Podcasts about tang xianzu

Evan Vernon interviews Jie Weng, director of THE PEONY PAVILION. Jie Weng was born in an artistic family. Influenced by his father, an oil painter, he started to learn drawing from a very young age. He majored in sculpting in college, but he always felt that it was not something he meant to do. During his exchange study in the United States, Jie met Dan Krall, who did the character design for Coraline by Henry Selick, and found his true passion: stop motion. After that, he taught himself animation, produced two stop motion shorts, and founded his own stop motion studio: Realwood Stop Motion Studio. Realwood Stop Motion Studio has grown to be one of the best stop motion studios in China. Directed by Jie, the team have completed several animated shorts and won numerous awards from all over the world. THE PEONY PAVILION was recently selected as a Winner in the Animation Nights New York 5th ANNY Best of Fest in 2021. THE PEONY PAVILION "A Stroll in the Garden and an Interrupted Dream" is a scene from "The Peony Pavilion", a romantic tragicomedy play written by Chinese playwright Tang Xianzu during the Ming Dynasty. It depicts a love story, which takes place during the dream of Du Liniang, the heroine, and vacillates between the legend and the reality. The unique dream of Du Liniang that has been transmitted over 600 years now comes to you in the form of stop-motion animation with its subtle emotion revealed more vividly in the haunting tune and lingering sentiments of Kunqu Opera. We try to rejuvenate the long-lasting love story with the special charm of stop-motion animation. On the table-sized stage, you will see the joint dancing of Du Liniang and Flower Goddesses, and the lively and joyful performance of the judge from a netherworld and his ghosts. Entering into the dream along with Du Liniang, we, in our turn, question ourselves on the meaning of real life, and pursuit of eternal freedom and romantic love. Interview by Evan Vernon Theme music by Joe Lazenby You can subscribe to The AFA Podcast on iTunes, Acast, and Stitcher. Join ANNY on our Discord Server! About ANNY: Animation Nights New York i

In 2015, on a state visit to Great Britain, Chinese Premier Xi Jinping called 17th-century Chinese playwright Tang Xianzu the “Shakespeare of the East,” and ever since, the Ministry of Culture for the People’s Republic has made a concerted push to elevate Tang to the status of Shakespeare. This episode explores just who Tang Xianzu was, and – more broadly – looks at what role Shakespeare plays in modern-day China. Our guests, Wei Feng and Alexa Alice Joubin, study the intersection of China and Shakespeare. They are interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published November 29, 2017. © Folger Shakespeare Library. All rights reserved. This podcast episode, "I See My Reputation is at Stake," was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We’d like to thank Dr. Ruru Li, Professor of Chinese Theatre Studies at the University of Leeds in Great Britain; writer and journalist Andrew Dickson; Liz Thompson, Philippa Harland and Shihui Weng at the Royal Shakespeare Company; and Paul Hollman at The Dubroom Studio in West Hollywood, California.

Colin Mackerras discusses two Chinese artists whom he wrote about in the Berkshire Dictionary of Chinese Biography. First, Mackerras focuses on Lang Lang, a Chinese pianist, providing a look at Western classical music in China today. Shakespeare and Tang Xianzu display at the London Book Fair in April 2016. The second figure is Tang

Colin Mackerras discusses two Chinese artists whom he wrote about in the Berkshire Dictionary of Chinese Biography. First, Mackerras focuses on Lang Lang, a Chinese pianist, providing a look at Western classical music in China today. Shakespeare and Tang Xianzu display at the London Book Fair in April 2016. The second figure is Tang The post Opera and Classical Music in China Today appeared first on Berkshire Publishing.

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The art, expression, and modern interpretation of Kun opera (kunqu), the oldest and most refined Chinese opera form, is explored in an evening of conversation and musical excerpts with impresario Peter Sellars and renowned Kun opera star Hua Wenyi. Sellars’ acclaimed 1999 production of “Peony Pavilion” with composer Tan Dun, which starred Hua, was a significant part of the evening’s discussion. The opera is based on a famous 16th-century play by Tang Xianzu. Also joining the conversation was Susan Pertel Jain, executive director of the UCLA Confucius Institute, who originally brought Sellars and Hua together in 1990 at the Los Angeles Festival. Qiaoer Zheng, a young Kun opera student from the Asian theater program at the University of Hawaii, joined Madame Hua in one scene. Kunqu flute player Henry Chang provided accompaniment.