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It's Smallville: The Ultimate Season! This time we're going through the first episodes of every season and by process of elimination determining the ultimate episode 1 of Smallville.Zach is joined by Lance Laster from Always Hold On To Arrow, Matt Truex from Lois & Clark'd: The New Podcasts of Superman and Victoria Male.Check out Lance on Always Hold On To Arrow!Check out Matt's work including Lois & Clark'd: The New Podcasts of Superman at The Daily Knockoff!Check out Victoria's work on her website!Always Hold On To Smallville is brought you to by listeners like you. Special thanks to these Meteor Freaks on Patreon who's generous contributions help produce the podcast!Chris Fuchs / @crfuchs7Kevonte Chilous / @chill_usJoey Dienberg / @JoeyD94_13InsaiyanNathan RothacherIsaiah GoodridgeAtif SheikhJohn CurcioMarc-ids FoppenPatricia Carrillo / @MsCarrillo92Rhythm ChameleonJim CrawfordKasey Vach / @ThePandaSupremeRouie HumphreyAlex Hamilton  / @Quiet_Storm_23Matt DouglasDaniel CurielMeryl Smith / @MelXtreme84Trevis HullMatt B.Amy J.Mike FranzRyan LoveNathan MacKenzie / @maccamackenzieSteve Rogers / @SteveJRogersJrMollie FicarellaJames Lee / @Jae_El_52Jason Davis / @superjay_92Patrick BravoAlex Ramsey / @aramsey1992Tae Tae / @doomsday994.Rob O'Connor / @TheGothamiteTina BJakeJacobDylan DiAntonioNick Ryan Magdoza / @nickryanEddie Bissell / @Kal_Ed11Nicholas FanslerJohn LongRuth Anne HamonTravis Kill / @tjkill81Mike ThomasNeena J / @Sofiamom1Gordon BombayMichael H.Laura Dos ReisCherrylDJ Doena / @DjDoenaNicholas CosoJarrett GibbsAnthony Anderson / @NigandNogKeith FaulsJames Hart / @jaohartsAnthony Desiato /@DesiWestsideCrystal CrossKirin KumarPATREON: patreon.com/alwaysmallvilleTWITTER: twitter.com/alwaysmallvilleFACEBOOK: facebook.com/alwaysmallvilleEMAIL: alwaysmallville@gmail.comMatt Truex is a Warner Bros. Discovery employee. The views and opinions expressed in this podcast are his own and do not necessarily reflect the views or positions of Warner Bros. Discovery.

https://bbvproductions.co.uk/products/Faction-Paradox-The-Confession-of-Brother-Signet-AUDIO-DOWNLOAD-p389922366 The first season of the American science fiction horror drama television series Stranger Things premiered worldwide on the streaming service Netflix on July 15, 2016. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy and Dan Cohen. This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things received critical acclaim, in particular for its originality, homages to the 1980s, characterization, tone, visuals, and performances (particularly those of Ryder, Harbour, Wolfhard, Brown, Heaton and Modine). Premise The first season begins on November 6, 1983, in a small town called Hawkins. Researchers at Hawkins National Laboratory open a rift to the "Upside Down," an alternate dimension that reflects the real world. A monstrous humanoid creature escapes and abducts a boy named Will Byers and a teenage girl. Will's mother, Joyce, and the town's police chief, Jim Hopper, search for Will. At the same time, a young psychokinetic girl who goes by the name "Eleven" escapes from the laboratory and assists Will's friends, Mike Wheeler, Dustin Henderson, and Lucas Sinclair, in their efforts to find Will.[1] Cast and characters See also: List of Stranger Things characters Main cast Winona Ryder as Joyce Byers[2] David Harbour as Jim Hopper[2] Finn Wolfhard as Mike Wheeler[3] Millie Bobby Brown[3] as Eleven ("El") Gaten Matarazzo as Dustin Henderson[3] Caleb McLaughlin as Lucas Sinclair[3] Natalia Dyer as Nancy Wheeler[3] Charlie Heaton as Jonathan Byers[3][4][5] Cara Buono as Karen Wheeler[6] Matthew Modine as Martin Brenner[7] Recurring Noah Schnapp as Will Byers Joe Keery as Steve Harrington Shannon Purser as Barbara "Barb" Holland[8] Joe Chrest as Ted Wheeler Ross Partridge as Lonnie Byers[9] Rob Morgan as Officer Powell John Paul Reynolds as Officer Callahan Randy Havens as Scott Clarke Catherine Dyer as Connie Frazier Aimee Mullins as Terry Ives[10] Amy Seimetz as Becky Ives Peyton Wich as Troy[11] Tony Vaughn as Principal Coleman Charles Lawlor as Mr. Melvald Tinsley and Anniston Price as Holly Wheeler Cade Jones as James Chester Rushing as Tommy H. Chelsea Talmadge as Carol Glennellen Anderson as Nicole Cynthia Barrett as Marsha Holland Jerri Tubbs as Diane Hopper Elle Graham as Sara Hopper Chris Sullivan as Benny Hammond Tobias Jelinek as lead agent Robert Walker-Branchaud as repairman agent Susan Shalhoub Larkin as Florence ("Flo") Episodes See also: List of Stranger Things episodes No. overall No. in season Title Directed by Written by Original release date 1 1 "Chapter One: The Vanishing of Will Byers" The Duffer Brothers The Duffer Brothers July 15, 2016 On November 6, 1983, in Hawkins, Indiana, a scientist is attacked by an unseen creature at a U.S. government laboratory. 12-year-old Will Byers encounters the creature and mysteriously vanishes while cycling home from a Dungeons & Dragons session with his friends Mike Wheeler, Dustin Henderson and Lucas Sinclair. The following day, Will's single mother Joyce Byers reports his disappearance to the police chief Jim Hopper, who starts a search but assures Joyce that almost all missing children are quickly found. The lab's director, Dr. Martin Brenner, investigates an organic substance oozing from the lab's basement, claiming that "the girl" cannot have gone far. A nervous young girl wearing a hospital gown wanders into a local diner. The owner, Benny, finds a tattoo of "011" on her arm and learns that her name is Eleven. Brenner, monitoring the phone lines, sends agents to the diner after Benny calls social services. The agents kill Benny, but Eleven manages to escape using telekinetic abilities. Joyce's phone short circuits after receiving a mysterious phone call that she believes is from Will. While searching for Will in the woods, Mike, Dustin, and Lucas come across Eleven. 2 2 "Chapter Two: The Weirdo on Maple Street" The Duffer Brothers The Duffer Brothers July 15, 2016 The boys bring Eleven to Mike's house, where they disagree on what to do. Mike formulates a plan for Eleven to pretend to be a runaway and seek help from his mother, Karen. Eleven refuses, however, revealing that "bad men" are after her. Will's brother Jonathan visits his estranged father Lonnie in Indianapolis to search for Will, but Lonnie rebuffs him. Hopper's search party discovers a scrap of hospital gown near the lab. After recognizing Will in a photograph and demonstrating her telekinesis, Eleven convinces the boys to trust her, as they believe she can find Will. Using the Dungeons & Dragons board, Eleven indicates that Will is on the "Upside Down" side of the board and is being hunted by the "Demogorgon" (the creature). Mike's sister Nancy and her friend Barbara 'Barb' Holland go to a party with Nancy's boyfriend Steve Harrington. Searching for Will near Steve's house, Jonathan secretly photographs the party. Joyce receives another call from Will, hears music playing from his stereo, and sees a creature coming through the wall. Left alone by the swimming pool, Barb is attacked by the Demogorgon and vanishes. 3 3 "Chapter Three: Holly, Jolly" Shawn Levy Jessica Mecklenburg July 15, 2016 Barb awakens in the Upside Down: a decaying, overgrown alternate dimension. She attempts to escape but is attacked by the Demogorgon. Joyce believes Will is communicating through pulses in light bulbs. Hopper visits Hawkins Lab, and the staff permits him to view doctored security footage from the night Will vanished, leading Hopper to investigate Brenner and discover his involvement with Project MKUltra and that a woman named Terry Ives alleged years earlier that Brenner took her daughter. Eleven recalls Brenner, whom she calls "Papa," punishing her for refusing to hurt a cat telekinetically. Steve destroys Jonathan's camera after discovering the photos from the party. Nancy later recovers a photo of Barb, simultaneously realizing that Barb is missing. Returning to Steve's house to investigate, Nancy finds Barb's untouched Volkswagen and encounters the Demogorgon but manages to escape. Joyce paints an alphabetic board on her wall with Christmas lights, allowing Will to sign to her that he is "RIGHT HERE" and that she needs to "RUN" as the Demogorgon comes through the wall. Believing Eleven knows where Will is, the boys ask her to lead them to him. Eleven leads them, to their frustration, to Will's house. From there they follow emergency vehicles to a nearby quarry just as Will's body is recovered from the water. 4 4 "Chapter Four: The Body" Shawn Levy Justin Doble July 15, 2016 Joyce refuses to believe that the body found at the quarry is Will's. Mike feels betrayed by Eleven until she proves that Will is still alive, channeling his voice through Mike's walkie-talkie. The boys theorize that Eleven could use a ham radio at their school to communicate with Will. Nancy notices a figure behind Barb in Jonathan's photo, which Jonathan realizes matches his mother's description of the Demogorgon. Nancy tells the police about Barb's disappearance. She later fights with Steve, who only cares about not getting in trouble with his father. Hopper has suspicions regarding the authenticity of the body found in the quarry when he learns that the usual coroner was sent home. Hopper confronts the state trooper who found it and beats him until he admits he was ordered to lie. The boys sneak Eleven into their school to use the radio, while Joyce hears Will's voice through her living room wall. Tearing away the wallpaper, she sees him. Eleven uses the radio to channel Will talking to his mother. Hopper goes to the morgue and finds that the body is a fake, and, suspecting that Brenner is responsible, breaks into the lab. 5 5 "Chapter Five: The Flea and the Acrobat" The Duffer Brothers Alison Tatlock July 15, 2016 Hopper searches the lab before being knocked out by the lab's guards. The boys ask their science teacher, Mr. Clarke, if it would be possible to travel between alternate dimensions, to which he answers that there could be a theoretical "gate" between dimensions. Hopper awakens at his house and finds a hidden microphone, realizing that Joyce was right the whole time. The boys follow their compasses, searching for a gate that could disrupt the Earth's electromagnetic field. Eleven recalls memories of being placed in a sensory-deprivation tank to telepathically eavesdrop on a man speaking Russian; while listening, she came across the Demogorgon. Fearing another encounter with the Demogorgon, Eleven redirects the compasses. Lucas misinterprets this as an act of betrayal, leading Mike and Lucas to fight and Eleven to telekinetically fling Lucas away from Mike. While Dustin and Mike tend to the unconscious Lucas, Eleven runs off. Nancy and Jonathan formulate a plan to kill the Demogorgon. While searching in the woods, they come across a small gate to the Upside Down. Nancy crawls through it but inadvertently draws the Demogorgon's attention. Jonathan unsuccessfully tries to look for Nancy, as the gate to the Upside Down begins to close. 6 6 "Chapter Six: The Monster" The Duffer Brothers Jessie Nickson-Lopez July 15, 2016 Jonathan pulls Nancy back through the gate. That night, Nancy is afraid to be alone and asks Jonathan to stay in her bedroom. Steve, attempting to reconcile with Nancy, sees them together through her bedroom window and assumes they are dating. Joyce and Hopper track down Terry Ives, who is catatonic and tended by her sister Becky. Becky explains that Terry was a Project MKUltra participant while unknowingly pregnant and that Terry believes Brenner kidnapped her daughter Jane at birth due to her supposed telekinetic and telepathic abilities. Nancy and Jonathan stockpile weapons to kill the Demogorgon, theorizing that it is attracted by blood. Steve is brutally beaten up in a fistfight with Jonathan after he insults Will and calls Nancy a slut. Jonathan is arrested and held at the police station for beating up Steve and inadvertently punching one of the responding officers in the face. Eleven walks into a grocery store and shoplifts several boxes of Eggo waffles. Searching for Eleven, Mike and Dustin are ambushed by two bullies but are rescued by her, as she uses her powers to break one bully's arm after he attempts to kill Mike. Eleven collapses and recalls being asked by Brenner to contact the Demogorgon and, in her terror, inadvertently opening the gate. She tearfully admits to Mike that she is responsible for allowing the Demogorgon to enter this dimension. Lucas sees agents, who have tracked down Eleven, preparing to ambush Mike's house. 7 7 "Chapter Seven: The Bathtub" The Duffer Brothers Justin Doble July 15, 2016 Lucas warns Mike that agents are searching for Eleven. Mike, Dustin, and Eleven flee the house. Eleven telekinetically flips one of the vans that block their path as the kids escape. Lucas reconciles with Mike and Eleven, and the kids hide in the junkyard. Nancy and Jonathan reveal their knowledge of the Demogorgon to Joyce and Hopper. Hopper also learns that Eleven is with the kids. The group contacts the kids, and everyone meets at the Byers' house. Joyce and Hopper realize that Eleven is Jane Ives. The group asks Eleven to search for Will and Barb telepathically, but her earlier feats have weakened her. They break into the middle school and build a makeshift sensory deprivation tank to amplify Eleven's powers. After telepathically entering the Upside Down again, Eleven finds Barb dead and Will alive, hiding in the Upside Down version of his backyard fort. Realizing that the gate is in the basement of the lab, Hopper and Joyce break into the lab and are apprehended by security guards. Nancy and Jonathan sneak into the police station to retrieve the weapons they purchased previously, planning to lure and kill the Demogorgon. In the Upside Down, the Demogorgon breaks into Will's fort. 8 8 "Chapter Eight: The Upside Down" The Duffer Brothers Story by : Paul Dichter Teleplay by : The Duffer Brothers July 15, 2016 Hopper, haunted by the death of his daughter Sara from cancer years earlier, gives up Eleven's location to Brenner, who in exchange allows Hopper and Joyce to enter the Upside Down to rescue Will. Nancy and Jonathan cut their hands to attract the Demogorgon at the Byers' house. Steve, intending to apologize to Jonathan about their fight, arrives just as the Demogorgon appears. Steve, Nancy, and Jonathan fight the Demogorgon and light it on fire, forcing it to retreat to the Upside Down. Meanwhile, Eleven and the boys hide in the middle school when Brenner and his agents arrive to kidnap Eleven; she kills most of them before collapsing from exhaustion. As Brenner and his remaining agents pin Eleven and the boys down, the Demogorgon appears, attracted by the dead agents' blood, and attacks Brenner and the remaining agents as the boys escape with Eleven. Hopper and Joyce enter the Upside Down's version of the Hawkins library, where they encounter several corpses of the Demogorgon's victims, including Barb, and find Will unconscious with a tendril down his throat. Hopper revives him using CPR after removing the tendril. The Demogorgon corners the kids, but Eleven recovers from her exhaustion and disintegrates it, causing them both to disappear. Will recovers in the hospital, reuniting with his family and friends. One month later, it is Christmas and Nancy is back together with Steve, and both are friends with Jonathan. Will coughs up a slug-like creature and has a vision of the Upside Down, but hides this from his family. Production Development Ross (left) and Matt Duffer, the creators of the series Stranger Things was created by Matt and Ross Duffer, known professionally as the Duffer Brothers.[12] The two had completed writing and producing their 2015 film Hidden, which they had tried to emulate the style of M. Night Shyamalan, however, due to changes at Warner Bros., its distributor, the film did not see a wide release and the Duffers were unsure of their future.[13] To their surprise, television producer Donald De Line approached them, impressed with Hidden's script, and offered them the opportunity to work on episodes of Wayward Pines alongside Shyamalan. The brothers were mentored by Shyamalan during the episode's production so that when they finished, they felt they were ready to produce their own television series.[14] The Duffer Brothers prepared a script that would essentially be similar to the series' actual pilot episode, along with a 20-page pitch book to help shop the series around for a network.[15] They pitched the story to a number of cable networks, all of which rejected the script on the basis that they felt a plot centered around children as leading characters would not work, asking them to make it a children's show or to drop the children and focus on Hopper's investigation in the paranormal.[14] In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited The Duffer Brothers to their office and purchased the rights for the series, giving full authorship of it to the brothers. After reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;[16] the show was subsequently announced for a planned 2016 release by Netflix in early April 2015.[17] The Duffer Brothers stated that at the time they had pitched to Netflix, the service had already been recognized for its original programming, such as House of Cards and Orange Is the New Black, with well-recognized producers behind them, and were ready to start giving upcoming producers like them a chance.[15] The brothers started to write out the series and brought Levy and Cohen in as executive producers to start casting and filming.[18] The series was originally known as Montauk, as the setting of the script was in Montauk, New York and nearby Long Beach locations.[17][19] The brothers had chosen Montauk as it had further Spielberg ties with the film Jaws, where Montauk was used for the fictional setting of Amity Island.[20] After deciding to change the narrative of the series to take place in the fictional town of Hawkins instead, the brothers felt they could now do things to the town, such as placing it under quarantine, that they really could not envision with a real location.[20] With the change in location, they had to come up with a new title for the series under the direction from Netflix's Ted Sarandos so that they could start marketing it to the public. The brothers started by using a copy of Stephen King's Firestarter novel to consider the title's font and appearance and came up with a long list of potential alternatives. Stranger Things came about as it sounded similar to another King novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this final title.[21] Writing The idea of Stranger Things started with how the brothers felt they could take the concept of the 2013 film Prisoners, detailing the moral struggles a father goes through when his daughter is kidnapped, and expand it out over eight or so hours in a serialized television approach. As they focused on the missing child aspect of the story, they wanted to introduce the idea of "childlike sensibilities" they could offer and toyed around with the idea of a monster that could consume humans. The brothers thought the combination of these things "was the best thing ever". To introduce this monster into the narrative, they considered "bizarre experiments we had read about taking place in the Cold War" such as Project MKUltra, which gave a way to ground the monster's existence in science rather than something spiritual. This also helped them to decide on using 1983 as the time period, as it was a year before the film Red Dawn came out, which focused on Cold War paranoia.[14] Subsequently, they were able to use all their own personal inspirations from the 1980s, the decade they were born, as elements of the series,[14][22] crafting it in the realm of science fiction and horror.[23] The Duffer Brothers have cited as influence for the show (among others): Stephen King novels; films produced by Steven Spielberg, John Carpenter, Wes Craven, Robert Zemeckis, George Lucas and Guillermo del Toro; films such as Alien and Stand by Me; Japanese anime such as Akira and Elfen Lied; and video games such as Silent Hill and The Last of Us.[21][24][25][26][27][28][29][30][31] With Netflix as the platform, The Duffer Brothers were not limited to a typical 22-episode format, opting for the eight-episode approach. They had been concerned that a 22-episode season on broadcast television would be difficult to "tell a cinematic story" with that many episodes. Eight episodes allowed them to give time to characterization in addition to narrative development; if they had less time available, they would have had to remain committed to telling a horror film as soon as the monster was introduced and abandon the characterization.[15] Within the eight episodes, the brothers aimed to make the first season "feel like a big movie" with all the major plot lines completed so that "the audience feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the end", something that could be explored in further seasons if Netflix opted to create more.[32] While explaining their intentions for the show, the Duffers adamantly stated their intentions to not explain the mythology in the show so they could leave a mystery and lot for the audience to speculate over their lack of understanding by the season finale, which they accepted but asked to be explained about at the very least, which they found like a really good exercise as they spent quite a bit of time with their writers' room figuring out exactly what the Upside Down would actually consist for, writing a 20-page mythology document whose details wouldn't be clarified for the audience until the show's fifth and final season.[33] Regarding writing for the children characters of the series, The Duffer Brothers considered themselves as outcasts from other students while in high school and thus found it easy to write for Mike Wheeler and his friends, and particularly for Barbara "Barb" Holland.[21] Joyce Byers was fashioned after Richard Dreyfuss's character Roy Neary in Close Encounters of the Third Kind, as she appears "absolutely bonkers" to everyone else as she tries to find her son Will Byers.[34] Other characters, such as Billy in the second season, have more villainous attributes that are not necessarily obvious from the onset; Matt explained that they took further inspiration from Stephen King for these characters, as King "always has really great human villains" that may be more malicious than the supernatural evil.[35] Casting The Duffers cast David Harbour as Sheriff Hopper believing this was his opportunity to play a lead character in a work. In June 2015, it was announced that Winona Ryder and David Harbour had joined the series as Joyce and as the unnamed chief of police, respectively.[2] The brothers' casting director Carmen Cuba had suggested Ryder for the role of Joyce, which the two were immediately drawn to because of her prominence in 1980s films.[14] Levy believed Ryder could "wretch up the emotional urgency and yet find layers and nuance and different sides of [Joyce]". Ryder praised that the show's multiple storylines required her to act for Joyce as "she's out of her mind, but she's actually kind of onto something", and that the producers had faith she could pull off the difficult role.[36] Upon being offered the role, Ryder felt intrigued at being given the pilot's script due to know knowing what streaming was and finding it "terrifying", with her sole condition to the Duffers for accepting the role being that, if a Beetlejuice sequel ever materialized as she and Tim Burton had been discussing since 2000, they had to let her take a break to shoot it, a condition the Duffers agreed and ultimately proved to work out when Beetlejuice Beetlejuice was greenlighted years later.[37] The Duffer Brothers had been interested in Harbour before, who until Stranger Things primarily had smaller roles as villainous characters, and they felt that he had been "waiting too long for this opportunity" to play a lead, while Harbour himself was thrilled by the script and the chance to play "a broken, flawed, anti-hero character".[21][38] Additional casting followed two months later with Finn Wolfhard as Mike, Millie Bobby Brown in an undisclosed role, Gaten Matarazzo as Dustin Henderson, Caleb McLaughlin as Lucas Sinclair, Natalia Dyer as Nancy Wheeler, and Charlie Heaton as Jonathan Byers]].[3] In September 2015, Cara Buono joined the cast as Karen Wheeler,[6] followed by Matthew Modine as Martin Brenner a month later.[7] Additional cast who recur for the first season include Noah Schnapp as Will,[3][5] Shannon Purser as Barbara "Barb" Holland,[8] Joe Keery as Steve Harrington,[39][5] and Ross Partridge as Lonnie Byers,[9] among others. Actors auditioning for the children's roles read lines from Stand By Me.[14] The Duffer Brothers estimated they went through about a thousand different child actors for the roles. They noted that Wolfhard was already "a movie buff" of the films from the 1980s period and easily filled the role, while they found Matarazzo's audition to be much more authentic than most of the other audition tapes, and selected him after a single viewing of his audition tape.[15] As casting was started immediately after Netflix greenlit the show, and prior to the scripts being fully completed, this allowed some of the actors' takes on the roles to reflect into the script. The casting of the young actors for Will and his friends had been done just after the first script was completed, and subsequent scripts incorporated aspects from these actors.[32] The brothers said Modine provided significant input on the character of Dr. Brenner, whom they had not really fleshed out before as they considered him the hardest character to write for given his limited appearances within the narrative.[34] Filming The brothers had desired to film the series around the Long Island area to match the initial Montauk concept. However, with filming scheduled to take place in November 2015, it was difficult to shoot in Long Island in the cold weather, and the production started scouting locations in and around the Atlanta, Georgia area. The brothers, who grew up in North Carolina, found many places that reminded them of their own childhoods in that area, and felt the area would work well with the narrative shift to the fictional town of Hawkins, Indiana.[20] The filming of the first season began on September 25, 2015, and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy handling the direction of individual episodes.[40] Jackson served as the basis of the fictional town of Hawkins, Indiana.[41][42] Other shooting locations included the Georgia Mental Health Institute as the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry High School in Stockbridge, Georgia, for the middle and high school scenes,[43] Emory University's Continuing Education Department, the former city hall in Douglasville, Georgia, Georgia International Horse Park, the probate court in Butts County, Georgia, Old East Point Library and East Point First Baptist Church in East Point, Georgia, Fayetteville, Georgia, Stone Mountain Park, Palmetto, Georgia, and Winston, Georgia.[44] Set work was done at Screen Gem Studios in Atlanta.[44] The series was filmed with a Red Dragon digital camera.[34] Filming for the first season concluded in early 2016.[41] While filming, the brothers tried to capture shots that could be seen as homages to many of the 1980s references they recalled. Their goal was not necessarily to fill the work with these references, but instead to make the series seem to the viewer like a 1980s film.[21] They spent little time reviewing those works and instead went by memory. Matt further recognized that some of their filming homages were not purposely done but were found to be very comparable, as highlighted by a fan-made video comparing the show to several 1980s works side by side.[14][45] Matt commented on the video that "Some were deliberate and some were subconscious."[14] The brothers recognized that many of the iconic scenes from these 1980s films, such as with Poltergeist, was about "taking a very ordinary object that people deal with every day, their television set, and imbuing it with something otherworldly", leading to the idea of using the Christmas light strings for Will to communicate with Joyce.[21] The brothers attributed much of the 1980s feel to set and costume designers and the soundtrack composers that helped to recreate the era for them.[14] Lynda Reiss, the head of props, had about a $220,000 budget, similar to most films, to acquire artifacts of the 1980s, using eBay and searching through flea markets and estate sales around the Atlanta area. The bulk of the props were original items from the 1980s with only a few pieces, such as the Dungeons & Dragons books made as replicas.[46] Visual effects To create the aged effect for the series, a film grain was added over the footage, which was captured by scanning in film stock from the 1980s.[34] The Duffers wanted to scare the audience, but not to necessarily make the show violent or gory, following in line with how the 1980s Amblin Entertainment films drove the creation of the PG-13 movie rating. It was "much more about mood and atmosphere and suspense and dread than they are about gore", though they were not afraid to push into more scary elements, particularly towards the end of the first season.[34] The brothers had wanted to avoid any computer-generated effects for the monster and other parts of the series and stay with practical effects. However, the six-month filming time left them little time to plan out and test practical effects rigs for some of the shots. They went with a middle ground of using constructed props including one for the monster whenever they could, but for other shots, such as when the monster bursts through a wall, they opted to use digital effects. Post-production on the first season was completed the week before it was released on Netflix.[14] The title sequence uses closeups of the letters in the Stranger Things title with a red tint against a black background as they slide into place within the title. The sequence was created by the studio Imaginary Forces, formerly part of R/GA, led by creative director Michelle Doughtey.[47] Levy introduced the studio to The Duffer Brothers, who explained their vision of the 1980s-inspired show, which helped the studio to fix the concept the producers wanted. Later, but prior to filming, the producers sent Imaginary Forces the pilot script, the synth-heavy background music for the titles, as well as the various book covers from King and other authors that they had used to establish the title and imagery, and were looking for a similar approach for the show's titles, primarily using a typographical sequence. They took inspiration from several title sequences of works from the 1980s that were previously designed by Richard Greenberg under R/GA, such as Altered States and The Dead Zone. They also got input from Dan Perri, who worked on the title credits of several 1980s films. Various iterations included having letters vanish, to reflect the "missing" theme of the show, and having letters cast shadows on others, alluding to the mysteries, before settling into the sliding letters. The studio began working on the title sequence before filming and took about a month off during the filming process to let the producers get immersed in the show and come back with more input. Initially, they had been working with various fonts for the title and used close-ups of the best features of these fonts, but near the end the producers wanted to work with ITC Benguiat, requiring them to rework those shots. The final sequence is fully computer-generated, but they took inspiration from testing some practical effects, such as using Kodalith masks as would have been done in the 1980s, to develop the appropriate filters for the rendering software. The individual episode title cards used a "fly-through" approach, similar to the film Bullitt, which the producers had suggested to the studio.[48] Music Main articles: Music of Stranger Things and Stranger Things (soundtrack) The Stranger Things original soundtrack was composed by Michael Stein and Kyle Dixon of the electronic band Survive.[49] It makes extensive use of synthesizers in homage to 1980s artists and film composers including Jean-Michel Jarre, Tangerine Dream, Vangelis, Goblin, John Carpenter, Giorgio Moroder, and Fabio Frizzi.[50] According to Stein and Dixon, The Duffer Brothers had been fans of Survive's music, and used their song "Dirge" for the mock trailer that was used to sell the show to Netflix.[49][51] Once the show was green-lit, the Duffers contacted Survive around July 2015 to ask if they were still doing music; the two provided the production team with dozens of songs from their band's past to gain their interest, helping to land them the role.[49] Once aboard, the two worked with producers to select some of their older music to rework for the show, while developing new music, principally with character motifs.[51] The two had been hired before the casting process, so their motif demos were used and played over the actors' audition tapes, aiding in the casting selection.[51][52] The show's theme is based on an unused work Stein composed much earlier that ended up in the library of work they shared with the production staff, who thought that with some reworking would be good for the opening credits.[49] The first season's original soundtrack, consisting of 75 songs from Dixon and Stein split across two volumes, was released by Lakeshore Records. Digital release and streaming options were released on August 10 and 19, 2016 for the two volumes, respectively, while retail versions were available on September 16 and 23, 2016.[53][54] In addition to original music, Stranger Things features period music from artists including The Clash, Toto, New Order, The Bangles, Foreigner, Echo and the Bunnymen, Peter Gabriel and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter and Vangelis.[54][55] In particular, The Clash's "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Will is trying to communicate with Joyce from the Upside Down.[54] Music supervisor Nora Felder felt the song "furthered the story" and called it an additional, unseen, main character of the season.[56]

AI's surge in demand for memory and storage drove some of 2025's biggest stock market winners, including hard-drive makers Seagate Technology and Western Digital, and AI chip maker Micron Technology. Retail trading platform Robinhood also put up a blockbuster year and made its S&P 500 debut. And the bidding war by Netflix and Paramount for Warner Bros. Discovery propelled the entertainment giant into a top market performer. Not all companies fared as well, with those tied to health care and consumer brands flagging through last year. A major reset of expectations in October cratered Fiserv's stock, putting the payment processing company near the bottom of the barrel. What awaits in the year ahead? For our first episode of 2026, co-host Telis Demos along with WSJ Heard on the Street Editor Aaron Back and Heard Columnist David Wainer tackle audience questions about what to expect for the year and offer their own predictions for investors and the U.S. economy. This is WSJ's Take On the Week where we cut through the noise and dive into markets, the economy and finance—the big trades, key players and business news ahead. Have an idea for a future guest or episode? How can we better help you take on the week? We'd love to hear from you. Email the show at takeontheweek@wsj.com. To watch the video version of this episode, visit our WSJ Podcasts YouTube channel or the video page of WSJ.com Further Reading Flood of AI Bonds Adds to Pressure on MarketsAre Stock Analysts Useless? For Trump, the Warner Megadeal Talks Are All About CNN Runaway Insurance Costs Bring Back Talk of Price CapsAI Data Centers, Desperate for Electricity, Are Building Their Own Power Plants For more coverage of the markets and your investments, head to WSJ.com, WSJ's Heard on The Street Column, and WSJ's Live Markets blog.Sign up for the WSJ's free Markets A.M. newsletter.   Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's episode: Rumors swirl around Netflix/Warner Bros. theatrical window, Leonardo DiCaprio's grim view of move theater going experience, reviews of "Anaconda" and "Sorry, Baby," and New England filmmaking news. The Hub on Hollywood, hosted by Jamie and James, delves into the thriving film industry in New England. The podcast explores the production of various projects, including commercials, television shows, and full-length feature films. The podcast offers insight into New England’s growing film industry, as well as entertainment news and reviews. Subscribers can access the podcast on the iHeartRadio app and follow the hosts on Instagram and TikTok for updates.See omnystudio.com/listener for privacy information.

این قسمت از پادکست لوموس رو با فضایی شروع می‌کنیم که در ظاهر پر از شادیه، اما زیر پوستش اضطراب موج می‌زنه. همراه با خشایار، امید، ملیحه و مهمان این قسمت نجلا محقق، مترجم آثار ادبیات ژانری، سراغ عروسی بیل و فلور می‌ریم؛ جایی که هری با هویتی جعلی وارد جمع می‌شه و میان رقص و جشن، تکه‌های آزاردهنده‌ای از گذشتهٔ دامبلدور فاش می‌شن. از حرف‌های سنگین موریل دربارهٔ آریانا و شکاف‌های قدیمی خانوادهٔ دامبلدور می‌گیم، تا شوک ناگهانی پیام پاترونوس کینگزلی که پایان یک جشن و آغاز یک دوران تاریک رو اعلام می‌کنه. در این قسمت تضاد میان شادی، حقیقت و فروپاشی امنیت رو با هم بررسی می‌کنیم.آنچه در این قسمت می‌شنوید:شروع و اسم فصل00:00:00معرفی مهمان00:02:28خوشی واقعی یا انتظار برای شوک؟00:07:49زینوفیلیوس لاوگود و گردنبند یادگاران مرگ00:11:35صدای مخاطب: هلیا00:28:08موریل؛ پیرزن پرحاشیه00:36:29ورود ویکتور کرام و واکنش رون00:40:59گرگرویچ00:46:35جادوگر ریز‌نقش؛ همراه غم‌ها و شادی‌های شما00:49:17اسرار دامبلدور00:55:44خوانش کتاب01:04:46باتیلدا بگشات01:08:58ورود پاترونوس کینگزلی و به هم خوردن عروسی01:17:48حمایت‌های شما و کلام آخر ما01:20:25اجراکنندگان: خشایار، امید، ملیحهمهمان: نجلا محققمترجم: حسین غریبیراوی: آرشیدا لاریآهنگساز: علی خانیکپی‌رایت: Warner Bros and J.K.Rowlingارتباط با ما: podcast@wizardingcenter.com (توییتر و اینستاگرام)

Longtime friends David Silver and Raghu Markus discuss Tulku Urgyen Rinpoche and the legacy of Dzogchen maintained by his four sons.Grab a copy of Tulku Urgyen Rinpoche's memoirs, Blazing Splendor, for a deeper look into his magnificent life. This time on Mindrolling, Raghu and David have a discussion about:The life and teachings of Tulku Urgyen Rinpoche, one of the greatest Dzogchen meditation masters of the 20th centuryTulku Urgyen Rinpoche's sons and how they continue to spread Dzogchen wisdom to the WestCore principles of Dzogchen philosophy, including the nature of mind and nondual awarenessUnderstanding cognitive emptiness and the illusion of a solid identityWhy contemplating death and impermanence can be a path to liberationWorking consciously with loss and mortality before the end of lifeNot falling into the trap of believing this life is permanentViewing dreams and meditation as parallel practices for awakeningThe patience and discipline required to form new spiritual habitsLiving fully while recognizing the inevitability of deathLearn about dealing with the bardo of dying in the book In Love with the World by Yongey Mingyur Rinpoche or hop into The Bardo Guidebook by Chokyi Nyima RinpocheAbout David Silver:David Silver is the former co-host of the Mindrolling podcast. He is a filmmaker and director, most recently coming out with Brilliant Disguise. Brilliant Disguise tells the unique story of a group of inspired Western spiritual seekers from the 60s, who in meeting the great American teacher, Ram Dass, followed him to India to meet his Guru, Neem Karoli Baba, familiarly known as Maharaj-ji. Two days before he left his body, Maharaj-ji instructed K.C. Tewari to take care of the Westerners, which he did resolutely until the day he died in 1997. Silver's #1 charting MGM/UA/Warners film, “The Compleat Beatles” is the critically acclaimed biopic movie about history's most famous band. The term ‘rockumentary' was first applied to this two-hour movie. Rolling Stone recently described the film as a “masterwork.” Silver's Warner Brothers' feature film, “No Nukes” also started the whole trend of music/activism feature documentaries. “Urgyen and his sons and all Dzogchen people believe that dreaming is as important as meditating. Dreams are fluid, anything can happen in a dream. You can fly, you can walk through a wall. What Mingyur says is that is the perfect analogy for life itself; life is as fluid and as transparent as that dream, but we don't know it because we think it's solid because we can't put our finger through our hand.” –David SilverSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

HEADLINES:• Dubai Court Cancels Dh150 Million Fine in Abu Sabah Money Laundering Case • Warner Bros Discovery Poised to Reject $108 Billion Paramount Skydance Bid• Saudi AI Firm Humain Receives First Shipment of Nvidia's Advanced AI Chips  Newsletter: https://aug.us/4jqModrWhatsApp: https://aug.us/40FdYLUInstagram: https://aug.us/4ihltzQTiktok: https://aug.us/4lnV0D8Smashi Business Show (Mon-Friday): https://aug.us/3BTU2MY

This week's Warner Brothers 1933 Studios Year by Year episode brings the studio-as-auteur question back into focus with two highly distinctive Pre-Code musicals with a similarity of style and social outlook that can't be attributed to the directors, screenwriters, source material, or the presence of Hollywood's most idiosyncratic choreographer and stager of musical numbers, Busby Berkeley. We argue for the dramatic and comedic merits of 42nd Street (directed by Lloyd Bacon) and Gold Diggers of 1933 (directed by Mervyn LeRoy), without failing to grapple with the more deranged elements of the musical sequences. And in Fear and Moviegoing in Toronto, the focus on sex, gender, and harsh economic realities continues with further screenings from TIFF Cinematheque's ongoing Mikio Naruse retrospective: Late Chrysanthemums, Scattered Clouds, and When a Woman Ascends the Stairs. We also briefly mention our TIFF Lightbox viewing of Hitchcock's North by Northwest, which allowed us to see Cary Grant narrowly escape multiple elaborately complicated and indirect murder attempts in 70 mm.  Time Codes: 0h 00m 25s:      1933 and Warner Brothers 0h 05m 13s:      42nd STREET [dir. Lloyd Bacon with Busby Berkeley] 0h 50m 20s:      GOLD DIGGERS OF 1933 [dir. Mervyn Leroy with Busby Berkeley]   1h 30m 40s:      Fear & Moviegoing in Toronto: Alfred Hitchcock's North By Northwest (1959) and Mikio Naruse's Late Chrysanthemums (1954), Scattered Clouds (1967) & When a Woman Ascends the Stairs (1960) – all at TIFF Lightbox    1h 40m 16s:      Listener Jason's Top Gloria Grahame films +++ Studio Film Capsules provided by The Warner Brothers Story by Clive Hirchhorn Additional studio information from: The Hollywood Story by Joel W. Finler 1933 Information from Forgotten Films to Remember by John Springer                                 +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join! 

Warner Brother, Paramount/Comcast, Netflix, the WB merger bids, what would a merger mean for consumers?, why Warner Brothers is special, Netflix and movie theaters, David Zaslav (WB CEO), Zaslav as a new Robert Evans, Zaslav's mixed legacy at Warner Brothers, the legality of the mergers, was the Netflix merger ever intended to go through in the first place, the Netflix merger as a means of crippling its chief rival, are the cultures of Netflix and Warners compatible?, Paramount's links to Trump, the Paramount merger as a bid to destroy CNN, Jared Kushner/Saudi money behind the Paramount hostile takeover, Netflix's links to Obama, why the Obama/Netflix connection is overhyped, the Hollywood money model and price signals, Jane Fonda, Committee for the First Amendment, how deregulation has contributed to Hollywood's woes, could the merger attempts spur bipartisan opposition?, will a workable model for Hollywood's future come out of the discussions?, Rob ReinerMusic by: Keith Allen Dennishttps://keithallendennis.bandcamp.com/ Hosted on Acast. See acast.com/privacy for more information.

Redscroll & Friends Favorites of 2025 We have our favorites of the year as usual. And we have once again asked some friends to contribute lists (a couple bonus voices on the podcast even!). Give the lists a view, check out the podcast with clips of all the bands/songs and check out the playlist with all the favorites below.   Happy New Year! Let's get into the lists!  Redscroll Records Label Releases for 2025 Theoden's Reign Citadel Of The Stars LP, CD & Cassette [02/06/2025]Chop Chop Chop Chop Chop Chop Chop Become Nothing / We Live As Ghosts LP (Brand new A-Side with B-Side previously released on cassette)[04/18/2025]Killer Kin Killer Kin CD (reissued with added bonus track "Point Blank")[07/01/2025]Disfigure New Age Of Judgement CD [07/25/2025]Chained to the Bottom of the Ocean Sisyphean Cruelty CD Reissue[08/01/2025]Chained to the Bottom of the Ocean Obsession | Destruction CD & LP Reissue[08/01/2025]Chained to the Bottom of the Ocean The Vestige CD (First Time on CD)[08/01/2025]Chained to the Bottom of the Ocean Consumed by the Vitriol of Life / I Tried Catching You But You Fell Through Me LP (Released Separately Before – Now on a single 12" Record)[08/01/2025] Meetinghouse You've Seen Heaven CD & Cassette [09/05/2025]   Joe's 10 Favorite Tracks Listened To In 2025: 1. John Martyn "Over the Hill" Solid Air (Island, 1973) 2. Derek and the Dominoes "Thorn Tree In the Garden" Layla And Other Assorted Love Songs (ATCO, 1970) 3.Blaze Foley "Clay Pigeons" Clay Pigeons (Secret Seven, 2011) 4.Hiromasa Suzuki "Romance" Cat (Columbia, 1976) 5.Red Garland Trio "Tis Autumn" All Kinds Of Weather (Prestige, 1959) 6. Nina Simone "Tell It Like It Is" Isn't It A Pity / Tell It Like It Is (RCA Acetate, 1971 Probably) 7. Marvin Gaye "Distant Lover" Let's Get It On (Tamla, 1973) 8. Herbie Hancock "Speak Like A Child" Speak Like A Child (Blue Note, 1968) 9. Terry Reid "Season of the Witch" Bang, Bang You're Terry Reid (Epic, 1968) 10.Terry Reid "Mayfly" Terry Reid (Columbia, 1969) LEXI'S FAVORITES OF 2025: Oklou Choke Enough (True Panther Sounds, Because Music) Addison Rae Addison (Columbia) Ethel Cain Perverts (Daughters Of Cain) Ethel Cain Willoughby Tucker, I'll Always Love You (Daughters Of Cain) Meetinghouse You've Seen Heaven (Redscroll) Model/Actriz Pirouette (Dirty Hit, True Panther Sounds) All The Pretty Horses hammersmashedface (Self-Released) EsDeeKid Rebel (XV, Lizzy) Crippling Alcoholism Camgirl (Portrayal Of Guilt) Chat Pile / Hayden Pedigo In The Earth Again (Computer Students, Flenser) Intercourse How I Fell In Love With The Void (Brutal Panda) John Maus Later Than You Think (Young) Holy Taker Heaven Is A Place I Can't Stay (Crossover Media) Shallowater God's Gonna Give You A Million Dollars (Sans Soleil) Deafheaven Lonely People With Power (Roadrunner) Holder Holder (Daze) Playboi Carti MUSIC (AWGE, Interscope) Alex G Headlights (RCA) Old Saw The Wringing Cloth (Lobby Art) Erica's Favorites: Pile Sunshine and Balance Beams (Sooper) Viagra Boys Viagr Aboys (Shrimptech) Pigs Pigs Pigs Pigs Pigs Pigs Pigs Death Hilarious (Rocket, Missing Piece) Just Mustard We Were Just Here (Partisan) AFI Silver Bleeds The Black (Run For Cover) Bootblacks Paradise (Artoffact) Witchcraft Idag (Heavy Psych Sounds) Pelican Flickering Resonance (Run For Cover) Model/Actriz Pirouette (Dirty Hit, True Panther Sounds) Theoden's Reign Citadel Of The Stars (Redscroll) Faetooth Labyrinthine (Flenser) Scorpion Milk Slime of the Times (Peaceville) EPs: Youth Code Yours, With Malice (Sumerian) Floating Hesitating Lights (Transcending Obscurity) Matt's Favorites: Viagra Boys Viagr Aboys (Shrimptech) Intercourse How I Fell In Love With The Void (Brutal Panda) Hives Hives Forever Forever The Hives (Play It Again Sam) AFI Silver Bleeds The Black (Run For Cover) WestsideGunn  Heels Have Eyes 1+2 (Griselda) Ghostwoman Welcome To The Civilized World (Full Time Hobby) Darts Nightmare Queens (Adrenaline Fix) Ron Gallo Checkmate (Kill Rock Stars) El Michels Affair 24 Hr Sports (Big Crown) Caren's Favorites: Annie Achron Never Paradise (Siltbreeze) James K Friend (AD 93) Now Always Fades Into The Doldrums (Northern Underground Records) Acopia Blush Response (Scenic Route) Raisa K Affectionately (15 Love) Sharp Pins Balloon Balloon Balloon & Radio DDR (K Records / Perennial) Prolapse I Wonder When They're Going To Destroy Your Face (Tapete) Rest Symbol Rest Symbol (FO) K-Lone Sorry I Thought You Were Someone Else (Incienso) Bill Fox Resonance (Eleventh Hour) Caren's Reissue / Archival Favorites: Various The Way U Make Me Feel: UK Boogie & Street Soul 1984-1994 (Freestyle Records) Ali Omar Hashish Hits (Efficient Space) Pale Saints Slow Buildings (4AD) L'Empire Des Sons L'Empire Des Sons (Glossy Mistakes) Lijadu Sisters Danger (Numero Group) The Lo Yo Yo The Lo Yo Yo (Concentric Circles) Rick's Favorites: Abosahar Raasny (Heat Crimes, Hizz) Any Mega Mercy (Sferic) Deadguy Near-Death Travel Services (Relapse) Elkotsh rhlt jdi (Heat Crimes, Hizz) Kathryn Mohr Waiting Room (Flenser) Only Now Timeslave III (Self-Released) Sandwell District End Beginnings (The Point of Departure Recording Company) Slikback Attrition (Planet Mu) Billy Woods Golliwog (Backwoodz Studioz) Nuovo Testamento Trouble (DIscoteca Italia) Josh's Favorites: Viagra Boys Viagr Aboys (Shrimptech) Hives Hives Forever Forever The Hives (Play It Again Sam) Skinhead It's A Beautiful Day, What A Beautiful Day (Closed Casket Activities) Homefront Watch It Die (La Vida Es En Mus) Internal Bleeding Settle All Scores (Maggot Stomp) Warlock Corpse Eternal Prisoner (Out of Season) Sandwell District End Beginnings (The Point of Departure Recording Company) Quest Master Obscure Power (Out of Season) Lust for Youth & Croatian Amor All Worlds (Sacred Bones) Vatican Shadow 20th Hijacker (20 Buck Spin) Friends of Redscroll Lists! Chop Chop Chop Chop Chop Chop Chop Favorites "Learn to Suffer" by Mangled State "Don't Tap the Glass" by Tyler the Creator "Killing Spree" by Sulfuric Cautery "Adapting // Crawling" by Iron Lung "Golliwog" by Billy Woods "The Body Hammer" by Endless Swarm "///" by Secret Cutter "Watch it Die" by Home Front "Lonely People With Power" by Deafheaven "Let God Sort Em Out" by Clipse Honorable mentions to R. Missing, Lana Del Rabies, De La Soul, Suppression, Black Iron Prison, and Haunt Me. Tarek of Intercourse Favorites: Crippling Alcoholism Camgirl (Portrayal Of Guilt) My Wife's An Angel Yeah, I Bet (Knife Hits, Broken Cycle Records, GRIMGRIMGRIM) In Lieu Hooligan (Learning Curve) Knub Crub (Hex) Chat Pile / Hayden Pedigo In The Earth Again (Computer Students, Flenser) |Deadguy Near-Death Travel Services (Relapse) Stefan of C/Site Recordings Favorites: Alexander "Untitled" 7" (Carbon Records) Juho Toivonen "Lapsikuninkaan Fanfaari" (Discreet Music) Lander / Unkindness split LP (Ixiol Productions) Nowhere Flower "Heat Dome" LP (Digital Regress) Shirese "Fog Bound Laughter" 7" (Stoned to Death) Lau Nau & Joshua Burkett LP (Mystra Records) Cheb Drissi "Rai Sidi Bel Abbes Volume 2" LP (Nashazphone) Los Doroncos "Sun and Fireworks" LP (An'archives)   Sarah (Manic Presents/Premier Concerts) Favorites: Hayden Pedigo - I'll Be Waving As You Drive Away World's Worst - American Muscle Friendship - Caveman Wakes Up Shallowater - God's Gonna Give You a Million Dollars Alex G - Headlights Pile - Sunshine and Balance Beams All The Pretty Horses - hammersmashedface Dean Blunt / Elias Rønnenfelt - lucre Momma - Welcome to My Blue Sky Addison Rae - Addison caroline - caroline 2 Playboi Carti - MUSIC Oklou - choke enough TAGABOW - LOTTO Cameron Winter - Heavy Metal (end of 2024 album that I think is being considered on end of year lists so it's on mine too)   Chris (Manic Presents/Premier Concerts) Favorites: Soul Blind - Red Sky Mourning Hayley Williams - Ego Death At A Bacholorette Party Restraining Order - Future Fortune The Infinity Ring - Ataraxia Carey - Stunted Bleed - S/T Cloakroom - Last Leg of the Human Table Superheaven - S/T Keep - Almost Static Oversize - Vital Signs Clipse - Let God Sort Em Out Sanguisugabogg - Hedeous Aftermath Sainthood Reps - Dull Bliss Home Front - Watch It Die Bad Beat - LP 2025 Aesop Rock - I Heard it's A Mess There Too Henry Birdsey's Favorites: Various Artists - The World Is But a Place of Survival: Begena Songs from Ethiopia + Elders of the Begena: The Harp of David in Ethiopia (Death Is Not The End) https://deathisnot.bandcamp.com/album/the-world-is-but-a-place-of-survival-begena-songs-from-ethiopia https://deathisnot.bandcamp.com/album/elders-of-the-begena-the-harp-of-david-in-ethiopia Teppana Jänis & Arja Kastinen - Teppana Jänis (Death Is Not The End) https://deathisnot.bandcamp.com/album/teppana-j-nis Various Artists - Unaccompanied Norwegian Folk String Virtuosi (Canary Records) https://canary-records.bandcamp.com/album/unaccompanied-norwegian-folk-string-virtuosi-ca-1953-65 Various Artists - Her Mother's Only Child: From the 2nd & 3rd Bulgarian National Folklore Festivals, 1971 & 1976 (Canary Records) https://canary-records.bandcamp.com/album/her-mothers-only-child-from-the-2nd-3rd-bulgarian-national-folklore-festivals-1971-1976 Dr. Abdel Latif Gohar - Egyptian Buzuq Solos ca. 1950s (Canary Records) https://canary-records.bandcamp.com/album/egyptian-buzuq-solos-ca-1950s Various Artists - A Collection of Slow Airs by Some Very Fine Fiddlers (Nyahh Records) https://nyahhrecords.bandcamp.com/album/a-collection-of-slow-airs-by-some-very-fine-fiddlers Peter Garland - Love Comes Quietly (After Robert Creeley) (Cold Blue) https://peteergarland-coldbluemusic.bandcamp.com/album/plain-songs-love-comes-quietly-after-robert-creeley Various Artists - Miao Mouthorgans & Other Rare Instruments in Guizhou, Sichuan, China (Sub Rosa) https://subrosalabel.bandcamp.com/album/miao-mouthorgans-other-rare-instruments-in-guizhou-sichuan-china Alberto Juscamaita Gastelú - Reminiscences of Raktako: Huayno Guitar from Cuzco and Ayacucho, 1930-1940 (Death Is Not The End) https://deathisnot.bandcamp.com/album/reminiscences-of-raktako-huayno-guitar-from-cuzco-and-ayacucho-1930-1940 Rowland Taylor - Absolute Control Can Be The Death of Good Work (S/R) https://rowlandtaylor.bandcamp.com/album/absolute-control-can-be-the-death-of-good-work Hypnosmord - The Thurneman Improvisations (Hypnosmord Förlag / Styggelse Tapes / The AJNA Offensive) https://styggelsetapes.bandcamp.com/album/thurnemanimprovisationerna-the-thurneman-improvisations-dmc1411 David A. Shapiro (Alexander) Favorites: sally ann morgan - second circle the horizon wednesday knudsen - atrium grace rogers - mad dogs shutaro noguchi & the roadhouse band - on the run alulu paranhos - põe epsperança nisso zé ibarra - afim ry jennings - whisperin' ry michael hurley - broken homes and gardens willie lane - bobcat turnaround derya yıldırım and grup şimşek - yarın yoksa Paul (Dissolve) Favorites: Swiz Box Set (Dischord/Sammich/Hellfire) and the Swiz book (Akashic books) Sly Lives! (aka The Burden of Black Genius) movie by Questlove (Onyx collective/Sony) The Real Me by Kyle M (Stones Throw) One Battle After Another movie by Paul Thomas Anderson (Warner Bros.) Willoughby Tucker, I'll Always Love You by Ethel Cain (Daughters of Cain) Near-death Travel Services by Deadguy (Relapse) Birthing by Swans Pink Floyd At Pompeii MCMLXXII movie (Sony Music Vision) Live Laugh Love by Earl Sweatshirt (Tan Cressida Inc./Warner Bros.) Future Fortune by Restraining Order (Blue Grape Music) Ben (Manic Presents/Premier Concerts) Favorites: Home Front - Watch it Die Safe Mind - Cutting the Stone Miltown - Tales of Never Letting Go Béton Arme - Renaissance Scarab - Burn After Listening Cadaver Dog - Bred to Fight Vatican Shadow - 20th Hijacker C4 - payback's a bitch Mil-Spec - Mil-Spec The Tubs - Cotton Crown Antoni Maiovvi Favorites: 10 Arnaud Rebotini - Winter Sequences - Skylax Records A surprise EP from French legend Arnaud Rebotini on the infamous Skylax Records. Great moody, almost electroclash esque analog gems. It's been interesting to see Rebotini's music come back around from the rave days through film scores to now without really changing much. No one does the nexus point of French House and EBM quite like him. 9 DJ Plant Texture - Life - Tresor RecordsThe first of two Tresor releases in my top 10, not sure what has been happening over there lately, but I'm here for it. A great weirdo techno 12 inch where opening track Repetitivo (Stretch Mix) sounding like Jeff Mills having eaten too many haribo, before mutating into scattered hats across the dancefloor, perhaps to trip up Joe Pesci and Daniel Stern who have broken into your house for some reason. 8 Autechre - Untilted - Warp Records Now to the first of two reissues in my list, and despite my somewhat negative thoughts as to their quote unquote live show I saw this year, I still love the music and this one in particular stuck out. Approachable but still properly mad. Proof that extreme computer music can be fun. 7 Clark - Steep Stims - Throttle Records I remember when Chris Clark came out with his first record and thinking that it too warp for warp records. I'm pretty sure we never met when I was in Berlin, unless I got him confused with Kid 606, in which case I apologize to you both. Anyway, Steep Stims is great, playful, emotional, one foot in the past and another in the future, really great work that I think will age really well. Solid work Mr Clark. 6 Emptyset - Dissever - Thrill Jockey Records Amazing new record from Emptyset, feels like they took all the lessons from all the later records and applied it to the earlier ones. Beautiful intense grinding drones, like someone built an installation of Sheer Hellish Miasma and I'm somehow in the room with it. 5 Merzbow, Iggor Cavalera, Eraldo Bernocchi - Nocturnal Rainforest - PAN Full disclosure, Iggor sent this to me, but it's been on my repeated listens ever since. Zen-like terror but incredibly dynamic. One of the best noise releases of the year and I'd go as far as to say a career highlight for each of the members. 4 Various Artists - 30 Years Sonic Groove - Sonic Groove Has it really been 30 years of Sonic Groove? Adam X compiles a collection of outstanding producers for this excellent collection of tracks. Highlights include the mutant acid of Bryan Zentz, the incomparable genius of Mike Parker and the industrial brutality of Statiqbloom. 3 Dopplereffekt - Metasymmetry - Tresor The second Tresor release on my list is the mighty Dopplereffekt. Beautiful, futuristic and unmistakably Detroit. Top 3 don't disagree! 2 Maria Somerville - Luster - 4AD Genuinely shocking to hear an artist on 4AD in 2025 that sounds like what an artist on 4AD sounds like in my head and it's great. Melancholic Ambient shoegaze for a new generation. 1 Coil - Black Antlers - Dais Records Black Antlers is not my favorite Coil album, but it is the one I least expected to be reissued as it was originally a tour only CDR that then got expanded. You could argue that it might not count as a proper Coil album, but who has time for these discussions. Some of the best music ever created. Nick (Disfigure; the one on the right in the pic) Favorites: Kommodus - A Foetal Wolf in Stained Glass - Probably my favorite release from Kommodus. Really awesome auxiliary instruments incorporated here and I like the unhinged melodic leads thrown in on a lot of the songs. It has a punkier tinge to it with the guitar tones and the vocals are equally as heavy Fellwinter - Dark Mediaeval Art - Pure riff-centric Judas Iscariot worship Magus Lord - In The Company of Champions - Epic in every way. I liked this better than the Lamp record this year but M has been writing fantastic black metal for a while and this side project is really refreshing to follow Ultimate Disaster - For Progress . . . - Perfectly written D-Beat in my opinion. Very tight songwriting and the riffs and solos are so well executed Valen - Viarum - I'm a huge Thangorodrim fan and this project has reminded me most of that. This was my go-to Dungeon Synth for some epic game nights this year Enceladus - Demo II - Another great release from this project. I love the half time parts, the more death metal sounding vocals, and just the ferocity of the songs while still being melodic Iron Firmament - Arcane Overspill - Amazing black metal from Washington, a state known for churning out amazing black metal for over two decades. I really love the production on this release, especially the interludes. This band writes amazing riffs and this has been a standout for me in their already exceptional discography Sharp Pins - Balloon Balloon Balloon - I love Power pop, I love Guided By Voices and Sharp Pins delivers on all fronts Occult Blood/Carrion Bloom - Battle Cries of Endless Night - Both sides of this split are fantastic. Put out by Wergild who can't miss lately with their bands/releases Utility - S/T - The hometown heroes! The whole release but especially the first song reminds me so much of Fired Up, one of my favorite CT hardcore bands of all time. Great songwriting and also absolutely on point with the energy and vocals. The demo before this is fantastic as well     The Redscroll Podcast is a monthly show (first of the month going forward) that works as a companion to what we do at Redscroll Records in Wallingford, CT USA. We are a record store that has a heavy emphasis on the left of center / underground music of the world. Whether it be underappreciated or just has a niche audience, marginalized or just off the radar it's all of interest to us. With the show we'll generally have a localized focus. We'll discuss upcoming releases and what is in our personal rotation at the moment. We'll talk about upcoming area musical activities. We'll talk to guests who have to do with all of the above. And we'll talk about specific dealings with the store. If you have input you're welcome to contact us through email (redscroll@gmail.com).

Is Donald Trump aiming to reshape Hollywood? His supporters are putting money into making movies that reflect the MAGA outlook - old-fashioned heroes in action films - and bury what they see as the liberal woke influence on moviegoers. The struggle between Netflix and Skydance over who will buy Warner Bros is part of that. So will 2026 be the year that cinema turned to the right? Sarah Atkinson, Professor of Screen Media at King's College London, tells Phil and Roger what to expect Hosted on Acast. See acast.com/privacy for more information.

Burnie and Ashley discuss culture shock, dirty sodas, Shiner Cheer, Tron Ares, Warner Bros rejects Paramount again, Bugonia, Poor Things, and the last hurrah pitfall.

James Howard Kunstler is a writer, blogger of "ClusterFuck Nation"and host of the podcast "Kunstler Cast. We talk the future of film, Netflix/Paramount bid to buy Warner Brothers, films made by Scorsese, Clint Eastwood, Coen Brothers, and much more. PLEASE SUBSCRIBE LIKE AND SHARE THIS PODCAST!!!    Watch Show Rumble- https://rumble.com/v73oqjk-timeout-from-the-worlds-problems-to-talk-movies-james-howard-kunstler.html YouTube- https://youtu.be/ZbpbmK7UT80   Follow Me X- https://x.com/CoffeeandaMike IG- https://www.instagram.com/coffeeandamike/ Facebook- https://www.facebook.com/CoffeeandaMike/ YouTube- https://www.youtube.com/@Coffeeandamike Rumble- https://rumble.com/search/all?q=coffee%20and%20a%20mike Substack- https://coffeeandamike.substack.com/ Apple Podcasts- https://podcasts.apple.com/us/podcast/coffee-and-a-mike/id1436799008 Gab- https://gab.com/CoffeeandaMike Locals- https://coffeeandamike.locals.com/ Website- www.coffeeandamike.com Email- info@coffeeandamike.com   Support My Work Venmo- https://www.venmo.com/u/coffeeandamike Paypal- https://www.paypal.com/biz/profile/Coffeeandamike Substack- https://coffeeandamike.substack.com/ Patreon- http://patreon.com/coffeeandamike Locals- https://coffeeandamike.locals.com/ Cash App- https://cash.app/$coffeeandamike Buy Me a Coffee- https://buymeacoffee.com/coffeeandamike Bitcoin- coffeeandamike@strike.me   Mail Check or Money Order- Coffee and a Mike LLC P.O. Box 25383 Scottsdale, AZ 85255-9998   Follow Jim X- https://x.com/Jhkunstler Substack- https://jameshowardkunstler.substack.com/ Order Jim's new book- https://a.co/d/h928S60   Sponsors Vaulted/Precious Metals- https://vaulted.blbvux.net/coffeeandamike McAlvany Precious Metals- https://mcalvany.com/coffeeandamike/ Independence Ark Natural Farming- https://www.independenceark.com/  

Tbh, this episode should be called Ann and Leslie, but we get it :( What a beautiful send off for our Ann and Chris - the parties, the groundbreaking, the headlocks, all of it! Thank you writers, Aisha Muharrar and Mike Schur and director, Dean Holland, for making this such a magical moment for the fans to say farewell and see you soon.

Enjoy our audio drama celebrating the 25th of Batman Beyond: Return of the Joker! The adaptation combines sound effects, music, and voice performances from the 2000 film, along with the 2000 ROTJ novelization; narrated by your co-host, Benjamin David, and produced/edited by our podcast editor, Z. Nikolaev. In 2025 we're celebrating the 25th anniversary of Batman Beyond: Return of the Joker! Batman Beyond started as an animated series and made the jump to comics in 1999, then the direct-to-video animated film came out along with a novelization in the year 2000, and a comic adaptation in 2001. For the occasion, we've made this audio drama, inspired by both the animated film and its novelization, bringing the story to the world of audio storytelling. Step back into Neo-Gotham and experience the chilling return of Batman's greatest enemy in a brand-new way. This audio drama combines the original screenplay and official novelization based on it, with the performances and music of the film, preserving deleted material, extended character moments and cut scenes that never made it into the final movie. As a result, the project is an expanded, uncensored, uncut, complete story experience. You can also find it on YouTube: https://youtube.com/playlist?list=PLAN_K5koF1zgwuFiis-wTafIEJ_6j9AD6&si=_9VLwawIfEutfNpC Chapters: 00:00 Prologue 02:16 Chapter 1 13:52 Chapter 2 22:06 Chapter 3 31:13 Chapter 4 40:30 Chapter 5 52:15 Chapter 6 (incl. cut scenes) 1:02:16 Chapter 7 1:11:18 Chapter 8 1:19:53 Chapter 9: 35 years ago 1:33:03 Chapter 10 1:44:07 Chapter 11 2:00:34 Chapter 12 2:15:10 Epilogue 2:20:08 Credits Novelization by Michael Teitelbaum Based on the original script by Paul Dini Original story by Paul Dini, Bruce Timm and Glen Murakami Animated movie produced by Alan Burnett, Paul Dini, Bruce Timm, Glen Murakami and directed by Curt Geda Characters voiced by Will Friedle as Terry McGinnis / Batman Kevin Conroy as Bruce Wayne Mark Hamill as The Joker Arleen Sorkin as Harley Quinn Angie Harmon as Barbara Gordon Tara Strong as Batgirl Dean Stockwell as Tim Drake Mathew Valencia as Robin Melissa Joan Hart as Dee Dee Don Harvey as Chucko Michael Rosenbaum as Ghoul Frank Welker as Woof Henry Rollins as Bonk Rachael Leigh Cook as Chelsea Teri Garr as Mary McGinnis Ryan O'Donohue as Matt McGinnis Lauren Tom as Dana Tan Vernee Watson-Johnson as Ms. Carr Mark Jonathan Davis as V.R. Newsman and Mary Cheer as Mrs. Tim Drake Original voice performances directed by Andrea Romano. Music from the Batman Beyond series composed by Lolita Ritmanis and Michael McCuistion Return of the Joker soundtrack composed by Kristopher Carter, featuring a performance by Kenny Wayne Shepherd. “Crash” song written by Mephisto Odyssey, Wayne Static and Julien Morris, and performed by Mephisto Odyssey featuring Static-X. Original sound design by Robert Hargreaves. Original foley by Gary Marullo. Novelization adapted by Z. Nikolaev and read for you by Benjamin David Audio production, additional sound design and sound editing by Z. Nikolaev. Batman created by Bob Kane and Bill Finger. Batman Beyond: Return of the Joker animated film produced by Warner Bros. Animation. Batman Beyond: Return of the Joker novelization originally published by Scholastic Inc. Batman and all related titles, characters, and indicia are trademarks of DC Comics.

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Check out our other socials here: https://linktr.ee/closecallspod Back to back episodes! This is another we recorded a couple of weeks ago that we're late posting. Hope you enjoy!   Intro - 0:00 The Boys Finale Season Trailer Reaction - 15:48 Lanterns Sneak Peak Reaction - 24:24 Supergirl Trailer Reaction - 27:46 Superman/Spider-man Crossover Coming - 36:30 New Highest Selling Comic of All Time - 44:55 Netflix vs Paramount for Warner Bros - 01:02:02 Origin of Absolute Joker - 01:14:41   Thanks for listening!

Lights! Camera! Diggler!Earth's Mightiest Critics close out 2025 with a look at Paul Thomas Anderson's classic 1997 drama, Boogie Nights! Mark Wahlberg stars as Eddie Adams, a young California dishwasher who gets lured into the glamorous, sinister world of 1970s adult entertainment. His found family includes legendary mogul Jack Horner (Burt Reynolds), Jack's matronly muse, Amber Waves (Julianne Moore), and fellow performer Reed Rothchild (John C. Reilly).Together, they build a new hard-core franchise while struggling against the unrelenting winds of drugs, video tape, and societal backlash.It's also a (really messed up) New Year's movie! AND a reminder of PTA's roots, as we prepare for the likely Awards sweep of his latest film, One Battle After Another.Join us for a free-wheeling Pre-NYE party, where we'll also take your questions, comments, and SuperChats!Support Kicking the Seat on Patreon, subscribe to us on YouTube, and follow us at:XLetterboxdInstagramFacebookShow LinksWatch the Boogie Nights (1997) trailer.As mentioned in the show, Ian had a couple of run-ins with Boogie Nights star Thomas Jane at the 2009 San Diego Comic-Con. Presented here is the two-part "The Thomas Jane Affair":Part OnePart TwoPick up Warner Bros' recently released 4K UHD of Boogie Nights.In case you missed it: check out EMC's roundtable review of One Battle After Another from earlier this year.Support all of Earth's Mightiest Critics at their various outlets:Keep up with Jeff York's criticism and caricatures at The Establishing Shot and Pipeline Artists.Check out Mark "The Movie Man" Krawczyk's The Spoiler Room Podcast.Get seated with The Blonde in Front!Follow David Fowlie's film criticism at Keeping It Reel.Get educated with Don Shanahan at Every Movie Has a Lesson…...And Film Obsessive...and the Cinephile Hissy Fit Podcast.Keep up with Annie Banks at The Mary Sue....and We Got This Covered.Make Nice with Mike Crowley of You'll Probably Agree.And save your celluloid soul with Dave Canfield's Substack, "Creature Feature Preacher".

California multi-instrumentalist Jara Harris of the legendaryfunkadelic Slapbak talks about “It's Only America” as a soulful rally cry and ahard-grooving protest with a heartfelt plan for unity in an age of deepdivision, plus “Funk Lives Matter” feat. “Hey Now”, “Get To Know Me”, “Hollywood'sNot”, “Don't Block the Bus”, and more! Jara formed Slapbak in the ‘90s andsigned to Warner Bros, plus toured with Snoop Dogg, George Clinton, MintCondition and shares how he got started in his amazing career plus the storiesbehind the music! Check out the amazing Jara Harris of Slapbak and all of hisreleases on many major platforms and  www.slapbak.com today! #jaraharris #slapbak #funkadelic#multiinstrumentalist #itsonlyamerica #funklivesmatter #heynow #gettoknowme#hollywoodsnot #dontblockthebus #snoopdogg #georgeclinton #mintcondition #spreaker#spotify #iheartradio #applemusic #bitchute #rumble #youtube #mikewagner#themikewagnershow #mikewagnerjaraharris  #themikewagnershowjaraharris#mikewagnerslapbak #themikewagnershowslapbak 

California multi-instrumentalist Jara Harris of the legendaryfunkadelic Slapbak talks about “It's Only America” as a soulful rally cry and ahard-grooving protest with a heartfelt plan for unity in an age of deepdivision, plus “Funk Lives Matter” feat. “Hey Now”, “Get To Know Me”, “Hollywood'sNot”, “Don't Block the Bus”, and more! Jara formed Slapbak in the ‘90s andsigned to Warner Bros, plus toured with Snoop Dogg, George Clinton, MintCondition and shares how he got started in his amazing career plus the storiesbehind the music! Check out the amazing Jara Harris of Slapbak and all of hisreleases on many major platforms and  www.slapbak.com today! #jaraharris #slapbak #funkadelic#multiinstrumentalist #itsonlyamerica #funklivesmatter #heynow #gettoknowme#hollywoodsnot #dontblockthebus #snoopdogg #georgeclinton #mintcondition #spreaker#spotify #iheartradio #applemusic #bitchute #rumble #youtube #mikewagner#themikewagnershow #mikewagnerjaraharris  #themikewagnershowjaraharris#mikewagnerslapbak #themikewagnershowslapbak 

Keywords movie props, auctions, Golden Globes, Netflix, Warner Brothers, pop culture, sci-fi, entertainment, bidding, collectibles Summary In this episode, Moose and GameGod dive into the fascinating world of movie prop auctions, discussing the staggering prices that iconic items fetch, such as the original Will Ferrell elf costume and props from Star Wars. They also touch on the recent Golden Globes nominations, highlighting the competition in animated films. The conversation shifts to Netflix’s bid for Warner Brothers Discovery, exploring the implications of such a merger on the entertainment landscape and consumer pricing. Takeaways Movie props can fetch astonishing prices at auctions.The original Will Ferrell elf costume sold for $319,000.Star Wars props are among the most sought after collectibles.The Golden Globes nominations include surprising entries like Zootopia 2.Netflix’s bid for Warner Brothers Discovery is a significant move in the streaming wars.Paramount’s higher cash offer for Warner Brothers raises questions about the bidding process.The acquisition of major franchises could change the landscape of film production.Consumer prices for streaming services are likely to rise with major acquisitions.The impact of a Netflix acquisition on movie releases could be detrimental to theaters.The podcast emphasizes the importance of understanding the value of collectibles. Titles The High Stakes of Movie Prop AuctionsExploring the Value of Iconic Film Props Sound bites “I love to spend money.”“319,000 right?”“That’s a B.” Chapters 00:00 Introduction to the Podcast and Themes02:03 Exploring Movie Prop Auctions11:11 Discussion on Iconic Movie Props and Their Values13:55 Golden Globes Nominations and Insights14:41 K-Pop Demon Hunters vs. Zootopia 218:53 The Battle for Warner Brothers Discovery27:23 The Future of Streaming and Pricing The post Episode 498 – Netflix (WB/Discovery) and Paramount, GOLDEN globes nominations, Movie Auction ELF appeared first on Podcast4Scifi.

In this conversation, the hosts reflect on the past year, discuss the potential impacts of the Warner Brothers merger, and explore the evolution of the entertainment industry towards streaming. They touch on the possibility of strikes in the industry, the influence of their podcast, and delve into current events, including the Epstein files and political commentary. The discussion also covers the state of movie scripts, family dynamics, and upcoming movies, providing a comprehensive overview of the entertainment landscape. In this engaging conversation, the hosts delve into various topics ranging from the changing landscape of movie deals and the impact of streaming on residuals, to personal reflections on sobriety and the controversies surrounding the Baseball Hall of Fame. They also discuss the influence of gambling in sports, political accomplishments, and the evolving state of modern television and film. The dialogue is filled with humor, personal anecdotes, and critical insights, making it a rich exploration of contemporary issues in entertainment and society.TakeawaysThe year has been challenging, and there's hope for a better future.The Warner Brothers merger may not have immediate effects on employees.Television is shifting towards smaller screens and streaming platforms.The movie industry is facing significant changes and challenges.Potential strikes in the entertainment industry could arise soon.The podcast has a significant influence and a large audience.The Epstein files reveal ongoing political corruption.Cultural commentary often blends humor with serious topics.The entertainment industry is experiencing a dumbing down of scripts.Upcoming movies reflect changing tastes and industry dynamics. Back-end deals in movies are declining due to streaming.Streamers often do not pay residuals to creators.Public companies can keep actor salaries private.Modern cars have complex technology that can be overwhelming.Personal experiences with alcohol can lead to sobriety.The Baseball Hall of Fame has ongoing controversies regarding eligibility.Gambling is increasingly influencing sports outcomes.Political discussions can highlight both achievements and failures.Television shows reflect current societal issues and trends.The entertainment industry is evolving with new technologies.Chapters00:00 The Future of Television and Streaming04:57 Strikes and Industry Changes07:11 The Epstein Files and Public Perception10:01 The Nature of Scandals and Corruption12:07 Financial Implications of Scandals13:38 The Drug Crisis and Political Narratives18:35 The Dumbing Down of Cinema21:09 The Tragedy of Family Dynamics30:14 Upcoming Movies and Industry Insights30:57 The Legacy of the ABA32:58 The Evolution of Cinema and Technology36:59 The Changing Landscape of Movie Salaries39:53 The Impact of Technology on Daily Life45:46 Reflections on Alcohol and Personal Stories51:53 Controversies in Sports Hall of Fame Inductions54:21 Baseball Hall of Fame Controversies54:52 Gambling in Sports: A Double-Edged Sword56:37 The Impact of Money on Player Integrity57:59 Steroids and Their Legacy in Baseball59:17 Cultural References and Humor in Sports59:55 Television Shows and Their Influence01:04:00 Political Discussions: Trump's Accomplishments01:05:36 The Entertainment Industry: Movies and Politics

A solo show where I talk about: asking someone to be on your podcast. Toddlers are tiring. The real reason I'll never be famous. Is boiling a lobster for Christmas a thing? Well it shouldn't be. Then I spend about 40 minutes talking about the article. The US might make you provide 5 years of social media history to enter, which is good, watch my podcast border agents. Netflix made a bid to buy Warner Bros. I'm not going to talk about a Chinese billionaire using American surrogates.Lobster Articlehttps://www.telegraph.co.uk/news/2025/12/23/boil-a-lobster-before-too-late-wholesome-family-fun/Find us:Web outragefactory.comTwitter @OutrageFactPodInsta @outrage_factoryTik Tok @dalederuiterFacebook www.facebook.com/outragefactpodReddit r/OutragefactorypodEmail Outragefactpod@gmail.comCheck out our redbubble swag https://www.redbubble.com/shop/ap/49661850

California multi-instrumentalist Jara Harris of the legendary funkadelic Slapbak talks about “It's Only America” as a soulful rally cry and a hard-grooving protest with a heartfelt plan for unity in an age of deep division, plus “Funk Lives Matter” feat. “Hey Now”, “Get To Know Me”, “Hollywood's Not”, “Don't Block the Bus”, and more! Jara formed Slapbak in the ‘90s and signed to Warner Bros, plus toured with Snoop Dogg, George Clinton, Mint Condition and shares how he got started in his amazing career plus the stories behind the music! Check out the amazing Jara Harris of Slapbak and all of his releases on many major platforms and  www.slapbak.com today! #jaraharris #slapbak #funkadelic #multiinstrumentalist #itsonlyamerica #funklivesmatter #heynow #gettoknowme #hollywoodsnot #dontblockthebus #snoopdogg #georgeclinton #mintcondition #spreaker #spotify #iheartradio #applemusic #bitchute #rumble #youtube #mikewagner #themikewagnershow #mikewagnerjaraharris  #themikewagnershowjaraharris #mikewagnerslapbak #themikewagnershowslapbak  Become a supporter of this podcast: https://www.spreaker.com/podcast/the-mike-wagner-show--3140147/support.

In the final episode of 2025, the team gathers to debate the future of the industry: with rumors of Netflix potentially acquiring Warner Bros, is there still value in the cinematic experience? Tosin, Sean, and a house-bound Holly break down the week's biggest releases on the big screen and the big stream, before revealing their top movie picks of the year. In This Episode: Zootropolis 2 (Cinema): Tosin heads to the cinema for the highly anticipated animated sequel Zootropolis 2 (Zootopia 2). Does the introduction of reptiles and the heavy focus on "zoning law" politics hold up to the original? Featuring a voice cast including Ginnifer Goodwin, Jason Bateman, Idris Elba, Ke Huy Quan, and Fortune Feimster. Irish Blood (Netflix): Holly reviews Alicia Silverstone's comeback in the Netflix mystery-drama Irish Blood . We discuss Silverstone's performance as an LA lawyer following a trail of clues to Wexford, Ireland. Silent Night, Deadly Night (Cinema): Sean reviews the slasher Silent Night, Deadly Night , featuring a killer Santa, "Garbage Day" vibes, and a convoluted plot involving an old people's home. Stream of the Week: Sean recommends Relay on Amazon Prime, a thriller starring Riz Ahmed and Lily James, directed by David Mackenzie. Best Films of 2025: The hosts share their standout films of the year, including: Sinners Weapons The Fantastic Four I'm Still Here September 5 Hosts: Tosin (Bromsgrove) Sean Harris (World Cup Bound) Holly Nesling (London Correspondent) Keywords: Zootropolis 2 Review, Irish Blood Netflix, Alicia Silverstone, Zootopia 2, Riz Ahmed, Relay Amazon Prime, Best Movies of 2025, Film Reviews, Netflix vs Cinema Podcast. Is Netflix killing cinemas? Each week we weigh up what we've seen in cinemas with what we've watched online at home and figure out which provided the best time. At least, we did before COVID jumped in and declared Netflix, Amazon Prime, Disney + and friends the winner. Listen and subscribe on Apple Podcasts https://podcasts.apple.com/gb/podcast/netflix-vs-cinema/id1448277363 Listen and subscribe on Youtube Music https://www.youtube.com/playlist?list=PL8xPMfsDQIDjM70v1Tah6BiKV4E3UQbaK Listen on Spotify https://open.spotify.com/show/6beXVeSImcgHLsPB22BgE3?si=wdoNI6E0SNqNfoqg4qnw4Q Support Netflix vs Cinema by contributing to their tip jar: https://tips.pinecast.com/jar/netflixvscinema Find out more at https://netflixvscinema.com This podcast is powered by Pinecast.

David Faber and Sara Eisen discussed precious metals rebounding from Monday's sell-off — which resulted in the worst day for silver in almost five years. AI in the spotlight: Sources told David that SoftBank has completed its $40 billion investment commitment to OpenAI. Meta has agreed to acquire Singapore-based AI startup Manus. The anchors reacted to President Trump's harsh words for Fed Chair Powell. 2026 outlook: Semiconductors and the AI trade, commercial real estate, media and the battle for Warner Bros. Squawk on the Street Disclaimer Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The 703rd of a series of weekly radio programmes created by :zoviet*france: First broadcast 27 December 2025 by CJMP 90.1 FM Thanks to the artists and sound recordists included here for their fine work. track list 00 [anonymous] - Intro 01 Lee Rosevere - Red Danube 02 Sevenism - Breakshuffle 03 Curtis Roads - Eleventh Vortex 04 4th Eden - Water Bottle 05 Julie Berry / SE Trains - 1152_will_the_driver_please_contact_the_control_centre_ 06 [unknown sound recordist / Warner Bros.] - Suction, Air – Air Suction Through Tube, Cartoon; Air Suction Through Tube, Cartoon; Air Suction Through Tube, Cartoon; Air Suction Through Tube, Cartoon; Air Suction Through Tube, Cartoon 07 [unknown sound recordist / BBC] - This Human World – Kettle – Kettle Blowing Its Top 08 Hideyuki Kuromiya - hm27 09 François Bayle - Jeîta, ou murmure des eaux (version 2012 inédite) – Intervalles d'eau 10 Sean O'Neill - Rufesec 11 Scott Lawlor - 6 Pairs of Shoes 12 Bram Piot - Northern Fiscal (Lanius humeralis smithii), Wulki Farm, Careysburg, Montserrado, 2015-08-23 13 James Osland - Melting Ice 9-11-15 14 Mutate - Undergrounded 15 Scott Lawlor and the Gateless Gate - Ancient Ocean Part 2: Paleo-Tethys [extract] 16 Claudio F. Baroni, Géraldine Schwarz, Dario Calderone, Jeroen Kimman, Reinier van Houdt, Isabelle Vigier - J'ai connu 17 The London Sound Survey - Victoria Park, Hackney in September 18 Rushab Nandha - Flutter ++ [anonymous] - Outro

Send us a textAct One Podcast - Episode 49 - Special Episode featuring a case study from the 2025 Producing and Entertainment Executive Program on the new Lionsgate/MGM+ show, ROBIN HOOD, now streaming.During the Act One Producing and Entertainment Executive Program, we occasionally offer case studies of projects for the students to watch and discuss with the filmmakers. Recorded on Saturday, November 8th, 2025, this interview with Showrunner John Glenn offers a fascinating look "behind the curtain” of the making of the new Lionsgate/MGM+ series, ROBIN HOOD.John Glenn is an American screenwriter, producer, director, and showrunner with over 25 years of experience creating film and television at the highest level. He launched his career in 1999 when he sold his speculative screenplay Red World to Jerry Bruckheimer and Walt Disney Pictures. Since then, Glenn has written, sold, and produced original films and series for every major studio and network in Hollywood - including Warner Bros., Paramount, Universal, Fox, Sony, DreamWorks, and Disney, as well as ABC, NBC, CBS, and FOX on the television side. His work also extends to MGM+, Lionsgate, and many more. His series Robin Hood for Lionsgate and MGM+, starring Sean Bean and Connie Nielson, premiered Nov. 2 and is currently streaming.Throughout his career, Glenn has developed and sold dozens of high-concept projects, working closely with A-list directors, producers, and actors across both film and television. Known for his ability to craft character-driven stories within commercial genres, Glenn continues to serve as a trusted creative force in the industry, bridging the worlds of studio filmmaking and premium television. The Act One Podcast provides insight and inspiration on the business and craft of Hollywood from a Christian perspective.Support the show

Five people join Mark in this episode, to talk about two different kinds of rom-comsFirst off, Tim Key and James Griffiths come on stage to talk about their heartwarming musical rom-com THE BALLAD OF WALLIS ISLAND. Next Mark talks about the affecting sci-fi inflected romance ALL OF YOU, with stars Brett Goldstein and Imogen Poots, and director William Bridges who co-wrote it with Brett. So sit back, relax, and take a front row seat at MK3D at the BFI Southbank. Enjoy!---Opening title quotes from:Mary Poppins (Robert Stevenson, Walt Disney Productions – featuring Julie Andrews)Nope (Jordan Peele, Universal Pictures – featuring Keke Palmer)Withnail & I (Bruce Robinson, HandMade Films – featuring Richard E. Grant)The Exorcist (William Friedkin, Warner Bros. – featuring Ellen Burstyn and Linda Blair)These films are essential viewing.Watch them. Love them. Share them.They are masterpieces.Mark Kermode Live in 3D and Kermode on Film are HLA Agency productionsThis episode was edited by Alex Archbold JonesImage by Julie Edwards.© HLA Agency Hosted on Acast. See acast.com/privacy for more information.

I messed up on these episodes .I am putting out this episode without cuts. The AI, I used has been cutting things off. I apologize. Hopefully, someone else will learn from my mistake. Welcome to the DMF! I'm Justin Younts, and today we're spotlighting the wisdom and creative spirit of Christine La Monte, who reminds us of the power of one simple word: yes. For Christine, saying yes has opened doors throughout her life and career — from directing plays to embracing unexpected film projects. One such opportunity is tied to her husband's book, Justice Deferred, which was once optioned by Warner Brothers and has now returned to her control. With screenwriter Laura Curran attached, Christine is actively pushing forward to bring it to life as a feature or series.Christine speaks openly about embracing challenges with purpose. She often reflects on the book The Journey of the Everyday Hero, a philosophy she lives by — that every challenge carries the seed of growth. She believes deeply that experiences, both good and difficult, shape who we are meant to become.Her commitment to self-care and spirituality also fuels her creative work. Through walking meditation, saying the rosary, and carving out moments of quiet connection, Christine finds balance amid a whirlwind of meetings, screenings, and creative responsibilities.Books remain a core source of joy and expansion for her — she belongs to two book clubs and loves the way literature broadens perspective and sparks conversation.Whether you're an aspiring filmmaker, a writer, or someone simply looking for motivation, Christine's journey is a reminder to say yes, lean into challenge, and trust that your path is unfolding as it should.Thank you for joining us on this episode of the DMF. Don't forget to like, share, and subscribe for more inspiring conversations!00:00:00 - Introduction00:00:09 - Justice Deferred and Future Projects00:00:57 - The Power of Saying Yes00:02:01 - The Journey of the Everyday Hero00:02:56 - Personal Beliefs and Practices00:03:58 - Daily Routine00:05:07 - Film and Television Preferences00:06:18 - Professional Associations and Experiences00:08:25 - Meditation Practices00:10:55 - Physical Activities00:11:54 - Current Reads00:15:23 - Influence of Filmmakers00:16:13 - Working with David Lynch00:16:34 - Lessons from Masters00:16:59 - Music Preferences00:20:02 - Work Ethic00:20:35 - The Role of Producers00:21:34 - Current Watchlist00:22:33 - Contact Information

My guest on this week's episode of the podcast is Amanda Engelman, Shopify's Director of Product for Advertising. The topic of the episode is the recently announced Shopify Product Network, which allows merchants to insert recommendations for products they don't sell into their own storefronts, sourced from other Shopify Merchants.But don't call it an ad network! In our discussion, among other things, we cover:An overview of the Shopify Product Network (SPN)How Shopify merchants have reacted to SPN since its launchHow payment works for merchants that host product recommendationsHow product exclusion and targeting are managedThe ultimate distribution potential for SPN and whether it serves as a complement to third-party ads or could replace them altogether for some merchantsWhether SPN could be expanded to third-party surfaces.Thanks to the sponsors of this week's episode of the Mobile Dev Memo podcast:⁠Xsolla⁠. With the Xsolla Web Shop, you can create a direct storefront, cut fees down to as low as 5%, and keep players engaged with bundles, rewards, and analytics.⁠INCRMNTAL⁠⁠⁠. True attribution measures incrementality, always on.⁠Universal Ads⁠ is Comcast's self-serve TV ads platform that lets you launch campaigns in minutes across premium inventory from NBC, Paramount, Warner Bros. Discovery, Roku, and more.Interested in sponsoring the Mobile Dev Memo podcast? Contact ⁠⁠Marketecture⁠⁠.

Welcome everyone to the final Weekly Planet episode for the year where we celebrate the best, worst and everything in between of the year when it comes to movies, tv shows, comics and more. We also talk about the tragic passing of Peter Greene and James Ransone, box office results for Avatar: Fire & Ash, Paramount's latest and even more desperate bid to buy Warner Brothers and trailers for Avengers: Doomsday and The Odyssey. Thanks for supporting us all year and we'll see you on February 2nd!You can still vote in The Weekly Planet 2025 Awards right here: https://forms.gle/4bpnyaV6sKqMUu6D7All bonuses including a new Q&A, let's play video for Avatar: Frontiers of Pandora plus entire back-catalogue with bonus videos, movie commentaries, exclusive pods, older Q&As, ad-free feeds and early access on bigsandwich.co (new bonuses will continue releasing as normal during January break)PLEASE be aware timecodes may shift up to a few minutes due to inserted ads.00:00 The Start02:38 Peter Greene & James Ransone RIP05:42 Avatar: Fire & Ash Box Office07:45 New Paramount Bid for Warner Bros11:53 Avengers: Doomsday Teasers18:43 The Odyssey Trailer24:33 The Weekly Planet "Best & Worst" Awards01:26:28 What We Reading, What We Gonna Read01:30:26 Letters, It's Time For LettersSUBSCRIBE HERE ►► http://goo.gl/pQ39jNJames' Twitter ► http://twitter.com/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownPatreon ► https://patreon.com/mrsundaymoviesT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-moviesThe Weekly Planet iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4The Weekly Planet Direct Download ► https://play.acast.com/s/theweeklyplanetAmazon Affiliate Link ► https://amzn.to/2nc12P4 Hosted on Acast. See acast.com/privacy for more information.

Mo News' 2026 Predictions: – Politics: Trump's Future, Midterms/2028, Cabinet Survival, Mamdani, Pardons (04:00) – Overseas: Ukraine, Middle East, Venezuela (27:00) – Business: "Jobless Boom," AI, Warner Bros. Merger, Tariffs (35:50) – Entertainment/Sports: Taylor & Travis, Diddy/50 Cent, World Cup, Upcoming Movies (46:00) Thanks To Our Sponsors:  – LMNT⁠ - Free Sample Pack with any LMNT drink mix purchase –⁠ Industrious⁠ - Coworking office. 50% off day pass | Promo Code: MONEWS50 – Incogni - 60% off an annual plan| Promo Code: MONEWS – Factor Meals – 50% your first box plus free shipping | Promo Code: monews50off – Monarch - 50% off your first year | Promo Code: MONEWS

Today the Pugs reflect on an essay by Matthew B. Crawford (author of Shop Class as Soulcraft) from his Substack entitled: Craftsmanship in the culture industry. The event that prompted the essay is the bid by Netflix to buy Warner Brothers (the film studio). What particularly interests Crawford is something broader, the decay of craftsmanship in our world, and what "managerialism" has to do with that. If you care about film, or just craftsmanship generally speaking we think you will enjoy the conversation. Article: https://open.substack.com/pub/mcrawford/p/craftsmanship-in-the-culture-industry?utm_campaign=post-expanded-share&utm_medium=web Support the Theology Pugcast on Patreon: https://www.patreon.com/thetheologypugcast?fbclid=IwAR17UHhfzjphO52C_kkZfursA_C784t0ldFix0wyB4fd-YOJpmOQ3dyqGf8 Learn more about WPC Battle Ground: https://www.solochristo.org/ Connect with WileyCraft Productions: https://wileycraftproductions.com/

Today the Pugs reflect on an essay by Matthew B. Crawford (author of Shop Class as Soulcraft) from his Substack entitled: Craftsmanship in the culture industry. The event that prompted the essay is the bid by Netflix to buy Warner Brothers (the film studio). What particularly interests Crawford is something broader, the decay of craftsmanship in our world, and what "managerialism" has to do with that. If you care about film, or just craftsmanship generally speaking we think you will enjoy the conversation.Article: https://open.substack.com/pub/mcrawford/p/craftsmanship-in-the-culture-industry?utm_campaign=post-expanded-share&utm_medium=webSupport the Theology Pugcast on Patreon: https://www.patreon.com/thetheologypugcast?fbclid=IwAR17UHhfzjphO52C_kkZfursA_C784t0ldFix0wyB4fd-YOJpmOQ3dyqGf8Learn more about WPC Battle Ground: https://www.solochristo.org/Connect with WileyCraft Productions: https://wileycraftproductions.com/

This 'Media Buzz Meter' first aired on December 10th, 2025 …Howie Kurtz on President Trump's recent rally despite media criticism of his health, the release of records related to the Ghislaine Maxwell and Jeffrey Epstein investigation, and Netflix's $72 billion bid to acquire Warner Bros. Discovery.  Follow Howie on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@HowardKurtz⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠For more #MediaBuzz click here Learn more about your ad choices. Visit podcastchoices.com/adchoices

Our countdown of the top 10 episodes of Smallville continues! Zach, Lance Laster from Always Hold On To Arrow, Victoria Male and Matt Truex from Lois & Clark'd: The New Podcasts of Supermandiscuss the #1episode as voted by you the listeners..."Homecoming"!Also, Zach announces what's coming for the podcast in 2026!Check out Lance on Always Hold On To Arrow!Check out Victoria's work on her website!Check out Matt's work including Lois & Clark'd: The New Podcasts of Superman at The Daily Knockoff!Always Hold On To Smallville is brought you to by listeners like you. Special thanks to these Meteor Freaks on Patreon who's generous contributions help produce the podcast!Chris Fuchs / @crfuchs7Kevonte Chilous / @chill_usJoey Dienberg / @JoeyD94_13InsaiyanCory MooreNathan RothacherIsaiah GoodridgeAtif SheikhJohn CurcioMarc-ids FoppenPatricia Carrillo / @MsCarrillo92Rhythm ChameleonJim CrawfordKasey Vach / @ThePandaSupremeRouie HumphreyAlex Hamilton  / @Quiet_Storm_23Matt DouglasDaniel CurielMeryl Smith / @MelXtreme84Trevis HullMatt B.Amy J.Mike FranzMartin RyanNathan MacKenzie / @maccamackenzieSteve Rogers / @SteveJRogersJrMollie FicarellaJames Lee / @Jae_El_52Jason Davis / @superjay_92Patrick BravoAlex Ramsey / @aramsey1992Tae Tae / @doomsday994.Rob O'Connor / @TheGothamiteTina BJakeJacobDaryn Kirscht / @darynkirscht16Dylan DiAntonioNick Ryan Magdoza / @nickryanEddie Bissell / @Kal_Ed11Nicholas FanslerJohn LongRuth Anne HamonTravis Kill / @tjkill81Mike ThomasNeena J / @Sofiamom1Gordon BombayMichael H.Laura Dos ReisCherrylDJ Doena / @DjDoenaNicholas CosoJarrett GibbsAnthony Anderson / @NigandNogKeith FaulsJames Hart / @jaohartsAnthony Desiato /@DesiWestsideCrystal CrossKirin KumarLorenzo Valdes / @ClarksCreekPATREON: patreon.com/alwaysmallvilleTWITTER: twitter.com/alwaysmallvilleFACEBOOK: facebook.com/alwaysmallvilleEMAIL: alwaysmallville@gmail.comUpdated Artwork by Eric Folk from Smallville Papers.Matt Truex is a Warner Bros. Discovery employee. The views and opinions expressed in this podcast are his own and do not necessarily reflect the views or positions of Warner Bros. Discovery.

Our final installment of 2025 finds your friends in podcasting discussing Dean's holiday travels, the health of Phil's wife, the latest on the sale of Warner Bros. Discovery and the use of AI (and self-learning programs) in a wide array of fields. Then, Dean and Phil get down to the serious business of discussing such […]

Today the Pugs reflect on an essay by Matthew B. Crawford (author of Shop Class as Soulcraft) from his Substack entitled: Craftsmanship in the culture industry. The event that prompted the essay is the bid by Netflix to buy Warner Brothers (the film studio). What particularly interests Crawford is something broader, the decay of craftsmanship in our world, and what "managerialism" has to do with that. If you care about film, or just craftsmanship generally speaking we think you will enjoy the conversation. Article: https://open.substack.com/pub/mcrawford/p/craftsmanship-in-the-culture-industry?utm_campaign=post-expanded-share&utm_medium=web Support the Theology Pugcast on Patreon: https://www.patreon.com/thetheologypugcast?fbclid=IwAR17UHhfzjphO52C_kkZfursA_C784t0ldFix0wyB4fd-YOJpmOQ3dyqGf8 Learn more about WPC Battle Ground: https://www.solochristo.org/ Connect with WileyCraft Productions: https://wileycraftproductions.com/

Matt is joined by Bloomberg's Lucas Shaw to discuss the big Christmas weekend at the box office, including the big ‘Marty Supreme' win and Sydney Sweeney's box office bounce. Then they dive into Lucas's recent Bloomberg survey polling 700 industry experts to answer the biggest burning questions around town, including who will end up owning Warner Bros., who will be the CEO of Disney in 2027, where you should sell your movie, and who is the worst CEO in media (01:42). Matt finishes the show with a prediction about whether we will get ‘Avatar 4' (25:00). For a 20 percent discount on Matt's Hollywood insider newsletter, ‘What I'm Hearing ...,' ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠click here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Email us your thoughts! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thetown@spotify.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Host: Matt Belloni Guest: Lucas Shaw Producers: Craig Horlbeck and Jessie Lopez Theme Song: Devon Renaldo Learn more about your ad choices. Visit podcastchoices.com/adchoices

Universal Destinations & Experiences has begun early planning for a theme park in Saudi Arabia, according to an exclusive Wall Street Journal report. The project would be structured as a licensing deal with government-backed funding—the same model Disney announced for its Abu Dhabi park.This marks Universal's second attempt in the region. In 2008, the company broke ground on Universal Studios Dubailand, but the project stalled after constructing little more than an entrance arch when financing collapsed during the global financial crisis.For Universal—fresh off the opening of Epic Universe, with Universal Kids Resort (Texas) and a UK park in development—a Middle East licensing deal would establish a presence without capital risk. The licensing model solves multiple problems simultaneously. It generates immediate revenue, provides access to the region's growing tourism market, and avoids the extended profitability timelines that characterize parks Universal builds itself. The structure mirrors successful UAE projects at Yas Island, where SeaWorld, Ferrari World, and Warner Bros. World all operate under licensing or joint venture agreements with government-backed developers.Listen to weekly BONUS episodes on our Patreon.

This week, Larry Ellison put his money where his mouth is, and promised $40 billion of his own money to shore up the Skydance bid for Warner Bros. Discovery. Nielsen Ratings Show Notes A Father and Son's $108 Billion Hostile Bid for Warner Bros. Discovery - The New York Times Why Isn't Paramount and the Ellisons Showing Warner Bros. Discovery Shareholders the Money? | Analysis Paramount guarantees Larry Ellison backing in amended WBD bid Larry Ellison's Pledge to Backstop Paramount Bid Would Reshape Fortune - Bloomberg Paramount's new offer for Warner Bros is not sufficient, major investor says | Reuters Ellison's hardball Warner Bros. tactics gave Netflix an opening If Avatar 4 and 5 don't happen, James Cameron vows to 'hold a press conference' to reveal plot details Netflix Crashes as 'Stranger Things 5' Premieres ‘Stranger Things 5' Turns Netflix Upside Down With Record-Breaking Premiere Week — Here's How It Happened ‘Heated Rivalry' Skates to Second Season at HBO Max, Canada's Crave ‘Chad Powers' College Football Comedy From Glen Powell & Michael Waldron Scores Season 2 At Hulu The Extraction Universe Expands to South Korea with TYGO ‘Last Samurai Standing' Renewed for Season 2 at Netflix 'NCIS: Tony & Ziva' Canceled By Paramount+ After One Season 'Landman' Renewed For Season 3 At Paramount+ ‘Platonic' Nabs Season 3 at Apple TV Apple TV and Legendary Expand ‘Monsterverse' Universe With Young Lee Shaw Series Starring Wyatt Russell 'Down Cemetery Road' Renewed For Season 2 At Apple TV ‘The Last Frontier' Canceled At Apple After One Season Matthew Macfadyen, Charlie Hunnam, Daniel Brühl Set for BBC-MGM+ John Le Carré Series What We've Been Doing The Santa Summit Mission Impossible: The Final Reckoning BALL X PIT  

Best Of Chris Merrill brings together some of the most entertaining and thought-provoking moments from the show, starting with a lively listener-driven debate on which classic TV shows deserve a reboot in the wake of the Warner Bros., Netflix, and Paramount shakeups. From Scrubs to The X-Files, Chris and callers share their nostalgia picks and reboot wish lists. The conversation then shifts to life in Southern California as Chris breaks down new data showing LA traffic may be improving, even while still ranking among the worst in the nation. Plus, a memorable listener call introduces the “Cone King,” a self-appointed parking enforcer taking on street chaos in South LA. See omnystudio.com/listener for privacy information.

Today the Pugs reflect on an essay by Matthew B. Crawford (author of Shop Class as Soulcraft) from his Substack entitled: Craftsmanship in the culture industry. The event that prompted the essay is the bid by Netflix to buy Warner Brothers (the film studio). What particularly interests Crawford is something broader, the decay of craftsmanship in our world, and what "managerialism" has to do with that. If you care about film, or just craftsmanship generally speaking we think you will enjoy the conversation. Article: https://open.substack.com/pub/mcrawford/p/craftsmanship-in-the-culture-industry?utm_campaign=post-expanded-share&utm_medium=web Support the Theology Pugcast on Patreon: https://www.patreon.com/thetheologypugcast?fbclid=IwAR17UHhfzjphO52C_kkZfursA_C784t0ldFix0wyB4fd-YOJpmOQ3dyqGf8 Learn more about WPC Battle Ground: https://www.solochristo.org/ Connect with WileyCraft Productions: https://wileycraftproductions.com/

As 2025 comes to an end, The Sunday Special is looking back on the year in culture.This week, on our final episode of the podcast, we're talking about movies. The potential acquisition of Warner Brothers by Netflix has dominated entertainment news in recent weeks, but the year in movies has been about a lot more than corporate mergers. Alissa Wilkinson, a movie critic for The New York Times, and Nicole Sperling, a culture reporter based in Los Angeles, join Gilbert Cruz to talk about what really matters: the movies we loved this year.Movies discussed in this episode include:“One Battle After Another”“Sinners”“A Minecraft Movie”“Superman”“Weapons”“Wicked: For Good”“Zootopia 2”“Avatar: Fire and Ash”“Marty Supreme”“It Was Just an Accident”“The Testament of Ann Lee”“Come and See Me In the Good Light”“Mission: Impossible — The Final Reckoning” On Today's Episode:Alissa Wilkinson is a movie critic at The Times.Nicole Sperling is a reporter covering Hollywood for The Times. Background Reading:Netflix vs. Paramount: Inside the Epic Battle Over Warner BrothersThe 25 Most Notable Movies of 2025Best Movies of 2025 Photo: Warner Bros. Pictures; 20th Century Studios; Disney Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

این قسمت از پادکست لوموس از جایی شروع می‌شه که همه‌چیز بوی خداحافظی و راز می‌ده؛ از تولد هفده‌سالگی هری و خواب‌های ناآرامش، تا آخرین یادگارهایی که دامبلدور از خودش به جا گذاشته. همراه با خشایار، امید، ملیحه، ایاز و شادی، دربارهٔ وصیت‌نامه‌ای حرف می‌زنیم که ساده به نظر میاد، اما پر از معنا و نشونه‌ست. بررسی می‌کنیم اسکریمیجر چرا این‌قدر محتاطه، دامبلدور چطور حتی بعد از مرگش بازی رو هدایت می‌کنه و این میراث چه نقشی توی مسیر آیندهٔ هری، رون و هرماینی دارن؛ درست در آستانهٔ عروسی‌ای که قرار نیست فقط جشن باشه.آنچه در این قسمت می‌شنوید:شروع و اسم فصل00:00:00بازگشت دوبارهٔ شادی به لوموس00:04:31خواب‌های غیرارادی هری00:08:16اولین تجربهٔ جادو کردن هری و هدیه جذاب رون00:15:47هدیه ویژهٔ جینی00:24:41جشن تولد هری و بررسی تحلیلی رابطه لوپین و تانکس00:38:46میراث رون: خاموش‌کن00:45:38میراث هرماینی: کتاب قصه‌های بیدل نقال01:02:21میراث هری: اسنیچ طلایی01:07:02خوانش کتاب01:09:55میراث آخر: شمشیر گریفیندور01:14:14پایان‌بندی01:21:48اجراکنندگان: امید، خشایار، ملیحه، ایاز، شادیمترجم: حسین غریبیراوی: آرشیدا لاریآهنگساز: علی خانیکپی‌رایت: Warner Bros and J.K.Rowlingارتباط با ما: podcast@wizardingcenter.com (توییتر و اینستاگرام)

Jurandir Filho, Thiago Siqueira e Rogério Montanare batem um papo sobre Netflix estar adquirindo a Warner Bros., um marco histórico que vai redefinir Hollywood! Em dezembro de 2025, a Netflix anunciou um acordo histórico para adquirir a Warner Bros., incluindo seus estúdios de cinema e televisão, o serviço de streaming HBO Max e os conteúdos associados, em um negócio avaliado em cerca de US$ 82,7 bilhões no total (incluindo dívida). Essa negociação une duas potências do entretenimento: a plataforma global de streaming que revolucionou a forma como o público consome séries e filmes, e um estúdio centenário responsável por franquias e títulos que marcaram gerações. Isso vai ser bom? Quais os benefícios e malefícios desse negócio? É o fim da Warner? A HBO acabou? O preço da Netflix vai subir?O acordo também atrai questionamentos regulatórios e preocupações antitruste, tanto nos Estados Unidos quanto em outras jurisdições, já que a concentração de tanto conteúdo e poder de distribuição nas mãos de uma única empresa pode afetar a concorrência e influenciar preços e opções para consumidores. A Paramount vai conseguir embarreirar essa negociação?Entenda toda essa novela!

FROM IOWA RADIO TO WARNER BROTHERS STARDOM Colleague Max Boot. Boot details Reagan's college romance with Margaret Cleaver and his early career shift from sportscasting in Iowa to acting in Hollywood. He explains Reagan's initial success in B-movies at Warner Brothers and his courtship of actress Jane Wyman, leading to their marriage and his ascent in the film industry. NUMBER 2 1940 SANTE FE TRAIL

It was a great year for Warner Bros. Discovery: Two of its movies (One Battle After Another and Sinners) are front-runners for the Academy Award for Best Picture, and it had a string of critical hits and box-office successes with Superman, Weapons, and A Minecraft Movie. But despite those wins, the media conglomerate—which also owns HBO and CNN—found itself up for auction with two aggressive bidders: Paramount and Netflix. The Atlantic movie critic David Sims explains why this deal could be bad for the movies. And our staff writer Frank Foer lays out why this deal could be bad for democracy—especially if President Donald Trump gets involved. --- Get more from your favorite Atlantic voices when you subscribe. You'll enjoy unlimited access to Pulitzer-winning journalism, from clear-eyed analysis and insight on breaking news to fascinating explorations of our world. Atlantic subscribers also get access to exclusive subscriber audio in Apple Podcasts. Subscribe today at TheAtlantic.com/Listener. Learn more about your ad choices. Visit megaphone.fm/adchoices

On the eve of Netflix shoveling a fourish-hour chunk of Stranger Things onto Christmas Day, we visit the past, present, and future of binge-dropped television shows. The strategy of releasing an entire season at the same time has been key to taking Netflix from a little startup that used to lend us DVDs in the mail … to a company so big and powerful, it is maybe going to buy Warner Brothers and own Bugs Bunny and Tony Soprano and the Harry Potter movies.But even Netflix may be flirting with some slightly less binge-y models of content release. Are we entering … the end of the binge drop?On our latest: what data tells us about binge watching. Was it the greatest business decision, and who does binge watching really benefit? Here's some of the research. Pre-order the Planet Money book and get a free gift. / Subscribe to Planet Money+Listen free: Apple Podcasts, Spotify, the NPR app or anywhere you get podcasts.Facebook / Instagram / TikTok / Our weekly Newsletter.This episode was produced by Willa Rubin and edited by Meg Cramer. It was fact-checked by Dania Suleman and engineered by Maggie Luthar. Alex Goldmark is our executive producer.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy