesco reveals how the Wrecking Crew members – including his father, guitarist Tommy Tedesco – were the unsung heroes of some of America's most famous songs. Production for the film began in 1996, and the film was completed in 2008. Due to the high cost of song licenses, the official release was delayed until 2015, when a successful Kickstarter campaign raised over $300,000 to pay for the music rights. “Inception” (2010)                                                                         Writer and director Christopher Nolan once again challenges audiences with multiple interconnected narrative layers while delivering thrilling action sequences and stunning visual effects. “Inception” asks the question, “Can you alter a person's thoughts by manipulating their dreams?” Taking almost 10 years to write, the film was praised for its aesthetic significance and Nolan's ability to create scenes using cameras rather than computer-generated imagery. A metaphysical heist film with an emotional core driven by grief and guilt, “Inception” offers a meditation on how dreams influence identity, and it resonates deeply in an age of digital simulation, blurred realities and uncertainty. The film earned $830 million at the box office and won four Academy Awards. “The Loving Story” (2011)Nancy Buirski's acclaimed documentary gives an in-depth and deeply personal look at the true story of Richard Loving (a white man) and Mildred Loving (a Black and Native American woman), who were forbidden by law to marry in the state of Virginia in the 1960s. Their Supreme Court case, Loving vs. Virginia, was one of the most significant in history, and paved the way for future multiracial couples to marry. The movie captures the immense challenges the Lovings faced to keep their family and marriage together, through a combination of 16mm footage, personal photographs, accounts from their lawyers and family members, and audio from the Supreme Court oral arguments. “The Grand Budapest Hotel” (2014)“The Grand Budapest Hotel” stands as one of Wes Anderson's most successful films and demonstrates his own brand of unique craftsmanship, resulting in a visually striking and emotionally resonant story. As one of the most stylistically distinctive American filmmakers of the last half-century, Anderson uses historically accurate color and architecture to paint scenes to elicit nostalgia and longing from audiences, while at the same time weaving in political and social upheaval into the film. The film is an example of Anderson as a unique artist who uses whimsy, melancholy, innovative storytelling and a great deal of historical research, which is on display in this visually rich gem of a movie. Find out more at https://registry-a-podcast.pinecast.co

Front Row Classics is celebrating the 70th anniversary of High Society. Brandon is joined by Emmett Stanton and Ben Burke to chat about this classic musical remake of The Philadelphia Story. The three discuss the differences between the two films as well as the memorable score by Cole Porter. They also discuss the memorable performances of Bing Crosby, Frank Sinatra, Celeste Holm and Grace Kelly (in her final film role)

Le chanteur Mika sera président d'honneur des 41es Victoires de la musique, le 13 février 2026. Il vient également de sortir son septième album, Hyperlove et s'apprête à lancer sa tournée européenne. Double actualité pour cet artiste unique et adoré en France depuis ses tout débuts en 2007 avec le tube Grace Kelly. Très francophile lui-même, Mika est issu de cultures plurielles. Ce britannico-américano-libanais est né à Beyrouth il y a 42 ans et a grandi à Londres et à Paris. Mika (de son vrai nom Michael Holbrook Penniman Jr.) a fait ses premières scènes à neuf ans à la Royal Opera House de Londres avant de bouleverser la pop mondiale, ce qui lui vaut encore aujourd'hui les hommages des superstar du genre comme Taylor Swift ou Lady Gaga. Portrait d'un artiste touche-à-tout dans cet épisode de Code Source avec Eric Bureau, spécialiste musique au service culture du Parisien et Emmanuel Marolle, qui dirige ce service.Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Barbara Gouy - Production : Thibault Lambert, Anaïs Godard et Clémentine Spiler - Réalisation et mixage : Julien Montcouquiol - Musiques : François Clos, Audio Network - Archives : On video. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Tintoria è il podcast di Daniele Tinti e Stefano Rapone prodotto da The Comedy Club.Vai su Facile.it, confronta le assicurazioni e trova la migliore per te.Prendi il libro di Rapone: Racconti scritti da Donne NudeGuarda lo special di Tinti: Crossover_________________INFO E BIGLIETTI PER LE REGISTRAZIONI LIVE: https://is.gd/tintoriapodcastINFO E BIGLIETTI PER I PROSSIMI LIVE DI TINTI: https://is.gd/DanieleTintiTOURINFO E BIGLIETTI PER I PROSSIMI LIVE DI RAPONE: https://is.gd/RaponeTOUR_________________Ospite di questa nuova puntata il cantante Mika. Abbiamo parlato della sua particolare carriera di star internazionale e apolide, dei suoi diversi pubblici e addirittura di come cambia la sua setlist a seconda del paese in cui si esibisce e dei diversi programmi televisivi a cui ha partecipato in giro per il mondo. Mika ci ha anche raccontato del giorno in cui Grace Kelly è arrivata prima in classifica, di un progetto mai realizzato con Dario Fo e di come è arrivato a conservare un water di due metri in un magazzino in Inghilterra. Mika ha appena pubblicato il nuovo album Hyperlove e il suo tour internazionale toccherà l'Italia il 2 marzo a Bologna e il 4 marzo a Torino._________________Guarda Tintoria su YouTubePuoi seguire Tintoria su Instagram e su TikTokPuoi seguire Rapone su InstagramPuoi seguire Tinti su InstagramPuoi seguire The Comedy Club su InstagramPuoi seguire Mika su Instagram_________________Regia e Montaggio: Enrico BerardiRiprese: Leonardo PicozziAudio: Antonio ArcieriLa sigla di Tintoria è a opera di Di Gregorio

Yoom-taah! To kick off season 4 of the podcast, we choose you: Pokemon Mystery Dungeon Blue Rescue Team! Joined again by our expert guest on the sub-genre with Helen, we revisit nostalgia and fresh experiences for a 20+ year old spinoff roguelike…lite…game? Hopefully the listeners don't also brand us as fugitives, focing us to traverse the Great Canyon of JRPG menu systems to the high peaks of Friendship Mountain, while eating jelly bean-based IQ boosters we find on the dirty ground. Can we overcome Team Meanies' quest for world domination? Can we find our lost sense of gratitude in the depths of murky caverns? Were we the true meanies after all? Time to take charge of our destiny and find out! Custom RSS Apple Podcasts Spotify YouTube Music Transcript 3:03 - Game stats 5:59 - One sentence description 6:56 - Is PMD a roguelike? 12:20 - Our experiences with Pokemon growing up 23:00 - Gameplay mechanics 36:40 - The personality quiz 44:30 - Saving Caterpie, Thunderwave Cave, Mt Steel 49:00 - Friend areas 52:00 - Team ACT, the dream, Team Meanies, Silent Chasm, Mt Thunder 1:11:15 - The Ninetales legend, Gengar's muckraking, the hunt begins! 1:16:58 - Mt Blaze, Frosty Forest, Mt Freeze 1:24:00 - Return to town 1:27:50 - Magma Cavern, Sky Tower 1:41:50 - Postgame content 1:55:55 - Rankings & final thoughts 2:07:37 - Similar games & show wind-down Next episode: Monster Train 2 Contact us at grogpodzone@gmail.com! https://grogpod.zone Intro music: Pokemon Theme Saxy Style - The 8-Bit Big Band featuring Grace Kelly and Leo P Outro music: Blue Rescue Team OST - Sky Tower

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! ¿Cómo es posible que una pequeña roca de apenas dos kilómetros cuadrados haya sobrevivido a ocho siglos de guerras, revoluciones y cambios de mapa en Europa? En este episodio especial de Antena Historia, nos sumergimos en la apasionante crónica de la Casa Grimaldi. Desde el audaz golpe de mano de Francesco "Malizia", quien escaló los acantilados disfrazado de monje, hasta la sofisticación de la era de Rainiero III y Grace Kelly, analizamos la evolución de una estirpe que hizo de la supervivencia su mayor arte. 📜 Lo que descubrirás en este episodio: El Origen de la Leyenda: La toma de la Roca en 1297 y la lucha entre Güelfos y Gibelinos. Entre Gigantes: Cómo Mónaco maniobró entre el Imperio Español de Carlos V y la Francia de Luis XIV para mantener su soberanía. La Tormenta Revolucionaria: El periodo en que el Principado desapareció del mapa, sus príncipes terminaron en prisión y el Peñón fue rebautizado como "Fort d'Hercule". El Milagro de Montecarlo: La crisis total de 1848, la pérdida de Menton y Roquebrune, y la idea desesperada de Carlos III: si no hay agricultura, habrá vicio. La creación del casino y la llegada del ferrocarril. El Siglo XX: El papel de Mónaco en la Segunda Guerra Mundial y el "truco de Hollywood" que salvó la relevancia política del país. 🎙️ Un análisis profundo y riguroso No te pierdas esta reflexión final sobre Mónaco como el último vestigio de los estados-fortaleza medievales que supieron adaptarse al capitalismo moderno, convirtiéndose en el epicentro del lujo mundial sin perder su esencia de soberanía. ¿Te gusta nuestro contenido? No olvides suscribirte, darle a "Me gusta" y dejarnos un comentario. Tu apoyo es fundamental para que Antena Historia siga explorando los pliegues del pasado. Fuentes principales: Mónaco: Una Historia de los Grimaldi, de Thomas Fouilleron. Archivos del Palacio Principesco de Mónaco. ----------------------------------------------------------------------------------- 🎧 Antena Historia te regala 30 días PREMIUM Disfruta de todo el contenido sin interrupciones y con ventajas exclusivas en iVoox: 👉 https://www.ivoox.com/premium?affiliate-code=b4688a50868967db9ca413741a54cea5 📻 Producción y realización: Antonio Cruz 🎙️ Edición: Antena Historia 📡 Antena Historia forma parte del sello iVoox Originals 🌐 Visita nuestra web: https://antenahistoria.com 📺 YouTube: Podcast Antena Historia 📧 Correo: antenahistoria@gmail.com 📘 Facebook: Antena Historia Podcast 🐦 Twitter: @AntenaHistoria 💬 Telegram: https://t.me/foroantenahistoria 💰 Apoya el proyecto: Donaciones en PayPal 📢 ¿Quieres anunciarte en Antena Historia? Ofrecemos menciones, cuñas personalizadas y programas a medida. Más información en 👉 Antena Historia – AdVoices Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

¿Cómo es posible que una pequeña roca de apenas dos kilómetros cuadrados haya sobrevivido a ocho siglos de guerras, revoluciones y cambios de mapa en Europa? En este episodio especial de Antena Historia, nos sumergimos en la apasionante crónica de la Casa Grimaldi. Desde el audaz golpe de mano de Francesco "Malizia", quien escaló los acantilados disfrazado de monje, hasta la sofisticación de la era de Rainiero III y Grace Kelly, analizamos la evolución de una estirpe que hizo de la supervivencia su mayor arte. 📜 Lo que descubrirás en este episodio: El Origen de la Leyenda: La toma de la Roca en 1297 y la lucha entre Güelfos y Gibelinos. Entre Gigantes: Cómo Mónaco maniobró entre el Imperio Español de Carlos V y la Francia de Luis XIV para mantener su soberanía. La Tormenta Revolucionaria: El periodo en que el Principado desapareció del mapa, sus príncipes terminaron en prisión y el Peñón fue rebautizado como "Fort d'Hercule". El Milagro de Montecarlo: La crisis total de 1848, la pérdida de Menton y Roquebrune, y la idea desesperada de Carlos III: si no hay agricultura, habrá vicio. La creación del casino y la llegada del ferrocarril. El Siglo XX: El papel de Mónaco en la Segunda Guerra Mundial y el "truco de Hollywood" que salvó la relevancia política del país. 🎙️ Un análisis profundo y riguroso No te pierdas esta reflexión final sobre Mónaco como el último vestigio de los estados-fortaleza medievales que supieron adaptarse al capitalismo moderno, convirtiéndose en el epicentro del lujo mundial sin perder su esencia de soberanía. ¿Te gusta nuestro contenido? No olvides suscribirte, darle a "Me gusta" y dejarnos un comentario. Tu apoyo es fundamental para que Antena Historia siga explorando los pliegues del pasado. Fuentes principales: Mónaco: Una Historia de los Grimaldi, de Thomas Fouilleron. Archivos del Palacio Principesco de Mónaco. ----------------------------------------------------------------------------------- 🎧 Antena Historia te regala 30 días PREMIUM Disfruta de todo el contenido sin interrupciones y con ventajas exclusivas en iVoox: 👉 https://www.ivoox.com/premium?affiliate-code=b4688a50868967db9ca413741a54cea5 📻 Producción y realización: Antonio Cruz 🎙️ Edición: Antena Historia 📡 Antena Historia forma parte del sello iVoox Originals 🌐 Visita nuestra web: https://antenahistoria.com 📺 YouTube: Podcast Antena Historia 📧 Correo: antenahistoria@gmail.com 📘 Facebook: Antena Historia Podcast 🐦 Twitter: @AntenaHistoria 💬 Telegram: https://t.me/foroantenahistoria 💰 Apoya el proyecto: Donaciones en PayPal 📢 ¿Quieres anunciarte en Antena Historia? Ofrecemos menciones, cuñas personalizadas y programas a medida. Más información en 👉 Antena Historia – AdVoices Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

In this interview, she discusses her book, Race, Politics, and Irish America: A Gothic History (Oxford UP, 2023), which inserts successive Irish-American identities--forcibly transported Irish, Scots-Irish, and post-Famine Irish--into American histories and representations of race. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

EPISODE 121 -  “RICHARD BASEHART: CLASSIC STAR OF THE MONTH” - 1/05/2026  RICHARD BASEHART wasn't the flashiest of actors, but he certainly was one of the most versatile. He always brought such haunting depth and emotional intensity to his roles, often portraying characters teetering on the edge of psychological turmoil. With his piercing blue eyes and floppy blonde hair, his sensitive, brooding presence gave him the appearance of an erudite or a poet. And that voice! He had a fantastic baritone voice that could convey both vulnerability and menace. He really excelled at playing sensitive, troubled men—sometimes deeply introspective, other times psychotic or dangerously unhinged. From his chilling portrayal of the deranged killer in “He Walked by Night” (1948) to the tormented clown in FEDERICO FELLINI's “La Strada” (1954), Basehart always infused each performance with a profound humanity, sensitivity, and quiet strength, making him one of the most compelling and underrated actors of his generation. This week we honor him as our January Star of the Month. SHOW NOTES:  Sources: ActorsandOthers.com ClassicMovieHub.com WalkofFame.com Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Repeat Performance (1947), starring Joan Leslie, Louis Hayward, Richard Basehart, Tom Conway, and Virginia Field; Cry Wolf (1947), starring Errol Flynn, Barbara Stanwyck, Richard Basehart & Geraldine Brooks; He Walked By Night (1948), starring Scott Brady & Richard Basehart; Rosanna McCoy (1949), starring Farley Granger & Joan Evans; Tension (1949), starring Richard Basehart, Audrey Totter, Barry Sullivan, & Cyd Charisse; Fourteen Hours (1951), starring Richard Basehart, Paul Douglas, Barbara Bel Geddes, Agnes Moorhead, Jeffrey Hunter, Debra Paget, & Grace Kelly; The House on Telegraph Hill (1951), starring Richard Basehart & Valentina Cortese; Decision Before Dawn (1951), starring Oskar Werner & Richard Basehart; Titanic (1953), starring Barbara Stanwyck & Clifton Webb; La Strada (1954), starring Anthony Quinn & Richard Basehart; Il Bidone (1955), starring Richard Basehart & Broderick Crawford; Moby Dick (1956), starring Gregory Peck, Richard Basehart & Orson Welles; The Brothers Karamazov (1958), starring Yul Brynner & Richard Basehart; Portrait in Black (1960), starring Lana Turner & Anthoy Quinn; The Savage Guns (1961), starring Richard Basehart & Alex Nicol; Hitler (1962); The City Beneath The Sea (1971), starring Stuart Whitman & Rosemary Forsyth; The Island of Dr. Moreau (1977), starring Burt Lancaster & Michael York; Being There (1979), starring Peter Sellers & Shirley MacLaine; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this interview, she discusses her book, Race, Politics, and Irish America: A Gothic History (Oxford UP, 2023), which inserts successive Irish-American identities--forcibly transported Irish, Scots-Irish, and post-Famine Irish--into American histories and representations of race. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this interview, she discusses her book, Race, Politics, and Irish America: A Gothic History (Oxford UP, 2023), which inserts successive Irish-American identities--forcibly transported Irish, Scots-Irish, and post-Famine Irish--into American histories and representations of race. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices

We had a blast talking to this young funny latina comedian that's coming up cause of how funny she is. Im talking about GRACE KELLY. This is one you can't miss!

C'est l'histoire d'une femme qui a délaissé une carrière brillante pour un homme. Mais il y a tout de même des aspects plutôt charmants dans la relation de Grace Kelly et de Rainier III. On sent qu'ils se sont beaucoup aimés, même si à un moment, comme pour beaucoup de couples, la routine a fini par s'installer et, avec elle, son lot de regrets. Mais pourquoi, en 1955 à Cannes, avoir organisé une rencontre entre un prince et une actrice Hollywoodienne comme Grace Kelly ? Un podcast Bababam Originals Ecrit et raconté par Alice Deroide Learn more about your ad choices. Visit megaphone.fm/adchoices

Who doesn't love an 80s puppet-based sitcom?This week, Dave leads us through the labyrinthine shenanigans that went on to keep the reality behind ALF a secret - ALF, the lead character in the wildly successful sitcom of the same name, of course. In part 2 we hear how Neil's nationalism unexpectedly reared its head on a TV show.If that's not enough, Neil explains the mighty legacy of Grace Kelly's Da. Where else would ya get it?Sourceshttps://www.merriam-webster.com/dictionary/maverickhttps://www.historynet.com/alexander-graham-bell-james-garfield/https://www.washingtonpost.com/wp-srv/style/longterm/books/chap1/highsociety.htmTo listen to Dave on the radio check outhttps://www.todayfm.com/shows/dave-moore-1499732 To see Neil on tour check outhttps://www.neildelamere.com/reinventing-the-neil-tourPresented and Produced by Neil Delamere and Dave MooreEdited by Nicky RyanMusic by Dave MooreArtwork by Ray McDonnell Hosted on Acast. See acast.com/privacy for more information.

In this explosive episode of Gangland Wire, host Gary Jenkins sits down with actor, entrepreneur, and mob insider Gianni “Johnny” Russo, best known for his unforgettable role as Carlo Rizzi in The Godfather. Russo pulls back the curtain on a lifetime of stories that stretch from Frank Costello and Joe Colombo to Las Vegas skimming, the Vatican Bank, Marilyn Monroe, Jimmy Hoffa, and even Pablo Escobar. Russo discusses his new book, Mafia Secrets: Untold Tales from the Hollywood Godfather, co-written with Michael Benson—an unfiltered account of power, violence, politics, and survival inside the criminal underworld and Hollywood royalty. This is not recycled mythology—this is Gianni Russo's personal version of history from the inside. Whether you believe every word or not, the stories are raw, violent, and utterly fascinating. This episode discusses: The Godfather, The Kennedy assassinations, Vegas skimming, Marilyn Monroe, Jimmy Hoffa, the Chicago Outfit, Pablo Escobar

12-15-2025. "HO! HO! HOLLYWOOD: SANTA CLAUSE IN CLASSIC CINEMA" (118) Long before special effects, CGI snowstorms, and big-budget holiday franchises, it fell to a small but memorable group of performers to embody the warmth, wonder, and whimsy of old St. Nick. Ever wonder about the actors who were called upon to portray Santa Claus in film and TV? These classic Santas weren't just men in red suits — they were character actors, vaudevillians, radio veterans, and Hollywood workhorses who brought their own unique spark to the role, shaping how generations of moviegoers came to imagine Father Christmas. From the twinkle-eyed charmers to the unexpectedly gruff curmudgeons, from the iconic to the nearly forgotten, we're unwrapping the stories behind the earliest portrayals that turned Santa into a cinematic tradition. So settle in with a mug of something warm, hang your stocking, and join us as we explore the jolly, joyful, and sometimes surprisingly complex history of Hollywood's first Santas. SHOW NOTES:  Sources: Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Ivanhoe (1913); Scrooge (1913); Santa Claus (1912), starring Leedham Bantok; 20th Century Fox Hour: Miracle on 34th Street (1955); starring Teresa Wright, Joseph Cotten, & Thomas Mitchell; Shadow of a Doubt (1943), starring Joseph Cotten & Teresa Wright;  Stagecoach (1939), starring John Wayne, Claire Trevor, & Thomas Mitchell; It's a Wonderful Life (1946), starring James Stewart, Donna Reed, & Thomas Mitchell; Gone With The Wind (1939), starring Vivien Leigh & Clark Gable; Theodora Goes Wild (1936), starring Irene Dunne; Mr. Smith Goes to Washington (1939), starring James Stewart & Jean Arthur; Our Town (1940), starring Martha Scott & Henry Fonda; High Noon (1952), starring Gary Cooper & Grace Kelly; Wild Flowers (1943), starring José Elias Moreno; Santa Claus (1959), starring José Elias Moreno; Santa Claus Conquers the Martians (1964), staring John Call; Fearless Fagan (1952), staring Janet Leigh & Keenan Wynn;  Boots Malone (also 1952), starring William Holden Don't Bother to Knock (1952), starring Marilyn Monroe & Richard Widmark; The Long, Long Trailer (1954), starring Lucille Ball & Desi Arnaz; The Anderson Tapes (1971), starring Sean Connery & Dyan Cannon; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

We go all the back in this episode to Dominick Dunne's second submission for Vanity Fair in April 1984. Dunne takes us to the Ambitious Blondes of the day, following in the footsteps of the greats before them like Jayne Mansfield, Marilyn Monroe, and Grace Kelly. Included in this profile are many not-as-famous-as-they will-be blondes like Kim Basinger, Darryl Hannah, and Michelle Pfeffer. Also, a few other fair-haired ladies you might not be so familiar with, including Angelyne and Kelly Collins. Also includes a special appearance by Alana Collins Hamilton Stewart. Continue your investigation with ad-free and bonus episodes on Patreon! To advertise on Done & Dunne, please reach out to info@amplitudemediapartners.com.

We go all the back in this episode to Dominick Dunne's second submission for Vanity Fair in April 1984. Dunne takes us to the Ambitious Blondes of the day, following in the footsteps of the greats before them like Jayne Mansfield, Marilyn Monroe, and Grace Kelly. Included in this profile are many not-as-famous-as-they will-be blondes like Kim Basinger, Darryl Hannah, and Michelle Pfeffer. Also, a few other fair-haired ladies you might not be so familiar with, including Angelyne and Kelly Collins. Also includes a special appearance by Alana Collins Hamilton Stewart.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

If you're curious about how to handle unlikeable protagonists, this episode is for you! In Hitchcock's classic, DIAL M FOR MURDER, the protagonist is the villain — he plots the murder of his wife, and that's about as unlikeable as it gets! His anti-hero's monologue is a veritable masterclass and his shadow reveals that he's actually kind of a nice guy underneath it all ... when he's not blackmailing people and planning murders that is. -V. Acquire the power to write a bestselling story at storynerd.ca/courses For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.

National happy hour day. Entertainment from 1974. Leotard invented, Ellis Island closed, 1st selfie in space. Todays birthdays - Grace Kelly, Brian Hyland, Neil Young, Buck Dharma, Les McKeown, Mega Mullaly, Ryan Gosling, Anne Hathaway. Wilma Rudolph died.Intro - God did good - Dianna Corcoran    https://www.diannacorcoran.com/Happy hour - WeezerAint seen nothin yet - Bachman Turner OverdriveCountry is - Tom T. HallBirthdays - In da club - 50 Cent     http://50cent.com/Itsy bitsy teeny tiny yellow polkadot bikini - Brian HylandHeart of gold - Neil YoungBurnin' for you - Blue Oyster CultSaturday night - Bay City RollersExit - This town aint big enough for the both of us - Chris Guenther https://www.chrisguenthermusic.com/countryundergroundradio.comHistory & Factoids about today webpage

This week on Queer The Music we celebrate Grace Kelly - the debut single from Multi-platinum, BRIT Award-winning, and Grammy nominated global pop visionary Mika.  Listen to Jake and Mika's fascinating conversation about Mika's childhood, the struggles he faced, how he found sanctuary through music, his creative process and how he created the hit single Grace Kelly which shot to the top of the UK charts and stayed there for 5 whole weeks.  Mika's new single Modern Times is out now We'd love to hear from you - let us know who you would like to hear on Queer The Music - you can get in touch via instagram @queerthemusicpodcast or leave us a review Learn more about your ad choices. Visit megaphone.fm/adchoices

On The Cindy Adams Show, Cindy starts the show talking about the results of the election for mayor in New York City. She later shares her experiences with Ronald Reagan, Grace Kelly, Cardinal Dolan, former mayors of New York and many more icons. Learn more about your ad choices. Visit megaphone.fm/adchoices

En octobre 2019, Jean-Alphonse Richard consacrait un épisode de 'Confidentiel' à Grace Kelly. Grace Kelly n'était pas une actrice docile. Ni une princesse de contes de fées... Derrière son allure sage et sa blondeur parfaite, se cachaient des tempêtes et la volonté farouche, de ne jamais appartenir à qui que ce soit. Chaque mercredi, retrouvez en podcast le meilleur de "Confidentiel". Tous les épisodes d'Ophélie Meunier, Anthony Martin et Jean-Alphonse Richard sont à retrouver sur RTL.fr et l'application RTL.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

“It looks amazing.” - Eric on the production design On this week's episode, we're kicking off We ❤️ Movies Month with a ridiculously silly discussion about Alfred Hitchcock's masterful peeping tom thriller, Rear Window! How gorgeous and meticulous is this set design? How hilarious is Raymond Burr's dye job? How on earth is L.B. Jefferies ignoring Lisa's advances this much, murderous neighbor or no? And where in New York can we get this Lobster Thermidor dish for crying out loud? PLUS: Coming soon to Peacock, the new Hitchcock Universe mash-up show, Hitchrock! Rear Window stars James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter, Judith Evelyn, Ross Bagdasarian, Georgine Darcy, Sara Berner, Frank Cady, Jesslyn Fax, Rand Harper, Irene Winston, Havis Davenport, and Raymond Burr as Lars Thorwald; directed by Alfred Hitchcock. This episode is sponsored by Sonos! Do you want studio quality sound at home? Then check out Sonos speakers, soundbars and more at Sonos.com, and discover how easy it is to build your own whole home audio system. Don't wait, check out Sonos.com today! Don't sleep on snagging your tickets to our 15th Anniversary show this December where we're talking all things Arnold in Total Recall! It's gonna be a gas and we wanna see you there! Click through for tickets now! Be sure to pick up our digital show on Terminator: Dark Fate, available now in our Patreon shop! Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

December 27, 1980 - January 2, 1981   This week Ken welcomes author, screenwriter, movie maker Eric Miller (ericmillerwrites.com) to the show. Ken and Eric discuss satellites, the creepy paying with your palm technology at Whole Foods, when Sci-Fi actually predicts the future, Dawn of the Dead, The Running Man, Hell House, The Haunting of Hell House vs The Haunting, story prompts, Shirly Jackson, Richard Matheson, Magnum PI, how prevalent Vietnam vets were in 80s pop culture, PTSDT, the importance of character, dark sense of humor, dealing with serious topics, how you need rules to kick against, why having no problems to solve actually makes worse art, how amazing it is that anything produced in Hollywood is ever good, Full Moon Pictures, Crash and Burn, Bill Mosley, life long friends, directing Orson Wells, working with legends, Phantasm, being an intern, cigarettes, Umph in Triumph, being from Indiana, David Letterman, Breaking Away, learning there is a TV series based on your favorite movie, how everything is more or less streaming for free if you know where to look, Schlitz vs Bud in the Great American Beer Switch, Mark Twain, Hal Holbrook, Grace Kelly, variety shows, the M*A*S*H finale, gallows humor, how sometimes an awful toxic workplace can still produce a good end product, Real People, That's Incredible!, The White Shadow, Mud Wrestling, New Year's Eve, Bonanza, cop shows, setting the tone, The Muppet Movie, the NBA, basketball, Meet the Feebles, Peter Jackson, how nobody can really attain the levels of fame people had in the second half of the 20th century, Bob Cousy, Secret Agent Man, Branded, Larry Cohen, Dexter and how being a fan of television often leads us to reverse engineer story telling and interact with people (not kill them).  ALSO Ken is giving away a pair of tickets to the 945 Arts at the Armory show on November 13th where Ken will be opening for Janeane Garofalo. If you can tell Ken the reason Loren Michaels gave Janeane for why she couldn't quit SNL, email it to tvguidancecounselor@gmail.com and you will get a pair of tickets for the show.  

C'est l'histoire d'une femme qui a délaissé une carrière brillante pour un homme. Mais il y a tout de même des aspects plutôt charmants dans la relation de Grace Kelly et de Rainier III. On sent qu'ils se sont beaucoup aimés, même si à un moment, comme pour beaucoup de couples, la routine a fini par s'installer et, avec elle, son lot de regrets. Mais pourquoi, en 1955 à Cannes, avoir organisé une rencontre entre un prince et une actrice Hollywoodienne comme Grace Kelly ? Un podcast Bababam Originals Ecrit et raconté par Alice Deroide Learn more about your ad choices. Visit megaphone.fm/adchoices

The House of Grimaldi has ruled the tiny principality of Monaco since January 8, 1297, when Francois “The Spiteful” Grimaldi disguised himself as a monk and knocked on his uncle's castle door, launching a coup. In the violence that followed, according to legend, a woman – possibly a lover of Francois, possibly a witch he had wronged (can't it be both?) – issued a curse that has resonated across the centuries: “Never will a Grimaldi find true happiness in marriage.” The Grimaldi family was considered scandalous enough in Queen Victoria's time that she forbade any of her close relatives to marry into it, leading Prince Albert I of Monaco to marry an American heiress in 1889 – a precedent that would matter decades later when Prince Rainier III, urged on by none other than shipping tycoon Aristotle Onassis, began interviewing Hollywood A-listers for a very special role: Princess of Monaco. Which is how Grace Kelly abandoned the big screen for the Rock of Monaco, and would go on to celebrate her 40th birthday in High Scorpio style. Listen ad-free at patreon.com/trashyroyalspodcast. Sources: The Grimaldis of Monaco: Centuries of Scandal, Years of Grace, by Anne Edwards (Amazon) Grace: The Secret Lives of a Princess, by James Spada (Amazon) Elizabeth Taylor: There is Nothing Like a Dame, by Darwin Porter and Danforth Prince (Amazon) A Detailed Look at the Many Romances of Prince Albert of Monaco (esquiremag.ph) Portrait of Princess Caroline: Love and Philanthropy (hellomonaco.com) Who is Giving Prince Ernst August a little TLC During his Marital Strife? (vanityfair.com) Is Princess Caroline the Latest Victim of the Grimaldi Family Curse? (vanityfair.com) A Runaway Princess Bride and Feudal Feuds: Three Insane Royal Weddings (vanityfair.com) Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The House of Grimaldi has ruled the tiny principality of Monaco since January 8, 1297, when Francois “The Spiteful” Grimaldi disguised himself as a monk and knocked on his uncle's castle door, launching a coup. In the violence that followed, according to legend, a woman – possibly a lover of Francois, possibly a witch he had wronged (can't it be both?) – issued a curse that has resonated across the centuries: “Never will a Grimaldi find true happiness in marriage.” The Grimaldi family was considered scandalous enough in Queen Victoria's time that she forbade any of her close relatives to marry into it, leading Prince Albert I of Monaco to marry an American heiress in 1889 – a precedent that would matter decades later when Prince Rainier III, urged on by none other than shipping tycoon Aristotle Onassis, began interviewing Hollywood A-listers for a very special role: Princess of Monaco. Which is how Grace Kelly abandoned the big screen for the Rock of Monaco, and would go on to celebrate her 40th birthday in High Scorpio style. Listen ad-free at patreon.com/trashyroyalspodcast. Sources: The Grimaldis of Monaco: Centuries of Scandal, Years of Grace, by Anne Edwards (Amazon) Grace: The Secret Lives of a Princess, by James Spada (Amazon) Elizabeth Taylor: There is Nothing Like a Dame, by Darwin Porter and Danforth Prince (Amazon) A Detailed Look at the Many Romances of Prince Albert of Monaco (esquiremag.ph) Portrait of Princess Caroline: Love and Philanthropy (hellomonaco.com) Who is Giving Prince Ernst August a little TLC During his Marital Strife? (vanityfair.com) Is Princess Caroline the Latest Victim of the Grimaldi Family Curse? (vanityfair.com) A Runaway Princess Bride and Feudal Feuds: Three Insane Royal Weddings (vanityfair.com) Learn more about your ad choices. Visit megaphone.fm/adchoices

It's October 26, 2025. Veh is back with her amazing Women in Film series. Today: Grace Kelly!

Ivy Tree.On this episode I am joined by Grace Kelly and Eliza Lee from the incredible band VENUS GRRRLS.Mark and Me is now on YouTube - Please subscribe here https://www.youtube.com/@markandmePlease support the Mark and Me Podcast via Patreon here: https://www.patreon.com/Markandme or you can buy me a coffee here: https://ko-fi.com/markandme.The Mark and Me podcast is proudly sponsored by Richer Sounds.Visit richersounds.com now to shop for all your hi-fi, home cinema and TV solutions. Also, don't forget to join their VIP club for FREE with just your email address to receive a great range of fantastic privileges.The Mark and Me podcast is also proudly sponsored by Vice-Press.If you are a fan of films and pop culture, check out Vice Press. All of their limited edition posters, art prints & collectibles are officially licensed & are made for fans like us to collect & display in their homes. Vice Press work directly with artists and licensors to create artwork and designs that are exclusive to them.This year, Vice Press also launched Vice Press Home Video, dedicated to releasing classic films on VHS. And yes, they play! Get 10% off of your first order using code MARKANDME10 or head to vice-press.com/discount/MARKANDME10All artwork and designs are produced by Dead Good Tees - Dead Good Tee crafts graphic T-shirts for true horror and movie enthusiasts. Drawing inspiration from classic movies, iconic villains, and the darker side of cinema, their designs offer a subtle nod to the genre's most unforgettable moments. Visit www.deadgoodtees.co.ukEvery episode of Mark and Me is for Billy x 

A roomful of tiaras is just one of the highlights of a new exhibition coming to Melbourne next year celebrating the global jewellery house Cartier and its history. 

Get the book here. The definitive, in-depth look inside the making of Alfred Hitchcock's Rear Window—the all-time classic of voyeurism, paranoia, and murder that became one of Hollywood's greatest achievements and turned generations of viewers into “a race of Peeping Toms.” . . .Before the internet and social media offered voyeuristic glimpses into the lives of others, the acclaimed Master of Suspense, Alfred Hitchcock, exposed the dangers and delights of looking—and knowing—too much in his 1954 masterpiece Rear Window. Widely hailed as one of the greatest films ever made, it stars James Stewart and Grace Kelly at the top of their game but, in an unusual gamble, is shot entirely from within a Greenwich Village apartment . . .Using this limited point of view, Hitchcock forces his audience to participate in his protagonist's voyeuristic impulses and darkest obsessions—a bold move in the era of the Hollywood Blacklist and restrictive Hays Code. But the gamble paid off, and Rear Window became a timeless classic.This eye-opening book goes straight to the source of Rear Window's genius by mining the original papers of Hitchcock, Jimmy Stewart, and Thelma Ritter, revealing little-known facts behind the Why taking the role of Lisa Fremont was one of the toughest decisions Grace Kelly ever made; How Hitchcock intertwined suspense and romance with inspiration from Ingrid Bergman; How he used a topless scene to distract the censors from other scenes to which they may have objected; and how Hitchcock crafted the film's unforgettable villain, Lars Thorwald, by modeling him on a producer he loathed—the infamous David O. Selznick. Learn more about your ad choices. Visit megaphone.fm/adchoices

Get the book here. The definitive, in-depth look inside the making of Alfred Hitchcock's Rear Window—the all-time classic of voyeurism, paranoia, and murder that became one of Hollywood's greatest achievements and turned generations of viewers into “a race of Peeping Toms.” . . .Before the internet and social media offered voyeuristic glimpses into the lives of others, the acclaimed Master of Suspense, Alfred Hitchcock, exposed the dangers and delights of looking—and knowing—too much in his 1954 masterpiece Rear Window. Widely hailed as one of the greatest films ever made, it stars James Stewart and Grace Kelly at the top of their game but, in an unusual gamble, is shot entirely from within a Greenwich Village apartment . . .Using this limited point of view, Hitchcock forces his audience to participate in his protagonist's voyeuristic impulses and darkest obsessions—a bold move in the era of the Hollywood Blacklist and restrictive Hays Code. But the gamble paid off, and Rear Window became a timeless classic.This eye-opening book goes straight to the source of Rear Window's genius by mining the original papers of Hitchcock, Jimmy Stewart, and Thelma Ritter, revealing little-known facts behind the Why taking the role of Lisa Fremont was one of the toughest decisions Grace Kelly ever made; How Hitchcock intertwined suspense and romance with inspiration from Ingrid Bergman; How he used a topless scene to distract the censors from other scenes to which they may have objected; and how Hitchcock crafted the film's unforgettable villain, Lars Thorwald, by modeling him on a producer he loathed—the infamous David O. Selznick. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Rewind Episode: Join Sandy and Terry for a fun chat about how a short story from a dime store magazine turned into one of Hollywood's most talked-about films and the fifth-highest-grossing movie of 1954. The film REAR WINDOW, featuring stars like Jimmy Stewart, Grace Kelly, Raymond Burr, and Thelma Ritter, was written by John Michael Hayes and directed by Alfred Hitchcock.   The PAGE International Screenwriting Awards sponsors the WRITERS HANGOUT.Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

La ropa que nos ponemos para presentarnos en público juega un papel significativo en la imagen que proyectamos. Esto, evidentemente, es algo que tienen muy claro desde hace siglos quienes ostentan el poder. Por eso dedicamos este episodio a la indumentaria de las reinas del pasado con la mirada del modista Lorenzo Caprile, alguien que conoce bien sus retratos más icónicos. Muchos le han servido de inspiración para sus vestidos, como lo hizo el vestido rojo de Grace Kelly en ‘Crimen perfecto' de Hitchcock Desde la moda del siglo XVI hasta la del siglo XXI, repasamos con Caprile los vestidos y tocados de la emperatriz Isabel de Portugal, Leonor de Toledo, Margarita de Austria-Estiria, Isabel Clara Eugenia, las reinas Ana de Austria, Mariana de Austria, María Teresa de Austria, Cristina de Suecia, Isabel de Farnesio, María Isabel de Braganza o la reina Isabel II.Terminamos, como no podía ser de otra manera, con el célebre vestido rojo diseñado por Lorenzo Caprile que la actual reina Letizia lució en la boda de Federico y Mary de Dinamarca en 2004, cuando era la novia del actual rey Felipe VI. Un broche dorado –nada de bandas de Miss Universo ni condecoraciones que se cargan cualquier vestido– para este episodio grabado con público en el Teatro del Barrio, en Madrid.

Conquistó Hollywood con su belleza, su elegancia, su clase, pero también con su talento. De princesa del celuloide pasó a serlo en la vida real y el cuento de hadas continuó…¿o no?Bibliografa:BBC Extra Grace Kelly: la extraordinaria vida de uno de los iconos de Hollywood BBC News Mundo 27 Julio 2019 Youtube https://www.youtube.com/watch?v=1H7huy2jwnYMorató, Cristina. Grace Kelly. 10/III/2022 Libro electrónico. 448pp.Muñoz, Sandra. 95 años del nacimiento de Grace Kelly: la actriz que se convirtió en princesa y murió de manera trágica demasiado pronto. Harpers Bazar. 12/XI/2024 Páfina Web: https://www.harpersbazaar.com/es/famosas/el-estilo-de/a62877815/grace-kelly-aniversario-muerte-accidente-princesa-estefania-culpa/í

Who did Grace Kelly marry in 1956, making her the princess of Monaco?  Play. Share. Listen with Host of Kennedy Saves The World, Kennedy. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Season 9, Episode 13 (Originally released on Aug. 24th, 2025) Welcome back to the Shame List Picture Show. On this episode, I'm joined by Ross Bigley, filmmaker and founder of the Milwaukee Short Film Festival. Ross has been a part of Milwaukee's film community for years, both through his own work and by creating a space for independent filmmakers to share their stories. We're taking a look at Alfred Hitchcock's To Catch a Thief from 1955. Cary Grant plays John Robie, a retired jewel thief living in the French Riviera who finds himself under suspicion when a wave of burglaries breaks out. Grace Kelly appears as Francie, a young heiress who might be onto him—or maybe just intrigued by him. Ross and I discuss the film's blend of romance and suspense, the chemistry between its stars, and how it reflects Hitchcock's style at that point in his career. We also take some time to step back and discuss Hitchcock's work and influence more broadly. Be sure to check out our Patreon at www.patreon.com/shamelistpictureshow Edited by: Austin Proctor Produced by: Michael Viers Theme Music by: Austin Proctor Opening Narration by: Nick RichardsCredits Music by: Ten-Speed Logo Design by: Amanda Viers

This week we turn our lens to Alfred Hitchcock's 1954 classic Rear Window. Jimmy Stewart stars as a photographer stuck in his apartment while recovering from an injury who takes to watching his neighbors.***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.A Paramount Picture. Released on September 1, 1954. Produced and directed by Alfred Hitchcock. Written by John Michael Hayes, based on the short story, “It Had to Be Murder” by Cornell Woolrich. Starring James Stewart, Grace Kelly, Thelma Ritter, Wendell Corey, Raymond Burr, and Judith Evelyn. Cinematography by Robert Burks. Edited by George Tomansini. Score by Franz Waxman.Ranking: 2 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines Rear Window got 3,077 ranking points.

"Life Goes On" —Kelly In this episode of Dying to Tell You, Cody sits down with Kelly, who is living with an ALS diagnosis. Kelly shares her journey from the onset of her symptoms to her diagnosis and how she has found community and strength through social media. Kelly talks candidly about the emotional and physical challenges of living with ALS, how she stays optimistic, and the importance of living life to the fullest despite her diagnosis. Believe us when we say, you'll be hard-pressed to find someone embracing life more fully than Kelly. She is full of grace and—yes—grit, and offers us all such an inspiring window into living life to the fullest. 

Have you ever wondered about the dark side of the American dream? In this episode, we delve into the complete Seabrook Farms history, a story of ambition, innovation, and betrayal that built—and ultimately destroyed—one of America's largest agricultural empires. Author John Seabrook, grandson of the company's visionary founder, joins us to discuss his book, The Spinach King, and unearth the secrets buried beneath a dynasty built on frozen vegetables. We explore the complex question of how a family can create a national brand from nothing, only to have it torn apart by the very man who built it.From its humble beginnings as a small truck farm in southern New Jersey, Seabrook Farms grew into a powerhouse that froze one-third of the nation's vegetables. John Seabrook recounts the story of his great-grandfather, a skilled farmer, and his grandfather, C.F. Seabrook, a Fordist industrialist who brought mass production to agriculture. C.F. Seabrook partnered with the legendary Clarence Birdseye to pioneer the flash-freezing process for vegetables, introducing staples like the lima bean to the East Coast. But this success came at a cost. We uncover the shocking story of CF Seabrook erasing his father from history, fabricating a more "illustrious" ancestry to bolster the family brand while cheating his own father out of the company he helped build.The episode examines the complex labor practices that defined the company. We discuss the controversial story of the Seabrook Farms Japanese-American workers, who were recruited from internment camps during World War II under Executive Order 9066, as well as Estonian workers from displaced persons camps after the war. While the company created a unique, multicultural community in Seabrook, New Jersey, this benevolent image is contrasted with a much darker chapter: the violent 1934 Seabrook Farms labor strike. John Seabrook reveals how this event, involving armed vigilantes and the KKK, was systematically erased from the official company narrative. The full Seabrook Farms history is a complex tale of both progress and oppression, culminating in a family war that led to the company's collapse in 1959. This interview, inspired by the book John Seabrook The Spinach King, exposes the human drama behind the iconic brand, from a cameo in Stanley Kubrick's 2001: A Space Odyssey to the family's strange friendship with a gangster bodyguard and the fairytale meeting of John's parents at Grace Kelly's royal wedding.About Our Guest:John Seabrook is the author of The Spinach King: The Rise and Fall of an American Dynasty and a long-time staff writer at The New Yorker. As the son and grandson of the men at the center of the Seabrook Farms empire, he provides a deeply personal and unflinchingly honest account of his family's incredible rise and devastating fall, piecing together a story of innovation, family conflict, and the hidden costs of success.Timestamps:(0:00) The Dark Secrets of an American Food Dynasty(2:05) The Rise of a Frozen Vegetable Empire and the History of Seabrook Farms(8:40) Erasing a Patriarch: How C.F. Seabrook Rewrote His Family's History(13:51) A Controversial Workforce: Japanese-American Labor During WWII(23:55) The 1934 Strike: Labor, Race, and the KKK in South Jersey(29:54) From the Farm to Outer Space: Seabrook's Cameo in 2001: A Space Odyssey(33:07) An Unlikely Friendship: John Seabrook's Father and Red Saunders the Gangster(37:23) A Royal Wedding: How Grace Kelly United John Seabrook's Parents(46:24) The Art of Four-in-Hand Coaching: A Father's Peculiar Passion(52:13) The Fall of a Dynasty: Who Owns Seabrook Farms Today?Learn More From Our Guest / Episode Resources:Read the book we discussed, The Spinach KingLearn more about John Seabrook

Send us a textWarner Archive's George Feltenstein discusses the stunning new 4K UHD and Blu-ray restoration of MGM's 1956 musical "High Society" starring Bing Crosby, Grace Kelly, and Frank Sinatra with Louis Armstrong.Purchase links:HIGH SOCIETY (1956) 4K&Blu-ray Combo PackHIGH SOCIETY (1956) Blu-rayEPISODE DETAILS:• VistaVision's horizontal filming process presented unique challenges for scanning and restoration• Original film negatives were scanned using specialized Director scanners adapted specifically for horizontal use• Audio restoration utilized original six-track pre-recordings to create authentic multi-channel sound• Finding and preserving the original stereophonic music recordings was crucial to the restoration process• "High Society" was MGM's highest-grossing film of 1956 despite strong competition• Louis Armstrong functions as a Greek chorus throughout the film, with Bing Crosby having roots in jazz• Grace Kelly's final Hollywood film before becoming Princess of Monaco shows her comedic talents• Director Charles Walters moved from Broadway dancer to MGM choreographer to successful director• Special features include behind-the-scenes material, audio promos, and the appropriate "Millionaire Droopy" cartoon• Warner Archive's commitment to high-quality 4K releases continues with more titles plannedCheck out Warner Archive's Facebook page for more information and updates on upcoming releases. The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog Group As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv

Shane and the Howler discuss Big Cat Malt Liquor, Hot Tub Clubs, and a strip club closing down. They also discuss the Alfred Hitchcock movie “Rear Window” and its star Grace Kelly.The Midweek Howl Disclaimer: The Skeptic of the From The Shadows Podcast crew, aka the Ozark Howler, joins Shane each week, to share a story or two and discuss current events. Just a little midweek humor to brighten your day. We like to call this segment “The Midweek Howl.” Enjoy!From The Shadows Podcast is a program where we seriously discuss the supernatural, the paranormal, cryptozoology as well as ufology. Anything that cannot be rationally explained has a platform for discussion here on the From The Shadows Podcast.Web https://www.fromtheshadowspodcast.comFacebook https://www.facebook.com/fromtheshadowspodcastInstagram - Shane Grove  https://www.instagram.com/shanegroveauthorInstagram - Podcast https://www.instagram.com/fromtheshadowspodcast#Ohio #Ozarks #BBQ #StripClub #GraceKelly #MaltLiquor #funny

"EDITH HEAD: OLD HOLLYWOOD'S QUEEN OF FASHION" (093) EPISODE 93 -  6/23/25 With eight Academy Awards to her name — more than any other woman in history — EDITH HEAD wasn't just a costume designer; she was a storyteller in fabric, silhouette, and sparkle. From BETTE DAVIS to GRACE KELLY to AUDREY HEPBURN, she dressed the biggest stars of the silver screen, leaving an indelible mark on both fashion and film. In this episode, we explore how a shy schoolteacher became the most powerful woman in Hollywood wardrobes, her collaborations with iconic directors like Alfred Hitchcock, and how her designs helped shape characters, define eras, and influence fashion far beyond the studio lot. So, slip into something fabulous, and let's step behind the curtain into the life and legacy of the great Edith Head. SHOW NOTES:  Sources: Dressing Up The Stars: The Story of Movie Costume Designer Edith Head (12022), by Jeanne Walker Harvey;  Edith Head: The 50 Year Career of Hollywood's Greatest Costume Designer (2010), by Jay Jorgensen; Edith Head: The Life and Times of Hollywood's Celebrated Costume Designer (2003), by David Chierichetti; Edith Head's Hollywood (1983), by Edith Head; The Dress Doctor (1959), by Edith Head; “How To Dress For the Oscars,” February 11, 2015, ⁠www.oscars.com⁠; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned:  Wings (1927); The Saturday Night Kid (1929); Love Me Tonight (1932); She Done Him Wrong (1933); Little Miss Marker (1934); Rhythm on the Range (1936); College Holiday (1936); The Jungle Princess (1936); Internes Can't Take Money (1937); The Big Broadcast of 1938 (1938); Thanks for the Memories (1938); Mad about Music (1938); Dangerous To Know (1938);  Beau Geste (1939); Remember the Night (1939); The Cat and the Canary (1939);  The Lady Eve (1941); Sullivan's Travels (1941); The Glass Key (1942); I Married a Witch (1942); Star Spangled Rhythm (1942); Hold That Blonde (1945); The Blue Dahlia (1946); Holiday Inn (1942); The Uninvited (1944); Double Indemnity (1944); Incendiary Blonde (1945); To Each His Own (1946); The Strange Love of Martha Ivers (1946); A Connecticut Yankee in King Arthur's Court (1949); The Great Gatsby (1949);  Notorious (1946); The Emperor's Waltz (1948); The Heiress (1949); All About Eve (1950); Sunset Boulevard (1950); Samson & Delilah (1949); A Place in the Sun (1951); Roman Holiday (1953); Sabrina (1954);  Funny Face (1957); Rear Window (1954); To Catch a Thief (1955); The Trouble With Harry (1955); The Man Who Knew Too Much (1956); Vertigo (1958); Ace In the Hole (1951); The Greatest Show on Earth (1952); Shane (1953); White Christmas (1954);  The Rose Tattoo (1955); The Rainmaker (1956); The Ten Commandments (1957); Loving You (1958); The Pink Panther (1963); A Shot In the Dark (1964); The Man Who Shot Liberty Valance (1963); Love With the Proper Stranger (1963); Sex and the Single Girl (1964); Inside Daisy Clover (1965); The Great Race (1965);  Penelope (1966); This Property is Condemned (1966); G.I. Blues (1960);  Blue Hawaii (1961);  Girls! Girls! Girls! (1962);  Fun In Acapulco (1963);  Roustabout (1964); Paradise Hawaiian Style (1966); What a Way to Go! (1964); Sweet Charity (1969); Summer and Smoke (1961);  Hud (1963); The Birds (1963); Harlow (1965); Barefoot in the Park (1967); Butch Cassidy & the Sundance Kid (1969); Topaz (1969); Airport (1970); Airport ‘75 (1974); Airport ‘77 (1977); Myra Breckenridge (1970); Lady Sings The Blues (1972); The Sting (1974); The Great Waldo Pepper (1975);,  The Man Who Would Be King (1976);  Family Plot (1976); Gable and Lombard (1976); W.C. Fields and Me (1976); Rooster Cogburn (1975); Sextette (1978); Dead Men Don't Wear Plaid (1982); --------------------------------- ⁠http://www.airwavemedia.com⁠ Please contact ⁠sales@advertisecast.com⁠ if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jackie makes her highly anticipated (not really) return and attempts to breeze into 2018 with the finesse of a young Grace Kelly. Until she is confronted with a rat mid recording and has to seek shelter, refuge, alcohol and access to basic cable. New year, same bitch. Thanks for supporting my sponsors!Hero Bread: Use code JACKIE at checkout to get 10% off your order at www.hero.coHungryroot: For a limited time, get free shipping and 50% off your first box, plus free dessert for life at www.HomeChef.com/BIBLELittle Spoon: Use code BIBLE at checkout to get 30% off your first order at www.LittleSpoon.com/BIBLERitual: Don't settle for less than evidence-based support. Get 25% off your first month at www.ritual.com/BIBLESee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode of The Nikki & Brie Show, the twins are coming to you from Monaco! As they soak up the F1 vibes, they had to make sure to bring us to speed (no pun intended!) on their dreamy adventure aboard the Ritz Carlton Yacht Collection around the French Riviera—and trust us, you're going to want to hear everything.Nikki & Brie are giving us full Grace Kelly fantasy with a side of White Lotus energy. Think limoncello spritzes, gold parties, new friendships and luxury that felt like stepping into a movie! They recap their favorite moments—from Brie's show-stopping gold party look (did someone say best dressed?) to twin sleepovers and hilarious stories about deep, drunken conversations, unexpected storms, and an awkward moment with a seabass.The episode wraps with a fun game of Twin Telepathy, plenty of belly laughs, and a sweet Inspiration Affirmation pulled from the timeless Grace Kelly herself. So pour yourself a spritz, find a sunny spot, and press play—because this one is all good vibes, open seas, and sister stories you won't want to miss.Vote The Nikki & Brie Show for “Favorite Podcast” at this year's Nickelodeon Kids' Choice Awards! Voting is open now through June 21, 2025. Cast your vote here. Call Nikki & Brie at 833-GARCIA2 and leave a voicemail! Follow Nikki & Brie on Instagram, follow the show on Instagram and TikTok and send Nikki & Brie a message on Threads! Follow Bonita Bonita on Instagram Book a reservation at the Bonita Bonita Speakeasy To watch exclusive videos of this week's episode, follow The Nikki & Brie Show on YouTube, Facebook, and TikTok! You can also catch The Nikki & Brie Show on SiriusXM Stars 109!

This episode was originally released on April 11, 2017. Listen to help prep for the next episode of our new season, The Old Man is Still Alive. The quintessential “Hitchcock blonde,” Grace Kelly had an apparently charmed life. Her movies were mostly hits, her performances were largely well-reviewed, and she won an Oscar against stiff competition. Then she literally married a prince. Was it all as perfect as it seemed? Today we'll explore Kelly's public and private life (and the rumors that the two things were very different), her working relationship with Hitchcock, her Oscar-winning performance in The Country Girl, the royal marriage that took her away from Hollywood and Kelly's very specific spin on blonde sexuality. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices