Podcasts about Grace Kelly

Mónaco es mucho más que una carrera de Formula 1. Es un lugar donde el lujo, la historia y el automovilismo se mezclan para crear uno de los eventos más icónicos del deporte mundial. Pero, ¿qué hace tan especial al Principado y por qué sigue siendo considerado la joya de la corona de la Formula 1?En este episodio, Pia Ramos nos lleva por un recorrido que va desde la familia Grimaldi y el legado de Grace Kelly, hasta los secretos de un país que se ha convertido en hogar de varios pilotos de la parrilla actual. Un lugar pequeño en tamaño, pero enorme en influencia, glamour y tradición.También exploramos el papel del Gran Premio de Mónaco dentro de la historia de la Formula 1, sus momentos más memorables, sus polémicas y la eterna pregunta: ¿es una carrera que sigue siendo un desafío deportivo único o se ha convertido en el máximo símbolo del glamour dentro del automovilismo?

The Third Part in our Dear, We Must Depart Trilogy If part two was primarily focused on Uma Thurman's feet (not by us!) then the grand finale that started with a Grace Kelly classic must of course finish with Aubrey Plaza's MY OLD ASS. Enjoy! Patreon supporters get access to monthly bonus episodes including previous years of Movie Book Club! Bluesky/Instagram/Threads: @trilogyintheory Letterboxd: @projectingfilm & @webistrying Artwork by: @nasketchs Find out more at https://trilogyintheory.pinecast.co This podcast is powered by Pinecast.

Nach 1939 nutzt Josephine Baker ihren Ruhm nicht mehr nur als Kapital für die Bühne, sondern als politisches Werkzeug. Im Krieg arbeitet sie für Frankreich, nach dem Krieg kämpft sie gegen die Diskriminierung der Schwarzen in den USA, in Südwestfrankreich baut sie mit ihren adoptierten Kindern ein Modell der Brüderlichkeit auf – das „Tribu arc-en-ciel“. Doch dieses Projekt ruiniert sie fast. In der Krise helfen ihr unter anderem zwei Frauen, die man in dieser Geschichte nicht unbedingt erwarten würde: Brigitte Bardot und Grace Kelly. Und am Ende stirbt Josephine Baker nicht auf dem Rückzug, sondern mitten in einem letzten Triumph.Du hast Feedback oder einen Themenvorschlag für Joachim und Nils? Dann melde dich gerne bei Instagram: @wasbishergeschah.podcastQuellen:Mona Horncastle: Josephine Baker. Weltstar, Freiheitskämpferin, Ikone, Piper, 2025. Josephine Baker / Marcel Sauvage: Tanzen, Singen, Freiheit. Memoiren, übersetzt von Sabine Reinhardus und Elsbeth Ranke. Reclam, 2025. Patricia Hruby Powell / Christian Robinson: Josephine. Das schillernde Leben von Josephine Baker, E. A. Seemann, 2018. Catel Muller / José-Louis Bocquet: Joséphine Baker, Casterman, Neuausgabe 2021. Französisch, Graphic Novel. Phyllis Rose: Jazz Cleopatra. Josephine Baker in Her Time, Doubleday, 1989. Hanna Diamond: Josephine Baker's Secret War. The African American Star Who Fought for France and Freedom, Yale University Press, 2025. Ilana Navaro: Josephine Baker: The Story of an Awakening, Dokumentarfilm, Kepler, 22 Productions / Arte France, 2018, 52 Minuten.++ Du willst Teil der WBG-Community auf Steady werden? Hier gehts lang! ++++ Livetermine 2026: https://wbgprods.com/livetermine ++++ Was bisher geschah Merch: zum Online-Shop ++++ Mit dem Code "geschichte26" jetzt Bookbeat 90 Tage gratis nutzen ++ Hosted on Acast. See acast.com/privacy for more information.

The First Part in our Dear, We Must Depart Trilogy For our big episode 250 we pick on Grace Kelly's dumb face... okay, that sounds mean but she is mostly confused through the proceeding of Alfred Hitchcock's DIAL M FOR MURDER while we remain riveted as the characters go over and over and OVER the perfect murder. That is if there can be such a thing as a perfect murder when Princess Grace is the intended victim. But that's why it's the movies and this is not CinemaSins, it's TiT! Patreon supporters get access to monthly bonus episodes including previous years of Movie Book Club! Bluesky/Instagram/Threads: @trilogyintheory Letterboxd: @projectingfilm & @webistrying Artwork by: @nasketchs Find out more at https://trilogyintheory.pinecast.co This podcast is powered by Pinecast.

HOLLYWOOD ROYALTY EP.10 – SILHOUETTE/ARIZONA DREAM/DUNSTON CHECKS IN This week on Hollywood Royalty, it's Faye as you've never seen her before, starring in a trio of titles that proved uncharted territory for the actress. Up first, we see Faye take on both Jimmy Stewart and Grace Kelly's roles in the 1990 Hitchcock-influenced Silhouette, a reworking […]

Can you believe the suave Cary Grant as a cockney ne'er do well?? Grace Kelly as a mousy, beaten down wife of an alcoholic actor, played by Bing Crosby?? I didnt.. We discuss a bunch of crossovers from drama to comedy, comedy to drama, and born again virgins. Join us. Thanks so much to John, one of my fave guests. Much Thanks to all of you wonderful people that listen, Grace xo You can check out Johns books, wherever books are sold.  https://www.amazon.com/s?k=john+dileo+books&crid=O75R542DYYXN&sprefix=John+DiLeo%2Caps%2C203&ref=nb_sb_ss_p13n-expert-pd-ops-ranker_1_10   You can listen wherever podcasts are played You can Contact me at              truestoriesoftinseltown@gmail.com    https://podcasts.apple.com/us/podcast/true-stories-of-tinseltown/id136374488 https://open.spotify.com/show/6iTSF8pIrVTbZ8QqNidVUy?  You can also listen on google play, YouTube, Amazon, I heart radio and anywhere podcasts are played.   You can also IM me on my TSOTT Facebook page. I sometimes don't go on for a while, but will try be better at checking messages and posting. Best to email me.. You can also Contact me at              truestoriesoftinseltown@gmail.com    www.facebook.com/truestoriesoftinseltown    

Send us a Question!PATREON MOVIE DISCUSSION: This movie was selected by our Patreon Supporters over at the Cinematic Doctrine Patreon. Support as little as $3 a month and have your voice heard! Kathryn joins Melvin in discussing Rear Window, a quintessential Hitchcock film! The two get into the film's fascination with voyeurism, L.B. Jefferies complex character, whether or not people can change, and what it means to clearly see others. Topics: (PATREON EXCLUSIVE) 22-minutes discussing the Forbes report from Rob Salkowitz "Disney Layoffs Hit Marvel Studios Hard", how visual effects artists switching from full-time to contract work may increase project leaks, and why these layoffs happened in the first place. (PATREON EXCLUSIVE) The film is exceptionally well paced, and the way it turns people into "television channels" is as gross as it is curious.The dialogue in Rear Window is top notch, even if it's very scripted and forgoes any sense of realistic, human communication. Everything's so clever.Despite its ups and downs, Melvin really loved the romance and drama between L.B. Jefferies and Lisa Fremont.Where does a person's insatiable desire for information come from?Talking about perspectives and framing.Talking about L.B. Jefferies and the intricacies of his character.The ending is only the tiniest bit clunky, but it's strong nonetheless.Recommendations:His Girl Friday (1940) (Movie)Loner (2025) (Movie) Support the showSupport on Patreon for Unique Perks! Early access to uncut episodes Vote on a movie/show we review One-time reward of two Cinematic Doctrine Stickers & PinsSocial Links: ThreadsWebsiteInstagramLetterboxdFacebook Group 

Jim talks about a classic 1954 Thriller from Alfred Hitchcock - "Rear Window," starring James Stewart, Grace Kelly, Thelma Ritter, Wendell Corey, and Raymond Burr. A famous photojournalist confined to a wheelchair after breaking his leg spends his recovery watching his neighbors' lives. But, is one of them a murderer? Find out on MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.

Edith Head made costumes for more than a thousand films, winning  8 Oscars, more than any other woman. Our special guest is Susan Claassen, the producer and star of the show, 'A Conversation with Edith Head.'   Susan tells us about Head's career working with Hollywood stars, such as Grace Kelly and Robert Redford. Today's generation knows Edith Head through a character in the  'Incredible' movies, Edna Mode.  

On this episode of "The Bruce Exclusive", Bruce rapid fires his way through front seven draft prospects for the Buffalo Bills, but takes a moment to explain why he's doing that first. Oh, and singing. Topics include Joe Brady, Brandon Beane, Terry Pegula, Josh Allen, Ed Oliver, T.J. Sanders, Deone Walker, Buffalo Bills free agents, Buffalo Bills draft picks, Buffalo Bills free agents, and more! "The Bruce Exclusive" is part of the Rumblings Cast Network! The Rumblings Cast Network family of shows includes Billieve, The Bruce Exclusive, Jamie D & Big Newt, Leading the Charge, and Unplugged. Learn more about your ad choices. Visit megaphone.fm/adchoices

Occasional Duets There's a feast of talent in this program as big stars join together to produce great songs. Paul McCartney and Stevie Wonder combine with their plea for racial equality with Ebony And Ivory. Fifties stars Bing Crosby and Grace Kelly combine with their million seller True Love and in the same era Jazz great Dinah Washington teams up with Brook Benton with the jaunty You've Got What It Takes. Legends Barbra Streisand and Donna Summer rev it up with (No More Tears) Enough Is Enough. And in a memorable performance another legend David Bowie joins Freddy Mercury and Queen with Under Pressure. The Aussie selection is our own rock star Johnny O'Keefe performing with Margaret McClaren for their version of Mockingbird.   Playlist Up  Where We Belong – Joe Cocker & Jennifer Warnes Stumblin' In – Suzi Quatro & Chris Norman True Love – Bing Crosby & Grace Kelly Under Pressure – David Bowie & Queen Crying – K D Lang & Roy Orbison On My Own – Patti Labelle & Michael McDonald (No More tears) Enough Is Enough – Barbra Streisand & Donna Summer Islands In The Stream – Dolly Parton & Kenny Rogers You've Got What It Takes – Brook Benton & Dinah Washington Ebony & Ivory – Paul McCartney & Stevie Wonder Mockingbird – Johnny O'Keefe & Margaret McLaren Baby Come To Me – Patti Austen & James Ingram To re-live previous episodes, visit joy.org.au/yesterdayoncemore ENJOY! Don’t forget to tune into JOY 94.9 next Sunday at 5pm for another most enjoyable episode of Yesterday Once More. JOY 94.9 – Out.Loud.Proud – Your Voice – Your Radio Station Support JOY, support this podcast, donate, become a valued member:  https://www.joy.org.au/support joy For Support visit: joy.org.au/Support Your opinion is highly valued.  Please feel free to share your thoughts and suggestions.  Your feedback helps us to improve your listening experience.  Thank you in advance for your time and contribution The post Occasional Duets appeared first on Yesterday Once More.

The Unexpected Power of Treats: Why French Toast and Beer Make You a Better Runner with Kelly Chiusano and Grace Lee.This episode is sponsored by *Thrive Protein* | Canadian made supplements, nutrition, and hydration to fuel all your adventures. Check them out: ⁠⁠⁠⁠Thrive Protein⁠⁠⁠⁠ and use the code RUNEGADE to save 20% off your order.In this episode, Kelly and Grace share their inspiring journeys from half marathons, to marathons and beyond to help you with your next PR.Fresh voices in the field of running and coaches through The Striders NYC, they're fast, they're encouraging and they provide shining of examples that we can balance way more than we believe possible.Whether you're chasing your first 5K or your next marathon PR their insights on fueling, patience, and balance will change your perspective on what it takes to keep going when it matters most.In this episode, we explore:​Kelly's evolution from a beginner to a six-star marathon finisher, highlighting the importance of fueling and patience​Transformation into a resilient unner, emphasizing trust in the process and mindset shifts​Practical tips on pacing, slow runs, and the myth of zone two training​How to manage negative thoughts and silence the inner critic during tough miles​Secrets behind their favorite races—London, Berlin, New York—and what made these memories special​The role of cross-training like kickboxing and strength training to enhance running performance​Strategies for effective recovery and making room for fun amid busy schedulesMore Kelly and Grace​Kelly on Instagram: @kellychiusano​Grace on Instagram: @gleeshyne​Coaching: The Striders NYCWe thank Kelly and Grace for becoming RUNEGADEs.In a world of runners, be a RUNEGADE.⁠⁠⁠⁠⁠⁠Save $$$ with RUNEGADE⁠⁠⁠⁠⁠⁠ - friends of the podcast offering great savings to RUNEGADE listeners.Connect with Todd, Mark and Harvey:​Email: runegadepodcast@gmail.com​Todd on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@altramarathonman⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠​Mark on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@runclemark⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠​Harvey on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@altra_harvey⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠​⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠RUNEGADE on Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Path Projects⁠⁠⁠⁠⁠⁠⁠ | our favourite running gear and apparel. Look great and perform to your potential by gearing up with Path Projects. Elite running gear and apparel, by runners, for runners. Hats, T-shirts, base liners, hoodies, shorts, jackets ... everything performs. Use code TRP10 for 10% off (limited time)

It's Awards Season yet again. Here on the Holmes Movies Podcast that means, it is time for the Alternative Oscars episodes! AKA the Anders and Adam-emy Awards! Each episode for this series we pick a different year in Oscars history and attempt to correct the record, stripping the undeserving of their garlands while recognising those who were cruelly overlooked.This time, we will be casting our eye back to… the 28th Academy Awards. The event celebrated all the films released in the year of 1955. The event was held at the RKO Pantages Theatre in Los Angeles, California and the NBC Century Theatre in New York City. The Lost Angeles host was Jerry Lewis. The New York hosts were Joseph L. Mankiewicz and Claudette Colbert.This year at the 28th Annual Academy Awards, Delbert Mann's film Marty won Best Picture and Best Director. Plus Best Actor in a Leading Role for its start Ernest Borgnine. Grace Kelly was at the ceremony as a presenter and this was just when she was about to retire from acting. She would then become the Princess of Monaco. This was also the last year where International Films received a Special/Honorary Oscar. The Best Foreign Language Film award would be handed out for the first time next year at the 29th Annual Academy Awards. Be sure to check out our Monument Valley Film on our YouTube Channel.Anders's screenwriter work can also be seen at work in the horror, car chase thriller Delivery Run, co-written with & directed by Joey Palmroos. The film has been released digitally and also in select cinemas in the US and the UK. In Finland it was released on Apple TV after finishing its limited cinema run and was the Number 1 film for multiple weeks. You can read a review about it here on the Fangoria website. The film is now available to watch in the other Nordic territories like Sweden, Oslo and of course Denmark. If you live in Denmark, you can watch the movie here on Apple TV by clicking this link.Follow us on our Instagram page. For obvious reasons, we are no longer on Twitter. You won't find us there. Perhaps we will make a BlueSky account, so keep an eye out for that.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic.Check out our blog and read Anders's recent review on David Lynch's brilliant film Mulholland Drive. Hosted on Acast. See acast.com/privacy for more information.

Le 11 décembre 1983, lors du Festival du Cirque de Monte-Carlo, Rainier III assiste à une messe en mémoire de son épouse, Grace Kelly, décédée un an plus tôt. Cette actrice devenue princesse avait profondément marqué Monaco par son élégance et son engagement philanthropique. Leur mariage en 1956, véritable conte de fées, avait attiré l'attention du monde entier et transformé la petite principauté en une destination glamour. Malgré son départ du cinéma, Grace est restée une icône mondiale. Son tragique accident de voiture en 1982 a plongé Monaco dans le deuil, laissant Rainier dévasté et mettant fin à une époque d'éclat et de bonheur pour le Rocher. Merci pour votre écoute Vous aimez l'Heure H, mais connaissez-vous La Mini Heure H https://audmns.com/YagLLiK , une version pour toute la famille.Retrouvez l'ensemble des épisodes de l'Heure H sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/22750 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : Un jour dans l'Histoire : https://audmns.com/gXJWXoQL'Histoire Continue: https://audmns.com/kSbpELwAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvVous aimez les histoires racontées par Jean-Louis Lahaye ? Connaissez-vous ces podcast?Sous le sable des Pyramides : https://audmns.com/rXfVppv36 Quai des orfèvres : https://audmns.com/eUxNxyFHistoire Criminelle, les enquêtes de Scotland Yard : https://audmns.com/ZuEwXVOUn Crime, une Histoire https://audmns.com/NIhhXpYN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Dan, James and Andy discuss YOUR facts, including avocado, almonds, Geese and Grace Kelly. James takes us on a hell of a Kentucky Derby ride. And we name eight more Friend of the Podcast fact custodians.Join Club Fish for ad-free episodes and exclusive bonus content at apple.co/nosuchthingasafish or nosuchthingasafish.com/patreon

What could be more romantic than two Gen X white guys talking about Alfred Hitchcock's most romantic film before Valentine's Day? I'm sure plenty of things, but this is what you get from the Sonic Cinema Podcast this year. My frequent guest, Phil Fasso, returns for the third time in five months to discuss Cary Grant and Grace Kelly being two of the most drop-dead gorgeous people in movie history in Hitchcock's 1955 light and entertaining caper, "To Catch a Thief". I hope you enjoy!

Let us pick the best neo-glam rock song of the mid-00s! Who shall win, the faux-Queen belting of Mika's "Grace Kelly" or the Elton John-approved disco of the Scissor Sisters' "I Don't Feel Like Dancin'"?See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Episode Notes Full descrptions from the Library of Congress “The Tramp and the Dog” (1896)                                                          "The Tramp and the Dog," a silent film from Chicago's Selig Polyscope Company, is considered director William Selig's most popular early work. Filmed in Rogers Park, it is recognized as the first commercial film made in Chicago. Previously a lost film, it was rediscovered in 2021 at the National Library of Norway. The film depicts a tramp who attempts to steal a pie from a backyard windowsill, only to be met by a broom-wielding housewife and her dog, who foils the crime. The film is one of the first known as “pants humor,” where a character loses (or almost loses) his pants during an altercation. This scene inspired future comedy gags showing drifters and tramps losing their pants to dogs chasing them. “The Oath of the Sword” (1914)                                                                        A three-reel silent drama, "The Oath of the Sword" depicts the tragic story of two young lovers separated by an ocean. Masao follows his ambitions, studying abroad at the University of California, Berkeley, while Hisa remains in Japan, caring for her ill father. This earliest known Asian American film production featured Japanese actors playing Japanese characters and was produced by the Los Angeles-based Japanese American Film Company. Made at a time when Hollywood studios were not yet the dominant storytellers of the American film industry, "The Oath of the Sword" highlights the significance of early independent film productions created by and for Asian American communities. James Card, the founding curator at the George Eastman Museum, acquired “The Oath of the Sword” in 1963. The museum made a black and white photochemical preservation in 1980. In 2023, a new preservation reproducing the original tinting was done in collaboration with the Japanese American National Museum, and the film has since become widely admired. “The Maid of McMillan” (1916)Known to be the first student film on record, this whimsical, silent romance film was shot on campus in 1916 by students in the Thyrsus Dramatic Club at Washington University in St. Louis, Missouri. Club members Donald Stewart (Class of 1917) and George D. Bartlett (Class of 1920) wrote the screenplay. The original nitrate print of “The Maid of McMillan” was rediscovered in 1982, and two 16mm prints were made; the original nitrate was likely destroyed at this time. In 2021, with funding from the National Film Preservation Foundation, one of those 16mm prints was scanned at 4k and reprinted onto 35mm helping to secure the film's survival and legacy. “The Lady” (1925)When “The Lady” debuted in theaters in 1925, the silent film era had hit its stride, and this movie represents a powerhouse of artists at their peak. Director Frank Borzage was a well-established expert in drawing out intense expressions of deep emotion and longing in his actors. He did just that with the film's lead actress, Norma Talmadge, also at the height of her career, both in front of and behind the camera. Talmadge produced “The Lady” through her production company and commissioned one of the most prolific screenwriters, Frances Marion, to deliver a heartfelt story of a woman seeking to find the son she had to give up, to protect him from his evil grandfather. “The Lady” was restored by the Library of Congress in 2022. “Sparrows” (1926)As a silent actress, producer and key founder in the creation of the American film industry, Mary Pickford's performance in “Sparrows” represents her ability to master the genre she helped nourish: sentimental melodramas full of adventure and thrills, with dashes of comedy and heartfelt endings. Pickford plays Molly, the eldest orphan held within the swampy squalor of the Deep South, who moves heaven and earth to save the other orphan children from a Dickensian world of forced labor. The film takes some departures from the visual styles found in Pickford's other films, invoking an unusual tone of despair while deploying camera angles and lighting akin to German Expressionist cinema. “Sparrows” was preserved by the Library of Congress in collaboration with the Mary Pickford Company in 2020. “Ten Nights in a Barroom” (1926)                                                                     Featuring an all-Black cast, “Ten Nights in a Barroom” was produced in 1926 by the Colored Players Film Corporation of Philadelphia and is the earliest of only two surviving films made by the company. This silent film is based on the stage melodrama adapted from the 1854 novel “Ten Nights in a Bar-Room and What I Saw There” by Timothy Shay Arthur. Released in 2015 by Kino Lorber as part of the five-disc set “Pioneers of African-American Cinema,” the compilation was produced by the Library of Congress, in association with the British Film Institute, George Eastman Museum, Museum of Modern Art, National Archives, Smithsonian's National Museum of African American History and Culture, Southern Methodist University and the UCLA Film & Television Archive. Preserved by George Eastman Museum. “White Christmas” (1954)                                                           While the chart-topping song "White Christmas" was first performed by Bing Crosby for the 1942 film "Holiday Inn," its composer, Irving Berlin, was later inspired to center the song in the 1954 musical "White Christmas." Crosby, along with Danny Kaye, Rosemary Clooney, Vera-Ellen Rohe and director Michael Curtiz, embedded "White Christmas" in American popular culture as a best-selling single and the top-grossing film of 1954, as well as regular holiday viewing throughout the decades. The story of two World War II veterans-turned-entertainers and a singing sister act preparing a show for a retired general, the film and its grand musical numbers were captured in VistaVision, a widescreen process developed by Paramount Pictures and first used for "White Christmas." “High Society” (1956)                                                                  Often referred to as the last great musical of the Golden Age of Hollywood, “High Society” features an all-star cast including Bing Crosby, Grace Kelly, Frank Sinatra and Louis Armstrong (and his band), along with a memorable score of Cole Porter classics. Set in Newport, Rhode Island, the film showcases the Newport Jazz Festival (established in 1954) and features a remarkable version of Cole Porter's “Now You Has Jazz.” It includes the first big-screen duet by Frank Sinatra and Bing Crosby, singing “Well, Did You Evah?” This was Grace Kelly's last movie before she retired from acting and married the Prince of Monaco; she wore her Cartier engagement ring while filming. “Brooklyn Bridge” (1981)                                               With “Brooklyn Bridge,” Ken Burns introduced himself to the American public, telling the story of the New York landmark's construction. As with later subjects like the Civil War, jazz and baseball, Burns connects the building of the Brooklyn Bridge to American identity, values and aspirations. Released theatrically and nominated for an Academy Award for Best Documentary Feature, “Brooklyn Bridge” marked the beginning of Burns' influential career in public media*.* More than just a filmmaker, Burns has become a trusted public historian. His storytelling presents facts, but maybe more importantly, invites reflection on what America is, where it's been, and where it's going. His influence is felt not only in classrooms and through public broadcasting, but across generations who see history as something alive and relevant. “Say Amen, Somebody” (1982)George Nierenberg's documentary is a celebration of the historical significance and spiritual power of gospel music. With inspirational music, joyful songs and brilliant singers, the movie focuses on the men and women who pioneered gospel music and strengthened its connections to African American community and religious life. Prior to production, Nierenberg, who is white, spent over a year in African American churches and communities, gaining the trust of the performers. Restored by the Smithsonian's National Museum of African American History and Culture in 2020, the film features archival footage, photographs, stirring performances and reflections from the father of gospel Thomas A. Dorsey and its matron Mother Willie Mae Ford Smith. Nierenberg shows the struggles and sacrifices it takes to make a living in gospel, including criticism endured by women who sought to pursue careers as professional gospel singers while raising their families. “The Thing” (1982)Moody, stark, often funny and always chilling, this science fiction horror classic follows Antarctic scientists who uncover a long-dormant, malevolent extraterrestrial presence. “The Thing” revolutionized horror special effects and offers a brutally honest portrait of the results of paranoia and exhaustion when the unknown becomes inescapable. “The Thing” deftly adapts John W. Campbell's 1938 novella “Who Goes There?” and influenced “Stranger Things” and “Reservoir Dogs.” It remains a tense, thrilling and profoundly unsettling work of cinema. “The Big Chill” (1983)Lawrence Kasdan's best picture-nominated “The Big Chill” offers an intimate portrait of friends reunited after the suicide of one of their own and features actors who defined cinema in the 1980s – Glenn Close, William Hurt, Jo Beth Williams, Kevin Kline, Jeff Goldblum and Meg Tilly. This powerful ensemble portrays American stereotypes of the time – the yuppie, the drug dealer, the TV star – and deftly humanizes them. Through humor, tenderness, honesty and an amazing soundtrack, it shows formerly idealistic Americans making and dealing with the constant compromises of adulthood, while buoying one another with uncompromising love and friendship. “The Karate Kid” (1984)An intimate story about family and friendship, “The Karate Kid” also succeeds as a hero's journey, a sports movie and a teen movie – a feel-good movie, but not without grit. The film offers clearly defined villains, romance and seemingly unachievable goals, but also an elegant character-driven drama that is relatable and touching. A father who has lost his son meets the displaced son of a single mother and teaches him about finding balance and avoiding the pitfalls of violence and revenge. Race and class issues are presented honestly and are dealt with reasonably. Our hero practices a lot, gets frustrated, gets hurt, but still succeeds. It's as American as they come, and it's a classic. “Glory” (1989)“Glory,” described by Leonard Maltin as “one of the finest historical dramas ever made,” portrays a historical account of the 54th Regiment, a unit of African American soldiers who fought for the North in the Civil War. Authorized by the Emancipation Proclamation of 1863, the regiment consisted of an all-Black troop commanded by white officers. Matthew Broderick plays the young colonel who trains the troop, and Denzel Washington (in an Academy Award-winning performance) is among an impressive cast that includes Morgan Freeman, Cary Elwes and Andre Braugher. American Civil War historian James M. McPherson said the film "accomplishes a remarkable feat in sensitizing a lot of today's Black students to the role that their ancestors played in the Civil War in winning their own freedom.” “Philadelphia” (1993)                                                                  “Philadelphia” stars Tom Hanks in one of the first mainstream studio movies to confront the HIV/AIDS crisis. In the film, law partner Andrew Beckett (Hanks) is fired from his firm when they discover that he is gay and has AIDS. He hires personal attorney Joe Miller (Denzel Washington) to help him with litigation against his former employer. Director Jonathan Demme is quoted as saying, “The film is not necessarily just about AIDS, but rather everyone in this country is entitled to justice.” The film won two Oscars: one for Hanks and the other for Bruce Springsteen's original song, “The Streets of Philadelphia.” Through the song's mainstream radio and MTV airplay, it brought the film and its conversation around the HIV/AIDS pandemic to a wider audience. “Before Sunrise” (1995)                                                              Richard Linklater has explored a wide range of narrative storytelling styles while consistently capturing ordinary, everyday American life. However, his innovative use of time as a defining and recurring cinematic tool has become one of his most significant accomplishments. As the first film in his “Before” trilogy – three films, each shot nine years apart – “Before Sunrise” unfolds as one of cinema's most sustained explorations of love and the passage of time, highlighting the human experience through chance encounters and conversation. With his critically acclaimed 12-year production of the film “Boyhood” (2014) and a new 20-year planned production underway, his unique use of the medium of film to demonstrate time passing demonstrates an unprecedented investment in actors and narrative storytelling. “Clueless” (1995)                                                             A satire, comedy and loose Jane Austen literary adaptation dressed in teen movie designer clothing, “Clueless,” directed by Amy Heckerling, rewards both the casual and hyper-analytical viewer. It's impossible to miss its peak-1990s colorful, high-energy, soundtrack-focused on-screen dynamism, and repeated viewings reveal its unpretentiously presented and extraordinarily layered and biting social commentary about class, privilege and power structures. Heckerling and the incredible cast never talk down to the audience, creating main characters that viewers root for, despite the obvious digs at the ultrarich. The film centers on Cher (Alicia Silverstone) as a well-intentioned, fashion-obsessed high school student who is convinced she has life figured out. In the age of MTV, the film's popularity launched Paul Rudd's career and Silverstone's iconic-1990s status. The soundtrack, curated by Karyn Rachtman, helped solidify the film as a time capsule of clothing, music, dialogue and teenage life. “The Truman Show” (1998)Before social media and reality television, there was “The Truman Show.” Jim Carrey breaks from his usual comedic roles to star in this dramatic film about a man who, unbeknownst to him, is living his life on a soundstage filmed for a popular reality show. Adopted at birth by the television studio, Truman Burbank (Carrey) grew up in the (fictitious) town of Seahaven Island with his family and friends playing roles (paid actors). Cameras are all over the soundstage and follow his activities 24/7. Almost 30 years since its release, the film continues to be a study in sociology, philosophy and psychology, and has inspired university classes on media influence, the human condition and reality television. “Frida” (2002)Salma Hayek produced and starred in this biopic of Frida Kahlo, adapted from the book “Frida: A Biography of Frida Kahlo” by Hayden Herrera. The film explores Kahlo's rise as an artist in Mexico City and the impact disability and chronic pain from an accident as a young adult had on her life and work. The film centers around her tumultuous and passionate relationships, most significantly with her husband, painter Diego Rivera (Alfred Molina). Directed by Julie Taymor, the film was nominated for six Academy Awards, including Best Actress. It won awards for Best Makeup and Best Original Score for Elliot Goldenthal, who also won a Golden Globe in the same category. “The Hours” (2002)Director Stephen Daldry's “The Hours” weaves the novel “Mrs. Dalloway” into three women's stories of loneliness, depression and suicide. Virginia Woolf, played by Nicole Kidman (who won an Oscar and a Golden Globe for her performance), is working on the novel while struggling with what is now known as bipolar disorder. Laura, played by Julianne Moore (nominated for Best Actress in a Supporting Role), is unfulfilled in her life as a 1950s housewife and mother. Clarissa (played by Meryl Streep) is – like Mrs. Dalloway – planning a party, but for her close friend who is dying of AIDS. The film is based on Michael Cunningham's Pulitzer Prize-winning novel. It earned nine Academy Award nominations, including Best Picture, and won a Golden Globe for Best Picture. “The Incredibles” (2004)                                                 With an all-star cast and memorable soundtrack, this Academy Award-winning Pixar hit uses thrilling action sequences to tell the story of a family trying to live normal lives while hiding their superpowers. For the first time, Pixar hired an outside director, Brad Bird, who drew inspiration from spy films and comic books from the 1960s. The animation team developed a new design element to capture realistic human anatomy, hair, skin and clothing, which Pixar struggled with in early films like “Toy Story.” The film spawned merchandise, video games, Lego sets and more. The sequel, “Incredibles 2,” was also a huge hit, and together, both films generated almost $2 billion at the box office. “The Wrecking Crew” (2008)                                                     “The Wrecking Crew” is a documentary that showcases a group of Los Angeles studio musicians who played on many hit songs and albums of the 1960s and early 1970s, including “California Dreamin',” “The Beat Goes On,” “You've Lost That Lovin' Feeling” and “These Boots Are Made for Walkin'.” Through interviews, music, footage and his own narration, director Denny Tedesco reveals how the Wrecking Crew members – including his father, guitarist Tommy Tedesco – were the unsung heroes of some of America's most famous songs. Production for the film began in 1996, and the film was completed in 2008. Due to the high cost of song licenses, the official release was delayed until 2015, when a successful Kickstarter campaign raised over $300,000 to pay for the music rights. “Inception” (2010)                                                                         Writer and director Christopher Nolan once again challenges audiences with multiple interconnected narrative layers while delivering thrilling action sequences and stunning visual effects. “Inception” asks the question, “Can you alter a person's thoughts by manipulating their dreams?” Taking almost 10 years to write, the film was praised for its aesthetic significance and Nolan's ability to create scenes using cameras rather than computer-generated imagery. A metaphysical heist film with an emotional core driven by grief and guilt, “Inception” offers a meditation on how dreams influence identity, and it resonates deeply in an age of digital simulation, blurred realities and uncertainty. The film earned $830 million at the box office and won four Academy Awards. “The Loving Story” (2011)Nancy Buirski's acclaimed documentary gives an in-depth and deeply personal look at the true story of Richard Loving (a white man) and Mildred Loving (a Black and Native American woman), who were forbidden by law to marry in the state of Virginia in the 1960s. Their Supreme Court case, Loving vs. Virginia, was one of the most significant in history, and paved the way for future multiracial couples to marry. The movie captures the immense challenges the Lovings faced to keep their family and marriage together, through a combination of 16mm footage, personal photographs, accounts from their lawyers and family members, and audio from the Supreme Court oral arguments. “The Grand Budapest Hotel” (2014)“The Grand Budapest Hotel” stands as one of Wes Anderson's most successful films and demonstrates his own brand of unique craftsmanship, resulting in a visually striking and emotionally resonant story. As one of the most stylistically distinctive American filmmakers of the last half-century, Anderson uses historically accurate color and architecture to paint scenes to elicit nostalgia and longing from audiences, while at the same time weaving in political and social upheaval into the film. The film is an example of Anderson as a unique artist who uses whimsy, melancholy, innovative storytelling and a great deal of historical research, which is on display in this visually rich gem of a movie. Find out more at https://registry-a-podcast.pinecast.co

Front Row Classics is celebrating the 70th anniversary of High Society. Brandon is joined by Emmett Stanton and Ben Burke to chat about this classic musical remake of The Philadelphia Story. The three discuss the differences between the two films as well as the memorable score by Cole Porter. They also discuss the memorable performances of Bing Crosby, Frank Sinatra, Celeste Holm and Grace Kelly (in her final film role)

Le chanteur Mika sera président d'honneur des 41es Victoires de la musique, le 13 février 2026. Il vient également de sortir son septième album, Hyperlove et s'apprête à lancer sa tournée européenne. Double actualité pour cet artiste unique et adoré en France depuis ses tout débuts en 2007 avec le tube Grace Kelly. Très francophile lui-même, Mika est issu de cultures plurielles. Ce britannico-américano-libanais est né à Beyrouth il y a 42 ans et a grandi à Londres et à Paris. Mika (de son vrai nom Michael Holbrook Penniman Jr.) a fait ses premières scènes à neuf ans à la Royal Opera House de Londres avant de bouleverser la pop mondiale, ce qui lui vaut encore aujourd'hui les hommages des superstar du genre comme Taylor Swift ou Lady Gaga. Portrait d'un artiste touche-à-tout dans cet épisode de Code Source avec Eric Bureau, spécialiste musique au service culture du Parisien et Emmanuel Marolle, qui dirige ce service.Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Barbara Gouy - Production : Thibault Lambert, Anaïs Godard et Clémentine Spiler - Réalisation et mixage : Julien Montcouquiol - Musiques : François Clos, Audio Network - Archives : On video. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Yoom-taah! To kick off season 4 of the podcast, we choose you: Pokemon Mystery Dungeon Blue Rescue Team! Joined again by our expert guest on the sub-genre with Helen, we revisit nostalgia and fresh experiences for a 20+ year old spinoff roguelike…lite…game? Hopefully the listeners don't also brand us as fugitives, focing us to traverse the Great Canyon of JRPG menu systems to the high peaks of Friendship Mountain, while eating jelly bean-based IQ boosters we find on the dirty ground. Can we overcome Team Meanies' quest for world domination? Can we find our lost sense of gratitude in the depths of murky caverns? Were we the true meanies after all? Time to take charge of our destiny and find out! Custom RSS Apple Podcasts Spotify YouTube Music Transcript 3:03 - Game stats 5:59 - One sentence description 6:56 - Is PMD a roguelike? 12:20 - Our experiences with Pokemon growing up 23:00 - Gameplay mechanics 36:40 - The personality quiz 44:30 - Saving Caterpie, Thunderwave Cave, Mt Steel 49:00 - Friend areas 52:00 - Team ACT, the dream, Team Meanies, Silent Chasm, Mt Thunder 1:11:15 - The Ninetales legend, Gengar's muckraking, the hunt begins! 1:16:58 - Mt Blaze, Frosty Forest, Mt Freeze 1:24:00 - Return to town 1:27:50 - Magma Cavern, Sky Tower 1:41:50 - Postgame content 1:55:55 - Rankings & final thoughts 2:07:37 - Similar games & show wind-down Next episode: Monster Train 2 Contact us at grogpodzone@gmail.com! https://grogpod.zone Intro music: Pokemon Theme Saxy Style - The 8-Bit Big Band featuring Grace Kelly and Leo P Outro music: Blue Rescue Team OST - Sky Tower

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! ¿Cómo es posible que una pequeña roca de apenas dos kilómetros cuadrados haya sobrevivido a ocho siglos de guerras, revoluciones y cambios de mapa en Europa? En este episodio especial de Antena Historia, nos sumergimos en la apasionante crónica de la Casa Grimaldi. Desde el audaz golpe de mano de Francesco "Malizia", quien escaló los acantilados disfrazado de monje, hasta la sofisticación de la era de Rainiero III y Grace Kelly, analizamos la evolución de una estirpe que hizo de la supervivencia su mayor arte. 📜 Lo que descubrirás en este episodio: El Origen de la Leyenda: La toma de la Roca en 1297 y la lucha entre Güelfos y Gibelinos. Entre Gigantes: Cómo Mónaco maniobró entre el Imperio Español de Carlos V y la Francia de Luis XIV para mantener su soberanía. La Tormenta Revolucionaria: El periodo en que el Principado desapareció del mapa, sus príncipes terminaron en prisión y el Peñón fue rebautizado como "Fort d'Hercule". El Milagro de Montecarlo: La crisis total de 1848, la pérdida de Menton y Roquebrune, y la idea desesperada de Carlos III: si no hay agricultura, habrá vicio. La creación del casino y la llegada del ferrocarril. El Siglo XX: El papel de Mónaco en la Segunda Guerra Mundial y el "truco de Hollywood" que salvó la relevancia política del país. 🎙️ Un análisis profundo y riguroso No te pierdas esta reflexión final sobre Mónaco como el último vestigio de los estados-fortaleza medievales que supieron adaptarse al capitalismo moderno, convirtiéndose en el epicentro del lujo mundial sin perder su esencia de soberanía. ¿Te gusta nuestro contenido? No olvides suscribirte, darle a "Me gusta" y dejarnos un comentario. Tu apoyo es fundamental para que Antena Historia siga explorando los pliegues del pasado. Fuentes principales: Mónaco: Una Historia de los Grimaldi, de Thomas Fouilleron. Archivos del Palacio Principesco de Mónaco. ----------------------------------------------------------------------------------- 🎧 Antena Historia te regala 30 días PREMIUM Disfruta de todo el contenido sin interrupciones y con ventajas exclusivas en iVoox: 👉 https://www.ivoox.com/premium?affiliate-code=b4688a50868967db9ca413741a54cea5 📻 Producción y realización: Antonio Cruz 🎙️ Edición: Antena Historia 📡 Antena Historia forma parte del sello iVoox Originals 🌐 Visita nuestra web: https://antenahistoria.com 📺 YouTube: Podcast Antena Historia 📧 Correo: antenahistoria@gmail.com 📘 Facebook: Antena Historia Podcast 🐦 Twitter: @AntenaHistoria 💬 Telegram: https://t.me/foroantenahistoria 💰 Apoya el proyecto: Donaciones en PayPal 📢 ¿Quieres anunciarte en Antena Historia? Ofrecemos menciones, cuñas personalizadas y programas a medida. Más información en 👉 Antena Historia – AdVoices Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

In this interview, she discusses her book, Race, Politics, and Irish America: A Gothic History (Oxford UP, 2023), which inserts successive Irish-American identities--forcibly transported Irish, Scots-Irish, and post-Famine Irish--into American histories and representations of race. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

EPISODE 121 -  “RICHARD BASEHART: CLASSIC STAR OF THE MONTH” - 1/05/2026  RICHARD BASEHART wasn't the flashiest of actors, but he certainly was one of the most versatile. He always brought such haunting depth and emotional intensity to his roles, often portraying characters teetering on the edge of psychological turmoil. With his piercing blue eyes and floppy blonde hair, his sensitive, brooding presence gave him the appearance of an erudite or a poet. And that voice! He had a fantastic baritone voice that could convey both vulnerability and menace. He really excelled at playing sensitive, troubled men—sometimes deeply introspective, other times psychotic or dangerously unhinged. From his chilling portrayal of the deranged killer in “He Walked by Night” (1948) to the tormented clown in FEDERICO FELLINI's “La Strada” (1954), Basehart always infused each performance with a profound humanity, sensitivity, and quiet strength, making him one of the most compelling and underrated actors of his generation. This week we honor him as our January Star of the Month. SHOW NOTES:  Sources: ActorsandOthers.com ClassicMovieHub.com WalkofFame.com Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Repeat Performance (1947), starring Joan Leslie, Louis Hayward, Richard Basehart, Tom Conway, and Virginia Field; Cry Wolf (1947), starring Errol Flynn, Barbara Stanwyck, Richard Basehart & Geraldine Brooks; He Walked By Night (1948), starring Scott Brady & Richard Basehart; Rosanna McCoy (1949), starring Farley Granger & Joan Evans; Tension (1949), starring Richard Basehart, Audrey Totter, Barry Sullivan, & Cyd Charisse; Fourteen Hours (1951), starring Richard Basehart, Paul Douglas, Barbara Bel Geddes, Agnes Moorhead, Jeffrey Hunter, Debra Paget, & Grace Kelly; The House on Telegraph Hill (1951), starring Richard Basehart & Valentina Cortese; Decision Before Dawn (1951), starring Oskar Werner & Richard Basehart; Titanic (1953), starring Barbara Stanwyck & Clifton Webb; La Strada (1954), starring Anthony Quinn & Richard Basehart; Il Bidone (1955), starring Richard Basehart & Broderick Crawford; Moby Dick (1956), starring Gregory Peck, Richard Basehart & Orson Welles; The Brothers Karamazov (1958), starring Yul Brynner & Richard Basehart; Portrait in Black (1960), starring Lana Turner & Anthoy Quinn; The Savage Guns (1961), starring Richard Basehart & Alex Nicol; Hitler (1962); The City Beneath The Sea (1971), starring Stuart Whitman & Rosemary Forsyth; The Island of Dr. Moreau (1977), starring Burt Lancaster & Michael York; Being There (1979), starring Peter Sellers & Shirley MacLaine; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this interview, she discusses her book, Race, Politics, and Irish America: A Gothic History (Oxford UP, 2023), which inserts successive Irish-American identities--forcibly transported Irish, Scots-Irish, and post-Famine Irish--into American histories and representations of race. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this interview, she discusses her book, Race, Politics, and Irish America: A Gothic History (Oxford UP, 2023), which inserts successive Irish-American identities--forcibly transported Irish, Scots-Irish, and post-Famine Irish--into American histories and representations of race. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices

C'est l'histoire d'une femme qui a délaissé une carrière brillante pour un homme. Mais il y a tout de même des aspects plutôt charmants dans la relation de Grace Kelly et de Rainier III. On sent qu'ils se sont beaucoup aimés, même si à un moment, comme pour beaucoup de couples, la routine a fini par s'installer et, avec elle, son lot de regrets. Mais pourquoi, en 1955 à Cannes, avoir organisé une rencontre entre un prince et une actrice Hollywoodienne comme Grace Kelly ? Un podcast Bababam Originals Ecrit et raconté par Alice Deroide Learn more about your ad choices. Visit megaphone.fm/adchoices

Who doesn't love an 80s puppet-based sitcom?This week, Dave leads us through the labyrinthine shenanigans that went on to keep the reality behind ALF a secret - ALF, the lead character in the wildly successful sitcom of the same name, of course. In part 2 we hear how Neil's nationalism unexpectedly reared its head on a TV show.If that's not enough, Neil explains the mighty legacy of Grace Kelly's Da. Where else would ya get it?Sourceshttps://www.merriam-webster.com/dictionary/maverickhttps://www.historynet.com/alexander-graham-bell-james-garfield/https://www.washingtonpost.com/wp-srv/style/longterm/books/chap1/highsociety.htmTo listen to Dave on the radio check outhttps://www.todayfm.com/shows/dave-moore-1499732 To see Neil on tour check outhttps://www.neildelamere.com/reinventing-the-neil-tourPresented and Produced by Neil Delamere and Dave MooreEdited by Nicky RyanMusic by Dave MooreArtwork by Ray McDonnell Hosted on Acast. See acast.com/privacy for more information.

In this explosive episode of Gangland Wire, host Gary Jenkins sits down with actor, entrepreneur, and mob insider Gianni “Johnny” Russo, best known for his unforgettable role as Carlo Rizzi in The Godfather. Russo pulls back the curtain on a lifetime of stories that stretch from Frank Costello and Joe Colombo to Las Vegas skimming, the Vatican Bank, Marilyn Monroe, Jimmy Hoffa, and even Pablo Escobar. Russo discusses his new book, Mafia Secrets: Untold Tales from the Hollywood Godfather, co-written with Michael Benson—an unfiltered account of power, violence, politics, and survival inside the criminal underworld and Hollywood royalty. This is not recycled mythology—this is Gianni Russo's personal version of history from the inside. Whether you believe every word or not, the stories are raw, violent, and utterly fascinating. This episode discusses: The Godfather, The Kennedy assassinations, Vegas skimming, Marilyn Monroe, Jimmy Hoffa, the Chicago Outfit, Pablo Escobar

12-15-2025. "HO! HO! HOLLYWOOD: SANTA CLAUSE IN CLASSIC CINEMA" (118) Long before special effects, CGI snowstorms, and big-budget holiday franchises, it fell to a small but memorable group of performers to embody the warmth, wonder, and whimsy of old St. Nick. Ever wonder about the actors who were called upon to portray Santa Claus in film and TV? These classic Santas weren't just men in red suits — they were character actors, vaudevillians, radio veterans, and Hollywood workhorses who brought their own unique spark to the role, shaping how generations of moviegoers came to imagine Father Christmas. From the twinkle-eyed charmers to the unexpectedly gruff curmudgeons, from the iconic to the nearly forgotten, we're unwrapping the stories behind the earliest portrayals that turned Santa into a cinematic tradition. So settle in with a mug of something warm, hang your stocking, and join us as we explore the jolly, joyful, and sometimes surprisingly complex history of Hollywood's first Santas. SHOW NOTES:  Sources: Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Ivanhoe (1913); Scrooge (1913); Santa Claus (1912), starring Leedham Bantok; 20th Century Fox Hour: Miracle on 34th Street (1955); starring Teresa Wright, Joseph Cotten, & Thomas Mitchell; Shadow of a Doubt (1943), starring Joseph Cotten & Teresa Wright;  Stagecoach (1939), starring John Wayne, Claire Trevor, & Thomas Mitchell; It's a Wonderful Life (1946), starring James Stewart, Donna Reed, & Thomas Mitchell; Gone With The Wind (1939), starring Vivien Leigh & Clark Gable; Theodora Goes Wild (1936), starring Irene Dunne; Mr. Smith Goes to Washington (1939), starring James Stewart & Jean Arthur; Our Town (1940), starring Martha Scott & Henry Fonda; High Noon (1952), starring Gary Cooper & Grace Kelly; Wild Flowers (1943), starring José Elias Moreno; Santa Claus (1959), starring José Elias Moreno; Santa Claus Conquers the Martians (1964), staring John Call; Fearless Fagan (1952), staring Janet Leigh & Keenan Wynn;  Boots Malone (also 1952), starring William Holden Don't Bother to Knock (1952), starring Marilyn Monroe & Richard Widmark; The Long, Long Trailer (1954), starring Lucille Ball & Desi Arnaz; The Anderson Tapes (1971), starring Sean Connery & Dyan Cannon; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

We go all the back in this episode to Dominick Dunne's second submission for Vanity Fair in April 1984. Dunne takes us to the Ambitious Blondes of the day, following in the footsteps of the greats before them like Jayne Mansfield, Marilyn Monroe, and Grace Kelly. Included in this profile are many not-as-famous-as-they will-be blondes like Kim Basinger, Darryl Hannah, and Michelle Pfeffer. Also, a few other fair-haired ladies you might not be so familiar with, including Angelyne and Kelly Collins. Also includes a special appearance by Alana Collins Hamilton Stewart.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We go all the back in this episode to Dominick Dunne's second submission for Vanity Fair in April 1984. Dunne takes us to the Ambitious Blondes of the day, following in the footsteps of the greats before them like Jayne Mansfield, Marilyn Monroe, and Grace Kelly. Included in this profile are many not-as-famous-as-they will-be blondes like Kim Basinger, Darryl Hannah, and Michelle Pfeffer. Also, a few other fair-haired ladies you might not be so familiar with, including Angelyne and Kelly Collins. Also includes a special appearance by Alana Collins Hamilton Stewart. Continue your investigation with ad-free and bonus episodes on Patreon! To advertise on Done & Dunne, please reach out to info@amplitudemediapartners.com.

If you're curious about how to handle unlikeable protagonists, this episode is for you! In Hitchcock's classic, DIAL M FOR MURDER, the protagonist is the villain — he plots the murder of his wife, and that's about as unlikeable as it gets! His anti-hero's monologue is a veritable masterclass and his shadow reveals that he's actually kind of a nice guy underneath it all ... when he's not blackmailing people and planning murders that is. -V. Acquire the power to write a bestselling story at storynerd.ca/courses For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.

This week on Queer The Music we celebrate Grace Kelly - the debut single from Multi-platinum, BRIT Award-winning, and Grammy nominated global pop visionary Mika. Listen to Jake and Mika's fascinating conversation about Mika's childhood, the struggles he faced, how he found sanctuary through music, his creative process and how he created the hit single Grace Kelly which shot to the top of the UK charts and stayed there for 5 whole weeks. Mika's new single Modern Times is out nowWe'd love to hear from you - let us know who you would like to hear on Queer The Music - you can get in touch via instagram @queerthemusicpodcast or leave us a reviewSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info. Hosted on Acast. See acast.com/privacy for more information.

This week on Queer The Music we celebrate Grace Kelly - the debut single from Multi-platinum, BRIT Award-winning, and Grammy nominated global pop visionary Mika.  Listen to Jake and Mika's fascinating conversation about Mika's childhood, the struggles he faced, how he found sanctuary through music, his creative process and how he created the hit single Grace Kelly which shot to the top of the UK charts and stayed there for 5 whole weeks.  Mika's new single Modern Times is out now We'd love to hear from you - let us know who you would like to hear on Queer The Music - you can get in touch via instagram @queerthemusicpodcast or leave us a review Learn more about your ad choices. Visit megaphone.fm/adchoices

On The Cindy Adams Show, Cindy starts the show talking about the results of the election for mayor in New York City. She later shares her experiences with Ronald Reagan, Grace Kelly, Cardinal Dolan, former mayors of New York and many more icons. Learn more about your ad choices. Visit megaphone.fm/adchoices

En octobre 2019, Jean-Alphonse Richard consacrait un épisode de 'Confidentiel' à Grace Kelly. Grace Kelly n'était pas une actrice docile. Ni une princesse de contes de fées... Derrière son allure sage et sa blondeur parfaite, se cachaient des tempêtes et la volonté farouche, de ne jamais appartenir à qui que ce soit. Chaque mercredi, retrouvez en podcast le meilleur de "Confidentiel". Tous les épisodes d'Ophélie Meunier, Anthony Martin et Jean-Alphonse Richard sont à retrouver sur RTL.fr et l'application RTL.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

“It looks amazing.” - Eric on the production design On this week's episode, we're kicking off We ❤️ Movies Month with a ridiculously silly discussion about Alfred Hitchcock's masterful peeping tom thriller, Rear Window! How gorgeous and meticulous is this set design? How hilarious is Raymond Burr's dye job? How on earth is L.B. Jefferies ignoring Lisa's advances this much, murderous neighbor or no? And where in New York can we get this Lobster Thermidor dish for crying out loud? PLUS: Coming soon to Peacock, the new Hitchcock Universe mash-up show, Hitchrock! Rear Window stars James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter, Judith Evelyn, Ross Bagdasarian, Georgine Darcy, Sara Berner, Frank Cady, Jesslyn Fax, Rand Harper, Irene Winston, Havis Davenport, and Raymond Burr as Lars Thorwald; directed by Alfred Hitchcock. This episode is sponsored by Sonos! Do you want studio quality sound at home? Then check out Sonos speakers, soundbars and more at Sonos.com, and discover how easy it is to build your own whole home audio system. Don't wait, check out Sonos.com today! Don't sleep on snagging your tickets to our 15th Anniversary show this December where we're talking all things Arnold in Total Recall! It's gonna be a gas and we wanna see you there! Click through for tickets now! Be sure to pick up our digital show on Terminator: Dark Fate, available now in our Patreon shop! Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

December 27, 1980 - January 2, 1981   This week Ken welcomes author, screenwriter, movie maker Eric Miller (ericmillerwrites.com) to the show. Ken and Eric discuss satellites, the creepy paying with your palm technology at Whole Foods, when Sci-Fi actually predicts the future, Dawn of the Dead, The Running Man, Hell House, The Haunting of Hell House vs The Haunting, story prompts, Shirly Jackson, Richard Matheson, Magnum PI, how prevalent Vietnam vets were in 80s pop culture, PTSDT, the importance of character, dark sense of humor, dealing with serious topics, how you need rules to kick against, why having no problems to solve actually makes worse art, how amazing it is that anything produced in Hollywood is ever good, Full Moon Pictures, Crash and Burn, Bill Mosley, life long friends, directing Orson Wells, working with legends, Phantasm, being an intern, cigarettes, Umph in Triumph, being from Indiana, David Letterman, Breaking Away, learning there is a TV series based on your favorite movie, how everything is more or less streaming for free if you know where to look, Schlitz vs Bud in the Great American Beer Switch, Mark Twain, Hal Holbrook, Grace Kelly, variety shows, the M*A*S*H finale, gallows humor, how sometimes an awful toxic workplace can still produce a good end product, Real People, That's Incredible!, The White Shadow, Mud Wrestling, New Year's Eve, Bonanza, cop shows, setting the tone, The Muppet Movie, the NBA, basketball, Meet the Feebles, Peter Jackson, how nobody can really attain the levels of fame people had in the second half of the 20th century, Bob Cousy, Secret Agent Man, Branded, Larry Cohen, Dexter and how being a fan of television often leads us to reverse engineer story telling and interact with people (not kill them).  ALSO Ken is giving away a pair of tickets to the 945 Arts at the Armory show on November 13th where Ken will be opening for Janeane Garofalo. If you can tell Ken the reason Loren Michaels gave Janeane for why she couldn't quit SNL, email it to tvguidancecounselor@gmail.com and you will get a pair of tickets for the show.  

C'est l'histoire d'une femme qui a délaissé une carrière brillante pour un homme. Mais il y a tout de même des aspects plutôt charmants dans la relation de Grace Kelly et de Rainier III. On sent qu'ils se sont beaucoup aimés, même si à un moment, comme pour beaucoup de couples, la routine a fini par s'installer et, avec elle, son lot de regrets. Mais pourquoi, en 1955 à Cannes, avoir organisé une rencontre entre un prince et une actrice Hollywoodienne comme Grace Kelly ? Un podcast Bababam Originals Ecrit et raconté par Alice Deroide Learn more about your ad choices. Visit megaphone.fm/adchoices

The House of Grimaldi has ruled the tiny principality of Monaco since January 8, 1297, when Francois “The Spiteful” Grimaldi disguised himself as a monk and knocked on his uncle's castle door, launching a coup. In the violence that followed, according to legend, a woman – possibly a lover of Francois, possibly a witch he had wronged (can't it be both?) – issued a curse that has resonated across the centuries: “Never will a Grimaldi find true happiness in marriage.” The Grimaldi family was considered scandalous enough in Queen Victoria's time that she forbade any of her close relatives to marry into it, leading Prince Albert I of Monaco to marry an American heiress in 1889 – a precedent that would matter decades later when Prince Rainier III, urged on by none other than shipping tycoon Aristotle Onassis, began interviewing Hollywood A-listers for a very special role: Princess of Monaco. Which is how Grace Kelly abandoned the big screen for the Rock of Monaco, and would go on to celebrate her 40th birthday in High Scorpio style. Listen ad-free at patreon.com/trashyroyalspodcast. Sources: The Grimaldis of Monaco: Centuries of Scandal, Years of Grace, by Anne Edwards (Amazon) Grace: The Secret Lives of a Princess, by James Spada (Amazon) Elizabeth Taylor: There is Nothing Like a Dame, by Darwin Porter and Danforth Prince (Amazon) A Detailed Look at the Many Romances of Prince Albert of Monaco (esquiremag.ph) Portrait of Princess Caroline: Love and Philanthropy (hellomonaco.com) Who is Giving Prince Ernst August a little TLC During his Marital Strife? (vanityfair.com) Is Princess Caroline the Latest Victim of the Grimaldi Family Curse? (vanityfair.com) A Runaway Princess Bride and Feudal Feuds: Three Insane Royal Weddings (vanityfair.com) Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The House of Grimaldi has ruled the tiny principality of Monaco since January 8, 1297, when Francois “The Spiteful” Grimaldi disguised himself as a monk and knocked on his uncle's castle door, launching a coup. In the violence that followed, according to legend, a woman – possibly a lover of Francois, possibly a witch he had wronged (can't it be both?) – issued a curse that has resonated across the centuries: “Never will a Grimaldi find true happiness in marriage.” The Grimaldi family was considered scandalous enough in Queen Victoria's time that she forbade any of her close relatives to marry into it, leading Prince Albert I of Monaco to marry an American heiress in 1889 – a precedent that would matter decades later when Prince Rainier III, urged on by none other than shipping tycoon Aristotle Onassis, began interviewing Hollywood A-listers for a very special role: Princess of Monaco. Which is how Grace Kelly abandoned the big screen for the Rock of Monaco, and would go on to celebrate her 40th birthday in High Scorpio style. Listen ad-free at patreon.com/trashyroyalspodcast. Sources: The Grimaldis of Monaco: Centuries of Scandal, Years of Grace, by Anne Edwards (Amazon) Grace: The Secret Lives of a Princess, by James Spada (Amazon) Elizabeth Taylor: There is Nothing Like a Dame, by Darwin Porter and Danforth Prince (Amazon) A Detailed Look at the Many Romances of Prince Albert of Monaco (esquiremag.ph) Portrait of Princess Caroline: Love and Philanthropy (hellomonaco.com) Who is Giving Prince Ernst August a little TLC During his Marital Strife? (vanityfair.com) Is Princess Caroline the Latest Victim of the Grimaldi Family Curse? (vanityfair.com) A Runaway Princess Bride and Feudal Feuds: Three Insane Royal Weddings (vanityfair.com) Learn more about your ad choices. Visit megaphone.fm/adchoices

A roomful of tiaras is just one of the highlights of a new exhibition coming to Melbourne next year celebrating the global jewellery house Cartier and its history. 

Rewind Episode: Join Sandy and Terry for a fun chat about how a short story from a dime store magazine turned into one of Hollywood's most talked-about films and the fifth-highest-grossing movie of 1954. The film REAR WINDOW, featuring stars like Jimmy Stewart, Grace Kelly, Raymond Burr, and Thelma Ritter, was written by John Michael Hayes and directed by Alfred Hitchcock.   The PAGE International Screenwriting Awards sponsors the WRITERS HANGOUT.Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

Season 9, Episode 13 (Originally released on Aug. 24th, 2025) Welcome back to the Shame List Picture Show. On this episode, I'm joined by Ross Bigley, filmmaker and founder of the Milwaukee Short Film Festival. Ross has been a part of Milwaukee's film community for years, both through his own work and by creating a space for independent filmmakers to share their stories. We're taking a look at Alfred Hitchcock's To Catch a Thief from 1955. Cary Grant plays John Robie, a retired jewel thief living in the French Riviera who finds himself under suspicion when a wave of burglaries breaks out. Grace Kelly appears as Francie, a young heiress who might be onto him—or maybe just intrigued by him. Ross and I discuss the film's blend of romance and suspense, the chemistry between its stars, and how it reflects Hitchcock's style at that point in his career. We also take some time to step back and discuss Hitchcock's work and influence more broadly. Be sure to check out our Patreon at www.patreon.com/shamelistpictureshow Edited by: Austin Proctor Produced by: Michael Viers Theme Music by: Austin Proctor Opening Narration by: Nick RichardsCredits Music by: Ten-Speed Logo Design by: Amanda Viers

Shane and the Howler discuss Big Cat Malt Liquor, Hot Tub Clubs, and a strip club closing down. They also discuss the Alfred Hitchcock movie “Rear Window” and its star Grace Kelly.The Midweek Howl Disclaimer: The Skeptic of the From The Shadows Podcast crew, aka the Ozark Howler, joins Shane each week, to share a story or two and discuss current events. Just a little midweek humor to brighten your day. We like to call this segment “The Midweek Howl.” Enjoy!From The Shadows Podcast is a program where we seriously discuss the supernatural, the paranormal, cryptozoology as well as ufology. Anything that cannot be rationally explained has a platform for discussion here on the From The Shadows Podcast.Web https://www.fromtheshadowspodcast.comFacebook https://www.facebook.com/fromtheshadowspodcastInstagram - Shane Grove  https://www.instagram.com/shanegroveauthorInstagram - Podcast https://www.instagram.com/fromtheshadowspodcast#Ohio #Ozarks #BBQ #StripClub #GraceKelly #MaltLiquor #funny

Jackie makes her highly anticipated (not really) return and attempts to breeze into 2018 with the finesse of a young Grace Kelly. Until she is confronted with a rat mid recording and has to seek shelter, refuge, alcohol and access to basic cable. New year, same bitch. Thanks for supporting my sponsors!Hero Bread: Use code JACKIE at checkout to get 10% off your order at www.hero.coHungryroot: For a limited time, get free shipping and 50% off your first box, plus free dessert for life at www.HomeChef.com/BIBLELittle Spoon: Use code BIBLE at checkout to get 30% off your first order at www.LittleSpoon.com/BIBLERitual: Don't settle for less than evidence-based support. Get 25% off your first month at www.ritual.com/BIBLESee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode of The Nikki & Brie Show, the twins are coming to you from Monaco! As they soak up the F1 vibes, they had to make sure to bring us to speed (no pun intended!) on their dreamy adventure aboard the Ritz Carlton Yacht Collection around the French Riviera—and trust us, you're going to want to hear everything.Nikki & Brie are giving us full Grace Kelly fantasy with a side of White Lotus energy. Think limoncello spritzes, gold parties, new friendships and luxury that felt like stepping into a movie! They recap their favorite moments—from Brie's show-stopping gold party look (did someone say best dressed?) to twin sleepovers and hilarious stories about deep, drunken conversations, unexpected storms, and an awkward moment with a seabass.The episode wraps with a fun game of Twin Telepathy, plenty of belly laughs, and a sweet Inspiration Affirmation pulled from the timeless Grace Kelly herself. So pour yourself a spritz, find a sunny spot, and press play—because this one is all good vibes, open seas, and sister stories you won't want to miss.Vote The Nikki & Brie Show for “Favorite Podcast” at this year's Nickelodeon Kids' Choice Awards! Voting is open now through June 21, 2025. Cast your vote here. Call Nikki & Brie at 833-GARCIA2 and leave a voicemail! Follow Nikki & Brie on Instagram, follow the show on Instagram and TikTok and send Nikki & Brie a message on Threads! Follow Bonita Bonita on Instagram Book a reservation at the Bonita Bonita Speakeasy To watch exclusive videos of this week's episode, follow The Nikki & Brie Show on YouTube, Facebook, and TikTok! You can also catch The Nikki & Brie Show on SiriusXM Stars 109!

This episode was originally released on April 11, 2017. Listen to help prep for the next episode of our new season, The Old Man is Still Alive. The quintessential “Hitchcock blonde,” Grace Kelly had an apparently charmed life. Her movies were mostly hits, her performances were largely well-reviewed, and she won an Oscar against stiff competition. Then she literally married a prince. Was it all as perfect as it seemed? Today we'll explore Kelly's public and private life (and the rumors that the two things were very different), her working relationship with Hitchcock, her Oscar-winning performance in The Country Girl, the royal marriage that took her away from Hollywood and Kelly's very specific spin on blonde sexuality. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices